Podcasts about Modest Mussorgsky

Mitschnitt des 2. Konzertes von Studierenden der Joseph Haydn Privathochschule im ORF Landesstudio Burgenland vom 23. April. Zwei junge Studierende haben dabei ihre Virtuosität am Klavier zum Besten gegeben: Jack Dauner und Wufan Cao. Sie spannten den musikalischen Bogen von Robert Schumann über Maurice Ravel, Franz Liszt bis Modest Mussorgsky. Moderiert wurde das Konzert vom Rektor der Joseph Haydn Privathochschule Burgenland Gerhard Krammer.

Die Frühlingszeit lässt an Frühjahrswanderungen und die ersten Bergblumen denken. Doch der Berg hat auch eine dunkle Seite - und zahlreiche zauberhafte Wesen, die ihn für sich beanspruchen. Darum geht es im Werk "Die Nacht auf dem kahlen Berge". Komponiert hat es der Russe Modest Mussorgsky.

Viaxamos á Francia da 2ª metade do s. XIX, para descubrir algo máis sobre a Historia da Arte Contemporánea, seguindo a guia das obras seleccionadas polo grupo de Historia de Arte da CIUG para as probas PAU.  Obra de Georges Seurat: Tarde de domingo na Grande Jatte.Serie:Historia da Arte Contemporánea, Historia da Arte, 2º de Bacharelato.  Músicas da sintonía (Creative Commons Attribution 3.0): District Four, de Kevin MacLeod (https://incompetech.com), Temptation March, de Jason Shaw (http://audionatix.com).  Música:Cadros dunha exposición, de Modest Mussorgsky. Public Domain Mark 1.0 Universal.  Este pódcast está baixo a licencia CC BY-NC 4.0.Máis recursos en: facemoshistoria.gal

Nesta edição, o maestro João Maurício Galindo respondeu às perguntas dos ouvintes da Rádio Cultura FM. Ele explicou o significado do termo Partita nas obras de Bach, abordou a questão dos compositores autodidatas e destacou o caso de Modest Mussorgsky. Além disso, esclareceu a origem do título Momentos Musicais nas peças para piano de Schubert.Descubra as respostas no resumo do "Pergunte ao Maestro" desta semana.

No Quadro Clássicos CBN, com o Maestro Helder Trefzger, vamos responder a uma dúvida de um ouvinte (Seu Ataíde) sobre o tema de um antigo programa de rádio. Falaremos também um pouco mais da obra “Quadros de uma exposição”, escrita pelo compositor russo Modest Mussorgsky em 1874 e orquestrada pelo francês Maurice Ravel em 1922 e que se tornou um hit das orquestras sinfônicas mundo afora. Aproveitando que essa peça será apresentada nessa semana pela sinfônica do ES, trouxemos exemplos de outros trechos, diferentes daqueles mostrados na semana passada, para reforçar o convite aos ouvintes para conhecer e se familiarizar com essa obra prima! Ouça a conversa completa!

Viernes por la noche. Una copa de vino, un buen refrigerio, incluso hasta una buena compañía nos viene bien para escuchar estas referencias musicales que se han mantenido a lo largo de la historia y se seguirán escuchando más allá de todos los tiempos. Si te gusta lo que escuchas y deseas apoyarnos puedes dejar tu donación en PayPal, ahí nos encuentras como @IrvingSun  AVISO LEGAL: Los cuentos, poemas, fragmentos de novelas, ensayos y todo contenido literario que aparece en Crónicas Lunares di Sun podrían estar protegidos por derecho de autor (copyright). Si por alguna razón los propietarios no están conformes con el uso de ellos por favor escribirnos al correo electrónico cronicaslunares.sun@hotmail.com y nos encargaremos de borrarlo inmediatamente.  Si te gusta lo que escuchas y deseas apoyarnos puedes dejar tu donación en PayPal, ahí nos encuentras como @IrvingSun  https://paypal.me/IrvingSun?country.x=MX&locale.x=es_XC 

Modest Mussorgsky - Night on Bald MountainUkraine National Symphony Orchestra Theodore Kuchar, conductor arr. Nikolai Rimsky-KorsakovMore info about today's track: Naxos 8.555924Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

On the October 15 edition of the Music History Today podcast, Chuck Berry gives his final performance, as does CBGB, plus Rick Nelson gets booed & writes a song about it. Also, happy birthday to Chris de Burgh. For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts from ALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday On this date: In 1937, singer Jo Stafford married singer John Huddleston. * In 1955, the Grand Ole Opry TV show premiered on ABC TV. * In 1956, Little Richard recorded the song Good Golly Miss Molly. * In 1958, Jackie Wilson recorded his smash hit Lonely Teardrops. * In 1960, the Beatles, with Ringo Starr on drums instead of Pete Best, recorded together for the first time. * In 1963 Mary Travers of Peter, Paul, & Mary married photographer Barry Feinstein. * In 1965, Jimi Hendrix signed his first recording contract. * In 1966, The Four Tops hit #1 with the song Reach Out I'll Be There. * In 1966, The Monkees recorded the Neil Diamond - written song I'm a Believer. * In 1968, Led Zeppelin performed together for the first time, in England. * In 1971, Rick Nelson was booed at Madison Square Garden when he tried to perform newer songs instead of old hits during his concert. The experience went on to inspire him to write his comeback song Garden Party. * In 1973, Elvis entered the hospital for treatment of respiratory problems, which is where his doctor realized that Elvis was addicted to Demerol. * In 1977, Debbie Boone hit #1 with the song You Light Up My Life. * In 1981, Metallica formed. * In 1988, UB40 hit #1 with a cover version of Neil Diamond's song Red Red Wine. * In 1992, Madonna held her infamous Sex party in Manhattan to promote her Sex photo book. * In 2000, Dave Edmunds had triple bypass heart surgery. * In 2001, Slash of Guns N Roses married his wife Perla Ferrar. * In 2003, the Louis Armstrong House Museum opened in Queens, NY. * In 2006, Patti Smith was the final performer at the original New York City club CBGB. * In 2014, Chuck Berry played his final performance. It was at the Blueberry Hill Club in St Louis. * In 2016, the Lifetime Channel music docu-movie Surviving Compton: Dre, Suge, & Michel'le premiered. * In 2016, Winston Marshall of Mumford & Sons married singer and actress Dianna Agron. * In 2017, the music documentary series The Platinum Life premiered on the E! TV channel. In the world of classical music: * In 1886, Modest Mussorgsky's classical piece Night on Bald Mountain premiered in St. Petersburg, Russia. It would later become famous to an entire generation of kids in the Disney movie Fantasia. * In 1905, classical composer Claude Debussey's La Mer premiered. In 1925, the opera Beatrice from Willem Landre was performed for the first time. In 1994, Philip Glass premiered his Symphony No. 2 for string orchestra. In award ceremonies held on this date: * In 1969, Tammy Wynette & Johnny Cash won at the Country Music Association awards. * In 1973, Roy Clark won at the Country Music Association awards. --- Support this podcast: https://podcasters.spotify.com/pod/show/musichistorytodaypodcast/support

In this week's WCRI Kids Hour, hosts Jamie and Spencer listen to music about witches. You'll hear music from Wicked, Harry Potter, Antonin Dvorak, Modest Mussorgsky, and more!

Der Münchner Pianist und "Musikdurchdringer" Jürgen Plich stellt jeden Dienstag um 20 Uhr große klassische Musik vor. Er teilt seine Hör- und Spielerfahrung und seine persönliche Sicht auf die Meisterwerke. Er spielt selbst besondere, unbekannte Aufnahmen, erklärt, warum die Musik so und nicht anders klingt und hat eine Menge aus dem Leben der Komponisten zu erzählen. Sonntags um 10 Uhr in der Wiederholung.

As a young girl growing up in Kentucky, Constance Grayson was drawn to and influenced by traditional handcrafts. She learned traditional quilting techniques from her Appalachian aunts and was fascinated, even as a young child, with the interplay of color, form and texture. Although she no longer utilizes the traditional techniques she learned as a child, she is still fascinated with the process of creating something from bits and pieces of the almost nothings that she comes across. Most of her work utilizes techniques of collage to create a new whole from these bits and pieces. Her work results from the bringing together of handmade paper, commercial paper, and found objects with additions of paint and ink.​Constance's interest has always been in color, form and texture and the ways in which those three elements interact with one another. She does not strive to have her finished work resemble any object or person in a realistic way. Instead, she wants to see whether she can successfully create energy and mood through the colors, forms and textures she uses in the piece.Her work has been displayed in U.S. galleries, museums and exhibits in Kentucky, Arkansas, Tennessee, Georgia, Massachusetts, Connecticut and New York, including academic institutions in New York (St. John's University), Arkansas (Crittenden County Community College) and Tennessee (Christian Brothers University). She has participated in international solo and invitational exhibits in Fabriano, Gubbio, Milan and Foligno, Italy as well as Spa, Belgium. One of her fabric collages was the cover image for, as well as the subject of an article in, the August/September 2014 edition of Quilting Arts magazine. Her art has also been featured in the May/June 2015 edition of Kentucky Home and Gardens magazine and the March 2010 issue of ArteCulture, an Italian monthly magazine. Currently, her art is in the permanent collections of Christian Brothers University in Memphis, Tennessee; the University of Kentucky in Lexington, Kentucky; Christ Church Cathedral in Lexington, Kentucky; LeBonheur Hospital in Memphis, Tennessee and the Jessamine County Public Library, Nicholasville, Kentucky as well as in numerous private collections.PICTURES AT AN EXHIBITION - New Editions Gallery until mid July 2024This is an interpretive art exhibition based on Modest Mussorgsky's piano suite Pictures at an Exhibition. Listening to each of the 10 movements and the recurring and varied Promenade theme, Constance created 15 energetic abstracts depicting her reaction to Mussorgsky's virtuoso masterpiece. 

This week, NYCB Music Director Andrew Litton leads us on a promenade through the Modest Mussorgsky score to Alexei Ratmansky's 2014 ballet Pictures at an Exhibition. Beginning with a little background on the composer's short but complicated life, colored by contemporary critiques of his "disregard" for musical conventions, Litton is joined by Piano Soloist Stephen Gosling as he demonstrates the ways in which Mussorgsky captured the subjects of a beloved artists' paintings in remarkably challenging piano pieces. (23:31) Edited by Emilie Silvestri Music: Symphony in Three Movements (1945) by Igor Stravinsky Pictures at an Exhibition (1874) by Modest Mussorgsky

Walpurgisnacht 2024 19th-20th Centuries We hear works by Felix Mendelssohn, Hector Berlioz, Alexander Dargomyzhsky, Charles Gounod, Modest Mussorgsky, Arrigo Boito, Sir Granville Bantock, Eugen Suchoň, and High Priest Peter H. Gilmore. 142 Minutes – Week of 2024 April 29

Today's segment in the Great Baritones division of my Listeners' Favorites series is introduced by my friend, baritone Jeremy Osborne, like me an American expat in Berlin. In the nearly ten years that I have known him, Jeremy has developed into a fine singer of both opera and art song. Through talent, determination, and hard work, Jeremy is forging a well-deserved place for himself in the music world. The singer he has chosen to introduce on this episode is the the great Ukranian-American baritone Igor Gorin (1904-1982). Jeremy shares with us the story of how he first became acquainted with Gorin's exceptional talent. and the context in which he, like me, was bowled over by the sheer beauty of his voice. If one made such ranking lists, in fact, we would probably both place him near the top of a “Most Beautiful Baritone Voices Ever” list. Gorin's is a fascinating life story, beginning in pre-Soviet Ukraine and moving back and forth from Vienna to the United States until finally, with forged documents, he emigrated to the US and became a naturalized citizen. Through a series of happy circumstances, he became one of the top US radio stars of the 1930s and 1940s and eventually appeared as well on early television broadcasts. A career in regional opera resulted, which reached its apex with starring roles at Lyric Opera of Chicago and a single appearance at the Metropolitan Opera at the age of 59. This episode features live, radio, and studio performances by Gorin in opera, operetta, Broadway, and folk and art songs over a period of nearly 40 years, including a  live late career performance of Ernest Bloch's Avodath Hakodesh, in which he returned to his cantorial roots. Whether you, like Jeremy, are already a passionate devotee of this artist, or if this is your first encounter with him, you are in for a treat. A bonus episode on Igor Gorin on my Patreon page, produced at the time this episode was first heard more than three years ago, includes complete performances of two constrasting song cycles by Modest Mussorgsky, The Nursery and the Songs and Dances of Death. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford.

Nesse episódio, André Mainardi traz a parte final de uma introdução ao estudo de “O Estado e a Revolução”, obra seminal da literatura marxista e uma das principais elaborações teóricas de Vladimir Ilitch Lênin, comemorando o legado desse grande revolucionário na ocasião dos 100 anos de sua morte. Leia mais: Lênin e a atualidade de seu legado - Michel Goulart da Silva Lissagaray: um relato vivo da Comuna de Paris – André Mainardi EXPEDIENTE: Apresentação, produção musical, gravação e edição de áudio:André Mainardi. Técnica e streaming: Mateus Tavares Arte: Evandro Colzani e Miguel Tuma Comissão Nacional de Comunicação (OCI) : Evandro Colzani, Michel Goulart, André Mainardi, Francine Hellman, Mateus Tavares, Rannah Brasil, Bruna Heser e Gustavo Nenevê Trilha Sonora: Suite: "Uma noite em Monte Calvo" - Modest Mussorgsky

Plug: Author of, Wrestling Through Adversity: Empowering Children, Teens, and Young Adults to Win in Life. peaking Points: 1. The US recently commemorated the 22nd anniversary of the World Trade Center attack, when the tensions around the globe are higher than ever with war in Ukraine and the October 7 th Israel-Hamas conflict, where children, teens, and young adults were brutally slaughtered with what some commentators are calling barbarism. My storytelling in this book is a metaphor for how to grapple with life in the 21 st century that begins with Phil Nowick, a wrestling coach, who was a junior investor at Merrill Lynch on 9/11 and subsequently died. Phill's life is emblematic of all our lives, when he showed us how to sprint faster away from the towers, while his lungs burned like wildfire. He wanted to climb the corporate ladder, like many of us, but was accused of being too nice, lacking the killer instinct, but was great at analytics. He told the truth, as he saw it. 2. Phil inspired me to write this book that is intended for everyday people to read and for professionals, whether you are a physician, soldier, CEO, farmer, teacher, butcher, banker, drummer, or teen, who wants to learn how to wrestle through adversity and win. In this book, I address the needs of those who are grappling with the high price of food and gasoline, as well as the needs of their children, teens, and young adults who are under duress with high rates of depression, anxiety, drug addiction, and suicide, and they don't know what to do to help them to help themselves. My stories and lessons learned can teach us all how to become resilient and give us hope for the future. 3. This book represents my holistic work as a peak performance coach, teaching Mindful Toughness skill sets for 27 years to my clients at The Summit Center for Ideal Performance that I founded in 1996 and reflects my expertise as an inductee into the Nursing Hall of Fame at Teachers College, Columbia University. In addition, it is based on my research as a behavioral health RN, medical-surgical nurse, historian of psychiatry and psychiatric nursing, and clinical hypnosis specialist. I work with clients of all ages but specialize in working with young people. 4. Each chapter in this book begins with what I call “Pictures at an Exhibition,” an idea based on the work of Russian composer, Modest Mussorgsky, in his musical composition of the same name. He wrote a vivid collection of tone poems or sound pictures referred to as traveling music, as he envisioned himself walking through a promenade at an art exhibit. Within the context of this book, I am your guide as you experience a walking tour through a collection of my personal memoirs. Throughout my therapeutic narratives, I connect you with the topics of discussion in each chapter and with case stories of actual clients—some of whom are genuine wrestlers—that I have highlighted as representative of my work and show you how I empowered them to reach their potential. 5. Chapter 1: “Building Resilience in the Face of Adversity” is a call-to-action to combat our mental health crisis of young people and looks back to the future through the lens of my lived experiences of the past, which we all have, that now require a shift in our mental health paradigm from a pathogenic model of disease extent since the 17 th century when Rene Descartes, a philosopher, stated that the mind and body are separate to a more contemporary salutogenic model of wellness and health that was suggested by Aaron Antonovsky in his book, Health Stress, and Coping in 1979.

Ganador de prestigiosos concursos como el Paloma O’Shea o el Arthur Rubinstein, Juan Pérez Floristán es uno de los pianistas más destacados de la escena actual. Tras su reciente paso por el Festival Eñe de Málaga, donde ofreció el pasado viernes 4 de noviembre el recital “Los lenguajes de la poesía al piano” junto al joven poeta Mario Obrero (Premio Loewe de Poesía 2021), el músico nos acerca su último trabajo: {Algo}ritmo. Un disco grabado en directo en la Sala Mozart del Auditorio de Zaragoza en un concierto en el que interpretó Música Ricercata de György Ligeti, las 3 Danzas Argentinas de Alberto Ginastera y los Cuadros de una Exposición de Modest Mussorgsky. Escuchar audio

Programa completo de 'Más de uno' con Carlos Alsina. En las primeras horas, Miguel Ondarreta, Juan Carlos Vélez, Elena Bueno, Manuel Pecino y María Gómez Prieto repasan las noticias regionales, nacionales e internacionales. Marta García Aller hace su reflexión diaria y en La España que madruga repasamos los principales titulares de la jornada. En la tertulia con Pilar Gómez, Antonio Caño, Javier Caraballo, Marta García Aller y Rubén Amón comentamos la actualidad política. Alsina entrevista a Juan Dillón, corresponsal de Radio Mitre y AméricaTV, y Fernando González, director de 'El Observador'. En la segunda parte nuestra hora de humor con nuestros cómicos Leonor Lavado, Leo Harlem, Goyo Jiménez y Borja Fernández Sedano. Además, Marina Hervás hace un repaso por 'Noche en el monte pelado', de Modest Mussorgsky y Josemi Rodríguez-Sieiro nos cuenta su vida. 

Con Marina Hervás hacemos una escucha guiada por una pieza musical adecuada para la noche de Halloween: 'Noche en el monte pelado', de Modest Mussorgsky. La escuchamos y nos transportamos a Fantasía 2000 de Disney. 

Con Marina Hervás hacemos una escucha guiada por una pieza musical adecuada para la noche de Halloween: 'Noche en el monte pelado', de Modest Mussorgsky. La escuchamos y nos transportamos a Fantasía 2000 de Disney. This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4412383/advertisement

Programa completo de 'Más de uno' con Carlos Alsina. En las primeras horas, Miguel Ondarreta, Juan Carlos Vélez, Elena Bueno, Manuel Pecino y María Gómez Prieto repasan las noticias regionales, nacionales e internacionales. Marta García Aller hace su reflexión diaria y en La España que madruga repasamos los principales titulares de la jornada. En la tertulia con Pilar Gómez, Antonio Caño, Javier Caraballo, Marta García Aller y Rubén Amón comentamos la actualidad política. Alsina entrevista a Juan Dillón, corresponsal de Radio Mitre y AméricaTV, y Fernando González, director de 'El Observador'. En la segunda parte nuestra hora de humor con nuestros cómicos Leonor Lavado, Leo Harlem, Goyo Jiménez y Borja Fernández Sedano. Además, Marina Hervás hace un repaso por 'Noche en el monte pelado', de Modest Mussorgsky y Josemi Rodríguez-Sieiro nos cuenta su vida. This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4412383/advertisement

Dig into four movements of Modest Mussorgsky's "Pictures at an Exhibition" and hear how they sound as the original piano score, how it grows into a piece for orchestra, and how other ensembles have imagined them!

Jeopardy! recaps from the week of July 24th, 2023. We close out Season 39 and chat about the writers' strike, Kyle advocates for "behold the man" as a fun catchphrase, Emily continues to bring up Ben-Hur at every opportunity, and we learn all about Modest Mussorgsky's Pictures at an Exhibition and its surprisingly quirky source material. Find us on Facebook (Potent Podables) and Twitter (@potentpodables1). Check out our Patreon (patreon.com/potentpodables). Email us at potentpodablescast@gmail.com. Continue to support social justice movements in your community and our country. www.communityjusticeexchange.org https://www.gofundme.com/c/act/stop-aapi-hate www.rescue.org  www.therebelsproject.org www.abortionfunds.org 

Have you ever been to an art museum and wished that you had music to accompany your experience?  Music that made the art you were looking at more vivid, more immediate, and more emotionally intense?  Well, Modest Mussorgsky's Pictures at an Exhibition is the piece for you.  Inspired by his late friend Victor Hartmann's paintings and designs, Mussorgsky composed a series of 10 miniature pieces for piano based on Hartmann's works.  Unlike many other collections of miniature pieces that have thematic or structural connections, Pictures at An Exhibition doesn't feature that at all, keeping with Mussorgsky's often rebellious ways as a composer.  Instead, the music is connected by movements called Promenades, as if Mussorgsky literally walks you to the next painting at the exhibition. Mussorgsky's remarkably imaginative piece is justly famous and often played by pianists, but what is perhaps the most fascinating thing about this piece is the creativity that it has inspired in other composers. Pictures at an Exhibition, or parts of it, has been arranged more than 50 times for any number of configurations of musicians. So today, we're going to explore each picture in detail, talking about what Mussorgsky actually does to make these works of art come to life in such a compelling way.  At the same time, we're going to compare the original piano piece to some of the arrangements, focusing of course on the most famous of them all, the explosion of color that is Maurice Ravel's arrangement.  We'll also talk about Mussorgsky himself, his compositional reputation at the time, and the brilliant creativity of this one of a kind piece.

Modest Mussorgsky entführt in seiner Komposition "Nacht auf dem kahlen Berge" in die Unterwelt: Er beschreibt den Tanz der Hexen in der Johannisnacht (vom 23. auf den 24. Juni) auf dem Lyssaja gora ("kahlen Berg"), einem Ort der slawischen Mythologie, der ähnlich dem Blocksberg als Versammlungsort der Hexen gilt. Eine kurze Werkeinführung für unterwegs.

In this weeks WCRI's Kids Hour hosts Jamie and Spencer listen to music having to do with witches. You'll hear music from Wicked, Harry Potter, Antonin Dvorak, Modest Mussorgsky, and many more!

Somewhere among the dark forests of Eastern Europe, Baba Yaga, the crinkled crone of Slavic folklore, lurks inside a timber hut atop a pair of chicken legs. She hops through the woods, doing good or evil or just her own thing, depending on whom you ask. GennaRose Nethercott's debut novel, Thistlefoot, reimagines the folklore of Baba Yaga in a contemporary American setting. Estranged siblings Bellatine and Isaac Yaga are brought together, somewhat unwillingly, by a surprising and mysterious inheritance: a sentient house on chicken legs, named Thistlefoot, who once belonged to their twice-great-grandmother, and with whom they embark on a cross-country puppet tour. But a shadowy figure from a century ago is stalking them, bringing the horrors of the Yagas' ancestral shtetl with him. Nethercott is a writer and folklorist whose first book, The Lumberjack's Dove, was selected by Louise Glück as a winner of the National Poetry Series. She joins us to talk about the folktales and history that inspired her latest work. Go beyond the episode:GennaRose Nethercott's ThistlefootCatch her on tour, with a live puppet show, this fallRead the short story “A Diviner's Abecedarian”“Vassilissa the Beautiful” is one of the tales featuring Ivan Bilibin's magnificent illustration in this collection of Russian fairy talesHear more Slavic folklore on our episode about the Snow MaidenTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you'd like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman. The music in this episode is “The Hut on Fowl's Legs,” from Pictures at an Exhibition by Modest Mussorgsky, performed by the Oslo Philharmonic with conductor Semyon Bychkov. Hosted on Acast. See acast.com/privacy for more information.

The Creepy Reads Podcast returns!!! Join Tori The Moth as she kicks of "A Season Of Poe" with a famous and bloody short story from the master himself, Edgar Allan Poe, first published in 1842. "Wherever you may while listening to this tale, I invite you to suspend reality for a little while, and come with me to a ball--a masquerade ball. We'll laugh, dine, enjoy the music and the company of a prince. While the world outside crumbles around us, we'll steal away and leave all our cares behind for the evening. What could possibly go wrong?" Pixabay Music Credits:"Creepy Night" by astrofreq"Die zwei Geschwister - Elongation" by SamuelFrancisJohnson"Il Vecchio Castello Andante" by the Skidmore College Orchestra (Written by Modest Mussorgsky)

Lee returns to finish off his look at the music from the films of Amicus Productions. The material covered here comes from their peak and rapid decline. While the films may have started to lower in quality by the mid-1970s, it can be argued that the scores and soundtracks were still top notch. Listen in, and Lee believes you'll agree with him. --Toccata & Fugue in D Minor from "Tales from the Crypt" (1972) --Johann Sebastian Bach; adapted by Douglas Gamley --Night on Bald Mountain and excerpt from Pictures at an Exhibition II: Gnomus from "Asylum" (1972) --Modest Mussorgsky; adapted by Douglas Gamley --Main Title and Suite from "The Vault of Horror" (1973) --Douglas Gamley --Suite from "And Now the Screaming Starts!" (1973) --Douglas Gamley --Suite from "From Beyond the Grave" (1974) --Douglas Gamley --Main Title from "Madhouse" (1974) --Douglas Gamley --When Day is Done from "Madhouse" (1974)  --Vincent Price; music by Robert Katcher; lyrics by Buddy De Sylva --Main Title from "The Beast Must Die" (1974) --Douglas Gamley --Main Title and End Titles from "The Land that Time Forgot" (1975) --Douglas Gamley --Suite from "At the Earth's Core" (1976) --Mike Vickers --Suite from "The People that Time Forgot" (1977) --John Scott Opening and closing music: Magic and Ecstasy from "Exorcist II: The Heretic" by Ennio Morricone, and The Shadow of the Killer from "Death Rage" by Guido & Maurizio De Angelis.

ROCO performs works by Aaron Jay Kernis and Modest Mussorgsky.

19th-20th CenturiesIn this episode we hear works by Hector Berlioz, Felix Mendelssohn, Modest Mussorgsky, Eugen Suchoň, and Sir James MacMillan.150 Minutes – Weeks of April 18 and 25, 2022

Episode 69 More Symphonic Music with Synthesizers   Playlist Tomita, “Gardens In The Rain (Estampes, 3)” from Snowflakes Are Dancing (1974 RCA Red Seal). "Electronic performances of Debussy's tone paintings." Performed, arranged, and electronically created by Isao Tomita, composed by Claude Debussy. Modular Moog synthesizer by Isao Tomita, with equipment listed as: Moog synthesizer; One 914 extended range fixed filter bank; Two 904-A voltage-controlled low-pass filters;  One 904-B voltage-controlled high-pass filter;  One 904-C filter coupler;  One 901 Voltage-controlled oscillator;  Three 901-A oscillator controllers;  Nine 901-B oscillators;  Four 911 envelope generators;  One 911-A dual-trigger delay;  Five 902 voltage-controlled amplifiers;  One 912 envelope follower;  One 984 four-channel mixer;  One 960 sequential controller;  Two 961 interfaces;  One 962 sequential switch;  Two 950 keyboard controllers;  One 6401 Bode ring modulator;  Tape recorders,  One Ampex MM-1100 16-track,  One Ampex AG-440 4-track, One Sony TC-9040 4-track,  One Teac A-3340S 4-track,  One Teac 7030GSL 2-track;  Mixers,  Two Sony MX-16 8-channel mixers,  Two Sony MX-12 6-channel mixers;  Accessories,  One AKG BX20E Echo unit;  One Eventide Clockworks "Instant Phaser";  Two Binson Echorec "2" units ; One Fender "Dimension IV;"  One Mellotron.    3:41 Tomita, “The Old Castle” from Pictures At An Exhibition (1975 RCA Red Seal). “Electronic interpretations of works by classical composer Modest Mussorgsky.” Performed, arranged, and electronically created by Isao Tomita, composed by Modest Mussorgsky. Modular Moog synthesizer by Isao Tomita. Assume same instrumentation as above. 5:16 Pulsar, “Strands of the Future” from Strands of the Future (1976 Kingdom Records). Recorded in Switzerland, released in France. Drums, Percussion, Victor Bosch; Electric Guitar, Acoustic Guitar, Vocals, Gilbert Gandil; Flute, Solina Synthesizer, Roland Richard; Lyrics By François Artaud; Organ, Moog Synthesizer, Mellotron, Bass Guitar, Jacques Roman. 22:13 Vangelis Papathanassiou, “Flamants Roses” from Opéra Sauvage (1979 Polydor). "Original Music For Frédéric Rossif's Television Series.” Recorded in London, 1979. Composed, Arranged, Produced, synthesizers, piano, Fender Rhodes electric piano, drums, percussion, xylophone, Vangelis Papathanassiou; harp, Jon Anderson. 11:48 Rick Wakeman, “Overtures, Part 1 and 2” from 1984 (1981 Charisma). Part 1: Piano, Prophet Synthesizer, Rick Wakeman. Part 2: Organ, Piano, Prophet Synthesizer, RMI Synthesizer, Rick Wakeman. Bass, Runswick D., McGee R.; Bassoon, Sheen G., Hammond H. Cello, Truman B., Robinson M., Willison P.; Cello [Lead], Daziel A.; Clarinet, Weinberg T., Puddy K.; Drums, Tony Fernandez;  Drums, Frank Ricotti;  Fender Bass, Boghead, Steve Barnacle; Flute, Sandeman D., Gregory J.; Guitar, Beaky, Tim Stone; Horn, Thomson M., Easthope P.; Keyboards, Dave Crombie; Oboe, Theodore D., Whiting J.; Producer, Rick Wakeman Saxophone [Selmer] Gary Barnacle; Trombone, Hardie, Wilson; Trumpet, Miller J., Wallis J.; Tuba, Jenkins J. Viola, Newlands D., Robertson G., Andrade L.; Viola [Lead], Cookson M.; Violin, McGee A., Dukov B., Katz D., Bradles D., Clay L., Good T.; Violin, Leader, Rothstein J.. 5:12 Keith Emerson, “Tramway” from Nighthawks (Original Soundtrack) (1981 Backstreet Records). Keith played a Fairlight CMI on this track. The Fairlight was programmed by Kevin Crossley. Keyboards, Performed, Produced, Composed by Keith Emerson; Drums, Neil Symonette; Percussion, Frank Scully; Orchestral Percussion, Tristen Fry; Saxophone, Jerome Richardson; Trumpet [Lead], Greg Bowen. 3:25 Jean Michel Jarre, “Fourth Rendez-Vous” from Rendez-Vous (1986 Polydor). ARP 2600 synthesizer, Eminent organ, Matrisequencer, Roland TR 808 drum machine, Michel Geiss; Elka Synthex, EMS Synthi AKS, Oberheim OBX, Yamaha DX100 synthesizers, Matrisequencer, Roland TR 808 drum machine, Linn 9000 Electronic Drums, Jean-Michel Jarre. 3:59 Jean Michel Jarre, “Fifth Rendez-Vous” from Rendez-Vous (1986 Polydor). “Baby Korg” synthesizer, David Jarre; ARP 2600 synthesizer, Matrisequencer, Michel Geiss; Emulator II sampler/synthesizer, Dave Smith Prophet-5 synthesizer, Casio CZ 5000, ARP 2600, Fairlight CMI, Roland JX 8P, synthesizers, Matrisequencer, Jean-Michel Jarre. 7:56 Jean Michel Jarre, “Last Rendez-Vous: "Ron's Piece" from Rendez-Vous (1986 Polydor). Saxophone, Pierre Gossez; Elka Synthex, Seiko DS 250, Fairlight CMI synthesizers, Matrisequencer, Eminent organ, Jean-Michel Jarre. 5:45 William Ørbit, “Ogive Number 1” from Pieces In A Modern Style (2000 WEA Records). Recorded in England. Written by Erik Satie. Arranged, Programmed, Produced, Performed by William Ørbit. I think this piece is more likely Orbit's arrangement of "Ogive Number 2", not Number 1. But who cares? It's lovely to hear the French musician electrified like this. 6:45 Steve Jansen, Richard Barbieri, Nobukazu Takemura, “Empty Orchestra” from Changing Hands (1997 Medium Productions Limited). UK album of downtempo electronic music with a classical flavor. Recorded in Kyoto and London. Composed, Performed, Produced by Nobukazu Takemura, Richard Barbieri, Steve Jansen. 14:11 Sarah Davachi, “Magdalena” from Antiphonals (2021 Late Music). Canadian electro-acoustical composer and musician who blends classical instruments with electronics. Mellotron (English Horn, Bass Flute, Clarinet, Recorder, Oboe, French Horn, Chamber Organ, Nylon String Guitar), Tape Echo, Korg CX-3 Electric Organ, Pipe Organ, Harpsichord, Piano, ARP Odyssey Synthesizer, Acoustic Guitar, Violin, Voice, Sarah Davachi. 10:12   Background music: James Newton Howard, “Margaret I'm Home” from ‎James Newton Howard (1974 Kama Sutra). Performed, Composed, Arranged by, James Newton Howard.   Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog, Noise and Notations.

Good News: Rewilding efforts near London are helping the beaver population return to the area for the first time in nearly four centuries! Link HERE. The Good Word: A great quote from Mister Rogers! Good To Know: Some more fascinating information about coffee… Good News: The first African person to win the prestigious Pritzker Prize […]

Modest Mussorgsky was another Russian composer of the GROUP OF THE FIVE. PICTURES AT AN EXHIBITON was composed originally for piano, but the most popular version is the orquestral version by RAVEL

Douglas Gamley arranger conductor - Mussorgsky Great Gate of Kiev - Pictures at Exhibition. Albert Sandler and Orchestra - ADALGISO FERRARIS Souvenir d'Ukraine. Adalgiso Ferraris (16 February 1890 – 31 December 1968) was an Italian-born British composer and pianist. Ferraris' arrangements and compositions were based on classical and popular genres, with a particular flavour of gypsy, Hungarian and Russian traditionals. Pictures at an Exhibition is a suite of ten piano pieces, plus a recurring, varied Promenade theme, composed by Russian composer Modest Mussorgsky in 1874. The piece is Mussorgsky's most famous piano composition, and it has become a showpiece for virtuoso pianists. It became further widely known through various orchestrations and arrangements produced by other composers and musicians, with Maurice Ravel's 1922 adaptation for full symphony orchestra being the most recorded and performed. The Bogatyr Gates (In the Capital in Kiev) Stasov's comment: "Hartmann's sketch was his design for city gates at Kiev in the ancient Russian massive style with a cupola shaped like a slavonic helmet." Bogatyrs are heroes that appear in Russian epics called bylinas. Hartmann designed a monumental gate for Tsar Alexander II to commemorate the monarch's narrow escape from an assassination attempt on April 4, 1866. Hartmann regarded his design as the best work he had done. His design won the national competition but plans to build the structure were later cancelled. The movement's grand main theme exalts the opening Promenade much as "Baba Yaga" amplified "Gnomus"; also like that movement, it evens out the meter of its earlier counterpart. The solemn secondary theme is based on a baptismal hymn from the repertory of Russian Orthodox chant.

Im Dezember des Vorjahres hat Volksopern-Direktor Robert Meyer beschlossen, auf die szenische Realisation des „Boris Godunow von Modest Mussorgsky zu verzichten. Deshalb war die gestrige Premiere rein konzertant. Unser Opernexperte Richard Schmitz war dabei. Die vorgesehene Wiedergabe der Urfassung enthält keinen Polenakt und keinen Triumph des falschen Dimitri. Zuletzt ist coronabedingt auch die Szene des Gottesnarren ausgefallen, weil der Kinderchor nicht eingesetzt werden konnte. Zu hören waren 105 Minuten intensiver Mussorgsky. Ohne Pause. Gesungen wurde in deutscher Sprache mit Übertiteln. So konnte man dem Geschehen noch konzentrierter folgen. Dirigent Jac van Steen arbeitete die harmonische Originalität der Partitur bestens heraus. Die Glättung durch Nikolai Rimski-Korsakov ist zurecht vergessen. Da hört man, dass Mussorgskys Werk mit Richard Wagners Tristan und Isolde zu vergleichen ist; so kühn und abwechslungsreich ist die Musik. Die Wiener Volksoper war gestern vom Orchester bis zum letzten Choristen im Frack, die Damen im schwarzen Abendkleid zu bewundern. Bei aller Intensität der Gestaltung hätten Kostüme die unterschiedlichen Funktionen des Chores – Volk, Mönche, Bojaren – doch klarer gemacht. Das traf auch auf die Protagonistinnen und Protagonisten zu. Albert Pesendorfer beeindruckt als Boris mit schöner kerniger Stimme. Makellos als liebender Vater bis zuletzt. Der Umschwung zum Wahnsinn gelingt weniger gut. Der Sieg des schlechten Gewissens erschüttert kaum. Carsten Süss geht das Schmierige des hinterlistigen Schuiskij ab. Herausragend Ghazal Kazemi als Fjodor. Der junge Yasushi Hirano kann das Gebrechliche des alten Mönchs Pimen im Frack wenig glaubhaft machen. Marco di Sapia singt das Trinklied des Warlaam ordentlich. Vincent Schirrmacher kann sich nur in den ersten beiden Bildern als falscher Dimitri beweisen. Die aufgestellten Mikrofone lassen auf ein interessantes Tondokument hoffen. Liebhaber des Boris Godunow sollten sich die Wiederholungen an der Volksoper nicht entgehen lassen. Wortdeutlich und auf Deutsch wird man das Werk nicht so bald wieder zu hören bekommen. Das coronabedingt ausgedünnte Auditorium war sehr zufrieden. Wertnote: 7,2/10 Punkten

This episode is about music and sound heard in minutes 36-40 of Star Wars: A New Hope. Obi-Wan finally hears Princess Leia's message, Luke isn't ready to go to Alderaan, and Vader finds Admiral Motti's lack of faith disturbing. Today, Elizabeth Lain joins me in a discussion about oboes, Death Star sound design, sonic screen wipes, and more! Highlights: 00:00 - Hello there! 01:53 - How sonically lean A New Hope is. 06:18 - Start of chronological breakdown. 07:45 - Leia's theme on oboe. Oboe vs. English horn vs. flute. 15:45 - Grassroots Leia theme? 17:41 - Luke and Obi-Wan reaction shots while the music fades out. 20:23 - Is Obi-Wan trying to "Jedi mind trick" Luke? 23:04 - Hero's call to action and refusal of the call (a la Joseph Campbell). 24:49 - This cue of music is so...! Where else have we heard it? For one, it sounds a lot like Jyn's theme in Rogue One. But both of those could also be interpreted as plays on Dies Irae. 27:43 - Hologram as a metaphor. 28:53 - "How am I every going to explain this?" "Learn about the Force, Luke" Cue Force theme. 32:18 - "I can take you as far as Anchorhead." 33:11 - Death Star motif accompanying the exterior shot of space/Star Destroyer. But before that, we hear what Elizabeth calls a "sonic screen wipe." 35:27 - The silent Death Star conference room. 37:33 - Jk, it's totally not silent. This is Ben Burtt's time to shine. 39:49 - How Ben Burtt designed the Death Star sounds. 44:35 - How Ben Burtt designed the ambient electronic, telemetry sounds. 46:43 - "Until this battle station is fully operational, we are vulnerable." 48:09 - What if there were music in this part? What makes the Death Star feel scary. 49:27 - Power dynamics between Vader and Tarkin. 56:04 - What keeps Xanthe up at night with regard to Vader. 1:01:40 - Back on Tatooine as Luke, Ben, and the droids discover the remains of an attack. 1:01:58 - Solo trumpet leads us into the next cue, and it builds gradually. The worldbuilding that occurs in this scene. 1:08:44 - Tempo picks up as Luke rushes to his landspeeder. 1:13:11 - A pretty bad pun, sorry. 1:13:33 - Interesting sound design thing Elizabeth noticed with the speeder on screen. 1:15:38 - SWMM Questionnaire 1:19:06 - Rundown of musical themes and soundtrack stuff from these minutes. 1:19:49 - Where to find Elizabeth, upcoming stuff, goodbyes. Musical Themes: 4. Leia 3. Force 5. Death Star Note: For consistency, I use the theme names and numbers established in Frank Lehman's Complete Catalogue of the Musical Themes of Star Wars. You can download it free at his website: https://franklehman.com/starwars/. Where we are in the soundtrack album: "Tales Of A Jedi Knight/Learn About The Force" by John Williams "Burning Homestead" "The Return Home" References: telemetry: the in situ collection of measurements or other data at remote points and their automatic transmission to receiving equipment (telecommunication) for monitoring. pedal (tone, point): https://en.wikipedia.org/wiki/Pedal_point Opening trumpet part of "Pictures at an Exhibition (Promenade Part 1)" by Modest Mussorgsky - https://youtu.be/_5r8sa863Ts Rogue One/A New Hope music: https://youtu.be/DKheYfOl7hQ Complete Catalogue of the Musical Themes of Star Wars (Frank Lehman): https://franklehman.com/starwars/ STAR WARS MUSIC MINUTE QUESTIONNAIRE: 1. In exactly 3 words, what does Star Wars sound like? John Fucking Williams. 2. What's something related to Star Wars music or sound that you want to learn more about? A super detailed deep dive on C-3PO's voice; like, the very, very specifics of specifics, including which effects units they put on it, what the raw recordings sound like, what microphones they use, etc. 3. What's a score or soundtrack you're fond of besides anything Star Wars? Chernobyl (miniseries) composed by Hildur Guðnadóttir Follow Elizabeth Lain! Bandcamp: https://elizabethlain.bandcamp.com/ Website: https://elizabethlain.com/ Twitter: https://twitter.com/lizardeatsflies Star Wars Music Minute: YouTube: /starwarsmusicminute Twitter: @StarWarsMusMin Instagram: @starwarsmusicminute TikTok: @StarWarsMusicMinute Email: podcast@starwarsmusicminute.com Xanthe: Twitter: @chrysanthetan Instagram: @chrysanthetan Spotify Artist Page: Chrysanthe Tan Website: chrysanthetan.com Patreon: patreon.com/chrysanthetan

This is Cal Bannerman, creator, writer, host and producer on Stories from the Hearth, which is an immersive storytelling podcast in which my original short fiction is performed to engaging soundscapes, helping you to lose yourself in the worlds of my imagination. The goal of Stories from the Hearth is to rekindle its listeners love for the art of storytelling (and story-listening) and to foster a safe space, a community for the oddballs and outcasts of this world. Story episodes contain fiction written across a range of genres, from sci-fi and fantasy, to historical, romantic, supernatural and horror, all with an unapologetically queer-focus. Stories from the Hearth also runs a mid-month miniseries called The Wandering Bard, which examines the history of storytelling and the people behind it. This is Episode Thirteen of Stories from the Hearth, and the story is called ‘Modest Mussorgsky and the Lonely Soldier'. After my introduction, you'll hear me explain a little about the writing process behind the episode, and then we'll jump right into the story. I hope you enjoy it, and thank you for listening. Transcript can be found at: https://storiesfromthehearth.simplecast.com/episodes/modest-mussorgsky-and-the-lonely-soldier-historical-romance-episode-13/transcript https://storiesfromthehearth.simplecast.com/ Twitter: @Hearth_Podcast

Ludoslaw Dragon is a lonely drunk. Ludoslaw Dragon has a hole in his heart. Ludoslaw Dragon has disappeared... In the aftermath of World War Two, a once-picturesque Polish town hides a dark secret beneath its air-raid rubble. A photograph of a young pianist is found amongst Ludoslaw's clothes. A heart-breaking love affair comes to the surface.Stories from the Hearth is an immersive storytelling experience featuring truly original fiction backed by thoughtfully produced soundscapes. The aim of this podcast is to rekindle its listeners' love for the ancient art of storytelling (and story-listening), and to bring some small escapism to the frantic energies of the modern world. Stories is the brainchild of queer punk poet, environmentalist, and anarchist Cal Bannerman. Vive l'art!Episode #14 out on Halloweeeeen! (31.10.21)Support the podcast and earn exclusive perks through my Patreon: https://www.patreon.com/storiesfromthehearthpodcastInstagram: @storiesfromthehearthTwitter: @Hearth_PodcastYouTube: Stories from the HearthEmail: storiesfromthehearthpodcast@gmail.comOriginal Artwork by Anna FerraraAnna's Instagram: @giallosardinaAnna's Portfolio: https://annaferrara.carbonmade.com/Thank you for listening. Please consider following, subscribing to, and sharing this episode, and please do tell your friends all about Stories from the Hearth.Some of the recorded audio in this episode is courtesy of www.freesound.org. Special thanks go to miastodzwiekow and xserra.Track: Mussorgsky - Night on Bald Mountain [Copyright Free] Music provided by Classical Music Copyright Free [https://tinyurl.com/visit-cmcf] Watch: https://youtu.be/j4AggzA8fJgTrack: Chopin - Nocturne in E flat major, Op. 9 no.2 [Copyright Free] Music provided by Classical Music Copyright Free [https://tinyurl.com/visit-cmcf] Watch: https://youtu.be/F5hhdLUuLB0Track: Tchaikovsky - 1812 Overture by Tchaikovsky Creative Commons — Attribution 3.0 Unported— CC BY 3.0 https://creativecommons.org/licenses/... Music provided by FreeMusic109 https://youtube.com/FreeMusic109Track: Romsky-Korsakov - Flight of the Bumblebee [Copyright Free] Music provided by Your Soundtrack on YouTube. Watch: https://youtu.be/f7n5y3418v4

Max & Nicky talk about their favorite fruits of all time. Plus, a heated debate on the word "several" and other grammar-related tangents. Intro and Outro Music Written, mixed, and produced by Nicky Weinbach Note: Max accidentally refers to Modest Mussorgsky as "Modesto Mussorgsky." He also mistakenly pronounces the 'i' in Borodin as a French person would with a sort of soft 'a' sound, when it should be pronounced with an 'ee' sound.

Pictures at an Exhibition is a suite of ten pieces - plus a recurring, varied Promenade - composed for piano by Russian composer Modest Mussorgsky in 1874. The suite is Mussorgsky's most famous piano composition, and has become a showpiece for virtuoso pianists. It has become further known through various orchestrations and arrangements produced by other musicians and composers, with Maurice Ravel's 1922 version for full symphony orchestra being by far the most recorded and performed. By the way, we'll also hear an excerpt from another Russian composer on this episode.   So get ready for an historical composer, conductor and orchestra all rolled up into one masterpiece on Volume 31: Pictures at an Exhibition Credits and copyrights: Moussorgsky, Rimsky-Korsakov, Leonard Bernstein, The New York Philharmonic ‎– Pictures At An Exhibition · Capriccio Espagnol Label: Columbia Masterworks ‎– ML 5401 Format: Vinyl, LP, Mono Released: 1959 Genre: Classical Style: Romantic, Modern Promenade and The Gnomes Tuileries Ballet Of The Chicks In Their Shells Fandango Asturiano from Cappriccio The Great Gate Of Kiev ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain  

The deep and sonorous voice of the Bass in all its glory. Franz Josef Selig, Ivan Petrov, Boris Stokolov, Cesare Siepe, Alexander Pirogov  sing arias from Zauberfloette, La Sonambula, Nabucco, Eugene Onegin and  Modest Mussorgsky's Khovanshchina. Good Listening!

Episode art work by Lynda MillerThe Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson, 1886, excerpt.“EmmaJo,” song by John Modaff.“Pursuit,” poem by Scott Wiggerman, originally published in ABQ inPrint #3, 2019, https://bosquepress.com://bosquepress.com.“The Shadow Mirror,” story by Lynn C. Miller, in press in ABQ inPrint #5, 2021 (and part of collection “Inside the Archive,” in process). http://bosquepress.com“Lost in My Own Mind,”break music by willows (LouRae Stacy & Jonathan Modaff).“First Light,” poem by Susan Aizenberg, first published in bosque #8, 2018, now published in Gibraltar Editions chapbook.  Susan's books available: https://www.prairielights.com“Shadows and Clouds,” song by John Modaff with Dan and Larry Modaff as Good Enough.Podcast theme ("Over the Creek") and incidental music by John Modaff.  Theme for "First Light" stolen without remorse from Modest Mussorgsky's Pictures at an Exhibition.

Joseph-Maurice Ravel (March 7, 1875 – December 28, 1937) was a French composer of Impressionist music known especially for his melodies, orchestral and instrumental textures and effects. Much of his piano music, chamber music, vocal music and orchestral music has entered the standard concert repertoire.Ravel's piano compositions, such as Jeux d'eau, Miroirs, Le tombeau de Couperin and Gaspard de la nuit, demand considerable virtuosity from the performer, and his orchestral music, including Daphnis et Chloé and his arrangement of Modest Mussorgsky's Pictures at an Exhibition, uses a variety of sound and instrumentation.Ravel is perhaps known best for his orchestral work Boléro (1928), which he considered trivial and once described as "a piece for orchestra without music."

The day architect and artist Viktor Hartmann died was a sad one. It was especially hard for composer Modest Mussorgsky, who's opera Boris Godunov was one of Hartmann's favorite works. After an exhibition of Hartmann's art, Mussorgsky was moved to write a piano suite based on his experience there, Pictures at an Exhibition. This episode features Izaac and KC from the podcast Notes & Strokes. Together, we explore this piano masterpiece and the art that one may have seen at the exhibition. Pictures at an Exhibition was recorded by Chiara Bertoglio. The art: Costume sketch of canary chicks for the ballet Trilby: Hartmann_Chicks_sketch_for_Trilby_ballet.jpg (691×831) (wikimedia.org) The Rich Jew: The_Rich_Jew.jpg (400×500) (wikimedia.org) The Poor Jew: The_Poor_Jew.jpg (250×340) (wikimedia.org) Paris Catacombs: Hartmann_Paris_Catacombs.jpg (828×620) (wikimedia.org) The hut of Baba-Yaga on hen's legs. Clock in the Russian style: Izbushka2.jpg (1866×2556) (wikimedia.org) Plan for the City Gate of Kiev: Hartmann_--_Plan_for_a_City_Gate.jpg (641×868) (wikimedia.org) Where to find Notes & Strokes: Apple Podcasts: ‎Notes & Strokes on Apple Podcasts Spotify: Notes & Strokes | Podcast on Spotify PodBean: Notes & Strokes (podbean.com) Instagram: An Art and Music Podcast (@notes_and_strokes) • Instagram photos and videos Become a member of The Composer Chronicles on Patreon to get ad-free versions of all the episodes, early access to those ad-free versions, access to the member-only podcast Unscripted, and other things podcast related! https://www.patreon.com/thecomposerchronicles Join me and an incredible, growing community living healthier lifestyles in a body positive space with Roy Belzer Fitness: https://roybelzerfitness.com/signup and use offer code chronpodcast at checkout! Theme music is by Daryl Banner: https://darylbanner.bandcamp.com/ Alexandrian Media Teespring: https://teespring.com/stores/alexandrianmedia --- Send in a voice message: https://anchor.fm/thecomposerchronicles/message

Our fascination with witches takes us to the original tale of the Baba Yaga. Many things to many people, the legend of Baba Yaga has found a home throughout pop culture and classical music. Mindy guides us through Pictures at an Exhibition 9A; Baba Yaga by Modest Mussorgsky (1839-1881). References: Identifying Impressions of Baba Yaga: Navigating the Uses of Attachment and Wonder on Soviet and American Television by Megan Armknecht, Jill Terry Rudy, Sibelan Forrester. + Who's Afraid of Baba Yaga? A Reading of Ageing From the Gender Perspective by MARIJA GEIGER ZEMAN and ZDENKO ZEMAN

Richard and Eric try a new mode of discussion and ramble on in attempting to tip over a perceived 'sacred cow' of the current choral scene: closing concerts with 'crowd-pleasing' pieces.  This seemingly simple idea has a surprisingly large number of factors and variables to ruminate on, and the boys end up perhaps having more questions than when they started.'musica obscura' looks at Lou Harrison's (1917-2003) obscure “La Koro Sutro.”'Readings and Writings' is a short description of the dire state of Russian composer Modest Mussorgsky (1839-1881) in the 1870s by his friend Ilya Repin.

主播／有待 嘉宾／晓辉 相征封面设计／相征 录音支持／相征 录音剪辑／Eipper文案整理／Rico 音频上传／Observer时间长河里流淌过太多美好的回忆，双卡录音机、音乐杂志记录了许多我们有关音乐的故事，但这些或许只能停留在曾经的时代。曾经，优秀的音乐内容对于大家来说是弥足珍贵的，互相传阅交流，使得音乐变成一个纽带，连接了四面八方热爱音乐的人。今日，让我们乘上有待时光机，重回八十年代，感受有待老师、晓辉老师、和相爷的过往青春。／Song List／01. Modest Mussorgsky,Tbilisi Symphony Orchestra, Djansug Kakhidze - Pictures At an Exhibition：Promenade02. Paul Simon - One-Trick Pony03. 朝阳国际电子乐队 - 五匹野马04. Space - Just Blue05. Wham! - Wake Me Up Before You Go-Go06. 崔健 - 从头再来大内密谈的新浪微博帐号“大内密谈”大内密谈的微信公共帐号“大内密谈”欢迎加入 欢迎互动：）

主播／有待 嘉宾／晓辉 相征封面设计／相征 录音支持／相征 录音剪辑／Eipper文案整理／Rico 音频上传／Observer时间长河里流淌过太多美好的回忆，双卡录音机、音乐杂志记录了许多我们有关音乐的故事，但这些或许只能停留在曾经的时代。曾经，优秀的音乐内容对于大家来说是弥足珍贵的，互相传阅交流，使得音乐变成一个纽带，连接了四面八方热爱音乐的人。今日，让我们乘上有待时光机，重回八十年代，感受有待老师、晓辉老师、和相爷的过往青春。／Song List／01. Modest Mussorgsky,Tbilisi Symphony Orchestra, Djansug Kakhidze - Pictures At an Exhibition：Promenade02. Paul Simon - One-Trick Pony03. 朝阳国际电子乐队 - 五匹野马04. Space - Just Blue05. Wham! - Wake Me Up Before You Go-Go06. 崔健 - 从头再来大内密谈的新浪微博帐号“大内密谈”大内密谈的微信公共帐号“大内密谈”欢迎加入 欢迎互动：）