American social reformer, orator, writer, abolitionist, former slave and statesman
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This week Jelani Cobb drops in to talk about Steven Spielberg's Lincoln, what we don't see onscreen, the promise of Barack Obama, and the rise of Donald Trump. Plus, we preview his new book, Three or More is a Riot: Notes on How We Got Here, 2012-Present. This is a powerhouse episode.About our guest:Jelani Cobb joined the Columbia Journalism School faculty in 2016 and became Dean in 2022. He has been a staff writer at The New Yorker since 2015. He received a Peabody Award for his 2020 PBS Frontline film Whose Vote Counts? and was a finalist for the Pulitzer Prize in Commentary in 2018. He has also been a political analyst for MSNBC since 2019.He is the author of The Substance of Hope: Barack Obama and the Paradox of Progress and To the Break of Dawn: A Freestyle on the Hip Hop Aesthetic. He is the editor or co-editor of several volumes including The Matter of Black Lives, a collection of The New Yorker's writings on race and The Essential Kerner Commission Report. He is producer or co-producer on a number of documentaries including Lincoln's Dilemma, Obama: A More Perfect Union, Policing the Police and THE RIOT REPORT.Dr. Cobb was educated at Jamaica High School in Queens, NY, Howard University, where he earned a B.A. in English, and Rutgers University, where he completed his MA and doctorate in American History in 2003. He is also a recipient of fellowships from the Ford Foundation, the Fulbright Foundation and the Shorenstein Center at Harvard University's Kennedy School of Government.He currently serves on the Board of Directors of the American Journalism Project and the Board of Trustees of the New York Public Library. He received an Honorary Doctorate for the Advancement of Science and Art from Cooper Union in 2022, and an Honorary Doctorate of Letters from Rutgers University in 2024. York College / CUNY and Teachers College have honored Dr. Cobb with medals.Dr. Cobb was elected to the American Academy of Arts & Sciences in 2023.
Roger Guenveur Smith is an American actor, director, and writer best known for his collaborations with Spike Lee and his powerful one-man shows including a play on Huey P. Newton and an onstage portrait of Frederick Douglas. Smith has appeared in films such as School Daze, Do the Right Thing, King of New York, Panther, Malcolm X, Poetic Justice, Get on the Bus, Eve's Bayou and He Got Game.https://outsideintheatre.org/basquiat/ https://www.instagram.com/outsideinthtr/ https://www.instagram.com/diprimaradio/
Summary: “What Do You See? Fulfilling Purpose—No Excuses” Pastor Bryan Hudson, D.Min. Primary Texts: Jeremiah 1:1–12; Esther 4:13–14; John 18:36; 2 Cor. 10:3–5 DOWNLOAD THIS SUMMARY Jeremiah 1:3 It came also in the days of Jehoiakim the son of Josiah, king of Judah, until the end of the eleventh year of Zedekiah the son of Josiah, king of Judah, until the carrying away of Jerusalem captive in the fifth month. 4 Then the word of the Lord came to me, saying: 5 “Before I formed you in the womb I knew you; Before you were born I sanctified[a] you; I ordained you a prophet to the nations.” 6 Then said I: “Ah, Lord God! Behold, I cannot speak, for I am a youth.” 7 But the Lord said to me: “Do not say, ‘I am a youth,' For you shall go to all to whom I send you, And whatever I command you, you shall speak. 8 Do not be afraid of their faces, For I am with you to deliver you,” says the Lord. 9 Then the Lord put forth His hand and touched my mouth, and the Lord said to me: “Behold, I have put My words in your mouth. 10 See, I have this day set you over the nations and over the kingdoms, To root out and to pull down, To destroy and to throw down, To build and to plant.” 11 Moreover the word of the Lord came to me, saying, “Jeremiah, what do you see?” And I said, “I see a branch of an almond tree.” 12 Then the Lord said to me, “You have seen well, for I am ready to perform My word.” Thesis: How you see—with Spirit-given vision, not just physical sight—determines how God can use you. Vision silences excuses and activates purpose right where you already are. 1) Vision vs. Sight Opens with Dr. Myles Munroe's line: sight is with the eyes; vision is with the heart. We act out of what we see internally; no one acts beyond their beliefs and understanding. Best motivator of action: God's purpose and love of neighbor. Worst motivator: self-interest. Greatest enemy to purpose: accepting limitations and making excuses. 2) Jeremiah's Context and Call Jeremiah ministers in a divided kingdom (Israel & Judah). Israel already fell; Judah still “with God” yet drifting into idolatry and injustice. God's word to Jeremiah (Jer 1:4–10): Before birth—God knew, formed, sanctified, appointed him. Jeremiah's excuse (“I'm too young / can't speak”) is dismissed by God. God gives a threefold redirection: Command: “You shall go…and speak.” Prohibition: “Do not fear their faces.” Promise: “I am with you to deliver you.” Provision: God touches Jeremiah's mouth, putting His words there—empowerment. Assignment: “Root out, pull down, destroy, throw down”—then “build and plant.” 3) Inside the System, Yet Unconformed God often uses people already inside systems if they refuse to be conformed. Jeremiah: born into priestly establishment, yet called to confront corruption. Esther: positioned in power and tempted to silence; Mordecai reminds her she's there “for such a time as this.”She risks comfort to challenge an evil decree. 4) Two “Kingdoms”: Counterfeit vs. Christ's Dr. Hudson contrasts “Christianity without Christ” with the Christianity of Christ: Manifest Destiny and the Doctrine of Discovery (historical justifications for conquest and displacement) and chattel slavery are cited as religiously-coated systems that harmed people—ends never justify means. Frederick Douglass is quoted distinguishing the pure Christianity of Christ from the hypocritical religion of his time. “I love the pure, peaceable, and impartial Christianity of Christ; I therefore hate the corrupt, slaveholding, women-whipping, cradle-plundering, partial, and hypocritical Christianity of this land. Indeed, I can see no reason, but the most deceitful one, for calling the religion of this land Christianity. I look upon it as the climax of all misnomers, the boldest of all frauds, and the grossest of all libels.” (Frederick Douglass, Narrative of the Life of Frederick Douglass, an American Slave) Contemporary Christian nationalism seeks to wield state power to impose religion. Jesus said, “My kingdom is not of this world” (John 18:36); the Gospel changes hearts, not by coercive law. Christians hold dual citizenship: we preach the Gospel, love neighbors, pursue justice, and elect competent public servants, but we do not try to “Christianize” worldly power. 5) Excuses vs. God's Plan God ignores excuses—they only “work” for the one making them. Inadequacy is real, but not a hiding place; the God who formed you increases capacity. Expect trouble for obedience; God already factored it in and promises presence and deliverance. 6) Weapons and Work of the Kingdom Our warfare is not carnal (2 Cor. 10:3–5). We pray, speak truth to power, show up, help people, and support leaders who serve the common good rather than self-interest. “Rooting out” includes exposing deception; “building/planting” means constructive actions that bless people and communities. 7) “What Do You See?”—The Almond Branch God asks Jeremiah what he sees (1:11–12). Almond branch—earliest to bloom—pictures God's watchfulness and swift action. Key: Jeremiah didn't need full interpretation to obey; he only needed to see what God showed. When Jeremiah saw God's adequacy more than his own inadequacy, God declared, “You have seen well… I am ready to perform My word.” 8) Applications & Practices Confession: Renounce excuses; receive assignment where you are; refuse fear; trust God's presence. Act where placed: Identify your sphere (home, work, school, civic board, ministry team). Two moves each week: One “tear down” act (truth-telling, intercession, challenging injustice). One “build/plant” act (mentoring, proposing just processes, starting prayer/helps initiatives). Discernment: Judge by fruit, not labels; avoid fruitless arguments; invest in people with ears to hear. 9) Closing Appeal & Prayer Place hope in Christ, not systems. Worldly empires fail; God's kingdom endures. Ask for grace to discern counterfeit religion, to shine light without anger, and to participate in God's change by changed hearts leading to changed conditions. Call to salvation, consecration, and immediate obedience—letting the “light turn on” and walking out purpose with no excuses. Bottom line: Seeing with kingdom vision—not merely with natural sight—positions you to confront lies, build what blesses people, and walk confidently in the assignment God prepared before you were born.
While each period is historically unique, veterans and scholars of the civil rights movement say there are some important similarities between the era of Jim Crow and racial segregation and our current moment. One similarity, as author and professor Joshua Clark Davis notes, is the role that local law enforcement plays in enforcing regimes of racial oppression and attacking the movements opposed to them. But, as civil rights Icon Judy Richardson argues, there are also critical similarities when it comes to organizing and executing successful resistance efforts then and now. In this extended episode of The Marc Steiner Show, Marc speaks with Richardson and Davis about the hardwon lessons from the civil rights movement that must be applied to the growing anti-authoritarianism movement today. Guests:Judy Richardson was on SNCC staff in Georgia, Mississippi, and Alabama (1963-66). Her experiences in SNCC continue to ground both her film and education work. She most recently produced the Frederick Douglass visitor center film for the National Park Service's site at Cedar Hill in Washington, DC. She is currently working on 4 museum films, including those for the civil rights museums in Memphis and Atlanta. In 1968, she was a co-founder of Drum & Spear Bookstore, once the country's largest African-American Bookstore. She was on the production team for all 14 hours of the seminal PBS series Eyes on the Prize as its series associate producer, then its education director. With Northern Light Productions she continued to produce documentaries: for PBS, the History Channel, and museums. She co-edited Hands on the Freedom Plow: Personal Accounts by Women in SNCC, a compilation of the testimonies of 53 SNCC women. She co-directed two NEH teacher institutes, co-hosted by Duke University and focused on “Teaching Grassroots Movements in the South (1940-1985).” She is a member of the SNCC Legacy Project board, was a Visiting Professor at Brown University, and has an honorary doctorate from Swarthmore College. Joshua Clark Davis is associate professor of US history at the University of Baltimore. He's the author of multiple books, including Police Against The Movement: The Sabotage of the Civil Rights Struggle and the Activists Who Fought Back, a retelling of the civil rights movement through its overlooked work against police violence—and the police who attacked the movement with surveillance, undercover agents, and retaliatory prosecutions.Additional resources:Joshua Clark Davis, Princeton University Press, Police Against the Movement: The Sabotage of the Civil Rights Struggle and the Activists Who Fought BackJudy Richardson, “SNCC changed me forever”Credits:Producer: Rosette SewaliStudio Production: Cameron GranadinoAudio Post-Production: Stephen FrankFollow The Marc Steiner Show on Spotify Follow The Marc Steiner Show on Apple PodcastsHelp us continue producing The Marc Steiner Show by following us and becoming a monthly sustainer.Sign up for our newsletterFollow us on:Bluesky: @therealnews.comFacebook: The Real News NetworkTwitter: @TheRealNewsYouTube: @therealnewsInstagram: @therealnewsnetwork
This week the guys wrap up their look at Richard's trenchant book with his final chapter on the classics and American slavery. Richard teases out how both pro-slavery factions (John C. Calhoun, Thomas Dew, George Fitzhugh) and abolitionists (William Lloyd Garrison, Frederick Douglass) marshaled Greco-Roman thinkers to support their respective causes. The South argued that the flourishing of the arts and thought in Athens was a result of the elite classes being freed from work by the slave population, while the North saw slavery as Athens' biggest flaw. What do Plato, Aristotle, and Cicero have to say about it all? Did they believe that some swaths of humanity were naturally servile? And, what does “natural law” suggest? Tune in and find out. There's plenty of room here for all of us to learn, even the Twainees.
Co-Editors: Lucas E. Morel & Jonathan W. White Book: MEASURING THE MAN: The Writings of Frederick Douglass on Abraham Lincoln Publishing: Reedy Press (October 1, 2025) Synopsis (from the Publisher): In Measuring the Man, acclaimed scholars Lucas E. Morel and Jonathan W. White assemble Frederick Douglass's most meaningful and poignant statements about Abraham Lincoln, including […] The post LUCAS E. MOREL & JONATHAN W. WHITE – MEASURING THE MAN: The Writings of Frederick Douglass on Abraham Lincoln appeared first on KSCJ 1360.
The Writings of Frederick Douglass on Abraham Lincoln, acclaimed scholars Lucas E. Morel and Jonathan W. White assemble Frederick Douglass's meaningful and poignant statements about Abraham Lincoln, including a dozen newly discovered documents that haven't been seen for 160 years. Measuring the Man brings together, for the first time, every substantive comment Frederick Douglass made about Abraham Lincoln. Spanning more than three decades, this revelatory collection traces Douglass's complex, evolving assessment of the man who led the nation through the Civil War and emancipation. Readers will encounter the distrust and vitriol Douglass directed at Lincoln throughout much of the Civil War, including his anger and frustration with the president as he moved slowly, but methodically, toward emancipation. Douglass's writings also reveal how three personal interactions between these two great men led to powerful feelings of friendship and mutual admiration. After Lincoln's assassination—as Jim Crow laws and political violence gutted the hard-won rights of Black Americans—Douglass expressed greater appreciation for Lincoln's statesmanship during the Civil War and praised him as a model for postwar America.There is no one better than Frederick Douglass to offer a critical assessment of the Great Emancipator and savior of the Union. His reflections not only convey Lincoln's contributions to the nation but also teach today's generation timely lessons on how to fulfill the promise of the American republic. Measuring the Man sheds new light on the most critical period of American history and will transform the way we think about these two extraordinary leaders.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.
Emily Sneff, author of When the Declaration of Independence Was News explores how the Declaration spread across the colonies and the wider world—not as a sacred founding text, but as breaking news. Her book traces how printers, sailors, and town criers turned Congress's resolution into headlines that shaped the very idea of independence. Historian of the Declaration of Independence, Emily Sneff is of the curators of the new exhibit, "Declaration's Journey, at the Museum of the American Revolution in Philadelphia, and writes the newsletter Declaration Stories sharing her research on the Declaration of Independence, its global echoes in newspapers and pamphlets, how revolutionary ideas went viral in the 18th century—and how that moment still defines what it means to announce freedom today.Tell us what you think! Send us a text message!
We speak with Lucas E. Morel and Jonathan W. White, editors of a new book called "Measuring the Man: The Writings of Frederick Douglass on Abraham Lincoln." The book is a comprehensive collection of essays, speeches and letters in which Douglass speaks of Lincoln and reveals his feelings for the man - feelings which evolved from frustration and near disdain to deep respect, reverence and even affection. For Part two, we replay a portion of a 2008 interview with John Stauffer about his dual biography "Giants: The Parallel Lives of Frederick Douglass and Abraham Lincoln."
Few relationships shaped the 19th century as profoundly as that between President Abraham Lincoln and the great abolitionist and orator Frederick Douglass. Their story is not just about politics and policy; it's about the complicated, evolving connection between two men navigating a nation at war with itself. Our guest today is Jonathan W. White, co-author with Lucas Morel of the compelling new book Measuring the Man: The Writings of Frederick Douglass on Abraham Lincoln. The book offers a front-row seat to history through Douglass's own words, revealing his hopes, frustrations, and his eventual respect for Lincoln. It even includes newly discovered letters that shed fresh light on both leaders.
Merriam-Webster's Word of the Day for October 12, 2025 is: imprimatur im-pruh-MAH-toor noun Imprimatur is a formal word that refers to explicit approval or permission. // Though not an official project of the theater, the drama festival has its imprimatur. See the entry > Examples: “It is not overstating to say that [Frederick] Douglass was a baseball man. He attended games, supported his sons' involvement, and even played catch with his grandchildren. Douglass's support gave Black baseball an imprimatur of race approval as an activity that uplifted the race. It was not frivolous for Black men to pursue this sport as an avocation, or even as a vocation.” — Gerald Early, Play Harder: The Triumph of Black Baseball in America, 2025 Did you know? Imprimatur means “let it be printed” in New Latin (the Latin used since the end of the medieval period especially in science). It comes from Latin imprimere, meaning “to imprint or impress.” In the 1600s, the word appeared in the front matter of books, accompanied by the name of an official authorizing the book's printing. In time, English speakers began using imprimatur in the general sense of “official approval.”
History doesn't always repeat, but it echoes loudly. In today's episode, "Who Gets to Decide What Your Labor is Worth?", host Jacquette dives into the overlooked legacy of Black labor activists who fought for equity while being denied it themselves. Despite pushing for justice for all workers, they were excluded from the very movements they helped build, leading to the creation of The Colored National Labor Union (CNLU) in 1869. Through this retelling, Jacquette implores listeners to rethink pricing and pay—not just as numbers, but as acts of self-advocacy. Whether you're negotiating a raise or setting your rates, claiming your worth is a radical, personal form of activism. And no one is better positioned to lead that charge than you.Also check out: Pricing Made Human Experiencewww.jacquettetimmons.comwww.jacquettetimmons.com/digital-productswww.instagram.com/jacquettemtimmonsBuyMeACoffee.com/JacquetteSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
What does redemptive leadership mean? As Christians, we have a unique calling: not just to lead, but to serve. What does this look like in today's culture, and how can we serve as leaders and foster an environment of abundant grace and joy wherever we are?Christianity Today's Dr. Nicole Massie Martin helps us to understand how we can nail outdated models of leadership to the cross, and what it will take to replace them with Biblical ones:“We need to nail to the cross what is a very secular understanding … of [power, ego, and performance], so that what is resurrected through Christ might be redemptive and bring glory to God and good to the people that we lead.”This conversation is from an Online Conversation recorded in May 2025. We hope this conversation will inspire you to identify the ways you lead, and how you can step further into leading with grace, humility, and joy.Authors and books mentioned in the conversation:Emotionally Healthy Spirituality, Peter ScazzeroKilling Comparison: Reject the Lie You Aren't Good Enough and Live Confident in Who God Made You To Be, Nona JonesGo deeper into the issues discussed in this episode with these Trinity Forum Readings:How Much Land Does a Man Need?; Leo TolstoyA Man Who Changed His Times; William WilberforceLetter from Birmingham Jail; Martin Luther King, Jr.Who Stands Fast?; Dietrich BonhoefferNarrative of the Life of Frederick Douglass; Frederick Douglass
The Context of White Supremacy welcomes University of Virginia history professor Justene Hill Edwards. Classified as a black female, Hill Edwards is a scholar of African-American history, specializing in the history of slavery in the United States. She received her doctorate in History from Princeton University in 2015. We'll discuss her 2024 publication: Savings and Trust: The Rise and Betrayal of the Freedman's Bank. Gus learned about this text from Racist Suspect Calvin Schermerhorn, who visited The C.O.W.S. earlier this year to discuss his research on how Whites have methodically looted the paltry finances of black people for centuries. He mentioned Hill Edwards brilliant work on the demise of the Freedman's Bank. Established in the wake of the Civil War, the bank was supposed to help bedraggled black people crawl from the plantation and pull themselves up by their bootstraps. Instead, Racist Whites stole millions of dollars from poor black people, yet shrewdly blamed it on Frederick Douglass. Whites used a time-tested Racist Code to accomplish their theft. #RacialShowcasing #RacistCode #INVEST in The COWS - http://paypal.me/TheCOWS Cash App: http://cash.app/$TheCOWS Call: 720.716.7300 Code: 564943#
Join us as Public Enemy’s Minister of Information, Professor Griff, takes the mic to address a crucial topic: how Black music is being weaponized against the Black community. This is a conversation you won’t want to miss. Before Griff. The Faith Brothers will also check in. Additionally, Tarence Bailey, a descendant of Frederick Douglass, will share his inspiring efforts to preserve and promote Douglass’s extraordinary legacy.See omnystudio.com/listener for privacy information.
The Writings of Frederick Douglass on Abraham Lincoln, acclaimed scholars Lucas E. Morel and Jonathan W. White assemble Frederick Douglass's meaningful and poignant statements about Abraham Lincoln, including a dozen newly discovered documents that haven't been seen for 160 years. Measuring the Man brings together, for the first time, every substantive comment Frederick Douglass made about Abraham Lincoln. Spanning more than three decades, this revelatory collection traces Douglass's complex, evolving assessment of the man who led the nation through the Civil War and emancipation. Readers will encounter the distrust and vitriol Douglass directed at Lincoln throughout much of the Civil War, including his anger and frustration with the president as he moved slowly, but methodically, toward emancipation. Douglass's writings also reveal how three personal interactions between these two great men led to powerful feelings of friendship and mutual admiration. After Lincoln's assassination—as Jim Crow laws and political violence gutted the hard-won rights of Black Americans—Douglass expressed greater appreciation for Lincoln's statesmanship during the Civil War and praised him as a model for postwar America.There is no one better than Frederick Douglass to offer a critical assessment of the Great Emancipator and savior of the Union. His reflections not only convey Lincoln's contributions to the nation but also teach today's generation timely lessons on how to fulfill the promise of the American republic. Measuring the Man sheds new light on the most critical period of American history and will transform the way we think about these two extraordinary leaders.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.
Free speech defenders are losing ground as government pressure mounts. Legal expert Greg Lukianoff reveals why the Kimmel case should terrify everyone.Full show notes and resources can be found here: jordanharbinger.com/1216What We Discuss with Greg Lukianoff:The Trump administration used FCC licensing threats and merger approval leverage to force ABC to fire Jimmy Kimmel — a form of "jawboning" where government coerces private entities to censor speech the government itself cannot legally punish.Historically, free speech has been the primary tool for minorities and marginalized groups. Martin Luther King Jr., Nelson Mandela, Frederick Douglass, and Gandhi all relied on free speech to challenge the majority and the powerful.Hate speech laws don't change minds — they drive people into echo chambers where they radicalize further. When people can only discuss controversial views with those who already agree, extremism intensifies rather than diminishes.Over one-third of college students believe violence can be acceptable in response to speech. Two-thirds support shouting down speakers, representing mob censorship that undermines the marketplace of ideas and threatens intellectual discourse.Practice intellectual courage. When encountering disagreeable speech, engage rather than silence. Ask yourself: "Am I safer knowing less about what people think?" The answer is no — open dialogue reveals problems early, strengthens your arguments, and builds a healthier society.And much more...And if you're still game to support us, please leave a review here — even one sentence helps! Sign up for Six-Minute Networking — our free networking and relationship development mini course — at jordanharbinger.com/course!Subscribe to our once-a-week Wee Bit Wiser newsletter today and start filling your Wednesdays with wisdom!Do you even Reddit, bro? Join us at r/JordanHarbinger!This Episode Is Brought To You By Our Fine Sponsors:Cayman Jack: Explore uncharted flavor: caymanjack.comQuiltmind: Email jordanaudience@quiltmind.com to get started or visit quiltmind.com for more infoPaka: Paka hoodie & crew socks: go.pakaapparel.com/jordanButcherBox: Free protein for a year + $20 off first box: butcherbox.com/jordanSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
What did “free speech” mean before the Civil War...and what did it cost? Today, I'm exploring how Americans have debated the meaning of liberty through words, images, and even violence beginning with Samuel Jennings's 1792 painting 'Liberty Displaying the Arts and Sciences' in 1790. Commissioned by Philadelphia's Library Company, this version of liberty is imagined as a goddess who uses her staff to bestow knowledge and emancipation. Fast forward six decades, and a very different rod appears in the infamous 1856 caning of Senator Charles Sumner, captured in the print engraving 'Southern Chivalry.' Here, a gold-topped cane becomes a weapon to silence anti-slavery speech on the Senate floor. Along the way, we'll trace how abolitionists like Benjamin Franklin, John Quincy Adams, and Frederick Douglass defended speech as action, not abstraction, and how attempts to gag or punish words have only sharpened conflict in American history. Today's Works: Samuel Jennings, ‘Liberty Displaying the Arts and Sciences, or The Genius of America Encouraging the Emancipation of the Blacks' (c. 1792). Library Company of Philadelphia. and John L. Magee, ‘Southern chivalry - argument versus clubs.' 1856. ______ New episodes every month. Let's keep in touch! Email: artofhistorypod@gmail.com Instagram: @artofhistorypodcast | @matta_of_fact
We kicked off the program with four news stories and different guests on the stories we think you need to know about!As fall officially begins, the American Red Cross urges people to mark the new season with a lifesaving blood or platelet donation to help keep the blood supply strong. Guest: Jeff Hall – with Red Cross of Massachusetts Measuring the Man: The Writings of Frederick Douglass on Abraham Lincoln. This book touches on the relationship between Douglass and Lincoln. Guest: Jonathan White – co-author of this book & professor of American Studies at Christopher Newport University and vice chair of The Lincoln Forum. & Author of over 20 books. Memorial set for prosecutor Assist. AG Paul McLaughlin who was gunned down by a gang member in 1995. Guest: Judge Jeffrey Locke The Massachusetts State Lottery's new “Ghostbusters™” instant ticket game & more that's new with the state lottery. Guest: Mark William Bracken - Executive Director of the MA Lottery
Nick Bromell is the author of By the Sweat of the Brow: Labor and Literature in Antebellum American Culture and Tomorrow Never Knows: Rock and Psychedelics in the Sixties, both published by the University of Chicago Press. His articles and essays on African American literature and political thought have appeared in American Literature, American Literary History, Political Theory, Raritan, and The Sewanee Review. He teaches at the University of Massachusetts, Amherst, and he blogs at thetimeisalwaysnow.org. Nick Bromell's book is a work of intellectual history and political theory that places Black thinkers—writers, activists, and artists—at the center of American democratic thought. He argues that African American intellectual traditions have continually reshaped the meaning of democracy in the U.S., offering critiques and visions that go beyond the frameworks typically emphasized in mainstream political philosophy. The title, taken from James Baldwin's writings, reflectsthe idea that democracy is never finished—it is always urgent and ongoing.The Time is Always Now: Black Political Thought and the Transformation of U.S. Democracy (Oxford UP, 2013) posits that Black thought epitomizes the crucible of American Democratic theory Bromell contends that African American thinkers are not simply responding to oppression but actively producing political theory—ideasabout freedom, justice, equality, and collective life. Their insights emerge from lived experiences of slavery, segregation,and racial inequality, which provide a unique vantage point for critiquing American democracy.Secondly, Democracy is an ongoing and incomplete project of reconstruction, renewal, and revival. Building on Baldwin's phrase “the time is always now,” Bromell argues that democracy must be constantly reimagined and fought for. Black intellectual traditions highlight democracy's fragility and incompleteness, challenging myths of American exceptionalism.Third, American Democracy exists beyond what are known to be traditional American institutions. While mainstream American political theory often places focus on constitutions, governments, or laws, Black thinkers and citizens emphasize affective, relational, and cultural dimensions of democracy—dimensions that exhibit and feature American virtues and values of community, solidarity, and recognition.Fourth, Professor Bromell calls for a vibrant relational empathy and mutual recognition. In this sense, Bromell highlights Black thought's insistence on recognition of shared humanity and mutual vulnerability as the foundation for democraticpractice. Thinkers as varied as James Baldwin, Frederick Douglass, Martin Luther King Jr, Toni Morrison, and Ralph Ellison stress the necessity of empathy as a civic virtue. Bromell reframes African American intellectual history as politicaltheory, not just cultural or social commentary. He challenges readers to recognize that the deepest resources fordemocratic renewal in America come from traditions forged under conditions of racial oppression. Ultimately The Time is Always Now insists that democracy is less about stable American institutions and more about the practice of bettering and refining incipient features of American institutions-facing each other honestly, acknowledging and shouldering of collective pain, and being committed to a shared mutual recognition of the totality of our collective experience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
Nick Bromell is the author of By the Sweat of the Brow: Labor and Literature in Antebellum American Culture and Tomorrow Never Knows: Rock and Psychedelics in the Sixties, both published by the University of Chicago Press. His articles and essays on African American literature and political thought have appeared in American Literature, American Literary History, Political Theory, Raritan, and The Sewanee Review. He teaches at the University of Massachusetts, Amherst, and he blogs at thetimeisalwaysnow.org. Nick Bromell's book is a work of intellectual history and political theory that places Black thinkers—writers, activists, and artists—at the center of American democratic thought. He argues that African American intellectual traditions have continually reshaped the meaning of democracy in the U.S., offering critiques and visions that go beyond the frameworks typically emphasized in mainstream political philosophy. The title, taken from James Baldwin's writings, reflectsthe idea that democracy is never finished—it is always urgent and ongoing.The Time is Always Now: Black Political Thought and the Transformation of U.S. Democracy (Oxford UP, 2013) posits that Black thought epitomizes the crucible of American Democratic theory Bromell contends that African American thinkers are not simply responding to oppression but actively producing political theory—ideasabout freedom, justice, equality, and collective life. Their insights emerge from lived experiences of slavery, segregation,and racial inequality, which provide a unique vantage point for critiquing American democracy.Secondly, Democracy is an ongoing and incomplete project of reconstruction, renewal, and revival. Building on Baldwin's phrase “the time is always now,” Bromell argues that democracy must be constantly reimagined and fought for. Black intellectual traditions highlight democracy's fragility and incompleteness, challenging myths of American exceptionalism.Third, American Democracy exists beyond what are known to be traditional American institutions. While mainstream American political theory often places focus on constitutions, governments, or laws, Black thinkers and citizens emphasize affective, relational, and cultural dimensions of democracy—dimensions that exhibit and feature American virtues and values of community, solidarity, and recognition.Fourth, Professor Bromell calls for a vibrant relational empathy and mutual recognition. In this sense, Bromell highlights Black thought's insistence on recognition of shared humanity and mutual vulnerability as the foundation for democraticpractice. Thinkers as varied as James Baldwin, Frederick Douglass, Martin Luther King Jr, Toni Morrison, and Ralph Ellison stress the necessity of empathy as a civic virtue. Bromell reframes African American intellectual history as politicaltheory, not just cultural or social commentary. He challenges readers to recognize that the deepest resources fordemocratic renewal in America come from traditions forged under conditions of racial oppression. Ultimately The Time is Always Now insists that democracy is less about stable American institutions and more about the practice of bettering and refining incipient features of American institutions-facing each other honestly, acknowledging and shouldering of collective pain, and being committed to a shared mutual recognition of the totality of our collective experience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Nick Bromell is the author of By the Sweat of the Brow: Labor and Literature in Antebellum American Culture and Tomorrow Never Knows: Rock and Psychedelics in the Sixties, both published by the University of Chicago Press. His articles and essays on African American literature and political thought have appeared in American Literature, American Literary History, Political Theory, Raritan, and The Sewanee Review. He teaches at the University of Massachusetts, Amherst, and he blogs at thetimeisalwaysnow.org. Nick Bromell's book is a work of intellectual history and political theory that places Black thinkers—writers, activists, and artists—at the center of American democratic thought. He argues that African American intellectual traditions have continually reshaped the meaning of democracy in the U.S., offering critiques and visions that go beyond the frameworks typically emphasized in mainstream political philosophy. The title, taken from James Baldwin's writings, reflectsthe idea that democracy is never finished—it is always urgent and ongoing.The Time is Always Now: Black Political Thought and the Transformation of U.S. Democracy (Oxford UP, 2013) posits that Black thought epitomizes the crucible of American Democratic theory Bromell contends that African American thinkers are not simply responding to oppression but actively producing political theory—ideasabout freedom, justice, equality, and collective life. Their insights emerge from lived experiences of slavery, segregation,and racial inequality, which provide a unique vantage point for critiquing American democracy.Secondly, Democracy is an ongoing and incomplete project of reconstruction, renewal, and revival. Building on Baldwin's phrase “the time is always now,” Bromell argues that democracy must be constantly reimagined and fought for. Black intellectual traditions highlight democracy's fragility and incompleteness, challenging myths of American exceptionalism.Third, American Democracy exists beyond what are known to be traditional American institutions. While mainstream American political theory often places focus on constitutions, governments, or laws, Black thinkers and citizens emphasize affective, relational, and cultural dimensions of democracy—dimensions that exhibit and feature American virtues and values of community, solidarity, and recognition.Fourth, Professor Bromell calls for a vibrant relational empathy and mutual recognition. In this sense, Bromell highlights Black thought's insistence on recognition of shared humanity and mutual vulnerability as the foundation for democraticpractice. Thinkers as varied as James Baldwin, Frederick Douglass, Martin Luther King Jr, Toni Morrison, and Ralph Ellison stress the necessity of empathy as a civic virtue. Bromell reframes African American intellectual history as politicaltheory, not just cultural or social commentary. He challenges readers to recognize that the deepest resources fordemocratic renewal in America come from traditions forged under conditions of racial oppression. Ultimately The Time is Always Now insists that democracy is less about stable American institutions and more about the practice of bettering and refining incipient features of American institutions-facing each other honestly, acknowledging and shouldering of collective pain, and being committed to a shared mutual recognition of the totality of our collective experience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science
Nick Bromell is the author of By the Sweat of the Brow: Labor and Literature in Antebellum American Culture and Tomorrow Never Knows: Rock and Psychedelics in the Sixties, both published by the University of Chicago Press. His articles and essays on African American literature and political thought have appeared in American Literature, American Literary History, Political Theory, Raritan, and The Sewanee Review. He teaches at the University of Massachusetts, Amherst, and he blogs at thetimeisalwaysnow.org. Nick Bromell's book is a work of intellectual history and political theory that places Black thinkers—writers, activists, and artists—at the center of American democratic thought. He argues that African American intellectual traditions have continually reshaped the meaning of democracy in the U.S., offering critiques and visions that go beyond the frameworks typically emphasized in mainstream political philosophy. The title, taken from James Baldwin's writings, reflectsthe idea that democracy is never finished—it is always urgent and ongoing.The Time is Always Now: Black Political Thought and the Transformation of U.S. Democracy (Oxford UP, 2013) posits that Black thought epitomizes the crucible of American Democratic theory Bromell contends that African American thinkers are not simply responding to oppression but actively producing political theory—ideasabout freedom, justice, equality, and collective life. Their insights emerge from lived experiences of slavery, segregation,and racial inequality, which provide a unique vantage point for critiquing American democracy.Secondly, Democracy is an ongoing and incomplete project of reconstruction, renewal, and revival. Building on Baldwin's phrase “the time is always now,” Bromell argues that democracy must be constantly reimagined and fought for. Black intellectual traditions highlight democracy's fragility and incompleteness, challenging myths of American exceptionalism.Third, American Democracy exists beyond what are known to be traditional American institutions. While mainstream American political theory often places focus on constitutions, governments, or laws, Black thinkers and citizens emphasize affective, relational, and cultural dimensions of democracy—dimensions that exhibit and feature American virtues and values of community, solidarity, and recognition.Fourth, Professor Bromell calls for a vibrant relational empathy and mutual recognition. In this sense, Bromell highlights Black thought's insistence on recognition of shared humanity and mutual vulnerability as the foundation for democraticpractice. Thinkers as varied as James Baldwin, Frederick Douglass, Martin Luther King Jr, Toni Morrison, and Ralph Ellison stress the necessity of empathy as a civic virtue. Bromell reframes African American intellectual history as politicaltheory, not just cultural or social commentary. He challenges readers to recognize that the deepest resources fordemocratic renewal in America come from traditions forged under conditions of racial oppression. Ultimately The Time is Always Now insists that democracy is less about stable American institutions and more about the practice of bettering and refining incipient features of American institutions-facing each other honestly, acknowledging and shouldering of collective pain, and being committed to a shared mutual recognition of the totality of our collective experience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
Nick Bromell is the author of By the Sweat of the Brow: Labor and Literature in Antebellum American Culture and Tomorrow Never Knows: Rock and Psychedelics in the Sixties, both published by the University of Chicago Press. His articles and essays on African American literature and political thought have appeared in American Literature, American Literary History, Political Theory, Raritan, and The Sewanee Review. He teaches at the University of Massachusetts, Amherst, and he blogs at thetimeisalwaysnow.org. Nick Bromell's book is a work of intellectual history and political theory that places Black thinkers—writers, activists, and artists—at the center of American democratic thought. He argues that African American intellectual traditions have continually reshaped the meaning of democracy in the U.S., offering critiques and visions that go beyond the frameworks typically emphasized in mainstream political philosophy. The title, taken from James Baldwin's writings, reflectsthe idea that democracy is never finished—it is always urgent and ongoing.The Time is Always Now: Black Political Thought and the Transformation of U.S. Democracy (Oxford UP, 2013) posits that Black thought epitomizes the crucible of American Democratic theory Bromell contends that African American thinkers are not simply responding to oppression but actively producing political theory—ideasabout freedom, justice, equality, and collective life. Their insights emerge from lived experiences of slavery, segregation,and racial inequality, which provide a unique vantage point for critiquing American democracy.Secondly, Democracy is an ongoing and incomplete project of reconstruction, renewal, and revival. Building on Baldwin's phrase “the time is always now,” Bromell argues that democracy must be constantly reimagined and fought for. Black intellectual traditions highlight democracy's fragility and incompleteness, challenging myths of American exceptionalism.Third, American Democracy exists beyond what are known to be traditional American institutions. While mainstream American political theory often places focus on constitutions, governments, or laws, Black thinkers and citizens emphasize affective, relational, and cultural dimensions of democracy—dimensions that exhibit and feature American virtues and values of community, solidarity, and recognition.Fourth, Professor Bromell calls for a vibrant relational empathy and mutual recognition. In this sense, Bromell highlights Black thought's insistence on recognition of shared humanity and mutual vulnerability as the foundation for democraticpractice. Thinkers as varied as James Baldwin, Frederick Douglass, Martin Luther King Jr, Toni Morrison, and Ralph Ellison stress the necessity of empathy as a civic virtue. Bromell reframes African American intellectual history as politicaltheory, not just cultural or social commentary. He challenges readers to recognize that the deepest resources fordemocratic renewal in America come from traditions forged under conditions of racial oppression. Ultimately The Time is Always Now insists that democracy is less about stable American institutions and more about the practice of bettering and refining incipient features of American institutions-facing each other honestly, acknowledging and shouldering of collective pain, and being committed to a shared mutual recognition of the totality of our collective experience. Learn more about your ad choices. Visit megaphone.fm/adchoices
Dr. J Calvin Schermerhorn is a professor of history in the School of Historical, Philosophical, and Religious Studies at Arizona State University. His books include The Business of Slavery and the Rise of American Capitalism, 1815–1860, and Unrequited Toil: A History of United States Slavery. He lives in Tempe, AZ. The long history of the racial wealth gap in America told through the stories of seven Black families who struggled to build wealth over multiple generationsWealth is central to the American pursuit of happiness and is an overriding measure of well-being. Yet wealth is conspicuously absent from African American households. Why do some 3.5 million Black American families have zero or negative wealth?In The Plunder of Black America: How the Racial Wealth Gap Was Made (Yale UP, 2025) historian Calvin Schermerhorn traces four hundred years of Black dispossession and decapitalization—what Frederick Douglass called plunder—through the stories of families who have strived to earn and keep the fruits of their toils. Their struggles reveal that the ever-evolving strategies to strip Black income and wealth have been critical to sustaining a structure of racialized disadvantage. These accounts also tell of the quiet heroism of those who worked to overcome obstacles and defy the plunder.From the story of Anthony and Mary Johnson, abducted from Angola and brought to Virginia in 1619, to the enslaved Black workers dispossessed by the Custis-Washington family, to Venture Smith (born Broteer Furro), who purchased his freedom, to three generations of a family enslaved in the South who moved north after Emancipation, to the Tulsa massacre and the subprime lending crisis, Schermerhorn shows that we cannot reckon with today's racial wealth inequality without understanding its unrelenting role in American history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
Send us a textJeff McArdle joins us to discuss Civil War letters. This is the Civil War as the soldiers experienced it!More from Jeff here: https://www.ironhorsemilitaryantiques.com/Music is graciously provided by Craig Duncan.Our website: https://www.untoldcivilwar.com/Our Youtube Channel: https://www.youtube.com/channel/UCMMWxSupport the show:One time donation of any amount here: https://www.paypal.me/supportuntoldCWMonthly payment through Patreon and unlock unique perks!https://www.patreon.com/user?u=51151470&fan_landing=truThis show is made possible by the support of our sponsors:The Badge MakerProudly carrying affordable, USA made products for reenactors, living history interpreters, and lovers of history.Civil War TrailsThe world's largest 'Open Air Museum' offering over 1,350 sites across six states. Paddle to Frederick Douglass's birthplace, follow the Gettysburg Campaign turn-by-turn in your car, or hike to mountain tops where long forgotten earthworks and artillery positions await you.Military Images MagazineAmerica's only magazine dedicated solely to the study of portrait photographs of Civil War soldiers.The Excelsior BrigadeDealers in FINE CIVIL WAR MEMORABILIA.The goal of the "Brigade" is to offer high quality, original items while ensuring the best in service and customer satisfaction.HistoryFixCome enjoy history! Explore stories from the Middle Ages to the early 21st century. Enjoy historical video content always ad free and get a 7-day free trial as you explore our site.1863 DesignsAre you looking for Civil War themed graphic design, logo design, historical art and or hand drawn art? Look no further than 1863 Designs. Use the code, “UNTOLD” for 15% off your purchase!Support the show
Dr. J Calvin Schermerhorn is a professor of history in the School of Historical, Philosophical, and Religious Studies at Arizona State University. His books include The Business of Slavery and the Rise of American Capitalism, 1815–1860, and Unrequited Toil: A History of United States Slavery. He lives in Tempe, AZ. The long history of the racial wealth gap in America told through the stories of seven Black families who struggled to build wealth over multiple generationsWealth is central to the American pursuit of happiness and is an overriding measure of well-being. Yet wealth is conspicuously absent from African American households. Why do some 3.5 million Black American families have zero or negative wealth?In The Plunder of Black America: How the Racial Wealth Gap Was Made (Yale UP, 2025) historian Calvin Schermerhorn traces four hundred years of Black dispossession and decapitalization—what Frederick Douglass called plunder—through the stories of families who have strived to earn and keep the fruits of their toils. Their struggles reveal that the ever-evolving strategies to strip Black income and wealth have been critical to sustaining a structure of racialized disadvantage. These accounts also tell of the quiet heroism of those who worked to overcome obstacles and defy the plunder.From the story of Anthony and Mary Johnson, abducted from Angola and brought to Virginia in 1619, to the enslaved Black workers dispossessed by the Custis-Washington family, to Venture Smith (born Broteer Furro), who purchased his freedom, to three generations of a family enslaved in the South who moved north after Emancipation, to the Tulsa massacre and the subprime lending crisis, Schermerhorn shows that we cannot reckon with today's racial wealth inequality without understanding its unrelenting role in American history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Dr. J Calvin Schermerhorn is a professor of history in the School of Historical, Philosophical, and Religious Studies at Arizona State University. His books include The Business of Slavery and the Rise of American Capitalism, 1815–1860, and Unrequited Toil: A History of United States Slavery. He lives in Tempe, AZ. The long history of the racial wealth gap in America told through the stories of seven Black families who struggled to build wealth over multiple generationsWealth is central to the American pursuit of happiness and is an overriding measure of well-being. Yet wealth is conspicuously absent from African American households. Why do some 3.5 million Black American families have zero or negative wealth?In The Plunder of Black America: How the Racial Wealth Gap Was Made (Yale UP, 2025) historian Calvin Schermerhorn traces four hundred years of Black dispossession and decapitalization—what Frederick Douglass called plunder—through the stories of families who have strived to earn and keep the fruits of their toils. Their struggles reveal that the ever-evolving strategies to strip Black income and wealth have been critical to sustaining a structure of racialized disadvantage. These accounts also tell of the quiet heroism of those who worked to overcome obstacles and defy the plunder.From the story of Anthony and Mary Johnson, abducted from Angola and brought to Virginia in 1619, to the enslaved Black workers dispossessed by the Custis-Washington family, to Venture Smith (born Broteer Furro), who purchased his freedom, to three generations of a family enslaved in the South who moved north after Emancipation, to the Tulsa massacre and the subprime lending crisis, Schermerhorn shows that we cannot reckon with today's racial wealth inequality without understanding its unrelenting role in American history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Dr. J Calvin Schermerhorn is a professor of history in the School of Historical, Philosophical, and Religious Studies at Arizona State University. His books include The Business of Slavery and the Rise of American Capitalism, 1815–1860, and Unrequited Toil: A History of United States Slavery. He lives in Tempe, AZ. The long history of the racial wealth gap in America told through the stories of seven Black families who struggled to build wealth over multiple generationsWealth is central to the American pursuit of happiness and is an overriding measure of well-being. Yet wealth is conspicuously absent from African American households. Why do some 3.5 million Black American families have zero or negative wealth?In The Plunder of Black America: How the Racial Wealth Gap Was Made (Yale UP, 2025) historian Calvin Schermerhorn traces four hundred years of Black dispossession and decapitalization—what Frederick Douglass called plunder—through the stories of families who have strived to earn and keep the fruits of their toils. Their struggles reveal that the ever-evolving strategies to strip Black income and wealth have been critical to sustaining a structure of racialized disadvantage. These accounts also tell of the quiet heroism of those who worked to overcome obstacles and defy the plunder.From the story of Anthony and Mary Johnson, abducted from Angola and brought to Virginia in 1619, to the enslaved Black workers dispossessed by the Custis-Washington family, to Venture Smith (born Broteer Furro), who purchased his freedom, to three generations of a family enslaved in the South who moved north after Emancipation, to the Tulsa massacre and the subprime lending crisis, Schermerhorn shows that we cannot reckon with today's racial wealth inequality without understanding its unrelenting role in American history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
Conspiracy, mutiny and liberation on America's waterfront by the award-winning author of The Slave Ship. Freedom Ship: The Uncharted History of Escaping Slavery by Sea (Penguin Group, 2025) is a gripping history of stowaway slaves and the vessels that carried them to liberty. Up to 100,000 fugitives successfully fled the horrors of bondage in the American South. Many were ushered clandestinely northwards from safe house to safe house: know as the Underground Railway. Thousands of others escaped not by land, but by sea. Their dramatic tales of whispered conspiracy and billowing sails make Freedom Ship essential and enthralling reading.Through the intricate riverways of the Carolinas to the banks of the Chesapeake Bay, Freedom Ship traces the freedom seekers who turned their sights to the sea. Sailaways regularly arrived in Britain on cotton ships from New York or Southern ports. For example, Moses Roper, one of the most determined runaways in American history, traveled 350 miles through slave country before eventually taking a ship named the Napoleon to Liverpool. Both legendary abolitionists Frederick Douglass and Harriet Tubman used the waterfront as a path to freedom. Marcus Rediker is Distinguished Professor of Atlantic History at the University of Pittsburgh. His “histories from below,” including The Slave Ship: A Human History, have won numerous awards, including the George Washington Book Prize, and have been translated into seventeen languages worldwide. He has produced a film, Ghosts of Amistad, with director Tony Buba, and written a play, “The Return of Benjamin Lay,” with playwright Naomi Wallace. He is currently writing a book about escaping slavery by sea in antebellum America. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
In Measuring the Man: The Writings of Frederick Douglass on Abraham Lincoln (Reedy Press, 2025), acclaimed scholars Lucas E. Morel and Jonathan W. White assemble Frederick Douglass's most meaningful and poignant statements about Abraham Lincoln, including a dozen newly discovered documents that have not been seen for 160 years. Readers will encounter the distrust and vitriol Douglass directed at Lincoln throughout much of the Civil War, including his anger and frustration with the president as he moved slowly, but methodically, toward emancipation. Douglass's writings also reveal how three personal interactions between these two great men led to powerful feelings of friendship and mutual admiration. After Lincoln's assassination—as Jim Crow laws and political violence gutted the hard-won rights of Black Americans—Douglass expressed greater appreciation for Lincoln's statesmanship during the Civil War and praised him as a model for postwar America. There is no one better than Frederick Douglass to offer a critical assessment of the Great Emancipator and savior of the Union. His reflections not only convey Lincoln's contributions to the nation but also teach today's generation timely lessons on how to fulfill the promise of the American republic. Measuring the Man sheds new light on the most critical period of American history and will transform the way we think about these two extraordinary leaders. Omari Averette-Phillips is a PhD Candidate in History and African American Studies at UC Davis. He can be reached at okaverettephillips@ucdavis.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
Conspiracy, mutiny and liberation on America's waterfront by the award-winning author of The Slave Ship. Freedom Ship: The Uncharted History of Escaping Slavery by Sea (Penguin Group, 2025) is a gripping history of stowaway slaves and the vessels that carried them to liberty. Up to 100,000 fugitives successfully fled the horrors of bondage in the American South. Many were ushered clandestinely northwards from safe house to safe house: know as the Underground Railway. Thousands of others escaped not by land, but by sea. Their dramatic tales of whispered conspiracy and billowing sails make Freedom Ship essential and enthralling reading.Through the intricate riverways of the Carolinas to the banks of the Chesapeake Bay, Freedom Ship traces the freedom seekers who turned their sights to the sea. Sailaways regularly arrived in Britain on cotton ships from New York or Southern ports. For example, Moses Roper, one of the most determined runaways in American history, traveled 350 miles through slave country before eventually taking a ship named the Napoleon to Liverpool. Both legendary abolitionists Frederick Douglass and Harriet Tubman used the waterfront as a path to freedom. Marcus Rediker is Distinguished Professor of Atlantic History at the University of Pittsburgh. His “histories from below,” including The Slave Ship: A Human History, have won numerous awards, including the George Washington Book Prize, and have been translated into seventeen languages worldwide. He has produced a film, Ghosts of Amistad, with director Tony Buba, and written a play, “The Return of Benjamin Lay,” with playwright Naomi Wallace. He is currently writing a book about escaping slavery by sea in antebellum America. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In Measuring the Man: The Writings of Frederick Douglass on Abraham Lincoln (Reedy Press, 2025), acclaimed scholars Lucas E. Morel and Jonathan W. White assemble Frederick Douglass's most meaningful and poignant statements about Abraham Lincoln, including a dozen newly discovered documents that have not been seen for 160 years. Readers will encounter the distrust and vitriol Douglass directed at Lincoln throughout much of the Civil War, including his anger and frustration with the president as he moved slowly, but methodically, toward emancipation. Douglass's writings also reveal how three personal interactions between these two great men led to powerful feelings of friendship and mutual admiration. After Lincoln's assassination—as Jim Crow laws and political violence gutted the hard-won rights of Black Americans—Douglass expressed greater appreciation for Lincoln's statesmanship during the Civil War and praised him as a model for postwar America. There is no one better than Frederick Douglass to offer a critical assessment of the Great Emancipator and savior of the Union. His reflections not only convey Lincoln's contributions to the nation but also teach today's generation timely lessons on how to fulfill the promise of the American republic. Measuring the Man sheds new light on the most critical period of American history and will transform the way we think about these two extraordinary leaders. Omari Averette-Phillips is a PhD Candidate in History and African American Studies at UC Davis. He can be reached at okaverettephillips@ucdavis.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Conspiracy, mutiny and liberation on America's waterfront by the award-winning author of The Slave Ship. Freedom Ship: The Uncharted History of Escaping Slavery by Sea (Penguin Group, 2025) is a gripping history of stowaway slaves and the vessels that carried them to liberty. Up to 100,000 fugitives successfully fled the horrors of bondage in the American South. Many were ushered clandestinely northwards from safe house to safe house: know as the Underground Railway. Thousands of others escaped not by land, but by sea. Their dramatic tales of whispered conspiracy and billowing sails make Freedom Ship essential and enthralling reading.Through the intricate riverways of the Carolinas to the banks of the Chesapeake Bay, Freedom Ship traces the freedom seekers who turned their sights to the sea. Sailaways regularly arrived in Britain on cotton ships from New York or Southern ports. For example, Moses Roper, one of the most determined runaways in American history, traveled 350 miles through slave country before eventually taking a ship named the Napoleon to Liverpool. Both legendary abolitionists Frederick Douglass and Harriet Tubman used the waterfront as a path to freedom. Marcus Rediker is Distinguished Professor of Atlantic History at the University of Pittsburgh. His “histories from below,” including The Slave Ship: A Human History, have won numerous awards, including the George Washington Book Prize, and have been translated into seventeen languages worldwide. He has produced a film, Ghosts of Amistad, with director Tony Buba, and written a play, “The Return of Benjamin Lay,” with playwright Naomi Wallace. He is currently writing a book about escaping slavery by sea in antebellum America. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Conspiracy, mutiny and liberation on America's waterfront by the award-winning author of The Slave Ship. Freedom Ship: The Uncharted History of Escaping Slavery by Sea (Penguin Group, 2025) is a gripping history of stowaway slaves and the vessels that carried them to liberty. Up to 100,000 fugitives successfully fled the horrors of bondage in the American South. Many were ushered clandestinely northwards from safe house to safe house: know as the Underground Railway. Thousands of others escaped not by land, but by sea. Their dramatic tales of whispered conspiracy and billowing sails make Freedom Ship essential and enthralling reading.Through the intricate riverways of the Carolinas to the banks of the Chesapeake Bay, Freedom Ship traces the freedom seekers who turned their sights to the sea. Sailaways regularly arrived in Britain on cotton ships from New York or Southern ports. For example, Moses Roper, one of the most determined runaways in American history, traveled 350 miles through slave country before eventually taking a ship named the Napoleon to Liverpool. Both legendary abolitionists Frederick Douglass and Harriet Tubman used the waterfront as a path to freedom. Marcus Rediker is Distinguished Professor of Atlantic History at the University of Pittsburgh. His “histories from below,” including The Slave Ship: A Human History, have won numerous awards, including the George Washington Book Prize, and have been translated into seventeen languages worldwide. He has produced a film, Ghosts of Amistad, with director Tony Buba, and written a play, “The Return of Benjamin Lay,” with playwright Naomi Wallace. He is currently writing a book about escaping slavery by sea in antebellum America. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
In Measuring the Man: The Writings of Frederick Douglass on Abraham Lincoln (Reedy Press, 2025), acclaimed scholars Lucas E. Morel and Jonathan W. White assemble Frederick Douglass's most meaningful and poignant statements about Abraham Lincoln, including a dozen newly discovered documents that have not been seen for 160 years. Readers will encounter the distrust and vitriol Douglass directed at Lincoln throughout much of the Civil War, including his anger and frustration with the president as he moved slowly, but methodically, toward emancipation. Douglass's writings also reveal how three personal interactions between these two great men led to powerful feelings of friendship and mutual admiration. After Lincoln's assassination—as Jim Crow laws and political violence gutted the hard-won rights of Black Americans—Douglass expressed greater appreciation for Lincoln's statesmanship during the Civil War and praised him as a model for postwar America. There is no one better than Frederick Douglass to offer a critical assessment of the Great Emancipator and savior of the Union. His reflections not only convey Lincoln's contributions to the nation but also teach today's generation timely lessons on how to fulfill the promise of the American republic. Measuring the Man sheds new light on the most critical period of American history and will transform the way we think about these two extraordinary leaders. Omari Averette-Phillips is a PhD Candidate in History and African American Studies at UC Davis. He can be reached at okaverettephillips@ucdavis.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
Conspiracy, mutiny and liberation on America's waterfront by the award-winning author of The Slave Ship. Freedom Ship: The Uncharted History of Escaping Slavery by Sea (Penguin Group, 2025) is a gripping history of stowaway slaves and the vessels that carried them to liberty. Up to 100,000 fugitives successfully fled the horrors of bondage in the American South. Many were ushered clandestinely northwards from safe house to safe house: know as the Underground Railway. Thousands of others escaped not by land, but by sea. Their dramatic tales of whispered conspiracy and billowing sails make Freedom Ship essential and enthralling reading.Through the intricate riverways of the Carolinas to the banks of the Chesapeake Bay, Freedom Ship traces the freedom seekers who turned their sights to the sea. Sailaways regularly arrived in Britain on cotton ships from New York or Southern ports. For example, Moses Roper, one of the most determined runaways in American history, traveled 350 miles through slave country before eventually taking a ship named the Napoleon to Liverpool. Both legendary abolitionists Frederick Douglass and Harriet Tubman used the waterfront as a path to freedom. Marcus Rediker is Distinguished Professor of Atlantic History at the University of Pittsburgh. His “histories from below,” including The Slave Ship: A Human History, have won numerous awards, including the George Washington Book Prize, and have been translated into seventeen languages worldwide. He has produced a film, Ghosts of Amistad, with director Tony Buba, and written a play, “The Return of Benjamin Lay,” with playwright Naomi Wallace. He is currently writing a book about escaping slavery by sea in antebellum America. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
In Measuring the Man: The Writings of Frederick Douglass on Abraham Lincoln (Reedy Press, 2025), acclaimed scholars Lucas E. Morel and Jonathan W. White assemble Frederick Douglass's most meaningful and poignant statements about Abraham Lincoln, including a dozen newly discovered documents that have not been seen for 160 years. Readers will encounter the distrust and vitriol Douglass directed at Lincoln throughout much of the Civil War, including his anger and frustration with the president as he moved slowly, but methodically, toward emancipation. Douglass's writings also reveal how three personal interactions between these two great men led to powerful feelings of friendship and mutual admiration. After Lincoln's assassination—as Jim Crow laws and political violence gutted the hard-won rights of Black Americans—Douglass expressed greater appreciation for Lincoln's statesmanship during the Civil War and praised him as a model for postwar America. There is no one better than Frederick Douglass to offer a critical assessment of the Great Emancipator and savior of the Union. His reflections not only convey Lincoln's contributions to the nation but also teach today's generation timely lessons on how to fulfill the promise of the American republic. Measuring the Man sheds new light on the most critical period of American history and will transform the way we think about these two extraordinary leaders. Omari Averette-Phillips is a PhD Candidate in History and African American Studies at UC Davis. He can be reached at okaverettephillips@ucdavis.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
Welcome to Scott Bishop's new series, Brought to the Light. Scott's guest on this first of ten podcasts is Lee Blake. She has over 30 years of experience as a teacher and administrator in urban education and historic preservation. Lee has taught African American and Women's Studies at the high school and university level in New Bedford and in New York City. She served as the director of Education for the City of New York for 8 years. Lee Blake has been awarded five National Endowment for the Humanities awards to provide professional development to teachers across the country on African American history. Her program, Sailing to Freedom: New Bedford and the Underground Railroad, is breaking new ground as it highlights the sea and whaling as an escape route for African American freedom seekers. Currently, Lee serves as president and chief development officer for the New Bedford Historical Society. During her 15 years as a volunteer at the Society, Lee has successfully raised funds for after-school programming, building preservation and restoration projects, as well as funds for art Although Lee Blake says, "I am not an artist, but I work with artists to fund public art pieces and spaces that have changed the narrative of the City of New Bedford." New Bedford Historical Society has been responsible for the vast majority of public art in New Bedford that focuses on Black history and the Black experience. "The Society has been responsible for illustrating the history of our people through several projects: Lewis Temple Monument, Abolition Row Park, the Frederick Douglass statue, 54th Massachusetts Mural and 54th Massachusetts Regiment Park, the Jazz Mural, and other projects. Lee spoke with The Artists Index Scott Bishop on his new series, Brought to the Light. They discussed her love of history, African American culture, New Bedford, and more. Lee Blake New Bedford Historical Society 21 Seventh Street New Bedford, MA 02740 508-979-8828 Email | Website | Facebook | Instagram | Linktree | Other ALSO AVAILABLE ON: YouTube Please consider donating whatever you can to ensure that our mission continues as we document the legacies of South Coast Artists. If you would like to be a guest on The Artists Index or have a suggestion, please let us know! This podcast is funded in part with a grant from the New Bedford Cultural Council, a local agency supported by the Mass Cultural Council, a state agency
Jonathan White and Lucas Morel, authors of "Measuring the Man: The Writings of Frederick Douglass on Abraham Lincoln"
Send us a textDr. Jonathan W. White is a professor of American Studies at Christopher Newport University. He is the author or editor of 17 books covering various topics, including civil liberties during the Civil War, the USS Monitor and the Battle of Hampton Roads, the presidential election of 1864, and what Abraham Lincoln and soldiers dreamt about. Among his awards are the State Council of Higher Education for Virginia's Outstanding Faculty Award (2019), CNU's Alumni Society Award for Teaching and Mentoring (2016), the Abraham Lincoln Institute Book Prize (2015), and the University of Maryland Alumni Excellence Award in Research (2024). His recent books include A House Built By Slaves: African American Visitors to the Lincoln White House (2022), which was co-winner of the Gilder Lehrman Lincoln Prize (with Jon Meacham); Shipwrecked: A True Civil War Story of Mutinies, Jailbreaks, Blockade-Running, and the Slave Trade (2023); Final Resting Places: Reflections on the Meaning of Civil War Graves (2023); and an exciting new children's book, My Day with Abe Lincoln (2024).A Quote From This Episode"Viewed from the abolition ground, Lincoln seemed tardy, cold, dull; but measured by his country, he was swift, zealous, radical, and determined.”Resources Mentioned in This EpisodeBook: Measuring the Man: The Writings of Frederick Douglass on Abraham LincolnArticle: Flag burning has a long history in the U.S. — and legal protections from the Supreme CourtAbout The International Leadership Association (ILA)The ILA was created in 1999 to bring together professionals interested in studying, practicing, and teaching leadership. Plan for Prague - October 15-18, 2025!About Scott J. AllenWebsiteWeekly Newsletter: Practical Wisdom for LeadersBlogMy Approach to HostingThe views of my guests do not constitute "truth." Nor do they reflect my personal views in some instances. However, they are views to consider, and I hope they help you clarify your perspective. Nothing can replace your reflection, research, and exploration of the topic. ♻️ Please share with others and follow/subscribe to the podcast!⭐️ Please leave a review on Apple, Spotify, or your platform of choice.➡️ Follow me on LinkedIn for more on leadership, communication, and tech.
What does it mean to teach history truthfully? In this episode of _Classical Et Cetera_ , we tackle how to teach Christopher Columbus facts with honesty, from elementary school to teaching history in middle school and high school. We discuss the hard truths of American slavery, the Holocaust, and more, while still cultivating gratitude for the US. Drawing on models like the Frederick Douglass 4th of July speech, we share practical ways to guide students through the dark parts of history so they see both the good and the bad—growing in wisdom, empathy, and conviction. *What We're Reading* from This Episode: _Education of a Wandering Man_—Louis L'Amour (Paul) _The Unselected Journals of Emma M. Lion_—Beth Brower (Tanya) _On the Consolation of Philosophy_—Boethius (Dustin)
"While others prayed for the good time coming, I worked for it," - Victoria Woodhull, April 2, 1870, in a newspaper column announcing her candidacy for presidency of the United States.You may know that Victoria Woodhull was the first woman to run for president, but did you know that prior to running for office, she turned a reputation for being a clairvoyant into a stock brokerage career? Or that her vice presidential candidate was Frederick Douglass, but he didn't know it? Or that she missed the election because she was in jail?Join me for an interview with Eden Collinsworth on her new book, The Improbable Victoria Woodhull: Suffrage, Free Love, and the First Woman to Run for President.If there are other historians or authors of presidential history you would like to hear from, drop me a line: abridgedpresidentialhistories@gmail.com Support the show
Photography 1/4: Flashes of Brilliance. Anika Burgess The story of the wildest experiments in early photography and the wild people who undertook them. 1870 PARIS Today it's routine to take photos from an airplane window, use a camera underwater, watch a movie, or view an X-ray. But the photographic innovations more than a century ago that made such things possible were experimental, revelatory, and sometimes dangerous―and many of the innovators, entrepreneurs, and inventors behind them were memorable eccentrics. In Flashes of Brilliance, writer and photo editor Anika Burgess engagingly blends art, science, and social history to reveal the most dramatic developments in photography from its birth in the 1830s to the early twentieth century. Writing with verve and an eye for compelling detail, Burgess explores how photographers uncovered new vistas, including catacombs, cities at night, the depths of the ocean, and the surface of the moon. She describes how photographers captured the world as never seen before, showing for the first time the bones of humans, the motion of animals, the cells of plants, and the structure of snowflakes. She takes us on a tour of astonishing innovations, including botanist Anna Atkins and her extraordinary blue-hued cyanotypes and the world's first photobook; Eadweard Muybridge and Étienne-Jules Marey's famed experiments in capturing motion and their long legacy; large format photography and photographs so small as to be invisible to the naked eye; and aerial photography using balloons, kites, pigeons, and rockets. Burgess also delves into the early connections between photography and society that are still with us today: how photo manipulation―the art of “fake images”―was an issue right from the start; how the police used the telephoto lens to surveil suffragists; and how leading Black figures like Sojourner Truth and Frederick Douglass adapted self-portraits to assert their identity and autonomy. Richly illustrated and filled with fascinating tales, Flashes of Brilliance shows how the rise of a new art form transformed culture and our view of the world. 100 black-and-white and 25 color photos
Photography 2 /4: Flashes of Brilliance. Anika Burgess The story of the wildest experiments in early photography and the wild people who undertook them. 11871 COMMUNE Today it's routine to take photos from an airplane window, use a camera underwater, watch a movie, or view an X-ray. But the photographic innovations more than a century ago that made such things possible were experimental, revelatory, and sometimes dangerous―and many of the innovators, entrepreneurs, and inventors behind them were memorable eccentrics. In Flashes of Brilliance, writer and photo editor Anika Burgess engagingly blends art, science, and social history to reveal the most dramatic developments in photography from its birth in the 1830s to the early twentieth century. Writing with verve and an eye for compelling detail, Burgess explores how photographers uncovered new vistas, including catacombs, cities at night, the depths of the ocean, and the surface of the moon. She describes how photographers captured the world as never seen before, showing for the first time the bones of humans, the motion of animals, the cells of plants, and the structure of snowflakes. She takes us on a tour of astonishing innovations, including botanist Anna Atkins and her extraordinary blue-hued cyanotypes and the world's first photobook; Eadweard Muybridge and Étienne-Jules Marey's famed experiments in capturing motion and their long legacy; large format photography and photographs so small as to be invisible to the naked eye; and aerial photography using balloons, kites, pigeons, and rockets. Burgess also delves into the early connections between photography and society that are still with us today: how photo manipulation―the art of “fake images”―was an issue right from the start; how the police used the telephoto lens to surveil suffragists; and how leading Black figures like Sojourner Truth and Frederick Douglass adapted self-portraits to assert their identity and autonomy. Richly illustrated and filled with fascinating tales, Flashes of Brilliance shows how the rise of a new art form transformed culture and our view of the world. 100 black-and-white and 25 color photos
Photography 3/4: Flashes of Brilliance. Anika Burgess The story of the wildest experiments in early photography and the wild people who undertook them. 1890 SAXONY Today it's routine to take photos from an airplane window, use a camera underwater, watch a movie, or view an X-ray. But the photographic innovations more than a century ago that made such things possible were experimental, revelatory, and sometimes dangerous―and many of the innovators, entrepreneurs, and inventors behind them were memorable eccentrics. In Flashes of Brilliance, writer and photo editor Anika Burgess engagingly blends art, science, and social history to reveal the most dramatic developments in photography from its birth in the 1830s to the early twentieth century. Writing with verve and an eye for compelling detail, Burgess explores how photographers uncovered new vistas, including catacombs, cities at night, the depths of the ocean, and the surface of the moon. She describes how photographers captured the world as never seen before, showing for the first time the bones of humans, the motion of animals, the cells of plants, and the structure of snowflakes. She takes us on a tour of astonishing innovations, including botanist Anna Atkins and her extraordinary blue-hued cyanotypes and the world's first photobook; Eadweard Muybridge and Étienne-Jules Marey's famed experiments in capturing motion and their long legacy; large format photography and photographs so small as to be invisible to the naked eye; and aerial photography using balloons, kites, pigeons, and rockets. Burgess also delves into the early connections between photography and society that are still with us today: how photo manipulation―the art of “fake images”―was an issue right from the start; how the police used the telephoto lens to surveil suffragists; and how leading Black figures like Sojourner Truth and Frederick Douglass adapted self-portraits to assert their identity and autonomy. Richly illustrated and filled with fascinating tales, Flashes of Brilliance shows how the rise of a new art form transformed culture and our view of the world. 100 black-and-white and 25 color photos
Photography 4/4: Flashes of Brilliance. Anika Burgess The story of the wildest experiments in early photography and the wild people who undertook them. PARIS 1860 Today it's routine to take photos from an airplane window, use a camera underwater, watch a movie, or view an X-ray. But the photographic innovations more than a century ago that made such things possible were experimental, revelatory, and sometimes dangerous―and many of the innovators, entrepreneurs, and inventors behind them were memorable eccentrics. In Flashes of Brilliance, writer and photo editor Anika Burgess engagingly blends art, science, and social history to reveal the most dramatic developments in photography from its birth in the 1830s to the early twentieth century. Writing with verve and an eye for compelling detail, Burgess explores how photographers uncovered new vistas, including catacombs, cities at night, the depths of the ocean, and the surface of the moon. She describes how photographers captured the world as never seen before, showing for the first time the bones of humans, the motion of animals, the cells of plants, and the structure of snowflakes. She takes us on a tour of astonishing innovations, including botanist Anna Atkins and her extraordinary blue-hued cyanotypes and the world's first photobook; Eadweard Muybridge and Étienne-Jules Marey's famed experiments in capturing motion and their long legacy; large format photography and photographs so small as to be invisible to the naked eye; and aerial photography using balloons, kites, pigeons, and rockets. Burgess also delves into the early connections between photography and society that are still with us today: how photo manipulation―the art of “fake images”―was an issue right from the start; how the police used the telephoto lens to surveil suffragists; and how leading Black figures like Sojourner Truth and Frederick Douglass adapted self-portraits to assert their identity and autonomy. Richly illustrated and filled with fascinating tales, Flashes of Brilliance shows how the rise of a new art form transformed culture and our view of the world. 100 black-and-white and 25 color photos
Frederick Douglass made the strongest arguments for abolition in antebellum America because he made the case that abolition was not a mutation of the Founding Father’s vision of America, but a fulfillment of their promises of liberty for all. He had a lot riding on this personally – Douglas was born into slavery in Maryland around 1818, escaped to the North in 1838, and became a renowned public speaker in Europe and the United States, captivating audiences with his powerful oratory and firsthand accounts of enslavement. Initially, in the 1840s, Douglass denounced the United States as a hypocritical nation that failed to uphold its ideals of liberty due to its support of slavery. He was part of the same radical abolitionist faction as William Lloyd Garrison, who publicly burned a copy of the U.S. Constitution in 1854 a Massachusetts Anti-Slavery Society event, calling it “a covenant with death” and “an agreement with hell” due to its protections for slavery. But by the 1850s, Douglas’s views evolved to see the Constitution as an antislavery document that could be leveraged to fulfill the promise of freedom for all. His transformation reflected a strategic shift, advocating for reform within the system while maintaining his fierce commitment to abolishing slavery and securing equal rights. He was also a critic of Abraham Lincoln who later became friends with the president. Douglass disagreed with Abraham Lincoln's initial hesitancy to prioritize abolition and his gradual approach to emancipation, but agreed with Lincoln's eventual commitment to the Emancipation Proclamation and the use of Black soldiers in the Civil War, seeing these as critical steps toward ending slavery and aligning with the Constitution's promise of liberty. In “Measuring the Man: The Writings of Frederick Douglass on Abraham Lincoln,” Jonathan W. White, today’s guest, assembled Frederick Douglass’s most meaningful and poignant statements about Abraham Lincoln, including a dozen newly discovered documents that have not been seen for 160 years. We see the anger Douglass directed at Lincoln throughout much of the Civil War as he moved slowly, but methodically, toward emancipation. Douglass’s writings also reveal how three personal interactions between these two led to powerful feelings of friendship and mutual admiration. After Lincoln’s assassination—as Jim Crow laws spread across the South—Douglass expressed greater appreciation for Lincoln’s statesmanship during the Civil War and praised him as a model for postwar America.See omnystudio.com/listener for privacy information.
Jeff and BYU law professor Bradley Rebeiro discuss Frederick Douglass's understanding of the Constitution, and how he came to view it as an anti-slavery document, using it to promote abolition. Host: Jeff Sikkenga Executive Producer: Jeremy Gypton Subscribe: https://linktr.ee/theamericanidea
You'll be hard pressed to find a man who stood for his convictions more firmly than John Brown. John was an white abolitionist willing to do more to end slavery than any other man - of any color - in America in the 1850s. It wasn't enough for John to speak out against slavery, or to help freed slaves find freedom through the Underground Railroad. John felt that if slaveowners weren't willing to immediately free their slaves and renounce their ways, they deserved death. And he felt called by God to send them directly to their graves. For Merch and everything else Bad Magic related, head to: https://www.badmagicproductions.com