Podcasts about Chuck Berry

America is celebrating its 250th birthday... and naturally The Rizzuto Show immediately derails the conversation by asking the only question that matters: what ridiculous stuff deserves to survive another 250 years? This daily comedy show goes completely off the rails as the crew debates whether future civilizations need Crocs, Stanley Cups, Ring doorbell raccoon footage, Shake Weights, CVS receipts, a single lost AirPod, Nicolas Cage himself, or maybe just Dolly Parton's legendary wigs.Speaking of Dolly, Lern dives into Dolly Parton's brand-new Tennessee travel stop, complete with BBQ, showers, merch, sparkling guitars, and enough Southern charm to make every interstate exit jealous. The conversation quickly snowballs into which musicians deserve their own themed truck stops around America, leading to debates over Nelly, Chuck Berry, Metallica, KISS, and who really owns Missouri music history.Then it's celebrity chaos as the crew breaks down the latest rumors surrounding Taylor Swift and Travis Kelce's reported multi-day wedding celebration. Is Madison Square Garden really the right place? Is America being upstaged during its own birthday? And how much New York traffic can one celebrity wedding possibly create?Music fans also get plenty to chew on with Bring Me The Horizon's brutally heavy throwback release, Jason Momoa reflecting on hosting Black Sabbath's farewell celebration, memories from Ozzy Osbourne's final performances, Metallica box sets, Chris Cornell reissues, and new albums worth checking out.The celebrity news doesn't stop there. Chet Hanks hilariously leans into his own reputation in a new commercial, Kylie Jenner faces another lawsuit, Prince William officially joins the billionaire club, and the crew remembers legendary Blood, Sweat & Tears vocalist David Clayton-Thomas while celebrating one of classic rock's greatest voices.Movie fans aren't left out either. The gang reviews early reactions to Supergirl, talks James Gunn's DC universe, discusses the latest Jackass film, and previews some surprising new releases hitting theaters and streaming.As always, Crap on Celebrities wraps things up with birthdays, entertainment headlines, questionable opinions, and the kind of completely unnecessary debates that somehow become the highlight of every episode.If you enjoy pop culture, weird news, rock music, celebrity gossip, and conversations that spiral from national history into Dolly Parton truck stops in record time, this daily comedy show delivers exactly the kind of beautiful nonsense you've come to expect.Thanks for making The Rizzuto Show part of your day. Whether you're commuting, working, pretending to work, or hiding from your responsibilities, we're happy to provide the soundtrack for your poor life choices.One more thing…If you could put ONE item into America's time capsule that won't be opened until 2276... what would it be?That's the question.And yes, someone absolutely suggested a Big Mac.Because of course they did.This daily comedy show wouldn't have it any other way.Follow The Rizzuto Show → https://linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → https://1057thepoint.com/RizzShowHear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast explores Steal Your Face's iconic artwork & visits the Grateful Dead's June 1976 return to the road, including a tour of the Dead Head culture that bloomed in their absence.Guests: Richard Loren, John Scher, Ron Rakow, Eugene Dolgoff, Pat Lee, Johnny Dwork, Dave Davis, Rob Bleetstein, John Brackett, Starfinder Stanley, David LemieuxSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

There's nothing quite like watching your colleagues light up a TV stage.The cast of Cats: The Jellicle Ball performed “Skimbleshanks: The Railway Cat” on The Tonight Show last night. Every time I see something like this, I get excited. They always look and sound great, and there's something special about watching people you work with get that kind of shine.I've been lucky enough to be on that side of the screen a few times. Tonight Show with the Ain't Too Proud company on opening night in 2019. The Colbert Report and The View with Audra McDonald for Lady Day at Emerson's Bar and Grill in 2014. The Tony Awards stage twice — Memphis: The Musical in 2010, Ain't Too Proud in 2019.So I know what that feeling is.Someone asked me why the orchestra hasn't appeared alongside the cast on any of these TV performances. Honest answer: the orchestra isn't featured in this production the way it's been in others I've been part of. We're in the basement. You don't see us.But you hear us on every one of those tracks.And I don't mind watching from home on this one. Every time they air one of those performances, I get a check in the mail.Mailbox money. I'll take it!Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Air Week: June 22-28, 2026 Chuck Berry, Pt. 3 – 1958 Chuck Berry has been called the “Father of Rock n’ Roll” and with good reason. He took the blues of T-Bone Walker and B.B. King, the guitar riffs of Carl Hogan and mixed it with the fiddle and Western Swing music of Bob Wills & His Texas Playboys. Then he rolled it all into one big sonic blast. Rhythm & Blues become Rock n’ Roll when Chuck Berry began writing songs aimed at teenagers, finally granting them their own music. The “Juke In The Back” presents the final part of a 3 part feature on Chuck Berry’s early career. This week, Matt The Cat focuses on Berry’s recorded and released output during the pivotal year of 1958. He began the year with a bang and the #1 R&B tune “Sweet Little Sixteen.” 1958 was also the year that gave us “Reelin’ and Rockin’,” “Johnny B. Goode,” “Around and Around” and “Carol.” Just like in the first parts of this series, this week’s program is packed with some fantastic and seldom-heard instrumentals, showcasing Chuck Berry’s true guitar chops. So dig this final “Juke In The Back” treatment of the legendary “Shakespeare Of Rock n’ Roll,” Chuck Berry. LISTEN BELOW

Karl Latham played in The Fantasy Band alongside Dave Valentin, Dave Samuels, Chuck Loeb, Noel Pointer, and Roy Ayers. Five names that don't usually end up on the same bandstand. Karl made the cut for all of them.We recorded this conversation back in February 2022. A lot has changed for Karl since we sat down, including new credits that weren't on his resume yet when we hit record.Karl's reach goes deep into the jazz world. He's played with Freddie Hendrix, Roberta Gamberini, Mark Gross, and Eric Alexander. He's worked with Michael Urbaniak and Andy Snitzer. He was part of The New Voices of Freedom and joined Howard Paul for sessions with Tom Scott and Anat Cohen. He's played with Ali Ryerson alongside Mark Egan and Pete Levin, and worked the Wolfgang Lackerschmid group with Attila Zoller, Ed Cherry, Cameron Brown, and Mark Egan. He's also recorded with pianist Johannes Mossinger's band, a lineup stacked with Joel Frahm, Calvin Jones, Don Braden, Boris Kozlov, and Kermit Driscoll.He's subbed on Broadway too: Hamilton, Beautiful: The Carole King Musical, Ain't Too Proud, Bring It On, and Two Strangers. And when he's not touring or subbing, he's teaching. Karl is Co-Chair of the Percussive Arts Society Education Committee and adjunct faculty at four schools: Drew University, County College of Morris, Raritan Valley Community College, and Blair Academy.Karl is an endorsing artist for Yamaha Drums, Paiste Cymbals, ProMark Drumsticks, Evans Drumheads, Big Fat Snare, AEA Microphones, Radial Engineering, Heil Sound, ProLogix Percussion, and RME.Press play. And if this episode gives you something, leave us a five-star review wherever you listen. It takes thirty seconds and it means a lot to the show.Broadway Bound and Beyond isn't theory. It's twenty-six years on Broadway broken down into what actually works: how auditions really get decided, how reputation gets built or destroyed, how money works in this business, why versatility keeps you employed, and what it takes to last decades instead of one season. If you want the full career picture, the hardcover is at broadwayboundbook.com.If subbing is specifically your way in, the book gets you the mindset and the etiquette, but the Broadway Sub Playbook goes further. It's the actual system: the four-week prep formula, the show-day routine, how to take notes that stick, how to handle a pit you've never sat in before. It's built for one job — getting you ready for that call when it comes — and it's the resource a lot of working subs wish they'd had before their first one.Grab both at signaturebrandworks.com.Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Jared Shaw has held the drum chair on national tours of Beautiful: The Carole King Musical and The Book of Mormon. He's subbed on Broadway including Tommy, one of the most demanding drum books out there. He's performed at the Kennedy Center and Ghana's National Theater, and he plays groove percussion, orchestral, African percussion, and programs electronics.In this episode, Jared breaks down what it actually took to build a career like that.We cover:* How he approached learning difficult drum books* What touring taught him about preparation and professionalism* How electronic drumming and programming fit into his toolkit* Subbing on Broadway and staying ready for the call* Studying with James Saporito, Shawn Pelton, and Valerie Naranjo* Building a sustainable career as a working musician in New York CityIf you're serious about Broadway, touring, or becoming a more complete drummer, this conversation is for you.Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Birmingham, Alabama's Taylor Hollingsworth has always resisted easy categorization. Asked to define his music, he struggled – a little bit folk, a touch of blues, a dash of rock 'n' roll, but not quite fitting neatly into any single box. Eventually, he coined the phrase “Folk n' Roll” to describe his sound. Now, he's proudly claiming that sound with his latest album, aptly titled "Folk n' Roll." Fans of JJ Cale, Mississippi John Hurt, Chuck Berry, Richard Thompson, Jonathan Richman, and John Prine will find much delight in Hollingsworth's blend of timeless influences.

Air Week: June 15-21, 2026 Chuck Berry, Pt. 2 – 1956-57 Chuck Berry has been called the “Father of Rock n’ Roll” and with good reason. He took the blues of T-Bone Walker and B.B. King, the guitar riffs of Carl Hogan and mixed it with the fiddle and Western Swing music of Bob Wills & His Texas Playboys. Then he rolled it all into one big sonic blast. Rhythm & Blues become Rock n’ Roll when Chuck Berry began writing songs aimed at teenagers, finally granting them their own music. The “Juke In The Back” presents part 2 of a 3 part feature on Chuck Berry’s early career. This week, Matt The Cat presents every studio recording made by Chuck Berry from the middle of 1956 to the end of 1957. We pick up where part 1 left off as the hits continue with “School Day (Ring! Ring! Goes The Bell)” topping the R&B chart during the spring of ’57. We’ll also dig the demo and hit versions of “Rock and Roll Music” as well as some great, but overlooked Berry instrumentals. We end this week’s program with the demo version of “Sweet Little Sixteen” and will pick it up next week on part 3 with the evolution of that important Chuck Berry tune. Don’t miss the “Shakespeare Of Rock n’ Roll” on this week’s “Juke In The Back.” LISTEN BELOW

The Deadcast tells the dramatic story of when the Hells Angels put ex-Grateful Dead Records president Ron Rakow on trial for walking away from the Dead with $225,000 he believed the band owed him.Guests: Ron Rakow, Steve Brown, Terry Haggerty, John Scher, David Lemeiux See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Jared Shaw didn't build his career on one big break.He built it on being ready.National tours of Beautiful: The Carole King Musical and The Book of Mormon. Broadway sub credits on Tommy, Boop! The Musical, Beaches, and more. Four years as the drummer for Billy Mira & The Hitmen on the Howard Stern Show. Percussion guest with the National Symphony of Ghana. First drum chair of the NYU Broadway Orchestra under Ted Sperling. Over 40 theatrical productions in New York City.That's not a resume. That's a body of work built one gig at a time.He also came up the right way — NYU Steinhardt, Percussion Performance, University Honors, with minors in Business of Entertainment and Producing. In this episode, we get into what it actually took. How he approached learning difficult books. How he thinks about subbing. What touring taught him about professionalism. How electronic drumming and programming became part of his toolkit — not as a novelty, but as a necessity.We also talk about his studies with James Saporito, Shawn Pelton, and Valerie Naranjo. Three teachers who shaped how he hears music and approaches the instrument.This is a conversation about longevity. About what it actually takes to last in this business. About being the kind of drummer people call — and call back.If you're serious about how to get into subbing on Broadway, or getting a tour, this one's worth your time.For more: https://www.jared-shaw.comClayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

En junio de 1976 se lanzó el cuarto álbum de los Flamin’ Groovies, que también fue el primero de la segunda etapa de esta banda con dos historias bien diferenciadas. “Shake some action” marcó un nuevo rumbo para el grupo californiano, con el fundador Cyril Jordan convertido en capitán y un joven Chris Wilson incorporado como segundo de a bordo. Juntos dieron forma a un fantástico trabajo, álbum pionero del power pop. Un disco que apenas tuvo repercusión comercial pero cuya canción principal se convirtió en auténtico himno para las siguientes generaciones.Playlist;FLAMIN’ GROOVIES “You tore me down”FLAMIN’ GROOVIES “Shake some action”FLAMIN’ GROOVIES “Misery”FLAMIN’ GROOVIES “Please please girl”FLAMIN’ GROOVIES “Yes it’s true”FLAMIN’ GROOVIES “St Louis Blues”FLAMIN’ GROOVIES “She said yeah”FLAMIN’ GROOVIES “Don’t you lie to me”CHUCK BERRY “Don’t you lie to me” (1961)FATS DOMINO “Don’t you lie to me” (1951)Versión y Original; TAMPA RED “Don’t you lie to me” (1941)FLAMIN’ GROOVIES “I’ll cry alone”FLAMIN’ GROOVIES “I saw her”FLAMIN’ GROOVIES “Teenage confidential”FLAMIN’ GROOVIES “I can’t hide”MING CITY ROCKERS “I’d like to assist you but my head is too small”LORD ROCHESTER “Tiger feet”THE NOMADS “Hangman’s walk”SEX MUSEUM “Bailaré sobre tu tumba”Escuchar audio

Kelley Hiatt with the St. Louis Film Office joins Sean Malone as a new movie, 'Love on the Hill' is set to begin shooting on, 'The Hill'. How do the state film tax incentives impact productions? Hiatt says an additional 2 productions are set to film in town later this summer, plus a documentary series is filming in St Louis currently as well as a docu-series featuring Chuck Berry's life.

Air Week: June 8-14, 2026 Chuck Berry, Pt. 1 – 1955-56 Chuck Berry has been called the “Father of Rock n’ Roll” and with good reason. He took the blues of T-Bone Walker and B.B. King, the guitar riffs of Carl Hogan and mixed it with the fiddle and Western Swing music of Bob Wills & His Texas Playboys. Then he rolled it all into one big sonic blast. Rhythm & Blues become Rock n’ Roll when Chuck Berry began writing songs aimed at teenagers, finally granting them their own music. The “Juke In The Back” presents part 1 of a 3 part feature on Chuck Berry’s early career. This week, Matt The Cat explores Chuck Berry’s first full year of recording for the legendary Chess Records in Chicago. We’ll look at his recordings from his first session, held in May, 1955 to his fourth session from April, 1956 and everything in-between. Some of the titles you’ll know by heart, like “Maybellene,” “You Can’t Catch Me” and “Roll Over Beethoven,” but others might be new to your ears, like the eerie “Down Bound Train” and the very bluesy “Wee Wee Hours.” Chuck Berry defined Rock n’ Roll guitar and his influence is felt every time some one picks up a guitar with the intention of tearing the house down. Next week, we’ll finish up 1956 and begin 1957. LISTEN BELOW

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Gary Seligson: The Grammy-Winning Broadway Drummer Phil Collins Refused to Work WithoutPhil Collins snuck into a performance of Wicked one night without telling Gary Seligson he was coming.The next morning, he walked into Tarzan rehearsal and told the producers he didn't care who else they put in the band. There was one guy he wanted on drums. Not Chuck Burgi — who had literally replaced Phil Collins in Brand X and was calling in every favor he had to get the gig. Gary Seligson. The one he heard play in the theater when nobody knew he was watching.That's the kind of reputation you build over a career that most Broadway musicians would trade anything for.I chatted with Gary on August 24, 2021. The video is on the Broadway Drumming 101 YouTube channel. Now the audio is available everywhere you get your podcasts — Apple Podcasts, Spotify, wherever you listen.Gary is a Grammy Award winner who originated the drum books and recorded the cast albums for Aida, Wicked, Tarzan, A Little Princess, School of Rock, and Soft Power. He held the drum chair on Billy Elliot for over three years. He's on the Motown: The Musical cast recording playing percussion. His Broadway credits span more than two decades — from The Gershwins' Fascinating Rhythm in 1999 through Bob Fosse's Dancin' and Harmony in 2023. In 2025, he headed back out on the road with the Beauty and the Beast revival. He's also subbed on more than 20 Broadway productions, including Chicago, The Lion King, Les Misérables, Miss Saigon, Cats, and Rent.Gary grew up in West Orange, New Jersey, banging on his mother's pots and pans before his father bought him a tiny metal snare drum at age three. He studied with the same teacher from second grade through twelfth grade. He went to the Hartt School of Music in Hartford. He found his way to Gary Chester in New York, who completely rewired how he thought about the instrument, and then told him flat out: never leave town for more than four weeks.Gary took a touring gig anyway.Nine years on the road followed. And the moment he pulled into his mother's driveway after finally deciding to come home, the phone rang. It was Bob Billig calling about Chicago. That's how this business works when you've done the groundwork.We get into his first Broadway subbing experience at The King and I — walking into the pit two hours before curtain, sitting down at a drum set that felt completely foreign, getting thrown out by the stage manager before the show even started, then spending an hour and forty-five minutes walking around Midtown getting more nervous with every step. Trial by fire. He made the cut, and word traveled fast.We talk about what it felt like to play alongside Elton John in an Aida rehearsal room. We talk about Phil Collins tapping a pencil on a desk during Tarzan rehearsals — not even playing, just tapping — and how the groove was so wide the entire room felt it. And we talk about the moment Gary flew himself to San Francisco on JetBlue just to watch Wicked out of town, because he needed to know for himself whether to leave Aida for it.He knew by the first number.Gary is a Pearl Drums, Sabian Cymbals, Pro-Mark Sticks, Grover Percussion, and Remo Heads endorser, and has been featured in Modern Drummer and DRUM magazine multiple times.Press play. And if this episode gives you something, please leave us a glowing five-star review wherever you're listening. It takes 30 seconds and it means everything to the show.If you're serious about your own path in this industry, pick up Broadway Bound and Beyond at broadwayboundbook.com. Signed copies at signaturebrandworks.com.Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Episode 26 of On The Record is the first fully international edition—Brian Wise filing from Melbourne, Michael Mackenzie beaming in from the ancient fortified town of Monemvasia, deep inside the Peloponnese. The contrast isn't just geographic: Wise is braving Melbourne winter; Mackenzie is swimming in warm salt water off Byzantine fortress walls.  The hate is, as he cheerfully acknowledges, entirely deserved. Show Notes RN's The Music Show: Miles Davis Centenary  RN's The Music Show: Tribute To Sonny Rollins  The Rolling Stones, Tracks Of My Years, with Vernon Kay  It's Only Rock 'n' Roll - Ronnie Woods original home recording with David Bowie  Ron Sexsmith - Don't Lose Sight (Official Video)  Paul McCartney: 10 tracks defining his life including from Chuck Berry, Elvis, Prince & John Lennon  Wilco Play 3 Nights in Marrakech - go into the comp to win the concert/hotel package  The Boroughs | Official Trailer | Netflix  "Spider-Noir" - Authentic Black & White Final Trailer | Prime Video

He showed up to watch.9:28 AM. Carroll's Rehearsal Studios. The Tina Turner Broadway show is about to start.Jared's a college student at NYU. He's not there to play. He's there to observe — to see how a real Broadway drummer handles a real Broadway rehearsal. He's looking at the chart on the stand. Not touching anything. Just studying.9:30 hits.The drummer isn't there.Contractor John Miller scans the room. Lands on Jared.“All right, Jared. Sit down. You're on.”He sat down. Blacked out. And sight-read 15 minutes of a mega-mix — a chart he'd never seen, styles flipping every 16 bars, a section in 3/4 buried in the middle — while a friend quietly filmed from across the room.He had no idea that moment would eventually lead to his first touring gig: Beautiful.Not because he was perfect that day, but it was because he was prepared before it.My full conversation with Jared Shaw drops soon on the Broadway Drumming 101 podcast.Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.comThis Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.When I recorded this in February of 2022, Rodney was in his drum room. Blue Pearl kit behind him. Meshell Ndegeocello shirt on — second album, Peace Beyond Passion. We both agreed it's her best record. If you've never heard it, fix that before you do anything else today.Now he's the percussionist on The Lost Boys at the Palace Theatre. Twelve Tony nominations. Best Musical on the table. If there was ever a time to bring this one back in full, it's now.He came up in a town in North Carolina with no stoplight. His dad couldn't buy him brushes, so he put mini broomsticks in his hands and showed him what a brush sweep sounds like on a picnic table. That's the foundation. He started on saxophone. Switched to drums at 17. Moved to New York not thinking about Broadway at all. Jeff Campbell put his name in front of Chris Parker. The rest followed.The conversation goes deep on what it actually costs to stack your deck in this business. Playing Diana in La Jolla, then jumping on a plane to Japan with Avril Lavigne, then folding Mrs. Doubtfire in because his wife asked one simple question: what's the worst that can happen?Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Born on June 3, 1982 in Hattiesburg, Mississippi, Davey Jones brings the rich musical heritage of the Deep South to every stage he steps on. A true multi-instrumentalist, Jones is best known for his searing guitar playing but also masters drums, piano, bass, organ, and more — often performing and recording nearly every instrument on his releases himself. Drawing from Southern Rock, traditional Blues, Gospel, and Country, he has forged a distinct and powerful sound that pays homage to the greats while remaining unmistakably his own.With more than 30 years of writing and performing, Jones has built a reputation for high-energy, soulful shows that connect deeply with audiences. From his early days playing in Southern churches and gospel groups to rocking county and blues stages across the region, his journey has led him to share bills and stages throughout the United States. His dynamic live performances and genuine connection with fans have become his signature — a philosophy best captured in his own words: “It's simply not enough to put on a good show, you've got to involve the audience and make them feel like the show is dedicated to them. Because, at the end of the day, this show is for them.”Jones' talent has been recognized with accolades including “Most Talented Musician” for the state of Louisiana in 2000. His playing draws favorable comparisons to blues and rock icons such as Tab Benoit, Buddy Guy, Stevie Ray Vaughan, and Chuck Berry. His music has received airplay on “Blues Legends” radio and major blues playlists, further cementing his place among today's most compelling blues and roots artists.Whether headlining clubs, festivals, or theaters, Davey Jones delivers the kind of authentic, roof-raising performances that remind fans why they fell in love with the blues.https://daveyjonesmusic.com

The Deadcast uncovers the secrets of Steal Your Face, the Dead's 1976 live album with a checkered reputation, dramatic backstory, & sonic experimentation by Phil Lesh & Owsley Stanley. Guests: Ron Rakow, Al Teller, John Scher, Ned Lagin, David Lemeiux See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode of Eyewitness History, I speak with Daryl Davis, an American R&B and blues musician, author, and race-relations activist whose life has uniquely bridged the worlds of music and social change. Davis is widely known for an unconventional and controversial approach to combating racism: engaging directly with members of the Ku Klux Klan and other white supremacist groups through sustained personal dialogue. Over decades of outreach, he has persuaded dozens of Klansmen to renounce their affiliation, and he has documented these encounters in his book Klan-Destine Relationships: A Black Man’s Odyssey in the Ku Klux Klan as well as in the documentary Accidental Courtesy: Daryl Davis, Race & America (2016). Before his activism gained national attention, Davis established himself as a respected professional musician. A gifted boogie-woogie and blues pianist and vocalist, he studied at Howard University and went on to perform with some of the most iconic figures in American music, including Chuck Berry, Jerry Lee Lewis, B.B. King, Muddy Waters, and Bo Diddley. His playing style reflects deep roots in traditional blues and early rock-and-roll piano, and he has been recognized within the Washington-area and national blues community for both his technical skill and stage presence. His work is grounded in a belief in communication as a tool for dismantling prejudice, summed up in his view that dialogue, not avoidance, is the most effective response to ignorance and hate. Here, Davis reflects on his unusual journey, the philosophy behind his outreach to the Klan, and the ways music, conversation, and personal encounter have shaped his understanding of human change.See omnystudio.com/listener for privacy information.

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.I chatted with Rodney Howard in February of 2022. He was in his drum room — blue kit behind him, Meshell Ndegeocello shirt on — and what started as a podcast felt more like a conversation between two guys who just happened to both live in this world.I had a great time revisiting this one.The Lost Boys is now running at the Palace Theatre with 12 Tony nominations, including Best Musical. It's the most Tony-nominated musical of 2026. Rodney is the percussionist on that show. Before that, he held the drum chair at Mrs. Doubtfire, subbed some of the hardest chairs on Broadway, and spent years on the road with Avril Lavigne, Gavin DeGraw, and Regina Spektor.This episode is about how you build that kind of career. He started on saxophone. Switched to drums at 17. Moved to New York not thinking about Broadway at all. Then Jeff Campbell put his name in front of Chris Parker, and the rest is a masterclass in being ready when the call comes.Two things from this conversation I almost forgot about that were really important. First, he said, take notes literally and broadly, but not too literally. He learned that the hard way at Lion King, following a sub-conductor's shaky conducting because Tommy told him to follow the conductor. The notes you get points you somewhere, but it doesn't replace your judgment.Second, when you sub, use what the drummer uses for monitoring. Not your nice headphones. Not your in-ears. Whatever they use. The mix was built around that. He said he's personally tanked a sub gig because he didn't. Said it like a man who doesn't enjoy repeating the experience.The video drops this Friday. Go listen.Originally released February 2022 on the Broadway Drumming 101 Podcast.Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

In this wildly weird installment of The Inbox of Oddities, Kat and Jethro spiral from marital bathroom boundaries into the strange psychological phenomenon of seeing 11:11 everywhere… and whether the universe is just trolling all of us. One listener swears the numbers followed her so relentlessly that even her 9-year-old daughter started noticing them too. Coincidence? Confirmation bias? A cosmic notification system with terrible timing? Also inside the Inbox of Oddities: a listener spends the night alone in the famously haunted Lemp Mansion, another recovers from a near-fatal case of “superflu” after asking the universe for self-improvement, and someone accidentally discovers that Box of Oddities listeners may be alarmingly enthusiastic about gallbladder tacos. Plus: necropants bathroom logistics, ceramic rooster collectors, cryptid museums, haunted mushroom hallucinations, truck drivers, barefoot shoe conspiracies, and the deeply unsettling reality that “My Ding-a-Ling” was Chuck Berry's only number one hit. It's ghosts, weird psychology, bizarre synchronicities, comedy, cryptids, body horror, and humanity at its absolute strangest. Warning: May cause compulsive clock-checking at 11:11. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we’re talking Texas penitentiaries, double crosses, slow-motion violence, Ali MacGraw, and Bloody Sam as we dig into Sam Peckinpah’s 1972 film ‘The Getaway.’ Plus we make a mixtape inspired by the film including songs by Christopher Cross, Willie Nelson, Chuck Berry, and more. Become an All Access member and get ad-free listening by visiting disgracelandpod.com.See omnystudio.com/listener for privacy information.

Morgan grew up in a small town in Kansas. No blueprint for this. No obvious path to musical theater. She found her way to NYU, studied West African music under Valerie Naranjo — which rewired the way she hears everything — and started building relationships one sub at a time.Now she's 600 shows into the national tour of A Beautiful Noise: The Neil Diamond Musical. And the way she talks about this industry is the kind of honest I don't always get on this podcast.We got into some really cool things:— What she does at the kit during the show that nobody expects, and why it actually works — The subbing etiquette mistakes that quietly end reputations before they start — A blacklist situation she handled with more integrity than most veterans twice her age — What ego, patience, and sitting with uncertainty actually look like when you're learning from the people ahead of youCheck out her site: https://www.morganparkernyc.comThis Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.This is why I started Broadway Drumming 101. Not to give people a checklist. But to share access with people who figured it out — and let you hear how they actually talk about it.The video is embedded above. Audio is available on every podcast platform.If this is your first episode…welcome! Stick around.Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Today's show features music performed by Dinah Washington, Chuck Berry, and Albert King

On this episode of Fox Across America, Jimmy Failla reacts to Kentucky Republican Congressman Thomas Massie losing his primary to Trump-backed GOP challenger Ed Gallrein. Your radio buddy also lauds Amazon founder Jeff Bezos for defending people who have used revolutionary ideas to build a massive fortune. PLUS, co-hosts of “Ruthless Podcast” Josh Holmes, Comfortably Smug, John Ashbrook and Michael Duncan make their debut on the show and talk about what it's been like to be a part of the Fox family for nearly a year. [00:00:00] Thomas Massie loses primary to Trump-backed challenger [00:38:30] Jeff Bezos responds to criticism of billionaires [00:56:50] Chuck Berry's American success story [01:15:20] The dire consequences of woke policies [01:33:40] “Ruthless Podcast” co-hosts Learn more about your ad choices. Visit podcastchoices.com/adchoices

 | Artist  | Title  | Album Name  | Album Copyright  |  | Elisa Neals  | 05 Locked Up  | Thunder In The House  |   | Catfish Keith  | John The Revelator  | Sugar For Sugar  |   |   | Laurence Jones  | I Gave My Life To You  | On My Own  |   |   | Emile Ford & The Checkmates  | Don't Tell Me Your Troubles  | The Best Of British Rock 'n' Roll (Disc 1)  | K.C. Douglas  | Mercury Boogie  | Roots of Rock N' Roll Vol 4 1948  |   | Chuck Berry, Robert Baldori (h), Lafayette Leake (p) & Phil Upc  | Some People  | Back Home (Chess: US title) [I'm A Rocker (UK title)]  | Deke McGee  | Sunshine Blue Skies  | COME ON HOME  |   |   | The Steve Summers Band  | Bad Bad Man  | Rewired  |   |   |   | Senel Karatepe.  | Travelin Riverside Blues  | Hard Times  |   |   | Screamin' Jay Hawkins  | I Put A Spell On You  | Total Blues - 100 Essential Songs  | Screamin' Jay Hawkins  | Constipation Blues  | Spellbound  |   |   | Little Walter (Jacobs)  | Don't Have To Hurt No More  | Mellow Down Easy  |   |   | Lightnin' Hopkins  | Kiss Me Blues  | Blues Master Works: Lightnin' Hopkins  | Three Gospel Tones  | I Just Can't Keep It To Myself Alone  | Black Vocal Groups Vol. 9 (1929-1942)  | Leeann Atherton  | The World Needs More Peace And Love  | Leeann Atherton  |   |   | Tomislav Goluban  | Until The Morning Comes  | Blow Junkie  |   |   | Andres Roots  | In The Dark  | Waiting Around  |   |   | Borrowed Souls  | Ruby And Grace Part 1  | Borrowed Souls Epiphany & Revelation WAV

Morgan is the drummer on the national tour of A Beautiful Noise: The Neil Diamond Musical. Six hundred shows in. Almost quit drumming in high school. Grew up in a small town in Kansas with no real map for any of this. Found her way to NYU, subbed MJ and Yiddish Fiddler simultaneously, and landed a tour that's run nearly two years.Her path is not the one anybody draws up. And the way she talks about trust, subbing, ego, and what actually gets you hired — it's the kind of honesty you don't hear enough of.We also get into:* What she does at the kit during the show that nobody expects — and why it actually works* How studying West African music under Valerie Naranjo at NYU rewired the way she hears everything* The blacklist situation she handled with more integrity than most veterans twice her age* The subbing etiquette mistakes that quietly kill a reputation before it even starts* What she learned about ego, patience, and being comfortable with uncertainty from the people ahead of herEpisode #105 is out now. The video version drops this Friday on YouTube.If this is your first time here — Broadway Drumming 101 is the podcast and resource built for drummers and musicians who want to work in musical theater. New episodes drop regularly. Subscribe so you don't miss the next one.Subscribe to Broadway Drumming 101 on Substack →And if the podcast has helped you — even just one episode — leave a review on Apple Podcasts or wherever you listen. It takes two minutes and it's the best way to help other drummers find this. It means more than you know.Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

This is the video of last week's podcast — and another one in the Broadway Drumming 101 Classic Episode Series.This episode takes us back to January 2022 with one of the most respected drummers in both Broadway and jazz, Jared Schonig.Since we recorded this conversation, Jared has moved into the drum chair for Just in Time at Circle in the Square Theatre, but this episode still holds up because Jared drops a lot of real information about what it actually takes to survive in this business.We talked about:* How he went from jazz gigs and working at Apple to Broadway* Subbing on shows like Grease, American Idiot, and Next to Normal* Building Moulin Rouge from the ground up* Getting orchestration credit as a drummer* Broadway pit life, injuries, setups, pressure, and preparation* Why relationships and reputation matter more than people thinkJared has played with artists including Nicholas Payton, Chris Potter, John Patitucci, Cynthia Erivo, Kristin Chenoweth, and many others. He's originated seven Broadway drum books and built one of the most versatile careers out there.One thing I always appreciated about Jared is that he's honest about the work. The preparation. The pressure. The physical demands. The stuff people don't always talk about publicly.It's still one of my favorite conversations I've had on Broadway Drumming 101.Upcoming performances for Jared include shows at Sultan Room, Birdland, Zinc Bar, The Gin Mill, and dates with Brass Against.I may go and check out this show! Let me know and we can all connect there:Check out his site for more info! Click HERE https://www.jaredschonig.comClayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

The Deadcast concludes its extended 2-part tribute to Bobby Weir, ranging into the evolution of his songwriting, stage persona, guitar playing, and unexpected career beyond the Grateful Dead.Guests: Bobby Weir, David Lemieux, Jeff Chimenti, Scott Metzger, Don Was, Gary Lambert, Tim Stevens, Tony Italiano, William Keats, Bretty PauleySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This is a clip from my upcoming Broadway Drumming 101 conversation with Morgan Parker, currently holding the drum chair for A Beautiful Noise: The Neil Diamond Musical.Morgan dropped a lot of wisdom in this episode, but this part really stood out to me.One of her mentors told her that you're going to feel overwhelmed when the phone won't stop ringing… but you're also going to feel overwhelmed when the phone doesn't ring.That's the reality of this business.Morgan also talks about how dangerous it is to compare your path to other people's careers, especially in the social media era. Some musicians land major gigs quickly. For others, it can take years or even decades. Everybody comes to music in their own time.What matters is staying prepared, staying humble, keeping your ego in check, and continuing to grow.Morgan's career is a great example of that mindset in action. Along with Broadway and Off-Broadway credits, she's also worked as a stage manager for The New York Pops and performed in everything from theater productions to television performances and concert halls.Really great conversation. Full episode coming soon on Broadway Drumming 101.Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

  | Artist  | Title  | Album Name  | Album Copyright  | Big Joe Shelton  | Riding With The Wind  | Riding With The Wind  | Eric Bibb  | New Window  | One Mississippi  | Wailin' Walker  | Hungry Country Girl  | Blues Lightnin'  | Chuck Berry  | Jaguar and Thunderbird  | The Ultimate Collection cd 2  | Bill Justis  | College Man  | Great Rock 'n Roll Instrumentals, Vol. 1 CD 2  | Wynonie Harris  | Bloodshot Eyes  | Roots of Rock N' Roll Vol 7 1951  | Deke McGee  | House Rent Party  | COME ON HOME  | The Steve Summers Band  | Second Hand Blues  | Rewired  |   | The Blue Chevys  | Thin Line  | The Night Calls  | Lightnin' Slim  | Bugger Bugger Boy  | Blues Kings Of Baton Rouge CD1  | Count Basie  | Corner Pocket  | The Best Big Band Jazz; Classics From The 1950s  | Bunny Paul  | Such A Night  |   |   | Leeann Atherton  | This Little Light Of Mine Maste  | Leeann Atherton  | Maria Muldaur With Bonnie Raitt  | My Journey To The Sky  | Shout Sister Shout  | Spencer Mackenzie  | Paranoia Blues (Feat Steve Strongman)  | Preach To My Soul  | Vince Lee  | Tricone Blues  | Vince Lee  |   | The Reverend Shawn Amos  | Days Of Depression  | The Reverend Shawn Amos Loves You

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.This is another one in the Broadway Drumming 101 Classic Episode Series.This episode takes us back to January 2022 with one of the most respected drummers in both Broadway and jazz, Jared Schonig.Since we recorded this conversation, Jared has moved into the drum chair for Just in Time at Circle in the Square Theatre, but this episode still holds up because Jared drops a lot of real information about what it actually takes to survive in this business.We talked about:• How he went from jazz gigs and working at Apple to Broadway• Subbing on shows like Grease, American Idiot, and Next to Normal• Building Moulin Rouge from the ground up• Getting orchestration credit as a drummer• Broadway pit life, injuries, setups, pressure, and preparation• Why relationships and reputation matter more than people thinkJared has played with artists including Nicholas Payton, Chris Potter, John Patitucci, Cynthia Erivo, Kristin Chenowethand many others. He's originated seven Broadway drum books and built one of the most versatile careers out there.One thing I always appreciated about Jared is that he's honest about the work. The preparation. The pressure. The physical demands. The stuff people don't always talk about publicly.It's still one of my favorite conversations I've had on Broadway Drumming 101.Upcoming performances for Jared include shows at Sultan Room, Birdland, Zinc Bar, The Gin Mill, and dates with Brass Against.Check out his site for more info! Click HEREhttps://www.jaredschonig.comSUBSCRIBE to be notifed when the video of this episode will be released.Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Chuck Todd delivers an analysis of the Virginia Supreme Court's decision tossing out the Democratic redistricting map — arguing Democrats pissed away enormous political capital for absolutely nothing and that the reaction on the left has been wildly out of proportion, treating the ruling like an election loss when it was actually a predictable consequence of trying to fight fire with fire. He notes that Democrats passed the Virginia map without ever bothering to figure out how the courts would rule, and that both Obama and Governor Spanberger spent serious political capital pushing a referendum that was always legally vulnerable. He pushes back hard on left-wing commentary framing the ruling as partisan: the Virginia Supreme Court isn't full of partisans — they're technocrats, and Democrats just spent years arguing for norms and process and then ignored norms and process. His central argument is that Democrats will never win a race to the bottom with Trump's GOP, that the "fight fire with fire" mentality is a huge strategic mistake, and that Democrats can absolutely win in newly created swing districts with the right candidates if they go back to persuading voters and building coalitions rather than treating voters as the problem. He argues that Democrats are still likely to win both the House and Senate in the midterms — proof that Trump has done nothing to improve the GOP's image and that the path back to a winning Democratic coalition is still wide open if the party chooses to take it. Then, acclaimed music biographer Bob Spitz — author of definitive biographies of The Beatles and Led Zeppelin and now The Rolling Stones: The Biography, his five-year deep dive into the world's greatest rock and roll band — joins the Chuck Toddcast for a deeply enjoyable conversation about why the Stones have endured for over six decades and what their longevity says about the state of music itself. Spitz argues that the Stones gave us the foundation of the rock and roll sound and that, in many ways, there is no rock and roll today — modern musicians are producers more than performers, and now in their 80s the Stones are essentially one of the last bands keeping the form alive. He explains why their decision to flirt with politics in the 60s and then back off actually helped them endure, traces their close friendship with The Beatles , and describes Mick and Keith's strange but enduring marriage as the central engine of the band — held together by their shared love of playing live. The conversation digs into the surprising musical and cultural backstory of how the Stones became the Stones — including the fascinating history of how white British kids embraced the blues more than American kids did. Spitz pays beautiful tribute to drummer Charlie Watts as the heart and soul of the group — a jazz lover who only played rock because it paid the bills and who, along with Ian Stewart, kept the band in line for decades — and discusses the profound effect of losing him on the band's chemistry. He explains why the Stones keep playing well into their 80s, why great guitarists are now a rare commodity with no real innovators emerging, and why Mick has stayed in such great shape. Spitz offers his verdict on the Stones' place in music history — they've come to understand themselves as the greatest rock band, and he agrees — and reveals what's next for him: a book about John Lennon's second act. He closes with a fascinating thought experiment posed by Chuck: if Mick Jagger had been killed and John Lennon had lived, would the trajectories of the two bands have completely switched? Finally, Chuck hops into the ToddCast Time Machine to revisit the Supreme Court’s Brown vs. Board of Education decision and explains that the courts have been forced to rule on major structural changes to American society when congress refuses to legislate. He also answers listeners’ questions in the “Ask Chuck” segment. Try ShipStation free for 60 days with full access to all features, No credit card needed! Go to https://ShipStation.com and use code TODDCAST for 60 days for free! Thank you Wildgrain for sponsoring. Visit http://wildgrain.com/TODDCAST and use the code "TODDCAST" at checkout to receive $30 off your first box PLUS free Croissants for life! Link in bio or go to https://getsoul.com & enter code TODDCAST for 30% off your first order. Timeline: (Timestamps may vary based on advertisements) 00:00 Chuck Todd’s introduction 01:45 Democrats pissed away political capital in VA, then map was tossed 05:30 Reaction on the left to Virginia ruling has been like an election loss 07:00 It’s understandable that Democrats wanted to fight fire with fire 07:45 Democrats passed VA map without knowing how the courts would rule 08:30 Obama and Spanberger wasted political capital for nothing 09:45 Dems have argued for norms + process that court said they didn’t follow 10:30 Electing the judiciary is terrible for the rule of law 11:15 The VA Supreme Court aren’t partisans, they’re technocrats 12:30 Left wing commentary assumes it was a partisan decision… it wasn’t 14:00 Dem leadership in VA misled the party & the public on referendum 15:45 We still don’t know what the maps will look like in the south after redistricting 16:30 GOP has the redistricting advantage now, but courts may intervene 17:30 VA court may give courage to other courts to stop the gerrymandering 18:45 Democrats will never win a race to the bottom with Trump’s GOP 20:15 Democrats can win in newly created swing districts with right candidates 22:00 The “fight fire with fire” mentality is a huge mistake by the Dems 23:00 Democracy is eroded when both parties play scorched earth politics 24:15 Dems should be trying to persuade and coalition build 26:00 Republicans treat voters as the problem, Dems shouldn’t do the same 27:15 Dems want to be held to a higher standard, but don’t like it when they are 28:30 Dems did real damage to their credibility with Virginia redistricting 30:00 Trump has done nothing to improve the GOP’s image, Dems can still win 31:45 Democrats know what they’re against, but not what they’re for 33:30 Spanberger was put in an impossible position by her party 35:00 Spanberger knew that swing voters didn’t like the redistricting chaos 36:15 Dems practiced politics of addition under Obama, now in survival mode 37:45 Voters viewed the Democratic party as more principled, VA jeopardizes that 38:30 Dems still more likely to win both house and senate despite the ruling 46:00 Bob Spitz (Rolling Stones Biographer) joins the Chuck ToddCast 48:00 How long have you been thinking about writing this biography? 49:15 Keith Richards biography was a phenomenal book, but only Keith’s view 50:30 The Stones longevity as a group makes them more compelling 52:00 The Stones gave us the foundation of the rock and roll sound 53:15 There is no rock and roll today, musicians are producers now 55:15 In their 80’s, the Stones are still keeping rock and roll alive 56:30 The Stones flirted with being political, then backed off 57:15 Their lack of taking a stand actually helped them endure 58:45 The Stones became great friends with the Beatles 1:00:00 Mick Jagger & Paul McCartney explored joint business ventures 1:01:30 Without Paul or Mick, both bands may not have been financially viable 1:02:15 Mick & Keith seemed like a strange marriage, but they made it work 1:04:15 The music kept the band together, they love to play and perform 1:05:30 You have to see the Stones in concert to truly appreciate them 1:06:45 They’ve had countless “Farewell Tours” and always come back 1:08:00 Mick has kept in great shape, his father was a fitness celebrity 1:09:30 Fans pitted the Beatles vs. The Stones, but the bands never did 1:11:30 How did white British kids embrace the blues more than American kids? 1:12:15 American GI’s left their blues records behind in the UK 1:13:45 Chuck Berry was a massive influence on the Stones becoming rock 1:14:30 Charlie Watts was the heart and soul of the band 1:16:00 Charlie loved jazz, only played rock because it paid the bills 1:17:30 Charlie and Ian Stewart kept the band in line 1:18:45 The effect of losing Charlie Watts on the Stones 1:20:45 They keep playing because it sustains them as humans, not for the money 1:22:15 Does it bother Keith that everyone sits down when Jagger isn’t performing? 1:23:30 Great guitarists are a rare commodity these days, no innovators 1:24:30 Modern music doesn’t emphasize live instrumental performance 1:26:45 What is the Stones' place in the music universe? 1:27:15 They’ve come to understand themselves as the greatest rock band 1:28:15 Secret to the Stones longevity? 1:30:00 The Stones wouldn’t participate in an extended “Dead & Company” style 1:30:45 Mick is about to have great grandkids, and has a 30 year old girlfriend 1:31:15 Next project is a book about John Lennon’s second act 1:32:30 Beatles had an aversion to talking to the press 1:33:30 If Jagger had been killed & Lennon lived, would the bands switch trajectories? 1:38:15 ToddCast Time Machine - May 17th, 1954 1:39:00 Brown vs. Board was the court pushing back against a legal fiction 1:39:30 Plessy vs. Ferguson was the foundation for segregation 1:40:15 Segregation had to end via the courts, congress refused to end it 1:41:30 Southern Democrats held enormous power in the 50s 1:42:00 The system challenged by Brown had too much power in congress 1:42:45 The NAACP was chipping away at segregation one case at a time 1:43:30 The court needed a unanimous decision for Brown to have legitimacy 1:44:30 The US was championing freedom abroad while segregated at home 1:45:00 Without the cold war, we don’t desegregate or pass the Voting Rights Act 1:45:30 Court rules 9-0 on Brown, didn’t end segregation but delegitimized it 1:46:30 Southern politicians organized massive resistance 1:47:00 Federal troops sent into Little Rock to escort black students into school 1:47:45 Brown changed how Americans thought about the power of the court 1:48:30 Courts became more like political actors in decades after Brown 1:49:45 The ruling in Brown was definitive, its implementation was not 1:50:30 Ask Chuck 1:50:45 How much could voter suppression affect juiced Democratic turnout? 1:57:00 What if Trump never becomes a lame duck president? 2:01:30 Is gerrymandering creating better chances for moderates? 2:08:00 What are the most realistic options for scaling back entitlements? 2:13:15 Predictions for the political futures of Nikki Haley & Ron DeSantis? 2:19:15 Is there a scenario for a bipartisan impeachment to avoid bad pardons? 2:24:00 Greg Olsen was commencement speaker at Chuck’s daughters graduation 2:25:30 Thoughts on the NBA playoffs & NCAA tournament expansionSee omnystudio.com/listener for privacy information.

Acclaimed music biographer Bob Spitz — author of definitive biographies of The Beatles and Led Zeppelin and now The Rolling Stones: The Biography, his five-year deep dive into the world's greatest rock and roll band — joins the Chuck Toddcast for a deeply enjoyable conversation about why the Stones have endured for over six decades and what their longevity says about the state of music itself. Spitz argues that the Stones gave us the foundation of the rock and roll sound and that, in many ways, there is no rock and roll today — modern musicians are producers more than performers, and now in their 80s the Stones are essentially one of the last bands keeping the form alive. He explains why their decision to flirt with politics in the 60s and then back off actually helped them endure, traces their close friendship with The Beatles , and describes Mick and Keith's strange but enduring marriage as the central engine of the band — held together by their shared love of playing live. The conversation digs into the surprising musical and cultural backstory of how the Stones became the Stones — including the fascinating history of how white British kids embraced the blues more than American kids did. Spitz pays beautiful tribute to drummer Charlie Watts as the heart and soul of the group — a jazz lover who only played rock because it paid the bills and who, along with Ian Stewart, kept the band in line for decades — and discusses the profound effect of losing him on the band's chemistry. He explains why the Stones keep playing well into their 80s, why great guitarists are now a rare commodity with no real innovators emerging, and why Mick has stayed in such great shape. Spitz offers his verdict on the Stones' place in music history — they've come to understand themselves as the greatest rock band, and he agrees — and reveals what's next for him: a book about John Lennon's second act. He closes with a fascinating thought experiment posed by Chuck: if Mick Jagger had been killed and John Lennon had lived, would the trajectories of the two bands have completely switched? Try ShipStation free for 60 days with full access to all features, No credit card needed! Go to https://ShipStation.com and use code TODDCAST for 60 days for free! Thank you Wildgrain for sponsoring. Visit http://wildgrain.com/TODDCAST and use the code "TODDCAST" at checkout to receive $30 off your first box PLUS free Croissants for life! Link in bio or go to https://getsoul.com & enter code TODDCAST for 30% off your first order. Timeline: (Timestamps may vary based on advertisements) 00:00 Bob Spitz (Rolling Stones Biographer) joins the Chuck ToddCast 02:00 How long have you been thinking about writing this biography? 03:15 Keith Richards biography was a phenomenal book, but only Keith’s view 04:30 The Stones longevity as a group makes them more compelling 06:00 The Stones gave us the foundation of the rock and roll sound 07:15 There is no rock and roll today, musicians are producers now 09:15 In their 80’s, the Stones are still keeping rock and roll alive 10:30 The Stones flirted with being political, then backed off 11:15 Their lack of taking a stand actually helped them endure 12:45 The Stones became great friends with the Beatles 14:00 Mick Jagger & Paul McCartney explored joint business ventures 15:30 Without Paul or Mick, both bands may not have been financially viable 16:15 Mick & Keith seemed like a strange marriage, but they made it work 18:15 The music kept the band together, they love to play and perform 19:30 You have to see the Stones in concert to truly appreciate them 20:45 They’ve had countless “Farewell Tours” and always come back 22:00 Mick has kept in great shape, his father was a fitness celebrity 23:30 Fans pitted the Beatles vs. The Stones, but the bands never did 25:30 How did white British kids embrace the blues more than American kids? 26:15 American GI’s left their blues records behind in the UK 27:45 Chuck Berry was a massive influence on the Stones becoming rock 28:30 Charlie Watts was the heart and soul of the band 30:00 Charlie loved jazz, only played rock because it paid the bills 31:30 Charlie and Ian Stewart kept the band in line 32:45 The effect of losing Charlie Watts on the Stones 34:45 They keep playing because it sustains them as humans, not for the money 36:15 Does it bother Keith that everyone sits down when Jagger isn’t performing? 37:30 Great guitarists are a rare commodity these days, no innovators 38:30 Modern music doesn’t emphasize live instrumental performance 40:45 What is the Stones' place in the music universe? 41:15 They’ve come to understand themselves as the greatest rock band 42:15 Secret to the Stones longevity? 44:00 The Stones wouldn’t participate in an extended “Dead & Company” style 44:45 Mick is about to have great grandkids, and has a 30 year old girlfriend 45:15 Next project is a book about John Lennon’s second act 46:30 Beatles had an aversion to talking to the press 47:30 If Jagger had been killed & Lennon lived, would the bands switch trajectories?See omnystudio.com/listener for privacy information.

   | Artist  | Title  | Album Name  | Album Copyright  | Lachy Doley  | I'm A Man | Live In Paris  |   | Christone Kingfish Ingram  | Truth  | Hard Road  | Red Zero Records  | Badrock Blues Band  | Sugar Mama  | Shadows  |   |   | Alan Freed  | Slow Boat To Monaco  | The Great Pretender  |   | Mike Zito & Friends  | You Never Can Tell  | Rock 'N' Roll; A Tribute To Chuck Berry  | Chuck Berry  | South of the Border  | Chuck Berry  |   | Deke McGee  | A Little Bit Of Lovin'  | Come on Home  |   | Lachy Doley  | Money  | Live In Paris  |   | Brian Auger  | Up Above My Head feat. Long John Baldry & Rod Stewart  | Auger Incorporated  |   | The Mojo Slide  | Good Man Down (Radio Edit - Short)  | Manic Panic  |   | Clayton Doley  | Disbelief  | Bayou Billabong  |   | Cherry Lee Mewis  | Stay Here With You  | Catch My Drift  |   | Angela Strehli  | That's All  | Shout Sister Shout  |   | Little Walter  | Boom, Boom, Out Goes The Light  | Juke  |   |   | Lachy Doley  | Only Cure For The Blues Is The Blues [Edit]  | Live In Paris  | 

The Grateful Deadcast returns for its 13th season, beginning with a 2-part tribute to the great Bobby Weir, mixing interviews with archival audio to tell the story of how a teenage Atherton folkie found his singular jazz-informed musical voice (dropping a few water balloons en route).Guests: Bobby Weir, David Lemieux, David Nelson, Gary Lambert, Rhoney Stanley, Graeme BooneSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Air Week: April 27-May 3, 2026 Imperial Records, Pt. 7 – 1955, Pt. 2 Imperial Records was a major player among the indie labels of the late 1940s and the entirety of the 1950s. Started in Los Angels in 1946 by Lew Chudd, a Canadian raised in Harlem, Imperial began filling the ethnic and cultural voids left by the majors at the time. Chudd knew there was a large market for Latino Music in America, so he headed to Mexico City and recorded some Mexican jump bands that sold very well. He then included square dance records which also racked up sales as now square dances could be held without callers. He began recording Rhythm & Blues in 1947 and by ’49, he had hired Dave Bartholomew to scout talent in fertile New Orleans. The Braun Brother had beat him to The Crescent City by recording Paul Gayten and Annie Laurie first, but with Bartholomew’s help, Chudd was able to sign Fats Domino, Smiley Lewis, Archibald and Jewel King, dominating the New Orleans R&B scene. This week, we continue our Imperial series with part seven, focusing on Imperial’s R&B releases from the second half of 1955. Last week in the first part of 1955, Matt The Cat alluded to Fats Domino’s big crossover breakthrough and in June it happened when “Ain’t It A Shame” topped the R&B chart and crossed over to a whopping #10 on the Pop chart. It became the biggest selling R&B record of 1955 and along with Chuck Berry’s “Maybellene” helped to usher in Rock n’ Roll. Though 1955 was a strong year for Fats, Dave Bartholomew, The Spiders and Imperial’s New Orleans roster, the Los Angeles vocal groups were also making a dent with The Barons and The Jewels having a few solid releases. Blues legend Roosevelt Sykes stops by Imperial for a quick few singles, while guitarist Jimmy Nolen gives us a glimpse of his future greatness. Matt The Cat keeps those records spinning as he features part seven of the Imperial Records Story on this week’s “Juke In The Back.”  LISTEN BELOW

Music fan Brian Koppen chats with music critic Dan Bogosian as they discuss Hall of Fame artists: Elvis' “Long Black Limousine” vs. Stevie Wonder's “Sugar”Red Hot Chili Peppers' “Aeroplane” vs. Paul McCartney's “Temporary Secretary”Run-DMC's “Rock Box” vs. Pearl Jam's “Parachutes”Donna Summer's “Love to Love you Baby” vs. Spinners' “Rubberband Man”David Bowie's “Heroes” vs. Chuck Berry's “Almost Grown”  They also discuss comedy movie orgy music and Frank Black, including Frank on Mike Watt's “Chinese Firedrill” from the Ball-Hog or Tugboat? album. Check out Dan Bogosian at https://www.instagram.com/dlbogosian/, https://danbogosian.substack.com/, dlbogosian.bsky.social, and his RHCP book, Red Hot Chili Peppers FAQ: All That's Left to Know About the World's Best-Selling Alternative Band, which can be purchased at https://www.amazon.com/Red-Hot-Chili-Peppers-FAQ/dp/1617137227! Intro music is from Jussy's Down Open Roads.  Check out Jussy at https://soundcloud.com/user-214048265/sets/jussy-demos-1!Support the show

I was mid-song, spotlight on me, when Chuck Berry waved me off the stage — and in two seconds flat, my brain went straight to: it's me, I'm not good enough. In this episode, I share what that moment taught me about why we take things personally and why it has absolutely nothing to do with weakness. I walk you through three practical tools to help you stop letting other people's storms become your story. Ready to break the cycle for good? If this episode resonated with you, there's something you need to try next… Take the Happiness Quiz at https://iintendtobehappy.com/ — it's a quick (and eye-opening) way to discover what's actually impacting your consistency, focus, and overall wellbeing. Most people are shocked by their results — and even more surprised by what it reveals about the patterns holding them back. Take the quiz here → https://iintendtobehappy.com/ Let's take this work deeper, together.

Noah Hadland Is Subbing Seven Broadway Shows at Once.He didn't get there by sending cold emails and waiting.He got there by running after a stranger with a stick bag outside the Book of Mormon stage door. By sight-reading act one of MJ on Broadway with 45 minutes of prep. By buying the right person a beer in 2019 and not asking for anything until 2023 — when that same person handed him a Broadway chair.Noah is 30 years old. He's subbing Ragtime, The Great Gatsby, Just in Time, Wicked, 25th Annual Putnam County Spelling Bee, Chess, and Death Becomes Her. And in this episode, he breaks down exactly how he built that — the networking, the touch problem of juggling multiple shows, how to take a conductor's note without pushing back, and what he'd tell his 22-year-old self who came out of NYU convinced he should already be playing Hamilton.Watch the full episode above.Building a theater career and want the roadmap? I wrote the book. Broadway Bound and Beyond is at broadwayboundbook.comClayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

This week we dive into the legendary career of the Rolling Stones with our panel of musical experts, Dave Boll and Michael Kay! We start out by discussing the band's early influences like blues artists Muddy Waters and Chuck Berry. We also talk about the band's incredible longevity including the secret to Keith Richards' immortality. We do take a quick detour to discuss the latest news regarding Rush, before sharing a hilarious story about a Keith Richards and Chuck Berry documentary, and reminiscing about the iconic Andy Warhol-designed cover for Sticky Fingers. Finally, we touch on the internal dynamics of the group—including the time Charlie Watts allegedly punched Mick Jagger, the origin of the band's name and much, much more! Enjoy!

Hour 2 opens with behind-the-scenes stories from comedian Jimmy Failla's visit to St. Louis, including his appreciation for local music history tied to Chuck Berry and a quiet moment tipping event staff after his show. The conversation then pivots to political speculation around Kamala Harris and potential 2028 ambitions, along with criticism of Democratic Party strategy and figures like Al Sharpton. Former Missouri Senator John Lamping joins the show to break down low-turnout April elections, school board losses, and confusion around property tax measures, arguing that off-cycle voting drives distorted outcomes. The hour closes with “In Other News,” covering everything from a viral NASA astronaut dog reunion involving Christina Koch, to alarming home intrusion footage, AI “boss” clones from Meta Platforms Inc., and broader concerns about tech-related violence and online safety. Hashtags: #JimmyFailla #KamalaHarris #JohnLamping #ChuckBerry #AlSharpton #ElectionTurnout #Meta #AI #NASA #InOtherNews

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.He came out of NYU convinced he should already be playing Hamilton.He isn't playing Hamilton.He is subbing seven Broadway shows at once.That didn't happen because he sent the right email. It happened because he ran after a stranger with a stick bag outside the Broadway stage door of Book of Mormon. That stranger was Dan Berkery. They talked, stayed in touch, and built a real relationship. So years later, when MJ on Broadway had an emergency — the sub tested positive for COVID 90 minutes before curtain and nobody else was available — the call went to Dan. Dan was already booked. But he knew exactly who to pass the name to. Noah ran to H&M in Times Square to grab black clothes, got to the theater with 45 minutes to spare, flipped through the charts, and sight-read act one of MJ on Broadway in front of a live audience. One conversation outside a stage door changed everything.Over time, his name got around. Now he's one of the busiest subs on Broadway — currently covering seven shows, and by the time you read this, maybe eight or nine. The seven: Ragtime, The Great Gatsby, Just in Time, Wicked, 25th Annual Putnam County Spelling Bee, Chess, and Death Becomes Her. That's not luck. That's years of showing up, staying ready, and never burning a bridge.He's still learning. Still building. And I have no doubt that his own Broadway chair is coming — it's just a matter of time.In this episode, Noah breaks down exactly how he built his career.We get into the networking — not the theory of it, the actual mechanics of how relationships in this industry form and pay off years later. We talk about the touch problem: what it actually takes to juggle seven shows without dropping any of them. How to take a conductor's note without pushing back. And what he'd tell the 22-year-old version of himself who came out of school thinking he was already behind.He wasn't behind. He just hadn't started yet.Noah Hadland: https://www.instagram.com/noahhadland/If You're Not Subscribed Yet, I'm Asking You NowIf you're already a subscriber — thank you. You're the reason this show keeps going.If you're not, I'm asking you to subscribe today. Free or paid. Every subscription helps cover the production of this podcast and keeps it alive. This is an independent show built for working musicians and people who want to become one. That only works if people show up for it.Subscribe. It matters more than you know.Two Resources If You're Serious About ThisThe first is free. The How to Land a Broadway Gig Roadmap breaks down how the industry actually works — the key players, how sub lists function, how to build relationships that lead somewhere. Grab it instantly at broadwayboundbook.com/roadmap when you subscribe.The second is The Broadway Sub Playbook — $7.99 at signaturebrandworks.com. From the moment you get the call to show day. How to study the score, build your sub book, take the conductor's notes, and walk into that pit like you belong there.Want the full picture? Broadway Bound and Beyond is available everywhere books are sold online. Signed copy at signaturebrandworks.com.Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit broadwaydrumming101.substack.com/subscribe

In this clip from my conversation with Noah Hadland on the Broadway Drumming 101 Podcast, we get into something most drummers don't think about.I asked him what the hardest part is about subbing multiple shows at once. Most people would say the music.It's not.If you've done the work, the notes aren't the problem. The real challenge is touch.Every drummer you sub for plays differently. Some dig in. Some are right on the click. Some lean with the conductor. Some lay back. Some push.When you're bouncing between shows — sometimes in the same day — you have to carry all of that with you. Not just the parts. The feel. You're not covering a book. You're covering a person.That's where most drummers fall short. They learn the notes and think they're ready. But they don't sound like the drummer they're subbing for. Stay tuned for Noah's GREAT interview. Make sure you're subscribed to be notified when the episode is released:Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit broadwaydrumming101.substack.com/subscribe

Send a FanMail to the GenX Stories gang via text message!Before Google Drive, Gen X processed artifacts the way we handled most everything else: by burying it and hoping future people would care. Yup, you guessed it - this episode is all about time capsules — a concept so ironically Gen X it practically comes with a side of Twinkie and the sense of impending doom. From bicentennial school projects we definitely forgot about, to NASA flinging a gold record into deep space like 'here, aliens, have some Chuck Berry,' to Nickelodeon's pop culture treasure trove sitting somewhere underground until 2042, get comfy.  We have a ton to talk about. Tune in like, NOW.Episode linksA Brief History of Time (Capsules)Time in a BoxBlasts from the Past: 7 Cool Historical Time Capsules30 Interesting And Cool Historical Time CapsulesTime capsules are more popular than ever, as Americans take history into their own handsHow to create a time capsuleAndy Warhol's Time CapsulesFor America's 250th Year, a Time Capsule to Stay Buried for 250 MoreHow engineers designed the America250 time capsule to last a quarter millenniaConnect with usSubscribe to GenX Stories in your favorite podcast appBuy some kickass merchWrite us a reviewVisit our site

“Some friends of mine and me stayed up all through the night, Rockin' pretty steady 'til the sky went light And didn't go to bed, Didn't go to work. I picked up the telephone, Told the boss he was a jerk”. Come on. You don't find better rock n roll lyrics than those. They come from a guy who's done the time. Worked crummy jobs, worked crummy bars playing to uninteresting punters who want to see the strippers. He's lived this life and the way he's singing about it, it's real. Sure, it's also a pastiche at the same time, but it's one rooted in reality for him. It's Chuck Berry with more distortion. It's Buddy Holly with even more swagger. It's a song that Elvis couldn't have ever sung because he was too pretty - but a 26 year old Tom Petty with a chip on his shoulder right next to his guitar strap, challenging the audience and jack-in-a-boxing his way around the stage? Well it just works doesn't it! Mike Campbell's simple rockabilly solo just steps all that pent up energy and ambition and fires it all upwards into the night sky, letting it rain down sonically on you. It's all about the attitude and it's all about the hedonistic intent.Song : https://youtu.be/diFd917grI8REFERENCED IN THE EPISODEAnything That's Rock n Roll (Live in Boston, '78): https://youtu.be/kR8LMqn8_68Don't forget to follow me on social media, like, subscribe, and please, leave a rating if you like the show.Facebook: https://www.facebook.com/thetompettyprojectBluesky: https://bsky.app/profile/tompettyproject.bsky.socialInstagram: https://www.instagram.com/thetompettyprojectYouTube: https://www.youtube.com/@thetompettyprojectThreads: https://www.threads.net/@thetompettyprojectBoneless Podcasting Network: https://bonelesspodcasting.comAll music, including the theme song, provided by my very best friend Randy Woods. Check him out at https://www.randywoodsband.comThe Tom Petty Project is not affiliated with the Tom Petty estate in any way and when you're looking for Tom's music, please visit the official YouTube channel first and go to tompetty.com for official merchandise.A last very special thanks to Paul Zollo. Without his book, "Conversations with Tom Petty", this podcast wouldn't be nearly as much fun to research. And further thanks to Warren Zanes for his outstanding book "Petty, the Biography".Producer: Kevin BrownExecutive Producers: Paul Roberts, Steve UrsellSupport this show http://supporter.acast.com/the-tom-petty-project. Hosted on Acast. See acast.com/privacy for more information.

We're back to discuss the past, present, and future of rock with another issue of DBG Times! Rockstar Deathdays include Andrew Wood, Chuck Berry, AJ Pero, Dave Brockie, Taylor Hawkins, Randy Castillo, and Randy Rhoads. Album anniversaries this week include 5 years of Now & Then from Paul Stanley's Soul Station, 20 years of Rob Zombie's Educated Horses, 25 years of Just Push Play by Aerosmith, Every Six Seconds by Saliva, and Time Bomb by Buckcherry. Turning 30 is KISS Unplugged. Turning 40 are Metallica's Master of Puppets, Van Halen's 5150, Great White's Shot in the Dark, and Ted Nugent's Little Miss Dangerous. At 50 years, Judas Priest's Sad Wings of Destiny, Thin Lizzy's Jailbreak, and KISS Destroyer all hit major milestones. Turning 55 are Black Oak Arkansas' debut, Jethro Tull's Aqualung, and Humble Pie's Rock On. New music covered this week includes releases from Black Stone Cherry, Gotthard, The Black Crowes, Exodus, Axel Rudi Pell, Tyketto, Black Label Society, Flea, Suzi Quatro, Lou Gramm, and Devil Electric. All that covered with a lot of laughs, thoughts, and opinions for good measure. We hope you enjoy DBG Times - Ep664 and SHARE with a friend! Decibel Geek is a proud member of the Pantheon Podcasts family. Contact Us! Rate, Review, and Subscribe in iTunes Join the Facebook Fan Page Follow on Twitter Follow on Instagram E-mail Us Subscribe to our Youtube channel! Support Us! Buy a T-Shirt! Donate to the show! Stream Us! Stitcher Radio Spreaker TuneIn Become a VIP Subscriber! Click HERE for more info! Comment Below Direct Download  Learn more about your ad choices. Visit megaphone.fm/adchoices

We're back to discuss the past, present, and future of rock with another issue of DBG Times! Rockstar Deathdays include Andrew Wood, Chuck Berry, AJ Pero, Dave Brockie, Taylor Hawkins, Randy Castillo, and Randy Rhoads. Album anniversaries this week include 5 years of Now & Then from Paul Stanley's Soul Station, 20 years of Rob Zombie's Educated Horses, 25 years of Just Push Play by Aerosmith, Every Six Seconds by Saliva, and Time Bomb by Buckcherry. Turning 30 is KISS Unplugged. Turning 40 are Metallica's Master of Puppets, Van Halen's 5150, Great White's Shot in the Dark, and Ted Nugent's Little Miss Dangerous. At 50 years, Judas Priest's Sad Wings of Destiny, Thin Lizzy's Jailbreak, and KISS Destroyer all hit major milestones. Turning 55 are Black Oak Arkansas' debut, Jethro Tull's Aqualung, and Humble Pie's Rock On. New music covered this week includes releases from Black Stone Cherry, Gotthard, The Black Crowes, Exodus, Axel Rudi Pell, Tyketto, Black Label Society, Flea, Suzi Quatro, Lou Gramm, and Devil Electric. All that covered with a lot of laughs, thoughts, and opinions for good measure. We hope you enjoy DBG Times - Ep664 and SHARE with a friend! Decibel Geek is a proud member of the Pantheon Podcasts family. Contact Us! Rate, Review, and Subscribe in iTunes Join the Facebook Fan Page Follow on Twitter Follow on Instagram E-mail Us Subscribe to our Youtube channel! Support Us! Buy a T-Shirt! Donate to the show! Stream Us! Stitcher Radio Spreaker TuneIn Become a VIP Subscriber! Click HERE for more info! Comment Below Direct Download  Learn more about your ad choices. Visit megaphone.fm/adchoices

You ever try to snowboard while claiming a bad back? No? Good. Because apparently insurance companies are out here hiring private investigators to follow you to the grocery store and check your TikTok for “too active” behavior. We kicked things off today with a deep dive into the wild world of insurance claim surveillance — including a viral PI who caught a guy shredding a mountain while supposedly injured. Moral of the story: if you're gonna commit fraud… maybe don't hit the halfpipe.From there, we spiraled (as we do) into workplace comp horror stories, gorilla courtroom pranks that may or may not be real, and why oversharing on social media is basically volunteering to lose your case. It's education. It's cautionary. It's chaotic. It's the kind of thing only a daily comedy show like this can turn into group therapy with punchlines.Then in Crap On Celebrities:Dee Snider assures everyone he's NOT dying (we promise, he said it).Shia LaBeouf goes full Mardi Gras meltdown. Again.Cardi B announces she's “taking some out.” Yes, that's exactly what you think it means.Dr. Dre turns 61 and we celebrate with bangers that defined a generation.We also debate weird “favorite bands” (if your favorite band is Dishwalla, we need to talk), question cinematic universe crossovers, and somehow end up discussing Yoko Ono screaming at Chuck Berry. As one does.And then — the chaos crescendo: