Podcasts about Fantasia

Episódio do dia 01/01/2026, com o tema " Fantasia e super heróis são pecados?" Apresentação: Itamir Neves, André Castilho e Renata Burjato. Pergunta do dia: COM RELAÇÃO AOS SUPER-HERÓIS, CONTOS DE FADA ETC , ISSO NÃO ENTRA NA FANTASIA? FANTASIA É MENTIRA? Redes Sociais Instagram: @rtmbrasil @itabeti @acastilhortm Site: www.rtmbrasil.org.br WhatsApp da RTM - (11) 97418-1456See omnystudio.com/listener for privacy information.

We're off this week to ring in the new year, but we still wanted to drop something on your feed. Check out THIS Hot Take argument from our Season 7 episode, 100th Episode Spectacular, in which host Eric Rezsnyak and panelist Kate Racculia revisit some of our earlier, controversial decisions.Want to hear more from this episode (originally released in September 4, 2023)? ⁠Click here to listen to the full episode.While you're at it, check out our Best of 2025 lists for our panelists' favorite pop-culture debuts in 2025.⁠For more episodes, blogs, Top 10s, and more, ⁠⁠⁠visit our website by clicking here. ⁠⁠⁠Make sure to ⁠⁠⁠SUBSCRIBE to the show⁠⁠⁠ so you don't miss any upcoming episode.NEW EPISODES COMING JANUARY 6, 2026!CREDITS:Editor: Bob ErlenbackIntro/Outro Music: "Dance to My Tune" by Marc Torch#disney #disneymovie #animation #pixar #toystory #fantasia #podcast #podcastclipsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Da Aetherdrift fino a Avatar, passando per Final Fantasy e Spiderman. Un anno di Universes Beyond (alcuni bene, altri male male) che hanno invaso il magico mondo di Magic. Per prepararci ad un 2026 diciamo "diverso", oggi facciamo un recap del 2025 in MTG.Trovi il video dell'episodio qui: https://www.youtube.com/channel/UCMkQqseTypha6-n8Lsba6KwLINK per il canale Telegram: https://t.me/+dXU4Ko4N2CszODRkIn Risposta Scombo è sponsorizzato da Fantasia store, il paradiso di tutti noi nerd! Sul loro store troverete tutto ciò che un giocatore di Magic può desiderare!

Cerramos la Nerdoteca de 2025 (¡el primer año!) como lo abrimos, con Marvel. En este caso, toca Captain America Vol. 9 #695, de 2017, por Mark Waid, Chris Samnee, Matthew Wilson, y Joe Caramagna. Después de la saga Secret Empire, donde fue suplantado por una versión maligna leal a HYDRA, Cap vuelve al camino a reconectarse con los estadounidenses de a pie, y de paso, pegarle a unos supremacistas blancos. Además, el ranking anual de lo que leímos juntos, y planes para 2026. Mirá el video (por favor, es lindo), o escuchá el audio donde sigas nuestro podcast: https://youtu.be/8Q1NbIYfwD4 Si te gusta, tiranos un mango por Cafecito desde Argentina o Ko-Fi desde Uruguay y el resto del mundo, los links están en bit.ly/perdidoseter. El año que viene veremos con que arrancamos, pero no esperen Nerdoeteca por un par de meses. #comics #superheroes #Marvel #CaptainAmerica

What do technical renderings of plant cells in trees have to do with Disney's animated opus Fantasia? Quite a bit, as it turns out: such emergent scientific models and ideas about nature were an important inspiration for Disney's groundbreaking animated realism. In Drawn to Nature: American Animation in the Age of Science (University of Minnesota Press, 2025), Dr. Colin Williamson presents a vivid portrait of how developments in biology, physics, and geology between 1900 and the long 1960s influenced not just Disney but the American cartoon industry as a whole. Drawing on original research on the scientific appetites of animators and studios such as Winsor McCay, the Fleischer Brothers, Walt Disney, and United Productions of America, Dr. Williamson opens new avenues for understanding the history and aesthetics of cartoons. Interrogating the differences between art and science and reconsidering the realms of dream, magic, and fantasy as they pertain to pop culture, he yields novel proposals for bridging longstanding divides between animation, live-action cinema, and the history of science. Drawn to Nature not only illuminates the extent to which animators have drawn on scientific insights, it also considers seriously how commercial animations themselves participate in scientific discourse. It revises and revitalizes our existing narratives about the history of American animation to uncover the many ways science informs our collective cultural imagination. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

What do technical renderings of plant cells in trees have to do with Disney's animated opus Fantasia? Quite a bit, as it turns out: such emergent scientific models and ideas about nature were an important inspiration for Disney's groundbreaking animated realism. In Drawn to Nature: American Animation in the Age of Science (University of Minnesota Press, 2025), Dr. Colin Williamson presents a vivid portrait of how developments in biology, physics, and geology between 1900 and the long 1960s influenced not just Disney but the American cartoon industry as a whole. Drawing on original research on the scientific appetites of animators and studios such as Winsor McCay, the Fleischer Brothers, Walt Disney, and United Productions of America, Dr. Williamson opens new avenues for understanding the history and aesthetics of cartoons. Interrogating the differences between art and science and reconsidering the realms of dream, magic, and fantasy as they pertain to pop culture, he yields novel proposals for bridging longstanding divides between animation, live-action cinema, and the history of science. Drawn to Nature not only illuminates the extent to which animators have drawn on scientific insights, it also considers seriously how commercial animations themselves participate in scientific discourse. It revises and revitalizes our existing narratives about the history of American animation to uncover the many ways science informs our collective cultural imagination. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

What do technical renderings of plant cells in trees have to do with Disney's animated opus Fantasia? Quite a bit, as it turns out: such emergent scientific models and ideas about nature were an important inspiration for Disney's groundbreaking animated realism. In Drawn to Nature: American Animation in the Age of Science (University of Minnesota Press, 2025), Dr. Colin Williamson presents a vivid portrait of how developments in biology, physics, and geology between 1900 and the long 1960s influenced not just Disney but the American cartoon industry as a whole. Drawing on original research on the scientific appetites of animators and studios such as Winsor McCay, the Fleischer Brothers, Walt Disney, and United Productions of America, Dr. Williamson opens new avenues for understanding the history and aesthetics of cartoons. Interrogating the differences between art and science and reconsidering the realms of dream, magic, and fantasy as they pertain to pop culture, he yields novel proposals for bridging longstanding divides between animation, live-action cinema, and the history of science. Drawn to Nature not only illuminates the extent to which animators have drawn on scientific insights, it also considers seriously how commercial animations themselves participate in scientific discourse. It revises and revitalizes our existing narratives about the history of American animation to uncover the many ways science informs our collective cultural imagination. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

What do technical renderings of plant cells in trees have to do with Disney's animated opus Fantasia? Quite a bit, as it turns out: such emergent scientific models and ideas about nature were an important inspiration for Disney's groundbreaking animated realism. In Drawn to Nature: American Animation in the Age of Science (University of Minnesota Press, 2025), Dr. Colin Williamson presents a vivid portrait of how developments in biology, physics, and geology between 1900 and the long 1960s influenced not just Disney but the American cartoon industry as a whole. Drawing on original research on the scientific appetites of animators and studios such as Winsor McCay, the Fleischer Brothers, Walt Disney, and United Productions of America, Dr. Williamson opens new avenues for understanding the history and aesthetics of cartoons. Interrogating the differences between art and science and reconsidering the realms of dream, magic, and fantasy as they pertain to pop culture, he yields novel proposals for bridging longstanding divides between animation, live-action cinema, and the history of science. Drawn to Nature not only illuminates the extent to which animators have drawn on scientific insights, it also considers seriously how commercial animations themselves participate in scientific discourse. It revises and revitalizes our existing narratives about the history of American animation to uncover the many ways science informs our collective cultural imagination. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

What do technical renderings of plant cells in trees have to do with Disney's animated opus Fantasia? Quite a bit, as it turns out: such emergent scientific models and ideas about nature were an important inspiration for Disney's groundbreaking animated realism. In Drawn to Nature: American Animation in the Age of Science (University of Minnesota Press, 2025), Dr. Colin Williamson presents a vivid portrait of how developments in biology, physics, and geology between 1900 and the long 1960s influenced not just Disney but the American cartoon industry as a whole. Drawing on original research on the scientific appetites of animators and studios such as Winsor McCay, the Fleischer Brothers, Walt Disney, and United Productions of America, Dr. Williamson opens new avenues for understanding the history and aesthetics of cartoons. Interrogating the differences between art and science and reconsidering the realms of dream, magic, and fantasy as they pertain to pop culture, he yields novel proposals for bridging longstanding divides between animation, live-action cinema, and the history of science. Drawn to Nature not only illuminates the extent to which animators have drawn on scientific insights, it also considers seriously how commercial animations themselves participate in scientific discourse. It revises and revitalizes our existing narratives about the history of American animation to uncover the many ways science informs our collective cultural imagination. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

What do technical renderings of plant cells in trees have to do with Disney's animated opus Fantasia? Quite a bit, as it turns out: such emergent scientific models and ideas about nature were an important inspiration for Disney's groundbreaking animated realism. In Drawn to Nature: American Animation in the Age of Science (University of Minnesota Press, 2025), Dr. Colin Williamson presents a vivid portrait of how developments in biology, physics, and geology between 1900 and the long 1960s influenced not just Disney but the American cartoon industry as a whole. Drawing on original research on the scientific appetites of animators and studios such as Winsor McCay, the Fleischer Brothers, Walt Disney, and United Productions of America, Dr. Williamson opens new avenues for understanding the history and aesthetics of cartoons. Interrogating the differences between art and science and reconsidering the realms of dream, magic, and fantasy as they pertain to pop culture, he yields novel proposals for bridging longstanding divides between animation, live-action cinema, and the history of science. Drawn to Nature not only illuminates the extent to which animators have drawn on scientific insights, it also considers seriously how commercial animations themselves participate in scientific discourse. It revises and revitalizes our existing narratives about the history of American animation to uncover the many ways science informs our collective cultural imagination. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Merry Christmas your favorite retro anime podcast! It's time to dive into some adorable holiday shenanigans!

Logramos completar la RE: seña de este popular manga del colectivo CLAMP antes de fin de año, con nuestra invitada difícil de coordinar, Vicka. Publicado entre marzo de 1995 y abril de 1996, el segundo volumen de Magic Knight Rayearth encuentra a las heroínas titulares volviendo al mundo mágico de Cefiro para defenderlo de la invasión de otras tierras místicas similares, pero muy distintas. Las comparaciones son odiosas, pero no podemos evitar sopesarlo contra el volumen original, y quizá, con otras obras del género manga/shojo/magical princess. Con música de Locomía. y Huntrix (Ejae/Nuna/Ami). Próximo programa: Star Wars Stories / Star Wars: Visions Vol. 3.

Have you ever scanned the radio looking for some music that fits your specific mood at that moment? Well, that's the daily quandary for show host John Avery. Thus, the creation of “Raiding The Crates on DC Radio,” a weekly two-hour ride through John's wildly diverse music taste and genre-hopping music collection. Be prepared to hear shows ranging from southern soul and blues to house music. Hear songs by artists from Frank Sinatra to Frank Ocean; from Sarah Vaughn to Fantasia; from Al Green to The B-52s. John is all over the place, but never too far from his first love: MUSIC. If you're the least bit adventurous, make it a point to join him weekly for “Raiding The Crates”.

Tornano (a grandissima richiesta ❤️) i  ⁨@premiatomaglificioromagnol6015⁩   per raccontarci la lore di Edge of Eternities! Un universo in espansione e una lore che getta delle basi interessantiTrovi il video dell'episodio qui: https://www.youtube.com/channel/UCMkQqseTypha6-n8Lsba6KwLINK per il canale Telegram: https://t.me/+dXU4Ko4N2CszODRkIn Risposta Scombo è sponsorizzato da Fantasia store, il paradiso di tutti noi nerd! Sul loro store troverete tutto ciò che un giocatore di Magic può desiderare!

Hoy tenemos un poquito de communio picaito con la liga de fantasía. Os dejo los operativos que hemos usado: No se puede repetir facción 30 Mejor: Tanque Sniper Gunner Lider CaC Support / medico Support / Bufador Mascota mejor pose mejor mini en general (a nivel mecánico) Mini que aporta más a un kill team. mini carne de cañon (para morir la primera) mejor palmero (no valen warriors de elites) Mini hibrida mini para puntuar mini sigilosa mini que da más miedo la peor mini burster mini a la que las reglas le dan igual Por un desayuno (2.99€) tendréis acceso a todo el contenido exclusivo, nuestro agradecimiento eterno y 1 papeleta para el sorteo trimestral de la caja de KillTeam -Por una copa (4.99€) tendréis 3 papeletas y todo lo anterior -Por una comida (9.99€) tendréis 8 papeletas y por cualquier incremento de esta cantidad otras 8 papeletas y todo lo anterior además de un lugar muy especial en la compañía negra y si lo hacéis durante dos meses os lleváis tremenda camiseta! Además nos podéis apoyar en twich incluso con un premium! Instagram https://www.instagram.com/Mercenarios_KT/ https://www.twitch.tv/KTMercenarios Discord Wargames Castellano: https://discord.gg/warcast Kill Team Granada: https://www.youtube.com/c/KillTeamGranada. Web de estadisticas: https://www.pretentiousplasticops.com/ Web de la tier list: https://ktservitor.app/killteams #AdWIP #Killteam #WarhammerCommunity

Dov'è andato Babbo Natale?C'era una volta il Villaggio di Babbo Natale — ma Babbo Natale non c'era. Era ormai sparito da giorni e giorni… anzi da mesi. Chi avrebbe preparato e consegnato i doni ai bambini come ogni anno?Quella parte del Polo Nord che di solito era molto movimentata, era diventata stranamente silenziosa — non si vedeva un Elfo in giro, niente suoni di campanelli, le slitte erano coperte di neve e tutte le renne sonnecchiavano confuse.Se guardavi nella sua casa non vedevi una traccia di vita. Il caminetto spento, la sedia a dondolo con le ragnatele, una tazza vuota sul tavolo di legno e un mozzicone di candela consumato da troppo tempo.Tante erano le voci che si erano sparse riguardo all'assenza di Babbo Natale. C'era chi diceva che si trovasse su un altro pianeta in una galassia lontana lontana, chi sulla Luna, chi sugli oceani immensi — e addirittura qualcuno diceva che aveva aperto una pasticceria a Buenos Aires.Il mistero era fitto. Nessuno se ne faceva una ragione e tutto era silenzioso e immobile.Nel frattempo, a molti chilometri di distanza, nei Mari del Sud, un gruppo di gabbiani che passavano le giornate a svolazzare sopra la baia avvistarono in lontananza un piccolo veliero. C'era solo un marinaio a bordo che stava issando sull'albero maestro scricchiolante la vela principale.Il gabbiano più anziano non poteva credere ai suoi occhi. Fece un paio di acrobazie nell'aria, tirò fuori il suo cannocchiale, guardò meglio e disse: "Ma io quello lo conosco! Quel marinaio viene da terre lontane!"Rivolgendosi agli altri gabbiani raccontò: "Un giorno, durante uno dei miei lunghi viaggi, persi la rotta e mi ritrovai sui tetti ghiacciati di un villaggio al Polo Nord. Atterrai proprio sulla casa di quell'uomo dalla lunga barba che vedete sulla barca. Lui mi sentì chiedere aiuto, venne a prendermi, mi nutrì e mi raccontò del suo lavoro. Secondo me questo incontro ha qualcosa di magico. La nostra prossima avventura sta per cominciare."Planando, si diressero verso la barca e atterrarono tutti sulla prua. Il gabbiano e il marinaio si salutarono come vecchi amici.Poco dopo, un gruppo di delfini arrivò vicino al veliero incuriositi. Nuotavano in cerchio intorno alla barca, saltando fuori dall'acqua.Il più giovane dei delfini notò qualcosa di strano. "Guardate! Dalla stiva escono trucioli di legno che galleggiano! E si vedono delle lucine sotto coperta."Il marinaio dalla lunga barba sorrise. "Venite," disse con voce calda, "vi mostro cosa ho fatto in tutti questi mesi."Aprì il portello della stiva e dentro, alla luce di due lanterne dondolanti, si vedeva un laboratorio galleggiante pieno di meraviglie. Con una pialla ben affilata aveva lavorato pezzi di legno recuperati in mare trasformandoli in giocattoli — e così aveva fatto anche con conchiglie, noci di cocco, tappi di sughero, bottiglie di vetro, stelle marine e fili dorati arrivati da chissà dove."Ho viaggiato per imparare nuovi modi di portare gioia," spiegò il marinaio. "Ma il lavoro è tanto e il Natale si avvicina. Mi aiutereste a finire?"E così tutti insieme si misero all'opera. I delfini portavano dal fondo del mare conchiglie speciali. I gabbiani raccoglievano piume colorate. Gli oggetti trasformati in doni furono messi in grossi sacchi di tela.I giorni passarono veloci.Il primo di Dicembre il capitano, indossato il suo rosso e caldo cappello e con la pipa in bocca, guardò il cielo stellato e disse: "È tempo di partire."I delfini sollevarono il veliero finché si alzò sopra le onde. Le vele si gonfiarono al vento e prese il volo, mentre lo stormo di gabbiani lo guidò tra le nuvole seguendo i sogni. Insieme continuarono il viaggio dirigendosi verso nord, volando nell'azzurro infinito.La notte arrivò veloce e nel cielo pieno di stelle una brillava più di tutte. Era la stella polare che con la sua luce accompagnava la discesa del veliero sulla terra.Per magia, nell'avvicinarsi al villaggio, il veliero si trasformò in una slitta super carica di doni. I regali costruiti nella stiva arrivarono nel laboratorio per essere consegnati insieme a tutti gli altri pacchetti.Quando atterrò sul tetto della sua casa, un tintinnio di campanelli si sentì in lontananza. Gli Elfi si affacciarono sulle porte e gridarono: "È lui! È lui! È Babbo Natale! È tornato!"Le renne dal naso rosso si svegliarono di colpo e cominciarono a lucidare le slitte, addobbandole di fiocchi e pigne colorate.La vita nel villaggio si risvegliò tutta insieme. I rami degli alberi si scuotevano come se avessero il solletico. Un gruppo di pinguini, approdati al Polo Nord per dare una mano, scivolando sulle lastre di ghiaccio a grande velocità, finirono dentro cumuli di neve e uscirono fuori come palle che rimbalzavano.“Che simpatici! Vi attaccheremo all'albero di Natale come decoro!" gridavano gli animali del villaggio.Ma i pinguini, liberandosi dalla neve, corsero verso la casa di Babbo Natale per aiutare nei preparativi.Al villaggio proprio tutti si misero in movimento. Le renne corsero all'Ufficio Postale e riempiti i sacchi di letterine, le portarono nel laboratorio. Gli Elfi con l'aiuto dei pinguini erano pronti per il lavoro.Quella mattina, quando le campane suonarono a festa, volpi, scoiattoli, lepri e orsi accorsero da ogni angolo della foresta per festeggiare il ritorno di Babbo Natale. C'era tanto da fare per la gioia di tutti i bambini del mondo.L'aria profumava d'abete e di dolcetti. Gli alberi di Natale scintillavano di ghiaccioli come stelle. Gli animali si rincorrevano felici con il naso girato verso l'alto.I preparativi cominciarono in grande lena. Per tutto il mese di dicembre lavorarono insieme — seghe che cantavano, martelli che suonavano, carta colorata che volava. Babbo Natale raccontava le storie del suo viaggio mentre inchiodava e levigava.E quando arrivò il 24 dicembre, tutto era pronto. I regali furono caricati sulla slitta e Babbo Natale partì per il suo viaggio più importante.I gabbiani volarono via verso nuovi orizzonti, lasciando le loro impronte sui tetti innevati.Da quel Natale si racconta che Babbo Natale non sia mai più andato via dal Polo Nord."E se fosse stata solo una favola? Sarà vero, o no? A voi la decisione finale!" — Scritta da Lucia & Marco CiappelliPer la versione in inglese e tante altre storie da leggere e ascoltare: https://www.storiesottolestelle.com Each story is currently written and narrated in both Italian and English.The translation from Italian (the original language) to English and the reading of the stories are performed using Generative Artificial Intelligence — which perhaps has a touch of magic... We hope it has done a good job!If you like it, make sure to tell your friends, family, and teachers, and subscribe to this podcast to stay updated. You'll be able to read or listen to new stories as soon as they become available. Visit us On The Official Website https://www.storiesottolestelle.com/ Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

To finish up our Disney Series, we wanted to talk about a few things you can do that don't involve the four main parks. Putt Putt and Water Parks! Winter Summerland Mini GolfIt's festive, holiday-themed mini-golf, featuring two unique 18-hole courses (Winter & Summer) that tell the story of Santa and his elves building a Florida vacation spot, with wintry, snowy obstacles on the Winter course and tropical, beachy elements on the Summer course, offering year-round Christmas fun for all ages. Key Features:Two Courses: You can choose between the snowy, North Pole-themed Winter Course or the sandy, tropical Summer Course, both celebrating Christmas.Immersive Theming: Expect festive decorations like snow-covered pine trees, melting snowmen, Santa's RV, palm trees, and even Squirty the Snowman, who sprays water. Fantasia Gardens and Fairways Mini GolfDisney World miniature golf complex near the Swan & Dolphin Resort, featuring two distinct 18-hole courses: Fantasia Gardens, a whimsical, family-friendly course themed to the movie Fantasia with characters and obstacles, and Fantasia Fairways, a more challenging, scaled-down traditional golf course with bunkers, water hazards, and sloping greens. Guests can play either course for a different experience, with the Gardens course focusing on fun and the Fairways course on skill.  Typhoon LagoonTyphoon Lagoon is a typhoon-themed water park. It opened in 1989. The park's theme is based on a storm that destroyed a tropical paradise, featuring a 60-foot-tall man-made volcano, "Mount Mayday," with a shipwrecked shrimp boat, "Miss Tilly," on top. Key features: The park is home to one of the world's largest outdoor wave pools, generating 6-foot swells every 90 seconds.Typhoon Lagoon Surf Pool: A massive wave pool.Castaway Creek: A lazy river that circles the park.Slides: Including Humunga Kowabunga (three dark speed slides), Storm Slides (body slides), and Missadventure Falls (a family raft ride).Crush 'n' Gusher: A water coaster with two-person rafts.Ketchakiddee Creek: A water play area designed for children 48 inches and shorter.Fun Fact: The park's mascot is Lagoona Gator, who is related to the mascot of the nearby Blizzard Beach water park Blizzard Beach Blizzard Beach is a unique, ski resort-themed water park built around the whimsical backstory of a freak Florida blizzard that created a melted ski resort. Key Features:Theme: A melting ski resort with a "snowy" vibe, complete with ski patrol theming and icy-looking structures.Attractions: Includes extreme slides (Summit Plummet, Downhill Double Dipper), family raft rides, a lazy river, and kids' areas.Summit Plummet: a 120-foot-tall (12 stories) freefall body slide that plunges riders at speeds up to 60 mph down a near-vertical slope, mimicking a ski jump for an intense, quick thrill.Mount Gushmore: The central mountain structure that houses many of the slides, accessible by a ski lift.Melt-Away Bay: A large wave pool.Heated Water: The water is kept warm, making it enjoyable year-round

Hoy les traemos un Historias de Historietas sobre editoriales de comics independientes o menos conocidas. Esta vez, dos extintas, con American Comics Group (que tenía ciertos nexos con lo que hoy es DC) y Anglo-American Publishing (un sello canadiense creado por necesidades de la Segunda Guerra Mundial); y dos activas, Ahoy Comics (una editorial muy reciente) y Antarctic Press (una empresa con cuatro décadas de experiencia, pioneros del manga en EEUU). Además, una nota con Matías Castro, uno de los responsables de la muestra de originales de comics uruguayos "La Original Historieta Uruguaya", puntapié de un proyecto de conservación y archivo para el noveno arte del país. Con música de Frank Zappa, y Men Without Hats. Próximo programa: Magic Knight Rayearth (Parte II).

Have you ever scanned the radio looking for some music that fits your specific mood at that moment? Well, that's the daily quandary for show host John Avery. Thus, the creation of “Raiding The Crates on DC Radio,” a weekly two-hour ride through John's wildly diverse music taste and genre-hopping music collection. Be prepared to hear shows ranging from southern soul and blues to house music. Hear songs by artists from Frank Sinatra to Frank Ocean; from Sarah Vaughn to Fantasia; from Al Green to The B-52s. John is all over the place, but never too far from his first love: MUSIC. If you're the least bit adventurous, make it a point to join him weekly for “Raiding The Crates”.

Send us a textWhat makes a love song last—melody, memory, or the moment you needed it most? We put that question to the test with a no-mercy R&B love song draft spanning the 90s, 2000s, 2010s, and 2020s. Three hosts build rival playlists across high-stakes categories: best song, male and female group records, duets, covers, remixes, breakup anthems, and decade picks. Every selection has to earn its place, and every hot take has to survive the smoke.We go deep on the culture: why Whitney's I Will Always Love You became the definitive cover, how samples carry love stories across generations, and where the line sits between love, lust, and obsession. Expect strong opinions—SWV's Weak goes early, Miguel's Adorn and Frank Ocean's Thinkin Bout You anchor the 2010s, and SZA's Snooze and Muni Long's Made For Me make their case for modern classics. We champion sleepers like Anthony Hamilton's The Point of It All and Lauryn Hill and D'Angelo's Nothing Even Matters, and we push back on sacred cows with overrated calls that might rattle a hive or two.By the time we hit duets, male-led, and female-led rounds—Avant and Keke Wyatt's chemistry, Luther's patience, Fantasia's glow, Beyoncé's Plastic Off the Sofa—the boards tell a story about how R&B holds our best and hardest moments. We end with a full recap and a clear way to crown a winner: three playlists, your votes. Tap play to hear the case for each track, then choose the lineup you'd ride with forever.Living the Dream with CurveballOn the living the dream with curveball podcast I interview guests that inspire.Listen on: Apple Podcasts FOLLOW. SUBSCRIBE. SHARE. Contactmixedvibeztv@gmail.com (720) 381-1092Facebook www.facebook.com/mixedvibezYouTube https://youtube.com/@mixedvibezmediaTikTokhttps://www.tiktok.com/@mixedvibezmedia?_t=8aEYresFfkw&_r=1Instagramhttps://www.instagram.com/mixedvibezpodcast/

Nos hemos juntado un mes más para hablar de algunos productos relativamente actuales. Recomendaciones de cómics: -Animal Man, de Grant Morrison (Panini Comics) -Newburn, de Chip Zdarsky y Jacob Phillips (Planeta Cómic) -Cómo sobrevivir en el Norte, de Luke Healy (Nórdica Libros) Recomendaciones de libros: -La Corte de los Espejos, de Concepción Perea (Runas) -El número 33 de la calle Orquídea, de Talita Isla (Obscura Editorial) Recomendaciones de series: -Spartacus - House of Ashur (Starz) RRSS de los colaboradores: -JLo @crosstume @lleilo.bsky.social -Fer @fercatodic -Violeta @viodopamina -Santi @santiagoneg -Borja @kuronime @animee1.bsky.social -Juan: @juansn.bsky.social -Ja @evendrones @evendrones.bsky.social Esperamos vuestros comentarios, sugerencias y propuestas para futuras entregas del programa, que nos podéis hacer llegar a través de las redes sociales, a través de los comentarios en Ivoox o por correo electrónico enviándonos un email a podcast@lacasadeel.net.

(ATENCIÓN: En plataformas de podcasts, este episodio tiene el audio del vivo de YouTube, que no está retocado para que todos los participantes suenen al mismo volumen, tiene ruidos varios, y la música a veces es muy fuerte. Pronto subiremos el audio que fue grabado en pistas individuales, que tendrá los standards usuales de Perdidos. Si gustan ver la sesión en YouTube, a pesar del audio, es más entretenida con las imágenes, las caras que ponemos, etc.) Por fin salió la segunda parte de la partida de rol que empezamos en nuestro aniversario. MaGnUs dirigió una aventura de su universo Grimorio del Plata, con cazadores de monstruos e investigadores de lo sobrenatural, en este caso ambientado en la década de 1930. Montevideo, 1939. En la sesión pasada, un grupo de agentes compuesto por agentes del Grimorio del Plata y cazadores independientes comenzó a investigar un misterio. (Más info abajo.) Con música de Walas, y Johnny Cash (interpretando a Kris Kristofferson). Próximo programa: Magic Knight Rayearth (Parte II). Elenco: * Chris como Armando Calafiore, ex forzudo de circo y Paladín (soldado del Grimorio). * Sole como Paula Fariña, periodista y Cronista (agentes del Grimorio que ocultan lo sobrenatural del público). * Eze como Roque Amuchastegui, pastor metodista y Clérigo (hechiceros del Grimorio). * Mael como Carlos Helmut Müller, ingeniero eléctrico y Artífice (alquimista y armero del Grimorio). * Dino como Sergio Benavides, contrabandista y cazador independiente. * Carlos como Perla Ríos, guitarrista de tango y cazadora independiente. Una fría madrugada de mayo, en un saladero abandonado del puerto de Montevideo encontraron el cadaver de Armando Canals y Creu, un empresario local que gustaba de comprar reliquias místicas, pero que todos (menos él) saben que son falsas. El cuerpo, muerto a balazos de fusil Mauser, despide una sangre aceitosa, algo no natural. En su bolsillo encontraron un paquete de cigarrillos italianos que solo se consiguen en la Fonda Liguori (propiedad de una familia mafiosa, los Geranzzano) y un pedazo de vidrio de vitral de iglesia con sangre y el nombre VAYNE tallado. Se dan cuenta que el vidrio probablemente proviene de la Iglesia San Francisco de Asís, cerca de ahí y que fue abandonada hace unos meses tras una tormenta. Saben que Karl Vayne fue un mago de escenario que a fines del siglo 19 presentaba un truco muy aclamado: la "invocación" de un "demonio babilónico" llamado Ishk'harhul a través de un espejo. El demonio aparentemente concedía deseos a los afortunados espectadores, pero esto era todo espectáculo, el demonio era completamente inventado, interpretado por un asistente con una máscara, puertas trampa, y bombas de humo Cerca de ahí, vive Ronaldo Fúnez, un partidario del Partido Blanco que en 1935 peleó en la Revolución de Enero contra la dictadura de Terra; los revolucionarios usaban fúsiles Mauser. En el piso de arriba encontraron un ritual falso, con una estatuilla de un dios apócrifo, vidrios del vitral, y un papel con un ritual que simula ser antiguo, pero es una falsificación y tiene palabras mal escritas. En el centro del ritual, una bomba de relojería, y todo el piso de arriba regado de combustible. Por suerte, Müller logra desactivar la bomba. También encuentran una caja llena de partes de reloj, incluyendo unos que solo se venden en una tienda del Centro, Re Dell'orologio. Charlando con un hombre en situación de calle, El Rata, averiguan que hace unas noches estuvieron en el lugar unos "copetudos", y además el Vasco Errazcuaga. El Vasco es un matón de alquiler, y junto con sus muchachos regentean un club de pelota vasca cercano. Además, se enteran de que el Vasco está sufriendo de fuertes dolores de cabeza. En primer lugar van al rancho de Fúnez, que se les escapa por los techos. Dentro encuentran herramientas para limpiar fúsiles y cargadores, además de un volante del club vasco con la inscripción "VASCO ERRAZCUAGA #2", y una foto de Renzo Geranzzano con una mujer que no es su esposa. En la iglesia, hablan con otro indigente, el Viyela, que les dice que alguien estuvo hace unas noches tocando el órgano, la Marcha Tres Árboles, hino del Partido Nacional. El órgano fue recientemente reparado. También averiguan que el vitral de en cuestión se llamaba "El Juicio a los Herejes". Se meten a la fuerza en el club de pelota y encuentran otro vidrio con la inscripción VAYNE y otro papel del ritual falso. En el conventillo donde vive el Vasco hablan con su madre, que les dice que está con fuertes dolores de cabeza. El Vasco (con una mano vendada) reta a Armando a una pulseada, y aunque brinda buena pelea, pierde con el Paladín. Entonces, les cuenta que no sabía que Canals estaba muerto. Sin embargo les comenta que una persona enmascarada que se hacía llamar Reflejo Oscuro lo citó a él y a varias otras personas más, no puede decir quienes eran todos porque también tenían las caras tapadas, pero uno seguro era Canals y otro era el empresario portuario Manstein. Reflejo Oscuro les propuso hacer un ritual para obtener poder, se cortaron las manos, el Vasco se enojó porque no pasó nada, y se fue. Tras hablar con ellos, el Vasco se toma la cabeza, grita de dolor, y muere. Engañando a su madre, le dicen que lo van a llevar al hospital, pero se llevan el cuerpo a la sede del Grimorio en el barrio Prado. CONTINUARÁ

In light of past conversations about weaponised intellect and the relatively dramatic times in which we are living, this week's episode focuses on Disney's original dialogue-free musical anthology film, Fantasia.Contact UsEmail: contact@jimmybernasconi.comInstagram: https://www.instagram.com/filmsfortoday/?hl=en

Continuiamo la storia di Gianni Rodari e vediamo insieme le sue produzioni per l'infanzia, il suo spirito rivoluzionario, la sua voglia di giocare e inventare nuovi mondi con le parole.Vuoi fare parte della nostra community? Iscriviti qui: https://store.piccolomondoitaliano.com/piccolo-mondo-italiano-clubVuoi imparare con noi?Visita Piccolo Mondo Italiano: www.piccolomondoitaliano.comPodcast, materiali culturali, lezioni e uno spazio per incontrare persone che amano l'italiano e la cultura come te. Ti aspettiamo!

Stories have a way of helping us recognize ourselves, and that's exactly what happened in my conversation with Nana Ekua Brew-Hammond. Nana shares what it was like to grow up in Queens, then suddenly move to a boarding school in Ghana, and how that experience shaped her identity in ways she's still uncovering today. As Nana describes her path from writer to author, her years of persistence, and the curiosity that led to books like Powder Necklace and Blue, I felt a deep connection to her commitment to keep creating even when the process feels uncertain. We also explored trust, partnership, and the lessons my guide dogs have taught me—all ideas that tie into the heart of Nana's storytelling. This conversation is an invitation to see your own life with more clarity, courage, and compassion. Highlights: 00:00:10 – Step into a conversation that explores how stories shape courage and connection. 00:01:41 – See how early environments influence identity and spark deeper questions about belonging. 00:02:55 – Learn how a major cultural shift can expand perspective and redefine personal truth. 00:23:05 – Discover what creative persistence looks like when the path is long and uncertain. 00:27:45 – Understand what distinguishes writing from fully embracing authorship. 00:33:22 – Explore how powerful storytelling draws people into a moment rather than just describing it. 00:46:45 – Follow how curiosity about history can unlock unexpected creative direction. 00:59:31 – Gain insight into why treating a publisher as a partner strengthens both the work and the audience reach. About the Guest: Nana Ekua Brew-Hammond is the author of Powder Necklace: A Novel, the award-winning children's picture book Blue: A History of the Color as Deep as the Sea and as Wide as the Sky, the collection Relations: An Anthology of African and Diaspora Voices, and My Parents' Marriage: A Novel.  Tapped for her passion about Africa's rich fashion traditions and techniques, Brew-Hammond was commissioned by the curators of Brooklyn Museum's "Africa Fashion" exhibit to pen and perform an original poem for the museum's companion short film of the same name. In the clip, she wore a look from the made-in-Ghana lifestyle line she co-founded with her mother and sister, Exit 14. The brand was featured on Vogue.com. Every month, Brew-Hammond co-leads the Redeemed Writers Group whose mission is to write light into the darkness. Learn more about it here.Learn more at nanabrewhammond.com. Ways to connect with Nana**:** Instagram, Facebook and Threads: @nanaekuawriter Twitter: @nanaekua  www.NanaBrewHammond.com  ORDER my new novel   MY PARENTS' MARRIAGE Read 2023 NCTE Award Winner & NAACP Image Award Nominee   BLUE: A History of the Color as Deep as the Sea and as Wide as the Sky   Read RELATIONS: An Anthology of African and Diaspora Voices , stories, essays & poems by new and established Black writers   Shop Exit 14 , all weather, uniquely designed, 100% cotton apparel sustainably made in Ghana About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson  00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us. Michael Hingson  01:20 And a pleasant, Good day to you all, wherever you happen to be, I would like to welcome you to another episode of unstoppable mindset. Today, we get to have a conversation with Nana Ekua Brew-Hammond And Nana has a lot of interesting things to talk about. She's written books, she's done a variety of different things, and rather than me giving it all away, it'll be more fun to let her tell the stories and get a chance for us to listen to her. She is in Oakland, California, so she's at the other end of the state for me, and we were just comparing the weather. It's a lot colder where she is than where I live down here in Victorville, where today it's 104 degrees outside. And Nana, you said it was like, what, somewhere around 70. Yeah, it's 68 There you go. See lovely weather. Well, Nana, I want to welcome you to unstoppable mindset. We're really glad you're here, and I want to thank you for taking the time to be with us. Nana Ekua Brew-Hammond  02:23 I feel the same way. Thank you for having me on your amazing show. And it's so wonderful to be in conversation with you. Michael Hingson  02:30 Well, I'm glad we get a chance to spend some time together and we can, we can talk about whatever we want to talk about and make it relevant and interesting. So we'll do that. Why don't we start with what I love to do at the beginning of these is to talk about the early Nana growing up and all that. So take us back as close to the beginning as your memory allows. Nana Ekua Brew-Hammond  02:52 Oh gosh, as my memory allows. Um, I so I was born in Plattsburgh, New York, which is upstate near Montreal, Canada. Michael Hingson  03:06 Been there. Oh, cool in the winter. I even crossed the lake in an icebreaker. Nana Ekua Brew-Hammond  03:12 But yeah, oh my gosh, wow. Okay, yeah. Bring back memories. Well, I was only there for till I was, like two years old. So, but I do, I have gone up there in the winter and it is cold. Yes, it is cold, yeah. So I was born there, but I grew up in New York City and had that really was sort of my life. I lived in New York, grew up in Queens, New York, and then at 12 years old, my parents decided to send me to Ghana to go to school. And that was sort of like a big, the biggest change of my life, like I know that there was a before Ghana and an after Ghana, Nana and so, yeah, wow. Michael Hingson  04:02 So, so when was that? What year was that that you went to Ghana? Nana Ekua Brew-Hammond  04:06 That was 1990 August of 1990 actually. Michael Hingson  04:11 So what did you think about going to Ghana? I mean, clearly that was a major change. Nana Ekua Brew-Hammond  04:15 Yeah, you know, I, you know, my parents are from Ghana originally. So when, you know, they would always talk about it. We, you know, back then phones, long distance phone calls to Ghana. I, you know, that was, that was the extent of my sort of understanding of Ghana, the food that we ate at home, etc. So going to Ghana was just sort of mind blowing to me, to sort of be crossing, you know, getting on a plane and all of that, and then being in the country that my parents had left to come to the United States, was just sort of like, oh, wow, connecting with family members. It was just, it was a lot. To process, because life was very, very, very, very different. So yeah, it was just sort of a wild eye opening experience about just the world and myself and my family that ultimately inspired me to write a book about it, because it was just, I just, it was a lot to process. Michael Hingson  05:25 Why did they want you to go to to Ghana to study? Nana Ekua Brew-Hammond  05:30 Yeah, so in the 90s, in New York City or and in the late 80s, there was the crack epidemic was happening, and we, you know, I mean, I remember, we lived in a house in Queens, and when we would, you know, part of our chores was to sweep in front of the house, you know, rake the leaves, that kind of thing in the fall. And we would, all the time there would be crack files, you know, like as we're sweeping up, and I didn't get there where we were young. My sister was, you know, a teenager. I was 12, and my, you know, my younger brother had just been born. He was just like a, like, a little under a year old. And I think my parents just didn't feel that it was a safe place for us as kids to grow up. And so, yeah, they wanted to kind of give us an opportunity to get out of, you know, that environment for a while. Michael Hingson  06:33 What did you think of it? Nana Ekua Brew-Hammond  06:35 I mean, you know, as a kid, you never want to leave what to you. So it was, I would say it was, it was, it was interesting. Because initially I loved it. I was like, I actually campaigned, you know, I was like, I really, you know, would like to stay in Ghana, but I didn't want to stay for, you know, the three years, which is what I what happened? I wanted to stay for maybe, like a year, kind of try it, you know, go to school for a year. I found it this really cool adventure, go to boarding school and on all of that. But my parents made the decision that we should just sort of ride it out and finish like I had to finish high school. And, yeah, so, so great for me. Michael Hingson  07:25 So you were there for three years, yes. So by you were 12, so by 15, you had finished high Nana Ekua Brew-Hammond  07:32 school, yeah, because the system there is different. It's it was at the time the British system. So it was like a form system where I saw I entered in form three, because it was, it wasn't quite the equivalent in the sense that I probably should have started in form two or form one, but I was also an advanced student, and and they, the way the system there works is you have to take a common entrance exam from primary school to get into secondary school. So it's very difficult to get into school midstream there. So we had to go through all of these hoops. And, you know, there was an opening in form three, and that was higher than my, you know, than where I should have been, but I was advanced, so I was able to get into that school that way. You did okay. I assume I did. I mean, I struggled, which was interesting, because I was a very, you know, good, strong student in the States, but I struggled mightily when I first got there, and throughout, it was never easy, but I was able to manage. Michael Hingson  08:49 Now, did your sister also go to Ghana? She Nana Ekua Brew-Hammond  08:52 did, and she was hopping mad. Michael Hingson  08:55 How old was she when you were 12, she was Nana Ekua Brew-Hammond  08:59 17, so she Okay, yeah, almost about to go to college. She was really excited about, like, that portion of life. And then it was like, okay, she's in Ghana. She was hopping mad. Michael Hingson  09:13 Well, how long did she stay? Nana Ekua Brew-Hammond  09:16 Well, so she stayed for two years. Because what Ghana has is sort of like, at the time it was something called sixth form, which is, again, the British system. So it's sort of like a college prep in between the equivalent of that. So she basically did that in Ghana. Michael Hingson  09:38 Okay, well, and your little brother didn't go to Ghana, Nana Ekua Brew-Hammond  09:44 not yet, not not yet. You Michael Hingson  09:47 mean they didn't send him over at one year? No, okay, well, that's probably a good idea. Well, so looking back on it, what do you think about having spent three years in. Nana Ekua Brew-Hammond  10:00 Ghana, looking back on it, I think it was actually really, really good for me. I mean, it was that doesn't take away from the fact that it was very difficult. It was very, very challenging, not only academically. It was I was bullied really hard at this boarding school that I went to. The girls just kind of made my life hell. But what was amazing about it for me was that I had, I had exposure to Ghanaian culture in a way that I would never have had in the States. As I mentioned to you, Ghana was sort of that country over there when I lived in America. And you know, it existed as you know, family members coming to visit, long distance phone calls, the food that we ate, that you know, the accents that we had, things that made us different, and at the time, that was not cool. You know, as a kid, you just want to fit in and you don't want to be different. And going to Ghana was my opportunity to learn that, wow, I didn't have to be embarrassed or ashamed of that difference. There was so much to be proud of. You know, my family was, you know, a sprawling family, you know, my my grandmother owned a business, my grandfather owned a business, you know, it was, it was really, it was eye opening, just to sort of be in another environment. People knew how to, you know, pronounce my name, and I didn't have to, you know, just explain things. And that was really affirming for a 12 year old and a 13 year old when you're going through that, you know. So it was really good for me. And in Ghana is where I came to know Christ. I became a Christian, and it was something that spiritually, I was not really, I don't know, I just didn't really think about spiritual. I did on some level. But going to Ghana, it everything just felt so palpable. It was really like we're praying for this. And it happened, you know what I mean, like, yeah. It felt very Yeah. It was just a time in my life when life really felt very the mysteries of life really felt like they were open to me, Michael Hingson  12:37 interesting and so you clearly gained a lot of insight and knowledge and experience over there that you were able to bring back with you when you came Yes, yes. Nana Ekua Brew-Hammond  12:55 When I returned to the States, I was just, I think of myself, I guess, as a weirdo. Like, when I came back, I just felt so weird because I couldn't really, fully, you know, connect with my friends, because I had missed out on three years of culture, you know. And you You don't realize how much culture means, like, until, like, you know, you don't have those references anymore. I didn't know the songs that were popular. I didn't, you know, know about, I forget, there was some sort of genes that were really popular while I was gone. I didn't know what they were. I didn't have a pair of them. So it was just sort of this, this interesting time. And I was also young, because I had finished high school, and I was 15, yeah, my friends were, you know, sophomores, yeah, you know, and I was beginning the process of looking into college. So it was just a really isolating time for me and I, but also, you know, interesting and I, again, I say it was, it was ultimately in the in the wash of it. I think it was good because it enabled me to sort of, I guess, mature in a way that enabled me to start college earlier. And, you know, sort of see the world in a much different way. Michael Hingson  14:26 So when you went to college, what did you want to do? Or had you had you decided to start laying plans for a major and what you wanted to do post college, Nana Ekua Brew-Hammond  14:36 I did not know what I wanted to do. I kind of, I mean, I kind of thought I wanted to be a doctor. I thought I wanted to be a doctor. Like, all my life, growing up, I was like, I'm going to be a doctor. And I was a science student in Ghana, but I struggled mightily. But still, I went. I entered college with us. You know, the plans? To become a bio psychology major. And you know, I took two, three classes, well more than that, I did, like, a year of classes. And I was just like, This is not for me, not for me at all. But yeah, yeah. So it was, it was that was a little rough. Michael Hingson  15:21 Things happen. So what did? What did you go off and do? Nana Ekua Brew-Hammond  15:25 Then I ended up majoring in political science and Africana Studies, and it was, I remember taking a political science class my freshman year, and I, my my professor was amazing, but it was, it was interesting to me. I think looking back now, being able to think about the world in a way that was sort of linking history and politics and culture together. And I think that was interesting to me, because I had just come from Ghana and had been exposed to, like, sort of this completely different culture, completely different political system, and, you know, kind of having that, I that thinking, or that wonderment of like, wow, you can Life can be so different somewhere else, but it's still life, and it's still happening, but also having that connection as an American to America and what's happening there. And so holding both of those things in my hands when I got to college, I think I was, I just what I was really sort of intrigued by the idea of studying politics and studying culture and society, Michael Hingson  16:48 and that's what you did. Yes, I did. So you got a degree in political science. Nana Ekua Brew-Hammond  16:54 Yes, a double degree political science and Africana Studies. Michael Hingson  16:57 Africana Studies, okay, and again, that that's probably pretty interesting, because the the Ghana influence had to help with the Africana Studies, and the desire to to do that, and you certainly came with a good amount of knowledge that had to help in getting that as a part of your major. Nana Ekua Brew-Hammond  17:16 Well, interestingly, my focus was on African American Studies, because I really growing up as an immigrant, like with immigrant parents, their understanding or their their thought process wasn't necessarily, I don't know they weren't. They didn't really raise us to think about race or being black, because their consciousness wasn't about that. It was they were immigrants. You know what? I mean, they weren't thinking about that. So I was actually quite curious, because I did grow up in America and I was black, but I didn't understand, you know, the history of America in that way. And I remember, actually, when I was in was it the third or maybe it was the second or third grade, or maybe it was fifth grade. I did a project on the Civil War, and I remember being so interested in it, because I had, I just didn't, you know, it wasn't. I was so fascinated by American history because I really wasn't. I didn't, I didn't understand it in the way that maybe somebody who wasn't the child of immigrants, you know, might, you know, connect with it. So I was just Yeah, so I was really fascinated by African American history, so I ended up double majoring in it and concentrating on African American politics, which was really fascinating to me. Michael Hingson  18:55 Yeah, and there certainly has been a fair amount of that over the years, hasn't there? Yes, there has, but you can, you can cope with it and and again. But did your time in Ghana, kind of influence any of what you did in terms of African American Studies? Did it help you at all? Nana Ekua Brew-Hammond  19:15 Um, I, I don't know, because I don't because, because I think what, what I what, what Ghana helped me with was, I remember, I'll say this. I remember one time in Ghana, in class, we were reading a book by an author who had we were reading a play, actually by a Ghanaian writer who was writing about a Ghanian man who married an African American woman and brought her to his home. And there was a lot of clash between them, because, you know, they were both black, but they had different sort of backgrounds. Yeah, and I remember the teacher asking, because the. The the wife that he brought home, the African American woman, mentioned certain things about America, and no one in the classroom could answer any questions about America, and I was the only one who could. And I was, you know, very, very sort of shy in that in that school and in that context. But I remember that day feeling so emboldened, like I was, like, I can actually contribute to this conversation. And so maybe, you know, in on some level, when I got back to the states, maybe there was some interest in linking those two things together. But it wasn't as as is in life. It wasn't obvious to me. Then it was sort of just kind of me following my interest and curiosity. And I ended up, I didn't set out to be an Africana Studies double major, but I ended up taking so many classes that I had the credits. And, you know, I was like, Okay, I guess I'm I have two degrees now, or two, two concentrations, Michael Hingson  21:02 yeah, did you go and do any advanced work beyond getting bachelor's degrees? Nana Ekua Brew-Hammond  21:08 No, I did not. When I graduated, I initially thought I might get interested, get in, go to law school. But this was me again, following my muse. I realized that my real interest was in writing papers when I was in college. You know, give me a 15 page paper, 20 page paper, I was ecstatic. I loved writing papers. And I think that's one of the reasons, too, why I loved political science and Africana Studies, because we were assigned tons of papers, and it enabled me to sort of, you know, writing these papers enabled me to kind of think through questions that I had, or process what I was reading or thinking about or feeling. And so when I graduated from college, you know, I got, you know, a job, and was working, trying to figure out, Okay, do I want to go to law school? But at the time that I graduated, that was also during the time of, like, the.com boom, and there were a lot of online magazines that were looking for writers, and so I started, kind of, you know, submitting, and I got some some things published. And as that was happening, I was like, I think this is what I want to focus on. Michael Hingson  22:30 So when did you really know that you were a writer? Then? Nana Ekua Brew-Hammond  22:34 I mean, I don't I think that when I got back, when I started working, so I, ultimately, I got a job in advertising, and I was working, you know, as an assistant in the on the account side of things, but there was this whole creative department that, you know, got to, you know, come up with all of the, you know, the the taglines and write commercials and write jingles and all that kind of stuff. And I was, like, so fascinated by that, and that's what I thought, okay, I could if you know, I need a job, I need money, and I want to write, so maybe this is what I need to be doing. And so I ultimately did get a job as a copywriter and and I still, you know, do that work today, but I think I always knew that I needed to write, and I wanted to actually write about my experience in Ghana. So I remember, you know, I started kind of very fledgling. Would began to write into that, and I ultimately started writing that the book that became my first book, powder necklace, on the subway to and from work. Every morning I would wake up very early, write what I could get ready for work, right on the bus, right on the subway, you know, get to work after work. You know, repeat. And it took me many years, but that's what I did. And I wrote my first book, Michael Hingson  24:14 and that was published in 2010 right? Yes, it was, did you self publish? Nana Ekua Brew-Hammond  24:18 Or I well, I did not self publish. I was published by Simon and Schuster. Simon and Schuster's Atria Books, Washington Square press. And part of my process was I started just kind of, you know, the Internet. The Internet was new. It was something that was available to me. So I started just kind of Googling, how do you get published? And they said you needed a literary agent. So I started looking online for literary agents. And because I lived in New York City at the time, I would literally write my my query letters and like, hand deliver them different agencies. 90s, and one woman, after four years of looking, said, Okay, this sounds interesting. I'd love to meet with you. And I didn't believe. I was like, wow, I've been rejected for four years, and somebody actually wants this, and she was able to sell the book. And I was shocked. I was like, Simon and sister, okay? And at the time they bought it, the, you know, the America, the US, was going through the whole financial, you know, crisis, the recession, in 2008 so they held my book for a year, and then we began the process in 2009 and then they, you know, we were on track to publish it in 2010 Michael Hingson  25:46 Wow. Well, tell me about that book. Yeah. Nana Ekua Brew-Hammond  25:51 Powder necklace is a novel. It's a fictionalized account of my experience going to high school in Ghana. I when I went to school in Ghana. I went to a girls boarding school in the mountains of Ghana central region, and that school was going through a major water crisis. We did not, I mean, we the short story is that, I guess, because of we were on the mountain, the water pressure was very low, and so it was really difficult to get the water up that mountain. And they didn't have like enough, you know, tanks around the school and what have you. So we had one artificial well, and then we had, like, an underground well, and that was it. And the underground well wasn't always, you know, full of water to service the whole school. It was really difficult. So, you know, we had to bring in our own water, some. And then it became, if you had money, you could bring water. But if you didn't have money, you didn't and it was a very desperate time for for young girls without being not being able to take a shower on demand. And it was, it was wild. Michael Hingson  27:15 Where does the title powder necklace come from? Nana Ekua Brew-Hammond  27:19 So the title, I named it powder necklace, because, as I mentioned, taking a shower became this like symbol of the haves and the have nots. And, you know, all of this having water, really. And if so, what, what the girls, what we would do is, you know, after you've taken a bath, people would put tons of powder on their necks. And it was sometimes it was okay we didn't take a bath, so we're going to put powder on our necks to scented powder to cover the odor. But it was also a way, like if you had bathed, to sort of, you know, show off that you'd bathed. So for me, it was as I was reflecting on the on this as I was writing this story and reflecting on that whole experience, I thought, wow, it was sort of our way of holding our heads up, you know, in the difficult situation, and kind of making the best of it. So that's why I called it powder necklace, Michael Hingson  28:17 okay? And that was for children. Nana Ekua Brew-Hammond  28:20 Well, it was for young adults, young adults, but Michael Hingson  28:25 it was more writing than pictures. Nana Ekua Brew-Hammond  28:27 Yeah, it was a young adult novel. I actually, I mean, this was my first book. I really didn't know what I was doing. I just, I wrote the book and I didn't know that it was a young adult novel, until people were like, Yeah, you wrote a young adult novel. I'm like, okay, Michael Hingson  28:47 works for me. Well, what does, what does being a writer mean to you? Nana Ekua Brew-Hammond  28:54 Um, I think being a writer means to me being able to articulate. A time, a place, a mood, a moment, being able to articulate it, one for myself, but also to create a record that helps people who don't necessarily have that gift to be able to sort of put words to the experience of living at a time place, having a certain feeling about something. Michael Hingson  29:34 Do you think there's a difference between being considered a writer and being an author, are they the same, or are they really different? Nana Ekua Brew-Hammond  29:45 I do think that there is a difference, and not in a sort of, you know, highfalutin way. I think the difference is the fact that when you I think, like, when you asked me initially, like, when do you think that you you became. Became a writer. My My instinct is to say that I think I was always a writer, because I think if you write, you're a writer. And whether you're published or not, you're a writer. If you have that inclination, that gift, and you sort of invest in that gift, and invest and develop it. I think you're a writer, but I think with an author, I think then that's to me. I think of it as the business of being a writer, or the business of being, yeah, you are now sort of in business with your publisher. Publisher has invested a certain amount in you, and it then becomes a more sort of public facing thing. The work is not just for you anymore. The work is now being disseminated to a group and hopefully to as many people as possible, and you as the writer now have to figure out, like, how do I get to my audience? How do I maximize or expand the reach of this thing that I wrote? How do I connect with people around the story and build build a readership. And how do I ultimately, you know, the my desire and goal would be to live off of this. How do I make turn this into something that I can, I can do, you know, full time and live off of Michael Hingson  31:38 so you turn from a writer to being an author. Nana Ekua Brew-Hammond  31:42 I'm, yes, I am an author, and I'm and I'm hoping to get to the to the, you know, the point where I can do it 100% full time, and it be, you know, 100% lucrative in that way. Michael Hingson  31:56 So what are you doing now? In addition to doing books, I Nana Ekua Brew-Hammond  32:01 also freelance as a copywriter, so I'm still copywriting, Michael Hingson  32:05 okay, I was wondering what you what you did? So you're doing, still marketing and jingles and all those things, yeah, well, I Nana Ekua Brew-Hammond  32:13 I'm my focus. I do do that, but my focus is mainly in the digital space. So I write lots of websites and web ads and social media copy, and, you know, things of that nature, campaign work. Michael Hingson  32:33 Well, that's, is there anything that you've written or copy written that we would all know, Nana Ekua Brew-Hammond  32:42 yeah, I mean, I did. I've done a lot. I guess the maybe the most recent thing that I've done that people might be aware of, or some people might be aware of, is the Brooklyn Museum in New York, did a an exhibition called Africa fashion. And I, they created a short film to promote it, and I, they commissioned me to write an original piece for it. And so I wrote that piece and and performed it in the film. So, you know, people who are into that kind of thing a museum, that that museum might be aware of it. But I've also written for, I did a lot of work for L'Oreal Paris, USA, and I've just done a lot of beauty work. So many of the beauty brands you might be aware, you know, you might know, I've done some work for them, cool. Michael Hingson  33:45 Well, that, you know, you do have to do things to earn an income to to be able to afford to write until you can do it full time. Nana Ekua Brew-Hammond  33:53 Yeah, yeah. And I actually really love copywriting. I think it's an it's been an incredible teacher in the sense of how to how to crystallize an idea in very short, you know, in just a few words, how to convey emotion in just a few words. And also that storytelling is not just the words, it's how you deliver the story that's all part of it. So I think it's been an incredible teacher in that way. Michael Hingson  34:28 I know for me as a speaker, it is how you tell the story. And I've learned over 23 and a half years of speaking how to take people inside the World Trade Center and actually have them travel with me and do all the things that, and experience all the things that that I went through, and then come out of the other side and I and I say that because so many people after I speak somewhere, well. Come up and say, we were with you in the building. We were with you with everything that you did. And I appreciate that there is a real significant art to storytelling, and part of it is also, and I'm sure that this is true for you as a writer and an author, that part of it has to be that you have to actually connect with the audience. You've got to understand the audience. You've got to connect with them, and you have to bring them along, because they're not expecting to go with you. Nana Ekua Brew-Hammond  35:33 Absolutely, absolutely. And I will say that I started one of your books just the beginning of it, and I was just running with Roselle, and I was so taken, so absorbed by the first few pages of it. You really do immerse us. And I think that that's the best kind of of writing. You know, when you're able to kind of present material that people may or may not be familiar with, and make it riveting and really bring us into it, and then have us invest being, feel invested well. Michael Hingson  36:16 And I think the last book that we did last year live like a guide dog. I worked really hard to make sure that we were drawing people into the experiences, because every chapter is actually taking lessons from one of my guide dogs and also from Fantasia, which who is my wife's service dog, but each chapter relates to one of those dogs, and I wanted them to be environments where people again were drawn in and appreciate the dogs for what they are and what they do, not just some dumb Animal that comes along. Yeah. Nana Ekua Brew-Hammond  37:00 Yeah, absolutely. I mean, yeah, so interesting. I think there's, there's so much, I guess. I don't want to use the word, I guess what I want to say, there's a lot of mystery in in the sort of human animal interaction, and people just aren't aware of how powerful it is, and I can, I'm saying that I speak for myself, because growing up, actually, I was really, really scared of dogs and animals, all animals, and I so there's, there's two, there's kind of two stories I'll share. But one is when we were, when we were growing up, my parents, you know, were from Ghana. They wanted to eat goat meat. And at the time, you couldn't just go to a supermarket goat meat. So we used to go to a farm out in New Jersey that had goats, and we would have to go and have the goat, you know, slaughtered and, you know, cut up and all that kind of stuff for the meat. And I remember that whenever the hand would go into, you know, the pen where the goats were, the goats would just were. They would be so stressed out, they would like, you know, part like the ocean walked in, and if he picked, when he picked one out. There would be other people, other goats in the pen that would start screaming in agony, along with the goat that had been picked out. And I was just like, Oh my gosh. That must be his family members, like, or his loved ones. And it was so I remember that was so eye opening to me, like, wow. So I ended up years, years later, I wrote a short story, and I actually did some research on goats and how brilliant they are, and I was just like, wow, oh my goodness, I remember that so well. But I have a cat right now, and my kitty cat is just such a such a joy, like just sort of to build that relationship with, with my with my pet, is just such a beautiful thing, and how she just kind of, because I grew up really scared of pets, and I sort of inherited her when I got when I got married, you know, she's been very patient with me, like, because at first I was so skittish around her, and I could see her, kind of like rolling her eyes, like, I mean, you no harm. You can pick me up. It's all good. And she's just been so wonderfully patient with me. We've built that bond over time. Michael Hingson  39:31 Well, yeah, I have, of course, my my eighth guy, dog, Alamo, and stitch the cat. Stitch is 15 and a half and a real cutie pie. We rescued her. Actually, there were people who were living next to us, and he was moving out. His wife had died, and he just told the people who were moving all of his stuff out, take the cat to the pound. I don't want anything to do with it. And we, we said, Absolutely not. We'll find it a home. And then I asked, What the. Cat's name was, and they told me the cat's name was stitch. And I knew that this cat wasn't going to go anywhere because my wife had been, well, my wife had been a quilter since 1994 and a quilter is never going to give away a cat named stitch. Yes. Nana Ekua Brew-Hammond  40:14 Oh, I'm so glad stitch found a home with you. Michael Hingson  40:18 Oh, yeah. Well, we found a stitch. Nana Ekua Brew-Hammond  40:20 Oh, that's right, that's right. Michael Hingson  40:23 And, and, and so she's, she's got lots of personality. And so it really works out pretty well. No, no complaints. And I've always said, Whenever I get a guide dog, because my wife has always had cats, when I get a new guide dog, I've always said, and will continue to say, it has to be a dog that's been raised around cats and has no problems with cats. I have seen a couple of Guide Dogs, actually, that hated cats, and one almost killed a cat, and that's I will never tolerate that. Yeah, they have to get along. Yeah, absolutely, absolutely now, when we brought Alamo home, stitch had a few concerns about this dog in her house. She got over it when she decided that Alamo wasn't going to do anything to bother her and they they talk all the time now and rub noses and all that sort of stuff. Oh, that's so cool, yeah, but, but it's, it is great, and they, they bring so much joy and so many lessons to us that I think it was really important to learn. Nana Ekua Brew-Hammond  41:34 Yeah, yeah. You're reminding me the first dog, because my grandmother actually loves animals, and when I went to Ghana, she got a dog, and, you know, as a kid, so we got a puppy. And I remember the puppy was initially supposed to be a guard dog, but we I, I would feed the I would hand feed the dog sausages and just spoil the dog so much. Could not be a guard dog, so I loved that dog. Joshua, yeah, Joshua, Michael Hingson  42:07 well, but you and Joshua got along really well. On we got along great. One of the things that people sometimes ask me is if my dog trained to protect and the answer is no, they're not trained, and then they've said, Well, what would happen if somebody were to decide to attack you with the dog around? And my response will always be and rightly so, I wouldn't want to be the person to try that and find out what will happen, because much more than guarding, there's love. And I've always believed that dogs love unconditionally. I think trusting is a different story. They are open to trust, but, but you have to earn their trust. They'll love you, but will they trust you? That depends on you. And so it's it's really pretty cool, but I would not want to be the person to ever decide to try to attack us, because I, I am sure that Alamo would not tolerate that at all. Nana Ekua Brew-Hammond  43:10 Oh, not at all. How do, how do you or how have you built trust with your your pets? Michael Hingson  43:17 Well, a lot of it has to do with they want us to be the pack leaders. They want us to be their team leader. And so I have to set the ground rules. So, for example, no jumping on the furniture and all that. But again, it's also how you convey that. So if my dog is going to jump up on something and I don't want that, I'll say, leave it. And as soon as the dog obeys, I'll give the dog a food reward, a kibble, to let the dog know, and I'll also use a clicker, but I'll let the dog know I approve of what you did, not punishing them for, you know, something else. Yeah, so it's not punishment, it's positive rewards. I think that's extremely important, but also it is in the stressful times being very focused and calm. So if we're walking somewhere and we get lost, that is not the dog's fault, because it's my job to know where to go and how to get where I'm going, and it's the dog's job to make sure that we walk safely to get there, so if we get lost, that's on me. And what I can't do, or shouldn't do, is panic and become very fearful and upset, because the dog will sense that I have to stop and figure it out and continue to praise the dog, saying what a good job you're doing, and so on. And those kinds of things are the things that will, over time, build that trust. I think it takes a good year to truly build a trusting relationship that is second. To none. And that's the kind of teaming relationship that you want, whether it's a guide dog or any dog. And even as far as that goes, although they're different cats, yeah, but it's, it's all about building that relationship and conveying the command and conveying that you want to trust and be trusted? Nana Ekua Brew-Hammond  45:24 Yeah, yeah. I think you're you. What you said that really resonated with me is that they want to know. They want you to be the pack leader and the and part of that is, you know, you lay down the ground rules, but also you're responsible for them and their well being. And, yeah, that really, that really resonated with me. Michael Hingson  45:48 Well, so you wrote your first book, and then when did you write your second book? Nana Ekua Brew-Hammond  45:55 My second book came out in 2022, so it was a 12 year spread in my first book and my second book, Why so long? Oh my gosh, my book, I was the book I was working on, like to sort of follow, was just rejected for, for all that whole time, and I was, you know, in more and more distraught, and, you know, in despair about it. I didn't know what to do about it. And I actually, you know, I was actually reading the Bible, and I came across the fact that there was a curtain, a blue curtain, in King Solomon's temple. And I was like, why does it matter that the curtain was blue? And so I just started googling casually, and I discovered that there was a snail in antiquity that was harvested for the blue drops that it it secreted, or it secreted drops that were ultimately oxidized to turn blue. And I was like, what I've never heard about this? I started doing some more research, and I realized, like, oh my gosh, the color blue has such a fascinating history. Kids need to know about this. And so I wrote it really as a poem initially, but then I thought, you know, I really want to see if I can get this published. And I was able to get it published, and that became my children's book blue, which was such a bomb to my soul, because after sort of a decade of getting, you know, rejected, and, you know, close to a decade of getting rejected, this, this sort of beautiful, like, sort of knowledge, you know, I came across, But I was able to create a book, and it's just been a wonderful experience with the children's Michael Hingson  47:45 book, wow, so the full title of blue is, Nana Ekua Brew-Hammond  47:51 it's blue a history of the color as deep as the sea and as wide as the sky. Wow. Michael Hingson  47:57 That should be enough to get the book sold. But as you point out, there's, there's a lot of history, yes, and that, that's pretty cool. So it was, it was released in 2022 and they finally, the publishers finally bought into that, huh? Nana Ekua Brew-Hammond  48:16 Well, yeah, I mean, that wasn't the novel that I've been working on. So I was still working. I ultimately, I did sell the novel, but that was its own journey, and I ended up writing another book that became the book is called my parents marriage, and it is not about my actual parents marriage. It's a novel about a young woman for adult readers. It's my first book for adult readers, and it is about a young woman whose parents are in a polygamous union, and how they're they have a really turbulent polygamous union, and how that relationship kind of kind of cast a shadow on this woman's, you know, choices in relationships and marriage for herself. Michael Hingson  49:10 So you you publish that my parents marriage. You also did a collection relations. Tell me about relationships. Nana Ekua Brew-Hammond  49:18 I did. Yeah, so relations is an anthology of its stories, essays and poems that are by writers from all across the continent of Africa. So I have Egyptian poets and Libyan you know essayists and you know, Nigerian storytellers, just it was, it was a really amazing project to work on. I started working on it during August of 2020, which was sort of like I've heard it described as peak pandemic, right? You know, we were several months. Into lockdown, and you know, it became this wonderful way for me to kind of connect while I was sort of holed up in my apartment in New York. Michael Hingson  50:15 Okay, now, were you married by then? Nana Ekua Brew-Hammond  50:18 No, I was not. I had just started dating my now husband, and I was like, Am I ever gonna see this man again? Because he lived in California, so at that time, the planes were grounded. I remember we were, like, on the first, very first flights that were able to start, you know, that started and be on planes, there'd be like, four people on the entire plane. Michael Hingson  50:42 Yeah, hopefully you both weren't on planes going against each other at the same time. No, you did communicate a little more than that. Oh, good. Well, so you published. So when was well? What was relations published? Nana Ekua Brew-Hammond  51:02 Relations came out in 2023 okay, February of 2023, and my parents marriage came out in July of 2024. Just came out in July of 2025, Michael Hingson  51:14 which one the paperback of the paperback? Oh, okay. Have any of them been converted to audio Yes, Nana Ekua Brew-Hammond  51:23 all, but my first book, are audio books. So blue is an audio book, beautifully read, and then their relations, the stories and essays and poems are read by two speaking artists, and then my parents, marriage is is also wonderfully performed. So, yeah, they're all an audience. Michael Hingson  51:50 That's cool, yeah. So when you're writing, what, what's kind of the difference, or, how do you differentiate between writing for young people and writing for adults. There must be differences. Nana Ekua Brew-Hammond  52:07 Yeah, I think, I think with for young people, and the practical thing that I try to do is make sure that the vocabulary is are is familiar to them, mostly familiar. I like to put in a stretch word now and then to kind of get them to, like, get to the dictionary and find out what. But if I'm right, when I when I wrote blue, for example, knowing that, you know, the the age group is, the age spread is four to 888, year olds are in third grade. Four year olds are in pre K, so that's that's pretty big spread. So my sweet spot is first and second grade vocabulary words. Okay, it has to be something that they've been exposed to. So thinking of it in that way, the other thing too is breaking down concepts that are, you know, as adults, you know, we just assume that you know, or you can go look it up, but just kind of thinking it through. So if I'm talking about, instead of saying that, you know, there was a snail in antiquity who, you know, heart, you know, dyers were harvesting blue dye from these snails through after a process of oxidation. I wouldn't use any of those words. I would say, snail produced some drops that when exposed to the air and the sun turned blue. And so just sort of really, kind of being mindful of that, and also thinking very visually, writing, very visually. How can I create pictures with words that would be familiar to a child, that can sort of ignite their imagination? Michael Hingson  53:53 Yeah, I think it's extremely important to to deal with the visual aspects of it, but using words and really drawing again, drawing people in because if you just say, well, you can see this in this picture. That doesn't mean a lot, and you're also, I would think, helping to teach or create the concept that some people might some children might want to go off and write because they like how you say and what you say Nana Ekua Brew-Hammond  54:24 absolutely and when I when I talk to kids, I go or visit schools, I invite them like I wrote about the color blue. What's your favorite color? These are some some things that I did to kind of learn about it. You can do these things to learn about your favorite color and write your own book? Michael Hingson  54:42 Yeah, yeah, it's, I think, so important to really draw people in and get them to think. And I think it's so much fun for me, I do some of that, but I have probably more of a chance. Challenge, because kids want to play with the dog. Yeah, it's all about the dog. I did a lecture at a K through six elementary school in San Francisco several years ago. I'm trying to remember what school it was anyway, and the teacher said you can only talk for about 10 or 12 minutes, because they just won't pay attention any longer than that. 35 minutes later, I finally ended the discussion, because they were so fascinated to hear me talk about what my dog did. And then I carried that over to how blind people work and function and all that. And the fact is, they were fascinated. The teachers couldn't believe it, but for me, it was a great lesson to know that it's all about creating these pictures that people can follow, Nana Ekua Brew-Hammond  55:53 yeah, and also to extending those pictures or those words into an experience for kids. Yeah, they really, they really appreciate, sort of like seeing it, kind of, you know, see if the having the concept come to life, yeah, way. And so I'm sure when they see your dog, or are able to interact with your dog, that must be so wonderful for them, Michael Hingson  56:22 but it's important for them to understand what the dog is all about. So by the time they get to interact with the dog, we've talked about things like, you never pet a guide dog in harness. This is what a guide dog does, and this is what they don't do. There are a lot of things to to cover. So it's great when I have the opportunity to really teach them. And sometimes we'll walk around a classroom and I'll show them what he does. Yeah, it's important to be able to do that. Oh, I love that. I love that. And he loves it, of course, all the way. So no question about that. He's you haven't lived until you've seen two or 300 kids all wanting to pet this dog. And the dog knows what to do. He's down on the floor with every appendage stretched out as far as he can go to maximize petting places, petting. Oh, it is so funny. I love that. He loves it. He's, he's, he's so happy. He doesn't care whether he'll do it more with kids even than adults, but, yeah, he'll do it with everybody. It's all about petting me and just remembering I'm the dog. I love that. Well, you've gone through a fair amount of time between books, and I'm sort of curious, what do you think about all the various kinds of changes and ebbs and flows that have come along in the book business, in the book publishing business and so on. Nana Ekua Brew-Hammond  57:56 Yeah, there have been a lot of changes. Um, I think, um, when my first book came out, like things like, you know, Instagram Bookstagram did not exist. There weren't many sort of podcasts or things of that nature. So I think that there is, there's definitely, there are more venues and more platforms to, you know, get the message out about the book. But I think also there is, it's also just hard. It's in some ways, it also feels in some ways more challenging to get the word out, because in addition to, like, yes, there are more venues in that way, regard, there are fewer book reviewers and fewer places to get a book reviewed, and there's a whole kind of interesting business about around getting reviews. So it's just not the same in that way. But then at the same time. I think what remains the same is connecting with readers. I think the most effective thing is, you know, writing a book that's good and then getting people who have read it and liked it to evangelize, to tell people I liked it, please buy it, or you should have you heard of and because at the end of the day, you know, that's what's going to, you know, give it some wind Michael Hingson  59:30 when thunder dog came out, and we did mention about reviews, and it actually has had, like well over 1600 reviews since it came out in 2011 live like a guide dog hasn't had, of course, so many yet, but every time I get a chance to talk about that book, I ask people to go review it and tell them why it's so important, because potential readers want to know what people think of the book. Yeah, for sure. For sure, it's. It really is important for readers to review and just be honest and say what you think. It's fine, but people should do that. For me, I think one of the biggest things that I see that publishers are doing less of is in a lot of ways, true marketing. You don't, you know, you don't see them doing nearly as much. Of course, I know it's more expensive, but to help create book tours or anything like that, they focus only on social media, and that's not the way to market the book. Nana Ekua Brew-Hammond  1:00:33 Yeah, I think, I mean, I've never worked inside a publishing office, so I don't know what actually, how they make these decisions and what goes on, but I do. I think what I have come to sort of think, how I've come to think of it, is the publisher is my business partner, sort of invested in terms of, they've given me an advance. They're going to do the turn key things like, you know, make sure the book gets reviewed by Publishers Weekly, or, sorry, Publishers Marketplace, or no Publishers Weekly. I was correct, and Kirkus review, Kirkus right, and all those kinds of things. And maybe they'll do a mailing to you know who they believe are the people that they need to mail it to. But outside of that, unless you know you, you know it's stipulated in your contract, or you know you are that high, yeah, you know that that celebrity author, or that that best selling author that they you know, are willing to put that money behind. You're working with some your publicist, who's been assigned to your book has is probably working on 10 other books. Can devote so much to it. And so what I've learned is thankful. I'm thankful that, you know, I have this publisher, but I also know that I need to do a lot of work on my own to get Michael Hingson  1:02:04 you've got to be your best marketer, yes, but, but there's value in that too, because you can tell the story whatever it is, like no one else, exactly, exactly. And so that's that's really pretty important, yeah, Nana Ekua Brew-Hammond  1:02:18 for sure, for sure. And you can be, you know that I think, also giving yourself permission to be creative, yeah, you know, how can you get the word out in really creative ways, like, again, the publisher. These are things that like, if there was, you know, people, there were many people dedicated to your book for this amount of time, they could kind of sit there and brainstorm and do all those things. But, you know, the reality is, in most cases, it's a small it's a lean and mean team. They don't have that bandwidth, so yeah, just kind of coming up with creative ways. And at times, what I have learned to do is, how can I, if I have an idea that is maybe low cost and but I can't necessarily do it on my own? How can I ask them for support, because they do have, you know, a little bit more resources, Michael Hingson  1:03:16 yeah, and, and the how is really pretty simple. Actually, you just ask exactly, exactly, and you know either they will or they won't, or you'll share it, or whatever. And I have found that same thing to be true. Well, Nana, if people want to reach out to you, how do they do that? If they might want to talk about you doing copywriting for them or whatever, how can people find you? Nana Ekua Brew-Hammond  1:03:41 So my website is Nana brew-hammond.com, can you spell please? It's n, a n, a, b, r, e, w, H, A, M, M, O, N, d.com, and I have a newsletter there. So a newsletter sign up. So they can sign up to be a part of my newsletter and connect with me that way. They can also find me on Instagram, I'm at n, a, n, a, e, K, U, a writer on Instagram, and I'm also on Facebook at that same name, and then on Twitter, I am that without the writer. So, n, a, n, a, e, K, U, a, Michael Hingson  1:04:28 okay, cool. Well, I hope people will reach out and and I hope that they will read your books and like them and review them. I hope the same thing. Well, I want to thank you for being here, and I want to thank all of you for listening and watching us today. We really appreciate you being here with us. I'd love to hear what you think. Please feel free to email me. I'm reachable at Michael H, I m, I C, H, A, E, L, H i at accessibe, A, C, C, E, S, S, I. B, e.com, Michael H i@accessibe.com love to hear your thoughts and love to get your your opinions. I would really appreciate it if you would give us a five star rating when you have the opportunity to review this podcast. We really value your ratings and reviews very highly, and definitely want to know what you think, but please give us a great rating. We love that. If you know anyone who wants to be a guest on a podcast, or you think ought to be a guest, we're always looking for guests. And Nana you as well. If you know anyone, we're always looking for more people to come on the podcast and tell their stories. So we appreciate it. If you'd let us know. By the way, you can also go to my podcast page, www dot Michael hingson, M, I C, H, A, E, L, H, I N, G, s o n.com/podcast, that's another way to reach out to me as well. But definitely anything you can do to bring more folks to us, we value it very highly. And so with that, once again, Nana, I want to thank you for being here. This has been great. Nana Ekua Brew-Hammond  1:06:01 Thank you so much. I really appreciate you having me on, and you are such an inspiration. And thank you. Michael Hingson  1:06:13 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

Evan, Canty, & Michelle wonder if Jaxson Dart is coachable enough to stay out of his own way. Why aren't the Eagles changing play callers? Beth Wood joins the show to comment on her company's partnership with the V Foundation on this Giving Tuesday and we listen back to Stuart Scott's iconic ESPYs speech from 2014. Donate: v.org/donate Learn more about your ad choices. Visit podcastchoices.com/adchoices

Evan, Canty, & Michelle wonder if Jaxson Dart is coachable enough to stay out of his own way. Why aren't the Eagles changing play callers? Beth Wood joins the show to comment on her company's partnership with the V Foundation on this Giving Tuesday and we listen back to Stuart Scott's iconic ESPYs speech from 2014. Donate: v.org/donate Learn more about your ad choices. Visit podcastchoices.com/adchoices

Evan, Canty, & Michelle wonder if Jaxson Dart is coachable enough to stay out of his own way. Why aren't the Eagles changing play callers? Beth Wood joins the show to comment on her company's partnership with the V Foundation on this Giving Tuesday and we listen back to Stuart Scott's iconic ESPYs speech from 2014. Donate: v.org/donate Learn more about your ad choices. Visit podcastchoices.com/adchoices

Evan, Canty, & Michelle wonder if Jaxson Dart is coachable enough to stay out of his own way. Why aren't the Eagles changing play callers? Beth Wood joins the show to comment on her company's partnership with the V Foundation on this Giving Tuesday and we listen back to Stuart Scott's iconic ESPYs speech from 2014. Donate: v.org/donate Learn more about your ad choices. Visit podcastchoices.com/adchoices

Evan, Canty, & Michelle wonder if Jaxson Dart is coachable enough to stay out of his own way. Why aren't the Eagles changing play callers? Beth Wood joins the show to comment on her company's partnership with the V Foundation on this Giving Tuesday and we listen back to Stuart Scott's iconic ESPYs speech from 2014. Donate: v.org/donate Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this week's episode of Busy Kids Love Music, we're welcoming the Christmas season with a beautiful and expressive work by English composer Ralph Vaughan Williams — a musician who adored both folk tunes and the charming old carols passed down through generations.

Here is your Daily Disney News for Saturday, November 29, 2025 - Disneyland Tokyo introduces "Winter Glow," a new seasonal event featuring sparkling illuminations and light shows, creating a magical winter wonderland. - Disney World in Florida opens the TRON Lightcycle Run ride in Tomorrowland at Magic Kingdom, offering a thrilling journey inspired by the TRON films. - Disney+ and Pixar announce a new series in the "Inside Out" universe, exploring emotions with new characters and heartwarming stories. - Disney's "Fantasia" soundtrack receives a modern remix with contemporary artists, blending classical and contemporary music for a fresh take. Have a magical day and tune in again tomorrow for more updates.

Toca otra entrevista, esta vez con Eric y Ander, dos representantes del Ciruito Disforme, una comunidad uruguaya dedicada a Warhammer, Warhammer 40k, y otros wargames de las franquicias de Games Workshop. Explicamos brevemente que son los wargames o juegos de estrategia con miniaturas, Ander nos cuenta su experiencia en el torneo mundial de Warhammer en EEUU, y nos enteramos como ingresar a este hobby sin gastar un dineral. (Disculpen la calidad del audio de MaGnUs, hubo problemas técnicos.) Con música de Bolt Thrower, y Dr. Rocka. Escuchalo en tu plataforma de podcasts favorita, primero lo subimos a Ivoox: Próximo programa: Grimorio del Plata - ¡El Demonio del Espejo Eterno! (sesión de rol).

No novo episódio do podcast, exploramos as camadas mais instáveis, controversas e surpreendentes de Wicked: Parte 2, a conclusão cinematográfica dirigida por Jon M. Chu que retorna ao universo de Oz para revelar o destino definitivo de Elphaba e Glinda. O filme, lançado em 20 de novembro de 2025, funciona como uma reconstrução emocional e política da fábula original e levanta questões importantes sobre ritmo, estrutura e impacto narrativo.O episódio analisa como a segunda parte do musical, conhecida por sua densidade dramática, apresenta um desafio intrínseco ao cinema. A necessidade de resolver múltiplas tramas reduz o dinamismo, criando momentos de irregularidade que dividem opiniões. Ainda assim, Wicked: Parte 2 acerta ao aprofundar a amizade turbulenta entre Elphaba e Glinda, entregando um olhar mais íntimo e complexo do que o visto nos palcos.A conversa inclui também uma avaliação do elenco, com destaque absoluto para Cynthia Erivo, cuja performance transforma Elphaba em uma presença arrebatadora, enquanto Ariana Grande surpreende ao unir delicadeza e força dramática. Ao mesmo tempo, discutimos escolhas narrativas que deixam a desejar, como o desenvolvimento apressado de Nessa Rose, a simplificação de números musicais e a representação política do Mágico, que reforça o subtexto antifascista da história.Rafael Arinelli recebe Laysa Zanetti, Edu Sacer e Thiago Muniz para debater o quanto Wicked: Parte 2 consegue - ou não - resolver as pontas soltas de sua jornada épica, equilibrando espetáculo, emoção e crítica social. Uma conversa essencial para quem ama musicais, adaptações e o poder simbólico das bruxas de Oz.• 04m26: Pauta Principal• 1h15m29: Plano Detalhe• 1h34m13: EncerramentoOuça nosso Podcast também no:• Spotify: https://cinemacao.short.gy/spotify• Apple Podcast: https://cinemacao.short.gy/apple• Android: https://cinemacao.short.gy/android• Deezer: https://cinemacao.short.gy/deezer• Amazon Music: https://cinemacao.short.gy/amazonAgradecimentos aos padrinhos: • Bruna Mercer• Charles Calisto Souza• Daniel Barbosa da Silva Feijó• Diego Alves Lima• Eloi Xavier• Flavia Sanches• Gabriela Pastori Marino• Guilherme S. Arinelli• Thiago Custodio Coquelet• William SaitoFale Conosco:• Email: contato@cinemacao.com• X: https://cinemacao.short.gy/x-cinemacao• BlueSky: https://cinemacao.short.gy/bsky-cinemacao• Facebook: https://cinemacao.short.gy/face-cinemacao• Instagram: https://cinemacao.short.gy/insta-cinemacao• Tiktok: https://cinemacao.short.gy/tiktok-cinemacao• Youtube: https://cinemacao.short.gy/yt-cinemacaoApoie o Cinem(ação)!Apoie o Cinem(ação) e faça parte de um seleto clube de ouvintes privilegiados, desfrutando de inúmeros benefícios! Com uma assinatura a partir de R$30,00, você terá acesso a conteúdo exclusivo e muito mais! Não perca mais tempo, torne-se um apoiador especial do nosso canal! Junte-se a nós para uma experiência cinematográfica única!Plano Detalhe:• (Lay): Série: Ângela Diniz: Assassinada e Condenada• (Edu): Reality: A Vida Secreta das Esposas Mórmons• (Edu): Série: Império de Amsterdã• (Edu): Série: Área Restrita• (Thiago): Série: O Natal dos Silva• (Rafa): Reality: A Batalha Dos 100: Ásia• (Rafa): Podcast: Marjorie Estiano e Elena Soárez voltam para a Praia dos OssosEdição: ISSOaí

En esta ocasión nos hemos juntado para hablar de algunos cómics que han sido adaptados a películas o series, enfrentando ambas visiones de una misma historia. Cómics: -Predicador, de Garth Ennis y Steve Dillon (Panini Comics) -Watchmen, de Alan Moore y Dave Gibbons (Panini Comics) -Caballero Luna, de Warren Ellis y Declan Shalvey (Panini Comics) -Los Nuevos Mutantes, de Chris Claremont y Bill Sienkiewicz (Panini Comics) Series: -Preacher -Moon Knight -Watchmen Películas: -Watchmen -The new mutants RRSS de los colaboradores: -JLo @crosstume @lleilo.bsky.social -Fer @fercatodic -Violeta @viodopamina -Santi @santiagoneg -Borja @kuronime @animee1.bsky.social -Juan: @juansn.bsky.social -Ja @evendrones @evendrones.bsky.social Esperamos vuestros comentarios, sugerencias y propuestas para futuras entregas del programa, que nos podéis hacer llegar a través de las redes sociales, a través de los comentarios en Ivoox o por correo electrónico enviándonos un email a podcast@lacasadeel.net.

Ralph Vaughan Williams - Fantasia on a Theme by Thomas TallisNew Zealand Symphony Orchestra James Judd, conductorMore info about today's track: Naxos 8.556835Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Penúltimo programa del año de nuestro club de lectura de comics, y nos transportamos a un Uruguay de 1983, pero invadido por dinosaurios. En Gauchosaurus (de Luis "Yayo" Arellano) una irreductible aldea gaucha resiste contra los lagartos terribles, conformando un manga de humor y aventura de preciosa factura. Mirá el video (por favor, es lindo), o escuchá el audio donde sigas nuestro podcast: https://youtu.be/_nOOKiVbJsU Si te gusta, tiranos un mango por Cafecito desde Argentina o Ko-Fi desde Uruguay y el resto del mundo, los links están en bit.ly/perdidoseter. En noviembre leemos Captain America #695 (2017), por Mark Waid, Chris Samnee, y equipo. #comics #manga #aventura #humor #comedia #dinosaurios #gauchos

In honor of "Wicked: For Good" debuting in theaters, Scott and Michael look at some of their favorite animated adventures in Oz: 1964's "Return to Oz," "Journey Back to Oz" (1972), "Thanksgiving in the Land of Oz" (1980) and 2011's"Tom and Jerry and The Wizard of Oz." They also discuss animation they've been catching up on, including another Oz adventure, the Anime "Wonderful Wizard of Oz," and anniversaries of "Fantasia," "The Rescuers Down Under," "Toy Story," and "Balto." Find more From Pencils to Pixels: The Animation Celebration Podcast at: www.rf4rm.com Follow the show on Facebook: https://www.facebook.com/share/1BH6dKaVMe/?mibextid=LQQJ4d Follow the hosts on social media: Scott on X/Twitter: @scotthopkins76 Michael on X/Twitter: @mlyonsfl I Michael's website: www.wordsfromlyons.com Rate, review, & subscribe to From Pencils to Pixels on Apple podcasts I Google Play I Stitcher  

Esta semana recibimos a Álvaro Aparicio, escritor uruguayo radicado en España. Es autor de la novela Atlas Negro, guionista del comic Aquelarre, y director de Night Council Studio, grupo que desarrolla el videojuego Dark Atlas: Infernum. Amante y cultor de la literatura de terror, da talleres literarios, forma parte de los podcasts Vuelo del Cometa y Catábasis. También es uno de los organizadores del festival Fantarquía, que se desarrollará el 29/11 en la ciudad de Valencia. Hablamos sobre el atractivo que le genera el horror, porque elige escribir ese género, de su videojuego, y del evento que organiza. Además, de política y sectas. Una entrevista imperdible. Con música de Nanowar of Steel, y Agnes Sobel. Próximo programa: Entrevista con miembros de la comunidad de Warhammer 40K en Uruguay.

Have you ever scanned the radio looking for some music that fits your specific mood at that moment? Well, that's the daily quandary for show host John Avery. Thus, the creation of “Raiding The Crates on DC Radio,” a weekly two-hour ride through John's wildly diverse music taste and genre-hopping music collection. Be prepared to hear shows ranging from southern soul and blues to house music. Hear songs by artists from Frank Sinatra to Frank Ocean; from Sarah Vaughn to Fantasia; from Al Green to The B-52s. John is all over the place, but never too far from his first love: MUSIC. If you're the least bit adventurous, make it a point to join him weekly for “Raiding The Crates”.

Warhammer Meta Chasers is a weekly competitive Warhammer 40k hype show.  We run down some of the biggest and best events coming up this weekend where we discuss Warhammer 40k Factions in attendance and highlight army lists from some of the top ranked players around the globe. We talk about what the meta is, what it will be and how you can stack up against it. The show is hosted by Paul Murphy, Adam Camilleri, and Dustin Henshaw. The show runs LIVE every week on YouTube around 9pm EST every Thursday.  We sincerely invite you to join us in chat if you can make it.  The show is pushed to the Podcast aggregators soon after!  We have an amazing chat community.  Check out our Patreon here: https://www.patreon.com/WarhammerMetaChasers Join us live each and every Thursday on YouTube and join in our awesome chat community. Want to message the show another way?  Hit up Paul on twitter @warmaster_tpm or on Instagram @fightswithdice

This week Jason is suspected of murder, and is taken in for questioning, but things take an unexpectedly hilarious turn when he downs an ENTIRE VIAL of V! Meanwhile, Sookie and Bill head to Fantasia for some recon, in hopes of clearing Jason's name!Rewatch, Listen & Laugh as Ash picks her True Blood allegiance, Mikie is horrified and delighted by some unhinged special effects, and Alaina basks in the beauty that is Eric Northman!And don't forget to follow us at the_rewatcher on  Instagram for special bonus content!! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Support my work on Patreon- https://patreon.com/realdavejackson Join the Tales from the Backlog Discord server- https://discord.gg/kAqSBb6jH2 Buy me a coffee on Ko-fi- https://ko-fi.com/realdavejackson Ever have one of those games that sits in your library, untouched for years, until something finally gives you the push to play it...and you end up kicking yourself for waiting so long? That's Heaven's Vault, and without our community Backlog Resolutions challenge, I would have missed out on one of the coolest games I think I've ever played. Listen in to find out why! Guest info: Rebekah Valentine (she/her) * Read Reb's work on IGN https://www.ign.com/person/duckvalentine * Follow on BlueSky https://bsky.app/profile/duckvalentine.bsky.social * Check out Nintendo Voice Chat https://podcasts.apple.com/us/podcast/nintendo-voice-chat/id276268457 TIMESTAMPS * 0:00 Title Card * 0:22 Intros * 5:05 Our Histories with Heaven's Vault and Language Learning * 9:43 Opening Thoughts * 14:30 Story Setup and Reactive Storytelling * 29:37 Aliyah and Six * 35:52 Language Learning * 50:22 Visuals and Music * 55:40 Closing Thoughts and Recommendations * 58:13 Reb's Work at IGN * 1:01:34 Spoiler Wall and Patron Thank-Yous * 1:03:35 Spoiler Section- What Happened in Our Playthroughs? * 1:35:53 Spoiler Section- Language Discoveries * 1:44:40 Spoiler Section- The Wildest Turn of Events * 2:03:54 Spoiler Section- Ending Discussion Music used in the episode is credited to Laurence Chapman. Tracks used: An Ancient Language, The Desperate Ways, Before the Fall, The Nebula, Fantasia on One Good Moon, Heaven's Vault, An Ancient Language (Cello & Piano) Social Media: BlueSky- https://bsky.app/profile/tftblpod.bsky.social Instagram- https://www.instagram.com/talesfromthebacklog/ Cover art by Jack Allen- find him at https://linktr.ee/JackAllenCaricatures

Author J.B. Kaufman has been long known as one of the most capable Disney historians to cover work from early on in the company's history, ranging from Pinocchio to the Silly Symphonies shorts. This tradition continues with Worlds to Conquer: The Art and Making of Walt Disney's Fantasia, newly released by Weldon Owen, an imprint of Insight Editions, itself part of the Simon and Schuster umbrella. This compendium to the 1940 classic features lots of rarely-seen and heard stories, artwork, and context. On this episode of Notably Disney, JB returns to the podcast to share with host Brett Nachman about the book's development and Fantasia's legacy 85 years later. Learn more about J.B.'s work via his website. Purchase a copy of Worlds to Conquer on Amazon or wherever you purchase books. Feel free to reach out to Brett via Bluesky @drnachman and Instagram @drnachman, subscribe to the podcast, and send your feedback to notablydisney@gmail.com  New episodes of Notably Disney debut on the first and third Tuesday of each month.

Oggi ti parlo del più grande scrittore italiano per l'infanzia: Gianni Rodari. Non solo scrittore, ma soprattutto giornalista impegnato in cause sociali e militanza politica. Le sue store hanno accompagnato bambini di intere generazioni e sono modello di innovazione, fantasia, sperimentazione. Oggi ti racconto la sua storia.Vuoi imparare con noi?Visita Piccolo Mondo Italiano: www.piccolomondoitaliano.comPodcast, materiali culturali, lezioni e uno spazio per incontrare persone che amano l'italiano e la cultura come te. Ti aspettiamo!

Join Attractions Magazine contributing writers and correspondents as they bring you news and discussion about all things themed entertainment and parks, including Disney, Universal Studios and beyond on The Attractions Podcast. Topics of conversation on this week's episode of The Attractions Podcast: How Netflix House is bringing people back to malls with ‘Wednesday' and ‘One Piece' in Philadelphia Krampus & Kin now at Universal Horror Unleashed in Las Vegas for holiday season Disney Springs Christmas Tree Stroll 2025 | New trees for Villains, ‘Fantasia,' ‘Frozen' Airline Luggage Transfer expanded at Disney World hotels Epic Universe Christmas holiday decorations in Celestial Park | Photo tour The Attractions Podcast is brought to you by MEI-Travel and Mouse Fan Travel. They provide premium service and expert advice to get the most for your vacation time and dollars. Visit them at mei-travel.com. We welcome your suggestions and want you to be a part of the discussion. Please send your comments to info@attractionsmagazine.com with the subject line “The Attractions Podcast.” Statements or opinions herein are those of the hosts and advertisers and do not necessarily reflect the views of the producers, Dream Together Media LLC, or staff.

La Biología Molecular se encarga del estudio de la estructura, función e interacción de las moléculas esenciales para la vida. Un campo que genera una ingente cantidad de datos. La Inteligencia Artificial se ha convertido en una herramienta formidable para manejar esa información y ver patrones ocultos, invisibles para el ojo humano. Un equipo de investigadores españoles ha desarrollado FANTASIA, un sistema que es capaz de predecir funciones desconocidas de cualquier proteína a partir de su secuencia. Hemos hablado con Rosa Fernández, investigadora del Instituto de Biología Evolutiva (CSIC/UPF) y Ana Rojas, del Centro Andaluz de Biología del Desarrollo (CSIC/Junta de Andalucía/UPO). El colesterol es una molécula que tiene mala prensa porque la asociamos con el riesgo cardiovascular. Pero Jesús Pérez Gil nos ha explicado que es una molécula esencial, necesaria para la síntesis de hormonas y de vitaminas y la fluidez de las membranas celulares. Y nos ha contado un reciente estudio sobre su distribución asimétrica en esas membranas. Con el doctor Pedro Gargantilla hemos recordado la figura de unos de los escritores más profundos y atormentados de la literatura universal: Fiódor Dostoievski, un hombre que conoció la pobreza, la cárcel, la genialidad y también la epilepsia. Más allá del dilema ético que supone tirar los alimentos a la basura, Érika López nos ha informado de un estudio realizado por investigadores de la Estación Experimental de Zonas Áridas, del CSIC, sobre la huella ambiental que supone el desperdicio de frutas y hortalizas. Con testimonios de Jaime Martínez Valderrama. En nuestros “Destinos con ciencia” hemos viajado con nuestra compañera Esther García a la ciudad polaca de Danzig, cuna de científicos ilustres como Hevelius o Fahrenheit. Hemos rendido homenaje a dos grandes científicos españoles recientemente fallecidos: el profesor Amable Liñán, ingeniero aeronáutico y autoridad mundial en el campo de la combustión, y el biólogo Antonio García-Bellido, uno de los mayores expertos del mundo en el campo de la genética del desarrollo y en los mecanismos de diferenciación celular.Escuchar audio

Episode Notes **Did you know you can support my podcast for as little as $1 a month? You can do that by heading over to my Patreon HERE!!  This week I talk with Caterina about here newest release “Telemann 12 Fantasias” available here. The recording is remarkable and her story about what these pieces meant to here make it even more beautiful to listen to! Of course you can always head over to their website here, to get more information such as tour dates and information about their incredible camps they put on! (The next one is in Croatia!) Download the Telemann 12 Fantasia's HERE! Songs featured in this episode: All songs featured in this episode are available to purchase HERE! As Always a HUGE thank you to all of my sponsor's that make this podcast possible each week! Mandolin Cafe Peghead Nation promo code mandolinbeer Northfiled Mandolins Ear Trumpet Labs Ellis Mandolins Pava Mandolins Tone Slabs Elderly Instruments String Joy Strings promo code mandolinbeer Tone Traveller**