Podcasts about Measure for Measure

Send us a textAfter earning an Ian Charleson Award nomination for her Hermia in the Bridge Theatre's A Midsummer Night's Dream, Isis Hainsworth has continued to take on some of Shakespeare's best loved roles and is now preparing to take on the role of Isabella in Measure For Measure for the Royal Shakespeare Company. Here Isis will be making her RSC debut where she's set to star alongside a stellar cast that includes the likes of Tom Mothersdale, Oli Higginson and Emily Benjamin. The production will also see rising star director Emily Burns return to the RSC following her five-star rated Love's Labour's Lost last year also at the Royal Shakespeare Theatre. As a lesser-performed Shakespeare play, this is set to be a must-see show of the season with the RSC continuing it's latest season of shows. In this new interview, Isis Hainsworth opens up about her humble beginnings as an actress to being named a Screen International Star of Tomorrow in 2022. As she continues rehearsals for Measure For Measure, we hear her talk about her love for acting and the joy of returning to the theatre following her recent widely acclaimed performances in Romeo and Juliet and The House of Bernada Alba, both directed by Rebecca Frecknall. Indeed, we hear Isis speak affectionately about the directors she's gotten to work with and she highlights her admiration for Emily Burns for taking a bold approach to Measure For Measure, stripping parts of the text back whilst remaining faithful to the story. It's an endearing conversation throughout and it seems Isis is unlikely stop anytime soon as she continues to charm audiences and peers alike.Measure For Measure runs at the Royal Shakespeare Theatre from 13 September - 25 October with tickets on sale now!Support the show

We're learning about judging on a personal basis, 'measure for measure', and today we'll be looking at the situation of Job and his friends and how they misapplied this kind of judging when they observed all the loss and hardships that Job had experienced.Your support sends the gospel to every corner of Australia through broadcast, online and print media: https://www.vision.org.au/donateSee omnystudio.com/listener for privacy information.

There are different kinds of judging mentioned in the Bible, in Foundations we're going to look at the issue of judging others, but on a more personal level, at least what this kind of judging should look like.Your support sends the gospel to every corner of Australia through broadcast, online and print media: https://www.vision.org.au/donateSee omnystudio.com/listener for privacy information.

Proverbs 24:10-14“Measure for measure,” God sees right through you, wisdom is sweet like honey

The Lord gave me a prophetic word - Measure for Measure plus Some - this shall be His word that can be applied to EVERY area naturally and spiritually! God then takes us to His word to speak about the Shunnamite woman and how she built a chamber for Elisha - 2 Kings 4:8-11 One day Elisha went on to Shunem, where a wealthy woman lived, who urged him to eat some food. So whenever he passed that way, he would turn in there to eat food. 9 And she said to her husband, “Behold now, I know that this is a holy man of God who is continually passing our way. 10 Let us make a small room on the roof with walls and put there for him a bed, a table, a chair, and a lamp, so that whenever he comes to us, he can go in there.”11 One day he came there, and he turned into the chamber and rested there.  Fasting, Prayer Seeking, Soaking - These are all CHAMBERS and God is causing you to rest in them! - Measure for Measure PLUS Some.  Please do not miss this prophetic teaching and take the time to enter into the CHAMBER designed just for you!

The pasuk in Iyov states, " אלוקים הבין דרכה והוא ידע את מקומה ". The Malbim explains that only Hashem truly understands what is happening in this world—how people are being rewarded or punished. What appears to us as a reward may, in fact, be a punishment, and what seems like a punishment may actually be a great reward. We judge based on what we see, but Hashem sees the past, present, and future all at once. Only He knows the full picture—the deeds of each person, their inner thoughts, and their intentions. However, Chazal do reveal to us one way in which Hashem interacts with the world: מדה כנגד מדה —measure for measure. With this understanding, we can sometimes catch a glimpse of Hashem's justice in action. The way we act is the way we are treated. At the end of the seven-day feast in Shushan HaBirah , on Shabbat Kodesh , King Achashverosh called for Queen Vashti to appear and display her beauty. She refused, and as a result, she was put to death. Rashi brings the Gemara in Megilla , which asks: Why didn't she come? After all, she was just as immoral as Achashverosh. The Gemara answers that Hashem struck her with tzara'at , making her appearance repulsive. Since she had been summoned to appear without clothing, she was too embarrassed to show herself. Rashi explains that Hashem caused her to develop tzara'at at that exact moment so that she would refuse the king's order and be put to death—because every Shabbat , she would force Jewish women to work in a humiliating manner, without clothing. Now, on Shabbat , she was punished in the very same way. To the human eye, it seemed like a drunken king making an irrational demand and an impulsive decision to execute his wife. But in truth, it was all hashgachah pratit . Hashem orchestrated every detail—the king's command, Vashti's affliction—because of the wickedness she displayed every Shabbat . Nothing happens randomly. Hashem is behind everything, whether we see it or not. A young man who is becoming more observant spends a few minutes each night learning emunah with a rabbi. One evening, they studied the concept of מדה כנגד מדה , how every action is noticed and valued by Hashem, and how reward and punishment always come in perfect measure. A few days later, this young man was driving when someone accidentally hit his car. After assessing the damage, he realized that the driver who hit him was a kollel student. Feeling bad about making a Torah scholar pay, and knowing that the damage wasn't critical, he decided to let him off completely. Two days later, this same young man accidentally hit someone else's car. This time, however, the other driver insisted on getting the car repaired. The damage was estimated at $1,000—his entire week's paycheck. Feeling overwhelmed, he shared what had happened with a friend, who suggested visiting a trustworthy body shop owner he knew. When they arrived, the owner took one look at the damage, grabbed his tools, and within minutes had repaired the car perfectly —without charging a single dollar. At that moment, the young man recalled the lesson he had just learned. He had let someone off, and Hashem let him off. At first, he thought the second driver would simply forgive him, just as he had forgiven the first. But Hashem, in His infinite wisdom, arranged it differently. Even though we don't always understand Hashem's calculations, we can see glimpses of מדה כנגד מדה in our lives. Everything we do matters. Hashem wants us to make the right choices so that He can reward us—both in this world and in the next.

Ep 243 with your host David Montalvo (Yaakov) with special guest who a powerslap fighter from season 3 of Road to the Title named Pono Nakaneokekai. https://www.amazon.com/dp/1952070600?ref_=cm_sw_r_mwn_dp_CFFCV8NZYCYBG2D25D5R_1&fbclid=IwAR2yEfaP95QYXSWsgIYYhppNxQsi6Os8YhEjamOOANSkPN8Beg1XY-zuqqU IG: da_hawaiian_assassin David Montalvo IG: theoutlettoreality Follow us on Snapchat: takeonepassit TikTok: Yaakov28 Follow us on Spotify and google podcast: The Outlet to Reality

Measure for Measure - 20 Beautiful Stories from Shakespeare by Edith Nesbit ★ Support this podcast on Patreon ★

Whether in miles or pounds, meters or kilograms, we take daily measure out our lives. But how did these units ever come to be, and why do we want to change them? From light-years to leap seconds, we look at the history of efforts to quantify our lives and why there's always room for greater precision. Plus, we debate the virtues of staying imperial measurements vs. going metric. Guest: James Vincent - Author of Beyond Measure, the Hidden History of Measurement Featuring music by Dewey Dellay and Jun Miyake Originally aired March 24, 2023 Big Picture Science is part of the Airwave Media podcast network. Please contact advertising@airwavemedia.com to inquire about advertising on Big Picture Science. You can get early access to ad-free versions of every episode by joining us on Patreon. Thanks for your support!   Learn more about your ad choices. Visit megaphone.fm/adchoices

Whether in miles or pounds, meters or kilograms, we take daily measure out our lives. But how did these units ever come to be, and why do we want to change them? From light-years to leap seconds, we look at the history of efforts to quantify our lives and why there's always room for greater precision. Plus, we debate the virtues of staying imperial measurements vs. going metric. Guest: James Vincent - Author of Beyond Measure, the Hidden History of Measurement Featuring music by Dewey Dellay and Jun Miyake Originally aired March 24, 2023 Big Picture Science is part of the Airwave Media podcast network. Please contact advertising@airwavemedia.com to inquire about advertising on Big Picture Science. You can get early access to ad-free versions of every episode by joining us on Patreon. Thanks for your support!   Learn more about your ad choices. Visit megaphone.fm/adchoices

Session released from the Rehearsal Room ARCHIVE - August 2023

Proverbs 21:13-15 -- Measure for measure, Gifts in secret, God's justice

Erica Wright brings a modern twist on Shakespeare's MEASURE FOR MEASURE in HOLLOW BONES, which recasts villain Angelo as a serpent handling preacher.

Steven reviews the legal aspects of "Measure For Measure," calling upon a thesis published in 2004 by Virginia R. Stephens as a profound examination into the play's depiction of the qualities of justice in Elizabethan society and beyond. Support the show by picking up official Don't Quill the Messenger merchandise at www.dontquillthepodcast.com and becoming a Patron at http://www.patreon.com/dontquillthemessenger  Made possible by Patrons: Brent Evans & Patty Henson, Bryan Wildenthal, Clare Jaget, Daniel Cowan, David Neufer, David R Klausmeyer, Dean Bradley, Edward Henke, Ellen Swanson, Frank Lawler, James Gutierrez, James Warren, Jaymie, Jeanine Clark, Jen Swan, John Creider, John Eddings, John Guarnaccia, Jon Foss, Kara Elizabeth Martin, Luís S, Sandi Boney, Sandi Paulus, Sara Gerard, Sheila Kethley, Stephen Hopkins, Tim Norman, Tim Price, Troy Stelzer, Vanessa Lops, Yvonne Don't Quill the Messenger is a part of the Dragon Wagon Radio independent podcast network. For more great podcasts visit www.dragonwagonradio.com

In today's episode, we explore a powerful teaching from Jesus: the way we treat others will be measured back to us. Life teaches us that burning bridges and being cruel often lead to regret and similar treatment in return. Jesus' message encourages us to live with kindness and compassion.But there's more to this lesson. Jesus reassures us that our salvation is a gift of grace from God, not something we can earn. This divine grace means we are saved, not by our deeds, but by God's loving generosity. It's a humbling and empowering truth that shapes our faith and our actions.At Oakridge Adventist Church, we embrace this message of grace and strive to live it out in our community. Join us every Saturday at 11 a.m. for worship and fellowship. Tune in to learn more about how grace and kindness can transform your life and relationships.

A new MP3 sermon from Friendship Baptist Church is now available on SermonAudio with the following details: Title: Measure for measure Speaker: Pastor Matt Gordon Broadcaster: Friendship Baptist Church Event: Midweek Service Date: 6/5/2024 Bible: Psalm 33 Length: 29 min.

Jackson and Jacob discuss the PLAY ON! translation of Shakespeare's Measure for Measure. This black comedy asks deep questions about power and human sexuality, even while it pokes fun at institutions and officials. Listen in!  Learn more about Play On! here: https://playonshakespeare.org/ ------------------------------ Please consider supporting us on Patreon. For as low as $1/month, you can help to ensure the No Script Podcast can continue.  https://www.patreon.com/noscriptpodcast  ----------------------------- We want to keep the conversation going! Have you read this play? Have you seen it? Comment and tell us your favorite themes, characters, plot points, etc. Did we get something wrong? Let us know. We'd love to hear from you. Find us on social media at:  Email: noscriptpodcast@gmail.com Facebook: https://www.facebook.com/No-Script-The-Podcast-1675491925872541/ Instagram: https://www.instagram.com/noscriptpodcast/ Twitter: https://twitter.com/noscriptpodcast/ ------------------------------ Our theme song is “Upbeat Soda Pop” by Purple Planet Music. Credit as follows: Music: http://www.purple-planet.com ------------------------------ Thanks so much for listening! We'll see you next week. ------------------------------ Please consider supporting us on Patreon. For as low as $1/month, you can help to ensure the No Script Podcast can continue.  https://www.patreon.com/noscriptpodcast  ----------------------------- We want to keep the conversation going! Have you read this play? Have you seen it? Comment and tell us your favorite themes, characters, plot points, etc. Did we get something wrong? Let us know. We'd love to hear from you. Find us on social media at:  Email: noscriptpodcast@gmail.com Facebook: https://www.facebook.com/No-Script-The-Podcast-1675491925872541/ Instagram: https://www.instagram.com/noscriptpodcast/ Twitter: https://twitter.com/noscriptpodcast/ ------------------------------ Thanks so much for listening! We'll see you next week.

We're thrilled to welcome back Traci Thomas, host of The Stacks Podcast, for a thought-provoking discussion on one of Shakespeare's darkest comedies, Measure for Measure. In this conversation, we'll dive deep into the play's timeless themes including punishment, gender, power, and politics. We discuss how these themes continue to resonate with modern audiences, revealing the parallels between the play and our contemporary world. We also talk about how Shakespeare masterfully uses this satire in this work, even when satire doesn't necessarily equate to laugh-out-loud humor. Listen to the end for Traci's book recommendations, including Shakespeare pairings and a soon-to-be-released title.  Connect with Traci: The Stacks Podcast  Unstacked  Instagram: @thestackspod    Join our community! Patreon Substack Instagram: @novelpairingspod   Books Mentioned: Merchant of Venice by William Shakespeare The Great White Bard: How to Love Shakespeare While Talking About Race by Farah Karim-Cooper Blackface (Object Lessons) by Ayanna Thompson New People by Danzy Senna Color Television by Danzy Senna Interior Chinatown by Charles Yu Erasure by Percival Everett Severance by Ling Ma Victim by Andrew Boryga Love's Labor Lost by William Shakespeare All's Well That Ends Well by William Shakespeare Othello by William Shakespeare Richard III by William Shakespeare Romeo and Juliet by William Shakespeare   Also Mentioned: Ask a Shakespeare Professor  Macbeth The Stacks episode on Romeo and Juliet  

www.iservalan.comHome of free use music tools#taletellerwords

First performed 400 years ago, William Shakespeare's “Measure for Measure” addresses an enduring human dilemma. No society can safely exist without law, but law itself depends on human judgment, which is prone to error and corruption. In this episode, Center Director Mark Movsesian and Northwestern Law Professor John McGinnis discuss this great but problematic play… The post Legal Spirits 058: Law & Justice in Shakespeare's “Measure for Measure” appeared first on LAW AND RELIGION FORUM.

Annie Parisse can be seen in the recently released feature GIVING BIRTH TO A BUTTERFLY as well as a leading role in the forthcoming feature THREE BIRTHDAYS along with ERIC LARUE, marking the directorial debut for Academy Award Nominee Michael Shannon.  Parisse was seen on FX's MRS AMERICA for FX and was a Series Lead on Netflix's FRIENDS FROM COLLEGE created by Nick Stoller and Francesca Delbanco. Additional credits include the Hulu series, THE LOOMING TOWER opposite Jeff Daniels, THE FIRST opposite Sean Penn, as well as HBO's original film PATERNO opposite Al Pacino. Annie also starred on the hit HBO Series, VINYL produced by Martin Scorsese and Mick Jagger. Her work includes, series regular roles on THE FOLLOWING for FOX opposite Kevin Bacon, LAW & ORDER, RUBICON for AMC and her incredible arc in the HBO mini series, THE PACIFIC for Steven Spielberg. Other notable television work includes HOUSE OF CARDS, THE BIG C, PERSON OF INTEREST and UNFORGETTABLE.  Annie made her Broadway debut in the revival of Craig Lucas's PRELUDE TO A KISS directed by Daniel Sullivan and she starred in CLYBOURNE PARK, which won the Pulitzer Prize for Drama and Tony Award for Best Play. Off Broadway she starred as the title role in the Pulitzer Prize nominated BECKY SHAW garnering a Lortel Nomination for her performance. Additional credits include: LONG LOST at MTC, THE LAYOVER at 2nd Stage, Playwrights Horizons's ANTLIA PNEUMATICA, Shakespeare in the Park's ALL'S WELL THAT ENDS WELL and MEASURE FOR MEASURE, THE INTERNATIONALIST (Drama Desk Nomination), MONSTER, and THE CREDEAUX CANVAS at Playwrights Horizons.  Annie's feature work includes the independent feature WILD CANARIES (SXSW Grand Jury Nomination), AND SO IT GOES directed by Rob Reiner, PRICE CHECK, ONE FOR THE MONEY, MY OWN LOVE SONG with Rene Zellweger and Forest Whitaker, HOW TO LOSE A GUY IN 10 DAYS opposite Kate Hudson and MONSTER-IN-LAW with Jane Fonda and Jennifer Lopez.  Parisse hails from Anchorage, Alaska and resides in New York. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Measure for Measure by William Shakespeare audiobook. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's poem is the “anti-To Be or Not To Be” speech from Act 3, Scene 1 of the underrated Measure For Measure. Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

Help support the teachings of Rabbi Goldman: https://thechesedfund.com/nevehzion/rabbimgoldman Send a message to Rabbi Goldman: mmygoldman@gmail.com

The Dubious Conclusion. All the rancidity exposed. The Duke is a dookey. Mariana is on her knees (she might end up frozen solid like that). Isabella joins her on HER knees. Angelo is prepared for death. Reprieve. Objection! Lucio is hoisted on his own petard (that's from Hamlet). All is forgiven and the Duke is just gross (but Isabella is kinda gross too). What did anyone learn? What will Vienna be like after all this? WHO CAN SAY (said like Bubble). --- Support this podcast: https://podcasters.spotify.com/pod/show/fckshakespeare/support

The Duke plots and plans. The ladies follow directions. Some friar named Penis gets involved and we are off to the races! A few short scenes and the intro to the whopper at the end. --- Support this podcast: https://podcasters.spotify.com/pod/show/fckshakespeare/support

Pompey meets some old friends. We meet Barnardine (Not today Satan). A pirate saves the day. The Duke continues his dooky-ness. And Lucio can't keep his mouth shut. Also... Erin desperately tries to make our two different recording spaces and levels and all the stuff I don't understand sound more in line. It just sounds muddy but...sorry!!! --- Support this podcast: https://podcasters.spotify.com/pod/show/fckshakespeare/support

Today on What's My Frame I'm joined by award-winning composer and sound designer Lindsay Jones. Lindsay's resume is extensive spanning mediums, genres and decades. He not only is a Tony nominee, a respected professor but an extremely passionate advocate for the arts and safe working conditions. Lindsay's Broadway credits include Slave Play, The Nap, Bronx Bombers and A Time To Kill; and a nomination for a Tony for Best Score and Best Sound Design of a Play. His off-Broadway work has been heard at Playwrights Horizons, The Public Theater, MCC, Primary Stages, and many others. International credits include works at Royal Shakespeare Festival (UK), Stratford Festival (Canada), and many others. Lindsay has created music and sound for over 500 productions in regional theatres across the US. Awards include seven Joseph Jefferson Awards and twenty-four nominations, 2 ASCAP Plus Awards, two Ovation Awards and three nominations, a Los Angeles Drama Critics Circle Award, a San Diego Theatre Critics Circle Award and two nominations, as well as multiple nominations for Drama Desk Awards, Helen Hayes Awards, Barrymore Awards, and many others. In film/television, he has created original score for over 35 projects, including HBO Films' A Note Of Triumph: The Golden Age of Norman Corwin, which won the 2006 Academy Award for Best Documentary, Short Subject. His work encompasses features like The View From Tall, Ash, and The Brass Teapot; TV shows such as Sony Pictures' series Family Practice for Lifetime Television, shorts such as The Follower, House Of Stairs, and Grace; and full-length documentaries such as Hearing Voices and Cleveland. In podcasts, Lindsay is the in-house composer/sound designer for the weekly podcast The Imagine Neighborhood, produced by the Committee For Children, and for the ongoing Play On series for Next Chapter Podcasts. Other podcast and audio drama work includes A Streetcar Named Desire (starring Audra McDonald) for Audible, Team Up (starring Susan Sarandon and Timothy Busfield) for Marvel, Wormwood (featuring Kevin Kline) for Real Jetpacks Productions, Hamlet for KPBS/The Old Globe, Soundstage for Playwrights Horizons, Twelfth Night and Measure For Measure for Chicago Shakespeare, and The Intersect for Micromass. In education and advocacy Lindsay is an adjunct professor of sound design at University of North Carolina School Of The Arts. Other universities where he's taught include Yale, Juilliard, Northwestern, Purdue, Depaul, NYU, UCLA, UCSD, UC Irvine, Rutgers, University of Illinois, and Chapman. He is a founding member and the co-chair of the executive board of Theatrical Sound Designers and Composers Association (TSDCA), and co-founded The Collaborator Party with John Gromada. He is also a founding member of NO MORE 10 Out Of 12's, an advocacy group dedicated to safe working environments in theatre. Now let's get to the conversation!! To learn more about Lindsay's work visit his site, here To get plugged in with TSDCA --- Hosted by Laura Linda Bradley Join the WMF creative community now! Instagram: ⁠⁠⁠@whatsmyframe⁠⁠⁠ TikTok: ⁠⁠⁠@whatsmyframe⁠⁠⁠ ⁠⁠⁠IMDb⁠⁠⁠ ⁠⁠⁠What's My Frame? official site ⁠⁠⁠ ⁠⁠⁠Join our monthly newsletter!⁠⁠⁠ What's My Frame? merch⁠⁠⁠⁠ Proceeds will be donated to the SAG-AFTRA Foundation to support actors affected by the strikes. --- Support this podcast: https://podcasters.spotify.com/pod/show/whats-my-frame/support

Meet Marianna of the moated grange. She's the key to the bed-trick plan that will seal Angelo's fate. Or will it? In the second scene the Duke finds out that his little schemes ain't working quite as well as he had hoped they would. Because, you know, HUMANS! They don't behave according to prescription. That's what makes them fun. --- Support this podcast: https://podcasters.spotify.com/pod/show/fckshakespeare/support

The Duke/Friar meets the populace and sees that his little experiment ain't going so well. He also hears some interesting things about himself. Then he has a magic speech (we discuss the form of it if you're interested) and casts a spell for the conclusion of his fuckery. How will it go? Stay tuned. --- Support this podcast: https://podcasters.spotify.com/pod/show/fckshakespeare/support

Brothers and sisters with their obscure nuances, eh? Act 3: Sc 1 is the crux of the play where we get to really see what it's all about. Or do we? Some kind of trauma happened back there in the dark and dirty past in this family. The word 'incest' is not one that you can ignore or ascribe some other meaning to. Hear what we think and let us know what YOU think is going on there. --- Support this podcast: https://podcasters.spotify.com/pod/show/fckshakespeare/support

Get ready for Isabella v. Angelo Part 2! This time there are no witnesses, and you know that won't go well... It's a deadly and sexy game they're playing. Will there be any winners? --- Support this podcast: https://podcasters.spotify.com/pod/show/fckshakespeare/support

Dedicated in honor of Sarah bas Esther on the occasion of her birthday, for a year of brachos and success in all! 26 Av | Day 244 Quantum Results: When “measure for measure” doesn't measure up -- Can you spare four minutes a day to gain deeper insight into yourself, your soul, your spiritual make-up, your personal purpose, and how to enjoy a meaningful relationship with G-d? If yes, Let's Talk Tanya. Tanya, the seminal work of Chabad Chasidism, is the personal owner's manual for the Jew who seeks to serve G-d and live a life suffused with holiness, purpose, and joy. Let's Talk Tanya is a daily series that attempts to translate the Tanya into resonant and relevant language Tanya is divided into daily portions. Following this regimen, one concludes the Tanya every year. Let's Talk Tanya, in 4 minutes on average, briefly reviews the day's segment, conveys its basic ideas, and zooms in on one large idea. To watch, listen, or subscribe to Let's Talk Tanya: YouTube: https://www.youtube.com/@LetsTalkTanya Spotify: https://spoti.fi/3uFNrie Apple Podcasts: https://apple.co/3BqG9Tm Google Podcasts: https://bit.ly/3FMnvrs Instagram: https://www.instagram.com/letstalktanya/ Twitter: https://twitter.com/LetsTalkTanya www.letstalktanya.com To donate or for dedication opportunities, please visit letstalktanya.com/donate or reach us at contact@letstalktanya.com Have Tanya questions? Submit questions for possible inclusion in a future Tanya Q&A Segment: letstalktanya@gmail.com __ The full text of the daily Tanya is available at: www.Chabad.org/DailyTanya

In Shakespeare's play, Measure for Measure, there's a fictional court case against Claudio for extra-marital misconduct. The play separately asks the audience to pass judgement on Angelo regarding a marriage pre-contract that was known as a “Spousal” contract for Shakespeare's lifetime. In 1604, when Measure for Measure was first performed, these cases of immoral behavior were being tried in real life in what were known as “ecclesiastical courts,” or colloquially, the “Bawdy Courts.” Many of the real people that had been brought up on charges in these bawdy court cases were members of the audience being addressed by the play's fictional court portrayal. It was this same year that church courts started cracking down on engaged couples who were becoming secretly engaged or “bethrothed” to one another without witnesses or parental consent. Here today to tell us about the battle between civil and canon law that governed couples intending to get married and the specific changes to the canonical law that occured in 1604, is our guest and theatrical historican, Cynthia Greenwood.   Get bonus episodes on Patreon Hosted on Acast. See acast.com/privacy for more information.

Whether in miles or pounds, meters or kilograms, we take daily measure out our lives. But how did these units ever come to be, and why do we want to change them? From light-years to leap seconds, we look at the history of efforts to quantify our lives and why there's always room for greater precision. Plus, we debate the virtues of staying imperial measurements vs. going metric. Guest: James Vincent - Author of Beyond Measure, the Hidden History of Measurement Featuring music by Dewey Dellay and Jun Miyake Big Picture Science is part of the Airwave Media podcast network. Please contact advertising@airwavemedia.com to inquire about advertising on Big Picture Science. You can get early access to ad-free versions of every episode by joining us on Patreon. Thanks for your support!   Learn more about your ad choices. Visit megaphone.fm/adchoices

Scientists discovered that some stars have heartbeats and that some of them can be used to measure the longest distances that exist. This episode was produced by Andrew Middleton  and Liya Rechtman. Learn more about your ad choices. Visit megaphone.fm/adchoices

Scientist Alfred Kinsey tried to differentiate human sexualities on a seven-point scale. In so doing, he brought us the basics of bisexuality. But the scale leaves a lot to be desired. Instead of a spectrum, Special Guest Kate Sisk leads us into a gay fog. GUEST Kate Sisk (she/they/he) is a professional stand up comedian, amateur drag king, and co-host of the award-winning podcast, We're Having Gay Sex. This episode was produced by Andrew Middleton and Liya Rechtman. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Intelligence Quotient is a measure of intelligence that has life-or-death consequences. Should we trust it? GUEST Alan Gouddis is a Partner with Sherman & Sterling. He was recognized by The Legal 500 as a “Leading Lawyer” in M&A Litigation Defense in 2021.   This episode was produced by Andrew Middleton  and Liya Rechtman. Learn more about your ad choices. Visit megaphone.fm/adchoices

Taste is a subjective experience. We know this because eggs pickled in human urine, cheese with live maggots living in it, fertilized and mostly-developed duck eggs, rotten shark, calf blood and cheese whiz are all delicacies somewhere. But there is a flavor that we can measure and compare objectively. Kind of. This episode was produced by Andrew Middleton and Liya Rechtman. Special thanks to our taste-testers: Brian Sexton, Daniel Siegel, Grace Gouddis, Gregory Fredle, Lois Rosson, Maiya Zwerling, Michelle Tigchelaar, Simon Brown, and Val McGraw. Learn more about your ad choices. Visit megaphone.fm/adchoices

We'd rate today's episode a ten out of ten, five star, certified fresh, two thumbs up. But we can't speak for its IMdB score. This episode was produced by Andrew Middleton and Liya Rechtman. Measure for Measure is a limited series from Ministry of Ideas. Learn more about your ad choices. Visit megaphone.fm/adchoices

We're hitting up against the very nature of measurement: How can we best describe the world around us, in its infinite complexity, with finite measures? In other words, how hard are rocks? This episode was produced by Andrew Middleton and Liya Rechtman. Measure for Measure is a limited series from Ministry of Ideas. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jews are ritually obligated to eat matzah during Passover. But how much matzah? Well, that depends on your views on the size of an olive.  This episode was produced by Andrew Middleton and Liya Rechtman.  Special thanks to Rabbi Natan Slifkin, founder of RationalistJudaism.com for his work on olives and biblical measurements. Learn more about your ad choices. Visit megaphone.fm/adchoices

We love a good chart or graph but we think measurement is more complex and interesting than the data points. The fathom is a measure of depth from the surface to the ocean floorwhich is critical for navigating the Mississippi River and the Suez Canal. The fathom also shows us what's beyond measurement: The unfathomable. This episode was produced by Andrew Middleton and Liya Rechtman. Measure for Measure is a limited series from Ministry of Ideas. The show is executive produced by Liya Rechtman, created by Andrew Middleton, and sound engineered by Greg Fredle. Learn more about your ad choices. Visit megaphone.fm/adchoices

Could you pick a white-breasted nuthatch out of a lineup? We explore the value - and limits - of birdwatching, categorization, and measurement. This episode was produced by Andrew Middleton and Liya Rechtman. Measure for Measure is a limited series from Ministry of Ideas. The show is executive produced by Liya Rechtman, created by Andrew Middleton, and sound engineered by Greg Fredle.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Introducing Measure for Measure, a new limited series from Ministry of Ideas. We love a good chart or graph but we think measurement is more complex and interesting than data points. In each episode of the Measure for Measure, we look at a different unit of measure as a fundamental grammar of our lives.  Learn more at ministryofideas.org/measure PRODUCTION TEAM Liya Rechtman is Executive Producer and co-host of Measure for Measure and Managing Producer of Ministry of Ideas. She is a climate activist and Jew about town. Andrew Middleton is Creator and co-host of Measure for Measure and a Producer of Ministry of Ideas. He is a cartographer, diver, and the founder of Open Dive Sites. Greg Fredle is Sound Engineer for Measure for Measure. He is a freelance filmmaker and audio producer. Zachary Davis is Executive Producer and Host of Ministry Ideas, Writ Large and Making Meaning; advisor to Measure for Measure. Tyler Morrisette is the art director for Measure for Measure. Learn more about your ad choices. Visit megaphone.fm/adchoices

Forgiveness can sometimes seem beyond our ability—but it's not only possible but actually essential to your soul's life and health. An unforgiving spirit does more damage than you'd imagine! Hear more on Truth For Life with Alistair Begg. Listen...