Podcasts about slasher films

It's UNCONVENTIONAL slasher week this week on the Cruel Summer Slashback, the boz are taking a look at James Cameron's The Terminator (1984) and the very underrated The First Power (1990)!

Friend of the show, podcaster Steph McKenna joins Anna to discuss two cornerstone J-horrors: the internet ghosts of Pulse (2001) and the cursed voicemail of One Missed Call (2003). New episode every Friday.Follow us on Letterboxd to see what films we're covering.Produced and presented by Anna BogutskayaResearch Assistant: Frankie Wakefield***Music: "Neon Alley" by Karl Casey @ White Bat Audio***The Final Girls are a UK-based film collective exploring horror film history through a feminine lens.→ Support us on Patreon for bonus content.→ Find out more about our projects here: thefinalgirls.co.uk→ Follow us on Twitter and Instagram.→ Read Feeding the Monster

The boys had to have at least one week of wilderness slashing goodness this year...and THIS IS THAT WEEK! CK and Uncle Bill take a look at the underseen (maybe under appreciated) Savage Weekend from 1979 and The Final Terror from 1983!

Friend of the show Isaura Barbé-Brown and Anna clock in at the Umbrella Corporation to discuss the first Resident Evil (2002) and how it kickstarted the billion-dollar franchise starring Milla Jovovich.  New episode every Friday.Follow us on Letterboxd to see what films we're covering.Produced and presented by Anna BogutskayaResearch Assistant: Frankie Wakefield***Music: "Neon Alley" by Karl Casey @ White Bat Audio***The Final Girls are a UK-based film collective exploring horror film history through a feminine lens.→ Support us on Patreon for bonus content.→ Find out more about our projects here: thefinalgirls.co.uk→ Follow us on Twitter and Instagram.→ Read Feeding the Monster

Welcome back to A Podcask of Amontillado, where we delve into the dark, dreadful, and terrifying parts of the world. Three, Four, better lock your door . . . After a failed attempt to get revenge, and a new body, Freddy has gone back to doing what he loves, murdering teenagers! But now, he's playing on their weaknesses, laying out more one-liners, and evolves into the MTV driven, pop culture icon that we know and love. So get your Hypnocil, and a spoonful of Sanka, as Erin & Gary are joined by Superman expert and Freddy Fan Michael Bailey from The Fortress Of Baileytude Podcasting Network to discuss A Nightmare on Elm Street 3: Dream Warriors and A Nightmare on Elm Street 4: The Dream Master! Listen in as they discuss jumping into the middle of the story, the surprising cast of part three, avoiding nuns, the ubiquity of Frank Darabont, Xeroxed kills, generi-teens, the portrayal of mental health in the 80s, useless vs not useless adults in the series, the representation of marginalized groups in horror films, the unexpected things that creeped Michael & Erin out, the slickness of part four, Springwood vs Springfield, their love of Linnea Quigley & Christian Slater, the problem of too much screen time, the origin of your Goth Girl attractions, and Erin's bridge too far. Avatar Press & Innovation Publishing's Nightmare on Elm Street comics Dokken's Dream Warriors,  Vinnie Vincent Invasion's Love Kills, The Fat Boys' Are You Ready for Freddy, & DJ Jazzy Jeff & The Fresh Prince's A Nightmare on My Street Those teens and their darn Dan Fogleberg records! Sleepaway Camp II: Unhappy Campers trailer Permanent Record Trailer The Wasp Woman (1995) Full Movie! Tuesday Knight, Daniel Benedict & Johnathan Fan Evans - I Have the Power Mark Patton, star of Nightmare on Elm Street 2: Freddy's Revenge is having continuing health issues, and could use your help, dear Connoisseurs. Please donate, if you can.  Opening and closing music is "Softly Shall You Sleep," by Valentine Wolfe. Please follow us on TikTok, Discord, Instagram, Bluesky, and on Facebook! If you like us, please share us, and leave a review! Or support us on Patreon! Contact us at apodcaskofamontillado@gmail.com! A Vino, Atrocitas.

This week, we're stripping it all back (literally) with a look at two very different takes on invisibility, male ego, and coercion: Paul Verhoeven's Hollow Man and Leigh Whannell's The Invisible Man, both reimagining H.G.Wells' classic tale of a mad scientist who discovers invisibility and then comes to regret it. Joining a very sick Anna is friend of the show Ruby McGuigan.  New episode every Friday.Follow us on Letterboxd to see what films we're covering.Produced and presented by Anna BogutskayaResearch Assistant: Frankie Wakefield***Music: "Neon Alley" by Karl Casey @ White Bat Audio***The Final Girls are a UK-based film collective exploring horror film history through a feminine lens.→ Support us on Patreon for bonus content.→ Find out more about our projects here: thefinalgirls.co.uk→ Follow us on Twitter and Instagram.→ Read Feeding the Monster

Ben O’Shea joined Smiley to review I Know What You Did Last Summer and yes, it gave him a fright or two. He took us back to the ‘90s drama surrounding the original film, including a lawsuit from the makers of Scream. The plot? The same as last time, a group of teens caught up in a deadly secret. But how many choc tops did Ben give the new instalment? Tune in to find out.See omnystudio.com/listener for privacy information.

 The early 2000s were many things: 9/11, camera phones, government surveillance, MSN Messenger, low-rise jeans, Big Brother and the most extra horror films you can think of. Author Kirsty Logan joins the podcast to go over what makes this moment in horror history so unique, by looking at a wave of horror films from the early 2000s that channelled the paranoia and confusion of the emerging digital age: My Little Eye (2002), The Collingswood Story (2002), Feardotcom (2002).  New episode every Friday.Follow us on Letterboxd to see what films we're covering.Produced and presented by Anna BogutskayaResearch Assistant: Frankie Wakefield***Music: "Neon Alley" by Karl Casey @ White Bat Audio***The Final Girls are a UK-based film collective exploring horror film history through a feminine lens.→ Support us on Patreon for bonus content.→ Find out more about our projects here: thefinalgirls.co.uk→ Follow us on Twitter and Instagram.→ Read Feeding the Monster

Screenwriter Stuart Wright talks with Assistant Professor, Dr Steve Jones a film scholar and a leading authority on extreme imagery and the intersections between horror and pornography, about his book The Metamodern Slasher Film and "3 Films That Have Impacted Everything In Your Adult Life"    To get your copy of his books:  THE METAMODERN SHASHER https://edinburghuniversitypress.com/book-the-metamodern-slasher-film.html THE POSTMODERN SLASHER https://edinburghuniversitypress.com/book-the-postmodern-slasher-film.html   Dr Steve Jones is an Assistant Professor at Northumbria University, Northumbria School Of Design, Arts and Creative Industries   "3 Films That Have Impacted Everything In Your Adult Life" NIGHTMARE ON ELM STREET (1984) HORSE FEATHERS (1932)  IRREVERSIBLE (2002)   "3 FILMS THAT HAVE IMPACTED EVERYTHING IN YOUR ADULT LIFE" is a podcast by screenwriter Stuart Wright that explores the transformative power of cinema. From emotional masterpieces to thought-provoking classics, each episode delves into the films that have had a profound impact on our personal growth and perspective. Through engaging storytelling, critical analysis, and cultural commentary, Stuart aims to uncover the lasting influence that movies have had on his guests. Please join him on an emotional journey through the world of film and discover how just three movies can change the direction of a life, cement memories you will never forget or sometimes change how you see the world."   Credits Intro/Outro music is Rocking The Stew by Tokyo Dragons (www.instagram.com/slomaxster/) Podcast for www.britflicks.com https://www.britflicks.com/britflicks-podcast/ Written, produced and hosted by Stuart Wright Learn more about your ad choices. Visit megaphone.fm/adchoices

As Charli XCX has declared: it's Cronenberg Summer. With his new film The Shrouds out in UK cinemas, we revisit two quintessential techno-body horror films from the Canadian master David Cronenberg. Joining Anna is the critic and author of David Cronenberg: Clinical Trials Violet Lucca.  New episode every Friday.Follow us on Letterboxd to see what films we're covering.Produced and presented by Anna BogutskayaResearch Assistant: Frankie Wakefield***Music: "Neon Alley" by Karl Casey @ White Bat Audio***The Final Girls are a UK-based film collective exploring horror film history through a feminine lens.→ Support us on Patreon for bonus content.→ Find out more about our projects here: thefinalgirls.co.uk→ Follow us on Twitter and Instagram.→ Read Feeding the Monster

In this episode, the hosts celebrate the 900th milestone of their podcast, reflecting on personal growth, family, and the evolution of streaming services. They delve into the giallo film 'Strip Nude for Your Killer,' discussing its character dynamics, cultural significance, and the absurdity present in its narrative. The conversation highlights the changing perceptions of films over time and concludes with recommendations for exploring various giallo films. In this episode, the hosts delve into the world of cult films, particularly focusing on Italian cinema and the slasher genre. They review 'Final Terror,' discussing its quality, cast, and the typical tropes of horror films. The conversation transitions to a critique of 'The Conjuring: The Devil Made Me Do It,' where they express their disappointment with the film's execution and narrative. The episode wraps up with reflections on the horror genre and what to expect in future discussions.

"Scream" (2022), the fifth installment in the iconic horror franchise, attempts to breathe new life into a series that has become a staple of the genre. While it successfully pays homage to its predecessors, it struggles to carve out its own identity.

DEADPIT kicks off the equivalant of their summer book club for 2025... the Cruel Summer Slashback...is back! This episode featuring Jim Sotos' Sweet Sixteen and Skip Schoolnik's Hide and Go Shriek!

Plug into The Matrix with Anna and guest Becky Darke to discuss Y2K paranoia, long leather coats, the game-changing action scenes, and how hot everyone is in this film.  Read Emily St. James' excellent piece on The Matrix as a trans allegory.  New episode every Friday.Follow us on Letterboxd to see what films we're covering.Produced and presented by Anna BogutskayaResearch Assistant: Frankie Wakefield***Music: "Neon Alley" by Karl Casey @ White Bat Audio***The Final Girls are a UK-based film collective exploring horror film history through a feminine lens.→ Support us on Patreon for bonus content.→ Find out more about our projects here: thefinalgirls.co.uk→ Follow us on Twitter and Instagram.→ Read Feeding the Monster

In this episode of the RIP Tour Podcast, the hosts celebrate the announcement of the Jason Universe house at Halloween Horror Nights 2025 coinciding with Friday the 13th. They discuss the video announcement, their reactions, and the expectations for the mashup house featuring iconic moments from Jason's history. The conversation also touches on the history of Jason at Halloween Horror Nights, the release of new merchandise, and the upcoming Spooky Empire event. The hosts express their excitement for future announcements and the potential for a thrilling Halloween season!Chapters00:00 Introduction and Friday the 13th Announcement02:42 Video Announcement and Reactions05:27 Discussion on the Jason Universe House09:49 History of Jason in Halloween Horror Nights11:51 Mashup House Expectations15:16 Merchandise Release and Spooky Empire Preview20:39 Final Thoughts and Future AnnouncementsThe RIP Tour Podcast is an Orlando-based year-round podcast with 70+ years combined experience of #HHN. Join your tour guides Gary, Tim, Ash, Lizz, & Jason for News, Speculation, & History!Follow Us On Social Media:Twitter:   / riptourpodcast  Instagram:   / riptourpodcast  Help Support the Channel!https://riptourpodcast.myspreadshop.com/KeywordsFriday the 13th, Jason Voorhees, Halloween Horror Nights, Horror Podcast, Jason Universe, Merch Release, Spooky Empire, Horror Fans, Slasher Films, Theme Park

Send us a textOur first RAPID FIRE fast (? Er!) episode, “Friday the 13th,” (d. Cunningham 1980) with Guest Co-Host Rachael Fosket (Her?)! Starring: Betsy Palmer, Adrienne King, and Kevin Bacon. We say, "Happy Birthday, Jason" (?)! That's just one of the many things we debate in this special episode, on a special day, for Mother's special boy.**All episodes contain explicit language**Artwork - Ben McFaddenReview Review Intro/Outro Theme - Jamie Henwood"What Are We Watching" & "Whatcha been up to?" Themes - Matthew Fosket"Fun Facts" Theme - Chris Olds/Paul RootLead-Ins Edited/Conceptualized by - Ben McFaddenProduced by - Ben McFadden & Paul RootConcept - Paul Root

Anime fan and Dread Central's Editor-in-Chief MaryBeth McAndrews pops in to educate Anna on two masterpieces of the genre: Ghost in the Shell (1995) and Perfect Blue (1997). Read MaryBeth's piece about how Perfect Blue predicted fan culture for Polygon. New episode every Friday.Follow us on Letterboxd to see what films we're covering.Produced and presented by Anna BogutskayaResearch Assistant: Frankie Wakefield***Music: "Neon Alley" by Karl Casey @ White Bat Audio***The Final Girls are a UK-based film collective exploring horror film history through a feminine lens.→ Support us on Patreon for bonus content.→ Find out more about our projects here: thefinalgirls.co.uk→ Follow us on Twitter and Instagram.→ Read Feeding the Monster

Before Eli Roth's “Thanksgiving,” one of the only slasher films that took place on this holiday was 1987's “Blood Rage” starring Mark Soper as twin brothers, Terry and Todd. Tune in to hear all about how he approached playing these two characters, what it was like working with Louise Lasser (who played the very eccentric mother), whether his iconic line, “It's not cranberry sauce!” was scripted or improvised, and his interpretation of the film's wild ending.

The Ladykillers' Jenn Addams pop by to talk about a double bill of cyberpunk cult classics: Ghost in the Machine (1993) and Virtuosity (1995).  New episode every Friday.Follow us on Letterboxd to see what films we're covering.Produced and presented by Anna BogutskayaResearch Assistant: Frankie Wakefield***Music: "Neon Alley" by Karl Casey @ White Bat Audio***The Final Girls are a UK-based film collective exploring horror film history through a feminine lens.→ Support us on Patreon for bonus content.→ Find out more about our projects here: thefinalgirls.co.uk→ Follow us on Twitter and Instagram.→ Read Feeding the Monster

While New Nightmare has its moments of creativity and strong performances, it ultimately falls short of delivering the thrills and chills that fans expect from a Nightmare on Elm Street film. It's a thought-provoking entry in the franchise, but one that lacks the cohesive storytelling and visceral scares that made the original films classics. For die-hard fans of the series, it may be worth a watch, but for those seeking a truly terrifying experience, it may leave you wanting more.

Irgendwo zwischen Hot Fuzz, Thanksgiving und jedem beliebigen Maskenmörder-Slasher-Film, pendelt Clown in a Cornfield unentschlossen hin und her. Das ist dann immer noch besser, als viele halbherzige Trash-Mörderfilme der üblichen Sorte, aber kann Daniel im Endeffekt trotzdem nur so halb überzeugen.

FANGORIA's Amber T joins Anna for an excellent chat about two questionable 90s relics: The Lawnmower Man (1992) and Brainscan (1994). New episode every Friday.Follow us on Letterboxd to see what films we're covering.Produced and presented by Anna BogutskayaResearch Assistant: Frankie Wakefield***Music: "Neon Alley" by Karl Casey @ White Bat Audio***The Final Girls are a UK-based film collective exploring horror film history through a feminine lens.→ Support us on Patreon for bonus content.→ Find out more about our projects here: thefinalgirls.co.uk→ Follow us on Twitter and Instagram.→ Read Feeding the Monster

The Losers' Club co-host Rachel Reeves helps Anna unpack the brilliance of seminal cyberpunk anime Akira (1988).  New episode every Friday.Follow us on Letterboxd to see what films we're covering.Produced and presented by Anna BogutskayaResearch Assistant: Frankie Wakefield***Music: "Neon Alley" by Karl Casey @ White Bat Audio***The Final Girls are a UK-based film collective exploring horror film history through a feminine lens.→ Support us on Patreon for bonus content.→ Find out more about our projects here: thefinalgirls.co.uk→ Follow us on Twitter and Instagram.→ Read Feeding the Monster

Get ready for a bloody good time! JP and the CineNerds gang are joined by special guest Ryan from The Whole Damn Enchilada podcast to count down their Top 5 standalone 1980s slasher films! From iconic villains to gruesome kills, the guys dive into the best of the decade's most iconic horror flicks. What classic's will make the cut, or will lesser-known gems take the spotlight? Tune in to find out! #CineNerdsPodcast #SlasherFilms #80sHorror #TheWholeDamnEnchilada #HorrorPodcast

Send us a textWhat happens when a self-referential slasher comedy can't quite figure out what it wants to be? "Hell of a Summer," the directorial debut from Finn Wolfhard and Billy Bryk, promised to do for summer camp slashers what "Scream" did for the entire genre – but stumbles in its execution despite some genuine bright spots.This week, we dive into this curious $3 million indie horror comedy that follows Jason, a dedicated 24-year-old camp counselor who returns to Camp Pineway rather than pursuing a responsible legal career. When counselors start getting picked off by a killer in a devil mask, the film attempts to balance humor, horror, and character work with varying degrees of success. While the cinematography impresses throughout – especially considering the challenges of night shooting on a limited budget – the narrative and character development leave much to be desired.The true revelation of the film is co-director Billy Bryk's performance as Bobby, whose scene-stealing comedic moments provide the film's biggest laughs and most memorable sequences. We break down why his character works so well while others (including Wolfhard's own character) fail to make an impression. From puzzling killer motivations to inconsistent death scenes, we unpack where this promising concept went wrong while celebrating the moments where it actually delivers.Whether you're a horror fan curious about this new addition to the slasher comedy subgenre or just enjoy our dissections of films that don't quite reach their potential, this episode offers plenty to sink your teeth into. Join us for a thoughtful, funny conversation about "Hell of a Summer" – a film that might not be great, but certainly gave us more to talk about than we expected.Lovingly written by AIBe our friend!Dan: @shakybaconTony: @tonydczechAnd follow the podcast on IG: @hatewatchingDAT

UPW Women's Champion Axe Massacre spoke with WrestleZone's Ella Jay about the origins of her ring name, her Mount Rushmore of mullets in wrestling, love for horror and slasher films, her "Born to Raise Hell" devil tattoo, adventures in Las Vegas during WrestleMania 41 weekend, competing at Melina's Divas & Drag show, her Starrcast Down Under experience, meeting Kevin Owens during Elimination Chamber 2024 weekend, and more.

We welcome author Heather Parry to discuss two men-machine fusion fiestas: Paul Verhoeven's RoboCop (1987) and the cult Japanese horror Tetsuo: The Iron Man (1987). Buy Heather's book Electric Dreams: Sex Robots and the Failed Promises of Capitalism and read the essay "Everyone is Beautiful and No One is Horny".  New episode every Friday.Follow us on Letterboxd to see what films we're covering.Produced and presented by Anna BogutskayaResearch Assistant: Frankie Wakefield***Music: "Neon Alley" by Karl Casey @ White Bat Audio***The Final Girls are a UK-based film collective exploring horror film history through a feminine lens.→ Support us on Patreon for bonus content.→ Find out more about our projects here: thefinalgirls.co.uk→ Follow us on Twitter and Instagram.→ Read Feeding the Monster

In this fun episode of Drinks and a Movie, I welcomes special guests Jerry Lourenco and Rich Mallery from the Horror Heads podcast to sip, savor, and slash their way through a double shot of whiskey and horror. We kick things off by tasting Nelson's Green Brier Tennessee Whiskey followed by Maker's Mark “Heart Release” 2024, —two very different expressions with rich histories and bold profiles. Expect tasting notes, barrel talk, and a little whiskey-fueled banter. Then, we dive deep into the eerie atmosphere of the underrated 70s slasher gem "Alice, Sweet Alice" (1976). From religious overtones and masked terror to Brooke Shields' early role, we explore why this cult classic still sends chills decades later. Whether you're a whiskey lover, horror film fanatic, or both, this episode brings the perfect blend of bold spirits and bloody cinema.Follow Horror Heads Podcast HereFollow Drinks and a Movie Podcasts socials Here

Acclaimed author Julia Armfield joins Anna to discuss a double-bill of not-so-acclaimed tech horrors from the eighties: cult classic Chopping Mall (1986) and Stephen King's only foray into filmmaking, Maximum Overdrive (1986). New episode every Friday.Follow us on Letterboxd to see what films we're covering.Produced and presented by Anna Bogutskaya. ***Music: "Neon Alley" by Karl Casey @ White Bat Audio***The Final Girls are a UK-based film collective exploring horror film history through a feminine lens.→ Support us on Patreon for bonus content.→ Find out more about our projects here: thefinalgirls.co.uk→ Follow us on Twitter and Instagram.→ Read Feeding the Monster

Terminator superfan Dr. Sorcha Ní Fhlainn is back to discuss The Terminator (1984) and its perfect sequel Terminator 2: Judgement Day (1991).  New episode every Friday.Follow us on Letterboxd to see what films we're covering.Produced and presented by Anna Bogutskaya. ***Music: "Neon Alley" by Karl Casey @ White Bat Audio***The Final Girls are a UK-based film collective exploring horror film history through a feminine lens.→ Support us on Patreon for bonus content.→ Find out more about our projects here: thefinalgirls.co.uk→ Follow us on Twitter and Instagram.→ Read Feeding the Monster

Vulture critic Roxana Hadadi joins Anna to debate one of the all-time greatest sci-fi movies, Blade Runner (1982) and its sequel Blade Runner 2049 (2017). New episode every Friday.Follow us on Letterboxd to see what films we're covering.Produced and presented by Anna Bogutskaya. ***Music: "Neon Alley" by Karl Casey @ White Bat Audio***The Final Girls are a UK-based film collective exploring horror film history through a feminine lens.→ Support us on Patreon for bonus content.→ Find out more about our projects here: thefinalgirls.co.uk→ Follow us on Twitter and Instagram.→ Read Feeding the Monster

For nearly a century, horror films have told us a story—one of terror, of survival, of the inevitable confrontation between innocence and brutality. But there's one story, in particular, that has evolved in ways both subtle and seismic: the story of the Final Girl.It begins in the shadows, in the screams of Janet Leigh, in the wide, terror-stricken eyes of Jamie Lee Curtis. The Final Girl is the last one standing, the one who fights back, who outwits the killer, who survives. But survival is never just survival, is it? It's transformation.It's a reckoning. And it's a mirror reflecting the anxieties of the era.In this episode of Sitting in the Dark, Kyle Olson takes us on a journey—a journey that moves from the early days of horror's damsels-in-distress to the fierce, unrelenting heroines of the modern era. With Pete Wright, Tommy Metz III, and Kynan Dias by his side, the discussion turns to three films that redefine the trope for the 21st century: Prey (2022), Sweetheart (2019), and The Invisible Man (2020).What do these films tell us about the evolution of gender in horror? How does the Final Girl of today differ from her predecessors? And perhaps most intriguingly, why are these stories—stories written by men—resonating so deeply with audiences yearning for something different?From the jungles of Prey to the desolate island of Sweetheart to the omnipresent, unseen menace of The Invisible Man, this is an exploration of fear, of power, and of the ghosts that refuse to be ignored. Because in horror, as in life, survival is never just about making it to the end. It's about what you become along the way.Film SundriesWatch the movies discussed:Sweetheart: Apple • Amazon • LetterboxdThe Invisible Man: Apple • Amazon • LetterboxdPrey: Apple • Amazon • LetterboxdHer Body, Himself: Gender in the Slasher Film by Carol J. Clover (00:00) - Welcome to Sitting in the Dark (07:20) - Sweetheart (21:22) - Prey (42:38) - The Invisible Man (01:04:05) - Coming Attractions Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdPeteKyleTommyKynanWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

Filmmaker Jen Handorf gives her take on Westworld (1973) the movie and Westworld (2016-22) the TV show. New episode every Friday.Follow us on Letterboxd to see what films we're covering.Produced and presented by Anna Bogutskaya. ***Music: "Neon Alley" by Karl Casey @ White Bat Audio***The Final Girls are a UK-based film collective exploring horror film history through a feminine lens.→ Support us on Patreon for bonus content.→ Find out more about our projects here: thefinalgirls.co.uk→ Follow us on Twitter and Instagram.→ Read Feeding the Monster

Izzy Custodio (BeKindRewind) pops by to give her take on two bleak films from the 1970s: The Stepford Wives and Demon Seed.   New episode every Friday.Follow us on Letterboxd to see what films we're covering.Produced and presented by Anna Bogutskaya. ***Music: "Neon Alley" by Karl Casey @ White Bat Audio***The Final Girls are a UK-based film collective exploring horror film history through a feminine lens.→ Support us on Patreon for bonus content.→ Find out more about our projects here: thefinalgirls.co.uk→ Follow us on Twitter and Instagram.→ Read Feeding the Monster

Anna is joined by the BFI's Ruby McGuigan on the bravest mission of all: two women talking about Stanley Kubrick's 2001: A Space Odyssey on the internet.  New episode every Friday.Follow us on Letterboxd to see what films we're covering.Produced and presented by Anna Bogutskaya. ***Music: "Neon Alley" by Karl Casey @ White Bat Audio***The Final Girls are a UK-based film collective exploring horror film history through a feminine lens.→ Support us on Patreon for bonus content.→ Find out more about our projects here: thefinalgirls.co.uk→ Follow us on Twitter and Instagram.→ Read Feeding the Monster

Hey horror fans!!!This week, we are joined by Lauren LaVera to talk about her journey as Sienna in Terrifier 2 and Terrifier 3, stepping into the franchise as its fearless new protagonist, and going head-to-head with Art the Clown!!! She shares behind-the-scenes stories, discusses the physical demands of the role, and reflects on the growing Terrifier fanbase. Plus, we break down some of the wildest kills, her martial arts background, and what makes this franchise stand out.If you love indie horror, over-the-top gore, and final girls who fight back then...COME HANG OUT!!!Follow Us on Social Media:Instagram & Threads: @mostlyhorrorpodTikTok & Twitter/X: @mostlyhorrorSteve: @stevenisaverage on all socialsSean: @hypocrite.ink on IG/TikTok, @hypocriteink on Twitter/XEnjoy this episode? Don't forget to subscribe, rate and leave a review on your favorite podcast platform! For early Access and ad-free episodes, subscribe on Wondery+.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

 Anna is joined by Fangoria writer Amber T to discuss two enormous monsters of the atomic age: the giant ants of Them! (1954) and the first appearance of giant lizard pal Godzilla in Godzilla (1954).  New episode every Friday.Follow us on Letterboxd to see what films we're covering.Produced and presented by Anna Bogutskaya. ***Music: "Neon Alley" by Karl Casey @ White Bat Audio***The Final Girls are a UK-based film collective exploring horror film history through a feminine lens.→ Support us on Patreon for bonus content.→ Find out more about our projects here: thefinalgirls.co.uk→ Follow us on Twitter and Instagram.→ Read Feeding the Monster

Bloody Book Club, our monthly series of interviews with horror authors, welcomes Kirsty Logan, to talk about her new short story collection: No & Other Love Stories. Kirsty Logan is a Scottish writer of novels and short stories. She is the author of Now She is Witch, a medieval witch revenge quest, Things We Say In The Dark, The Gloaming, The Gracekeepers, A Portable Shelter, and The Rental Heart & Other Fairytales. Kirsty was also previously a guest on the podcast to talk about SILENCE OF THE LAMBS and HANNIBAL series. No & Other Love Stories is out now. ***Produced and presented by Anna Bogutskaya. Artwork by Ewa FerdynusMusic: "Time to Leave" by Karl Casey @ White Bat Audio.***The Final Girls is a weekly podcast exploring the history of horror film.→ Support us on Patreon for bonus content.→ Follow us on Twitter and Instagram.→ Find out more about our projects here: thefinalgirls.co.uk

Send us a textThe 2025 Horrific Hall of Fame is here, and we're celebrating some of the most legendary names in horror! This year's class features the commanding James Earl Jones, the iconic Sir Christopher Lee, the chilling Anthony Perkins, modern scream queen Sheri Moon Zombie, and rising horror star Jack Quaid. From classic slashers to spine-tingling performances, these inductees have shaped the genre in unforgettable ways. Join us as we break down their careers, their impact on horror, and why they deserve a spot in the Horrific Hall of Fame!#HorrificHallOfFame #HorrorLegends #JamesEarlJones #ChristopherLee #AnthonyPerkins #SheriMoonZombie #JackQuaid #HorrorIcons #ClassicHorror #ModernHorror #HorrorPodcastSupport This Channel Join The Horrific Network Patreon Channel for Just $2 Dollars a month and get exclusive content! https://patreon.com/thehorrificnetwork?utm_medium=unknown&utm_source=join_link&utm_campaign=creatorshare_creator&utm_content=copyLink Ghost Executioners and Halloween Gory Nights Merchandise! https://www.teepublic.com/user/thehorrificnetwork?utm_source=designer&utm_medium=social&utm_campaign=horrificnetwork Follow All Things Horrific Network Here https://linktr.ee/thehorrificnetwork

A deep dive into how all tech horror roads lead back to Mary Shelley's Frankenstein (1818) and its most famous cinematic adaptation, James Whale's Frankenstein (1931) with film critic Clarisse Loughrey.  New episode every Friday.Follow us on Letterboxd to see what films we're covering.Produced and presented by Anna Bogutskaya. ***Music: "Neon Alley" by Karl Casey @ White Bat Audio***The Final Girls are a UK-based film collective exploring horror film history through a feminine lens.→ Support us on Patreon for bonus content.→ Find out more about our projects here: thefinalgirls.co.uk→ Follow us on Twitter and Instagram.→ Read Feeding the Monster

An exclusive (and spoiler-free!) interview with The Monkey writer-director Osgood Perkins.The Monkey is out in UK cinemas from the 21st February***Produced and presented by Anna Bogutskaya. Artwork by Ewa Ferdynus.Music by "Erebus" by Karl Casey @ White Bat Audio.***The Final Girls is a weekly podcast exploring the history of horror film.→ Find out more about our projects here: thefinalgirls.co.uk→ Follow us on Twitter and Instagram.→ Support us on Patreon for bonus content. 

Send us a textIn this chilling episode, we dive into the terrifying and darkly comedic world of Slotherhouse. Jimmy and the crew discuss the bizarre premise, unique characters, and suspenseful twists that make this slasher flick unlike any other. From its over-the-top kills to its unexpected moments of humor, we break down what makes Slotherhouse a must-watch for horror fans. Gather around the campfire for a thrilling discussion of one of the most bizarre horror films to hit the scene!Support This Channel Join The Horrific Network Patreon Channel for Just $2 Dollars a month and get exclusive content! https://patreon.com/thehorrificnetwork?utm_medium=unknown&utm_source=join_link&utm_campaign=creatorshare_creator&utm_content=copyLink Ghost Executioners and Halloween Gory Nights Merchandise! https://www.teepublic.com/user/thehorrificnetwork?utm_source=designer&utm_medium=social&utm_campaign=horrificnetwork Follow All Things Horrific Network Here https://linktr.ee/thehorrificnetwork

Send us a textTerrifier 3 Movie Review! Grrls Edition!  Most Brutal Slasher Film Ever! Spoilers!  Kathy and Lara review Terrifier 3, a 2024 American Christmas slasher film co-produced, written, edited, and directed by Damien Leone. It is the sequel to Terrifier 2 (2022) and the third installment in the Terrifier film series. The film stars David Howard Thornton, Lauren LaVera, Elliott Fullam, and Samantha Scaffidi. Streaming just in time for Valentine's Day!Support the show

Hey Horror Fans!!!We've got an absolute banger for you this week! Actor Mason Gooding (Scream 5, 6 & 7, Booksmart) joins us for a wild, high-energy convo about horror, creativity, and his killer journey in the film world. With Heart Eyes just hitting screens, we dive into his role in this genre-bending horror-romance—but that's just the start! Mason spills on what makes horror tick, how he brings his characters to life, AND… plot twist… he's a massive nerd. We're talking anime, video games, and all the fandoms that fire up his creative spark. Whether you're a horror junkie or just love hearing people geek out, this episode is a must-listen so... COME HANG OUT!!!Follow Us on Social Media:Instagram & Threads: @mostlyhorrorpodTikTok & Twitter/X: @mostlyhorrorSteve: @stevenisaverage on all socialsSean: @hypocrite.ink on IG/TikTok, @hypocriteink on Twitter/XEnjoy this episode? Don't forget to subscribe, rate and leave a review on your favorite podcast platform! For early Access and ad-free episodes, subscribe on Wondery+.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

A deep dive into Fritz Lang's silent science fiction epic Metropolis (1927) with film critic and historian Pamela Hutchinson.  New episode every Friday.Follow us on Letterboxd to see what films we're covering.Produced and presented by Anna Bogutskaya. ***Music: "Neon Alley" by Karl Casey @ White Bat Audio***The Final Girls are a UK-based film collective exploring horror film history through a feminine lens.→ Support us on Patreon for bonus content.→ Find out more about our projects here: thefinalgirls.co.uk→ Follow us on Twitter and Instagram.→ Read Feeding the Monster

An introduction to the films, themes and fears that the MACHINES series will explore as we journey through the intersections of horror and technology, from the first robots of the silent era, to the most recent AI villainsNew episode every Friday.Follow us on Letterboxd to see what films we're covering.Produced and presented by Anna Bogutskaya. ***Music: "Neon Alley" by Karl Casey @ White Bat Audio, Alpha Nine (August Wilhelmsson), "You're Not Hiding Very Well" (Trevor Kowalski), "Path to the Abyss" (Christopher Moe Ditlevsen), "Mirror 45" (Lennon Hutton) and "Someone There" (Victor Lundberg). ***The Final Girls are a UK-based film collective exploring horror film history through a feminine lens.→ Support us on Patreon for bonus content.→ Find out more about our projects here: thefinalgirls.co.uk→ Follow us on Twitter and Instagram.→ Read Feeding the Monster

Hey Horror Fans!!! In this episode, we're thrilled to welcome back filmmaker Josh Ruben to dive into his latest genre-blending film, Heart Eyes. Josh shares how he brought this unique romantic horror-comedy to life, working with a script by Christopher Landon (Happy Death Day, Freaky) and Michael Kennedy (Freaky). We discuss crafting the film's perfect balance of heartfelt romance and gory scares, the iconic design of the Heart Eyes Killer, and the creative inspiration behind its standout moments.We also talk about turning Disney star Olivia Holt into a scream queen, Mason Gooding's smooth transition from Scream to Heart Eyes, and the hilarious chemistry between the leads. Plus, Josh dishes on a fun cameo, the challenges of nailing comedic timing in horror, and the surprising influences behind the film.Whether you're here for the laughs, the scares, or the love story, this episode is packed with insight, humor, and everything you want to know about Heart Eyes sooo....COME HANG OUT!!!Follow Us on Social Media:Instagram & Threads: @mostlyhorrorpodTikTok & Twitter/X: @mostlyhorrorSteve: @stevenisaverage on all socialsSean: @hypocrite.ink on IG/TikTok, @hypocriteink on Twitter/XEnjoy this episode? Don't forget to subscribe, rate and leave a review on your favorite podcast platform! For early Access and ad-free episodes, subscribe on Wondery+.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The eight series of The Final Girls podcast will explore the intersections of horror and technology, from the first robots of the silent era, to the most recent AI villainsNew episode every Friday. Follow us on Letterboxd to see what films we're covering.Produced and presented by Anna Bogutskaya. ***Music: "Neon Alley" by Karl Casey @ White Bat Audio.***The Final Girls are a UK-based film collective exploring horror film history through a feminine lens. → Support us on Patreon for bonus content. → Find out more about our projects here: thefinalgirls.co.uk→ Follow us on Twitter and Instagram.→ Read Feeding the Monster

Bloody Book Club, our monthly series of interviews with horror authors, welcomes Lucy Rose, author of The Lamb.  The Lamb is the buzziest horror debut novel about a cannibal mother and daughter. Margot and Mama live by the forest, away from everyone else. When Margot isn't at school, they spend quiet days together in their cottage, waiting for strangers to knock on their door. Mama feeds them, bathes them, and then – eats them. Lucy is an amazing new talent, writing short stories, making films and now, writing novels too. The Lamb is out on January 30th. ***Produced and presented by Anna Bogutskaya. Artwork by Ewa FerdynusMusic: "Time to Leave" by Karl Casey @ White Bat Audio.***The Final Girls is a weekly podcast exploring the history of horror film.→ Support us on Patreon for bonus content.→ Follow us on Twitter and Instagram.→ Find out more about our projects here: thefinalgirls.co.uk