Podcasts about midsummer night

☀️⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Summer Sanctuary⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is now open! Join me June 24-Aug 14 in a protected wildlife preserve for your Natural Self.I made you a ⁠⁠⁠⁠⁠⁠⁠FREE companion guide⁠⁠⁠⁠⁠⁠⁠ for this episode! This FREE instant access PDF will give you 14 easy and enjoyable ways to celebrate the Summer Solstice + 6 journal prompts to help you reflect and process the inspiration of this season. Litha marks the Summer Solstice, the longest day of the year, and it's a time when fertile energy is at its peak, and all around us, new life is rapidly growing. It celebrates the growing crops, the Sun, abundance, the beauty of Mother Earth, and the first day of Summer! Did you know?More commonly referred to as Midsummer's Night, Litha is believed to be a time when faerie folk pass into the human world at Twilight and offer blessings, and sometimes mischief. If you're familiar with Shakespeare's A Midsummer Night's Dream, this is a great example of the mischief the faeries do to interfere with humans just for fun.Even though the exact dates are June 19-23, we can celebrate this whole season. In this episode, you'll learn...the origins, history, and symbolism of Lithawhat Nature is modeling for us physically, spiritually, and energetically, and how we can align14 easy and enjoyable ways to celebrate Litha6 journal prompt themes to help you reflect and process the inspiration of this seasonOther episodes mentioned:-229. How to Rewrite and Rewild Your Relationship with Your Cycle - with Em Dewey -228. The 4 Feminine Archetypes - what's yours? -227. Using the superpowers of your menstrual & moon cycle to enjoy your life moreHow we can walk together:Join the next women's circle, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Summer Sanctuary⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, June 24-Aug 14.More of a one-on-one person? I love that too! Learn more ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Let's connect on⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!Grab any of my Free Resources ⁠⁠⁠⁠⁠⁠⁠here.⁠⁠Sign up for a free curiosity call ⁠here.

Fluent Fiction - Swedish: Bidding for Memories: A Midsummer Night's Auction Tale Find the full episode transcript, vocabulary words, and more:fluentfiction.com/sv/episode/2026-06-13-07-38-19-sv Story Transcript:Sv: Den varma sommarkvällen i Stockholm var fylld av förväntan.En: The warm summer evening in Stockholm was filled with anticipation.Sv: Inne i Stockholms konstmuseum hördes eleganta röster och klirret från champagneglas.En: Inside Stockholms konstmuseum, elegant voices and the clinking of champagne glasses could be heard.Sv: Linnea, en ung konstentusiast från Göteborg, rörde sig försiktigt mellan konstverken.En: Linnea, a young art enthusiast from Göteborg, moved cautiously between the artworks.Sv: Hennes hjärta bultade av både nervositet och spänning.En: Her heart pounded with both nervousness and excitement.Sv: Det var Midsommar och museet höll en välgörenhetskonstauktion.En: It was Midsommar and the museum was holding a charity art auction.Sv: Linnea hade rest till Stockholm för att fira denna speciella högtid.En: Linnea had traveled to Stockholm to celebrate this special holiday.Sv: Men hennes tankar var på något annat.En: But her thoughts were elsewhere.Sv: Ett visst konstverk hade fångat hennes blick.En: A particular artwork had caught her eye.Sv: Det målade stycket påminde henne om hennes farmor.En: The painted piece reminded her of her grandmother.Sv: Farmor brukade måla vackra landskap, fyllda med liv och färg.En: Grandmother used to paint beautiful landscapes, filled with life and color.Sv: Farmor hade nyligen gått bort, och Linnea kände en stark längtan efter att ha något som bevarade minnet av henne.En: Grandmother had recently passed away, and Linnea felt a strong longing to have something that preserved the memory of her.Sv: Auktionen började.En: The auction began.Sv: Folk skrattade och pratade.En: People laughed and talked.Sv: Linnea kände sig lite utanför.En: Linnea felt a little out of place.Sv: Hon hade en begränsad budget och visste att auktioner kunde bli kostsamma.En: She had a limited budget and knew that auctions could get expensive.Sv: Hennes vänner, Erik och Karin, hade följt med som stöd.En: Her friends, Erik and Karin, had accompanied her for support.Sv: De stod bredvid henne, och viskade uppmuntrande ord.En: They stood next to her, whispering encouraging words.Sv: "Du klarar det," sa Erik, medan Karin nickade instämmande.En: "You can do it," said Erik, while Karin nodded in agreement.Sv: Linnea tittade på det målade landskapet en gång till.En: Linnea looked at the painted landscape once more.Sv: Priset hade redan stigit, och hon visste att hon snart var tvungen att bestämma sig.En: The price had already risen, and she knew she had to make a decision soon.Sv: Skulle hon överskrida sin budget för något som betydde så mycket för henne, eller skulle hon låta det glida bort?En: Would she exceed her budget for something that meant so much to her, or would she let it slip away?Sv: Hennes händer skakade när hon höjde sin budtavla en sista gång.En: Her hands shook as she raised her bid paddle one last time.Sv: Det var ett nervöst beslut, men hon såg målningen som mer än ett konstverk.En: It was a nervous decision, but she saw the painting as more than just an artwork.Sv: Det var en del av hennes farmor.En: It was a part of her grandmother.Sv: Auktionären ropade ut det nya budet och tystnaden sänkte sig.En: The auctioneer announced the new bid and silence fell.Sv: "Tredje och sista...En: "Third and final...Sv: Såld!"En: Sold!"Sv: ropade auktionären och pekade mot Linnea.En: shouted the auctioneer, pointing towards Linnea.Sv: Hennes hjärta rusade av glädje och skräck.En: Her heart raced with joy and fear.Sv: Hon hade använt nästan hela sina sparpengar, men det kändes rätt.En: She had spent almost all her savings, but it felt right.Sv: Med tavlan i händerna kände hon en varm känsla av tröst.En: With the painting in her hands, she felt a warm sense of comfort.Sv: Hon visste nu att minnen var viktiga, och ibland värda varje krona.En: She now understood that memories are important, and sometimes worth every penny.Sv: När kvällen fortsatte, och solen sakta sänkte sig över Stockholm, kände Linnea sig mer självsäker.En: As the evening continued, and the sun slowly set over Stockholm, Linnea felt more confident.Sv: Med tavlan säkert i famnen förstod hon vikten av att vårda det som betyder mest.En: With the painting safely in her arms, she understood the importance of cherishing what means the most.Sv: Hon log mot Erik och Karin, tacksam för deras stöd.En: She smiled at Erik and Karin, grateful for their support.Sv: Linnea hade inte bara tagit med sig en bit av farmor hem, hon hade också funnit en ny styrka inom sig.En: Linnea had not only brought a piece of her grandmother home, she had also found a new strength within herself.Sv: Den magiska midsommarkvällen i Stockholm hade blivit ett minne som hon skulle bära med sig för alltid.En: That magical midsummer evening in Stockholm had become a memory she would carry with her forever. Vocabulary Words:anticipation: förväntanelegant: elegantaclinking: klirretenthusiast: konstentusiastcautiously: försiktigtartwork: konstverkpounded: bultadenurvousness: nervositetexcitement: spänningauction: auktionlimited: begränsadbudget: budgetaccompanied: följt medwhispering: viskadeencouraging: uppmuntrandeexceed: överskridadecision: beslutauctioneer: auktionärensilence: tystnadenshouted: ropaderaced: rusadejoy: glädjefear: skräcksavings: sparpengarcomfort: tröstcherishing: vårdagrateful: tacksamstrength: styrkamagical: magiskamemory: minne

Teaching Shakespeare's Theatre of the World (Cambridge University Press, 2025) engages with one of Shakespeare's greatest thought-experiments: How does one navigate the 'theatre of the world'? It invites students to examine how Shakespeare challenges this metaphor's vertical hierarchies in response to shifting understandings of cosmological order. Teachers will find rich contextual frameworks for exploring how Shakespeare envisions 'worlds' as emerging from dynamic variables, raising urgent questions about how identity and justice are environmentally constructed. Focal plays include A Midsummer Night's Dream, As You Like It, Hamlet, Henry V, The Merchant of Venice, and Othello. Each discussion features student centered 'Explorations'. These play-specific classroom activities can also be adapted across Shakespeare's corpus and tailored for both secondary and university-level students. These exercises encourage non-linear critical and creative thinking, inviting students to contemplate big ideas and generate new perspectives about the shared points of contact between Shakespeare's world and their own. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Teaching Shakespeare's Theatre of the World (Cambridge University Press, 2025) engages with one of Shakespeare's greatest thought-experiments: How does one navigate the 'theatre of the world'? It invites students to examine how Shakespeare challenges this metaphor's vertical hierarchies in response to shifting understandings of cosmological order. Teachers will find rich contextual frameworks for exploring how Shakespeare envisions 'worlds' as emerging from dynamic variables, raising urgent questions about how identity and justice are environmentally constructed. Focal plays include A Midsummer Night's Dream, As You Like It, Hamlet, Henry V, The Merchant of Venice, and Othello. Each discussion features student centered 'Explorations'. These play-specific classroom activities can also be adapted across Shakespeare's corpus and tailored for both secondary and university-level students. These exercises encourage non-linear critical and creative thinking, inviting students to contemplate big ideas and generate new perspectives about the shared points of contact between Shakespeare's world and their own. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Teaching Shakespeare's Theatre of the World (Cambridge University Press, 2025) engages with one of Shakespeare's greatest thought-experiments: How does one navigate the 'theatre of the world'? It invites students to examine how Shakespeare challenges this metaphor's vertical hierarchies in response to shifting understandings of cosmological order. Teachers will find rich contextual frameworks for exploring how Shakespeare envisions 'worlds' as emerging from dynamic variables, raising urgent questions about how identity and justice are environmentally constructed. Focal plays include A Midsummer Night's Dream, As You Like It, Hamlet, Henry V, The Merchant of Venice, and Othello. Each discussion features student centered 'Explorations'. These play-specific classroom activities can also be adapted across Shakespeare's corpus and tailored for both secondary and university-level students. These exercises encourage non-linear critical and creative thinking, inviting students to contemplate big ideas and generate new perspectives about the shared points of contact between Shakespeare's world and their own. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Teaching Shakespeare's Theatre of the World (Cambridge University Press, 2025) engages with one of Shakespeare's greatest thought-experiments: How does one navigate the 'theatre of the world'? It invites students to examine how Shakespeare challenges this metaphor's vertical hierarchies in response to shifting understandings of cosmological order. Teachers will find rich contextual frameworks for exploring how Shakespeare envisions 'worlds' as emerging from dynamic variables, raising urgent questions about how identity and justice are environmentally constructed. Focal plays include A Midsummer Night's Dream, As You Like It, Hamlet, Henry V, The Merchant of Venice, and Othello. Each discussion features student centered 'Explorations'. These play-specific classroom activities can also be adapted across Shakespeare's corpus and tailored for both secondary and university-level students. These exercises encourage non-linear critical and creative thinking, inviting students to contemplate big ideas and generate new perspectives about the shared points of contact between Shakespeare's world and their own. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/education

Teaching Shakespeare's Theatre of the World (Cambridge University Press, 2025) engages with one of Shakespeare's greatest thought-experiments: How does one navigate the 'theatre of the world'? It invites students to examine how Shakespeare challenges this metaphor's vertical hierarchies in response to shifting understandings of cosmological order. Teachers will find rich contextual frameworks for exploring how Shakespeare envisions 'worlds' as emerging from dynamic variables, raising urgent questions about how identity and justice are environmentally constructed. Focal plays include A Midsummer Night's Dream, As You Like It, Hamlet, Henry V, The Merchant of Venice, and Othello. Each discussion features student centered 'Explorations'. These play-specific classroom activities can also be adapted across Shakespeare's corpus and tailored for both secondary and university-level students. These exercises encourage non-linear critical and creative thinking, inviting students to contemplate big ideas and generate new perspectives about the shared points of contact between Shakespeare's world and their own.

Send us Fan MailNOTE: SIX of the titles will release August 4th, instead of July 28th: Random Harvest, The Sisters, Presenting Lily Mars, Macao, A Midsummer Night's Dream, and The Seventh Cross.July's Warner Archive lineup spans Technicolor adventure, razor-sharp noir, pre-Code troublemaking, MGM romance, big-studio prestige, and WWII realism, all framed by what it takes to bring classic films to Blu-ray. We share what's new in the restorations, what extras make each disc worth owning, and why these titles still delight us decades later. Moviezyng JULY pre-orders are now available.Moviezyng link: Letty Lynton (1932) DVDAmazon pre-orders: still pending Moviezyng Affiliate LinkThe Extras Facebook pageThe Extras TV YouTube ChannelThe Extras Twitter Warner Archive & Warner Bros Catalog GroupJoin our new public Facebook Group for Warner Archive Animation Fans and get the latest update on all the releases.As an Amazon and Moviezyng Affiliate, The Extras may receive a commission for purchases through our purchase links.  There is no additional cost to you, and every little bit helps us in the production of the podcast.  Thanks in advance.Otaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers.  Contact us today to see how we can work together to achieve your goals.  info@theextras.tv

Corinium has a star for their live production of A Midsummer Night's Dream....Maud O'Hara! While Declan and the Venturer crew try their hardest to make it through such a direct attack, Lizzie goes for a dip. Taggie knocks back a few shots and dances the night away. Rupert tends to his field. To support the LoG on Patreon visit: https://www.patreon.com/lordsofgrantham To buy LoG Merchandise visit: https://www.teepublic.com/user/lords-of-grantham-podcast Listen to “Monster in the Mirror” by Tempest Edge: https://open.spotify.com/album/49AfIwOPPsmgYfz3p4uEAn?si=6ScIXxgWSpWQ8uFnhF62Mg

In this special bonus episode of the Anglotopia Podcast, Jonathan Thomas launches an experimental new monthly format: a London events guide covering what's actually on in the city this month. June is arguably London's finest month — 16 to 17 hours of daylight, the longest evenings of the year, and an events calendar absolutely bursting at the seams. Jonathan walks through everything worth knowing about June in London: the major royal events including Trooping the Colour and Royal Ascot, the blockbuster summer exhibitions at Tate Modern, Tate Britain, the Royal Academy, the National Portrait Gallery, the V&A, and more, plus what's on in London theater from Shakespeare's Globe to the West End, live music at Wembley and the Roundhouse, and practical tips for surviving — and thriving in — a London heat wave. If this episode proves popular, Jonathan will make it a monthly fixture. Let him know what you think in the comments. Links Royal Events ~Trooping the Colour — Official Info~ ~Royal Ascot~ ~Wimbledon Tickets & Ballot~ ⠀Exhibitions — Book Ahead ~Frida Kahlo at Tate Modern~ ~Royal Academy Summer Exhibition (opens June 16)~ ~Anish Kapoor Retrospective at Hayward Gallery (opens June 16)~ ~Marilyn Monroe at National Portrait Gallery~ ~Barbara Hepworth at the Courtauld Gallery (from June 1)~ ~Schiaparelli: Fashion Becomes Art at the V&A~ ~Wes Anderson Exhibition at the Design Museum~ ~James McNeill Whistler Retrospective at Tate Britain~ ~The Queen's Fashion at The King's Gallery~ (sold out through 2026 — book 2027 dates now) ~Inside Aardman: Wallace & Gromit at Young V&A~ ~Hokusai: 36 Views of Mount Fuji at Dulwich Picture Gallery~ (closes June 30) ⠀Theater ~A Midsummer Night's Dream at Regent's Park Open Air Theatre (from June 20)~ ~Much Ado About Nothing at Shakespeare's Globe (from June 11)~ ~To Kill a Mockingbird — New West End Adaptation (opens June 25)~ ~Cyrano de Bergerac — West End (opens June 13)~ ~Buy West End Tickets via Anglotopia's Link~ (supports Anglotopia) ~TKTS Booth at Leicester Square — Half-Price Day Tickets~ ⠀Long-Running West End Shows The Lion King Hamilton Wicked Les Misérables Matilda Mamma Mia Six Harry Potter and the Cursed Child (almost always sold out — book well ahead) Sinatra — The Musical ⠀Live Music Harry Styles at Wembley Stadium (from June 12) Olivia Dean at the O2 (from June 12) Orville Peck at the Roundhouse, Camden ⠀Practical Resources ~National Gallery Extended Summer Hours (from July 1)~ ~Londontopia London Events Calendar~ ~Argos UK — Buy a Fan on Arrival~ ~Anglotopia June London Events Article~ (link to article) ~Friends of Anglotopia Club~ ⠀ Takeaways June is arguably London's best month to visit — 16 to 17 hours of daylight, reliably pleasant weather, and the richest events calendar of the year, though it is also peak tourist season with hotel prices running 20 to 40 percent above spring rates. Trooping the Colour — the monarch's official birthday parade — is the major royal event of the year in 2026. Even without a ballot ticket to Horse Guards Parade, you can experience the procession on the Mall and the balcony appearance at Buckingham Palace by arriving very early and staking out a good spot. Every major summer blockbuster exhibition in London requires advance booking — some, like The Queen's Fashion at The King's Gallery, are already sold out through 2026. Book tickets as soon as you finish listening, even if your trip dates aren't confirmed yet. The Frida Kahlo survey at Tate Modern, the James McNeill Whistler retrospective at Tate Britain, and the Marilyn Monroe exhibition at the National Portrait Gallery are Jonathan's top three must-book exhibition picks for the month. The Royal Academy Summer Exhibition — the world's largest open submission art show, running since 1769 — is a uniquely chaotic, democratic, and wonderful experience where everything on the walls is for sale and any artist can enter. Shakespeare's Globe is staging Much Ado About Nothing from June 11, and Regent's Park Open Air Theatre opens A Midsummer Night's Dream on June 20 — watching Shakespeare outdoors on a long June evening is one of the quintessential London summer experiences. London generally does not have air conditioning in older buildings, hotel rooms, or most tube lines. The first thing you should do after arriving in summer is buy a fan — Jonathan recommends going straight to Argos, Britain's version of a catalog store, for an affordable one. The tube's older lines (Central, Piccadilly) get brutally hot in summer due to London clay absorbing and retaining heat underground. The Elizabeth line is fully air conditioned and runs east-west across the city — use it as much as possible in a heat wave. The National Gallery is experimenting with extended summer evening hours, staying open until 7 PM most evenings and until 9 PM on Fridays from July 1 — Jonathan's suggestion: have an early dinner, then walk over for a free evening of world-class art. Don't try to pack too much in. Pick three or four things you genuinely care about, build your days around those, and leave time to wander, sit in Green Park with a deck chair, or walk along the Thames in the long evening light. June in London is as much about the atmosphere as the attractions. ⠀ Soundbites "The light is the headline for June. You get sixteen to seventeen hours of daylight. Twilight stretches from around eight PM to nearly ten PM. You can have a full day of exploring, sit down for dinner, and still walk home along the Thames and have some daylight." — Jonathan on why June is London's best month. "If you've ever wondered what the best month to visit London is, a lot of people will quietly tell you it's this one." — Jonathan on June in London. Plan your day around it. Get up stupidly early — three, four, five in the morning — get your spot on the Mall and soak up the atmosphere. It'll be like a party atmosphere." — Jonathan on how to experience Trooping the Colour without a ticket. "The Queen's Fashion at The King's Gallery is sold out for the rest of the year, and I know a lot of people are gonna be really disappointed when they try to get tickets and they simply can't." — Jonathan's warning on the most in-demand exhibition of the summer. "The walls are packed from floor to ceiling and everything is for sale. It's chaotic and wonderful. And it's a great way to see up-and-coming artists and established artists side by side." — Jonathan on the Royal Academy Summer Exhibition. "Shakespeare under the open sky in one of London's loveliest parks on a warm June evening — it doesn't get dark till ten PM anyway. Enjoy some champagne, enjoy some theater out in the green. That's my top theater pick for the month." — Jonathan on Regent's Park Open Air Theatre. "The first thing you should do after you land is go to what the British call an ironmonger — a hardware store — and buy a fan. Don't skimp. It is essential for Americans traveling in Europe." — Jonathan's number one summer travel tip. "The London clay is a heat sink. It absorbs heat and then it doesn't let it back out. So the tube gets really hot in the summer. If you are prone to heat issues, avoid the tube except the Elizabeth line, which is fully air conditioned." — Jonathan on navigating London in a heat wave. "I sat there in the rain in the 40s, got soaking wet. And I — not exaggerating — almost got hypothermia. It was July. I could not warm up when I got back to the hotel because the heating wasn't on and there weren't enough blankets because it was July." — Jonathan's cautionary tale about British summer weather. "Argos is exactly like Service Merchandise — you go in, there's a big catalog, you pick your thing, and it comes out on a conveyor belt. Get a fan. Don't even look at the weather forecast first. Just trust me — you're going to need a fan." — Jonathan's most practical London summer tip. ⠀ Chapters 00:21 Introduction — Jonathan launches the experimental monthly London events format 01:15 The Feel of June in London — Long days, the light, and why June is special 02:20 June Weather — What to expect, heat waves, and the maritime humidity problem 03:45 Peak Tourist Season — Crowds, hotel prices, and why June still beats July 05:00 Trooping the Colour — What it is, how to see it without a ticket, and Jonathan's tips for getting a good spot 08:30 Royal Ascot — Fascinators on the tube, the royal procession, and how to get tickets 10:00 Wimbledon — The ballot, resale tickets, strawberries and cream, and what to do if you can't get in 11:30 How to Book Exhibitions — Why advance booking is non-negotiable and the Queen's Fashion sellout warning 13:00 Frida Kahlo at Tate Modern — Jonathan's pick and why Tate Modern is worth seeing for the building alone 14:30 Royal Academy Summer Exhibition (June 16) — The world's largest open submission art show 15:30 Anish Kapoor at the Hayward Gallery (June 16) — The Cloud Gate connection and why it's worth seeing 16:15 Marilyn Monroe at the National Portrait Gallery — Just opened, book fast 17:00 Barbara Hepworth at the Courtauld Gallery — And why Somerset House is worth a visit anyway 17:45 Schiaparelli at the V&A — Fashion exhibitions and why the V&A excels at them 18:15 Wes Anderson at the Design Museum — A treat for film fans 18:45 James McNeill Whistler at Tate Britain — A sellout show, book immediately 19:30 Wallace & Gromit at Young V&A — The Aardman exhibition Jonathan is hoping to catch in August 20:15 Closing This Month — Mikalojus Čiurlionis at the Royal Academy (closes June 21) and Hokusai at Dulwich (closes June 30) 21:00 Theater — Why June is the best time for London theater 21:30 Regent's Park Open Air Theatre — A Midsummer Night's Dream, Jonathan's top pick of the month 22:00 Shakespeare's Globe — Much Ado About Nothing from June 11 22:30 New West End Openings — To Kill a Mockingbird (June 25) and Cyrano de Bergerac (June 13) 23:00 Long-Running Shows — Lion King, Hamilton, Wicked, Six, Les Mis, and how to get discount tickets 24:00 Live Music — Harry Styles at Wembley, Olivia Dean at the O2, Orville Peck at the Roundhouse 25:00 Practical Tips: Heat — Does London have air conditioning? (Mostly no) 26:30 The Fan Imperative — Buy one at Argos, the British Service Merchandise 28:30 Pack for All Weathers — The July outdoor concert near-hypothermia story 30:00 Humidity and Heat — Why British summer heat hits differently than dry American heat 31:00 Use the Long Days — 17 hours of light, late museum hours, rooftop bars, evening walks 32:00 National Gallery Extended Hours — Stay open till 7 PM, Fridays till 9 PM from July 1 33:00 Don't Overpack Your Itinerary — Pick three or four things, leave time to wander 34:00 Wrap-Up — Londontopia events calendar, listener feedback request, Friends of Anglotopia Video Version

Il Midsummer Night's Scream degli Horror Game Awards è DA INCUBO! Dura 2 ore e 20 e a una certa volevo trascendere la mia carne per parlare direttamente con gli antichi e fargli sapere che l'anima de li mortacci loro potevano tagliare questo evento!Poi c'è stato il Mix Summer Game SHOWCASE che è stato PIENO di esclusive e titoli pieni di idee! Infine IL RECAPPONE dello State of Play che ci prospetta un settembre ricco di grandi uscite e il ritorno in grande stile di God of War.Buon ascolto!Capitoli:00:00:00 Intro 00:03:56 Midsummer Night's Scream00:41:05 Mix Summer Game Showcase01:14:24 State of PlayLink utili:Ko-Fi: https://ko-fi.com/arcadedialeYouTube: https://www.youtube.com/@larcadediale1987

Alexandra is an artist, educator, and somatic guide working with movement as a way to access creative authority, embodied clarity, and deep personal voice. Her work supports artists, teachers, activists, facilitators, and guides to strengthen their inner compass while leading, creating, and communicating. She is fascinated by how decision-making lives in the body: how gesture holds belief, habit becomes pedagogy, and intuition is a fluent language.She is a choreographer, director, and educator working at the intersection of dance, theater, and somatics and was a member of the Bill T. Jones/Arnie Zane Dance Company from 1995–2001. She founded Alexandra Beller/Dances in 2002, creating more than forty dance-theater works across the U.S., Europe, and Asia.Her theater credits include Off-Broadway productions of Sense and Sensibility (Folger Shakespeare, A.R.T., Portland Center Stage; Helen Hayes Award, Lortel nomination), How to Transcend a Happy Marriage (Lincoln Center Theater), and The Mad Ones, as well as regional work with Hudson Valley Shakespeare Festival, La MaMa, La Jolla Playhouse, Milwaukee Rep, and The Goodman Theatre. Her directing credits include Macbeth (Theater Row) and A Midsummer Night's Dream (92Y).She has taught at institutions including Barnard, SUNY Purchase, Rutgers, UC Santa Barbara, the University of Michigan, The New School, and Princeton University, where she taught for seven years. Alexandra currently serves on faculty at the Laban Institute for Movement Studies and Gibney Dance Center and teach internationally through residencies and master classes. Her forthcoming books are The Embodied Conductor: A Somatic Approach with Laban and Bartenieff (Meredith Music, 2025) and The Anatomy of Art: Unlocking the Creative Process for Theater and Dance (Bloomsbury, 2026). You can get her books at alexandrabellerdances.org.This was an inspired episode. Give it a listen!This episode, like all episodes of If This Is True, brings forth what drives creatives to do what they do. For more of this content and interaction, you can also go to my substack, coolmite25.substack.com. Hosted on Acast. See acast.com/privacy for more information.

Long foretold and lately managed, we finally present our three-part actual play of Changeling: the Dreaming as part of our ongoing-if-sporadic series of things for the game's 30th Anniversary year. Storyteller Fetch leads players Elerus, J, and Medi through the chimerical landscape of Phoenix, Arizona as their Kithain characters set a plan of midsummer courtly romance in motion. What could possibly go worng? This short-run actual play continues Fetch's own long-running chronicle and will round out the first half of the season before our yearly aestivation. Sit back and enjoy the mayhem; if you've not yet had the chance to play Changeling yourself, we hope it will be illuminating. As always, you can reach out through the usual channels to share your feedback: Discord: https://discord.me/ctp Email: podcast@changelingthepodcast.com Facebook: https://www.facebook.com/profile.php?id=100082973960699 Mastodon: https://dice.camp/@ChangelingPod Patreon: https://www.patreon.com/changelingthepodcast YouTube: https://www.youtube.com/@ChangelingThePodcast your hosts Amelia Fetch (she/her) has nudged player morale to an all-time high since replacing experience points with pancakes. O hell! to choose love by another's eye. —William Shakespeare, A Midsummer Night's Dream, I.i.140

Juliet and game designer Andrew Gillis tackle the noblest of beasts and regalest of steeds, the humble donkey. From its memorable place in Eventide as a goblin-replacement, to its historical role in documented in human society, to the artistic fancy of human-donkey transformation, there's fertile ground to design more Noggles!  You can find Andrew's game We Contain Solitudes here: https://sevencrowsgames.itch.io/we-contain-solitudes Or as part of a bundle here: https://itch.io/b/3670/typhoon-sinlaku-ttrpg-relief-bundle

Gepresenteerd door: Saskia Voorbach In het AVROTROS Vrijdagconcert hoor je wekelijks live de mooiste concerten door het Radio Filharmonisch Orkest, het Groot Omroepkoor en gastensembles. Nationaal Kinderkoor Nationaal Jongenskoor Nationaal Vrouwen Jeugdkoor Nationaal Gemengd Jeugdkoor Ensemble uit het Radio Filharmonisch Orkest Irene Verburg & László Nemes, dirigenten onder meer: * Arvo Pärt - Vater unser, Morning Star, Ests wiegenlied, Spiegel im Spiegel * Arvo Pärt/Tauno Aints - Liedjes uit de kindertijd (2), Onze tuin * Veljo Tormis - Lauliku Lapsepõli, Ests wiegenlied * Peteris Vasks - Skumjas: Mazi zilti svetki * Einojuhani Rautavaara - Lähtö  * traditionals

One small step into the wrong classroom becomes a giant leap into a new life as a Shakespearean actor. That's how Jacob Ming-Trent tells it in his remarkable one-man tour-de-force, How Shakespeare Saved My Life. As the Folger prepares to welcome How Shakespeare Saved My Life to the stage this June, Ming-Trent joins us to delve deeper into his story. Ming-Trent is no stranger to the Folger stage, having previously presented How Shakespeare Saved My Life at the 2024 Reading Room Festival and portrayed Nick Bottom in A Midsummer Night's Dream in 2022. A multitalented stage and screen actor, he has appeared in Broadway musicals from Gypsy to Shrek, television series like Watchmen and Ray Donovan, and films including The Forty-Year-Old Version and Friendship. In this episode, Ming-Trent presents Shakespeare as an urban poet in the vein of Tupac and Biggie. He breaks down the inspiration behind How Shakespeare Saved My Life and how he brings his own experience to his interpretation of Shakespeare's words, rearranging and reframing them to create something uniquely personal.

The panel discusses the concluding act and scene of the play, with special attention to the linguistic wordplay and the Shakespearean critique of players, audiences, and critics alike in the both the play-within-a-play device and in Puck's epilogue.

Enjoy a classic story in English, and learn 12 uses of ‘play'.FIND BBC LEARNING ENGLISH HERE:Visit our website ✔️ https://www.bbc.co.uk/learningenglishFollow us ✔️ https://www.bbc.co.uk/learningenglish/followusSUBSCRIBE TO OUR NEWSLETTER: ✔️ https://www.bbc.co.uk/learningenglish/newslettersLIKE PODCASTS?Try some of our other popular podcasts including: ✔️ 6 Minute English ✔️ Learning English from the News ✔️ Learning English ConversationsThey're all available by searching in your podcast app

RNIB Connect Radio's Toby Davey is joined again by Vidar Hjardeng MBE, Inclusion and Diversity Consultant for ITV News across England, Wales, Northern Ireland and the Channel Islands for another audio described theatre review.We stepped into the wild this week with a vibrant telling of Shakespeare's ‘A Midsummer Night's Dream', celebrating the beauty of love in all its forms at the Birmingham Repertory Theatre with description from Professional Audio Describer Carolyn Smith.About ‘A Midsummer Night's Dream' Bard veterans and newbies alike will enjoy The Rep's return to Shakespeare. Starring the hilarious Adam Carver (aka cabaret sensation Fatt Butcher) and set in the heart of Birmingham where Brummie accents punctuate this much-loved comedy.When a love-struck teenager is forced to marry a man, rather than the woman she loves, she has a few options: certain death, live a lie, move to a nunnery… or flee to a messy, neon party in an enchanted forest!Beyond the city walls, boundaries blur, music pulsates, and love is celebrated. Inhibitions are unleashed and love potions spill into more re-couplings than an episode of Love Island.This night on the tiles also features a feel-good soundtrack of pop music and original songs that will have you dancing in your seats: but maybe Sweet Dreams aren't made of this…? The feisty fairies are locked in their own conflict; the seasons are pulled into climate chaos and the young lovers' moonlit escape from reality loses its shine.Directed by The Rep's Artistic Director, Joe Murphy and Deputy Artistic Director, Madeleine Kludje, step into the wild with this vibrant telling of A Midsummer Night's Dream, celebrating the beauty of love in all its forms.For more about access at the Birmingham REP including details of audio described performances do visit - https://www.birmingham-rep.co.uk/your-visit/accessibility/(Image shows the RNIB Connect Radio logo. On a white background ‘RNIB' written in bold black capital letters and underlined with a bold pink line. Underneath the line: ‘Connect Radio' is written in black in a smaller font)

‘Prelude' is de opmaat naar het AVROTROS Vrijdagconcert! Gastspreker: dirigent en trombonist Joost Geevers Radio Filharmonisch Orkest Groot Omroepkoor (dames) Stéphane Denève, dirigent Rory Johnston, koordirigent Elsa Benoit, sopraan (La Damoiselle in Debussy) Aaike Nortier, mezzosopraan (Une récitante in Debussy)   Defne Celik, sopraan (Sopraan I in Mendelssohn) Sterre Decru, mezzosopraan (Sopraan II in Mendelssohn) Honegger Pastorale d'été Debussy La damoiselle élue Mendelssohn A Midsummer Night's Dream Meer info & kaarten (https://www.npoklassiek.nl/concerten/7d8b9417-c3dd-43b3-9d1f-9f91ede4f1a9/mendelssohns-midsummer-nights-dream) In deze podcast vertelt presentator Leonard Evers je iedere week meer over de bijzondere stukken die gaan klinken in TivoliVredenburg én op NPO Klassiek. Dat doet hij samen met verschillende gasten die in de studio aanschuiven. Aan de hand van muziekfragmenten word je warm gemaakt voor de mooie composities die je te wachten staan. Abonneer je nu! Alles over het AVROTROS Vrijdagconcert (https://www.npoklassiek.nl/programmas/avrotros-vrijdagconcert)

All's Well That Ends Well: Michael Bradshaw Flynn On Bringing Back the BardFifteen years ago, staging Shakespeare in Scranton sounded improbable to plenty of people, especially to some New York theater types.The original production was intended as a one-time public performance of A Midsummer Night's Dream in Nay Aug Park. Organizers hoped a modest audience would turn out for the celebrated Bard.Instead, more than 1,000 people packed into the park. In this episode of HarmonyTALK, host Lisa Champeau speaks with Scranton Shakespeare Festival co-founder Michael Bradshaw Flynn about the unlikely evolution of the festival from a free outdoor performance into a permanent arts organization producing musicals, Shakespeare, new works, and youth programming in downtown Scranton and Northeast Pennsylvania.Flynn discusses balancing a career between New York and Northeastern Pennsylvania, working on Broadway productions including The Front Page, It's Only a Play, and The Nance, (with Nathan Lane) and why regional theater still matters at a time when arts organizations across the country face shrinking audiences and financial instability.The conversation traces Flynn's early immersion in theater through Arts Alive, the Scranton Cultural Center, and local summer stock programs, as well as the influence of a family steeped in storytelling traditions.Now entering its 15th season under the theme Faith, the Scranton Shakespeare Festival will present Much Ado About Nothing, Carousel, Henry V, Saint Joan, Jesus Christ Superstar, youth ensemble productions, and a 15th anniversary gala.For more information, visit https://www.scrantonshakes.com/@Scranton Shakespeare Festival@Michael Bradshaw Flynn@Lisa Champeau@WVIA

The panel discusses the resolution of the love quadrangle, as Puck puts right the enchantments in order to bring Oberon's original plan to fruition, before turning to consider Titania's relationship to her husband in the wake of her own enchantment.

Come and Trial My New Living with Nature Collective for Free at: https://www.skool.com/adambarraletIs Turmeric just for cooking, or is there a deeper medicine hidden in the essential oil? Join "The Secret Healer" Elizabeth Ashley and Adam Barralet as they dive into the golden world of Turmeric. From its clinical power to reduce inflammation and support brain health, to its spiritual ability to "cool the fire" of a stressed-out soul, discover why this rhizome is more than just a kitchen staple. Plus, learn the secret to making it smell like a "Midsummer Night's Dream" instead of a spice rack!In this video/podcast, we discuss:The Mother Nature Lesson: Why combining the powder with the oil increases absorption by 6x.The "Hug" Effect: How to blend the spicy, earthy notes of Turmeric with exotic flowers like Rose and Honeysuckle for deep emotional relaxation.Ayurvedic Energetics: Using Turmeric to regulate "Chi," calm the Pitta dosha, and soothe acid reflux.The Solar Plexus & Vesta: A look at the chakras and planetary influences (including a dive into dwarf planets!).Safety & Dilution: Best practices for using this potent oil topically.ABOUT ADAM BARRALET Adam Barralet has been observing and living in tune with nature since childhood. Growing up amongst the bushland and wildlife of the hills in Western Australia and residing in various locations around the world has presented Adam with diverse opportunities to access extensive and eclectic teachings about the secrets of Mother Earth. He has used essential oils for over 30 years and teams his experiences with his background in human biology, chemistry, psychology, health sciences and massage.He has now established himself as an international author, presenter, educator and Wellness Advocate, adept at working with essential oils, along with crystals, animal guides, tarot, astrology and mythology. CONNECT WITH ADAM HERE: https://linktr.ee/adambarralet ABOUT ELIZABETH ASHLEYElizabeth Ashley has over 20 books on sale on Amazon under her pen name The Secret Healer. The UK Director of the National Association for Holistic Aromatherapy and an overseas speaker for The International Federation of Aromatherapists, Elizabeth's work focuses on understanding the very earliest energetic relationships between certain plants and the human world, right up the modern-day scientific evidence of healing botanicals.A practicing Melissa priestess, a plant and bee shamaness as well as a bee guardian, she has the unique perspective of having one foot in our three-dimensional scientific reality with the other dancing in the spiritual realms.CONNECT WITH LIZ HERE: https://linktr.ee/thesecrethealer

We have a PROPOSAL (Graham, the sound effect)!!! We learn the real reason Henry went to London, Fanny doubts Henry's intentions, Henry comes to dinner, and Mary and Fanny exchange letters. Topics discussed include the Crawfords' breeding and capacity for change, Fanny's sleep paralysis demon, leaving unpleasant conversations, Lady Bertram's privilege, Fanny's OOO message, and the ultimate question of why Henry is in love with Fanny.A Knight of the Seven Kingdoms spoilers 39:55-42:15!!!Patron Study Questions come from Avi, Linnea, and Emily. Topics discussed include Mary's intimacy with Fanny and whether it's genuine, William's promotion and whether Henry is using it to manipulate Fanny, and whether the family will find out about the proposal.Becca's Study Questions: Topics discussed include how this proposal is different from other proposals, why Henry proposed at this moment, what William's promotion means for Fanny, and the end of Volume II.Funniest Quote: While her heart was still bounding with joy and gratitude on William's behalf, she could not be severely resentful of anything that injured only herself; and after having twice drawn back her hand, and twice attempted in vain to turn away from him, she got up, and said only, with much agitation, “Don't, Mr. Crawford, pray don't! I beg you would not. This is a sort of talking which is very unpleasant to me. I must go away. I cannot bear it.”Questions moving forward: Will Henry try again? Will he change? What will happen with Mary and Edmund?Who wins the chapters? Fanny AND William!Glossary of People, Places, and Things: Avatar: The Last Airbender, A Midsummer Night's Dream, A Knight of the Seven Kingdoms, The Mandalorian, Aladdin, Falling For Christmas, The Good PlaceNext Episode: Mansfield Park Volume III Chapter 1Our show art was created by Torrence Browne, and our audio is produced by Graham Cook. For bios and transcripts, check out our website at podandprejudice.com. Pod and Prejudice is transcribed by speechdocs.com. To support the show, check out our Patreon! Check out our merch at https://podandprejudice.dashery.com.Instagram: @podandprejudiceTwitter: @podandprejudiceFacebook: Pod and PrejudiceYoutube: Pod and PrejudiceMerch store: https://podandprejudice.dashery.com/

The panel discusses the deployment of additional fairy magic, with the transformation of Bottom and the confounding of Helena, and the confusion that results when both Bottom and Helena misbelieve that they are subject of their friends' pranks.

The panel discusses the second act and the moment in the play when the plans of the characters begin to go astray due to mischance, with special attention to the tension between Titania and Oberon, and the expanding geographical knowledge of the time.

There's something strange in these woods! Fairies and doppelgängers and donkey-heads abound — can Lady Godwin, Winnie-the-Pooh, and Brother Phileaux stop Puck from eating Shakespeare before they fall under the forest's enchantment? Additional Music in this Episode: "Discovery" by Kirk Osamayo: https://freemusicarchive.org/music/kirk-osamayo/; and "Thatched Villagers" and "Clothe the Fields with Plenty" by Axletree: https://youtube.com/c/AxletreeMusic.  Happy MaxFunDrive! Right now is the best time to start a membership to support your favorite shows. Learn more and join at https://maximumfun.org/jointaz

"Dance Talk” ® with Joanne Carey and special guest Connor Walsh SJoin host Joanne Carey for Episode 3 of a 4-part Series highlighting Houston Ballet & YAGP! Joanne welcomes principal dancer and YAGP Alum, Connor Walsh, principal dancer at Houston Ballet, as he shares his journey from childhood on Maryland's Eastern Shore to the heights of ballet as a principal with Houston Ballet. Together they discuss insights on dance education, the importance of collaboration, and tips for aspiring dancers as well as the impact YAGP had and continues to have on Connor. They also discuss the upcoming YAGP Houston event May 10-18. Get your tickets!Connor Walsh was born in Fairfax, Virginia and began his training at the age of seven under the direction of his mother Constance Walsh. He has trained at The Kirov Academy of Ballet, The Harid Conservatory, and Houston Ballet's BenStevenson Academy, where he was awarded the Rudolf Nureyev Foundation Scholarship and the Ben Stevenson Scholarship award. In 2004, he won the first annual gold award from the National Foundation for Advancement in the Arts (NFAA), and was given the Award of Encouragement at the Shanghai International Ballet Competition. In 2004, Walsh joined Houston Ballet's company as a member of the corps de ballet. He was quickly promoted to soloist in 2006 and then to principal dancer in 2007. Walsh has originated lead roles in Stanton Welch's The Nutcracker (The Prince), Romeo and Juliet (Romeo), Giselle (Albrecht), Marie (Count Axel von Fersen), and La Bayadère (Solor).  He has danced major roles in numerous full-length ballets including John Cranko's Onegin (Lensky) and The Taming of the Shrew (Petruchio), Kenneth MacMillan's Manon (Des Grieux) and Mayerling (Prince Rudolf), John Neumeier's A Midsummer Night's Dream (Theseus / Oberon, Puck) and The Little Mermaid (The Poet), Sir Frederick Ashton's La Fille mal Gardée (Colas), Ronald Hynd's The Merry Widow (Camille), Ben Stevenson's Don Quixote (Basilio), The Sleeping Beauty (Prince Florimund), and Dracula (Fredrick), Sir David Bintley's Aladdin (Aladdin) and The Tempest (Ferdinand), Trey McIntyre's Peter Pan (Merman), and  Stanton Welch's Swan Lake (Siegfried), Marie (Count Axel Fersen and King Louis XVI), Madame Butterfly (Pinkerton), La Sylphide (James), and Cinderella (The Prince and Dandini).Walsh's repertory also includes works by George Balanchine, Jerome Robbins, Jiří Kylián, William Forsythe, Justin Peck, Alexander Ekman, Wayne McGregor, Christopher Wheeldon, Twyla Tharp, Hans Van Manen, Glen Tetley, Christopher Bruce, Antony Tudor, Nacho Duato and Serge Lifar, Melissa Barak. One act creations include Stanton Welch, Aszure Barton, Edwaard Liang, Mark Morris, James Kudelka, Nicolo Fonte, Melissa Hough, and Garrett Smith among others.In recent years Walsh has expanded his reach into teaching, coaching and choreographing. In 2015, along with fellow Houston Ballet company members Oliver Halkowich and Melody Walsh, Walsh founded REACH - a choreographic project that raises money for arts education in schools.  Following the success of REACH, Walsh and his colleagues were invited to create a world premiere, entitled What we keep, for Houston Ballet in spring of 2018.  Walsh's world premiere A Joyous Trilogy (in flight) created for Houston Ballet and set to music by Quinn Mason took the Wortham stage on June 2, 2022. Walsh enjoys teaching, coaching and choreographing as well as participating in many forms of dance.  He is also a soccer fanatic as well as food enthusiast.Houston Ballet⁠https://www.houstonballet.org/⁠YAGP⁠https://yagp.org/⁠Tickets for YAGP Houston⁠https://yagp.org/yagp-2026-houston-tx-finals/⁠“Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."⁠⁠⁠⁠⁠⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠Please leave us a Review.Please help support the podcast:⁠⁠⁠⁠⁠⁠⁠⁠⁠https://gofund.me/e561b42ac⁠⁠⁠⁠⁠

The panel discusses the setting and form of the play, before discussing the first act and its complicated love quadrangle, with attention given to love and the threat of violence, and the characters' creation of overlapping plans that threaten to collide.

Jake and I welcome Amy Sass as our next guest. Amy is a playwright, director and visual artist – a gifted painter and puppet maker. She was the artistic director of Ragged Wing Ensemble, from 2004 to 2021. We talk about Amy's upbringing, her work with Ragged Wing, and her future. You can learn more about Ms. Sass via her website: https://www.amysass.com/about Amy talks about her project that uses puppets to deal with grief. You can learn more about Grief & Puppets here: https://griefpilgrim.com Kehinde Koyejo (Episodes 214 and 262) has been a friend of mine since 2005, when I stage managed her for the Ray of Light musical, Bat Boy. She's an amazing actress, model and creative artist. She's also an incredible entrepreneur – and I want to introduce you to her business, Kalm Korner. Kalm Korner is an online boutique that specializes in aromatherapy gifts – love rubs, moisturizers, sprays, tea blends and candles. Kalm Korner also sells Choc'late Mama cookies – she brought some over the last time we interviewed her and it was fantastic. Let's support a black female-owned business, a local business and make your first order by going to this website: https://kalmkorner.com/ SHOWS: The Goat or Who Is Sylvia? (Shotgun Players) March 21 – May 3 Kevin Clarke (Episode 355) is in the show https://shotgunplayers.org Female, Ashkenazi with a Sewing Machine (Musical Café/Inferno Theatre) April 25 only Jamie Greenblatt & Richard Jennings (Episode 173) are the writers Crystal Brown (Episodes 62 & 234) is in the show https://infernotheatre.org/festival-2026 Julius Caesar (SF Shakes) Feb 26 – April 29 (check website for details) Brandon DiPaola (Episode 306), Evan Held (Episode 226) and Jeunee Simon (Episode 297) are in the show https://www.sfshakes.org/performance/tour/ Girls – Chance – Music (ACT/Vineyard Theatre) LAST SHOW TOMORROW! Pam MacKinnon (Episode 350) is directing the show Sharon Shao (Episode 176) is an understudy in the show https://www.act-sf.org/whats-on/2025-26-season/girls-chance-music Flex (SF Playhouse) March 26 – May 6 Margo Hall (Episode 166) is directing the show Brittany Sims (Episode 328) and Champagne Hughes (Episode 335) are understudies https://sfplayhouse.org/2025-2026-season/flex/ How to Make An American Son (New Conservatory Theatre Center) April 3 – May 10 Richard Perez (Episode 314) is in the show https://nctcsf.org/event/americanson/ Fear & Misery Of The Fourth Reich (The Brecht Project) THIS WEEKEND – 2pm (zoom only) Susan E. Evans (Episode 23) is a director Kimberly Ridgeway (Episodes 155 & 251) is a director Scott Munson (Episodes 13, 53 & 284) wrote When We Fight, We Win Gene Moscy (Episodes 14 & 187) wrote The Virologists Denmo Ibrahaim (Episode 199) wrote When They Gas Us Reg Clay wrote Judicial Process Christine U'Ren (Episodes 14 & 187) wrote The Informer Craig Souza (Episode 10) wrote Worker's Playtime Tom Reilly (Episode 40), Carolyn Doyle (Episode 56), Cynthia Lagodzinski (Episodes 96 & 266) and Deborah Cortez (Episodes 98 & 238) are in the show https://www.thebrechtproject.org/ Mean Girls (Ray of Light Theatre) May 1 – 30 Marah Sotelo (Episode 124) is in the show https://www.rayoflighttheatre.com/meangirls God of Carnage (Pacifica Spendrift Players) May 8 – 17 Aaron Seymour (Episode 317) is in the show https://www.pacificaspindriftplayers.org/shows/2025-2026/god-of-carnage-2/ Lay My Burden Down (SF International Arts Festival) May 9-10 Cat Brooks (Episode 283) is in the show https://www.sfiaf.org/sfiaf2026_strange-angels-theater anthropology (City Lights Theatre) May 14 – June 7 Maria Marquis (Episode 331) is in the show https://cltc.org/event/anthropology/ A Midsummer Night's Dream (Actor's Ensemble) Aug 22 – Sept 7 Cynthia Lagodzinski (Episodes 96 & 266) is in the show Bruce Kaplan (Episode 294) is in the show https://www.aeofberkeley.org/94-news/latest-news/430-a-midsummer-night-s-dream-opens-august-22nd-2026 Follow us on Facebook and Bluesky (TheYayPodcast)

"Dance Talk” ® with Joanne Carey and special guest, Tyler Donatelli, Principal Dancer, Houston Ballet⁠In this episode of "Dance Talk” ® , the second in a special 4-part series with Houston Ballet & YAGP, host, Joanne Carey interviews one of Houston Ballet's principal dancers' Tyler Donatelli . Listen in as Tyler shares her journey from childhood dance enthusiast to professional ballet star. Discover insights on dedication, overcoming challenges, and the importance of versatility in dance. Tyler also talks about her experience with YAGP (Youth America Grand Prix) which led her to Houston Ballet where she is thriving in her role as Principal Dancer.Tyler says, "I feel not just one moment onstage defines me in my career, but rather every time I bow onstage." Houston Ballet is hosting the season's finals of YAGP May 10-18, 2026.Get Tickets here https://yagp.org/yagp-2026-houston-tx-finals/Tyler Donatelli was born in Huntington Beach, California and trained at the Southland Ballet Academy in Fountain Valley, CA.  She was the silver medal winner at 2012 Youth America Grand Prix as well as first prize in ballet at The Music Center Spotlight Awards 2012.   She joined Houston Ballet II in January 2013 and became an apprentice for Houston Ballet in 2014.  She continued her journey as a member of the Corps de Ballet in 2015, rising through the ranks with standout artistry and dedication. In 2017, she earned two promotions in one year — advancing to Demi Soloist in March and Soloist in September. She was then promoted to First Soloist in 2022.  Donatelli was promoted to Principal in December 2025.She has performed roles in Stanton Welch's The Nutcracker (Clara & Sugar Plum Fairy), Cinderella, Zodiac, Tapestry, Romeo and Juliet, Red Earth, and Giselle; Mark Morris' The Letter V ; George Balanchine's Serenade, Jewels, Stars and Stripes (Liberty Bell) and Tschaikovsky Pas de Deux; Trey McIntyre's Peter Pan (Tinkerbell); Justin Peck's Year of the Rabbit and Under the Folding Sky; John Neumeier's A Midsummer Night's Dream (Helena); Sir Kenneth MacMillan's Mayerling (Princess Louise) and Ben Stevenson's Coppélia (Swanhilda). She has had roles created on her in Stanton Welch's Zodiac, Just and Sparrow; Arthur Pita's Good Vibrations and Justin Peck's Reflections and Under the Folding Sky.Donatelli has danced in several tours including Stanton Welch's Swan Lake in Tokyo, Japan (2022), Dubai, UAE and Minneapolis, MN (2018); Stanton Welch's Velocity in Bonn and Tapestry in Ludwigshafen, Germany (2017); and Stanton Welch's world premiere of Just and Sons de L'âme and Trey McIntyre's In Dreams at Jacob's Pillow in Becket, MA (2018).  As part of the Company's 50th Anniversary in October of 2019, she traveled to New York City's City Center to reprise her original role in Justin Peck's Reflections.⁠“Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real.

Veteran actor Kevin Clarke is our next guest on The Yay – he's an actor and director who has worked with Shotgun Players for many years. He's directing The Goat or Who Is Sylvia at Shotgun. He's worked with: Aurora Theatre, Central Works, Crowded Fire, Boxcar Theatre and many others. Kevin also has an extensive dance background. Jake and I talk to Kevin about his diverse background, his career and where he sees himself in the future. You can find out more about Kevin via his webpage: https://www.kevinclarkeactor.com Kehinde Koyejo (Episodes 214 and 262) has been a friend of mine since 2005, when I stage managed her for the Ray of Light musical, Bat Boy. She's an amazing actress, model and creative artist. She's also an incredible entrepreneur – and I want to introduce you to her business, Kalm Korner. Kalm Korner is an online boutique that specializes in aromatherapy gifts – love rubs, moisturizers, sprays, tea blends and candles. Kalm Korner also sells Choc'late Mama cookies – she brought some over the last time we interviewed her and it was fantastic. Let's support a black female-owned business, a local business and make your first order by going to this website: https://kalmkorner.com/ SHOWS: The Goat or Who Is Sylvia? (Shotgun Players) March 21 – May 3 Kevin Clarke (Episode 355) is in the show https://shotgunplayers.org Julius Caesar (SF Shakes) Feb 26 – April 29 (check website for details) Brandon DiPaola (Episode 306), Evan Held (Episode 226) and Jeunee Simon (Episode 297) are in the show https://www.sfshakes.org/performance/tour/ Girls – Chance – Music (ACT/Vineyard Theatre) March 12 – April 19 Pam MacKinnon (Episode 350) is directing the show Sharon Shao (Episode 176) is an understudy in the show https://www.act-sf.org/whats-on/2025-26-season/girls-chance-music Dial M For Murder (City Lights Theatre) March 12 – April 12 Nick Madracchia (Episode 43) is in the show Maria Marquis (Episode 331) is in the show https://cltc.org/event/dial-m/ Flex (SF Playhouse) March 26 – May 6 Margo Hall (Episode 166) is directing the show Brittany Sims (Episode 328) and Champagne Hughes (Episode 335) are understudies https://sfplayhouse.org/2025-2026-season/flex/ How to Make An American Son (New Conservatory Theatre Center) April 3 – May 10 Richard Perez (Episode 314) is in the show https://nctcsf.org/event/americanson/ Fear & Misery Of The Fourth Reich (The Brecht Project) April 16 – April 19 (zoom only) Susan E. Evans (Episode 23) is a director Kimberly Ridgeway (Episodes 155 & 251) is a director Scott Munson (Episodes 13, 53 & 284) wrote When We Fight, We Win Gene Moscy (Episodes 14 & 187) wrote The Virologists Denmo Ibrahaim (Episode 199) wrote When They Gas Us Reg Clay wrote Judicial Process Christine U'Ren (Episodes 14 & 187) wrote The Informer Craig Souza (Episode 10) wrote Worker's Playtime Tom Reilly (Episode 40), Carolyn Doyle (Episode 56), Cynthia Lagodzinski (Episodes 96 & 266) and Deborah Cortez (Episodes 98 & 238) are in the show https://www.thebrechtproject.org/ Lay My Burden Down (SF International Arts Festival) May 9-10 Cat Brooks (Episode 283) is in the show https://www.sfiaf.org/sfiaf2026_strange-angels-theater anthropology (City Lights Theatre) May 14 – June 7 Maria Marquis (Episode 331) is in the show https://cltc.org/event/anthropology/ A Midsummer Night's Dream (Actor's Ensemble) Aug 22 – Sept 7 Cynthia Lagodzinski (Episodes 96 & 266) is in the show Bruce Kaplan (Episode 294) is in the show https://www.aeofberkeley.org/94-news/latest-news/430-a-midsummer-night-s-dream-opens-august-22nd-2026 Follow us on Facebook and Bluesky (TheYayPodcast)

Want to support the podcast? Join our Patreon or buy us a coffee. As an independent podcast, Shakespeare Anyone? is supported by listeners like you. In anticipation of Earth Day and Shakespeare's birthday later this month, in this episode, we are joined by Katherine (Katie) Steele Brokaw to discuss how Shakespeare can be used as a tool to create conversations around ecological issues that impact our communities. We discuss how Shakespeare is already well-positioned to be used as an eco-playwright, why it is important to utilize his plays to speak to our current moment, and how theatremakers and educators can incorporate ecological practices into their productions and readings of Shakespeare's plays.  About Katherine Steele Brokaw Katherine Steele Brokaw is a Professor of English at University of Texas at Austin and the Director of Shakespeare at Winedale at UT. Her work focuses primarily on the production and study of Shakespearean performance, with a special interest in how modern productions can be used to highlight ecological issues. She is the author of Staging Harmony: Music and Religious Change in Late Medieval and Early English Drama and Shakespeare and Community Performance and she is co-author, with Elizabeth Freestone, of Performing Shakespeare on an Endangered Planet. She was the co-founding artistic director of Shakespeare in Yosemite, where she adapted and directed eight productions. Resources mentioned in the episode: The EarthShakes Alliance Shakespeare in Yosemite's Romeo and Juliet Globe4Globe presentations via EarthShakes Alliance's Youtube Want to hear more about how Shakespeare's world was impacted by climate issues? Check our our episode A Midsummer Night's Dream: Shakespeare & Climate Change with Sydney Schwindt. Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. For updates: Join our email list Follow us on Instagram at @shakespeareanyonepod Visit our website at shakespeareanyone.com Support the podcast: Become a patron at patreon.com/shakespeareanyone  Buy us a coffee Bookshop.org: Since 2020, Bookshop.org has raised more than $38 million for independent bookstores. Shop our Shakespeare Anyone? storefront to find books featured on the podcast, books by our guests, and other Shakespeare-related books and gifts. Every purchase on the site financially supports independent bookstores. Libro.fm: Libro.fm makes it possible to purchase audiobooks through your local bookshop of choice. Use our link for 2 free audiobooks when you sign up for a new Libro.fm membership using our link. Find additional links mentioned in the episode in our Linktree.  

A wild CROSSOVER appears...! Soon enough, we'll be getting into the historical Dark Eras settings for Changeling: the Lost, some of which involve pairings with other games in the new World of Darkness/Chronicles of Darkness line. We'll be moving through this semi-chronologically, and the first one on our list involves Geist: the Sin-Eaters, our topic of discussion for today. This game of mediums brought back from the brink of death with a mysterious passenger is sort of oblique to the themes of Changeling, but we have some connections to pull out from the text. Where the Hedge and the Underworld meet, there you'll find the krewe and motley, ectoplasmic hand in thorn-shredded paw. What stories might ensue? Of course, if you'd like to share your thoughts with us about either or both games and how they intersect, your best options are: Discord: https://discord.me/ctp Email: podcast@changelingthepodcast.com Facebook: https://www.facebook.com/profile.php?id=100082973960699 Mastodon: https://dice.camp/@ChangelingPod Patreon: https://www.patreon.com/changelingthepodcast YouTube: https://www.youtube.com/@ChangelingThePodcast your hosts Pooka G (any pronoun/they) runs with a krewe who's committed to adding more disco to funerals. Amelia Fetch (she/her) dropped her ring of Keys behind the burger joint and now the whole place is just crawling with meat-specters. Now it is the time of night, That the graves, all gaping wide, Every one lets forth his sprite, In the church-way paths to glide. —William Shakespeare, A Midsummer Night's Dream, V.i.386–389

Adam and the Master Teacher, Kate, talk A Midsummer Night's Dream by William Shakespeare, easter eggs with the show, behind the scenes info, and play a game! Support OMAMAM by visiting our Patreon page -- https://www.patreon.com/omamamshow Visit our website -- https://www.omamamshow.com Find and support our sponsors at: fableandfolly.com/partners Learn more about your ad choices. Visit megaphone.fm/adchoices

Lisa Burton Guevara is our next guest on The Yay. Lisa is a talented actress who was last seen in Berkeley Shakes' Julius Caesar. She has also been in Half Moon Bay's A Midsummer Night's Dream, the Merry Wives of Winsor and SF Playhouse's The Glass Menagerie. We talk about Lisa's upbringing, her career in bay area theatre and where she sees herself in the future. Lisa can be reached directly via Instagram: @notoriousmrsg In 2020, I was a part of the Brecht Project – a group of writers, actors and directors assembled by Susan E. Evans (Episode 23) and Scott Munson (Episodes 13, 53 and 284) – where we would reinterpret the one act plays of Bretold Brecht and adapt them in the age of Trump. You'd think we would be beyond that age after 2021 – well 2024 happened and Trump is back. And so we're back. In April 2026, the Brecht Project will present 10 new plays that will be performed online (including my piece, Judicial Process), and you can be a part of our production. The GoFundMe page (https://www.gofundme.com/f/fear-and-misery-of-the-fourth-reich) will greatly help us pay for actors and writers – and you'll help shed even more light to our most darkest time in American history. On the Yay, we often talk about mental and spiritual health, especially for us actors, because our emotions are our currency. My good friend Cary Ann Rosko (Episodes 77 and 296) is not only a great actress, but is a psychothearapist and she's opening up her business to the online community. She's offering virtual psychotherapy services to individual adults in California. Check out her website, https://www.caryannroskomft.com/what-i-offer, and take the first step in taking care of your personal health. Sometimes we need a hand to hold in healing, and Cary has her hand out, waiting to help you. SHOWS: M Butterfly (SF Playhouse) LAST SHOW TONIGHT Dean Linnard (Episode 336) is in the show https://www.sfplayhouse.org/sfph/2025-2026-season/m-butterfly/ Left Field (Theatre Rhinoceros) Feb 19 – March 15 John Fisher (Episode 30) wrote, directs and is in the show Gene Moscy (Episodes 14 and 187) is in the show https://www.therhino.org/ Julius Caesar (SF Shakes) Feb 26 – April 29 (check website for details) Brandon DiPaola (Episode 306), Evan Held (Episode 226) and Jeunee Simon (Episode 297) are in the show https://www.sfshakes.org/performance/tour/ After Happy (Central Works) Feb 28 – March 29 Patricia Milton (Episodes 270 & 303) wrote the play https://centralworks.org/after-happy/#showtab=details Primary Trust (TheatreWorks Silicon Valley) March 4 – 29 Joey Alvarado (Episode 312) is in the show Jeffrey Lo (Episodes 153 and 341) is directing the show https://theatreworks.org/mainstage/primary-trust/ Girls – Chance – Music (ACT/Vineyard Theatre) March 12 – April 19 Pam MacKinnon (Episode 350) is directing the show Sharon Shao (Episode 176) is an understudy in the show https://www.act-sf.org/whats-on/2025-26-season/girls-chance-music Dial M For Murder (City Lights Theatre) March 12 – April 12 Nick Madracchia (Episode 43) is in the show Maria Marquis (Episode 331) is in the show https://cltc.org/event/dial-m/ anthropology (City Lights Theatre May 14 – June 7 Maria Marquis (Episode 331) is in the show https://cltc.org/event/anthropology/ Flex (SF Playhouse) March 26 – May 6 Margo Hall (Episode 166) is directing the show Brittany Sims (Episode 328) and Champagne Hughes (Episode 335) are understudies https://sfplayhouse.org/2025-2026-season/flex/ How to Make An American Son (New Conservatory Theatre Center) April 3 – May 10 Richard Perez (Episode 314) is in the show https://nctcsf.org/event/americanson/ Follow us on Facebook and Bluesky (TheYayPodcast)

Daniel Pollack-Pelzner wrote one of the finest pieces of non-fiction with Lin-Manuel Miranda: The Education of an Artist. It is a book for "the ages" and is a finalist for non-fiction book of the decade at Truly Significant.com. This book is pure gold blending joy, history, social justice, accessibility, and more. We recommend this book for every student of art, music, film, television, dancing, and even anthropology. It clarifies purpose and intention. In this conversation, learn about "perfection paralysis," the rhythm and process of "page-system-measure," the value of the smartest form of collaboration, and a fresh definition of innovation. And as of bonus, get the inside story on the genius of Lin-Manuel Miranda and his many mentors that created a musical mosaic. Visit www.danielpollackpelzner.com to learn more about this brilliant author.  Here's more: NPR picked Lin-Manuel Miranda: The Education of an Artist (Simon & Schuster) as Books We Loved for 2025.  Daniel teaches English and theater at Portland State University. He received the Graves Award from the American Council of Learned Societies for outstanding teaching in the humanities. As a cultural historian and theater critic, his articles about playwrights from Shakespeare to Quiara Alegría Hudes have appeared in The New Yorker, The Atlantic, and The New York Times. His pandemic spoof, "What Shakespeare Actually Did During the Plague," was adapted into a short film for PBS, and his New Yorker profile of Cherokee playwright and lawyer Mary Kathryn Nagle is being adapted into a feature documentary. He is the scholar-in-residence at the Portland Shakespeare Project and a frequent guest lecturer at theaters around the country. Born and raised in Portland, he received his B.A. in History from Yale and his Ph.D. in English from Harvard. He met his wife in their elementary-school production of "A Midsummer Night's Dream"; they now live in Portland with their two children.Become a supporter of this podcast: https://www.spreaker.com/podcast/success-made-to-last-legends--4302039/support.

All the world's a stage, and the Awen, Bertram and Penelope merely players. Support OMAMAM by visiting our Patreon page -- https://www.patreon.com/omamamshow Visit our website -- https://www.omamamshow.com Find and support our sponsors at: fableandfolly.com/partners Learn more about your ad choices. Visit megaphone.fm/adchoices

The term "classical music" includes a wide variety of music and artists. This hour we take a look at what that category really means. We celebrate the form and help you figure out how to start listening to the genre. Plus, how video game music is bringing new listeners to classical music and live orchestras. GUESTS: Matthew Aucoin: American composer, conductor, writer, pianist, and a 2018 MacArthur Fellow. He is author of “The Impossible Art: Adventures in Opera” and is co-founder of the American Modern Opera Company. His opera “Euridyce” was produced by the Metropolitan Opera in 2021, making him the youngest composer in nearly a century to have an opera produced by The Met Arianna Warsaw-Fan Rauch: Author of “Declassified: A Low-Key Guide to the High-Strung World of Classical Music”. She is also a violinist who has performed in venues around the world Carolyn Kuan: Music Director of the Hartford Symphony Orchestra. In 2025, she led the acclaimed world premiere of Huang Ruo’s "The Monkey King" at San Francisco Opera. Her recording of Huang Ruo’s "An American Soldier" with the American Composers Orchestra received a 2026 Grammy nomination J. Aaron Hardwick: An internationally active professional conductor, professor of music at Wake Forest University, and Director of the Wake Forest University Symphony Orchestra, recognized for his work in classical and contemporary repertoire and innovative orchestral programming, including video game music MUSIC FEATURED (in order): Symphony No. 5 I. Trauermarsch – Gustav Mahler, Claudio Abbado, Berlin Philharmonic 21 Hungarian Dances No. 5 – Johannes Brahms, Claudio Abbado, Berlin Philharmonic Revolucion Diamantina Act IV: Speaking the unspeakable – Gabriela Ortiz, Gustavo Dudamel, LA Phil Don’t Look Down I. Hammerspace – Christopher Cerrone, Sandbox Percussion Symphony No. 41 “Jupiter” IV. Molto Allegro – W.A. Mozart, Seiji Ozawa, Mito Chamber Orchestra String Quartet No. 8 II. Allegro molto – Dmitri Shostakovich, Dover Quartet 6 Bagatelles for Wind Quintet III. Allegro grazioso – Gyorgy Ligeti, Claudio Abbado, Chamber Orchestra of Europe Overture to A Midsummer Night’s Dream – Felix Mendelssohn, Seiji Ozawa, Boston Symphony Orchestra An American Soldier Act II Scene 1: Hey Danny – Huang Ruo, Carolyn Kuan, American Composers' Orchestra Hi – Caroline Shaw CUT FOR TIME The Monkey King Act II Scene 3 – Huang Ruo, Carolyn Kuan, San Francisco Opera Tears of the Kingdom Main Theme – Manaka Kataoka Temple of Time Theme Montage – The Legend of Zelda NES (1986) Style – Loeder Music Ocarina of Time (1998) – Koji Kondo Breath of the Wild (2017) – Yasuaki Iwata Planetrise – Inon Zur (Starfield) Lumiere – Lorien Testard (Clair Obscur: Expedition 33) CUT FOR TIME Atsu’s Theme – Toma Otowa (Ghost of Yōtei) CUT FOR TIME The Perfect Wave – Austin Wintory Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Head to cozyearth.com and use my code 'Sleepy BOGO' to get these pj's for you and someone you love!

On Thursday's show: Gov. Greg Abbott has ordered all state agencies and public universities to freeze new applications for H-1B visas, which allow employers to hire foreign nationals for certain jobs in the United States. While this directive will affect many kinds of employers in Texas, we learn how it might affect hospitals and health care providers specifically.Also this hour: The upcoming Artemis II mission will send American astronauts around the moon for the first time in decades. We take a closer look at the mission and Houston's role in it.Then, the Oyster South Symposium takes place this weekend in Houston. The gathering is aimed at supporting oyster farmers and protecting the waters where oysters are harvested. We learn about the challenges facing that industry.And we hear about a unique approach to one of Shakespeare's most famous comedies: A Midsummer Night's Dream, presented with puppets.Watch

RHLSTP #596 - My Presumably Scrotum - It's the final live record of RHLSTP in 2025 and Richard is worrying he might piss himself. His guest is the actor and writer Mathew Baynton. They chat about Mat's musical ambitions and the bands that his band supported, plus playing Bottom in Midsummer Night's Dream and having to cope with matinee performances full of children, the preponderance of Nepo-Second-Cousins, why eating a yoghurt with the least dignity led to one of the most memorable pieces of TV ever, why Rich has turned against the US version of Ghosts and whether the UK team might get back together soon and how they manage to stay friends through the sometimes volatile process of writing. Plus radioactive trains and potential Baynton food or fragrance possibilities and why do so many Taskmaster Champions of Champions have just one ball?See RHLSTP live http://richardherring.com/rhlstpSUPPORT THE SHOW!See details of the RHLSTP LIVE DATES Watch our TWITCH CHANNELBecome a badger and see extra content at our WEBSITE Buy DVDs and books from GO FASTER STRIPE Hosted on Acast. See acast.com/privacy for more information.

Throwbacks are where I re-release old episodes from the archives. So don't worry if you have heard it already, as 'New episodes' will continue to come out on Sundays. To get some of the old episodes heard.~~~Tonight we are joined by Tad calling from New Zealand and tads encounter occurred mid-summer of 1989 just outside of Stratford-upon-Avon while camping with his wife in a crop field.More information on this episode on the podcast website:https://ufochroniclespodcast.com/ep-211-a-midsummer-night/Want to share your encounter on the show?Email: UFOChronicles@gmail.comOr Fill out Guest Form:https://forms.gle/uGQ8PTVRkcjy4nxS7Podcast Merchandise:https://www.teepublic.com/user/ufo-chronicles-podcastHelp Support UFO CHRONICLES by becoming a Patron:https://patreon.com/UFOChroniclespodcastX: https://x.com/UFOchronpodcastThank you for listening!Like share and subscribe it really helps me when people share the show on social media, it means we can reach more people and more witnesses and without your amazing support, it wouldn't be possible.Become a supporter of this podcast: https://www.spreaker.com/podcast/ufo-chronicles-podcast--3395068/support.

Rehearsals continue for Lovers' Vows! The cast starts in-fighting, but Fanny enjoys watching rehearsals...until she ends up in the middle of one.Topics discussed include anonymous valentines, justice for Julia, Henry Crawford as Molly's type, morally grey characters, ASMs, lazy insults, and SIR THOMAS'S RETURN!Patron Study Questions this week come from Flying Cupcake, Marija, Avi, Spring, and Angelika. Topics discussed include Fanny's fun side, why Mary is a better friend to Fanny than her cousins, Fanny's refusal to act, everyone's moral compromises, morality vs. indulgence, and why Mary actually sought Fanny out to rehearse.Becca's Study Questions: Topics discussed include Henry as the best actor of the group, where we've been and what we've learned so far, and where we stand on the characters at the end of this volume.Funniest Quote: "It is about Lovers' Vows!"Questions moving forward: What is Sir Thomas going to do when he sees the house? Does Rushworth understand that Maria is into Henry?Who wins the chapters? Fanny!Glossary of Terms and Phrases:behind hand (adj.): late or slow in doing somethingcipher (n): a person or thing of no importance, especially a person who does the bidding of others and seems to have no will of their own.festoon (n): a chain or garland of flowers, leaves, or ribbons, hung in a curve as a decorationGlossary of People, Places, and Things: Gaia Music Collective, Kenter Davies, Sex and the City, Alanis Morissette, Much Ado About Nothing, A Midsummer Night's Dream, Waiting for Godot, Lizzie McGuireNext Episode: Mansfield Park Volume II Chapters 1-2Our show art was created by Torrence Browne, and our audio is produced by Graham Cook. For bios and transcripts, check out our website at podandprejudice.com. Pod and Prejudice is transcribed by speechdocs.com. To support the show, check out our Patreon! Check out our merch at https://podandprejudice.dashery.com.Instagram: @podandprejudiceTwitter: @podandprejudiceFacebook: Pod and PrejudiceYoutube: Pod and PrejudiceMerch store: https://podandprejudice.dashery.com/

Throwbacks are where I re-release old episodes from the archives. So don't worry if you have heard it already, as 'New episodes' will continue to come out on Sundays. To get some of the old episodes heard.~~~Tonight we are joined by Tad calling from New Zealand and tads encounter occurred mid-summer of 1989 just outside of Stratford-upon-Avon while camping with his wife in a crop field.More information on this episode on the podcast website:https://ufochroniclespodcast.com/ep-211-a-midsummer-night/Want to share your encounter on the show?Email: UFOChronicles@gmail.comOr Fill out Guest Form:https://forms.gle/uGQ8PTVRkcjy4nxS7Podcast Merchandise:https://www.teepublic.com/user/ufo-chronicles-podcastHelp Support UFO CHRONICLES by becoming a Patron:https://patreon.com/UFOChroniclespodcastX: https://x.com/UFOchronpodcastThank you for listening!Like share and subscribe it really helps me when people share the show on social media, it means we can reach more people and more witnesses and without your amazing support, it wouldn't be possible.Become a supporter of this podcast: https://www.spreaker.com/podcast/ufo-chronicles-podcast--3395068/support.

Episode 202:For today's guest episode it is a very warm welcome back to Racheal Aanstad. You will remember that Racheal and I have discussed Twelfth Night and A Midsummer Night's Dream on the podcast and now she returns to discuss ‘Troilus and Cressida'. As you will hear Racheal was able to bring thoughts about the history of the play and it's sources, particularly Homer's Iliad, which, I think, really enhances our understanding of this challenging play.Rachel Aanstad is a writer, artist, historian, and Shakespeare nerd with an MFA in theatre. She is the former Artistic Director of the Rose City Shakespeare Company and the author of A Bawdy Twelfth Night or What You Will Encyclopaedia & Dramaturgical Handbook and A Midsummer Night's Dream Illustrated Handbook and Encyclopaedia. She lives in the Pacific Northwest from where I spoke to her over a zoom call.Link to Shakespeare and Friends on YouTube: https://www.youtube.com/@ShakespeareandfriendsLink to A Bawdy Twelfth Night UK: https://www.amazon.co.uk/Encyclopedia-Dramaturgical-Shakespearean-Encyclopedias-Handbooks/dp/B0BT2DZGTK/ref=sr_1_1Link to A Bawdy Twelfth Night USA: https://www.amazon.com/Encyclopedia-Dramaturgical-Shakespearean-Encyclopedias-Handbooks/dp/B0BT2DZGTK/ref=sr_1_1Link to Midsummer Nights Dream UK: https://www.amazon.co.uk/Midsummer-Nights-Illustrated-Handbook-Encyclopedia/dp/B09PKSTL1SLink to Midsummer Nights Dream USA: https://www.amazon.com/Midsummer-Nights-Illustrated-Handbook-Encyclopedia/dp/B09PKSTL1SLink to Marquee TV RSC Production: https://marquee.tv/videos/royal-shakespeare-troilus-cressidaSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

Reunions, realizations, and a really really pissed off Bertram. The final page is closer than ever! Support OMAMAM by visiting our Patreon page -- https://www.patreon.com/omamamshow Visit our website -- https://www.omamamshow.com Find and support our sponsors at: fableandfolly.com/partners Learn more about your ad choices. Visit megaphone.fm/adchoices

Why does Samuel Pepys's diary still matter 200 years after it was first published? In her new book, The Strange History of Samuel Pepys's Diary, historian Kate Loveman examines how Pepys's extraordinary consistency as a diarist has made his writing one of the richest records of everyday life in Restoration England. Writing almost daily for nearly a decade, Pepys's diary documents everything from politics and scientific discoveries to theater and fashion. Even in times of crisis, Pepys reveals life's ordinary concerns, from worrying about the source of hair for wigs during the Great Plague to safeguarding a wheel of expensive Parmesan cheese during the Great Fire of London. He also offers a rare glimpse into contemporary theatergoing, recording audience reactions and his own opinions, including Shakespeare. He famously dismissed A Midsummer Night's Dream. In this episode, Loveman explores how Pepys's diary has been edited, published, censored, and rediscovered over centuries, entertaining readers from the Victorian era to the COVID-19 pandemic in the 21st century. Pepys's daily observations show how careful, habitual record-keeping can transform ordinary life into an invaluable historical resource. From the Shakespeare Unlimited podcast. Published December 30, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. We had technical help from Hamish Brown in Stirling, Scotland, and Voice Trax West in Studio City, California. Final mixing services provided by Clean Cuts at Three Seas, Inc. Kate Loveman is Professor of Early Modern Literature and Culture at the University of Leicester and an internationally recognized expert on Pepys and Restoration literature. She is the author of Reading Fictions, 1660–1740: Deception in English Literary and Political Culture; Samuel Pepys and his Books: Reading, Newsgathering, and Sociability, 1660–1703; and The Strange History of Samuel Pepys's Diary; and the editor of The Diary of Samuel Pepys for Everyman.

F. Murray Abraham has appeared in more than 80 films including Amadeus (Academy Award, Golden Globe, and L.A. Film Critics Awards), The Phoenician Scheme, The Name of the Rose, Finding Forrester, Scarface, The Ritz, The Grand Budapest Hotel, and Inside Llewyn Davis. A veteran of the stage, he has appeared in more than 90 plays, among them Uncle Vanya (Obie Award), Krapp's Last Tape, Trumbo, A Christmas Carol, the musical Triumph of Love, Cyrano de Bergerac, King Lear, Macbeth, The Merchant of Venice, Angels in America (Broadway), Waiting for Godot, and It's Only a Play. Mr. Abraham's work in experimental theater includes collaborations with Joe Chaiken, Pina Bausch, Time and Space Ltd, and Richard Foreman. He made his NY debut as a Macy's Santa Claus. He starred in the second season of HBO's “The White Lotus,” for which he received Emmy and Golden Globe nominations for Outstanding Supporting Actor in a Drama Series. Previously, he was a series regular on “Homeland” (2 Emmy nominations). He's appeared with Luciano Pavarotti, Maestros Levine, Tilson Thomas, Mazur, and Bell, and he made his solo singing debut at Carnegie Hall's Weill Recital Hall. Mr. Abraham's book, A Midsummer Night's Dream: Actors on Shakespeare, is published by Faber & Faber. He is proud to be the spokesman for the MultiFaith Alliance for refugees worldwide. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Starting today we'll be regularly releasing audio of TAZ live shows early for all MaxFun members! Dadlands 4, TAZ Vs. The Wonderful Wizard of Oz, and TAZ Vs. A Midsummer Night's Dream are all available in the BoCo feed RIGHT NOW, so be sure to check them out, or go to MaximumFun.Org/Join to become a member.