Podcasts about Much Ado About Nothing

It's Tuesday which means there's a new Hallmark movie to review! ABOUT NOTHING BUT LOVE A TV director returns to her theater roots for a Shakespeare festival and runs into an old flame, rekindling a merry war of wits in this modern retelling of "Much Ado About Nothing." AIR DATE & NETWORK FOR NOTHING BUT LOVE August 29, 2026 | Hallmark CAST & CREW OF NOTHING BUT LOVE Director: Shamim Sarif Writers: Ramona Barckert, Neal Dodson, William Shakespeare Cast: Ashley Williams as Bea Bishop Niall Matter as Benny Gersten BRAN'S MOVIE SYNOPSIS It's time for the Summer Shakespeare Festival and Bea Bishop has arrived ahead of the show she's directing - The Taming of the Shrew. She is pumped, or should I say WAS pumped until she finds out Benny, a popular actor, is going to be the love interest for the play. She's not thrilled because clearly they have a history. Her mom is the one who runs the festival but she's going to retire. Bea says that SHE wants to take it over and her mom is thrilled. The cast gets together for the first time for pizza that Benny brings. Benny meets his leading lady for the first time. Her name is Hannah and it's clear that Hannah has a thing for another guy in the play, Clay. When Benny sees them, he tells Bea to make Clay the lead instead, which she does. Bea finds out that there are some more hoops to leap through before the board approves her to be the new director of the festival. Apparently, there's a buyer interested in purchasing the festival. If the play isn't a success, they need to sell. SO THE STAKES ARE HIGH! She tells Benny about this and they agree to a peace treaty to work together to save the festival. So turns out, Benny was right about Clay and Hannah....a little too right. Bea and Benny follow them into town and see them kiss big ones! Bea is worried that this isn't going to be great for the play - it's going to distract them. So Bea goes to talk to her about it and Hannah is like we're falling in love. Bea is like it's not real love, it's festival love. Hannah disagrees. Bea says this happened to her once - she fell for Benny during their play together and got a bad review, calling her distracted. That's why she ultimately became a director. She tells Hannah if all you're thinking about is how much you're in love with Clay, it's going to affect your performance. Benny ends up having the same conversation with Clay. Hannah and Clay decide they should try to get Bea and Benny together. It gives us a couple of great scenes. Benny and Bea end up getting coffee together and talk through some changes they want to make to the play and then they're getting ready to talk about their feelings but they get interrupted. They begin to wonder if splitting Hannah and Clay up is doing more harm than good. There's a party where everyone is in Shakespearean garb and Bea and Benny try to reverse what they've done and get Hannah and Clay back together, but they end up slow dancing together in the process. The next day, Benny asks if she wants to go for a bite. She's like did you say date? And he's like no I said bite, but yes a date please. She says yes. And they tell each other that they like and love each other via crayon on the table. The SPARKS are flying. On the walk home, they both talk about how they overheard the other actors talking about how they are into each other. IT WAS ALL A BIG TRICK?! This is quite the misunderstanding and she's like well thank goodness we didn't kiss! This argument gets interrupted with a text - Hannah is leaving. She can't handle the pressure of saving this festival. So they all agree it would be best if Benny and Bea took over the lead roles and it's going great! But THEN she hears that Benny told Clay that whoever takes over running the festival has impossibly large shoes to fill. She's like you don't think I can do it! He realizes he done goofed. He needs to figure out a way to show her that not only does he believe she can run this festival, but show her that the love wasn't a trick. He runs to the airport to stop Hannah from leaving and get her to come back and do the show, which she does! The play is going great. The run is sold out. Bea goes to talk to her mom backstage and her mom tells her that her only regret in doing this is that she only focused on her job, not her heart. She encourages her to be sure she tends to her heart. The show is a SMASH hit! After the show, she finds out that they don't need to sell. The board approves of Bea running the festival moving forward! She goes to find Benny. She asks how he got Hannah to come back, and he says "I told her that all she needs to know is that Bea believes in you. When I know that Bea believes in me, I feel like I can do anything." He says I also knew I couldn't play this role with you because I wouldn't be able to hide my feelings for you. She says I wanna be with you and I wanna run this festival with you. She says kiss me you fool and kiss they do, followed by a spin and dip! Watch the show on Youtube - www.deckthehallmark.com/youtubeInterested in advertising on the show? Email bran@deckthehallmark.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Today's Poll Question at Smerconish.com: Is the Natalie Harp story Much Ado About Nothing? Jon Ossoff's two-word reference to “Natalie” ignited a political and media firestorm around Trump aide Natalie Harp—but is there really a larger story here? Michael examines why Ossoff's remark went viral, the backlash from conservatives, David Axelrod's criticism of the attack, Julie K. Brown's provocative response, and Mark Halperin's argument that the entire episode may amount to little more than cable-news fascination. As the headlines already begin to fade, Michael asks whether the controversy revealed anything meaningful—or simply proved how quickly a provocative line can dominate the political conversation. Listen here, then vote! Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

Michael is joined by Mark Halperin to unpack the sudden scrutiny surrounding President Trump aide Natalie Harp and the backlash to Senator Jon Ossoff's comments about her. Was Ossoff's remark sexist—or has Washington turned a half-sentence into “much ado about nothing”? Then Michael opens the phones and hears from listeners on whether the controversy deserves all the attention it's getting. Original air date 19 August 2026. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

SF0221 Much Ado About Nothing by Ian Deeker Forth

Enter stage left, the Shakespearience! All this month we're covering adaptations of the Bard on screen in regularly scheduled and extra epsiodes of Moviestruck. To open the curtains on this theatrical crusade, Much Ado About Nothing (1993) with Jenna Stoeber! What I learned this much is the people crave Kenneth Branagh, but at least this time it's in comedy form.  ---The Patron Drive is back! Join the Moviestruck Patreon at any paid tier to work towards bonus episodes of Moviestruck! At 150 total paid Patrons of any tier, we'll be covering Dune (1894) with OSP Red. Head on over to Patreon and stick around for the post roll for all the deets on this monthly event.---Where to find Jenna:https://linktr.ee/thejennaBlueSky: @thejenna.bsky.socialTikTok:@the_jennaTwitch: https://www.twitch.tv/the_jennaYouTube: https://www.youtube.com/@the_jennaContact the Podmoviestruckpod@gmail.comwww.moviestruck.transistor.fmPatreon: https://www.patreon.com/moviestruckDiscord: https://discord.gg/cT2vm3KdeSBlueSky: @moviestruck.bsky.socialTheme by Prod. DomSoundcloudThank you to our $10 Patrons!Kaeldrannas, Maddy New, Adam Bagnall, Christian Jolliff, UwU, Zas, Ken M, Jim8333, Jacob Hunt, Azraq Shinji, Case Aiken, AnOptimist, Lairde Ray, the Norwegian one, Travis Poe, William Warren, Stag Hart (Deer Deer), Rusty_Fork, Mura Purcell, insomnite, Nathan Dunlap. ★ Support this podcast on Patreon ★

Law Against Lovers is a dramatic adaptation of Shakespeare's Measure for Measure, ingeniously crafted by Sir William Davenant and first staged in 1662. This unique work intertwines characters from Much Ado About Nothing, creating a complex narrative that explores themes of love, justice, and morality through the lens of familial relationships, as Angelo and Benedick are transformed into brothers. Davenant's bold alterations offer a fresh perspective on Shakespeare's original, making it a fascinating blend of comedy and drama that resonates with contemporary audiences.

Anita Smith is wearing purple work gloves and has a walkie talkie clipped to shirt when I meet her at W.E. Graham Park a few days before the Saskatoon Fringe Festival  is set to begin. She and her team of staff and volunteers are setting up for the festival and are not letting city construction get in the way of hosting another wonderful festival.  It has been another busy year for Anita. As Artistic and Executive Director of Saskatoon's 25th Street Theatre Company, she has overseen a year of innovative and engaging theatre productions. She also found time to direct a Shakespeare on the Saskatchewan production of Much Ado About Nothing this summer. Anita is pulled in many different directions, and I am always grateful for the time she makes to appear on the podcast.  This year's Fringe Festival is bringing theatre productions from across North America, around the world, and in our own backyard, to four theatres in the Broadway neighbourhood from July 30th to August 8th. The festival is also creating community through innovative programming including a local theatre company made up of teens who are producing their own fringe play!  Anita shares stories and details about this year's festival, along with the challenges posed by another year of construction in the Broadway neighbourhood, in our conversation. She also shares why this will be her final year at the helm of the Fringe Festival.  I hope to see you at one of the plays during the festival and thank you for continuing to support a local, independent podcast here in Saskatoon! Don't forget that Season 9 of YXE Underground launches on September 10th wherever you find your favourite podcasts! Cheers...Eric  Host, Producer, Editor: Eric AndersonTheme Music: Andrew DicksonWebsite: https://www.yxeunderground.comRecorded: On Treaty 6 Territory and the traditional homeland of the Metis

Following on from our February interview with thespian Timo, we venture out to Bad Pyrmont, the charming, strangely tropical town in Lower Saxony. The performance of Shakespeare's Much Ado About Nothing in a beautiful historical castle leads to laughter, confusion and intrigue. Join use for a taste of the action! --- Pyrmonter Theatre: https://theatercompanie.de/

For the very first time...Kenneth Branagh...as Dave and Liam chat on about Much Ado About Nothing Boxset 11 Disk 5 https://linktr.ee/watchitifyoucan

Today, on the Hudson Mohawk Magazine, First, we hear from historian Kamau Ware about his work looking at the African Diaspora's impact on the American Revolution and other conversations we should be having around history. Then, Willie Terry discussed the “Politics of Juneteenth” with Troy4BlackLives Organizer Alfonso Rodriguez at the Troy Juneteenth passport “Freedom Crawl” celebration. After that, we'll get inside the mind of local singer-songwriter SolLA, who joins us in the studio for a conversation. Finally, Garrett McCarey speaks with Jack D. Ellis of the Shakespeare cooperative the Will Kempe's Players about their summer productions of "Much Ado About Nothing" and "Measure for Measure." Co-Hosts: Sina Basila Hickey, Jacob Boston | Engineer: Jacob Boston

Roséwave is a feeling more than a singular sound or genre. It's the kind of sweetness and sadness that underscores the long, languid days of summer.  Long drives with old friends, watching your kids at the pool, backyard barbecues while the sun slowly sets.  On this episode we share a mix of songs that offer the perfect soundtrack for your roséwave days and nights, from Linda Ronstadt's “How Do I Make You” and Marvin Gaye's “Ain't That Peculiar,” to Katie Gavin's “Aftertaste,” Waxahatchee's “Much Ado About Nothing” and more.NPR Music's Lars Gotrich and contributor Marissa Lorusso join host Robin Hilton.(00:00) Intro and “Summertime, Summertime” by The Jamies(01:57) Wednesday: "Elderberry Wine"(04:34) The Lijadu Sisters: "Come on Home"(07:35) Katie Gavin: "Aftertaste”(12:17) Marvin Gaye: "Ain't That Peculiar"(15:46) Leningrad Philharmonic Orchestra: “Gayane Ballet Suite: Adagio”(17:02) Haku.: "Looking Through My Subtle Double Eyelids"(19:46) Labi Siffre: "My Song"(22:45) Azymuth: "Faça de Conta"(25:09) Waxahatchee: "Much Ado About Nothing"(27:35) Linda Ronstadt: "How Do I Make You"(30:29) Addison Rae: "Diet Pepsi," from 'Addison'(34:56) Amerie: "Why Don't We Fall in Love"Reviews help!  Leave us one on Apple or Spotify wherever you listen to podcasts. Questions, comments, suggestions or feedback of any kind always welcome: allsongs@npr.orgNote: A version of this episode originally ran in July 2025.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Will Kempe's Players are presenting summer productions of "Much Ado About Nothing" and "Measure for Measure" at various locations. Hudson Mohawk Magazine correspondent Garrett McCarey speaks with Jack D. Ellis, director of "Much Ado About Nothing," about the summer season. Learn more at https://www.willkempesplayers.com/currently-performing

This episode is an interview with Kunal Prasad, director of this summer's South Asian inspired Much Ado About Nothing!!

Shakespeare's plays Othello and Much Ado About Nothing start with the same storyline: someone tells a lie about a relationship that threatens an entire community. But when does the lie become a weapon? When someone chooses to believe it. True leaders must push back against lies, even when it's risky and unpopular.Carol Ann LloydTEDx talk: 3 Leadership Secrets from Shakespeare@shakeuphistoryhttps://carolannlloyd.com/ https://patreon.com/carolannlloyd https://bookshop.org/shop/carolann The Tudors by NumbersCourting the Virgin QueenSupport the showSupport the showHistory reveals what's possible.

a szn 2 teaserSo, it took us three whole years to realize a podcast called The Casual Thursdays Podcast doesn't actually need fancy gear or a perfect setup to exist.

Episode 221:Last time I took you into the world of the court masque with the help of Kristen Macdermott who, I think you will agree, painted a very detailed picture of that very particular theatrical form and the way the Stuart court embraced it. As we heard, masques were often written by playwrights and performed by actors who also wrote for and performed in the public playhouse, so it's no surprise that a few plays feature masques. We have already encountered short masques in ‘Much Ado About Nothing' and ‘Timon of Athens', with the best known example from ‘The Tempest' still to come and Shakespeare's next offering ‘Anthony and Cleopatra' would, you might think, have been another opportunity to include a masque featuring exotic characters to add to the glamorous setting. In fact, Shakespeare chose not to include a masque specifically, but we can see that he uses the attributes of the masque throughout the play.Masque elements used in ‘Antony and Cleopatra'The dating of the playThe early print history of the playThe sources for the playThe different style of the play from it's near neighboursA brief synopsis of the playHow the main characters and the political story and love story are balanced in the playThe hyperbolic language used in the playThe character of AntonyEquals and opposites in the play and how Antony deals with themThe character of OctaviusThe character of CleopatraThe death of CleopatraAntony and Cleopatra as a Stuart period playA short word on the history of criticism of the playThe later performance history of the play Support the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetpYou can find an advertisement free version of the latest podcast episodes by joining on Patreon at the lowest paid tier level – that's for just £1 per month. Hosted on Acast. See acast.com/privacy for more information.

Summer Shakespeare productions are a long-standing tradition in the U.S., and now the Triad has a theater company dedicated to bringing the Bard's plays to North Carolina Audiences. Piedmont Shakespeare Company is in its second season with performances of “Much Ado About Nothing” taking place in venues from Winston-Salem to Burlington. On this Piedmont Arts episode, executive director David McGraw talks about the importance of Shakespeare in the modern day and the beauty of summer Shakespeare.

In this special bonus episode of the Anglotopia Podcast, Jonathan Thomas launches an experimental new monthly format: a London events guide covering what's actually on in the city this month. June is arguably London's finest month — 16 to 17 hours of daylight, the longest evenings of the year, and an events calendar absolutely bursting at the seams. Jonathan walks through everything worth knowing about June in London: the major royal events including Trooping the Colour and Royal Ascot, the blockbuster summer exhibitions at Tate Modern, Tate Britain, the Royal Academy, the National Portrait Gallery, the V&A, and more, plus what's on in London theater from Shakespeare's Globe to the West End, live music at Wembley and the Roundhouse, and practical tips for surviving — and thriving in — a London heat wave. If this episode proves popular, Jonathan will make it a monthly fixture. Let him know what you think in the comments. Links Royal Events ~Trooping the Colour — Official Info~ ~Royal Ascot~ ~Wimbledon Tickets & Ballot~ ⠀Exhibitions — Book Ahead ~Frida Kahlo at Tate Modern~ ~Royal Academy Summer Exhibition (opens June 16)~ ~Anish Kapoor Retrospective at Hayward Gallery (opens June 16)~ ~Marilyn Monroe at National Portrait Gallery~ ~Barbara Hepworth at the Courtauld Gallery (from June 1)~ ~Schiaparelli: Fashion Becomes Art at the V&A~ ~Wes Anderson Exhibition at the Design Museum~ ~James McNeill Whistler Retrospective at Tate Britain~ ~The Queen's Fashion at The King's Gallery~ (sold out through 2026 — book 2027 dates now) ~Inside Aardman: Wallace & Gromit at Young V&A~ ~Hokusai: 36 Views of Mount Fuji at Dulwich Picture Gallery~ (closes June 30) ⠀Theater ~A Midsummer Night's Dream at Regent's Park Open Air Theatre (from June 20)~ ~Much Ado About Nothing at Shakespeare's Globe (from June 11)~ ~To Kill a Mockingbird — New West End Adaptation (opens June 25)~ ~Cyrano de Bergerac — West End (opens June 13)~ ~Buy West End Tickets via Anglotopia's Link~ (supports Anglotopia) ~TKTS Booth at Leicester Square — Half-Price Day Tickets~ ⠀Long-Running West End Shows The Lion King Hamilton Wicked Les Misérables Matilda Mamma Mia Six Harry Potter and the Cursed Child (almost always sold out — book well ahead) Sinatra — The Musical ⠀Live Music Harry Styles at Wembley Stadium (from June 12) Olivia Dean at the O2 (from June 12) Orville Peck at the Roundhouse, Camden ⠀Practical Resources ~National Gallery Extended Summer Hours (from July 1)~ ~Londontopia London Events Calendar~ ~Argos UK — Buy a Fan on Arrival~ ~Anglotopia June London Events Article~ (link to article) ~Friends of Anglotopia Club~ ⠀ Takeaways June is arguably London's best month to visit — 16 to 17 hours of daylight, reliably pleasant weather, and the richest events calendar of the year, though it is also peak tourist season with hotel prices running 20 to 40 percent above spring rates. Trooping the Colour — the monarch's official birthday parade — is the major royal event of the year in 2026. Even without a ballot ticket to Horse Guards Parade, you can experience the procession on the Mall and the balcony appearance at Buckingham Palace by arriving very early and staking out a good spot. Every major summer blockbuster exhibition in London requires advance booking — some, like The Queen's Fashion at The King's Gallery, are already sold out through 2026. Book tickets as soon as you finish listening, even if your trip dates aren't confirmed yet. The Frida Kahlo survey at Tate Modern, the James McNeill Whistler retrospective at Tate Britain, and the Marilyn Monroe exhibition at the National Portrait Gallery are Jonathan's top three must-book exhibition picks for the month. The Royal Academy Summer Exhibition — the world's largest open submission art show, running since 1769 — is a uniquely chaotic, democratic, and wonderful experience where everything on the walls is for sale and any artist can enter. Shakespeare's Globe is staging Much Ado About Nothing from June 11, and Regent's Park Open Air Theatre opens A Midsummer Night's Dream on June 20 — watching Shakespeare outdoors on a long June evening is one of the quintessential London summer experiences. London generally does not have air conditioning in older buildings, hotel rooms, or most tube lines. The first thing you should do after arriving in summer is buy a fan — Jonathan recommends going straight to Argos, Britain's version of a catalog store, for an affordable one. The tube's older lines (Central, Piccadilly) get brutally hot in summer due to London clay absorbing and retaining heat underground. The Elizabeth line is fully air conditioned and runs east-west across the city — use it as much as possible in a heat wave. The National Gallery is experimenting with extended summer evening hours, staying open until 7 PM most evenings and until 9 PM on Fridays from July 1 — Jonathan's suggestion: have an early dinner, then walk over for a free evening of world-class art. Don't try to pack too much in. Pick three or four things you genuinely care about, build your days around those, and leave time to wander, sit in Green Park with a deck chair, or walk along the Thames in the long evening light. June in London is as much about the atmosphere as the attractions. ⠀ Soundbites "The light is the headline for June. You get sixteen to seventeen hours of daylight. Twilight stretches from around eight PM to nearly ten PM. You can have a full day of exploring, sit down for dinner, and still walk home along the Thames and have some daylight." — Jonathan on why June is London's best month. "If you've ever wondered what the best month to visit London is, a lot of people will quietly tell you it's this one." — Jonathan on June in London. Plan your day around it. Get up stupidly early — three, four, five in the morning — get your spot on the Mall and soak up the atmosphere. It'll be like a party atmosphere." — Jonathan on how to experience Trooping the Colour without a ticket. "The Queen's Fashion at The King's Gallery is sold out for the rest of the year, and I know a lot of people are gonna be really disappointed when they try to get tickets and they simply can't." — Jonathan's warning on the most in-demand exhibition of the summer. "The walls are packed from floor to ceiling and everything is for sale. It's chaotic and wonderful. And it's a great way to see up-and-coming artists and established artists side by side." — Jonathan on the Royal Academy Summer Exhibition. "Shakespeare under the open sky in one of London's loveliest parks on a warm June evening — it doesn't get dark till ten PM anyway. Enjoy some champagne, enjoy some theater out in the green. That's my top theater pick for the month." — Jonathan on Regent's Park Open Air Theatre. "The first thing you should do after you land is go to what the British call an ironmonger — a hardware store — and buy a fan. Don't skimp. It is essential for Americans traveling in Europe." — Jonathan's number one summer travel tip. "The London clay is a heat sink. It absorbs heat and then it doesn't let it back out. So the tube gets really hot in the summer. If you are prone to heat issues, avoid the tube except the Elizabeth line, which is fully air conditioned." — Jonathan on navigating London in a heat wave. "I sat there in the rain in the 40s, got soaking wet. And I — not exaggerating — almost got hypothermia. It was July. I could not warm up when I got back to the hotel because the heating wasn't on and there weren't enough blankets because it was July." — Jonathan's cautionary tale about British summer weather. "Argos is exactly like Service Merchandise — you go in, there's a big catalog, you pick your thing, and it comes out on a conveyor belt. Get a fan. Don't even look at the weather forecast first. Just trust me — you're going to need a fan." — Jonathan's most practical London summer tip. ⠀ Chapters 00:21 Introduction — Jonathan launches the experimental monthly London events format 01:15 The Feel of June in London — Long days, the light, and why June is special 02:20 June Weather — What to expect, heat waves, and the maritime humidity problem 03:45 Peak Tourist Season — Crowds, hotel prices, and why June still beats July 05:00 Trooping the Colour — What it is, how to see it without a ticket, and Jonathan's tips for getting a good spot 08:30 Royal Ascot — Fascinators on the tube, the royal procession, and how to get tickets 10:00 Wimbledon — The ballot, resale tickets, strawberries and cream, and what to do if you can't get in 11:30 How to Book Exhibitions — Why advance booking is non-negotiable and the Queen's Fashion sellout warning 13:00 Frida Kahlo at Tate Modern — Jonathan's pick and why Tate Modern is worth seeing for the building alone 14:30 Royal Academy Summer Exhibition (June 16) — The world's largest open submission art show 15:30 Anish Kapoor at the Hayward Gallery (June 16) — The Cloud Gate connection and why it's worth seeing 16:15 Marilyn Monroe at the National Portrait Gallery — Just opened, book fast 17:00 Barbara Hepworth at the Courtauld Gallery — And why Somerset House is worth a visit anyway 17:45 Schiaparelli at the V&A — Fashion exhibitions and why the V&A excels at them 18:15 Wes Anderson at the Design Museum — A treat for film fans 18:45 James McNeill Whistler at Tate Britain — A sellout show, book immediately 19:30 Wallace & Gromit at Young V&A — The Aardman exhibition Jonathan is hoping to catch in August 20:15 Closing This Month — Mikalojus Čiurlionis at the Royal Academy (closes June 21) and Hokusai at Dulwich (closes June 30) 21:00 Theater — Why June is the best time for London theater 21:30 Regent's Park Open Air Theatre — A Midsummer Night's Dream, Jonathan's top pick of the month 22:00 Shakespeare's Globe — Much Ado About Nothing from June 11 22:30 New West End Openings — To Kill a Mockingbird (June 25) and Cyrano de Bergerac (June 13) 23:00 Long-Running Shows — Lion King, Hamilton, Wicked, Six, Les Mis, and how to get discount tickets 24:00 Live Music — Harry Styles at Wembley, Olivia Dean at the O2, Orville Peck at the Roundhouse 25:00 Practical Tips: Heat — Does London have air conditioning? (Mostly no) 26:30 The Fan Imperative — Buy one at Argos, the British Service Merchandise 28:30 Pack for All Weathers — The July outdoor concert near-hypothermia story 30:00 Humidity and Heat — Why British summer heat hits differently than dry American heat 31:00 Use the Long Days — 17 hours of light, late museum hours, rooftop bars, evening walks 32:00 National Gallery Extended Hours — Stay open till 7 PM, Fridays till 9 PM from July 1 33:00 Don't Overpack Your Itinerary — Pick three or four things, leave time to wander 34:00 Wrap-Up — Londontopia events calendar, listener feedback request, Friends of Anglotopia Video Version

Musk v Altman was nominally about OpenAI's conversion to a for-profit entity, and how it went about that change. But really, the suit seems mostly to have been about Elon Musk being mad at Sam Altman — or at OpenAI, for being successful without him — and wanting him punished in some way. Verge reporter Liz Lopatto spent the last month covering the trial, in all its chaos, and joins Decoder to ask: In a courtroom full of untrustworthy, unreliable people all fighting with each other, did anyone even have a reputation left to lose? Read the full interview transcript on The Verge. Links:  Elon Musk loses his case against Sam Altman | The Verge Musk v. Altman proved AI is led by the wrong people | The Verge Musk v. Altman accomplished nothing but airing dirty laundry | The Verge Elon Musk's worst enemy in court is Elon Musk | The Verge Behold, the Elon Musk jackass trophy | The Verge Subscribe to The Verge to access the ad-free version of Decoder! Credits: Decoder is a production of The Verge and part of the Vox Media Podcast Network. Decoder is produced by Kate Cox and Nick Statt and edited by Ursa Wright. Our editorial director is Kevin McShane.  The Decoder music is by Breakmaster Cylinder. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Northfield Arts Guild Executive Director Michael Johnson and Performing Arts Manager Pauline Jennings discuss upcoming events at the Guild, including the current run of The Unsinkable Molly Brown, the Shakespeare in the Park production of Much Ado About Nothing in July, the current exhibition in the Up Gallery titled Esperanza en Accion, the High School Honors Art Show, and more. 

PS+ Plus increases have (predictably) gone up, of course, because we're in late-stage capitalism.But it likely won't cost you a dime...Join our FREE DISCORD and talk PlayStation with the PSD+ community:https://discord.gg/pEDZDp4kTGOUR YOUTUBE CHANNEL:https://www.youtube.com/@PlayStationDailyPodcastOUR INSTAGRAM:https://www.instagram.com/psdailypod/Intro music is "A Cup Of Liber-Tea" which is the main theme from the Helldivers 2 soundtrack.Outro music is the "Super Earth National Anthem" which is a special promotional track for the Helldivers 2 game.

In 1290, Jews were expelled from England, only to return in 1656, three-and-a-half centuries later. William Shakespeare published his works between 1589 and 1613. Except for perhaps a smattering of crypto-Jews, 275 years prior to his birth, 40 years past his death, there was no Jewish presence in England. Dr. Stephen Greenblatt, in his introduction to the Norton Shakespeare, notes that Elizabethans were fascinated by Jews and Judaism. We are going to explore the bard's roll in this phenomenon, the inordinate number of Talmudic and Mishnaic references in his writings, along with his possible Jewish roots. More importantly, let's address the phenomenon of why a nation that never encountered a Jew was so intrigued, and what that might mean for us today.

 Listen to the Show Right Click to Save GuestsJarrott Productions DestinationAustin Shakespeare Much Ado About NothingBroadway in Austin The Wiz What We Talked About Book of Mormon Outer Critics Circle Awards Hamlet & Othello Participation Fees? B-Roll in performances? Paranormal Activity Adrienne Warren in Proof Rent 30th anniversary concertThank you to Dean Johanesen, lead singer of "The Human Condition" who gave us permission to use "Step Right Up" as our theme song, so please visit their website.. they're good! (that's an order)  

All's Well That Ends Well: Michael Bradshaw Flynn On Bringing Back the BardFifteen years ago, staging Shakespeare in Scranton sounded improbable to plenty of people, especially to some New York theater types.The original production was intended as a one-time public performance of A Midsummer Night's Dream in Nay Aug Park. Organizers hoped a modest audience would turn out for the celebrated Bard.Instead, more than 1,000 people packed into the park. In this episode of HarmonyTALK, host Lisa Champeau speaks with Scranton Shakespeare Festival co-founder Michael Bradshaw Flynn about the unlikely evolution of the festival from a free outdoor performance into a permanent arts organization producing musicals, Shakespeare, new works, and youth programming in downtown Scranton and Northeast Pennsylvania.Flynn discusses balancing a career between New York and Northeastern Pennsylvania, working on Broadway productions including The Front Page, It's Only a Play, and The Nance, (with Nathan Lane) and why regional theater still matters at a time when arts organizations across the country face shrinking audiences and financial instability.The conversation traces Flynn's early immersion in theater through Arts Alive, the Scranton Cultural Center, and local summer stock programs, as well as the influence of a family steeped in storytelling traditions.Now entering its 15th season under the theme Faith, the Scranton Shakespeare Festival will present Much Ado About Nothing, Carousel, Henry V, Saint Joan, Jesus Christ Superstar, youth ensemble productions, and a 15th anniversary gala.For more information, visit https://www.scrantonshakes.com/@Scranton Shakespeare Festival@Michael Bradshaw Flynn@Lisa Champeau@WVIA

Send us Fan MailOnStage Colorado is growing. In this monthly episode, Alex Miller and Toni Tresca announce the launch of On Screen Colorado, a new sister site dedicated to covering Colorado's film and TV landscape — from Sundance's arrival in Boulder in January 2027 to the 20+ festivals already happening across the state each year.The guys also catch up on recent reviews from the OSC crew — including Much Ado About Nothing at Platte Valley Players, English and Somewhere at the DCPA, Mary Jane, Furlough's Paradise, Jagged Little Pill and We Are the Tigers. Plus, Alex sits down with playwright Mia Burnett and Veritas Productions founding artistic director Nancy Evans Begley to talk about Burnett's new play Divine Bull Transformation, opening May 15 at Denver's Mizel Center. And as always, the episode wraps with the top 10 Colorado headliners worth checking out in the coming weeks.For more Colorado theatre coverage, subscribe to the Theatre Blast newsletter at onstagecolorado.com.

Today on Art of the Cut we speak with Andrew Marcus, the editor of The Devil Wears Prada 2.Andrew has edited Howard's End, for which he was nominated for a BAFTA, Much Ado About Nothing, the 1994 Frankenstein movie, Hedwig and the Angry Inch, Remains of the Day, American Psycho, and Under the Tuscan Sun, among many others.Our discussion today is about the freedom he has in the editor's cut, the importance of calibrating the amount of set-up of a joke, and building montages that were not in the script.If you'd like to read along with this inteview and see images from the film, the trailer and clips, visit the BorisFX blog site.borisfx.com/blog/aotc

Alyssa and David muster all their theatre kid energy to talk about The Merle Reskin Theatre which was a hot topic in the news a few weeks ago and inspired silly outrage.   Support the show by subscribing, leaving a five-star review, telling all your friends and following on Twitter, BlueSky, Instagram.  Show Notes: WBEZ: Cash-strapped DePaul closes the curtain on Downtown's historic Reskin Theatre DePaul University Facility Living New Deal: Merle Reskin (former Blackstone) Theater Renovation – Chicago IL Block Club Chicago: DePaul Unveils $72 Million Theater School Building WTTW: Cultural Connections DePaul Theatre School TimeOut Chicago: Merle Reskin Theatre Broadway World: Merle Reskin Theatre Alyssa's review of "God of Hell" Caryl Churhill Learn more about your ad choices. Visit megaphone.fm/adchoices

Enjoy a classic story in English and learn 8 uses of ‘trick'. For more great language tips and programmes visit bbclearningenglish.comSubscribe to our newsletter! Receive weekly tips and read a message from your favourite presenters: https://www.bbc.co.uk/learningenglish/newslettersWant to find more programmes at this level? Try this: https://www.bbc.co.uk/learningenglish/hard_courseAnd if you find this podcast a bit too difficult, why not try our podcast where we have real conversations in easy English? Find it here: https://www.bbc.co.uk/learningenglish/english/features/real-easy-english or search for 'Learning Easy English' on your favourite podcast app.

Mason Alexander Park is a groundbreaking trans actor redefining what leading roles look like both on stage and on screen including Cabaret, The Tempest, Much Ado About Nothing, Netflix's The Sandman and now, Oh Mary!  From a young age, Mason was taught to think for themselves - and that's shaped a life and career built on doing things their own way. No labels, no boxes. In this chat with Josh, Mason opens up about identity, gender, growing up feeling “different,” and why labels don't always fit. Sharp, witty and eye-opening, this conversation explores the freedom to change, to question, and to become who you are on your own terms. Catch Mason starring in Oh, Mary! on the West End -now playing, with tickets available at www.ohmaryplay.com______________________________________________

This episode is a recording from the Start Network's Assembly, which took place in October 2025. Lars Peter Nissen was invited to moderate a panel exploring what leadership looks like when success is contingent on the agency of others — when you cannot exercise direct control but must inspire, build rapport, and create the conditions for a group of individuals to deliver results.Rather than drawing on leaders from within the humanitarian sector, the panel brings together professionals from two very different fields — football management and musical theatre — to explore what their craft can teach humanitarians about leading through networks, trust, and collective action.Note: This episode was recorded live at the Start Network Assembly. The sound quality reflects the live setting.GuestsNatalie Brown: Board Director at Banbury United Football Club and the first Black female board member in UK football. Natalie has a background in media, marketing, and community development, and has worked with Arsenal, The Prince's Trust, and Mind. She founded the #PlayBrave initiative to help women build confidence on and off the pitch.Huw Evans: Associate Musical Director on Oliver at the Gielgud Theatre in London's West End. Huw is an accomplished conductor and multi-instrumentalist who has worked on shows including Much Ado About Nothing, Sunset Boulevard, Oklahoma, and Come From Away. He trained at King's College London.Moderated by Lars Peter Nissen, Director of ACAPS and host of Trumanitarian. Introduced by Lucy Puentes of the Start Network.Key ThemesBuilding from the ground up: Natalie shares how she rebuilt Banbury United's women's team after inheriting a fractured setup where the manager had left just before the season. After a disheartening first attempt, she “flipped the script” — launching open training sessions for women over 40, which rapidly grew into a multigenerational squad with players aged 16 to 66. Her approach centred on changing the narrative, leading with spirit, and building a movement rather than just a team.The duet between leading and following: Huw describes conducting as a constant negotiation between setting the tempo and following the performer. With 12 musicians split across three separate spaces, a 30-person cast, and four child actors rotating in the lead role, he conducts via camera monitors — relying on connection, adaptability, and trust rather than direct control. Leadership in live performance, he says, is about creating the conditions for harmony rather than forcing it.Trust, small gestures, and knowing people's namesBoth panellists emphasise that trust is built through small, consistent actions. Huw takes pride in greeting every deputy musician before the show. Natalie describes how players joined her team simply because they liked who she was and what she stood for. Both draw a direct parallel to humanitarian coordination — where leading a cluster meeting of 50 strangers via camera is not so different from conducting an orchestra through a monitor.Releasing control: A recurring theme throughout the conversation is the difficulty — and necessity — of letting go. Huw describes the terrifying moment of relinquishing control in a live performance with 2,000 people watching. Natalie reflects on having built the women's team so personally that she now needs to step back and let others carry the vision. Both see this as essential to sustainable leadership in networked settings.The power of diversity and emergence: Lars Peter draws the conversation toward metaphor, arguing that biology — not physics — offers the better model for thinking about networks. The emergent quality of a network, like a heart pumping blood from cells and valves, produces outcomes that are qualitatively different from the sum of the parts. Just as a football team needs more than 11 goalkeepers, or an orchestra more than 12 horn players, humanitarian networks need genuine diversity of skills and perspectives.Resilience and learning from mistakes: Huw shares a candid story of pressing the wrong button during a click track, causing pre-recorded and live children to sing out of sync. His advice: pick yourself up, stay calm, and keep going with integrity. Natalie talks about the power of small daily steps — just 15 minutes of focused effort each day — as a way to sustain momentum when things feel overwhelming.CreditsHost: Lars Peter NissenRecorded at: Start Network Assembly, October 2025Session title: Choreographing Chaos: Leadership in a World of NetworksPanel introduced by: Lucy Puentes, Start NetworkGet in touch: info@truemanitarian.orgSupport the podcast: Visit truemanitarian.org and click “Support the Pod”

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Click the Link to Join on Spotify: https://ishortn.ink/tfdeakyverse Subscriptions also available on Apple Podcast & YouTube Platforms.-----Some encounters don't announce themselves with screams or shadows. They arrive quietly—in the shape of a woman standing in a doorway, footsteps with no one to make them, or a figure from another century passing by as if nothing is wrong. These are the kinds of moments that linger long after the lights are back on, when you're left wondering whether what you saw was impossible… or simply unnoticed until now.In this episode, multiple firsthand accounts blur the line between history and the present, sleep and waking, the living and the dead. These stories don't beg to be believed, and they don't try to explain themselves. They just exist—unchanged, unresolved, and unsettling in the way only true experiences can be. Watch with the lights on.We'll see you on the inside...SUPPORT THE SHOW, BECOME A MEMBER: https://www.youtube.com/@freakydeakypod/membership-----TIME STAMPS:0:00 - Someone Else Saw It Too…0:54 - Spooky Ghost Podcast Intro, GO!1:50 - Welcome In, Weirdos2:40 - Consider Becoming a YouTube Member!6:50 - EPISODE STARTS HERE, YUH BABY7:10 - STORY 1: Not The Demon at All, Actually11:24 - DISCUSS. 15:00 - Reset / Pick a Fight With Enterprise Rental Car 15:31 - STORY 2: Doorway Creep18:00 - Much Ado About Nothing 20:31 - Does Anyone even use these timestamps..? 22:21 - Scott Tries to Rage Bait the Feminists25:58 - Butterscotch Gang Intermission26:24 - Shoutout Jeremy28:26 - STORY 3: The Ol' Bat31:45 - weird bits here 35:05 - STORY 4: They Might Be Romans36:13 - Scott is Defeated By The Word "Voluminous" 39:00 - DISCUSS?? 39:20 - What is a Jerkin? 42:00 - STORY 5: The Babysitter's Dilemma43:00 - Why Do I Hate the Word "Mum" So Much? 45:38 - Scott Tries To Ragebait The Algorithm into Boosting Our Content Via the Sensitive Topic of Racial Slurs (And Fails Miserably, fr)0:00 - The end. Sorry._____________________________________________+BUY A $9 SHOUT-OUT: https://holler.baby/thefreakydeaky+PRODUCERS: Eric Long, Daniel Heng, Anthony M, Marlene Olmos+SUBMIT YOUR (TRUE) STORY:—Email: thegang@thefreakydeaky.com —Voicemail: 801-997-0051+WEBSITE & MERCH:—Website: www.thefreakydeaky.com—Merch: www.thefreakydeaky.com/store+JOIN THE DISCUSSION:—TFD Facebook Group: https://tinyurl.com/tfdfb —Instagram: https://bit.ly/2HOdleo —Facebook: https://bit.ly/3ebSde6

So I look away for one second, and suddenly Matthew Morrison is our next Bobby Darin in Just in Time?! We'll talk about ALL the tea, but first we gotta break down seeing Jake Shane (!!!) in All Out!Broadway News:

Hiddleston and Atwell to bring ‘Much Ado’ to NYC; Mr. Shue to join ‘Just in Time’ Patreon: BroadwayRadiohttps://www.patreon.com/broadwayradio For a transcript of this episode, please email transcripts@broadwayradio.com and include the episode name. 1) Jamie Lloyd’s ‘Much Ado About Nothing’ to play Broadway this fallhttps://deadline.com/2026/02/tom-hiddleston-hayley-atwell-much-ado-about-nothing-broadway-1236729230/ 2) Matthew Morrison to join ‘Just in read more

Welcome back to our series, "On Becoming: The Art and Craft of Personal Storytelling." In this series, we take a close look at personal essays written by real students, talking about why we love them, what makes them work, and how they came to be. On Becoming speaks not just to the craft of writing, but to what I believe the personal statement is at its best: a record of becoming, the often messy, hopefully meaningful process of finding yourself… through the process of storytelling. In this episode, we slow things down and focus on a single essay, which the author calls "Much Ado About Nothing." Together, we take this essay apart, looking at the storytelling choices on the page, the deeper ideas underneath them, and how the essay captures a moment in the student's becoming.  Dr. Greg Ungar is a professor at the University of Denver. Greg grew up in California and spent six years working on the assembly line at General Motors before finding his way to college, where reading (and thinking) changed the direction of his life. Greg went on to study philosophy and theatre arts at UC Berkeley, and later earned advanced degrees across a wide range of disciplines, including sociology, criminal justice, acting, and theatre and drama. He's someone who has spent a lifetime thinking deeply about identity, work, class, performance, and what it means to make meaning out of lived experience.  We hope you enjoy.    Play-by-Play: 3:23 – Why do Ethan and Greg love reading stories and poetry together?  5:34 – Do college essays need a title?  6:47 – Greg reads the essay, "Much Ado About Nothing"  12:03 – What does Ethan love about this essay?  13:25 – What did Greg notice while reading?  19:23 – How does the author use structure to keep the reader engaged?  25:02 – How can humor be used in college essays?  30:58 – How does the author show different roles and identities throughout?  40:24 – Closing thoughts   Resources: "Much Ado About Nothing" Essay College Essay Essentials  College Essay Guy's Personal Statement Resources College Essay Guy's College Application Hub  

***This show is brought to you by Quince. Go to ⁠⁠⁠⁠⁠http://quince.com/playonpod ⁠⁠⁠⁠⁠for free shipping on your order and 365-day returns.*** “There is great reward and great risk in love”: Actors Reg Rogers and Tracie Lane talk about their relationships with the roles they play, the work they do, and the lives they lead in the every-shifting sands of showbiz. Learn more about your ad choices. Visit megaphone.fm/adchoices

Gyles has been an admirer of this guest since the 1960s: it's the great actor, Sir Derek Jacobi. Ever since he was recruited into Sir Laurence Olivier's bold new National Theatre at the Old Vic, Jacobi has been at the forefront of British acting talent. Gyles has seen him on stage many times - in Olivier's famous production of Othello, in Much Ado About Nothing, in Cyrano de Bergerac. You may also know Derek from his brilliant TV work - in I, Claudius and Last Tango in Halifax... he's also the voice of In The Night Garden. In this warm and rambling conversation, Derek tells Gyles about his young life in Leytonstone in East London, where his father owned a confectioners shop. He tells him about his childhood love of dressing up and his early exposure to theatre, when he was picked to go up on stage at the Palladium. He tells Gyles about his experience of stage fright and about his happy marriage. This is a wonderful episode with a great, and charming, man. Enjoy this. Hosted on Acast. See acast.com/privacy for more information.

***This show is brought to you by Quince. Go to ⁠⁠⁠⁠http://quince.com/playonpod ⁠⁠⁠⁠for free shipping on your order and 365-day returns.*** “It's a perfect play”: Director Brendon Fox delves into the nooks and crannies of “Much Ado About Nothing,” shedding new light on a story he's told five times (and counting!). Learn more about your ad choices. Visit megaphone.fm/adchoices

Marin Karr returns as we chat about one of the more uh forgotten adaptations of Shakespere in Joss Whedon MUCH ADO ABOUT NOTHING. Together we talk comparisons to Kennth Branagh, Whedon' misunderstanding the text, The Odyssey casting, Marin's new pod and Shakespeare that needs a reimagining

Rehearsals continue for Lovers' Vows! The cast starts in-fighting, but Fanny enjoys watching rehearsals...until she ends up in the middle of one.Topics discussed include anonymous valentines, justice for Julia, Henry Crawford as Molly's type, morally grey characters, ASMs, lazy insults, and SIR THOMAS'S RETURN!Patron Study Questions this week come from Flying Cupcake, Marija, Avi, Spring, and Angelika. Topics discussed include Fanny's fun side, why Mary is a better friend to Fanny than her cousins, Fanny's refusal to act, everyone's moral compromises, morality vs. indulgence, and why Mary actually sought Fanny out to rehearse.Becca's Study Questions: Topics discussed include Henry as the best actor of the group, where we've been and what we've learned so far, and where we stand on the characters at the end of this volume.Funniest Quote: "It is about Lovers' Vows!"Questions moving forward: What is Sir Thomas going to do when he sees the house? Does Rushworth understand that Maria is into Henry?Who wins the chapters? Fanny!Glossary of Terms and Phrases:behind hand (adj.): late or slow in doing somethingcipher (n): a person or thing of no importance, especially a person who does the bidding of others and seems to have no will of their own.festoon (n): a chain or garland of flowers, leaves, or ribbons, hung in a curve as a decorationGlossary of People, Places, and Things: Gaia Music Collective, Kenter Davies, Sex and the City, Alanis Morissette, Much Ado About Nothing, A Midsummer Night's Dream, Waiting for Godot, Lizzie McGuireNext Episode: Mansfield Park Volume II Chapters 1-2Our show art was created by Torrence Browne, and our audio is produced by Graham Cook. For bios and transcripts, check out our website at podandprejudice.com. Pod and Prejudice is transcribed by speechdocs.com. To support the show, check out our Patreon! Check out our merch at https://podandprejudice.dashery.com.Instagram: @podandprejudiceTwitter: @podandprejudiceFacebook: Pod and PrejudiceYoutube: Pod and PrejudiceMerch store: https://podandprejudice.dashery.com/

***This show is brought to you by Quince. Go to ⁠⁠⁠http://quince.com/playonpod ⁠⁠⁠for free shipping on your order and 365-day returns.*** Next Chapter Podcasts presents the complete Play On Podcast series, MUCH ADO ABOUT NOTHING, in its entirety. Learn more about your ad choices. Visit megaphone.fm/adchoices

***This show is brought to you by Quince. Go to ⁠⁠⁠⁠⁠⁠⁠⁠http://quince.com/playonpod ⁠⁠⁠⁠⁠⁠⁠⁠for free shipping on your order and 365-day returns.*** Claudio performs his penance and is rewarded with a miraculous gift that brings everyone together again– this time, for good. The PLAY ON PODCAST SERIES, “MUCH ADO ABOUT NOTHING”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by RANJIT BOLT. All episodes were directed by BRENDON FOX. Radio play by CATHERINE EATON.   Executive Producer: MICHAEL GOODFRIEND   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   TRACIE LANE                              as    BEATRICE REG ROGERS                              as    BENEDICK TÉA GUARINO                             as    HERO ZION JANG                                   as    CLAUDIO CARMAN MATTHEW LACIVITA as    DON PEDRO ALEJANDRA ESCALANTE        as    MARGARET and CONRADE DEMOSTHENES CHRYSAN      as    LEONATO DEE NELSON                               as    ANTONIA BRIAN OWEN                               as    DOGBERRY STEPHEN MICHAEL SPENCER as    BORACHIO EVAN ZES                                     as    NAVAL CADET, OATCAKE and SEACOAL LUIS MORENO                             as    DON JOHN and THE SEXTON MARY BACON                              as    DEACON FRANCIS and VERGES                           Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition, Mix and Sound Design by LINDSAY JONES. Vocal arrangement and music direction by STEPHEN MICHAEL SPENCER. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES).   The Play On Podcast Series “MUCH ADO ABOUT NOTHING” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “The world must be peopled!” Learn more about your ad choices. Visit megaphone.fm/adchoices

***This show is brought to you by Quince. Go to ⁠⁠⁠⁠⁠⁠⁠http://quince.com/playonpod ⁠⁠⁠⁠⁠⁠⁠for free shipping on your order and 365-day returns.*** The Sexton enters the interrogation room of the Battleship Richelieu to record the accusation against Borachio and Conrade. When Borachio confesses everything, the Sexton tells him that Hero has died and Don John has fled. Meanwhile, Leonato and Antonia confront Don Pedro and Claudio on their way out the door of the villa. The men stand by their story but are shaken by the confrontation. Their spirits are lifted when Benedick arrives but it doesn't take long for Claudio to realize that Benedick isn't joking about challenging him to a duel. Finally, Dogberry and Verges bring Borachio and Conrade into the room to confess the truth of what happened in the orchard. Leonato and Antonia enter with a vengeance to punish the wrongdoers. When the devastated Claudio crumbles in remorse, Leonato tells him to clear his daughter's name at her memorial and to sing an epitaph in her remembrance. The PLAY ON PODCAST SERIES, “MUCH ADO ABOUT NOTHING”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by RANJIT BOLT. All episodes were directed by BRENDON FOX. Radio play by CATHERINE EATON.   Executive Producer: MICHAEL GOODFRIEND   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   TRACIE LANE                              as    BEATRICE REG ROGERS                              as    BENEDICK TÉA GUARINO                             as    HERO ZION JANG                                   as    CLAUDIO CARMAN MATTHEW LACIVITA as    DON PEDRO ALEJANDRA ESCALANTE        as    MARGARET and CONRADE DEMOSTHENES CHRYSAN      as    LEONATO DEE NELSON                               as    ANTONIA BRIAN OWEN                               as    DOGBERRY STEPHEN MICHAEL SPENCER as    BORACHIO EVAN ZES                                     as    NAVAL CADET, OATCAKE and SEACOAL LUIS MORENO                             as    DON JOHN and THE SEXTON MARY BACON                              as    DEACON FRANCIS and VERGES                           Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition, Mix and Sound Design by LINDSAY JONES. Vocal arrangement and music direction by STEPHEN MICHAEL SPENCER. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES).   The Play On Podcast Series “MUCH ADO ABOUT NOTHING” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit ⁠⁠⁠NEXTCHAPTERPODCASTS.COM⁠⁠⁠ for more about the Play On Podcast Series. Visit ⁠⁠⁠PLAYONSHAKESPEARE.ORG⁠⁠⁠ for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “The world must be peopled!” Learn more about your ad choices. Visit megaphone.fm/adchoices

***This show is brought to you by Quince. Go to ⁠⁠⁠⁠⁠⁠http://quince.com/playonpod ⁠⁠⁠⁠⁠⁠for free shipping on your order and 365-day returns.*** Claudio shames Hero at the altar as Don Pedro and Don John back him up. Hero collapses and the guests are cleared out of the chapel. Leonato rages at his daughter until the Deacon intervenes, vouching for Hero's honor. She makes a plan to keep Hero in hiding and spread word that she is dead in order to stir guilt and remorse in the conspirators that framed her. Leonato agrees and departs with the Deacon and Hero, leaving Benedick and Beatrice alone in the sanctuary. As Beatrice mourns her cousin's misfortune, Benedick swears his love to her and she swears hers to him. But when she asks Benedick to prove his love by killing Claudio, he refuses. Beatrice, enraged, accuses him of being false. Benedick finally agrees to do as she says. The PLAY ON PODCAST SERIES, “MUCH ADO ABOUT NOTHING”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by RANJIT BOLT. All episodes were directed by BRENDON FOX. Radio play by CATHERINE EATON.   Executive Producer: MICHAEL GOODFRIEND   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   TRACIE LANE                              as    BEATRICE REG ROGERS                              as    BENEDICK TÉA GUARINO                             as    HERO ZION JANG                                   as    CLAUDIO CARMAN MATTHEW LACIVITA as    DON PEDRO ALEJANDRA ESCALANTE        as    MARGARET and CONRADE DEMOSTHENES CHRYSAN      as    LEONATO DEE NELSON                               as    ANTONIA BRIAN OWEN                               as    DOGBERRY STEPHEN MICHAEL SPENCER as    BORACHIO EVAN ZES                                     as    NAVAL CADET, OATCAKE and SEACOAL LUIS MORENO                             as    DON JOHN and THE SEXTON MARY BACON                              as    DEACON FRANCIS and VERGES                           Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition, Mix and Sound Design by LINDSAY JONES. Vocal arrangement and music direction by STEPHEN MICHAEL SPENCER. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES).   The Play On Podcast Series “MUCH ADO ABOUT NOTHING” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit ⁠⁠NEXTCHAPTERPODCASTS.COM⁠⁠ for more about the Play On Podcast Series. Visit ⁠⁠PLAYONSHAKESPEARE.ORG⁠⁠ for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “The world must be peopled!” Learn more about your ad choices. Visit megaphone.fm/adchoices

You had questions, we had answers, so join us for the final conversation about Shakespeare's classic comedy! We talk about Margaret's culpability, Don Pedros rejections, Claudio's turn, Dogberry's wisdom, and much more! Happy listening! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit closereads.substack.com/subscribe

Welcome back to our series on Much Abo About Nothing! This week we're discussing Hero's role in the story, which characters have a positive transformation, what makes Beatric and Benedick's relationship so delightful, and much, much more. As always, happy listening! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit closereads.substack.com/subscribe

In this week's conversation about Shakespeare classic comedy, we discuss the famous “kill Claudio” demand from Beatrice: How it opens up the drama of the play and brings Benedick and Beatrice together. Plus, Benedick's transformation, the true cost of love, Don Pedro the man of causes, and much more. Happy listening! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit closereads.substack.com/subscribe

Welcome back to another conversation about Shakespeare's delightful comedy. This week we discuss the differences between “noting” and investigating, Dogberry the wise fool who sees but nonetheless can't communicate clearly in contract with the characters who can communicate but don't have vision, the question of who the play's hero is, and much, much more. Happy listening! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit closereads.substack.com/subscribe

Welcome back to another conversation about Shakespeare's wonderful comedy. The best bit: this week we're joined by the one-and-only Tim McIntosh! Topics of conversation include the famous “gulling” scene, the difference between Benedick and Claudio, Don Pedro the schemer, and some more on “noting.” As always, happy listening! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit closereads.substack.com/subscribe

Welcome to a new series on one of Shakespeare's most delightful and brilliant plays! In this episode, which is about act one, we discuss why it's so beloved, the way Shakespeare's unfurls the story while also offering complex layers of humor, whether you can tell when characters are being honest, Don Pedro's scheming, and much more! Happy listening! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit closereads.substack.com/subscribe