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Teaching Shakespeare's Theatre of the World (Cambridge University Press, 2025) engages with one of Shakespeare's greatest thought-experiments: How does one navigate the 'theatre of the world'? It invites students to examine how Shakespeare challenges this metaphor's vertical hierarchies in response to shifting understandings of cosmological order. Teachers will find rich contextual frameworks for exploring how Shakespeare envisions 'worlds' as emerging from dynamic variables, raising urgent questions about how identity and justice are environmentally constructed. Focal plays include A Midsummer Night's Dream, As You Like It, Hamlet, Henry V, The Merchant of Venice, and Othello. Each discussion features student centered 'Explorations'. These play-specific classroom activities can also be adapted across Shakespeare's corpus and tailored for both secondary and university-level students. These exercises encourage non-linear critical and creative thinking, inviting students to contemplate big ideas and generate new perspectives about the shared points of contact between Shakespeare's world and their own. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Teaching Shakespeare's Theatre of the World (Cambridge University Press, 2025) engages with one of Shakespeare's greatest thought-experiments: How does one navigate the 'theatre of the world'? It invites students to examine how Shakespeare challenges this metaphor's vertical hierarchies in response to shifting understandings of cosmological order. Teachers will find rich contextual frameworks for exploring how Shakespeare envisions 'worlds' as emerging from dynamic variables, raising urgent questions about how identity and justice are environmentally constructed. Focal plays include A Midsummer Night's Dream, As You Like It, Hamlet, Henry V, The Merchant of Venice, and Othello. Each discussion features student centered 'Explorations'. These play-specific classroom activities can also be adapted across Shakespeare's corpus and tailored for both secondary and university-level students. These exercises encourage non-linear critical and creative thinking, inviting students to contemplate big ideas and generate new perspectives about the shared points of contact between Shakespeare's world and their own. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Teaching Shakespeare's Theatre of the World (Cambridge University Press, 2025) engages with one of Shakespeare's greatest thought-experiments: How does one navigate the 'theatre of the world'? It invites students to examine how Shakespeare challenges this metaphor's vertical hierarchies in response to shifting understandings of cosmological order. Teachers will find rich contextual frameworks for exploring how Shakespeare envisions 'worlds' as emerging from dynamic variables, raising urgent questions about how identity and justice are environmentally constructed. Focal plays include A Midsummer Night's Dream, As You Like It, Hamlet, Henry V, The Merchant of Venice, and Othello. Each discussion features student centered 'Explorations'. These play-specific classroom activities can also be adapted across Shakespeare's corpus and tailored for both secondary and university-level students. These exercises encourage non-linear critical and creative thinking, inviting students to contemplate big ideas and generate new perspectives about the shared points of contact between Shakespeare's world and their own. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
Teaching Shakespeare's Theatre of the World (Cambridge University Press, 2025) engages with one of Shakespeare's greatest thought-experiments: How does one navigate the 'theatre of the world'? It invites students to examine how Shakespeare challenges this metaphor's vertical hierarchies in response to shifting understandings of cosmological order. Teachers will find rich contextual frameworks for exploring how Shakespeare envisions 'worlds' as emerging from dynamic variables, raising urgent questions about how identity and justice are environmentally constructed. Focal plays include A Midsummer Night's Dream, As You Like It, Hamlet, Henry V, The Merchant of Venice, and Othello. Each discussion features student centered 'Explorations'. These play-specific classroom activities can also be adapted across Shakespeare's corpus and tailored for both secondary and university-level students. These exercises encourage non-linear critical and creative thinking, inviting students to contemplate big ideas and generate new perspectives about the shared points of contact between Shakespeare's world and their own. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/education
Teaching Shakespeare's Theatre of the World (Cambridge University Press, 2025) engages with one of Shakespeare's greatest thought-experiments: How does one navigate the 'theatre of the world'? It invites students to examine how Shakespeare challenges this metaphor's vertical hierarchies in response to shifting understandings of cosmological order. Teachers will find rich contextual frameworks for exploring how Shakespeare envisions 'worlds' as emerging from dynamic variables, raising urgent questions about how identity and justice are environmentally constructed. Focal plays include A Midsummer Night's Dream, As You Like It, Hamlet, Henry V, The Merchant of Venice, and Othello. Each discussion features student centered 'Explorations'. These play-specific classroom activities can also be adapted across Shakespeare's corpus and tailored for both secondary and university-level students. These exercises encourage non-linear critical and creative thinking, inviting students to contemplate big ideas and generate new perspectives about the shared points of contact between Shakespeare's world and their own.
In this episode of the Anglotopia Podcast, Jonathan Thomas is joined by Brendan Dowd — West Point graduate, Iraq War veteran, government consultant, and host of History Nerds United, one of the most respected history book podcasts in the business with over 220 episodes — for a pure, unfiltered book nerd conversation. Both hosts came with a stack of their favorite British history books and took turns sharing their picks, debating the merits, going gloriously off-topic about Darkest Hour, the new Wuthering Heights film, Bridgerton, and Dan Jones's upcoming castles book, and building what amounts to a British history reading list that will keep you busy for years. Between them, Jonathan and Brendan recommend over 20 books spanning Alfred the Great, the Tudors, the Regency, Victorian London, World War II, Thatcher, the Iranian Embassy Siege, and the hidden history of English wolves — plus a peek at what's sitting on each of their TBR piles right now. Links History Nerds United ~History Nerds United Podcast~ ~History Nerds United on YouTube~ ~Brendan's Top Episode: Helen Castor on Joan of Arc~ (update with direct episode link) ⠀Jonathan's Picks ~Notes from a Small Island by Bill Bryson~ ~The Road to Little Dribbling by Bill Bryson~ ~Churchill: Walking with Destiny by Andrew Roberts~ ~My Early Life by Winston Churchill~ ~A Very English Scandal by John Preston~ ~London: The Biography by Peter Ackroyd~ ~Citizens of London by Lynne Olson~ ~Empireland by Sathnam Sanghera~ ~Empireworld by Sathnam Sanghera~ ~The Iron Lady by John Campbell~ ~The Last Wolf by Robert Winder~ ~The Decline and Fall of the British Aristocracy by David Cannadine~ ~Brideshead Revisited by Evelyn Waugh~ ~The Regency Years by Robert Morrison~ ~Churchill's Citadel by Katherine Carter~ ⠀Brendan's Picks ~Alfred the Great by Justin Pollard~ ~The Six Loves of James I by Gareth Russell~ ~Battle for the Island Kingdom by Don Hollway~ ~Once a King: The Lost Memoir of Edward VIII by Jane Marguerite Tippett~ ~The Greatest Knight by Thomas Asbridge~ ~Henry V by Dan Jones~ ~Thomas More: A Life by Joanne Paul~ ~The Stolen Crown by Tracy Borman~ ~The Crown's Silence by Brooke Newman~ ~The Eagle and the Hart by Helen Castor~ ~The Invention of Charlotte Brontë by Graham Watson~ ~London Falling by Patrick Radden Keefe~ ~The Siege by Ben Macintyre~ ⠀Also Mentioned ~Say Nothing by Patrick Radden Keefe~ ~Empire of Pain by Patrick Radden Keefe~ ~Secrets of Great British Castles with Dan Jones on Netflix~ ~Darkest Hour (2017)~ ~Young Winston (1972)~ ⠀Anglotopia ~101 Oxford Travel Tips and Tricks by Jonathan Thomas~ (update with direct product link) ~Anglotopia Guide to the World of Bridgerton~ (update with direct product link) ~Friends of Anglotopia Club~ (update with correct URL) ⠀ Takeaways Both Jonathan and Brendan started their podcasts for exactly the same reason — frustration at the quality of existing coverage in their field — and both were shocked to discover how generous, enthusiastic, and collegial the history author community turned out to be. Brendan's gateway into British history was Alfred the Great by Justin Pollard — a compact, accessible biography of the only English monarch to earn the title "the Great," which he recommends as the perfect gateway drug for readers who think history books are intimidating. Jonathan's most-reread British book is Bill Bryson's Notes from a Small Island — a definitive outsider's portrait of British culture from the early 1990s that remains beloved by British readers themselves, and the book that most shaped his vision for Anglotopia. Andrew Roberts's one-volume Churchill biography is both Jonathan and Brendan's recommended starting point for anyone wanting a modern, comprehensive, and myth-busting account of Churchill — and Roberts's Napoleon biography is equally essential. Helen Castor is independently named by Brendan as one of his very favorite history writers — her Eagle and the Hart on Richard II and Henry IV, and her Joan of Arc episode of his podcast, are both highlighted as exceptional examples of humanizing complex historical figures without sanitizing them. Both hosts agree that the best history books share a quality: they humanize their subjects — showing the positive and the negative — rather than either condemning or canonizing them. The books they admire most leave the reader to make their own moral judgments. Empireland by Sathnam Sanghera and The Crown's Silence by Brooke Newman both generated significant controversy — particularly in British publications — but both Jonathan and Brendan recommend them as essential, rigorously evidenced correctives to popular myths about the British Empire and the monarchy's role in the slave trade. Ben Macintyre's The Siege — on the 1980 Iranian Embassy siege in London that made the SAS famous — is Brendan's pick for best recent true British history read, praised for building unbearable tension over hundreds of pages before releasing it all in a single extended final chapter. The new Wuthering Heights film gets a thumbs-down from both hosts — "it looks beautiful but just didn't land" — while Darkest Hour generates a spirited debate about the Underground scene that ends with both agreeing it's historically wrong but emotionally right. Both hosts are currently working through books about the interwar period, Cold War espionage, and upcoming releases from Dan Jones and Thomas Asbridge — and both agree that the single greatest problem with loving history books is that the TBR pile never gets shorter. ⠀ Soundbites "I lost it. I said, there's gotta be a better way. I don't want to continually torture my family with all my rants about books. So I started the blog." — Brendan on the one-star Amazon review that launched History Nerds United. "I sent 10 emails on the first day thinking if I get one back I'll be ecstatic. I got eight back within three days. And I've now sat on a boat with Dan Jones having drinks, overlooking Omaha Beach. Nobody tell me it didn't happen." — Brendan on the unexpected magic of the history community. "I have yet to interview a jerk. Everyone has been unfailingly nice and so excited to be there and just so game to talk about whatever." — Brendan on 220+ episodes of History Nerds United. "My long-term goal is to be like Bill Bryson. I've actually met him. He's a very nice chap. I can only hope to be 10% as good as him one day." — Jonathan on Notes from a Small Island and his writing ambitions. *"If you want to understand why everything is happening in Downton Abbey, read *The Decline and Fall of the British Aristocracy. I read it as research for a novel I was writing in college and it has never left me." — Jonathan on David Cannadine's masterwork. "Churchill wouldn't have done that. He was not that type of person. But you put Churchill in a period tube carriage, surrounded by Londoners during the Blitz, and it captures the essence of what the story is trying to tell. Was it real? Heck no." — Jonathan and Brendan on the Underground scene in Darkest Hour. "Helen Castor is constantly teaching you, but you feel like you're just having a conversation within the book. At the end of it, you hear Helen get emotional talking about this teenager burned at the stake — how scared she must have been, even with all her faith. She makes her human instead of an icon." — Brendan on his favorite episode of History Nerds United. "The thesis is that because Britain hunted wolves to extinction, it unleashed the economic powerhouse of sheep farming and wool — and as a consequence of that led to so much of what we know as Britain. I read it and I wanted to read it all over again immediately." — Jonathan on The Last Wolf by Robert Winder. "She stayed laser focused on the Elizabethan succession and somehow it's still interesting all the way through. She mentions the Spanish Armada for about three sentences. I said in my review: this book has been written. We don't need any more on this subject." — Brendan on Tracy Borman's The Stolen Crown. "No author has ever made me feel more lazy than Catherine Grace Katz — she wrote *Daughters of Yalta* while she was in law school. If you told me that I would one day be sitting there with Marsha Clark from the OJ Simpson trial, I would have called you a liar. But that's what this world does." — Brendan on the surreal privilege of the history podcast community. ⠀ Chapters 00:00 Introduction — Jonathan sets up the book conversation episode and introduces Brendan Dowd 01:41 How a Tank Platoon Leader Got a 220-Episode History Podcast — Long commutes, bad Amazon reviews, and one unexpected email 05:58 The History Author Community — Why everybody wants you to win, and the generosity of historians 08:10 Dan Jones on a River Cruise — Brendan's honeymoon, Omaha Beach, and a surreal life moment 09:01 What History Nerds United Is — The format, the philosophy, and why Brendan calls himself the laziest podcaster 10:26 BOOK PICKS BEGIN 10:39 Brendan Pick #1: Alfred the Great by Justin Pollard — The George Washington of England and the perfect gateway drug 12:18 Jonathan Pick #1: Notes from a Small Island by Bill Bryson — The definitive outsider's portrait of British culture and Jonathan's most-reread book 14:28 Brendan Pick #2: The Six Loves of James I by Gareth Russell — A party animal king, Scottish trauma, and the most uncomfortable compliment Gareth ever received 16:58 Jonathan Pick #2: Churchill: Walking with Destiny by Andrew Roberts — The one-volume biography that settles the argument 18:15 Andrew Roberts's Napoleon — A brief but enthusiastic detour to France 18:56 Brendan Pick #3: Battle for the Island Kingdom by Don Hollway — 1000 to 1066, the most disgusting assassination in history, and setting up everything 20:05 Jonathan Pick #3: My Early Life by Winston Churchill — The only autobiography, the Boer War escape, and the Gary Stiles connection 21:50 Darkest Hour Debate — The Underground scene: historically wrong, emotionally right, and why it works anyway 23:18 The Perfect WWII Double Bill — Darkest Hour followed by Dunkirk as a single evening 23:50 Brendan Pick #4: Henry V by Dan Jones — Present tense biography, the greatest medieval king, and writing something when you feel ready for it 25:29 Jonathan Pick #4: A Very English Scandal by John Preston — Jeremy Thorpe, a murder plot, a dead dog, and the British establishment 26:57 John Preston's Robert Maxwell Book — And a certain imprisoned daughter 27:26 Brendan Pick #5: Thomas More: A Life by Joanne Paul — Saints, hair shirts, comedy gold, and debunking 500-year-old myths 29:24 Jonathan Pick #5: London: The Biography by Peter Ackroyd — The definitive history of London and the gateway to a great corpus 30:25 Brendan Pick #6: Once a King: The Lost Memoir of Edward VIII by Jane Marguerite Tippett — He wasn't a Nazi, and the documentation proves it 32:03 Jonathan Pick #6: Citizens of London by Lynne Olson — Americans in London during the Blitz and how they helped save Britain 33:24 Brendan Pick #7: The Stolen Crown by Tracy Borman — The Elizabethan succession, new evidence, and calling Henry VIII a few four-letter words 34:56 Tracy Borman on Inside the Tower of London — And Dan Jones's upcoming Castles book 36:03 Jonathan Pick #7: Empireland by Sathnam Sanghera — Deconstructing myths of the British Empire and why the author quit social media 37:32 Brendan Pick #8: The Crown's Silence by Brooke Newman — The monarchy's direct financial involvement in the slave trade and British publications' predictable response 39:34 Jonathan Pick #8: The Iron Lady by John Campbell — The definitive Thatcher biography and why she's Churchill's true successor 41:45 Brendan Pick #9: The Greatest Knight by Thomas Asbridge — William Marshal, four kings, King John, and a life that reads like a Hollywood script 43:22 Jonathan Pick #9: The Decline and Fall of the British Aristocracy by David Cannadine — The book that explains Downton Abbey and everything behind it 44:29 Brendan Pick #10: The Eagle and the Hart by Helen Castor — Richard II, Henry IV, and why taking the crown makes you a marked man 46:48 Jonathan Pick #10: Brideshead Revisited by Evelyn Waugh — Fiction that illuminates aristocratic decline and the companion read to Cannadine 48:18 Brendan Pick #11: The Invention of Charlotte Brontë by Graham Watson — Jane Eyre as a gateway, the weird genius of the Brontë family, and more autobiography than you realized 50:18 Wuthering Heights Film Discussion — Brendan defers, Jonathan gives a verdict: beautiful but it didn't land 51:43 Jonathan Pick #11: The Last Wolf by Robert Winder — No wolves, lots of sheep, and the surprising hidden springs of Englishness 53:10 Brendan Pick #12: London Falling by Patrick Radden Keefe — A body off a balcony opposite MI5, true crime that leaves you profoundly uneasy 54:54 Jonathan buys London Falling at Barnes & Noble — And finds it in the fiction section 55:24 Jonathan Pick #12: The Regency Years by Robert Morrison — What Bridgerton gets wrong, what Jane Austen's world actually was, and the Anglotopia Bridgerton guide 56:23 Bridgerton vs. The Patriot — Two hosts agree: know your genre, leave accuracy at the door 58:15 Brendan Pick #13: The Siege by Ben Macintyre — The Iranian Embassy siege, the SAS, and a final chapter that takes an hour to read 1:00:06 Jonathan Pick #13: Churchill's Citadel by Katherine Carter — Chartwell as weapon, the wilderness years, and the best first book Jonathan has read in years 1:01:31 What's on the TBR Right Now — Ike and Winston, Three Weeks in July, A Shellshocked Nation, the Nord Stream conspiracy, Dan Jones's Castles, and more 1:07:37 The Book Neither Host Can Find Anyone to Write — Brendan's gap in the market involving Joan of Arc's most disturbing companion 1:10:24 The Book Jonathan Should Write — Brendan makes his pitch; Jonathan firmly declines 1:11:06 Jonathan's Gap in the Market — Churchill's second term as Prime Minister: underexplored, fascinating, partially covered by The Crown 1:12:29 John Lithgow as Churchill — Too tall, earned it on The Crown, also very scary in Dexter 1:12:36 Brendan's Proudest Episode — Helen Castor on Joan of Arc, two hours that felt like twenty minutes 1:16:52 Wrap-Up — Where to find History Nerds United, the full book list in the show notes, and promises of a return visit Video Version
Send us Fan MailFr Joe Krupp continues teaching on the 100 Years WarCheck out the JIBM Web site at: https://www.joeinblackministries.com/To submit comments or questions, please email: joeinblackministries@gmail.comPlease use the following link if you would like to financially support Church of the Holy Family: https://pushpay.com/g/hfgrandblanc?sr…Support the show
VirtualDJ Radio TheGrind - Channel 2 - Recorded Live Sets Podcast
Live Recorded Set from VirtualDJ Radio TheGrind
We kick off our once-a-month Shakespeare series with one of my favorites from last year, Henry IV, Part One. The trilogy of Henry IV, Parts One and Two, and Henry V form The Henriad and are a great way to learn about the way England thinks about its own history.I review my method of reading Shakespeare (see last season's Week 26 for more information), and then we move on to the actual history of the period these plays are about. It looked a lot like the world of Shakespeare, and his audience, with its tumultous succession issues.Then we move on to the actual plot, and how the characters break down into pairs: of kings; of princes; of fathers and sons. There are so many pairs that in some way this play even feels like it has two storylines.After a talk about the plot of the play, and its theme of "how to be a king," we move on to talk about how the play was perceived by the audience at the time.As always, I give my opinions about this play--except you probably already know that I LOVE this one!I highly recommend this BBC production to watch.I love the Folger Shakespeare Library edition of this play!Next Shakespeare: Henry IV, Part Two, on June 30.Next week: Reading as a Superpower, my talk with Fr. Brian McGreevy.LINKThe complete list of Crack the Book Episodes: https://cheryldrury.substack.com/p/crack-the-book-start-here?r=u3t2rCONNECTTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/Like what you heard? Buy me a coffee! https://ko-fi.com/crackthebookLISTENSpotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bdApple Podcasts - https://podcasts.apple.com/us/podcast/crack-the-book/id1749793321Captivate - https://crackthebook.captivate.fmAll links to Amazon are affiliate links.
VirtualDJ Radio TheGrind - Channel 2 - Recorded Live Sets Podcast
Live Recorded Set from VirtualDJ Radio TheGrind
Kirsty Lang on Michael Pennington, the Shakespearean actor who preferred a life on stage to the glamour of Hollywood. For Dame Judi Dench, he was her 'Mr Plum', she recalls his life.Cynthia Shange defied apartheid to become the first Black woman to represent South Africa at Miss World. Scott Hastings the rugby legend, who was once Scotland's most capped player. He went on to become a well-known commentator and campaigner for mental health charities, following the death of his wife after her long battle with depression. And Beverley Martyn, the singer songwriter, a star of the British folk scene, who was signed by Beatles producer George Martin aged 16, but her career was not a smooth ride. Please note this programme references suicide. Support and information is available at bbc.co.uk/actionline.Interviewee: Dame Judi Dench Interviewee: Nonhle Thema Interviewee: John Beattie Interviewee: Joe BoydProducer: Catherine Powell Assistant Producer: Ribika Moktan Researcher: Jesse Edwards Editor: Andrea KennedyArchive: Miss World 1972. BBC TV, 01 Dec 1972; Bob Harris Sunday : Beverley Martyn plays live, BBC Radio 2, 27th April 2014; Five Nations, Rugby Union, Scotland v England, 17th March 1990; Scrum V, Live Pro12: 2016/2017, Edinburgh v Blues, 24th Feb 2017; BBC News Breakfast, 21st Dec 2020; Richard II, writer William Shakespeare, dir Gregory Doran, Royal Shakespeare Company, 2013; Gift of Gorgon, writer Peter Shaffer, dir Peter Hall, RSC, 1993; Henry V, dir Michael Bogdanov, The English Shakespeare Company in The War of the Roses, Produced by John Paul Chapple and Andy Ward, A Portman Classics production in association with Contracts International and Windmill Lane Productions, 1990
Pour écouter l'émission en une fois, sans pub, et profiter du Bonus : https://m.audiomeans.fr/s/S-tavkjvmo 6/6 - Pourquoi la guerre de Cent Ans a-t-elle autant marqué l'Angleterre… alors qu'elle se déroulait principalement en France ?Dans cette émission, nous changeons totalement de regard sur l'un des plus grands conflits du Moyen Âge. Oubliez un instant Jeanne d'Arc, Orléans ou les chevaliers français : ici, nous racontons la guerre côté anglais.Comment les habitants d'Angleterre ont-ils vécu cette guerre interminable ? Comment les raids français ont-ils semé la peur sur les côtes anglaises ? Pourquoi les impôts, les réquisitions et le coût des campagnes militaires ont-ils transformé la société anglaise ? Comment Crécy, Poitiers ou Azincourt sont-elles devenues des mythes nationaux ? Et surtout : comment cette guerre, finalement perdue par l'Angleterre, a-t-elle contribué à faire naître l'identité anglaise moderne ?À travers les batailles, les crises politiques, le Parlement, les ports attaqués, les marchands ruinés et les rêves de conquête de la France, cette émission raconte une autre guerre de Cent Ans : celle vécue depuis Londres, le Kent ou Southampton.Une plongée fascinante dans la naissance de deux nations européennes.Retrouvez-nous sur Youtube : https://www.youtube.com/@TimelineStory2026 Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Pour écouter l'émission en une fois, sans pub, et profiter du Bonus : https://m.audiomeans.fr/s/S-tavkjvmo 6/6 - Pourquoi la guerre de Cent Ans a-t-elle autant marqué l'Angleterre… alors qu'elle se déroulait principalement en France ?Dans cette émission, nous changeons totalement de regard sur l'un des plus grands conflits du Moyen Âge. Oubliez un instant Jeanne d'Arc, Orléans ou les chevaliers français : ici, nous racontons la guerre côté anglais.Comment les habitants d'Angleterre ont-ils vécu cette guerre interminable ? Comment les raids français ont-ils semé la peur sur les côtes anglaises ? Pourquoi les impôts, les réquisitions et le coût des campagnes militaires ont-ils transformé la société anglaise ? Comment Crécy, Poitiers ou Azincourt sont-elles devenues des mythes nationaux ? Et surtout : comment cette guerre, finalement perdue par l'Angleterre, a-t-elle contribué à faire naître l'identité anglaise moderne ?À travers les batailles, les crises politiques, le Parlement, les ports attaqués, les marchands ruinés et les rêves de conquête de la France, cette émission raconte une autre guerre de Cent Ans : celle vécue depuis Londres, le Kent ou Southampton.Une plongée fascinante dans la naissance de deux nations européennes.Retrouvez-nous sur Youtube : https://www.youtube.com/@TimelineStory2026 Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Pour écouter l'émission en une fois, sans pub, et profiter du Bonus : https://m.audiomeans.fr/s/S-tavkjvmo 5/6 - Pourquoi la guerre de Cent Ans a-t-elle autant marqué l'Angleterre… alors qu'elle se déroulait principalement en France ?Dans cette émission, nous changeons totalement de regard sur l'un des plus grands conflits du Moyen Âge. Oubliez un instant Jeanne d'Arc, Orléans ou les chevaliers français : ici, nous racontons la guerre côté anglais.Comment les habitants d'Angleterre ont-ils vécu cette guerre interminable ? Comment les raids français ont-ils semé la peur sur les côtes anglaises ? Pourquoi les impôts, les réquisitions et le coût des campagnes militaires ont-ils transformé la société anglaise ? Comment Crécy, Poitiers ou Azincourt sont-elles devenues des mythes nationaux ? Et surtout : comment cette guerre, finalement perdue par l'Angleterre, a-t-elle contribué à faire naître l'identité anglaise moderne ?À travers les batailles, les crises politiques, le Parlement, les ports attaqués, les marchands ruinés et les rêves de conquête de la France, cette émission raconte une autre guerre de Cent Ans : celle vécue depuis Londres, le Kent ou Southampton.Une plongée fascinante dans la naissance de deux nations européennes.Retrouvez-nous sur Youtube : https://www.youtube.com/@TimelineStory2026 Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Pour écouter l'émission en une fois, sans pub, et profiter du Bonus : https://m.audiomeans.fr/s/S-tavkjvmo 5/6 - Pourquoi la guerre de Cent Ans a-t-elle autant marqué l'Angleterre… alors qu'elle se déroulait principalement en France ?Dans cette émission, nous changeons totalement de regard sur l'un des plus grands conflits du Moyen Âge. Oubliez un instant Jeanne d'Arc, Orléans ou les chevaliers français : ici, nous racontons la guerre côté anglais.Comment les habitants d'Angleterre ont-ils vécu cette guerre interminable ? Comment les raids français ont-ils semé la peur sur les côtes anglaises ? Pourquoi les impôts, les réquisitions et le coût des campagnes militaires ont-ils transformé la société anglaise ? Comment Crécy, Poitiers ou Azincourt sont-elles devenues des mythes nationaux ? Et surtout : comment cette guerre, finalement perdue par l'Angleterre, a-t-elle contribué à faire naître l'identité anglaise moderne ?À travers les batailles, les crises politiques, le Parlement, les ports attaqués, les marchands ruinés et les rêves de conquête de la France, cette émission raconte une autre guerre de Cent Ans : celle vécue depuis Londres, le Kent ou Southampton.Une plongée fascinante dans la naissance de deux nations européennes.Retrouvez-nous sur Youtube : https://www.youtube.com/@TimelineStory2026 Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Pour écouter l'émission en une fois, sans pub, et profiter du Bonus : https://m.audiomeans.fr/s/S-tavkjvmo 4/6 - Pourquoi la guerre de Cent Ans a-t-elle autant marqué l'Angleterre… alors qu'elle se déroulait principalement en France ?Dans cette émission, nous changeons totalement de regard sur l'un des plus grands conflits du Moyen Âge. Oubliez un instant Jeanne d'Arc, Orléans ou les chevaliers français : ici, nous racontons la guerre côté anglais.Comment les habitants d'Angleterre ont-ils vécu cette guerre interminable ? Comment les raids français ont-ils semé la peur sur les côtes anglaises ? Pourquoi les impôts, les réquisitions et le coût des campagnes militaires ont-ils transformé la société anglaise ? Comment Crécy, Poitiers ou Azincourt sont-elles devenues des mythes nationaux ? Et surtout : comment cette guerre, finalement perdue par l'Angleterre, a-t-elle contribué à faire naître l'identité anglaise moderne ?À travers les batailles, les crises politiques, le Parlement, les ports attaqués, les marchands ruinés et les rêves de conquête de la France, cette émission raconte une autre guerre de Cent Ans : celle vécue depuis Londres, le Kent ou Southampton.Une plongée fascinante dans la naissance de deux nations européennes.Retrouvez-nous sur Youtube : https://www.youtube.com/@TimelineStory2026 Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Pour écouter l'émission en une fois, sans pub, et profiter du Bonus : https://m.audiomeans.fr/s/S-tavkjvmo 4/6 - Pourquoi la guerre de Cent Ans a-t-elle autant marqué l'Angleterre… alors qu'elle se déroulait principalement en France ?Dans cette émission, nous changeons totalement de regard sur l'un des plus grands conflits du Moyen Âge. Oubliez un instant Jeanne d'Arc, Orléans ou les chevaliers français : ici, nous racontons la guerre côté anglais.Comment les habitants d'Angleterre ont-ils vécu cette guerre interminable ? Comment les raids français ont-ils semé la peur sur les côtes anglaises ? Pourquoi les impôts, les réquisitions et le coût des campagnes militaires ont-ils transformé la société anglaise ? Comment Crécy, Poitiers ou Azincourt sont-elles devenues des mythes nationaux ? Et surtout : comment cette guerre, finalement perdue par l'Angleterre, a-t-elle contribué à faire naître l'identité anglaise moderne ?À travers les batailles, les crises politiques, le Parlement, les ports attaqués, les marchands ruinés et les rêves de conquête de la France, cette émission raconte une autre guerre de Cent Ans : celle vécue depuis Londres, le Kent ou Southampton.Une plongée fascinante dans la naissance de deux nations européennes.Retrouvez-nous sur Youtube : https://www.youtube.com/@TimelineStory2026 Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Pour écouter l'émission en une fois, sans pub, et profiter du Bonus : https://m.audiomeans.fr/s/S-tavkjvmo 3/6 - Pourquoi la guerre de Cent Ans a-t-elle autant marqué l'Angleterre… alors qu'elle se déroulait principalement en France ?Dans cette émission, nous changeons totalement de regard sur l'un des plus grands conflits du Moyen Âge. Oubliez un instant Jeanne d'Arc, Orléans ou les chevaliers français : ici, nous racontons la guerre côté anglais.Comment les habitants d'Angleterre ont-ils vécu cette guerre interminable ? Comment les raids français ont-ils semé la peur sur les côtes anglaises ? Pourquoi les impôts, les réquisitions et le coût des campagnes militaires ont-ils transformé la société anglaise ? Comment Crécy, Poitiers ou Azincourt sont-elles devenues des mythes nationaux ? Et surtout : comment cette guerre, finalement perdue par l'Angleterre, a-t-elle contribué à faire naître l'identité anglaise moderne ?À travers les batailles, les crises politiques, le Parlement, les ports attaqués, les marchands ruinés et les rêves de conquête de la France, cette émission raconte une autre guerre de Cent Ans : celle vécue depuis Londres, le Kent ou Southampton.Une plongée fascinante dans la naissance de deux nations européennes.Retrouvez-nous sur Youtube : https://www.youtube.com/@TimelineStory2026 Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Pour écouter l'émission en une fois, sans pub, et profiter du Bonus : https://m.audiomeans.fr/s/S-tavkjvmo 3/6 - Pourquoi la guerre de Cent Ans a-t-elle autant marqué l'Angleterre… alors qu'elle se déroulait principalement en France ?Dans cette émission, nous changeons totalement de regard sur l'un des plus grands conflits du Moyen Âge. Oubliez un instant Jeanne d'Arc, Orléans ou les chevaliers français : ici, nous racontons la guerre côté anglais.Comment les habitants d'Angleterre ont-ils vécu cette guerre interminable ? Comment les raids français ont-ils semé la peur sur les côtes anglaises ? Pourquoi les impôts, les réquisitions et le coût des campagnes militaires ont-ils transformé la société anglaise ? Comment Crécy, Poitiers ou Azincourt sont-elles devenues des mythes nationaux ? Et surtout : comment cette guerre, finalement perdue par l'Angleterre, a-t-elle contribué à faire naître l'identité anglaise moderne ?À travers les batailles, les crises politiques, le Parlement, les ports attaqués, les marchands ruinés et les rêves de conquête de la France, cette émission raconte une autre guerre de Cent Ans : celle vécue depuis Londres, le Kent ou Southampton.Une plongée fascinante dans la naissance de deux nations européennes.Retrouvez-nous sur Youtube : https://www.youtube.com/@TimelineStory2026 Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Pour écouter l'émission en une fois, sans pub, et profiter du Bonus : https://m.audiomeans.fr/s/S-tavkjvmo 2/6 - Pourquoi la guerre de Cent Ans a-t-elle autant marqué l'Angleterre… alors qu'elle se déroulait principalement en France ?Dans cette émission, nous changeons totalement de regard sur l'un des plus grands conflits du Moyen Âge. Oubliez un instant Jeanne d'Arc, Orléans ou les chevaliers français : ici, nous racontons la guerre côté anglais.Comment les habitants d'Angleterre ont-ils vécu cette guerre interminable ? Comment les raids français ont-ils semé la peur sur les côtes anglaises ? Pourquoi les impôts, les réquisitions et le coût des campagnes militaires ont-ils transformé la société anglaise ? Comment Crécy, Poitiers ou Azincourt sont-elles devenues des mythes nationaux ? Et surtout : comment cette guerre, finalement perdue par l'Angleterre, a-t-elle contribué à faire naître l'identité anglaise moderne ?À travers les batailles, les crises politiques, le Parlement, les ports attaqués, les marchands ruinés et les rêves de conquête de la France, cette émission raconte une autre guerre de Cent Ans : celle vécue depuis Londres, le Kent ou Southampton.Une plongée fascinante dans la naissance de deux nations européennes.Retrouvez-nous sur Youtube : https://www.youtube.com/@TimelineStory2026 Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Pour écouter l'émission en une fois, sans pub, et profiter du Bonus : https://m.audiomeans.fr/s/S-tavkjvmo 2/6 - Pourquoi la guerre de Cent Ans a-t-elle autant marqué l'Angleterre… alors qu'elle se déroulait principalement en France ?Dans cette émission, nous changeons totalement de regard sur l'un des plus grands conflits du Moyen Âge. Oubliez un instant Jeanne d'Arc, Orléans ou les chevaliers français : ici, nous racontons la guerre côté anglais.Comment les habitants d'Angleterre ont-ils vécu cette guerre interminable ? Comment les raids français ont-ils semé la peur sur les côtes anglaises ? Pourquoi les impôts, les réquisitions et le coût des campagnes militaires ont-ils transformé la société anglaise ? Comment Crécy, Poitiers ou Azincourt sont-elles devenues des mythes nationaux ? Et surtout : comment cette guerre, finalement perdue par l'Angleterre, a-t-elle contribué à faire naître l'identité anglaise moderne ?À travers les batailles, les crises politiques, le Parlement, les ports attaqués, les marchands ruinés et les rêves de conquête de la France, cette émission raconte une autre guerre de Cent Ans : celle vécue depuis Londres, le Kent ou Southampton.Une plongée fascinante dans la naissance de deux nations européennes.Retrouvez-nous sur Youtube : https://www.youtube.com/@TimelineStory2026 Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
What happened after the Battle of Agincourt? How did Henry V's victory turn into a seven-year struggle of sieges, diplomacy, ambition, murder and missed destiny?Matt Lewis is joined by W.B. Bartlett to explore a brutal and often overlooked phase of the Hundred Years' War and why the post-Agincourt years matter so much to medieval, English and French history.MOREThe Battle of AgincourtListen on AppleListen on SpotifyHenry V with Dan JonesListen on AppleListen on SpotifyGone Medieval is presented by Matt Lewis. Audio editor is Amy Haddow, the producer is Rob Weinberg. The senior producer is Anne-Marie Luff.All music used is courtesy of Epidemic Sounds.Gone Medieval is a History Hit podcast.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week, plus ad-free podcasts. Sign up at https://www.historyhit.com/subscribe Hosted on Acast. See acast.com/privacy for more information.
Sent us a text, you dicks!!There are several wars happening in the world now. We don't think all of them are justified. In this episode, we discuss the wars in the canon and whether or not we think those were fair - or just plain idiotic. As Shakespeare said:Now, for our consciences, the arms are fair When the intent of bearing them is just. - Hotspur, Henry IV Part 1, Act 5, Scene 2OrBut if the cause be not good, the King himself hath a heavy reckoning to make, when all those legs and arms and heads, chopped off in a battle, shall join together at the latter day, and cry all “We died at such a place,” some swearing, some crying for a surgeon, some upon their wives left poor behind them, some upon the debts they owe, some upon their children rawly left. I am afeard there are few die well that die in a battle, for how can they charitably dispose of anything when blood is their argument? - Williams, Henry V, Act 4, Scene 1 Or, as Edwin Starr said in his famous song in 1970:War, huh, yeahWhat is it good for?Absolutely nothing, uhhWar, huh, yeahWhat is it good for?To send us an email - please do, we truly want to hear from you!!! - write us at: thebardcastyoudick@gmail.com To support us (by giving us money - we're a 501C3 Non-Profit - helllloooooo, tax deductible donation!!!) - per episode if you like! On Patreon, go here: https://www.patreon.com/user?u=35662364&fan_landing=trueOr on Paypal:https://www.paypal.com/donate/?hosted_button_id=8KTK7CATJSRYJWe also take cash! ;DTo visit our website, go here:https://www.thebardcastyoudick.comTo donate to an awesome charity, go here:https://actorsfund.org/help-our-entertainment-communiity-covid-19-emergency-reliefLike us? Don't have any extra moolah? We get it! Still love us and want to support us?? Then leave us a five-star rating AND a review wherever you get your podcasts!!Support the show
Pour écouter l'émission en une fois, sans pub, et profiter du Bonus : https://m.audiomeans.fr/s/S-tavkjvmo 1/6 - Pourquoi la guerre de Cent Ans a-t-elle autant marqué l'Angleterre… alors qu'elle se déroulait principalement en France ?Dans cette émission, nous changeons totalement de regard sur l'un des plus grands conflits du Moyen Âge. Oubliez un instant Jeanne d'Arc, Orléans ou les chevaliers français : ici, nous racontons la guerre côté anglais.Comment les habitants d'Angleterre ont-ils vécu cette guerre interminable ? Comment les raids français ont-ils semé la peur sur les côtes anglaises ? Pourquoi les impôts, les réquisitions et le coût des campagnes militaires ont-ils transformé la société anglaise ? Comment Crécy, Poitiers ou Azincourt sont-elles devenues des mythes nationaux ? Et surtout : comment cette guerre, finalement perdue par l'Angleterre, a-t-elle contribué à faire naître l'identité anglaise moderne ?À travers les batailles, les crises politiques, le Parlement, les ports attaqués, les marchands ruinés et les rêves de conquête de la France, cette émission raconte une autre guerre de Cent Ans : celle vécue depuis Londres, le Kent ou Southampton.Une plongée fascinante dans la naissance de deux nations européennes.Retrouvez-nous sur Youtube : https://www.youtube.com/@TimelineStory2026 Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Pour écouter l'émission en une fois, sans pub, et profiter du Bonus : https://m.audiomeans.fr/s/S-tavkjvmo 1/6 - Pourquoi la guerre de Cent Ans a-t-elle autant marqué l'Angleterre… alors qu'elle se déroulait principalement en France ?Dans cette émission, nous changeons totalement de regard sur l'un des plus grands conflits du Moyen Âge. Oubliez un instant Jeanne d'Arc, Orléans ou les chevaliers français : ici, nous racontons la guerre côté anglais.Comment les habitants d'Angleterre ont-ils vécu cette guerre interminable ? Comment les raids français ont-ils semé la peur sur les côtes anglaises ? Pourquoi les impôts, les réquisitions et le coût des campagnes militaires ont-ils transformé la société anglaise ? Comment Crécy, Poitiers ou Azincourt sont-elles devenues des mythes nationaux ? Et surtout : comment cette guerre, finalement perdue par l'Angleterre, a-t-elle contribué à faire naître l'identité anglaise moderne ?À travers les batailles, les crises politiques, le Parlement, les ports attaqués, les marchands ruinés et les rêves de conquête de la France, cette émission raconte une autre guerre de Cent Ans : celle vécue depuis Londres, le Kent ou Southampton.Une plongée fascinante dans la naissance de deux nations européennes.Retrouvez-nous sur Youtube : https://www.youtube.com/@TimelineStory2026 Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Orson Welles spent thirty-five years trying to put Sir John Falstaff on screen. Chimes at Midnight (1966) is the result: a film drawn from five Shakespeare plays — primarily the two Henry IV parts, with passages from Richard II, Henry V, and The Merry Wives of Windsor — that lifts Falstaff from comic supporting player to tragic protagonist. Welles plays the knight himself, a lumbering, larger-than-life tavern dweller and unlikely father figure to Prince Hal (Keith Baxter), heir to the guilt-haunted Henry IV (John Gielgud). When Hal must choose between loyalty to Falstaff and the demands of the crown, the film becomes what Welles called a lament "for the death of Merrie England." Dismissed by critics on its 1966 Cannes premiere and barely distributed in the United States, the film spent decades trapped in rights disputes — finally reaching audiences properly through the Janus Films/Criterion restoration in 2016.Mike talks with Spencer Parsons and David MacGregor about the film's three-decade gestation across stage and screen, the filmmaking ingenuity behind its legendary Battle of Shrewsbury sequence, the autobiographical dimensions of Welles's performance, and why Chimes at Midnight now stands for many critics as the greatest Shakespeare film ever made.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth
Orson Welles spent thirty-five years trying to put Sir John Falstaff on screen. Chimes at Midnight (1966) is the result: a film drawn from five Shakespeare plays — primarily the two Henry IV parts, with passages from Richard II, Henry V, and The Merry Wives of Windsor — that lifts Falstaff from comic supporting player to tragic protagonist. Welles plays the knight himself, a lumbering, larger-than-life tavern dweller and unlikely father figure to Prince Hal (Keith Baxter), heir to the guilt-haunted Henry IV (John Gielgud). When Hal must choose between loyalty to Falstaff and the demands of the crown, the film becomes what Welles called a lament "for the death of Merrie England." Dismissed by critics on its 1966 Cannes premiere and barely distributed in the United States, the film spent decades trapped in rights disputes — finally reaching audiences properly through the Janus Films/Criterion restoration in 2016.Mike talks with Spencer Parsons and David MacGregor about the film's three-decade gestation across stage and screen, the filmmaking ingenuity behind its legendary Battle of Shrewsbury sequence, the autobiographical dimensions of Welles's performance, and why Chimes at Midnight now stands for many critics as the greatest Shakespeare film ever made.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth
All's Well That Ends Well: Michael Bradshaw Flynn On Bringing Back the BardFifteen years ago, staging Shakespeare in Scranton sounded improbable to plenty of people, especially to some New York theater types.The original production was intended as a one-time public performance of A Midsummer Night's Dream in Nay Aug Park. Organizers hoped a modest audience would turn out for the celebrated Bard.Instead, more than 1,000 people packed into the park. In this episode of HarmonyTALK, host Lisa Champeau speaks with Scranton Shakespeare Festival co-founder Michael Bradshaw Flynn about the unlikely evolution of the festival from a free outdoor performance into a permanent arts organization producing musicals, Shakespeare, new works, and youth programming in downtown Scranton and Northeast Pennsylvania.Flynn discusses balancing a career between New York and Northeastern Pennsylvania, working on Broadway productions including The Front Page, It's Only a Play, and The Nance, (with Nathan Lane) and why regional theater still matters at a time when arts organizations across the country face shrinking audiences and financial instability.The conversation traces Flynn's early immersion in theater through Arts Alive, the Scranton Cultural Center, and local summer stock programs, as well as the influence of a family steeped in storytelling traditions.Now entering its 15th season under the theme Faith, the Scranton Shakespeare Festival will present Much Ado About Nothing, Carousel, Henry V, Saint Joan, Jesus Christ Superstar, youth ensemble productions, and a 15th anniversary gala.For more information, visit https://www.scrantonshakes.com/@Scranton Shakespeare Festival@Michael Bradshaw Flynn@Lisa Champeau@WVIA
Asiantuntijoina Heidi Kinnunen, Jaakko Kullberg, Juha Laaksonen, Ari Saura ja Henry Väre. Juontajana Minna Pyykkö.
Rachel and Dr. Movies implore you to join them for their most sophisticated episode yet as they dive into Shakespeare on film!
VirtualDJ Radio TheGrind - Channel 2 - Recorded Live Sets Podcast
Live Recorded Set from VirtualDJ Radio TheGrind
Meillä pohjoisessa puut viettävät jopa puolet vuodesta lepotilassa, mutta keväällä puut heräävät eloon. Pitkän talven jälkeen luulisi, että puut kaipaavat ravintoa, mutta sen sijaan ne keskittyvät lisääntymiseen. On jopa sanottu, että kevät on puillakin kiima-aikaa. Puiden herättyä muu luonto seuraa perässä. Puiden kevät mullistaa koko Suomen luonnon - maastamme jopa kolme neljäsosaa on metsää. Mitä puissa tapahtuu, kun ne heräävät henkiin talven jälkeen? Onko pihassasi tai lähimetsässä sinulle tärkeä puu, josta haluaisit tietää lisää? Kuulijoiden kysymyksiin vastaavat arboristi Sami Kiema, professori Kurt Fagerstedt ja dosentti Henry Väre. Juontajina Markku Sipi ja Hanna Kataja-Rahko. Suoran lähetyksen aikana voit soittaa 0203 17 600 (pvm/mpm) tai lähettää WhatsApp-viestin 040 14 55 666. Kuva: Joakim Finell / Unsplash
VirtualDJ Radio TheGrind - Channel 2 - Recorded Live Sets Podcast
Live Recorded Set from VirtualDJ Radio TheGrind
RNIB Connect Radio's Toby Davey is joined again by Vidar Hjardeng MBE, Inclusion and Diversity Consultant for ITV News across England, Wales, Northern Ireland and the Channel Islands for another audio described theatre review. This time we have Shakespeare's retelling of the initial phase of the Lancastrian war, part of the hundred years war as RSC Co-Artistic Director Tamara Harvey directs Alfred Enoch as Henry V at the Royal Shakespeare Company in Stratford-upon-Avon with description by Professional Audio Describers Carolyn Smith and Ellie Packer.About ‘Henry V'From a rebellious, carefree young man to the King of England. Overnight. And now this new king has an eye on the throne of France. A reckless insult from the French Dauphin offers the perfect excuse for Henry V to declare war. But there's a human price to pay for his pursuit of power and thousands could die at Agincourt. Henry must unite his country, defeat the French, and prove himself worthy of the crown of England. Does he have what it takes? For more about access at the Royal Shakespeare Company including details of audio described performances of their productions do visit - https://www.rsc.org.uk/your-visit/access(Image shows the RNIB Connect Radio logo. On a white background ‘RNIB' written in bold black capital letters and underlined with a bold pink line. Underneath the line: ‘Connect Radio' is written in black in a smaller font)
Is Shakespeare still Shakespeare even if every word is changed? While Shakespeare's work is often hailed for its universality, its meter, metaphor, and wordplay pose special challenges for translators. How do you convey the rhythm and spirit of Shakespeare's words in a language that follows fundamentally different rules? Author and translator Daniel Hahn explores these questions in his book, If This Be Magic: The Unlikely Art of Shakespeare in Translation. He interviews translators from around the world, providing unique perspectives on Shakespeare's language and impact. Some of Shakespeare's best-known lines can prove the most difficult to capture, like Henry V's “We few, we happy few, we band of brothers.” Even something seemingly simple like Lady Macbeth's “Are you a man?” may be tricky to translate when the word “man” carries different connotations in different languages. In this episode, Hahn dives into the challenges and rewards of translating Shakespeare, exploring not only what is lost in translation, but also what is gained.
VirtualDJ Radio TheGrind - Channel 2 - Recorded Live Sets Podcast
Live Recorded Set from VirtualDJ Radio TheGrind
Asiantuntijoina Heidi Kinnunen, Jaakko Kullberg, Juha Laaksonen, Ari Saura ja Henry Väre. Juontajana Minna Pyykkö.
VirtualDJ Radio TheGrind - Channel 2 - Recorded Live Sets Podcast
Live Recorded Set from VirtualDJ Radio TheGrind
In Shakespeare's plays, we see 6 total references to tennis. Polonius mentions an argument over a tennis game in Hamlet. Henry V and Pericles talk about tennis courts and there's even a couple of references to "tennis balls" showing up in Shakespeare's other plays, talking about them being played with at the game of tennis, as well as being stuffed as part of the process of making a tennis ball. We can tell that Shakespeare and his contemporaries knew about the game of tennis, but where did it come from? How was it played? Do we know anything about these tennis courts they used? To find out more about the history of tennis from Shakespeare's lifetime, today we're talking with Laurence Grove. Laurence is a Professor of French and Text/Image Studies at the University of Glasgow, and was recently the guest expert for an article inside PBS's report into newly discovered images that reveal some interesting new findings about the 16th century history of tennis. Laurence joins us today to share these findings, as well as to explain what tennis would have been like for Shakespeare.
A new series on Royals, Rebels, and Romantics!Leadership Lessons from History and Shakespeare.This week we take a deep dive into Shakespeare's Henry V and why listening is a leader's superpower.Carol Ann LloydTEDx talk: https://www.youtube.com/watch?v=bVWJml2otH0 @shakeuphistoryhttps://carolannlloyd.com/ https://patreon.com/carolannlloydhttps://bookshop.org/shop/carolannThe Tudors by NumbersCourting the Virgin QueenSupport the showHistory reveals what's possible.
We complete our three-part series on Laurence Olivier's Shakespeare adaptations with a discussion of his 1944 version of Henry V. Listen to the full episode at patreon.com/barnaclecast
VirtualDJ Radio TheGrind - Channel 2 - Recorded Live Sets Podcast
Live Recorded Set from VirtualDJ Radio TheGrind
VirtualDJ Radio TheGrind - Channel 2 - Recorded Live Sets Podcast
Live Recorded Set from VirtualDJ Radio TheGrind
Beyond the Page: The Best of the Sun Valley Writers’ Conference
Did you know that Edward III's last parliament invented impeachment? That cancel culture in universities actually began at Oxford and in Paris in the 14th Century? That Edward II's parties would have made Diddy's freak-offs look like kindergarten parties by comparison? And then there's the Magna Carta, which supposedly limited the power of the monarchy and established the principle that everyone, including the king, is subject to the law. In this episode – recorded live at the 2025 conference – bestselling British historian Dan Jones, author of such books as The Plantagenets, The Templars, and Henry V, and host of the podcast This Is History, brings us in riveting fashion into the weirdly prescient now of the Middle Ages. Photo credit: Ray J. Gadd Learn more about your ad choices. Visit megaphone.fm/adchoices
Renaissance English History Podcast: A Show About the Tudors
In 1419, Joan of Navarre, dowager queen of England and stepmother to Henry V, was arrested for witchcraft and necromancy. There was no trial. Her income was seized immediately. And Henry V, the king she supposedly tried to murder with wax figures and dark magic, freed her on his deathbed and wrote that he feared for his soul because of what he had done to her. So what actually happened? Joan's story takes us from the court of her father Charles the Bad, through two marriages and a regency, to one of the most cynical financial scams in medieval English history. Henry V needed money for his French campaigns. Joan was sitting on roughly ten percent of the entire Crown's annual revenue. And someone, somewhere, found a way to make that a treason charge. This is the story of a woman history forgot, and the king who made sure she'd be forgotten. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week Beau begins to chat all about the life and career of Henry VI, who ascended to the English throne upon the death of his father Henry V, when he was under twelve months old. In this episode he discusses the end of the Hundred Years War and The Maid of Orleans; Joan of Arc.
Thu, 26 Feb 2026 17:15:00 GMT http://relay.fm/conduit/122 http://relay.fm/conduit/122 Kathy Campbell and Jay Miller Jay is gone again, so Kathy brings back Merlin Mann to discuss productivity porn as well as a ton of other topics of import. Jay is gone again, so Kathy brings back Merlin Mann to discuss productivity porn as well as a ton of other topics of import. clean 5583 Jay is gone again, so Kathy brings back Merlin Mann to discuss productivity porn as well as a ton of other topics of import. Guest Starring: Merlin Mann Links and Show Notes: Checked Connections - Merlin ✅ - Working on collecting the old sites and Fives list - Kathy ✅ - Get ready for unicorning cowork Keep sending those MyConduit Connections to us on Discord and through Feedback! New Connections - Merlin - Keep working on the site thing - Kathy - Take things to the post office For Our Super Conductors: Pre-Show: LIDar on iOS. How do you know if you're ladder is against the right wall? Post-Show: Embracing the chaos Credits Music: When You Smile Executive Producers: Relay FM Discord Community Conduit e122 Links Merlin's One Good Things Where Everybody Knows Your Name: Judy Greer (Ted Danson, Conan O'Brien Network) -- "I went in thinking, oh, this looks really good, and I ended up liking it probably twice as much as I expected." Judy Greer -- Cheryl/Carol on Archer, Kitty Sanchez on Arrested Development. "It was neat to hear her talk about how important it was for her to get better at acting." Typora -- WYSIWYG Markdown editor ($15). "A really nice balance of what I'm looking for" -- discovered through the 5ives redesign work with Claude. Judi Dench speech on The Graham Norton Show -- "Made me cry." Kathy's One Good Thing Flavor Flav sponsoring the US women's hockey team -- Vegas celebration for the gold-medal team. Merlin responded by rapping "Bring the Noise" from memory. Merlin's Shows Do By Friday (with Alex Cox) Reconcilable Differences (with John Siracusa) Roderick on the Line (with John Roderick) Productivity / Publishing Inbox Zero -- "I'm the inbox zero guy." Merlin originated the concept; the world turned it into a marketing term. 43folders.com -- "In 2004, there were not a lot of websites about how to deal with your productivity problems as a Mac user." Back to Work (5by5) -- former podcast David Allen / Getting Things Done -- "He claims he's the laziest man in the world, and I've always admired that he says that." Danny O'Brien and the 2005 ETech "Life Hacks" talk -- "Danny and I are both so addled and odd and different... his energy was just incandescent to be around." The conference where Merlin's laptop had Wi-Fi for the first time. Site Meter -- "There's your life before site meter and your life after site meter." The little GIF badge that counted page loads and launched a million blog vanity spirals. 5ives & Typography 5ives -- Merlin's list site (2002), 450 lists, being revived. "I'm pleased with myself. I like that I made four hundred and fifty lists that some people thought were funny in the 2000s." Matthew Butterick -- fonts, Practical Typography. "One of those people where I'm just interested in your deal," like Simon Willison or Edgar Wright. Merlin bought the entire font set during a bout of situational depression and is finally using them for the 5ives redesign. Movies & TV The Hollow Crown (BBC) -- Trailer. "Look at that stacked cast." Ben Whishaw, Tom Hiddleston, Sophie Okonedo, Rory Kinnear. Merlin told Kathy to buy it on Apple TV "or I can pirate it for you." Kenneth Branagh's Henry V (1989) -- "My number one movie that I recommend." "You don't even need to understand what they're saying. It'll still give you shivers." Mark Rylance: St. Crispin's Day speech at the Globe -- "It gives you a different kind of shivers, like a different part of your neck and your back." Merlin recited part of the speech from memory. The Death of Stalin (2017) -- "A very dark, very funny film" by Armando Iannucci. Veep / The Thick of It -- "It's gonna be difficult difficult lemon difficult." Both Iannucci. Led to Merlin imagining Matthew Butterick as a Veep restaurant reservation alias. Women Talking (2022) / Men (2022) -- Merlin's suggested double feature for mom's night. "Start with Women Talking, back with Men." Jessie Buckley, Rory Kinnear. Our Flag Means Death -- Merlin named his Mac Studio "Buttons" after Ewen Bremner's Mr. Buttons ("the guy from Trainspotting"). Rhys Darby, Kristian Nairn ("Hodor's on there. He's a big fella."). Fantastic Mr. Fox (2009) -- "Just to be available." Merlin's favorite line, from Mr. Kylie the possum wanting to know his job in the big plan. Music Vikingur Olafsson: Goldberg Variations (Deutsche Grammophon, 2023) -- Merlin's current obsession. "I care so intensely about that." Discovered after years of only knowing Glenn Gould. Glenn Gould: 1955 vs. 1981 Goldberg Variations -- The famous pair: 38 minutes of youthful showmanship vs. 51 minutes of deliberate structure. Public Enemy -- "Bring the Noise" -- Merlin rapped the full opening verse from memory when Kathy mentioned Flavor Flav. "Bass, how low can you go?" Poetry Gwendolyn Brooks -- "We Real Cool" (video of her 1983 Guggenheim reading) -- "We real cool. We jazz June. We die soon." Merlin on hearing poetry "in the air" vs. on the page. Sylvia Plath -- "Daddy" (her 1962 BBC recording) -- "You do not do, you do not do... you really hear something you didn't see on the page." Books & Podcasts Bessel van der Kolk on The Ezra Klein Show -- "One of my all-time favorite podcast episodes. It changed my life. Everything you know about trauma is screwing you up." Off Menu -- celebrities describe their dream meal. The Amanda Seyfried episode taught Merlin about a kind of olive he now puts on Brussels sprouts. Mr. Show with Bob and David -- source of the "hey everybody" drum bit Merlin does throughout. "I'm very, very, very specifically stealing it from a bit about the new Ku Klux Klan." Blank Check (Griffin Newman) -- source of "the great ___" bit. "I'll credit Griffin Newman for that bit." People James Thompson (PCalc, Dice by PCalc) -- "What if twenty-sided dice fell on your head?" Merlin on how James finds delight in close-to-the-metal Apple tech. Armando Iannucci -- "If you like English nerd comedy, he's really something." Simon Willison, Matt Webb, danah boyd -- people Merlin follows because "I'm just interested in your deal." Edgar Wright -- "I will just show up because I'm interested in what he's up to. I don't even care if I like his movie." Ecamm Live -- streaming app Kathy uses for her unicorn co-working sessions. Pre-Show (Superconductors only) LiDAR accessibility features on iPhone -- Merlin fiddled with it on the street, "pointing his phone at people for a very long time." Apple's breathing sleep LED -- the MacBook pulsing light. Kathy: "So relaxing, so unnecessary and delightful." Apple researched sleeping respiratory rates and chose the calmest end of the spectrum. Erich Brenn, plate spinner, on The Ed Sullivan Show -- the origin of "spinning plates" as a metaphor. 8 appearances in the 1950s-60s. Support Conduit with a Relay Membership
It was a conflict that raged on for years, shifting alliances, remaking warfare, and changing the political and economic landscape of Europe forever. Michael Livingston deep into the history of what we call "The Hundred Years War," revealing conflicts and battles that raged for two centuries that laid the foundation of the modern world.https://www.michaellivingston.com/ Show Notes:Michael Livingstonhttps://www.michaellivingston.com/ https://www.michaellivingston.com/the-blog/ https://bsky.app/profile/medievalguy.bsky.social https://www.facebook.com/michael.d.livingston https://x.com/medievalguy https://www.instagram.com/livingstonphd/Bloody Crowns: A New History of the Hundred Years WarAgincourt: Battle of the Scarred KingCrécy: Battle of Five KingsCarol Ann Lloydwww.carolannlloyd.com@shakeuphistorypatreon.com/carolannlloyd The Tudors by NumbersCourting the Virgin QueenSupport the showHistory reveals what's possible.
How could England be ruled when the king was just a baby? When Henry VI came to the throne at nine months old, the hunger for power among his Plantagenet uncles spilled into violence. 600 years ago, in February 1426, parliament even moved to Leicester to avoid mob violence in London. Even so, MPs armed themselves with wooden bats and clubs. What happened next?Matt Lewis and Dr. Hannes Kleineke explore one of the most explosive parliaments in English history and an episode that presaged the Wars of the Roses.MORE:How Parliament Came to WestminsterListen on AppleListen on SpotifyHenry V with Dan JonesListen on AppleListen on SpotifyGone Medieval is presented by Matt Lewis. Edited and produced by Rob Weinberg. The senior producer is Anne-Marie Luff.All music used is courtesy of Epidemic Sounds.Gone Medieval is a History Hit podcast.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. Hosted on Acast. See acast.com/privacy for more information.
Many Shakespeare fans don't think of themselves as “math people.” They're theater kids, poetry lovers, bookworms, right? But in Shakespeare's world, math and literature were deeply intertwined. In Much Ado About Numbers: Shakespeare's Mathematical Life and Times, mathematician Rob Eastaway explores how mathematical thinking shaped Shakespeare's language and imagination. Shakespeare lived at a moment of major intellectual change, when England was newly encountering Indo-Arabic numerals, experimenting with new systems of calculation, and redefining ideas of measure and proportion. Eastaway shows how Shakespeare delighted in numbers and patterns, playing with “scores,” fractions, and symmetry in works like Othello, Henry V, Romeo and Juliet, and The Winter's Tale. Even familiar references to “nothing,” time, and music take on new meaning when viewed through a mathematical lens. In this episode, Eastaway reveals how math was woven into everyday life in Shakespeare's time and how reading with our “math glasses” on can offer fresh insights into Shakespeare's language.
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