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Tunes: The Tunes I taught: Brose and Butter, Bundle and Go, Welcome Home My Dearie, Clark Colven, The Miller's Wedding, Robin Adair, New Way to Morpeth, The Pluner of the Lowlands now Grazes in the Glens, Yann Cariou, Tim Cummings, Jeremy Kingsbury, Ailis Sutherland, Clara Salem, Tunes I didn't Teach, Round two: Unfortunate Jock, Harris Dance (31), Harris Dance (32), Edward the Second Minuat, Wattie Laing, Cock-Laird fu' Cagie, Drummond Castle, I have a wife o my ain, Bonny Miller, Susan Stewart's Reel, Miss Murray's Reel, Tune to Learn by Ear: Welcome Home My Dearie Big thank you to the folks at Càirdeas and specifically to the instructors who let me use a recording of them playing: Yann Cariou, Tim Cummings, Ailis Sutherland and Clara Salem. Check out Càirdeas website here: https://www.cairdeas.org/ Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA
"Glimpses of Italian Society in the Eighteenth Century" features selections from Hester Lynch Piozzi's "Observations and Reflections Made in the Course of a Journey Through France, Italy, and Germany." Written during a time when Piozzi mingled with prominent figures like Dr. Johnson and Fanny Burney, this work offers vivid, personal insights into the cultural landscape of Italy in the late eighteenth century. First published in 1789, it captures the essence of a society marked by transition and enlightenment, making it a timeless exploration of human experience. Its themes of observation and reflection resonate today, inviting listeners to appreciate the nuances of societal change and the richness of travel narratives.
City of the Gallows: Art and Execution in Eighteenth-Century London (Yale UP, 2026) uncovers the complex and often unexpected connections between eighteenth-century London's sites of punishment and its spaces of art-making, instruction, and display. Drawing together a wide range of images, objects, and texts – from popular woodcuts and anatomical sculptures to moral tracts and dictionaries of slang – it offers new readings of works by major artists, such as William Hogarth, Johan Zoffany, and Joseph Wright of Derby, and shines a light on others that traditional accounts of the period have overlooked or ignored. In doing so, this book shows how state violence shaped the art and visual culture of this era, whose legacies persist to this day. Kelsey Brosnan is an art historian specializing in eighteenth- and nineteenth-century French art. Her book on the still-life painter Anne Vallayer-Coster was published by Lund Humphries and Getty Publications in 2026. kb2348@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies
City of the Gallows: Art and Execution in Eighteenth-Century London (Yale UP, 2026) uncovers the complex and often unexpected connections between eighteenth-century London's sites of punishment and its spaces of art-making, instruction, and display. Drawing together a wide range of images, objects, and texts – from popular woodcuts and anatomical sculptures to moral tracts and dictionaries of slang – it offers new readings of works by major artists, such as William Hogarth, Johan Zoffany, and Joseph Wright of Derby, and shines a light on others that traditional accounts of the period have overlooked or ignored. In doing so, this book shows how state violence shaped the art and visual culture of this era, whose legacies persist to this day. Kelsey Brosnan is an art historian specializing in eighteenth- and nineteenth-century French art. Her book on the still-life painter Anne Vallayer-Coster was published by Lund Humphries and Getty Publications in 2026. kb2348@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
City of the Gallows: Art and Execution in Eighteenth-Century London (Yale UP, 2026) uncovers the complex and often unexpected connections between eighteenth-century London's sites of punishment and its spaces of art-making, instruction, and display. Drawing together a wide range of images, objects, and texts – from popular woodcuts and anatomical sculptures to moral tracts and dictionaries of slang – it offers new readings of works by major artists, such as William Hogarth, Johan Zoffany, and Joseph Wright of Derby, and shines a light on others that traditional accounts of the period have overlooked or ignored. In doing so, this book shows how state violence shaped the art and visual culture of this era, whose legacies persist to this day. Kelsey Brosnan is an art historian specializing in eighteenth- and nineteenth-century French art. Her book on the still-life painter Anne Vallayer-Coster was published by Lund Humphries and Getty Publications in 2026. kb2348@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
City of the Gallows: Art and Execution in Eighteenth-Century London (Yale UP, 2026) uncovers the complex and often unexpected connections between eighteenth-century London's sites of punishment and its spaces of art-making, instruction, and display. Drawing together a wide range of images, objects, and texts – from popular woodcuts and anatomical sculptures to moral tracts and dictionaries of slang – it offers new readings of works by major artists, such as William Hogarth, Johan Zoffany, and Joseph Wright of Derby, and shines a light on others that traditional accounts of the period have overlooked or ignored. In doing so, this book shows how state violence shaped the art and visual culture of this era, whose legacies persist to this day. Kelsey Brosnan is an art historian specializing in eighteenth- and nineteenth-century French art. Her book on the still-life painter Anne Vallayer-Coster was published by Lund Humphries and Getty Publications in 2026. kb2348@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
City of the Gallows: Art and Execution in Eighteenth-Century London (Yale UP, 2026) uncovers the complex and often unexpected connections between eighteenth-century London's sites of punishment and its spaces of art-making, instruction, and display. Drawing together a wide range of images, objects, and texts – from popular woodcuts and anatomical sculptures to moral tracts and dictionaries of slang – it offers new readings of works by major artists, such as William Hogarth, Johan Zoffany, and Joseph Wright of Derby, and shines a light on others that traditional accounts of the period have overlooked or ignored. In doing so, this book shows how state violence shaped the art and visual culture of this era, whose legacies persist to this day. Kelsey Brosnan is an art historian specializing in eighteenth- and nineteenth-century French art. Her book on the still-life painter Anne Vallayer-Coster was published by Lund Humphries and Getty Publications in 2026. kb2348@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Tunes: Nae Tune list or dots this time around. At least not for a while, but you can hear me introduce the tunes. Lots of stuff from David Young, Patrick MacDonald and Donald MacDonald. Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA
On the Shelf for June & July 2026 The Lesbian Historic Motif Podcast - Episode 347 with Heather Rose Jones Your monthly roundup of history, news, and the field of sapphic historical fiction. In this episode we talk about: Recent and upcoming publications covered on the blog Moore, Lisa L. 2005. “Queer Gardens: Mary Delany's Flowers and Friendships” in Eighteenth-Century Studies Vol. 39, No. 1 (Fall, 2005), pp. 49-70 O'Driscoll, Sally. 2003. “The Lesbian and the Passionless Woman: Femininity and Sexuality in 18th century England” in The Eighteenth Century: Theory and Interpretation 44.2-3. p.103-31 Peakman, Julie. 2004. Lascivious Bodies: A Sexual History of the Eighteenth Century. Atlantic Books, London. Chapter 8 “Tribadism: ‘A New Sort of Sin'” Anonymous. 1697. The history of the intrigues & gallantries of Christina, Queen of Sweden, and of her court whilst she was at Rome faithfully render'd into English from the French original. London: Richard Baldwin. Abbott, Carmeta. 1993. “The Portrait as Text: Two Depictions of Madame de Saint-Balmon (1607-1660)” in Atlantis: Critical Studies in Gender, Culture, and Social Justice vol. 19, No. 1. Bell, Rudolph M. 1987. “Renaissance Sexuality and the Florentine Archives: An Exchange” in Renaissance Quarterly, Vol. 40, No. 3: pp. 485-511 Reynolds, Nicole. 2010. “Cottage Industry: The Ladies of Llangollen and the Symbolic Capital of the "Cottage Ornée"” in The Eighteenth Century, Vol. 51, No. 1/2: 211-227 Vicinus, Martha. “Lesbian Perversity and Victorian Marriage: The 1864 Codrington Divorce Trial” pp.92-94 in Journal of British Studies 36, no. 1 (1997). Liddington, Jill. 1993. “Anne Lister of Shibden Hall, Halifax (1791-1840): Her Diaries and the Historians” in History Workshop, 35: 45-77. Orr, Dannielle. 2006. A Sojourn in Paris 1824-25: Sex and Sociability in the Manuscript Writings of Anne Lister (1791-1840). (Doctoral Dissertation, Murdoch University) Roulston, Chris & Caroline Gonda, eds. 2023. Decoding Anne Lister: From the Archives to ‘Gentleman Jack'. Cambridge University Press, Cambridge. ISBN 9781009280723 Book Shopping Norton, Rictor. 1997. The Myth of the Modern Homosexual: Queer History and the Search for Cultural Unity. Cassell. ISBN 0-304-33892-3 Mansel, Philip. 2001. Paris Between Empires: Monarchy and Revolution 1814-1852. St. Martin's Press, New York. ISBN 0-312-30857-4 Recent Lesbian/Sapphic Historical Fiction Dreaming of Jerusalem by Susie Helme Silk Road Runaways by Christine Inserra Chivalry in the Shadows by Meg Merriet Wahlberg With My Own Hand: The secret life of Marie Maitland, Scotland's sixteenth-century Sappho by Ashley Douglas Bound By Silk & Salt Water by Caren Cross Tempest: A Novel of Anne Bonny, the Pirate Queen Who Disappeared by K. Knight The Ruby Reaper (The Ruby Reaper #1) by Eline Evans The Emerald Eclipse (The Ruby Reaper #2) by Eline Evans Mr. Moore by Giny Morales The Miseducation of Caroline Bingley by Lindz McLeod Caroline's Courtesan (The Comerford Courtesans #4) by Jess Michaels Pretence & Pretentiousness by Lynn Kear A Season of Teeth and Silk by Henriette Twinne The Art of Longing by Michael David The Green Seal (Blackthorn Hall Romances # 3) by E. L. Vale What the Willow Kept (The Women of Sapphire #1.5) by L. Creeke When Embers Find Her (The Women of Sapphire #1) by L. Creeke The Wrong Widow (Cielo Seco # 1) by D. S. Briar Gold Rush 1860 by Randa Hink Two Whoops and a Holler by Carmilla Deane Charity and Sylvia by Tillie Walden Disfigured (New York's Gilded Age #4) by Joseph P. Garland Becoming Legends Elsie-Bessie: A Love Story (book #1) by Barbara Barna Abel & Shannon McMahon Lichte Lena and Miss Cawkwell by Julie Bozza Murder by Degrees by Rachel Ford A Blue Note by Katrina Jackson Little Wild by Laura Evans The Malign Ghosts of Summer by Ann McMan Cold Water by C. R. Ellery The Rude Bird (New Orleans Noir # 1) by M. R. Dimond What I've been consuming Platform Decay by Martha Wells Monstrous Regiment by Terry Pratchett Death of the Author by Nnedi Okorofor A Change of Pace by J.A. Stevens Call for submissions for the 2027 LHMP audio short story series. See here for details. A transcript of this podcast is available here. (Interview transcripts added when available.) Links to the Lesbian Historic Motif Project Online Website: http://alpennia.com/lhmp Blog: http://alpennia.com/blog RSS: http://alpennia.com/blog/feed/ Twitter: @LesbianMotif Discord: Contact Heather for an invitation to the Alpennia/LHMP Discord server The Lesbian Historic Motif Project Patreon Links to Heather Online Website: http://alpennia.com Email: Heather Rose Jones Mastodon: @heatherrosejones@Wandering.Shop Bluesky: @heatherrosejones Facebook: Heather Rose Jones (author page)
Paper was a precious commodity in the eighteenth century: every sheet was made by hand. There was therefore a significant market in recycling substandard paper from paper mills and discarded proofs and sheets from printers and booksellers for secondary use, alongside a black market in which stealing and receiving stolen paper took place on a vast scale. A single piece of paper could be termed ‘waste' and yet sold for cash three times in succession, on each occasion performing a useful function. The end user would keep the newly purchased ‘waste' or paper wrapping in a special drawer from which it would be taken for a myriad household purposes, including cooking, needlework, decoration and hygiene. Popular satirical prints depicted explicit paper uses, while creators of flamboyant papier mâché ceilings concealed the material by gilding it. With over 100 illustrations, and drawing on letters from a range of people from farmers to notable authors and members of the aristocracy, together with meticulous archival research, Too Good to Waste: Recycling Paper in the Eighteenth Century (Bodleian Library, 2026) by Dr. Amélie Junqua and Dr. Geoffrey Day traces the extraordinary history of ingenious paper recycling in eighteenth century England. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Tunes: William Mackie: Taste Life's Glad Moments, Robin Adair, Ye Branks and Baes of Bonny Dune, The Banks of the Dee, What ails this heart of mine, Paddy O'Rafferty Robert Menzies: Taste Life's Glad Moments, Smollet Holden: Aleen Aroon O'Farrell: Paddy O'Rafferty with variations Angus MacKay: Paddy O'Rafferty with variations Seamus Ennis: Paddy O'Rafferty, The Reverend Brother's Jig Big Thanks to John Dally, Stephen McNally, Pete Stewart and Adam Sanderson for helping with my attempts at salvaging my miserable pornunciations. For an article on the "Z" or yogh letter: https://www.scotlandspeople.gov.uk/scottish-handwriting/coaching/letter-finder/letter-yogh Most of the tunes this week come from William Mackie's 1828 Pastoral Pipes manuscript still available on Ross's Music Page: https://www.cl.cam.ac.uk/archive/rja14/musicfiles/manuscripts/mackie-part1.pdf here is an archived photo of Mackie's pipes: https://web.archive.org/web/20240329181248/http://nms.scran.ac.uk/database/record.php?usi=000-000-579-671-C&scache=2u56p5txg5&searchdb=scran Other Sources: ====== 1823: Taste Life's Glad Moments from Edinburgh Chapbook https://digital.nls.uk/chapbooks-printed-in-scotland/archive/104184666 +X+X+ 1793: Robin Adair from Edinburgh Musical Miscellany https://digital.nls.uk/special-collections-of-printed-music/archive/94581712 +X+X+ 1818: Robin Adair : The Much Admired Ballad, as sung by Mr. Philipps arranged for piano forte or harp by W. Reeve [https://hdl.handle.net/2027/mdp.39015096437556](https://hdl.handle.net/2027/mdp.39015096437556) For a Chapter on the History of “Robin Adair and Eileen Aroon” see: Stories of Famous Songs vol 1_ by S. J. Adair Fitz-Gerald, 1901 [https://hdl.handle.net/2027/umn.31951002410743h](https://hdl.handle.net/2027/umn.31951002410743h) +X+X+ 1810: Aleen Aroon from Smollet Hoden's A Collection of Farorite Irish Airs arranged for the Harp or Pianoforte” https://ks15.imslp.org/files/imglnks/usimg/8/8f/IMSLP740826-PMLP1177690-smollet +X+X+ FIN Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA
Paper was a precious commodity in the eighteenth century: every sheet was made by hand. There was therefore a significant market in recycling substandard paper from paper mills and discarded proofs and sheets from printers and booksellers for secondary use, alongside a black market in which stealing and receiving stolen paper took place on a vast scale. A single piece of paper could be termed ‘waste' and yet sold for cash three times in succession, on each occasion performing a useful function. The end user would keep the newly purchased ‘waste' or paper wrapping in a special drawer from which it would be taken for a myriad household purposes, including cooking, needlework, decoration and hygiene. Popular satirical prints depicted explicit paper uses, while creators of flamboyant papier mâché ceilings concealed the material by gilding it. With over 100 illustrations, and drawing on letters from a range of people from farmers to notable authors and members of the aristocracy, together with meticulous archival research, Too Good to Waste: Recycling Paper in the Eighteenth Century (Bodleian Library, 2026) by Dr. Amélie Junqua and Dr. Geoffrey Day traces the extraordinary history of ingenious paper recycling in eighteenth century England. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices
Paper was a precious commodity in the eighteenth century: every sheet was made by hand. There was therefore a significant market in recycling substandard paper from paper mills and discarded proofs and sheets from printers and booksellers for secondary use, alongside a black market in which stealing and receiving stolen paper took place on a vast scale. A single piece of paper could be termed ‘waste' and yet sold for cash three times in succession, on each occasion performing a useful function. The end user would keep the newly purchased ‘waste' or paper wrapping in a special drawer from which it would be taken for a myriad household purposes, including cooking, needlework, decoration and hygiene. Popular satirical prints depicted explicit paper uses, while creators of flamboyant papier mâché ceilings concealed the material by gilding it. With over 100 illustrations, and drawing on letters from a range of people from farmers to notable authors and members of the aristocracy, together with meticulous archival research, Too Good to Waste: Recycling Paper in the Eighteenth Century (Bodleian Library, 2026) by Dr. Amélie Junqua and Dr. Geoffrey Day traces the extraordinary history of ingenious paper recycling in eighteenth century England. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
Paper was a precious commodity in the eighteenth century: every sheet was made by hand. There was therefore a significant market in recycling substandard paper from paper mills and discarded proofs and sheets from printers and booksellers for secondary use, alongside a black market in which stealing and receiving stolen paper took place on a vast scale. A single piece of paper could be termed ‘waste' and yet sold for cash three times in succession, on each occasion performing a useful function. The end user would keep the newly purchased ‘waste' or paper wrapping in a special drawer from which it would be taken for a myriad household purposes, including cooking, needlework, decoration and hygiene. Popular satirical prints depicted explicit paper uses, while creators of flamboyant papier mâché ceilings concealed the material by gilding it. With over 100 illustrations, and drawing on letters from a range of people from farmers to notable authors and members of the aristocracy, together with meticulous archival research, Too Good to Waste: Recycling Paper in the Eighteenth Century (Bodleian Library, 2026) by Dr. Amélie Junqua and Dr. Geoffrey Day traces the extraordinary history of ingenious paper recycling in eighteenth century England. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices
Paper was a precious commodity in the eighteenth century: every sheet was made by hand. There was therefore a significant market in recycling substandard paper from paper mills and discarded proofs and sheets from printers and booksellers for secondary use, alongside a black market in which stealing and receiving stolen paper took place on a vast scale. A single piece of paper could be termed ‘waste' and yet sold for cash three times in succession, on each occasion performing a useful function. The end user would keep the newly purchased ‘waste' or paper wrapping in a special drawer from which it would be taken for a myriad household purposes, including cooking, needlework, decoration and hygiene. Popular satirical prints depicted explicit paper uses, while creators of flamboyant papier mâché ceilings concealed the material by gilding it. With over 100 illustrations, and drawing on letters from a range of people from farmers to notable authors and members of the aristocracy, together with meticulous archival research, Too Good to Waste: Recycling Paper in the Eighteenth Century (Bodleian Library, 2026) by Dr. Amélie Junqua and Dr. Geoffrey Day traces the extraordinary history of ingenious paper recycling in eighteenth century England. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies
Tunes: Pretty incomplete tune list: Tunes: Cuddy's Wedding from Vickers, Auld Lang Syne from Appomattox, Hoopers and Girders (Pete Stewart's Setting from David Young), Over the Hills and Far Away, Mill Mill O, Oyster Wive's Rant, Gravel Walks, Brenda Stubberts, Mason's Apron, Miss McLeod of Raasay, Atholl Highlanders, and many more. Càirdeas is pretty booked up for this year actually, but be sure to get on their mailing list here: https://www.cairdeas.org/ Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA
All songs in this episode are poems by Robert Louis Stevenson set to traditional tunes: “A Song of the Road” with Over the Hills and Far Away “The Spaewife” with unnamed tune collected by George St. J. Bremner “Wandering Willie” with Here Awa' There Awa' and Bonnie Dundee “Over the Sea to Skye” with the Skye Boat Song ======= Thanks to J.F.M. Russell, who has made his research into the music of Robert Louis Stevenson available on his website, https://sites.google.com/a/music-of-robert-louis-stevenson.org/introduction/home You can find many tantalizing tidbits about RLS' music manuscripts and stories about his writings. The index on his site will guide you to more information about the poems and songs I selected. ====== Thanks to Jeremy Kingsbury for inviting me to guest host this episode, and for the many words of advice and encouragement in the process of recording and editing it. Thanks to my son Ethan for his assistance and expert advice on mixing and mastering this episode. ====== A Song of the Road You can hear much more about the Over the Hills and Far Away tune in Wetootwaag's Bagpipe and History Podcast, Season 7 Episode 10: https://www.wetootwaag.com/s7e10 I didn't mention it in the episode, but one of my favorite sung settings of this song is arranged by Sean Dagher on La Nef's Sea Songs & Shanties album: (a great collection of sea shanty arrangements!) https://www.youtube.com/watch?v=vd69tvWD0xI&list=RDvd69tvWD0xI&start_radio=1 ====== The Spaewife Bremner's (unnamed) tune from a note with transcription by Fannie, Robert's wife, in her preface to Underwoods, A Child's Garden of Verses & Underwoods, Ballads, which is from the Works of Robert Louis Stevenson, Vailima Edition Volume VIII ====== Wandering Willie Original tune that Burns used for his Here Awa' There Awa', from a book RLS had in his library, The Songs of Scotland Without Words: https://www.google.com/books/edition/The_songs_of_Scotland_without_words_for/pGhBAQAAMAAJ?hl=en&gbpv=1&pg=PA19&printsec=frontcover&dq=wandering From (another book RLS had in his library) Gems of Scottish Song: (this is an adaptation of the tune that Burns used for his Bonnie Dundee) Page 1 and Page 2 RLS sketched a tune for Wandering Willie in his manuscripts, and based it on this Bonnie Dundee version, and likely altered it further in the second part. ====== Over the Sea to Skye Please see Mr. Russell's page about this song, which includes two examples of the song notated in Stevenson's hand. https://sites.google.com/a/music-of-robert-louis-stevenson.org/over-the-sea-to-skye/ And this note with transcription by Fannie, Robert's wife, in her preface to Underwoods, which is again from the Works of Robert Louis Stevenson, Vailima Edition Volume VIII https://www.google.com/books/edition/The_Works_of_Robert_Louis_Stevenson/t2Q4AAAAIAAJ?hl=en&gbpv=1&dq=spae%20wife%20brenmer&pg=PA89&printsec=frontcover ====== The Peter Pauper Press music journal is what I have been using for a few years to write down tunes as I'm learning them, or compose new ones, along with descriptions and other thoughts: https://www.peterpauper.com/products/music-journal My bellows-blown scottish smallpipes were made by Nate Banton https://natebanton.com/ My C chanter was made by Robert Felsburg https://www.thequietpiper.com/ My low D whistle and C whistle were made by Rob Gandara https://carbony.com/ +X+X+X+X+ FIN Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA
Robert Bremner: Duke of Perth's Reel, Capt. Ross's Reel, Short Apron, Hoptoun House, Lady Hariot Hope's Reel, The Highlandman Kiss'd His Mother, Miss Murray's Reel, Drummore's Rant, He Hirpl'd till her, Had the Lass till I winn at her, Cadgers of the Cannongate, Jeremy Kingsbury Sets: Colonel MacBain's Fancy, Brenda Stubbert's Reel, The Gravel Walk, Highlandman Kissed His Mother & Jenny Sutton From Bannocks of Barley Meal. Paddy Cary, Jigg Poltage, Ryan's Rant from Pay the Pipemaker. Dark-eyed one of the Night, Lady Seaforth, Dark Girl of the White Feet, Lady Mary Mackay, Mary Gray, Sweet Molly From Rowly Powly. J. Johnson: The Lads of Boot, William Ross: Miss Victoria Ross Iain MacInnes: Miss Victoria Ross, Lady Doll Sinclair, A'Chubhag (The Cuckoo), McFarlane's from Album Tryst Anselm Lingnau: (Traditional Tune Archive) Lady Susan Stewart's Reel John Walsh: Susan Stewart's Reel, Big thank you to Iain MacInnes for his blessing to include his track from Tryst. Tryst was published by Greentrax Label: https://greentrax.com/product/iain-macinnes-tryst-cd/ But is available on most streaming platforms as well. +X+ Cover Art is a Receipt from Robert Bremner's Shop in London courtesy of the British Museum: https://www.britishmuseum.org/collection/image/1544287001 +X+X+ I played tracks from Pay the Pipemaker: https://jeremykingsbury.bandcamp.com/album/pay-the-pipemaker Bannocks of Barley Meal: https://jeremykingsbury.bandcamp.com/album/bannocks-of-barley-meal and Rowly Powly: https://jeremykingsbury.bandcamp.com/album/rowly-powly +X+X+ Nearly all of the tunes this week come from Robert Bremner's 1757(ish) publication: A Collection of Scots Reels or Country Dances https://digital.nls.uk/special-collections-of-printed-music/archive/105002262 +X+X+ 1750: Lads of Boot From J Johnson's Country Dances (Via Traditional Tune Archive) https://tunearch.org/wiki/Lads_of_Boot +X+X+ 1869: Miss Victoria Ross: from William Ross's Collection of Pipe Music: https://ceolsean.net/content/WRoss/WRoss_TOC.html +X+X+ Susan Stewart's Reel From Traditional Tune Archive: https://tunearch.org/wiki/Lady_Susan_Stewart%27s_Reel +X+X+ 1758 (I've also seen 1760): Lady Susan Stewart's Reel from John Walsh's Caledonian Country Dances Vol 2 part IV https://archive.org/details/walsh4caledonian/ +X+X+ For may Hihland Man Kissed His Mother Episode Listen here: https://www.wetootwaag.com/s5e28 +X+X+ FIN Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA
This discussion took place a the University of St Andrews on February 26, 2025. Ann Thomson is Professor Emerita at the European University Institute, having been Professor of Intellectual History there from 2013 to 2020. Her research interests include the intellectual history of the long Eighteenth Century, and she studies questions at the intersection of religion, medicine and politics, as well as the circulation of ideas, book history and translation, and European writings on the Muslim world. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit standrewsiih.substack.com
In this episode, we're joined by Alex DiPrima to explore why biographies matter. We share some of our favorites, examine common pitfalls in historical writing, connect Hebrews 11 to the way we remember the past, and consider the unique benefits of reading both secular and Christian biographies.Spurgeon: A Life by Alex DiPrimaO Church Arise by Keith and Kristyn GettyWhen Activists Do History by Alex DiPrimaJonathan Edwards: A Life by George Marsden Histories and Fallacies by Carl TruemanChristian Leaders of the Eighteenth Century by J.C. Ryle Episode 11: On the Incarnation by AthanasiusDr. Martyn Lloyd Jones Biography by Iain MurrayBecoming C.S. Lewis by Harry Lee PoeHere I Stand: A Life of Martin Luther by Roland BaintonThe Last Lion: Winston Churchill by William ManchesterWashington: A Life by Ron ChernowThomas Jefferson: The Art of Power by Jon MeachamAnd There Was Light: Abraham Lincoln and the American Struggle by Jon MeachamNapoleon: A Life by Andrew RobertsHamilton by Ron ChernowA Chance to Die: The Life and Legacy of Amy Carmichael by Elisabeth ElliotBecoming Elisabeth Elliot by Ellen VaughanJ.R.R Tolkien: A Biography by Humphrey CarpenterC.S. Lewis: A Life: Eccentric Genius, Reluctant Prophet by Alister McGrathDestiny of the Republic by Candace MillardHero of the Empire by Candace Millard1776 by David McCulloughJohn Adams by David McCulloughAmericans in Paris by David McCulloughJohn Newton by Jonathan AitkenEvidence Not Seen by Darlene Deibler RoseThe Hiding Place by Corrie Ten BoomEmblem of Faith Untouched: A Short Life of Thomas Cranmer by Leslie WinfieldThomas Cranmer: A Life by Diarmaid MacCullochMemoir and Remains of Robert Murray M'Cheyne by Andrew Bonar
Tunes: Robert Bremner: Ratha Fair, Lady Doll Sinclair's Reel, The Milkmaids of Blantyre, Miss Polly Skinner's Reel, Miss Ramsey's Reel, The Parks of Kilburnie, Kiss me Sweetly, Cameron Has Got his Wife Again, Mr. Robert Kenney's Reel, Miss Blair's Reel, I'll gae nae mair to your Town, The Fyket, Isle of Sky, Jacky Stewart's Reel, Capt. Ross's Reel, Duke Of Perth's Reel, Wililam Vickers: Lanox Love, Sutherland: Clean Peas Straw, Donald MacDonald: Pease Straw, Thomas Glen: Pease Strae, Abraham MacIntosh: Miss Parker's Reel, James Aird: The Fyket, +X+X+ If you like the sound of my new whistles, check out Verdant Whistles here: https://www.irishflutestore.com/products/verdant-whistles?variant=46855357432034 +X+ If you want to hear Robert Bremner's Treatise on music you can listen to my reading of it here: https://www.wetootwaag.com/s8e2 +X+ The Articles I found about the Possible "Lady Doll Sinclair" https://tunearch.org/wiki/Annotation:Lady_Doll_Sinclair https://threadinburgh.scot/2023/01/04/the-thread-about-the-ninth-day-of-christmas-the-lady-behind-lady-fifes-house-well-and-brae-and-what-she-has-to-do-with-primrose/ https://www.facebook.com/share/1CzNLUYjcC/ +X+X+ Nearly all of the tunes this week come from Robert Bremner's 1757(ish) publication: A Collection of Scots Reels or Country Dances https://digital.nls.uk/special-collections-of-printed-music/archive/105002262 +X+ I'm hoping ot update the notes soon, but shoot me an email if you're looking for any of the other sources I didn't link yet. FIN Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA
در این ویدیو، با مرور تجربهی ایران در جنگ جهانی اول و دوم، نقش جغرافیا، نفت، ضعف یا قدرت دولت مرکزی و ساختار تصمیمگیری را بررسی میکنیم.متن: بهجت بندری، علی بندری، با راهنمایی آرش رئیسینژاد | ویدیو و صدا: حمیدرضا فرخسرشتیوتیوب بیپلاسکانال تلگرام بیپلاسمنابع و عنوانهایی برای کنجکاوی بیشترThe United States and China : A History From the Eighteenth Century to the Present - Don WangNixon and Mao - Margaret MacMillanNixon in China - Margaret MacMillanOn China - Henry Kissinger Hosted on Acast. See acast.com/privacy for more information.
در این ویدیو، با مرور تجربهی ایران در جنگ جهانی اول و دوم، نقش جغرافیا، نفت، ضعف یا قدرت دولت مرکزی و ساختار تصمیمگیری را بررسی میکنیم.متن: بهجت بندری، علی بندری، با راهنمایی آرش رئیسینژاد | ویدیو و صدا: حمیدرضا فرخسرشتیوتیوب بیپلاسکانال تلگرام بیپلاسمنابع و عنوانهایی برای کنجکاوی بیشترThe United States and China : A History From the Eighteenth Century to the Present - Don WangNixon and Mao - Margaret MacMillanNixon in China - Margaret MacMillanOn China - Henry Kissinger Hosted on Acast. See acast.com/privacy for more information.
I received the sad news of the death Joanna Crosby when I was at the Leeds Symposium of Food History and Traditions in April.Joanna was a talented food historian specialising in the history of apples and orchards, and she came on the podcast in 2024 to talk about her research and excellent book Apples and Orchards since the Eighteenth Century.I thought I would put out the episode we recorded together, published in January 2024 as a special episode in her memory.This podcast uses the following third-party services for analysis: Podtrac - https://analytics.podtrac.com/privacy-policy-gdrp
Tunes: David Young: The Drunken Wives in Pearson's Closs, Robert Bremner: Oyater Wives Rant, Lady Doll Sinclair's Reel, James Aird: The Oyster Wive's Rant, Mullindough or the Black Laddie, Angus Cumming: Haugh's of Cromdale, John Peacock: Oyster Wifes Rant Donald MacDonald: A Mulinn Dubh, The Whimsical, Jingling Johnie, The Miller's Fair Daughter, Morag is Domhnull (or Marion & Donald), The Jolly Old Gardner, John Rook: The Black Laddie, Thomas Glen: Mulinn Dubh (The Black Mill), William Gunn: Am Muilen Dubh (The black Mill) William Ross: The Black Mill LBPS Blue Book: The Oyster Wife's Rant, Jeremy Kingsbury: Oyster Wife's Rant, Be sure to Post your performance to your own instagram account and tag it #LBPS or #LBPSTOTM or post your rendition straight to the Lowland and Border Pipers' Group (Formerly LBPS Forum) https://www.facebook.com/share/g/1FZMPP8vUm/ You should also explore the growing resources at the LBPS Tune of the Month Website: https://lbps.net/j3site/index.php/repertoire/tune-of-the-month/1297-may-2026-oyster-wifes-rant SOURCES +X+ 1740: The Drunken Wives in Pearson's Closs from David Young's A Collection of the Newest Country Dances Perform'd in Scotland at Edinburgh by Da. Young WM Image Courtesy Pete Stewart +X+ 1760s: The Oyster Wive's Rant From Robert Bremner's A Collection of Scots Reels or Contry Dances https://digital.nls.uk/special-collections-of-printed-music/archive/105003175 +X+ 1780: The Oyster Wive's rant from James Aird's A selection of Scotch, English, Irish, and foreign airs : adapted to the fife, violin or German-flute https://archive.org/details/selectionofscotc00ingl/page/2/mode/2up +X+ 1800(ish): Oyster Wifes Rant from John Peacock's A Favourite Collection of Tunes with Variations Adapted for the Northumberland Small Pipes, Violin or Flute http://www.farnearchive.com/farneimages/jpgs/K0101300.jpg +X+ 1828: A Mulinn Dubh from Donald MacDonald's A Collection of Quicksteps, Strathspeys, Reels & Jigs Arranged for the Highland Bagpipe https://digital.nls.uk/special-collections-of-printed-music/archive/105682759 +X+ 1840: The Black Laddie from John Rook's Manuscript Multum in parvo or a Collection of old English, Scotch, Irish & Welsh Tunes. https://www.cl.cam.ac.uk/archive/rja14/musicfiles/manuscripts/rook/rook_pages/059.htm +X+ 1843: Mulinn Dubh From A New and Complete Tutor for the Great Highland Bagpipe by Thomas Glen https://ceolsean.net/content/TGlen/TGlen_TOC.html +X+ 1848: An Muilen Dubh (The black Mill) from William Gunn's The Caledonian Repository of Music adaptes for the Bagpipes https://ceolsean.net/content/Gunn/Gunn_TOC.html +X+ 1869: The Black Mill From Ross's Collection of Pipe Music by William Ross https://ceolsean.net/content/WRoss/WRoss_TOC.html +X+ Black Mill Set from Cold and Raw: https://jeremykingsbury.bandcamp.com/album/cold-and-raw + 1828: The Whimsical (Fall of Foyers) from Donald MacDonald's Collection of Quicksteps, Strathspeys, reels and Jigs https://digital.nls.uk/special-collections-of-printed-music/archive/105682660 + 1828: Jingling Johnie (Kate Dalrymple) from Donald MacDonald's Collection of Quicksteps, Strathspeys, reels and Jigs https://digital.nls.uk/special-collections-of-printed-music/archive/105682737 + 1828: The Miller's Fair Daughter from Donald MacDonald's Collection of Quicksteps, Strathspeys, reels and Jigs https://digital.nls.uk/special-collections-of-printed-music/archive/105682605 + 1828: Morag is Domhnull (or Marion & Donald) from Donald MacDonald's Collection of Quicksteps, Strathspeys, Reels and Jigs https://digital.nls.uk/special-collections-of-printed-music/archive/105682682 + 1828: The Jolly old Gardener from Donald MacDonald's Collection of Quicksteps, Strathspeys, reels and Jigs https://digital.nls.uk/special-collections-of-printed-music/archive/105682627 +X+X+ The Oyster Wife's Rant from Lowland and Border Pipers' Society The Blue Book; Committee Sessions Repertoire https://j3site.lbps.net/index.php/repertoire/miscellaneous-collections/379-the-blue-book-committee-sessions-repertoire +X+ Link to the Discussion of “Playing Reels to Oyster women” https://lbps.net/j3site/index.php/common-stock/archive-issues/130-june-2012/690-playing-reels-to-oyster-women Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA
Tunes: William Dixon: Wallington, John Cudbursuns fancy, Minuat Edward the Second, an thay were my own thing, William Vickers: Shew Me the Way to Wallington, The Pipers maggot, Melodies Committee of the Newcastle Antiquarian Society: Shew me the Way to Wallington, John Cuthbertson's Fancy, William Cocks: Shew's The Way to Wallington, Pipers' Maggot, David Young: The Piper, John Johnson: The Piper's Maggot, McFadyen (Aird): Piper's Maggot, Hime: The Pipers Maggot, O'Farrell: The Pipers Maggot, Donald MacDonald: The Piper's Maggot Angus MacKay: The Pipers Maggot, David Glen: The Piper's Maggot, John Dally Playing: John Cuthbertson's Fancy John Giddy: Nansavallen, Check out the Cree Fiddlers going to Orkney Documentary Here The Fiddlers of James Bay: https://www.folkstreams.net/films/fiddlers-of-james-bay Check out John Dally's Piping here: https://youtube.com/@rustygulley-r3r?si=dh1yPpW-cVe4Fegx https://on.soundcloud.com/Vk1wTdlhIkNXnypFMH and his Leatherwork here: https://www.instagram.com/dallyleather/ Check out Alan Kingsbury's Art here: https://alankingsbury.com/ For links to Sources for tunes, download the tunebook: https://www.patreon.com/file?h=155908454&m=648290193 Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA
Mary/Charles Hamilton: The Original Female Husband The Lesbian Historic Motif Podcast - Episode 340 with Heather Rose Jones In this episode we talk about: The factual story of Mary/Charles Hamilton Henry Fielding's fictional version in The Female Husband The larger historic and literary context Sources mentioned Baker, S. 1959. “Henry Fielding's The Female Husband: Fact and Fiction” in PMLA, 74 pp.213-24. Castle, T. 1983-4. “Eros and Liberty at the English Masquerade, 1710-90” in Eighteenth-Century Studies, XVII, 2: 156-76. Derry, Caroline. 2020. Lesbianism and the Criminal Law: Three Centuries of Legal Regulation in England and Wales. Palgrave Macmillan. ISBN 978-3-030-35299-8 Donoghue, Emma. 1995. Passions Between Women: British Lesbian Culture 1668-1801. Harper Perennial, New York. ISBN 0-06-017261-4 Friedli, Lynne. 1987. “Passing Women: A Study of Gender Boundaries in the Eighteenth Century” in Rousseau, G. S. and Roy Porter (eds). Sexual Underworlds of the Enlightenment. Manchester University Press, Manchester. ISBN 0-8078-1782-1 Fielding, Henry. 1746. The Female Husband: or, the Surprising History of Mrs Mary, Alias Mr George Hamilton. Liverpool, M. Cooper. (https://archive.org/details/bim_eighteenth-century_the-female-husband-or-_fielding-henry_1746) Lanser, Susan. 2001. “Sapphic Picaresque: Sexual Difference and the Challenges of Homoadventuring” in Textual Practice 15:2 (November 2001): 1-18. Lyons, Clare A. 2007. “Mapping an Atlantic Sexual Culture: Homoeroticism in Eighteenth-Century Philadelphia” in: Foster, Thomas A. (ed). Long Before Stonewall: Histories of Same-Sex Sexuality in Early America. New York University Press, New York. ISBN 13-978-0-8147-2749-2 Manion, Jen. “The Queer History of Passing as a Man in Early Pennsylvania.” Pennsylvania Legacies, vol. 16, no. 1, 2016, pp. 6–11. Manion, Jen. 2020. Female Husbands: A Trans History. Cambridge University Press, Cambridge. ISBN 978-1-108-48380-3 The full text of The Female Husband by Henry Fielding can be found at archive.org This topic is discussed in one or more entries of the Lesbian Historic Motif Project here: Charles/Mary Hamilton, The Female Husband (Henry Fielding) A transcript of this podcast is available here. Links to the Lesbian Historic Motif Project Online Website: http://alpennia.com/lhmp Blog: http://alpennia.com/blog RSS: http://alpennia.com/blog/feed/ Twitter: @LesbianMotif Discord: Contact Heather for an invitation to the Alpennia/LHMP Discord server The Lesbian Historic Motif Project Patreon Links to Heather Online Website: http://alpennia.com Email: Heather Rose Jones Mastodon: @heatherrosejones@Wandering.Shop Bluesky: @heatherrosejones Facebook: Heather Rose Jones (author page)
Europe's Laboratory: Climate and Health in Eighteenth-Century Russia (Cornell UP, 2025) is a history of eighteenth-century naturalists and physicians who were involved in the creation of a classification system for the people of the Russian Empire. These Enlightened scholars traveled through Russia describing its people, landscape, and customs. In an era when climate was seen as a significant factor affecting health and bodies, these men wondered: How did the Russians, a "cold" people—phlegmatic or melancholic, according to humoral theory—manage an empire? The experiences and observations of doctors and scholars working within the Russian Empire contributed to advances in understanding and/or treating diseases like scurvy, smallpox, and more. Key insights were embedded in the travel writings and correspondences of colorful eighteenth-century figures who Romaniello brings to life with vibrant biographies. Medical knowledge was entangled with stories of culture and imperial politics as well. In Europe's Laboratory, Romaniello's deft contextualization helps make sense of these intextricable branches of eighteenth-century taxonomies as he demonstrates that the Russian Empire was a part of global knowledge networks. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Europe's Laboratory: Climate and Health in Eighteenth-Century Russia (Cornell UP, 2025) is a history of eighteenth-century naturalists and physicians who were involved in the creation of a classification system for the people of the Russian Empire. These Enlightened scholars traveled through Russia describing its people, landscape, and customs. In an era when climate was seen as a significant factor affecting health and bodies, these men wondered: How did the Russians, a "cold" people—phlegmatic or melancholic, according to humoral theory—manage an empire? The experiences and observations of doctors and scholars working within the Russian Empire contributed to advances in understanding and/or treating diseases like scurvy, smallpox, and more. Key insights were embedded in the travel writings and correspondences of colorful eighteenth-century figures who Romaniello brings to life with vibrant biographies. Medical knowledge was entangled with stories of culture and imperial politics as well. In Europe's Laboratory, Romaniello's deft contextualization helps make sense of these intextricable branches of eighteenth-century taxonomies as he demonstrates that the Russian Empire was a part of global knowledge networks. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine
Europe's Laboratory: Climate and Health in Eighteenth-Century Russia (Cornell UP, 2025) is a history of eighteenth-century naturalists and physicians who were involved in the creation of a classification system for the people of the Russian Empire. These Enlightened scholars traveled through Russia describing its people, landscape, and customs. In an era when climate was seen as a significant factor affecting health and bodies, these men wondered: How did the Russians, a "cold" people—phlegmatic or melancholic, according to humoral theory—manage an empire? The experiences and observations of doctors and scholars working within the Russian Empire contributed to advances in understanding and/or treating diseases like scurvy, smallpox, and more. Key insights were embedded in the travel writings and correspondences of colorful eighteenth-century figures who Romaniello brings to life with vibrant biographies. Medical knowledge was entangled with stories of culture and imperial politics as well. In Europe's Laboratory, Romaniello's deft contextualization helps make sense of these intextricable branches of eighteenth-century taxonomies as he demonstrates that the Russian Empire was a part of global knowledge networks. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies
Europe's Laboratory: Climate and Health in Eighteenth-Century Russia (Cornell UP, 2025) is a history of eighteenth-century naturalists and physicians who were involved in the creation of a classification system for the people of the Russian Empire. These Enlightened scholars traveled through Russia describing its people, landscape, and customs. In an era when climate was seen as a significant factor affecting health and bodies, these men wondered: How did the Russians, a "cold" people—phlegmatic or melancholic, according to humoral theory—manage an empire? The experiences and observations of doctors and scholars working within the Russian Empire contributed to advances in understanding and/or treating diseases like scurvy, smallpox, and more. Key insights were embedded in the travel writings and correspondences of colorful eighteenth-century figures who Romaniello brings to life with vibrant biographies. Medical knowledge was entangled with stories of culture and imperial politics as well. In Europe's Laboratory, Romaniello's deft contextualization helps make sense of these intextricable branches of eighteenth-century taxonomies as he demonstrates that the Russian Empire was a part of global knowledge networks. Learn more about your ad choices. Visit megaphone.fm/adchoices
In his new book, The Castle Slaves of the Gambia River: A Creole Community in the Eighteenth Century Atlantic World (Brill, 2026) historian Dr. Michael W. Tuck examines life on James Island, now Kunta Kinteh Island, where enslaved Africans worked for European trading companies in the eighteenth century. These individuals were not plantation workers. They served as carpenters, sailors, soldiers, canoe workers, healers, cooks, mothers, and interpreters. They built forts, repaired boats, buried the dead, and maintained trading posts. Dr Tuck's research demonstrates that, despite harsh conditions, Castle Slaves formed families, preserved African names, practised healing, held funerals, and resisted captivity through escape and daily acts of survival. Women played key roles as caregivers, cultural anchors, and healers, despite facing significant vulnerability and exploitation. The book also highlights the high number of escape attempts from James Island, challenging the idea that resistance in West Africa was uncommon. Drawing on company ledgers, punishment logs, and death records, Dr. Tuck reconstructs a world often overlooked in Atlantic history. His work emphasises that each archival entry represents a person with relationships, memories, fears, and hopes. The Castle Slaves of the Gambia River provides both a history of slavery and a testament to resilience, community, and humanity. Amisah Bakuri (PhD) is an Assistant Professor in the Faculty of Social Sciences and Humanities at Vrije Universiteit Amsterdam. Her work explores the intersections of religion, sexuality, gender, and migration, especially within African diasporic communities in the Netherlands and Europe. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
In his new book, The Castle Slaves of the Gambia River: A Creole Community in the Eighteenth Century Atlantic World (Brill, 2026) historian Dr. Michael W. Tuck examines life on James Island, now Kunta Kinteh Island, where enslaved Africans worked for European trading companies in the eighteenth century. These individuals were not plantation workers. They served as carpenters, sailors, soldiers, canoe workers, healers, cooks, mothers, and interpreters. They built forts, repaired boats, buried the dead, and maintained trading posts. Dr Tuck's research demonstrates that, despite harsh conditions, Castle Slaves formed families, preserved African names, practised healing, held funerals, and resisted captivity through escape and daily acts of survival. Women played key roles as caregivers, cultural anchors, and healers, despite facing significant vulnerability and exploitation. The book also highlights the high number of escape attempts from James Island, challenging the idea that resistance in West Africa was uncommon. Drawing on company ledgers, punishment logs, and death records, Dr. Tuck reconstructs a world often overlooked in Atlantic history. His work emphasises that each archival entry represents a person with relationships, memories, fears, and hopes. The Castle Slaves of the Gambia River provides both a history of slavery and a testament to resilience, community, and humanity. Amisah Bakuri (PhD) is an Assistant Professor in the Faculty of Social Sciences and Humanities at Vrije Universiteit Amsterdam. Her work explores the intersections of religion, sexuality, gender, and migration, especially within African diasporic communities in the Netherlands and Europe. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In his new book, The Castle Slaves of the Gambia River: A Creole Community in the Eighteenth Century Atlantic World (Brill, 2026) historian Dr. Michael W. Tuck examines life on James Island, now Kunta Kinteh Island, where enslaved Africans worked for European trading companies in the eighteenth century. These individuals were not plantation workers. They served as carpenters, sailors, soldiers, canoe workers, healers, cooks, mothers, and interpreters. They built forts, repaired boats, buried the dead, and maintained trading posts. Dr Tuck's research demonstrates that, despite harsh conditions, Castle Slaves formed families, preserved African names, practised healing, held funerals, and resisted captivity through escape and daily acts of survival. Women played key roles as caregivers, cultural anchors, and healers, despite facing significant vulnerability and exploitation. The book also highlights the high number of escape attempts from James Island, challenging the idea that resistance in West Africa was uncommon. Drawing on company ledgers, punishment logs, and death records, Dr. Tuck reconstructs a world often overlooked in Atlantic history. His work emphasises that each archival entry represents a person with relationships, memories, fears, and hopes. The Castle Slaves of the Gambia River provides both a history of slavery and a testament to resilience, community, and humanity. Amisah Bakuri (PhD) is an Assistant Professor in the Faculty of Social Sciences and Humanities at Vrije Universiteit Amsterdam. Her work explores the intersections of religion, sexuality, gender, and migration, especially within African diasporic communities in the Netherlands and Europe. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
In his new book, The Castle Slaves of the Gambia River: A Creole Community in the Eighteenth Century Atlantic World (Brill, 2026) historian Dr. Michael W. Tuck examines life on James Island, now Kunta Kinteh Island, where enslaved Africans worked for European trading companies in the eighteenth century. These individuals were not plantation workers. They served as carpenters, sailors, soldiers, canoe workers, healers, cooks, mothers, and interpreters. They built forts, repaired boats, buried the dead, and maintained trading posts. Dr Tuck's research demonstrates that, despite harsh conditions, Castle Slaves formed families, preserved African names, practised healing, held funerals, and resisted captivity through escape and daily acts of survival. Women played key roles as caregivers, cultural anchors, and healers, despite facing significant vulnerability and exploitation. The book also highlights the high number of escape attempts from James Island, challenging the idea that resistance in West Africa was uncommon. Drawing on company ledgers, punishment logs, and death records, Dr. Tuck reconstructs a world often overlooked in Atlantic history. His work emphasises that each archival entry represents a person with relationships, memories, fears, and hopes. The Castle Slaves of the Gambia River provides both a history of slavery and a testament to resilience, community, and humanity. Amisah Bakuri (PhD) is an Assistant Professor in the Faculty of Social Sciences and Humanities at Vrije Universiteit Amsterdam. Her work explores the intersections of religion, sexuality, gender, and migration, especially within African diasporic communities in the Netherlands and Europe. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies
In his new book, The Castle Slaves of the Gambia River: A Creole Community in the Eighteenth Century Atlantic World (Brill, 2026) historian Dr. Michael W. Tuck examines life on James Island, now Kunta Kinteh Island, where enslaved Africans worked for European trading companies in the eighteenth century. These individuals were not plantation workers. They served as carpenters, sailors, soldiers, canoe workers, healers, cooks, mothers, and interpreters. They built forts, repaired boats, buried the dead, and maintained trading posts. Dr Tuck's research demonstrates that, despite harsh conditions, Castle Slaves formed families, preserved African names, practised healing, held funerals, and resisted captivity through escape and daily acts of survival. Women played key roles as caregivers, cultural anchors, and healers, despite facing significant vulnerability and exploitation. The book also highlights the high number of escape attempts from James Island, challenging the idea that resistance in West Africa was uncommon. Drawing on company ledgers, punishment logs, and death records, Dr. Tuck reconstructs a world often overlooked in Atlantic history. His work emphasises that each archival entry represents a person with relationships, memories, fears, and hopes. The Castle Slaves of the Gambia River provides both a history of slavery and a testament to resilience, community, and humanity. Amisah Bakuri (PhD) is an Assistant Professor in the Faculty of Social Sciences and Humanities at Vrije Universiteit Amsterdam. Her work explores the intersections of religion, sexuality, gender, and migration, especially within African diasporic communities in the Netherlands and Europe. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
Tunes: David Faulkner & Stephen Turner: Hit Her Between the Legs, Dorrington Lads, William Vickers: Whipper and Girder or Ranger's Frolick, Patrick MacDonald: Tune 7 (Whip her and Girde her) William Dixon: Hit Her Between the Legs, The Black and the Grae, John Peacock: The Black and the Grey, John Rook: Black and the Grey, Dorrington Lads (By David Faulkner) Bruce and Stoke: The Black and the Grey John Johnson: Black and All Black, Thanks to David Faulkner for sending in some tunes and thoughts. Check out his music here: https://soundcloud.com/user-944955873 And Check Out the Bagpipe Society's Website and Blowout: https://www.bagpipesociety.org.uk/blowout/2026/ Sources: 1770: Whipper and Girder or Ranger's Frolick from William Vickers Manuscript http://www.farnearchive.com/farneimages/jpgs/R0304500.jpg +X+X+ 1784: Tune #7 (Whip Her and Gird Her) from Patrick MacDonald's A Collection of Highland Vocal Airs: https://books.google.com/books?id=XCvLHYWLkFcC&newbks=0&pg=RA1-PA33#v=onepage&q&f=false +X+X+ 1733: Hit Her Between the Legs from William Dixon's Manuscript +X+X+ 1733: The Black and the Gray from Matt Seattle's Transcription of William Dixon's Black and Grae https://jeremykingsbury.bandcamp.com/album/rowly-powly +X+X+ 1800ish: Black and the Grey from John Peacock's Favorite Collection of Tunes http://www.farnearchive.com/farneimages/jpgs/K0101100.jpg +X+X+ 1840ish: Black and the Gray from Rook Manuscript https://www.cl.cam.ac.uk/archive/rja14/musicfiles/manuscripts/rook/rook_pages/075.htm +X+X+ 1882: The Black and the Gray from Bruce and Stoke's Northumbrian Minstrelsy https://archive.org/details/northumbrianmins0000jcol/page/n5/mode/2up +X+X+ 1751 Black and All Black from Johnson's Choice Collection of Country Dances http://www.cpartington.plus.com/Links/Johnson/Johnson%20Info.html +X+X+ FIN Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA
توضیحات:این ویدیو روایت سفریه که این مثلث قدرت تغییر کردو جهان وارد فاز جدیدی از رقابت شد.متن: معین فرخی، علی بندری، با راهنمایی آرش رئیسینژاد | ویدیو و صدا: نیما خالدیکیابرای دیدن ویدیوی این اپیزود اگر ایران هستید ویپیان بزنید و روی لینک زیر کلیک کنیدیوتیوب بیپلاسکانال تلگرام بیپلاسمنابع و عنوانهایی برای کنجکاوی بیشترThe United States and China : A History From the Eighteenth Century to the Present - Don WangNixon and Mao - Margaret MacMillanNixon in China - Margaret MacMillanOn China - Henry Kissinger Hosted on Acast. See acast.com/privacy for more information.
In 1760, following the largest slave revolt in the eighteenth-century British Empire, the Afro-Caribbean word Obeah first appeared in British colonial law. In Archival Irruptions, Katharine Gerbner traces how British authorities in Jamaica came to criminalize Obeah, a practice that was variously seen as a healing method, an Africana religion, a science, and a form of witchcraft. Gerbner shows that in the years directly preceding its criminalization, for enslaved Africans and Maroons, Obeah was a prophetic practice tied to healing and death rites. Drawing on Moravian missionary archives, Gerbner theorizes these descriptions of African religious beliefs, rituals, and concepts as "irruptions" moments when Africana epistemologies break the narrative of a European-authored archival document. In these irruptions, we see European assertions of authority through the lens of Obeah. Moreover, we find that the modern category of religion is rooted in the histories of slavery, rebellion, and the criminalization of Black religious practices. Gerbner's search for archival irruptions not only creates an opportunity to write an alternative narration about Obeah; it provides a new methodology for all those conducting archival research. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
In 1760, following the largest slave revolt in the eighteenth-century British Empire, the Afro-Caribbean word Obeah first appeared in British colonial law. In Archival Irruptions, Katharine Gerbner traces how British authorities in Jamaica came to criminalize Obeah, a practice that was variously seen as a healing method, an Africana religion, a science, and a form of witchcraft. Gerbner shows that in the years directly preceding its criminalization, for enslaved Africans and Maroons, Obeah was a prophetic practice tied to healing and death rites. Drawing on Moravian missionary archives, Gerbner theorizes these descriptions of African religious beliefs, rituals, and concepts as "irruptions" moments when Africana epistemologies break the narrative of a European-authored archival document. In these irruptions, we see European assertions of authority through the lens of Obeah. Moreover, we find that the modern category of religion is rooted in the histories of slavery, rebellion, and the criminalization of Black religious practices. Gerbner's search for archival irruptions not only creates an opportunity to write an alternative narration about Obeah; it provides a new methodology for all those conducting archival research. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
In 1760, following the largest slave revolt in the eighteenth-century British Empire, the Afro-Caribbean word Obeah first appeared in British colonial law. In Archival Irruptions, Katharine Gerbner traces how British authorities in Jamaica came to criminalize Obeah, a practice that was variously seen as a healing method, an Africana religion, a science, and a form of witchcraft. Gerbner shows that in the years directly preceding its criminalization, for enslaved Africans and Maroons, Obeah was a prophetic practice tied to healing and death rites. Drawing on Moravian missionary archives, Gerbner theorizes these descriptions of African religious beliefs, rituals, and concepts as "irruptions" moments when Africana epistemologies break the narrative of a European-authored archival document. In these irruptions, we see European assertions of authority through the lens of Obeah. Moreover, we find that the modern category of religion is rooted in the histories of slavery, rebellion, and the criminalization of Black religious practices. Gerbner's search for archival irruptions not only creates an opportunity to write an alternative narration about Obeah; it provides a new methodology for all those conducting archival research. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies
In 1760, following the largest slave revolt in the eighteenth-century British Empire, the Afro-Caribbean word Obeah first appeared in British colonial law. In Archival Irruptions, Katharine Gerbner traces how British authorities in Jamaica came to criminalize Obeah, a practice that was variously seen as a healing method, an Africana religion, a science, and a form of witchcraft. Gerbner shows that in the years directly preceding its criminalization, for enslaved Africans and Maroons, Obeah was a prophetic practice tied to healing and death rites. Drawing on Moravian missionary archives, Gerbner theorizes these descriptions of African religious beliefs, rituals, and concepts as "irruptions" moments when Africana epistemologies break the narrative of a European-authored archival document. In these irruptions, we see European assertions of authority through the lens of Obeah. Moreover, we find that the modern category of religion is rooted in the histories of slavery, rebellion, and the criminalization of Black religious practices. Gerbner's search for archival irruptions not only creates an opportunity to write an alternative narration about Obeah; it provides a new methodology for all those conducting archival research. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies
In 1760, following the largest slave revolt in the eighteenth-century British Empire, the Afro-Caribbean word Obeah first appeared in British colonial law. In Archival Irruptions, Katharine Gerbner traces how British authorities in Jamaica came to criminalize Obeah, a practice that was variously seen as a healing method, an Africana religion, a science, and a form of witchcraft. Gerbner shows that in the years directly preceding its criminalization, for enslaved Africans and Maroons, Obeah was a prophetic practice tied to healing and death rites. Drawing on Moravian missionary archives, Gerbner theorizes these descriptions of African religious beliefs, rituals, and concepts as "irruptions" moments when Africana epistemologies break the narrative of a European-authored archival document. In these irruptions, we see European assertions of authority through the lens of Obeah. Moreover, we find that the modern category of religion is rooted in the histories of slavery, rebellion, and the criminalization of Black religious practices. Gerbner's search for archival irruptions not only creates an opportunity to write an alternative narration about Obeah; it provides a new methodology for all those conducting archival research. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion
Tunes: 2006 Jeremy Kingsbury: The Gold Ring, The Whitby Runaround (by Michael Grey) Nicholas Sunsdahl: Piano Solo, Ewan Maccoll: First Time Ever I saw Your Face, Dirty Old Town Peggy Seeger: First Time Ever I saw Your Face Elvis: First Time Ever I Saw Your Face Kingsbury: The Coolin, Dumbarton's Drums John Peacock: Cuckold come out of the Amery Robert Bremner: Struan Robertson's Rant J&R Glen: Struan Robertson's Rant David Glen: Struan Robertson's Rant Barry Shears: Struan Robertson (Currie), Traditional Reel III, Beaver Cove, Donald MacDonald: Old Rusty Gun Donald MacLeod: Cronin More Notes to come soon, or on Request. You can Find Peacok on Farne Archive, Donald MacDonald, J & R Glen, and David Glen are all available on Ceolsean. Check Out Barry's Website Here: https://capebretonpiper.com/ Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA
Tunes: O'Farrell: Humours of Glen, Daniel the Sun, Daniel the Sun, Yemen o Knock, Galloway Tom, Castle Town Hunt, Bannocks of Barley Meal James Oswald: Mary Scott William McGibbon: Mary Scot John Brysson: Humours of Glen, John Brysson/Stephen McNally: Humours of Glen Matt Seattle: Humours of Glen Neil Gow & Sons: The Humours of Glen Broadside Courtesy of Jack Campin: The Humours of Glen John Rook: Humours of Glen Goodman: The Humours of Glyn(n), The Humours of Glynn Goodman Tunes Trio ( Mick O'Brien, Emer Mayock, Aoife Ní Bhriain ) The Humours of Glynn, Eliza Ross: Alasdair of the Stoups, The Big Foot of the Deceitful One Nicolas Brown: Daniel the Sun, +X+X+ Check out the Goodman Tunes Trio's ( Mick O'Brien, Emer Mayock, Aoife Ní Bhriain ) Album Here: https://goodmantunestrio.bandcamp.com/album/more-tunes-from-the-goodman-manuscripts Check out Nicolas Brown's Album here: https://nicolasbrown.bandcamp.com/album/good-enough-music-for-them-who-love-it Read Matt Seattle's Humours of Glen Common Stock article here: https://j3site.lbps.net/index.php/common-stock/archive-issues/369-common-stock-june-2017 Read Jack Campin's book/website here: http://www.campin.me.uk/ More Notes to come soon, or email me for links to the different settings. Tunebook https://www.patreon.com/posts/season-10-6-part-152449049?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA
Fort Mose was the first officially sanctioned settlement for free Black people in what’s now the United States. It was established as a place where people who escaped enslavement in the U.S. could live in the Spanish territory of Florida. Research: Blumetti, Jordan. “The First Floridians.” The Bitter Southerner. https://bittersoutherner.com/the-first-floridians-fort-mose-st-augustine Cancio-Donlebún Ballvé, J. Á. (2021). The King of Spain’s Slaves in St. Augustine, Florida (1580–1618). Estudios del Observatorio / Observatorio Studies, 74, pp. 1-81. https://cervantesobservatorio.fas.harvard.edu/en/reports curtis, Marcus. “Fort Mose: Gracia Real de Santa Teresa de Mose.” 3/2/2022. https://storymaps.arcgis.com/stories/2f5446036d2d4e109439baade4e1f4e7 Dunlop, J.G. “Gracia Real de Santa Teresa de Mose: A Free Black Town in Spanish Colonial Florida.” The American Historical Review , Feb., 1990, Vol. 95, No. 1 (Feb., 1990). https://www.jstor.org/stable/2162952 org. “Francisco Menéndez.” https://enslaved.org/fullStory/16-23-92885/ Florida Frontiers. “Fort Mose: America’s First Free Black Community.” 12/11/2016. https://www.pbs.org/video/florida-frontiers-fort-mose-americas-first-free-black-community/ Florida Museum. “Fort Mose.” https://www.floridamuseum.ufl.edu/histarch/research/st-augustine/fort-mose/ Fort Mose Historical Society. “The Fort Mose Story.” https://fortmose.org/about-fort-mose/ Halbirt, Carl D. “La Ciudad de San Agustín: A European Fighting Presidio in Eighteenth-Century ‘La Florida.’” Historical Archaeology , 2004, Vol. 38, No. 3, Presidios of the North American Spanish Borderlands (2004). Via JSTOR. https://www.jstor.org/stable/25617179 Hurston, Zora Neale and John R. Lynch. “The Journal of Negro History , Oct., 1927, Vol. 12, No. 4 (Oct., 1927). https://www.jstor.org/stable/2714042 Landers, Jane. “Black Frontier Settlements in Spanish Colonial Florida.” OAH Magazine of History , Spring, 1988, Vol. 3, No. 2, The Frontier (Spring, 1988). Via JSTOR. https://www.jstor.org/stable/25162596 Landers, Jane. “Gracia Real de Santa Teresa de Mose: A Free Black Town in Spanish Colonial Florida.” The American Historical Review , Feb., 1990, Vol. 95, No. 1 (Feb., 1990). https://www.jstor.org/stable/2162952 Landers, Jane. “The Atlantic Transformations of Francisco Menéndez.” From Biography and the Black Atlantic. University of Pennsylvania Press. 2014. MacMahon, Darcie and Kathleen Deagan. “Legacy of Fort Mose.” Archaeology , September/October 1996, Vol. 49, No. 5 (September/October 1996). Via JSTOR. https://www.jstor.org/stable/41771187 Proenza-Coles, Christina. “Freedom Seekers.” Lapham’s Quarterly. 3/19/2019. https://www.laphamsquarterly.org/roundtable/freedom-seekers Wasserman, Adam. “Forming a nation: the free black settlement at Fort Mose.” From A People’s History of Florida. Via Libcom.org.6/28/2009. https://libcom.org/article/forming-nation-free-black-settlement-fort-mose Weiss, Daniel. “Freedom Fort.” Archaeology. Mar/Apr2024, Vol. 77 Issue 2, p36-41. See omnystudio.com/listener for privacy information.
Tunes: William Dixon: Dorrington, Have a Care of Her Johnny, Hacky Honey Daniel Dow: Sandy Gow's Three Pints John McLachlan: Sandy Gow's Three Pints, From David Greenberg and Chris Norman: a John Reid Piece, Garb of the old Gaul and Hacky Honey Big Thank You to David Greenberg and Chris Norman for allowing me to play their full track: General Reid from their album Let Me In This Ae Night the track is a set of a John Reid Piece, Garb of the old Gaul and Hacky Honey. You can and should buy their whole album, but in the mean time you can stream it on spotify: https://open.spotify.com/album/4DWQdp7wKySlfzuPMVkdO0 amazon music: https://music.amazon.com/albums/B003AMICX2?marketplaceId=ATVPDKIKX0DER&musicTerritory=US You can check out Chris Norman's website here: https://boxwood.org/ +X+X+ 1733: Dorrington, Have a Care of Her Johnny, Hacky Honey from William Dixon's Manuscript https://www.mattseattle.scot/product-page/the-master-piper-new-edition +X+X+ 1776: Strike the Bell from William Vickers' Manuscript http://www.farnearchive.com/farneimages/jpgs/R0310200.jpg +X+X+ 1787: Sandy Gow's Three Pint's [sic] From Daniel Dow's: A Collection of Ancient Scots Music for the violin, harpsichord or German flute: http://web.archive.org/web/20250708073125/https://www.wirestrungharp.com/library/local_books/dow_17-25.pdf +X+X+ 1854: Sandy Gow's Three Pints, and The Maid of Glengaresdale From John McLachlan's The Piper's Assistant https://digital.nls.uk/special-collections-of-printed-music/archive/105010347 +X+X+ Hacky Honey Thanks to Fin Moore for chatting with me a bit about Dixon, more on this to come later, Check out Far North Retreat Here: https://www.facebook.com/farnorthretreats +X+X+ Big thanks to David Greenberg and Chris Norman for allowing me to play their full track: General Reid from their album Let Me In This Ae Night the track is a set of a John Reid Piece, Garb of the old Gaul and Hacky Honey. You can and should buy their whole album, but in the mean time you can stream it on spotify: https://open.spotify.com/album/4DWQdp7wKySlfzuPMVkdO0 amazon music: https://music.amazon.com/albums/B003AMICX2?marketplaceId=ATVPDKIKX0DER&musicTerritory=US Here are some ways you can support the show: Check out the Recording of Pete Stewart Competeing with Hacky Honey in 2014 here: https://lbps.net/j3site/index.php/events-reports/competition-results-blog/343-2014-competition-results Watch Brighde's Performance of Hacky Honey from the 20teens here: https://youtu.be/Urzt_3PuFEs?si=dE4sg8bnKBhX_zT7 Read Pete's Interview with Brighde Chaimbeul Here: https://lbps.net/j3site/index.php/common-stock/archive-issues/138-june-2016/825-bbc-radio-2-folk-award-brighde-chaimbeul Listen to Brighde Chaimbeul and Nicola Benedetti play Hacky Honey here: https://youtu.be/OhDuTwJeE-4?si=gXx5K7SuKXXXWEmg +X+X+ FIN You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA
Tunes: William Dixon: Wattys away, Dorrington (I keep saying Dorrington Lads in the Episode, or Dixon just calls it Dorrington). Donald Lindsay and Richard Youngs: Dorrington Iain Gelston: Rusty Gully, Cotting Burn, Lionel Winship: Dorrington Laddie John Rook: Dorrington Lads Melodies Committee: Dorrington Lads Bruce and Stoke: Dorrington Lads +X+X+ If you don't have a copy yet you can pick up a copy of William Dixon's Manuscript several places: https://www.mattseattle.scot/product-page/the-master-piper-new-edition To watch the William Dixon Homecoming Concert here: https://youtu.be/AbAq_1zL7GU?si=8sFV42rp9dmANizq Pick Up Donald Lindsay and Richard Youngs' Album History of Sleep Here: https://goodenergy.bandcamp.com/album/history-of-sleep You can also listen to a very old conversation of Donald and I talking about Dorrington here: https://www.wetootwaag.com/s4e25 For information on the Dorrington Demons: https://lincolnshirefolktalesproject.com/2024/02/20/the-dorrington-demons-witches/ For the Earlier Deep Dive on Dorrington Related tunes listen here: https://www.wetootwaag.com/s8e21 +X+X+ 1733: Wattys away, Dorrington From William Dixon Manuscript +X+X+ 2021 Cotting Burn from Iain Gelston (by Iain Gelston) From The New Shields Garland Volume 1 https://www.lulu.com/shop/iain-gelston/the-new-shields-garland/paperback/product-4dg4ev.html?page=1&pageSize=4 +X+X+ 1833: Dorrington Laddie from Lionel Winship Manuscript http://www.farnearchive.com/farneimages/jpgs/W0104400.jpg +X+X+ 1840s: Dorrington Lads from the Rook Manuscript https://www.cl.cam.ac.uk/archive/rja14/musicfiles/manuscripts/rook/rook_pages/126.htm +X+X+ 1887: Dorington Lads from Airs and dance tunes collected and constructed by the Melodies Committee of the Newcastle Antiquarian Society, 1857-1887 http://www.farnearchive.com/farneimages/jpgs/R1106600.jpg +X+X+ 1882: Dorrington Lads From Northumbrian Minstrelsy By Bruce and Stoke https://hdl.handle.net/2027/uc1.c034406758 +X+X+ 1925: Dorrington Lads From William Cocks' Tutor for the Northumberland Half-Long Bagpipes https://ceolsean.net/content/Cocks/Cocks_TOC.html +X+X+ FIN Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA
Tunes: William Dixon: Golden Locks, My Love Comes Passing By Me, Black and the Grey +X+X+X+ You can Watch Jamie's Dixon Playthrough on Youtube: https://www.youtube.com/watch?v=F52UGXWQ98k&list=PLDGa4AoVJA1TGzIM85KEkOKLZKNbQNljq If you want to buy some Podcast Merch Get it here: https://www.bagpipeswag.com/product-page/wetootwaag-unisex-t If you don't have a copy yet you can pick up a copy of William Dixon's Manuscript several places: https://www.mattseattle.scot/product-page/the-master-piper-new-edition You can find Pete Stewart's books here: http://www.hornpipemusic.co.uk/index.php Mr. Preston's Hornpipe Played by Pete Stewart: https://youtu.be/6TXJphyjFfw FIN Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA
Animal Rhetoric and Natural Science in Eighteenth-century Liberal Political Writing: Political Zoologies of the French Enlightenment (Routledge, 2024) shows how our tendency to read French Enlightenment political writing from a narrow disciplinary perspective has obscured the hybrid character of political philosophy, rhetoric, and natural science in the period. As Michèle Duchet and others have shown, French Enlightenment thinkers developed a philosophical anthropology to support new political norms and models. This book explores how five important eighteenth-century French political authors—Rousseau, Diderot, La Mettrie, Quesnay, and Rétif de La Bretonne—also constructed a "political zoology" in their philosophical and literary writings informed by animal references drawn from Enlightenment natural history, science, and physiology. Drawing on theoretical work by Derrida, Latour, de Fontenay, and others, it shows how these five authors signed on to the old rhetorical tradition of animal comparisons in political philosophy, which they renewed via the findings and speculations of contemporary science. Engaging with recent scholarship on Enlightenment political thought, it also explores the links between their political zoologies and their family resemblance as "liberal" political thinkers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
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