Podcasts about reiland rabaka

Throughout history, music has served as an instrument of soft power, transcending divides and even catalysing the downfall of regimes. How does music shape geopolitics and international diplomacy? Andrew Mueller speaks to Reiland Rabaka, András Simonyi, Lance Price and Rhiannon Giddens.See omnystudio.com/listener for privacy information.

Originally released Jan 24, 2022: [Update, The CAAAS in now open!] What exactly IS radical inclusivity and what does it have to do with Critical Race Theory? On today's episode we're excited to be joined by Dr. Reiland Rabaka to dive into this with us and explain how radical inclusivity goes beyond race. Dr. Rabaka is a professor at the University of Colorado, Boulder, and the founder of the groundbreaking Center for African and African American Studies (The CAAAS) at CU. In this interview, we get a sneak peek as to how Dr. Rabaka's vision for radical inclusion is coming to life in the fall of 2022 with the opening of The CAAAS in Boulder. We're exploring:  The wide range of expressions of what it means to be African and what it means to be Black When education in school around race SHOULD be started The most difficult conversation Dr. Rabaka's mother had with him as a child Why he teaches critical white studies in his classes The Black Tax and how it affects us Dr. Rabaka's vision for The CAAAS and the role it will play in the Boulder community How he is teaching differently and in doing so all his classes end up full and waitlisted Hip hop feminism and how Dr. Rabaka teaches it in his classes And so much more!   Contact info for Dr. Rabaka:   https://www.colorado.edu/center/caaas/ https://www.colorado.edu/ethnicstudies/ https://www.colorado.edu/asmagazine/2021/10/27/du-bois-scholarly-legacy   If you'd like to support us in continuing this work, we'd be honored if you'd consider donating here: https://www.patreon.com/thehumanizepodcast    Let's talk about it! Connect with us and continue the conversation:   Instagram: https://instagram.com/thehumanizepodcast Facebook: https://facebook.com/thehumanizepodcast  Email: info@thehumanizepodcast.com

On today’s Morning Magazine, we have a special Martin Luther King Jr. Day special broadcasts, featuring two esteemed guests. Dr. Reiland Rabaka is the Director of CU Boulder’s Center for African and African American Studies. Candice Bailey is a community […]

When you hear a lot of conversations around racism and white supremacy, it can be easy to assume that it's just a Black and white thing. But we don't believe that's true, and in today's episode we're debriefing last week's conversation with Dr. Reiland Rabaka where we discussed this as well as radical inclusivity and critical race theory. Join us as we take a deeper dive into the importance of culture and relationships in this conversation, African culture, and the idea of racelessness.   We're exploring: Why creating something like Dr. Rabaka's Center for African and African American Studies is so important The thing that generally really drives BIPOC to stay in one place for a long time (it's not money!) Why language is such a powerful thing, particularly to marginalized communities Some of our favorite qualities about African culture The difference between academics and intellectuals And more!   If you'd like to support us in continuing this work, we'd be honored if you'd consider becoming a patron here: https://www.patreon.com/thehumanizepodcast    Let's talk about it! Connect with us and continue the conversation:   Instagram: https://instagram.com/thehumanizepodcast Facebook: https://facebook.com/thehumanizepodcast  Email: info@thehumanizepodcast.com

What exactly IS radical inclusivity and what does it have to do with Critical Race Theory? On today's episode we're excited to be joined by Dr. Reiland Rabaka to dive into this with us and explain how radical inclusivity goes beyond race. Dr. Rabaka is a professor at the University of Colorado, Boulder, and the founder of the groundbreaking Center for African and African American Studies (The CAAAS) at CU. In this interview, we get a sneak peek as to how Dr. Rabaka's vision for radical inclusion is coming to life in the fall of 2022 with the opening of The CAAAS in Boulder. We're exploring:   The wide range of expressions of what it means to be African and what it means to be Black When education in school around race SHOULD be started The most difficult conversation Dr. Rabaka's mother had with him as a child Why he teaches critical white studies in his classes The Black Tax and how it affects us Dr. Rabaka's vision for The CAAAS and the role it will play in the Boulder community How he is teaching differently and in doing so all his classes end up full and waitlisted Hip hop feminism and how Dr. Rabaka teaches it in his classes And so much more!   Contact info for Dr. Rabaka:   https://www.colorado.edu/center/caaas/ https://www.colorado.edu/ethnicstudies/ https://www.colorado.edu/asmagazine/2021/10/27/du-bois-scholarly-legacy   If you'd like to support us in continuing this work, we'd be honored if you'd consider donating here: https://www.patreon.com/thehumanizepodcast    Let's talk about it! Connect with us and continue the conversation:   Instagram: https://instagram.com/thehumanizepodcast Facebook: https://facebook.com/thehumanizepodcast  Email: info@thehumanizepodcast.com

A landmark trial is taking place in Burkina Faso over the assassination, 34 years ago, of Thomas Sankara, the country's then-president. Today, Sankara remains something of an icon for his interpretation of the philosophy of pan-Africanism. Who was Thomas Sankara? What did he stand for? And what does pan-Africanism mean today? Andrew Mueller speaks to Sam Mednick, Oumar Zombre, and Reiland Rabaka. See omnystudio.com/listener for privacy information.

In this episode, we meet Dr. Rabaka, Professor of African, African American, and Caribbean Studies in the Department of Ethnic Studies, and inaugural Director of the Center for African and African American Studies. Dr. Rabaka describes the mix of church, poverty, family and jazz that shaped his early years; the combination of mentors and educational opportunities led him to CU Boulder; and his vision for CU Boulder's Center for African and African American Studies. *Intro and outro music by the artist, Broke for Free. (http://brokeforfree.com/)

Distinguished professor of African, African American, and Caribbean Studies Dr. Reiland Rabaka is this week's guest on Meet the Music.  As he awaits the opening of the Center for African and African American Studies to support teaching and research on the history and culture of people of African descent, listen as he blesses Meet the Music with the story behind the amazing journey of Rap and the Hip Hop Movement.Correction:  Brewster-Douglass Housing Project is in Detroit and the Frederick Douglass is in New York Cityhttps://www.colorado.edu/today/2021/05/20/why-african-and-african-american-studies-matter-qa-reiland-rabakahttps://politybooks.com/bookdetail/?isbn=9781509519248https://www.amazon.com/Reiland-Rabaka/e/B001JS6F5Q/ref=dp_byline_cont_pop_book_1https://www.colorado.edu/ethnicstudies/people/core-faculty/reiland-rabakahttps://www.youtube.com/channel/UCH_EIRKmIkHx1a0D_wA7TOw/playlists

We begin this episode by talking with Dr. Reiland Rabaka, professor of African, African American, and Caribbean Studies in the Department of Ethnic Studies at the University of Colorado, Boulder. He has written multiple books and has done extensive research in the field of black radical history, black radical politics, black social movements, black feminist theory, black sexuality studies, black popular culture, black popular music, critical race theory, and decolonial theory. Whew! That’s a long list of credentials, and you will learn within moments of listening to him on the podcast that he is passionate about his work. We had a blast talking with him, not only because of the wealth of knowledge that he shared, but also because of the gracious, open space he welcomed us into as we talked about racial inequality and music’s influence in the Civil Rights Movement of the 50s and 60s and in the Black Live Matter movement today. The second half of the show is dedicated to a discussion about diversity among music therapy professionals. It was fun to “cross paths” with a fellow classmate and colleague, Loretta Medeiros. We both attended Saint Mary of-the-Woods College in Indiana for our music therapy equivalency program. I had begun a conversation on a music therapy Facebook page, asking a question about diversity in the field of music therapy, and it was clear that Loretta was passionate about the subject. That led to our interview on the podcast. She has so many great ideas to share, including ways that we can keep working toward greater diversity in the field of music therapy. We talk about the importance of connecting with our patients/clients, and how culture is a key ingredient in making that connection. We live in a diverse world, yet the majority of music therapists are white and female. Loretta and I talk through ways to think bigger and dream of what the professional music therapy network can look like one day. Episode Links and Resources: SCENE ON RADIO PODCAST: SEASON 4, EPISODE 7 COUNSELING THE CULTURALLY DIVERSE BY DERALD WING SUE MUSIC THERAPY IN A MULTICULTURAL CONTEXT BY MELITA BELGRAVE THE BLACK MUSIC THERAPY NETWORK PETE MEYER, MUSIC THERAPIST WITH A PASSION FOR DIVERSITY IN THE FIELD DR. REILAND RABAKA, PROFESSOR AT UNIVERSITY OF COLORADO BOULDER THE HIP HOP MOVEMENT BY REILAND RABAKA Music Credits WE SHALL NOT BE MOVED – THE FREEDOM SINGERS OH FREEDOM – THE GOLDEN GOSPEL SINGERS WE SHALL OVERCOME – PETE SEEGER THIS LITTLE LIGHT OF MINE – FANNIE LOU HAMER LIFT EVERY VOICE AND SING – RAY CHARLES  

Ida B. Wells Lecture: The Souls of Black Radical Folk: W.E.B. Du Bois and the State of Africana Studies delivered by Reiland Rabaka, University of Colorado.

Ida B. Wells Lecture: The Souls of Black Radical Folk: W.E.B. Du Bois and the State of Africana Studies delivered by Reiland Rabaka, University of Colorado.

In Hip Hop's Amnesia: From Blues and the Black Women's Club Movement to Rap and the Hip Hop Movement (Lexington Books, 2012), the second installment of his hip hop trilogy, Reiland Rabaka again discusses, in great detail, many of the essential historical, musical, aesthetical, political, and cultural movements and moments of nineteenth, twentieth and twenty-first African America. Building on his overtly Africana, feminist, and queer critical theoretical analyses of black movements in Hip Hop's Inheritance (the first installment), Rabaka uses a more comparative historical eye in this book to show how (A) there are many aspects of early blues, jazz, bebop, and soul musical movements, especially as they related to other political and cultural movements of their times, that can inform us as to the place of modern rap and neo-soul movements and their relationships with other modern cultural and political movements, and (B) the modern hip hop movement (musical and otherwise) can benefit from an understanding of the ways actors in these other movements (musical and otherwise) dealt with situations similar to their own. In this way, Rabaka passionately argues, rap music can take its rightful political, aesthetic, and cultural place in the ongoing historical struggle of African Americans (men and women, straight and gay) to overthrow the bonds of oppression that have characterized their experiences in U.S. society. Reiland Rabaka is associate professor of African, African American, and Caribbean studies in the Department of Ethnic Studies and the Humanities Program and the University of Colorado at Boulder, where he is also an affiliate professor in the Women and Gender studies Program and a research fellow at the Center for Studies of Ethnicity and Race in America. He is the author of ten books, including Against Epistemic Apartheid, Du Bois's Dialectics, and the forthcoming third installment of his Hip Hop trilogy, The Hip Hop Movement. Click here to listen to my previous interview with Rabaka about Hip Hop's Inheritance. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Hip Hop’s Amnesia: From Blues and the Black Women’s Club Movement to Rap and the Hip Hop Movement (Lexington Books, 2012), the second installment of his hip hop trilogy, Reiland Rabaka again discusses, in great detail, many of the essential historical, musical, aesthetical, political, and cultural movements and moments of nineteenth, twentieth and twenty-first African America. Building on his overtly Africana, feminist, and queer critical theoretical analyses of black movements in Hip Hop’s Inheritance (the first installment), Rabaka uses a more comparative historical eye in this book to show how (A) there are many aspects of early blues, jazz, bebop, and soul musical movements, especially as they related to other political and cultural movements of their times, that can inform us as to the place of modern rap and neo-soul movements and their relationships with other modern cultural and political movements, and (B) the modern hip hop movement (musical and otherwise) can benefit from an understanding of the ways actors in these other movements (musical and otherwise) dealt with situations similar to their own. In this way, Rabaka passionately argues, rap music can take its rightful political, aesthetic, and cultural place in the ongoing historical struggle of African Americans (men and women, straight and gay) to overthrow the bonds of oppression that have characterized their experiences in U.S. society. Reiland Rabaka is associate professor of African, African American, and Caribbean studies in the Department of Ethnic Studies and the Humanities Program and the University of Colorado at Boulder, where he is also an affiliate professor in the Women and Gender studies Program and a research fellow at the Center for Studies of Ethnicity and Race in America. He is the author of ten books, including Against Epistemic Apartheid, Du Bois’s Dialectics, and the forthcoming third installment of his Hip Hop trilogy, The Hip Hop Movement. Click here to listen to my previous interview with Rabaka about Hip Hop’s Inheritance. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Hip Hop’s Amnesia: From Blues and the Black Women’s Club Movement to Rap and the Hip Hop Movement (Lexington Books, 2012), the second installment of his hip hop trilogy, Reiland Rabaka again discusses, in great detail, many of the essential historical, musical, aesthetical, political, and cultural movements and moments of nineteenth, twentieth and twenty-first African America. Building on his overtly Africana, feminist, and queer critical theoretical analyses of black movements in Hip Hop’s Inheritance (the first installment), Rabaka uses a more comparative historical eye in this book to show how (A) there are many aspects of early blues, jazz, bebop, and soul musical movements, especially as they related to other political and cultural movements of their times, that can inform us as to the place of modern rap and neo-soul movements and their relationships with other modern cultural and political movements, and (B) the modern hip hop movement (musical and otherwise) can benefit from an understanding of the ways actors in these other movements (musical and otherwise) dealt with situations similar to their own. In this way, Rabaka passionately argues, rap music can take its rightful political, aesthetic, and cultural place in the ongoing historical struggle of African Americans (men and women, straight and gay) to overthrow the bonds of oppression that have characterized their experiences in U.S. society. Reiland Rabaka is associate professor of African, African American, and Caribbean studies in the Department of Ethnic Studies and the Humanities Program and the University of Colorado at Boulder, where he is also an affiliate professor in the Women and Gender studies Program and a research fellow at the Center for Studies of Ethnicity and Race in America. He is the author of ten books, including Against Epistemic Apartheid, Du Bois’s Dialectics, and the forthcoming third installment of his Hip Hop trilogy, The Hip Hop Movement. Click here to listen to my previous interview with Rabaka about Hip Hop’s Inheritance. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Hip Hop’s Amnesia: From Blues and the Black Women’s Club Movement to Rap and the Hip Hop Movement (Lexington Books, 2012), the second installment of his hip hop trilogy, Reiland Rabaka again discusses, in great detail, many of the essential historical, musical, aesthetical, political, and cultural movements and moments of nineteenth, twentieth and twenty-first African America. Building on his overtly Africana, feminist, and queer critical theoretical analyses of black movements in Hip Hop’s Inheritance (the first installment), Rabaka uses a more comparative historical eye in this book to show how (A) there are many aspects of early blues, jazz, bebop, and soul musical movements, especially as they related to other political and cultural movements of their times, that can inform us as to the place of modern rap and neo-soul movements and their relationships with other modern cultural and political movements, and (B) the modern hip hop movement (musical and otherwise) can benefit from an understanding of the ways actors in these other movements (musical and otherwise) dealt with situations similar to their own. In this way, Rabaka passionately argues, rap music can take its rightful political, aesthetic, and cultural place in the ongoing historical struggle of African Americans (men and women, straight and gay) to overthrow the bonds of oppression that have characterized their experiences in U.S. society. Reiland Rabaka is associate professor of African, African American, and Caribbean studies in the Department of Ethnic Studies and the Humanities Program and the University of Colorado at Boulder, where he is also an affiliate professor in the Women and Gender studies Program and a research fellow at the Center for Studies of Ethnicity and Race in America. He is the author of ten books, including Against Epistemic Apartheid, Du Bois’s Dialectics, and the forthcoming third installment of his Hip Hop trilogy, The Hip Hop Movement. Click here to listen to my previous interview with Rabaka about Hip Hop’s Inheritance. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Hip Hop’s Amnesia: From Blues and the Black Women’s Club Movement to Rap and the Hip Hop Movement (Lexington Books, 2012), the second installment of his hip hop trilogy, Reiland Rabaka again discusses, in great detail, many of the essential historical, musical, aesthetical, political, and cultural movements and moments of nineteenth, twentieth and twenty-first African America. Building on his overtly Africana, feminist, and queer critical theoretical analyses of black movements in Hip Hop’s Inheritance (the first installment), Rabaka uses a more comparative historical eye in this book to show how (A) there are many aspects of early blues, jazz, bebop, and soul musical movements, especially as they related to other political and cultural movements of their times, that can inform us as to the place of modern rap and neo-soul movements and their relationships with other modern cultural and political movements, and (B) the modern hip hop movement (musical and otherwise) can benefit from an understanding of the ways actors in these other movements (musical and otherwise) dealt with situations similar to their own. In this way, Rabaka passionately argues, rap music can take its rightful political, aesthetic, and cultural place in the ongoing historical struggle of African Americans (men and women, straight and gay) to overthrow the bonds of oppression that have characterized their experiences in U.S. society. Reiland Rabaka is associate professor of African, African American, and Caribbean studies in the Department of Ethnic Studies and the Humanities Program and the University of Colorado at Boulder, where he is also an affiliate professor in the Women and Gender studies Program and a research fellow at the Center for Studies of Ethnicity and Race in America. He is the author of ten books, including Against Epistemic Apartheid, Du Bois’s Dialectics, and the forthcoming third installment of his Hip Hop trilogy, The Hip Hop Movement. Click here to listen to my previous interview with Rabaka about Hip Hop’s Inheritance. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Hip Hop's Amnesia: From Blues and the Black Women's Club Movement to Rap and the Hip Hop Movement (Lexington Books, 2012), the second installment of his hip hop trilogy, Reiland Rabaka again discusses, in great detail, many of the essential historical, musical, aesthetical, political, and cultural movements and moments of nineteenth, twentieth and twenty-first African America. Building on his overtly Africana, feminist, and queer critical theoretical analyses of black movements in Hip Hop's Inheritance (the first installment), Rabaka uses a more comparative historical eye in this book to show how (A) there are many aspects of early blues, jazz, bebop, and soul musical movements, especially as they related to other political and cultural movements of their times, that can inform us as to the place of modern rap and neo-soul movements and their relationships with other modern cultural and political movements, and (B) the modern hip hop movement (musical and otherwise) can benefit from an understanding of the ways actors in these other movements (musical and otherwise) dealt with situations similar to their own. In this way, Rabaka passionately argues, rap music can take its rightful political, aesthetic, and cultural place in the ongoing historical struggle of African Americans (men and women, straight and gay) to overthrow the bonds of oppression that have characterized their experiences in U.S. society. Reiland Rabaka is associate professor of African, African American, and Caribbean studies in the Department of Ethnic Studies and the Humanities Program and the University of Colorado at Boulder, where he is also an affiliate professor in the Women and Gender studies Program and a research fellow at the Center for Studies of Ethnicity and Race in America. He is the author of ten books, including Against Epistemic Apartheid, Du Bois's Dialectics, and the forthcoming third installment of his Hip Hop trilogy, The Hip Hop Movement. Click here to listen to my previous interview with Rabaka about Hip Hop's Inheritance. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Cultural movements don't exist in vacuums. Consciously or not, all movements borrow from, and sometimes reject, those that came before. In Hip Hop's Inheritance: From the Harlem Renaissance to the Hip Hop Feminist Movement (Lexington Books, 2011), the first in a trilogy of books that cast a critical eye upon hip hop as a social and cultural movement, Reiland Rabaka traces the pre-history of hip hop as a series of separate yet connected movements that dealt with inequalities of race/ethnicity, gender, and sexual orientation. Using Africana, feminist, and queer critical theories as tools for understanding, Rabaka follows the history of black, women's, and LGBT resistance to heterosexual white male hegemony in U.S. culture. Rabaka's focus is always on the roles that art and artists (literary, visual, musical) have in people's active resistances to oppression. The Harlem Renaissance, Black Arts Movement, Black Women's Liberation, and Feminist Art Movements are just a few of the cultural happenings that Rabaka details as precursors to today's “conscious” rap, feminist rap, and Homo-Hop, among others. All along, Rabaka's message is not simply academic, he is also speaking directly to contemporary hip hoppers, urging them not to forget their past and to learn from the struggles of their forbears. Reiland Rabaka is an Associate Professor of African, African American, and Caribbean Studies in the Department of Ethnic Studies and the Humanities Program at the University of Colorado at Boulder, where he is also an Affiliate Professor in the Women and Gender Studies Program and a Research Fellow at the Center for Studies of Ethnicity and Race in America (CSERA). He has published ten books, including Hip Hop's Amnesia: From Blues and Black Women's Club Movement to Rap and the Hip Hop Movement (2012) and The Hip Hop Movement: From R&B and the Civil Rights Movement to Rap and the Hip Hop Generation (2013). Learn more about your ad choices. Visit megaphone.fm/adchoices

Cultural movements don't exist in vacuums. Consciously or not, all movements borrow from, and sometimes reject, those that came before. In Hip Hop's Inheritance: From the Harlem Renaissance to the Hip Hop Feminist Movement (Lexington Books, 2011), the first in a trilogy of books that cast a critical eye upon hip hop as a social and cultural movement, Reiland Rabaka traces the pre-history of hip hop as a series of separate yet connected movements that dealt with inequalities of race/ethnicity, gender, and sexual orientation. Using Africana, feminist, and queer critical theories as tools for understanding, Rabaka follows the history of black, women's, and LGBT resistance to heterosexual white male hegemony in U.S. culture. Rabaka's focus is always on the roles that art and artists (literary, visual, musical) have in people's active resistances to oppression. The Harlem Renaissance, Black Arts Movement, Black Women's Liberation, and Feminist Art Movements are just a few of the cultural happenings that Rabaka details as precursors to today's “conscious” rap, feminist rap, and Homo-Hop, among others. All along, Rabaka's message is not simply academic, he is also speaking directly to contemporary hip hoppers, urging them not to forget their past and to learn from the struggles of their forbears. Reiland Rabaka is an Associate Professor of African, African American, and Caribbean Studies in the Department of Ethnic Studies and the Humanities Program at the University of Colorado at Boulder, where he is also an Affiliate Professor in the Women and Gender Studies Program and a Research Fellow at the Center for Studies of Ethnicity and Race in America (CSERA). He has published ten books, including Hip Hop's Amnesia: From Blues and Black Women's Club Movement to Rap and the Hip Hop Movement (2012) and The Hip Hop Movement: From R&B and the Civil Rights Movement to Rap and the Hip Hop Generation (2013). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Cultural movements don’t exist in vacuums. Consciously or not, all movements borrow from, and sometimes reject, those that came before. In Hip Hop’s Inheritance: From the Harlem Renaissance to the Hip Hop Feminist Movement (Lexington Books, 2011), the first in a trilogy of books that cast a critical eye upon hip hop as a social and cultural movement, Reiland Rabaka traces the pre-history of hip hop as a series of separate yet connected movements that dealt with inequalities of race/ethnicity, gender, and sexual orientation. Using Africana, feminist, and queer critical theories as tools for understanding, Rabaka follows the history of black, women’s, and LGBT resistance to heterosexual white male hegemony in U.S. culture. Rabaka’s focus is always on the roles that art and artists (literary, visual, musical) have in people’s active resistances to oppression. The Harlem Renaissance, Black Arts Movement, Black Women’s Liberation, and Feminist Art Movements are just a few of the cultural happenings that Rabaka details as precursors to today’s “conscious” rap, feminist rap, and Homo-Hop, among others. All along, Rabaka’s message is not simply academic, he is also speaking directly to contemporary hip hoppers, urging them not to forget their past and to learn from the struggles of their forbears. Reiland Rabaka is an Associate Professor of African, African American, and Caribbean Studies in the Department of Ethnic Studies and the Humanities Program at the University of Colorado at Boulder, where he is also an Affiliate Professor in the Women and Gender Studies Program and a Research Fellow at the Center for Studies of Ethnicity and Race in America (CSERA). He has published ten books, including Hip Hop’s Amnesia: From Blues and Black Women’s Club Movement to Rap and the Hip Hop Movement (2012) and The Hip Hop Movement: From R&B and the Civil Rights Movement to Rap and the Hip Hop Generation (2013). Learn more about your ad choices. Visit megaphone.fm/adchoices

Cultural movements don’t exist in vacuums. Consciously or not, all movements borrow from, and sometimes reject, those that came before. In Hip Hop’s Inheritance: From the Harlem Renaissance to the Hip Hop Feminist Movement (Lexington Books, 2011), the first in a trilogy of books that cast a critical eye upon hip hop as a social and cultural movement, Reiland Rabaka traces the pre-history of hip hop as a series of separate yet connected movements that dealt with inequalities of race/ethnicity, gender, and sexual orientation. Using Africana, feminist, and queer critical theories as tools for understanding, Rabaka follows the history of black, women’s, and LGBT resistance to heterosexual white male hegemony in U.S. culture. Rabaka’s focus is always on the roles that art and artists (literary, visual, musical) have in people’s active resistances to oppression. The Harlem Renaissance, Black Arts Movement, Black Women’s Liberation, and Feminist Art Movements are just a few of the cultural happenings that Rabaka details as precursors to today’s “conscious” rap, feminist rap, and Homo-Hop, among others. All along, Rabaka’s message is not simply academic, he is also speaking directly to contemporary hip hoppers, urging them not to forget their past and to learn from the struggles of their forbears. Reiland Rabaka is an Associate Professor of African, African American, and Caribbean Studies in the Department of Ethnic Studies and the Humanities Program at the University of Colorado at Boulder, where he is also an Affiliate Professor in the Women and Gender Studies Program and a Research Fellow at the Center for Studies of Ethnicity and Race in America (CSERA). He has published ten books, including Hip Hop’s Amnesia: From Blues and Black Women’s Club Movement to Rap and the Hip Hop Movement (2012) and The Hip Hop Movement: From R&B and the Civil Rights Movement to Rap and the Hip Hop Generation (2013). Learn more about your ad choices. Visit megaphone.fm/adchoices

Cultural movements don’t exist in vacuums. Consciously or not, all movements borrow from, and sometimes reject, those that came before. In Hip Hop’s Inheritance: From the Harlem Renaissance to the Hip Hop Feminist Movement (Lexington Books, 2011), the first in a trilogy of books that cast a critical eye upon hip hop as a social and cultural movement, Reiland Rabaka traces the pre-history of hip hop as a series of separate yet connected movements that dealt with inequalities of race/ethnicity, gender, and sexual orientation. Using Africana, feminist, and queer critical theories as tools for understanding, Rabaka follows the history of black, women’s, and LGBT resistance to heterosexual white male hegemony in U.S. culture. Rabaka’s focus is always on the roles that art and artists (literary, visual, musical) have in people’s active resistances to oppression. The Harlem Renaissance, Black Arts Movement, Black Women’s Liberation, and Feminist Art Movements are just a few of the cultural happenings that Rabaka details as precursors to today’s “conscious” rap, feminist rap, and Homo-Hop, among others. All along, Rabaka’s message is not simply academic, he is also speaking directly to contemporary hip hoppers, urging them not to forget their past and to learn from the struggles of their forbears. Reiland Rabaka is an Associate Professor of African, African American, and Caribbean Studies in the Department of Ethnic Studies and the Humanities Program at the University of Colorado at Boulder, where he is also an Affiliate Professor in the Women and Gender Studies Program and a Research Fellow at the Center for Studies of Ethnicity and Race in America (CSERA). He has published ten books, including Hip Hop’s Amnesia: From Blues and Black Women’s Club Movement to Rap and the Hip Hop Movement (2012) and The Hip Hop Movement: From R&B and the Civil Rights Movement to Rap and the Hip Hop Generation (2013). Learn more about your ad choices. Visit megaphone.fm/adchoices

Cultural movements don’t exist in vacuums. Consciously or not, all movements borrow from, and sometimes reject, those that came before. In Hip Hop’s Inheritance: From the Harlem Renaissance to the Hip Hop Feminist Movement (Lexington Books, 2011), the first in a trilogy of books that cast a critical eye upon hip hop as a social and cultural movement, Reiland Rabaka traces the pre-history of hip hop as a series of separate yet connected movements that dealt with inequalities of race/ethnicity, gender, and sexual orientation. Using Africana, feminist, and queer critical theories as tools for understanding, Rabaka follows the history of black, women’s, and LGBT resistance to heterosexual white male hegemony in U.S. culture. Rabaka’s focus is always on the roles that art and artists (literary, visual, musical) have in people’s active resistances to oppression. The Harlem Renaissance, Black Arts Movement, Black Women’s Liberation, and Feminist Art Movements are just a few of the cultural happenings that Rabaka details as precursors to today’s “conscious” rap, feminist rap, and Homo-Hop, among others. All along, Rabaka’s message is not simply academic, he is also speaking directly to contemporary hip hoppers, urging them not to forget their past and to learn from the struggles of their forbears. Reiland Rabaka is an Associate Professor of African, African American, and Caribbean Studies in the Department of Ethnic Studies and the Humanities Program at the University of Colorado at Boulder, where he is also an Affiliate Professor in the Women and Gender Studies Program and a Research Fellow at the Center for Studies of Ethnicity and Race in America (CSERA). He has published ten books, including Hip Hop’s Amnesia: From Blues and Black Women’s Club Movement to Rap and the Hip Hop Movement (2012) and The Hip Hop Movement: From R&B and the Civil Rights Movement to Rap and the Hip Hop Generation (2013). Learn more about your ad choices. Visit megaphone.fm/adchoices