Podcasts about liszt

This Day in Legal History: O.J. “Not Guilty”On October 3, 1995, a Los Angeles jury returned one of the most controversial and widely watched criminal verdicts in American history: O.J. Simpson was found not guilty of the murders of his ex-wife, Nicole Brown Simpson, and her friend Ron Goldman. The trial, which lasted more than eight months, captivated the nation with its blend of celebrity, race, police misconduct, and media spectacle. The prosecution presented DNA evidence linking Simpson to the crime scene, while the defense, led by Johnnie Cochran, argued that Simpson was framed by a racist LAPD, particularly Detective Mark Fuhrman.Cochran's now-famous line — “If it doesn't fit, you must acquit” — referred to a moment when Simpson tried on gloves allegedly worn during the murders, and they appeared not to fit. The defense used that moment to cast further doubt on the prosecution's case. The jury deliberated for less than four hours before acquitting Simpson, prompting strong reactions across racial and social lines.The case exposed deep divisions in American society, particularly around race and policing. It also helped usher in the era of the 24-hour news cycle and reality-style courtroom coverage, with networks like CNN and Court TV devoting extensive airtime to the trial. The not-guilty verdict did not end Simpson's legal troubles: in 1997, a civil jury found him liable for wrongful death and ordered him to pay $33.5 million in damages.Apple confirmed it has removed the ICEBlock app and similar tools from its App Store following pressure from the Trump administration and Attorney General Pam Bondi. ICEBlock allowed users to report and track the locations of ICE officers through crowdsourced data. Bondi stated the app endangered law enforcement officers and crossed a line by facilitating potential violence.The Department of Justice supported the move, citing safety concerns. This action followed an exposé by right-wing influencer Laura Loomer, who outed the creator of a similar app, Red Dot, and accused the platforms of enabling violence against ICE agents. Loomer also claimed that a recent deadly shooting at a Dallas ICE facility involved the use of such tracking apps.Apple defended its decision, stating it aims to keep the App Store a “safe and trusted” space, and that ICEBlock violated policies by potentially enabling harm to law enforcement. The app's developer, Joshua Aaron, criticized the removal, comparing it to how apps like Apple Maps crowdsource speed trap locations. He argued that his app was protected by the First Amendment and that Apple's action was a concession to authoritarian demands.Tech Giant Apple Bows to MAGA Demands and Removes ICE Tracking AppsOpenAI filed a motion in federal court to dismiss a trade secret lawsuit brought by Elon Musk's AI startup, xAI. The lawsuit, filed in San Francisco, accuses OpenAI of deliberately poaching xAI employees to gain access to confidential information about Grok, xAI's chatbot, which the company claims surpasses ChatGPT in performance.OpenAI rejected the allegations, calling them baseless and part of Musk's “ongoing harassment” campaign against the company. In its filing, OpenAI argued that employees are free to leave xAI and work wherever they choose, and that it is within its rights to hire them. The company suggested xAI's legal actions are designed to cover up its internal struggles and inability to retain talent.This case is one of several legal battles unfolding between Musk and OpenAI. Musk has also filed a separate suit accusing OpenAI of abandoning its original nonprofit mission. In turn, OpenAI has countersued Musk for harassment. Meanwhile, xAI has sued Apple, claiming it colluded with OpenAI to suppress competition—an accusation both companies deny and are also seeking to dismiss.OpenAI's legal response characterized xAI's complaint as a distraction from its own failings and a tactic to slow down competitors in the heated race for dominance in the AI industry.OpenAI asks court to dismiss trade-secret lawsuit from Musk's xAI | ReutersU.S. District Judge Michael Simon recused himself from a case challenging President Donald Trump's decision to deploy Oregon's National Guard to Portland. The Trump administration had raised concerns over public comments made by Simon's wife, Representative Suzanne Bonamici, criticizing the deployment as a “gross abuse of power.” To avoid any appearance of bias, Judge Simon opted to step aside, stating the case should remain focused on its core constitutional and legal questions.The lawsuit, filed by Oregon Attorney General Dan Rayfield, seeks to block Trump's use of state National Guard troops, arguing it is illegal and driven by political motives. The complaint alleges Trump is exaggerating protest threats to justify federal overreach and seize control of state forces. The case has been reassigned to Judge Karin Immergut, a Trump appointee.Bonamici, whose district includes much of Portland, made her critical remarks during a press conference with Oregon Governor Tina Kotek. The Department of Justice cited her comments in its request for Simon's recusal, arguing they could undermine public confidence in judicial impartiality.A hearing is scheduled for Friday on Oregon's request for a temporary restraining order. Similar legal challenges are underway in California and Washington, D.C., where federal troop deployments have also faced pushback. A California judge previously ruled Trump's actions unlawful, but that decision is currently on hold pending appeal. The D.C. case remains unresolved.Judge recuses himself from Oregon National Guard case | ReutersThis week's closing theme is by Ludwig van Beethoven, a composer of some note.This week, we close with Franz Liszt's transcription (S. 464) of the first movement—Allegro con brio—from Beethoven's Symphony No. 1 in C major, Op. 21. Originally premiered in 1800, this symphony marked Beethoven's formal debut in the genre, and even in its first movement, we hear the young composer testing the boundaries of the Classical form inherited from Haydn and Mozart. The opening chords start in the “wrong” key—a bold harmonic gesture that signaled Beethoven's intent to shake things up, even as he worked within a familiar structure.Liszt, the great 19th-century virtuoso and composer, took on the monumental task of transcribing all nine of Beethoven's symphonies for solo piano. The transcription of the First Symphony, catalogued as S. 464, is part of that sweeping project. These arrangements were not simply meant to showcase Liszt's pianistic brilliance (though they certainly do); they were a way to bring Beethoven's orchestral works into the drawing rooms and salons of Europe—before widespread orchestral performance or recording technology.In Liszt's hands, the Allegro con brio becomes a brilliant piano showpiece, retaining the symphony's rhythmic drive, thematic clarity, and structural ingenuity. He translates orchestral texture into ten fingers with remarkable fidelity, using tremolos, arpeggios, and dramatic dynamic shifts to recreate the energy of strings, winds, and brass. The transcription is virtuosic but never flashy for its own sake—it's an homage from one revolutionary to another.Beethoven's First Symphony bridges the Classical and Romantic eras, and Liszt's solo piano version builds a new bridge, connecting orchestral grandeur to the intimacy of a single performer. It's a reminder of both composers' commitment to pushing musical expression forward. As you listen, you may forget it's just one person at a piano—Liszt makes the entire orchestra sing.We leave you this week not only with Beethoven's bold opening statement to the symphonic world, but with Liszt's brilliant act of translation—a distillation of power, wit, and elegance, all under a single keyboard.Without further ado, Ludwig van Beethoven's Symphony No. 1 in C major, Op. 21 – the first movement. Enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Luister en leer hoe grote klassieke componisten hun belangrijke werken hebben gemaakt en hoe hun levenspad daarop van invloed was, zoals Frans Liszt. Uitgegeven door Ontmoeting met... Sprekers: Kees Brusse, Gijsbert Tersteeg, Mieke Verstraete

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In this episode, Janice Campbell sits down with Professor Carol Reynolds to explore the powerful role music and the arts play in a child's education. Together, they unpack how music isn't just a “nice extra,” but an essential part of helping kids connect with history, science, and even math. Carol shares how rhythm, sound, and story all work together to shape not only knowledge, but also confidence and joy in learning. If you've ever wondered how to integrate music and literature more fully into your homeschool, or you're looking for encouragement that it's not too late to begin, this conversation will inspire you. By the end, you'll be reminded that education is about more than checking boxes—it's about nurturing the soul through beauty, rhythm, and story. About Carol Professor Carol Reynolds is a much sought-after public speaker for arts venues, homeschool conferences, and general audiences. She combines insights on music history, arts, and culture with her passion for arts education to create programs and curricula, inspires concert audiences, and lead art tours. Never dull or superficial, Carol brings to her audiences a unique blend of humor, substance, and skilled piano performance to make the arts more accessible and meaningful to audiences of all ages. Carol has led art tours to Russia, Poland, Austria, Germany, Hungary, Switzerland, the Czech Republic, Croatia, Slovakia, San Francisco, and Broadway on behalf of several arts organizations and has recently teamed with Smithsonian Journeys for cruises to the Holy Land, Mediterranean, Caribbean, Baltic Sea, Indian Ocean, and across the Atlantic. Her enthusiasm and boundless energy give tour participants an unforgettable experience. For more than 20 years, Carol was Associate Professor of Music History at the Meadows School of the Arts, Southern Methodist University in Dallas, Texas. She now makes her home in North Carolina with her husband, Hank, and her daughter and grandchildren. Hank and Carol maintain a second residence in Weimar, Germany — the home of Goethe, Schiller, Bach, and Liszt, and the focal point of much of Europe's artistic heritage. About Janice Janice Campbell, a lifelong reader and writer, loves to introduce students to great books and beautiful writing. She holds an English degree from Mary Baldwin College, and is the graduated homeschool mom of four sons. You'll find more about reading, writing, planning, and education from a Charlotte Mason/Classical perspective at her websites, EverydayEducation.com, Excellence-in-Literature.com, and DoingWhatMatters.com. Resources  Saul by George Frideric Handel The Creation by Joseph Haydn https://www.professorcarol.com/2011/08/20/the-biggest-page-turn-in-music/ Peter and the Wolf by Sergei Prokofiev The role of music in a Hitchcock movie soundtrack Hurrah and Hallelujah: 100 Songs for Children Excellence in Literature curriculum (Grades 8-12) Connect Carol Reynolds | Website | Facebook | Instagram  Janice Campbell | Instagram | Facebook | Twitter | Pinterest | Website Homeschooling.mom | Instagram | Website Subscribe to our YouTube channel | YouTube Have you joined us at one of the Great Homeschool Conventions?  We hope to see you there! For more encouragement on your homeschooling journey, visit the Homeschooling.mom site, and tune in to our sister podcast The Charlotte Mason Show. View full show notes on the blog.

Nagyszabású fesztivállal indul a Concerto Budapest következő évada a BMC-ben és a Zeneakadémián: a szeptember 26. és 28. között megrendezett, egyedülállóan gazdag programsorozat keretében a zenekar a Magyar Kincsek Ünnepét Bartók Bélának szenteli, a zeneszerző halálának 80. évfordulója alkalmából.A kamaraműveket, versenyműveket, vokális kompozíciókat és szimfonikus műveket egyaránt felvonultató, rendkívüli érzékenységgel összeállított program a Bartók-életmű páratlan keresztmetszetét mutatja be, melyet számos Kossuth-, Liszt- és Prima Primissima díjas Bartók-előadó interpretációjában hallgathat meg a közönség.A Bartók Ünnep házigazdája a Széchenyi-díjas Batta András, a Magyar Zene Háza ügyvezető igazgatója.

A guitarist-composer invents her own sound, a young pianist performs Liszt with power and finesse and an all-star cello quartet rocks Piazzolla.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Nagy örömömre ezúttal apa és fia tisztelnek meg a stúdióban, akik ugyanazon hangszer két különböző útját járják. Onczay Csaba Kossuth- és Liszt-díjas gordonkaművész, a magyar csellójáték egyik legnagyobb alakja, aki a világ számos koncerttermében adott felejthetetlen esteket. Művészi pályáját a szenvedély, a tudás átadásának igénye és a zene iránti mély alázat formálja. Mellette fia, Onczay Zoltán csellóművész, a MÁV Szimfonikus Zenekar szólamvezetője, aki az új generáció lendületét, frissességét hozza a színpadra, miközben saját hagyományokat teremt. A műsorban családi örökségről, a tanítványoknak átadható tudásról, a közös koncertekről és a művészetben rejlő kapcsolódási pontokról lesz szó. Hogyan öröklődik a szenvedély? Hogyan válik az apa példája inspirációvá a fiú számára, és hogyan találják meg együtt a közös hangot a cselló rezgéseiben? Csaba a pályafutása során mindig fontosnak tartotta, hogy a zenét élményként, mély lelki találkozásként adja át a közönségnek. A tanításban is ugyanez vezeti, hiszen az interpretáció mellett a fiatal muzsikusok gondolkodásmódját, emberi tartását is formálni szeretné. Művészi vallomásaiban ott rejlik a hit, hogy a cselló hangja képes hidat építeni emberek, nemzetek és kultúrák között. Zoltán fiatal kora ellenére jelentős nemzetközi tapasztalatot szerzett, és már most saját generációjának meghatározó muzsikusaként tekinthetünk rá. Zoltán számára az apai példa korántsem teher, hanem inspiráció, amely erőt ad ahhoz, hogy saját hangját megtalálva új fejezeteket írjon a csellóművészetben. A zenekari munka mellett kamarazenei és szólóprodukciókban is megmutatja sokoldalúságát, mindig a közönséggel való bensőséges kapcsolatra törekedve.A Sláger FM-en minden este 22 órakor a kultúráé a főszerep S. Miller András az egyik oldalon, a másikon pedig a térség kiemelkedő színházi kulturális, zenei szcena résztvevői Egy óra Budapest és Pest megye aktuális kult történeteivel. Sláger KULT – A természetes emberi hangok műsora.

(c) WDR 2025 Von Christoph Vratz.

Das Konzept ist genial und etwas für alle, die auf Gesang verzichten können: Mendelssohn schreibt Klavierstücke, so eingängig wie Arien – nur ohne den nervigen Gesang … Von Christoph Vratz.

durée : 01:28:49 - Aldo Ciccolini, le maître des atmosphères - par : Aurélie Moreau - L'intégrale des enregistrements Erato d'Aldo Ciccolini parue cet été nous permet de redécouvrir l'élégance et l'émotion de son jeu, inspiré dès sa jeunesse par Busoni, Liszt et le Bel Canto. Aujourd'hui : Liszt, Rachmaninov, Satie, Saint-Saëns… Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

I detta avsnitt har Anders grävt djupt efter vad som har format oss svenskar till de mycket sammansatta små existenser vi har blivit. Detta samt en kort essä om en ungerskfödd it-boy från 1800-talet. patreon.com/fyrameter Hosted on Acast. See acast.com/privacy for more information.

durée : 01:30:23 - En pistes ! du vendredi 12 septembre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Contemporain de Liszt et Beethoven, le compositeur Ferdinand Hiller est l'auteur de six symphonies dont deux sont mises à l'honneur dans une nouvelle parution discographique. Pour continuer avec le répertoire allemand, nous écouterons un septuor de Beethoven et la musique chorale des Mendelssohn... Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:30:23 - En pistes ! du vendredi 12 septembre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Contemporain de Liszt et Beethoven, le compositeur Ferdinand Hiller est l'auteur de six symphonies dont deux sont mises à l'honneur dans une nouvelle parution discographique. Pour continuer avec le répertoire allemand, nous écouterons un septuor de Beethoven et la musique chorale des Mendelssohn... Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Einstmals mondäner Charme, heute Mauerreste an einer Baulücke in Weimar: Das Feature lässt mit Tönen und Dokumenten das "Hotel Erbprinz" wieder auferstehen, ein Haus voller Geschichten und Zeugnis vieler Kulturepochen.

The Martian Chronicles by Ray Bradbury - Introduction w/ Jesan Sorrells---00:00 - Welcome and Introduction - The Martian Chronicles by Ray Bradbury. 01:00 Exploring The Martian Chronicles.07:04 Ray Bradbury's Post World War 2 World Building.09:20 Martian Civilization Encounter.13:19 Bradbury's Inspiration for The Martian Chronicles.16:56 Existential Exploration in The Martian Chronicles.21:50 Colonial Destruction and Moral Escape.26:53 Screenwriting Debate: Plot vs. Realism.27:58 The Martian Chronicles: Escaping Existential Dread.33:50 Bradbury's Take on Segregation.37:25 Bradbury's Exodus to Mars.40:27 Return from Mars: A Cynical Irony.47:01 Reviving Sincerity in Leadership.49:54 The Illusion of Empathy vs. Sincerity.---Music - Overture to Tannhauser (piano version, Liszt), S. 442. ---Opening and closing themes composed by Brian Sanyshyn of Brian Sanyshyn Music.---Pick up your copy of 12 Rules for Leaders: The Foundation of Intentional Leadership NOW on AMAZON!Check out the 2022 Leadership Lessons From the Great Books podcast reading list!--- ★ Support this podcast on Patreon ★ Subscribe to the Leadership Lessons From The Great Books Podcast: https://bit.ly/LLFTGBSubscribeCheck out HSCT Publishing at: https://www.hsctpublishing.com/.Check out LeadingKeys at: https://www.leadingkeys.com/Check out Leadership ToolBox at: https://leadershiptoolbox.us/Contact HSCT for more information at 1-833-216-8296 to schedule a full DEMO of LeadingKeys with one of our team members.---Leadership ToolBox website: https://leadershiptoolbox.us/.Leadership ToolBox LinkedIn: https://www.linkedin.com/company/ldrshptlbx/.Leadership ToolBox YouTube: https://www.youtube.com/@leadershiptoolbox/videosLeadership ToolBox Twitter: https://twitter.com/ldrshptlbx.Leadership ToolBox IG: https://www.instagram.com/leadershiptoolboxus/.Leadership ToolBox FB: https://www.facebook.com/

Send us a textDescriptionShowtime with Strings Attached: The Romantic Concerto in 60 Seconds. Take a minute to get the scoop!Fun FactFranz Liszt's piano concertos were so demanding that critics sometimes accused him of showing off. He didn't mind—he once said performing should “transport the listener.” Paganini caused similar uproar: audiences whispered he'd sold his soul to the devil to master the violin. Marketing hype, 19th-century style.About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.You can FOLLOW ME on Instagram.

Hoje vamos mergulhar na Sinfonia de Dante, uma das obras mais visionárias e, ao mesmo tempo, desafiadoras de Franz Liszt. A estreia aconteceu em 7 de novembro de 1857, no Teatro Real de Dresden, sob regência do próprio Liszt. A recepção? Digamos… nem todos estavam preparados para tanta ousadia.Apresentado por Aroldo Glomb com Aarão Barreto na bancada. Seja nosso padrinho: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://apoia.se/conversadecamara⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ RELAÇÃO DE PADRINS Aarão Barreto, Adriano Caldas, Gustavo Klein, Fernanda Itri, Eduardo Barreto, Fernando Ricardo de Miranda, Leonardo Mezzzomo,Thiago Takeshi Venancio Ywata, Gustavo Holtzhausen, João Paulo Belfort , Arthur Muhlenberg e Rafael Hassan.Tudo começou lá em 1837, quando Liszt estava curtindo a paisagem do Lago de Como ao lado de sua companheira Marie d'Agoult. Entre um passeio e outro, ele mergulhou na leitura da Divina Comédia de Dante Alighieri. Foi aí que nasceu a ideia de transformar esse épico literário em música – mas não apenas música: Liszt queria juntar som, poesia e até artes visuais. Teve até planos malucos, como projetar imagens em lanterna mágica durante o concerto e usar uma máquina de vento experimental para simular as rajadas do Inferno. Isso em 1850 e poucos! Visionário demais, né?Em 1855, ele escreveu para o amigo e futuro genro, Richard Wagner, contando sobre a obra que estava compondo. A ideia era uma sinfonia em três movimentos: Inferno, Purgatório e Paraíso. Só que Wagner deu aquele pitaco clássico: disse que o Paraíso não podia ser representado em música. Liszt até aceitou o conselho – meio a contragosto – e deixou o último movimento em aberto, reduzindo-o a um coro feminino com trechos do Magnificat.A estreia rolou em 7 de novembro de 1857, no Teatro Real de Dresden, com o próprio Liszt regendo. E olha… foi um fiasco! Faltou ensaio, a imprensa caiu matando e até amigos próximos ficaram com o pé atrás. Mas a obra sobreviveu ao tempo e hoje é considerada uma das mais ousadas tentativas de unir literatura e música no século XIX.

durée : 01:28:12 - Relax ! du jeudi 04 septembre 2025 - par : Lionel Esparza -  À l'occasion du centenaire de la naissance de l'immense pianiste Aldo Ciccolini, le label Erato publie un coffret un exceptionnel de 60 CDs réunissant notamment des cycles complets de Liszt, Déodat de Séverac ou Saint‑Saëns, et quelques inédits enregistrés en concert. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:12 - Relax ! du jeudi 04 septembre 2025 - par : Lionel Esparza -  À l'occasion du centenaire de la naissance de l'immense pianiste Aldo Ciccolini, le label Erato publie un coffret un exceptionnel de 60 CDs réunissant notamment des cycles complets de Liszt, Déodat de Séverac ou Saint‑Saëns, et quelques inédits enregistrés en concert. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Send us a textThis week on Here's What We Know, Gary Scott Thomas sits down with Robert Emery,  world-renowned conductor, pianist, and Founder of The Arts Group, one of the UK's most dynamic entertainment companies. From childhood prodigy to international maestro, Robert brings a refreshing, fun, and deeply human perspective on classical music, creativity, and the colorful personalities behind history's greatest composers.In This Episode:Why classical music was once the “pop music” of its timeSurprising connections between country, rock, and operaRobert's bold journey from a 7-year-old pianist to global conductor and entrepreneurWhat conductors really do and the leadership lessons they offerWild, unforgettable stories about legends like Liszt and MozartHow classical themes show up everywhere, from film scores to cartoonsRobert's drive to keep innovating through conducting, musicals, and TED's List for online music educationThis episode is sponsored by: Reed Animal Hospital (Be sure to tell them Gary sent you!) Bio:Robert Emery is a conductor, pianist, and serial entrepreneur. He is lucky enough to travel the world; ranging from performances in London's Royal Albert Hall, through to the Sydney Opera House, Robert has seen them all. Besides music, he is the Founder & Director of The Arts Group, one of the most diverse entertainment companies in the UK. Within the portfolio is a national music tuition agency, symphony orchestra, choir, artist agency, record label, and production company. Aside from that, he lives in London and Cambridge, has a wife (Mrs. E), a toddler (Master T), a baby (Master A), and 4 cats.Website: https://robertemery.com/YouTube: https://www.youtube.com/robertemeryofficialFacebook: https://www.facebook.com/robertemeryofficialInstagram: https://www.instagram.com/robertemeryofficial/Connect with Gary: Gary's Website Follow Gary on Instagram Gary's Tiktok Gary's Facebook Watch the episodes on YouTube Advertise on the Podcast Thank you for listening. Let us know what you think about this episode. Leave us a review!

There is an old joke, "What is Beethoven up to these days?" Answer, "Decomposing." Haha very funny. Everybody laughs. But what if I told you that in the 1960's famous dead musicians of the past got tired of decomposing and decided to start re-composing? With the help of a mild mannered British single mother and lunch lady, a full Liszt of the greats were ready to take the stage once more and start their encore.  Support us on Patreon! patreon.com/leasthaunted Join us on Discord! https://discord.gg/6jSqPXupJk Follow us on Tumblr! https://leasthaunted.tumblr.com Check out our Skeets! https://bsky.app/profile/leasthaunted.bsky.social Support The Trans Lifeline https://translifeline.org and The Trevor Project https://www.thetrevorproject.org Least Haunted & The Least Haunted Podcast ©2020-2025 Sequoidea Productions LLC. 

durée : 00:27:50 - Lise de la Salle, pianiste - Elle n'avait pas enregistré Liszt depuis près de quinze ans. Avec son nouvel album "Phantasmagoria", Lise de la Salle revient à ses premières amours avec l'un de ses compositeurs fétiches. Également au Festival de Rocamadour en cette fin d'été, elle sera en tournée dans toute l'Europe à la rentrée. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:34 - Musique matin été du mercredi 20 août 2025 - par : Gabrielle Oliveira-Guyon - Elle n'avait pas enregistré Liszt depuis près de quinze ans. Avec son nouvel album "Phantasmagoria", Lise de la Salle revient à ses premières amours avec l'un de ses compositeurs fétiches. Également au Festival de Rocamadour en cette fin d'été, elle sera en tournée dans toute l'Europe à la rentrée. - réalisé par : Delphine Keravec Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

If you “get” Gundula Janowitz, then you really get her, and this birthday tribute will be a delectable treat. If, however, you don't get her, or don't think that you get her, you might want to give this episode a try, anyway, for it focuses on her work as a Lieder singer. It is my contention that she was one of the very finest song recitatlists of the late 20th century. Like Grace Bumbry, Margaret Price, Helen Donath, and a number of others, she balanced her work in opera with superlative work on the recital stage. To support my informed opinion, I have found a number of rare live recordings from Amsterdam, Tokyo, and Athens, in which the beloved soprano performs (with her pianists Irwin Gage, Charles Spencer, and Peter Waters and conductor Rudolf Barshai), songs of Strauss, Schubert, Liszt, Wagner, and Hindemith. The episode is supplemented by music by Haydn, Bach, and Robert Stolz, the last an early-career Janowitz performance of his obscure opera Die Rosen der Madonna. In these works, she is heard in duet with Waldemar Kmentt and last week's featured singer, Hermann Prey. Herzliche (aber nachträgliche) Geburtstagsgrüße an unsere geliebte Frau Kammersängerin! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Tonight, we'll read about the musical genius Franz Liszt as a child piano prodigy from the book “Life of Liszt” written by Ludwig Nohl. Liszt was a Hungarian composer, pianist and teacher of the Romantic era. He gained renown during the early nineteenth century for his virtuoso skill as a pianist. Since he often appeared three or four times a week in concert, it could be safe to assume that he appeared in public well over a thousand times during one eight year period. During his virtuoso heyday, Liszt was described by the writer Hans Christian Andersen (who has written many fairy tales featured by Snoozecast) as a "slim young man...[with] dark hair hung around his pale face". He was seen as handsome by many, with a German poet writing concerning his showmanship during concerts: "How powerful, how shattering was his mere physical appearance". — read by 'N' — Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoices

Zámek v Hradci nad Moravicí na Opavsku patří k nejvýznamnějším památkám v Moravskoslezském kraji. Tvoří ho rozlehlý přírodně krajinářský park s řekou Moravicí a dvěma zámky, které mají nejen různou barvu, ale na první pohled i naprosto odlišnou architekturu.

Zámek v Hradci nad Moravicí na Opavsku patří k nejvýznamnějším památkám v Moravskoslezském kraji. Tvoří ho rozlehlý přírodně krajinářský park s řekou Moravicí a dvěma zámky, které mají nejen různou barvu, ale na první pohled i naprosto odlišnou architekturu.

Georgian pianist Mariam Batsashvili shares her journey from student to international artist. She reflects on her roots in Georgia's rich musical culture, her transformative experience as a BBC New Generation Artist, and the thrill of returning to the Royal Albert Hall. Mariam discusses the emotional depth of Liszt's music, recounts how reading Dante at 13 shaped her interpretation of his Fantasia quasi Sonata, and explores the spiritual dimension of performance

durée : 01:58:34 - Alfred Brendel, les enregistrements des années soixante - par : Philippe Cassard - Celui qui, né en 1931 et s'est retiré de la scène en 2008, a été sans doute le grand interprète des classiques viennois (Haydn, Mozart, Beethoven) et de Schubert, a, dans ses jeunes années, joué la musique du XXème siècle et Liszt de manière transcendante. - réalisé par : Davy Travailleur Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:42 - Esa-Pekka Salonen, du grand répertoire à la création - par : Aurélie Moreau - Le pianiste Alfred Brendel était un immense interprète de Beethoven, Schubert, Liszt… et aussi l'auteur d'essais "extrêmement pertinents, mines de renseignements, de réflexions et de pensées pour les musiciens". (Ph. Cassard, Les Grands Entretiens) Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

In his later years, Liszt increasingly pursued his favoured causes by using piano transcriptions of other composers' works; and his own symphonic poems appeared as transcriptions from the 1850s. In 1865 Liszt famously complained to Hans von Bülow that “I have better things to do with my time than transcribe, paraphrase, and illustrate, and from now on I will be more discriminating in this recreation.” This declaration, however, was not rigorously pursued, and the lucrative activity continued to support Liszt and his causes all his life. Raymond Bisha introduces a new album of Mozart and Donizetti opera transcriptions by Liszt, performed by Swiss-Russian pianist Konstantin Scherbakov, one of today's most versatile and accomplished artists.

durée : 01:28:28 - Relax ! du vendredi 13 juin 2025 - par : Lionel Esparza - Une émission relaxante, un patchwork qui se construit tranquillement entre Lassus et Chabrier, Haydn, Liszt et... du plaisir ! - réalisé par : Antoine Courtin

durée : 01:28:18 - En pistes ! du jeudi 12 juin 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - L'orchestre de Melbourne nous offre une nouvelle version des Planètes de Gustav Holst, mise en miroir avec "Terre" de la compositrice australienne Deborah Cheetham Fraillon. Côté piano, de nouvelles parutions discographiques sont consacrées à Mendelssohn, Liszt et Beethoven.

durée : 01:28:18 - En pistes ! du jeudi 12 juin 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - L'orchestre de Melbourne nous offre une nouvelle version des Planètes de Gustav Holst, mise en miroir avec "Terre" de la compositrice australienne Deborah Cheetham Fraillon. Côté piano, de nouvelles parutions discographiques sont consacrées à Mendelssohn, Liszt et Beethoven.

durée : 01:28:43 - Krystian Zimerman, le perfectionnisme et l'audace - par : Aurélie Moreau - Le pianiste Krystian Zimerman est pour sa consœur Hélène Grimaud "un architecte des sons, de la forme et des émotions. Un idéal inégalable, l'un des rares génies en exercice." (Le Monde). Aujourd'hui : Brahms, Liszt, Beethoven, Chopin, Rachmaninov…

durée : 00:18:15 - Le Disque classique du jour du vendredi 06 juin 2025 - Lise de la Salle revient à l'un de ses compositeurs de prédilection, Franz Liszt. Dans ce disque, elle propose notamment la Sonate en si mineur, en miroir des Réminiscences de Don Juan, une partition rarement fréquentée de nos jours.

durée : 00:18:15 - Le Disque classique du jour du vendredi 06 juin 2025 - Lise de la Salle revient à l'un de ses compositeurs de prédilection, Franz Liszt. Dans ce disque, elle propose notamment la Sonate en si mineur, en miroir des Réminiscences de Don Juan, une partition rarement fréquentée de nos jours.

Celui que la presse a consacré comme « Le Pianiste du siècle » ou « La réincarnation de Liszt » a traversé beaucoup d'épreuves avant de faire de la France sa patrie d'adoption. Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Interpreten: Pablo Ferrández, Julien Quentin, Swedish Chamber Orchestra, Martin FröstLabel: Sony ClassicalEAN: 198028986328Manchmal darf es auch wohlklingender Hochglanz sein, der es zur CD der Woche auf radio klassik Stephansdom schafft. Wie das Album Moonlight Variations des Cellisten Pablo Ferrández. „Nachtmusiken“ scheinen derzeit Hochsaison zu haben, wenn man an die Nocturnes-, Serenaden- usw. CDs der vergangenen Wochen und Monate denkt. Mit der Nacht in der Musik hat sich nun auch Pablo Ferrández beschäftigt, und das, obwohl er laut eigener Aussage ein ausgesprochener Morgenmensch ist. Träumerische Melodien von Schumann, Schubert, Liszt, Debussy, Chopin, Ponce und Dvořák hat der junge Cellist Ferrández teils in Originalbearbeitungen, teils in Eigenarrangements mit Orchester- oder Klavierbegleitung aufgenommen. Mit den Rokoko-Variationen von Peter Iljitsch Tschaikowsky findet die CD aber auch einen ganz und gar nicht nächtlichen Höhepunkt, aus musikalischer Sicht aber völlig irrelevant…„Einer der Gründe, weshalb ich so gerne Lieder spiele, ist, dass wir mit dem Cello immer zu singen versuchen.“ So wird Pablo Ferrández im Beiheft der CD zitiert und genau das gelingt ihm auch in den unterschiedlichen Bearbeitungen auf dieser CD. Schon bei Rusalkas Lied an den Mond zur Eröffnung oder auch Schuberts Nacht und Träume. „Heil'ge Nacht, du sinkest nieder; Nieder wallen auch die Träume, wie dein Mondlicht durch die Räume, durch der Menschen stille Brust.“ Da ist er wieder, der Mond. Schumanns Träumerei oder der dritte Liebestraum von Liszt fügen sich genauso ins Spektrum und erhellen den musikalischen Nachthimmel, wie der kleine Stern Estrellita des mexikanischen Komponisten Manuel Ponce. Selten genug, dass das Hauptwerk einer CD, wie hier die Rokoko-Variationen von Tschaikowsky, zur Zugabe mutiert. Makellos und musikantisch gelingen die sieben Variationen auf ein Rokoko-Thema, wobei auch das Schwedische Kammerorchester unter Martin Fröst seinen Anteil daran hat. Aufmerksam wie die sprichwörtlichen Haftlmacher begleiten die Musikerinnen und Musiker und legen so ein Fundament, auf dem es sich wunderbar solieren lässt! Das Finale ist dabei ein feingezeichnetes Feuerwerk, bei dem sich Orchester- und Solostimme herrlich ineinander verschränken. (mg)

Five commercial Liszt Sonata recordings that deserve wider recognition:Van Cliburn - https://www.youtube.com/watch?v=CmyFMhtJngcJitka Čechová - https://www.supraphon.com/album/96-brahms-liszt-live-at-the-rudolfinumBoris Berezovsky - https://www.prestomusic.com/classical/products/7984370--boris-berezovsky-plays-liszt?srsltid=AfmBOoqEJKHu96EbKtmOz-nQ49y2jA-JVNeJKTTDZ6BHHAMJzTx0dVApAlexei Grynyuk - https://www.youtube.com/watch?v=SVyMCDz2JJcGeorge-Emmanuel Lazaridis - https://www.youtube.com/watch?v=5g5HBjoEFAI

Send us a textEl frenesí provocado por un carismático pianista será el punto de partida para una historia de histeria colectiva. Ese relato será la puerta de entrada al complejo mundo del comportamiento de masas, el estudio de lo que hacemos cuando otros nos rodean y de cómo la tecnología ha permitido hacer experimentos gigantescos de manipulación de estados de ánimo sin pedir permiso.Support the show

Consider a paid subscription to The Piano Maven podcast via our Substack page (https://jeddistlermusic.substack.com/about), which you also can access by clicking on the "Donate" button here: https://rss.com/podcasts/pianomavenA (mostly) Liszt recital from January 19th, 2001; link to video -https://lukarn.fr/en/program/akiko-ebi-franz-liszt-frederic-chopin/Link to audio-only soundtrack on Archive.org - https://archive.org/details/thr_20250223

Toute cette semaine, Au Cœur de l'Histoire spéciale "Ils ont choisi la France !" Ou les destins de personnages qui se sont fait un – grand – nom dans notre pays. Pour le 3e épisode, Stéphane Bern raconte Fryderyk Franciszek Chopin, dit Frédéric Chopin, jeune pianiste célèbre en son pays qui a décidé de quitter sa Pologne natale pour Vienne avant tenter sa chance dans l'autre capitale musicale de l'Europe : Paris... Et bien lui en a pris ! Pourquoi la musique de Chopin parle-t-elle à tout le monde ? Comment a-t-il inventé le piano moderne ? Comment sa musique a-t-elle traversé les siècles sans perdre de sa splendeur ? Pour en parler, Stéphane Bern reçoit Jean-Yves Clément, écrivain, auteur de "Chopin et Liszt, la magnificence des contraires" (Passés Composés, collection Alpha). Au Cœur de l'Histoire est réalisée par Pierre Cazalot. Rédaction en chef : Benjamin Delsol. Auteur du récit : Pïerre-Vincent Letourneau. Journaliste : Clara Leger. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Toute cette semaine, Au Cœur de l'Histoire spéciale "Ils ont choisi la France !" Ou les destins de personnages qui se sont fait un – grand – nom dans notre pays. Pour le 3e épisode, Stéphane Bern raconte Fryderyk Franciszek Chopin, dit Frédéric Chopin, jeune pianiste célèbre en son pays qui a décidé de quitter sa Pologne natale pour Vienne avant tenter sa chance dans l'autre capitale musicale de l'Europe : Paris... Et bien lui en a pris ! Pourquoi la musique de Chopin parle-t-elle à tout le monde ? Comment a-t-il inventé le piano moderne ? Comment sa musique a-t-elle traversé les siècles sans perdre de sa splendeur ? Pour en parler, Stéphane Bern reçoit Jean-Yves Clément, écrivain, auteur de "Chopin et Liszt, la magnificence des contraires" (Passés Composés, collection Alpha). Au Cœur de l'Histoire est réalisée par Pierre Cazalot. Rédaction en chef : Benjamin Delsol. Auteur du récit : Pïerre-Vincent Letourneau. Journaliste : Clara Leger. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

DescriptionLisztmania: The First True Fan Frenzy in 60 Seconds. Take a minute to get the scoop!Fun FactLisztmania wasn't just poetic—it was real, and intense. Fans fought over Liszt's handkerchiefs, collected his hair, and wore cameos bearing his face. Some even claimed his music had healing powers. Critics struggled to understand the frenzy, but audiences simply couldn't get enough of the pianist who played like a storm.__________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.

he German poet and journalist Heinrich Heine coined the term “Lisztomania” on 25th April 1844 to describe the phenomenon of frenzied fandom in Europe where women would physically assault Franz Liszt by tearing his clothes, fighting over broken piano strings and locks of his shoulder-length hair. Heine said there was something about Liszt's performances that “raised the mood of audiences to a level of mystical ecstasy” – which seemed to be a result of the combination of his good looks, his charisma and his stage presence. In this episode, Arion, Rebecca and Olly explain how Liszt created an almost parasocial relationship with his fan base; investigate why critics are still reproving of expressive concert pianists to this day; and discuss whether the Heine was trying to extort money from performers like Liszt in exchange for better reviews…  Further Reading: • ‘The Virtuoso Liszt' (Cambridge University Press, 2002): The Virtuoso Liszt - Google Books: https://www.google.co.uk/books/edition/The_Virtuoso_Liszt/koSQAjlxeOIC?hl=en&gbpv=1&dq=lisztomania&pg=PA203&printsec=frontcover • ‘Forget the Beatles – Liszt was music's first “superstar”' (BBC Culture, 2016): https://shorturl.at/eipIP • ‘Lisztomania: the 19th-century pop phenomenon that made Beatlemania look tame' (The Telegraph, 2019): https://shorturl.at/lwNOP • ‘Before Beatlemania, There Was Lisztomania' (Great Big Story, 2020): https://www.youtube.com/watch?v=3sjCA8OPobw  Love the show? Support us!  Join 

From fueling some of mankind's most violent events to inspiring your daughter's latest pop star obsession, mania has become an indispensable force in shaping our collective story. This hour we explore a centuries-long flower frenzy and modern-day fanaticism to uncover why we are so drawn to being "totally obsessed." GUESTS: Daniel Durbin: Professor of Communication and Director of the Institute of Sports, Media and Society at the University of Southern California Annenberg School Sarah Bilston: Professor of English at Trinity College and author of the forthcoming book, The Lost Orchid: A Story of Victorian Plunder & Obsession Paul Barnes: Pianist and Professor of Music at the University of Nebraska-Lincoln Glenn Korff School of Music Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

durée : 00:03:24 - Dimanche est un roman - par : Clara Dupont-Monod - Clara Dupont-Monod conseille le roman "Daniel Liszt, un fils mal aimé", de Charles Dupechez, qui est paru au Mercure de France.