a podcast in which joel fishbane explores each of Shakespeare's plays, offering tidbits, trivia, and revisionist interpretations of all those plays they made you read in school.
There's a pleasing symmetry to the fact that the Bard opened his career with "The Two Gentlemen of Verona" and closed it , so far as we know, with "The Two Noble Kinsmen". In this last episode of "Shakespeare Unbard", Joel discusses Shakespeare's last known work and leaves you with some parting thoughts.
Just as King Lear isn't about King Lear and Julius Caesar isn't about Julius Caesar, Henry VIII isn't about Henry VIII. Its central figures are Wolsey and Katharine, each of whom emerge as the protagonists in what amounts to an uneven historical epic.
Beloved among Shakespeare fans, The Tempest holds a regal place in the canon, mostly because of the popular belief that Prospero is a stand-in for the Bard himself. In Episode 36, Joel discusses the last play Shakespeare wrote by himself.
Mixing history, comedy, and tragedy, Cymbeline is a grab-bag, the equivalent of a Shakespearian mix-tape. There's no way around it: Cymbeline is Shakespeare's craziest play, a wild theatrical experiment that mashes so many different genres, plots, and styles that it's astonishing the thing makes any sense.
"A sad tale's best for winter" asserts Mamillius, the doomed prince of Bohemia, and rarely has a Shakespearian character summarized his own story so well. His words are proved true as we watch The Winter's Tale, a bittersweet bit of theatre that is one of the most unique Shakespeare ever devised.
There's no record of the Coriolanus being performed before 1682 and even after that the play remained unpopular. It's only recently that the play finally appears to be achieving some of the recognition it deserves. In this episode, Joel discusses this complex play that should be more popular than it is.
Most likely written with a collaborator, Pericles: Prince of Tyre is a dramatic hodegepodge, a mash-up of myth and fairy tales that has the distinction of being one of the few complete dramatic failures in the canon. In this episode, Joel examines the dramatic question of whether Pericles can - or should - ever be staged.
a look at antony and cleopatra
an exploration of macbeth
a look at timon of athens
an examination of king lear
a look at all's well that ends well
a look at othello
a look at measure formeasure
a look at troilus and cressida
joel fishbane discusses twelfth night
a look at hamlet
a look at as you like it
a look at julius caesar
an examination of henry v
a look at much ado about nothing
a discussion about the merry wives of windsor
a look at henry iv part two
a look at henry iv part one
a look at the merchant of venice
a look at king john
a look at a midsummer nights dream
a discussion of romeo and juliet
an examination of richard ii
an examination of the comedy of errors
Love's Labour's Lost is a play with no plot, no villains, and no happy ending - and yet the play has such a charming premise that Joel Fishbane is enchanted everytime the play crosses his path. Also: a one minute summary and both the 2000 film and 2013 musical are discussed.
a look at titus andronicus. Viewer discretion is advised.
joel fishbane discusses richard iii
Henry 6.3 is discussed
Joel Fishbane tries to get you excited about Shakespeare, one play at a time
Joel Fishbane tries to get you excited about Shakespeare, one play at a time
Joel Fishbane tries to get you excited about Shakespeare, one play at a time
Joel Fishbane tries to get you excited about Shakespeare, one play at a time
Joel Fishbane tries to get you excited about Shakespeare, one play at a time
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