Podcast appearances and mentions of Maurice Ravel

durée : 00:04:20 - par : Max Dozolme - Hier je vous parlais des reflets magiques du Clair de Lune de Gabriel Fauré, une pièce qu'admirait beaucoup un élève de Fauré. C'est Maurice Ravel, un compositeur qui a dédié à son professeur sa première grande pièce pour piano. Une pièce aquatique là encore… Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Send us Fan MailThe early twentieth century was a time of enormous musical change. Discover how composers responded to a changing world by breaking traditions, experimenting with new sounds, and redefining what classical music could become—all in just sixty seconds.Love classical music? There's more to discover.If you enjoyed this episode, you can read the companion article and subscribe on Substack at The Classical Music Minute. And for a brand-new narrated classical music story every day, download the Classical Minute app for iPhone.Until next time, I'm Steven Hobé. Thanks for listening to The Classical Music Minute.

In the third episode of Passing Notes, we sit down with Australian oboist Joshua Oates. Now Principal Oboe with the Adelaide Symphony Orchestra, and regular soloist and chamber musician, Josh has quickly become recognised as one of Australia's foremost wind players. This episode explores Josh's journey as a student both in Australia and overseas, challenges he has faced in adopting his primary instrument later than many of his peers, and how he's found his home in the symphony orchestra. ---------------------------------------------------------------- Created by harpist-composer and 2026 AYO Media & Communication Fellow, Passing Notes is a podcast which aims to demystify, debunk and explore the diversity of a career in classical music performance. As young performers in Australia, there can often be the idea of a ‘right way' to go about pursing a successful career in classical performance—a formula or ‘golden path' which young musicians might feel pressure to conform to. Throughout this miniseries, we learn how in reality, no two pathways look the same. By entering the worlds of some of Australia's leading performers and artistic thinkers, we hear about what their journey has looked like navigating a career in classical performance. ---------------------------------------------------------------- Music included in this episode: “Moss Grotto” from Hollow Knight: Silksong (Original Soundtrack) by Christopher Larkin (2025). “Menuet” No. 3 from Le tombeau de Couperin, M.68 by Maurice Ravel (1917). David Stanhope, conductor; Adelaide Symphony Orchestra, (2008).

Como desenvolver uma comunicação capaz de transmitir ideias com autenticidade, clareza e profundidade? Neste episódio, o professor Cristiano Born aborda a oratória como uma verdadeira arte da formação humana, presente desde a Antiguidade nas escolas filosóficas da Grécia e de Roma. Inspirado por pensadores como Aristóteles, Cícero e Platão, o diálogo mostra que falar em público vai muito além da técnica: trata-se de aprender a expressar a própria alma. Ao longo da conversa, são apresentados os três pilares da oratória descritos por Aristóteles — ethos, logos e pathos —, destacando a importância da credibilidade do orador, da clareza das ideias e da conexão sincera com quem escuta. O episódio também diferencia oratória e retórica, explora a relação entre diálogo, dialética e comunicação, e demonstra como a prática constante, o autoconhecimento e o compromisso com a verdade fortalecem a capacidade de transmitir conhecimento. Por fim, somos convidados a compreender a palavra como uma oferenda: um instrumento para unir pessoas e ideias, tornando a comunicação um caminho de serviço, crescimento interior e realização humana. Participantes: Cristiano Born e Pedro Guimarães Trilha Sonora: Quarteto de Cordas em Fá Maior, de Maurice Ravel

In the second episode of Passing Notes, we sit down with Australian violinist Sophie Rowell. Currently Artistic Director of the Melbourne Chamber Orchestra, Sophie has firmly carved her legacy as one of Australia's foremost artistic leaders, having previously held positions in the Australian String Quartet and the Melbourne Symphony Orchestra as Concertmaster. The episode explores Sophie's extraordinary journey across her career as a renowned chamber musician, concertmaster, and now artistic director, how professional life in Australia has compared to her experiences working overseas, and the ways her career has shaped her passion for teaching. ---------------------------------------------------------------- Created by harpist-composer and 2026 AYO Media & Communication Fellow, Passing Notes is a podcast which aims to demystify, debunk and explore the diversity of a career in classical music performance. As young performers in Australia, there can often be the idea of a ‘right way' to go about pursing a successful career in classical performance—a formula or ‘golden path' which young musicians might feel pressure to conform to. Throughout this miniseries, we learn how in reality, no two pathways look the same. By entering the worlds of some of Australia's leading performers and artistic thinkers, we hear about what their journey has looked like navigating a career in classical performance. ----------------------------------------------------------------   Music included in this episode: “Assez vif, très rythmé” No. 2 from String Quartet in F Major, M.35 by Maurice Ravel (1903). Australian String Quartet (ASQ: Sophie Rowell, violin; Anne Horton, violin; Sally Boud, viola; Rachel Johnston, cello), (2012). “Andantino, doucement expressif” No. 3 from String Quartet in G Minor, Op.10, L.85 by Claude Debussy (1893). Australian String Quartet (ASQ: Sophie Rowell, violin; Anne Horton, violin; Sally Boud, viola; Rachel Johnston, cello), (2012).

Welcome to the summer of the war horse, AKA the songs you've heard countless times in figure skating. But how well do you really know them? One thing is for sure: WE definitely didn't know them as well as we thought. We're diving into the history of these pieces of music as well as the most iconic figure skating programs that use them throughout the summer. This week, our subject is BOLERO by Maurice Ravel. To watch the programs discussed in the episode, go to our YouTube page and find the Bolero playlist!Subscribe for Olympic coverage, breakdowns, and storytelling from inside the sport.Support us on Patreon: Patreon.com/TheRunthroughPodcastWatch us on Youtube: The RunthroughFollow us on social: Instagram | TikTokPatreon subscribers gain access to each episode in video format two days before the audio release, plus access to exclusive bonus content and private chats with our fellow members!

durée : 00:05:31 - par : Max Dozolme - Le 8 juin 1912 était créé à Paris au Théâtre du Châtelet le ballet Daphnis et Chloé de Maurice Ravel. Un chef-d'œuvre d'orchestration et de mise en scène musicale qui a connu des métamorphoses étonnantes. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Das Antoine Spranger Quartet um den deutsch-französischen Pianisten und Komponisten Antoine Spranger ist ein noch junges internationales Jazzensemble. Zur Band gehören außerdem Ludovic Ernault am Saxophon, Matis Regnault am Kontrabass und Tobias Frohnhöfer am Schlagzeug. Das Quartett verbindet Modern Jazz mit klassischer Musik, wobei die Harmonik stark vom musikalischen Impressionismus beeinflusst ist, sagt Antoine Spranger und verweist auf Claude Debussy und Maurice Ravel. Spranger hat an der Musikhochschule in Mannheim studiert und lässt nun mit seinem Debütalbum „Castle of Ice“ aufhorchen, das beim Bremer Label „Laika Records“ veröffentlicht wurde.

Case Scaglione retrouvera ses musiciens de l'ONDIF vendredi 22 mai à la Cité de la musique à Paris puis le 29 à Vélizy-Villacoublay. Il dirigera des œuvres de Bartok, Brahms et Berio, trois compositeurs qui ont en commun d'avoir été puiser dans le répertoire traditionnel pour nourrir leur musique, à travers des démarches différentes. Ce programme s'ouvrira avec les Folk Songs du compositeur italien chantées par Iva Bittova. Un cycle fascinant qui réunit des chants traditionnels américains, français, italiens et même azéris, harmonisés, orchestrés et modernisés par Berio. Ce cycle figure justement au programme du nouvel enregistrement de Case Scaglione avec ses musiciens, sorti chez NoMadMusic. Le chef américain nous éclairera ce soir sur le programme de cet album qui réunit également des pages d'inspirations espagnoles, particulièrement voluptueuse et chatoyantes, de Maurice Ravel. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Maurice Ravel (1875 - 1937) - Introduction et allegro pour harpe, flûte, clarinette et quatuor à cordes Introduction. Très lent (sol bemolle maggiore)Allegro (sol bemolle maggiore) Skaila Kanga, arpaWilliam Bennett, flautoAndrew Marriner, clarinettoKenneth Sillito, Malcolm Latchem, violinoStephen Shingles, violaDenis Vigay, violoncello

durée : 00:15:15 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Le pianiste Vincent Larderet poursuit son intégrale de l'œuvre de piano de Maurice Ravel avec ce deuxième volume, une collection historiquement informée et exhaustive qui comprend plusieurs premières discographiques mondiales. - réalisation : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:15:15 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Le pianiste Vincent Larderet poursuit son intégrale de l'œuvre de piano de Maurice Ravel avec ce deuxième volume, une collection historiquement informée et exhaustive qui comprend plusieurs premières discographiques mondiales. - réalisation : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Consider taking out a paid subscription to The Piano Maven podcast via our Substack page (https://jeddistlermusic.substack.com/about), which you also can access by clicking on the "Donate" button here: https://rss.com/podcasts/pianomaven Alicia de Larrocha's only recording produced especially for Columbia Masterworks featured three works of Maurice Ravel. It's never been reissued on CD outside of Japan. Jed discusses this fascinating and hard-to-source release on this episode. Here's a link to the music:Alborada del grazioso - https://www.youtube.com/watch?v=2upEuqpqA6MValses nobles et sentimentales (1969 Columbia) - https://www.youtube.com/watch?v=TPJG1msJufUValses nobles et sentimentales (1993 RCA) –https://www.youtube.com/watch?v=22Uzfa5Y4zM

SynopsisToday is International Women's Day, a global celebration of the social, economic, political, and cultural achievements of women, so here's a French composer whose name you may not have heard before, but you should!After all, her music was good enough that Gabriel Fauré, Paul Dukas, and Maurice Ravel performed it at musical salons in Paris. She was a close friend of the famous composer and teacher Nadia Boulanger, studied organ with Louis Vierne, and composition with Vincent d'Indy.But enough name-dropping. Her name was Charlotte Sohy. Born in Paris in 1887, and in the early decades of the 20th century, achieved both professional status and public success as a composer, writing masses, art songs, piano pieces, chamber music, and this symphony, which dates from 1917.Unlike many women composers of the past, Sohy's husband fully supported her career. After all, he was also a composer, and she even collaborated with him on a few of his pieces. Still, even in cosmopolitan Paris, she chose to publish her music under the pseudonym Charles Sohy, and while her chamber works received performances, her symphony remained unperformed during her lifetime.Music Played in Today's ProgramCharlotte Sohy (1887-1955): Symphony in C-sharp minor; Orchestre National de France; Débora Waldman, conductor; Palazzetto Bru Zane Label BZ-2006

El 7 de marzo de 1875 nació el compositor francés Joseph Maurice Ravel.

Natürlich geht es auch um den Walzer in Ravels Tondichtung. Aber der Komponist schrieb "La Valse" unter dem Eindruck des Ersten Weltkrieges. BR Klassik stellt das Werk zusammen mit dem Dirigenten Stéphane Denève vor.

Maurice Ravel - Pavane for a Dead PrincessSlovak Radio Symphony OrchestraKenneth Jean, conductorMore info about today's track: Naxos 8.550424Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Œuvre emblématique de Maurice Ravel, idéale pour se familiariser avec les différents instruments de l'orchestre symphonique, le Boléro s'est révélé également, en termes de droits d'auteur, un casse-tête juridique digne d'une saga.

durée : 01:28:09 - Une heure et plus, un compositeur : Maurice Ravel - par : Aurélie Moreau - Maurice Ravel (1875–1937) est un compositeur d'une exigence extrême, attentif à la couleur comme au rythme. Il a construit une œuvre d'une rare cohérence, sans le moindre déchet, où chaque page semble pensée jusque dans ses moindres détails. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

In today's Clap for Classics episode, we step into a musical fairy tale adventure! Join Miss Elizabeth and Forte the Lion as we explore the playful finger rhyme Little Tommy Thumb and listen to a beautiful piece of music by the French composer Maurice Ravel from his enchanting Mother Goose Suite. Through storytelling, movement, and listening, children will imagine themselves tiny like Tom Thumb as they wander through a mysterious forest and listen for the fluttering birds in Ravel's music. This episode is part of our Fairy Tales theme, where music and imagination come together to help children experience classical music in a fun and engaging way. Perfect for kids ages 2–8, families, and homeschoolers who love music, movement, and stories!

Fast wäre sein Traum geplatzt. Doch Paul Wittgenstein lässt sich nicht kleinkriegen, nur weil er im Krieg den rechten Arm verloren hat. Maurice Ravel schreibt ihm ein Klavierkonzert, das er – wortwörtlich – mit Links spielen kann ... Von Ben Süverkrüp.

durée : 00:12:44 - Le Disque classique du jour du vendredi 16 janvier 2026 - Ce premier volume d'une nouvelle intégrale de la musique de chambre de Maurice Ravel réunit les musiciens Lavinia Meijer, Sunghyun Cho, Innhyuck Cho, Hungwei Huang, Svetlin Roussev, Sooyoung Kim et Sein Lee. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:12:44 - Le Disque classique du jour du vendredi 16 janvier 2026 - Ce premier volume d'une nouvelle intégrale de la musique de chambre de Maurice Ravel réunit les musiciens Lavinia Meijer, Sunghyun Cho, Innhyuck Cho, Hungwei Huang, Svetlin Roussev, Sooyoung Kim et Sein Lee. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Editor's Note, by Art Middlekauff When does a composer qualify for composer study? And when is music “good enough” for music appreciation? I have wondered this as I have surveyed Dawn Tull's table of composers studied in the Parents' Union School from 1908–1953. Many modern composers are listed. Some were studied in their own lifetimes. … The post Maurice Ravel first appeared on Charlotte Mason Poetry.

La semaine s'ouvre sur RTL2 Pop-Rock Station avec une sélection réconfortante avant les vacances de Noël : Thin Lizzy, Blue Öyster Cult, Faith No More, mais aussi des nouveautés signées Kasabian, Tame Impala et Rise of the Northstar. La soirée se poursuit entre indie rock et classiques, de Courtney Barnett à PJ Harvey. L'antenne se met doucement à l'heure des fêtes avec un focus sur "Do They Know It's Christmas" de Band Aid, hymne caritatif de 1984 devenu un marqueur historique de la pop britannique. Plus tard, Faith No More, Geese et une relecture audacieuse du "Boléro" de Maurice Ravel par Victor Le Masne, avec la participation de Rahim Redcar, apportent une touche inattendue à l'émission. En fin de programme, RTL2 Pop-Rock Station navigue entre Mark Knopfler en solo, Unprocessed, The Doors et une nouveauté de Headkeyz, groupe montpelliérain de metal alternatif. La dernière ligne droite s'adoucit avec Feist, The Strokes et Elliott Smith, avant de conclure la soirée avec Adele Tame Impala et Jackson Browne. Kasabian - Hippie Sunshine Soundgarden - Rusty Cage The Good - The Bad & The Queen Thin Lizzy - Whiskey In The Jar Courtney Barnett - Pedestrian At Best The Byrds - Mr Tambourine Man P.J. Harvey - A Place Called Home Band Aid - Do They Know It's Christmas Blue Öyster Cult - Dont Fear The Reaper The Automatic - Monster Faith No More - Easy Geese - Cobra Victor Le Masne & Rahim Redcar - Bolero Phoenix - Everything Is Everything Mark Knopfler - What It Is Unprocessed - Head In The Clouds The Doors - Break On Through (To The Other Side) The Ting Tings - Shut Up And Let Me Go Rise Of The Northstar - Neo Paris Crosby, Stills & Nash - Teach Your Children Feist - My Moon My Man Headkeyz - The Crown Led Zeppelin - Immigrant Song The Strokes - The End Has No End Elliott Smith - Everything Means Nothing To Me Adele - Rumour Has It Tame Impala - Dracula Jackson Browne - The Load Out / Stay (Live)Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

El pianista argentino Nelson Goerner nos presenta su nueva grabación en donde interpreta los dos conciertos para piano de Maurice Ravel.

Text us about this show.Marc Bonilla has enjoyed one of the most comprehensive careers any musician could wish for. And after close to four decades in the business there is simply no quit in him. He is a world class guitarist, an accomplished teacher of music, a remarkable composer, and simply an appreciator of beauty in art and life. And he's a proud nerd with a deep love of things like superheroes and Star Trek. He allows what has been to inform the possibilities of what can be all the while staying very true to himself and the music he creates. We discuss it all on this very special extended episode of Into The Music. Enjoy!The following selections were provided by Marc Bonilla for use on this show with his permission."Afterburner" written and performed by Marc Bonilla℗ 1991 Reprise Records."Le Tombeau De Couperin – Prelude" performed by Marc Bonilla and Mike Keneallywritten by Maurice Ravel, arr. by Marc Bonilla℗ 2020 Marc Bonilla."Blessings" written and performed by Saville Row℗ 2014 Saville Row, under exclusive license to Varese Sarabande Records."Walking Distance" performed by the Keith Emerson Band with the Munich Radio Orchestra conducted by Maestro Terje Mikkelsenwritten and arranged by Marc Bonilla℗ 2012 Terje Mikkelsen, under exclusive license to Varese Sarabande Records, under exclusive license to Varese Sarabande Records."Marche Train" performed by CTRL+Zwritten by Marc Bonilla and Keith Emerson℗ 2020 Marc Bonilla.Melody Audiology LLCAudiology services for all. Specializing in music industry professionals and hearing conservation.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showVisit Into The Music at https://intothemusicpodcast.com!Support the show: https://www.buymeacoffee.com/intothemusic E-mail us at intothemusic@newprojectx.com YouTube Facebook Instagram INTO THE MUSIC is a production of Project X Productions.Host/producer: Rob MarnochaVoiceovers: Brad BordiniRecording, engineering, and post production: Rob MarnochaOpening theme: "Aerostar" by Los Straitjackets* (℗2013 Yep Roc Records)Closing theme: "Close to Champaign" by Los Straitjackets* (℗1999 Yep Roc Records)*Used with permission of Eddie Angel of Los StraitjacketsThis podcast copyright ©2025 by Project X Productions. All rights reserve...

Can an opera, that most complex of art forms, take you back to childhood?  Unlikely though it might seem, L'Enfant et les Sortilèges (“The Child and the Enchantments”) does just that through the talents of composer Maurice Ravel and writer Colette.  This one-act opera, fantastical though it is, can transport you to all-too-real, seemingly lost memories.  Over the course of the story, our nameless child protagonist wrestles with his powerlessness and power, responsibility and dependence, piteousness and pity.  Join host Pat with Erica Miner, the mystery writer, lecturer and former Met Opera violinist, in celebration of the 150th anniversary of the birth of French composer Maurice Ravel on this episode of Opera for Everyone. For more on Erica Miner, visit ericaminer.com

Maurice Ravel war ein Klangmagier, er schuf einen Orchesterklang von unfassbarer Farbigkeit, Raffinesse und Transparenz. Mit "Daphnis et Chloé" hinterließ er ein Jahrhundertwerk. Zum 150. Geburtstag hat das Orchestre National de France unter Cristian Măcelaru die wichtigsten Orchesterwerke aufgenommen. Eine glänzende Einspielung.

Sorozatunk legújabb epizódjában ezúttal Hózsa Zsófia mesél Richard Wagner, Maurice Ravel és Gustav Mahler műveiről, azok szerkezetéről és keletkezésük izgalmas körülményeiről.Adásunk ezúttal Anna Vinnitskaya és a Bécsi Szimfonikusok hangversenyéhez kapcsolódik.Hallgassátok szeretettel!

Nowadays it's hard to imagine Maurice Ravel as a "bad-boy" revolutionary, a member of a group whose name can be loosely translated as The Hooligans. To most listeners today, Ravel's music is the very picture of sumptuous beauty. But the group he belonged to, Les Apaches ("The Hooligans"), earned its name because of its members' uncompromising attitudes about music; attitudes that clashed sharply with the conservative tastes of the establishment. Another composer who belonged to Les Apaches was the Spanish composer Manuel de Falla. Falla is certainly not as well known as Ravel, but the two became fast friends when he arrived in Paris in 1907. They formed a kind of mutual-admiration society that proved immensely fruitful for both of them. Falla was deeply impressed by Ravel's Spanish-inflected music, marveling at its authenticity given that Ravel was French. But Ravel, now a symbol of French music, was the son of a Swiss father and a Spanish-speaking mother, and he was born just eleven miles from the Spanish border in the Basque region. His Spanish voice was no affectation; it came from somewhere deep within, and Falla noticed this immediately, remarking that Ravel's Rapsodie espagnole was "a Spain ideally presented by his mother." Today on the show we'll explore the Spanish world of Falla and Ravel through two central works: Falla's Nights in the Gardens of Spain and Ravel's Rapsodie espagnole. These pieces, both astonishing in their creativity and craftsmanship, offer a wonderful opportunity to compare and contrast the music and approaches of these two close friends. We'll also talk about Les Apaches and their goals, legacy, and some of their legendary members. All this and more is coming up on this final collaboration on Ravel and Friends with G. Henle Publishers! Join us!

durée : 01:29:13 - En pistes ! du jeudi 23 octobre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme ce matin : Le Requiem allemand de Brahms et Les Variations Goldberg de Jean-Sébastien Bach côtoient le répertoire pour violon de Maurice Ravel, Mel Bonis, Dmitri Chostakovitch et Henriëtte Bosmans. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:14:10 - Le Disque classique du jour du jeudi 23 octobre 2025 - À première vue, Mel Bonis et Ravel n'ont pas grand-chose en commun, si ce n'est l'époque à laquelle ils ont vécu. Clémence de Forceville nous démontre qu'avec Ravel et Mel Bonis, ce sont deux génies qui cohabitent. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:29:13 - En pistes ! du jeudi 23 octobre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme ce matin : Le Requiem allemand de Brahms et Les Variations Goldberg de Jean-Sébastien Bach côtoient le répertoire pour violon de Maurice Ravel, Mel Bonis, Dmitri Chostakovitch et Henriëtte Bosmans. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:14:10 - Le Disque classique du jour du jeudi 23 octobre 2025 - À première vue, Mel Bonis et Ravel n'ont pas grand-chose en commun, si ce n'est l'époque à laquelle ils ont vécu. Clémence de Forceville nous démontre qu'avec Ravel et Mel Bonis, ce sont deux génies qui cohabitent. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

La relación entre el genio creativo y la salud mental lleva intrigándonos desde tiempos remotos. Se lo preguntan artistas, escritores, filósofos, psiquiatras y neurobiólogos: ¿existe algún vínculo entre inspiración y locura o se trata de un lugar común? La misma duda, lejos de arrojar una respuesta definitiva, abre otros interrogantes sobre la propia condición humana: ¿qué es la locura?, ¿por qué resulta fascinante asomarse a sus abismos?, ¿tiene el loco una sensibilidad artística diferente simplemente por serlo? En este documental, con guion de Alfredo Laín y realización de Mayca Aguilera, afloran nombres como Leopoldo María Panero, Salvador Dalí, Maurice Ravel, Vincent Van Gogh o Fiódor Dostoievski. Participan el psiquiatra Fernando Colina, autor de 'La belleza de los locos'; el periodista José Benito Fernández, responsable de la biografía 'El contorno del abismo. Vida y leyenda de Leopoldo María Panero'; Julia Ramírez, doctora en Historia del Arte e investigadora; Pedro Gargantilla, profesor de Humanidades Médicas de la Universidad Europea de Madrid; y José Ángel Morales, doctor en neurobiología.Escuchar audio

Who doesn't love more music? Starting this season, we'll be releasing occasional bonus episodes. We kick it off with a great performance of a suite from Ravel's ballet Daphnis and Chloe. Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.

Alec and Nick return to podcasting to discuss their special respective connections to classical music. The conversation employs a back-to-basics overview of the form: what is classical music? What is NOT classical music? What was and is it? Taking a zoomed-out approach, the episode spans the culture, mechanics, operations, and evolution of classical music: arriving at an assessment of the “audacity of its form” in relationship to the dysfunction and cosmopolitanism of contemporary society. Johann Sebastian Bach, Igor Stravinsky, Richard Strauss, Maurice Ravel, Erik Satie, John Cage, Morton Feldman, Wolfgang Amadeus Mozart, and even … Béla Fleck & the Flecktones are all mentioned. 

This composer had way more impact on the 20th century than you realize! Join us as we celebrate his life at 150 and look at how he achieved this unique sound, why he was kicked out of school twice, and enjoy a performance of his string quartet. Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.

In the mid-1920s, Maurice Ravel wrote a letter to the legendary composition teacher Nadia Boulanger. Boulanger's class was a mecca for composers, both young and old, and musicians from all over the world vied to study with her. But Ravel's letter wasn't on his own behalf. Instead, he urged Boulanger to take on a young student whom Ravel himself had declined to teach. He wrote: "There is a musician here endowed with the most brilliant, most enchanting, and perhaps the most profound talent: George Gershwin. His worldwide success no longer satisfies him, for he is aiming higher. He knows that he lacks the technical means to achieve his goal. In teaching him those means, one might ruin his talent. Would you have the courage, which I wouldn't dare have, to undertake this awesome responsibility?" Boulanger also declined to take Gershwin as a student, fearing, like Ravel, that she might damage his spontaneity and dynamic jazz sensibility. Whether or not the famous story is true (that Ravel turned down Gershwin's request to study with him by saying, “Why be a second-rate Ravel when you are a first-rate Gershwin?”) we may never know. But the two composers were friendly, and formed something of a mutual admiration society. Today, in this fourth collaboration with G. Henle Publishers in honor of their Ravel and Friends project, we're going to explore the connections between these two great composers: their friendship, their mutual influence, and the profound ways jazz infused itself into Ravel's music, particularly in his Violin Sonata and Piano Concerto in G. From the moment he discovered it, Ravel adored jazz, and like many French composers of the time, allowed its influence to permeate his work in ways both explicit and subtle. Join us!  

Invité : - Pierre Korzilius, musicologue et commissaire de l'exposition Ravel Boléro à la Philharmonie de Paris    Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Invité : - Pierre Korzilius, musicologue et commissaire de l'exposition Ravel Boléro à la Philharmonie de Paris    Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

El director de la Orquesta Sinfónica de Melbourne guiará a la de Sídney durante tres noches en las que presenta 'Postcards of Spain', con repertorio de Manuel de Falla y Maurice Ravel. Hablamos con él sobre música, de lo que siente al dirigir en la Ópera de Sídney y de estos dos genios de la historia contemporánea.

As festas juninas, tão celebradas no Brasil, especialmente no Nordeste, são muito mais do que tradições populares: elas carregam significados profundos e simbólicos que remontam às antigas culturas europeias e se mesclam às raízes indígenas e africanas do nosso país. Neste episódio, o professor Paulo Tarcísio, da Nova Acrópole de João Pessoa, compartilha conosco uma reflexão filosófica sobre a origem, os símbolos e os significados dessa festividade tão rica. Com base no solstício de verão no hemisfério norte e o solstício de inverno no hemisfério sul, as festas juninas celebram a abundância, a fertilidade, a purificação e a união. Elementos como o milho, a fogueira, os balões, as danças e as bandeirinhas são repletos de simbolismo, representando tanto os frutos da terra quanto a luz que vence a escuridão. Paulo destaca a importância de adaptarmos esses símbolos à nossa realidade e convida à reflexão sobre o valor da gratidão, da convivência e da virtude, em meio às tradições culturais. Este episódio é um convite a vivenciar com consciência e profundidade as festas juninas, fortalecendo os laços afetivos e reconhecendo a riqueza simbólica que permeia nossas celebrações. Participantes: Paulo Tarcísio e Pedro Guimarães  Trilha Sonora: Jeux d'eau de Maurice Ravel

Maurice Ravel - Alborada del GraciosoLyon National Orchestra Leonard Slatkin, conductorMore info about today's track: Naxos 8.572887Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

This year marks the one hundred and fiftieth anniversary of Maurice Ravel's birth. So we have been hearing a lot of him. Jay plays two pieces by him—two of his best, and most typical. There are also Spanish songs, by Obradors and Rodrigo. Some Schumann, some Vaughan Williams, and so on. Plus several stories—personal ones. An enriching, smile-making program. Obradors, “Del cabello más sutil” Rodrigo, “De ronda” Bernstein, Sonata for Clarinet and Piano Beethoven, “Leonore” Overture No. 3 Vaughan Williams, “Linden Lea” Ravel, “Pavane for a Dead Princess” Schumann, Sonata in D minor for Piano and Violin Handel, “Son nata a lagrimar,” from “Giulio Cesare” Ravel, “The Fairy Garden” from the “Mother Goose” Suite

Stephen Mangan is an award winning actor who is also a presenter and writer. His prolific career includes comedic roles in TV hits Green Wing; Episodes and Adrian Mole. He also plays the much loved Nathan in BBC drama The Split and has appeared in many award winning theatre productions in the UK and on Broadway.Born in London to Irish immigrant parents, Stephen studied Law at Cambridge University. His passion though was for acting and after taking time out to care for his mother, he spent three years at RADA before pursuing a successful career on stage, screen and film. Stephen lives in London with his wife and three sons.DISC ONE: King of the Road - Roger Miller DISC TWO: I Recall A Gypsy Woman - Don Williams DISC THREE: Beautiful Boy (Darling Boy) - John Lennon DISC FOUR: Who Knows Where the Time Goes - Fairport Convention DISC FIVE: Stayin Alive - Bee Gees DISC SIX: Ravel: Piano Concerto in G Major, M. 83: II. Adagio assai. Composed by Maurice Ravel and performed by Martha Argerich (piano) and Berliner Philharmoniker, conducted by Claudio Abbado DISC SEVEN: Rhapsody in Blue. Composed by George Gershwin and performed by New York Philharmonic, conducted by Zubin Mehta DISC EIGHT: (Your Love Keeps Lifting Me) Higher And Higher - Jackie Wilson BOOK CHOICE: Collected Works of Seamus Heaney LUXURY ITEM: A piano CASTAWAY'S FAVOURITE: Stayin Alive - Bee Gees Presenter: Lauren Laverne Producer: Sarah Taylor

On today's episode of "Conversations On Dance", we are joined by former Chief Dance Critic of the New York Times and performing arts historian Alastair Macaulay to discuss the legacy of composer Maurice Ravel around the corner from his 150th birthday. We talk about Ravel's major commissions for dance, how dance influenced his compositions outside of those meant for the concert dance stage, and his continued impact on major choreographers of the 20th century and onwards, like Frederick Ashton and George Balanchine. The Torvill and Dean “Bolero” referenced: https://www.olympics.com/en/video/torvill-and-dean-s-legendary-bolero-performance-music-mondaysLINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/COD-email Hosted on Acast. See acast.com/privacy for more information.

Magician, Swiss Watchmaker, Aloof, Elegant, Precise, Soulful, Childlike, Naive, Warm: these are all words that have been used to describe Maurice Ravel, a man of elegant contradictions. But perhaps these contradictions are why his music remains so beloved and universally appealing to so many musicians and audience members. Ravel has long been one of my favorite composers, and I always adore listening to his music and performing it. For the 150th anniversary of his birth, the legendary publishing house of G Henle has decided to focus on Ravel and his circle this year, calling this series Ravel and Friends. A few months ago, the Henle office contacted me to ask if I would be willing to collaborate with them on a series of Sticky Notes episodes about Ravel, each one focusing on the relationship between Ravel and another composer who was in his circle. This sounded like an amazing idea, and so I jumped at the chance to work with them. So, over the course of the next 5-6 months, you will be seeing 5 episodes under the Ravel and Friends theme. Today's episode will be a chance to do an overview on Ravel himself and to take a look at some major works that I haven't gotten around to covering on the show yet. We'll then finish the show with an interview with the great pianist Boris Giltburg, as we discuss the solo piano verison of Ravel's La Valse, one of the most challenging pieces in the entire repertoire. Later episodes will include a look at Ravel's relationships with Debussy, Gershwin, and De Falla, and much more! This is such an exciting chance to take a deeper look at one of the greatest 19th and 20th century composers, as well as take a look at the broader musical and social trends of that era, something I've always been deeply interested in. Join us!