Podcasts about henry iv part

The Curtain Theatre was built in 1577 in a section of London called Shoreditch. Constructed only about 200 yards, or 600 feet, away from The Theater, which is the building James and Richard Burbage built as the first purpose built theater in London. For context, this distance about half a city block in Manhattan, and little less than 1 city block in Chicago. In 1585, the Burbages took advantage of this close proximity and struck a deal with the owner of The Curtain to use it as a second performance venue. From 1597-1599, The Curtain was home to the Lord Chamberlain's Men and saw the staging of some of Shakespeare's most famous plays including Romeo and Juliet, and Henry IV Part 1 and 2. The Curtain also staged contemporary plays by John Marston and even one production of Ben Jonson's Every Man in His Humour in 1598, which is a significant production for Shakespeare history, since William Shakespeare was listed as a member of the cast, making The Curtain theater a place we know Shakespeare would have performed himself. There are no records of the Curtain after 1627, so historians are unclear what happened to cause the theater space to be closed down, but a recent development of a square in Shoreditch is bringing The Curtain back to life by having uncovered remains of The Curtain theater that have not only been preserved, but are being showcased as the new Museum of Shakespeare in London, that will allow patrons to literally stand where Shakespeare once stood. Here today to share with us the details behind the dig, and how you can visit the Museum of Shakespeare, is our guest, and lead archaeologist for the excavation with the Museum of London Archaeology, Heather Knight.  Get bonus episodes on Patreon Hosted on Acast. See acast.com/privacy for more information.

Shakespeare uses the phrase, “Hue and cry” twice in his plays. Once in Henry IV Part 1and again inMerry Wives of Windsor. In the Middle Ages, this phrase represented acivilian peacekeeping effort that remained officially on the books in England until the19thcentury. Amounting, on an extremely basic level, to what those in the US mayrecognize as a “citizen's arrest,” hue and cry allowed the average person to performpolicing duties in the face of witnessing a crime. Hue and Cry remained active as apunitive measure for Shakespeare's lifetime and here today to explain for us exactlywhat it means to “raise and hue and cry” in both legal and practical terms, as well aswho was allowed to use this method of civic policing, along with why and when it wasuseful, is our guest, Samatha Sagui Get bonus episodes on Patreon Hosted on Acast. See acast.com/privacy for more information.

The spectacular downfall of King Richard II, followed by the successors Henry IV and then Henry V, are famously depicted in Shakespeare's plays. The Life and Death of King Richard II is a prequel to what's known as Shakespeare's Henriad plays, or the Henry Plays, consisting of Henry IV Part 1, Henry IV part 2, and Henry V. Richard II is believed to have been written around 1595, and while the plays tow the line in terms of what Tudor monarchs would have wanted you to believe the histories of these men, there are some places where Shakespeare's version conflicts with known history about Richard II and Henry IV. Our guest this week has recently completed a book on both these Kings of England, titled appropriately, THE EAGLE AND THE HART: The Tragedy of Richard II and Henry IV, in which she details the real history of two of the most famous, yet also two of the most often misunderstood (thanks in no small part to Shakespeare) Kings of England. To help us wade into Shakespeare's history plays and sort out fact from fiction, we are delighted to welcome Helen Castor to the show today.   Get bonus episodes on Patreon Hosted on Acast. See acast.com/privacy for more information.

Bollingbroke har blivit kung men nu har det dykt upp nya rebeller. Och en tjock, ljugande alkis i en bar

How will "Good King Henry" fare as we rate him? We know he spent his reign fighting, drinking and womanising, but what did he do for France? And more importantly, was he really the second coming of Hercules?Let is know what you thought of Henry, and whether he deserves the fate we've given him...⚜️The rendition of "Vive Henri IV" used for this episode was performed by Les Quatre Barbus, released in 1993 by Playtime records on the album "Les Compositeurs: Les Plus Belles Musiques de Films de René Cloërec" by René Cloërec. It is available to stream on Spotify or YouTube. ⚜️ Visit our Wordpress for episode images, score summaries, contact details and more! Make sure you leave us a review on Apple Podcasts, Spotify or wherever you listen.You can also support the show on Patreon! Join the official Angry Mob and get access to our bonus content: movie reviews, deep dives, bonus biographies and our exclusive spinoff series rating the Royal Mistresses!Message us your thoughts!Support the show⚜️Battle Royale's intro/outro music is "Dansez" by Fasion. Thank you to them for making this track free to use and listen! Go check out more of their stuff here.⚜️CATEGORIESBen and Eliza each give a score out of 10 for the first 4 categories. The 5th is determined by maths! The result is a total score out of 100. Enchanté: The shallow, first-impressions round: How fabulous and iconic an image have they passed down to us? En Garde: (A.K.A. “Selfish Wins”) How well did they gain and increase their personal power, either through scheming, statesmanship or good old fashion battles? Voulez-Vous: (A.K.A. “Selfless Wins”) How much would we want to live under their regime? How well did they better the world around them through law reforms and cultural projects? Ouh-Là-Là: How pearl-clutchingly scandalous were the events of their life, both in their time and down through the ages? How mad, bad and dangerous were they to know? La Vie en Throne: How many years did they reign, and how many of their children survived them? For more details on the scores, how they are calculated and how our kings are ranking, visit our website.

We're back!!! And we're starting off a new royal line with Henry IV, the first Bourbon king. Is this stinky, ill-mannered heretic really the hero France has been waiting for after 30 years of civil war?Stay tuned for Part 2 next week, when we will rate Henry and decide whether he deserves the guillotine. ⚜️  Visit our Wordpress for episode images, score summaries, contact details and more! Make sure you leave us a review on Apple Podcasts, Spotify or wherever you listen.You can also support the show on Patreon! Join the official Angry Mob and get access to our bonus content: movie reviews, deep dives, bonus biographies and our exclusive spinoff series rating the Royal Mistresses!Message us your thoughts!Support the show⚜️Battle Royale's intro/outro music is "Dansez" by Fasion. Thank you to them for making this track free to use and listen! Go check out more of their stuff here.⚜️CATEGORIESBen and Eliza each give a score out of 10 for the first 4 categories. The 5th is determined by maths! The result is a total score out of 100. Enchanté: The shallow, first-impressions round: How fabulous and iconic an image have they passed down to us? En Garde: (A.K.A. “Selfish Wins”) How well did they gain and increase their personal power, either through scheming, statesmanship or good old fashion battles? Voulez-Vous: (A.K.A. “Selfless Wins”) How much would we want to live under their regime? How well did they better the world around them through law reforms and cultural projects? Ouh-Là-Là: How pearl-clutchingly scandalous were the events of their life, both in their time and down through the ages? How mad, bad and dangerous were they to know? La Vie en Throne: How many years did they reign, and how many of their children survived them? For more details on the scores, how they are calculated and how our kings are ranking, visit our website.

The Falstaffiad Continues... • Explore our Patreon at ⁠⁠⁠⁠patreon.com/wheelofgenre⁠⁠⁠⁠ • Email us at genrepodcast@gmail.com

Commence the Falstaffiad... • Explore our Patreon at ⁠⁠⁠patreon.com/wheelofgenre⁠⁠⁠ • Email us at genrepodcast@gmail.com

When Shakespeare mentions ballads in his plays, he uses adjectives like odious and woeful, mentioning both the ballad makers in Coriolanus, and the people who sell them, known as the ballad mongers, in Henry IV Part 1. Shakespeare's has over 20 references to ballads throughout his works, all of which tell us that these songs were written in ink, published by printers, and performed in songs that not only rhymed, but that could be just as merry as it was painful, particularly if the ballad was sung out of tune, as Cleopatra complains in Antony and Cleopatra. Here today to share with us some of the exact ballads that were popular for Shakespeare's lifetime, as well as the history of how they were created, and performed, is our guests, and masterminds behind the 100 Ballads Project that seeks to recreate and preserve ballads from the 17th century, Angela McShane, Chris Marsh, and Andy Watts.   Get bonus episodes on Patreon Hosted on Acast. See acast.com/privacy for more information.

King Henry IV, Part 1 is the second of Shakespeare's eight Wars of the Roses history plays, with events following those of King Richard II. As the play opens, King Henry IV (formerly Henry Bolingbroke) and Henry Percy (Hotspur) argue over the disposition of prisoners from the Battle of Holmedon. The King's attitude toward Mortimer and the Percy family prompts them to plot rebellion. In the meantime, his son Prince Hal is living the low life in the company of Sir John Falstaff. As the time of battle nears, Prince Hal joins his father and is given a high command. The play's climax is the Battle of Shrewsbury, in which Prince Hal and Hotspur meet and fight, with Prince Hal and the forces of the King prevailing. The action continues in King Henry IV, Part 2. From the start this has been an extremely popular play both with the public and with critics. (From Wikipedia.)This is a dramatic reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

King Henry IV, Part 1 is the second of Shakespeare's eight Wars of the Roses history plays, with events following those of King Richard II. As the play opens, King Henry IV (formerly Henry Bolingbroke) and Henry Percy (Hotspur) argue over the disposition of prisoners from the Battle of Holmedon. The King's attitude toward Mortimer and the Percy family prompts them to plot rebellion. In the meantime, his son Prince Hal is living the low life in the company of Sir John Falstaff. As the time of battle nears, Prince Hal joins his father and is given a high command. The play's climax is the Battle of Shrewsbury, in which Prince Hal and Hotspur meet and fight, with Prince Hal and the forces of the King prevailing. The action continues in King Henry IV, Part 2. From the start this has been an extremely popular play both with the public and with critics. (From Wikipedia.)This is a dramatic reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Henry IV, Part 2 is a history play by William Shakespeare, believed written between 1596 and 1599. It is the third part of a tetralogy, preceded by Richard II and Henry IV, Part 1 and succeeded by Henry V. The play picks up where Henry IV, Part 1 left off. Its focus is on Prince Hal's journey toward kingship and his ultimate rejection of Falstaff. (From Wikipedia.)This is a dramatic reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Henry IV, Part 2 is a history play by William Shakespeare, believed written between 1596 and 1599. It is the third part of a tetralogy, preceded by Richard II and Henry IV, Part 1 and succeeded by Henry V. The play picks up where Henry IV, Part 1 left off. Its focus is on Prince Hal's journey toward kingship and his ultimate rejection of Falstaff. (From Wikipedia.)This is a dramatic reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Shakespeare’s “Henry IV, Part 1” follows the titular king as he prepares for war while his ne’er-do-well son Hal shirks — then ultimately accepts — his duties. The play deals with themes of violence, masculinity, power and leadership, all of which speak to Indigenous playwright Yvette Nolan. She recently updated the play’s language as part of Play On Shakespeare, an initiative that aims to make the Bard’s plays more engaging and accessible to modern audiences.  A production of Nolan’s translation opened last weekend at Lewis & Clark College and will run through Nov. 11. It’s part of a larger series of talks and performances taking place across Portland to celebrate the 400th anniversary of Shakespeare’s First Folio. The play is directed by Waylon Lenk, a Shakespeare scholar and the college’s inaugural Native Artist-Scholar in Residence. He and Nolan join us to share more about “Henry IV, Part 1” and what Shakespeare means to them. 

William Shakespeare refers to the legend of Robin Hood in his play, As You Like it with the old Duke exiled to the Forest of Arden with a group of Merry Men who “live like the old Robin Hood of England” (Act I, scene i). In his play, The Two Gentlemen of Verona, Shakespeare again mentions the Robin Hood legend when an outlaw exclaims “By the bare scalp of Robin Hood's fat friar.” The accompanying characters of the Robin Hood story find their place in Shakespeare's plays, when in Henry IV Part I and Henry IV Part 2 Falstaff talks about Maid Marian and Falstaff's companion Justice Silence sings a song about “And Robin Hood, Scarlet, and John.” What these references tell us is that the legend of Robin Hood was an active part of the history of William Shakespeare and the pop culture of the time period to whom he was writing. But the legend of Robin Hood is quite fluid throughout history with it being used as a symbol for good as well as a symbol for insurrection and a general debate about who he was, whether he was based on a real person, and whether he was a hero or a villain. Here today to tell us about the history of Robin Hood from Shakespeare's lifetime is our guest and expert Robin Hood historian, Allen Wright.   Get bonus episodes on Patreon Hosted on Acast. See acast.com/privacy for more information.

Part 2 mirrors Part 1 but has a harsh, almost naturalistic realism that is quite different and modern-seeming. It takes place immediately after the first part, and a personified Rumour spreads fake news about the outcome of the Battle of Shrewsbury. Northumberland throws away his crutches and decides he isn't sick anymore, now that the battle is over. Falstaff encounters the incorruptible Lord Chief Justice but succeeds yet again in exploiting Mistress Quickly, who loves him maternally and will do anything for him. --- Support this podcast: https://podcasters.spotify.com/pod/show/michael-dolzani/support

In Shakespeare's in Henry IV, Part 2, Falstaff has the line: “his wit's as thick as Tewkesbury Mustard” (Act 2, Scene 4). Falstaff is describing his friend Ned Poins, but it presents the question of what was Tewkesbury Mustard? Turns out this particular mustard developed in a small town of England called Tewkesbury, and it was not only popular in Shakespeare's lifetime, but during the 17th century it was considered a staple condiment in kitchens of this time period. Amazingly, the mustard has not only survived the centuries but is still being made exactly the way it was for Shakespeare's lifetime right in Tewkesbury at the Tewkesbury Mustard Company. We are delighted to have Robin Ritchie who is founder and Mustard Master Emeritus at the Tewkesbury Mustard Company to share with us the history of this mustard, how it is made, and how you can enjoy some for yourself. Get bonus episodes on Patreon Hosted on Acast. See acast.com/privacy for more information.

We're back with the ending of Henry IV's story! Is this play good? Or could it have been an email? (Nice.)

We're still talking about rebellions, royals, and wars in Shakespeare's Henriad! This week, we talk about Henry IV Part 1, where everyone is named Henry and we meet the most aggro character of the Shakespeare canon.

Hosted by Interim Artistic Director, Jenni Stewart, this episode explores Dramaturgy and Translation as the Gateway to Shakespeare Engagement with Taylor Bailey, Producing Director of Play On Shakespeare, Alex Vermillion, Dramaturg and Digital Content Writer for Play On Shakespeare, and Yvette Nolan, Playwright and Translator of Henry IV Part 1 & 2. For more information, visit https://playonshakespeare.org/

On this special Shakespearean episode of the Alnwick Castle Podcast to mark the anniversary of the Bard's birth, we welcome back Shakespeare academic and expert Ronan Paterson as our guest to tell us all about the play Henry IV Part 1, which is all about one of the most important episodes in Percy family history. Hosts Daniel and Deborah spoke to Ronan about what makes the play so fascinating to read, watch or be part of, from characters like Prince Hal, Falstaff and King Henry himself, to the characters that would have lived at or visited Alnwick Castle - the earls of Worcester and Northumberland, Harry Hotspur, and Hotspur's wife, who Shakespeare called Kate but was really called Elizabeth!If you like Shakespeare already, or you would like to learn more about his genius when it came to retelling British history, we think you'll really enjoy this episode of the podcast.For more Shakespeare discussion, head into our podcast feed and look for episode 8, 'Alnwick Castle and Shakespeare', which also features Ronan.If you enjoyed this edition of the Alnwick Castle Podcast, please make sure to subscribe so you don't miss future episodes, give us a like, a review, a rating, or a recommendation wherever you can!

* Humans are more likely to die at around 11 a.m. than any other time of day. * In the first few centuries of the Christian Era, controversy over whether or not Jesus was divine at birth created political and social unrest that frequently resulted in full-scale warfare. * Some DVD copies of “Monty Python and the Holy Grail” include a subtitle track called “Subtitles for People Who Don't Like the Film,” comprised of lines from Shakespeare's “Henry IV Part 2” that vaguely match what the actors are saying. Thought for the Day: “Few people know how to take a...Article Link

we're back from accidental hiatus!

Is this sequel closer to the Godfather II or Gremlins II? Plus a new member joins the team! And remembrances of the queen. Hosted on Acast. See acast.com/privacy for more information.

The word 'myth' refers to a society's collective stories, often involving Gods and the heroes that have offended them and Bad Dad Peter Andre has us thinking all about them and their cinematic representations and influences this week, as we kick things off with the Top 5 Mythical Characters. THE NORTHMAN is the second Robert Eggers film we've reviewed in recent months, after the deranged and often unpleasant THE LIGHTHOUSE and sees the director taking on the Hamlet origin story in what I hope is the first of a marvel style Shakespeare shared universe. Alexander Skarsgård seems to have found a niche playing wolf obsessed psychopaths having also explored this territory in the exceptionally bleak HOLD THE DARK and here he continues that as Prince Amleth, seeking revenge for the murder of his father King Aurvandil (Ethan Hawke) and the abduction and forced betrothal of his mother Queen Gudrún (Nicole Kidman) by his uncle Fjolnir (the excellently named Claes Bang). Eggers creates an authentic feeling world for his Vikings as well as portraying their spiritual side in a manner that allows us to enjoy the fantastical elements of their mythology balanced alongside the historical realism that is his trademark. An often incredible looking film, all bleak greys, lush greens and fire amongst the darkness at the gates of Hel, with timeless themes about anger and betrayal and how revenge wreaks damage on everyone connected no matter how tangentially, if you don't like dimly lit scenes of people making strange vocalisms to rhythmic drumming or sequences where people behave like dogs (a recurring motif for Eggers and for Willem Dafoe who at least doesn't have to do the barking this time) then you should probably avoid this, but if you're okay with all that and you enjoy timeless and classic Shakespearean themes, young boys decapitating horses and Valkyries riding into a beautiful Valhalla then this is probably the movie for you. Looking forward to The Safdie Brother's HENRY IV (PART 1) followed by Ari Aster's RICHARD III and then the eventual and inevitable history play team up movie helmed by Yorgos Lanthimos.  ULYSSES 31 is an undisputed classic animated series for those of a certain age, who can hear the theme tune in their heads just by the very mention of that title, though none of us remember the numerical suffix. Updating Homer's The Odyssey, the first episode sets up the basic premise of the series, namely that it is the 31st century and space Jesus Ulysses has killed a giant cyclops rescuing his son Telemachus and his smurf friends but the ancient gods are angry and sentence them to roam the stars in stasis until they find the kingdom of Hades. I've already mentioned the theme tune but it really is one for the ages, the animation is excellent and inventive and the central conceit, retelling Greek mythology through the medium of space opera is an obviously great idea, credited to Jean Chalopin (THE MYSTERIOUS CITIES OF GOLD, INSPECTOR GADGET). Be warned though, the comic relief robot sidekick No-No is awful in both concept and execution.We love to hear from our listeners! By which I mean we tolerate it. Try us on twitter @dads_film, on Facebook Bad Dads Film Review or on our website baddadsfilm.com. Until next time, we remain... Bad Dads 

Henry IV Part 1 has long been one of Shakespeare's most beloved history plays. In the 1590s, Shakespeare wrote a series of eight plays based on English chronicle history. This play is named for Henry IV, who deposed Richard II to become king in 1399. But the most captivating characters for many readers prove to be Sir John Falstaff and Henry IV's son Hal – the prince who would go on to become the legendary Henry V. In this course, you'll learn the story of Henry IV Part 1, hear the play's key speeches performed and analyzed by world-class Shakespearean actors and literary scholars, and watch how Hal navigates his historical destiny and forges his personal identity in a process he calls “redeeming time.”   In Part 1, you'll be guided through a detailed account of the story with commentary by Ewan Fernie, Chair, Professor and Fellow of the Shakespeare Institute and Director of the ‘Everything to Everybody' Project. You'll learn the historical context behind the play and encounter the extraordinary places and people - from the royal court to the taverns of London, from the honor-driven soldier Hotspur to the unforgettable rogue Falstaff - who shape Hal's future and offer a panoramic view of English society, within and beyond the official annals of history. This summary is told using the language of the play itself, placing key quotations in context to help you understand where these lines come from and what they mean. 

Part 3 features close-readings of seven of the play's most significant scenes and speeches. We trace the arc of Hal's transformation throughout the play, from his first intention to “redeem[] time” to the thwarted realization of his intentions in the play's climactic battle scene. We also share key moments with Henry IV, Falstaff, Hotspur, and Hotspur's wife. Speeches and Performers: Hal, Act 1, “I know you all …” (Scott Ripley) Lady Percy, Act 2, “O my good lord, why are you thus alone? …” (Kimisha Lewis) Falstaff and Hal, Act 2, “But to say I know more harm in him …” (Scott Ripley) King Henry IV, Act 3, “I know not whether God will have it so …” (Julian Glover) Hal, Act 3, “Do not think so. You shall not find it so …” (Keith Hamilton Cobb) Hotspur, Hal, and Falstaff, Act 5, “O Harry, thou hast robbed me of my youth …” (Scott Ripley) King Henry IV, Henry IV Part 2, Act 3, “How many thousands of my poorest subjects …” (Julian Glover)

It's a first for the New Orleans Shakespeare Festival at Tulane University as the Bard's history play, Henry IV, Part 1 is closing out the season. Director Burton Tedesco joins us to share how he's bringing this drama to the stage for the first time in the company's 29-year history.  This week, twelve of the world's top emerging pianists are headed to the Crescent City for the 28th New Orleans International Piano Competition presented by the Musical Arts Society of New Orleans. MASNO's executive and artistic director Cara McCool Woolf joins us with details. But first, forecasters predict another above-average hurricane season this year, yet some of the ways residents are preparing might surprise you. WWNO's Carly Berlin sat down with some New Orleanians to hear what they're putting in their go-bags. Today's episode of Louisiana Considered was hosted by Diane Mack. Our managing producer is Alana Schreiber and our digital editor is Katelyn Umholtz. Our engineers are Garrett Pittman, Aubry Procell, and Thomas Walsh.  You can listen to Louisiana Considered Monday through Friday at 12:00 and 7:30 pm. It's available on Spotify, Google Play, and wherever you get your podcasts.  Louisiana Considered wants to hear from you! Please fill out our pitch line to let us know what kinds of story ideas you have for our show. And while you're at it, fill out our listener survey! We want to keep bringing you the kinds of conversations you'd like to listen to. Louisiana Considered is made possible with support from our listeners. Thank you!See omnystudio.com/listener for privacy information.

Vir die meeste mense is die blote naam “Shakespeare” genoeg om hulle hartkloppings te besorg. (Sophia Kapp) Voorgelees deur Karen Loots. “Gee die Duiwel [en die digter] wat hom toekom” (Henry IV Part I) · VivA se webwerf

Vir die meeste mense is die blote naam “Shakespeare” genoeg om hulle hartkloppings te besorg. (Sophia Kapp) Voorgelees deur Karen Loots. “Gee die Duiwel [en die digter] wat hom toekom” (Henry IV Part I)

Coinciding with the April anniversary of Shakespeare's birth (and death), and in time for this year's open air performances by the Three Inch Fools at Alnwick Castle, this episode of the Alnwick Castle Podcast is a Shakespearean special! Join host Daniel as he talks to Shakespeare scholar Ronan Paterson about the Bard's connections to the history of Alnwick Castle. Ronan talks in detail about the depiction of famous Alnwick knight Harry Hotspur in Henry IV Part 1 - with the exclusive reveal of a new theory on Shakespeare's inspiration for the character - and he discusses the importance of the history plays as well as the global appeal of Macbeth.Tickets for the Three Inch Fools performing Shakespeare at the Castle can be booked from alnwickcastle.com. Check the website regularly for the on-sale date.If you enjoyed this episode of the podcast, please share it with your theatrical friends, subscribe so you don't miss an episode, and get in touch on Twitter @alnwickcastle or by emailing podcast@alnwickcastle.com if you'd like to hear more!(Exeunt alles.)

Join Tim and the gang (that is the official band name) as they answer your questions about Henry IV, Part I! See acast.com/privacy for privacy and opt-out information.

Join Tim, Heidi, and Brandon as they dig into the conclusion of this wonderful play! See acast.com/privacy for privacy and opt-out information.

It's time to discuss another crucial act four! In this episode we discuss the ways Shakespeare inverts expectations of Hal and Hotspur and how this act a bit different from most of Shakespeare plays, and yet is exactly what this play needs See acast.com/privacy for privacy and opt-out information.

Prince Hal is coronated as Henry V and banishes Falstaff. We hear rumor of forthcoming war with France.

Prince Hal is coronated as Henry V and banishes Falstaff. We hear rumor of forthcoming war with France.

New King Henry V decides to cast off his old dissolute companions and instead takes the Chief Justice as his closest advisor. Falstaff hurries to London in anticipation of reward and high office.

New King Henry V decides to cast off his old dissolute companions and instead takes the Chief Justice as his closest advisor. Falstaff hurries to London in anticipation of reward and high office.

Henry IV dies. Long live the King! Falstaff is in great expectation and the Chief Justice in fear as to what Henry V may be and do.

Henry IV dies. Long live the King! Falstaff is in great expectation and the Chief Justice in fear as to what Henry V may be and do.

Hillsdale Dialogues 01-07-22: Shakespeare's Richard II with Dr. Stephen SmithSee omnystudio.com/listener for privacy information.

emma and hailey go deep

Current Productions (1:37) A little progress on the Granny Square Couch Blanket Sleeves are done for the  Hearthstone Pullover. Raglan decreases are done but I forgot to continue the cable on the outside of the center, so I need to frog back. Coupon code for 25% off Ysolda Teague sweater patterns (valid through midnight on 10/4/2021 on both Ravelry as well as the Ysolda website): 42ndstitch25 Additional but slow progress made on the Herbivore Shawl Progress on the heel increases for the first sock the 'Sup, Witches Socks Mention of the Paloma Pullover   Events (12:54) September Playlist: Broadway Covered! Kevin's Profile link for Spotify! Indie Untangled October 15, 2021 Rhinebeck 2021 October 16-17, 2021 SVGMC Winter Concert: HOME December 10, 11, 12, 2021 Stitches West 2022 in Sacramento, CA March 3-6, 2022   Hey Look Me Over (16:15) The Royal Shakespeare Company's production of The Merry Wives of Windsor Link to info on The Merry Wives of Windsor from the Shakespeare Birthplace Trust Wikipedia page for The Merry Wives of Windsor Mention of Henry IV Part 1 & Part 2 Mention of Henry V   Little Known Facts (33:27) If you don't ask, you'll never know.   It's De-Lovely (39:38) Mom is visiting! Mention of Disney's COCO Link to Dick Cavett interview with Bette Davis  

In which Grace and I revisit Falstaff, consider the merits of Hal, and delight in Mistress Quickly.

In which Grace and Danny discuss monarchs, wastrel sons, philosopher reprobates, and Baloo the Bear.

SHAKESPEARE QUOTE OF THE WEEK "He had eaten me out of house and home" Act 2 Scene 1 "Uneasy lies the head that wears a crown" Act 3 Scene 1 "We have heard the chimes at midnight" Act 3 Scene 2 _____________________________________________ For more ramblings and musings as well as Shannon J Reilly works (currently available for a theatre near you), theatre projects, etc -https://shannonjreilly.com/ ( VISIT ShannonJReilly.com) Email: Shannon@ShannonJReilly.com #StayBardToTheBone_____________________________________________ SUPPORT THIS SHOW, HOST AND STATION Thank you for listening to KSEF-DB, you rock! If you want to be a super rockstar, consider making a contribution to support this show / station or become a show sponsor. All monetary support is shared between the volunteer show host and KSEF-DB. So you might just receive two thank you cards. 60% directly supports KSEF-DB operations and station costs. 40% directly supports show host. https://785live.com/advertise/ (ADVERTISING INFORMATION) https://785live.com/show-support/ (MAKE A ONE-TIME CONTRIBUTION.) We appreciate you!

It was his second play of his most celebrated historical series, but it was less about the king mentioned in the title and more about his son who would be king. And it introduced one of the most beloved theatrical comic character of all time . . . Sir John Falstaff, (though that wasn't his original name!) Hear the story behind Henry IV Part 1 on Shannon's Shakespeare Shunday Every Sunday on https://www.facebook.com/groups/707314020132424/?__cft__[0]=AZUexyuIaz06vV_h_cAU2Mw4yBB0QRYnuOPeOHtcEVR_HvOVtJahy9m3OoxXbI7adTKZUELVMA6rAmde2OxvYzV5dPW-vGzHsyaXqKCAlKxMEOHfw_efR71AvDJUBtB6j_w&__tn__=-UK-R (KSEF-DB a.k.a. 785 LIVE) on the eights

If you have a story you would like to share please go to https://www.ianpringlevoiceover.com/thats-another-story-told/ where you can find out more.About the guests.Tilly Lunken writes stories, mostly for theatre. She's a graduate of the University of East Anglia's Creative Writing MA and Royal Court and Criterion Writer's Programs. Most recent credits 'World King' (Miniaturists, Arcola); 'Beastly Belle' (Norwich Puppet Theatre). She can be found @theatreofwords on social media or probably lost in a fairytaleFran Burgoyne is an actor and voice artist. She can be heard on Audible reading The Ordshaw series – an urban fantasy series with really great monsters and seriously rude fairies. Recent stage work includes almost playing Girl in Theatre Hullabaloo's Baba Yaga (a covid casualty), Paulina in The Winter's Tale and Mistress Quickly in Henry IV Part 2 (Cambridge Shakespeare Festival), the youngest of The Railway Children and the oldest wife in Communicating Doors (Leatherhead and Swannage rep) and the world's worst tour guide in the ground-breaking immersive show Madhouse Re:Exit (Access All Area's). She can be found on Twitter @franburgoyne

It's the comedy of the prince of Denmark! Hamlet's Big Adventure (a prequel) will be the eleventh stage show performed by the Reduced Shakespeare Company and the tenth RSC script by Reed Martin and Austin Tichenor, who discuss the origins of the script; where it's being workshopped as part of Napa Valley College's Emergence Festival; how the transitive property applies to ranking plays; the incredible insight given to us by our dramaturg Kate Pitt; echoes of Hamlet as well as Henry IV Part 1; the feeling of being both Queen Elizabeth demanding a new play about Sir John Falstaff and the Shakespeare who gets to write it; the hesitation of getting rid of our usual framing device; the challenge of creating a comedy that's funny to people who don't know the original; the balancing act of finding the right ratio of highbrow to lowbrow; and the fun of answering questions inspired by Shakespeare's original tragedy. Poster art by the incomparable Lar DeSouza. (Length 20:45) The post Hamlet's Big Adventure! appeared first on Reduced Shakespeare Company.

A short passage from Shakespeare's history play, Henry IV Part 1 (in which the mysterious figure Owen Glendower boasts of being "extraordinary") is paired with words of Paul the Apostle from Philippians 2:5-11 in the King James Version of the Bible.