Podcasts about rachmaninoff

How does ensemble size and instrumentation shape the listening experience? We hear from a 14-year-old violinist who feels passionately about music-making, meet a teen pianist who takes on Rachmaninoff, and hear Peter play Barber with a young cellist who speaks about the importance of a local music program in his life.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

This week marks the seventh session of "Rockabilly 2 Rachmaninoff," our captivating collaborative series that brings you unique insights and stories from different guests associated with the Buffalo Philharmonic Orchestra. As a reminder, new episodes in this special series drop every two months on the second Saturday. In this week's edition, we're spotlighting the Buffalo United Community Choir (BUCC) with guests Karen Saxon and George Brown. Founded in January 2023 by the BPO Diversity Council, BUCC unites the Buffalo-Niagara region through the transformative power of music. This dynamic, 100+ member choir features voices from over 50 local churches and organizations, truly embodying the spirit and rich diversity of Buffalo. Under the brilliant artistic leadership of Ella E. Robinson, Karen Saxon, and George Brown, BUCC has delivered stirring, soulful performances—collaborating with the BPO at Kleinhans Music Hall and lifting spirits across the community. The choir proudly lives by its inspiring motto: "We lift our voices in song as ONE community." I sat down with Karen and George on June 12 at the corporate offices of the Buffalo Philharmonic Orchestra for a wonderful, engaging conversation you won't want to miss. Want to learn more? You can find more information on the BUCC, including a full biography, at BPO.org

El Ballet Nacional del Sodre estrenará la gala "Tócame, Con amor" el 10 de julio en el Auditorio Nacional Adela Reta, donde permanecerá en cartel hasta el 19 de julio.El espectáculo reúne dos obras inéditas: Tócame, con coreografía de Ricardo Amarante y música de Serguéi Rachmaninoff, y Con amor, creada por David Jonathan sobre música de Robert Schumann. Ambas exploran el poder del contacto, los vínculos humanos y las emociones, con acompañamiento de música en vivo.La propuesta fue desarrollada íntegramente por equipos del Sodre y busca ampliar el repertorio del BNS con creaciones originales. Además, los viernes y sábados habrá un DJ set en el foyer del Auditorio tras la función.Las funciones serán de martes a sábados a las 20:00 y los domingos a las 17:00 horas. Las entradas están disponibles a través de Tickantel.

María Noel Riccetto, directora artística del Ballet Nacional del Sodre, y el coreógrafo David Jonathan presentaron "Tócame, Con amor", la nueva gala del BNS que se estrenará el 10 de julio en el Auditorio Nacional Adela Reta y permanecerá en cartel hasta el 19 de julio.La propuesta reúne dos creaciones inéditas: Tócame, con coreografía de Ricardo Amarante y música de Serguéi Rachmaninoff, y Con amor, de David Jonathan sobre música de Robert Schumann, ambas con el eje puesto en el poder del contacto, los vínculos humanos y las emociones, además de contar con música en vivo.Riccetto destacó que este proyecto surge de la decisión de impulsar la creación coreográfica dentro de la propia compañía, brindando espacio a artistas que integran el Ballet Nacional del Sodre. Señaló además que se trata de una producción íntegramente realizada por equipos del Sodre, desde la coreografía hasta el vestuario, y que representa una apuesta por ampliar el repertorio con obras originales que desafían tanto a los bailarines como al público a acercarse a nuevos lenguajes de la danza.Por su parte, Jonathan explicó que Con amor está inspirada en las distintas formas de vivir el amor y la distancia, tomando como punto de partida las experiencias de quienes pasan largos períodos lejos de sus familias y seres queridos. El coreógrafo también destacó el proceso de creación junto a los bailarines del BNS y valoró la posibilidad de trabajar con música en vivo, un elemento que aporta una dimensión especial a una gala que, además, incorporará los viernes y sábados una propuesta posfunción con un DJ set en el foyer del Auditorio Nacional Adela Reta.Tócame, Con amor se presentará del 10 al 19 de julio en el Auditorio Nacional Adela Reta, con funciones de martes a sábados a las 20:00 horas y domingos a las 17:00. Las entradas están disponibles a través de Tickantel, con beneficios y descuentos para distintos públicos.

Wir bringen euch einen aufregenden Tag und achten auf neue Chancen. Und bald kommt auch unser Geschenk zum 5-jährigen Jubiläum mit Hooks und Clickbait auf YouTube. Aber erstmal trinken wir mit Zeus und der Hydra ein Bier im Kiosk auf dem Olymp. Wieso hat die Diddl-Maus kein Gespür für gutes Storytelling? Was macht Carsten Maschmeyer plötzlich in unserer Folge? Wie sind wir plötzlich bei Patriotismus gelandet? Diese und weitere Scheißprobleme knöpfen wir uns in dieser Folge über die ganz großen Fragen vor. Denn wir können das. Oder können es eben nicht, dann brauchen wir ein Growth Mindset. Was sagt ihr: Ist Resilienz ein Talent? Voller Desinteresse an Labels, Riffs und altem Silber und Gold arbeiten wir uns zu fairen Geschäften, Selbstliebe und ästhetischen Watschen-Patschen vor. Dann werden die Karten gemischt neu gemischt, und wir stechen mit unserem Alter Ego gegen die Langeweile heraus. Matthias wird beim Minigolf gekitzelt, Iris resigniert, und ihr benotet die Nationalspieler, damit ihr danach gut schlafen könnt. Vorher kurz mörteln nicht vergessen. Du möchtest uns eine Sprachnachricht für den Podcast schicken? Folge uns auf Instagram und nutze dort den Chat: https://www.instagram.com/coupleof_podcast/ Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos und Rabatte: https://linktr.ee/CoupleOf Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

Tijdens deze Masterworks duiken Botte en Kees in de Symfonische Dansen van de uit Rusland gevluchte Sergei Rachmaninoff. Een bijzonder werk met misschien wel de mooiste klassieke saxofoonsolo ooit. Uniek moment: op de piano hoor je Rachmaninoff zelf de solo voorspelen, in een stiekem opgenomen geluidsopname. Magisch! In dit laatste grote werk toont zich nog heel even de romanticus in Rachmaninoff, al is de twintigste eeuw allang begonnen. 

In the debut episode of Editions, a podcast from Shakespeare and Company and Faber, literary director Adam Biles and Faber Editions curator Ella Griffiths are joined by novelist and performer Taìno Mendez to discuss Ladies of the Rachmaninoff Eyes by Henry Van Dyke, the twentieth title in the Faber Editions imprint.Published in 1965 and long out of print, the novel follows Oliver, a Black teenager spending a final summer before college in the eccentric Michigan household of his wealthy patron Etta Klein and his aunt Harriet. Witty, camp, and shot through with tragedy, it defies easy categorisation; a drawing-room satire, a coming-of-age story, and a quietly radical work of civil rights era fiction.The conversation covers the novel's Wildean wit, its oblique engagement with race and queerness, the role of photographer Carl Van Vechten in the Harlem Renaissance, and what it means to write against expectation.Buy Ladies of the Rachmaninoff EyesUK: https://www.faber.co.uk/product/9780571391783-ladies-of-the-rachmaninoff-eyes-faber-editions/Rest of World: https://www.shakespeareandcompany.com/books/ladies-of-the-rachmaninoff-eyes-faber-editionsBuy Rainbow Milk: https://www.shakespeareandcompany.com/books/rainbow-milkSign up to Faber's Heritage Subscription, featuring all Faber Editions titles: Subscribers get a book in the post each month for just £9 alongside a curated email with exclusive extra content about the book and its author.https://tr.ee/DsDYp5Books & Authors DiscussedThe Daring Young Man on the Flying Trapeze — William Saroyan (foreword by Stephen Fry)Mrs Caliban — Rachel IngallsPalace of the Peacock — Wilson HarrisOmeros — Derek WalcottThe Flower Beneath the Foot — Ronald FirbankSorrow in Sunlight (retitled Prancing N-) — Ronald FirbankGo Tell It on the Mountain — James BaldwinGiovanni's Room — James BaldwinAnother Country — James BaldwinÀ rebours (Against Nature) — Joris-Karl HuysmansEn rade (Stranded) — Joris-Karl HuysmansCheckout 19 — Claire-Louise BennettRainbow Milk — Taìno MendezUlysses — James Joyce Works by Ivy Compton-Burnett, Brigid Brophy and Iris Murdoch also mentionedIllusions— Ruth Lehmann (upcoming Faber Editions title, discussed with Megan Nolan on our next podcast episode)Films/TV Shows DiscussedGet Out — dir. Jordan PeeleLovers Rock — dir. Steve McQueenThe Defiant Ones — starring Sidney PoitierPlaytime — dir. Jacques TatiSeveranceBiosTaíno Mendez is a novelist based in the southern English town of Margate. Their first novel, Rainbow Milk, was an Observer Top Ten Best Debuts choice for 2020 and widely named as one of the best novels of the year, being shortlisted for a British Book Award and for the Jhalak Prize, Polari Prize and Gordon Burn Prize. Their non-fiction has been published in a variety of outlets including the WritersMosaic, the London Review of Books, Esquire, the Guardian and British Vogue. They are currently working on their second novel. Ella Griffiths is Faber's Head of Classics & HeritageAdam Biles is Literary Director at Shakespeare and CompanyListen to Alex FreimanSpotify: https://open.spotify.com/artist/3dbKbpFyqPbklwEdeLYYZR?si=Q5vy9KkRTrqf1BqU1v33cgInsta : @alex.guitarfreiman Hosted on Acast. See acast.com/privacy for more information.

We would love to hear from you, wherever you are!https://www.perfectpitchpod.com/contact/@NickHelyHutchLogo design by Robbie Mailer Howat  robbiemailerhowatThank you for listening - please do get in touch with any comments!

durée : 00:29:19 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Disciple de Nelson Goerner, Vsevolod Zavidov s'est fait connaître sur la scène internationale en remportant le tout premier Prix Radu Lupu en 2024 et le Prix UBS Jeunes Solistes en 2025. - réalisation : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:29:19 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Disciple de Nelson Goerner, Vsevolod Zavidov s'est fait connaître sur la scène internationale en remportant le tout premier Prix Radu Lupu en 2024 et le Prix UBS Jeunes Solistes en 2025. - réalisation : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

This week's guest, Sal Andolina, is the BPO's hottest switch-hitter in his permanent position of clarinetist, bass clarinetist and saxophonist. He has been a full-time member of the BPO for the past 21 seasons. His association with the Orchestra began in the late '70s when he was a standout performance major at the University at Buffalo as a full-scholarship student on the clarinet. Upon completion of his degree at UB under former BPO clarinetist James Pyne, Andolina pursued advanced clarinet studies with Stanley Hasty at the Eastman School of Music in Rochester and coaching with the legendary Benny Goodman in New York City. In addition to appearing as a soloist with the BPO, Andolina has been featured with the Rochester Philharmonic, the Grand Rapids Symphony, the Fresno Philharmonic, the Arts Nova Chamber Orchestra and the North American New Music Festival. More significantly, Andolina has been featured on at least 15 studio recordings, including his prized CD: "Like Benny to Me," a tribute to Goodman. Note, this episode was originally recorded on April 9, 2026 where we talked about his association with Michael Tilson Thomas. Sadly Mr. Thomas passed away on April 22, 2026.

ReferencesExperimental & Molecular Medicine 2024 volume 56, pages 301–310Guerra, DJ. 2026. Unpublished LecturesFront Cell Dev Biol. 2019 Oct 15;7:226.Front Cell Dev Biol. 2019 Oct 15;7:226.Rachmaninoff, S.1900. Piano Concerto No. 2. in C. Minor.Op.18 Anna Fedorovahttps://music.youtube.com/watch?v=rEGOihjqO9w&si=eIl913Ike2TKS6NbLenon/McCartney. 1968. Martha My Dear. Beatles White Album.https://open.spotify.com/track/1swmf4hFMJYRNA8Rq9PVaW?si=e92dc6242a6148bc

Um filmaço sobre traumas geracionais que abusa das coincidências. E mais: saiba em qual país você pode deixar toda sua herança para o seu cachorro; conheça as bolsas mais absurdamente caras do mundo; e descubra o gênio da música cujas obras que só ele conseguia tocar. Filme de hoje: Incêndios (2010) Ficha técnica deste episódio:Participação: @cleber.drs @grimoriopodcast @duduavilavetEdição, decoupage e consultoria técnica: ⁠⁠RandiMaldonado⁠ ⁠(⁠⁠http://grimoriopodcasts.com.br⁠⁠) (⁠⁠randimaldonado@grimoriopodcasts.com.br⁠⁠)Sonoplastia: André Ávila Quer sugerir um filme e se tornar um Aleatórier? Clique aqui e mande a sua Sessão Aleatória!Clique aqui e saiba mais sobre o Sessão Aleatória.Quer falar conosco? Mande um email para sessaoaleatoriapodcast@gmail.comInstagram: @sessaolaeatoria

The Albany Symphony Orchestra's April concerts are happening this weekend at the Troy Savings Bank Music Hall will include one of the greatest of all romantic concertos, Rachmaninoff's Piano Concerto No. 2 performed by the legendary pianist, Garrick Ohlsson.

Mark Hodges is the Principal Percussionist of the Grammy Award–winning Buffalo Philharmonic Orchestra. An accomplished recording artist, he has appeared on more than 60 recordings with the BPO and has also recorded extensively with the world-renowned Cleveland Orchestra. He has toured internationally across multiple continents, performing both standard and contemporary repertoire. Alongside his performing career, Hodges is deeply committed to education. He serves on the percussion faculty at the Eastman School of Music and SUNY Buffalo State University, and is a highly sought-after clinician, adjudicator, and lecturer. Mark's work also extends beyond the concert hall and classroom. He is the founder of Druminar, a Buffalo-based program that uses music-driven, hands-on experiences to support corporate training, leadership development, and team building. Through Druminar, Mark works with organizations to strengthen communication and collaboration, partnering with Fortune 100 companies, national banks, international manufacturers, and nonprofit organizations. Hodges holds degrees from the Cleveland Institute of Music/ Case Western Reserve University, and the University of Cincinnati College-Conservatory of Music, as well as a Master of Business Administration from Capella University. Mark visited the Flamingo Lounge on

In this episode of The Piano Pod, host Yukimi Song sits down with pianist, composer, visual artist, and poet Asiya Korepanova for a wide-ranging conversation on extreme repertoire, transcription as a creative act, long-form artistic commitment, and what it means to think at scale as a musician today.Born into a deeply musical family in Izhevsk, Russia, and now based in the United States, Asiya's career is defined by projects many would consider “impossible”: performing the complete solo piano works of Rachmaninoff during the composer's 150th-anniversary year, Liszt's 24 Études, and Bach's complete Well-Tempered Clavier. In this conversation, Asiya reflects on what draws her to repertoire that unfolds over years rather than hours, and how long-form thinking shapes her artistic identity.A central focus of the episode is Asiya's work as a transcriber. She speaks candidly about transcription as a form of composition—an act she once described as “taming a wild animal”—and how her deep understanding of orchestral, vocal, and chamber music informs the way she reimagines works for solo piano. We hear excerpts from her transcriptions of Mussorgsky's Songs and Dances of Death and Bach's Christmas Oratorio, alongside reflections on craft, risk, and responsibility.The conversation also explores Asiya's work beyond performance: her compositions, her multidisciplinary projects that integrate visual art and poetry, her commitment to education and access through her nonprofit Music for Minds, and her curatorial leadership at Festival Baltimore and Festival Flatiron NYC.This episode offers a rare, unfiltered look into the inner life of an artist whose work is driven not by spectacle, but by depth, rigor, and fearless vision.

Send us a textFeeling Tired? Need to unwind? Then how about some gentle, soothing piano music? Welcome to Episode 10 in Series 5 of the Relaxing Piano Playlist! in this episode, I play for you music by women composers ranging from Cecile Chaminade, Teresa Carreno, Fanny Hensl and Amy Beach. I finish this episode with undoubtedly an audience favourite of the second movement from Rachmaninoff's Piano Concerto in C minor Op18.

Hear from the Charlotte Master Chorale's longtime Artistic Director Kenney Potter about what makes the vocal ensemble so special and why you'll want to be at their upcoming performances of Sergei Rachmaninoff's Vespers. You'll also hear about the new reality show being produced in Charlotte called “Kings of the Queen City.”

In this deeply honest and expansive Episode of the VICTORIOUS YOU Podcast, I am joined by the radiant Ola Skibicka for a powerful conversation about truth, freedom, integrity, and conscious embodiment in this new reality.Sometimes souls recognize each other instantly.When Ola and I first connected, it clicked immediately ~ we discovered our shared love for Botticelli, Rachmaninoff, and so much more, and from that very first moment, a deep resonance was present.Together, we explore what it truly means to become a vessel of truth ~ to integrate all parts of ourselves, to live in Oneness while walking a Planet of Duality, and to embody love, integrity, and conscious creatorship in everyday life. In this Episode we speak about

Bach's music turns up everywhere from cigar ads to horror films. You can probably hum bits of Bach even if you're not a classical fan. But what makes his music so popular and why is he still so influential 300 years on? To celebrate The Bach Choir's 150th Anniversary, we've made three special episodes all about Bach and his best-known compositions. This time our host and Musical Director, David Hill, is joined by BBC Radio 3's Linton Stephens to talk about six of Bach's most famous pieces. Along the way they tackle musical taboos (why can't most classical musicians improvise?), classical music wrangles (did Bach actually write the Toccata and Fugue?), and great stories (why did Bach once threaten a bassoonist with a sword?). Plus, we hear from some of our friends - including superstar organist and broadcaster Anna Lapwood - about their favourite Bach pieces.Want to see the video version of this podcast? Watch here on YouTube – https://youtu.be/etxZzSAo-6QChaptersIntroduction - 0.00Linton's favourite Bach piece - 4.09Bach's beginnings (Toccata and Fugue in D minor) - 5.35A melody that transcends time (Jesu, Joy of Man's Desiring) - 12.24The essence of Bach, and of music itself (Cello Suite No. 1 in G Major) - 17.40Why can't classical musicians improvise anymore? (Brandenburg Concertos) - 24.02The father of harmony (Well-Tempered Clavier) - 28.44A painting with just two colours (Air on a G String) - 32.46Anna Lapwood's favourite Bach works - 37.35Bach's legacy - 38.32If you'd like to hear more from David Hill and The Bach Choir, our newsletter is the answer. Every month we send out performance videos, musical analysis, exclusive offers and details of The Bach Choir's live concert dates. We're currently giving away a free concert video of Rachmaninoff's Vespers to new subscribers. Sign up here to have that full concert video sent to your email address – https://thebachchoir.org.uk/thanks-for-listening-signup/Linton's podcast So, Hear Me Out, which he presents with Gillian Moore for Southbank Centre, is also all about getting more people into classical music. You can listen or watch it here – https://www.southbankcentre.co.uk/so-hear-me-out/Change Your Tune is a Podcart production. The series producer is Jayne Morgan. Video by Joe Garvey.Pieces in this podcast (in order)JS Bach – Toccata and Fugue in D minor, BWV 565Performed by Kevin MacLeodJS Bach – Herz und Mund und Tat und Leben, BWV 147 (‘Jesu, Joy of Man's Desiring')Performed by The Bach Choir (choir and piano version)JS Bach – Herz und Mund und Tat und Leben, BWV 147Performed by Orchestra Ali Armonici (orchestral version)JS Bach – Herz und Mund und Tat und Leben, BWV 147Performed by Michel Rondeau and Aline Letendre (organ and trumpet version)JS Bach – Cello Suite No. 1 in G Major, BWV 1007 (‘Air on a G String')Performed by Philip MilmanJS Bach – Double Violin Concerto in D minor, BWV 1043Performed by the Advent Chamber Orchestra with David Parry and Roxana Pavel GoldsteinJS Bach – Prelude No. 1 in C major, BWV 846 (‘Well-Tempered Clavier')By Audio LibraryJS Bach – Goldberg Variations, No. 25, BWV 988Performed by Shelley KatzJS Bach – Orchestral Suite No. 3 in D major, BWV 1068 (‘Air on a G String')Music provided by Classical Music Copyright FreeJS Bach – Toccata and Fugue in D minor, BWV 538 (‘Dorian Toccata')Performed by Jarle FagerheimJS Bach – Concerto in G Major, BWV 1048 (‘Brandenburg Concertos')Performed by Advent Chamber Orchestra Hosted on Acast. See acast.com/privacy for more information.

We would love to hear from you, wherever you are!https://www.perfectpitchpod.com/contact/@NickHelyHutch Logo design by Robbie Mailer Howat robbiemailerhowat Thank you for listening - please do get in touch with any comments!

This week is a special week. We first dive into the fourth session of Rockabilly 2 Rachmaninoff – our acclaimed series with the Buffalo Philharmonic Orchestra. And, this week marks a major milestone: the 200th episode of In the Flamingo Lounge! Joining us this week for an exciting conversation is my featured guest, Jonathan Borden from the renowned Buffalo Philharmonic Orchestra! Double bassist Jonathan Borden is a dedicated member of the Buffalo Philharmonic Orchestra, where he has performed since 2014. A Juilliard-trained musician, Borden's commitment to the orchestra extends beyond his musical contributions. He has actively volunteered his time on the Board of Trustees, shaping the organization's strategic direction through his involvement in Education, Marketing, and Artistic committees. Driven by a passion for making classical music accessible, Borden has spearheaded initiatives aimed at expanding the orchestra's audience, including BPO UpClose and the ongoing Musician's Nightcap series, where he leads engaging discussions with fellow musicians to answer audience questions.  Jonathan has also performed with the Aspen Chamber Orchestra, the Tanglewood Music Center Orchestra, the Pacific Music Festival Orchestra in Sapporo, Japan, the Breckenridge Music Festival Orchestra, and at the Caroga Lake Chamber Festival. Beyond his orchestral duties, Borden is an educator, sharing his expertise through outreach programs and private lessons. His commitment to fostering a love of classical music is evident in his ability to connect with audiences of all ages and backgrounds. Outside of his musical duties, Borden can be found on the tennis court, the golf course, or the curling rink. This episode was recorded on December 12, 2025

We humans seem to love comeback stories, and there is no comeback quite as compelling in the classical music world as Rachmaninoff's Second Piano Concerto. It was written three years after the disastrous premiere of his First Symphony, a premiere so catastrophic that it lives on in the annals of musical history, and is the essential starting point for understanding the Second Piano Concerto and how it came to be. The concerto revived both Rachmaninoff's career and his spirits, and it remains his most famous orchestral work. It is a towering masterpiece of Romanticism, overflowing with glorious melody after glorious melody, supported by virtuosic and sumptuous writing for the solo piano, and a deeply satisfying orchestral part that continues to make audiences swoon around the world. Today on the show, we'll begin with the story of Rachmaninoff's First Symphony, and then walk through this extraordinary concerto, highlighting what truly makes Rachmaninoff's music so special. Hint: it's not just the pretty melodies. Recording: Vladimir Ashkenazy with the Moscow Philharmonic Orchestra, Kirill Kondrashin cond.

Send us a textFeeling tired? Need to unwind? Then how about some gentle, soothing piano music? Welcome to the Episode 9 of the Fourth Series in the Relaxing Piano Playlist! In this themed episode, I perform for you a number of piano arrangements from original works by composers including Bach, Schubert, Mendelssohn, Rachmaninoff, and Amy Woodforde-Finden.

HT2461 - Variations on a Theme I'm a fan of Sergei Rachmaninoff's piano compositions. I was not aware, however, until last night, of a composition he wrote titled Variations on a Theme of Corelli. The backstory of this work is simple. Corelli wrote a short piece of music in which there is a central tune. That tune captured Rachmaninoff's imagination. Rachmaninoff then took this short musical theme and composed 20 variations that are different in every regard, but still identifiable because of the basic tune. As I listened last night, I couldn't help but think how we could use this idea in our creative photographic expressions. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

Este es un episodio especial porque busqué piezas o temas musicales que han estado presentes en la vida de personajes de la historia. ¿Qué tiene que ver Francisco I. Madero con Tchaikovsky? O Pancho Villa con Häendel o Rachmaninoff con la película El Peñón de las Ánimas. Además, al final una canción muy especial para mí. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

An uplifting program of joyful dance with Charles Weidman's glorious Christmas Oratorio as its centerpiece. The Sokolow Theatre/Dance Ensemble presents a program of soaring dance choreographed by Anna Sokolow, Charles Weidman, and Claudia Gitelman, set to the passionate music of Scriabin, Rachmaninoff, Bach, and Schubert. The company will bring together dances from across the generations from three traditions of modern dance. Ballade, by Anna Sokolow, explores the restlessness and inconclusiveness of young love, performed to music by Scriabin. Sokolow's Preludes is a rich and expressive homage to the music of Sergei Rachmaninoff. Schubert Impromptu, by Claudia Gitelman, is a poignant and dynamic work of abstract yet deeply human storytelling. The centerpiece of the program is Charles Weidman's glorious, rarely seen tour de force to the music of J.S. Bach, Bach's Christmas Oratorio, directed by guest director Gail Corbin. SOKOLOW THEATRE/DANCE ENSEMBLE, based in New York City, is the living legacy company dedicated to presenting Anna Sokolow's vast body of emotionally riveting work. Over a 70 year career, Ms. Sokolow continuously broke the boundaries of modern dance, focusing on the human experience and drawing upon whatever genre best served her artistic purpose. Her masterpieces remain relevant to our times and touch the hearts of all people as we struggle with the universal issues of living. https://www.eventbrite.com/e/joy-dances-for-midwinter-tickets-1852651443339?fbclid=IwY2xjawONm45leHRuA2FlbQIxMABicmlkETF5OUFCbVVobGk1WENXeEVnc3J0YwZhcHBfaWQQMjIyMDM5MTc4ODIwMDg5MgABHjVDiI-xvCSFe-4JGYMsEOvQNMNsspbUM8MUTVAi3ox9j8QlTWAc16q3Xze2_aem_daDstis3Qxt6kOUMwRBMVw&utm-campaign=social&utm-content=attendeeshare&utm-medium=discovery&utm-term=listing&utm-source=cp&aff=ebdsshcopyurl

Joining us on the third episode of the "Rockabilly 2 Rachmaninoff" series, is conductor Bradley Thachuk. Maestro Thachuk, is the Music Director of the Niagara Symphony Orchestra (NSO). He has been connected to the Buffalo Philharmonic Orchestra for over 10 years, conducting occasional Pops and Rock series performances each concert season. Post-pandemic, he's served as the conductor of the Rock series, which is comprised of three concerts per season.  A versatile and diverse musician, Maestro Thachuk has also established himself globally as one of the handful of conductors who moves easily between the classical and rock worlds. He is a highly sought-after symphonic arranger, with numerous collaborations. Recent and upcoming projects include Steve Hackett of Genesis, the music of Leonard Cohen, a tribute to the Tragically Hip, Dave Mason of Fleetwood Mac and Traffic, ABC's Dancing with the Stars franchise, Tony-Award winning Heather Headley, Sarah Slean, Chantal Kreviazuk, The Beach Boys, and Air Supply. 

Episode: 1449 Another look at image and reality: Fake Triceratops and manuscript books.  Today, more on images and reality.

Send us a textKatie has taught piano for nearly twenty years, and her love for the instrument began after taking lessons with a family friend at age six. Even in moments of deep frustration with the challenges of making ten fingers do ten different things, music kept calling her back.After earning a Bachelor of Music in Piano Performance from Western Washington University, Katie taught at two music schools and enjoyed a vibrant performing career collaborating with local musicians, serving as pianist for the Whatcom Symphony Orchestra. After developing persistent shoulder pain, her teacher suggested  attending a Feldenkrais class where she immediately connected with the subtle movements and student-centered approach. What began as a path toward healing quickly became a new way to teach. In 2021, Katie became a Guild Certified Feldenkrais Practitioner®. She is also a Certified Oxygen Advantage® Advanced Breathing Instructor and a Nationally Certified Teacher of Music.Top 5 Songs of Encouragement1) Blink by Hiroshi Yoshimurahttps://www.youtube.com/watch?v=zaZI5KUC7U0&list=PLwxMX47xnWxczN8VEKwW16kwnKHYSNtFO&index=12) Chorale Prelude BWV 639, “Ich ruf zu dir, Herr” by Bach, Performed by Tatiana Nikolayevahttps://www.youtube.com/watch?v=9ckdRu6bXlw&list=PLwxMX47xnWxczN8VEKwW16kwnKHYSNtFO&index=23) En Gallop by Joanna Newsomhttps://www.youtube.com/watch?v=aN6rRJ8ulQ0&list=PLwxMX47xnWxczN8VEKwW16kwnKHYSNtFO&index=34) How Far I'll Go (from Moana) Lyrics : Auli'i Cravalhohttps://www.youtube.com/watch?v=4PRQmLXC6TA&list=PLwxMX47xnWxczN8VEKwW16kwnKHYSNtFO&index=45) Rachmaninoff: 12 Songs, Op. 21 - V. Lilacs https://www.youtube.com/watch?v=VTbylwbqtGU&list=PLwxMX47xnWxczN8VEKwW16kwnKHYSNtFO&index=5Lyrics: In the morning, at dawn,Through the dew-clad grass,I shall walk, breathing in the freshness of morning;And to the fragrant shade,Where lilacs cluster,I shall go in search of happiness…In life there is but one happinessThat I am fated to find,And that happiness dwells in the lilacs;On their green branches,In their fragrant clustersMy poor happiness blooms…Support the show

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This week marks the second session of "Rockabilly 2 Rachmaninoff," a captivating new series of "In the Flamingo Lounge" dropping every two months on the second Saturday. Each episode promises unique insights, featuring a special guest from the Buffalo Philharmonic Orchestra. Joining us on the second episode of the “Rockabilly 2 Rachmaninoff” series, is Classical crossover tenor Jay Dref. Jay inspires audiences with his passionate, transcendent voice. His uplifting, timeless interpretations of classic standards and modern material has quickly made him one of the premier vocalists of his generation. Reviewers have called him “Groban-like” and his music has become very popular on classical crossover and adult contemporary playlists on Spotify where he has over 100,000 listeners in 157 different countries.  A Buffalo native, Jay is a graduate of The Juilliard School. He has toured internationally and performed at venues such as New York's Lincoln Center, Los Angeles' Dolby Theatre, and the Ryman Auditorium in Nashville. Jay also has appeared in concert with the Buffalo Philharmonic Orchestra, the Niagara Symphony Orchestra and the Hilton Head Symphony Orchestra.  Most recently, Jay has collaborated with world-renowned soprano Sarah Brightman on several concert tours spanning four continents. He will continue to tour with Ms. Brightman throughout this year.

We're meeting some phenomenal musicians from the Walnut Hill School for the Arts in Natick, Mass. The school is celebrating 50 years as an arts high school and sharing its talented teens with Guest Host Orli Shaham and listeners. Enjoy performances of Ravel, Rachmaninoff, Schubert, and more.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Adventurous and passionate” (The New Yorker) Ukrainian-born pianist Inna Faliks has established herself as one of the most communicative, and poetic artists of her generation. She has made a name for herself through commanding performances of standard piano repertoire, as well genre-bending, interdisciplinary projects, and inquisitive work with contemporary composers. This season, she gave the world premiere of Clarice Assad's “Lilith” concerto, composed for her. Ljova's “Voices” for piano and historical recording was composed for her and commissioned by the Milken Center of American Jewish Music in 2020.Faliks created a one-woman show “Polonaise-Fantasie, Story of a Pianist”, an autobiographical monologue for pianist and actress, premiered in New York's Symphony Space and performed worldwide. A committed chamber musician, she has had notable collaborations with Rachel Barton Pine, Gilbert Kalish, Ron Leonard, Fred Sherry, Ilya Kaler, Colin Carr, Wendy Warner, Clive Greensmith, and Antonio Lysy, among many others.Inna Faliks has been featured on radio and television throughout the world. She co-starred with Downton Abbey's Lesley Nicol in “Admission – One Shilling,” a play for pianist and actor based on the life of the great British pianist, Dame Myra Hess.Her CD releases, Reimagine: Beethoven and Ravel on Navona Records and The Schumann Project Volume 1, on MSR Classics, received rave reviews, and were named to several “best of 2021” lists. With her all-Beethoven CD release on MSR, WTTW called Faliks “High priestess of the piano, concert pianist of the highest order, as dramatic and subtle as a great stage actor.” Sound of Verse, was released in 2009, featuring music of Boris Pasternak, Rachmaninoff and Ravel. “Polonaise-Fantasie, Story of a Pianist” on Delos captures her autobiographical monologue-recital with short piano works from Bach to Carter.Faliks is founder and curator of Music/Words, an award-winning poetry-music series: performances in collaboration with distinguished poets. Her long-standing relationship with Chicago's WFMT radio has led to multiple broadcasts of Music/Words, which she produced alongside some of the nation's most recognized poets in performances throughout the United States.A past winner of many prestigious competitions, Inna Faliks is currently Professor of Piano and Head of Piano at UCLA. In Weight in the Fingertips: A Musical Odyssey from Soviet Ukraine to the World Stage (Backbeat Books, 2023) Faliks provides a globe-trotting account of her upbringing as a child prodigy in the Soviet Union, the perils of immigration, and the struggle to assimilate as an American. She chronicles years of training with teachers and her steady rise in the world of classical music. With a warm and playful style, Faliks helps non-musicians understand the experience of becoming a world-renowned concert pianist. The places she grew up, the books she read, and the poems she memorized as a child all connect to her sound at the piano. The way she hears and shapes a musical phrase illuminates both classical music and elite performance. She explores how a person's humanity makes their art honest and voice unique, and how the lifelong challenge of retaining that voice is fueled by balancing the demands of musicianship and being human. Throughout, Faliks provides powerful insights into the role of music in a world of conflict, change, and hope for a better tomorrow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Adventurous and passionate” (The New Yorker) Ukrainian-born pianist Inna Faliks has established herself as one of the most communicative, and poetic artists of her generation. She has made a name for herself through commanding performances of standard piano repertoire, as well genre-bending, interdisciplinary projects, and inquisitive work with contemporary composers. This season, she gave the world premiere of Clarice Assad's “Lilith” concerto, composed for her. Ljova's “Voices” for piano and historical recording was composed for her and commissioned by the Milken Center of American Jewish Music in 2020.Faliks created a one-woman show “Polonaise-Fantasie, Story of a Pianist”, an autobiographical monologue for pianist and actress, premiered in New York's Symphony Space and performed worldwide. A committed chamber musician, she has had notable collaborations with Rachel Barton Pine, Gilbert Kalish, Ron Leonard, Fred Sherry, Ilya Kaler, Colin Carr, Wendy Warner, Clive Greensmith, and Antonio Lysy, among many others.Inna Faliks has been featured on radio and television throughout the world. She co-starred with Downton Abbey's Lesley Nicol in “Admission – One Shilling,” a play for pianist and actor based on the life of the great British pianist, Dame Myra Hess.Her CD releases, Reimagine: Beethoven and Ravel on Navona Records and The Schumann Project Volume 1, on MSR Classics, received rave reviews, and were named to several “best of 2021” lists. With her all-Beethoven CD release on MSR, WTTW called Faliks “High priestess of the piano, concert pianist of the highest order, as dramatic and subtle as a great stage actor.” Sound of Verse, was released in 2009, featuring music of Boris Pasternak, Rachmaninoff and Ravel. “Polonaise-Fantasie, Story of a Pianist” on Delos captures her autobiographical monologue-recital with short piano works from Bach to Carter.Faliks is founder and curator of Music/Words, an award-winning poetry-music series: performances in collaboration with distinguished poets. Her long-standing relationship with Chicago's WFMT radio has led to multiple broadcasts of Music/Words, which she produced alongside some of the nation's most recognized poets in performances throughout the United States.A past winner of many prestigious competitions, Inna Faliks is currently Professor of Piano and Head of Piano at UCLA. In Weight in the Fingertips: A Musical Odyssey from Soviet Ukraine to the World Stage (Backbeat Books, 2023) Faliks provides a globe-trotting account of her upbringing as a child prodigy in the Soviet Union, the perils of immigration, and the struggle to assimilate as an American. She chronicles years of training with teachers and her steady rise in the world of classical music. With a warm and playful style, Faliks helps non-musicians understand the experience of becoming a world-renowned concert pianist. The places she grew up, the books she read, and the poems she memorized as a child all connect to her sound at the piano. The way she hears and shapes a musical phrase illuminates both classical music and elite performance. She explores how a person's humanity makes their art honest and voice unique, and how the lifelong challenge of retaining that voice is fueled by balancing the demands of musicianship and being human. Throughout, Faliks provides powerful insights into the role of music in a world of conflict, change, and hope for a better tomorrow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Adventurous and passionate” (The New Yorker) Ukrainian-born pianist Inna Faliks has established herself as one of the most communicative, and poetic artists of her generation. She has made a name for herself through commanding performances of standard piano repertoire, as well genre-bending, interdisciplinary projects, and inquisitive work with contemporary composers. This season, she gave the world premiere of Clarice Assad's “Lilith” concerto, composed for her. Ljova's “Voices” for piano and historical recording was composed for her and commissioned by the Milken Center of American Jewish Music in 2020.Faliks created a one-woman show “Polonaise-Fantasie, Story of a Pianist”, an autobiographical monologue for pianist and actress, premiered in New York's Symphony Space and performed worldwide. A committed chamber musician, she has had notable collaborations with Rachel Barton Pine, Gilbert Kalish, Ron Leonard, Fred Sherry, Ilya Kaler, Colin Carr, Wendy Warner, Clive Greensmith, and Antonio Lysy, among many others.Inna Faliks has been featured on radio and television throughout the world. She co-starred with Downton Abbey's Lesley Nicol in “Admission – One Shilling,” a play for pianist and actor based on the life of the great British pianist, Dame Myra Hess.Her CD releases, Reimagine: Beethoven and Ravel on Navona Records and The Schumann Project Volume 1, on MSR Classics, received rave reviews, and were named to several “best of 2021” lists. With her all-Beethoven CD release on MSR, WTTW called Faliks “High priestess of the piano, concert pianist of the highest order, as dramatic and subtle as a great stage actor.” Sound of Verse, was released in 2009, featuring music of Boris Pasternak, Rachmaninoff and Ravel. “Polonaise-Fantasie, Story of a Pianist” on Delos captures her autobiographical monologue-recital with short piano works from Bach to Carter.Faliks is founder and curator of Music/Words, an award-winning poetry-music series: performances in collaboration with distinguished poets. Her long-standing relationship with Chicago's WFMT radio has led to multiple broadcasts of Music/Words, which she produced alongside some of the nation's most recognized poets in performances throughout the United States.A past winner of many prestigious competitions, Inna Faliks is currently Professor of Piano and Head of Piano at UCLA. In Weight in the Fingertips: A Musical Odyssey from Soviet Ukraine to the World Stage (Backbeat Books, 2023) Faliks provides a globe-trotting account of her upbringing as a child prodigy in the Soviet Union, the perils of immigration, and the struggle to assimilate as an American. She chronicles years of training with teachers and her steady rise in the world of classical music. With a warm and playful style, Faliks helps non-musicians understand the experience of becoming a world-renowned concert pianist. The places she grew up, the books she read, and the poems she memorized as a child all connect to her sound at the piano. The way she hears and shapes a musical phrase illuminates both classical music and elite performance. She explores how a person's humanity makes their art honest and voice unique, and how the lifelong challenge of retaining that voice is fueled by balancing the demands of musicianship and being human. Throughout, Faliks provides powerful insights into the role of music in a world of conflict, change, and hope for a better tomorrow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Adventurous and passionate” (The New Yorker) Ukrainian-born pianist Inna Faliks has established herself as one of the most communicative, and poetic artists of her generation. She has made a name for herself through commanding performances of standard piano repertoire, as well genre-bending, interdisciplinary projects, and inquisitive work with contemporary composers. This season, she gave the world premiere of Clarice Assad's “Lilith” concerto, composed for her. Ljova's “Voices” for piano and historical recording was composed for her and commissioned by the Milken Center of American Jewish Music in 2020.Faliks created a one-woman show “Polonaise-Fantasie, Story of a Pianist”, an autobiographical monologue for pianist and actress, premiered in New York's Symphony Space and performed worldwide. A committed chamber musician, she has had notable collaborations with Rachel Barton Pine, Gilbert Kalish, Ron Leonard, Fred Sherry, Ilya Kaler, Colin Carr, Wendy Warner, Clive Greensmith, and Antonio Lysy, among many others.Inna Faliks has been featured on radio and television throughout the world. She co-starred with Downton Abbey's Lesley Nicol in “Admission – One Shilling,” a play for pianist and actor based on the life of the great British pianist, Dame Myra Hess.Her CD releases, Reimagine: Beethoven and Ravel on Navona Records and The Schumann Project Volume 1, on MSR Classics, received rave reviews, and were named to several “best of 2021” lists. With her all-Beethoven CD release on MSR, WTTW called Faliks “High priestess of the piano, concert pianist of the highest order, as dramatic and subtle as a great stage actor.” Sound of Verse, was released in 2009, featuring music of Boris Pasternak, Rachmaninoff and Ravel. “Polonaise-Fantasie, Story of a Pianist” on Delos captures her autobiographical monologue-recital with short piano works from Bach to Carter.Faliks is founder and curator of Music/Words, an award-winning poetry-music series: performances in collaboration with distinguished poets. Her long-standing relationship with Chicago's WFMT radio has led to multiple broadcasts of Music/Words, which she produced alongside some of the nation's most recognized poets in performances throughout the United States.A past winner of many prestigious competitions, Inna Faliks is currently Professor of Piano and Head of Piano at UCLA. In Weight in the Fingertips: A Musical Odyssey from Soviet Ukraine to the World Stage (Backbeat Books, 2023) Faliks provides a globe-trotting account of her upbringing as a child prodigy in the Soviet Union, the perils of immigration, and the struggle to assimilate as an American. She chronicles years of training with teachers and her steady rise in the world of classical music. With a warm and playful style, Faliks helps non-musicians understand the experience of becoming a world-renowned concert pianist. The places she grew up, the books she read, and the poems she memorized as a child all connect to her sound at the piano. The way she hears and shapes a musical phrase illuminates both classical music and elite performance. She explores how a person's humanity makes their art honest and voice unique, and how the lifelong challenge of retaining that voice is fueled by balancing the demands of musicianship and being human. Throughout, Faliks provides powerful insights into the role of music in a world of conflict, change, and hope for a better tomorrow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Adventurous and passionate” (The New Yorker) Ukrainian-born pianist Inna Faliks has established herself as one of the most communicative, and poetic artists of her generation. She has made a name for herself through commanding performances of standard piano repertoire, as well genre-bending, interdisciplinary projects, and inquisitive work with contemporary composers. This season, she gave the world premiere of Clarice Assad's “Lilith” concerto, composed for her. Ljova's “Voices” for piano and historical recording was composed for her and commissioned by the Milken Center of American Jewish Music in 2020.Faliks created a one-woman show “Polonaise-Fantasie, Story of a Pianist”, an autobiographical monologue for pianist and actress, premiered in New York's Symphony Space and performed worldwide. A committed chamber musician, she has had notable collaborations with Rachel Barton Pine, Gilbert Kalish, Ron Leonard, Fred Sherry, Ilya Kaler, Colin Carr, Wendy Warner, Clive Greensmith, and Antonio Lysy, among many others.Inna Faliks has been featured on radio and television throughout the world. She co-starred with Downton Abbey's Lesley Nicol in “Admission – One Shilling,” a play for pianist and actor based on the life of the great British pianist, Dame Myra Hess.Her CD releases, Reimagine: Beethoven and Ravel on Navona Records and The Schumann Project Volume 1, on MSR Classics, received rave reviews, and were named to several “best of 2021” lists. With her all-Beethoven CD release on MSR, WTTW called Faliks “High priestess of the piano, concert pianist of the highest order, as dramatic and subtle as a great stage actor.” Sound of Verse, was released in 2009, featuring music of Boris Pasternak, Rachmaninoff and Ravel. “Polonaise-Fantasie, Story of a Pianist” on Delos captures her autobiographical monologue-recital with short piano works from Bach to Carter.Faliks is founder and curator of Music/Words, an award-winning poetry-music series: performances in collaboration with distinguished poets. Her long-standing relationship with Chicago's WFMT radio has led to multiple broadcasts of Music/Words, which she produced alongside some of the nation's most recognized poets in performances throughout the United States.A past winner of many prestigious competitions, Inna Faliks is currently Professor of Piano and Head of Piano at UCLA. In Weight in the Fingertips: A Musical Odyssey from Soviet Ukraine to the World Stage (Backbeat Books, 2023) Faliks provides a globe-trotting account of her upbringing as a child prodigy in the Soviet Union, the perils of immigration, and the struggle to assimilate as an American. She chronicles years of training with teachers and her steady rise in the world of classical music. With a warm and playful style, Faliks helps non-musicians understand the experience of becoming a world-renowned concert pianist. The places she grew up, the books she read, and the poems she memorized as a child all connect to her sound at the piano. The way she hears and shapes a musical phrase illuminates both classical music and elite performance. She explores how a person's humanity makes their art honest and voice unique, and how the lifelong challenge of retaining that voice is fueled by balancing the demands of musicianship and being human. Throughout, Faliks provides powerful insights into the role of music in a world of conflict, change, and hope for a better tomorrow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

Adventurous and passionate” (The New Yorker) Ukrainian-born pianist Inna Faliks has established herself as one of the most communicative, and poetic artists of her generation. She has made a name for herself through commanding performances of standard piano repertoire, as well genre-bending, interdisciplinary projects, and inquisitive work with contemporary composers. This season, she gave the world premiere of Clarice Assad's “Lilith” concerto, composed for her. Ljova's “Voices” for piano and historical recording was composed for her and commissioned by the Milken Center of American Jewish Music in 2020.Faliks created a one-woman show “Polonaise-Fantasie, Story of a Pianist”, an autobiographical monologue for pianist and actress, premiered in New York's Symphony Space and performed worldwide. A committed chamber musician, she has had notable collaborations with Rachel Barton Pine, Gilbert Kalish, Ron Leonard, Fred Sherry, Ilya Kaler, Colin Carr, Wendy Warner, Clive Greensmith, and Antonio Lysy, among many others.Inna Faliks has been featured on radio and television throughout the world. She co-starred with Downton Abbey's Lesley Nicol in “Admission – One Shilling,” a play for pianist and actor based on the life of the great British pianist, Dame Myra Hess.Her CD releases, Reimagine: Beethoven and Ravel on Navona Records and The Schumann Project Volume 1, on MSR Classics, received rave reviews, and were named to several “best of 2021” lists. With her all-Beethoven CD release on MSR, WTTW called Faliks “High priestess of the piano, concert pianist of the highest order, as dramatic and subtle as a great stage actor.” Sound of Verse, was released in 2009, featuring music of Boris Pasternak, Rachmaninoff and Ravel. “Polonaise-Fantasie, Story of a Pianist” on Delos captures her autobiographical monologue-recital with short piano works from Bach to Carter.Faliks is founder and curator of Music/Words, an award-winning poetry-music series: performances in collaboration with distinguished poets. Her long-standing relationship with Chicago's WFMT radio has led to multiple broadcasts of Music/Words, which she produced alongside some of the nation's most recognized poets in performances throughout the United States.A past winner of many prestigious competitions, Inna Faliks is currently Professor of Piano and Head of Piano at UCLA. In Weight in the Fingertips: A Musical Odyssey from Soviet Ukraine to the World Stage (Backbeat Books, 2023) Faliks provides a globe-trotting account of her upbringing as a child prodigy in the Soviet Union, the perils of immigration, and the struggle to assimilate as an American. She chronicles years of training with teachers and her steady rise in the world of classical music. With a warm and playful style, Faliks helps non-musicians understand the experience of becoming a world-renowned concert pianist. The places she grew up, the books she read, and the poems she memorized as a child all connect to her sound at the piano. The way she hears and shapes a musical phrase illuminates both classical music and elite performance. She explores how a person's humanity makes their art honest and voice unique, and how the lifelong challenge of retaining that voice is fueled by balancing the demands of musicianship and being human. Throughout, Faliks provides powerful insights into the role of music in a world of conflict, change, and hope for a better tomorrow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Adventurous and passionate” (The New Yorker) Ukrainian-born pianist Inna Faliks has established herself as one of the most communicative, and poetic artists of her generation. She has made a name for herself through commanding performances of standard piano repertoire, as well genre-bending, interdisciplinary projects, and inquisitive work with contemporary composers. This season, she gave the world premiere of Clarice Assad's “Lilith” concerto, composed for her. Ljova's “Voices” for piano and historical recording was composed for her and commissioned by the Milken Center of American Jewish Music in 2020.Faliks created a one-woman show “Polonaise-Fantasie, Story of a Pianist”, an autobiographical monologue for pianist and actress, premiered in New York's Symphony Space and performed worldwide. A committed chamber musician, she has had notable collaborations with Rachel Barton Pine, Gilbert Kalish, Ron Leonard, Fred Sherry, Ilya Kaler, Colin Carr, Wendy Warner, Clive Greensmith, and Antonio Lysy, among many others.Inna Faliks has been featured on radio and television throughout the world. She co-starred with Downton Abbey's Lesley Nicol in “Admission – One Shilling,” a play for pianist and actor based on the life of the great British pianist, Dame Myra Hess.Her CD releases, Reimagine: Beethoven and Ravel on Navona Records and The Schumann Project Volume 1, on MSR Classics, received rave reviews, and were named to several “best of 2021” lists. With her all-Beethoven CD release on MSR, WTTW called Faliks “High priestess of the piano, concert pianist of the highest order, as dramatic and subtle as a great stage actor.” Sound of Verse, was released in 2009, featuring music of Boris Pasternak, Rachmaninoff and Ravel. “Polonaise-Fantasie, Story of a Pianist” on Delos captures her autobiographical monologue-recital with short piano works from Bach to Carter.Faliks is founder and curator of Music/Words, an award-winning poetry-music series: performances in collaboration with distinguished poets. Her long-standing relationship with Chicago's WFMT radio has led to multiple broadcasts of Music/Words, which she produced alongside some of the nation's most recognized poets in performances throughout the United States.A past winner of many prestigious competitions, Inna Faliks is currently Professor of Piano and Head of Piano at UCLA. In Weight in the Fingertips: A Musical Odyssey from Soviet Ukraine to the World Stage (Backbeat Books, 2023) Faliks provides a globe-trotting account of her upbringing as a child prodigy in the Soviet Union, the perils of immigration, and the struggle to assimilate as an American. She chronicles years of training with teachers and her steady rise in the world of classical music. With a warm and playful style, Faliks helps non-musicians understand the experience of becoming a world-renowned concert pianist. The places she grew up, the books she read, and the poems she memorized as a child all connect to her sound at the piano. The way she hears and shapes a musical phrase illuminates both classical music and elite performance. She explores how a person's humanity makes their art honest and voice unique, and how the lifelong challenge of retaining that voice is fueled by balancing the demands of musicianship and being human. Throughout, Faliks provides powerful insights into the role of music in a world of conflict, change, and hope for a better tomorrow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

Adventurous and passionate” (The New Yorker) Ukrainian-born pianist Inna Faliks has established herself as one of the most communicative, and poetic artists of her generation. She has made a name for herself through commanding performances of standard piano repertoire, as well genre-bending, interdisciplinary projects, and inquisitive work with contemporary composers. This season, she gave the world premiere of Clarice Assad's “Lilith” concerto, composed for her. Ljova's “Voices” for piano and historical recording was composed for her and commissioned by the Milken Center of American Jewish Music in 2020.Faliks created a one-woman show “Polonaise-Fantasie, Story of a Pianist”, an autobiographical monologue for pianist and actress, premiered in New York's Symphony Space and performed worldwide. A committed chamber musician, she has had notable collaborations with Rachel Barton Pine, Gilbert Kalish, Ron Leonard, Fred Sherry, Ilya Kaler, Colin Carr, Wendy Warner, Clive Greensmith, and Antonio Lysy, among many others.Inna Faliks has been featured on radio and television throughout the world. She co-starred with Downton Abbey's Lesley Nicol in “Admission – One Shilling,” a play for pianist and actor based on the life of the great British pianist, Dame Myra Hess.Her CD releases, Reimagine: Beethoven and Ravel on Navona Records and The Schumann Project Volume 1, on MSR Classics, received rave reviews, and were named to several “best of 2021” lists. With her all-Beethoven CD release on MSR, WTTW called Faliks “High priestess of the piano, concert pianist of the highest order, as dramatic and subtle as a great stage actor.” Sound of Verse, was released in 2009, featuring music of Boris Pasternak, Rachmaninoff and Ravel. “Polonaise-Fantasie, Story of a Pianist” on Delos captures her autobiographical monologue-recital with short piano works from Bach to Carter.Faliks is founder and curator of Music/Words, an award-winning poetry-music series: performances in collaboration with distinguished poets. Her long-standing relationship with Chicago's WFMT radio has led to multiple broadcasts of Music/Words, which she produced alongside some of the nation's most recognized poets in performances throughout the United States.A past winner of many prestigious competitions, Inna Faliks is currently Professor of Piano and Head of Piano at UCLA. In Weight in the Fingertips: A Musical Odyssey from Soviet Ukraine to the World Stage (Backbeat Books, 2023) Faliks provides a globe-trotting account of her upbringing as a child prodigy in the Soviet Union, the perils of immigration, and the struggle to assimilate as an American. She chronicles years of training with teachers and her steady rise in the world of classical music. With a warm and playful style, Faliks helps non-musicians understand the experience of becoming a world-renowned concert pianist. The places she grew up, the books she read, and the poems she memorized as a child all connect to her sound at the piano. The way she hears and shapes a musical phrase illuminates both classical music and elite performance. She explores how a person's humanity makes their art honest and voice unique, and how the lifelong challenge of retaining that voice is fueled by balancing the demands of musicianship and being human. Throughout, Faliks provides powerful insights into the role of music in a world of conflict, change, and hope for a better tomorrow. Learn more about your ad choices. Visit megaphone.fm/adchoices

Der russische Pianist Alexander Melnikov hat ein Faible für originale Instrumente. Zu seinen durchdachten Interpretationen findet er auch oft durch das passende Instrument. Wie jetzt im Fall von Rachmaninow. Dessen "Variationen über ein Thema von Chopin", Op. 22, sowie ausgewählte Romanzen haben er und die Sopranistin Julia Lezhneva in der Schweizer Villa des Komponisten selbst aufgenommen. An dessen eigenem Flügel - einer Spezialanfertigung von Steinway aus den 1930er Jahren. "Visiting Rachmaninoff" heißt das Album.

This week, prepare to embark on a new musical journey that marks the exciting debut of "Rockabilly 2 Rachmaninoff," a captivating new series In the Flamingo Lounge dropping every two months on the second Saturday. Each episode promises unique insights, featuring a special guest from the Buffalo Philharmonic Orchestra. Joining us for the inaugural episode in the series, is Ron Spigelman, an acclaimed conductor with an impressive career spanning continents and genres. A native of Australia and an honors graduate of the Royal Academy of Music in London, Ron begins the 25/26 season as the new Principal Pops Conductor of the Buffalo Philharmonic Orchestra. No stranger to the BPO, he previously served as their Associate Conductor, among other notable roles including Music Director for the Fort Worth Dallas Ballet and the Springfield Symphony. He's also been Principal Pops Conductor for both the Fort Worth and Syracuse Symphonies. Ron's conducted everything from symphonic works, ballet, and opera to musical theater and over 30 live-to-film productions, including all eight Harry Potter films! He's shared the stage with a diverse array of artists, from classical virtuosos to pop icons like James Taylor, Leslie Odom Jr., and Gladys Knight. Beyond the baton, Ron is deeply committed to the community. He's board president of Harmony Project Tulsa, bringing music education to underSERVED youth. Ron recently graduated summa cum laude from Arizona State University, receiving a prestigious dean's medal. He lives in Tulsa with his wife, Laura, and their six children.

Episode: 2448 Sergei Rachmaninoff visits a hypnotist to remove his writer's block.  Today, a composer unblocked.

Behzod Abduraimov's performances combine an immense depth of musicality with phenomenal technique and breath-taking delicacy. He performs with renowned orchestras worldwide including Philharmonia Orchestra, Los Angeles Philharmonic, Deutsches Symphonie-Orchester Berlin, San Francisco Symphony, The Cleveland Orchestra, Orchestre de Paris, Concertgebouworkest, Czech Philharmonic, Vienna Symphony Orchestra, NHK Symphony and Rundfunk-Sinfonieorchester Berlin (RSB). Regular festival appearances include Aspen, Verbier, Rheingau, La Roque Antheron, Lucerne and Ravello festivals. Behzod's second recording for Alpha Classics, featuring works by Ravel, Prokofiev, and Uzbek composer Dilorom Saidaminova, was released on 12 January 2024. The album was Gramophone' Editor's Choice in January 2024, and was included in Apple Music ‘10 Classical Albums You Must Hear This Month' of February 2024.  The year 2021 saw the highly successful release of his first recital album for Alpha Classics based on a program of Miniatures including Mussorgsky's Pictures at an Exhibition. In 2020, recordings included Rachmaninov's Rhapsody on a Theme of Paganini with Lucerne Symphony Orchestra under James Gaffigan, recorded on Rachmaninoff's own piano from Villa Senar for Sony Classical, and Rachmaninoff's Piano Concerto No.3 with Concertgebouworkest, for the RCO live label. Born in Tashkent, Uzbekistan, in 1990, Behzod began the piano at age five, as a pupil of Tamara Popovich at Uspensky State Central Lyceum in Tashkent.

Ricky Ian Gordon has written a cycle of songs about flowers. In this episode, we hear one of them. Rachmaninoff wrote a song called “Lilacs.” We hear that, too. Bach opens his Goldberg Variations with an aria (and closes the work with that same aria). Tchaikovsky's wrote a couple of blockbuster arias in The Queen of Spades. And on we go. Gordon, “We should not mind so small a flower” Rachmaninoff, “Lilacs” Bach, Goldberg Variations Tchaikovsky, Lisa's Aria from Act III of “The Queen of Spades” Tchaikovsky, Prince Yeletsky's Aria, Act II, “The Queen of Spades” Tchaikovsky, “It was in early spring” Shostakovich, Prelude in D-flat major Bach-Kempff, Siciliano

Today, a live cello recital from Kevin Hernandez, with music by Bach, Rachmaninoff and Cassadó, plus Kevin's father, Belford Hernandez. The post LIVE | Kevin Hernandez, 17, cello appeared first on WFMT.

So today's episode is ALL about a concept that might sound super depressing at first glance, but is actually one of the most powerful tools we have for emotional growth. I'm talking about encountering futility - yep, that word you probably haven't tossed around since your college philosophy class (if ever)!What Is Futility Anyway?

In this episode of The Jon Gordon Podcast, I sit down with the powerful and courageous Jade Simmons. Jade is a classically trained pianist who has transformed her musical career into an awe-inspiring journey of speaking and performing. Our conversation delves deeply into the empowering nature of understanding one's true purpose.   We also discuss her transition from classical concerts to innovative "keynote concert adventures," where she blends music, storytelling, and motivational speaking. Whether it's through a powerful piano piece or a signature end-performance rap, Jade makes a profound impact.   Our chat moves into practical advice for the listeners as Jade and I unpack the concept that one's potential is like a seed, holding everything needed for growth. We talk about the importance of curiosity, flexible planning, and unwavering commitment that transcends the fear of rejection. Jade's insights on how to rebound quickly from challenges and not take negativity personally are both enlightening and motivating.   This episode is a rich blend of inspiration, practical advice, and profound insights that will encourage you to live out your purpose with confidence and resilience. Tune in, be inspired, and discover the audacity to believe in your worth, challenge norms, and make a significant impact in your world.   About Jade, Nicknamed “Classical Music's #1 Maverick” and named one of the Best Keynote Speakers, Jade Simmons is a creator of transformational adventures that span Rachmaninoff all the way to rap and include virtuoso storytelling, uncommon insights, and boundless inspiration. Jade is the best-selling author of Purpose the Remix: A Mind-Blowing Re-understanding of Purpose and How it Works and Audacious Prayers for World Changers: Live and Pray Out Loud. As a female entrepreneur, and acclaimed creator of life-altering main stage experiences, Jade Simmons is a born storyteller and a purpose whisperer to the world's superlative brands. Check out more about Jade on her website by clicking here!   Here's a few additional resources for you... Follow me on Instagram: @JonGordon11 Every week, I send out a free Positive Tip newsletter via email. It's advice for your life, work and team. You can sign up now here and catch up on past newsletters. Join me for my Day of Development! You'll learn proven strategies to develop confidence, improve your leadership and build a connected and committed team. You'll leave with an action plan to supercharge your growth and results. It's time to Create your Positive Advantage. Get details and sign up here. Do you feel called to do more? Would you like to impact more people as a leader, writer, speaker, coach and trainer? Get Jon Gordon Certified if you want to be mentored by me and my team to teach my proven frameworks principles, and programs for businesses, sports, education, healthcare!