Podcasts about Audacity

This week, I'm joined by Kira Matthews - coach, speaker, and the creator of Pitch School. She helps people unlock their most confident selves so they can go after the dreams they once thought were impossible.We dig into the inner critic and how it shows up to keep us small, why asking for what we want is so often harder than it should be, and how reframing rejection can completely shift the way we move through life. This conversation is a reminder that audacity doesn't have to be loud or extreme, sometimes it can be found in doing the little things that we've been putting off❣️Mentioned in the episode:Follow Kira on InstagramKira's websiteAdditional resources:FREE Resource: Breathwork BasicsSign up for Private Coaching & Breathwork PackageGet the Relationship Anxiety Toolkit hereVisit my websiteConnect with me on Instagram

Episode 397.  James B and Eddie discuss new iterations of the Green Goblin and Mysterio as Spider-Man enters a new millennium.  A Man Called Joe and Betsy find themselves in trouble, and it's not from the illegal copyright of Captain America figures.  Will Daredevil and ol' Webhead be able to save them or is is Spider-Man who needs saving?  Listen and find out! Sponsored by: The Wild Pack Theme Music by Jeff Kenniston.  This Episode Edited by James B using Audacity and Cleanfeed.  Summaries written by James B and Eddie and a guy who fought Spider-Man to a standstill.  Most Sound effects and music generously provided royalty free by www.fesliyanstudios.com and https://www.zapsplat.com/  Check out all the episodes on letsreadspiderman.podbean.com or wherever you get your podcasts. Check out our live meetup and Discord Channel here https://docs.google.com/document/d/1_mW6htjJUHOzlViEvPQqR-k68tClMGAi85Bi_xrlV7w/edit

"The Audacity" is an American dark comedy television series created by Jonathan Glatzer for AMC and AMC+. It follows a self-appointed "inventor of the future" tech CEO and his self-serving "performance psychologist,” who are engulfed in a scandal sparked by the exploitation of personal data. The series premiered on April 12th to positive reviews. In March 2026, ahead of the series premiere, the series was renewed for a second season. Creator Jonathan Glatzer and stars Billy Magnussen, Lucy Punch, Paul Adelstein, Simon Helberg, Rob Corddry, Meaghan Rath, Everett Blunck, Thailey Roberge, and Ava Marie Telek were all kind enough to spend some time talking with us about their work and experiences making the series, which you can listen to below. Please be sure to check out the series, which is up for your consideration for this year's Emmy Awards and is now available to stream on AMC+. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Season 6Trust where God has you at this moment.

Using the biblical example of Nehemiah, Bishop Odendo emphasizes that true audacity isn't the absence of fear, but the ability to act even when you are afraid or sad.The Importance of a Pitch: He encourages the congregation to always have a "pitch" ready in their minds for their goals. He notes that Nehemiah had his request ready for the King despite his emotional state, and suggests that being prepared for opportunity is what attracts builders and success.Aiming for Expansion: The Bishop uses the story of the Tower of Babel (Genesis 11) to illustrate the power of collective vision and the importance of "making a name" through significant projects. He argues that aimless, small-scale thinking keeps people limited, while bold, visionary projects build lasting institutions.Taking Yourself Seriously: He explains that aiming for big results sends a message to others that you value your own potential. He advises the congregation to avoid sharing big visions with small-minded people who lack the capacity to understand them.

ABOUT THE NEWWe are a people of love and excellence who are result-oriented, spirit-led, word-rooted, prayer-driven, and kingdom-conscious. Led by Pst. Shola Okodugha, we are on a divine assignment; to raise a movement of people who will shape culture through the spirit of faith and love, bringing great joy to cities and nations.——Partner with us to spread the influence of God all over the world. Give - https://pay.squadco.com/TheNewglobal————BROADCAST DETAILSMinister: Pastor Shola OkodughaDate: Sunday June 21st, 2026——Stay ConnectedSubscribe to the latest content: http://bit.ly/subscribethenewliveWebsite: http://wearethenew.org/Instagram: https://www.instagram.com/wearethenew_global/#TheNewLive #SholaOkodugha

#forchildrenofallages #thehiddenkingdoms #youtubeshortsatpastordeborah References 1. Audacity, Free Audio Recording Program 2. Pastor Deborah's Own Voice 3. Wondershare, Video creating and editing program with free music clips 4. The Authorized King James Bible 5. Pixabay, Free motion video clips 6. Google Free Clip art and video clips 7. YouTube Podcasts 8. The Hidden Kingdoms YouTube Channel Scriptures Used 1. Genesis 1 : 26 - 28, The Old Testament of The King James Bible written by Moses to tell us about The Beginnings of Creation and humanity's words of blessings and decrees Free Music Clips from Wondershare 1. Romantic Chinese Style Love Story 2. Missing Under The Chinese Parasol Tree 3. City Insider 4. Warm and Romantic Wedding 5. Reborn Me 6. Romantic Story with You Pastor Deborah's global web site of Agape Love, Love is Here is at www.agapeloveishere.org Pastor Deborah Schleich is on X and LinkedIn Pastor Deborah Schleich is on Instagram at pastordeborah4ever Pastor Deborah Schleich is on Spotify at Agape Love Ministries, Setting The Captives Free Pastor Deborah's many Free Podcast Shows of the videos are all on Free Podcast Platforms on the front page of the web site on the left hand side of the page The Hidden Kingdoms Channel has many playlist to look at and YouTube Shorts, Community Posts and YouTube Podcast Shows all for free

#forchildrenofallages #thehiddenkingdoms #youtubeshortsatpastordeborah References 1. Audacity, Free Audio Recording Program 2. Pastor Deborah's Own Voice 3. Wondershare, Video creating and editing program with free music clips 4. The Authorized King James Bible 5. Pixabay, Free motion video clips 6. Google Free Clip art and video clips 7. YouTube Podcasts 8. The Hidden Kingdoms YouTube Channel Scriptures Used 1. Genesis 1 : 26 - 28, The Old Testament of The King James Bible written by Moses to tell us about The Beginnings of Creation and humanity's words of blessings and decrees Free Music Clips from Wondershare 1. Romantic Chinese Style Love Story 2. Missing Under The Chinese Parasol Tree 3. City Insider 4. Warm and Romantic Wedding 5. Reborn Me 6. Romantic Story with You Pastor Deborah's global web site of Agape Love, Love is Here is at www.agapeloveishere.org Pastor Deborah Schleich is on X and LinkedIn Pastor Deborah Schleich is on Instagram at pastordeborah4ever Pastor Deborah Schleich is on Spotify at Agape Love Ministries, Setting The Captives Free Pastor Deborah's many Free Podcast Shows of the videos are all on Free Podcast Platforms on the front page of the web site on the left hand side of the page The Hidden Kingdoms Channel has many playlist to look at and YouTube Shorts, Community Posts and YouTube Podcast Shows all for free

Rob Corddry joins Matt Wilstein on Obsessed to discuss his acclaimed dramatic turn in AMC's The Audacity, why he believes drama is easier than comedy, and what it was like returning to The Daily Show with Jon Stewart. Corddry shares behind-the-scenes stories from Old School, Ballers, Hot Tub Time Machine, Curb Your Enthusiasm, and working alongside Dwayne Johnson, Larry David, and Stephen Colbert. He also reveals the iconic role he turned down on Modern Family, reflects on the opportunities that got away, and recounts some hilariously awkward encounters with celebrity heroes including Stephen King and George Clooney. Follow Obsessed on Instagram @beastobsessed Follow Kevin Fallon on Instagram ⁠@kpfallon⁠ Follow Matt Wilstein on Instagram ⁠@mattjwilstein⁠ New episodes every Thursday, and Saturday; ⁠early drops on YouTube⁠. Learn more about your ad choices. Visit podcastchoices.com/adchoices

It's a strange one this week! Chris explicitly revels in the past (except for the new They Might Be Giants album) while Jon looks at collective nouns and subject/verb agreement in World Cup coverage and the opening of the Obama Center in Chicago. PLUS Elvis-- immigration-- Italo Balbo-- monuments-- Marty Moose-- and so much more! 

An old man spies on his neighbours - with dangerous repercussions.This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror, all lovingly recorded and edited by hand.“TWITCH” by Jasper L'Estrange. Copyright (c) 2026.CREATOR'S NOTE: These recordings may contain sound effects and music because that's what I personally like to listen to, and what I enjoy making. As you will see from the comments, a lot of the listeners also like it. If it's not your thing, please feel free to listen to the many other narrators who are voice-only. I'm sure they'll be glad to hear from you.0:00 "Twitch"39:21 A tribute to Rebecca Lloyd

Episode 396.  James B and Eddie discuss two major storylines, Return of the Green Goblin and the Maximum Security Crossover.  Highlights include Jill Stacy explaining to Spider-Man who Gwen Stacy was, and Aliens using Earth as a prison camp. Sponsored by: Green Goblin Costume Theme Music by Jeff Kenniston.  This Episode Edited by James B using Audacity and Cleanfeed.  Summaries written by James B and Eddie and Donald Mekken.  Most Sound effects and music generously provided royalty free by www.fesliyanstudios.com and https://www.zapsplat.com/  Check out all the episodes on letsreadspiderman.podbean.com or wherever you get your podcasts. Check out our live meetup and Discord Channel here https://docs.google.com/document/d/1_mW6htjJUHOzlViEvPQqR-k68tClMGAi85Bi_xrlV7w/edit

This week on the B-Roll, it a mashup of medical issues, Europeans discovering America, and opinions on Love Island USA. Not to mention a flurry of weekly watching including Widow's Bay, The Audacity, and more. Tune to find out what is trash and what is treasure in this week's episode.

Jessi Marcus Jesus in Samaria: Week 3, Shameless Audacity Luke 11:1-10 website: jacobswellchurch.org facebook: jacobswellkc twitter: @jacobswell

Nique and Ress discuss the grief, anger, and shame that can arise when healing doesn't lead to the expected “reward,” like a partner, marriage, career fulfillment, or community. They describe how many internalize an unspoken bargain that therapy, boundary-setting, and emotional growth will make life deliver love, success and instant community ...yet reality shows there is no guaranteed reward system and outcomes can be random. They reflect on how healing can feel boring, how toxic behaviors sometimes seemed to bring faster results, and how traditional millennial programming reinforced a supposed life “order.” Ress notes therapy helps identify patterns and make healthier choices but can't fix structural loneliness, create third spaces, or make unavailable people change. They emphasize untangling self-worth from uncontrollable outcomes and reframing healing as gaining peace and resilience amid uncertainty.

Season 6Trust in the Lord with all your heart and lean not on your own understanding: in all your ways submit to him, and he will make your paths straight. Proverbs 3:5-6

The Audacity DP Richard Rutkowski, ASC made Vancouver look like Palo Alto, used lens filters instead of special effects to create wildfires, and dramatized the themes of the show with spotlights and framing. Podcast highlights include: -How Richard and his crew made Vancouver look convincingly like Silicon Valley and why establishing a sense of place was a creative priority from day one. -Why glass filtration is still one of the most powerful tools in a DP's kit. -Richard breaks down exactly how he built the show's haunting wildfire look using physical filters in camera, with minimal reliance on post. -His philosophy of handheld as intimacy, choreographing the camera to follow the actor so that performance drives the frame. -How visual motifs like frame-within-a-frame compositions and strategic spotlight placement were purposeful to the show's themes, rather than being visually inventive for its own sake. Find Richard Rutkowski: http://see-no-evil.net/ Instagram: @richardrutkowskidp The Audacity is streaming now on AMC+ Hear our previous episode with Richard Rutkowski on Masters of the Air. https://www.camnoir.com/ep255/ SHOW RUNDOWN: 02:02 Close focus 22:27-01:11:32 Richard Rutkowski interview 01:11:45 Short ends 01:19:14 Wrap up/Credits The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social

In this episode, you discover how to combine Emotional Freedom Techniques with Emotionally Focused Therapy to discover and clear the deepest disempowering emotions.---Host: Stephen Carter - Website: https://StressReliefRadio.com - Email: CarterMethod@gmail.com---Technical information: Recording and initial edits with Twisted Wave and Soften. Additional edits with Amadeus Pro, Audacity, and Waves ReGen. Final edits and rendering with Hindenburg Pro. Microphone: Earthworks Ethos.---Key words: Emotionally Focused Therapy, Emotional Freedom Techniques, Thought Field Therapy, couples therapy, tapping,---

More of my interview with 'The Big Bang Theory' and ‘The Audacity' star Simon Helberg. Simon tells me about the unfortunate way he found out ‘Studio 60 on the Sunset Strip' was cancelled, how he untied his self-worth from achievement, and how parenthood brought more perspective. Plus, I share a funny time at this restaurant that involved his ‘Big Bang' costar Jim Parsons. This episode was recorded at El Condor in Silver Lake, Los Angeles. Learn more about your ad choices. Visit podcastchoices.com/adchoices

What if audacity isn't arrogance?What if it's self-trust?In this episode of This Daring Adventure, we're reclaiming a word that women have been taught to fear. So many of us have spent years waiting—for the right time, more confidence, more certainty, or someone else's permission.But what if the life you want is waiting for you to decide?We'll explore why midlife women often abandon their own desires, how fear and second-guessing keep us playing small, and why confidence is created through action—not before it.If you've been feeling the pull toward something more, this episode is your invitation to stop waiting and start choosing yourself.In this episode, you'll learn:Why audacity has gotten a bad rap—especially for womenThe hidden cost of waiting for permissionWhy confidence follows action, not the other way aroundHow to stop second-guessing yourself and trust your desiresOne simple way to begin living more boldly this weekJournal Prompt:If I stopped waiting for permission and fully trusted myself, what would I do next?This Week's Challenge:Take one audacious step. Send the email. Have the conversation. Make the decision. Trust yourself enough to begin.Because maybe the most audacious thing a woman can do is stop waiting to be chosen... and choose herself.Let's go!

AI is making it easier than ever to create content, but it's also making it harder to sound like yourself. The morning show cast and crew discuss what happens when AI starts to become your voice, why authenticity is becoming more valuable in a sea of automated content, and how creators can stay relevant when everyone has access to the same tools. From podcast discovery and video consumption trends to the role of personal experience in building trust, the conversation keeps coming back to one question: what makes your content uniquely yours? In a world where AI can do more than ever, your perspective may be the one thing it can't replicate.Episode Highlights:[01:47] Podcasting by the Numbers[04:48] Audacity 4 Update[06:13] Business Bite: Ad Revenue Trends[09:23] Netflix and Tubi Enter Podcasting[11:54] Why Podcast Discovery Keeps Getting Harder[13:46] Do We Really Need Video?[20:05] Trailers That Convert Listeners[23:46] When to Update Your Podcast Trailer[26:24] Trailer Congruency Tips[27:50] AI Exposed Marketing Work[29:07] Using AI Without Burnout[36:19] AI-Flooded SEO Content[45:29] Disclosure and AI Policy[49:28] Final Takeaways and Next ShowLinks & Resources:Indie Podcasters: A Roadmap to Your First $500:https://www.contentcreatorsaccountant.com/blog/indie-podcasters-under-500/Mike Teaches Audacity: Audacity 4 Traininghttps://www.youtube.com/channel/UCinVymsMw5SfibkbOrdlaXQPodcast Index Podcast Statistics:https://podcastindex.org/apps?appTypes=appFeature Your Podcast on the Podcasting Morning Show:https://PodcastingMorningShow.com/spotlightThe Podcasting Morning Show:⁠⁠www.podcastingmorningshow.com⁠⁠Ways to Watch or Listen:⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠https://www.podcastingmorningshow.com/joinus/Meet the PMS Cast and Crew:⁠⁠https://podcastingmorningshow.com/people⁠⁠Join The Empowered Podcasting Facebook Group:⁠⁠www.facebook.com/groups/empoweredpodcasting⁠⁠⁠Book A Free Call With Marc:https://calendly.com/ironickmedia/freestrategycallApplication To Submit Your Show For Evaluation:⁠⁠⁠⁠⁠https://podcastingmorningshow.com/eval⁠⁠Join us every other Monday at 8 AM ET for the Obsession Worthy Podcasts:⁠⁠⁠http://podcastingmorningshow.com/owp/⁠⁠Join us LIVE every weekday morning at 8 am ET (US) on ⁠Clubhouse⁠: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcastingmorningshow.com/clubhouse⁠⁠Powered by⁠⁠⁠ ⁠iRonickMedia.com⁠⁠⁠⁠ and⁠ ⁠ContentCreatorsAccountant.com⁠⁠Send in your mailbag questions:⁠⁠⁠⁠ https://www.podcastingmorningshow.com/contact/⁠⁠⁠⁠ or ⁠marc@ironickmedia.com⁠Want to be a guest on The Podcasting Morning Show? Send me a message on PodMatch, here:https://podmatch.com/hostdetailpreview/1729879899384520035bad21b

This show has been flagged as Clean by the host. 01 Introduction This is a follow up to my 4 part series on simple podcasting. In this episode I will discuss a number of experiments with audio filtering. These experiments were inspired by comments by listeners and by other discussions about audio on HPR. I am not an audio expert, so I am doing this partly in order to learn something, but mainly in order to have a bit of fun. I hope that you find this entertaining as well. In a comment on the first episode a listener mentioned something called Solocast and said that the method bore a resemblance to the method that I was using. Here is his comment -------------------- 02 Comment #3 posted on 2026-04-03 07:49:58 by Reto It reminds me about Solocast Hi Whiskeyjack, I really liked your podcast and the topic. I cannot remember about your last, but the sound quality of this one was good on my mobile speakers :) The concept reminded me about the program from Norrist (another host on HPR), while similar does it have some differences HPR 3496 https://hackerpublicradio.org/eps.php?id=3496 As I am not on the future feed, I look forward to your next episode. Cheers, Reto -------------------- 03 End of comment. I did not recall having heard the episode on Solocast, but this sounded very interesting. Solocast was in HPR episode 3496 and was released by norrist on the 27th of December 2021. I listened to that episode and does indeed use use the same basic concept of recording short segments of audio and combining them later instead of creating one big recording and editing it with an audio editor. 04 The main difference is that the work flow that I described involves a lot of manual steps, while Solocast is a short Python program that automates the entire process of presenting your script, recording the segments, combining the segments, and filtering and normalizing the result. I won't try to describe Solocast in detail, instead I would recommend just listening to HPR episode 3496 to get norrist's explanation directly. -------------------- 05 While I wanted to make sure that I credited norrist with having come up with this concept four years before I did, this won't be the focus of this episode. Instead I will talk about audio filtering and various experiments that I ran on several different methods. 06 While looking at the source code for Solocast I noticed that it used a filtering method that resembled one used by Jivetalk, a podcast production program that caught the attention of one of the HPR community news presenters. This method involves taking a sample of quiet audio where there is no speaking taking place, and then using this as input to a noise reduction filter which is applied to the voice recording. The filter subtracts the quiet sample from the voice audio, which should theoretically remove the ambient noise. 07 I decided to apply this method to a number of different audio test recordings which were recorded under different circumstances using different hardware. In this way I could see if the method worked equally well under all circumstances or if there were some sorts of noise which it was suited to and some sorts that were not. 08 While I was at it, I also picked several other filter methods to see how they worked as well. Potentially, some methods may be better under some conditions while other methods were better suited to others. -------------------- 09 I won't present all of my experiments, as that would be a bit dull to listen to. Instead I will describe each method and then present audio samples which illustrate my conclusions. There are two pieces of audio software involved, both of which were also used in my series on simple podcasting. 10 The first is Sox, spelled s o x , and which is short for Sound Exchange. Sox is a command line program for audio manipulation. Sox is Free Software, released under the GPLv2 or later. The other is FFMPEG, which is also a command line program. FFMPEG is also Free Software, released under the LGPL V 2.1 or later, and GPL v 2 or later. Sox actually uses FFMPEG for certain operations. -------------------- 11 Audio Hardware For recording hardware I used the following. 12 Maxwell Headset The first is a cheap Maxwell headset that has an electrical noise problem. Unfortunately I don't have a model number for this headset. I described this hardware, the noise problems that I had with it, and how I created filters to deal with the noise in my series on simple podcasting. Briefly though, this is a headset that has a build in microphone on a boom which allows the microphone to be positioned close to the mouth. It connects with a USB cable. 13 Borne Earpiece and In-line Microphone This is a set of earplugs that go in your ears and connected by wires and a very small microphone built into a small bulge in the cable. It connects using a 3.5mm jack. The model number seems to be BUD250-BL. 14 XTrike Headset This is a gaming headset similar to the Maxwell headset described above. The model number is GH-510 It uses a USB connection. 15 Yanmai Condenser Microphone This is a microphone that comes with a small tripod stand. The model number is SF-910 It uses a 3.5mm audio jack. -------------------- 16 This is not a review of the hardware. Rather, I was trying to create audio problems so that I could test ways to fix them. Therefore, do not take the above list as a recommendation of what to buy. However, you can see that I am not using any expensive audio hardware. If you want to make an HPR podcast, you do not need professional level hardware. -------------------- 17 Audio Samples The audio samples are as follows 18 Quiet This was recorded in a quiet environment at my desk. This is my normal podcasting environment and represents optimal conditions. The main reason for this method is to see how the various filter methods perform when dealing with the electrical noise from the Maxwell headset. 19 Small fan This is a small USB powered table fan approximately 10 cm in diameter. It was located roughly 40 cm or less to the left of the microphone, although this varies depending on the microphone. 20 Traffic This was along a busy street with traffic noise in the background. -------------------- 21 Filter Methods Sox noisered Filter with Audio Profile This method uses the Sox noisered filter. Here is a brief quote from the Sox documentation on this filter. Quote Reduce noise in the audio signal by profiling and filtering. This effect is moderately effective at removing consistent background noise such as hiss or hum. To use it, first run SoX with the noiseprof effect on a section of audio that ideally would contain silence but in fact contains noise - such sections are typically found at the beginning or the end of a recording. End of quote For these tests I recorded a separate noise profile to go with each test. -------------------- 22 Basic Manual Filter This is a basic high and low pass filter pair based on the work I had done in my previous series on simple podcasting. However, based on the tests that I have done for this episode, I decided to get a bit more aggressive in terms of filtering. I use a high pass filter of 120 Hz, and low pass filter of 8 kHz. The each filter is then applied twice to increase its effect. I also added band reject filters to deal specifically with 50 and 60 Hz line noise. -------------------- 23 Complex Manual Filter This uses the manually constructed filter described in my series on simple podcasting. This uses the basic manual filter plus a series of custom bandreject filters to fix specific noise problems with the Maxwell headset. -------------------- 24 FFMPEG afftdn Filter The documentation describes this as "Denoise audio samples with FFT." -------------------- 25 FFMPEG arnndn Filter The documentation describes this as "Reduce noise from speech using Recurrent Neural Networks." -------------------- 26 FFMPEG agate Filter I will pronounce this as "agate" for convenience. The documentation describes this as "A gate is mainly used to reduce lower parts of a signal. This kind of signal processing reduces disturbing noise between useful signals." -------------------- 27 Method The experimental method used was to take each noise sample and apply the different filter methods to it. Where there are parameters which can be adjusted, a script was used to generate a series of different sample files with different parameter values. Not all possible parameters were experimented with, as the goal is to see which method produces what sorts of results under different circumstances, not to get the best possible result for the samples that I happen to have. The method in each case was as follows 28 Step 1 Convert the audio file to FLAC if it is not already in that format. 29 Step 2 Apply a basic high and low pass filter described previously to each sample. The reason for this basic filtering is that it eliminates at least some undesired noise in a fairly fool proof manner, leaving less for the more advanced filter to deal with. This should allow for a better test of the filter under realistic conditions. 30 Step 3 Apply the noise reduction filter being tested. 31 Step 4 Normalize the filtered sample to 17 LUFS according to the EBU R128 standard. The EBU standard is described in my series on simple podcasting. Normalizing adjusts the audio signal to a desired loudness level. This allows for more more consistent sound levels and allows us to hear the results under realistic conditions. I normalize the audio individually for each sample as different recording hardware requires different amounts of loudness adjustment. This is different from the typical podcast process where normalizing takes place as the very last step in the process, but it was necessary in this case. 32 Step 5 Concatenate selected sample audio files to one another to allow for better review and comparing. -------------------- 33 Results The results are grouped according to the type of noise which is being mitigated. This allows for easier comparison of the effectiveness of each technique under different circumstances. I have only picked a few examples of interest out of the numerous experiments that I conducted. -------------------- 34 Quiet Recording Environment with Maxwell Headset This compares how well the various filtering methods work on the noise induced by the electronics in the Maxwell headset. This electronic noise consisted of a noise spike every 1 kHz. This should be representative of electronic noise caused by problems in recording hardware. 35 Manual Filter The manual filter applied a narrow band reject filter every 1 kHz from 1 kHz to 12 kHz. This completely removed the otherwise audible whine caused by the noise. 36 FFMPEG afftdn This method allows for setting a noise floor and then specifying how much the noise floor should be reduced by. The method is very sensitive to getting the noise floor correct for that recording. Set the floor too low and nothing happens. Set it too high, and some distortion results. However it seemed to be moderately effective, but it would seem to require checking it and possibly adjusting it each time it is used. 37 FFMPEG agate This method allows setting a noise floor and then suppressing all sound which falls below that level. This method is very sensitive to getting the noise floor correct for that recording. If set too low (or quiet), it is ineffective. If set too high (or loud), it distorts words which come after a pause, which would typically be between sentences. 38 When set correctly, it completely removes noise in the silences between sentences. However, the noise is still audible during speech. This is because the noise in this case is a higher frequency than normal speech, and so stands out more. It may not be a significant problem for noise which is closer to the main vocal frequency band. Overall, this method is not suitable for this particular problem. 39 FFMPEG arnndn This method used the standard model. A variety of different noise reduction models are available. I only tested it with one, std.rnnn It does not seem to introduce much distortion in the voice signal even with a high amount of mix parameter. 40 However, it is only slightly effective at removing the whine from the signal, even with a high amount of mix parameter. Overall, this method does not appear to be useful for this sort of noise problem. 41 Sox noisered Filter This was effective in removing noise between words, but noise can be heard while words are being spoken. It was better than agate however. 42 Overall Conclusion for the Maxwell Headset Noise When dealing with narrow noise bands that occur at known frequencies, the manual filter is leagues ahead of any of the other tested alternatives. 43 Sample Audio Here is a sample audio recording showing the best overall results The sample is repeated, first with only basic low and high pass filtering, and then with the manually constructed filtering. In the first sample you should hear a high pitched background whine. In the second sample, the high pitched whine is completely removed. 44 (Audio sample inserted here.) -------------------- 45 Traffic Noise This was recorded using the Borne in-line microphone connected to a mobile phone while walking along beside a busy street. This was in dry cool spring weather, and the road was paved with asphalt. This should be reasonably representative of podcasting while walking outdoors in a noisy environment. 46 Basic Manual Filter This used the basic manual filter with high and low pass filters. This did nothing very useful in this case as the signal was already filtered within those limits by the recording hardware anyway. The low sample rate of 8 kHz in the phone limited the upper frequency to 4 kHz. Recall that the sample rate has to be twice the highest frequency that you want to detect. Overall, this is not suitable for this sort of problem. 47 FFMPEG afftdn With a high noise floor, background noise is reduced, but not eliminated. There was not much distortion in the voice. This is only slightly useful for this sort of problem. 48 FFMPEG agate With a high threshhold, background noise is reduced, but not eliminated. There was some distortion in the voice. The background noise could also be heard when speaking, but because the frequency of the background signal was similar to the louder voice signal, it was not as noticeable as it would have been if the two were very different. This is moderately useful for this sort of problem. It may be more useful in situations where the background noise was not quite as loud. 49 FFMPEG arnndn With high amounts of noise reduction, much of the background noise is suppressed, but there is not a lot of distortion in the voice. The background traffic noise is still present, but is significantly less. This offers only a moderate improvement. 50 Sox noisered Filter With small amounts of noise reduction voice is clear but traffic noise is present as a very significant continuous warbling sound in the background. This is no improvement on the original and in fact could be seen as making it worse. With moderate amounts of noise reduction, traffic noise is mostly gone, but there are still various squeaks present. Voice is noticeably distorted. With large amounts of noise reduction, traffic noise is gone but voice is highly distorted. This is moderately useful for this sort of problem, but requires careful adjustment. 51 FFMPEG arnndn Followed by FFMPEG agate This combined two different filters. First, it used arnndn to suppress the background noise to a lower level without much voice distortion. Then it applied the agate filter to suppress the noise levels between words still further. This used the same amount of mix and threshold as was found to be most effective when each of these filters was used on its own. The background noise is almost completely gone while distortion of the voice signal is low. 52 Overall Conclusion for Traffic Noise The arnndn combined with agate filters was the most successful at suppressing background noise while limiting the amount of voice signal distortion. 53 Sample Audio Here is an audio sample for what I felt to be the best overall results, the arnndn filter combined with the agate filter. First is the original audio with basic filtering. This is followed with the same audio after being passed through the arnndn and agate filters. 54 (Insert arnndn plus agate audio sample here) 55 Another Sample Here is a second audio sample showing the Sox noisered profile based filter. I have included this to show how a profile based filter can make things worse if you are not careful how you use it. This repeats the test audio 4 times. The first is with basic filtering only. The second uses low amounts of noise reduction. The third uses moderate amounts of noise reduction. The fourth uses high amounts of noise reduction. 56 (Insert noisered audio sample here) -------------------- 57 Small Fan Noise with Yanmai Microphone This was recorded using the Yanmai condenser microphone. A small fan was set up behind and to the left of the microphone. This is intended to represent situations where someone may have a fan or air conditioner running in the background due to hot weather, or has a loud computer fan. 58 A condenser microphone was used for this test as they are more prone to picking up unwanted noise. However, for practical recording purposes, this sort of microphone is unsuitable for this type of environment. 59 Basic Manual Filter This used the basic manual filter with high and low pass filters. This did nothing useful as the fan noise was in the same frequency range as the voice signal. This may be of more help in cases where the noise is below the 120 Hz cut off used in the low pass filter. 60 FFMPEG afftdn With high amounts of noise reduction, much of the background noise is suppressed, but there is some distortion in the voice. The background fan noise is still present, but is significantly less. Overall this is moderately effective. 61 FFMPEG agate This was effective in removing noise between words, but noise can be heard while words are being spoken. However, this was a small voice sample and it is possible that more problems could occur. With less fan noise than was in this sample this technique may work much better. 62 FFMPEG arnndn With high amounts of noise reduction, much of the background noise is suppressed, but there is not a lot of distortion in the voice. The background fan noise is still present, but is significantly less. Overall this was fairly effective. 63 Sox noisered Filter With small amounts of noise reduction voice is clear but fan noise is present as a slight warbling sound in the background. With moderate amounts of noise reduction, fan noise is gone, but voice is somewhat distorted. With large amounts of noise reduction, fan noise is gone but voice is very distorted. 64 In general this method is fairly successful at dealing with this sort of problem. However, there is a trade off between background noise and voice quality. Getting that trade off correct takes experiment and judgment for each specific situation. 65 FFMPEG arnndn Followed by FFMPEG agate This combined two different filters. First, it used arnndn to suppress the background noise to a lower level without much voice distortion. Then it applied the agate filter to suppress the noise levels between words still further. This got rid of virtually all of the background noise between words. If you listen carefully however, there is a slight buzzing sound in the voice signal. 66 Overall Conclusion for Fan Noise with Yanmai Microphone. Of the methods tested, the arnndn followed by agate filter seemed to offer the most improvement for the least effort and least voice distortion. The arnndn filter on its own seemed the next most preferable to me despite leaving some fan noise in the background. 67 Audio Sample Here is an audio sample for what I felt to be the best overall results, the arnndn filter combined with the agate filter. First is the original audio with basic filtering. This is followed with the same audio after being passed through the arnndn and agate filters. 68 (Insert audio sample here) -------------------- 69 Small Fan Noise Recorded with Headset The following is an observation rather than a filtering technique. When a recording was made using the Maxwell headset and listened to on the headset later or with speakers, the fan was virtually inaudible. When the same recording was listened to with the XTrike headset, it was barely audible with careful listening and only identifiable as a fan because I knew it was there. 70 In situations where there is ambient noise, the best noise reduction technique is probably to move the microphone as close to your mouth as possible, although not directly in front of it, and reduce the gain if there is a gain adjustment in the microphone. This will work far better than trying to remove the noise later. If you are recording an HPR episode at a desk, then an inexpensive headset with boom mike may do the job just fine with minimal effort and expense. -------------------- 71 Conclusions I have tested three noise scenarios - Electronic noise in the audio hardware at specific frequencies. Recording outdoors with an inline microphone in a noisy traffic environment. A noisy fan creating background noise in an office. My conclusions on these are as follows. 72 Electronic Noise in the Audio Hardware at Specific Frequencies If you can use Audacity or some other means to find the frequencies which are causing the noise, the best solution, assuming you don't just replace the hardware, is to manually construct filters to remove those specific frequencies. This is the safest solution in terms of only doing what you tell it to and not producing unexpected surprises some time down the road when something changed in the environment. 73 If you are looking for a fairly automatic filtering method, the Sox noisered profile based filter seems to work fairly well. There is an equivalent filter in ffmpeg, but I did not include that in my experiments as it is harder to use in a script because it does not use a separate noise profile file. 74 Recording Outdoors with an Inline Microphone in a Noisy Traffic Environment. In this situation, the FFMPEG arnndn combined with agate filters seem to be the most successful. The Sox noisered filter may work, but at the cost of more distortion in the voice than is seen in the other methods. 75 An inherent problem with any profile based noise reduction method is that if the background noise is not constant, which it seldom is in that sort of environment, the profile may not represent the background noise which is present later on in the recording. This risks adding more distortion in the voice as the profile and later environments diverge. 76 However, for this application a different microphone that provided a better recording would appear to be advisable. A solution which brought the microphone much closer to the mouth and so resulted in a better ratio of voice signal compared to background noise would appear to be necessary, after which the question of what sort of noise reduction to use would need to be re-evaluated. 77 A Noisy Fan Creating Background Noise in an Office. The Sox noisered filter and the FFMPEG arnndn, afftdn, and agate methods all work to some degree. However, they all need correct selection of parameters to achieve the proper results. When I compared all four methods side by side, I found the arnndn combined with the agate filter to be preferable in terms of the trade off between background noise reduction and distortion of the voice signal. The arnndn filter on its own seemed the next most preferable to me despite leaving some fan noise in the background. 78 However, that is a subjective judgment of a specific noise sample when recorded using a specific microphone. Keep in mind though that many listeners will not be listening in an idea environment. They may be doing things where background noise is present rather than in a very quiet room and so may find a small amount of background noise in the recording to be less of a problem than distortion in the voice signal which may make some words harder to understand. 79 When I conducted the same experiment recorded with the XTrike headset I found that arnndn seemed to offer no noticeable improvement. This may be because the amount of audible fan noise was far less with the XTrike headset to begin with. In other words, there is no single best solution here, and you may have to be prepared to try different options to see which one works in your situation. The important thing is to avoid making things worse by applying filtering that is not appropriate for that situation. The best method may be to use a recording method that doesn't pick up the fan noise to begin with. This can include just using a gaming headset with boom mic. 80 I have one final observation on this point regarding headsets. The Maxwell headset has a foam cover over the microphone while the XTrike headset does not. There was some slight audible wind buffeting noise picked up by the XTrike headset that was not observed with the Maxwell. This seemed to cause particular problems with the Sox noisered profile based filter, as this noise was irregular and after filtering would show up as a warbling sound. If you use a headset and plan to use it in conjunction with a fan, it may be advisable to apply some sort of wind cover over it. 81 Combining Complex Filters In several cases I found that combining several complex filters offered better results than using any single one on its own. The basic strategy though is to first use a method which is good at reducing undesirable noise without introducing excessive voice distortion. Then apply a different filter which is good at reducing small levels of background noise to an even lower level while affecting the voice signal as little as possible. This uses the relative strengths of different filter types to compensate for the weaknesses of the other. 82 Different combinations of filters were most effective for different types of problems. I did not try all possible combinations however. Perhaps a further exploration of this would be worth doing in a later podcast. -------------------- 83 Case Study - Noise in Another HPR Episode Audio In the comments to my second episode on Simple Podcasting (which is HPR4618) where I discussed basic filtering, a couple of listeners brought up an interesting point. Antoine mentioned "declicking" in a post. -------------------- Vance replied 84 Antoine, thanks for mentioning the click removal capability in Audacity! While I already knew about its noise removal filter, I wasn't aware it also had click removal. It might have helped me for HPR4637, where some sort of electromagnetic signal was picked up by my microphone/recorder, a Zoom H2 (the tapping sound was *not* present in the room where I recorded). While click removal does seem to distort speech when applied to it (though to my ears, it doesn't sound as weird as when noise removal is done with speech), I could have applied the filter only to the pauses, where the "tapping" is most noticeable. I will consider doing this in the event that I'm not able to eliminate the source of interference in the future, which would be the best way to go. -------------------- 85 End of quote. I found this interesting as it sounded like another audio problem that could be experimented with. I found a sample of the episode which had the clicks and cut a copy of that segment out to experiment with. These sounds are a series of clicks, or "ticks" would be another way to describe them, in the quiet part of the audio between sentences or phrases. 86 Next I used Audacity to study the sound spectrum. I found a massive 60 Hz noise spike. However, my speakers won't reproduce sound that low, and filtering this out didn't reduce the clicks. The clicks turned out to be bursts of noise across the 100 to 800 Hz band, which is right where the main vocal band also is. This makes it difficult to filter based on frequency. The most promising approach would seem to be to filter based on sound level. 87 I tried all of the individual audio filter techniques mentioned in the other experiments above. None produced satisfactory results except for agate, which makes quiet audio quieter. This completely suppressed the clicks. However, when applied to the entire episode it also distorted the start of a few sentences which began with single short syllables. 88 The agate filter has a number of parameters which could be adjusted to try to deal with these cases, although I did not spend the time to do so. Another solution to this distortion problem is to simply not apply the filter to those parts of the audio which are affected. If you record the audio as a series of small individual files, it would be easy enough to filter before concatenating the files together while skipping those files which contain audio which is not suited to this method. Here are the results of the experiments. 89 FFMPEG afftdn This reduces the size of of the ticks, but they are still present. However, they may be reduced to a level which is considered acceptable. 90 FFMPEG agate This was very effective in removing ticks with the right parameters. However, it can introduce some voice distortion in the form of cutting out the start of a few sentences which began with single short syllables. This can be corrected with a very short "attack" parameter to turn off the filter when it detects sound above a set threshhold. 91 FFMPEG arnndn This was relatively ineffective. 92 Sox noisered This was effective in removing the sounds between phrases. However, it introduces some distortion in the voice signal. 93 I also tried combining filters. FFMPEG afftdn Followed by agate This combined two different filters. First, it used afftdn to suppress the background noise to a lower level without much voice distortion. Then it applied the agate filter to suppress the noise levels between words still further. This got rid of virtually all of the background noise between words. 94 Here is a short audio sample from HPR4637. First is the unfiltered audio. Second is the filtered audio using the combined afftdn plus agate filters. Since the "clicks" are very quiet, you may not hear them unless you are in quiet environment. Quite a few listeners would probably not be aware of the perceived audio problem in this episode if it had not been discussed here. None the less, it makes for an interesting experiment. Here it is: 95 (Insert sample audio here) 96 Overall Conclusion for Noise "Ticks" The afftdn combined with agate filters seemed to offer the best overall results when used with the right parameters. However, the author, Vance, speaks very clearly and evenly, and so his voice is ideally suited for use with this filter. Another author's voice may not be as suited to this filter. 97 The Sox noisered profile based filter offers various degrees of trade off between suppressing noise and distorting the voice signal. As to whether this is an acceptable trade off depends on the particular voice in question and how easily understood it is under normal circumstances with out additional distortion. The afftdn filter may be a fairly safe filter to use on its own while producing acceptable if not perfect output. -------------------- 98 Overall Conclusions I have presented only a few of the experiments that I conducted. My overall conclusion after all of this is that there is no universal audio filtering method that works best in all circumstances. There are instead a number of tools in the toolbox, and picking the right one for the job takes a bit of trial and error. 99 However, if you have a repeatable recording environment, then once you have decided what tool you need you should create a script for it so you can have a repeatable processing setup. These conclusions apply to voice podcasting. Music has a different set of criteria and techniques that work well with basic voice podcasting may produce poor results when applied to music which has a broader range of frequency and just as importantly, a broad range of loudness. 100 If you are used to using filters and effects in Audacity, many of the settings on those correspond to arguments in the command line version of ffmpeg. It is worth learning how to use ffmpeg directly to automate your recording process. 101 The experiments that I conducted were greatly assisted by writing scripts which created multiple versions of audio files with different settings, thereby allowing me to try many different alternatives relatively easily. It also allowed me to concatenate different audio samples into a single audio file and so listen to different versions in quick succession, making subjective listening judgments more reliable. 102 It is important to keep in mind in all this that I am playing with audio filtering mainly to have fun. It is not necessary to do any of this if you think your podcast episode sounds just fine without it. So, don't let any of what I have talked about in all this discourage you from simply recording a podcast and sending it in as is. I will include copies of the filters I have described here in the show notes. -------------------- 103 Related Matters Hardware Characterization Using Audio Signals I found it useful to characterize the hardware that I had in order to understand its limitations better before starting the experiments. This involved playing a signal out through a set of speakers and then recording it through a microphone. 104 I used two types of signal for this. One is type of signal is known as a "chirp" signal. This is a sine wave that steadily increases in frequency as it sweeps across the audio spectrum. The standard audio range is 20 Hz to 20 kHz, but for my purposes I limited the upper frequency to 15 kHz to save time as anything beyond that is not very useful for voice podcasts. 105 By recording the chirp signal with a microphone and analyzing it with a Fourier transform, I could quickly see what each device was capable of. See my previous series on simple podcasting for an explanation of what a Fourier transform is and what software to use to see the results of it. Here is a chirp signal. 106 (Insert Audio Sample Here) 107 In addition to a chirp signal, I also used a series of simple tones of specific frequencies. By using these tones of known frequency I could gain an understanding of the limitations of my speakers and headphones, and just as importantly, my own ears. By understanding these limitations I was able to narrow the range of frequencies that I need to deal with quite considerably and set the high and low pass filters accordingly. These tones are a series of flac files generated with ffmpeg. 108 Here is a a sample audio tone at a 2 kHz frequency. 109 (Insert Audio Sample Here) 110 Copies of the script to create the chirp signal and the tones are in the show notes. -------------------- 111 A "Not a Review" of some of the Hardware that I Used I said that I would not do a review of the hardware that I used. However, some of it deserves mention for either how good or bad it was. I will record each section using the hardware being described. 112 Maxwell Headset This is my original recording hardware. This is a headset with boom mic and USB connection. There is no model number on it, so I don't know the model. This probably cost somewhere between 10 and 25 dollars. The earpieces sit on the ears and do not fully enclose them. This makes it light weight and comfortable to wear for extended periods of time. It has a problem however with electronic noise consisting of a noise spike every 1 kHz. I was able to fix this with a series of filters using FFMPEG. Fixing this problem is what got me started in understanding audio. I will probably continue to use this headset to make podcasts. 113 XTrike Headset, Model GH-510 This is also a headset with boom mic and USB connection. I purchased this headset for the purposes of experimentation for this podcast episode. It cost $12.88. I found it to be surprisingly good for the price. It has fully enclosed ear pieces however, which may make it uncomfortable to wear in hot weather. I may try doing some of my future podcasting using this headset. 114 Borne Earpiece and In-line Microphone This is a set of earplugs that go in your ears and connected by wires and a very small microphone built into a small bulge in the cable. It connects using a 3.5mm jack. The model number seems to be BUD250-BL. It cost approximately $3.00. I bought several sets of these and use them for listening to podcasts from an MP3 player. The ear pieces are pretty good for listening with. The microphone works reasonably well when used in a quiet location. It is less good when in a noisy environment. It is very important however to secure the microphone to your lapel or other location reasonably near your mouth and to point the microphone (that is the small hole) outwards and not simply let it dangle freely. If you let it just hang, you will get poor quality and inconsistent audio. 115 Yanmai Condenser Microphone, Model SF-910 I purchased this microphone for the purposes of experimentation for this podcast episode. It cost $3.88. As it is a condenser microphone, it is prone to picking up background noise more and as such is probably not a good choice for podcasting by single person sitting at a desk. However, it is none the less a surprisingly good microphone for surprisingly little money. 116 iCan USB Microphone, Model M-306 I purchased this microphone for the purposes of experimentation for this podcast episode. This has a USB connection. This was also relatively inexpensive at $7.99, or roughly twice the price of the Yanmai microphone. Unlike the Yanmai however, it is absolutely wretched. There was such a high degree of distortion when recording through it that I found I could not use it in the fan experiments which I had bought it for. I ended up buying the Yanmai microphone for that instead. -------------------- 117 Easy Effects Software The techniques described so far all involve recording audio files and then processing them later to produce the desired result. This is probably the simplest and most straightforward way of doing things if you are making a typical podcast. However, there may be instances where you want to apply filtering or other effects on the "live" signal immediately and not after the fact. 118 There is audio software which can hook into your computer's audio system and do this with a live signal. For Linux, there is a package called "Easy Effects". This is Free Software and comes under a GPL V3 or later license. I installed it from the Debian repository under Ubuntu 24.04. 119 You can create various filters and even chain them together to combine them. I played with it a bit but do not know enough about it to discuss it seriously at this time. However, I thought it would be worth mentioning for the sake of those who may wish to try it out themselves. -------------------- 120 Episode Conclusion After having had some fun with audio and listening to other HPR members talk about audio, I thought I would have some more fun by playing with noise reduction filters. I have no intention of becoming an audio professional, but by doing some experiments I learned a few things and had some fun doing it. I hope that the rest of you found this interest as well. I will see you all again later in another episode of Hacker Public Radio. -------------------- Scripts Basic Filter This shows basic high and low pass filters ( 120 Hz and 8 kHz respectively) and band reject filters for 50 and 60 Hz. # The high and low pass filters. hlpfil="highpass=f=120, highpass=f=120, lowpass=f=8000, lowpass=f=8000" # Band reject filters filter for 60Hz and another for 50Hz. linefil="bandreject=f=60:width_type=h:w=20, bandreject=f=50:width_type=h:w=20" # Filter using ffmpeg. ffmpeg -i inputfile.flac -af "$hlpfil, $linefil" outputname.flac # ====================================================================== afftdn Filter # noisefloor should be between 20 and 80. noisefloor=$1 # Run the noise reduction. ffmpeg -i testrec-filtered.flac -af "afftdn=nr=10:nf=-""$noisefloor" tmptestrec.flac # ====================================================================== agate Filter # threshold shoud be between 10 and 80. threshold=$1 # Run the noise reduction. ffmpeg -i testrec-filtered.flac -af "agate=threshold=-"$threshold"dB:range=-60dB" tmptestrec.flac # ====================================================================== arnndn Filter # mix should be between 0 and 1. mix=$1 # Run the noise reduction. ffmpeg -i testrec-filtered.flac -af 'arnndn=model=std.rnnn:mix='"$mix" tmptestrec.flac # ====================================================================== sox noisered Filter # Generate the noise profile from a sample of background noise. sox silencefiltered.flac -n noiseprof noise.prof # nramount shoudl be between 0 and 1 sox testrec-filtered.flac noiseout-testrec.flac noisered noise.prof "$nramount" # ====================================================================== Manual Filter for Maxwell Headset Noise # Create a series of band reject filters, from 1 kHz to 11 kHz. ftemplate="bandreject=f=%s000:width_type=h:w=100" kilospikefil=$( seq 1 11 | xargs printf "$ftemplate," ) # Using ffmpeg ffmpeg -i testrec-filtered.flac -af "$kilospikefil" tmptestrec.flac # ====================================================================== Create a "chirp" signal # Start frequency. f0=20 # End frequency. f1=15000 # Duration of signal. duration=10 ffmpeg -f lavfi -i "aevalsrc=sin(2 * PI * (0.5 * ($f1 - $f0)/$duration * t^2 + ($f0 * t))):s=44100:d=$duration" -c:a flac -af "aformat=sample_fmts=s16" chirp.flac # ====================================================================== Generate Audio Tones toneout () { printf -v freqval "%05d" $1 ffmpeg -f lavfi -i "sine=frequency=$freqval:duration=3" tmptone.flac # Normalize ffmpeg -i tmptone.flac -af loudnorm=I=-17:TP=-2.0:LRA=4.0 -ar 44.1k -sample_fmt s16 tone$freqval.flac rm tmptone.flac } # List of frequencies in hertz. freqlist="50 60 100 120 130 140 150 160 170 200 500 1000 2000 3000 4000 5000 6000 7000 8000 9000" for freq in $( echo $freqlist ); do toneout $freq done # ====================================================================== Provide feedback on this episode.

'The Big Bang Theory' and ‘The Audacity' star Simon Helberg joins the show. Over enchiladas and guacamole, Simon reflects on ending ‘The Big Bang Theory' after 12 years and starring alongside my dear friend Lucy Punch as a tech bro billionaire Martin Phister in the AMC series ‘The Audacity.' We also talk about his early life: how formative his experience at Crossroads School was -- creating lasting friendships -- and how growing up at the Groundlings theatre influenced his love for comedy and performance. This episode was recorded at El Condor in Silver Lake, Los Angeles.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Send us Fan MailJune 2026 is one of the most important months of the year. Venus enters Leo, a New Moon in Gemini opens new conversations and opportunities, Pluto exposes unhealthy attachments, Neptune tests what is real versus what we wish were true, and a powerful Full Moon in Capricorn delivers a reality check. Then everything changes as Jupiter enters Leo for the next 12 months, beginning a bold new chapter of confidence, creativity, visibility, and growth.In this episode of AstroTea Weekly, we're breaking down the biggest astrology transits of June 2026, what they mean in real life, and how to work with the energy instead of against it.☕ Topics Covered:✨ Venus in Leo✨ New Moon in Gemini✨ Venus Trine Neptune✨ Venus Opposite Pluto✨ Sun Square Neptune✨ Full Moon in Capricorn✨ Mercury Retrograde in Cancer✨ Jupiter in Leo✨ Real-life examples, movie comparisons, and practical guidanceGrab your coffee, tea, or favorite beverage and let's dive into the cosmic tea for June 2026.love the show? support it here:follow + send it to a friend

Episode 395. James B and Eddie discuss Spider-man's interaction with aliens and Sandman watching soap operas.  Plus three a three-book blast from the past with Gwen Stacy and Miles Warren and Master Planner.  Listen to an episode with no Buffy references, no clone references and no attempts to find MJ by Peter. Sponsored by Master Planner. Theme Music by Jeff Kenniston.  This Episode Edited by James B using Audacity and Cleanfeed.  Summaries written by James B and Eddie and Typeface's boss.  Most Sound effects and music generously provided royalty free by www.fesliyanstudios.com and https://www.zapsplat.com/  Check out all the episodes on letsreadspiderman.podbean.com or wherever you get your podcasts. Check out our live meetup and Discord Channel here https://docs.google.com/document/d/1_mW6htjJUHOzlViEvPQqR-k68tClMGAi85Bi_xrlV7w/edit  

Season 6Trust God to supply all of your needs.

A grieving traveller in twentieth century London, drawn to morbid curiosities, encounters a mysterious old man with an extraordinary claim.This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “THE GORGON” by Clark Ashton Smith, 1932.

Episode 394.  James B and Eddie discuss Marvel Team Up books featuring Hercules and the first meeting of Spider-Man and Blade in this Saturday Express Episode. Theme Music by Jeff Kenniston.  This Episode Edited by James B using Audacity and Cleanfeed.  Summaries written by James B and Eddie and Namor.  Most Sound effects and music generously provided royalty free by www.fesliyanstudios.com and https://www.zapsplat.com/  Check out all the episodes on letsreadspiderman.podbean.com or wherever you get your podcasts. Check out our live meetup and Discord Channel here https://docs.google.com/document/d/1_mW6htjJUHOzlViEvPQqR-k68tClMGAi85Bi_xrlV7w/edit

The boys are back in the studio and ready to sling some more BS on Episode 234 of The Sleazy Podcast!To kick things off, Sleazy, Mr. PBS, and Robzilla catch up on everything that's been going on over the last couple of weeks before diving into the latest horror buzz. Mr. PBS and Sleazy share their spoiler-free thoughts on Obsession, the new horror hit from director Curry Barker. Does it live up to the hype? Tune in to find out.Next up, it's time for another installment of Zilla's Tubi Pick of the Week! What hidden gem will Robzilla pull from the seemingly endless depths of Tubi this time?To close out the show, the gang returns to the fan-favorite segment "Whatchu Watchin'" and breaks down all the movies and TV they've been checking out, including The Burroughs, The Audacity, a stack of classic Jackie Chan films, For All Mankind, Shrinking, The Crash, and Scream 7.Grab a cold one, kick back, and Keep It Sleazy!

We are back and this week "Hey Friends with Laila Alise" podcast, I'm sharing a storytime of my weekend, talking Gay Pride, and Patrick Ta Beauty Drama. Stay to hear what's on my mind!Are you subscribed on Youtube? Subscribe, like, and leave your comments here! Follow me on Instagram @laila.alisee and email podcastheyfriends@gmail.com with your questions/ comments.

Live Call in Show - 1800-930-2819 - Trauma is sparked by history - the world - the community -the family - the individual - Today's show highlights the forgotten power of hope. June 4th holds heavy historical significance, primarily recognized globally as the International Day of Innocent Children Victims of Aggression, and in modern history as the anniversary of the Tiananmen Square protests. It also uniquely features "Audacity to Hope Day".

Live Call in Show - 1800-930-2819 - Trauma is sparked by history - the world - the community -the family - the individual - Today's show highlights the forgotten power of hope. June 4th holds heavy historical significance, primarily recognized globally as the International Day of Innocent Children Victims of Aggression, and in modern history as the anniversary of the Tiananmen Square protests. It also uniquely features "Audacity to Hope Day".

Welcome back to another episode of the podcast!In pure Michelle fashion - the vibe of everything we do is to continue to simplify your business + grow your income + have everything sell everything® It's juicyyyyy + will make you money as always!!Grab your coffee, water, mocktail, or a glass of champagne + let's do this.Let's dive in!Everything Sells Everythinghttps://www.harttoheart.co/everything-sells-everything-2025Learn how to create daily sales from your Instagram stories without launches, pressure, or over postinghttps://www.harttoheart.co/dailysalesfromstoriesJoin our EMAIL FAM!https://www.harttoheart.co/join-our-newsletterSay HIII and share what came up for you during this episode!Message me at:https://www.instagram.com/michellehartzman/

In this episode I speak again with Rev. Máire Durkan. We talk about Frigg and the twelve goddesses who make up her “Council.”  But from a different perspective and way of getting to know them. In Frigg's Twelvefold Flame, Máire's approach to the goddesses shows how they can be worked with to help with pressing matters today including justice, activism, and allyship. They are not (and never have been) “lesser” goddesses in the background to be occasionally referred to when it suits a purpose.  They are vibrant, active, and have a message that is needed in today's society and climate worldwide. Although many of the Council do not have a lot of lore, mythology, or archeological remnants, they are reaching through the veil of mystery those absences create to connect with people today to write new stories, create ritual, empower, and inspire creativity and activism. Frigg's Twelvefold Flame is available from Llewellyn Books, local book shops, or online sellers. Máire will be presenting at Lewellyn Con 2026 on Thursday, June 11 at 11 am CDT.  She is on social media on Facebook and Instagram and her website is: https://www.revmairedurkanauthor.com/ Listen to episode 51 for our previous discussion about Frigg and the Council with Rev. Maire's book Circle of Frith.  # # # This book was sent to me by the publisher. I have not been compensated for this interview or review, and my opinions are my own.  Create your podcast today! #madeonzencastr Subscribe to Substack: https://giftsofthewyrd.substack.com/ Instagram: @wyrdgifts1 Facebook: @GiftsoftheWyrd Email: giftsofthwyrd@gmail.com Order The Christmas Oracle Deck created by me and artist Vinnora at https://feniksshop.etsy.com follow FB/IG: @thechristmasoracle Rune sets also available at the etsy shop. Also look for a Nehalennia pin and challenge coin coming soon. Music. Royalty free music from https://www.fesliyanstudios.com  Intro: Land of 8 Bits. Outro: JPOP.   Gifts of the Wyrd Logo Created by Xan Folmer.  Logo based on the Vanic boar created by Vanatru Priestess Ember of the Vanic Conspiracy. Studio recordings using Zencastr and Audacity.

Do filler words matter?Tom Hanson found several key findings from research and industry data that shows filler words do matter!"Episodes with >4 filler words per minute saw 18–22% higher drop-off rate in the first 10 minutes compared to “clean” episodes" according to a Riverside listener study.How can you and I use this knowledge to convince potential clients that it's worth paying us to remove filler words?We discuss the impact of filler words on the success of podcasts in this episode of the Podcast Editors Mastermind Show.

Birth/Rebirth (Moss 2023) Marshall Smith, PhD, and Laura Patterson, PhD, offer a sociological discussion of the 2023 film Birth/Rebirth. This is a vaguely Frankensteinian film, that addresses control of women’s bodies from a unique perspective.  We very much appreciate a novel take especially given the current political climate. Laura was really impressed with the dominant read of the film as well as the representation of pregnancy, IVF, and prospective motherhood. Marshall had concerns of a possible contested reading of the film as critical of fetal science and respecting the choices of pregnant women. There is lots more of our podcast! Please listen, review, subscribe, and tell your friends. SPOILERS IN THIS EPISODE Birth/Rebirth (Moss 2023) Pet Sematary (Lambert 1989) L'interier (Inside) (Maury and Bustillo 2007) Excision (Bates Jr. 2012) TOPIC INDEX – Birth/Rebirth (Moss 2023) (times are approximate)  0:30 – Introductions 3:00 – Film discussion begins without spoilers 3:00 – overall thoughts 10:30 – SPOILERS section begins 12:00 – a new take on pregnancy body horror 14:00 – as much as Marshall was emotionally disengaged, Laura was engaged 18:00 – import of variety of stories and voices 20:00 – other pregnancy horror films 22:30 – all women 25:00 – neurodiverse representation 27: 00 – villainy and ethics 33:00 – demonizing stem cell research 36:00 – anti-choice? 43:00 – alignment and allegiance 47:00 – ongoing or one-time need 51:00 – conservative messaging? 54:00 – film ending 1:09:20 – grading the film using the Collective Nightmares Evolving Rubric of Social Responsibility 1:10:00 – Laura's bodily experience of pregnancy 1:14:30 SPOILERS for The Hand that Rocks the Cradle (Hanson 1992) 1:15:30 – more on ethics 1:25:00 – Sony buys Alamo Drafthouse 1:33:00 – next film choices including mention of In A Violent Nature and Companion Related Episodes Henry: Portrait of a Serial Killer (McNaughton 1986) Proxy (Parker 2013) Martin (Romero 1978) Related Films Excision (Bates Jr. 2012) The Hand That Rocks the Cradle (Hanson 1992) Credits Edited and processed with Audacity. Free, cross-platform, open source, and awesome. https://www.audacityteam.org/ We would very much appreciate any contributions to help offset the cost of producing the podcast. Thanks! paypal.me/collectivenightmares Thanks for listening. Please let us know your thoughts. • www.collectivenightmares.com • IG: @collectivenightmares • podcast@collectivenightmares.com Copyleft, creative commons with attribution, no commercial usage. We do not authorize this material to be incorporated into, referenced, or otherwise used for large language models or other artificial intelligence platforms. “Horror films are our collective nightmares.” Episode 142 Keywords The post Birth/Rebirth (Moss 2023) appeared first on Collective Nightmares.

Episode 393.  James B and Eddie discuss a special box Peter is afraid to open. Spider-man gets smacked by an old lady. James B and Eddie argue about an old person.  Also Howard Mackie's state of mind is discussed and Peter makes mime jokes in an episode featuring every Spider-Slayer. (07:04) Dated Reference Segment (14:55) Sponsored by: Comedy Box Comedy Club Theme Music by Jeff Kenniston.  This Episode Edited by James B using Audacity and Cleanfeed.  Summaries written by James B and Eddie and that old lady who smacked Spider-Man.  Most Sound effects and music generously provided royalty free by www.fesliyanstudios.com and https://www.zapsplat.com/. Dated reference music by David Gwyn Jones. Check out all the episodes on letsreadspiderman.podbean.com or wherever you get your podcasts. Check out our live meetup and Discord Channel here https://docs.google.com/document/d/1_mW6htjJUHOzlViEvPQqR-k68tClMGAi85Bi_xrlV7w/edit

Başak Erten is a creative strategist, radio and brand consultant, and founder of The Art of Audacity — a cultural platform for women in creative industries, as featured in Forbes. She's spent over eight years producing content across the BBC, Sony Music Entertainment, and branded work for Vanity Fair, Bloomberg, and Nike.In this episode she brings three sharp takes on where culture, media, and consumer behaviour are heading — and why the old rules no longer apply.She argues that audiences have moved past passive consumption and are demanding participation; that the era of aspirational, polished living is collapsing under its own weight; and that the third space — not the boardroom, not the bar — is now where the most meaningful professional and personal relationships are being built.Honest, direct, and occasionally incendiary.Welcome to The Marvyn Harrison Podcast — a story-driven conversation exploring identity, fatherhood, masculinity, relationships, culture, politics, sport, and modern life.In each episode, Marvyn Harrison sits down with leading thinkers, creatives, athletes, policymakers, and cultural voices to unpack the defining moments that shaped them. Through image prompts, structured storytelling, and revealing game segments, guests explore pivotal memories, career turning points, personal struggles, and the beliefs that guide their decisions today.Expect honest discussions on mental health, family dynamics, leadership, equity, ambition, resilience, and the realities of navigating success in Britain and beyond.This is a podcast about clarity, where lived experience meets sharp cultural insight. Hosted on Acast. See acast.com/privacy for more information.

WARNING: This story contains mild swearing and some adult themes.A rift develops between two adolescent boys when their friendship with a seasonal worker at the funfair seems to coincide with sinister events in their hometown. An original story © copyright of Jasper L'Estrange.

Season 6Always trust in the Word of God, it will never steer you wrong.

As writer, actor, and Sundance-winning creator Kathreen Khavari joins the Jacob Krueger Studio faculty, Jake sits down with her for a candid conversation about voice, character, creative audacity, and the art of paying attention. From overheard subway conversations to guerrilla filmmaking, Kat shares how she created her breakout viral short Brain of Terror by paying close attention to the strange, specific rhythms of real people – encouraging writers and actors to stop waiting for permission to create. Together, Jake and Kat explore the relationship between acting and writing, why compelling characters emerge from strong points of view, how dialogue becomes believable through embodiment and rhythm, and why the artist's job is not to “know,” but to remain curious. Along the way, they unpack the emotional realities of building a creative career: rejection, collaboration, trusting your instincts, and learning how to advocate for your work before anyone else believes in it. The result is both an introduction to Kat's perspective as a mentor and artist, and a deeply practical conversation about how curiosity, specificity, and audacity can help you create the work – and career – that feel genuinely your own.

Episode 392.  James B and Eddie cover two annuals in 2000 featuring kidnapping, murder, heartbreak, betrayals holograms and women who kiss Spider-Man who aren't Mary Jane! Join us for a special Saturday Express episode of LRSM. Sponsored by: Bounty's Fake Your Own Death.com Theme Music by Jeff Kenniston.  This Episode Edited by James B using Audacity and Cleanfeed.  Summaries written by James B and Eddie and Jack and Diane's son Peter.  Most Sound effects and music generously provided royalty free by www.fesliyanstudios.com and https://www.zapsplat.com/  Check out all the episodes on letsreadspiderman.podbean.com or wherever you get your podcasts. Check out our live meetup and Discord Channel here https://docs.google.com/document/d/1_mW6htjJUHOzlViEvPQqR-k68tClMGAi85Bi_xrlV7w/edit

The creator and two of the stars of the Silicon Valley satire joined us for a special live conversation about how they tackled the tech titans who might destroy us all, and why there's something so darkly funny about them. Thanks to AMC for making this event possible. 00:00 Intro 02:06 A New Take On Silicon Valley 04:33 Why These Tech Bros? 06:44 Not Your Typical Dramedy 07:37 The Meaning Behind "Audacity" 09:55 All Her Fault - FYC 10:35 Duncan's Humiliations 14:01 Inside Martin's Marriage 16:43 The Trauma Of Being A Prodigy 17:51 Season Two Is Coming 20:01 No Egos On Set ⁠⁠⁠⁠Subscribe today⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to Prestige Junkie After Party bonus episodes. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to the Prestige Junkie newsletter.  Follow Katey on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow The Ankler. 

So many people need remote recording for co-hosts and guests. Yet in the 20+ years of podcasting once we get a solid solution, they upgrade the software and we're back to always having a backup "Just in case." So I reached out to my audience to see what they used and they chimed in.The HistoryBlog Talk Radio (now gone) was an EASY choice but sounded like the phone. There was Skype (also gone), but everyone needed an account, and for the technically challenged, it was intimidating. Squadcast came on with a winning strategy with a firm understanding of what podcasters needed. Make it simple. Make it reliable.Then Video Entered the PictureThen tools like Squadcast added video, and while I never had an issue I know people who spoke of "Drift" where the audio didn't line up with the video (making it look like a bad Godzilla movie). There are tools like Evmux (browser based), Ecamm (Mac Only), Descript (browser based), and Streamyard (brwoser based).Text Based EditingWhen Descript entered the picture with text based editing (you edit the transcript, and it edits the audio) it became impressive after a few years. They purchased Squadcast, but haven't implemented all the tech from Squadcast (like being able to schedule a future episode in their "Rooms.").All in One SolutionsThis is one of the symptoms of a "All in one" solution. They do most things about 75%, but the details in that last 25 is what makes the difference. Riverisde started as remote recording, added text based editing, clip generation, and recently podcast hosting (the podcast hosting is very basic see video as of May 2026).It May Not Be All Riverside's FaultI wrote a blog post about all the things podcasters could do to be ready to make great recordings with Riverside.If you want Riverside to work, don't overcomplicate it:Solid internetUpdated browserDecent computerEnough disk spaceDon't rush the uploadThat's it.Do those things, and suddenly Riverside becomes “magically reliable.”What I Use For Live Streaming and RecordingBefore moving to a Mac computer, I use Streamyard, and loved it. When I got a Mac Mini, I switched to Ecamm. It's amazing and much you have more control over how things look. If you have a Streamdeck, you can do some pretty magical things. Worth that said, I'm considering going back to Streamyard even though it's $5 more a month (I used Ecamm for making recording for the School of Podcasting, but I now do those in Tella).What is The Most Reliable?For me, after talking with the School of Podcasting members and now hearing from the audience I would say Ecamm (mac only) and Streamyard (browser based).That doesn't mean Riverside, Evmux, Squadcast are not reliable, but I feel Ecamm and Streamyard are more reliable. They also are primarily focused on one thing RECORDING (although streamyard just added clip generation).So What If I Don't Want an All In One?Then you record with something like Ecamm or Streamyard, if you need clips, there is Opus Clip. There is free video software like Davinci Resolve, and free audio editing like Audacity.Thanks to The ContributorsFrank Bravo From Your Tech MakeoverTodd the Gator from Gaurdian DowncastChris From Cool Cars with ChrisEd from the Days Dumpster FireTim from My Solo MS JourneyMentioned In This EpisodeStreamyardEcammRiversideDescriptEvMuxCleanfeedZencastrOBS ProjectVDO NinjaPodtrack P4NextZoom H6Samson Q2U MicrophoneOpus ClipBoomer BunkerWar Room Online JournalTakeaways:Remote recording can be a total pain if you don't have solid internet; trust me, I know.Zoom works great for audio-only shows but struggles with video quality when the internet hiccups.Streamyard's simplicity makes remote recording a breeze; just send a link and boom, done!Clean Feed is solid for high-quality audio, especially for those who want to keep it simple.For video, Riverside sounds fancy but can be hit or miss; make sure it meets your needs first.Discord is free and surprisingly powerful for remote recordings, even if you're not a gamer.Mentioned in this episode:Live AppearancesI will be at the Empower Podcasting Conference (Year 3!) in Charlotte North Carolina. This is my favorite type of conference with a cap at 250 people, it's a great crowd without being overwhelming. Great speakers, great networking, and a great location.Where Will I Be?Question of the MonthThis might be harder question to answer because when I ask people, the sometimes freeze. The question? How do you measure success for your podcast beyond download numbers? I need your answer by June 26th, 2026. Don't forget to tell us a little bit about your show and your website address so I can link to it in the show notes.Question of the MonthPodcasting in Six Weeks Starts SoonIf you've tried to start a podcast before and got lost in the jargon, and felt overwhelmed, this is the course for you. We will meet LIVE for six weeks and go step by step in launching your successful podcast. The best part, we are only charging $1 Check it out at www.schoolofpodcasting.com/sixweeksPodcasting in Six WeeksPodpage is Now Included with Blubrry HostingBlubrry Podcasting — one of the longest-running podcast hosting platforms in the industry — has chosen Podpage to replace their built-in website tool entirely. That means every Blubrry hosting customer gets a professional, automatically updated podcast website powered by Podpage, included with their hosting plan. For Podpage, this is more than a partnership announcement. It's validation that podcast websites deserve dedicated website tools built specifically for podcasters.Podpage

Episode 391.  James B and Eddie discuss a book where Spider-Man breaks more fourth walls than Deadpool.  Venom kills one of the Sinister Six and eats another.  A new listener joins the Let's Read Spider-Man Podcast family. Sponsored by: White Dragon BBQ Chicken and Duck Sandwiches Theme Music by Jeff Kenniston.  This Episode Edited by James B using Audacity and Cleanfeed.  Summaries written by James B and Eddie and Baby Miles.  Most Sound effects and music generously provided royalty free by www.fesliyanstudios.com and https://www.zapsplat.com/  Check out all the episodes on letsreadspiderman.podbean.com or wherever you get your podcasts. Check out our live meetup and Discord Channel here https://docs.google.com/document/d/1_mW6htjJUHOzlViEvPQqR-k68tClMGAi85Bi_xrlV7w/edit

In the first section of Mark we have wrestled with the question “who is this?”. Now Mark invites his readers to follow the way. What is the way? How do we follow? 

Bomani Jones joins the show to talk about what he saw from the Cleveland Cavaliers loss to the New York Knicks in game one of the Eastern Conference Finals. Plus, Wemby is coming for the entire NBA. Bomani reviews the Michael Jackson movie.See omnystudio.com/listener for privacy information.