Podcasts about Fantasia

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Acceso anticipado para Fans - ¿como era la guerra en el mundo de #tolkien ? Descubrelo en este programa sobre la Guerra de Gondor con Carlos Márquez Linares LIBROS DE J.R.R. TOLKIEN https://amzn.to/3YW2Qte Podeís ver: - GUERRAS DE GONDOR. Historia Militar y subcreación en la Tierra Media de Tolkien https://youtube.com/live/RPROZD4SafY - EL SEÑOR DE LOS ANILLOS y LA HISTORIA: El mundo de Tolkin no es tan imaginario https://youtu.be/NkBDd0vtEd4 ----------------------------------------------------------------------------------------------------------------------- COMPRA EN AMAZON CON EL ENLACE DE BHM Y AYUDANOS ************** https://amzn.to/3ZXUGQl ************* ------------------------------------------------------------------------------------------------------- LOS LIBROS DE PACO https://franciscogarciacampa.com/libros/ ------------------------------------------------------------------------------------------------------ Si queréis apoyar a Bellumartis Historia Militar e invitarnos a un café o u una cerveza virtual por nuestro trabajo, podéis visitar nuestro PATREON https://www.patreon.com/bellumartis o en PAYPAL https://www.paypal.me/bellumartis o en BIZUM 656/778/825 ---------------------------------------------------------------------------------------------------------------------- Conviértete en miembro de este canal y apoya nuestro trabajo https://www.youtube.com/channel/UCTtIr7Q_mz1QkzbZc0RWUrw/join -------------------------------------------------------------------------------------------------------------------- No olvidéis suscribiros al canal, si aún no lo habéis hecho. Si queréis ayudarnos, dadle a “me gusta” y también dejadnos comentarios. De esta forma ayudaréis a que los programas sean conocidos por más gente. Y compartidnos con vuestros amigos y conocidos. SIGUENOS EN TODAS LAS REDES SOCIALES ¿Queréis contactar con nosotros? Puedes escribirnos a bellumartispublicidad@hotmail.com como por WHATSAP o en BIZUM 656778825 Nuestra página principal es https://bellumartishistoriamilitar.blogspot.com y en la pagína web de Francisco García Campa https://franciscogarciacampa.com Escucha este episodio completo y accede a todo el contenido exclusivo de BELLUMARTIS PODCAST. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/618669

This week we review and discuss "Fantasia 2000" as it celebrates its 25th anniversary. How long was this project being kicked around for? How much recycled animation is there? Do we need a third installment? All of that and more this week on Monoreel Radio.  Join the conversation on social media @monoreelradio on all major platforms, or send us an email at monoreelradio@gmail.com. For links to anything you heard on the show, visit our website and if you want to experience the Disney magic for yourself, click here to start planning your next vacation. 

Esperant el Cometa #30 - Les novel·les curtes i el fantàstic (Juny 2025)Durada: 95 minuts.Tornem amb un nou episodi en directe! Aquest programa és particularment especial per a nosaltres, ja que la tertúlia es va gravar durant la Catcon 2025, dins la programació de la Societat Catalana de Ciència Ficció i Fantasia. Vam tenir el privilegi de comptar amb la presència de la Judit Terradellas, editora de Mai Més, i d'en Gonzalo Rodríguez, editor de Chronos, amb qui vam conversar sobre la tradició de la novel·la curta dins els gèneres fantàstics i sobre com la llargada de les obres influeix en la seva feina editorial.Com sempre, també repassem les novetats del mes i us oferim la nostra secció de ressenyes.No us perdeu l'episodi i animeu-vos a comentar!BSO: Technological Chill Trap, de Abydos MusicVeu de les entradetes: Tatiana Dunyó

¡El mundo en guerra! ¡La Alemania Nazi invade Polonia y se alía con la Unión Soviética de Stalin! Jerry Siegel y Joe Shuster crean un comic de dos páginas (bit.ly/perdidos625super) que muestra como Superman terminaría con la guerra... ¡y son refutados por un órgano oficial del gobierno de Hitler! Así, en la Francia ocupada, Superman y Batman tienen que eludir a la censura nazi bajo identidades como L'Homme D'Acier (bueno, no se mataron mucho), François L'Imbattable, Le Justicier, Les Ailes Rouges, y alguno todavía más extraño. Además, como The Phantom habría ayudado a los noruegos a resistir al nazismo, la razón por la que Captain America Comics #1 tuvo que salir de apuro, el comic que predijo un hecho pivotal de la guerra, y el dibujante de comics que se convirtió en uno de los héroes que dibujaba... de la forma más literal posible. Todo esto, y mucho más, en Historias de Historietas, antes conocido como Leyendas Urbanas de Comics. Con música de Gilbert Moryn (interpretando a Maurice Van Moppès y Francis Chagrin), y White Wizzard. Próximo programa: No sabemos, pero algo de comics.

Composer Alan Menken is the winner of more Academy Awards in competitive categories than any other living person. He's best known for his scores for the animated Disney films including The Little Mermaid, Pocahontas, Aladdin and Beauty and the Beast. His first big hit was the musical Little Shop Of Horrors - one of several he created with lyricist Howard Ashman, his longtime writing partner. Other stage musicals include Sister Act, The Hunchback Of Notre Dame, and Hercules, which recently opened in London's West End. Alan Menken also wrote the scores for Disney films Mirror Mirror, Enchanted and Tangled. As well as eight Academy Awards, he has also won eleven Grammys, seven Golden Globes, two Emmys and a Tony Award.Alan talks to John Wilson about his childhood in New York and the expectations of his parents that he would follow family tradition and become a dentist like his father. A musical talent from a young age, he recalls how seeing Walt Disney's Fantasia was the start of thinking about the marriage of music with story and images. Despite initial ambitions to be a singer-songwriter, enrolling in a workshop in New York for musical theatre composers, lyricists, and librettists led by composer Lehmann Engel taught him how to write for the stage. It is also through Engel that he met lyricist and director Howard Ashman with whom he went on to write many of the hit scores credited as the driving force behind the Disney Renaissance of the 1980s and 1990s. Tragically, Howard Ashman was diagnosed with HIV in 1988 and died at the age of 40 in 1991.Producer: Edwina Pitman

Donald Macleod traces the musical development of Fanny Hensel née Mendelssohn. Whilst Fanny's famous brother Felix Mendelssohn's career flourished, the equally talented Fanny was often held back by the conventions of the period and at times, by her own brother. Despite this, in her final years, Fanny would go on to publish her own music under her married name, Fanny Hensel. Music Featured:Das Jahr, H-U 385 Piano Quartet in A flat, H-U 55 Ferne, H-U 97 Der Fischer, H-U 85 An Suleika, H-U 148 Mailied, H-U 122 Piano Sonata in C minor, H-U 128 Prelude in G, H-U 243 Der Rosenkranz, H-U 168 Ostersonate, piano sonata in A, H-U 235 Am Flusse, H-U 204 Harfners Lied, H-U 162 Deinem Blick mich zu bequemen, H-U 151 Sonata o Fantasia, H-U 238 Hiob, H-U 258 Oratorio on words from the Bible, H-U 260 (Gott unser Schild) Klavierstück, in F minor H-U 302 (Allegro agitato) Hero und Leander, H-U 262 String Quartet in E flat, H-U 277 Mélodie, Op 4/5 No 4 (Lento appassionato) Overture, H-U 265 Im wunderschönen Monat Mai, H-U 323 Lobgesang, H-U 257 (Chorus: Meine Seele ist stille zu Gott) Warum sind denn die Rosen so blass, H-U 312 Gondellied, H-U 377 Capriccio in A flat, H-U 247 Aus meinen Tränen sprießen, H-U 327 Abschied von Rom, H-U 352 Die frühen Gräber, H-U 222 Dämmrung senkte sich von oben, H-U 392 Piano Trio in D minor, Op 11 Lobgesang, H-U 257 (excerpt) Im Herbste, H-U 416 Vorwulf, H-U 462 Bergeslust, H-U 466Presented by Donald Macleod Produced by Luke Whitlock for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Fanny Mendelssohn (1805-1847) https://www.bbc.co.uk/programmes/m002cym9And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

In this solo episode of Fine Tooning, Jim Hill covers a whirlwind of animation news, box office milestones, and fast food tie-ins—while Drew Taylor checks in from Annecy. Topics include: Disney's live-action Lilo & Stitch nears $800M globally, but with How to Train Your Dragon, Elio, and Jurassic World approaching, can it hold on? A live-action Tangled revival is gaining momentum, possibly hitting theaters in 2029. Burger King's How to Train Your Dragon menu gets taste-tested, including the Dragon Flame-Grilled Whopper and Viking's Chocolate Sundae. Universal's Simpsons rights could end in 2028, putting attractions like Krusty Burger on the clock. The forgotten Dolby stereo Fantasia soundtrack from 1982, featuring a 125-piece orchestra, Jimmy Macdonald's new click track, and backlash from classical music fans. Plus: LEGO's $200 Krusty Burger, Seth Rogen's porcine resume, and why blue drinks raise red flags. It's a classic Jim-only episode packed with oddball insight and animation industry intel. Be Our Guest Vacations Planning your next Disney vacation? Be Our Guest Vacations is a Platinum-level Earmarked travel agency with concierge-level service to make every trip magical. Their team of expert agents plans vacations across the globe, from Disney and Universal to cruises and adventures, ensuring you have the best possible experience without the stress. Learn More Learn more about your ad choices. Visit megaphone.fm/adchoices

In this solo episode of Fine Tooning, Jim Hill covers a whirlwind of animation news, box office milestones, and fast food tie-ins—while Drew Taylor checks in from Annecy. Topics include: Disney's live-action Lilo & Stitch nears $800M globally, but with How to Train Your Dragon, Elio, and Jurassic World approaching, can it hold on? A live-action Tangled revival is gaining momentum, possibly hitting theaters in 2029. Burger King's How to Train Your Dragon menu gets taste-tested, including the Dragon Flame-Grilled Whopper and Viking's Chocolate Sundae. Universal's Simpsons rights could end in 2028, putting attractions like Krusty Burger on the clock. The forgotten Dolby stereo Fantasia soundtrack from 1982, featuring a 125-piece orchestra, Jimmy Macdonald's new click track, and backlash from classical music fans. Plus: LEGO's $200 Krusty Burger, Seth Rogen's porcine resume, and why blue drinks raise red flags. It's a classic Jim-only episode packed with oddball insight and animation industry intel. Be Our Guest Vacations Planning your next Disney vacation? Be Our Guest Vacations is a Platinum-level Earmarked travel agency with concierge-level service to make every trip magical. Their team of expert agents plans vacations across the globe, from Disney and Universal to cruises and adventures, ensuring you have the best possible experience without the stress. Learn More Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 00:08:44 - Fantasia super « Komm, eiliger Geist » BWV 651 -

¡Cobra Kai no se murió, Cobra Kai no se murió! Pero si se acabó, que le vamos a hacer, y si queremos Karate Kid, toca ver su regreso al cine, con Karate Kid: Legends. En la sexta entrega en pantalla grande de la saga (Eze no quiere que contemos The Karate Dog), el joven Li Fong es entrenado por el Sr. Han de la película de 2010 (o sea, Jackie Chan) para un torneo clandestino de karate en New York, pero como ellos hacen kung-fu, llaman a Daniel LaRusso, heredero directo del Sr. Miyagi. Así, las películas clásicas y la moderna son entretejidas en una sola saga. ¿Ganará el torneo de nuestro disfrute? Sépanlo, en este Sopapo Oriental, donde además Eze nos habla sobre la conexión entre el kung-fu y el karate. Recomienda, para más información, los canales de YouTube de MonkeyStealsPeach y KARATEbyJesse. Con música de Dom Lewis, y Tenacious D. Próximo programa: No sabemos, pero algo de comics.

Tutti hanno avuto a che fare con un mazzo goblin! Oggi vediamo i dieci migliori goblin della storia di Magic the Gathering!Tutte le info sul Festival: https://www.clepshydra.it/2025/05/30/festival-della-carta-custom-italiana/Trovi il video dell'episodio qui: https://www.youtube.com/channel/UCMkQqseTypha6-n8Lsba6KwLINK per il canale Telegram: https://t.me/+dXU4Ko4N2CszODRkIn Risposta Scombo è sponsorizzato da Fantasia store, il paradiso di tutti noi nerd! Sul loro store troverete tutto ciò che un giocatore di Magic può desiderare!

This week's episode of Broadway Nation is the second half of my conversation with author Ron Fassler, whose latest book is titled The Show Goes On — Broadway Hirings, Firings, and Replacements. Among the outstanding Broadway performers and creatives who are at the center Ron's fascinating stories include Abe Burrows, Bernadette Peters, Chita Rivera, Comden & Green, Cynthia Erivo, Fantasia, Frank Loesser, Gower Champion, Harold Prince, Howard Keel, Iva Withers, Jane Russell, Jeff Conaway, Jerry Orbach, Jerry Zaks, Jo Swerling, John Cullum, John Kander & Fred Ebb, John Travolta, LaChanze, Leonard Bernstein, Leroy Anderson, Lewis J. Stadlin, Michael Bennett, Michelle Lee, Robert Preston, Rosalind Russell, Shelly Winters, Sheila Smith and Yvonne De Carlo. And the musicals referenced include 1776, Carousel, Company, Follies, Grease, Guys And Dolls, How To Succeed in Business, Kiss of the Spider Woman, Mack & Mabel, Minnie's Boys, Oklahoma!, The Color Purple, Wonderful Town and more! Ron Fassler is a historian,  theater critic, and former actor whose previous book is, Up in the Cheap Seats — A Theatrical Memoir of Broadway. Become A PATRON of Broadway Nation! This episode is made possible in part through the generous support of our Patron Club Members, such as Carl Baldasso. If you are a fan of Broadway Nation, I invite you to become a PATRON! For as little as $7.00 a month, you can receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. And you will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And If you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: ⁠⁠⁠⁠⁠https://broadwaynationpodcast.supercast.tech/⁠⁠⁠⁠⁠ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Psychological warfare (PSYWAR), or the basic aspects of modern psychological operations (PsyOp), has been known by many other names or terms, including Military Information Support Operations (MISO), Psy Ops, political warfare, "Hearts and Minds", and propaganda.[1][2] The term is used "to denote any action which is practiced mainly by psychological methods with the aim of evoking a planned psychological reaction in other people".[3]

La Nerdoteca, nuestro club de lectura de comics. Este mes (en mayo, en realidad), leímos Astérix y los Normandos, Albert Uderzo (arte) y René Gosciny (guión), creadores de los irreductibles galos. Originalmente fue publicado por entregas en la revista Pilote (editorial Dargaud) en 1966, y recopilada en álbum al año siguiente, por la editorial Hachette, mientras que Grijalbo la publicó en español en 1974. La primera aparición de Asterix fue en 1961, así que estamos ante un comic y universo nuevito, aunque bien poblado, cuando se publica este comic. Acompañen a Eze, Chris, y MaGnUs a reseñar este comic, y leer las opiniones de la audiencia. Mirá el video completo y dejanos tu reseña en YouTube, o escuchá el audio donde sigas nuestro podcast (pero mejor mirá el video, que le pusimos mucho amor): https://youtu.be/Pi6xT6OleqQ Si te gusta, tiranos un mango por Cafecito desde Argentina o Ko-Fi desde Uruguay y el resto del mundo, los links están en bit.ly/perdidoseter. En junio leemos el primer tomo de Captain Tsubasa, alias Supercampeones, el manga en el que se báso la famosa serie de animé.

Finalmente una puntata di Total Party Kast dove si parla di Dungeons & Dragons 2024!! Ne parliamo così tanto che lo facciamo anche nell'INSPIRATION TIME durante il quale, con l'aiuto di Emilio, Wal ha creato il suo primo vero personaggio di questa riedizione. È una maga, è un'elfa ed una mercante. Mentre registravano non era ancora stato deciso deciso, ma si chiama Plutille

I have been anticipating having the opportunity to speak with Carl Amari on an episode of Unstoppable Mindset for several months. Carl and I share a passion for vintage radio programs sometimes called “old time radio shows”. Carl heard his first broadcast in 1975 when he heard Cary Grant staring in a program from the 20-year long series entitled “Suspense”. That program left the air in 1962, but like other shows, some radio stations kept it alive later.   Carl's interest in vintage programs goes far beyond the over 100,000 transcription master's he has amassed. He has also created some programs of his own. For example, in 2002 Carl asked for and received the rights to recreate the television show, “The Twilight Zone” for a radio audience. He used many famous actors while recreating the series. He talks about what he did and how he brought “The Twilight Zone” to life on the radio.   He also has dramatized five versions of the bible. His most well-known work is “The Word Of Promise Bible”. When I first purchased that bible from Audible, I had no idea that Carl was its creator.   Carl Amari is quite a creative guy making movies, collecting and producing radio programs and he even hosts podcasts.   I hope you have as much fun listening to this episode as I did in creating it with Carl. We definitely will have him back as he has many more stories to tell.       About the Guest:   Carl Amari has been licensing classic radio shows from the owners and estates since 1990.  He has amassed a library of 100,000+ master recordings.  Amari broadcasts these golden-age of radio shows on his 5-hour radio series, Hollywood 360, heard on 100+ radio stations coast-to-coast each week.  Amari is also the Host/Producer of The WGN Radio Theatre heard each weekend on legendary Chicago radio station, WGN AM 720. Amari is the founder and curator of The Classic Radio Club.  Each month Amari selects the best-of-the-best from his classic radio library to send to members.   Amari is also a published author.  In 1996, he began writing a series of books about classic radio for The Smithsonian Institute.  More recently, he teamed with fellow classic radio expert, Martin Grams, to co-write the best-selling coffee-table cook “The Top 100 Classic Radio Shows” (available at Amazon).  Each bi-monthly, Amari writes a classic radio-themed column titled “Good Old Days on the Radio” for the nostalgia publication Good Old Days Magazine.   In 2002, Amari licensed the intellectual property, The Twilight Zone, from CBS and The Rod Serling estate to create and produce The Twilight Zone Radio Dramas, which are fully dramatized audio adaptations based on Rod Serling's Emmy-Award winning TV series.  Hosted by prolific actor Stacy Keach, each hour-long radio drama features a Hollywood celebrity in the title role.  The Twilight Zone Radio Dramas has won numerous awards of excellence including The Audie Award, AFTRA's American Scene Award and the XM Nation Award for Best Radio Drama on XM.  The Twilight Zone Radio Dramas are broadcast coast-to-coast each week on nearly 100 radio stations.    In 2007, Amari parlayed his experience and passion for radio theatre and love for the Bible into the creation of the award-winning Word of Promise celebrity-voiced, dramatized audio Bible published by Christian giant Thomas Nelson, Inc.  The New Testament won 2008's highest Evangelical award, The Christian Book of the Year.  The Word of Promise stars Jim Caviezel (“The Passion of the Christ”) reprising his film role as Jesus, with Michael York, Terence Stamp, Lou Gossett, Jr., Marisa Tomei, Lou Diamond Phillips, Ernie Hudson, Kimberly-Williams Paisley and many other celebrities voicing roles of the New Testament.  In 2008, Amari produced The Word of Promise Old Testament featuring more than 400 actors including: Jon Voight, Gary Sinise, Richard Dreyfuss, Max von Sydow, Malcolm McDowell, Joan Allen, John Rhys-Davies, Sean Astin, Marcia Gay Harden and Jesse McCartney. The Old Testament was combined with the New Testament and released as The Word of Promise Complete audio Bible in 2009 and has won numerous awards, including three Audie awards.  The Word of Promise has become the #1 selling audio Bible of all time.  In 2009, Amari produced The Truth & Life Dramatized Audio Bible: New Testament, a Catholic Bible featuring Neal McDonough, John Rhys-Davies, Malcolm McDowell, Kristen Bell, Blair Underwood, Julia Ormond, Brian Cox, Sean Astin and other celebrities.  It was released by Zondervan Corporation, the largest religious publisher in the world.  Amari secured an Imprimatur from The Vatican and a foreword by Pope Benedict XVI for The Truth & Life Dramatized Audio Bible: New Testament, which has become the #1 selling Catholic audio Bible in the world.  In 2016, Amari produced The Breathe Audio Bible for Christian Publisher Tyndale House.  Celebrities voicing roles include Ashley Judd, Josh Lucas, Kevin Sorbo, Hill Harper, John Rhys-Davies and Corbin Bleu.  Amari currently produces a weekly radio series based on this audio Bible called The Breathe Radio Theatre hosted by Kevin Sorbo, heard on Christian radio stations coast-to-coast.    In 2000, Amari produced the feature film Madison starring Jim Caviezel, Bruce Dern, Jake Lloyd, Mary McCormack and John Mellencamp.  In 2001, Madison was invited by Robert Redford to be the opening film at Redford's prestigious Sundance Film Festival.  Madison was later released worldwide by MGM.  Amari also spends his time creating television series for Warner Brothers and Gulfstream Pictures.  Amari's latest film projects include producing, Wireman, starring Scott Eastwood and Andy Garcia, a true-story set in 1978 Chicago and Crossed, a Zombie Post-Apocalyptic story by The Boys creator Garth Ennis.  Both films will be released in 2025.   Amari's company was twice named to the INC. 500 list of fastest growing privately-held companies.  He was selected as one of Chicago's Very Own by Tribune Broadcasting and his business accomplishments have been highlighted in The Wall Street Journal, The Chicago Sun-Times, The Chicago Tribune, Variety, INC. 500, The Associated Press, Entertainment Weekly, The Washington Post, The Los Angeles Times and The New York Post. Ways to connect Carl:   https://www.hollywood360radio.com/   https://classicradioclub.com/   https://ultimateclassicradio.com/   You can also provide my email address: Carl@ClassicRadioClub.com   About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:20 Well, hello to you all, wherever you may be, welcome to another episode of unstoppable mindset. Oh, it's always good to have an unstoppable mindset. I am really very joy today. I'm really happy because I get to have an hour to chat with someone who I've admired for a while, although I haven't told him that but he, I first heard him on a show. Well, he did a show called Yeah, on a program called yesterday USA, which is a program that plays old radio shows on now two different networks. They have a red network and a blue network, so they have emulated NBC, and they're on 24 hours a day, doing a lot of old radio stuff. And I've been collecting radio shows for a long time, although our guest, Carl has has done, in a broad sense, a lot more than I have. But anyway, he collects shows. He does a lot with master copies of radio shows, and I don't, don't have that many masters, but he's also done some other things. For example, in 2002 he acquired the rights from CBS and the Rod Serling estate to create Twilight Zone radio, and he is created versions for radio of all of the Twilight Zone broadcasts. The other thing that he did that I didn't realize until I got his bio, is that he created something else that I purchased from Audible, probably in 2008 or 2009 the Word of Promise Bible, where he got a number of entertainers and and special people and Celebrities like Michael York and others to create the Bible, and it's only 98 hours long. So you know, it takes a little while to read, but still, it's worth doing. So I would like to introduce you all to Carl Amari and Carl, welcome to unstoppable mindset. Michael,   Carl Amari ** 03:14 thank you so much for having me. It's a real honor. Thanks so much.   Michael Hingson ** 03:19 Well, the honor is, is mine as well. I really am glad that that you're here and we do get to talk about radio and all sorts of whatever comes along. Well, I want to start this way. Tell me about kind of the early Carl, growing up and all that well for an opening, yeah. Gosh,   Carl Amari ** 03:35 that was a long time ago, but when I was 12 years old in 1975 I heard my first classic radio show. It was an episode of suspense, and it starred Cary Grant in a show called on a country road. Yeah, and I was at a sleepover at my friend's house, and we were kind of rowdy, as as 12 year olds will be. And his father had this show, I think it was on an eight track tape or a cassette tape, and he played it, and it was the first time I ever experienced theater of the mind. And I, you know, grew up watching Batman and the Twilight Zone and Wild Wild West, and I had never had anything, you know, that that really, really just blew me away, like hearing a radio drama where you hear the the actors performing, and you see the, you know, they have the sound effects and the music, and it creates this movie in your mind. And I was at a 12 as 12 years old. I was just completely just, you know, flabbergasted, and I wanted to learn all I could about classic radio and and so I spent, really my entire career, the last 40 plus years, licensing and putting out these radio shows, licensing from. The estates and putting them out on radio and on CD and digital download and so forth.   Michael Hingson ** 05:06 Cool. Yeah, I remember on a country road the first show. Well, I remember a few times my parents were listening to radio in the early 50s, and I think one of the first ones I heard was Dick Tracy, but I don't even remember that, but I think it was 1957 in October or so. I was listening to the radio, and all of a sudden I heard, and one of my maybe it was 58 but anyway, one of my favorite songs at the time was Tom Dooley by the Kingston Trio, and this announcement came up that on suspense this Sunday would be the story of Tom Dooley. And I went, Oh, that's Oh, right, right. Listen to that. And I did, and I was hooked for the very same reasons that you were radio really presents you the opportunity to picture things in in your own mind, in a sense, the way you want. And what they do in the radio production is get actors who can draw you in, but the whole idea is for you to picture it in your own mind. So I did it with Tom Dooley, and I got hooked. And I was listening to suspense and yours truly Johnny dollar ever since that day. And then also Gun Smoke and Have Gun Will Travel came along, and then that was fun.   Carl Amari ** 06:23 Yeah, those were those shows that you just mentioned. They were on still in the 50s. Because when you think of the golden age of radio, it was really the 30, late 30s all the way to the very early 50s, golden age of radio. But there were hangers on. There was Johnny dollar, and, like you said, suspense. And you know, some of these programs that were still on fiber, McGee and Molly, even, you know, Jack Benny, were still on during the 50s. And then, of course, most of the shows made the transition to the visual medium of television. But the eyes, I still say, you know, today, listening to these radio shows is more fun, and I think they're more impactful than the television versions. Oh,   Michael Hingson ** 07:07 I think so by any standard. I think that's true. And gun Well, let's see. Suspense went into, I think 1962 Johnny dollar did, and suspense and Gunsmoke and Have Gun Will Travel. Started on television, actually, but then transitioned to radio. There were a few shows, a few of the plots that actually were on both, yes, but John Danner played Paladin on the radio, and that was fun. And then, of course, Gunsmoke as well. So they, they, they all went into the 60s, which was kind of kind of cool, yeah.   Carl Amari ** 07:43 And usually they had, you know, sometimes they had the same cast, and other times a completely different cast, like with Gunsmoke, you know, William Conrad was Marshall Matt Dillon on on radio. And, of course, people remember him as canon on television, also Nero Wolf on television. But William Conrad, who was probably in more radio shows than anyone I can think of. Yeah, was, was Marshall, Matt Dillon, and then on on television, of course, James Arness, so yeah, and but then, you know, the Jack Benny Program, there was the same cast, you know, the very same people that were on radio, moved to television, same with Red Skelton and many of the shows, but other times, completely different cast.   Michael Hingson ** 08:22 I was watching this morning when I woke up, me too. Let's see, was it me too? Yeah, was me TV? They're great and and they had Jack Benny on at 430 in the morning. I just happened to wake up and I turned it on. There's Benny season five, where he took the beavers to county fair. Of course, the Beavers are fun. And I've actually, I've actually had the opportunity to meet Beverly Washburn, which was, oh, sure,   Carl Amari ** 08:52 sure. Oh man, Jack Benny, probably the high water mark of comedy. You know, when you talk about, you know, a guy that was on, he started in vaudeville, you know, and then he had his own radio show, his own TV show was in movies, and probably the most successful. And when you think about Seinfeld, right, when you think about the series, the television series Seinfeld, there's so many correlations between Seinfeld and the Jack Benny Program, you know Seinfeld. It was, was a comedian, you know Jerry Seinfeld, playing himself. He had this cast of Looney characters all around him. Same thing with the Jack Benny show. It was Jack Benny with a cast of Looney characters. And so it's probably was an homage, you know, to to Jack Benny. And   Michael Hingson ** 09:39 I, I'm, think you're right. I think in a lot of ways, that probably absolutely was the case. And you know, there are so many radio shows that that, in one way or another, have have influenced TV. And I think people don't necessarily recognize that, but it's true, how much, yeah, radio really set the stage for so many things. Yeah, I think the later suspenses, in a sense, were a lot better than some of the earlier ones, because they really were more poignant. Some were more science fiction, but they really were more suspenseful than than some of the early ones, but they were all fun.   Carl Amari ** 10:13 Oh gosh, suspense that's now you're talking about, I think the best series of all time, you know, because it was about almost 1000 episodes. It lasted from 42 to, I believe, 62 or 63 and and it had, for a time, there was a lot of true stories on suspense when Elliot Lewis took over. But yeah, you're right. It had the best actors, the best writers, the best production values. So suspense to this day. You know, I think is, of all the shows was, was one of the best, if not the best.   Michael Hingson ** 10:45 Oh, I agree. I can't argue with that at all. And did so many things. And then for at least a summer, they had hour long suspenses, but mostly it was a half hour or Yes, later was 25 minutes plus a newscast, right,   Carl Amari ** 10:59 right, right? It didn't seem to work in the hour long format. They only did a handful of those, and they went back right back to the half hour once a week, you know. But, yeah, no suspense, one of my favorites for sure.   Michael Hingson ** 11:13 Oh, yeah. Well, and it's hard to argue with that. It's so much fun to do all of these. And you know, on other shows in radio, in a sense, tried to emulate it. I mean, escape did it for seven years, but it still wasn't suspense, right,   Carl Amari ** 11:27 right. Closest thing to suspense was escape, but it was never and I think because you know, as as you know Michael, but maybe some of your listeners don't realize this, these actors, these big actors, Humphrey Bogard and chair, you know, James Stewart and Cary Grant, they were, they were studio, they were under a studio contract. So they weren't like today, where they were freelance. So when, like, let's say, Jimmy Stewart was being paid, I'll just make up a number $5,000 a week to be under contract to make movies when he wasn't making a movie, they wanted to make money on this actor, so they would loan him out to radio. And these actors were on suspense, like on a routine basis, you had movie stars every week appearing on suspense, the biggest movie stars on the planet. So and you would think, well, how could they afford these movie stars? Well, because the studios wanted to make money when their actors weren't working, right?   Michael Hingson ** 12:23 And and did, and people really appreciate it. I mean, Jess Stewart, yeah, even some of the actors from radio, like fiber began, Molly, yeah, on a suspense. And they were, that was a great that was a great show. But, oh yeah,   Carl Amari ** 12:38 back, I think it was back, right? Yeah, yeah, which   Michael Hingson ** 12:41 was really cool. Well, you license a lot of shows from, from people tell me more about that. That must be interesting and fascinating to try to negotiate and actually work out. Well,   Carl Amari ** 12:52 early on, when I was in college, you know, as a communications major, and I learned very early on that these show, a lot of these shows are, copyrighted so and because I was actually sent a cease and desist letter on a college station just playing a show. And so that was, and it was from Mel blanks company, man of 1000 voices. And he his son, Noel, helped me learn, you know, taught me that, hey, you know, these shows are were created by, you know, the the estates, you know, the that were still around Jack Benny and, you know, CBS owns a ton of stuff and different, you know, entities that own these shows and and he helped, and he introduced me to a lot of people, including Jerry Lewis and Milton Burrell and and so I spent My early career in my 20s, flying back and forth to LA and New York and licensing these shows from like Irving Brecher, who created the life of Riley and the Jack Benny estate. And, you know, golden books at the time, owned the Lone Ranger and so licensing that and Warner Brothers, you know, DC for Batman and so, and Superman, I mean, which had Batman on it, but Superman, I licensed those. And, you know, MCA universal for dragnet and the six shooter and so on and on and on and and I spent, as I say, my early career licensing. I now have over 100,000 shows under license, and mostly from Master transcriptions, because I only like to collect from the master source, because we put them out through a club, the classic Radio Club, and I air them on my I have a national radio show called Hollywood 360 we air them every week, five shows every week on the network. There's over 100 stations, including Armed Forces Radio and and so I want the quality to be impeccable. I don't want dubs of dubs or, you know, cracks and pops. And I really want to give people what it sounded like back then when they aired   Michael Hingson ** 14:54 and well. And you you can sort of do that, but the sound is probably even better today. With the audio equipment that people have access to, yeah, the sound is even better than it was. But I hear what you're saying, and it's cool to listen to those, and they're not stereo. Oh, that would be interesting to to try to reprocess and make that happen, but the audio is incredible. Yeah,   Carl Amari ** 15:16 yeah, that's kind of what our, you know, our trademark is, Michael is, you know, if you're listening to Hollywood 360 which, as I say, is on a lot of stations across the country, when you listen to that show, and in every hour, we play a we play a show, you know you're going to get something that sounds just, is like we're talking right now. You know that's that's important to me. Yeah,   Michael Hingson ** 15:37 well, and I can appreciate that, and it makes perfect sense that it is because we should really preserve the the programs, and we should do what we can to make them sound as good as we can, and we should really get that high quality. And the high quality is there, yes, just not always what people find, and people are willing to, well, accept less than what they should, yeah,   Carl Amari ** 16:01 well, I, you know, I grew up collecting from where I wherever I could. But then, when I started licensing them, I would get the masters from the, you know, whoever owned them. And then I also have about a half a dozen collectors that only collect on 16 inch disc, which is kind of great. And so if I have, let's say, you know, suspense and and I'll, you know, let's say, you know, because we license that from CBS. But if CBS doesn't have a certain show, but a collector on disc has it, I'll get that from the collector and still pay the royalty the CBS because they own it. But I'll get that, that disc from a collector. And, you know, we, and it's a cost of doing business, but we'll get it transferred and and put it out to the public that way.   Michael Hingson ** 16:46 Typically, what are the discs made of? So   Carl Amari ** 16:49 they're, they're like, uh, they're like a shellac. I mean, they're, they're like, a glass. Some of them are actually glass,   Michael Hingson ** 16:55 yeah, you know, some of the Jack Benny shows were glass, yeah,   Carl Amari ** 16:59 and acetate and things like that. And so I there's one gentleman that's in in Redding, California, Doug Hopkinson, who is just an expert on this, and he does most of the transfers. We recently licensed 41 different series from Frederick zivs estate. And you know, we're talking the entire collection of Boston Blackie bold venture with Humphrey Bogart and Lauren Bacall, Philo Vance, with Jackson Beck, Mr. District Attorney, and I was a communist for the FBI. And Doug is actually doing they're all on they're all zivs Personal discs. Frederick Ziv, he had them. There's 10,000 more than 10,000 discs in a controlled warehouse in Cincinnati, and we are slowly but surely working our way through 10,000 shows. And Doug is doing all those transfers. So he's a busy guy. Does he go there to do it? No, we have him sent. So you do cardboard boxes. Yeah, yeah. To California. And then Doug has two, you know, it's special equipment that you have to use. I mean, it's very, very it's not just a turntable, and it's a special equipment. And then, you know, we get the raw file, you know, we get the, he uses the special needles based on that album, you know, or that disc he has, you know, a whole plethora of needles, and then he tests it, whichever gets the best sound out of there. So, yeah, he's really, he's tops at this. And so we're doing those Troy, we just transferred all the, I was a communist for the FBI with Dana Andrews, yeah, and all the Boston blackies, which is one of my favorites   Michael Hingson ** 18:40 and bold venture. And, yeah, I have those, good man, so I know that it's interesting. You mentioned the needles. So for people who don't know, in order to get a program on one disc, the transcriptions were literally 16 inches. I mean, we're all used to LPS or 12 inch disc, but the radio transcriptions were 16 inch discs, right?   Carl Amari ** 19:05 And that held 15 minutes. And now you needed two discs, yeah? So generally, you needed two discs to give you one show, unless it was one on one side and one on the other side. But a lot of times it was, it was, it was two discs for one show, yeah, and then, and then, on the opposite side, you'd have another show. One   Michael Hingson ** 19:24 of the things that I got the opportunity to do was to collect my dad knew somebody when he worked at Edwards Air Force Base that had a number of 16 inch transcriptions, and I had a turntable. Wasn't great, but it served the purpose for a college kid. And one of the things I discovered was that there were a few recordings that, rather than putting the needle on the outside and the record spins and plays in, you actually start from the inside and go out.   Carl Amari ** 19:56 Yes, I've seen that, yeah, and I'm told we're that way. Yeah,   Michael Hingson ** 20:00 I'm told that they did that because the the audio quality was actually better. Doing it that way, really? Yeah, I didn't know that. I didn't know, but that's what I was told, was that the audio quality was even better. Wow,   Carl Amari ** 20:11 yeah. I mean, it's a skill, you know, because with we really have one shot to get these 10, you know, these, these discs and and and we were getting them from, from literally, Frederick zivs Personal. They were, I told, like the first one off the duplication line. When he would, he would bicycle the discs all around the country. We're not using discs that were ever touched by radio stations. In fact, a lot of them, we have to drill out the holes in the middle because they've closed up a little bit. So these have never been played. They're unplayed. His master discs that are unplayed and and if you have the bold venture, you know what we were able to pull off those masters, it's like high fidelity. Mon Oro,   Michael Hingson ** 20:56 yeah. They're as good as it can get. And they do, they sound really great. Well, even the Boston blackies are good. Yeah,   Carl Amari ** 21:02 oh yeah, yeah. I'm excited about that, because that, that's one of my favorite shows Boston.   Michael Hingson ** 21:07 I like Boston Blackie and yeah, and I like, I was a communist for the FBI, and I haven't gotten those yet, but I'm waiting to get Dana Andrews that whole   Carl Amari ** 21:15 they just shipped. So there you should be getting them, Michael. So thank you for that. They'll   Michael Hingson ** 21:20 be they'll be coming, yes, which is pretty cool, but it is so fun to have the opportunity to listen to all these and I really urge people, the easy way is you can go to places like yesterday usa.net, online and listen to a lot of radio programs, but you can go to Carl's website, or when he can tell us how to do it, and you can actually purchase the opportunity to get copies of some of these shows, and they're absolutely fun and worth doing.   Carl Amari ** 21:54 Yeah, thank you, Michael. We are. We have, you know, our radio show has a website. You can learn about our radio show that's that's easy. It's Hollywood. And then 360 so Hollywood, 360 radio.com, that's like my and you can reach me, but there's ways to contact me through there. And then we, I think I mentioned we offer these through a club, which is pretty cool, because what I do every month is I'll comb the library of we have over 100,000 shows, and I'll take, I'll pick 10 shows every month and put them either on five CDs with a booklet, historical booklet, and it's in a nice case. And you get about every 30 days, CD members get a new 10 C 10 show five CD set in the mail, or you can get those same shows via digital download. So if you don't want the CDs, you just want a link sent to you there, they're done that way too. And that's classic radio club.com and all of the information is there at Classic radio club.com and as I say that that we put out only the best quality there, like, the best quality you could possibly get, which,   Michael Hingson ** 23:04 which is so cool, because I have heard some of those programs as you say that they're dubbed or people, for some reason, have the wrong speed. They're not great quality, right? So frustrating. Yeah, there's no need for any of that. And some people, of course, cut out the commercials, not being visionary enough to understand the value of leaving the commercials in, right? And again, they didn't do a very good job of cutting them out.   Carl Amari ** 23:31 No, we leave everything in. Even, you know, it's so interesting to hear cigarette commercials, or, you know, all you know, vitamin commercials, like, you know, you know, ironized yeast presents, lights out. You know, it's fun. It's fun to hear, you know, these commercials. And sometimes, like on the dragnets, when they're talking about Chesterfield, they're like, oh, doctor recommended, you know, and all this.   Michael Hingson ** 23:55 Well, even better than that, I was just thinking the Fatima cigarettes commercials on dragnet. Yeah, research shows, yeah, I wonder where they got that research,   Carl Amari ** 24:07 yeah. Oh my gosh. They were, they were, it was crazy how they would do that. I mean, they got away with it. They did. They did. They did. And, you know, we, even when we air radio shows, we don't cut the commercials unless it's cigarette commercials, because there's an FCC rule that you can't hear cigarette commercials. But like, you know, when we play Jack Benny and there's and there's, you know, Grape Nuts flakes commercials, we leave it in. We want people to hear the Fun, fun of those commercials and things well,   Michael Hingson ** 24:36 and sometimes, of course, like with great nuts flakes commercials, the commercial is part of the program. Yes, it's integrated. Break away. It's all integrated in which makes it so fun. I didn't know that there was an FCC rule that said you can't air any cigarette commercials even for educational purposes.   Carl Amari ** 24:55 Well, it might be for educational purposes. It may be non commercial, but I know on commercial stage. Stations, I can imagine that. Yeah, yeah. And Hollywood, 360 is commercial, you know, we have sponsors like, you know, we have Prevagen is one of our big sponsors, cats, pride, kitty litter, and, you know, they've been with me forever. And, you know, whatever, the Home Depot, Geico, you know, my pillow, these are some of our sponsors. And, and so we're on commercial stations across the country.   Michael Hingson ** 25:21 Yeah, so it makes sense that that you you do it that way, which, yeah, you know, is understandable. But, boy, some of those commercials are the Chesterfield commercials. Accu Ray on Gunsmoke. Yeah?   Carl Amari ** 25:37 A gimmick to get you to buy their cigarettes.   Michael Hingson ** 25:39 Yeah, I bet there was no accuray machine, but, oh, probably not, probably not. It is so funny. Well, you did the Twilight Zone radio programs. What got you started on doing that?   Carl Amari ** 25:53 Well, you know, growing up, I think I mentioned earlier, it was one of my favorite shows, yeah, always mine too, you know. And just watching that I was so blown away by twilight zone as a kid. So then when I got into the licensing of these classic radio shows, and I I was, I guess I was just always really envious of these producers that got to do these radio shows. And I always thought, man, I was. I was born in the wrong decades. You know, I was, I wish I was around back in the 40s and was able to produce suspense or escape or one of these shows. And I thought the show that would work the best, you know, that was on television, that that would work great in the theater of the mind realm, would be twilight zone, because growing up watching, you know, the makeup wasn't that great and the costumes weren't that great. You could see the zippers on the Martians sometimes. And I thought, you know, the writing was so amazing, right? And the stories were so vivid, and it worked for your theater of the mind that you didn't really need the visual with Twilight Zone, especially if you, you know, you have to write them in a way for radio. There's a special technique for writing for radio, obviously. So I, I reached out to to CBS and the rod Sterling estate, and they thought it was cool. And they said, you know, what do one, we'll let, we'll let, we'll take a listen to one, you know. And they sent me the television script for monsters are due on Maple Street. That was the one they sent me. And at the time, I was trying to get Robert Wagner to be the host. I always liked to take the thief and and, and he thought it was interesting, but he passed on it ultimately. And, and then at the same time, I was working with Stacy Keach, senior, Stacy keach's Dad, who had created Tales from the tales of the Texas range Rangers, right? And, and, and so I was at, actually at Jane Seymour's house, because Jane Seymour was married at that time to Stacy's brother, James Keach, and I got invited to a party there. And I got to meet Stacy Keach and and I heard his voice up close, you know, standing next to him, and I was like, this is the guy I gotta get to be the host. And so I started telling him about what I was doing, and he's like, I'd love to be the host of that. And so that was the beginning of a lifelong friendship with Stacy, and he was just incredible on it. And we did one, we did a pilot, monsters are doing Maple Street. And they loved it. And said, go ahead. And that was it. And it was like, in 2002   Michael Hingson ** 28:29 the first one I heard was, if I remember the title, right, a different kind of stopwatch, okay, the one with Blue Diamond Phillips, Blue Diamond Phillips, that was the first one. I think you. You offered that as a, as a sample. Yeah, yes, when I got that was pretty cool. But you   Carl Amari ** 28:43 wouldn't believe Michael, how many whenever I would reach out to an actor like Jason Alexander, I mean, Jay, I remember Jason, when I reached out to him and I said, Hey, I'd like to you to do these. And he was like, Oh, I'd love it. And then he did it, and then he'd call me and say, You got any more of those? Love doing it, you know, because they never get to do this. They, you know, these actors don't get to do radio. And so people like, you know, Lou Diamond Phillips and Luke Perry God rest his soul, and and Michael York and Malcolm McDowell and, you know, Don Johnson and Lou and Luke Luke Gossett Jr, so many of these people that I reached out to, Jane Seymour, another one, they were just they were they couldn't say yes fast enough. They just loved doing radio drama. It was so easy to book these stars. I've   Michael Hingson ** 29:38 been talking with Walden Hughes, who, you know, is the guy who now runs yesterday USA, we've been talking about and we've been doing recreations of a number of shows. The problem is that the people who are involved, oftentimes have never really gone back and listened to the shows they're recreating and their voice. And what they do are so different than the kinds of things that you actually would hear on the shows, they just don't do it very well. And we've actually thought about the idea of trying to get a grant to try to teach people how to be radio actors and really learn to do the kinds of things that would make the shows a lot more meaningful. We'll see what happens. We're really working on it. We're going to be doing some recreations in Washington for enthusiasm. Puget Sound, yes, and one of my favorite radio shows has always been Richard diamond private detective. I thought such a wise guy, and so I am actually going to be Richard diamond in Nice,   Carl Amari ** 30:46 oh my gosh, yeah, wow. Well, you know, there's a real, there's a real special magic to doing these radio shows, as I know, you know, you understand, you know, there's, there's, and that was that really boils down to having great actors and also great writing like so CBS would send us. He would, they would send me the our the Rod Serling scripts, you know, we really, we'd get them, but they, of course, would not work on radio because it was written for a visual medium. So I had, I had a two time sci fi fantasy winning writer Dennis echeson, who is no longer with us, unfortunately, but he, he, he was an expert on Twilight Zone and also how to write for radio. And it's all about that it's taking that he would take the TV scripts and and redo them so that they would work without the visual, and that you start with that. And then you can, you know, then you can create, when you have a grin, you have a great group of actors. And I hired only the best Chicago supporting cast here, you know, the the Goodman theater and, and, you know actors and, and, you know people like that. And then, of course, the star, we'd fly the star in, yeah, and they, they knock out two shows. I bring in lunch in the middle of the day, we'd knock out two shows. And it was a wonderful experience doing like, I don't know, I think I did, oh gosh, close to 200 episodes.   Michael Hingson ** 32:13 Now, were some of the episodes, shows that never were on the the TV series, or they, yeah, when   Carl Amari ** 32:19 we got through the original 156 shows, because that's how many were in the original Rod Serling run. So we did them all. We actually one of them I never released because I wasn't happy with it. I think it was called come wander with me. So that one I never released, we did it. I wasn't happy with it, because it was a musical one, you know, I think it had Bob Crosby on it, or somebody like that, and on the TV show, and so it was a lot of singing, and I just wasn't happy with it. But after that, there was no no more. I could have gone into the later series, but I just, I said to them, can I hire writers to write new ones, you know? And they said, Sure, but we have to approve it and all that. And so a lot of them got approved, and a lot of them didn't. And then we, we, I think we produced maybe close to 4030, or 40 originals,   Michael Hingson ** 33:13 right? Yeah, did you ever meet Rod Serling? No, never   Carl Amari ** 33:18 did. He was gone before I got into this. Yeah,   Michael Hingson ** 33:22 he came to UC Irvine to lecture once when I was still on campus. I was actually Program Director of the radio station, and so several of us from kuci got to interview him. And one of our, the people who was involved with that, actually had one of the ape costumes from Planet of the Apes. So he came dressed up as one of the Apes. Was Wow, but great. But the thing about rod Sterling his voice is it's hot. How do I describe this? No matter what his voice sounded like on television, it wasn't nearly as deep as his natural voice, and microphones couldn't get the same level with his real voice, and so we interviewed him. His voice was very deep, and then we did then we went out and listened to the lecture at the gym, and he sounded like Rod Serling, but he didn't sound like Rod Serling when we were talking with him, yeah, and when we could hear him with our ears, when it came out on on the show that we did the interview, it again, sounded like Rod Serling, but just the microphone. Couldn't really get the full breath of his voice, which was sure,   Carl Amari ** 34:35 yeah. I mean, what a talent, right? I mean, and then he had that show, Zero Hour, zero hour, right? Yeah, radio. And that was an interesting series, too. He tried to bring back the and he didn't. It was a, I think it was a fine job. You know, good job. Yeah. There were others, you know, CBS Radio, mystery theater, of course, diamond Brown. And there were some other ones. But I. I'm real proud, really, really proud of The Twilight Zone. I think they're, they're, they're, I mean, they're not nothing is as good as the way they did these the shows in the golden age. I mean, I don't think anyone can get to that point, but they're, I think they're pretty close, and I'm very proud of them.   Michael Hingson ** 35:15 Oh, yeah. And, but it still is with the Twilight Zone. It's really hard to compete with that, my favorite Twilight Zone, and for me, it was tough because I never knew the titles of the shows, because they would show you the title, but I could never, never really hear them. But when I started collecting and got access to, like your your radio Twilight zones and so on. I started to learn titles, and so my favorite has always been valley of the shadow. Oh, great one. Yeah. I just always thought that was the best of the it was an hour long instead of a half hour. But I Yeah, on TV. But I always thought that was just so innovative. I   Carl Amari ** 35:57 think Ernie Hudson did that one for me. I'm trying to think, but yeah, there was, we had, we had so many incredible actors on it. I mean, it was, it was a real fun, you know, four or five years that I was doing those, lot of fun doing them. Yeah,   Michael Hingson ** 36:12 you had several with Stan Freeberg. And, of course, yes, who don't know Stan Freeberg was definitely very much involved in radio, especially in the 50s, late 40s, with, that's rich, but mostly in the 50s, a satirist and incredible humorist and entertainer. But he did several Twilight zones.   Carl Amari ** 36:31 He did, you know, yeah, I was working with him on, you know, I created the show when radio was, which is still out there today, and and when radio was I ever initially had art Fleming as the host, you know, the original host of original Jeopardy guy, yeah. And then when art passed away, I hired Stan Freeberg, and Stan was the host of that show for many years. And then, then, when I started doing Twilight Zone, I said, Hey, would you like to do some of these? And he's like, Yeah, I'd like to do them all, yeah. Let me have all the scripts. But the one that he did that I think, is just off the charts amazing, is called Four o'clock ever, yeah, one, yeah, yeah. That is just the most interesting show, The Twilight Zone episode that we did where he plays this kind of a loony, a loony guy, who is that? What you describe him as, narking on everybody doesn't like anything, like anybody or anything, no, and it's so and he calls people and harasses them and oh my gosh, and he says, I'm gonna shrink everybody to four inches tall at four o'clock. Four o'clock, right? Yeah, and it's just, oh my gosh, what a what a great episode. It's one of my favorites.   Michael Hingson ** 37:48 And of course, if you think about it, listening people out there who got shrunk at four o'clock,   Carl Amari ** 37:56 well, let's not give it away, but yes, I think you can figure it out.   Michael Hingson ** 37:59 I think it's pretty,   Carl Amari ** 37:59 easy to figure out, but, and I actually played, I actually played a role in that episode. I played the bird. I did all the bird sounds on that episode. And so I feel like I had a co starring role, because, yeah, he had a parrot. You know, that was every time you would say something. And I played that, that part on there. But   Michael Hingson ** 38:22 yeah, all the Twilight zones were, were so clever, yeah, and, and I love listening to them. I I have a an mp three player that I carry on airplanes, and I have audio copies of all the Twilight zones. So every so often as I'm flying somewhere or two on and listen there, Michael,   Carl Amari ** 38:43 I'm so glad to hear that. Oh, man, you make me so happy to hear that. So   Michael Hingson ** 38:47 fun. And you know, another one of my favorites was, will the real Martian please stand up now? Yeah, that was cute, and I won't give it. Oh,   Carl Amari ** 38:57 great. So great. Yeah, I sent trying to think who the actor was in that one, but it's been a while, but that's a great one, yeah. And I remember, you know, watching it on TV and and thinking, Oh, this would work on radio. So great, you know, so love doing them. Yeah, I'd love to do more. I might consider coming back and doing more. I mean, originals, you know, might be a lot of fun to do those again, I was   Michael Hingson ** 39:21 going to ask you if you've got any plans for doing anything future. You know, in the future might be interesting, and there's a lot of leeway, of course, to take it in different directions. Do x minus one, but you don't have to do the same stories, even, although, yeah, a lot of good stories in in the original x minus ones on for those who don't know x minus one is a science fiction series. It was on from what 1955 through 1957 I   Carl Amari ** 39:49 believe, yeah, it was a great series. Sci Fi really lends itself really, very well to radio drama. You know, in theater of the mind, it's great because you can, you can go in. Anywhere you land on any planet. And you know, it's very easy to do on radio, where it's tough to do on TV. You know, you have to spend a lot of money to do that. So, I mean, Stan Freeburg proved that with his with his giant ice cream Sunday.   Michael Hingson ** 40:15 All right, go with the marasino Cherry. For those who don't know, is that he said, we're going to empty Lake Michigan now. We're going to fill it up with whipped cream. We're going to drop a maraschino cherry into it and other things. He said, You can't do that on TV.   Carl Amari ** 40:31 Try doing that on television. Yeah, he was something. He was so much fun to wear. Of all the people that I've met over the years, you know so many of these radio stars, and I've interviewed so many hundreds of them, really, over the years, I'd have to say I have a special place in my heart for Stan the most, because I got to work with him for so many years, and we used to just go to lunch together all the time, and and he had a, he had a, he had a, what was it again? Now? Oh, oh, I'm trying to think of the car that he drove, a jaguar. It was a jaguar, and it was a and we used to drive around in his, his big Jaguar all around LA, and just have so much fun together. And I just loved working with Stan. He was such a great man. I   Michael Hingson ** 41:17 never got to meet what would have loved to Yeah, Jack Benny and Jimmy Durante, oh my gosh, yeah. And, of course, Stan Freeberg, but yeah, you know, I wasn't in that circle, so I didn't write that. But what, what wonderful people they were. And, yeah,   Carl Amari ** 41:32 George Burns, George Burns used to, yeah, George used to take me to the Hillcrest Country Club, and we would just have the best time. He just thought it was the most interesting thing that a young guy in his 20s was so passionate about, you know, those days. And he we would just talk for hours. And I used to go to his office in Hollywood and in his and we would just sit and talk. And I have pictures of of those, those times I have them in my office, you know, he and I together. He was like a mentor to me. He and Stan were both mentors.   Michael Hingson ** 42:05 Did you get recordings of many of those conversations? Yes, I do.   Carl Amari ** 42:08 I do have quite a few with with George and Stan. Yeah,   Michael Hingson ** 42:12 it was great, you know, yes, nothing like talking to God, that's   Carl Amari ** 42:16 right. And he had a coffee cup in his office. It's it was a white coffee cup, and it had God on it, and black to drink out of that coffee cup. And he had, I was to say, when I first, my first time, I went to his office in Hollywood, you know, he was a real long office, narrow with is all paneling, and there was all these beautiful pictures, like photos of all the people he and Gracie had worked with. And then there was this beautiful painting of Gracie above him, you know, where he was sitting at his desk. And I remember walking in. I said, Hi, George, because I had talked to him on the phone a lot of times. And he said, Ah, come on in, you know. And I said, Oh, man, George, these photos are amazing on the walls, looking as I was walking towards his desk. And he says, You like those pictures? I said, Yeah. He goes, everyone in those pictures is dead except for me. I knew him the last about four years of his life. From that, from he was 96 to 100 I knew George, and we'd, we'd go   Michael Hingson ** 43:16 to the Hillcrest together. It was fun. Did you meet or get to know Bob Hope, never   Carl Amari ** 43:21 met Bob Hope No, because he lived, what, two, yeah. He lived 100 Yeah. Never met Bob Hope No.   Michael Hingson ** 43:27 And Irving Berlin got to 100 Yeah, yeah. But so   Carl Amari ** 43:30 many, I mean, Jerry Lewis, and so many others that that, I mean, Jerry was so great. I mean, you know, probably one of the most talented people to ever live, you know, and he could even sing, and he could, he could do it all. I mean, he was something. I mean, I was in such awe of that man. And we, he was very kind to me, licensed me to Martin Lewis and all that. So, yeah,   Michael Hingson ** 43:52 we saw one of my favorite musicals. I originally saw it as a movie out here on K Shea was the million dollar movie. It was Damn Yankees,   Carl Amari ** 44:03 damn Yeah, he was on Broadway. Did that on Broadway, and he did it on Broadway,   Michael Hingson ** 44:07 and we read about it. And his father, he had how his father said, You'll really know you've arrived when you get to do something on Broadway. And that was the only thing he ever got to do on Broadway. And we did get to go see it. We saw, Oh, wow, yeah,   Carl Amari ** 44:20 Broadway, amazing, yeah, amazing, yeah, yeah.   Michael Hingson ** 44:24 I'm so sad that there was so much acrimony for so many years between him and Dean Martin, yeah, which was really probably brought on more by all the people they worked with that, yes, that cost a whole lot more than them. But yeah, near the end they, they did deal with it a little Yeah?   Carl Amari ** 44:42 They, they got back together a little bit. Yeah, yeah. He was an interesting guy, Boy, I'll tell you. You know, just talking to him, I learned so much, learned so much over the years.   Michael Hingson ** 44:53 Yeah, yeah. It's so much fun to to be able to do that. Well, I really do hope you do get. To do another show, to do something else. And you're right, there's nothing like science fiction in terms of what you can do, and maybe even doing a series, yeah, yeah, as opposed to individual shows. One of my favorite science fiction books by Robert Heinlein is called the Moon is a Harsh Mistress, and I would love to see somebody dramatize that. I think it would take, probably, to do it right? It's going to take about 15 hours to do but, oh, wow. What a great what a great thing. If you've never read it, read the book, it's really, oh, I   Carl Amari ** 45:30 haven't, so I'm not familiar with it, so I'll give it a read. The Moon is a Harsh, missus,   Michael Hingson ** 45:34 yeah, yeah. Pretty clever. A computer helps organize a revolution on the moon, which was being colonized and run from the lunar authority on earth. Here's what gives it away in 2075 subtract 300 years. Yeah, it's all about the same thing, like the revolution here, but a computer, Mycroft wakes up and helps organize the revolution. It's really pretty clever. Oh, wow,   Carl Amari ** 46:04 that would be fun to do in a series. Yeah, it   Michael Hingson ** 46:08 would be worth doing. But, but, yeah, I've always enjoyed the book. Robert Donnelly read it as a talking book for blind people. Oh, okay, okay, yeah. So I actually have it. I'll have it, I'll have to find it. I could actually send you the recording. You could listen to it. Oh, please do. I'd love that. We won't tell the Library of Congress, so we will know much trouble.   Carl Amari ** 46:33 But you know, then I kind of, you know, my other passion is the Bible. Yeah, I was gonna get to that. Tell me, yeah. I was just gonna, you know, and so a lot of these same actors that did, you know, Twilight zones and things for for me, I just, I met, like Jason Alexander and so many of these people, Lou Gossett Jr, when I decided to do the to dramatize the entire Bible on audio. A lot of these same actors and many, many, many more, were really, were really great to be in that too. It was a lot of fun.   Michael Hingson ** 47:06 Yeah, well, very recognizable voices, to a large degree, like Michael York,   Carl Amari ** 47:12 yes, yes, he was the narrator. So he did the most. He worked the longest. What a great man. Just an amazing actor. He was the narrator. And then you know Jim Caviezel, who played Jesus in the Passion of the Christ, played Jesus in it, right? And then you know Richard Dreyfus was Moses John Voigt was Abraham. Max von Saito played Noah John Rees Davies was in it. I mean, we had, we had, I mean, Marissa Tomei was Mary Magdalene. I had many, many Academy Award winners in it, and so many people, you know, was in it. That was a four year deal that took me four years to do the full Bible. Yeah, 98 hours on audio, fully scored the whole thing.   Michael Hingson ** 48:01 Well, you had a great publisher put it out. Thomas Nelson, Yes, yep. They also did my first book, Thunder dog. So can't complain about that too much. No,   Carl Amari ** 48:10 they know how to market. It Was it, was it, I think, I think today it's still the number one selling dramatized Audio Bible in the world. I believe, you know, so it's, it's been a big success for Thomas Nelson, yeah, that was, that was, that was quite, I mean, you should have seen what my passport looked like when I did that. I mean, it was stamped for every country all over that I was going and, you know, and having to produce, because a lot of the actors, like, you know, John Reese Davies. He lives in, he lives in the Isle of Man, and, you know, and then, you know, Max von Saito was nice France, and we scored it in Bulgaria. And, I mean, you know, it was just crazy and traveling all over the world to make that audio. But you've done some other Bibles in addition to that. I have, yeah, yeah, I have. I've done, think I did. Now it's like five different ones, because I like doing different translations, you know, because it's different. I mean, even though it's the same story, the translations people people have translations that they love, you know, whether it's the RSV or it's the New Living Translation or the Nkj or, you know, and so I, I've enjoyed doing them in different translations. That's   Michael Hingson ** 49:25 pretty cool. Do you have any, any additional, additional ones coming out?   Carl Amari ** 49:29 No, no, I've done, I've done done, like, five and, and so I'm more doing, you know, more concentrating now on my radio show, Hollywood, 360, and, and some movie production stuff that I've been working on. And then I'm one of the owners of a podcast company. So we're, we're always putting out, you know, different podcasts and things. And so my plate is very full, although I would love, I think I would love to do some. Thing, like, what you're saying, like, either more Twilight zones, or maybe something like that. It might be, you know, I'd love to do something in the theater or the mind, you know, arena again, too, because I love doing that. Yeah,   Michael Hingson ** 50:11 I think it'd be a lot of fun to do. Tell me about the podcast,   Carl Amari ** 50:15 yeah. So, um, so we have a podcast company called Gulfstream studios, and we have our main, our main podcast is a is, is. So we're, we, we do a show called, well, there's, there's several podcasts that we're doing, but, but it's the spout is the is the one that's a music oriented we have all the biggest music artists on there. It's really great. So spout is the name of that podcast. And then we're working on, we're working on a Bible podcast. We're going to come out with some a Bible podcast pretty soon. I'm real excited about that more soon. Hopefully you'll have me back when we launch that. Well, yeah, and then, you know, we have, we're always looking for any so I'm ready to, I'm ready to take your podcast onto our platform. Whatever you say. Michael, oh, we'll have to,   Michael Hingson ** 51:10 we'll have to look at that and work it out. But in the meanwhile, I said earlier, I'd love to come on any of the podcasts that you want. And if, yeah, have you read thunder dog,   Carl Amari ** 51:19 no, I didn't know. I didn't have not read it. No. So thunderdog   Michael Hingson ** 51:23 was my story of being in the World Trade Center and getting out and so on. But you should read it, because there are also some, some really poignant parts, like, just to briefly tell that part of the story, I'll send you a video where of a speech I've given, but one of the parts of it is that, as I was running away from tower two, as it was collapsing, because we were at Vesey Street and Broadway, so we were like 100 yards away from tower two when it came down, I turned and ran back the way I came. And as I started to run, I started, I said to myself, and I stayed focused pretty much. But I said to myself at that point, God, I can't believe that you got us out of a building just to have it fall on us. Right? I heard a voice as clearly as we are hearing each other now in my head that said, don't worry about what you can't control. Focus on running with Roselle and the rest will take care of itself. Wow. And I had this absolute sense of certainty that if we just continue to work together, we would be fine. We did, and we were but I am very much a a person who believes in the whole concept of God. And for those who who may disagree with me, you're welcome to do that. You'll you'll just have to take that up with God or whatever at some point. But I would love to really explore anytime you you need a guest to come on and be a part of it, and who knows, maybe I'll be good enough to act in a radio show you do.   Carl Amari ** 52:49 I'm sure you would be, sure you would be Michael, but it would be, yeah, but it would   Michael Hingson ** 52:54 be fun to do. But I really enjoy doing all this stuff, and radio, of course, has become such a part of my life for so long, it has helped me become a better speaker. Was I travel and speak all over the world?   Carl Amari ** 53:10 Yeah, wow. Well, I'm a big fan of yours, and, and, but I'd love to read the book, so I'll order it. Can I get it off of Amazon or something like that? You can get   Michael Hingson ** 53:19 it off of Amazon. You can get it from Audible, okay, or wherever. And then I wrote, then we wrote two others. One's called running with Roselle, which was really intended more for kids talking about me growing up, and Roselle my guide dog at the World Trade Center growing up. But more adults buy it than kids. And then last year, we published live like a guide dog. True Stories from a blind man and his dogs about being brave, overcoming adversity and moving forward in faith, and that one is really about people need to and can learn how to control fear and not let fear overwhelm or, as I put it, blind them. And you can actually learn to use fear as a very powerful tool to help you function, especially in emergencies and unexpected situations. And so live like a guide dog uses lessons I've learned from all of my guide dogs and my wife's service dogs, Fantasia that have taught me so much about learning to control fear. And I realized at the beginning of the pandemic, I've talked about being calm and focused getting out, but I've never taught anyone else how to do it, so live like a guide dog is my solution for that, which is kind of that, that,   Carl Amari ** 54:26 that I'm sure helps a lot of people, you know, that's because fear is, is, it's, it's debilitating, you know? So, yeah, well, that's, but it doesn't need doesn't need to be, that's right, that doesn't need to be, yeah, it's one of the reasons why I wanted to do the Bible stuff, because I learned at a very early age that these theater, these radio shows you under, you listen and you actually interpret them and understand them deeper with the theater of the mind than watching them on television or reading them like, like. I think even reading a book as great as that is, if you heard it dramatized on radio, it's even more powerful. I and so I knew that if I took the Bible, which is the greatest book of all time, and it was dramatized in a way, in a kind of a movie quality way, with sound effects and music and wonderful actors that I thought people would get a deeper meaning of the word. And I think we it. We were successful with that, because so many people have written about it on Amazon and things and saying like I, you know, when I heard the Word of Promise, and when I heard this audio, I had to go and get my Bible and see, does it really say that? You know? So here's people that had read the Bible many, many times, and then they heard the dramatization of it, and were like, wow, I didn't even realize that, you know, that was that happened in the Bible. So it's, it's, it's pretty cool, you know, to read those you know how it's helped people, and it's helped save souls, and it's just been a great you know, it's been a very rewarding experience. Have you   Michael Hingson ** 56:09 ever taken it and divided it up and put it on the radio? Well, that's   Carl Amari ** 56:12 one of the not in the radio, but we're going to do some podcast with, we're going to, we're going to be doing something really, really unique with, with one of my later ones that I did not the Word of Promise, but a different one. And, and it's going to, it's going to be really, really special. I can't wait to talk about it on your show. Looking   Michael Hingson ** 56:30 forward to it, yeah, well, we have had a lot of fun doing this, and I'm going to have to sneak away. So I guess we'll have to stop, darn but we do have to continue this. And, and I'd love to find ways to work together on projects and be a part of your world and love you to be more a part of mine. I'm really glad that we finally had a chance to get together and do all this. It's been a lot of fun. Me   Carl Amari ** 56:53 too, Michael, me too. It's really, I said it was an honor, and it really was an honor. And thank you so much. Well,   Michael Hingson ** 56:59 for all of you listening, we hope you've enjoyed this episode of unstoppable mindset. Love to hear your thoughts. Feel free to email me at Michael H I M, I C, H, A, E, L, H i at accessibe, A, C, C, E, S, S, I B, e.com, or go to our web page where we host the where we have the podcast, w, w, w, dot Michael hingson.com/podcast, Michael hingson is m, I, C, H, A, E, L, H, I, N, G, s, O, n.com/podcast, love to get your thoughts wherever you're listening. Please give us a five star rating. We value that very highly. We really appreciate you giving u

Compre seus jogos na Nuuvem! https://bit.ly/41oIYQO Siga a gente no Instagram: https://www.instagram.com/xdocontrole/ Siga o @xdocontrole nas outras redes: ⁠https://linkme.bio/xdocontrole  Siga nosso canal de cortes: youtube.com/@CortesXdC  Em O X do Controle SAC, PH Lutti Lippe e Guilherme Dias leem os comentários, dúvidas, críticas e desabafos dos ouvintes. Em pauta: Quem se importa com as demissões na indústria de games, jogando videogame rico, desencontros na Gamescom Latam, as melhores mecânicas dos games, fazer conteúdo na gringa e o que achamos do diretor Neil Druckmann.(0:00:00) - Abertura(0:02:06) - Vinicios Valentim - Demissões nos games(0:15:23) - Diego Hortiz - Jogariam videogame se ficassem ricos?(0:27:05) - Edson Paschoal - Desencontros na Gamescom(0:32:54) - Lucas Santos - Melhores mecânicas dos games(0:39:01) - Gustavo Lins - Trabalhar na gringa(0:47:15) - Lara Nunes - Defendendo Neil DruckmannApoie O X do Controle: orelo.cc/xdocontroleContato: contato@xdocontrole.comSiga o @xdocontrole nas outras redes:⁠https://linkme.bio/xdocontrole #GamescomLatam #TheLastofUs #JornalismodeGamesCRÉDITOS:Apresentação: PH Lutti Lippe e Guilherme DiasRoteiro: PH Lutti LippeEdição: Yoshi OhashiThumbnail: Lucas G. FerreiraContato para anunciantes e parcerias: comercialxdc@gmail.comMusic from #Uppbeat (free for Creators!):https://uppbeat.io/t/cruen/scheduling-the-tripLicense code: 50BZMO318GISKZTW

O jornalista Caio Blinder, famoso pelo Manhattan Connection, analisa, em conversa com Felipe Moura Brasil e Duda Teixeira no Podcast OA!, a política externa do governo Lula, o novo governo de Donald Trump e a guerra entre Israel e Hamas, entre outros assuntos, e fala sobre a própria carreira.Em O Antagonista, você encontra um jornalismo de investigação, com análises precisas e opiniões sem concessões. Acompanhamos de perto os bastidores da política, da economia e as principais notícias  do Brasil e do Mundo.    Aqui, você confere na íntegra nossos programas: Papo Antagonista, com Felipe Moura Brasil; Meio Dia em Brasília, com José Inácio Pilar e Wilson Lima; Narrativas, com Madeleine Lacsko; e o Podcast OA!, com convidados influentes em diversas áreas.    Se você busca informação com credibilidade, inscreva-se agora para não perder  nenhuma atualização!  "Nunca foi tão fácil se manter bem informado! Conheça nossos planos de assinatura”  https://bit.ly/planos-oa Siga O Antagonista no X:  https://x.com/o_antagonista   Acompanhe O Antagonista no canal do WhatsApp. Boletins diários, conteúdos exclusivos em vídeo e muito mais.  https://whatsapp.com/channel/0029Va2SurQHLHQbI5yJN344  Leia mais em www.oantagonista.com.br | www.crusoe.com.br 

Se nos fue Peter David, el "writer of stuff", o "escritor de cosas", según el mismo, por la gran variedad de cosas que escribía. Ademá, fue uno de los guionistas de comics más prolíficos de las últimas décadas. Su amplia bibliografía incluye desde una monumental ETAPA de doce años en Hulk, en la que se convirtió en el padre modern del personaje, siguiendo por otras etapas fundamentals en comics como Aquaman, Supergirl, Young Justice, y X-Factor, pasando por mucho Spider-Man, casi cualquier personaje de Marvel, y muchos de DC; hasta sus guiones para television live action y animada, y sus alrededor de cuarenta novelas de Star Trek. Y nos quedamos cortos, porque no mencionamos varias otras franquicias en las que trabajó, ni sus novelas y comics de autor. Además de un TITANES dedicado a su vida y obra, retocamos el sonido de una entrevista que MaGnUs le hizo en 2010 cuando David visitó Montevideo, y que prometió subtitular en algún momento. La entrevista, por supuesto, está en inglés, así que les recomendamos ir a YouTube si precisan los subtítulos. Incluso si hablan inglés, parte de la entrevista está un poco distorsionada, debido al proceso de retoque del audio viejo. Eso si, la entrevista es la única parte con subtítulos decentes (editados por completo), mientras que el resto del programa tiene subtítulos automáticos, que no son muy buenos. La entrevista si, está muy buena, modestia aparte. (Una cosa más, asegúrense de no seleccionar los subtítulos automáticos de YT, porque esos son totalmente automáticos, no tienen la parte editada de la entrevista.) Con música de The Beatles, Route 49 (interpretando a Buddy Guy), y Coheed and Cambria. Próximo programa: Magic Knight Rayearth (Parte I).

Nos hemos juntado un mes más para hablar de algunos productos relativamente actuales. Recomendaciones de cómics: -Espada y pluma, de El Torres y Jorge Esteban Urabayen (Cascaborra Ediciones) -Biblioteca Marvel Omnibus. La Imposible Patrulla-X 3 (Panini Comics) Recomendaciones de rol: -Cuervos de Asgard Motor Club (Walhalla Ediciones) Recomendaciones de libros: -Media alma, de Olivia Atwater (Duermevela Ediciones) -La casa de arenas movedizas, de Carlton Mellick III (Orciny Press) -Las sirenas, de Emilia Hart (Umbriel) RRSS de los colaboradores: -JLo @crosstume @lleilo.bsky.social -Fer @fercatodic -Violeta @viodopamina -Santi @santiagoneg -Borja @kuronime @animee1.bsky.social -Juan: @juansn.bsky.social -Ja @evendrones @evendrones.bsky.social Esperamos vuestros comentarios, sugerencias y propuestas para futuras entregas del programa, que nos podéis hacer llegar a través de las redes sociales, a través de los comentarios en Ivoox o por correo electrónico enviándonos un email a podcast@lacasadeel.net.

We have a winner! Martin's poor blog gets... roasted? Who wants to ride in a robot car? Jason, we guess. Andrew remembers the good old days when books had buttons! There are a few things our gadgets do that still delight us, it seems. Show Notes 00:00:00 We may give him the notes back someday.

Send us a textJohn Farmanesh-Bocca swung by The Playwright's Spotlight to talk about his latest Shakespeare adaptation Lear Redux: A Quantum Fantasia. Throughout this conversation we discuss his journey into becoming an adaptive playwrights of the Classics, how he breaks them down, unpacks them, and the puts them back together to serve a modern audience without losing the original story and, sometimes, the original language. We discuss how much preparation he does before moving into collaboration and the use of conversation, his use of archetypes, writing whimsy, and how his acting and dance classes helped make him a better writer. We close on the current accessibility of theatre and the importance of advocacy for the arts. John's charm and passion shine through out this interview. I think you'll walk away with a lot. Enjoy.For tickets to Lear Redux: A Quantum Fantasia at the Odyssey Theater in Los Angeles through July 13th, visit  https://odysseytheatre.com/whats-on/lear-redux/John Farmanesh-Bocca is a multi-award-winning Iranian-American theater director, choreographer and playwrite who is best known in the U.S. and abroad for his modern adaptations of ancient theatrical works. He is the founder of the award-winning Not Man Apart – Physical Theatre Ensemble, ranked by Backstage in 2014 as one of the “13 most innovative physical theater companies in the world,” for which he now serves as emeritus director. Some of his award-winning physical theater adaptations include - Pericles Redux, Wish I Had A Sylvia Plath, Titus Redux, As/Is, Hercules Furens, and Tempest Redux. To view the video format of this episode, visit the link below - https://youtu.be/OahUQhbBRVMLinks to sites and resources mentioned in this episode -Not Man Apart - https://www.notmanapart.comRuskin Group Theatre - https://www.ruskingrouptheatre.comThe New American Theatre - https://www.newamericantheatre.comWORD Theatre - https://wordtheatre.orgSocials for John Farmanesh-Bocca's companies -IG - @notmanapartIG - @newamericantheatreIG - @ wordtheatreIG - @odysseetheatreWebsites and socials for James Elden, Punk Monkey Productions and Playwright's SpotlightPunk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods                  - @playnoirla IG - @punkmonkeyprods       - @playnoir_la FB - fb.com/playnoir        - fb.com/punkmonkeyproductionsPlaywright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightPlaywriting services through Los Angeles Collegiate Playwrights Festivalwww.losangelescollegiateplaywrightsfestival.com/services.htmlSupport the show

Neste episódio, comento uma das cartas mais emocionantes que já recebi: a de Rogério (nome fictício), que viveu enormes lutos sucessivos, perdendo quase tudo que lhe importava, e em meio a um novo estado de recuperação do corpo fraturado por um acidente grave. Não é uma história de superação, mas de invenção e reinvenção da arte de viver. É um deslumbramento o que o Rogério fez, e você não pode ficar fora dessa comunidade que vai, agora, dar o play em mais um CARTAS DE UM TERAPEUTA!As cartas são a escrita que a alma faz, sem rodeios, para as perguntas que nos inquietam, para aquilo que nos atravessa, para a vida que tem urgência de ser dita. Em palavras faladas, as cartas são o sopro que nos conecta por um instante. Abra este envelope, ele é pra você. Vai começar mais um episódio do “Cartas de um terapeuta”.Cartas de um Terapeuta é um podcast apresentado por Alexandre Coimbra Amaral.E para enviar a sua carta o e-mail é: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠alexandrecoimbraamaral@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Produzido por Abrace Podcasts. Visite-nos em ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://abrace.digital/⁠⁠⁠⁠⁠⁠⁠⁠Esta temporada é apresentada por Avatim. Acesse o link ⁠⁠⁠https://bit.ly/cartas-e-avatim⁠⁠⁠ e use o cupom CARTAS15 para garantir 15% de desconto em todos os produtos do site.

Neste episódio, comento uma das cartas mais emocionantes que já recebi: a de Rogério (nome fictício), que viveu enormes lutos sucessivos, perdendo quase tudo que lhe importava, e em meio a um novo estado de recuperação do corpo fraturado por um acidente grave. Não é uma história de superação, mas de invenção e reinvenção da arte de viver. É um deslumbramento o que o Rogério fez, e você não pode ficar fora dessa comunidade que vai, agora, dar o play em mais um CARTAS DE UM TERAPEUTA!As cartas são a escrita que a alma faz, sem rodeios, para as perguntas que nos inquietam, para aquilo que nos atravessa, para a vida que tem urgência de ser dita. Em palavras faladas, as cartas são o sopro que nos conecta por um instante. Abra este envelope, ele é pra você. Vai começar mais um episódio do “Cartas de um terapeuta”.Cartas de um Terapeuta é um podcast apresentado por Alexandre Coimbra Amaral.E para enviar a sua carta o e-mail é: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠alexandrecoimbraamaral@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Produzido por Abrace Podcasts. Visite-nos em ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://abrace.digital/⁠⁠⁠⁠⁠⁠⁠⁠Esta temporada é apresentada por Avatim. Acesse o link ⁠⁠⁠https://bit.ly/cartas-e-avatim⁠⁠⁠ e use o cupom CARTAS15 para garantir 15% de desconto em todos os produtos do site.

¡Cancelaron la mejor serie de Star Wars! Nah, se termina Andor, pero ya sabíamos que iban a ser solo dos temporadas, porque... bueno, ustedes vieron Rogue One, ¿no? Eze y MaGnUs se sientan a hacer la RE: seña de la segunda temporada de la serie, siguiendo al propio Cassian Andor, pero también a grandes personajes descubiertos en la anterior, desde nuevos como Luthen Rael o Kleya Marki, hasta pre existentes en la franquicia (pero nunca desarollados) como Mon Mothma. Además de dar background sobre los orígenes de ciertos elementos centrales de la serie como parte de manuales de juegos de rol de los noventas, repasamos todas las implicancias políticas del comportamiento monstruosos del fascismo, con la galaxia muy lejana actuando como un espejo de nuestra propia realidad. Para redondear, también reseñamos Tales of the Underworld, la nueva temporada de la antología "Tales", con el orígen del mercenario Cad Bane, y un nuevo camino para la no-sith-pero-tampoco-jedi Asajj Ventress. Con música de Brandon Roberts, Woody Guthrie, y The Kiners. Próximo programa: Karate Kid - Legends.

I grew up on Route 66 and have road trips in my veins. I've driven all over this great country, visited every single state and seen thousands of interesting things. Nothing inspires me more than a good road trip film — if you're the same way, check out one of this week's recommendations. All of the my picks on this week's list are pretty well known, which makes them so much fun to revisit. If you haven't seen one or all of them in a few years, what better time to revisit them?Pee-wee's Big Adventure (1985)There's nothing Pee-wee Herman loves more than his bicycle. Unfortunately for him, spoiled frenemie Francis Buxton loves it to, and hires someone to steal it for him. A distraught Pee-wee organizes a search party to find his bicycle and eventually hits the road and crosses multiple states in search of his irreplicable bike. Join Pee-wee and all the friends he meets along the way as he goes on his adventure. The Muppet Movie (1979)Life's like a movie, write your own ending! In the first full-length Muppet film, Kermit is convinced by a lost agent to head to Hollywood to fulfill his dream of making millions of people happy. Along his journey, Kermit meets a joke-telling bear named Fozzie, a weirdo named Gonzo, a rock band called the Electric Mayhem (led by Dr. Teeth), and the world's most beautiful women, Miss Piggy. Will Kermit and his friends reach Hollywood before Doc Hopper catches Kermit and forces him to become the mascot for his restaurant? I hope so, because there are a lot more Muppet movies after this one! The NeverEnding Story (1984)While hiding from school bullies, young Bastion acquires a book promising a never ending story and skips school, hiding in the attic to read it. The book tells the story of Atreyu and his quest to save Fantasia from a darkness known as The Nothing. The more Bastian reads, the more it seems his own life is becoming entertwined with the book itself! Featuring a hit theme song and a luck dragon, The NeverEnding Story is a journey not to be missed. National Lampoon's Vacation (1983)If you've ever gone on a road trip, either as a child or a parent, you'll relate to the Griswolds as they drive across the country in their new station wagon from Chicago to Wallyworld! Directed by Harold Ramis and starring Chevy Chase, Beverly D'Angelo, Anthony Michael Hall, and Dana Barron, and Randy Quaid, and featuring cameos from comedians including Eugene Levy and John Candy, among others. As a kid I identified as oldest sibling Rusty, and as a parent I can't help but see a little bit of Clark in the rearview mirror.Spring is here and there's no better time to roll down your windows, put the pedal to the metal, and hit the open road. If you can't fit a road trip into your current schedule, watching one of these movies about journeys is the next best thing! This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.videostorepodcast.com

Todos hablaron ya de esta serie, pero ahora nos toca a nosotros. Mael, Ezequiel, y MaGnUs se sientan a hacer la RE: seña de la primera temporada de El Eternauta, esperadísima adaptación audiovisual de una de las obras más aclamadas de la historieta argentina, de la historieta rioplatense. De la mano de Bruno Stagnaro y un enorme equipo, las pantallas de Netflix en todo el mundo replican la historia creada entre 1957 y 1959 por Héctor Germán Oesterheld y Francisco Sólano López. ¿Lograron hacerle justicia? ¿Pudieron replicar los temas que planteaba el comic original, a pesar de llevar el relato a la actualidad? ¿Funcionan los cambios hechos al argumento? Escuchen, y vean que opina nuestro héroe colectivo de tres cabezas. Además, tenemos un Encuentro Cercano del Tercer Tipo con Hernán Carreras, que además de ser un amigo de la casa, fue parte de ese enorme equipo que trabajó para contar la historia de El Eternauta en la pantalla. Hernán forma parte del Virtual Art Department (VAD), ayudando a crear el mundo tan real, pero tan digital y virtual en el que se filmó la serie; que usó las mismas tecnologías de escenarios virtuales que las series de Star Wars y Star Trek. En la entrevista, nos cuenta sobre sus sensaciones al ser convocado para este proyecto, sobre la forma en la que se trabajó, y nos desasna un poco sobre como se lleva a cabo una tarea así de monumental. Con música de Federico Jusid, Exilio Psíquico, y Gustavo Cerati. Próximo programa: Star Wars - Andor (Temporada 2) / Tales of the Underworld.

Cambia il logo non cambiano le storielle del #milan tra la barzelletta DS, i rinnovi svelinati e i dirigenti al loro posto saldamente #acmilan #milannewsDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/radio-rossonera--2355694/support.

Welcome to Gospel for the Glory of Jesus. The Spirit of the Lord is here with praise and worhip music from Jekalyn Carr, Martha Munnizi, Fantasia. Bishop Henry Hearns speaks on the importance of sharing your testimony with the next generation. Brother Mel Slade Pastor Emeritus Bishop Henry Hearns Living Stone Cathedral of Worship Listen […]

durée : 00:03:49 - Le Bach du matin du vendredi 16 mai 2025 - Notre Bach du matin est un Bach Stokowskien ! Le chef britannique Leopold Stokowski n'avait pas de scrupule à arranger des œuvres pour son orchestre de Philadelphie, notamment en signant la bande originale de Fantasia pour Disney.

Artista e designer, Jaime Hayon è un cantastorie che crea mondi. Colore, energia e personaggi non mancano mai nei suoi lavori, dove Jaime progetta tra rigore e gioco, tradizione e visione, possibile e impossibile. Non si pone limiti di scala e ha progettato vasi e hotel, sedie e lampadari, sempre alla ricerca di qualcosa di speciale piuttosto che di qualcosa di perfetto.In questa puntata abbiamo parlato di libertà creativa, di collaborazione, di categorie, di skateboarding, di meditazione, di Valencia, Treviso, Thailandia e Murano. Un grazie speciale alla Galleria Rhinoceros di Roma che ha reso possibile questo incontro. Il link dell'episodio: - Il sito ufficiale di Jaime Hayon- La Galleria Rhinoceros di Roma- La serie Ro di Jaime Hayon per Fritz Hansen- Il centro di arte contemporanea di Villa Noailles

Angela Robinson Whitehurst returns to the show to bring her Broadway experience to discussing Wicked and the translation from stage to screen. Dr. Gee and Angela discuss the timing of seeing race brought to the forefront of this version of Wicked, compared to when the stage musical was first a part of our culture. The power of fantasy and musical stories is that deep ideas about culture can be explored through an alternate version of our world. It allows us to see the realities of our world through a different lens.  Angela also exposes the way that Black women were not allowed into the Alphoba role before the film version, but now that will be the standard as the significance of the character has been redefined by Blackness. They continue their conversation about Black voices and stories in Hollywood, including having to make representation happen for themselves.  A native of Jacksonville, FL, Angela Robinson is best-known as The Ice Queen Veronica Harrington of Tyler Perry's The Haves and The Have Nots. For her work as Veronica she is the 2015 recipient of the Gracie Award (Best Female Actress – One to Watch). Angela has worked on Broadway, off Broadway and on stages throughout the US and abroad. Broadway productions include The Color Purple with Fantasia, Wonderful Town, Bells Are Ringing, and Play On! She has participated in National Tours of The Color Purple, Dreamgirls, and The Wizard of Oz with Eartha Kitt. Her television/film credits include Law & Order: SVU, Another Bed and several regional and national commercials. She is the Winner of an Independent Reviewers of New England (IRNE) award for her work as Shug Avery in The Color Purple, Angela has been nominated twice for a Black Theatre Alliance Award (The Color Purple, Dreamgirls), and for an Audelco Award (Radiant Baby). She is also a member of the Tony Award winning Broadway Inspirational Voices. In 2008 Angela and her husband Scott founded the WhiteRobin Group. WhiteRobin Group is a consulting firm for aspiring and seasoned artists; providing training, inspiration and direction via acting workshops, private acting coaching, blogs and mentorship programs.   Listen to Angela Robinson's podcast - Art and Spirit   Follow Angela Robinson: Facebook Instagram   alexgee.com Support the Show: patreon.com/blacklikeme Join the Black Like Me Listener Community Facebook Group

Join Justin as he chats with actor, dancer, and producer Tami Stronach about the lasting legacy of The NeverEnding Story, her conflicted relationship with the film, growing up abroad, returning to the business with her movie Man and Witch, and more!Tami Stronach bio:“Tami Stronach is half-Scottish (father) and half-Israeli (mother). Her father, Professor David Stronach, was a notable expert on Persian antiquities. The family had to flee Persia/Iran during the Revolution. They went to Israel, then to America where Tami is still based. She was studying acting in California when she was chosen for her role as the child-like Empress. She has been a dancer throughout her life and has opted for this as her main career though she has recently returned to acting. She has been heavily involved in the Neta Dance Troop. She speaks several languages including English and Hebrew.”Intro and outro theme created by Wyrm. Support Wyrm by visiting the Serpents Sword Records bandcamp page (linked below):https://serpentsswordrecords.bandcamp.com/Monsters, Madness and Magic Official Website. Monsters, Madness and Magic on Linktree.Monsters, Madness and Magic on Instagram.Monsters, Madness and Magic on Facebook.Monsters, Madness and Magic on Twitter.Monsters, Madness and Magic on YouTube

No “Estadão Analisa” desta terça-feira, 13, Carlos Andreazza fala sobre como o governo Lula lida com a repercussão do escândalo de fraudes no INSS, que já superou em 2,6 vezes o volume de mensagens gerado pelo debate sobre uma suposta taxação do Pix, segundo monitoramento realizado pela Quaest. O presidente volta da Ásia nesta semana tendo que lidar com a pressão pela forma como irá ressarcir os prejudicados e com os desdobramentos do caso, como o pedido da Associação dos Membros dos Tribunais de Contas do Brasil (Atricon), para que sejam feitas auditorias nas folhas de pagamento de aposentados e pensionistas em Institutos e Regimes Próprios de Previdência (RPPS) em todos os Estados e municípios do país. A recomendação ocorre diante do escândalo dos descontos indevidos em benefícios do Instituto Nacional do Seguro Social (INSS) e após o Tribunal de Contas de São Paulo (TCE-SP) decidir, na semana passada, abrir uma apuração extraordinária no Estado. Apresentado pelo colunista Carlos Andreazza, o programa diário no canal do Estadão trará uma curadoria dos temas mais relevantes do noticiário, deixando de lado o que é espuma, para se aprofundar no que é relevante. Assine por R$1,90/mês e tenha acesso ilimitado ao conteúdo do Estadão. Acesse: https://bit.ly/oferta-estadaoSee omnystudio.com/listener for privacy information.

Sergio Ruzzier"Io ero te e tu eri me"Ruth Krauss, Maurice SendakAdelphiwww.adelphi.itIn tutte le sue sfaccettature, la relazione più misteriosa e sconvolgente di cui fa esperienza un bambino: l'amicizia.Io ero te e tu eri me racconta la più misteriosa e sconvolgente relazione con i propri simili di cui fanno esperienza i bambini, nella realtà e nell'immaginazione: l'amicizia. Selvatica, vezzosa, simbiotica, ridondante, mimetica (con quella grazia un po' goffa del gioco) nei confronti dei cerimoniali previsti dai rapporti tra adulti, rude e romantica, spavalda e patetica, bizzarra e serissima – l'amicizia infantile esplorata in tutte le sue sfaccettature da un libro poetico e festoso.Testi di Ruth KraussIllustrazioni di Maurice SendakTraduzione di Sergio RuzzierRuth Krauss (1901-1993), nata a Baltimora, è una delle autrici per bambini più celebrate di tutti i tempi, vincitrice di due Caldecott Honor. Tra i primi a osservare e usare il linguaggio dei bambini, ha firmato moltissimi picture book con illustratori come Maurice Sendak, il marito Crockett Johnson (proprio da lei incoraggiato a dedicarsi al libro per bambini), Remy Charlip, Marc Simont e molti altri artisti, ed è autrice anche di poesie e opere teatrali in rima per adulti. I suoi libri, anche dopo tanti decenni, continuano a essere ristampati, e sono letti e adorati dai bambini di tutto il mondo. In Italia sono usciti per Topipittori Il seme di carota, illustrato da Crockett Johnson, e per Camelozampa Il giorno felice, illustrato da Marc Simont, e L'uovo felice, illustrato da Crockett Johnson.Maurice Sendak è stato uno scrittore e illustratore statunitense di origini polacche. Si appassionò fin da piccolo alla lettura a causa dei problemi di cuore che lo confinavano spesso a letto; prese la decisione di diventare un illustratore dopo aver visto il film Fantasia, all'età di dodici anni. Iniziò la sua carriera disegnando immagini per le vetrine del negozio di giocattoli F.A.O. Schwarz e creando illustrazioni di libri per l'infanzia. Alla fine degli anni Cinquanta iniziò a scrivere e a disegnare le proprie storie aggiudicandosi, nel 1970, il Premio Hans Christian Andersen e, nel 1982, il National Book Award. È noto soprattutto per l'opera Nel paese dei mostri selvaggi, albo illustrato per ragazzi pubblicato in Italia da Emme Edizioni nel 1968.Sergio RuzzierNato e cresciuto a Milano, a pochi passi dalla Chiesetta delle Lucertole, Sergio Ruzzier si è affermato negli Stati Uniti, a partire dalla fine degli anni Novanta del secolo scorso, come illustratore e narratore, collaborando con numerose testate, tra cui «The New Yorker», «The New York Times» e «Blab!».In seguito si è dedicato sempre più esclusivamente alla creazione di libri a figure, rivolti a lettori bambini ma non solo. Più recentemente si è cimentato con la traduzione di grandi autori americani quali Ruth Krauss, Maurice Sendak e James Marshall.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Show Notes: Sarah Dobson, founder and creative director at Design of Brand, discusses their niche in helping founders of companies establish their brand identity. They offer a process that includes brand strategy, naming, and creating a visual identity system for launch or relaunch. She explains what a brand identity entails and provides examples of successful case studies.  Discovering and Designing a Brand Identity Sarah explains what the core of a brand identity is, how it is more than just a palette or a logo, and how she helps founders articulate that identity from developing the symbolic mark, word mark, and often, the name of the company through to the visual design elements of fonts and colours etc. She discusses her practice of collecting examples for design inspiration. She shares that he takes photos of various elements, such as typography, street signs, shapes, and color palettes, and banks them to find the right place in someone's identity. She also mentions that she started using Pinterest early on and quickly gained 800,000 followers. Sarah believes that understanding trends is crucial for creating unique designs and not looking like another brand. She uses Pinterest to research interiors and symbols for clients where she populates secret boards with images and ideas. She researches broadly online to find inspiration from a variety of sources and uses it to create visually appealing designs. Sarah mentions that she is considering launching a course to help people name their companies. She believes that sharing her capabilities with others would be meaningful to help more people develop their brand identity. A Case Study on Naming a Brand  Sarah shares a case study of working with a founder who didn't have a name for their company. She shares the story of Othership, a social sauna and cold plunge business in New York. The founder had stopped drinking and was looking for alternative alternatives to bars. Sarah explains that she had two clients who were also interested in Sonic culture and the Soho House of Wellness. The clients joined forces to establish their company and Sarah explains how she worked closely with them to develop a deep understanding of who they were and of the company they were developing. Sarah observed the founders as they were prototyping and building out the space. They developed breath work, audio and physical space to help them synthesize their vision for a more social, healthy way of having fun. Sarah explains how she encouraged them to change their name from Inward to Othership  because it reflected the founder's focus on connections and creating a healthy space with and for others rather than internal issues. She also explains how playing with suffixes and compound words is a part of the naming process. Case Study on Creating a Visual Identity Sarah discusses the process of creating a visual identity for the brand Othership, including the logo mark, buttons, and photography. She talks about where she found inspiration for the symbol mark, which included drawing inspiration from the spinning top toy and The Sims. The logo has had an incredible effect on people's lives, with at least five people now having tattoos of it. The color scheme was inspired by Disney's Fantasia, and the founders' energy was a key factor in the design, and the color palette was atypical and flexible, not just two colors. Sarah explains that this approach was similar to a design she developed for a super food snack cafe's color palette. In terms of process and iterations, Sarah mentions that, sometimes, two to three different concepts are explored, with one being the most likely one based on the client's preferences and the other exploring more strategic ideas. The process is seen as due diligence, with the goal of finding the one that resonates with the client. Case Study on the Brand Identity of a Cannabis Retailer and an Organic Food Snack Sarah discusses his experiences in creating a cannabis retailer in Canada, which was a unique and exciting venture. She created a brand called Superette, which aimed to make people feel comfortable buying cannabis legally. The brand was inspired by Peter Pan in Brooklyn, an old Polish bakery because the store felt like a community, with lineups and regulars for breakfast. Another case example is a nut milk bar cafe and a nut milk. The cafe was developed by a friend after completing a nutrition education course and wanted to provide a healthier cafe alternative to muffins and unhealthy drinks. The founder went on to develop and sell the nut milk, which  t is made from scratch and is nutritionally dense, making it a potential competitor to Starbucks. The brand was rebranded and reworked, with the word mark and visual identity system updated. The goal was to strengthen and optimize the brand for future success. A Design Perspective on Fonts Sarah talks about her knowledge with fonts. She shares a quote, “words have meaning but  typography has a feeling and can be spectacular.” She talks about the evolution of typography from handwriting, scripting, manuscripts, and the printing press to the computer. A study by the New York Times found that serifs such as Baskerville or Garamond were found to be the most believable font. Sarah suggests starting to educate oneself by examining their intuition and feeling the right fit. She mentions that Comic Sans, an early digital font, has been found to be beneficial for dyslexia due to its letter forms. Sarah talks about her methods of classification when choosing a brand font and gives a few examples of how a font feels. She suggests that anyone interested in learning more about fonts should start by exploring different font styles and their impact on the human subconscious. Timestamps: 01:44 Explaining Brand Identity  07:31: Case Study: Other Ship 17:30: Visual Identity and Branding Elements  22:17: Typography and Design Philosophy  22:34: Case Study: Superette  25:37: Case Study: Nut Bar  Links: Website Portfolio Design of Brand Instagram Othership Othership Inspiration "Logo Dump" Superette Nutbar Unleashed is produced by Umbrex, which has a mission of connecting independent management consultants with one another, creating opportunities for members to meet, build relationships, and share lessons learned. Learn more at www.umbrex.com.

Welcome to Gospel for the Glory of Jesus. Come lift up your soul with praise and worship music and a Word from the Lord. Fantasia, CeCe, Fred Hammond and more of your favorites gospel artists. Pastor Bishop V. Jesse Smith magnify’s the Lord’s greatness in his message on War and the Favor of God The […]

Working amidst political and personal setbacks, Mieczysław Weinberg (1919-96) flourished as a composer, admired by Shostakovich and championed by the leading Soviet musicians of the day. His death in Moscow in 1996, however, went largely unnoticed. More happily, his extensive catalogue has recently secured an increasing number of performances and recordings, witness this Naxos release of his complete music for cello and orchestra, works written largely during the earlier part of his maturity. Raymond Bisha introduces the Cello Concertino, the Cello Concerto, and the Fantasia for Cello and Orchestra.

Nueva entrega cinematográfica del MCU, y le toca a uno de los equipos con más cambios de concepto a lo largo de las décadas en Marvel, los Thunderbolts. ¿Cómo? ¿Que ahora son los New Avengers? Bueno, eso quedará para más adelante. Mucha gente dice que los Thunderbolts son el Suicide Squad de Marvel, mientras que otros se quejan con los cambios al concepto original; o sea, villanos haciéndose pasar por héroes en un principio, con la mayoría del equipo agarrándole el gustito al heroísmo y pasándose de bando. En un Orígenes Secretos repasamos todas las encarnaciones de los Thunderbolts, desde ese primer grupo, pasando por versiones netamente escuadronsuicidistícas, hasta equipos paramilitares de antihéroes o héroes con algún tono de gris. Spoiler: son más parecidos al Suicide Squad desde casi al principio de lo que la gente piensa. Además, un poquito sobre la historia de Sentry. Después si, hacemos la RE: seña de la película que pone a Yelena Belova como protagonista, con un elenco de secundarios, quizá salvo por Bucky, quien igual toma un rol menor que el de ella aquí. ¿Funciona sin más grandes estrellas previas al MCU? ¿Entretiene? ¿Hay alguna sorpresa? Veremos. Terminamos el programa leyendo los primeros cuatro números del comic original de Thunderbolts (1997), por Kurt Busiek y Mark Bagley, para ver si el concepto original era tan efectivo como dicen. Con música de The Snake Charmer (interpretando a AC/DC), Son Lux, Joey Scarbury (interpretando a Mike Post & Stephen Geyer), y Green Day. Próximo programa: El Eternauta (T1) / Entrevista a Hernán Carreras (Diseño 3D en El Eternauta).

This week, we're taking a break with two powerhouse performers who are redefining what it means to be visible — both on the floor and online. Hosts Jackie Brown and Nicole Younger sit down with Piper Click (University of Alabama, Alta Marea, Blue Devils) and Max Marr (Fantasia, Blue Devils) to talk about performing at the highest level while managing a growing social media presence during the competitive season.In this episode, Piper and Max share their 32 Count Life Stories, give us a behind-the-scenes look at what it's like to balance school, rehearsal, and content creation, and reflect on how visibility, legacy, and pressure shape their experience as young leaders in the marching arts.

As part of our Earth Serenade series, we honor French organist and Bach specialist Andre Isoir, who died in 2016. Working with Isoir's son, Daniel, we bring you this lovely and serene Fantasia and Fugue in C minor, by Carl Philipp Emmanual Bach, the son of Johann Sebastian Bach. Cinematography by astronauts on Expeditions 71 aboard the International Space Station in 2024. It's a magical journey and tribute to Andre Isoir. Series: "Earth Serenade" [Arts and Music] [Show ID: 40758]

Join us as we recap and chat about Once Upon a Time Episode 4x04 "The Apprentice" Did you know the number on The Apprentice's home is 1940 which is a reference to the year Disney's Fantasia was released? Wiki page for the episode: https://onceuponatime.fandom.com/wiki/The_Apprentice_(Episode) Links, articles, and videos mentioned in this episode: SDCC 2015 Colin saying he'd ask the author for Hook's hand back Join our Book Club and get access to exclusive content on Patreon Follow us on Instagram Follow us on Tiktok Follow us on Bluesky

Hora de adentrarnos nuevamente en la historia de editoriales de comics "menores". Dos editoriales que aún están en actividad (Boom! Studios y Dynamite Entertainment) y dos que ya no existen (CrossGen y Eclipse Comics). Universos nuevos y propios con grandes creadores, proyectos atrevidos para garantizar los derechos de los creadores, licencias de muchísimas franquicias de todos los tiempos, desastres naturales, tarjetas coleccionables de horribles crímenes, desastres naturales, bancarrotas, y por supuesto, algún que otro chanchullo empresarial. Nobleza obliga, Boom! es ahora propiedad de Penguin Random House, así que no es más independiente. Con música de John Lee Hooker, y Hot Butter (interpretando a Piero Umiliani). Próximo programa: Thunderbolts* (Cine y Comics).

The RSMS crew unpacks Fantasia’s emotional decision to finally release her first gospel album, revealing how she had been running from the calling until God made it clear. See omnystudio.com/listener for privacy information.

On this episode of The Rickey Smiley Morning Show Podcast, the crew unpacks Fantasia’s emotional decision to finally release her first gospel album, revealing how she had been running from the calling until God made it clear. The conversation then shifts to Beyoncé, who’s facing backlash for performing the national anthem during her Cowboy Carter tour—some fans are questioning the move in light of ongoing racial and political tensions. Plus, Vice President Kamala Harris comes out swinging in her first major speech since the election, taking aim at Donald Trump’s economic policies and warning they could lead to another recession. The team weighs in on all the headlines with their signature mix of humor, insight, and real talk. Website: https://www.urban1podcasts.com/rickey-smiley-morning-show See omnystudio.com/listener for privacy information.

The combination of music and animation goes back to the beginning of animation and Disney dives all the way into the motif in 1940's Fantasia. We get dinosaurs, dancing mushrooms and hippos, the first color Mickey Mouse and a full Bacchanal - all while listening to some of the most popular classical music of all time - would you dare ask for anything more? A plot? Nah, not this time. Just kick back and let it wash over you.    Recommendations: Ghostbusters: Afterlife and Ghostbusters: Frozen Empire (Starz); Erin Brockovich (Netflix?)   Next up: Dumbo (1941)   Email us at latecomers@gmail.com Find Amity @ www.amityarmstrong.com Our Facebook group is here for those who consent: https://www.facebook.com/groups/1754020081574479/

Este conto foi escrito a partir das partidas de RPG na recompensa “The Gamers” dos padrinhos do RPG Next, utilizando o sistema Dungeons and Dragons 5° edição. O cenário utilizado foi o cenário próprio, porém baseando-se em localidades oficiais do sistema, Reinos Esquecidos. Apresentando: Allen Araújo como Coles Law, João Pedro como Percival, Michel Nantes como Hvítur (Branco), Rafael Pieper como Félix, Shoiti como Astarth e Valdo como Nepher. Coloque seu fone de ouvido e curta! ▬ Autor: Herica Freitas. ▬ Narração: Brendo Santos. ▬ Masterização, sonorização e edição: Rafael 47. Contos Narrados apresenta, "BOs Tesouros Perdidos - Capítulo 1 - O Início de uma Jornada", um conto de Fantasia Medieval. Águas Profundas sempre recebe viajantes com suas mais calorosas tavernas. E essa aventura não poderia ter um início diferente do costume: aventureiros tomando um belo copo de cerveja em um estabelecimento do porto. O Cálice Prateado é uma taverna calorosa. Harbek Stonehand, um jovem e muito asseado anão, incomum para sua raça, recebe seus clientes com um farto sorriso no rosto, o que faz da taverna um local muito frequentado. E ali estava um grupo tanto quanto incomum, que por hora ou outra despertava a curiosidade de aventureiros que passavam pelo local. Um meio-elfo robusto e com uma armadura pesada se intitulava Coles Law. Um gnomo, acompanhado de um corvo, curioso e bem-humorado, Félix era sua graça. Um tiefling, calado, bebericava sua cerveja; seu nome era Astarth. E talvez, o mais diferente de todos (até mesmo do tiefling), uma besta meio homem, meio leão, com pelagem branca e presas à mostra: Hvítur, ou simplesmente Branco, como os outros o chamavam. A música era agradável, belas donzelas caminhavam pelo ambiente, a comida era fresca e boa e a cerveja de qualidade anã. O Cálice Prateado possuía uma cordialidade por si só, e não era apenas por Stonehand, mas pelo conjunto de fatores que faziam da taverna um ambiente aconchegante. No entanto, esse cenário se quebrou ao abrir-se uma porta, onde fez-se um silêncio. Um homem, humano, de cabelos e barba brancos, com cicatrizes de batalha e vestimentas de aventureiro, caminhava lentamente entre a porta e o balcão, regado pelo silêncio e olhar de todos que estavam ali. Entre o silêncio e os passos do homem que ecoavam pelo salão, os rapazes ouviram murmúrios de pessoas; elas falavam coisas do tipo: mau presságio, mau agouro, mensageiro do caos e coisa ruim. Até mesmo o taverneiro, que sempre era cordial com os seus clientes, atendeu o homem com a cara torcida, sem render conversa. Félix, que alimentava Jubileu, seu corvo, dirigiu-se até o balcão, na esperança de encontrar alguma pipoca, pois a ave reclamava dos quitutes. — Boa noite! — disse o jovem gnomo ao homem solitário que bebericava sua cerveja.— Noite! — respondeu.— Senhor taverneiro — dirigiu-se a Stonehand — o senhor não teria, por acaso, pipoca? Jubileu não gosta muito de biscoitos.— Mas é claro, meu jovem aventureiro, com sua licença um instante. — Saiu Stonehand. O homem tirou de sua mochila o que parecia ser um diário, pôs-se a escrever algumas palavras enquanto, com o dedo indicador esquerdo, acariciava a borda de seu copo. Félix, curioso com a tratativa ao homem, e também inquieto pela espera, pôs-se a espiar o que ele escrevia. Sem muita classe e sem disfarçar a curiosidade, o jovem gnomo conseguiu identificar palavras em comum relacionadas aos quatro elementos: água, fogo, terra e ar, fora alguns símbolos que ele não entendia, mas que pareciam ser importantes, pois pareciam ter sido reforçados várias vezes. Um a um, Astarth, Coles e Branco se aproximaram de Félix, encorajados pela curiosidade e pela afeição de surpresa que o gnomo fazia ao bisbilhotar as anotações do homem. Não tardou muito até que o viajante misterioso estivesse cercado pelos quatro companheiros. — Então — Astarth quebrou o silêncio — ouvi das pessoas que o senhor é um mau agouro. Você, por acaso,

New Jersey is allegedly pushing to let 16-year-olds Vote in School Board Elections. Dawn explains what you have to do to change your ID to a (Real ID).

New Jersey is allegedly pushing to let 16-year-olds Vote in School Board Elections. Dawn explains what you have to do to change your ID to a (Real ID). See omnystudio.com/listener for privacy information.