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One-Act Play Collections - Book 10, Part 1 Title: One-Act Play Collections - Volume 10 Overview: The tenth volume of one-act plays in the public domain is read by a variety of LibriVox members. A one-act play is a play that has only one act and is distinct from plays that occur over several acts. One-act plays may consist of one or more scenes. The 20-40 minute play has emerged as a popular subgenre of the one-act play, especially in writing competitions. One-act plays make up the overwhelming majority of Fringe Festival shows including at the Edinburgh Fringe Festival. The origin of the one-act play may be traced to the very beginning of recorded Western drama: in ancient Greece, Cyclops, a satyr play by Euripides, is an early example. The satyr play was a farcical short work that came after a trilogy of multi-act serious drama plays. A few notable examples of one-act plays emerged before the 19th century including various versions of the Everyman play and works by Moliere and Calderon. One act plays became more common in the 19th century and is now a standard part of repertory theatre and fringe festivals. Published: Various Series: One-Act Play Collections List: One-Act Play Collections, Play #20 Author: Various Genre: Plays, Theater, Drama Episode: One-Act Play Collections - Book 10, Part 1 Book: 10 Volume: 10 Part: 1 of 2 Episodes Part: 5 Length Part: 2:31:58 Episodes Volume: 10 Length Volume: 4:28:05 Episodes Book: 10 Length Book: 4:28:05 Narrator: Collaborative Language: English Rated: Guidance Suggested Edition: Unabridged Audiobook Keywords: plays, theater, drama, comedy, hit, musical, opera, performance, show, entertainment, farce, theatrical, tragedy, one-act, stage show Hashtags: #freeaudiobooks #audiobook #mustread #readingbooks #audiblebooks #favoritebooks #free #booklist #audible #freeaudiobook #plays #theater #drama #comedy #hit #musical #opera #performance #show #entertainment #farce #theatrical #tragedy #one-act #StageShow Credits: All LibriVox Recordings are in the Public Domain. Wikipedia (c) Attribution-ShareAlike 3.0 Unported License. WOMBO Dream.
Rod Smith and I (Pete) host a round-table discussion with Dr. Alphonzo Monzo, ND, and David Beverley Sr, both highly informed and intelligent men of God who give us deeper understanding of the world of medical, AI, vaccine, and Mark of The Beast technology that is all converging, being perfected and tested, so that the Antichrist can one day soon unleash the power to steal mankind's very souls, cutting us off permanently from God if we take the Mark, destining every one who does so to Hell with no chance of being saved. This is the first half of our discussion, the second half to follow on EP 136. Check out David's website here: www.jesusfreakcomputergeek.com And Dr. Monzo's website here: www.drmonzo.com Please consider supporting our podcast; for Luke and I to create 4 episodes a month takes an average of 40 hours to research, record, and produce, sometimes more. If you find value in our work and would like to help support us, please choose from the options below. Thanks very much!! -Luke and Pete Paypal: https://www.paypal.me/peteohlinger Cash App: https://cash.app/$PeteOhlinger Venmo: https://venmo.com/u/Pete-Ohlinger Feel free to contact us with any questions or comments for the show! Email us at: thedaysofnoahpodcast@gmail.com We'd love to hear from you! Thanks for listening- we appreciate each and every one of you out there. Don't forget to like, share, and subscribe, and tell your friends and family about the show, and leave us a five-star review, which helps to spread the show to others! All show music is original (by BassManPete) Cover art is of Mt. Hermon, site of the Watcher's descent, photo credit: By Almog - Own work, Public Domain, https://commons.wikimedia.org/w/index.php?curid=2181987, and beautifully crafted into our logo by graphic designer Christine Forster (https://x.com/GfxChristine00?s=20)
One-Act Play Collections - Book 9, Part 2 Title: One-Act Play Collections - Volume 9 Overview: The ninth volume of one-act plays in the public domain is read by a variety of LibriVox members. A one-act play is a play that has only one act and is distinct from plays that occur over several acts. One-act plays may consist of one or more scenes. The 20-40 minute play has emerged as a popular subgenre of the one-act play, especially in writing competitions. One-act plays make up the overwhelming majority of Fringe Festival shows including at the Edinburgh Fringe Festival. The origin of the one-act play may be traced to the very beginning of recorded Western drama: in ancient Greece, Cyclops, a satyr play by Euripides, is an early example. The satyr play was a farcical short work that came after a trilogy of multi-act serious drama plays. A few notable examples of one-act plays emerged before the 19th century including various versions of the Everyman play and works by Moliere and Calderon. One act plays became more common in the 19th century and is now a standard part of repertory theatre and fringe festivals. Published: Various Series: One-Act Play Collections List: One-Act Play Collections, Play #19 Author: Various Genre: Plays, Theater, Drama Episode: One-Act Play Collections - Book 9, Part 2 Book: 9 Volume: 9 Part: 2 of 2 Episodes Part: 5 Length Part: 1:52:23 Episodes Volume: 11 Length Volume: 4:12:28 Episodes Book: 11 Length Book: 4:12:28 Narrator: Collaborative Language: English Rated: Guidance Suggested Edition: Unabridged Audiobook Keywords: plays, theater, drama, comedy, hit, musical, opera, performance, show, entertainment, farce, theatrical, tragedy, one-act, stage show Hashtags: #freeaudiobooks #audiobook #mustread #readingbooks #audiblebooks #favoritebooks #free #booklist #audible #freeaudiobook #plays #theater #drama #comedy #hit #musical #opera #performance #show #entertainment #farce #theatrical #tragedy #one-act #StageShow Credits: All LibriVox Recordings are in the Public Domain. Wikipedia (c) Attribution-ShareAlike 3.0 Unported License. WOMBO Dream.
Well, it's Fathers Day. For me, that means another trip to the cemetery rather than a trip to visit my dad for dinner. I'm not looking for sympathy. That's just the way it is. I mean. That's life! And this episode's featured artist certainly saw his share of ups and downs during his incredibly influential and talented life. He was also my dad's favorite singer. This is the last of five of his solo albums my dad had. But we have heard sing him with the Harry James and Tommy Dorsey Orchestras as well. So, get ready to hear the man who went from pauper to king, a couple of times, in Volume 233: Frank's Life for Fathers Day. For more information about this album, see the Discogs webpage for it. Credits and copyrights Frank Sinatra – That's Life Label: Reprise Records – F 1020 Format: Vinyl, LP, Album, Promo, Mono Released: 1966 Genre: Jazz, Pop Style: Vocal, Swing Supported by a studio orchestra arranged and conducted by Ernie Freeman We will hear 6 of the 10 songs from this album. That's Life Written-By – Dean Kay and Kelly Gordon number 4 on the Billboard Hot 100 in 1966-67. It also reached number 1 on the Billboard Easy Listening chart. I Will Wait For You Composed By – Michel LeGrand and Norman Gimbel Somewhere My Love Composed By – Maurice Jarre and Paul Francis Webster Winchester Cathedral Written By – Geoff Stephens The New Vaudeville Band/September 26, 1966/Hit song The Impossible Dream Composed By – Mitch Leigh and Joe Darion What Now My Love Composed By – Carl Sigman and Gilbert Bécaud I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #franksinatra #thatslife #musichistory #musicalmemories #vinylcollecting #vinylrecords #fyp
Have you ever wanted to put AI generated versions of us in a horror movie? Try it and we'll be contacting our lawyers. That is, unless you're still around once all our content enters the public domain. Then there's nothing we can do. All we ask is that you give your movie a relatively clever name.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
In 1931, Ulman Owens, a lighthouse keeper, suffered a sudden, horrible death. The cause of his death is an unsolved mystery. Many people believe he was murdered. Support this podcast===EPISODE RELEASE DATE: 06/13/2025.===HISTORICAL REFERENCES -The Mysterious Death of a Lighthouse Keeper :History of the Holland Island Bar Lighthouse FBI Investigation Does Not Solve Mystery In Death of Lighthouse Keeper , Lighthouse Digest, Oct. 2007. For Whom the Bell Tolls, Chesapeake Bay Maritime Museum (webpage).Ulman Owens, Wikipedia.Somebody Knows:The Unsolved Murder of Jean Long. CBS Radio show, episode, Aug. 17, 1950. ===MISCELLANEOUS:Host Intro – Nina Innsted, host of the Already Gone podcast.Exit Aphorism - attributed to G.K. Chesterton. Source unknown.Aphorism Voice - Kit Caren, co-host of Forgotten News Podcast.===MUSIC:Kevin MacLeod of Incompetech.com – Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses / by 3.0.At RestThe Curtain RisesI Knew A Guy.===All Sound Effects & Short Instrumentals are From Freesound.org or the Public Domain.===HEY! CONTACT US!E-Mail: ForgottenNewsPodcast@gmail.com FNP Facebook page:https://www.facebook.com/Forgotten-News-Podcast Kit Caren's Facebook page:https://www.facebook.com/people/Kit-Caren/100085459732466BlueSky:@forgottennews.bsky.social
Beth GMs for Ellie, Crash, and Io. This episode: The Logistics Trio encounter space zombies that aren't the slow kind. Follow this series on… ▶ RSS: https://aaronbsmith.com/cogwheel/tag/gurpswars/podcast ▶ Patreon: https://www.patreon.com/cogwheelgaming ▶ Mastodon: https://is.aaronbsmith.com/@cogwheel MP3 Download: GURPS Wars S1 Ep 64: Fast Spombies Music Used: “Cabin Fever!” by Drozerix is licensed as Public Domain and can … Continue reading "GURPS Wars S1 Ep 64: Fast Spombies"
One-Act Play Collections - Book 9, Part 1 Title: One-Act Play Collections - Volume 9 Overview: The ninth volume of one-act plays in the public domain is read by a variety of LibriVox members. A one-act play is a play that has only one act and is distinct from plays that occur over several acts. One-act plays may consist of one or more scenes. The 20-40 minute play has emerged as a popular subgenre of the one-act play, especially in writing competitions. One-act plays make up the overwhelming majority of Fringe Festival shows including at the Edinburgh Fringe Festival. The origin of the one-act play may be traced to the very beginning of recorded Western drama: in ancient Greece, Cyclops, a satyr play by Euripides, is an early example. The satyr play was a farcical short work that came after a trilogy of multi-act serious drama plays. A few notable examples of one-act plays emerged before the 19th century including various versions of the Everyman play and works by Moliere and Calderon. One act plays became more common in the 19th century and is now a standard part of repertory theatre and fringe festivals. Published: Various Series: One-Act Play Collections List: One-Act Play Collections, Play #18 Author: Various Genre: Plays, Theater, Drama Episode: One-Act Play Collections - Book 9, Part 1 Book: 9 Volume: 9 Part: 1 of 2 Episodes Part: 6 Length Part: 2:20:04 Episodes Volume: 11 Length Volume: 4:12:28 Episodes Book: 11 Length Book: 4:12:28 Narrator: Collaborative Language: English Rated: Guidance Suggested Edition: Unabridged Audiobook Keywords: plays, theater, drama, comedy, hit, musical, opera, performance, show, entertainment, farce, theatrical, tragedy, one-act, stage show Hashtags: #freeaudiobooks #audiobook #mustread #readingbooks #audiblebooks #favoritebooks #free #booklist #audible #freeaudiobook #plays #theater #drama #comedy #hit #musical #opera #performance #show #entertainment #farce #theatrical #tragedy #one-act #StageShow Credits: All LibriVox Recordings are in the Public Domain. Wikipedia (c) Attribution-ShareAlike 3.0 Unported License. WOMBO Dream.
Kristina Gyllenstierna (1494–1559) ledde år 1520 försvaret av Stockholms slott mot Kristian II:s danska trupper. Gravid och nybliven änka efter riksföreståndare Sten Sture den yngre, tog hon kommandot med både mod och moralisk styrka.Genom högättade kvinnors perspektiv framträder en annan bild av maktstriderna i Kalmarunionens slutskede och Vasaättens uppkomst, än i traditionell historieskrivning. Dessa kvinnor kunde utöva inflytande, men riskerade också att drabbas hårt när deras män förlorade makten.I podden Historia Nu samtalar Urban Lindstedt med idéhistorikern Karin Tegenborg Falkdalen, författare till Kvinnorna runt Vasatronen, om Kristinas liv och andra adelskvinnors roll i maktspelet.Kvinnornas roller i det tidigmoderna Sverige var mer komplexa än enbart dekorativa. De var mödrar, änkor, rådgivare, godsägare – och i flera fall politiska aktörer med avgörande betydelse. I en värld där politisk makt ofta ärvdes eller bevarades genom släktband, blev kvinnor som Kristina Gyllenstierna, Märta, och Margareta Leijonhufvud nyckelfigurer i bevarandet av dynastisk kontinuitet och motståndskraft.Genom brev, förhandlingar, strategiska äktenskap och minnesarbete vidmakthöll dessa kvinnor släktens ära och makt – ofta i tystnad, men med en kraft och målmedvetenhet som i efterhand framstår som historiskt avgörande.Kristina föddes ca 1494 i en av Sveriges mäktigaste släkter. Genom sitt äktenskap med Sten Sture dy knöts hon till det parti som ville frigöra Sverige från dansk överhöghet. När maken stupade 1520 tog Kristina över ledarskapet och organiserade motståndet. Hon skrev upprop, försökte nå utländskt stöd och agerade som regent i Stures namn.Trots en förhandlad amnesti lät Kristian II avrätta hennes släktingar i Stockholms blodbad. Efteråt fängslades Kristina och flera kvinnliga släktingar i Blåtårn i Köpenhamn, där de satt isolerade i över tre år. I sin andaktsbok bad hon om skydd från sina fiender – hon var mer än en fånge, hon var en symbol för motståndet.När Gustav Eriksson Vasa, hennes systerson, tog makten blev han snabbt hennes rival. Kristina kämpade för sina barns rättigheter, men marginaliserades. Relationen till Gustav Vasa präglades av misstänksamhet. Gustav Vasa arbetade målmedvetet för att koncentrera makten kring sin egen familj. Ätten Sture förlorade sin plats i rikets ledning. Deras relation var från detta ögonblick kylig, präglad av misstänksamhet och maktspel.Hennes sonhustru, Märta Eriksdotter Leijonhufvud, en annan centralgestalt i 1500-talets adliga kvinnohistoria. Märta gifte sig med Svante Sture, Kristinas son, och blev mor till flera söner som gjorde karriär i statens tjänst.Bild: Kristina Gyllenstierna och maken, riksföreståndaren Sten Sture den yngre, avbildade i ett samtida porträtt från Gripsholms slott. Målningen är utförd av en okänd konstnär och ingår i Nationalmuseums samlingar. Public Domain.Musik: Walther, Johann Gottfried. Ach, Gott, erhör mein Seufzen und Wehklage [Ljudinspelning]. Tillgänglig via Wikimedia Commons: Creative Commons Erkännande-Dela Lika 4.0 Internationell (CC BY-SA 4.0).Lyssna också till Nytt ljus över antalet döda i Stockholms blodbad.Klippare: Emanuel Lehtonen Vill du stödja podden och samtidigt höra ännu mer av Historia Nu? Gå med i vårt gille genom att klicka här: https://plus.acast.com/s/historianu-med-urban-lindstedt. Hosted on Acast. See acast.com/privacy for more information.
Newspaperwoman Anne Rogers and police Lieutenant Mike Flannigan investigate the perplexing murder of Dr, Warren King, a retired physician and former international chess champion.Adapted from the script of a lost episode of the radio drama “Hot Copy”.Original broadcast on Sunday, March 12th, 1944. OUR CAST:Rhonda Sigler-Ware … Ann Rogers.Jerry Kokich …Lt. Mike Flannigan.Gregory Dwyer ... Dr. Warren King.Frank Guglielmelli, … John Bishop.Scott R. McKinley … Dr. Robert Larson.Erin Suminsby ... Dorothy Mason.Dan Ware … Dr. Lincoln Owens.Glenn Hascall, … Tom Harkness.Logan Smith ... Officer Pat O'Malley, and also, your Announcer.Jim Goodluck ... Producer / Director / Audio Editor.SOUND EFFECTS CREDITS:All sound effects are from Freesound.org, Inspector J, or the Public Domain.CONTACT US!If you have any questions, comments or suggestions, please feel free to email:hotcopyradiotheater@gmail.comBlueSky:@hotcopyradio.bsky.socialFacebook page:https://www.facebook.com/HotCopyRadioTheater Hosted on Acast. See acast.com/privacy for more information.
Alexander den store sin ledde i sin framgångsrika här allt närmare Indien. Föreställningen om hans egen oövervinnerlighet var den drivkraften. Förutsättningarna för att föra krig i dessa fjärran länder var också andra, och den makedonska hären mötte andra former av motstånd. Så småningom skulle Alexanders hybris också möta verkligheten och snart fick hären vända hem.Det står klart i efterhand att även om Alexander var ett taktiskt och strategiskt geni var han ingen statsbyggare. Något beständigt imperium blev det dock inte. Efter hans tidiga död 323 f.v.t. bröts Alexanders landvinningar upp i nya kungadömen, vilket i sig skapade nya geopolitiska problem och konflikter.I dagens avsnitt av Militärhistoriepodden pratar idéhistorikern Peter Bennesved och professorn i historia Martin Hårdstedt om Alexanders sista fälttåg i öst och fram till hans död år 323. Detta är en repris.Det persiska imperiet var i grunden krossat och Alexanders nemesis Darius var besegrad. Alexanders löfte om att straffa perserna för deras härjningar i den grekiska övärlden hade uppfyllts, så när Alexander nu blickade österut återigen och försökte nå havet på andra sidan kontinenten var motivet snarare världsherravälde.Vid floden Hydaspes, samma år, stod också ett av Alexanders mest välkända slag mot den Indiske rajan Poros och hans son, ihågkommit bland annat för mötet med indiska stridselefanter. Återigen skulle Alexanders aggressiva kavalleritaktik, understödd av den täta och stabila makedonska falangen, visa sig framgångsrik. Med segern vid Hydaspes var områdena runt Indusdalens bifloder vunnet för Alexander.Efter slaget vid Hydaspes nåde dock Alexander väg ände i både praktisk och symbolisk bemärkelse. På vägen tillbaka till Persepolis och Babylon är det en annan Alexander som träder fram. Vid floden Hyphasis, en av de sista bifloderna till den stora indusfloden blev Alexander tvungen att vända hemåt efter att de makedonska soldaterna började tala om myteri. Det stod då klart att världens slut var längre bort än vad man känt till. Alexanders megalomani mötte här verkligheten, och svaret blev att börja den långa återvandringen. På vägen hem fortsatte dock motgångarna. Alexander blev svårt sårad och tappade sin förmåga att delta i striderna på det sätt som han tidigare gjort. Kanske den största av utmaningar mötte Alexander i den Geodriska öknen påväg västerut mot Persepolis igen där det sägs att tre fjärdedelar av hans här dukade under i hettan och i brist på förnödenheter.Enligt Alexanders biografer tog alkoholen också över allt mer under Alexanders sista år och innan han dog hade hans tidigare gudalika uppenbarelse och förmåga fått en annan karaktär. År 323 f.v.t. dör Alexander svårt försvagad och utan en utsedd arvinge. Exakt vad det var som tog hans liv tvistas det ännu om, men klart är att hans stora alkoholintag knappast gav honom motståndskraften och skärpan att hantera varken naturliga sjukdomar eller försök till förgiftningar, oavsett vad det nu var som ledde fram honom till Styx.Något beständigt imperium blev det dock inte. Hans stora gärning ligger i hans sätt att föra krig. Ganska snart bröts Alexanders landvinningar upp i nya kungadömen, vilket i sig skapade nya geopolitiska problem och konflikter. Inte minst förändrades läget i de östra delarna av medelhavet när den tidigare makedonska supermakten tappade sitt grepp. Detta skulle också leda till att nya stormakter kunde etablera sig. Den enes död, den andres bröd, som det heter, och efter många år av inbördes konflikter mellan kvarlevorna av Alexanders imperium låg medelhavet snart öppet för en ny och växande stormakt på den italienska halvön.Bild: Alexander i stridens hetta, detalj av det berömda "Slaget om Alexander" (mosaik, Pompeji, ca 150-100 f.Kr., troligen baserad på en modell från 300-talet), Wikipedia, Public Domain. Hosted on Acast. See acast.com/privacy for more information.
Was haben Winnie Puuh, Mickey Mouse und Peter Pan gemeinsam? Richtig: Sie werden plötzlich zu blutrünstigen Monstern. In dieser Folge Medienbits erfährst du, warum immer mehr Horrorfilme mit bekannten Kinderfiguren auftauchen – und warum das gerade für Kinder problematisch sein kann. Wir sprechen über:
Award-winning filmmaker, author, and whistle-blower to the Apollo Moon landing hoax, Bart Sibrel, comes back to talk with us, tying up some loose ends on a rundown of some of the smoking guns and impossibilities for why they didn't and couldn't have gone to the moon in 1969. We transition the conversation to the topic of UFOs and Aliens and what their true nature is and an admonition to pray for our enemies, those that have lied, enslaved, and oppressed us, that they might repent and bear witness to the truth of Christ's supremacy over all creation! Please visit www.sibrel.com to watch his films for free, or check out his book Moon Man, to hear the whole story, including how he was pursued by the CIA for exposing this truth, and also his latest book, Aliens From Planet X. Please consider supporting our podcast; for Luke and I to create 4 episodes a month takes an average of 40 hours to research, record, and produce, sometimes more. If you find value in our work and would like to help support us, please choose from the options below. Thanks very much!! -Luke and Pete Paypal: https://www.paypal.me/peteohlinger Cash App: https://cash.app/$PeteOhlinger Venmo: https://venmo.com/u/Pete-Ohlinger Feel free to contact us with any questions or comments for the show! Email us at: thedaysofnoahpodcast@gmail.com We'd love to hear from you! Thanks for listening- we appreciate each and every one of you out there. Don't forget to like, share, and subscribe, and tell your friends and family about the show, and leave us a five-star review, which helps to spread the show to others! Original Music by BassManPete Cover art is of Mt. Hermon, site of the Watcher's descent, photo credit: By Almog - Own work, Public Domain, https://commons.wikimedia.org/w/index.php?curid=2181987, and beautifully crafted into our logo by graphic designer Christine Forster (https://x.com/GfxChristine00?s=20)
One-Act Play Collections - Book 8, Part 2 Title: One-Act Play Collections - Volume 8 Overview: Librivox's One-Act Play Collection 8 includes one-act plays in the public domain read by a variety of LibriVox members. A one-act play is a play that has only one act and is distinct from plays that occur over several acts. One-act plays may consist of one or more scenes. The 20-40 minute play has emerged as a popular subgenre of the one-act play, especially in writing competitions. One-act plays make up the overwhelming majority of Fringe Festival shows including at the Edinburgh Fringe Festival. The origin of the one-act play may be traced to the very beginning of recorded Western drama: in ancient Greece, Cyclops, a satyr play by Euripides, is an early example. The satyr play was a farcical short work that came after a trilogy of multi-act serious drama plays. A few notable examples of one-act plays emerged before the 19th century including various versions of the Everyman play and works by Moliere and Calderon. One act plays became more common in the 19th century and is now a standard part of repertory theatre and fringe festivals. Published: Various Series: One-Act Play Collections List: One-Act Play Collections, Play #17 Author: Various Genre: Plays, Theater, Drama Episode: One-Act Play Collections - Book 8, Part 2 Book: 8 Volume: 8 Part: 2 of 2 Episodes Part: 5 Length Part: 1:53:35 Episodes Volume: 10 Length Volume: 3:52:21 Episodes Book: 10 Length Book: 3:52:21 Narrator: Collaborative Language: English Rated: Guidance Suggested Edition: Unabridged Audiobook Keywords: plays, theater, drama, comedy, hit, musical, opera, performance, show, entertainment, farce, theatrical, tragedy, one-act, stage show Hashtags: #freeaudiobooks #audiobook #mustread #readingbooks #audiblebooks #favoritebooks #free #booklist #audible #freeaudiobook #plays #theater #drama #comedy #hit #musical #opera #performance #show #entertainment #farce #theatrical #tragedy #one-act #StageShow Credits: All LibriVox Recordings are in the Public Domain. Wikipedia (c) Attribution-ShareAlike 3.0 Unported License. WOMBO Dream.
Pastor Kaye SimsGod's WillCrystal Beach Community Church, Texas06-08-2025No Video: All Music Is Performed Under CCLI License: 5449184, or Public Domain.
Time to take a road trip around this great country we call the US of A. And who better to be our tour guide than the incredible Ray Charles. He had over 1,700 listings in discogs, the website I use to catalog my vinyl collections. And it's not easy to catalog just what genre this genius belongs to. Well, he belongs to them all: pop, blues, jazz, gospel, country, and rock. So get ready to hear a guy who once tried to sell an electric piano to Jake and Elwood Blues, “2,000 bucks and it's yours. You can take it home with you. As a matter of fact, I'll throw in the black keys for free!" In Volume 232: Ray on the Road. For more information about this album, see the Discogs webpage for it. Credits and copyrights Ray Charles – The Genius Hits The Road Label: ABC-Paramount – ABC 335, ABC-Paramount – ABC-335 Format: Vinyl, LP, Album, Mono Released: Sep 1960 Genre: Jazz, Funk / Soul Style: Rhythm & Blues We will hear 7 of the 12 tunes on this album. Alabamy Bound Written-By – Bud Green, Buddy DeSylva, and Ray Henderson Georgia On My Mind Written-By – Hoagy Carmichael and Stuart Gorrell Moonlight In Vermont Written-By – John Blackburn and Karl Suessdorf Mississippi Mud Written-By – Harry Barris and James Cavanaugh Deep In The Heart Of Texas Written-By – Don Swander and June Hershey California, Here I Come Written-By – Al Jolson, Buddy DeSylva and Joseph Meyer Chattanooga Choo-Choo Written-By – Harry Warren and Mack Gordon I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #musicalmemories #musichistory #vinylcollecting #vinylrecords #fyp
On Part 5 of this MINI EP series, Rod and Pete contrast some of the differences between OSAS, Once Saved Always Saved, which we believe to be unbiblical, and Eternal Security, which is biblical. Please consider supporting our podcast; for Luke and I to create 4 episodes a month takes an average of 40 hours to research, record, and produce, sometimes more. If you find value in our work and would like to help support us, please choose from the options below. Thanks very much!! -Luke and Pete Paypal: https://www.paypal.me/peteohlinger Cash App: https://cash.app/$PeteOhlinger Venmo: https://venmo.com/u/Pete-Ohlinger Feel free to contact us with any questions or comments for the show! Email us at: thedaysofnoahpodcast@gmail.com We'd love to hear from you! Thanks for listening- we appreciate each and every one of you out there. Don't forget to like, share, and subscribe, and tell your friends and family about the show, and leave us a five-star review, which helps to spread the show to others! Original Music by BassManPete Cover art is of Mt. Hermon, site of the Watcher's descent, photo credit: By Almog - Own work, Public Domain, https://commons.wikimedia.org/w/index.php?curid=2181987, and beautifully crafted into our logo by graphic designer Christine Forster (https://x.com/GfxChristine00?s=20)
Was James Bond based on a real person? Meet the spies, heroes, and eccentrics who helped inspire Ian Fleming's iconic 007-then find out why none of them quite fit the tux.________________________________________Full Description:What if James Bond wasn't just fiction? In this episode of An Ounce, we dive into the real lives of the men believed to have inspired 007-from the Serbian double agent who gambled with Nazis, to the Canadian mastermind who ran a spy ring out of Manhattan.Meet Duško Popov, Patrick Dalzel-Job, William Stephenson, Sidney Reilly… and yes, even Ian Fleming himself. Each brought something to the Bond mythos-but not one of them is Bond. Discover how this famous spy was stitched together like a bespoke Frankenstein in a tux, with just the right mix of danger, elegance, and legend.________________________________________
One-Act Play Collections - Book 8, Part 1 Title: One-Act Play Collections - Volume 8 Overview: Librivox's One-Act Play Collection 8 includes one-act plays in the public domain read by a variety of LibriVox members. A one-act play is a play that has only one act and is distinct from plays that occur over several acts. One-act plays may consist of one or more scenes. The 20-40 minute play has emerged as a popular subgenre of the one-act play, especially in writing competitions. One-act plays make up the overwhelming majority of Fringe Festival shows including at the Edinburgh Fringe Festival. The origin of the one-act play may be traced to the very beginning of recorded Western drama: in ancient Greece, Cyclops, a satyr play by Euripides, is an early example. The satyr play was a farcical short work that came after a trilogy of multi-act serious drama plays. A few notable examples of one-act plays emerged before the 19th century including various versions of the Everyman play and works by Moliere and Calderon. One act plays became more common in the 19th century and is now a standard part of repertory theatre and fringe festivals. Published: Various Series: One-Act Play Collections List: One-Act Play Collections, Play #16 Author: Various Genre: Plays, Theater, Drama Episode: One-Act Play Collections - Book 8, Part 1 Book: 8 Volume: 8 Part: 1 of 2 Episodes Part: 5 Length Part: 1:58:47 Episodes Volume: 10 Length Volume: 3:52:21 Episodes Book: 10 Length Book: 3:52:21 Narrator: Collaborative Language: English Rated: Guidance Suggested Edition: Unabridged Audiobook Keywords: plays, theater, drama, comedy, hit, musical, opera, performance, show, entertainment, farce, theatrical, tragedy, one-act, stage show Hashtags: #freeaudiobooks #audiobook #mustread #readingbooks #audiblebooks #favoritebooks #free #booklist #audible #freeaudiobook #plays #theater #drama #comedy #hit #musical #opera #performance #show #entertainment #farce #theatrical #tragedy #one-act #StageShow Credits: All LibriVox Recordings are in the Public Domain. Wikipedia (c) Attribution-ShareAlike 3.0 Unported License. WOMBO Dream.
Episode: Kyle Keimer joins to add insights from archaeology to an earlier OnScript episode called Misunderstanding Sacrifice (listen HERE). Dru and Matt L talk about the incomplete pictures gained from archaeology AND the Bible, and how to grapple with both. This episode is cross-listed with the OnScript podcast. Guest/Co-Host: Kyle Keimer is know to listeners of our Biblical World podcast, and follow THIS link to get to know him more. Give: Visit our Donate Page if you would like to support the work of OnScript and Biblical World. Image Attribution: By illustrators of the 1890 Holman Bible - http://thebiblerevival.com/clipart/1890holmanbible/bw/altarofincensealtarofburnt-offeringlaver.jpg, Public Domain, https://commons.wikimedia.org/w/index.php?curid=9424389
Schweiz har länge betraktats som något av ett broderland till Sverige vad gäller sin neutrala och alliansfria hållning. Sedan 2024 har dock Sverige definitivt lämnat sin neutralitet bakom sig. Men varför fortsätter Schweiz att upprätthålla sin neutralitet och alliansfrihet?I det här avsnittet av Militärhistoriepodden diskuterar idéhistorikern Peter Bennesved och historikern Martin Hårdstedt Schweiz unika historia och dess särskilda förhållande till allianser och krig.En självvald neutralitet är i själva verket ett relativt nytt fenomen i Schweiz historia. Sedan 1600-talet har landets neutralitet varit påtvingad och garanterad av Frankrike. Frankrikes engagemang var då av strategisk betydelse och kopplat till landets geopolitiska konflikt med det Habsburgska imperiet. Det var avgörande för Frankrike att alppassagerna genom de schweiziska kantonerna inte plötsligt skulle hamna i habsburgska händer.Även efter de europeiska krigen under det tidiga 1800-talet förblev den schweiziska neutraliteten påtvingad, nu av den segrande alliansen efter slaget vid Leipzig 1813. Schweiz visade då beredvillighet att underordna sig den nya europeiska ordningen, vilket möjliggjorde att dess neutralitet formaliserades.Först efter världskrigen började det schweiziska politiska ledarskapet formulera en idé om neutralitet som ett kulturellt och politiskt projekt. Detta stöddes av landets framgångsrika diplomatiska manövrer mellan axelmakterna och de allierade under andra världskriget. Genève utvecklades till ett centrum för underrättelsetjänster från de krigförande länderna, samtidigt som Schweiz tillät handel med båda sidor.Efterkrigstiden visade att detta lilla land i Europas mitt kunde fortsätta att nyttja sin position som mellanhand och finansiellt nav för att säkra sin frihet även i framtiden.Neutralitetsfrågan har sedan dess förblivit en politiskt känslig fråga i den schweiziska offentligheten. Landet har visserligen deltagit i internationella militära insatser, men aldrig med stridande förband, och alltid med politiska kontroverser i bagaget. Till och med landets inträde i FN – som skedde först 2002 – ledde till hård debatt och ett mycket jämnt folkomröstningsresultat.Schweiz hållning till Rysslands fullskaliga invasion av Ukraina har också varit föremål för debatt, och frågan är i skrivande stund ännu inte avgjord.Bild: Marignano 1515 – början på Schweiz väg mot neutralitet.Urs Grafs teckning visar slagfältet vid Marignano, där Schweiz led ett förkrossande nederlag mot Frankrike. Nederlaget blev en vändpunkt. Det visade gränsen för den schweiziska krigsmaktens möjligheter och inledde en utveckling där stormakterna, främst Frankrike, började garantera Schweiz neutralitet av strategiska skäl. Teckning: Urs Graf, ca 1515. Kunstmuseum Basel, Public Domain.Klippare: Emanuel Lehtonen Hosted on Acast. See acast.com/privacy for more information.
We conclude our conversation with Penny L.A. Shepard (began in EP 132), as we expose the deeds of darkness that government agencies and the deep state along with the Freemasonic Luciferians in the entertainment industry are perpetrating to those most vulnerable among us, our children. Deep underground military bases, working with Nephilim, trafficking children in tunnels connected to mansions, and so much more on this episode. This is a heavy one, folks...but with Christ there is always hope. Pray with us that these things will be exposed, salvation would come to our enemies, and children would be protected from these horrors! Check out Penny's fantastic work and show, The Awake Nation, here: https://theawakenation.com/ and her own channel here: https://rumble.com/user/AgentX11 and contact her here: https://x.com/agent_x11 Please consider supporting our podcast; for Luke and I to create 4 episodes a month takes an average of 40 hours to research, record, and produce, sometimes more. If you find value in our work and would like to help support us, please choose from the options below. Thanks very much!! -Luke and Pete Paypal: https://www.paypal.me/peteohlinger Cash App: https://cash.app/$PeteOhlinger Venmo: https://venmo.com/u/Pete-Ohlinger Feel free to contact us with any questions or comments for the show! Email us at: thedaysofnoahpodcast@gmail.com We'd love to hear from you! Thanks for listening- we appreciate each and every one of you out there. Don't forget to like, share, and subscribe, and tell your friends and family about the show, and leave us a five-star review, which helps to spread the show to others! All show music is original (by BassManPete) Cover art is of Mt. Hermon, site of the Watcher's descent, photo credit: By Almog - Own work, Public Domain, https://commons.wikimedia.org/w/index.php?curid=2181987, and beautifully crafted into our logo by graphic designer Christine Forster (https://x.com/GfxChristine00?s=20)
One-Act Play Collections - Book 7, Part 2 Title: One-Act Play Collections - Volume 7 Overview: LibriVox's One-Act Play Collection 7 includes one-act plays in the public domain read by a variety of LibriVox members. A one-act play is a play that has only one act and is distinct from plays that occur over several acts. One-act plays may consist of one or more scenes. The 20-40 minute play has emerged as a popular subgenre of the one-act play, especially in writing competitions. One-act plays make up the overwhelming majority of Fringe Festival shows including at the Edinburgh Fringe Festival. The origin of the one-act play may be traced to the very beginning of recorded Western drama: in ancient Greece, Cyclops, a satyr play by Euripides, is an early example. The satyr play was a farcical short work that came after a trilogy of multi-act serious drama plays. A few notable examples of one-act plays emerged before the 19th century including various versions of the Everyman play and works by Moliere and Calderon. One act plays became more common in the 19th century and is now a standard part of repertory theatre and fringe festivals. Published: Various Series: One-Act Play Collections List: One-Act Play Collections, Play #15 Author: Various Genre: Plays, Theater, Drama Episode: One-Act Play Collections - Book 7, Part 2 Book: 7 Volume: 7 Part: 2 of 2 Episodes Part: 5 Length Part: 1:51:47 Episodes Volume: 11 Length Volume: 5:10:01 Episodes Book: 11 Length Book: 5:10:01 Narrator: Collaborative Language: English Rated: Guidance Suggested Edition: Unabridged Audiobook Keywords: plays, theater, drama, comedy, hit, musical, opera, performance, show, entertainment, farce, theatrical, tragedy, one-act, stage show Hashtags: #freeaudiobooks #audiobook #mustread #readingbooks #audiblebooks #favoritebooks #free #booklist #audible #freeaudiobook #plays #theater #drama #comedy #hit #musical #opera #performance #show #entertainment #farce #theatrical #tragedy #one-act #StageShow Credits: All LibriVox Recordings are in the Public Domain. Wikipedia (c) Attribution-ShareAlike 3.0 Unported License. WOMBO Dream.
The Wilson government got off to a pretty sticky start, with the new Prime Minister learning, more or less as he arrived at Downing Street in October 1964, that the trade deficit for the year was likely to be twice as bad as he'd expected. One option to deal with the problem was devaluation, but that Wilson ruled out: he remembered how it had been when the Attlee government had devalued, and he didn't want to face that loss of national prestige or the resentment devaluation had produced, all over again. The problem was that sticking with the pound at an artificially high value meant costs for government which killed many other ambitions, in particular introducing an element of planning and using it to generate growth.Still, the US was pleased Britain hadn't devalued. It was, however, less pleased that Britain wasn't sending troops to join its war in Vietnam, but that was a red line for Wilson. He didn't like wars and he wasn't inclined to send young British people into harm's way for a war whose moral grounds many were now questioning and which it wasn't obvious the US could even win.And Wilson also had to face another grisly chapter in the collapse of empire, when Southern Rhodesia, renamed Rhodesia and under a government headed by the hardline Ian Smith, went for a unilateral declaration of independence (UDI). Again, Wilson however much he disliked seeing Rhodesia hanging on to white rule ignoring its black majority, wasn't prepared to go to war over the issue. Instead, he tried to use sanctions to bring Smith to his knees, a well-intentioned tactic which simply didn't work.Illustration: The funeral cortège of Winston Churchill winding its way through London. Public Domain.Music: Bach Partita #2c by J Bu licensed under an Attribution-NonCommercial-No Derivatives (aka Music Sharing) 3.0 International License
Pastor Kaye SimsOrdinary People06-01-2025Crystal Beach Community Church, TexasVideo: https://www.youtube.com/watch?v=sn8dbIVIncg All Music Is Performed Under CCLI License: 5449184, or Public Domain.
When I featured this artist the first time on this show, he was still with us. Unfortunately, Harry Belafonte passed away just a few weeks later. This is the second record we will hear of the two my dad had from this singer. This was Harry's second LP in his illustrious career. While his first did hit number three on the Billboard charts. This was his first of two number one albums. So, get ready to hear one of the purest singing voices ever recorded in Volume 231: Simply Belafonte. For more information about this album, see the Discogs webpage for it. Credits and copyrights Harry Belafonte – Belafonte Label: RCA Victor – LPM 1150, RCA Victor – LPM-1150 Format: Vinyl, LP, Album, Mono, Rockaway Pressing Released: 1956 Genre: Pop, Folk, World, & Country Style: Calypso, Vocal, Folk We will hear 7 of the 11 songs from this album. Waterboy Written-By – Harry Belafonte Troubles Written-By – Harry Belafonte Matilda (This one made me get my bongo drums out) Written-By – Harry Thomas Noah (Next up a song of biblical proportions) Written-By – Harry Belafonte and William Attaway Scarlet Ribbons (For Her Hair) Written-By – Evelyn Danzig, Jack Segal Unchained Melody Written-By – Alex North, Hy Zaret Jump Down, Spin Around Written-By – H. Belafonte, Norman Luboff, and William Attaway I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #harrybelfonte #calypsomusic #musicalmemories #musichistory #vinylcollecting #vinylrecords #fyp
Holy Ripoff, Batman, it's time for Rodney Vs. KFC this week on the Atari ST Show! Join Amigo Aaron and THE BRENT as we get our chicken the hard way!
One-Act Play Collections - Book 7, Part 1 Title: One-Act Play Collections - Volume 7 Overview: LibriVox's One-Act Play Collection 7 includes one-act plays in the public domain read by a variety of LibriVox members. A one-act play is a play that has only one act and is distinct from plays that occur over several acts. One-act plays may consist of one or more scenes. The 20-40 minute play has emerged as a popular subgenre of the one-act play, especially in writing competitions. One-act plays make up the overwhelming majority of Fringe Festival shows including at the Edinburgh Fringe Festival. The origin of the one-act play may be traced to the very beginning of recorded Western drama: in ancient Greece, Cyclops, a satyr play by Euripides, is an early example. The satyr play was a farcical short work that came after a trilogy of multi-act serious drama plays. A few notable examples of one-act plays emerged before the 19th century including various versions of the Everyman play and works by Moliere and Calderon. One act plays became more common in the 19th century and is now a standard part of repertory theatre and fringe festivals. Published: Various Series: One-Act Play Collections List: One-Act Play Collections, Play #14 Author: Various Genre: Plays, Theater, Drama Episode: One-Act Play Collections - Book 7, Part 1 Book: 7 Volume: 7 Part: 1 of 2 Episodes Part: 6 Length Part: 3:18:15 Episodes Volume: 11 Length Volume: 5:10:01 Episodes Book: 11 Length Book: 5:10:01 Narrator: Collaborative Language: English Rated: Guidance Suggested Edition: Unabridged Audiobook Keywords: plays, theater, drama, comedy, hit, musical, opera, performance, show, entertainment, farce, theatrical, tragedy, one-act, stage show Hashtags: #freeaudiobooks #audiobook #mustread #readingbooks #audiblebooks #favoritebooks #free #booklist #audible #freeaudiobook #plays #theater #drama #comedy #hit #musical #opera #performance #show #entertainment #farce #theatrical #tragedy #one-act #StageShow Credits: All LibriVox Recordings are in the Public Domain. Wikipedia (c) Attribution-ShareAlike 3.0 Unported License. WOMBO Dream.
När fascismen växte i Europa på 1930-talet hotades många minoriteter. I Finland blev fascismen aldrig en majoritetsrörelse, men finlandssvenskarna, som kämpade för sin kulturella existens i ett finskdominerat land, kände sig utsatta.Trots svenskans officiella status i Finland ökade trycket från finsknationalistiska rörelser, som såg svensktalande som en rest från det svenska rikets tid. Den finlandssvenska antifascismen var mångfacetterad och påverkades av klass, ideologi och minoritetsstatus. Motståndet sträckte sig från borgerlig kritik av fascismens rättsvidrighet till socialistiska och kommunistiska rörelser.I podden Historia Nu samtalar Urban Lindstedt med historikern Anders Ahlbäck vid Stockholms universitet och litteraturvetaren Ylva Perera vid Åbo Akademi om den finlandssvenska antifascismen. De är aktuella med antologin Finlandssvensk antifascism – Politik, debatt och litteratur 1920–1950. Detta är ett betalt samarbete med Svenska litteratursällskapet i Finland.Fascismen är en ultranationalistisk, auktoritär ideologi som betonar statens makt och folkets homogenitet. Historiskt har fascistiska rörelser, som i Mussolinis Italien och Hitlers Tyskland, präglats av militarism och diktatur.Lapporörelsen var den mest framträdande finska fascistiska rörelsen och försökte eliminera vänstern genom kidnappningar, misshandel och påtryckningar. År 1932 kulminerade dess inflytande i Mäntsäläupproret, som misslyckades men visade styrkan i de auktoritära strömningarna.För finlandssvenskarna var Lapporörelsen ett dubbelt hot – dels mot vänstern, där många antifascister var aktiva, dels genom sin finsknationalism, som såg svenskspråkiga som en oönskad minoritet.Författaren Mirjam Tuominen använde litteraturen som ett antifascistiskt verktyg och såg fascismen som präglad av empatilöshet. Hon skildrade den inre kampen mot fascistiska impulser för att blottlägga dess mekanismer och väcka medkänsla.Finska nationalister ville språkligt och kulturellt homogenisera Finland, vilket hotade det svenskspråkiga Finland. För många blev antifascismen ett försvar av svenskans ställning.Den finlandssvenska pressen spelade en central roll i debatten om fascism. Tidningar som Hufvudstadsbladet, Svenska Pressen och Nya Argus gick från avvaktande till uttalad antifascism på 1930-talet, då minoriteters rättigheter hotades och Finland riskerade att bli en auktoritär stat. Arbetarbladet drev en konsekvent antifascistisk linje redan från 1920-talet.Bildtext: Den 4 juni 1930 misshandlas kommunisten Eino Nieminen brutalt av lappoanhängare utanför Vasa tingshus i samband med en rättegång mot Lapporörelsen. (Wikipedia, Public Domain).Lyssna också på: Så försvann Finland ur svensk historia.Musik: Dramatic Strings av Boris Skalsky, Storyblocks Audio.Klippare: Emanuel Lehtonen Vill du stödja podden och samtidigt höra ännu mer av Historia Nu? Gå med i vårt gille genom att klicka här: https://plus.acast.com/s/historianu-med-urban-lindstedt. Hosted on Acast. See acast.com/privacy for more information.
On this first half of our conversation (to be concluded in EP 133), host of the show "Agent X11" and co-host of "The Awake Nation", Penny L.A. Shepard returns to The Days of Noah to talk about the MIEC corruption of culture and society, how the Military Industrial Entertainment Complex, our government and the entertainment industry, work hand in glove to subvert Christianity, to sow seeds of destruction into the American family, and are tools of Satan to bring the fruit of evil intentions into our culture. Check out Penny's fantastic work and show, The Awake Nation, here: https://theawakenation.com/ and her own channel here: https://rumble.com/user/AgentX11 and contact her here: https://x.com/agent_x11 Please consider supporting our podcast; for Luke and I to create 4 episodes a month takes an average of 40 hours to research, record, and produce, sometimes more. If you find value in our work and would like to help support us, please choose from the options below. Thanks very much!! -Luke and Pete Paypal: https://www.paypal.me/peteohlinger Cash App: https://cash.app/$PeteOhlinger Venmo: https://venmo.com/u/Pete-Ohlinger Feel free to contact us with any questions or comments for the show! Email us at: thedaysofnoahpodcast@gmail.com We'd love to hear from you! Thanks for listening- we appreciate each and every one of you out there. Don't forget to like, share, and subscribe, and tell your friends and family about the show, and leave us a five-star review, which helps to spread the show to others! All show music is original (by BassManPete) Cover art is of Mt. Hermon, site of the Watcher's descent, photo credit: By Almog - Own work, Public Domain, https://commons.wikimedia.org/w/index.php?curid=2181987, and beautifully crafted into our logo by graphic designer Christine Forster (https://x.com/GfxChristine00?s=20)
One-Act Play Collections - Book 6, Part 2 Title: One-Act Play Collections - Volume 6 Overview: This collection includes ten one-act plays by David Belasco, Arnold Bennett, Hereward Carrington, Lewis Carroll, Lord Dunsany, John Galsworthy, Charlotte Perkins Gilman, Maurice Maeterlinck, Anna Bird Stewart, and Alfred, Lord Tennyson. The Book Coordinators for this collection were Charlotte Duckett, Michele Eaton, Elizabeth Klett, Loveday, Piotr Nater, Algy Pug, Eden Rea-Hedrick, Todd, and Chuck Williamson. A one-act play is a play that has only one act and is distinct from plays that occur over several acts. One-act plays may consist of one or more scenes. The 20-40 minute play has emerged as a popular subgenre of the one-act play, especially in writing competitions. One-act plays make up the overwhelming majority of Fringe Festival shows including at the Edinburgh Fringe Festival. The origin of the one-act play may be traced to the very beginning of recorded Western drama: in ancient Greece, Cyclops, a satyr play by Euripides, is an early example. The satyr play was a farcical short work that came after a trilogy of multi-act serious drama plays. A few notable examples of one-act plays emerged before the 19th century including various versions of the Everyman play and works by Moliere and Calderon. One act plays became more common in the 19th century and is now a standard part of repertory theatre and fringe festivals. Published: Various Series: One-Act Play Collections List: One-Act Play Collections, Play #13 Author: Various Genre: Plays, Theater, Drama Episode: One-Act Play Collections - Book 6, Part 2 Book: 6 Volume: 6 Part: 2 of 2 Episodes Part: 5 Length Part: 3:02:09 Episodes Volume: 10 Length Volume: 5:52:42 Episodes Book: 10 Length Book: 5:52:42 Narrator: Collaborative Language: English Rated: Guidance Suggested Edition: Unabridged Audiobook Keywords: plays, theater, drama, comedy, hit, musical, opera, performance, show, entertainment, farce, theatrical, tragedy, one-act, stage show Hashtags: #freeaudiobooks #audiobook #mustread #readingbooks #audiblebooks #favoritebooks #free #booklist #audible #freeaudiobook #plays #theater #drama #comedy #hit #musical #opera #performance #show #entertainment #farce #theatrical #tragedy #one-act #StageShow Credits: All LibriVox Recordings are in the Public Domain. Wikipedia (c) Attribution-ShareAlike 3.0 Unported License. WOMBO Dream. Elizabeth Klett.
Pastor Kaye SimsAfter Pentecost05-25-2025Crystal Beach Community Church, TexasVideo: https://www.youtube.com/watch?v=KoTNHiFq0p0All Music Is Performed Under CCLI License: 5449184, or Public Domain.
We now pull out the final disk of this six record box set filled with memories of radio days past. Back in the days before television when you had to imagine what was being described. To the days of live happenings. Expected and extremely unexpected. This last LP features many news recordings that were captured as they happened from 1920 through the early 1940s. So get ready to hear history as it unfolded live to countless listeners around the globe during a time of financial turmoil and approaching world war in Volume 230: Golden Memories of Radio Record 6. For more information about this album, see the Discogs webpage for it. Credits and copyrights Jack Benny – Golden Memories Of Radio Label: Longines Symphonette Society – none Format: 6 x Vinyl, LP, Compilation, Mono, Maroon Labels Box Set Released: 1969 Genre: Non-Music Style: Radioplay We will hear 12 tracks from this album KDKA Election Returns/Pres. Coolidge Presents Charles Lindberg To Congress (The music world then honored him by naming a dance after Lindy. Check out episode ??? for details on that dance.) Eddie Cantor On 1929 Crash/Billy Sunday On Prohibition FDR Is Inaugurated (include some of the most famous words in presidential speech history) The King George V Funeral/Edward VIII Abdicates/King George VI Coronation In this segment we will hear from four leaders of three countries from the late 1930s and early 40s. The lead up and declaration of war: Hitler, Chamberlain, FDR, Churchill Hitler Declares War On Poland/Chamberlain Announces War/FDR "America Hates War"/Winston Churchill "Give Us The Tools" The Hindenburg Disaster I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #radiohistory #oldtimeradio #musicalmemories #musichistory #vinylcollecting #vinylrecords #fyp
Rod joins Pete once again to continue this mini episode series, this time asking the question: do we retain our full free will after salvation? Or does God limit us in some way so that we can sin but CAN'T sin so far as to revert to unbelief in God? Chew on this one with studying the Word and asking for Holy Spirit discernment! Please consider supporting our podcast; for Luke and I to create 4 episodes a month takes an average of 40 hours to research, record, and produce, sometimes more. If you find value in our work and would like to help support us, please choose from the options below. Thanks very much!! -Luke and Pete Paypal: https://www.paypal.me/peteohlinger Cash App: https://cash.app/$PeteOhlinger Venmo: https://venmo.com/u/Pete-Ohlinger Feel free to contact us with any questions or comments for the show! Email us at: thedaysofnoahpodcast@gmail.com We'd love to hear from you! Thanks for listening- we appreciate each and every one of you out there. Don't forget to like, share, and subscribe, and tell your friends and family about the show, and leave us a five-star review, which helps to spread the show to others! Original Music by BassManPete Cover art is of Mt. Hermon, site of the Watcher's descent, photo credit: By Almog - Own work, Public Domain, https://commons.wikimedia.org/w/index.php?curid=2181987, and beautifully crafted into our logo by graphic designer Christine Forster (https://x.com/GfxChristine00?s=20)
One-Act Play Collections - Book 6, Part 1 Title: One-Act Play Collections - Volume 6 Overview: This collection includes ten one-act plays by David Belasco, Arnold Bennett, Hereward Carrington, Lewis Carroll, Lord Dunsany, John Galsworthy, Charlotte Perkins Gilman, Maurice Maeterlinck, Anna Bird Stewart, and Alfred, Lord Tennyson. The Book Coordinators for this collection were Charlotte Duckett, Michele Eaton, Elizabeth Klett, Loveday, Piotr Nater, Algy Pug, Eden Rea-Hedrick, Todd, and Chuck Williamson. A one-act play is a play that has only one act and is distinct from plays that occur over several acts. One-act plays may consist of one or more scenes. The 20-40 minute play has emerged as a popular subgenre of the one-act play, especially in writing competitions. One-act plays make up the overwhelming majority of Fringe Festival shows including at the Edinburgh Fringe Festival. The origin of the one-act play may be traced to the very beginning of recorded Western drama: in ancient Greece, Cyclops, a satyr play by Euripides, is an early example. The satyr play was a farcical short work that came after a trilogy of multi-act serious drama plays. A few notable examples of one-act plays emerged before the 19th century including various versions of the Everyman play and works by Moliere and Calderon. One act plays became more common in the 19th century and is now a standard part of repertory theatre and fringe festivals. Published: Various Series: One-Act Play Collections List: One-Act Play Collections, Play #12 Author: Various Genre: Plays, Theater, Drama Episode: One-Act Play Collections - Book 6, Part 1 Book: 6 Volume: 6 Part: 1 of 2 Episodes Part: 5 Length Part: 2:50:33 Episodes Volume: 10 Length Volume: 5:52:42 Episodes Book: 10 Length Book: 5:52:42 Narrator: Collaborative Language: English Rated: Guidance Suggested Edition: Unabridged Audiobook Keywords: plays, theater, drama, comedy, hit, musical, opera, performance, show, entertainment, farce, theatrical, tragedy, one-act, stage show Hashtags: #freeaudiobooks #audiobook #mustread #readingbooks #audiblebooks #favoritebooks #free #booklist #audible #freeaudiobook #plays #theater #drama #comedy #hit #musical #opera #performance #show #entertainment #farce #theatrical #tragedy #one-act #StageShow Credits: All LibriVox Recordings are in the Public Domain. Wikipedia (c) Attribution-ShareAlike 3.0 Unported License. WOMBO Dream. Elizabeth Klett.
Stavros Giannopoulos is vocalist/guitarist for Chicago metal bands The Atlas Moth and Motherless. He has also played in U.S. black metal supergroup Twilight and Chrome Waves.For more on The Atlas Moth: https://theatlasmoth.bandcamp.com/musicFor more on Motherless: https://motherlesschicago.bandcamp.com/album/territoryFor More Info: CultHousePodcast[at]gmail.comTwitter: twitter.com/riddelluminati Instagram: riddelluminati OR culthousepodIntro Song: “Hippies Become Lawyers” by Something Is Waiting, used with explicit permission from Eddie Gobbo and Something Is WaitingIllustration: Roger RiddellAudio/Video Editing: Roger RiddellGlitch Sound Effect: shpira (Public Domain via Creative Commons CC0 1.0 license)Glitch Footage: Video Farm
Shogunatet, som existerade från medeltiden till den industriella revolutionen, innebar att den militära ledaren shogunen hade all makt på kejsarens bekostnad. Ursprungligen var "shogun" en titel för militära befälhavare, men när centralmakten försvagades av rivalitet mellan kejsaren, ex-kejsare och Fujiwara-ätten, fick samurajerna ökad makt. På 1100-talet ledde detta till att en militärdiktator tog kontrollen.Shogunatet var anpassningsbart och kunde omforma sig över tid. Tokugawa-shogunatet (1603–1868) blev Japans mest stabila era, men dess fall markerade början på en ny tid. Under ytan på ett till synes stillastående samhälle pågick gradvisa förändringar. Japan var isolerat, styrt av ett strikt klassystem och reglerat enligt samurajernas kod.I podden Historia Nu samtalar programledaren Urban Lindstedt med Ingemar Ottosson, docent i historia vid Lunds universitet, aktuell med boken Shogun: Generalerna som ledde Japan (2025).Shogunatet – eller bakufu – har rötter i Japans tidiga historia. Redan under Yamato-riket på 300-talet formades centralmakt under kinesiskt inflytande. Men på 800-talet började kejsarens makt vackla, vilket öppnade för militära ledare. Titeln "shogun" användes först i krig mot emishi-folket, men dessa generaler styrde inget eget shogunat. Det förändrades 1192 då Minamoto no Yoritomo utnämndes till seii taishōgun och grundade ett verkligt parallellt maktcentrum.Det första shogunatet etablerades i Kamakura (1185–1333), där samurajerna fick en central roll. Makten förflyttades från hovet i Kyoto till krigarnas hierarki, med drag av europeisk feodalism. Alla tre shogunat följde mönstret av dynastisk uppgång och fall. Shogunerna varierade stort i duglighet – från marionetter till historiska gestalter som Yoritomo, Yoshimitsu och Ieyasu.Med tiden förändrades shogunrollen från krigsherre till civil ämbetsman. Den mest stabila perioden inleddes med Tokugawa Ieyasus seger vid Sekigahara 1600, vilket ledde till hans utnämning till shogun 1603. Tokugawa-styret, med säte i Edo, byggde ett samhälle präglat av militär, byråkrati och neokonfucianism. Kejsaren behöll en symbolisk roll, medan verklig makt låg hos shogunen.Samhället styrdes med strikt klassindelning: samurajer, bönder, hantverkare, köpmän. Länsherrar (daimyōer) kontrollerades genom sankin-kōtai – ett system som tvingade deras familjer att bo i Edo, vilket motverkade uppror. Landet isolerades genom sakoku-politiken: endast holländare fick bedriva handel via ön Dejima. Kristendom förbjöds, missionärer avrättades och utländska kontakter begränsades kraftigt.Paradoxalt nog blomstrade kulturen: kabuki, haiku och urban tillväxt i städer som Osaka och Edo. Trots det yttre lugnet började samhället långsamt förändras. Samurajerna, som en gång var krigare, förvandlades till byråkrater utan svärd. Köpmännen, trots sin låga formella status, blev ekonomiskt mäktiga.Bild: Porträtt av Tokugawa Ieyasu (1543–1616), grundare av Tokugawa-shogunatet. Målningen är utförd av konstnären Kanō Tan'yū och finns i huvudtornet på Osaka slott. Källa: Wikipedia Kanō Tan'yū, Public Domain.Musik: ”Japanese Hotchiku Flute” av Velimir Andreev (Psystein), Storyblocks Audio.Lyssna också på Samurajerna dominerade Japan under ett millenium.Klippare: Emanuel Lehtonen Vill du stödja podden och samtidigt höra ännu mer av Historia Nu? Gå med i vårt gille genom att klicka här: https://plus.acast.com/s/historianu-med-urban-lindstedt. Hosted on Acast. See acast.com/privacy for more information.
Romanen som vi känner den föds i slutet på 1700-talet och slår på några årtionden ut verseposet och poesin. Ny tryckteknik, fotogenlampan och moderna kommunikationer gjorde romanen tillgänglig för en större publik. Särskilt kvinnorna drogs till romanerna, som också varandes för konsekvenserna av allt för omfattande romanläsning.Romanen krävde inte samma klassisk bildning som eposet och svarade på borgarklassens behov av identifikation och individualitet. Romanen passade in den nya offentligheten av tidningar, magasin och förläggare där många kända verk skrevs och publicerades som följetonger.I detta avsnitt av podden Historia Nu samtalar programledaren Urban Lindstedt med Ingrid Elam professor emerita i litterärgestalning vid Göteborgs universitet och aktuell med boken Romanens segertåg.Världens första kända roman, Berättelsen om Genji, skrevs av den japanska hovdamen Murasaki Shikibu strax efter år 1000. Men den moderna romanens segertåg började i slutet på 1700-talet som ett barn av upplysningen. Romanen var inledningsvis en föraktad genre, men den tog snabbt över från episka hjältedikter och teater som lånade stil och format från antiken.Där eposet var ett färdigt format med stilmallar som förfinats under 2000 år var romankonsten öppen och sökande. När vi började läsa romaner gick läsandet från kollektiv högläsning till en ensam sysselsättning för individen. I takt med att samhället och vetenskapen utvecklas förändras romanen i fråga om perspektiv och berättande.Eftersom romanen säljs till läsarna på en växande marknad blir läsarna allt viktigare för författarna som tidigare försörjts av mecenater och sinekurer. Och en stor del av läsarna och författarna var tidigt kvinnor.Bild: Läsande kvinna av Anna Nordgren 1882, Wikimedia Commons, Public Domain.Musik: Schubert: Moment Musical Op. 94, No. 3, D780 av Audio Waves - Eliche Remblon, Storyblocks AudioLyssna också på När sprätthökar och rangsjuka fruntimmer hotade samhällets överlevnad Vill du stödja podden och samtidigt höra ännu mer av Historia Nu? Gå med i vårt gille genom att klicka här: https://plus.acast.com/s/historianu-med-urban-lindstedt. Hosted on Acast. See acast.com/privacy for more information.
If you're a fan of stories where everything seems normal… until it really, really isn't—this is the episode for you. The horror builds, quietly, patiently. Then it devours you whole..... Support the Podcast and help it grow!
Luke and I were privileged to be asked on a new podcast, Sips of Grace w/ Natalie Rose! We talk about how the Days of Noah are approaching and in many ways already here, and how you can't understand the biblical narrative properly without understanding the corruption of the world that occurred in Genesis chapter 6. The false religions and false gods of this world are REAL. They came from the corruption of angelic beings, created beings who are LESS THAN THE REAL GOD of the Bible, but no less real! Make sure to check out Natalie's show here: https://www.facebook.com/profile.php?id=61574929687153 or here: https://www.youtube.com/@SipsofGracePodcast Please consider supporting our podcast; for Luke and I to create 4 episodes a month takes an average of 40 hours to research, record, and produce, sometimes more. If you find value in our work and would like to help support us, please choose from the options below. Thanks very much!! -Luke and Pete Paypal: https://www.paypal.me/peteohlinger Cash App: https://cash.app/$PeteOhlinger Venmo: https://venmo.com/u/Pete-Ohlinger Feel free to contact us with any questions or comments for the show! Email us at: thedaysofnoahpodcast@gmail.com We'd love to hear from you! Thanks for listening- we appreciate each and every one of you out there. Don't forget to like, share, and subscribe, and tell your friends and family about the show, and leave us a five-star review, which helps to spread the show to others! Original Music by BassManPete Cover art is of Mt. Hermon, site of the Watcher's descent, photo credit: By Almog - Own work, Public Domain, https://commons.wikimedia.org/w/index.php?curid=2181987, and beautifully crafted into our logo by graphic designer Christine Forster (https://x.com/GfxChristine00?s=20)
One-Act Play Collections - Book 5, Part 2 Title: One-Act Play Collections - Volume 5 Overview: This collection of ten one-act dramas features plays by James M. Barrie, Hereward Carrington, Marjorie Benton Cooke, Alice Gerstenberg, Susan Glaspell, George Cram Cook, St. John Hankin, George Middleton, David Pinski, Frederik Pohl, and an unknown Japanese author. The plays were coordinated by Arielle Lipshaw, Availle, Chuck Williamson, Todd, Peter Yearsley, Caprisha Page, Charlotte Duckett, and Amanda Friday. A one-act play is a play that has only one act and is distinct from plays that occur over several acts. One-act plays may consist of one or more scenes. The 20-40 minute play has emerged as a popular subgenre of the one-act play, especially in writing competitions. One-act plays make up the overwhelming majority of Fringe Festival shows including at the Edinburgh Fringe Festival. The origin of the one-act play may be traced to the very beginning of recorded Western drama: in ancient Greece, Cyclops, a satyr play by Euripides, is an early example. The satyr play was a farcical short work that came after a trilogy of multi-act serious drama plays. A few notable examples of one-act plays emerged before the 19th century including various versions of the Everyman play and works by Moliere and Calderon. One act plays became more common in the 19th century and is now a standard part of repertory theatre and fringe festivals. Published: Various Series: One-Act Play Collections List: One-Act Play Collections, Play #11 Author: Various Genre: Plays, Theater, Drama Episode: One-Act Play Collections - Book 5, Part 2 Book: 5 Volume: 5 Part: 2 of 2 Episodes Part: 5 Length Part: 2:26:55 Episodes Volume: 10 Length Volume: 5:11:34 Episodes Book: 10 Length Book: 5:11:34 Narrator: Collaborative Language: English Rated: Guidance Suggested Edition: Unabridged Audiobook Keywords: plays, theater, drama, comedy, hit, musical, opera, performance, show, entertainment, farce, theatrical, tragedy, one-act, stage show Hashtags: #freeaudiobooks #audiobook #mustread #readingbooks #audiblebooks #favoritebooks #free #booklist #audible #freeaudiobook #plays #theater #drama #comedy #hit #musical #opera #performance #show #entertainment #farce #theatrical #tragedy #one-act #StageShow Credits: All LibriVox Recordings are in the Public Domain. Wikipedia (c) Attribution-ShareAlike 3.0 Unported License. WOMBO Dream. Arielle Lipshaw.
Pastor Kaye SimsPentecost – What does that mean?05-18-2025Crystal Beach Community Church, TexasVideo: https://youtu.be/xY7Nl38MvWk?si=pAnz1jK-JNi7Br2FAll Music Is Performed Under CCLI License: 5449184, or Public Domain.
Episode 464 debuts on Wednesday, May 14, at 8:00 AM and 7:00 PM (all times Eastern). Rebroadcasts will take place according to the Crusade Channel programming schedule. Our topic is A Visit to Glastonbury Abbey. The Celtic Church — Myth and Reality — by Charles Coulombe at catholicism.org The Holy Thorn: In Glastonbury, England, a special hawthorn tree blooms every year at Christmas — at ewtn.no Glastonbury: archaeology is revealing new truths about the origins of British Christianity — at research.reading.ac.uk Glastonbury Abbey — at Wikipedia.org St. Patrick's Chapel, Glastonbury — at Wikipedia.org Blessed Richard Whiting — Catholic Encyclopedia article at newadvent.org Blessed Richard Whiting and Companions — at glastonburyshrine.co.uk The Ruins of Glastonbury Abbey. Photo, from Tuesday, 29 April 2025, by Brother André Marie, M.I.C.M., released to the Public Domain. "Reconquest" is a militant, engaging, and informative Catholic radio program featuring interviews with interesting guests as well as commentary by your host. It is a radio-journalistic extension of the Crusade of Saint Benedict Center.
Episode 464 debuts on Wednesday, May 14, at 8:00 AM and 7:00 PM (all times Eastern). Rebroadcasts will take place according to the Crusade Channel programming schedule. Our topic is A Visit to Glastonbury Abbey. The Celtic Church — Myth and Reality — by Charles Coulombe at catholicism.org The Holy Thorn: In Glastonbury, England, a special hawthorn tree blooms every year at Christmas — at ewtn.no Glastonbury: archaeology is revealing new truths about the origins of British Christianity — at research.reading.ac.uk Glastonbury Abbey — at Wikipedia.org St. Patrick's Chapel, Glastonbury — at Wikipedia.org Blessed Richard Whiting — Catholic Encyclopedia article at newadvent.org Blessed Richard Whiting and Companions — at glastonburyshrine.co.uk The Ruins of Glastonbury Abbey. Photo, from Tuesday, 29 April 2025, by Brother André Marie, M.I.C.M., released to the Public Domain. "Reconquest" is a militant, engaging, and informative Catholic radio program featuring interviews with interesting guests as well as commentary by your host. It is a radio-journalistic extension of the Crusade of Saint Benedict Center.
One-Act Play Collections - Book 5, Part 1 Title: One-Act Play Collections - Volume 5 Overview: This collection of ten one-act dramas features plays by James M. Barrie, Hereward Carrington, Marjorie Benton Cooke, Alice Gerstenberg, Susan Glaspell, George Cram Cook, St. John Hankin, George Middleton, David Pinski, Frederik Pohl, and an unknown Japanese author. The plays were coordinated by Arielle Lipshaw, Availle, Chuck Williamson, Todd, Peter Yearsley, Caprisha Page, Charlotte Duckett, and Amanda Friday. A one-act play is a play that has only one act and is distinct from plays that occur over several acts. One-act plays may consist of one or more scenes. The 20-40 minute play has emerged as a popular subgenre of the one-act play, especially in writing competitions. One-act plays make up the overwhelming majority of Fringe Festival shows including at the Edinburgh Fringe Festival. The origin of the one-act play may be traced to the very beginning of recorded Western drama: in ancient Greece, Cyclops, a satyr play by Euripides, is an early example. The satyr play was a farcical short work that came after a trilogy of multi-act serious drama plays. A few notable examples of one-act plays emerged before the 19th century including various versions of the Everyman play and works by Moliere and Calderon. One act plays became more common in the 19th century and is now a standard part of repertory theatre and fringe festivals. Published: Various Series: One-Act Play Collections List: One-Act Play Collections, Play #10 Author: Various Genre: Plays, Theater, Drama Episode: One-Act Play Collections - Book 5, Part 1 Book: 5 Volume: 5 Part: 1 of 2 Episodes Part: 5 Length Part: 2:44:43 Episodes Volume: 10 Length Volume: 5:11:34 Episodes Book: 10 Length Book: 5:11:34 Narrator: Collaborative Language: English Rated: Guidance Suggested Edition: Unabridged Audiobook Keywords: plays, theater, drama, comedy, hit, musical, opera, performance, show, entertainment, farce, theatrical, tragedy, one-act, stage show Hashtags: #freeaudiobooks #audiobook #mustread #readingbooks #audiblebooks #favoritebooks #free #booklist #audible #freeaudiobook #plays #theater #drama #comedy #hit #musical #opera #performance #show #entertainment #farce #theatrical #tragedy #one-act #StageShow Credits: All LibriVox Recordings are in the Public Domain. Wikipedia (c) Attribution-ShareAlike 3.0 Unported License. WOMBO Dream. Arielle Lipshaw.
A young girl waits in a quiet house at the edge of a silent town. She's been told to stay there—just for a little while. To wait. Her father promised he'd come for her. Outside, the woods don't move. The road doesn't change. The town breathes like something asleep. Then one day… someone knocks. Support the Podcast and help it grow!
We conclude our conversation with John Milor, author of "The Strong Delusion: Revealing the Strange god of the Antichrist", as John share his research on Islamic eschatology, how it is an inverse mirror image of the Bible, painting Jesus Christ as one to avoid and the antichrist and false prophet as the ones who should be followed! Find John online and his books here: www.johnmilor.com https://www.amazon.com/s?k=john+milor Please consider supporting our podcast; for Luke and I to create 4 episodes a month takes an average of 40 hours to research, record, and produce, sometimes more. If you find value in our work and would like to help support us, please choose from the options below. Thanks very much!! -Luke and Pete Paypal: https://www.paypal.me/peteohlinger Cash App: https://cash.app/$PeteOhlinger Venmo: https://venmo.com/u/Pete-Ohlinger Feel free to contact us with any questions or comments for the show! Email us at: thedaysofnoahpodcast@gmail.com We'd love to hear from you! Thanks for listening- we appreciate each and every one of you out there. Don't forget to like, share, and subscribe, and tell your friends and family about the show, and leave us a five-star review, which helps to spread the show to others! Original Music by BassManPete Cover art is of Mt. Hermon, site of the Watcher's descent, photo credit: By Almog - Own work, Public Domain, https://commons.wikimedia.org/w/index.php?curid=2181987, and beautifully crafted into our logo by graphic designer Christine Forster (https://x.com/GfxChristine00?s=20)
This week, for the 17th installment of our venerable Intelligence Report series, we are honored to be joined in the BBAS studio by the legend himself- the one, the only Mike Vallely! In this episode, we sit down with Mike for an in-depth conversation that dives into the roots and evolution of his legendary career, from the profound impact of the first three Powell Peralta videos to his deeply personal philosophy of skateboarding- plus we revisit "Mondays with Mike V" (co-starring our own Larry Ransom), get into the weeds on Paul Blart: Mall Cop, Gleaming The Cube and his board from Public Domain. We also discuss his latest venture: a thought-provoking new Substack where he shares stories, insights, and the uncompromising spirit that has defined his life on and off the board. If you're looking for the real deal, look no further! Plug in your headphones and join us- shall you?You can help support our show by buying us a coffee: www.buymeacoffee.com/BBASpodcastWebsite: www.thebonesbrigadeaudioshow.comInstagram: @thebonesbrigadeaudioshowFacebook: The Bones Brigade Audio ShowEmail us your questions and feedback to read on future episodes:www.thebonesbrigadeaudioshow.com/contactHAVE YOU SEEN HIM?
All Episodes of This Series Are Available by Subscribing to WeLoveCorey.com . AND THEY ARE AD FREE!!! It's less than a Starbucks a month, and sure would tickle Corey pink! Below is the description from when this episode was released at WeLoveCorey.com over a month ago! Hey, y'all! So i've had this idea floating around in my head for a while which means y'all get to hear it first and tell me if it's worth a lick! Lately the only thing that has helped me fall asleep is by listening to audiobooks that i've heard a million times, preferably when the narrator has a calming voice..... so I thought.... well why don't I do that for people? I like to read! I like to make people happy! I'd love to help people who have trouble sleeping because i'm a "people pleaser who needs everyone to like him" (sorry I was quoting my therapist!) Anyways, heres the first ep of the first season in which we will be reading The Adventures of Tom Sawyer by Mark Twain I really hope you enjoy! Btw, SOOOOO many people are now swearing by this as the only way they can gwet to sleep, and have listened to the same episode multiple times! That really hits for me! anyways, susbcribe at WeLoveCorey.com for this and much more!
All Episodes of This Series Are Available by Subscribing to WeLoveCorey.com . AND THEY ARE AD FREE!!! It's less than a Starbucks a month, and sure would tickle Corey pink! Below is the description from when this episode was released at WeLoveCorey.com over a month ago! Hey, y'all! So i've had this idea floating around in my head for a while which means y'all get to hear it first and tell me if it's worth a lick! Lately the only thing that has helped me fall asleep is by listening to audiobooks that i've heard a million times, preferably when the narrator has a calming voice..... so I thought.... well why don't I do that for people? I like to read! I like to make people happy! I'd love to help people who have trouble sleeping because i'm a "people pleaser who needs everyone to like him" (sorry I was quoting my therapist!) Anyways, heres the first ep of the first season in which we will be reading The Adventures of Tom Sawyer by Mark Twain I really hope you enjoy! Btw, SOOOOO many people are now swearing by this as the only way they can gwet to sleep, and have listened to the same episode multiple times! That really hits for me! anyways, susbcribe at WeLoveCorey.com for this and much more!