Podcasts about ain't nobody's business

Join us as we count our way down through the biggest #1 R&B hits of the late 1940s. It was a period dominated by Blues shouters, wailing saxes, and piano-playing balladeers -- and Louis Jordan was king of the charts. But times were a changing, with independent record producers making inroads into previously uncharted waters. One iconic record that helped pave the way for what would become the burgeoning independent record scene of the late 1940s was "I Wonder," by Private Cecil Gant. It was just the right record, at just the right time, hitting upon the zeitgeist of World War II and homesick soldiers who would soon be stationed "a million miles away" from their gal back home. The original version was recorded in June 1944 by Leroy Hurte for his independent Bronze label, but when Hurte couldn't keep up with demand, it was quietly recorded again, for yet another independent label, Gilt-Edge. And as events played out, it was Gilt-Edge — not Bronze — that had the Billboard smash hit with it. It was such a huge seller that Gilt-Edge had trouble keeping up with orders as well, even into the early days of March 1945, months after its release. But it set the record industry on its ear, so to speak. As a massive hit with broad crossover appeal, it was a clarion call to the newly emerging independent record industry that success was possible in a market mostly dominated by the major labels up until that time. By far, though, Louis Jordan was one of the biggest stars of the era, turning in almost 50 top ten performances on the Billboard charts between 1942 and late 1949, with most of those making it into the top 5, or higher. With cleverly crafted songs and a band that cooked, it's pretty easy to see how he would go on to influence Rhythm & Blues rockers like Chuck Berry the following decade (One main difference between the '40s and the '50s? Louis Jordan's instrument of choice was the saxophone. Chuck Berry wielded an electric guitar.... need we say more?). To come up with our list of the biggest #1 R&B hits of the late 1940s, we devised a special super-secret formula, giving weight to the number of weeks a record was on the Billboard charts, with bonus points given for number of weeks held in the top position. After hearing the show and seeing the playlist, however, some might wonder why some all time classics didn't make the cut. One of the most widely heard records of the late 1940s had to be "Open The Door, Richard!" by Jack McVea. Essentially a comedy record cut for the L.A.-based Black & White label, it entered the charts on February 8th, 1947, but only enjoyed a seven week run, topping out at number two, where it stayed for two weeks. "Drinkin' Wine Spo-Dee-O-Dee," Stick McGhee's homage to good times and cheap booze that helped put a fledgling Atlantic Records on the map, befell a similar fate. After a healthy run of 23 weeks on the charts, it stalled out at number two (a position it held for four weeks), but was unable to penetrate the grasp of three of the hugest hits of the decade that were making a run on the charts at exactly the same time -- "The Hucklebuck" by Paul Williams, "Trouble Blues," by Charles Brown, and "Ain't Nobody's Business," by Jimmy Witherspoon. And speaking of classics by Charles Brown, "Drifting Blues" -- cut in 1946 with Johnny Moore's Three Blazers, and one of his most widely covered songs -- hit a similar brick wall when it ran up against Lionel Hampton's version of "Hey! Ba-Ba-Re-Bop," which was enjoying a 16 week run at the top slot that spring and summer. On the charts for 23 weeks, "Drifting Blues" finally topped out at number two, for two weeks. Although Billboard chart statistics don't always tell us "the whole story" (so to speak), in any case, here are the hits that a generation of R&B fans danced to, heard on the radio, sung along to, and put their nickels in juke boxes all across America to hear again, and again, and again. Join us then, as we count our way down through the biggest #1 R&B hit records of the late 1940s. Pictured: At 32 weeks on the charts, “The Hucklebuck,” by Paul Williams, was one of the biggest hits of the decade. This episode is available commercial free and in its original full-fidelity high quality audio exclusively to our subscribers at Bandcamp. Your annual subscription of $27 a year will go directly to support this radio show, and you’ll gain INSTANT DOWNLOAD ACCESS to this and more than 170 other episodes from our extensive archive as well. More info is at http://bluesunlimited.bandcamp.com/subscribe

THE GALS ARE BACK...AGAIN AND ITS PRIDE MONTH! This week the gals commemorate the official start of "Season 2" of the JBUG Podcast, by diving in to what they've been up to during last month's hiatus! Alex chats about her concert road trips to see The 1975, The Beaches and The Local Natives, while Michelle raves about her trip to NYC to see The Cher Show on Broadway! Then, with the 2019 Tony Awards less than a week away, Alex gives her official winner predictions! Plus, we discuss some hot topics including the Toronto Raptors in the NBA Finals, Miley Cyrus's new album, and so much more... ALEX SOCIALS// twitter: alxcoombs / _alxcoombs insta: alxcoombs MICHELLE SOCIALS// twitter: michpsantos insta: michpsantos INTRO MUSIC: "Dreams" by Joakim Karud (Joakimkarud – Dreams-1) OUTRO MUSIC: "Ain't Nobody's Business" by Teal Wicks, Michael Beresse & The Cher Show Cast

Country Hits from the beginning of the Nashville Era. Songs include: I'm Movin On, I Love You Because, Ain't Nobody's Business, You Don't Have To Be a Baby To Cry, Take Me In Your Arms, Long Gone Lonesome Blues and If You've Got the Money. Performers include: Hank Snow, Kay Starr, Lefty Frizzell, Gene Autry, Hank Williams, Ernest Tubb and Red Foley.

Кавер версия легендарного трека Ain't Nobody's Business, оригинал которого спела певица Sara Martin еще в 1922 году. Конечно же были переделанные версии, например от певицы Ardis в 1994 году - о треке узнал весь мир и при этом в новом звучании, даже учитывая то, что гармония и подача от Ardis поменялась до неузноваемости относительно оригинала, который исполнялся под пиано в джазовой версии Sara Martin. На сегодняшний день кавер версию представляют в отличном модном и свежем звучании резиденты PRODUCTION DEEJAYS - DJ MATUYA, DJ STUFF -  совместная работа с вокалисткой Helena ILanG DJ MATUYA, DJ STUFF feat. Helena ILanG - Ain't Nobody's Business (Original Mix) @ DJ MATUYA

Кавер версия легендарного трека Ain't Nobody's Business, оригинал которого спела певица Sara Martin еще в 1922 году. Конечно же были переделанные версии, например от певицы Ardis в 1994 году - о треке узнал весь мир и при этом в новом звучании, даже учитывая то, что гармония и подача от Ardis поменялась до неузноваемости относительно оригинала, который исполнялся под пиано в джазовой версии Sara Martin. На сегодняшний день кавер версию представляют в отличном модном и свежем звучании резиденты PRODUCTION DEEJAYS - DJ MATUYA, DJ STUFF -  совместная работа с вокалисткой Helena ILanG DJ MATUYA, DJ STUFF feat. Helena ILanG - Ain't Nobody's Business (Original Mix) @ DJ MATUYA

Ремикс на бессмертный хит 90-х, который отлично подойдёт для любой ретро-вечеринки! Качаем, слушаем, танцуем и оставляем свои комментарии! Спасибо всем, кто играет мою музыку:)

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Durango-Silverton RR Dec 01 | 24 bit (1:33)Hi, and welcome to the Open Licensed Music Podcast, the show where we highlight music from artists who let you share their music.  I'm Ralph Wacksworth, and today's episode is featuring steampunk music.  A bunch of the songs this week have vocals, but there are also a bunch of instrumentals, too.  So let's get started!The Watchmaker's Apprentice (5:41)Fig Leaf Rag - distressed (3:29)Battle In The Sky - A Steampunk Orchestra (3:01)Eighteenth Century (1:51)"Epic" Orchestral Piece (3:00)The Clockwork City (12/14) (1:55)Frost Waltz (2:18)That was a chunk of Durango-Silverton RR Dec 01 | 24 bit by BoilingSand, which is available from FreeSound and is licensed under an Attribution license.  If you ever get a chance to ride the Durango and Silverton, it is an excellent ride and well worth it to go see.  After that was The Watchmaker's Apprentice by The Clockwork Quartet, which is available from their website at clockworkquartet.com and is licensed under an Attribution Noncommercial Share-Alike license.  Then we had Fig Leaf Rag - distressed by Kevin MacLeod, which is available from incompetech.com and is licensed under an Attribution license.  Next up was Battle In The Sky - A Steampunk Orchestra by Walid Feghali and Eighteenth Century by Niklas Stagvall, which are both available from SoundCloud and are licensed under an Attribution Noncommercial license.  After that was "Epic" Orchestral Piece by Steven O'Brien and The Clockwork City (12/14) by David Cordero Chang, which are both available from SoundCloud and are licensed under an Attribution license.  And finishing up was Frost Waltz by Kevin MacLeod, which is available from incompetech.com and is licensed under an Attribution license.Although I'm a big fan of open licensing, I also very much enjoy music from artists who are either independent or are on labels which kind of buck the trend of seemingly the majority of the mainstream music industry and actually like the fact that they have people listening to their music.  And with steampunk music, although I can't play it on here, there is a lot of really good stuff either direct published or on small labels.  A few songs I can heartily recommend listening to include:- Airship Pirate by Abney Park- Steph(v)enson by The Men That Will Not Be Blamed For Nothing (who actually released a version of that album on wax cylinder)- All Hail the Chap by Mr. B The Gentleman Rhymer- I Want Only You by The Cog Is Dead- Just Glue Some Gears On It (And Call It Steampunk) by Sir Reginald Pikedevant, Esquire- Roustabout by Beats Antique- and Lament for a Toy Factory by Dr. SteelMost of this week's music was chosen more for a mechanical sound than for anachronistic style combinations.  Stuff that just sounded to me like it went well with a slow speed reciprocating engine.  Not everyone considers the same things "steampunk music", since it's not a particularly well-defined genre, but this kind of thing falls pretty squarely into that category for me.Steam Train Interior (2:16)Railroad (1:42)Atom Hub Toolshed_contextual_demo (0:36)Tim Reed - Four Miniatures for Violin and Cello Duo (excerpt 1) (1:01)Clockwork Symphony (2:30)04 A Garden in Italy - The Archive Box - Stereochemistry (4:10)That was a chunk of Steam Train Interior by allh, which is available from FreeSound and is licensed under the CC0 license.  After that was Railroad by Jake Tickner and Atom Hub Toolshed_contextual_demo by Walid Feghali, which are both available from SoundCloud and are licensed under an Attribution license.  Then we had Tim Reed - Four Miniatures for Violin and Cello Duo (excerpt 1) by Tim Reed, which is available from SoundCloud and is licensed under an Attribution Noncommercial license.  Next up was Clockwork Symphony by Psarius and finishing up was 04 A Garden in Italy - The Archive Box - Stereochemistry by stereochemistrymusic, which are both available from SoundCloud and are licensed under an Attribution license.Today's app-of-the-day is OpenTTD, a transportation network simulator where your job is to build a system of road, rail, air, and ship routes to connect together towns and industries to move people and goods around the map in the most efficient way possible.  It's a little like if you took just the transportation components of a city simulator and extended it into its own game.  For example, not only do you build train stations and tracks, but the terrain of the tracks will slow down your trains if they hit a hill.  You also have to do regular maintenance on your vehicles and even build their routes and schedules.  I'll admit I'm pretty terrible at playing it, partially due to my propensity to overuse trains instead of other forms of transportation, but I still have a lot of fun playing it.  It's available for Linux, BSD, OpenSolaris and OpenIndiana, AmigaOS and MorphOS, BeOS and Haiku, OS/2, RISC OS, Android, PalmOS, Symbian, Nintendo DS, Wii, PSP, Apple iOS, Mac OS X, MS-DOS, and Microsoft Windows.  Download it today at openttd.orgNow for a short noncommercial break from one of our nonsponsors followed by more music.20000 Leagues under the SeasTower Bridge old machine room (1:00)CONCERNS (3:36)Monomental (3:20)Prelude No. 7 in A major, Op. 2g on a crappy old, out of tune, upright piano (1:44)Shine On, Harvest Moon (1:55)Ain't Nobody's Business (5:44)Steampunk Girl (3:56)That was Tower Bridge old machine room by The London Sound Survey, which is available from SoundCloud and is licensed under an Attribution Noncommercial license.  After that was CONCERNS by AKAJULES and Monomental by aledjones_musics, which are both available from Jamendo and are licensed under an Attribution Noncommercial Share-Alike license.  Then we had Prelude No. 7 in A major, Op. 2g on a crappy old, out of tune, upright piano by Steven O'Brien, which is available from SoundCloud and is licensed under an Attribution license.  Next up was Shine On, Harvest Moon by Nora Bayes and Jack Norworth and performed by Bill Kramme singing with himself, which is available from SoundCloud and is licensed under an Attribution Noncommercial Share-Alike license.  After that was Ain't Nobody's Business by Porter Grainger and Everett Robbins and performed by Cryindtbuffkin, which is available from SoundCloud and is licensed under an Attribution license.  Finishing up was Steampunk Girl by John Anealio, which is available from his website at johnanealio.com and is licensed under an Attribution Noncommercial license.So, that's all for today.  Remember - piracy of commercial music only proves your dependence on that model and justifies further censorship and restriction.  So don't pirate it - replace it with something better.  Listen to open licensed music, donate to the artists behind it, go to concerts, and buy music from artists whose record labels don't see you as their enemies.  Support artists where your support actually counts.This episode was made using Gentoo Linux, Xubuntu Linux, Audacity, Audacious for organizing playlists, and Leafpad for notes, and is licensed under the Creative Commons Attribution Noncommercial Share-Alike license.  Feel free to give it to your friends, or if you didn't like it, your enemies.  Links to the songs in this podcast are available on the website.  Listen in next time for some celtic music.  See 'ya!Download MP3

Шедевральный хит 90-х "Ain't Nobody's Business", в котором смешалось всё: поп, джаз, регги, немного блюз и госпел. Единственный и эксклюзивный ремикс в своём роде от DJ Nejtrino & DJ Stranger

Шедевральный хит 90-х "Ain't Nobody's Business", в котором смешалось всё: поп, джаз, регги, немного блюз и госпел. Единственный и эксклюзивный ремикс в своём роде от DJ Nejtrino & DJ Stranger