Podcasts about tony awards

This one originally dropped in September 2021 in two parts—but if you missed it back then, don't worry. I'm bringing it back as part of the Broadway Drumming 101 Classic Interview Series.Ray Marchica is one of those drummers whose name has been floating around the NYC scene for decades—and for good reason. He's done it all: gold records, TV house band gigs, iconic Broadway runs, off-Broadway, jazz big bands, the works. From James Brown's "Living in America" to The Rosie O'Donnell Show to Mamma Mia!—Ray's been laying it down with feel, power, and style.In this episode, Ray shares stories about:* Growing up in Brooklyn and learning drums from his uncle in the basement* Studying classical percussion at Brooklyn College with the legendary Morris Lang* Landing his first major gig on the A Chorus Line tour in the ‘70s* Navigating the world of jingle sessions, Radio Registry (yes, that was a thing for you young folk), and Broadway subs* Getting the gig with Dan Hartman and playing on hit records* What it was like playing for La Cage aux Folles, Starlight Express, Will Rogers Follies, and other major shows* His time in the pit for Miss Saigon, the long run with Mamma Mia!, and his approach to training subs* Real talk about the rise of drum machines, the shift in Broadway orchestra pits, and how he's stayed versatile through it allWhether you're a drummer, a fan of Broadway, or just someone who loves hearing stories from the road, the pit, and the studio, you'll dig this.Hit play. Subscribe if you haven't. And check out more at BroadwayDrumming101.com.If you loved this episode, check out some of the other powerful resources we've created for musicians looking to bridge the gap between the classroom and the Broadway pit:*

SNAP Productions! / Ghost Light Theatre in Bellevue opens "Sweeney Todd:  The Demon Barber of Fleet Street, A Thriller Musical" on April 25th - but there's more!  An added performance to the schedule, sing-along performance, an Industry night that is pay-what-you-can and an ASL performance!  Hear it from the Barber, Jonas Fogg and Judge Turpin, or ahem... John Celesky, Nick Andersen, and Xavier Carr respectively!    "Sweeney Todd:  The Demon Barber of Fleet Street, A Thriller Musical" opened on Broadway in 1979, and on the West End in 1980. Music and lyrics were written by Stephen Sondheim, and it is based on the 1970 play ("Sweeney Todd") by Christopher Bond.  Book was written by Hugh Wheeler.  It has won numerous Tony Awards, Laurence Olivier awards, and has had numerous Broadway and London revivals.   SNAP! PRODUCTIONS CONACT INFO: Tickets and Website:  https://www.snapproductions.com/ Facebook:  https://www.facebook.com/snapproductionsomaha Instagram: https://www.instagram.com/snapproductions/?hl=en    HOW TO LISTEN TO THE PLATTE RIVER BARD PODCAST Listen at https://platteriverbard.podbean.com or anywhere you get your podcasts. We are on Apple, Google, Pandora, Spotify, iHeart Radio, Podbean, Overcast, Listen Now, Castbox and anywhere you get your podcasts. You may also find us by just asking Alexa. Listen on your computer or any device on our website: https://www.platteriverbard.com. Find us on You Tube: https://youtube.com/channel/UCPDzMz8kHvsLcJRV-myurvA. Please find us and Subscribe!   ©Platte River Bard Podcast by Chris and Sheri Berger.

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A surprise phone call lead award-winning playwright, the most performed of his generation, Ken Ludwig into the world of murder mysteries, becoming the chosen playwright for the Agatha Christie estate. Ken Ludwig has had six shows performed on Broadway and eight in London's West End, and many of his works are a standard part of the American repertoire. His 35 plays and musicals have been performed in over 30 countries in more than 20 languages and are produced throughout the United States every night of the year. His 1989 comedy Lend Me a Tenor scored three Tony Awards and was produced on Broadway and in London by Andrew Lloyd Webber. He's also a big Shakespeare fan. His book How to Teach Your Children Shakespeare was a bestseller.

Cultivating Presence in Pivots   Episode #154   Welcome back to The Creative Soulpreneur podcast! On today's episode, we have the pleasure of hosting an inspiring duo, Theresa and Ivana. Host Nick introduces us to this dynamic pair, who recently embarked on a powerful journey of personal and professional pivots. Discover how they initially met Nick at a financial services event and how it led them to unpack deep conversations about vulnerability, authenticity, and the multiple layers of pivoting in life. Theresa and Ivana dive into their own experiences, discussing how life's unexpected challenges forced them to pivot and how these shifts have led to new opportunities and a deeper sense of purpose. Learn about the profound impact of Theresa's battle with breast cancer and Ivana's resilience in overcoming PTSD from her experiences growing up in Eastern Europe. Throughout this episode, our guests explore the concept of embracing change, navigating through discomfort, and finding grace within themselves during transitions. They reveal how they support one another and others in their industry to step into their own pivots with courage and intention. Tune in to hear more about their podcast, "Step Into the Pivot," Theresa's upcoming keynote speeches and book plans, and Ivana's exciting retreat offerings. This episode is brimming with insights, heartfelt stories, and practical advice on how to turn any sour lemons life hands you into something beautifully transformative.   Takeaways:   Embrace the Layers of Pivoting: Theresa and Ivana shared how each pivot goes beyond the surface. It starts physically (like changing jobs or managing health), extends to emotional adjustments, and dives deep into spiritual reflections about who we are and what we want.   Give Yourself Grace: Theresa emphasized the importance of allowing yourself the time and space to navigate a pivot. Whether it's selling a business after decades or facing an unexpected layoff, grace is crucial for making thoughtful and impactful decisions.   Transform Challenges into Opportunities: Ivana highlighted that even the toughest situations (like dealing with PTSD from past trauma) can be catalysts for growth. By being present and nurturing self-awareness, you can turn sour lemons into nourishing lemonade, or even vegan ice cream!

In this exclusive clip from the upcoming Broadway Drumming 101 podcast, percussionist Andrew Atkinson shares how a one-off gig on America's Got Talent led to an unforgettable opportunity on Hamilton. Hear how a backstage connection, a feature in Modern Drummer, and pure preparation paved the way for his Broadway debut — all without asking for a single gig.Andrew recalls the moment he heard "My Name Is Alexander Hamilton" live for the first time, the wild audience reaction, and how he learned the book in just two weeks. Most powerful of all? His mindset: "I don't get nervous. I get prepared."

One of this Broadway season's most talked about shows is the new, Jamie Lloyd directed revival of SUNSET BOULEVARD. The production, which was first seen at the Savoy Theatre in the West End, stars Nicole Scherzinger as Norma Desmond and Tom Francis as Joe Gillis. Despite the show's success and buzz, however, it was recently announced that the run would conclude in July, shortly after this year's Tony Awards. Is this the conclusion of what was always intended to be a limited run, or the result of recasting challenges? Let's talk about it...•00:00 | introduction03:37 | overview / news06:43 | the reasons why12:14 | the impact15:33 | what happens next?•get in person / live stream tickets to see MickeyJoTheatre LIVE at the Phoenix Arts Club:https://phoenixartsclub.com/events/mickeyjotheatre-live/•About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 75,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

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In this episode of *Half Hour with Jeff & Richie*, we dive into the Broadway production of The Picture of Dorian Gray at the Music Box Theatre. Featuring Sarah Snook's captivating one-person performance, we discuss how Kip Williams' direction and innovative use of technology bring Oscar Wilde's classic tale to life. From themes of vanity and youth to the immersive video design that redefines storytelling, we explore why this production is a game-changer for Broadway. Plus, we share our thoughts on its Tony Awards potential and the future of tech-driven theater.   Follow and connect with all things @HalfHourPodcast on Instagram, and YouTube. Share your thoughts with us on The Picture of Dorian Gray on our podcast cover post on Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices

Monetize Your Message   Episode #153   In today's episode of "The Creative Soulpreneur," we're diving into the world of monetizing your message. Have you ever wondered if one powerful message could build your million-dollar business? Nick assures us it can and reveals seven—or maybe even more—ways to turn your expertise into multiple revenue streams. From identifying your unique core message to finding the right audience and navigating the dos and don'ts of pricing strategies, Nick offers a comprehensive guide to creating a thriving business. You'll learn how to avoid common pitfalls like underpricing, discover speaking and coaching models, and explore digital products and content monetization. Plus, Nick shares insights on the importance of systems, pricing strategies, and ongoing adaptation in your business model. Get ready to transform your story into a profitable venture with these actionable tips!   Key Takeaways: Define Your Unique Message: Start with core message identification, a blend of your values, talents, and who you serve. It's the foundation for connecting with your aligned customer community. Diversify Revenue Streams: From coaching to digital products, explore different ways to monetize. Think beyond traditional means and consider passive income opportunities to stabilize your income flow. Implement Systems for Success: Having a structure is crucial. Whether it's financial tracking, client management, or team communication, systems help streamline your business and ensure sustainable growth.   Story Telling Guide!!!   Nick Demos is a Tony and Olivier Award winning Broadway producer, documentary filmmaker, conscious business coach and manifestation expert. With over 15 years of teaching pranayama (breath work), yoga and creativity as well as thirty years in the entertainment industry, he has travelled from the Tony Awards to ashrams and run a multi-million dollar business in between. Nick helps you clear blocks and tap into your creative intuition so you can tell your stories and manifest the business and life of your dreams creating wealth and impact.  

Back in 2021, I sat down with one of the most versatile and in-demand drummers on Broadway: Sean McDaniel.Since that interview, Sean's career has only expanded. He's played Some Like It Hot, Cabaret at the Kit Kat Club and now holds the drum chair for one of the most buzzed-about new musicals on Broadway: Smash.So I figured—why not bring this conversation back to the forefront?In this re-released episode, Sean gives us an inside look at the early development of The Book of Mormon, starting with a modest 20-minute workshop. It's wild to hear how the show started with hand-drawn cartoons projected behind a reading stage—and how Sean's ability to adapt, play by ear, and control dynamics became essential in shaping the drum parts that evolved over the years.Broadway Drumming 101 is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.He talks about the two lives of Broadway drumming: playing with “toothpicks” during readings and unleashing full stadium energy in the pit once the show is fully staged. That flexibility—combined with a deep understanding of styles and musical storytelling—is what sets him apart.Sean also shares how his high school show choir days prepared him for the dynamic, mic-less world of workshops and readings. He developed a skill many overlook: playing softly while still maintaining intensity.If you're a drummer looking to understand what it really takes to build a Broadway career from the ground up—this is an essential listen.The full episode drops this Saturday.

Carl Daikeler is a visionary entrepreneur and the CEO and co-founder of The Beachbody Company, a leading innovator in the fitness and nutrition space. With a career spanning over four decades, Daikeler has been a trailblazer, pioneering unconventional and highly effective methods to help individuals reach their health and fitness goals.  Daikeler co-founded Beachbody in 1998, now known as BODi, which has expanded into a powerhouse of fitness and nutrition tools under his leadership over the last 26 years. The brand is celebrated for its iconic programs such as P90X, Insanity, and 21 Day Fix, and its profound impact on millions worldwide.  Over the years, Daikeler has overseen the development of continued innovation resulting in massive growth, including the creation of Shakeology, the world's first superfood nutrition shake that has sold over a billion servings. He also hosts The BODi Experience podcast, is a successful Broadway theater producer winning three Tony Awards, and a tech investor.  Connect with Carl: Website: bodi.com Instagram: @carldaikeler Linkedin: Daikeler Carl  

In Episode 57, Brennan is joined by NYC-actress Jaime Lyn Beatty as they talk about her experience of theatre-education on multiple levels and ways to live life more creatively! Above all, when having a career in theatre, you have to make sure you're always following the happiness!Support the showHost/ Production/ Editing: Brennan StefanikMusic: Dylan KaufmanGraphic Design: Jordan Vongsithi@batobroadway on Instagram, Threads, and TikTokPatreon.com/batobroadway

Moulin Rouge was long awaited when it first came to Chicago a few years ago and now it is back!! The winner of 10 Tony Awards including Best Musical! It's been called spectacular and euphoric…this show is truly beautiful to watch. With music from Lady Gaga to the Beatles, this high energy wonder is back. Playing the […]

durée : 01:28:52 - Jeanine Tesori, une compositrice à Broadway - par : Laurent Valière - Jeanine Tesori peut aussi bien composer un opéra pour le Met de New York que "Shrek" la comédie musicale. Rencontre avec la compositrice lauréate de deux Tony Awards de la meilleure partition musicale pour "Fun home" et "Kimberly Akimbo". - réalisé par : Céline Parfenoff

Creative Flow   Episode # 152   Welcome to another episode of "The Creative Soulpreneur," where we dive deep into the heart of creativity and entrepreneurship. In today's episode titled "Get into Creative Flow," Nick opens up about transforming creative blocks into doorways for breakthroughs. After devoting nearly a decade to completing two documentaries, he found himself creatively spent and faced what seemed like insurmountable walls. But as he discovered, these blocks were not the end but signposts for growth. Join us as Nick shares practical techniques to move from creative paralysis to a flow state. From understanding common blocks like perfectionism and fear of judgment to exploring the role of environment and energy management, Nick offers invaluable tools and insights. He emphasizes the importance of gradual, sustainable creative practices, be it through nine-minute daily play or monthly creative experiments. So, grab a cup of tea, sit back, and let's explore how to maintain a sustainable creative flow in your entrepreneurial journey. Don't forget to share your creative experiences with us on social media. Let's get started!   Story Telling Guide!!!   Nick Demos is a Tony and Olivier Award winning Broadway producer, documentary filmmaker, conscious business coach and manifestation expert. With over 15 years of teaching pranayama (breath work), yoga and creativity as well as thirty years in the entertainment industry, he has travelled from the Tony Awards to ashrams and run a multi-million dollar business in between. Nick helps you clear blocks and tap into your creative intuition so you can tell your stories and manifest the business and life of your dreams creating wealth and impact.  

In this episode of Broadway Drumming 101, we sit down with Andrew Beall, an accomplished percussionist, composer, and Broadway musician whose career spans international performances, musical theater orchestration, and a deep love for percussion. From his early days in Ohio to working on some of Broadway's biggest productions, Andrew shares insights into his journey, his influences, and his passion for composition.We dive into the art of orchestration, the challenges of subbing on Broadway, and how he balances multiple musical roles—including running Bachovich Music Publications and managing orchestras. Andrew also talks about adapting to technological advancements in music, the impact of Finale's discontinuation, and how biking in NYC keeps him in rhythm with the city's fast pace.Whether you're an aspiring Broadway musician or just love behind-the-scenes stories from the theater world, this episode is packed with wisdom, humor, and practical advice.Episode Highlights:

Today we have a very special guest. From the stages of off-Broadway to the bright lights of Broadway, from his unmistakable voice to his performances in 30+ movies, Harvey Fierstein has spent a lifetime telling stories that matter. With four Tony Awards to his name—two for writing, two for acting—his work in Torch Song Trilogy, La Cage aux Folles, and Hairspray has redefined representation on stage. But beyond the accolades, there's the man: a Brooklyn-born artist whose journey has been shaped by family, resilience, and an unyielding belief in telling the truth. Harvey also has a deep love for sewing and costume design. Before becoming famous Fierstein studied art at the Pratt Institute in Brooklyn, New York and worked as a costume designer in the off-off-Broadway world. He has spoken about his passion for sewing in interviews, reminiscing about how he used to design and create costumes for drag performers and theater productions which helped shape his deep understanding of theatrical presentation and character development. His early work in costume design was part of his immersion in the vibrant New York theater community of the 1970s, where he collaborated with experimental and LGBTQ+ artists.Even as his career in theater took off with Torch Song Trilogy and Hairspray, sewing remained a part of his life. He has mentioned that working with fabric and creating garments is a meditative and creative outlet for him. His appreciation for costume design also extends to his theatrical work, where he often acknowledges the impact of great costume designers in bringing characters to life.So today we go beyond the footlights to explore the moments that made him—his early days, the influence of his parents, why Ridgefield, Connecticut became his adopted hometown and, why sewing has been an anchoring thread in his life. (2:15) We welcome the inimitable Harvey Fierstein! He shares how he first picked up sewing—starting with an industrial machine in his father's handkerchief factory—before setting his sights on becoming a Disney animator. But, things changed for him and as Harvey puts it, “Life only changes when you're brave enough to say yes.”(5:27) A deep dive into Harvey's quilting journey, from discovering HGTV and Alex Anderson to creating story-driven quilts today. His first quilt? Alex Anderson's Strips that Sizzle!(9:25) Growing up in a conservative Jewish household, Harvey learned the power of storytelling from his family. Education, art, music, and Broadway were all part of his upbringing, shaping the creative force he became.(11:45) Family isn't just who you're born to—it's also who you find. Harvey talks about his “found family” in the theatre, the people who call him “mama” and “papa,” and what it means to always be true to yourself.(13:32) Ever wonder what a Harvey Fierstein Stitch & Bitch session looks like? He spills all about his quilting experiments and creative process.(16:03) From bold colors to playful designs, Harvey shares his favorite fabrics and how he keeps things fresh alternating between challenging and just plain silly projects.(20:15) Picking a favorite quilt is like picking a favorite child—but Harvey gives it a shot!(23:20) The costumes that left a mark: Harvey reflects on the magic of theatrical costumes, the collaborative art of design, and why theatre itself is an act of faith.(27:07) Favorite roles—on stage, in film, and yes, even Death to Smoochy!(30:30) Writing his memoir I Was Better Last Night was a journey in itself. Harvey shares what inspired him to put his life on paper.(31:20) When did he finally feel accepted? And what really led him to move Torch Song Trilogy to Broadway? It's not the story you think!(32:31) A mother always knows! The moment Harvey's mom saw her own earrings on him during Torch Song Trilogy—and her priceless reaction.(34:00) What's the secret to his success? According to Harvey, it's all about taking that unexpected fork in the road.(38:38) The quilting class that changed everything: What Harvey learned from Kaffe Fassett, Brandon Mably and Liza Lucy.(39:10) Quilting vs. theatre—two creative worlds, two very different communities. Harvey compares the two.(40:54) The key to keeping every performance fresh? Harvey reveals how he does it.(43:06) Why Bridgefield, CT has been home for 40 years—and how Harvey's house reflects is unique perspective on life and art.(46:00) “As much as it hurts, tell the truth.” Harvey explains how this philosophy, shaped by his father, has guided his life and career.(47:25) What's next—what's left on Harvey's bucket list?(52:18) Want to connect with Harvey? Find him on Facebook and Instagram! Subscribe & Listen: Don't miss future episodes! Follow Sew & So Podcast wherever you listen to podcasts. Be sure to subscribe to, review and rate this podcast on your favorite platform…and visit our website sewandsopodcast.com for more information about today's and all of our Guests.

You can't mention Sutton Foster's several Tony Awards without talking about the blankets she crocheted along the way. Well maybe you can but Sutton wrote a memoir about the crafts she completed while becoming a Broadway legend, a Bunhead, and so much more. If you want to read a book about someone who is insanely talented and accomplished, this is it. If you just want to hear our thoughts on it, listen up.  WE'RE BACK ON TOUR April 4: Toronto April 10: Philadelphia April 11: Washington DC  April 24: San Francisco  May 1: Chicago  May 16: London  May 18: Dublin June 14: New York  If you want to host a CMBC meetup here's a meetup 101 packet to help you plan! Keep up with all the latest:  https://celebritymemoirbookclub.biz/ Join our Geneva Community to chat with the other worms!!!!  Join the Patreon for new episodes every Thursday! https://www.patreon.com/celebritymemoirbookclub  Follow us on Twitter @cmbc_podcast and Instagram @celebritymemoirbookclub  Art by @adrianne_manpearl and theme song by @ashleesimpsonross Learn more about your ad choices. Visit podcastchoices.com/adchoices

In Episode 56, Brennan is joined by actress Mariah Rose Faith Casillas as they talk about letting your guard down and letting some whimsy into your art! You fell in love with theatre for a reason, so don't let yourself lose sight of what that is!Support the showHost/ Production/ Editing: Brennan StefanikMusic: Dylan KaufmanGraphic Design: Jordan Vongsithi@batobroadway on Instagram, Threads, and TikTokPatreon.com/batobroadway

Throwback to one of the wildest and most unforgettable nights of my Broadway career—the opening night of Ain't Too Proud - The Life And Times Of The Temptations on March 21st, 2019, and performing on The Tonight Show Starring Jimmy Fallon. Playing live on national TV was already a huge deal, but throw in a mad dash through Times Square with a police escort to make it back to the Imperial Theatre for opening night? That took it to another level.After performing on The Tonight Show with Jimmy Fallon at 5 PM, we still had to race across town to the Imperial Theatre for our Ain't Too Proud opening night. Traffic leaving Rockefeller Center was brutal, and for a moment, it looked like we might not make it. But somehow, we pulled up just in time.I had a click track in my ears during this Tonight Show performance—same with the music director. The band and lead vocals were 100% live, but the background vocals were pre-recorded and locked to the click.Here's a little secret that not many folks—maybe not even most of my Ain't Too Proud cast and bandmates—know: between “Get Ready” and “Ain't Too Proud to Beg,” I had four clicks to cue me into the next tune. I was supposed to kick things off with that classic Benny Benjamin intro fill… but with the adrenaline rushing, nerves firing, and Questlove and The Roots watching from the wings, I skipped the fill and went straight into the groove.Thankfully—it worked. But man, knowing millions of people were watching, then thinking about how we had to jet across town and race to opening night right after this? My head was spinning.Looking back, I'm grateful for moments like that—creating something meaningful, making people smile, and sharing the stage with some of the best in the business. Ain't Too Proud should still be running, no doubt—but that's a convo for another day. For now, I'm just appreciating the journey. And with what I'm working on over the next few weeks, maybe there's one more Broadway run in my future.But if not? I'm good. I've had my shot—and I truly hope you get yours. There's nothing like the feeling of playing a show. It's one of the most rewarding experiences a musician can have.Have you ever had one of those moments where you knew the show or song like the back of your hand—but then one little thing throws you off? Let me know. I know I'm not the only one. Leave a comment here: Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.comThis Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

In this week's mini-sode, we are shining the spotlight on yet another Sondheim Broadway musical: Merrily We Roll Along! Although in recent years it has became a huge staple in musical theatre, it has a history fraught with stumbles and failure. So make sure you tune in to learn how exactly they turned everything around for this lovely show!Support the showHost/ Production/ Editing: Brennan StefanikMusic: Dylan KaufmanGraphic Design: Jordan Vongsithi@batobroadway on Instagram, Threads, and TikTokPatreon.com/batobroadway

From Corporate Life to Creative Freedom with Elizabeth Armistead   Episode #151   Welcome back to another inspiring episode of "The Creative Soulpreneur." Today, we dive into a heartfelt and transformative journey with an incredible guest, Elizabeth Armistead. Nick and Elizabeth shares their unique paths as creative beings navigating the challenges and triumphs of discovering their true selves. Nick recounts a serendipitous meeting with Elizabeth through a business network which blossomed into a profound friendship. Elizabeth, an innate creative, takes us on a reflective journey through her childhood filled with natural wonders and basketball dreams, revealing how those experiences laid the foundation for her present creative expression. In this episode, Elizabeth opens up about her struggles with societal expectations, coping mechanisms through corporate life, and the pivotal moments that led to her awakening and departure from the corporate realm. This conversation beautifully explores the essence of creativity, intuition, and the courage to embrace one's true purpose. We discuss the power of integrating holistic practices like breathwork and feng shui in shaping personal and professional fulfillment. Join us as we uncover the wisdom of listening to our inner callings, the vital role of our environments, and the transformative power of love and self-expression in the journey of a soulpreneur. It is a story of resilience, discovery, and the divine dance of creativity.   Takeaways: Trust Your Intuition: Elizabeth shares how basketball was her first taste of intuition, teaching her to believe in her actions and instincts. Whatever your passion, trusting yourself is key to success and creativity. Embrace Change: Elizabeth's journey from corporate life to creative freedom highlights the importance of listening to your inner call. Life's challenges, like her car accident, can unexpectedly redirect you towards your true purpose. Environment Reflects Your Soul: Through her work in Feng Shui, Elizabeth emphasizes how our surroundings can influence our internal world. Creating a harmonious space can elevate your energy and align you with your soul's purpose.   Elizabeth Website  Elizabeth Instagram Elizabeth Email address: Hello@ElizabethArmistead.com   Elizabeth Armistead is a transformational coach, breathwork and meditation teacher, and Feng Shui expert. With over 15 years of experience in executive coaching and management consulting, she combines her expertise in Gestalt psychology, leadership, and holistic life design to help individuals and organizations cultivate harmony, resilience, and deep fulfillment. Elizabeth guides clients through professional pivots, personal reinvention, and space alignment to unlock their full potential. Passionate about mental health, creativity, and intuition, she empowers people to thrive personally and professionally through mindfulness, deepened awareness, and intentional space design. Elizabeth equips clients with powerful tools for lasting well-being and authentic expression.   Nick Demos is a Tony and Olivier Award winning Broadway producer, documentary filmmaker, conscious business coach and manifestation expert. With over 15 years of teaching pranayama (breath work), yoga and creativity as well as thirty years in the entertainment industry, he has travelled from the Tony Awards to ashrams and run a multi-million dollar business in between. Nick helps you clear blocks and tap into your creative intuition so you can tell your stories and manifest the business and life of your dreams creating wealth and impact.  

Broadway Drumming 101 – Classic Interview: Gary SeligsonIn this classic episode of Broadway Drumming 101, I sit down with the incredible Gary Seligson. If you've been around the Broadway scene, you already know his name. Gary's played on some massive shows, including Aida, Tarzan, Wicked, and Billy Elliot. His resume is stacked, but what really makes this interview special is the insight he shares about navigating the business, working in the pit, and adapting to the ever-changing world of theater drumming.We get into everything—how he got started, what it takes to lock in with a Broadway orchestra night after night, and how he keeps his playing fresh even after doing the same show hundreds (or thousands) of times. He also shares his approach to learning a book, staying prepared, and making a lasting career in this business.Gary's been in the game for a long time, and he's got a ton of wisdom to share. Whether you're an aspiring Broadway drummer or just someone who loves hearing behind-the-scenes stories from the pit, this episode is packed with gems.Episode Highlights:* Gary's Beginnings in Drumming: From banging on pots and pans as a child to his first toy snare drum, Gary's love for drumming was evident from an early age. His father nurtured this passion, leading him to study with Glenn Weber, who became a pivotal figure in his musical education.* High School and Early Gigs: Gary discusses his experiences in regional and all-state jazz bands, his first gig at age 13 with a Chicago/Blood, Sweat & Tears-style horn band, and how playing Bar Mitzvahs and country music gigs gave him a solid foundation for professional musicianship.* Music Education at Hartt School of Music: He shares why he chose the Hartt School over Berklee and North Texas, his influential mentor Al Lepak, and how studying in Hartford put him on a path toward a professional career in music.* Breaking into the New York Music Scene: After studying with legendary studio drummer Gary Chester, Gary received his first opportunity to sub on Broadway's The King and I in 1984. His first night in the pit was a nerve-wracking but pivotal moment that shaped his future on Broadway.* National Tours and Nine Years on the Road: Gary recounts his time playing Cats, Les Misérables, and Miss Saigon on tour, how driving between cities gave him a new appreciation for different parts of the U.S., and how this extensive road experience prepared him for his return to Broadway.* Landing Long-Running Broadway Shows: His journey from subbing on Chicago and The Lion King to originating the drum books for Aida, Wicked, and Tarzan. He shares fascinating behind-the-scenes stories, including how Phil Collins personally insisted that Gary be the drummer for Tarzan after hearing him play Wicked live.* Working with Legends: Gary reflects on playing drums alongside Elton John and Phil Collins, what made their playing styles so unique, and how their guidance influenced his own musicianship.* Adapting to Different Roles: From drumming to percussion work on Motown: The Musical, Gary shares how playing alongside master percussionists like Roger Squitero and Javier Diaz elevated his approach to groove and feel.* Navigating Broadway's Ups and Downs: Gary talks about the transitions between gigs, the importance of subbing, and how he balanced a career that included School of Rock and subbing next to me at Ain't Too Proud.This in-depth discussion offers incredible insights into a Broadway musician's life, the industry's realities, and the dedication required to thrive in musical theater drumming. Whether you're an aspiring drummer or a theater enthusiast, this episode is a must-listen.Give it a listen, and let me know what you think!

Book Vs. Movie: Billy Elliot The 2000 Film Vs the 2014 Musical Live“Musicals in March!”The Margos continue “Musicals in March” with the film & stage show of Billy Elliot. Both tell the inspiring story of a working-class boy in 1980s northern England who discovers a passion for ballet during the UK miners' strike, but they differ in tone and presentation.The film, directed by Stephen Daldry and written by Lee Hall (based on his play Dancer), is a gritty drama starring Jamie Bell, featuring a rock and pop soundtrack. It focuses on Billy's journey and his family's struggles, earning critical acclaim and multiple BAFTA and Oscar nominations.In contrast, the musical expands the story with more extensive dance sequences and fantasy elements, highlighting the miners' plight. It includes music by Elton John and offers more character development and stylized theatrical moments. The musical has won numerous Olivier and Tony Awards.Which version did we prefer? Listen to find out! In this ep, the Margos discuss:The history behind the original story The road from the film world to stageThe cast includes: Jamie Bell (Billy Elliot young,) Adam Cooper (Billy Elliot grown,) Julie Walters (Sandra Wilkinson,) Gary Lewis (Jackie Elliot,) Jamie Draven (Tony Elliot,) Jean Heywood (Grandma,) Stuart Wells (Michael Caffrey young,) Merryn Owen (Michael Caffrey grown,) Nicola Blackwell (Debbie Wilkinson,) Colin Mclachlan (Tom Wilkinson,) Mike Elliot (George Watson,) and Billy Fane as Mr. Braithwaite. Clips Featured:“Billy performs for his dad (movie)”Billy Elliot (2000 trailer)"Like electricity (movie)""Billy says goodbye (movie)""Billy as a grownup (movie)"Billy Eliot the Musical (2014) trailer"Solidarity (musical)""Like electricity (musical)" Jamie Bell wins the BAFTA Music by Stephen Warbeck and Elton John. Follow us on the socials!Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo D's Blog: Brooklynfitchick.comMargo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok Margo D's YouTube: @MargoDonohueMargo P's Instagram: @shesnachomama Margo P's Blog: coloniabook.comMargo P's YouTube Channel: @shesnachomamaOur logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

Book Vs. Movie: Billy Elliot The 2000 Film Vs the 2014 Musical Live“Musicals in March!”The Margos continue “Musicals in March” with the film & stage show of Billy Elliot. Both tell the inspiring story of a working-class boy in 1980s northern England who discovers a passion for ballet during the UK miners' strike, but they differ in tone and presentation.The film, directed by Stephen Daldry and written by Lee Hall (based on his play Dancer), is a gritty drama starring Jamie Bell, featuring a rock and pop soundtrack. It focuses on Billy's journey and his family's struggles, earning critical acclaim and multiple BAFTA and Oscar nominations.In contrast, the musical expands the story with more extensive dance sequences and fantasy elements, highlighting the miners' plight. It includes music by Elton John and offers more character development and stylized theatrical moments. The musical has won numerous Olivier and Tony Awards.Which version did we prefer? Listen to find out! In this ep, the Margos discuss:The history behind the original story The road from the film world to stageThe cast includes: Jamie Bell (Billy Elliot young,) Adam Cooper (Billy Elliot grown,) Julie Walters (Sandra Wilkinson,) Gary Lewis (Jackie Elliot,) Jamie Draven (Tony Elliot,) Jean Heywood (Grandma,) Stuart Wells (Michael Caffrey young,) Merryn Owen (Michael Caffrey grown,) Nicola Blackwell (Debbie Wilkinson,) Colin Mclachlan (Tom Wilkinson,) Mike Elliot (George Watson,) and Billy Fane as Mr. Braithwaite. Clips Featured:“Billy performs for his dad (movie)”Billy Elliot (2000 trailer)"Like electricity (movie)""Billy says goodbye (movie)""Billy as a grownup (movie)"Billy Eliot the Musical (2014) trailer"Solidarity (musical)""Like electricity (musical)" Jamie Bell wins the BAFTA Music by Stephen Warbeck and Elton John. Follow us on the socials!Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo D's Blog: Brooklynfitchick.comMargo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok Margo D's YouTube: @MargoDonohueMargo P's Instagram: @shesnachomama Margo P's Blog: coloniabook.comMargo P's YouTube Channel: @shesnachomamaOur logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

In Episode 55, Brennan is once again joined by fan-favorite: Brandon Walters as they break down the procedures of attending an EPA or ECC. Securing an audition slot can be hard enough, but you also need to know what times the different venues open, when you can sign up on certain lists, etc. So tune in to ensure your best chance of having a successful audition day!Support the showHost/ Production/ Editing: Brennan StefanikMusic: Dylan KaufmanGraphic Design: Jordan Vongsithi@batobroadway on Instagram, Threads, and TikTokPatreon.com/batobroadway

Happy Year 2! In Episode 54, Brennan is joined by David Dines (a.k.a. Hanukah Lewinsky) as they talk about David's journey as a New York City drag queen! Drag has always been such a beautiful, multi-faceted art form, and a staple in the queer community, and it walks hand in hand with theatre performance as a viable career!Support the showHost/ Production/ Editing: Brennan StefanikMusic: Dylan KaufmanGraphic Design: Jordan Vongsithi@batobroadway on Instagram, Threads, and TikTokPatreon.com/batobroadway

Thanks for reading Broadway Drumming 101! This post is public so feel free to share it.In this episode of Broadway Drumming 101, host Clayton Craddock sits down with the incredibly talented drummer Jaylen Petinaud to discuss his journey from an eager young musician introducing himself at LaGuardia High School to playing with Herbie Hancock and holding the drum chair for Hell's Kitchen on Broadway.Jaylen shares stories about his early aspirations of playing in the NBA, how his love for music eventually won out, and his experiences at SUNY Purchase, where he studied both jazz and economics. He takes us through his path from jam sessions at Smalls and New Blue to working with artists like Kenny Seymour (For Colored Girls, The Harder They Come) and his pivotal mentorship with Zane Mark that introduced him to the world of theater.Jaylen talks about the moment he received a life-changing call from Herbie Hancock, his approach to preparing for the gig, and the whirlwind experience of balancing Broadway, jazz, and international touring. He also discusses what it was like auditioning for Alicia Keys' Hell's Kitchen, getting the approval of Adam Blackstone and Alicia Keys herself, and his first experience playing on electronic drums for the show.From studying Tony Williams and Jeff "Tain" Watts to working with Terrence Blanchard, Jaylen offers insights into developing his unique voice on the drums, handling the pressures of high-level gigs, and the importance of always being ready for the unexpected.This is an inspiring conversation for anyone looking to break into Broadway drumming, navigate the jazz scene, or just hear an incredible success story of a young drummer making waves in the music industry.

Tony Award-winning director George C. Wolfe and Tony Award-nominated director and choreographer Camille A. Brown joined Shelley Wade at The Sound Space @ Audacy New York for a conversation about Black excellence on Broadway and their work on "Gypsy" on Broadway starring Audra McDonald.

Cherry, baby! We are here with two-time Tony-winner and three-time Emmy-winner Cherry Jones. You Might Know Her From The Handmaid's Tale, 24, Transparent, Succession, The West Wing, The Village, The Eyes of Tammy Faye, and her numerous theatre credits including The Heiress, Doubt, Mrs. Warren's Profession, and The Glass Menagerie. Cherry talked to us about playing the real life Eileen Myles on Transparent, grounding the violence on 24, whether or not she'll appear in the final season of The Handmaid's Tale, and she shares with us an actor's secret: her “moment before” from the Broadway production of Doubt. Plus, we got the scoop on going toe to toe with Brian Cox on Succession, whether or not she'd ever play Madame/Mama Rose in Gypsy, and trailblazing as a queer person in entertainment when she won her Tonys. This one was just a total treat!  Patreon: www.patreon.com/youmightknowherfrom Follow us on social media: @youmightknowherfrom || @damianbellino || @rodemanne Discussed this episode: Was Sarah Schulman's novel People in Trouble ripped off for Rent? Michael Greif directed Jonathan Larson's original production of Rent Gypsy Rose Lee's autobiography, Gypsy: A Memoir:  June Havoc's 2 memoirs: Early Havoc and More Havoc Arthur Laurents' memoir: Original Story By: Gypsy movie with Rosalind Russell (1962) + Bette Midler tv Gypsy (1993) Our Sunset Boulevard review on Patreon Book about original production of Sunset Boulevard We are digging into the source material for our: YEAR OF Rent | Gypsy | Sunset Boulevard | Chicago The play is called Chicago Bette's Emmy performance of “Rose's Turn” in stirrup pants Spongebob creator Hillenburg sold rights to Nickelodeon and when he died they made a musical and lots of spin-offs Tick Tick Boom introduced Anne to Raul Esparza “Boho Days” 5 Days at Memorial (Apple TV) Nan Pierce on Succession was the bus and truck Katherine Graham After doing Doubt on Broadway, she went on national tour with the show Dennis Haysbert was first President on 24 and then it was Cherry as Allison Taylor Had been doing rep at ART for 10 years when she opened as Catherine in the 1995 revival of The Heiress directed by Gerry Guitierrez Cherry saw Tyne Daly and Angela Lansbury's Gypsy Angela was a tall woman Jane Greenwood was costume designer for The Heiress and the Colleen Dewhurst's A Moon for the Misbegotten Has Colleen's student id card from the American Academy of Dramatic Arts hanging on her wall Played Ma Joad at the National Theatre in London last summer (will not transfer) Jessica Chastain A Doll's House got the phone stuff out of the way at pre-show Testament of Mary with Fiona Shaw Jessica Hecht was so good in Summer of 1976 and Eureka Day Cherry loves J. Smith Cameron in anything M Night Shyamalan's Signs and The Village Former guest of the show Celia Weston told us M Night's camp was fun but didn't inform the work Starred opposite Mel Gibson in the Jodie Foster's film, The Beaver Twelfth Night with Diane Lane (directed by Andrei Serban) Lifetime lesbian movie with Brooke Shields, What Makes a Family (2001) We interviewed Veronica Cartwright who was in The Children's Hour Played Eleanor Roosevelt opposite Hilary Swank's Amelia Eearhart in Amelia  Tina Howe and Jack O'Brien's Pride's Crossing is the thing Cherry wants us to see Played Matt Damon's mom in Ocean's 12 even though she is 14 years younger than him MOVIES CHERRY IS NOT IN: Cold Mountain and A League of Their Own (aka Avita Vayonne)  Does the audiobooks for Little House on the Prairie books Claire Danes reads audiobook of The Handmaid's Tale Essentially played Eileen Myles in Transparent Was NOT in the O'Malley with Mickey Rooney  Was never ASKED to be on The L Word We talked to Barrie Kreinik about Eva La Gallienne and Laurette Taylor but said it was RUMORED, no receipts Character in Noel Coward's Hay Fever based on  Laurette Taylor  Timothee Chalamet's speech at the 2025 SAG Awards “They Like Me” is actually “YOU LIKE ME” “It Came True”

I finally saw REDWOOD, the new musical starring Idina Menzel and we have sooo much to unpack. In Broadway news, we are discussing the Tony Awards announcing Cynthia Erivo as our next host, Jordan Fisher joining the cast of Moulin Rouge, and the Maybe Happy Ending cast album release!Website: www.fromthemezzanine.comPatreon: Click HERE to become a Broadway Bestie TikTok: @FromTheMezzanineBroadwayInstagram: @FromTheMezzanineBroadwayYoutube: @FromtheMezzanineBroadwayBroadway Spotify Playlist: https://open.spotify.com/playlist/5t55fULcCqN0NMmK4OnfOA?si=89c08b1a8bb34d95

In Episode 53, Brennan is once again joined by Cara Rose DiPietro, as they discuss "Audition Season" during their live podcast recording at BroadwayCon 2025! As we are in the midst of audition season right now, they're giving you the first hand perspective, so make sure you tune in to hear what's going on!Support the showHost/ Production/ Editing: Brennan StefanikMusic: Dylan KaufmanGraphic Design: Jordan Vongsithi@batobroadway on Instagram, Threads, and TikTokPatreon.com/batobroadway

Today's featured guest is Seth Kuykendall from Formerly Known As. The interview covers Seth's background, musical influences, and involvement in the Memphis music scene. They talk about Seth's early interest in The Beatles and Elvis, his passion for guitar playing, and his favorite albums from The Beatles and Pink Floyd. Seth shares his journey of joining the band Formerly Known As and his experiences performing live. The conversation also covers Seth's love for gear and pedal boards, his family's support, his involvement in multiple bands, and his experiences at the Tony Awards. The episode concludes by discussing their favorite rock bands and the importance of supporting local music. YouTube - https://bit.ly/3UgqsY2 Spotify - https://bit.ly/3EJOGBO   HOW TO SUPPORT THE PODCAST If you find it in your heart to donate to the cause and help fuel the podcast you can do so through our new Venmo and CashApp. Your support is greatly appreciated and will help shine a brighter spotlight on the great Memphis Music Community. Venmo - @‌therhythmsectionpod CashApp - $therhythmsectionpod Thanks for tuning in and supporting the Rhythm Section Podcast.

 The Gossip Pups are in Nashville, TN and have a special guest in the recording booth!! Time to spill the tea on...Pop Culture: Martin Short and Steven Martin got COVID after SNL 50th Special, Cynthia Erivo to host Tony Awards, Taylor Swift had a hand in casting It Ends With Us, Meghan Markle rebranding As Ever and could face legal actions for Brand Logo, Kylie Kelce explains why Jason Kelce isn't her emergency contact.Pup Culture: Shamrock the golden retriever puppy born green is living lucky life in a new home with a new fur color, Her in-laws dog went missing. She was shocked by where she later found him, we identify as a cat and a dog!Follow Tinkerbelle and Belle! Instagram: @TinkerbellethedogTikTok: @TinkerbelleAdogFacebook: Tinkerbelle the DogYoutube: Tinkerbelle the dogTwitter: @TinkerbelleadogHave a question for us? Email us at GossipPups@gmail.com!SHOP: Tinkerbelle the Dog & Belle's 2025 CalendarSHOP: Tinkerbelle the dog & Belle Merch

In this week's mini-sode, we're shining the spotlight on Broadway's classic: Oklahoma! With Oklahoma being among the first book-musicals, it helped pave the way for what we know as modern musical theatre today!Support the showHost/ Production/ Editing: Brennan StefanikMusic: Dylan KaufmanGraphic Design: Jordan Vongsithi@batobroadway on Instagram, Threads, and TikTokPatreon.com/batobroadway

It's been another winning week for the Carter family!  Last week, Jay-Z's child rape case was dropped. Now, Beyoncé has announced a historic partnership with Ulta Beauty, making her Cecred haircare line available in 1,400 Ulta stores and online. This marks the largest exclusive hair brand launch in Ulta's history! Beyoncé is on a mission to break misconceptions about Black-owned hair brands and create inclusive excellence for all hair types. Meanwhile, Tyler, the Creator is giving back in a big way. He's providing meals to 100 people on Skid Row, donating high-quality food like shrimp tempura and cream of wheat through the Los Angeles Mission. Love seeing celebs supporting the community! And Cynthia Erivo is adding Tony Awards host to her already stacked résumé! The Wicked star—who's already a Golden Globe and Tony winner—is gearing up to usher in a night of Broadway excellence this awards season. For all this and more, follow @TanyaHollywood and visit @aurnonline for exclusive entertainment updates! Learn more about your ad choices. Visit megaphone.fm/adchoices

What does it take to turn a city into a top destination for Broadway tours? Tom Gabbard, CEO of Blumenthal Arts since 2003, joins The Charlotte Ledger Podcast to pull back the curtain on Charlotte's booming arts scene. Under Gabbard's leadership, Blumenthal has transformed into a powerhouse, managing four theaters and hosting more than 1,000 events annually. In this engaging conversation—recorded in front of an audience at The Sharon at South Park—Gabbard shares the inside story of how Charlotte became a top 10 market for Broadway touring shows and what it was like being in the room when Lin-Manuel Miranda first pitched the musical "Hamilton."In a conversation with The Ledger's Cristina Bolling, and in responding to audience questions, Gabbard discusses Blumenthal's efforts to expand the arts beyond the stage, how it adapted during the pandemic, the balancing act of booking national tours while fostering local talent, and what it's like being a longtime Tony Awards voter. Whether you're a theater lover, an arts advocate, or just curious about the business behind the spotlight, this episode is packed with behind-the-scenes stories and insights on the future of the arts in Charlotte.You can find out more about Blumenthal Arts at blumenthalarts.org.You can find out more about The Charlotte Ledger at TheCharlotteLedger.com.The Charlotte Ledger Podcast is produced by Lindsey Banks. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit charlotteledger.substack.com/subscribe

Check out iammeproject.org for details on how to get involved with Saturday's event!

Cynthia Erivo is set to take the stage as the host of the Tony Awards. Kendel Jenner and Devon Booker are back together and even stronger. HBO has announced the premier date for season 2 of “The Last of US”   Make sure to also keep up to date with ALL our podcasts we do below that have new episodes every week:The Thought ShowerLet's Get WeirdCrisis on Infinite Podcasts

Dean Richards, entertainment reporter for WGN, joins Bob Sirott to provide the latest news in entertainment. Bob and Dean talk about the anniversary of a timeless superhero, when “Wicked” will debut on Peacock, and who will be hosting the Tony Awards. They also share details about a movie featuring Kanye West and Bianca Censori, unreleased […]

When Hamilton premiered off-Broadway on February 17, 2015, it created an instant sensation, making American history genuinely exciting for modern audiences, and transforming Broadway with his color-blind casting. Creator Lin-Manuel Miranda built on the blending of hip-hop and traditional Broadway musical styles that he brought to bear on In the Heights to tell the story of American founding father Alexander Hamilton and the birth of our nation. The show was nominated for 16 Tony Awards, winning 11 of them including Best Musical, and won the 2016 Pulitzer Prize for Drama; its original Broadway cast recording peaked at No. 2 on the Billboard 200, and reached No. 1 on the Billboard rap albums chart. Now, 10 years after its debut, the Great Pop Culture Debate wants to back to the room where it happened as we determine the Best Hamilton Song. Songs discussed include: “Satisfied,” “It's Quiet Uptown,” “Dear Theodosia,” “Who Lives, Who Dies, Who Tells Your Story,” “Alexander Hamilton,” “Wait For It,” “What'd I Miss?” “You'll Be Back,” “Burn,” “Non Stop,” “Yorktown (The World Turned Upside Down),” “Helpless,” “The Schuyler Sisters,” “One Last Time,” “The Room Where It Happened,” “My Shot.” Join host Eric Rezsnyak, GPCD panelists Gary Jackson and Joelle Boedecker, and Patreon sponsor Kathy Kingsley as they discuss 16 of the most beloved songs from Lin-Manuel Miranda's Hamilton. Play along at home by finding the listener bracket here. Make a copy for yourself, fill it out, and see if your picks match up with ours! For more exclusive content, including the warm-up in which we discuss even more Hamilton songs that didn't make the bracket, become a Patreon supporter of the podcast today. Looking for more reasons to become a Patreon supporter? Check out our Top 10 Patreon Perks. Want to play along at home? Download the Listener Bracket and see if your picks match up with ours! Sign up for our weekly newsletter! Subscribe to find out what's new in pop culture each week right in your inbox! Vote in more pop culture polls! Check out our Open Polls. Your votes determine our future debates! Then, vote in our Future Topic Polls to have a say in what episodes we tackle next. Episode Credits Host: Eric Rezsnyak Patreon Sponsor: Kathy Kingsley Panelists: Gary Jackson, Joelle Boedecker Producer: Curtis Creekmore Editor: Bob Erlenback Theme Music: “Dance to My Tune” by Marc Torch Learn more about your ad choices. Visit megaphone.fm/adchoices

Broadway Drumming 101 is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.In this episode of Broadway Drumming 101, I chat with the legendary Jonathan Haas about his incredible journey from studying liberal arts to becoming a virtuoso timpanist and professional musician. We talk about his groundbreaking work in Broadway and orchestral music, his passion for drumming, and his thoughts on navigating the challenges of the entertainment industry.Highlights from the Episode:* Jonathan's Journey: How he transitioned from liberal arts to music and became a timpanist with the St. Louis Symphony before moving to New York to study at Juilliard.* NYU Broadway Percussion Seminar: The creation of a one-of-a-kind program that brought over 400 students from around the world to learn from Broadway professionals, observe live pits, and engage with union leaders.* Broadway Experiences: Jonathan shares stories about his early days as a sub on Broadway, a memorable sword accident during Pirates of Penzance, and the lessons he learned.* Making Connections: Why being a good person and building relationships is essential for success in the music industry.* The Role of Luck and Hard Work: Jonathan reflects on serendipity, the reality of hard work, and balancing dreams with practical goals.Key Takeaways:* Aspiring percussionists need to sound exactly like the person they're subbing for—the best compliment is being mistaken for the regular.* Always respond promptly to emails and calls, and don't take on tasks you're not ready for.* Hard work, connections, and adaptability are crucial in building a sustainable career in entertainment.Subscribe and Don't Miss Out!Make sure to subscribe to Broadway Drumming 101 on your favorite podcast platform and turn on notifications to be the first to hear this inspiring episode with Jonathan Haas!Virtuoso timpanist Jonathan Haas has raised the status of the timpani to that of a solo instrument throughout his unique career that has spanned more than twenty years. From classical concertos to jazz and rock & roll, from symphonic masterpieces to the most experimental compositions of living composers, Haas has championed, commissioned, unearthed and celebrated music for his instrument, becoming, as Ovation magazine hailed him, "The Paganini of the timpani."His concerts on the world's most prestigious musical stages and his ground-breaking recordings have delighted critics and listeners on both sides of the ocean. The New York Times wrote, "Wherever one finds a percussion instrument waiting to be rubbed, shook, struck or strummed, [Haas] is probably nearby, ready to fulfill his duties with consummate expertise... he is a masterful young percussionist."Most recently, Haas has garnered widespread praise and attention for his performances of Philip Glass' Concerto Fantasy for Two Timpanists and Orchestra, a piece conceived by Haas and completed because of his quest to spotlight the timpani. The Concerto Fantasy features not only two timpanists, but also 14 timpani, all placed downstage in front of the orchestra. In 2000, Haas performed the world premiere of the piece with the American Symphony, and he has subsequently performed it at Carnegie Hall and in Phoenix, New Jersey, Baltimore, Pasadena, Long Beach (California), St. Louis and Mexico City. Haas also performed the European premiere with the BBC Symphony in London, the world premiere of a chamber orchestra version with the Iris Chamber Orchestra in Memphis, the Czechoslovakian premiere with the Prague Symphony Orchestra at the International Music Prague Spring Festival, the Norwegian premiere with the Bergen Philharmonic, and he will perform the Australian premiere with the Sydney Symphony and the Turkish premiere with the Istanbul Philharmonic.Haas' successful efforts to expand the timpani repertoire have led him to commission and premiere more than 25 works by composers in addition to Philip Glass such as Stephen Albert, Marius Constant, Irwin Bazelon, Eric Ewazen, Thomas Hamilton, Robert Hall Lewis, Jean Piche, Karlheinz Stockhausen, Andrew Thomas, and many others.Haas built the world's largest timpani and debuted it in 2003 at the Aspen Music Festival. This unprecendented, incredible instrument -- nearly 6' wide and nearly 4' tall – beats the world's second-largest timpani — a 48-incher used by Amsterdam's Concertgebouw Orchestra — by almost half.Haas' recordings include the trail-blazing 18th Century Concertos for Timpani and Orchestra and Johnny H. and the Prisoners of Swing, both on Sunset Records. The latter was named for his jazz group and features innovative renderings of jazz compositions featuring "hot timpani" in front of a full jazz ensemble. His rediscovery of Duke Ellington's brilliant composition for jazz timpani, "Tympaturbably Blue," is included on this recording, as are other jazz standards played on a set of ten kettledrums.Demonstrating a remarkable versatility as a musician, Haas has performed and recorded with Emerson, Lake and Palmer, played on the Grammy Award-winning recording Zappa's Universe, recorded with Aerosmith, Michael Bolton, Black Sabbath, and explored heavy metal with his rock group Clozshave.The rarest of modern virtuosi, Haas embarked on his career as a solo timpanist by performing the only solo timpani recital ever presented at Carnegie Recital Hall in 1980. As an orchestral soloist, he made his debut with the New York Chamber Orchestra under Maxim Shostakovich and his European solo debut with the Bournemouth Sinfonietta. He made his French debut performing Andrez Panufnick's Concerto for Percussion, Timpani and Orchestra with the Orchestra de la Garde Republicaine. He was the soloist in the Druschetsky Concerto for Eight Timpani, Oboe and Orchestra with the Aspen Chamber Orchestra. He has also performed as a solo timpanist for the Distinguished Artists Recital Series at New York's 92nd Street ‘Y' and as a guest artist with the Lincoln Center Chamber Society, the Chamber Music at the ‘Y' Series, and the Newport Chamber Music Festival. He has championed new music by presenting adventuresome programming such as The Music of Frank Zappa, showcasing the music of Edgar Varese and Frank Zappa, under the auspices of Lincoln Center's Great Performers Series.Haas is the principal timpanist of the New York Chamber Orchestra, the Aspen Chamber Orchestra and EOS Ensemble, principal percussionist of the American Symphony Orchestra, and a member of the American Composers Orchestra. He performs with the Orpheus Chamber Orchestra, Mostly Mozart Festival Orchestra, New York Pops, and New Jersey Symphony and has performed and recorded with the New York Philharmonic, the Stuttgart Chamber Orchestra and the St. Louis Symphony Orchestra.A graduate of Washington University in St. Louis, Haas received his Master's Degree from the Juilliard School as a student of Saul Goodman. An inspiring teacher, he has been the director of the Peabody Conservatory Percussion Studio for twenty years and a faculty artist of the Aspen Music School, and he conducts the percussion ensembles at both schools. He has presented master classes throughout the United States and internationally at the Toho Gauken, Hanoi Conservatory, Paris Conservatory, and the Graz Percussion School. Sharing his enthusiasm for music with young people, he has presented over two hundred concert-demonstrations with his "Drumfire" program, under the auspices of the Lincoln Center Institute, the New York Chamber Symphony's Sidney Wolff Children's Concert Series, and the Aspen Festival Young Person's Concert Series.As active an entrepreneur as he is an artist, Haas heads Sunset Records, Kettles and Company, and Gemini Music Productions which contracts musicians for Lincoln Center, New York Pops, and many other organizations. He also works closely with percussion industry manufacturers Pearl/Adams, Promark and Zildjian, among others.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Through February, the stage production of Fat Ham will premiere at the Cleveland Play House. It's a cleverly hilarious retelling of William Shakespeare's Hamlet through the eyes of "Juicy," a Southern Black mama's boy during a backyard cookout. It unapologetically centers Black joy and flips masculinity on its head. For many, the play's premise might cause a casual reader to double-take. Yet, the production won the 2022 Pulitzer Prize winner for drama and was nominated for five Tony Awards including Best Play. This summer, England's Royal Shakespeare Company itself will stage the European premiere.rnrnrnFrom Hollywood film to literature and theatre productions--contemporary spins on classics are not a new concept. These reinterpretations often reach new audiences, create new models for artistic production, and create space for entire communities.

Get ready for an exciting upcoming episode of Broadway Drumming 101! I'll be talking with the legendary timpanist Jonathan Haas about his groundbreaking work with the NYU Broadway Percussion Seminar. Jonathan shares how the program started, its impact on over 400 students worldwide, and how it gave young musicians a real taste of Broadway—playing with top percussionists, sitting in active pits, learning about unions at Local 802, and getting advice from icons like contractor John Miller.We'll also dive into how a simple lunchroom conversation sparked the creation of the NYU Broadway Orchestra Program. You won't want to miss these incredible behind-the-scenes stories about Broadway music education and what it takes to succeed.Subscribe now to Broadway Drumming 101 on your favorite platform and turn on notifications so you'll be the first to know when this episode drops!Virtuoso timpanist Jonathan Haas has raised the status of the timpani to that of a solo instrument throughout his unique career that has spanned more than twenty years. From classical concertos to jazz and rock & roll, from symphonic masterpieces to the most experimental compositions of living composers, Haas has championed, commissioned, unearthed and celebrated music for his instrument, becoming, as Ovation magazine hailed him, "The Paganini of the timpani."His concerts on the world's most prestigious musical stages and his ground-breaking recordings have delighted critics and listeners on both sides of the ocean. The New York Times wrote, "Wherever one finds a percussion instrument waiting to be rubbed, shook, struck or strummed, [Haas] is probably nearby, ready to fulfill his duties with consummate expertise... he is a masterful young percussionist."Most recently, Haas has garnered widespread praise and attention for his performances of Philip Glass' Concerto Fantasy for Two Timpanists and Orchestra, a piece conceived by Haas and completed because of his quest to spotlight the timpani. The Concerto Fantasy features not only two timpanists, but also 14 timpani, all placed downstage in front of the orchestra. In 2000, Haas performed the world premiere of the piece with the American Symphony, and he has subsequently performed it at Carnegie Hall and in Phoenix, New Jersey, Baltimore, Pasadena, Long Beach (California), St. Louis and Mexico City. Haas also performed the European premiere with the BBC Symphony in London, the world premiere of a chamber orchestra version with the Iris Chamber Orchestra in Memphis, the Czechoslovakian premiere with the Prague Symphony Orchestra at the International Music Prague Spring Festival, the Norwegian premiere with the Bergen Philharmonic, and he will perform the Australian premiere with the Sydney Symphony and the Turkish premiere with the Istanbul Philharmonic.Haas' successful efforts to expand the timpani repertoire have led him to commission and premiere more than 25 works by composers in addition to Philip Glass such as Stephen Albert, Marius Constant, Irwin Bazelon, Eric Ewazen, Thomas Hamilton, Robert Hall Lewis, Jean Piche, Karlheinz Stockhausen, Andrew Thomas, and many others.Haas built the world's largest timpani and debuted it in 2003 at the Aspen Music Festival. This unprecendented, incredible instrument -- nearly 6' wide and nearly 4' tall – beats the world's second-largest timpani — a 48-incher used by Amsterdam's Concertgebouw Orchestra — by almost half.Haas' recordings include the trail-blazing 18th Century Concertos for Timpani and Orchestra and Johnny H. and the Prisoners of Swing, both on Sunset Records. The latter was named for his jazz group and features innovative renderings of jazz compositions featuring "hot timpani" in front of a full jazz ensemble. His rediscovery of Duke Ellington's brilliant composition for jazz timpani, "Tympaturbably Blue," is included on this recording, as are other jazz standards played on a set of ten kettledrums.Demonstrating a remarkable versatility as a musician, Haas has performed and recorded with Emerson, Lake and Palmer, played on the Grammy Award-winning recording Zappa's Universe, recorded with Aerosmith, Michael Bolton, Black Sabbath, and explored heavy metal with his rock group Clozshave.The rarest of modern virtuosi, Haas embarked on his career as a solo timpanist by performing the only solo timpani recital ever presented at Carnegie Recital Hall in 1980. As an orchestral soloist, he made his debut with the New York Chamber Orchestra under Maxim Shostakovich and his European solo debut with the Bournemouth Sinfonietta. He made his French debut performing Andrez Panufnick's Concerto for Percussion, Timpani and Orchestra with the Orchestra de la Garde Republicaine. He was the soloist in the Druschetsky Concerto for Eight Timpani, Oboe and Orchestra with the Aspen Chamber Orchestra. He has also performed as a solo timpanist for the Distinguished Artists Recital Series at New York's 92nd Street ‘Y' and as a guest artist with the Lincoln Center Chamber Society, the Chamber Music at the ‘Y' Series, and the Newport Chamber Music Festival. He has championed new music by presenting adventuresome programming such as The Music of Frank Zappa, showcasing the music of Edgar Varese and Frank Zappa, under the auspices of Lincoln Center's Great Performers Series.Haas is the principal timpanist of the New York Chamber Orchestra, the Aspen Chamber Orchestra and EOS Ensemble, principal percussionist of the American Symphony Orchestra, and a member of the American Composers Orchestra. He performs with the Orpheus Chamber Orchestra, Mostly Mozart Festival Orchestra, New York Pops, and New Jersey Symphony and has performed and recorded with the New York Philharmonic, the Stuttgart Chamber Orchestra and the St. Louis Symphony Orchestra.A graduate of Washington University in St. Louis, Haas received his Master's Degree from the Juilliard School as a student of Saul Goodman. An inspiring teacher, he has been the director of the Peabody Conservatory Percussion Studio for twenty years and a faculty artist of the Aspen Music School, and he conducts the percussion ensembles at both schools. He has presented master classes throughout the United States and internationally at the Toho Gauken, Hanoi Conservatory, Paris Conservatory, and the Graz Percussion School. Sharing his enthusiasm for music with young people, he has presented over two hundred concert-demonstrations with his "Drumfire" program, under the auspices of the Lincoln Center Institute, the New York Chamber Symphony's Sidney Wolff Children's Concert Series, and the Aspen Festival Young Person's Concert Series.As active an entrepreneur as he is an artist, Haas heads Sunset Records, Kettles and Company, and Gemini Music Productions which contracts musicians for Lincoln Center, New York Pops, and many other organizations. He also works closely with percussion industry manufacturers Pearl/Adams, Promark and Zildjian, among others.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

  Season Five of Stages Podcast start with a question and answe episode. We're joined by a fantastic group of Thespians, all connected through their work with the Educational Theatre Foundation. ETF is the philanthropic arm of the Educational Theatre Association, and home to the International Thespian Society. In this episode, Cristiana, Marsae, Layla, Kenna, McKenzie & Lolly join Marylee and Stephanie to ask questions about working in the theater.  Educational Theatre Foundation   Join Stages Podcast Maiing list The Artists Way Better Help Thank you FeedSpot for voting Stages one of the top Broadway Podcasts

Al Pacino is a screen and stage actor. Emerging from New York's underground theater scene in the 1960s, he refined his craft under mentors including Lee Strasberg and Charlie Laughton. Best known for his iconic portrayals in The Godfather trilogy, Scarface, and more recently, House of Gucci, he is cited as one of the most respected actors of his generation. In his career spanning over five decades, Pacino has earned an Academy Award for Scent of a Woman, two Tony Awards for his stage work, and two Emmy Awards for his television roles. In addition to his on-screen appearances in television and film, Pacino has also taken on various directorial and production roles, and he currently serves as co-president of The Actors Studio alongside Ellen Burstyn and Alec Baldwin. His New York Times bestselling memoir, Sonny Boy, serves as a reflection of his life, craft, and the roles that shaped his extraordinary career.   ------ Thank you to the sponsors that fuel our podcast and our team: Squarespace https://squarespace.com/tetra Use code 'TETRA' ------ Vivo Barefoot http://vivobarefoot.com/tetra Use code 'TETRA25' ------ LMNT Electrolytes https://drinklmnt.com/tetra Use code 'TETRA' ------ Athletic Nicotine https://www.athleticnicotine.com/tetra Use code 'TETRA' ------ Sign up to receive Tetragrammaton Transmissions https://www.tetragrammaton.com/join-newsletter