American recording artist; rock-and-roll guitarist, singer, songwriter
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You ever try to snowboard while claiming a bad back? No? Good. Because apparently insurance companies are out here hiring private investigators to follow you to the grocery store and check your TikTok for “too active” behavior. We kicked things off today with a deep dive into the wild world of insurance claim surveillance — including a viral PI who caught a guy shredding a mountain while supposedly injured. Moral of the story: if you're gonna commit fraud… maybe don't hit the halfpipe.From there, we spiraled (as we do) into workplace comp horror stories, gorilla courtroom pranks that may or may not be real, and why oversharing on social media is basically volunteering to lose your case. It's education. It's cautionary. It's chaotic. It's the kind of thing only a daily comedy show like this can turn into group therapy with punchlines.Then in Crap On Celebrities:Dee Snider assures everyone he's NOT dying (we promise, he said it).Shia LaBeouf goes full Mardi Gras meltdown. Again.Cardi B announces she's “taking some out.” Yes, that's exactly what you think it means.Dr. Dre turns 61 and we celebrate with bangers that defined a generation.We also debate weird “favorite bands” (if your favorite band is Dishwalla, we need to talk), question cinematic universe crossovers, and somehow end up discussing Yoko Ono screaming at Chuck Berry. As one does.And then — the chaos crescendo:
Some shared stages. Some made records and films together. Some had love affairs. Matt Thorne is fascinated by stars' collaborations and what they reveal about them. He talks here about 14 musicians who collided and the discoveries he made in the six years spent writing ‘Famous: Ego, Envy and Ambition in Pop, Rock and Hip-Hip', with all this high in the mix … … Frank Sinatra's ‘Welcome Home Elvis' TV Special and how threatened he felt by rock'n'roll … “Chuck Berry thrived on tension in exactly the way Mark E Smith controlled the Fall” … what you'll find in Lou Reed's archive at New York's Library for the Performing Arts … McCartney at “the showbiz event of the year”, January 1968, at a rare low ebb in the Beatles' fortunes … the mystifying One Trick Pony where Paul Simon inexplicably chose to play a failure, and his comic turn on Saturday Night Live … Bowie's and Tina Turner's TV ad and love affair … what Chuck Berry tried to hide about his studio trickery and the “psychological terrorism” of what played on his TV sets … “all musicians are obsessed with the idea that they're on the way out” … why a book like this would have been impossible 30 years ago … and Dave Stewart's vision of Lou Reed as a piece of pasta on a motorcycle. Order copies of ‘Famous: Ego, Envy and Ambition in Pop, Rock and Hip-Hip' here: https://www.waterstones.com/book/famous/matt-thorne/9781474616386Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
Some shared stages. Some made records and films together. Some had love affairs. Matt Thorne is fascinated by stars' collaborations and what they reveal about them. He talks here about 14 musicians who collided and the discoveries he made in the six years spent writing ‘Famous: Ego, Envy and Ambition in Pop, Rock and Hip-Hip', with all this high in the mix … … Frank Sinatra's ‘Welcome Home Elvis' TV Special and how threatened he felt by rock'n'roll … “Chuck Berry thrived on tension in exactly the way Mark E Smith controlled the Fall” … what you'll find in Lou Reed's archive at New York's Library for the Performing Arts … McCartney at “the showbiz event of the year”, January 1968, at a rare low ebb in the Beatles' fortunes … the mystifying One Trick Pony where Paul Simon inexplicably chose to play a failure, and his comic turn on Saturday Night Live … Bowie's and Tina Turner's TV ad and love affair … what Chuck Berry tried to hide about his studio trickery and the “psychological terrorism” of what played on his TV sets … “all musicians are obsessed with the idea that they're on the way out” … why a book like this would have been impossible 30 years ago … and Dave Stewart's vision of Lou Reed as a piece of pasta on a motorcycle. Order copies of ‘Famous: Ego, Envy and Ambition in Pop, Rock and Hip-Hip' here: https://www.waterstones.com/book/famous/matt-thorne/9781474616386Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
Some shared stages. Some made records and films together. Some had love affairs. Matt Thorne is fascinated by stars' collaborations and what they reveal about them. He talks here about 14 musicians who collided and the discoveries he made in the six years spent writing ‘Famous: Ego, Envy and Ambition in Pop, Rock and Hip-Hip', with all this high in the mix … … Frank Sinatra's ‘Welcome Home Elvis' TV Special and how threatened he felt by rock'n'roll … “Chuck Berry thrived on tension in exactly the way Mark E Smith controlled the Fall” … what you'll find in Lou Reed's archive at New York's Library for the Performing Arts … McCartney at “the showbiz event of the year”, January 1968, at a rare low ebb in the Beatles' fortunes … the mystifying One Trick Pony where Paul Simon inexplicably chose to play a failure, and his comic turn on Saturday Night Live … Bowie's and Tina Turner's TV ad and love affair … what Chuck Berry tried to hide about his studio trickery and the “psychological terrorism” of what played on his TV sets … “all musicians are obsessed with the idea that they're on the way out” … why a book like this would have been impossible 30 years ago … and Dave Stewart's vision of Lou Reed as a piece of pasta on a motorcycle. Order copies of ‘Famous: Ego, Envy and Ambition in Pop, Rock and Hip-Hip' here: https://www.waterstones.com/book/famous/matt-thorne/9781474616386Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
Thank you for being a longtime listener of Broadway Drumming 101.I've been thinking about doing more solo episodes for a while, and I'm finally starting today.Over the past week, I've been deep in rehearsals for Cats: The Jellicle Ball, and this version is even stronger than what we did at PAC. Everything feels sharper and more focused. We officially open on April 7th, and I'm excited for people to see it.READ: Two Icons of New York, Ready for Broadway's ‘Jellicle Ball'At NAMM, I brought up a topic that doesn't get talked about enough:How careers really begin.For me, it wasn't Broadway. It wasn't some audition. It was a hotel gig in New Rochelle, playing the same 20 songs every other Friday night.A connection from that gig led me to a tour.That tour opened the door to subbing.And subbing eventually brought me to Broadway.In this new solo episode, I break down:• Why saying yes early in your career matters• Why showing up beats just posting• How small gigs compound over time• And how to know when it's time to start saying noIf you caught my talk at NAMM, this episode goes even deeper into that topic.READ: And if you're serious about building a real career in theater, get my book:Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.You can order it right now on Amazon or Barnes and Noble.If you want a signed copy, go to SignatureBrandWorks.com.Listen to the new solo episode.Pick up the book if you're interested.And I hope to see you at the Broadhurst!Clayton Craddock is the drummer for the upcoming Broadway musical Cats: The Jellicle Ball, opening at the Broadhurst Theatre on April 7th. He is also the founder of Broadway Drumming 101 and the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway and Off-Broadway credits include tick, tick…BOOM!, Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and The Hippest Trip: The Soul Train Musical, along with extensive subbing on shows such as Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the TONY Awards, and has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe
Send a textOn this Episode Tom and Bert continue "The Spotlight Series" on entertainment influencers thru the decades!There are Stories to tell and the Guys will cover and discuss the beginnings and the careers of some of the greatest influencers throughout ALL of the entertainment industry.Today's Podcast will cover some of the "Greatest Guitar Songs" and Axemen in Music History Part 1!From Jimi Hendrix, Eddie Van Halen, Keith Richards, Jimmy Page, Terry Kath, B.B. King, Chuck Berry and many, many others we bring you our best of the best!FEATURED CHAPTERS:(2:10) Carlos Santana explains the feeling and emotions of a Guitar Solo!(5:35) Eddie Van Halen's "Eruption" (11:56) Hendrix, Queen and Bobby Fuller 4 classics(23:24) Pink Floyd hits it big with "Money" and Zeppelin with Jimmy Page goes to Heaven!(29:00) Peter Frampton "Shows us The Way"....to a huge hit!(36:20) Elvis and The Eagles Classics(43:34) CCR, Pure Prairie League, Willie Nelson and Chicago(53:32) The Isley's, Chuck Berry and B.B. King and then we wrap it up with our closing comments and a bit of Jimi HendrixEnjoy the Show!You can email us at reeldealzmoviesandmusic@gmail.com or visit our Facebook page, Reel Dealz Podcast: Movies & Music Thru The Decades to leave comments and/or TEXT us at 843-855-1704 as well.
She Caught The Katy – The Blues Brothers Lookin’ Out My Back Door – Creedence Clearwater Revival Honkytonk Man – Marty Robbins Heartland – George Strait How Do You Feel About Foolin’ Around (with Willie Nelson) – Kris Kristofferson I Am A Man Of Constant Sorrow – The Soggy Bottom Boys Coal Miner’s Daughter – Sissy Spacek I Don’t Know – Jeff Bridges Folsom Prison Blues – Joaquin Phoenix I’m Easy – Keith Carradine You Never Can Tell – Chuck Berry
durée : 00:10:31 - Les Nuits de France Culture - par : Antoine Dhulster - En 1995, France Culture reçoit le poète Michel Bulteau dans l'émission "Jeu de l'ouïe" pour une série de cinq épisodes. Au menu de ce quatrième volet : d'un côté le nihilisme, le désespoir du rock avec le Velvet Underground, de l'autre sa "simplicité" avec l'univers de Chuck Berry. - réalisation : Brice Garcia - invités : Michel Bulteau Poète et éditeur français
Andy Bown found the 20 year-old recordings of “a deep-space love story” he'd written with the sci-fi author Russell Hoban and he's just reworked and released them. He talks to us here about “Out There” and life in the Herd, Judas Jump and Status Quo, which involves … … playing the Three Tuns in Beckenham with Bowie … “Foot gun, gun foot. I always tell the truth.” … Peter Frampton when he was The Face of ‘68 … “we were earning £225 a night and got £15 a week. Where did the money go?” … Quo's Whatever You Want and how co-writing works … David's memories of the Herd supporting Chuck Berry in 1968 … opening for Hendrix at Saville Theatre, eight feet from his flaming guitar: “you could feel the heat” … Judas Jump, Don Arden, the huge advance and the “appalling” album … sessions with Jerry Lee Lewis who played the solo with his foot … early days in Status Quo when he played behind a curtain and how they got to be Live Aid's opening act … “You'd think John Fogerty would be pleased about Rockin' All Over The World. Au contraire!” Order ‘Out There: A Deep-Space Love Story' here: https://andybown.com/Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
Andy Bown found the 20 year-old recordings of “a deep-space love story” he'd written with the sci-fi author Russell Hoban and he's just reworked and released them. He talks to us here about “Out There” and life in the Herd, Judas Jump and Status Quo, which involves … … playing the Three Tuns in Beckenham with Bowie … “Foot gun, gun foot. I always tell the truth.” … Peter Frampton when he was The Face of ‘68 … “we were earning £225 a night and got £15 a week. Where did the money go?” … Quo's Whatever You Want and how co-writing works … David's memories of the Herd supporting Chuck Berry in 1968 … opening for Hendrix at Saville Theatre, eight feet from his flaming guitar: “you could feel the heat” … Judas Jump, Don Arden, the huge advance and the “appalling” album … sessions with Jerry Lee Lewis who played the solo with his foot … early days in Status Quo when he played behind a curtain and how they got to be Live Aid's opening act … “You'd think John Fogerty would be pleased about Rockin' All Over The World. Au contraire!” Order ‘Out There: A Deep-Space Love Story' here: https://andybown.com/Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
Andy Bown found the 20 year-old recordings of “a deep-space love story” he'd written with the sci-fi author Russell Hoban and he's just reworked and released them. He talks to us here about “Out There” and life in the Herd, Judas Jump and Status Quo, which involves … … playing the Three Tuns in Beckenham with Bowie … “Foot gun, gun foot. I always tell the truth.” … Peter Frampton when he was The Face of ‘68 … “we were earning £225 a night and got £15 a week. Where did the money go?” … Quo's Whatever You Want and how co-writing works … David's memories of the Herd supporting Chuck Berry in 1968 … opening for Hendrix at Saville Theatre, eight feet from his flaming guitar: “you could feel the heat” … Judas Jump, Don Arden, the huge advance and the “appalling” album … sessions with Jerry Lee Lewis who played the solo with his foot … early days in Status Quo when he played behind a curtain and how they got to be Live Aid's opening act … “You'd think John Fogerty would be pleased about Rockin' All Over The World. Au contraire!” Order ‘Out There: A Deep-Space Love Story' here: https://andybown.com/Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
In this episode, the hosts delve into the complexities of the Mann Act, exploring its historical context and its implications on modern society. They discuss notable cases involving figures like Jack Johnson, Chuck Berry, and R. Kelly, highlighting how the law has been used and misused over the years. The conversation also touches on the broader themes of justice, discrimination, and the evolution of legal frameworks.Sources: YouTube @AisleTells and @LordanArtsWikipediaInstagram: @TilDeathDoUsPartPodcastTikTok: @tildeathdouspartpodFacebook: Natalia StephanieEmail: TilDeathDoUsPartPodcast@gmail.com#truecrime #truestory #truecrimecommunity #truecrimepodcast #indypodcast #TilDeathDoUsPartPodcast #TDDUP #DOBETTER #newepisode #mannact #diddy #freakoff #babyoil #jackjohnson #history #historicalcrime #therealstory #glimmer #resolution #planetfitness #notasponsoryet
| Artist | Title | Album Name | Album Copyright | Joe Bonamassa Band | 24 Three O'Clock Blues Feat. Marc Broussard & Josh Smith | BB Kings's Blues Summit 100 | KTBA Records | Beaux Gris Gris And The Apocalypse | 21 Wild Woman | Hot Nostalgia Radio Live | Geiger von Muller | The Slide | Neocubist Blues | | The James Oliver Band | Chicken And The Duck | Live At Temperance | | Al Casey | Ramrod | Great Rock 'n Roll Instrumentals, Vol. 1 CD 1 | Chuck Berry, Robert Baldori (h), Lafayette Leake (p) & Phil Upc | Have Mercy Judge | Back Home (Chess: US title) [I'm A Rocker (UK title)] | Tony Torres | Real Gone Time | A Real Gone Time | | Kim Wlson | Kansas City | Slow Burn | | | The Bo'weevil Brothers | Looking Over My Shoulder | Blues Done Different | | Petra Börnerová Duo | Hound Dog | Petra Börnerová duo - Acoustic session 1 | Lee Jackson | Juanita | Cadillac Baby's Bea & Baby Records Definitive Collection [CD2:] | Samantha Martin & Delta Sugar | So I Always Know | The Reckless One | | Jimmy Gordon | It's Time To Go | Essential Blues Masters | Blind Willie Johnson | Keep Your Lamp Trimmed And Burning | Praise God I'm Satisfied | Little Richard | What Am I Supposed Do | Little Richard Goes Gospel | Robert Connely Farr | 08 Night Train | Pandora Sessions | | Billy F Gibbons | Vagabond Man | Hardware | | | Guy Verlinde & Tom Eylenbosch | You Gotta Move | Promised Land Blues |
Sintonía: "The Big Push" (1956) - Cal Green 1.- "Willie and Lillie" (1958) - Bo Diddley 2.- "Whoe Ho Ho" (1956) - Lloyd Price 3.- "Who´s Been Fooling You" (1956) - Big Boy Myles 4.- "I Want You To Know" (1957) - Fats Domino 5.- "Touch and Go" (1958) - Wynona Carr 6.- "Bip A Little-Bop A Lot" (1958) - Joe Penny 7.- "Almost Grown" (1959) - Chuck Berry 8.- "Heebie Jeebies" (1956) - Little Richard 9.- "I´m Gonna Get Married" (1959) - Lloyd Price 10.- "Back In The USA" (1959) - Chuck Berry 11.- "I´m In Love Again" (1956) - Fats Domino 12.- "Aunt Susie" (1960) - Mister P.T. 13.- "Betty Jean" (1960) - Chuck Berry 14.- "Jump Jack, Jump" (1956) - Wynona Carr 15.- "She Knows How To Rock" (1959) - Little Richard 16.- "Hey Hey Loretta" (1958) - Joe McCoy 17.- "Flippin´" - Rene Hall 18.- "Do You Mean It" (1957) - Ike Turner19.- "Rockin´This Joint To-Nite" (1959) - Kid Thomas20.- "What Can I Do" (1957) - Roy Milton21.- "Don´t You Lie To Me - Chuck Berry22.- Rock And Roll In The Groove (1959) - Cledus HarrisonRelación de fechas de emisión de las otras 4 entregas de este coleccionable: 1.- Lo mejor de los CDs 1 y 2 emitido el 24/09/2025 2.- Lo mejor de los CDs 3 y 4 emitido el 15/10/2025 3.- Lo mejor de los CDs 5 y 6 emitido el 01/12/2025 4.- Lo mejor de los CDs 7 y 8 emitido el 05/01/2026Todas las músicas extraídas del cofre (10xCD) "Black Stars Of Rock And Roll" (Intense Media)Todas las músicas seleccionadas por Klaus FaberEscuchar audio
Air Week: February 2-8, 2026 1956: Jukebox Rhythm Review, Pt. 1 This week, we journey back 70 years as the “Juke In The Back” puts the ol’ Rockola Jukebox front and center and we present part 1 of a 2 part feature on the biggest jukebox jivers from 1956. It was the first full year of Rock n’ Roll Music crossing over from its Rhythm & Blues roots into mainstream Pop Culture. The line between R&B and Pop was getting more and more blurred, but there were still many records that Black audiences were dancing and romancing to, that were not heard at all by White audiences. We’ll hear a few of those on this week’s program from big artists such as Muddy Waters, Ruth Brown and Little Walter. We’ll also dig on some certified crossover hits from Chuck Berry, The El Dorados, The Platters and The Teenagers Featuring Frankie Lymon. So grab a nickel, grab a dime and let’s make some time with the top jukebox spinners from the first half of 1956 on this week’s Jukebox Rhythm Review with host Matt The Cat. LISTEN BELOW
Send us a textA slight departure to start this one. Things are getting a bit tense for us, and we address how we deal with it. As an important piece of context, this was recorded the night before the shooting of Alex Pretti in Minneapolis. The rant is not related to that incident. The episode gets a lot happier as we turn to a very incomplete list of American guitarists that we like.Newt's--Still Crazy After all These Years!NOVAMemory LaneJim goes off on the current way we're treating each otherCan't we all just get along??Appreciate (not attack) our differencesSongs of the Week:For What It's Worth -- Buffalo SpringfieldLife Without You--Stevie Ray VaughanA VERY INCOMPLETE list of American guitarists we like:Terry Kath, Jerry Garcia, SRV, Jimi Hendrix, BB King, Chuck Berry, Duane Allman, Prince, Neil Schoen, Spider Giraldo, Randy Rhodes, SlashAaand we're back to being happy. Thanks for your understanding!#NewtsAppleValleyYourNumberOneSpotForIceColdBeerHotJuicyBurgersAnd OutstandingServiceDidWeMentionItsInAppleValleyMinnesotaNotCaliforniaTheAscertainers@gmail.comBuffalo Springfield - For What It's Worth 1967Stevie Ray Vaughan - Life Without You | Live at Capitol Theatre (1985) If you just want to hear some epic advice on treating people go to the 6:00 mark
The Dylan Whisperer Rob Stoner and I have been in the same city, on the same street, in the same club where I was promoting and he was playing, at the same time, over and over, and somehow we never met. Until tonight. He was worth waiting for. What a fun edutainment! We talked about his heroes, Chuck Berry to Jerry Lee Lewis, Rob's famous photographer father, who, like Rob's later boss, Bob Dylan, used art to change our thinking, to his own early days playing with Pete Seeger and Tim Hardin. From high school bands playing keyboards, guitar, and then bass, great story there as to why he picked it up, to his first session with Pete Seeger, another important mind-shaper, to Tim Hardin, and Don Mclean, with his first ill-fated named first album, Tapestry, to his second album and the session which bore his first #1 hit, American Pie. Rob tells the tale, from soup to platinum single. The session with Robert Gordon and Link Wray, recording a not-yet-wildly famous Bruce Springsteen's first recording of his soon-to-be monster hit, Fire. Where a young Rob Stoner came up with the iconic bass line that Bruce would soon “borrow.” Rob had his own record deal in '73, meeting Dylan a year later, Bob telling Rob he'd come to call, and how Rob's band became the backup band for Dylan's album Desire when he finally did call about a decade later. Rolling Thunder, Rob, the musical director, for Dylan's long-held dream to put together a traveling carnival show. How it worked, all the moving parts, and the one erratic member. Dylan. Rob told us about their relationship, never knowing if this gig would be his last, and how, thanks to Robert Gordon (and Link Wray), whom Rob would play with for over 40 years, helped Rob to end it on his terms. We talked the pandemic and how Zoom changed the game for Rob (and me, and many of us), who grew his teaching practice and extended his reach globally. His daily Facebook videos, doing what he loves, playing music that he loves, which receive millions of views. A massive Dylan fan since the 60s and enthusiast of most of the artists Rob has played with, it was a thrill to get his take on the Complete Unknown, what it was like for Baez to play with Dylan, why Robert Gordon and Link Wray eventually split up… and so much more. Rob's been there, done that, and charmingly shares the tales. Loved every moment! Rob Stoner Live on Game Changers with Vicki Abelson Wednesday, 1/28/26, ***6 PM PT/ 9 PM ET*** Streamed Live on my FB, YouTube & LinkedIn
If you're in, or approaching, a life transition and think, “I should have this figured out by now,” this conversation is for you. Today, mindfulness teacher Monique Rhodes shares how to move through that sticky in‑between space of “no longer who you were, not yet who you're becoming” without beating yourself up. You'll hear why happiness is an inside job, how to work with your mind when life blindsides you, and practical ways to rediscover joy and purpose with mindfulness—especially in retirement and other big life changes. We also discuss how mindfulness can help Type A people (like me and perhaps you…). Monique Rhodes joins us from Costa Rica. _________________________ Bio Monique is an internationally acclaimed Happiness Strategist who teaches students and corporations around the world how to master their lives. She has spent the last 25 years studying the mind and its relationship to happiness and she believes that happiness is not merely an emotion but a daily habitual practice. Over 70 universities and colleges use her program The 10 Minute Mind®. Her 8-week online course, The Happiness Baseline, has a 100% success rate in raising the mental wellness for every student who has completed it. Monique hosts the daily In Your Right Mindpodcast, where she discusses how a series of small habits determine our well-being. She is also a singer, songwriter and producer born in New Zealand. She has toured the world performing and composing music bridging the worlds of contemporary music with modern spiritual teachers. Monique has produced two platinum selling albums in New Zealand, toured Europe twice with Chuck Berry and collaborated on music projects with some of the most well-known inspirational teachers in the world including the Dalai Lama. _________________________ For More on Monique Rhodes MoniqueRhodes.com ________________________ Podcast Conversations You May Like Retire Happy – Dr. Catherine Sanderson The New Happy – Stephanie Harrison What Matters Most – Diane Button _________________________ Planning for retirement? Chexck out our summaries of the Best Books on Retirement _________________________ About The Retirement Wisdom Podcast There are many podcasts on retirement, often hosted by financial advisors with their own financial motives, that cover the money side of the street. This podcast is different. You'll get smarter about the investment decisions you'll make about the most important asset you'll have in retirement: your time. About Retirement Wisdom I help people who are retiring, but aren't quite done yet, discover what's next and build their custom version of their next life. A meaningful retirement doesn't just happen by accident. Schedule a call today to discuss how the Designing Your Life process created by Bill Burnett & Dave Evans can help you make your life in retirement a great one — on your own terms. About Your Podcast Host Joe Casey is an executive coach who helps people design their next life after their primary career and create their version of The Multipurpose Retirement.™ He created his own next chapter after a 26-year career at Merrill Lynch, where he was Senior Vice President and Head of HR for Global Markets & Investment Banking. Joe has earned Master's degrees from the University of Southern California in Gerontology (at age 60), the University of Pennsylvania, and Middlesex University (UK), a BA in Psychology from the University of Massachusetts at Amherst, and his coaching certification from Columbia University. In addition to his work with clients, Joe hosts The Retirement Wisdom Podcast, ranked in the top 1% globally in popularity by Listen Notes, with over 1.6 million downloads. Business Insider recognized Joe as one of 23 innovative coaches who are making a difference. He's the author of Win the Retirement Game: How to Outsmart the 9 Forces Trying to Steal Your Joy. __________________________ Wise Quotes On Getting Unstuck “So, one of the things that I see with my students is that the place that people get stuck most often is actually that we’re resisting what is. And so let’s say you make some New Year’s resolutions or you’re in the middle of a transition like retirement and you’re in the middle of that change and you think to yourself, this shouldn’t be so hard and I should have figured this out by now. But what those thoughts do is they actually only tighten that knot. So if we’re looking at getting unstuck, you know, the way that I teach is we have to have this willingness to soften, to stop pushing, to actually sit with what’s here, even if it’s uncomfortable. And from what I’ve learned and what I’ve seen, this is really the ground of transformation. Because when we allow ourselves, Joe, just to be exactly where we are with all the uncertainty, with all the doubt, with all the longing, then we begin to loosen the grip on all the old habitual ways of being. And our heart opens. And in that openness, something new can emerge. So I invite you all to not push through, but just to rest in that middle place and let the aspiration be there, but also let the discomfort be there. And let yourself almost be held by this knowing that the moment that you’re in right now is actually part of the path.” On Mindfulness…for Type As “And this energy is very, very powerful, but it can also become a kind of armor and it can protect Type A people from seeing themselves, from vulnerability, from uncertainty. So, if I was talking to a Tai A personality who was a skeptic, I would first of all say it is mindfulness is amazing for Type A personalities. And what if you didn’t need to fix anything right now? What if there was nothing to improve, but just something to notice? Because at the heart of mindfulness, we’re not looking to change our nature or our personality. What we’re doing is we’re inviting you to become more intimate with yourself, to sit beside that aspect of yourself that strives and maybe ask, what am I afraid of and what am I avoiding? Because often as a Type A personality, what we’re avoiding is the discomfort of being with ourselves as we are. But if we can soften that resistance, even for a breath, even for 10 minutes a day, I tell you, something extraordinary happens. And we begin to feel so much more alive, more connected to ourselves. The endless, amazing results of meditation, our relationships change. We just deal with everything differently. We become more whole. So it’s really good for us to understand, which is why mindfulness is used in so many, you know, big companies around the world, is that mindfulness isn’t an enemy of ambition. It’s really a way to return to the ground beneath your striving, to be able to see that ground clearly, to feel deeply, to live more fully, which is why I totally believe it’s a superpower.” On Why Happiness is an Inside Job “The biggest misconception that I know is that people believe that happiness comes from outside of themselves. And that is such a mic drop moment to understand that happiness doesn’t. Happiness is an internal job. And the wonderful thing about that is it means that we’re in control of it. It means that if you want to be happier, you don’t have to be rich. You don’t have to be powerful. You don’t have to be the most beautiful person in the world. I remember some years ago going to Las Vegas to hear Lady Gaga sing. And she was doing these kind of acoustic jazz Tony Bennett style concerts. It were really incredible. She was getting paid a million dollars a gig, Joe, and it was extraordinary. Here she is. She’s super wealthy. She’s beautiful. She’s successful. She’s powerful. And it was shocking for her to talk about how incredibly unhappy she is. So I think that’s one of the biggest things we need to understand is that all the things that we’re sold to believe will make us happy actually don’t. Because if they did, we would be able to look around the world to so many of the people that have all of them. And we can wonder why they’re not happy. So when we begin to understand that happiness is an inside job, then we actually have the incredible power to take control of it. So I think that that is probably the biggest misconception, but also the most powerful thing about it. And so that means that we need to learn to work with the thing that drives our happiness and our suffering, which is our mind. And if we can learn to work with our mind, then we can change our whole experience of the world.”
Guest: Elena Bonomo, drummer for SIX. Originally released January 14, 2022.This is one of those conversations that still holds up years later.In this episode, Elena Bonomo talks through what it actually looks like to build a career in theater music from the ground up. Elena shares how early musical experiences with her family shaped her connection to music, why drums always felt like fun instead of work, and how getting her first drum set set everything in motion.We also talk about her early pit experiences, reading music at a young age, and how playing school musicals laid the foundation for what she does now. She breaks down her time at Berklee, why versatility mattered to her more than locking into one lane, and how musical theater work at school mirrored the real expectations of Broadway life.Elena also gets honest about touring right after school, making very little money, and learning the realities of life on the road. From there, she talks about cruise ship work, adaptability, and how every gig, even the unglamorous ones, added tools to her toolbox.If you're trying to understand how Broadway careers are actually built over time, this episode is full of perspective that's still relevant today.https://www.elenabonomo.comThis Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.If you want to go deeper into this world, Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career, is available now on Amazon.com.If you'd like a signed copy by Clayton, along with Broadway Drumming 101 merchandise, head to signaturebrandworks.com.The book lays out the mindset, preparation, relationships, money realities, and long-term thinking behind real theater careers.Clayton Craddock is the drummer for the upcoming Broadway musical Cats: The Jellicle Ball, opening at the Broadhurst Theatre on April 7th. He is also the founder of Broadway Drumming 101 and the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway and Off-Broadway credits include tick, tick…BOOM!, Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and The Hippest Trip: The Soul Train Musical, along with extensive subbing on shows such as Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the TONY Awards, and has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe
This week we'll look a little deeper under the charts, focusing on the year 1959, a time when teenage targeted music encouraged new dances, new forms of self-expression and a sound whose influence went beyond the sweetheart, white bread sounds of middle America. To say the least, older generations associated it all with some sort of moral decline. But the sounds of the post-rock explosion laid the foundation for everything that followed: the rise of the teen market, generational conflict as a defining social theme and a sound that was a vehicle for identity and change. Adolescence itself was being redefined. We'll tune into one of our favorite themes: under the charts. Songs you likely haven't heard but a few I'm sure you have; tune in for music from Robin Luke, Tommy Sands, Chuck Berry, Carl Mann, Joe Antel and over two dozen others in a two hour sock hop blast here on KOWS Community Radio.
Celebrating the 100th Birthdays of: Miles Davis, John Coltrane, Tony Bennett, Julie London, Big Mama Thorton, Buddy Greco, Stan Freberg, Chuck Berry, And Ray Brown.
Joe Bergamini on Subbing, Broadway Reality, and Building a Real Music CareerIn this episode of the Broadway Drumming 101 Podcast, I sit down with Joe Bergamini—drummer, educator, author, and one of the most thoughtful voices in the drum world.Joe has subbed on more than 15 Broadway shows, toured nationally, taught for decades, and written some of the most respected drum books out there. But what really stands out is how clearly he talks about what it actually takes to build a sustainable life as a working musician.We dig into what subbing on Broadway is really like, how learning music note-for-note early on prepared him for theater work, and how teaching, touring, rock bands, and saying yes to the right gigs quietly shaped his career. Joe also shares stories from his early club days and why preparation, curiosity, and relationships matter more than hype or shortcuts.This is an honest, practical conversation for drummers who care about longevity.Here are just a few books he has written:Speaking at NAMM – January 24I'll be expanding on many of these ideas in person at NAMM:Building a Career in Theater MusicSaturday, January 2411:30 AM – 12:00 PMHilton California AIf you're attending NAMM and curious about Broadway, touring, subbing, networking, contracts, and the real financial side of being a working musician, I hope you'll stop by.Broadway Bound and BeyondMy upcoming book, Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career, goes deeper into many of the topics we talk about here—how musicians actually get hired, how careers are sustained, and what no one explains when you're starting out.Get on the list at:www.broadwayboundbook.comSubscribe and Stay ConnectedIf you're getting value from these conversations, make sure you're subscribed to Broadway Drumming 101 so you don't miss future episodes and articles.If you know a musician trying to figure out their next move, share this episode with them. Subscriptions and reviews help more working players find the show.Thanks for listening and for supporting the Broadway Drumming 101 community.This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Clayton Craddock is the drummer for the upcoming Broadway musical Cats: The Jellicle Ball, opening at the Broadhurst Theatre on April 7th. He is also the founder of Broadway Drumming 101 and the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway and Off-Broadway credits include tick, tick…BOOM!, Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and The Hippest Trip: The Soul Train Musical, along with extensive subbing on shows such as Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the TONY Awards, and has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe
Explore the electrifying story of British Blues, from post-war record collectors in the 1940s to the British Blues Explosion of the 1960s. Discover how American legends like Muddy Waters, Howlin' Wolf, and Chuck Berry inspired young British musicians, including The Rolling Stones, Eric Clapton, John Mayall, and The Yardbirds, who amplified, reimagined, and exported the blues back to the world. Dive into the guitars, live performances, cultural contrasts, and lasting legacy that transformed blues into rock music.Support the showTo become a MEMBER and get access to over 2 Years of guitar lessons for just $5/Month head to https://www.buzzsprout.com/950998/subscribe
Singer-songwriter Jason Sinay, maybe best known for his work alongside Mike Campbell in Dirty Knobs, joins us to talk about the most foundational rock 'n' roll guitarist of them all, the man who started the ball rolling, Chuck Berry. When it comes to his guitar playing, his influence can be heard across all styles. Without his licks, his songs, his vocal phrasing, who knows what path the electric guitar would have taken!While we're at it, we get some cool Keith Richards and Neil Young stories from Jason, and we dream about what it would be like to have those guys step onto our own stage. Sponsored by Gibson: gibson.comFollow Nick: https://www.instagram.com/nickmillevoiFollow Jason: https://www.instagram.com/jasonshadrickGet at us: 100guitarists@premierguitar.comCall/Text: 319-423-9734Podcast powered by Sweetwater. Get your podcast set up here! - https://sweetwater.sjv.io/75rE0dSubscribe to the podcast:Spotify: https://open.spotify.com/show/0aXdYIDOmS8KtZaZGNazVb?si=c63d98737a6146afApple: https://podcasts.apple.com/us/podcast/100-guitarists/id1746527331
On this episode of Reelin' In The Years... The Featured Five Theme is "Goals": Songs that mention some sort of Goal in the lyrics... A Beatles song that's essentially a reworking of Del Shannon's "Runaway"... A song written for Aretha Franklin, but first recorded by Dusty Springfield... The lead single from Chuck Berry's twentieth and final studio album... Robert Plant talks about playing in Iceland in 1970 and how it inspired "Immigrant Song"... New music from John Butler, Spoon, and Los Straitjackets. Plus deep tracks from Jethro Tull,My Morning Jacket, CCR, Albert King, Procol Harum, and much more! For more info on the show, visit reelinwithryan.com
This is a Broadway Drumming 101 Classic.Originally released in December 2021, this episode features Rich Rosenzweig, recorded on the very day Companyofficially opened on Broadway. The timing alone makes it special. Rich was stepping into an opening night shaped by grief, history, and pressure, following the passing of Stephen Sondheim, while carrying the responsibility of yet another major Broadway chair.But what makes this episode endure is not the moment. It is the honesty.Rich and Clayton dig into the parts of Broadway drumming that rarely get talked about clearly. Reviews. Word of mouth. Why some shows with mediocre press run for years while others with praise disappear. Rich explains how the power of critics has shifted, and why storytelling, audience response, and momentum now matter more than ever.From there, the conversation goes deep into subbing. This is one of the most detailed discussions anywhere about what chair holders actually look for in a sub drummer. Not flash. Not ego. Preparation, consistency, psychological trust, and the ability to make a conductor feel safe. Rich explains why subbing can be more stressful than holding a Broadway chair full time, and why even great drummers struggle if they miss these non-negotiables.They also talk candidly about career reality. Getting fired. Losing gigs. Being passed over. How to assess whether feedback is something to grow from or simply a mismatch. Rich shares stories from Beauty and the Beast, Cats, Rent, Memphis, and more, showing how longevity in this business often comes down to adaptability and self-awareness, not perfection.This episode is essential listening if you are serious about musical theater, Broadway, or touring at a high level.Not motivational quotes. Not shortcuts. Just real talk from someone who has lived it.If you are trying to understand how Broadway actually works, this one belongs in your library.Support Broadway Drumming 101 and unlock exclusive content at BroadwayDrumming101.com.Clayton Craddock is the drummer for the upcoming Broadway musical Cats: The Jellicle Ball, opening at the Broadhurst Theatre on April 7th. He is also the founder of Broadway Drumming 101 and the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway and Off-Broadway credits include tick, tick…BOOM!, Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and The Hippest Trip: The Soul Train Musical, along with extensive subbing on shows such as Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the TONY Awards, and has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe
What do you do when someone believes you shouldn't exist? Daryl Davis didn't protest. He didn't shout. He sat down, asked questions, and kept showing up. Over decades, that approach has led more than 200 Ku Klux Klan members and white supremacists to walk away from their robes for good. In this conversation, Davis explains why people radicalize, and what happens psychologically when prejudice collides with a real human being. He shares stories from inside Klan meetings, lessons learned from neo-Nazis, and why today's climate of polarization may actually be an opportunity rather than a dead end. Daryl Davis earned his Bachelor of Music degree from Howard University and an Honorary Doctorate in Humane Letters from Post University. He is the author of Klan-Destine Relationships and the subject of the multi-award-winning documentary Accidental Courtesy, which chronicles his work in race reconciliation. A lifelong musician, he has performed with Chuck Berry and President Bill Clinton, and as an actor appeared in HBO's The Wire.
Lords: * Ryan * CisHetKayfaber Topics: * My vocal stims are getting out of control now that I don't have pets. * Training to become a Tetris Grandmaster * https://www.youtube.com/@cishetkayfaber/videos * Switching to not-bifocals * Eagle Eye Cherry - Save Tonight * https://www.youtube.com/watch?v=Nntd2fgMUYw Microtopics: * Introducing yourself or plugging something. * Going to Cape Town for Playtopia. * Enemies to enemies to lovers. * A game conference with a name that sounds way too much like Fruitopia. * What you would do for an Orbitz right now. * An apple juice with basil seeds ensconced in it, like an Orbitz. * I'm not mean, I'm just trying to manifest bullying. * Semisolid Kind of Life. * A dog following you into the kitchen and acting like a Ghostbusters trap except for all your bullshit rather than ectoplasm. * The movie about the prep school kids who poop on the floor at their magic school. * Making yourself laugh by doing a Gollum voice while you make a sandwich. * Hanging up a happy face on the fridge and writing "mirror" on top of it to convince yourself that you're okay. * An action figure that absorbs all the dark energy aimed at you. * Giving advice to someone that you really have no basis for. * The dog who loved your terrible celebrity impressions and the dog who gives you a look like "I expected more of you" * Your online source for news about what water parks Jim and his family went to. * The kind of Tetris that you become s grandmaster in. * Tetris but the pieces don't fall, they just instantly appear at the bottom of the well. * How the Tetris company wants you to play Tetris. * Delayed Auto-Shift. * Doing a hadouken move to place the zigzag piece in the correct column. * Stack faster, stack better. * A skill you can practice and get better at. * Training for three or four hours a day on a hacked PlayStation Vita to become a Tetris Grandmaster. * How the Tetris the Grandmaster community feels about leverless controls. * Going several years between occasions to say hello to your wife. * Going for a walk around the block so you have an excuse to say hello to your wife when you get back. * Seeing a person and immediately infodumping at them. * What they have now instead of bifocals. * Training your eyes to look through the part of the lens that does the thing. * Going to the optometrist and saying "just fuck me up" * Why they don't make bifocals for text at the distance of a computer monitor. * There's still time, and there's dignity. * Watching the VOD of your own death because you missed the livestream. * Getting used to your vision swimming in a new way when you get new glasses. * Getting an eye exam and saying "I'd rather not say" when they ask you what letters you see. * Freeballing your corneas. * A fellow glasses enjoyer. * A cursed gem that gives you astigmatism. * Doing the Magic Eye thing in order to learn to read. * Being born a trust fund kid, except it's your eyeballs. * The return of the quarter speed music video. * Even slower slow motion. * Why can't Eagle-Eye Cherry crawl? * Wondering why you haven't leaped yet. * Singing to the camera while being robbed. * Watching music videos at 1.5x speed as practice for watching them at .25x speed. * Suddenly the dog takes its mask off and it was Eagle-Eye Cherry the whole time! * Promising to eat your glasses frames on camera. * Forgetting how cool your whole premise is and just stopping doing it. * Literal music videos. * A houseplant can't save shit. A houseplant doesn't know what time it is. * People running around New York and looking sad at the camera. * Buck Cherry. (Named after Chuck Berry.)
Scam - paying for streaming services and still having to watch commercials during NFL broadcast. St. Louis is a city without a vision - why isn't Chuck Berry's neighborhood a tourist destination with a 50's style diner?? Keep your signal clear to win 2026.
The rock and roll legend, Billy J. Kramer, grew up in Bootle, a Liverpool suburb. Upon leaving school, he became a trainee engineer by day and aspiring singer by night, performing under the stage name Billy Kramer. Billy's performances at local rock clubs around Liverpool soon brought him to the attention of the one and only John Lennon. John urged Brian Epstein to sign Billy to an exclusive management contract. Billy jumped at the opportunity to become a full-time entertainer. Soon after, Billy was summoned to Brian's office to find John there waiting for him with the suggestion that he add the “J” to his name to give it a “rock and roll edge”. From that day forward, Billy has been known as Billy J. Kramer.In March of 1963, Billy was the first person to have a hit record with a Lennon-McCartney song, “Do You Want To Know A Secret,” which was written specially for him by John and Paul and produced by George Martin at Abbey Road Studios even before The Beatles recorded it.Billy toured extensively throughout the UK as the opening act for The Beatles both before and during Beatlemania. Billy also headlined tours with such greats as Del Shannon, Gene Pitney, and The Everly Brothers.Billy's recordings of the Lennon-McCartney compositions, “Bad To Me” along with “I'll Keep You Satisfied”, “From A Window”, and “I Call Your Name” all became international million sellers. He also had a smash hit with the Mort Shuman/John Leslie McFarland song, Little Children. Released as a double sided single, Bad To Me and Little Children have the unique distinction of being the highest entry into the Billboard charts at #8. That accomplishment has never been equalled.Billy's appearances on the Ed Sullivan show, Shindig, and Hullaballoo secured his place in rock ‘n roll history. In 1964, Billy performed as part of the legendary T.A.M.I. show along with such artists as James Brown, Chuck Berry, The Beach Boys, Marvin Gaye, The Supremes , Smokey Robinson, The Rolling Stones and many others.To commemorate his 50th anniversary in the music business, Billy recorded and released new material entitled “I Won The Fight”. Billy recently released his autobiography, “Do You Want To Know A Secret.”Billy continues to record, perform and promote his Storytellers show to international audiences.Please stick around at the end of the show for a really fantastic treat. Billy has lent us his brand new Christmas song, “Christmas Kinda Feeling…”
In this episode, Paul Andrews dives deep into the most common frustrations faced by beginner guitarists. Whether you're picking up the instrument for the first time or you've been working at it for a while, these struggles are universal! Paul shares practical solutions you can use to overcome these common setbacks and keep progressing on your guitar journey as you move into the new year.Key Topics DiscussedCommon Guitar FrustrationsSlow chord changesMessy or out-of-time strummingSore fingertipsNot knowing what to practice or feeling stuckFeeling like you're not improving quickly enoughDifficulty combining skills (chords + strumming)The challenge of bar chordsActionable Tips to Overcome Each FrustrationThe “Three S's” for chord changing: Shape, Sound, SpeedIsolating the strumming hand before combining with chords; use window wiper techniqueShort, frequent practice sessions to toughen fingertips (not marathon sessions!)Structured practice routines: the 5-10-10-5 formula (warm-up, focused skills, song practice)Tracking progress and journaling—celebrate small wins!Ignore comparison, focus on your own journey, and aim for process, not perfectionIntegrate skills slowly and prioritize hand isolation before combining themApproach barre chords with patience, gradual skill-building, and proper hand techniqueBeginner Guitar Academy Community UpdatesThe Sip and Strumming session recording (“Run Rudolph Run” by Chuck Berry) is now available for membersJanuary Practice Challenge: Practice daily to raise money for Jesse's Fund, a UK charity helping children communicate through musicHighlights & InsightsPaul Andrews reminds listeners that frustration is entirely normal—every guitarist experiences it, and there are proven ways to overcome it.Breaking down both chord and rhythm sections into isolated skills is key to building smooth and consistent technique.The podcast encourages slow and steady progress over rushed perfectionism.Building calluses and avoiding finger pain requires a gentle, regular approach, not pushing too hard too soon.Structure in practice is crucial—random practice leads to slow progress.Keep a practice journal and record your monthly progress to objectively see improvements over time.Comparison steals joy—track your own wins and value the small steps forward.Resources & Next StepsFor Beginner Guitar Academy Members:Check your dashboard for the Sip and Strumming session recording.Watch for news and links about the January practice challenge in the community.For Non-members:Next week's episode will include details and links for joining the January Practice Challenge.Want to improve your barre chords?Explore the “Get to Grips with Bar Chords” workshop in the Academy.Final ThoughtsAs Paul Andrews shares, every frustration is fixable and simply part of the learning journey. Take stock of the challenges that resonate most with you and commit to one small action this week—your progress depends on practicing with intention, patience, and celebration of every milestone.Tune in next week for the Beginner Guitar Academy Christmas Special!
In this festive episode, Paul Andrews guides you through three must-know Christmas songs for beginner guitarists. Building on last year's list, this 2025 edition covers “Feliz Navidad,” “Last Christmas,” and “Rockin' Around the Christmas Tree.” Whether you're looking for simple strumming patterns or ways to tackle trickier chords, this episode is packed with practical tips, easy substitutions, and downloadable resources to help you sound great this holiday season.What's Covered in This Episode1. Feliz NavidadAn easy, beginner-friendly strummer that introduces the G, A, D, and B minor chords.Paul Andrews discusses multiple ways to play the B minor chord, including an approachable Bm7 alternative.Learn about song structure, simple strumming progressions (from whole notes to eighth notes), and breaking down the chorus and verse sections.Great for group sing-alongs or solo performances!2. Last Christmas (Wham!)Play both the classic Wham! and the rockier Jimmy Eat World versions.Discover the differences between the two versions in melody and chords.Tips on using Bm7 as a substitute for B minor, efficient finger placement, and building up a pop-rock strumming pattern.Perfect for duets: split melody and chords with a guitar partner!3. Rockin' Around the Christmas TreeLearn Brenda Lee's classic with a breakdown of the iconic intro (suitable for electric guitar or acoustic with a cutaway).Step-by-step finger placement advice for nailing the intro riff.Chord version features beginner-friendly chords using a capo on the 1st fret (G, E minor, C, D, and A).Simplified song sheet for easy play-along, with practical strumming patterns and tips.Special Announcements & ExtrasGet access to all tabs, chord sheets, and video walkthroughs for this episode here.Join the Sip and Strum event on December 14th: a live group class to learn “Run Rudolph Run” by Chuck Berry, perfect for all skill levels. Members receive a direct link via email.Not a member? Try Beginner Guitar Academy for two weeks for just $1! Visit beginnerguitaracademy.com to learn more.Additional ResourcesMiss last year's Christmas episode? Find five more holiday classics in Episode 211.Got a question? Email: info@beginnerguitaracademy.comSubscribe & SupportIf you enjoyed this episode, please subscribe, rate, and review on your favourite podcast app. Happy playing and happy holidays!
Motörhead - Ace of Spades: The Bar Band That Redefined Metal (Whether They Liked It Or Not)What happens when you salvage a beaten‑up classic from the graveyard? You discover why Motörhead's Ace of Spades remains one of the most influential rock albums of all time—even if Lemmy himself refused to call it metal.Recorded in six weeks during the summer of 1980 and unleashed that October, Ace of Spades is 36 minutes of raw, boogie‑infused rock and roll cranked up to 11. On this episode of Dig Me Out: 80s Metal, hosts Jason Ziad, Tim Minneci, and Chip Midnight resurrect this second‑chance poll winner to explore why this album sounds like nothing else—and why that matters.The classic lineup of Lemmy Kilmister, “Fast” Eddie Clarke, and Phil “Philthy Animal” Taylor weren't trying to invent metal. They were channeling Chuck Berry, ZZ Top, and Thin Lizzy through a blown amp, adding a danceable swing that inspired everyone from Metallica and Slayer to The Hellacopters and New Bomb Turks. This is the sound of a band that knew exactly what they did well and executed it with surgical precision—even when they got sick of playing “Ace of Spades” every night.If you love early Van Halen, AC/DC, the Ramones, or the New Wave of British Heavy Metal, this episode is for you. We break down how Lemmy's voice became the second guitar, why Eddie Clarke's playing is criminally underrated, and what it means when an album charts everywhere from Sweden to Greece but barely makes a dent in the U.S.Episode Highlights00:00 – Intro: Why this listener‑suggested album almost didn't happen01:38 – The “second chance poll” rescue mission and how Testament won the first round05:42 – Chip's legendary three‑question interview with Lemmy (spoiler: he left to “freshen his drink”)10:09 – Album history: recorded August–September 1980, produced by Vic Maile (Hendrix, Zeppelin, Clapton)14:25 – Lemmy's time in Hawkwind, The Damned, and as Jimi Hendrix's roadie17:29 – (We Are) The Road Crew – Why Lemmy's tribute to roadies still makes crew members cry18:20 – The “Ace of Spades” legend: Why Lemmy sang “eight of spades” for years and nobody noticed19:02 – What Works: Jay breaks down the 70s swing, boogie‑rock energy, and danceable aggression25:14 – Fast and Loose – The ZZ Top‑meets‑Motörhead shuffle that proves this is rock and roll27:07 – How Motörhead influenced thrash, punk, and 90s action rock (Hellacopters, New Bomb Turks)31:54 – The Chase Is Better Than the Catch – The Van Halen‑inspired riff that almost wasn't34:18 – Eddie Clarke's guitar genius: Why “Fast” Eddie is the secret weapon of this album37:58 – What Doesn't Work: Aged lyrics, formulaic moments, and why Lemmy's voice is an acquired taste42:34 – Why fade‑outs are the album's worst decision48:53 – Final Verdicts: Worthy Album, Better EP, or Decent Single?55:37 – Gavin Reed gets credit for suggesting this album (and arguing with Jay about whether it's metal)Keep the Conversation GoingThis album came back from the dead because a listener like you suggested it. What record deserves a second chance? What forgotten classic or underrated gem should we dig out next?Join the Metal Union at digmeoutpodcast.com suggest and vote on future albums. Paid subscribers get access to bonus episodes covering 70s rock, 80s metal, and 2000s rock, plus new release reviews and our private Discord community where the debates never stop.Pick an album and join us on the podcast at dmounion.com.For Jason, Chip, and Tim—thanks for digging with us. We'll see you next time on Dig Me Out: 80s Metal. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.digmeoutpodcast.com/subscribe
Mark Malkoff joins me to discuss Johnny's likability; booking of civilian guests like the potato chip in front of celebrities; finding them; Vlasak Kresick; Martin Mull; Rohan Varvedecker; couldn't get Letterman or Bette Midler as guests; tried for years to finally get Angie Dickinson & Dyan Cannon; getting into podcasts at the right time; Jimmy Buffet wanted to talk Johnny; wanting to book Jim Downey; talking to Robert Smigel; Stephen Colbert's cancellation; SNL's format is what keeps it popular; Johnny's breaking of Sahara hotel record in 1964 solidifies his fame; having old time guests; retiring and then gaining some weight kept him off TV; NBC's 75th; Carson gains power in 1967, more in 1979; show goes from 90 minutes to 60; some guests like Buck Henry & Suzanne Pleshette don't come back; wanting good talkers, not just big stars; James Garner & Burt Reynolds were both; comedians Rickles, Rodney, Martin Short & David Steinberg; Cher goes on with guest hosts; Warren Beatty; didn't like "bit" comedians; banning Orson Welles, Uri Geller & Kreskin; origin of Carnac; Steve Allen; Prof. Backwards joke makes him mad at SNL; Dana Carvey's Johnny sketches; Johnny on ;s "Here's Cliffy" episode of Cheers; Marc Shaiman; Jan Hooks; rock stars were few like Chuck Berry & ZZ Top; kept booking Tony Bennett; Arsenio never out rates him; warning Chevy Chase; Dennis Miller; Top Weekend Update anchors; Elaine Stritch; Buck Henry on Paar; Rickles and the geisha girls; Tiny Tim & miss Vicki; Ed Ames; Doc Severinsen still alive; Johnny's popularity grew through anniversary shows; only Letterman did them; Johnny places on Dave; picking Lorne Michaels brain; Tom Davis; Mark's natural curiosity
Welcome to the festive edition of Beginner Guitar Academy! As we kick off December, Paul Andrews shares a comprehensive gift guide for beginner guitarists, perfect for Christmas wishlists or for anyone shopping for a guitar-loving friend. This episode covers essential accessories that beginner guitar players will truly appreciate, products to avoid, and tips for selecting quality gear that actually gets used rather than languishing in a drawer.Key HighlightsAcademy UpdatesMonthly Academy Show is live on the site, featuring new content releases, member shout-outs for level assessments, progress checks, and guitar-versaries. Special mention to Ken on his four-year guitar-versary!Upcoming December events:Sip and Strum: December 14th, featuring “Run Rudolph Run” by Chuck Berry.Live Q&A: December 22nd, the final session of the year, join live or pre-submit questions.Gift Guide – What to BuyStocking Fillers (Under £20)Clip-on Tuners: Essential for beginners; reliable brands like D'Addario, Fender, or Boss recommended over cheap alternatives.Capos: Great for playing more songs and simplifying chords. Brand examples: G7th, Kaiser, Jim Dunlop.Picks/Plectrums: Variety packs are ideal for experimentation with thickness and material (Dunlop recommended).String Winder & Cutter: Handy for changing strings efficiently.Strap Locks: Protects guitar from accidental drops; options include simple rubber locks or upgraded locking systems.Useful Upgrades (£20–£50)Quality Guitar Strap:Paul Andrews recommends the Ernie Ball Polylock for built-in strap locks and durability.Sturdy Music Stand: Skip foldable models and choose heavy-duty or orchestral stands for stability and better posture.Cleaning Kits: Brands like Dunlop and Ernie Ball offer comprehensive kits (fretboard conditioner, polish, string cleaner).Metronome: Korg MA2 is recommended for practice; digital options have more features.Foot Stool: Helpful for guitar posture, especially in classical position.Bigger Gifts (Above £100)Amps: The Spark series is highlighted as the best beginner amp currently, including the Spark Go, Mini, and Spark 2.Headphones: Audio-Technica ATH series for decent monitoring, or consider Boss and Positive Grid's “amp-in-headphones” for advanced practice.Tablet/Phone Stands: Hercules stands for durability and versatility in digital practicing.Online LearningPaul Andrews explains how to gift a Beginner Guitar Academy subscription—easy steps available via the website.What NOT to BuyCheap Accessories: Budget tuners, capos, and especially guitars can be unreliable and uncomfortable. Spend a bit more for usability and enjoyment.Low-Quality Effects Pedals: Cheap pedals often sound disappointing; aim for reputable brands like Boss, Zoom, or Line6.Guitar Gadgets: Avoid unnecessary hand exercisers, finger stretchers, or plastic finger protectors—best hand training is on the guitar itself.Wall Hangers Without Proper Hardware: Risky for your instrument.Picks for Beginners: Stay away from thick picks; variety packs with thin picks are best for new players.Top Gift RecommendationA Professional Guitar Setup is the ultimate “service” for your...
This Classic episode goes back to 2021 with drummer Rich Rosenzweig. At the time, he was playing the drum chair for Company. Today, he is the drummer for Ragtime at Lincoln Center. Part One focuses on his early years, his training, and his path into the Broadway world.What we cover in this episode* How Rich transitioned from piano lessons to drums.* Growing up in a home filled with music and support for the arts.* Group snare drum lessons in grammar school and early practice habits.* Playing in the basement, practicing with records, and discovering big band.* Hearing Buddy Rich, Basie's band, and how those experiences shaped his sound.* Getting into jazz as a teenager and forming his first jazz groups.* Studying at UNC Chapel Hill and balancing music with a liberal arts education.* His obsession with film, film scores, and composers like Bernard Herrmann and Ennio Morricone.* Moving to New York with pianist Frank Kimbrough and building a freelance life.* Playing weddings, club dates, and the slow grind toward professional theater work.* Watching Ray Marchica play The Will Rogers Follies and learning what Broadway drumming really requires.* Subbing under conductor Eric Stern and facing a click track for the first time.* Landing his first Broadway chair on State Fair and what he learned from that experience.* Why Broadway drumming demands consistency, reading skills, groove, and a full understanding of the storytelling behind the music.This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Why this episode matters* It gives a clear picture of how a Broadway drummer builds a career from scratch.* It highlights the mix of training, influences, timing, and relationships that shape a long career on Broadway.* It shows how jazz, film music, and classical Broadway scoring all feed into a drummer's approach and musical identity.* It offers practical insight for anyone who wants to pursue theater drumming at a high level.Part Two will be released next week.Clayton Craddock is the drummer for the upcoming Broadway revival of Cats: The Jellicle Ball, opening at the Broadhurst Theatre on April 7th. He is also the founder of Broadway Drumming 101 and the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway and Off-Broadway credits include tick, tick…BOOM!, Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and The Hippest Trip: The Soul Train Musical, along with extensive subbing on shows such as Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton is currently on tour with The Rock Orchestra and has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the TONY Awards, and has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe
Welcome back to another festive episode of Rick's Rambles Podcast—your weekly dose of fun facts, positivity, nostalgia, and good vibes! In this December episode, we kick things off with 10 fun facts about Santa Claus! From his history to surprising traditions around the world, this segment is packed with jolly trivia perfect for the holiday season. Next, in our mental health moment, we explore the importance of embracing your quirks—those small, joyful moments that help you pause, breathe, and reset during a busy day. Then it's time for the Story Behind the Song, featuring Run Rudolph Run by Chuck Berry. While Berry may have written it, there's a fascinating backstory behind this rock-and-roll holiday classic. We wrap up with our always-popular fun and quirky holidays of the week, giving you even more reasons to smile. Thank you so much for listening—and for being part of this uplifting community! If you'd like to support the Rick's Rambles Podcast, simply share it on your own social media, and let folks know what you're listening to! If you'd like to buy me a cup of coffee, you can do that here.
Air Week: December 1-7, 2025 R&B Car Songs The juke is jumpin’ with records focusing on classic R&B songs about cars. The automobile is a “road tested” symbol of the American Dream. We have all this land and the car gives us the freedom to get from one place to another. We’ll dig on some tunes about Cadillacs, Buicks, Mercurys and Model Ts. Chuck Berry, who made his early career on youth-oriented car songs will make a few appearances. Plus, musicologists Billy Vera and Steve Propes drop by the “Juke In The Back” to make their cases that the first rock n’ roll song might have been about a car. So grab your keys and prepare to be taken for a ride on this week’s “Juke In The Back” with Matt The Cat. LISTEN BELOW
Jimmy Failla, host of Fox Across America on 97.1 FM Talk and Fox News Saturday Night, joins the show to talk political comedy, writing jokes about President Trump, and how he adapts his stand up for different audiences across the country. He shares his Thanksgiving plans, upcoming shows in Las Vegas and San Luis Obispo, and his musical influences like Wolfgang and Eddie Van Halen and Deacon Fry. Jimmy also reveals his dream Thanksgiving table featuring Elvis Presley, Chuck Berry, Rodney Dangerfield, Johnny Carson, and Raquel Welch. He wraps with a reminder about his show at The Factory on January 24, with tickets available at 971talk.com/events.
Scam: paying for streaming but still having to endure commercials. The Lions looked awful - Commanders could have won but didn't. St. Louis has no vision - why isn't the area where Chuck Berry grew up a tourist area? Keep your signal pure to win 2026!!
Nate Wilcox and Ed Ward continue their discussion of Ed's "History of Rock & Roll 1920-1963 " with a look at what Ed calls the “Miracle Year” of rock and roll. The year when Elvis, Chuck Berry, Buddy Holly, and others were at the peak of their powers and dominated the charts. GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack. Also subscribe to the LET IT ROLL EXTRA feed on Apple, Spotify or your preferred podcast service to access the full episodes via your preferred podcast outlet. We've got all 350+ episodes listed, organized by mini-series, genre, era, co-host, guest and more. Please consider becoming a paid subscriber to support the show. Thanks! Email letitrollpodcast@gmail.com Follow us on Twitter. Let It Roll is proud to be part of Pantheon Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices
I went back to one of my classic Broadway Drumming 101 conversations this week, and it reminded me why I started this series in the first place. Years ago I sat down with Rich Rosenzweig when he was holding the drum chair for the revival of ‘Company.' Now he's driving the bus for Ragtime at Lincoln Center, and revisiting this talk brought everything back. We got into the real work of subbing on Broadway, the pressure of matching the regular drummer's feel, and the quiet connection with the conductor that determines whether you get asked back.In the clip, Rich breaks down the truth every serious drummer needs to hear. Subbing isn't about chops or showing what you can do. It's about matching the show so well that the conductor can close their eyes and feel the same pulse, the same sound, the same flow they get from the regular drummer. They're not looking for surprises. They want stability. If you're not giving accuracy, presence, and attention to detail, they feel it immediately.Rich also talks about how conductors watch the monitor even when they say they don't. They're looking for someone who is locked in and communicating clearly. Plenty of great drummers have fallen short because they didn't prepare the book with real precision or didn't read the conductor the way the regular drummer does. Most people never hear that part of the job. Subbing is consistency, connection, and trust.Thanks for reading! This post is public so feel free to share it.This conversation is one of my favorites, and I'm bringing it back. Subscribe to Broadway Drumming 101 so you're notified when the re-release goes live. If you're trying to get into Broadway or looking to sharpen your subbing skills, this episode will show you what the job really demands.This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Rich Rosenzweig has played more than a dozen Broadway shows and appeared on multiple cast recordings. He's been the drummer for the Kennedy Center Honors orchestra for more than a decade, toured nationally and internationally, and has been the regular drummer for City Center's Encores! series. He performs in progressive jazz ensembles, including his own East Down Septet, teaches privately, and has written several feature screenplays.More episodes like this are coming. Stay tuned.Clayton Craddock is the drummer for the upcoming Broadway revival of Cats: The Jellicle Ball, opening at the Broadhurst Theatre on April 7th. He is also the founder of Broadway Drumming 101 and the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway and Off-Broadway credits include tick, tick…BOOM!, Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and The Hippest Trip: The Soul Train Musical, along with extensive subbing on shows such as Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton is currently on tour with The Rock Orchestra and has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the TONY Awards, and has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe
The Deadcast's overstuffed season finale unpacks Blues For Allah's oft-misunderstood title track, the unlikely story of its album art, & the remarkable coalition that manifested the Dead's September 1975 Golden Gate Park show, officially the New Age Bio-Centennial Unity Fair.Guests: David Lemieux, Ron Rakow, Al Teller, Ned Lagin, Steve Brown, Bill McCarthy, Larry Weissman, Gary Lambert, Ed Perlstein, Joan Miller, Geoff Gould, Dan Hanklein, Raymond Foye, Nicholas Meriwether, Shaugn O'Donnell, Chadwick Jenkins, Keith EatonSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Nate Wilcox and Ed Ward continue their discussion of Ed's History of Rock & Roll 1920-1963 with a look at 1955 and 1956. These are the years when the “American Prometheus” brought forth Elvis Presley, when Chuck Berry culturally appropriated Western Swing for his first hit and Hollywood shocked the masses with the first rock and roll movies. As always we'll touch on the non-musical factors that made all this possible -- changing demographics and new musical formats -- as well as a few outside factors that slowed down, but couldn't stop, this musical revolution. GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack. Also subscribe to the LET IT ROLL EXTRA feed on Apple, Spotify or your preferred podcast service to access the full episodes via your preferred podcast outlet. We've got all 350+ episodes listed, organized by mini-series, genre, era, co-host, guest and more. Please consider becoming a paid subscriber to support the show. Thanks! Email letitrollpodcast@gmail.com Follow us on Twitter. Let It Roll is proud to be part of Pantheon Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices
Today's show features music performed by Chuck Berry and Chris Cain
The Deadcast explores Bobby Weir's guitar étude, “Sage and Spirit,” speaking with one of the song's namesakes, Sage Scully, before taking an extended trip to legendary Dead show at the Great American Music Hall in August 1975, where the song received its only full live performance.Guests: David Lemieux, Donna Jean Godchaux MacKay, Sage Scully, Ron Rakow, Al Teller, Steve Brown, Roger Lewis, Lee Brenkman, Steve Schuster, Gary Lambert, Deb Trist, Ed Perlstein, Danno Henklein, Joan Miller, Steve Silberman, Michael Parrish, Keith Eaton, Shaugn O'Donnell, Benny LanderSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
At long last Shannon gets to talk about the book she's been planning on since the last Halloween episode — The Picture of Dorian Gray by Oscar Wilde. We first discuss the Aesthetic Movement of the 19th century and a tiny bit of the life of Oscar Wilde before we jump into the book itself. Then Bryce gifts you with an abbreviated history of metal music. Get a notepad ready to take notes because he gives you a LOT of information! Happy Halloween! Show Notes: The Picture of Dorian Gray by Oscar Wilde: Oscar Wilde Official Website: http://www.cmgww.com/historic/wilde/ Oscar Wilde: https://en.wikipedia.org/wiki/Oscar_Wilde Aestheticism: https://en.wikipedia.org/wiki/Aestheticism Decadent Movement: https://en.wikipedia.org/wiki/Decadent_movement The Aesthetic Movement by Fiona McCarthy: https://www.theguardian.com/artanddesign/2011/mar/26/aestheticism-exhibition-victoria-albert-museum Aesthetic Movement in England by Walter Hamilton: https://archive.org/details/aestheticmovemen00hamiuoft Oscar WIlde's Cello Coat: https://oscarwilde.blog/2018/01/04/oscar-wildes-cello-coat/ The Picture of Dorian Gray: https://en.wikipedia.org/wiki/The_Picture_of_Dorian_Gray# Metal music: VH1 Documentary https://www.youtube.com/watch?v=AR78XBi_nAE&t=13s https://en.wikipedia.org/wiki/Rock_and_roll https://en.wikipedia.org/wiki/The_Beatles https://en.wikipedia.org/wiki/Birmingham#History https://en.wikipedia.org/wiki/Black_Sabbath#History https://en.wikipedia.org/wiki/Led_Zeppelin This is Spinal Tap amps go to 11 https://www.youtube.com/watch?v=uMSV4OteqBE https://en.wikipedia.org/wiki/Psychedelic_rock https://en.wikipedia.org/wiki/Satanic_panic https://en.wikipedia.org/wiki/Parents_Music_Resource_Center https://en.wikipedia.org/wiki/Heavy_metal_genres https://en.wikipedia.org/wiki/Dimebag_Darrell https://www.rollingstone.com/feature/behind-the-murder-of-dimebag-darrell-233541/ Songs list: Little Richard, Tutti Frutti - Here's Little Richard 1957 James Brown, Shout and Shimmy - Good, Good Twistin' With James Brown 1962 Chuck Berry, School Day - After School Session 1957 The Beatles, Love Me Do - Please Please Me 1963 Black Sabbath, Wasp/Behind the Wall of Sleep/Bassically/N.I.B. - Black Sabbath 1970 Led Zeppelin, Good TImes Bad TImes - Led Zeppelin I 1969 Led Zeppelin, Dazed and Confused - Led Zeppelin I 1969 Tenacious D, Karate - Tenacious D 2001 Worm Shepherd, The Anguished Throne - Hunger 2024 Humble Pie, As Safe As Yesterday Is - As Safe As Yesterday Is 1969 Deep Purple, Smoke on the Water - Machine Head 1972 Back Sabbath, Black Sabbath - Black Sabbath 1970 Black Sabbath, War Pigs - Paranoid 1970 Steppenwolf, Born to be Wild - self titled 1968 Alice Cooper, Poison - Trash 1989 KISS, Sure Know Something - Dynasty 1979 AC/DC, TNT - High Voltage 1976 Judas Priest, Realms of Death - Stained Class 1978 Motorhead, Ace of Spades - Ace of Spades 1980 13th Floor Elevators, You're Gonna Miss Me - 7th Heaven Music of the Spheres 1966 Chelsea Grin, Cursed - My Damnation 2011 The Damned, New Rose - Damned Damned Damned 1977 Judas Priest, Breaking the Law - British Steel 1980 Candlemass, Solitude - Epicus Doomicus Metallicus 1986 Venom, Black Metal - In League With Satan 1981 Van Halen, You Really Got Me - Van Halen 1978 Black Sabbath, Neon Knights - Heaven and Hell 1980 Black Sabbath, Sabbath Bloody Sabbath - Sabbath Bloody Sabbath 1973 Def Leppard, Photograph - Pyromania 1983 Quiet Riot, Cum on Feel the Noize - Metal Health 1983 Mercyful Fate, Evil - Melissa 1983 Frank Zappa, We're Turning Again - Frank Zappa Meets the Mothers of Prevention 1985 Cannibal Corpse, Hammer Smashed Face - Tomb of the Mutilated 1992 Kreator, People of the Lie - Coma of Souls 1990 Napalm Death, Suffer the Children - Harmony Corruption 1990 Helloween, I Want Out - Keeper of the Seven Keys, Pt. 2 1988 TOOL, Sober - Undertow 1993 Linkin Park, One Step Closer - Hybrid Theory 2000 Pantera, Walk - Vulgar Display of Power 1992 Finntroll, Jaktens Tid - Jaktens Tid 2001 Slaughter to Prevail, Demolisher - Kostolom 2019 Other appearances: Chris Shelton interviewed us in the beginning of a series on Mormonism on his Speaking of Cults series. He has had MANY different fascinating people on so go take a look! Here is the whole playlist: https://www.youtube.com/watch?v=OpGuS7GcsgA&list=PLGrPM1Pg2h72ADIuv8eYmzrJ-ppLOlw_g Email: glassboxpodcast@gmail.com Patreon: https://www.patreon.com/GlassBoxPod Patreon page for documentary: https://www.patreon.com/SeerStonedProductions BlueSky: @glassboxpodcast.bsky.social Other BlueSky: @bryceblankenagel.bsky.social and @shannongrover.bsky.social Instagram: https://www.instagram.com/glassboxpodcast/ Merch store: https://www.redbubble.com/people/exmoapparel/shop Or find the merch store by clicking on "Store" here: https://glassboxpodcast.com/index.html One time Paypal donation: bryceblankenagel@gmail.com Venmo: @Shannon-Grover-10
We explore how the dreamy delicacy of Crazy Fingers came about at a time of great tumult in Grateful Dead history, with visits from new record company boss Al Teller of United Artists and Seastones composer Ned Lagin, plus a stop at Winterland for the Bob Fried Memorial Boogie.Guests: David Lemieux, Al Teller, Ron Rakow, Ned Lagin, Gary Lambert, Michael Parrish, Danno Henklein, Ed Perlstein, Geoff Gould, Jay Kerley, Blair Jackson, Shaugn O'Donnell, Chadwick Jenkins, Christopher Coffman, Nicholas MeriwetherSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Bobby Weir & John Perry Barlow's classic “The Music Never Stopped” came into being when the music was briefly in danger of stopping, the song transforming from live jam to final form as the Dead struggled to solve the financial difficulties that came with a retirement from the road.Guests: David Lemieux, Ron Rakow, Steven Schuster, Steve Silberman, Sean Howe, Shaugn O'Donnell, Chadwick Jenkins, Christopher Coffman, Graeme Boone, Eric Lindquist, Benny LanderSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast unpacks the two-part extra-heady “King Solomon's Marbles”/'Stronger Than Dirt or Milkin' the Turkey,” using the instrumental to get into the Dead's 1975 dalliances with holography, as well as Phil Lesh's other unfinished pieces from Blues For Allah.Guests: David Lemieux, Ned Lagin, Ron Rakow, Eugene Dolgoff, Michael Parrish, Ed Perlstein, Keith Eaton, Nicholas G. Meriwether, Shaugn O'Donnell, Chadwick JenkinsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.