Podcasts about brass quintet

durée : 00:09:47 - Le Disque classique du jour du lundi 30 décembre 2024 - Pour leur nouvel album, le Gomalan Brass Quintet (un quintette de cuivres italien) explore le répertoire russe, en particulier des raretés signées Victor Ewald et Alexander Tcherepnin

durée : 00:09:47 - Le Disque classique du jour du lundi 30 décembre 2024 - Pour leur nouvel album, le Gomalan Brass Quintet (un quintette de cuivres italien) explore le répertoire russe, en particulier des raretés signées Victor Ewald et Alexander Tcherepnin

Meet the MJ Brass quintet - all five musicians are Interlochen Arts Academy students, and they called themselves "MJ" because all five of their first names start with one of those two letters. Musicians Mauricio García de Jesús, trumpet, San Felipe Otlaltepec, Mexico Madi Turrentine, trumpet, Groveton, Texas Jaksen Vargas, horn, Cedar Park, Texas Juan Beltran, trombone, Spring, Texas June Eickholt, tuba, Colleyville, Texas The MJ Quintet performed the first movement of the Brass Quintet no. 3 in D-flat major by Victor Ewald.

Two high school student brass quintets from Interlochen Arts Camp recently visited Studio A to perform music by Alexander Arutiunian, Eric Ewazen and Samuel Scheidt. The Fire Five Eric Ewazen, Frost Fire (first movement) Ben Mitchell, trumpet, Charlotte, NC Gabe Luza, trumpet, Charlotte, NC Connor Powers, horn, Houson, TX Will Cranston, trombone, Houston, TX Barrett Hoover, tuba, Wann, OK The Maple Brass Quintet Samuel Scheidt, Canzona Bergamasca Alexander Arutiunian, Armenian Scenes (third movement) Taylor Hopps, trumpet, Olympia, WA Jakob Burnham, trumpet, Brighton, MI Ben Shugart, horn, Grand Prairie, Texas Demitri Resto, tenor trombone, Trumbull, CT Caden Wolfe, bass trombone, Tampa, FL

Annie Walton, Sophie Choy, Jonathan Miller, Henry Price and Mauricio García de Jesús - or the My Friend quintet - performed the first movement of "Frost Fire" by Eric Ewazen during this session of IPR's Studio A. They and other Interlochen Arts Academy students are going on tour in New York later this month.

The Houston Brass Quintet performs music by British composers and sea-inspired tunes.

We continue our conversation about experiences at Juilliard and then move on to their current jobs: Principal Trumpet with the Nashville Symphony and Principal Trombone with the New York City Ballet, and specifically what they experienced in their auditions for those two orchestras.

In addition to their new jobs, Will and Carlos have had experiences performing with other major orchestras, such as the New York Philharmonic, the Philadelphia Orchestra, the St. Louis Symphony, and the London Symphony. Our talk then turns to the future, with Will talking about his work with the Vennture Mouthpiece company, and Carlos about training to become an Alexander Technique teacher.

Trombonist Carlos Jiménez Fernández and Trumpeter William Leathers have already had exceptional lives as musicians, even though they just recently graduated with a Bachelor's degree from Juilliard. They already have great jobs as principal players (Will with the Nashville Symphony and Carlos with the New York City Ballet) and have also performed with groups such as the New York Philharmonic, Philadelphia Orchestra, and London Symphony. It was a joy to speak with them about their journey at this early stage of their career.In Part 1, we begin our conversation by talking about how Will and Carlos got to Juilliard. Will started a GoFundMe project in Canada, raising over $70,000 to help pay for his tuition, and Carlos was able to get a scholarship. I ask about their audition to get into the school (an audition where very few people are accepted) and then we talk about their studies with their main teachers, Joe Alessi for Carlos and Chris Martin and Ray Mase for Will.

Most of what brass players do is done with the lips, and it's invisible to us.

The members of Seraph Brass are entrepreneurs in addition to being musicians, and we begin Part 2 by discussing the workshops they give on entrepreneurship. We then move on to touring and what it is like to play in different countries with varying cultures. We close this part with a discussion of how the group goes about commissioning works.Dorico Professional music notation and composition software from Steinberg. Download a free 30-trial today!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.

An important aspect of any chamber music group is repertoire, so we talk about how Seraph Brass chooses theirs and how they go about rehearsing before and during a tour. We end with a discussion of a concert done the night before our conversation... a work by Anthony DiLorenzo (Chimera) performed with the U.S. Army Band, Pershing's Own.Dorico Professional music notation and composition software from Steinberg. Download a free 30-trial today!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.

Seraph Brass is in its ninth season and began as a group dedicated to "elevating and showcasing the excellence of female brass players and highlighting musicians from marginalized groups both in personnel and in programming." It is a group consisting of five to six core artists, along with a group of guests who also perform with the group. My conversation today was with founder and trumpeter Mary Elizabeth Bowden, trumpeter Raquel Samayoa, hornist Rachel Velvikis, trombonist Victoria Garcia, and tubist Christina Cutts Dougherty. It was very inspiring for me to speak with a group that is so dedicated to its ideals.We begin our conversation with an introduction of the players and what they do when they're not on stage with Seraph Brass. Then Mary speaks about how she founded the group, how the group began to grow, and how the current players joined the group. We end Part 1 with a discussion of the role social media has played in the success of the group, and Vicki's story of how to deal with social media trolls.Dorico Professional music notation and composition software from Steinberg. Download a free 30-trial today!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.

Have you ever wondered what it really takes to have a career as an internationally touring soloist?  Have you wondered if it is too late for YOU to create such a career? You will love hearing from my guest today,  Mary Elizabeth Bowden: International Trumpet Soloist  Classical Trumpeter Mary Elizabeth Bowden has built an in-demand career as a soloist, praised for her “splendid, brilliant” playing (Gramophone Magazine) and her “pure, refined, and warm” tone (American Record Guide). A Gold Medal Global Music Award Winner, Opus Klassik Nominee, and Yamaha Performing Artist, she has also worked to establish a new repertoire for the trumpet through creative, collaborative commissioning projects and award-winning albums.   Her current season includes no fewer than four world premiere concertos, including Clarice Assad's new Concerto for Trumpet and Orchestra with the Chicago Youth Symphony Orchestra and Chamber Orchestra of the Triangle, Jennifer Jolley's Concerto for Brass Quintet with Seraph Brass and the U.S. Army "Pershing's Own", Reena Esmail's Rosa de Sal for Trumpet and Orchestra with the Chicago Youth Symphony Orchestra, and Tyson Davis's Veiled Light with the Chamber Orchestra of the Triangle, which will be performed alongside her husband, trumpeter David Dash. She is the founder and performer in multiple chamber groups, including Seraph Brass, Dash Duo, and Chrysalis Chamber Players. In today's interview, we talked about her recent projects, and the importance of expanding and building representation in trumpet and brass repertoire.  Mary built her career from scratch, and I know I was inspired by her path to success, her honesty about the behind the scenes work of it, and her journey of increased confidence in her playing and her career. I know you will enjoy this interview!    Mary's upcoming schedule:  https://www.maryelizabethbowden.com/events Connect with Mary at her Website, Facebook, Instagram, TikTok, Twitter, or YouTube.

The Carolina Brass Quintet will present a fun and challenging virtuosic recital as part of Music at St. Alban's in Davidson, NC. The recital will celebrate the contributions and talents of trumpeter and quintet founder Bill Lawing who will retire from the quintet in December 2022. Besides his long service in Carolina Brass Quintet, Lawing is the Estes Millner Professor of Music Emeritus at Davidson College having retired after teaching there for 46 years. He talks about his long career and his many contributions to Davidson College, and the cultural life of our region. Learn more about Music at St. Alban's

Most of what brass players do is done with the lips, and it's invisible to us.

Jacquelyn Lankford and Stephanie Ycaza of Calypsus Brass join us to chat about the significance of being an all-female-identifying group in the world of brass ensembles. They speak with us about the workshops, which range from discussions on military and orchestral work to musician wellness. We talk about their involvement with Rising Tide Music Press and how they tackle the challenges associated with funding the commissioning and recording of new works. Founded in 2021, Calypsus Brass is a professional chamber ensemble performing new works recitals, creating high-level professional recordings for composers, and working with chamber musicians at all levels. The five founding members are avid performers and educators touring around the world, giving masterclasses and recitals. Calypsus Brass is a groundbreaking musical group founded by five women who earned a doctoral degree in music, the first of its kind. Between them, members hold 5 doctorates, a total of 14 degrees, 3 minors, and 4 advanced certificates in cognates such as pedagogy and jazz improvisation. Calypsus Brass serves as a recording ensemble for composers whose works have never been recorded. Founded in 2021, Calypsus members perform at the highest level of excellence in musical performance and education. Calypsus Brass is committed to prioritizing recording and performing works of historically marginalized composers to uplift the highest quality of music. To further this mission, Calypsus Brass is proud to be the Ensemble in Residence for Rising Tide Music Press, an organization that publishes and promotes BBIA (Black, Brown, Indigenous, and Asian) musicians in their 10 years of professional-level work as composers and arrangers. Because professional recordings can be cost-prohibitive for composers and many composition competitions and calls for scores require recording with real instruments for consideration, Calypsus Brass is committed to recording works by emerging artists. We encourage all musicians to program music by a diverse array of composers so that the music we perform is inclusive of the community we serve as artists. Calypsus is proud to lead by example in this mission with recording and commissioning projects. When premiering and recording works, Calypsus Brass creates a relationship with composers, helping to build their portfolios with recordings that the composers are proud to showcase while providing expert advice and coaching regarding idiomatic writing for brass instruments. As devoted educators, Calypsus members bring a robust pedagogical background to each masterclass and outreach event. Combining 80 years of educational experience, Calypsus Brass presents specialized masterclasses and clinics on topics including: chamber music, classical, orchestra, and jazz performance, wellness, audition preparation, military and orchestral careers, performance anxiety and psychology, music career development, marketing and branding, arts administration and nonprofit management, commissioning, audio engineering, and intersectionality in the music community. The transcript for this episode can be found here. For more information about Calypsus Brass, please visit their website.

Our old friends the Tower Brass Quintet (with three new members) return to the FM 91 studios to perform a program of Christmas favorites!

Adams, Short Ride in a Fast Machine Beethoven, Piano Sonata #7, 1st movt Shostakovich, Romance, from The Gadfly Handel, Concerto a due cori #2, 5th movt Young, Brass Quintet, 3rd movt Milhaud, Piano Concerto #4, 1st movt Vaughan Williams, Fantasia on Greensleeves Schumann, Faschingsschwank, 1st movt This show was broadcast on OAR 105.4FM Dunedin - oar.org.nz

Our old friends the Tower Brass Quintet (with three new members) return to the FM 91 studios to perform a program of Christmas favorites!

Our sponsor: Houghton Horns - Use code "recipe" at checkout for 10% off the purchase of one "Recipe for Success" book for horn. More info in the episode! Code is valid through December 3rd.www.houghtonhorns.comwww.jessepatrickcook.comDr. . Jesse Cook is the Assistant Professor of Trumpet at the University of Central Florida, and has also held appointments at Valdosta State University (GA), Pittsburg State University (KS) and Northeastern State University (OK). Dr. Cook received his DMA from the University of Texas at Austin. Among others, he has enjoyed performances with the Houston Symphony Orchestra, the Kansas City Symphony, and the Jacksonville Symphony. Dr. Cook has also appeared as a soloist in Bach's Brandenburg Concerto #2 with the Austin Bach Cantata Project, Bernstein's Mass for Wind Ensemble and Brass Quintet with the Austin Symphonic Band, the Wind Ensemble at the University of Texas at Austin, and L'Histoire du Soldat with the Round Top Festival Orchestra Faculty.A frequent recitalist and clinician, Dr. Cook has performed for and instructed students at dozens of universities across Florida, Georgia, Wisconsin, Illinois, Iowa, Minnesota, Texas, Alabama, Kansas, Mississippi, South Carolina, and Oklahoma. He has also written several articles published in the International Trumpet Guild Journal and was an invited speaker at the 2019 National Trumpet Competition, the 2019 International Trumpet Guild Conference, the 2017 Georgia Music Educators Association Conference, the 2014 Texas Music Educator Association annual conference and the 2014 International Trumpet Guild conference.Dr. Cook's principal instructors were Ray Sasaki, Mark Hughes, Mark Ridenour and Channing Philbrick.Support the show (https://thatsnotspit.com/support/)

https://www.seippsheetsduo.com/about/ (Charles Seipp and Randall Sheets) are uniquely talented in their own right as musicians. When they perform together, the https://www.seippsheetsduo.com/ (Seipp/Sheets Trumpet & Organ Duo) emerges dynamically to enthrall, entertain, and educate audiences across the country. The duo's thoughtful programming, artistic arrangements, and powerful, innovative, and interactive video presentations make the https://www.facebook.com/seippsheetsduo (Seipp/Sheets Duo) musicians to watch today. [03:01] Background Dr. Seipp-trumpet, United States Army Band "Pershing's Own" (retired) Dr. Sheets-organist, Arlington National Cemetery [08:02] Memorable moments in the career [13:17] Arrangements for the Duo https://www.cjseippmusic.com/catalog/ (Brass Quintet), https://www.cjseippmusic.com/audio-video/ (Wedding Book) [14:03] What to expect at a concert A great mix of styles (Bach, Handel, Vivaldi, Sousa, Freddie Mercury, etc.) Use of videos when we play Joining music with silent movies and poems [25:12] Uniqueness of pipe organs [32:19] Philosophy of music and https://today.ttu.edu/posts/2012/12/visiting-trumpet-professor-shares-world-class-experience (playing the trumpet) [36:32] Advice to budding musicians This is Season 4! For more episodes, go to https://stlintune.com/ (stlintune.com) #music #trumpet #organ #pipeorgan #bach #handel #vivaldi #freddiemercury #toccata #fugue #sousa #usarmy #usarmyband #arlingtoncemetery #arlingtonnationalcemetery #universityofkansas #ku #pershingsown #weddingmusic #catholicuniversity #universityofmaryland #wittenberguniversity #churchmusic

It's OFFICIAL RE-LAUNCH DAY. Welcome to all new episodes of Divergent Paths. I'm so excited to be making new things. This week my first guest (and also a return guest from the initial run) with a brand new episode is Calliope Brass, an ensemble of incredible women who have worked their butts off to create an original group in an overcrowded world of brass ensembles. They do incredible work in education and performance and we talk about building an identity, both creative and business. CHECK IT OUT!

Aaron is a freelance trumpet player based in Los Angeles, CA, and also writes, arranges, and publishes music through his small business, Trumpet Smith Publishing (ASCAP).  We get a glimpse into the multi-faceted world of Aaron through his performances in live orchestral events, musical theatre, motion pictures, television, big band, and video games.*LINKS*Aaron's website Follow Aaron on Instagram  and YouTube Stomvi “Titan” 4-valve edition trumpets Selected Videos:Maurice Ravel: String Quartet, Assez vif – très rythmé, arr. Aaron Smith for Trumpet Ensemble Episode II for Brass Quintet by Aaron Smith Tchaik 6 bassoon solo on flugelhorn Ravel String Quartet in F Major for Trumpet Ensemble, arr. Aaron Smith Follow us on Instagram at @Rising_Stars_Podcast_  and on Linktree at @risingstarspodcast; videos of the podcast can be found on Facebook in the playlist,  Rising Stars Podcast Interviews.More about the host at caroljantsch.comMore about the co-host at theflythegroup.comMore about the producer and audio engineer at michnari robinsonWe hope our patrons will donate at least $1 each week to Buy Me a Coffee to support the many talents and services of our wonderful producer and audio engineer, Michnari Robinson. He has worked tirelessly behind-the-scenes to help make this podcast a success.  You are also welcome to support him through donations on PayPal (michnarr@gmail.com) and on Cash App ($MichnariRobinson).

As a conductor, performer, composer, teacher, and wonderful human being, Ricardo Brown breaks down how performance anxiety can affect his day-to-day as an artist striving for greatness. Check out now! Ricardo T. Brown is a native of Portsmouth, VA. The second child of Ricardo Sr. and Terry Brown. He received his high school degree from Churchland High School where he was selected to All-District Band, All-State Band, and Virginia Honor Band. He was also a student in The Governors school of the Performing Arts under the baton of Mr. Ray Pancarowicz. He then went on to Norfolk State University in Norfolk, VA receiving his Bachelors and Masters Degrees studying trumpet with Dr. Steve Carlson and Dr. Timmey Zachery. While at Norfolk State he was principal trumpet in the wind ensemble, Brass Quintet, as well as lead in the University Jazz Ensemble under Ms. Stephanie K. Sanders as well as a performance with Mr. Frank Foster, the legendary jazz saxophonist. He then furthered his education at Cambridge College in Boston, MA pursuing a degree in Educational Administration. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/musicspeaks-podcast/support

Vingt ans pour un ensemble de cuivres connu de la Chine au Mexique, ça se fête ! Avec un concert à distance (forcément) ce dimanche 24 janvier à 17h. Le GBQ va plus loin que le simple streaming: le public peut modifier le concert en direct avec un jeu dʹénigme. Thierry Sartoretti a retrouvé les cinq souffleurs dans leur local de répétition.

Allan and Ray were there at the beginning of playing Renaissance and Baroque music on authentic instruments in the United States. Our conversation goes into the movement's history and then follows up with some thoughts about authentic and modern performance practices.

In the Bonus Room, Allan and Ray talk about their many years of teaching, primarily at Yale (Allan) and Juilliard (Ray) and the different approaches of those two great schools. They also offer their thoughts on today’s students versus students from when they first began teaching and what's changed and what hasn't.

Ray Mase and Allan Dean are legends in the world of trumpet and brass. They are both foundational figures of the brass quintet genre, were part of the start of the early music scene in the United States performing on period instruments, and were both members of the astounding Summit Brass. Their teaching careers led them to the highly respected music schools at Yale (Allan) and Julliard (Ray).In Part 1 of my conversation with Allan and Ray, we discuss the beginning of the brass quintet movement in the United States, and the role that the American and New York Brass Quintets played in this movement. We end by sharing some funny stories of our time together with the Summit Brass.

MSG/ Dr. Sam Woodhead is the solo and principal trombonist and trombone section leader of The U.S. Army Band “Pershing’s Own.” He earned his BM from University of Southern Maine, his Master’s from Yale, and his Doctorate from University of Maryland. In addition to his duties with the concert band, he has performed with the Brass Quintet, Blues, Orchestra, Chorus, Herald Trumpets, and DownRange, with whom he toured Kuwait, Iraq, and Afghanistan as part of the Sergeant Major of the Army's Hope and Freedom Tour in 2006. In addition to his musical career, Sam  is also a fitness and nutrition instructor. Today Sam discusses what being a musician in the military is like. He tells us about the music scene in Washington D.C. and the high level of musicianship that can be found there.  We also discussed the role that fitness plays into the life of a musician and why it's crucial. The interview starts here: 05:20Find Sam here:https://www.instagram.com/xfittbn/Find Dalton here:https://www.instagram.com/dmclaughlin93/http://www.daltonmclaughlin.com/Find Issac Here:https://www.youtube.com/channel/UCSVIivmh4isdo7w7zOm7O-ghttps://www.instagram.com/theissachernandez/http://issachernandez.com/

Wiff discusses the concept of motivational learning, how he at times uses skits with his students and, among other topics, the practical uses of a... fart machine.

Wiff discusses his playing career from the Dallas and Houston Symphonies to risking it all to form Rhythm and Brass. He concludes by reflecting on trumpeter Ryan Anthony's life legacy as a musician and person.

Ricardo T. Brown is a native of Portsmouth, VA. The second child of Ricardo Sr. and Terry Brown. He received his high school degree from Churchland High School where he was selected to All District Band, All-State Band and Virginia Honor Band. He was also a student in The Governor's school of the Performing Arts under the baton of Mr. Ray Pancarowicz. He then went on to Norfolk State University in Norfolk, VA receiving his Bachelors and Masters Degrees studying trumpet with Dr. Steve Carlson and Dr. Timmey Zachery. While at Norfolk State he was principal trumpet in the wind ensemble, Brass Quintet, as well as lead in the University Jazz Ensemble under Ms. Stephanie K. Sanders as well as a performance with Mr. Frank Foster, legendary jazz saxophonist. He then furthered his education at Cambridge College in Boston, MA pursuing a degree in Educational Administration. Mr. Brown began his teaching career working under Mr. John Boyd as the Assistant Director at Princess Anne High School in 2005. He then moved on to W.E Waters, where he was previously a student, in 2007. He was then made the graduate assistant for the Norfolk State University band program. After 7 great years at Waters, Mr. Brown was afforded the opportunity to join the staff at Prairie View A&M University as the Assistant Director of Bands, Band Business Manager and Adjunct Professor. Mr. Brown was later appointed the Associate Director of Bands. When not working with the amazing students at Prairie View, Mr. Brown works with numerous ensembles around the country including the 2016 World Champion Bluecoats Drum and Bugle Corps, the 2005 World Champion Cadets Drum and Bugle Corps, as well as numerous clinics and adjudicating engagements. Mr. Brown has also performed with numerous ensembles including the Virginia Symphony, Virginia Beach Symphony, Fancy Pants Productions, The Right on Band, numerous churches, NASCAR, Houston Symphony, Ballet Afrique Cotton Club, and well as numerous performances and gigs across the country. In the marching idiom, Ricardo marched 5 years with Drum Corps international first in 1999 with The Crossmen then from Newark, Delaware for 1 season before moving on to The Cadets in 2001, and stayed there for 4 years. Mr. Brown also holds memberships in Kappa Kappa Psi National Honorary Band Fraternity, Phi Mu Alpha Sinfonia Fraternity of America, Tau Beta Sigma National Honorary Band Sorority, Omega Psi Phi Fraternity Incorporated, Texas Music Educators Association and the Texas Jazz Educators' Association. Previously, Mr. Brown was a member of the Virginia Music Educators Association. Mr. Brown has also had the opportunity to conduct many ensembles including the Portsmouth Public Schools All City Elementary school band as well as one of the highlights of his career, which was having the opportunity to conduct The Band of Her Majesty's Royal Marines with Tallwood High School in 2007. At Prairie View Mr. Brown worked with all the band ensembles as well as being the Director of the Universities Large and Small Jazz Ensemble. At the University of Connecticut Mr. Brown will serve as the Associate Director of Bands. Mr. Brown Loves music and being able to help students grow in their matriculation through all institutions that he is associated with. He looks forward to assisting the band staff in moving the UCMB and all other ensembles he is associated with forward. Mr. Brown resides in Willington, CT with his wife, Tiffany, and their dog Hooch. We sat down with Ricardo to discuss his top ten list, Go Check it Out! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/musicspeaks-podcast/support

Wiff talks about:The lessons he learned from his teachersThe concept of a vocation versus a jobBuilding a great studioA new approach to recruitingThe keystone habit of group warm-upsThe importance of improvisation

Episode 12 is a great conversation with David Ohanian (French horn) and Norman Bolter (trombone), both former members of the Empire Brass Quintet. We talk about their two albums of 19th century brass band music - The American Brass Band Journal, and The American Brass Band Journal Revisited - the recording and origins of these albums. Both Norman and David offer their thoughts on a range of other topics, including brass playing today, and performing on period instruments vs. modern instruments.Music in this episode comes from Our Musical Past from the Library of Congress, and The 8th GM Regiment Band.If you like the show, the best way you can support us is by becoming a patron at https://www.patreon.com/eabbpodcast. We appreciate any support you feel compelled to give!Episode Structure:0:00 - 1:50 - Introduction1:50 - 4:23 - Brass Band Journal and Stratton Military Band Journal information4:23 - 11:03 - Interview with David Ohanian and Norman Bolter. How the Empire Brass Quintet got started, and how these projects developed11:03 - 13:40 - Period instruments vs. modern instruments for these albums13:40 - 15:37 - Brass music from before the 19th century15:37 - 19:27 - Structure of the two albums19:27 - 24:05 - How additional musicians were chosen for the recordings and how Frederick Fennell got involved with the Revisited album24:05 -27:52 - Norman's experiences recording these albums, and Rolf Smedvig's influence on Empire projects. Story from Tanglewood27:52 - 31:10 - Reception of the albums and playing the Brass Band Journal music live31:10 - 37:15 - More stories from recording sessions from both Norman and David37:15 - 45:42 - Working with Frederick Fennell on the Revisited album45:42 - 49:48 - Clarifying the history of the Empire Brass Quintet49:48 - 52:39 - CD re-release information52:39 - 56:24 - Thoughts on the album today56:24 - 1:04:07 - Thoughts on period instruments and performances of music from the 19th century.1:04:07 - 1:10:35 - General thoughts on brass playing1:10:35 - 1:13:06 - Wrap up, where you can find David and Norman.1:13:06 - 1:14:41 - Featured Album: The American Brass Band Journal, The American Brass Band Journal Revisited, The Empire Brass Quintet

Episode 9 is our interview with Raymond Mase, professor of trumpet at the Juilliard School and former trumpet with The American Brass Quintet. In the episode we discuss how The American Brass Quintet came to record The Yankee Brass Band: Music from Mid-Nineteenth Century America (1981), A Storm in The Land: Music of the 26th N.C. Regimental Band, CSA (2002), and Cheer, Boys, Cheer!: Music of the 26th N.C. Regimental Band, CSA Volume 2 (2006). Raymond also tells us some stories about recording these albums, and offers his opinion on a variety of topics related to brass performance and professional chamber music.Music in this episode comes from Our Musical Past from the Library of Congress, and The 8th GM Regiment Band.If you like the show, the best way you can support us is by becoming a patron at https://www.patreon.com/eabbpodcast. We appreciate any support you feel compelled to give!Episode Structure:0:00 - 3:30 - Introduction, YouTube exclusive content, Addressing Gettysburg, The Digital Digest - History Tunes3:30 - 7:57 - Interview with Raymond Mase, musical background and early musical experiences7:57 - 10:40 - Time and experiences at The New England Conservatory, interest in a wide variety of music10:40 - 17:39 - Auditioning for The American Brass Quintet, playing in a professional chamber music ensemble, culture within The American Brass Quintet17:39 - 23:55 - The Yankee Brass Band album origins, where the music came from, and instruments used23:55 - 26:10 - Other thoughts about the Civil War Music albums, historical authenticity considerations26:10 - 31:46 - Other players on the albums, considerations for the Moravian albums, recording process31:46 - 37:17 - Stories about Bob Sheldon37:17 - 40:57 - Raymond's Boston Eb cornet, other instruments on the albums40:57 - 46:10 - Origins of the Moravian albums, recording, and instruments46:10 - 51:44 - Concluding thoughts on the albums, American Brass Quintet, Ken Burns Civil War documentary soundtrack51:44 - 1:07:14 - Thoughts on repertoire, difference between "performing to get gigs" and performing music that aligns with your mission, and general musical culture1:07:14 - 1:08:58 - Where you can find Raymond, his music, and his arrangements1:08:58 - 1:10:20 - YouTube and social media announcements, show notes, and how you can get in touch with us1:10:20 - 1:11:30 - Featured Album: A Storm in The Land, The American Brass Quintet

Daniel Morrison is currently the Director of Bands at Ronald Reagan High School in San Antonio, TX. He manages and teaches the Ronald Reagan Marching Band and conducts the Wind Ensemble. In addition, he assists with the Symphonic Band, Concert Band, and various chamber ensembles. In his time at Reagan, the concert bands have received superior ratings at the UIL Concert and Sight Reading Contest, and the Marching Band has been a consistent Bands of America Regional, Super Regional, and Grand National Finalist as well as a UIL State Marching Contest finalist. Under Morrison’s direction, the Marching Band is a two-time winner of the Bands of America Conroe Regional and was selected to march in the 2018 Rose Parade. The Wind Ensemble was a TMEA State Honor Band Finalist as well as a Mark of Excellence National Winner. Morrison attended Prospect High School in Mt. Prospect, Illinois and graduated from the University of Illinois with a Bachelor’s and a Master’s Degree in Music Education. As a student at U of I, he was a member of the Wind Ensemble, Symphony Orchestra, British Brass Band, Brass Choir and Brass Quintet and studied with James Keene, Joseph Manfredo, Ronald Romm, and Michael Ewald. He was also awarded the Daniel J. Perrino School of Music award for excellence in music education. Dan currently resides in San Antonio with his beautiful wife Ellie and their dog Pudge. "For me, being a band director is about helping create well-rounded, moral individuals of high integrity, while also fostering new generations of music lovers" --- Send in a voice message: https://anchor.fm/sketchbookpodcast/message

TBJ115: Hiram Diaz, euphonium player in "The President's Own" Marine Band, on the High Bridge Brass Quintet, audition prep and being a terrible shot. From his Marine Band bio page: Euphonium player Staff Sergeant Hiram Diaz joined “The President’s Own” United States Marine Band in January 2012. Staff Sgt. Diaz began his musical instruction at age 12. He graduated in 2003 from the New World School of the Arts in Miami and continued his education at the University of Cincinnati-College Conservatory of Music (CCM) where he earned a bachelor’s degree in music performance in 2007. He is currently pursuing his master’s degree from the University of North Texas in Denton, where he studies with euphonium professor Brian Bowman. His instructors also included Timothy Northcut of CCM and Jay Bertolet, former principal tuba with the Florida Philharmonic Orchestra. Prior to joining “The President’s Own,” Staff Sgt. Diaz was a member of the U.S. Army Maneuver Center of Excellence Band (283d Army Band) in Ft. Benning, Ga. In 2016, he performed Tom Davoren’s Ascension with trumpet/cornet player Gunnery Sgt. Amy McCabe as featured soloists on the national concert tour. Watch Staff Sgt. Diaz's interview in Spanish about the 2013 Inauguration. Watch Master Sgt. Mark Jenkins and Staff Sergeant Hiram Diaz's Masterclass: March Performance Practice with Euphoniums of "The President's Own" U.S. Marine Band In this fun and lively discussion, we cover: Hiram's trombone playing Christmas and Easter gigs Being in the Marine Band since 2012 Meeting Lance in 2002 at the Falcone Festival He's like the Victor Borge of the euphonium Lance judging Hiram and meeting his parents Eating at Hooters five times (not at all like the South Florida Hooters) Greensboro ITEC, "The Captain's Log" Moving from the Army Bands system to the Marine Band at the age of 26 Fort Sill, where you learn to kill Rich Kelley story in Lawton, Texas Being a terrible shot Spiders yelling at little kids Marine Band audition and audition prep Lots of recording himself Staying with Chris Buckley Studying with Brian Bowman Studying with Tim Northcutt Playing in a post band vs. being in a premiere band Doubling on trombone and singing The similarities between Andrew's son and Ella Fitzgerald Chris Castellanos' karaoke parody Jedi mastery Growing up in Miami across from Sam Pilafian's sister and swimming in her pool His Cuban heritage Going to the New World School of the Arts for high school Lessons on self-confidence and building his ears with Sam Pilafian What is happening from that man's face? Hiram's favorite food (made by his Mom) The lack of sour oranges in DC makes him bitter (sorry) John Abbracciamento's retirement ceremony The High Bridge Bass Quintet The worse the flooring, the stronger he will get Links: Hiram's Marine band bio page High Bridge Brass Quintet Hiram's YouTube Channel Want to help the show? Here are some ways: Help others find the show by leaving a rating and review on iTunes. Show us some love on Instagram, Facebook, and Twitter. Help us pay the bills (and get regular bonus episodes!) by becoming a Patreon patron. Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.) Tell your friends! Expertly produced by Will Houchin with love, care, and enthusiasm.

Notes: Good Omens the Series is given our attention this week. First up John discusses the strength and weaknesses of the original authors: Neil Gaiman and Terry Pratchet. Then Frank gives a very brief plot synopsis. We discuss the characters: John talks about Aziraphale's and Crowley's relationship, and we discuss how intimacy and friendships don't have to be a sexual element, and how some fans read that into this particular story. We then discuss their motivations for wanting to stay on earth and touch on the other characters, including the Narrator, the angel Gabriel, and the demon Hastur and the four horsemen. Then we discuss the subplot with Agnes Nutter's descendant Anathema Device and Newton Pulscifer and the Witchhunter Army. Then it's onto themes: the most obvious one being good versus evil. Frank then tries to make the case for Faith versus Science, and points out that the idea at least sets a tone for what the series is (and isn't). John discusses how the very fact that the characters, and specifically the Ant-Christ, Adam, being British helped guide the course of the story. We then talk about the environmental message of the series, which is most apparent through the Horseman Pollution and through the character of Anathema Device. Frank then talks about the Four Horsemen again, and brings up the ethnicity of each of them and how in some ways their calling is representative of where their ethnicity is from. John then talks about some more of the fun differences between the book and the series. We then wrap up with our final thoughts. Quotes: "We don't have words, or concepts to conceptualize how that relationship would function" - -John Metaplot [The portal John and Frank went through last episode led them to a plane where Shadette, leading an army of demons, and Ruger unwittingly leading an army of angels clash with Frank and John caught in the middle. They manage to survive, with no explanation as to how they did, or who won the battle.] Credits Episode 107: Good Omens Produced by: Relevant to Our Interests Hosts: John R. Belliston and Frank Shaw Shadette and Ruger voiced by Frank Shaw Scripting by: Frank Shaw Edited by: Frank Shaw Graphic Design by: Nathan Newell and Frank Shaw Intro Music: Morning Activities by F.G. Shaw Outro Music: Morning Activities by F.G. Shaw Battle Music: Portents, Brass Quintet by F.G. Shaw

Today's guest in this second episode of the Fischoff Effect series is Dorival Puccini, trumpet player and founding member of Axiom Brass. In this series, I bring you five former winners of the competition to talk about their experience preparing for and competing at Fischoff, and about the wonderful adventures and opportunities that have followed their win! My guests this week are Blaise Magniere from the Avalon String Quartet, Dorival Puccini from Axiom Brass, Matt Landry from the Akropolis Reed Quintet , Christopher Whitley from the Thalea String Quartet, and Lydia Reah from the former Kairos String Quartet!  Whether you are a musician about to compete at the competition, or a music lover looking for a fresh approach to practicing and preparing for a concert, make sure to subscribe and tune in everyday, because those conversations are bursting with inspiration and EXTREMELY useful information!  Each group has a unique and motivating story and my guests are so generous with their insightful tips and advice!    About Fischoff Founded in 1973 in South Bend, Indiana, the Fischoff National Chamber Music Competition has grown to become the largest chamber music competition in the world, attracting the finest and most talented young musicians from around the globe. and is one of the most prestigious classical music prizes attainable today. Since its founding, more than 6,000 musicians have participated, many of whom have gone on to distinguished careers in music performance and education.  The Fischoff is also deeply committed to music education and partners with competition alumni to bring free, innovative Arts-in-Education programs directly to children in their own schools and community centers. Since 1995, nearly 50,000 children, youth and adults have received free educational programming of the highest order. Website: http://www.fischoff.org/ Facebook: https://www.facebook.com/TheFischoff Instagram: https://www.instagram.com/fischoffchambermusic/     Meet Axiom Brass – 2010 Senior Wind Division Bronze Medal & 2011 Fischoff Educator Award Dorival Puccini, Jr. , Michael Hawes | Matthew Bronstein, horn | Corey Sansolo, trombone |           Kevin Harrison, tuba   http://www.axiombrass.com/ Facebook: https://www.facebook.com/axiombrass/ Instagram: https://www.instagram.com/axiom_brass/ YouTube: https://www.youtube.com/user/AxiomBrass5   Praised for their “high level of musicality and technical ability” and for their “clean, clear and precise sound,” the award-winning Axiom Brass Quintet has quickly established itself as “one of the major art music groups in brass chamber music.” As the only Brass Quintet in 27 years to ever win the prestigious Chamber Music Yellow Springs Competition (2012), and the only American ensemble to ever win the Preis der Europa-Stadt Passau in Germany (2012), Axiom has also been named winners of the 2008 International Chamber Brass Competition and prize-winners of the 2016 M-Prize,  2010 Fischoff Chamber Music Competition, the Plowman Chamber Music Competition, and the Jeju City International Brass Quintet Competition in South Korea. Axiom Brass is dedicated to enhancing the musical life of communities across the globe and educating the next generation of musicians. Axiom's commitment to education and their blend of virtuosic performances and dynamic teaching have inspired young audiences around the nation, earning the ensemble the 2011 Fischoff Educator Award.  Their educational concert “Let's Make Music” has captivated thousands of elementary and middle school students in the U.S.  Since 2011 the ensemble has been featured as brass quintet-in-residence for the National Brass Symposium, sharing the stage with principal brass players from the Chicago Symphony, Boston Symphony, Cleveland Orchestra, New York Philharmonic, Philadelphia Orchestra, Los Angeles Philharmonic and Atlanta Symphony. Internationally recognized for their groundbreaking programming, their repertoire ranges from jazz and Latin music to string quartet transcriptions, as well as original compositions for brass quintet.  Axiom Brass' performances have captured the hearts and imaginations of their audiences, leading the ensemble to national radio and television appearances as well as concerts in Asia, Europe and across the U.S. Axiom's dedication to brass repertoire has led the ensemble to commission and premiere several new works, including Avian Capriccio by Augusta Read Thomas, Axiom by Liduino Pitombeira, A Martyred Village by David Faleris, Celestial Suite by James Stephenson and For Then and Now by Laurence Bitensky. For Celestial Suite, Axiom Brass partnered with the New York Philharmonic Brass Quintet, the Chicago Symphony Brass Quintet, the Chicago Chamber Musicians and the Fischoff Chamber Music Society, as well as with the Digital Visualization Theater of the University of Notre Dame and Professor Keith Davis. Highlights of Axiom's past seasons have included concerts in the Dominican Republic, Germany, Portugal, Spain, China, South Korea and Japan; a four-week residency at the Grand Tetons Music Festival; the release of their début album New Standards, clinics and performances at the 2010, 2012 and 2015 Midwest Clinic, their New York debuts at Symphony Space and Merkin Hall, masterclasses at The Juilliard School and Manhattan School of Music, as well as recitals, masterclasses and solo appearances with orchestras and bands around the U.S. In October of 2013, Axiom gave the American premiere of Fantasia Flamenca and the world premiere of Raimundo Penaforte's Concertice for brass quintet and orchestra under the baton of David Lockington and the Modesto Symphony, followed by the 2015 midwest premieres of Bernard Rands' Adieu for quintet and strings, and the Midwest premiere of Fantasia Flamenca with the Grand Rapids Symphony. During the 2016/17 season Axiom commissioned and premiered ten new works as a celebration of the ensemble's 10th anniversary. Axiom Brass performs exclusively with the Blackbinder automatic scroll app for iPads. Axiom Brass performs exclusively on Mutec Mutes.   If you enjoyed the show, please leave a review on iTunes!  I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a huge thank you to my producer, Bella Kelly!   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/   Join the Mind Over Finger Tribe here!  https://www.facebook.com/groups/mindoverfingertribe/

This week on the show, Justin and Isaac are joined by hornist Nicoletta Pignatello for a discussion covering many topics including brass quintet repertoire, crowdfunding, managing an ensemble, creating an album, and pasta. Nicoletta shares a few hot takes, Isaac joins in with one of his own, and the music listening for this week is Donald Erb's "Three Pieces for Brass Quintet and Piano."Don’t forget to give us a like on Facebook, and give us a rating in the Apple podcast store. Also support us on patreon https://www.patreon.com/YMPodcast and send us an email at youngmusicianspodcast@gmail.com, we’d love to hear from you!

2018/11/02 Chataing conversa con el Miami Brass Quintet

Hip-BoneMusic's monthly interview series, "Bone2Pick". September 2014: Michael Davis interviews Triton Brass. http://www.hip-bonemusic.com Check out our video lesson series at: vimeo.com/hipbonemusic/vod_pages

Episode #12 with host Derrik Jordan. Derrik gives a little insight into his composing process and we get to hear three of his world fusion pieces that were inspired by African and Balinese music: Fulani Bounce, Baka Bachianas and Five Gamelans for Brass Quintet. He reveals his favorite pentatonic scales from around the world. Music performed by The Kyōdai Brass Quintet, Erik Lawrence, Elsa Nilsson, Massamba Diop, Barou Sall and Sarra Ba (on Fula flute). The video for Baka Bachianas (for flute choir) which shows the Baka (aka Pygmy) culture is by Cameroonian singer and dancer Georgette Adjie Beighle who is currently raising money to help the Baka people in Cameroon purchase their own land. Go to Go Fund Me at https://www.gofundme.com/preview to learn more and to watch a video of her appeal. Flutes are performed by Erik Lawrence and Elsa Nilsson. Check out the wonderful photos of Bali by Dan Rogers (see the TV show below)on the video of Five Gamelans For Brass Quintet. A Worldsoul Records production. www.derrikjordan.com To see the TV show go to FaceBook: https://www.facebook.com/The-World-Fusion-Show-109866072979176/ or YouTube: https://www.youtube.com/channel/UCl_qGDBJ-IVM28kF68RwM5Q/videos

Fanfare written for St. Anne's Damascus, MD

Fast becoming the go-to summer music festival in the Midwest, the concerts and workshops at the University of Missouri's International Composers Festival are a sure-fire place to hear imaginative new music from emerging composers. Hosted by Seth Boustead Produced by Jesse McQuarters José Guillermo Martínez: Danzas Tórridas Alarm Will Sound/Alan Pierson Charlie Piper: zoetrope Alarm Will Sound/Alan Pierson David Biedenbender: SCHISM Alarm Will Sound/Alan Pierson Texu Kim: Bounce!! Alarm Will Sound/Alan Pierson Clint Needham: Urban Sprawl Alarm Will Sound/Alan Pierson John Cheetham: A Brass Menagerie, I München Brass Quintet

BYU musicians play music from Westside Story and other favorites

Carolyn Paulin welcomes The Spanish Brass Quintet.

Episode 66 - Interview with Rich Sterner from St. Paul's Brass Quintet - week of November 23, 2008