Podcast appearances and mentions of Maurice Ravel

Der Pianist Alexander Krichel beleuchtet in einer fünfteiligen Reihe die Klavierwerke von Maurice Ravel. In der letzten Folge geht es im Gespräch mit SWR Kultur-Musikredakteur Malte Hemmerich um Ravels Klavierkonzert für die linke Hand.

durée : 00:06:21 - Ravel recomposed - par : Flore Caron - La musique de Maurice Ravel est-elle intemporelle ? Pourquoi inspire-elle toujours les musiciens et les artistes d'aujourd'hui, qui la relisent et la réécrivent ? À l'occasion des tous derniers jours des 150 ans de la naissance de Ravel, nous nous penchons sur les relectures de ses œuvres. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Die Klavierwerke von Maurice Ravel sind ein fremder, mysteriöser Kosmos. Zumindest für SWR Kultur Musikredakteur Malte Hemmerich. Bei ihm, das gibt er selber zu, ist Ravels Musik irgendwie ein weißer Fleck. Zum 150. Geburtstag des Komponisten will er das jetzt ändern. Zusammen mit dem Ravel-Experten und Pianisten Alexander Krichel schaut er auf das Klavierwerk des Franzosen.

durée : 00:15:26 - Rebecca Saunders & Maurice Ravel, accords parfaits - par : Laurent Vilarem - Début décembre, le Festival Les Volques imaginait la rencontre au sommet entre un musicien du passé, Maurice Ravel, et une compositrice d'aujourd'hui, Rebecca Saunders. Reportage à Nîmes en compagnie des interprètes et de l'équipe de ce festival qui organisait sa sixième édition. - réalisé par : Lionel Quantin Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:04:05 - Maurice Ravel : « J'ai trouvé la plupart de mon inspiration dans les machines » - par : Max Dozolme - Max Dozolme nous présente un petit essai publié chez Actes Sud intitulé "La Muse Méconnue de Maurice Ravel" qui nous fait entendre autrement la musique de Maurice Ravel. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

La semaine s'ouvre sur RTL2 Pop-Rock Station avec une sélection réconfortante avant les vacances de Noël : Thin Lizzy, Blue Öyster Cult, Faith No More, mais aussi des nouveautés signées Kasabian, Tame Impala et Rise of the Northstar. La soirée se poursuit entre indie rock et classiques, de Courtney Barnett à PJ Harvey. L'antenne se met doucement à l'heure des fêtes avec un focus sur "Do They Know It's Christmas" de Band Aid, hymne caritatif de 1984 devenu un marqueur historique de la pop britannique. Plus tard, Faith No More, Geese et une relecture audacieuse du "Boléro" de Maurice Ravel par Victor Le Masne, avec la participation de Rahim Redcar, apportent une touche inattendue à l'émission. En fin de programme, RTL2 Pop-Rock Station navigue entre Mark Knopfler en solo, Unprocessed, The Doors et une nouveauté de Headkeyz, groupe montpelliérain de metal alternatif. La dernière ligne droite s'adoucit avec Feist, The Strokes et Elliott Smith, avant de conclure la soirée avec Adele Tame Impala et Jackson Browne. Kasabian - Hippie Sunshine Soundgarden - Rusty Cage The Good - The Bad & The Queen Thin Lizzy - Whiskey In The Jar Courtney Barnett - Pedestrian At Best The Byrds - Mr Tambourine Man P.J. Harvey - A Place Called Home Band Aid - Do They Know It's Christmas Blue Öyster Cult - Dont Fear The Reaper The Automatic - Monster Faith No More - Easy Geese - Cobra Victor Le Masne & Rahim Redcar - Bolero Phoenix - Everything Is Everything Mark Knopfler - What It Is Unprocessed - Head In The Clouds The Doors - Break On Through (To The Other Side) The Ting Tings - Shut Up And Let Me Go Rise Of The Northstar - Neo Paris Crosby, Stills & Nash - Teach Your Children Feist - My Moon My Man Headkeyz - The Crown Led Zeppelin - Immigrant Song The Strokes - The End Has No End Elliott Smith - Everything Means Nothing To Me Adele - Rumour Has It Tame Impala - Dracula Jackson Browne - The Load Out / Stay (Live)Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

El pianista argentino Nelson Goerner nos presenta su nueva grabación en donde interpreta los dos conciertos para piano de Maurice Ravel.

Der Pianist Alexander Krichel liebt die Klaviermusik von Maurice Ravel. SWR Kultur Musikredakteur Malte Hemmerich kann dagegen nicht so viel mit diesen Werken anfangen. Im Gespräch versuchen sie zusammen hinter die Geheimnisse der Klavierzyklen und Konzerte zu kommen. Ist das Impressionismus? Und warum ist sein Stil mit ihm verschwunden?

Der Pianist Alexander Krichel liebt die Klaviermusik von Maurice Ravel. SWR Kultur Musikredakteur Malte Hemmerich kann dagegen nicht so viel mit diesen Werken anfangen. Im Gespräch versuchen sie zusammen hinter die Geheimnisse der Klavierzyklen und Konzerte zu kommen. Ist das Impressionismus? Und wie klingt das schwerste Stück der Welt?

Der Pianist Alexander Krichel liebt die Klaviermusik von Maurice Ravel. SWR Kultur Musikredakteur Malte Hemmerich kann dagegen nicht so viel mit diesen Werken anfangen. Im Gespräch versuchen sie zusammen hinter die Geheimnisse der Klavierzyklen und Konzerte zu kommen. Ist das Impressionismus? Und wie klingt das schwerste Stück der Welt?

Text us about this show.Marc Bonilla has enjoyed one of the most comprehensive careers any musician could wish for. And after close to four decades in the business there is simply no quit in him. He is a world class guitarist, an accomplished teacher of music, a remarkable composer, and simply an appreciator of beauty in art and life. And he's a proud nerd with a deep love of things like superheroes and Star Trek. He allows what has been to inform the possibilities of what can be all the while staying very true to himself and the music he creates. We discuss it all on this very special extended episode of Into The Music. Enjoy!The following selections were provided by Marc Bonilla for use on this show with his permission."Afterburner" written and performed by Marc Bonilla℗ 1991 Reprise Records."Le Tombeau De Couperin – Prelude" performed by Marc Bonilla and Mike Keneallywritten by Maurice Ravel, arr. by Marc Bonilla℗ 2020 Marc Bonilla."Blessings" written and performed by Saville Row℗ 2014 Saville Row, under exclusive license to Varese Sarabande Records."Walking Distance" performed by the Keith Emerson Band with the Munich Radio Orchestra conducted by Maestro Terje Mikkelsenwritten and arranged by Marc Bonilla℗ 2012 Terje Mikkelsen, under exclusive license to Varese Sarabande Records, under exclusive license to Varese Sarabande Records."Marche Train" performed by CTRL+Zwritten by Marc Bonilla and Keith Emerson℗ 2020 Marc Bonilla.Melody Audiology LLCAudiology services for all. Specializing in music industry professionals and hearing conservation.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showVisit Into The Music at https://intothemusicpodcast.com!Support the show: https://www.buymeacoffee.com/intothemusic E-mail us at intothemusic@newprojectx.com YouTube Facebook Instagram INTO THE MUSIC is a production of Project X Productions.Host/producer: Rob MarnochaVoiceovers: Brad BordiniRecording, engineering, and post production: Rob MarnochaOpening theme: "Aerostar" by Los Straitjackets* (℗2013 Yep Roc Records)Closing theme: "Close to Champaign" by Los Straitjackets* (℗1999 Yep Roc Records)*Used with permission of Eddie Angel of Los StraitjacketsThis podcast copyright ©2025 by Project X Productions. All rights reserve...

La coreografa di Déjà Donné approda al FIND 2025 con una masterclass dedicata alla geografia del corpo e uno spettacolo che trasforma Ravel in un'esperienza fisica senza tempo. Il Festival Internazionale Nuova Danza 2025, giunto alla sua 43ª edizione, ospita quest'anno Virginia Spallarossa, coreografa della compagnia Déjà Donné, tra le realtà più riconoscibili della danza contemporanea italiana. Sabato 22 novembre Spallarossa guiderà la masterclass Abitare la pelle presso la Scuola di Danza Assunta Pittaluga, un laboratorio che invita a riscoprire il corpo come spazio di trasformazione. Il lavoro parte dalla pelle come luogo sensoriale e confine mobile tra sé e il mondo. Attraverso esercizi individuali e a coppie, i partecipanti saranno guidati in un percorso di ascolto, espansione e ridefinizione della propria presenza scenica. La pelle diventa così strumento, memoria e superficie narrativa, generando una corporeità amplificata, capace di superare forma, estetica e abitudine. Dal corpo all'identità: il movimento come geografia umana Al centro della ricerca di Spallarossa c'è un corpo in continuo cantiere, individuale e collettivo, libero dalla necessità di raccontare attraverso la parola. Per la coreografa, il movimento è già racconto, archivio e possibilità. La masterclass offre dunque un'indagine radicale sul gesto, sulla sua fragilità e sulla sua forza percettiva, invitando ogni danzatore a ritrovare una presenza sensibile e autentica. Il suo linguaggio nasce da una lunga transizione artistica: dalla formazione classica alla necessità di destrutturare, frammentare e reinventare il corpo. Una trasformazione che alimenta una ricerca coreografica in continua evoluzione, dove organicità e rottura convivono. RAVE.L: un rito coreografico tra vertigine e sospensione temporale La stessa sera, alle 21:00, la scena si sposta a Sa Manifattura – Sala Officine con RAVE.L, coreografato da Virginia Spallarossa e prodotto da Déjà Donné. In dialogo con la musica di Maurice Ravel, lo spettacolo – interpretato da Vittoria Franchina, Giuseppe Morello e Rafael Candela – costruisce uno spazio visionario, sospeso tra evanescenza e abisso. RAVE.L indaga il corpo come voce primaria, liberandolo dal peso del significato per restituirlo alla sua energia percettiva. Tempo, trance, ripetizione e respiro diventano architetture invisibili, capaci di trasportare lo spettatore in una dimensione oltre la linearità narrativa.

Can an opera, that most complex of art forms, take you back to childhood?  Unlikely though it might seem, L'Enfant et les Sortilèges (“The Child and the Enchantments”) does just that through the talents of composer Maurice Ravel and writer Colette.  This one-act opera, fantastical though it is, can transport you to all-too-real, seemingly lost memories.  Over the course of the story, our nameless child protagonist wrestles with his powerlessness and power, responsibility and dependence, piteousness and pity.  Join host Pat with Erica Miner, the mystery writer, lecturer and former Met Opera violinist, in celebration of the 150th anniversary of the birth of French composer Maurice Ravel on this episode of Opera for Everyone. For more on Erica Miner, visit ericaminer.com

Maurice Ravel war ein Klangmagier, er schuf einen Orchesterklang von unfassbarer Farbigkeit, Raffinesse und Transparenz. Mit "Daphnis et Chloé" hinterließ er ein Jahrhundertwerk. Zum 150. Geburtstag hat das Orchestre National de France unter Cristian Măcelaru die wichtigsten Orchesterwerke aufgenommen. Eine glänzende Einspielung.

Forte d'un début de saison à succès, la salle de spectacles des Tanzmatten accueillera prochainement deux nouvelles représentations. La première, Boléro, reprendra avec allégresse la célèbre mélodie de Maurice Ravel, dans un duo chorégraphique qui se voudra ludique et adressé à toutes les générations, le mardi 25 novembre. Quelques jours plus tard, poésie et musique ne feront qu'un lors du spectacle Des jardins et des hommes, le jeudi 04 décembre. Ecologie et protection de l'environnement seront à l'honneur grâce à des airs de pianos et des textes, mêlés à des chants kabyles. Cyril Leclerc, chargé de promotion culturelle pour la Ville de Sélestat, nous décrit ces rendez-vous.Les interviews sont également à retrouver sur les plateformes Spotify, Deezer, Apple Podcasts, Podcast Addict ou encore Amazon Music.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Sorozatunk legújabb epizódjában ezúttal Hózsa Zsófia mesél Richard Wagner, Maurice Ravel és Gustav Mahler műveiről, azok szerkezetéről és keletkezésük izgalmas körülményeiről.Adásunk ezúttal Anna Vinnitskaya és a Bécsi Szimfonikusok hangversenyéhez kapcsolódik.Hallgassátok szeretettel!

„Eine der ersten Fragen in meinem Studium war, was denn das schwerste Stück sei, was je für Klavier komponiert wurde“, sagt der Pianist Alexander Krichel. Die Antwort, die er am Ende bekommt: Gaspard de la nuit von Maurice Ravel. Mittlerweile spielt der Künstler alle drei Zyklen des Franzosen und auch die Klavierkonzerte gerne. Im Gespräch beantwortet er Fragen zu Gefühl und Verstand in dieser Musik und: Was ist daran eigentlich Impressionismus?

Nowadays it's hard to imagine Maurice Ravel as a "bad-boy" revolutionary, a member of a group whose name can be loosely translated as The Hooligans. To most listeners today, Ravel's music is the very picture of sumptuous beauty. But the group he belonged to, Les Apaches ("The Hooligans"), earned its name because of its members' uncompromising attitudes about music; attitudes that clashed sharply with the conservative tastes of the establishment. Another composer who belonged to Les Apaches was the Spanish composer Manuel de Falla. Falla is certainly not as well known as Ravel, but the two became fast friends when he arrived in Paris in 1907. They formed a kind of mutual-admiration society that proved immensely fruitful for both of them. Falla was deeply impressed by Ravel's Spanish-inflected music, marveling at its authenticity given that Ravel was French. But Ravel, now a symbol of French music, was the son of a Swiss father and a Spanish-speaking mother, and he was born just eleven miles from the Spanish border in the Basque region. His Spanish voice was no affectation; it came from somewhere deep within, and Falla noticed this immediately, remarking that Ravel's Rapsodie espagnole was "a Spain ideally presented by his mother." Today on the show we'll explore the Spanish world of Falla and Ravel through two central works: Falla's Nights in the Gardens of Spain and Ravel's Rapsodie espagnole. These pieces, both astonishing in their creativity and craftsmanship, offer a wonderful opportunity to compare and contrast the music and approaches of these two close friends. We'll also talk about Les Apaches and their goals, legacy, and some of their legendary members. All this and more is coming up on this final collaboration on Ravel and Friends with G. Henle Publishers! Join us!

durée : 01:29:13 - En pistes ! du jeudi 23 octobre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme ce matin : Le Requiem allemand de Brahms et Les Variations Goldberg de Jean-Sébastien Bach côtoient le répertoire pour violon de Maurice Ravel, Mel Bonis, Dmitri Chostakovitch et Henriëtte Bosmans. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:14:10 - Le Disque classique du jour du jeudi 23 octobre 2025 - À première vue, Mel Bonis et Ravel n'ont pas grand-chose en commun, si ce n'est l'époque à laquelle ils ont vécu. Clémence de Forceville nous démontre qu'avec Ravel et Mel Bonis, ce sont deux génies qui cohabitent. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:29:13 - En pistes ! du jeudi 23 octobre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme ce matin : Le Requiem allemand de Brahms et Les Variations Goldberg de Jean-Sébastien Bach côtoient le répertoire pour violon de Maurice Ravel, Mel Bonis, Dmitri Chostakovitch et Henriëtte Bosmans. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:14:10 - Le Disque classique du jour du jeudi 23 octobre 2025 - À première vue, Mel Bonis et Ravel n'ont pas grand-chose en commun, si ce n'est l'époque à laquelle ils ont vécu. Clémence de Forceville nous démontre qu'avec Ravel et Mel Bonis, ce sont deux génies qui cohabitent. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Maurice Ravel (1875-1937) - Quartetto per archi in fa maggiore1.     Allegro moderato 2.     Assez vif, très rythmé 3.     Très lent4.     Vif et agité Quartetto ItalianoPaolo Borciani, violino Elisa Pegreffi, violino Piero Farulli, viola Franco Rossi, violoncello

durée : 00:03:49 - Maurice Ravel compose un standard de jazz : The Lamp is Low - par : Max Dozolme - Maurice Ravel, un compositeur influencé par le jazz, qui inspire les musiciens de jazz et qui a même écrit une pièce pour piano amenée à devenir un standard repris par Doris Day, Sarah Vaughan, Glenn Miller et bien d'autres. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

La relación entre el genio creativo y la salud mental lleva intrigándonos desde tiempos remotos. Se lo preguntan artistas, escritores, filósofos, psiquiatras y neurobiólogos: ¿existe algún vínculo entre inspiración y locura o se trata de un lugar común? La misma duda, lejos de arrojar una respuesta definitiva, abre otros interrogantes sobre la propia condición humana: ¿qué es la locura?, ¿por qué resulta fascinante asomarse a sus abismos?, ¿tiene el loco una sensibilidad artística diferente simplemente por serlo? En este documental, con guion de Alfredo Laín y realización de Mayca Aguilera, afloran nombres como Leopoldo María Panero, Salvador Dalí, Maurice Ravel, Vincent Van Gogh o Fiódor Dostoievski. Participan el psiquiatra Fernando Colina, autor de 'La belleza de los locos'; el periodista José Benito Fernández, responsable de la biografía 'El contorno del abismo. Vida y leyenda de Leopoldo María Panero'; Julia Ramírez, doctora en Historia del Arte e investigadora; Pedro Gargantilla, profesor de Humanidades Médicas de la Universidad Europea de Madrid; y José Ángel Morales, doctor en neurobiología.Escuchar audio

durée : 00:15:53 - Les affaires classées par Thierry Sagardoytho - En 1928, le compositeur basque Maurice Ravel dévoile son emblématique Boléro. À qui profite la manne de ses droits d'auteur ? Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Who doesn't love more music? Starting this season, we'll be releasing occasional bonus episodes. We kick it off with a great performance of a suite from Ravel's ballet Daphnis and Chloe. Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.

Alec and Nick return to podcasting to discuss their special respective connections to classical music. The conversation employs a back-to-basics overview of the form: what is classical music? What is NOT classical music? What was and is it? Taking a zoomed-out approach, the episode spans the culture, mechanics, operations, and evolution of classical music: arriving at an assessment of the “audacity of its form” in relationship to the dysfunction and cosmopolitanism of contemporary society. Johann Sebastian Bach, Igor Stravinsky, Richard Strauss, Maurice Ravel, Erik Satie, John Cage, Morton Feldman, Wolfgang Amadeus Mozart, and even … Béla Fleck & the Flecktones are all mentioned. 

This composer had way more impact on the 20th century than you realize! Join us as we celebrate his life at 150 and look at how he achieved this unique sound, why he was kicked out of school twice, and enjoy a performance of his string quartet. Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.

Viridian Strings presents string quartets by Joseph Haydn and Maurice Ravel, plus two world premiere performances of music by Ben Webster and by Cherie Van Maanen and Tom Childs.

In this episode I had the pleasure of speaking to Harold O'Neal. Harold is an acclaimed pianist, composer, producer, and storyteller, celebrated across jazz, classical, film, and pop genres. His versatility and creativity have earned him wide recognition in both artistic and innovation circles. His experiance and perspective has really made me think a lot about some things in my life and I think you will too.More about Harold. Born in Arusha, Tanzania and raised in Kansas City, Missouri. He demonstrated an early talent for music, playing piano by ear from the age of four. His piano work bridges jazz and classical traditions, prompting critics like The New York Times to liken him to legends such as Duke Ellington, Kenny Kirkland, and Maurice Ravel. He's been awarded a prestigious fellowship with the Royal Society of Arts—an honor shared by historical figures like Charles Dickens, Benjamin Franklin, and Stephen Hawking. He served as a creative expert on Pixar's Oscar-winning film Soul and has worked with high-profile artists and institutions—including U2, Jay-Z, George Clooney (as music director), the Bill & Melinda Gates Foundation, Aloe Blacc, and the United Nations. In addition, he is keynote speaker and creative strategist at events hosted by Google, NASA's JPL, TEDx, World Economic Forum, TIME, and more. (hHarold masterfully blends musical excellence, storytelling, and innovation. Whether through solo performance, collaboration with major artists, creative advising in film, or thought leadership on creativity, his work crosses boundaries and inspires across fields. It's no wonder he's considered one of the most inventive and compelling musicians of his generation.

In the mid-1920s, Maurice Ravel wrote a letter to the legendary composition teacher Nadia Boulanger. Boulanger's class was a mecca for composers, both young and old, and musicians from all over the world vied to study with her. But Ravel's letter wasn't on his own behalf. Instead, he urged Boulanger to take on a young student whom Ravel himself had declined to teach. He wrote: "There is a musician here endowed with the most brilliant, most enchanting, and perhaps the most profound talent: George Gershwin. His worldwide success no longer satisfies him, for he is aiming higher. He knows that he lacks the technical means to achieve his goal. In teaching him those means, one might ruin his talent. Would you have the courage, which I wouldn't dare have, to undertake this awesome responsibility?" Boulanger also declined to take Gershwin as a student, fearing, like Ravel, that she might damage his spontaneity and dynamic jazz sensibility. Whether or not the famous story is true (that Ravel turned down Gershwin's request to study with him by saying, “Why be a second-rate Ravel when you are a first-rate Gershwin?”) we may never know. But the two composers were friendly, and formed something of a mutual admiration society. Today, in this fourth collaboration with G. Henle Publishers in honor of their Ravel and Friends project, we're going to explore the connections between these two great composers: their friendship, their mutual influence, and the profound ways jazz infused itself into Ravel's music, particularly in his Violin Sonata and Piano Concerto in G. From the moment he discovered it, Ravel adored jazz, and like many French composers of the time, allowed its influence to permeate his work in ways both explicit and subtle. Join us!  

Invité : - Pierre Korzilius, musicologue et commissaire de l'exposition Ravel Boléro à la Philharmonie de Paris    Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Invité : - Pierre Korzilius, musicologue et commissaire de l'exposition Ravel Boléro à la Philharmonie de Paris    Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

El director de la Orquesta Sinfónica de Melbourne guiará a la de Sídney durante tres noches en las que presenta 'Postcards of Spain', con repertorio de Manuel de Falla y Maurice Ravel. Hablamos con él sobre música, de lo que siente al dirigir en la Ópera de Sídney y de estos dos genios de la historia contemporánea.

durée : 01:27:59 - En pistes ! du mardi 24 juin 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Voici une nouvelle interprétation d'un jalon du répertoire, le quatuor de Maurice Ravel, associé à des improvisations de jazz ! A découvrir aussi, la compositrice et pianiste néerlandaise Henriëtte Bosmans dont un nouvel enregistrement remet au premier plan sa musique instrumentale et vocale... Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:27:59 - En pistes ! du mardi 24 juin 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Voici une nouvelle interprétation d'un jalon du répertoire, le quatuor de Maurice Ravel, associé à des improvisations de jazz ! A découvrir aussi, la compositrice et pianiste néerlandaise Henriëtte Bosmans dont un nouvel enregistrement remet au premier plan sa musique instrumentale et vocale... Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

As festas juninas, tão celebradas no Brasil, especialmente no Nordeste, são muito mais do que tradições populares: elas carregam significados profundos e simbólicos que remontam às antigas culturas europeias e se mesclam às raízes indígenas e africanas do nosso país. Neste episódio, o professor Paulo Tarcísio, da Nova Acrópole de João Pessoa, compartilha conosco uma reflexão filosófica sobre a origem, os símbolos e os significados dessa festividade tão rica. Com base no solstício de verão no hemisfério norte e o solstício de inverno no hemisfério sul, as festas juninas celebram a abundância, a fertilidade, a purificação e a união. Elementos como o milho, a fogueira, os balões, as danças e as bandeirinhas são repletos de simbolismo, representando tanto os frutos da terra quanto a luz que vence a escuridão. Paulo destaca a importância de adaptarmos esses símbolos à nossa realidade e convida à reflexão sobre o valor da gratidão, da convivência e da virtude, em meio às tradições culturais. Este episódio é um convite a vivenciar com consciência e profundidade as festas juninas, fortalecendo os laços afetivos e reconhecendo a riqueza simbólica que permeia nossas celebrações. Participantes: Paulo Tarcísio e Pedro Guimarães  Trilha Sonora: Jeux d'eau de Maurice Ravel

Maurice Ravel - Alborada del GraciosoLyon National Orchestra Leonard Slatkin, conductorMore info about today's track: Naxos 8.572887Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

This year marks the one hundred and fiftieth anniversary of Maurice Ravel's birth. So we have been hearing a lot of him. Jay plays two pieces by him—two of his best, and most typical. There are also Spanish songs, by Obradors and Rodrigo. Some Schumann, some Vaughan Williams, and so on. Plus several stories—personal ones. An enriching, smile-making program. Obradors, “Del cabello más sutil” Rodrigo, “De ronda” Bernstein, Sonata for Clarinet and Piano Beethoven, “Leonore” Overture No. 3 Vaughan Williams, “Linden Lea” Ravel, “Pavane for a Dead Princess” Schumann, Sonata in D minor for Piano and Violin Handel, “Son nata a lagrimar,” from “Giulio Cesare” Ravel, “The Fairy Garden” from the “Mother Goose” Suite

Ravel wrote something so difficult he couldn't even play it, and he even dared to criticize others' performances! Linda Carducci and John Banther dive into a work that challenges the most virtuosic of soloists, its frightening accompanying poetry, and what exactly makes it so difficult. Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.

Maurice Ravel - Introduction and AllegroPer Flemstrom, flute Frederik Fors, clarinet Ellen Bodtker, harp Sjur Bjareke, double bass Vertavo String QuartetMore info about today's track: Naxos 8.555328Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Maurice Ravel - A Barque on the OceanFrancois-Jean Thiollier, pianoMore info about today's track: Naxos 8.558058Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Nous sommes au soir du 22 novembre 1928. Le tout Paris, la crème de la crème de la « bonne société », le gratin du monde politico-culturel, se presse à l'Opéra Garnier. On est venu pour assister à la création du « Boléro », le nouveau ballet de Maurice Ravel. Dans la fosse, le chef Walther Straram dirige son orchestre. Le journal « Le Figaro » décrit le ballet comme une «évocation de l'Espagne dansante en une taverne de faubourg sous la lampe de cuivre accrochée aux solives; muletiers et contrebandiers acclament la danseuse qui bondit sur la table, aux sons d'une musique magicienne, sa danse s'exalte de plus en plus». La danseuse se nomme Ida Rubinstein, elle a plus de quarante ans. La chorégraphie est signée Bronislava Nijinska, maîtresse de ballet russe. Les costumes d'Alexandre Benois et les décors d'Oreste Allegri. Dans la salle, on peut apercevoir Igor Stravinsky qui, 15 ans plus tôt, a fait scandale avec son « Sacre du printemps » et que Ravel a soutenu. Serge de Diaghilev, organisateur de spectacles, impresario influent, n'est pas très enthousiaste. Il décrit une représentation qui « suait l'ennui provincial... tout y était long, y compris Ravel qui ne dure pourtant que 14 minutes. Le pire, ajoute-t-il, était Ida. Voûtée, une tignasse rousse, sans chapeau, avec des chaussons de danse pour paraître plus petite. Elle est incapable de danser quoi que ce soit. Dans le Boléro, elle est restée un quart d'heure à tourner maladroitement sur une grosse table. » Le public, lui, est plutôt conquis et réserve un bel accueil à cette création si déconcertante. La presse salue « la somptuosité », « les dons singuliers », « le triomphe de la maîtrise technique », « le délice d'élégance » et « le tour de force éblouissant » du compositeur. On raconte aussi n'importe quoi, qu'une spectatrice aurait crié « Au fou ! » et que Ravel aurait déclaré : « Celle-là, elle a compris ». La légende se met en marche. De Paris à Bruxelles, de Monte-Carlo à New York en passant par Milan et Londres, le Boléro devient un phénomène et rentre dans l'Histoire de la musique. Un succès, d'ailleurs, qui ne va pas complètement ravir son auteur et même l'irriter. Ravel craint le malentendu. Solitaire et pudique, ouvert et généreux, obstiné, peu enclin aux honneurs, qui était Maurice Ravel ? Pourquoi tant de frilosité devant sa propre réussite ? Aurait-il eu le génie humble ? Notre invité est Xavier Falques, professeur d'Histoire de l'art à l'UCL et au Conservatoire de Mons et producteur et animateur de Café Viennois et Baroque café sur Musiq3. Sujets traités: Maurice Ravel, orchestre, piano, musique, boléro, concerto Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Despite a raft of laws and programmes in France to address the gender pay gap, women still earn less than men. Organic farmers try to adapt to a drop in demand for organic food. And the story of Ravel's Boléro – the world's most performed piece of classical music. There are some explanations for France's 22 percent gender pay gap – women work fewer hours on average and in lower-paid jobs. But even doing the same job and putting in the same hours, women still earn 4 percent less than men, and a barrage of legal measures hasn't managed to change that. We look at what's going on with economist Anne Eydoux and lawyer Insaff El Hassani – founder of a company helping women negotiate salaries. El Hassani highlights negative images around wealthy women and how France's "female wage", dropped in 1946, still impacts the way some employers view women's salaries. (Listen @0')France has downsized its ambitions to increase the amount of organic agriculture after a drop in consumer demand for organic food . After years of growth, especially during the Covid pandemic, inflation and a distrust in labelling have turned consumers away from buying organic produce, even as new farmers are drawn to the prospect of working in a different way. At the recent annual agricultural fair in Paris, farmers and others working in the organic sector talk about how they are adapting to the new economic reality, and the need to raise awareness of the value of organic food, beyond the price tag. (Listen @17')France is marking the 150th anniversary of the birth of composer Maurice Ravel, whose most famous piece, Boléro, is considered an avant-garde musical expression of  the machine age. (Listen @9'50'')Episode mixed by Cecile Pompeani. Spotlight on France is a podcast from Radio France International. Find us on rfienglish.com, Apple podcasts (link here), Spotify (link here) or your favourite podcast app (pod.link/1573769878).

Stephen Mangan is an award winning actor who is also a presenter and writer. His prolific career includes comedic roles in TV hits Green Wing; Episodes and Adrian Mole. He also plays the much loved Nathan in BBC drama The Split and has appeared in many award winning theatre productions in the UK and on Broadway.Born in London to Irish immigrant parents, Stephen studied Law at Cambridge University. His passion though was for acting and after taking time out to care for his mother, he spent three years at RADA before pursuing a successful career on stage, screen and film. Stephen lives in London with his wife and three sons.DISC ONE: King of the Road - Roger Miller DISC TWO: I Recall A Gypsy Woman - Don Williams DISC THREE: Beautiful Boy (Darling Boy) - John Lennon DISC FOUR: Who Knows Where the Time Goes - Fairport Convention DISC FIVE: Stayin Alive - Bee Gees DISC SIX: Ravel: Piano Concerto in G Major, M. 83: II. Adagio assai. Composed by Maurice Ravel and performed by Martha Argerich (piano) and Berliner Philharmoniker, conducted by Claudio Abbado DISC SEVEN: Rhapsody in Blue. Composed by George Gershwin and performed by New York Philharmonic, conducted by Zubin Mehta DISC EIGHT: (Your Love Keeps Lifting Me) Higher And Higher - Jackie Wilson BOOK CHOICE: Collected Works of Seamus Heaney LUXURY ITEM: A piano CASTAWAY'S FAVOURITE: Stayin Alive - Bee Gees Presenter: Lauren Laverne Producer: Sarah Taylor

Stéphane Bern raconte, à l'occasion des 150 ans de sa naissance, le destin du premier compositeur français de son temps : Maurice Ravel, le père du Boléro et son incroyable mécanique rythmique devenue presque l'œuvre unique d'un génie de la musique qui en a pourtant composées bien d'autres… Pourquoi est-ce le Boléro que l'on a retenu comme étant l'œuvre majeure de Maurice Ravel ? Qu'est-ce qui fait la singularité de ce musicien ? Comment son œuvre a-t-elle traversé toutes les frontières, toutes les générations et tous les milieux aussi bien artistiques que populaires ? Pour en parler, Stéphane Bern reçoit Pierre Korzilius, commissaire de l'exposition ""Ravel Boléro"", actuellement présentée à la Philharmonie de Paris. Au Coeur de l'Histoire est réalisée par Mathieu Fret. Rédaction en chef : Benjamin Delsol. Auteur du récit : Pierre-Vincent Letourneau. Journaliste : Clara Leger. "

On today's episode of "Conversations On Dance", we are joined by former Chief Dance Critic of the New York Times and performing arts historian Alastair Macaulay to discuss the legacy of composer Maurice Ravel around the corner from his 150th birthday. We talk about Ravel's major commissions for dance, how dance influenced his compositions outside of those meant for the concert dance stage, and his continued impact on major choreographers of the 20th century and onwards, like Frederick Ashton and George Balanchine. The Torvill and Dean “Bolero” referenced: https://www.olympics.com/en/video/torvill-and-dean-s-legendary-bolero-performance-music-mondaysLINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/COD-email Hosted on Acast. See acast.com/privacy for more information.

Magician, Swiss Watchmaker, Aloof, Elegant, Precise, Soulful, Childlike, Naive, Warm: these are all words that have been used to describe Maurice Ravel, a man of elegant contradictions. But perhaps these contradictions are why his music remains so beloved and universally appealing to so many musicians and audience members. Ravel has long been one of my favorite composers, and I always adore listening to his music and performing it. For the 150th anniversary of his birth, the legendary publishing house of G Henle has decided to focus on Ravel and his circle this year, calling this series Ravel and Friends. A few months ago, the Henle office contacted me to ask if I would be willing to collaborate with them on a series of Sticky Notes episodes about Ravel, each one focusing on the relationship between Ravel and another composer who was in his circle. This sounded like an amazing idea, and so I jumped at the chance to work with them. So, over the course of the next 5-6 months, you will be seeing 5 episodes under the Ravel and Friends theme. Today's episode will be a chance to do an overview on Ravel himself and to take a look at some major works that I haven't gotten around to covering on the show yet. We'll then finish the show with an interview with the great pianist Boris Giltburg, as we discuss the solo piano verison of Ravel's La Valse, one of the most challenging pieces in the entire repertoire. Later episodes will include a look at Ravel's relationships with Debussy, Gershwin, and De Falla, and much more! This is such an exciting chance to take a deeper look at one of the greatest 19th and 20th century composers, as well as take a look at the broader musical and social trends of that era, something I've always been deeply interested in. Join us!

Maurice Ravel - La ValseSlovak Radio Symphony Orchestra Kenneth Jean, conductorMore info about today's track: Naxos 8.550424Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon