Podcasts about 1950s

Matt and Eric kick off a 5-week Ethan Hawke run by carpe'ing the f'n diem out of 1989's DEAD POETS SOCIETY - starring Hawke as a shy, insecure lad who's inspired by Robin Williams' zany (kind-of-irresponsible) prep school poetry teacher.

Send us Fan MailThe boys are reminiscing about their recent steak night at Charley's in Tampa, Florida. Australian Wagyu Tomahawk Ribeye Steak! Holy COW!2 ALs 1 Pod is a comedy podcast hosted by stand-up comedians Al Ducharme and Al Romas. Originally titled Talking Dicks Comedy Podcast, the show is a spinoff from their web series The Two Dicks, which features two inept 1950s detectives. The podcast blends observational humor, personal anecdotes, and satirical commentary, often revisiting classic episodes from their archives. With over 370 episodes, it offers a mix of new content and “vault” episodes, providing listeners with a variety of comedic material.  You can listen to 2 ALs 1 Pod on platforms like Spotify, Apple Podcasts, and Buzzsprout. For additional content, including video episodes and behind-the-scenes material, visit their Patreon page. https:/patreon.com/2als1podhttps://www.instagram.com/thetalkingdickscomedypodcast/https://twitter.com/DicksTwohttps://www.facebook.com/thetwodickshttps://www.facebook.com/The-Talking-Dicks-Comedy-Podcast-107101331446404Support the show

We set the wayback machine 75 years to take look back at the creation of the alien invation subgenre, its origins, motivations, the paralles to today, and why we still love watching these sometime hocky, sometimes silly, often beautiful, and still effectilvly thrilling, chilling, and entertaining pictures.

Send us Fan MailThis video is about TD 195 Classic VideoWe have a bunch of past podcast that sit under lock and key and every Friday we release one just for you. We use to be called the Talking Dicks Comedy Podcast but now we 2 ALs 1 Pod. Enjoy. 2 ALs 1 Pod is a comedy podcast hosted by stand-up comedians Al Ducharme and Al Romas. Originally titled Talking Dicks Comedy Podcast, the show is a spinoff from their web series The Two Dicks, which features two inept 1950s detectives. The podcast blends observational humor, personal anecdotes, and satirical commentary, often revisiting classic episodes from their archives. With over 370 episodes, it offers a mix of new content and “vault” episodes, providing listeners with a variety of comedic material.  You can listen to 2 ALs 1 Pod on platforms like Spotify, Apple Podcasts, and Buzzsprout. For additional content, including video episodes and behind-the-scenes material, visit their Patreon page. https:/patreon.com/2als1podhttps://www.instagram.com/thetalkingdickscomedypodcast/https://twitter.com/DicksTwohttps://www.facebook.com/thetwodickshttps://www.facebook.com/The-Talking-Dicks-Comedy-Podcast-107101331446404Support the show

What was random dating and how did it affect 1950s love lives? What was the pinning ritual all about and why was it perfect for predatory young men? All this and more in today's episode about the "Modern Courtship and Marriage" book from 1957.

Author R.W. Fields joins I Am Refocused Radio to discuss his debut novel, The Mullet Man, a moving coming-of-age story inspired by events he experienced in the Deep South during the summer of 1955. The story follows Richie, a young white boy whose love of fishing leads him across the social boundaries of his community and into an unlikely friendship with Ulysses, an elderly Black fisherman known as the Mullet Man. As their bond grows, Richie begins confronting the realities of racism, poverty, fear and the unwritten rules that were designed to keep people apart. Fields reflects on the childhood experiences that remained with him for nearly 70 years, why he began writing his first book in his eighties, and how honest relationships can challenge prejudice more powerfully than arguments alone. The conversation also explores critical thinking, the courage to question inherited beliefs, and why the lessons of 1955 still matter today. The Mullet Man is ultimately a story about friendship, trust and what can happen when two people choose to cross the creek dividing them.Get the book: https://a.co/d/0awpM32oBecome a supporter of this podcast: https://www.spreaker.com/podcast/i-am-refocused-radio--2671113/support.Subscribe now at YouTube.com/@RefocusedNetworkThank you for your time. 

Send us Fan MailDucharme broadcast from his new crib.Romas is sailing away agiain.2 ALs 1 Pod is a comedy podcast hosted by stand-up comedians Al Ducharme and Al Romas. Originally titled Talking Dicks Comedy Podcast, the show is a spinoff from their web series The Two Dicks, which features two inept 1950s detectives. The podcast blends observational humor, personal anecdotes, and satirical commentary, often revisiting classic episodes from their archives. With over 370 episodes, it offers a mix of new content and “vault” episodes, providing listeners with a variety of comedic material.  You can listen to 2 ALs 1 Pod on platforms like Spotify, Apple Podcasts, and Buzzsprout. For additional content, including video episodes and behind-the-scenes material, visit their Patreon page. https:/patreon.com/2als1podhttps://www.instagram.com/thetalkingdickscomedypodcast/https://twitter.com/DicksTwohttps://www.facebook.com/thetwodickshttps://www.facebook.com/The-Talking-Dicks-Comedy-Podcast-107101331446404Support the show

In this interview, author Stephen Harrigan discusses his historical novel, The Leopard is Loose, which centers on a real-life animal escape in 1950s Oklahoma City. The narrative follows young Grady McCarty and his family as they navigate the psychological and social shifts of the post-World War II era. Harrigan explains how the leopard serves as a catalyst for a community already destabilized by veterans' PTSD, looming Cold War anxieties, and the rigid structures of racial segregation. By filtering the story through Grady's childhood bewilderment and adult reflection, the book examines a family struggling to reconcile past trauma with an uncertain future. The discussion highlights how the pursuit of the escaped animal energized men who felt obsolete in a changing society, while also exposing the deep rifts within American domestic life.1916 TEXAS

Hi, I've just popped in to see how you are.

Send us Fan MailBaCK WHEN WE WERE CALLED: TD. VOL 194 Classic Episode.We have a bunch of past podcast that sit under lock and key and every Friday we release one just for you. We use to be called the Talking Dicks Comedy Podcast but now we 2 ALs 1 Pod. Enjoy. 2 ALs 1 Pod is a comedy podcast hosted by stand-up comedians Al Ducharme and Al Romas. Originally titled Talking Dicks Comedy Podcast, the show is a spinoff from their web series The Two Dicks, which features two inept 1950s detectives. The podcast blends observational humor, personal anecdotes, and satirical commentary, often revisiting classic episodes from their archives. With over 370 episodes, it offers a mix of new content and “vault” episodes, providing listeners with a variety of comedic material.  You can listen to 2 ALs 1 Pod on platforms like Spotify, Apple Podcasts, and Buzzsprout. For additional content, including video episodes and behind-the-scenes material, visit their Patreon page. https:/patreon.com/2als1pod https://www.instagram.com/thetalkingdickscomedypodcast/ https://twitter.com/DicksTwo https://www.facebook.com/thetwodicks https://www.facebook.com/The-Talking-Dicks-Comedy-Podcast-107101331446404  Support the show

Send us Fan MailIt's been well over a year since the boys have podcast in person. They meet in Costa Maya, Mexico and podcast outside at a local deli. 2 ALs 1 Pod is a comedy podcast hosted by stand-up comedians Al Ducharme and Al Romas. Originally titled Talking Dicks Comedy Podcast, the show is a spinoff from their web series The Two Dicks, which features two inept 1950s detectives. The podcast blends observational humor, personal anecdotes, and satirical commentary, often revisiting classic episodes from their archives. With over 370 episodes, it offers a mix of new content and “vault” episodes, providing listeners with a variety of comedic material.  You can listen to 2 ALs 1 Pod on platforms like Spotify, Apple Podcasts, and Buzzsprout. For additional content, including video episodes and behind-the-scenes material, visit their Patreon page. https:/patreon.com/2als1podhttps://www.instagram.com/thetalkingdickscomedypodcast/https://twitter.com/DicksTwohttps://www.facebook.com/thetwodickshttps://www.facebook.com/The-Talking-Dicks-Comedy-Podcast-107101331446404 https://www.patreon.com/2Als1podSupport the show

Blue Suede Boogie is a 1950s-style boogie blues music podcast. Step into a 1950s-style dance hall where the jukebox never stops spinning, the piano rolls all night, and every song makes you want to get up and dance. A celebration of classic boogie-woogie, jump blues, rockabilly, and early rock 'n' roll—packed with blazing piano solos, honking saxophones, swinging shuffle rhythms, vintage vibes, and unforgettable sing-along choruses. Song titles are in the order they were played... BOOGIE TILL THE BREAK OF DAY, JUKEBOX SATURDAY NIGHT, CHERRY COLA KISSES, SHAKE THESE BLUES AWAY, BLUE SUEDE MOONLIGHT, THE PIANO WON'T QUIT, ROLLIN' DOWN ROUTE 66, HONEY, TURN THAT RECORD UP, ONE MORE NICKLE IN THE JUKEBOX, SWINGING ON MAIN STREET, WHISKEY, WHEELS, & BOOGIE, ROCKIN' THROUGH THE NEON GLOW, JUMP BACK BABY, THE HOUSE THAT RHYTHM BUILT, LUCKY SHOES. Thanks for listening to Ken Steele Music.

Send us Fan MailDucharme is on Nantucket performing stand-up comedy at the annual Nantucket Comedy Festival.Romas is on a cruise ship performing a plethora of shows for hungry passengers. Support the show

25 Forgotten Betty Crocker Icebox Desserts From The 1950s No One Makes Anymore!

Send us Fan MailOnce again Ducharme and Romas are many miles away but they managed to record a podcast anyway. jus for you!2 ALs 1 Pod is a comedy podcast hosted by stand-up comedians Al Ducharme and Al Romas. Originally titled Talking Dicks Comedy Podcast, the show is a spinoff from their web series The Two Dicks, which features two inept 1950s detectives. The podcast blends observational humor, personal anecdotes, and satirical commentary, often revisiting classic episodes from their archives. With over 370 episodes, it offers a mix of new content and “vault” episodes, providing listeners with a variety of comedic material.  You can listen to 2 ALs 1 Pod on platforms like Spotify, Apple Podcasts, and Buzzsprout. For additional content, including video episodes and behind-the-scenes material, visit their Patreon page. https:/patreon.com/2als1podhttps://www.instagram.com/thetalkingdickscomedypodcast/https://twitter.com/DicksTwohttps://www.facebook.com/thetwodickshttps://www.facebook.com/The-Talking-Dicks-Comedy-Podcast-107101331446404Support the show

Many thanks to SRAA contributor, Sarah Boucher, who shares the following recordings of two ABC Melbourne radio closedowns, captured via the ABC's domestic inland shortwave relays:Recording 1Broadcaster: 3AR Melbourne (ABC)Date of recording: Circa 1950sShortwave relay: VLH-9 on 9.68 MHz (30.99 metres)Notes: This is a 3AR Melbourne closedown announcement, relayed on shortwave via VLH-9 (9.68 MHz) as part of what the announcer describes as the ABC's "Northern Australian Service." During the sign-off, 3AR identifies itself as also transmitting through the regional stations 2CO Riverina, 3GI Gippsland, and 3WV Western Victoria, alongside the VLH-9 shortwave relay. The announcer then previews the following morning's shortwave frequencies: VLR-6 (6.15 MHz), VLH-11 (11.88 MHz), and VLG-15 (15.21 MHz).The real highlight is the use of the ABC's network chimes (or "gongs") immediately before the sign-off — a once-familiar feature of ABC presentation that is rarely preserved in surviving recordings. The recording concludes with the national anthem (God Save the Queen) and a formal station closedown. 3AR Melbourne (ABC) closedown with network gongs: circa 1950s Australian Broadcasting Commission Download Recording 2Broadcaster: 3LO Melbourne (ABC)Date of recording: 23 November 1978Shortwave relay: VLR-6 on 6.15 MHz (48.78 metres)Mode: AMNotes: This 3LO Melbourne closedown, relayed on shortwave via VLR-6 (6.15 MHz), is historically significant because it captures the night of Australia's nationwide AM frequency realignment to the new 9 kHz channel spacing plan, on 23 November 1978. The announcer — identified as Don Smire — advises listeners of the frequency changes taking effect that day:Station Old frequency New frequency3LO 770 kHz 774 kHz3AR 620 kHz 621 kHz3WV 590 kHz 594 kHz3GI 830 kHz 828 kHzThe announcement also notes that the shortwave relay VLR-6 on 6.15 MHz is closing down with the network. Unlike the earlier recording, this closedown ends with Advance Australia Fair rather than God Save the Queen — reflecting the gradual transition in Australian broadcasting practice through the 1970s. 3LO Melbourne (ABC) closedown: 23 November 1978 Download A little background: what were VLH-9 and VLR-6?These callsigns belonged to the ABC's domestic inland shortwave network. Before satellite distribution and widespread FM coverage, the ABC used shortwave transmitters to relay its state radio services to remote parts of Australia. Victoria's network used the VLR, VLH, and VLG callsign families to rebroadcast Melbourne programming for listeners in rural and remote areas. Contemporary shortwave enthusiasts often refer to these collectively as the ABC's "Inland Shortwave Services."A note to readersVery little context came with these recordings, so the details above have been pieced together from the announcements themselves and what we know of ABC history. If you can add any further detail — or spot something that needs correcting — please leave a comment below. Corrections and recollections are very welcome.

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30 LOST 1950s Skills Every American Boy Mastered Before Age 12

"Welcome to the program. If you walked into a Christian bookstore seventy years ago, the profound, soul-stirring writings of the Puritans were virtually lost to history—rotting in forgotten English attics and locked away in academic vaults. Today, we're sharing the remarkable story of a quiet literary rescue mission: a global, providential relay race run not by famous celebrities, but by a colorful band of printers, pastors, and tireless book-distributors. From Martyn Lloyd-Jones launching a modest magazine in post-war London, to remote bookrooms in Choteau, Montana, a devastating warehouse flood in Pennsylvania, and a hard-charging contractor who bought books by the pallet just to give them away, join us as we trace how a handful of dedicated pioneers brought the forgotten giants of the faith back to life—and forever changed the modern pulpit."

"Welcome to the program. If you walked into a Christian bookstore seventy years ago, the profound, soul-stirring writings of the Puritans were virtually lost to history—rotting in forgotten English attics and locked away in academic vaults. Today, we're sharing the remarkable story of a quiet literary rescue mission: a global, providential relay race run not by famous celebrities, but by a colorful band of printers, pastors, and tireless book-distributors. From Martyn Lloyd-Jones launching a modest magazine in post-war London, to remote bookrooms in Choteau, Montana, a devastating warehouse flood in Pennsylvania, and a hard-charging contractor who bought books by the pallet just to give them away, join us as we trace how a handful of dedicated pioneers brought the forgotten giants of the faith back to life—and forever changed the modern pulpit."

Send us Fan MailThis video is about 2 ALs 1 Pod Vol 384Ducharme and Romas cruise ships pass like ships in the afternoon. Romas lost his lid by a gust of wind.Ducharme wants to go surfing on Romas's new haircut. 2 ALs 1 Pod is a comedy podcast hosted by stand-up comedians Al Ducharme and Al Romas. Originally titled Talking Dicks Comedy Podcast, the show is a spinoff from their web series The Two Dicks, which features two inept 1950s detectives. The podcast blends observational humor, personal anecdotes, and satirical commentary, often revisiting classic episodes from their archives. With over 345 episodes, it offers a mix of new content and “vault” episodes, providing listeners with a variety of comedic material.  You can listen to 2 ALs 1 Pod on platforms like Spotify, Apple Podcasts, and Buzzsprout. For additional content, including video episodes and behind-the-scenes material, visit their Patreon page. https:/patreon.com/2als1podhttps://www.instagram.com/thetalkingdickscomedypodcast/https://twitter.com/DicksTwohttps://www.facebook.com/thetwodickshttps://www.facebook.com/The-Talking-Dicks-Comedy-Podcast-107101331446404Support the show

Narrator: Heather Foster

Send us Fan MailWe have a bunch of past podcast that sit under lock and key and every Friday we release one just for you. We use to be called the Talking Dicks Comedy Podcast but now we 2 ALs 1 Pod. Enjoy. 2 ALs 1 Pod is a comedy podcast hosted by stand-up comedians Al Ducharme and Al Romas. Originally titled Talking Dicks Comedy Podcast, the show is a spinoff from their web series The Two Dicks, which features two inept 1950s detectives. The podcast blends observational humor, personal anecdotes, and satirical commentary, often revisiting classic episodes from their archives. With over 370 episodes, it offers a mix of new content and “vault” episodes, providing listeners with a variety of comedic material.  You can listen to 2 ALs 1 Pod on platforms like Spotify, Apple Podcasts, and Buzzsprout. For additional content, including video episodes and behind-the-scenes material, visit their Patreon page. https:/patreon.com/2als1podhttps://www.instagram.com/thetalkingdickscomedypodcast/https://twitter.com/DicksTwohttps://www.facebook.com/thetwodickshttps://www.facebook.com/The-Talking-Dicks-Comedy-Podcast-107101331446404 Support the show

Get Sleepy is now coming to you 5 nights a week! Narrator: Nadine Brown

In March 1953 and May 1955, government officials—including the Federal Civil Defense Administration (FCDA), the US Department of Defense, and the Atomic Energy Commission—released nuclear bombs on two model towns at Nevada Test Site, the continental nuclear test facility during the Cold War. These so-called “Doom Towns” were designed to illustrate in the most vivid way possible what might happen to a “typical American home” caught in a Soviet atomic blast. Instead of training troops for war overseas, the Doom Towns literally brought the Cold War home. Drawing on newspaper articles, FCDA reports, and corporate documents, in Doom Town, USA: The Nevada Test Site as Ground Zero of 1950s American Culture (University Press of Kansas, 2026), Dr. John Wills brings readers into Doom Town, USA—a place where life-size mannequins of the archetypal Mr. and Mrs. America walked the streets in JCPenney clothes, drove Chrysler cars, and lived in the latest trailer homes, tailor-made to escape in the event of nuclear war. The two Doom Towns of Operation Doorstep (1953) and Operation Cue (1955) were far more than just an exercise in developing a new civilian home front. They were a media spectacle and a cultural flashpoint, attracting corporate sponsors, drawing in atomic tourists, and generating new consumer products. The atom bomb may have been bad for world peace, but it was good for business. In the excitement about these experiments, real people even volunteered to be living test subjects—but most were turned away. Doom Town became an unusual but effective banner for corporate and consumer life in the 1950s. Doom Town was an effective simulacrum of white middle-class America, right down to the racially segregated social spaces and the hierarchical gender roles of the dummies living in their classic suburban homes. But these homegrown Hiroshimas also contributed to a broader culture of catastrophe and fear in the late 1950s. Concerns over Communist invasion, Soviet spies, and ICBM missiles coalesced in the Nevada desert, framing a national culture of anxiety. The sudden explosion of the model towns revealed the shocking fragility of postwar living, calling into question the 1950s American Dream and the survivability of American ideals. The cultural crater left by these nuclear test sites exists even today in the many movies, television shows, and video games that dwell on the existential crisis of impending apocalypse. Doom Town, USA is an eye-opening tour guide of one of the most bizarre and uniquely American places in history. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In March 1953 and May 1955, government officials—including the Federal Civil Defense Administration (FCDA), the US Department of Defense, and the Atomic Energy Commission—released nuclear bombs on two model towns at Nevada Test Site, the continental nuclear test facility during the Cold War. These so-called “Doom Towns” were designed to illustrate in the most vivid way possible what might happen to a “typical American home” caught in a Soviet atomic blast. Instead of training troops for war overseas, the Doom Towns literally brought the Cold War home. Drawing on newspaper articles, FCDA reports, and corporate documents, in Doom Town, USA: The Nevada Test Site as Ground Zero of 1950s American Culture (University Press of Kansas, 2026), Dr. John Wills brings readers into Doom Town, USA—a place where life-size mannequins of the archetypal Mr. and Mrs. America walked the streets in JCPenney clothes, drove Chrysler cars, and lived in the latest trailer homes, tailor-made to escape in the event of nuclear war. The two Doom Towns of Operation Doorstep (1953) and Operation Cue (1955) were far more than just an exercise in developing a new civilian home front. They were a media spectacle and a cultural flashpoint, attracting corporate sponsors, drawing in atomic tourists, and generating new consumer products. The atom bomb may have been bad for world peace, but it was good for business. In the excitement about these experiments, real people even volunteered to be living test subjects—but most were turned away. Doom Town became an unusual but effective banner for corporate and consumer life in the 1950s. Doom Town was an effective simulacrum of white middle-class America, right down to the racially segregated social spaces and the hierarchical gender roles of the dummies living in their classic suburban homes. But these homegrown Hiroshimas also contributed to a broader culture of catastrophe and fear in the late 1950s. Concerns over Communist invasion, Soviet spies, and ICBM missiles coalesced in the Nevada desert, framing a national culture of anxiety. The sudden explosion of the model towns revealed the shocking fragility of postwar living, calling into question the 1950s American Dream and the survivability of American ideals. The cultural crater left by these nuclear test sites exists even today in the many movies, television shows, and video games that dwell on the existential crisis of impending apocalypse. Doom Town, USA is an eye-opening tour guide of one of the most bizarre and uniquely American places in history. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

In March 1953 and May 1955, government officials—including the Federal Civil Defense Administration (FCDA), the US Department of Defense, and the Atomic Energy Commission—released nuclear bombs on two model towns at Nevada Test Site, the continental nuclear test facility during the Cold War. These so-called “Doom Towns” were designed to illustrate in the most vivid way possible what might happen to a “typical American home” caught in a Soviet atomic blast. Instead of training troops for war overseas, the Doom Towns literally brought the Cold War home. Drawing on newspaper articles, FCDA reports, and corporate documents, in Doom Town, USA: The Nevada Test Site as Ground Zero of 1950s American Culture (University Press of Kansas, 2026), Dr. John Wills brings readers into Doom Town, USA—a place where life-size mannequins of the archetypal Mr. and Mrs. America walked the streets in JCPenney clothes, drove Chrysler cars, and lived in the latest trailer homes, tailor-made to escape in the event of nuclear war. The two Doom Towns of Operation Doorstep (1953) and Operation Cue (1955) were far more than just an exercise in developing a new civilian home front. They were a media spectacle and a cultural flashpoint, attracting corporate sponsors, drawing in atomic tourists, and generating new consumer products. The atom bomb may have been bad for world peace, but it was good for business. In the excitement about these experiments, real people even volunteered to be living test subjects—but most were turned away. Doom Town became an unusual but effective banner for corporate and consumer life in the 1950s. Doom Town was an effective simulacrum of white middle-class America, right down to the racially segregated social spaces and the hierarchical gender roles of the dummies living in their classic suburban homes. But these homegrown Hiroshimas also contributed to a broader culture of catastrophe and fear in the late 1950s. Concerns over Communist invasion, Soviet spies, and ICBM missiles coalesced in the Nevada desert, framing a national culture of anxiety. The sudden explosion of the model towns revealed the shocking fragility of postwar living, calling into question the 1950s American Dream and the survivability of American ideals. The cultural crater left by these nuclear test sites exists even today in the many movies, television shows, and video games that dwell on the existential crisis of impending apocalypse. Doom Town, USA is an eye-opening tour guide of one of the most bizarre and uniquely American places in history. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In March 1953 and May 1955, government officials—including the Federal Civil Defense Administration (FCDA), the US Department of Defense, and the Atomic Energy Commission—released nuclear bombs on two model towns at Nevada Test Site, the continental nuclear test facility during the Cold War. These so-called “Doom Towns” were designed to illustrate in the most vivid way possible what might happen to a “typical American home” caught in a Soviet atomic blast. Instead of training troops for war overseas, the Doom Towns literally brought the Cold War home. Drawing on newspaper articles, FCDA reports, and corporate documents, in Doom Town, USA: The Nevada Test Site as Ground Zero of 1950s American Culture (University Press of Kansas, 2026), Dr. John Wills brings readers into Doom Town, USA—a place where life-size mannequins of the archetypal Mr. and Mrs. America walked the streets in JCPenney clothes, drove Chrysler cars, and lived in the latest trailer homes, tailor-made to escape in the event of nuclear war. The two Doom Towns of Operation Doorstep (1953) and Operation Cue (1955) were far more than just an exercise in developing a new civilian home front. They were a media spectacle and a cultural flashpoint, attracting corporate sponsors, drawing in atomic tourists, and generating new consumer products. The atom bomb may have been bad for world peace, but it was good for business. In the excitement about these experiments, real people even volunteered to be living test subjects—but most were turned away. Doom Town became an unusual but effective banner for corporate and consumer life in the 1950s. Doom Town was an effective simulacrum of white middle-class America, right down to the racially segregated social spaces and the hierarchical gender roles of the dummies living in their classic suburban homes. But these homegrown Hiroshimas also contributed to a broader culture of catastrophe and fear in the late 1950s. Concerns over Communist invasion, Soviet spies, and ICBM missiles coalesced in the Nevada desert, framing a national culture of anxiety. The sudden explosion of the model towns revealed the shocking fragility of postwar living, calling into question the 1950s American Dream and the survivability of American ideals. The cultural crater left by these nuclear test sites exists even today in the many movies, television shows, and video games that dwell on the existential crisis of impending apocalypse. Doom Town, USA is an eye-opening tour guide of one of the most bizarre and uniquely American places in history. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west

In March 1953 and May 1955, government officials—including the Federal Civil Defense Administration (FCDA), the US Department of Defense, and the Atomic Energy Commission—released nuclear bombs on two model towns at Nevada Test Site, the continental nuclear test facility during the Cold War. These so-called “Doom Towns” were designed to illustrate in the most vivid way possible what might happen to a “typical American home” caught in a Soviet atomic blast. Instead of training troops for war overseas, the Doom Towns literally brought the Cold War home. Drawing on newspaper articles, FCDA reports, and corporate documents, in Doom Town, USA: The Nevada Test Site as Ground Zero of 1950s American Culture (University Press of Kansas, 2026), Dr. John Wills brings readers into Doom Town, USA—a place where life-size mannequins of the archetypal Mr. and Mrs. America walked the streets in JCPenney clothes, drove Chrysler cars, and lived in the latest trailer homes, tailor-made to escape in the event of nuclear war. The two Doom Towns of Operation Doorstep (1953) and Operation Cue (1955) were far more than just an exercise in developing a new civilian home front. They were a media spectacle and a cultural flashpoint, attracting corporate sponsors, drawing in atomic tourists, and generating new consumer products. The atom bomb may have been bad for world peace, but it was good for business. In the excitement about these experiments, real people even volunteered to be living test subjects—but most were turned away. Doom Town became an unusual but effective banner for corporate and consumer life in the 1950s. Doom Town was an effective simulacrum of white middle-class America, right down to the racially segregated social spaces and the hierarchical gender roles of the dummies living in their classic suburban homes. But these homegrown Hiroshimas also contributed to a broader culture of catastrophe and fear in the late 1950s. Concerns over Communist invasion, Soviet spies, and ICBM missiles coalesced in the Nevada desert, framing a national culture of anxiety. The sudden explosion of the model towns revealed the shocking fragility of postwar living, calling into question the 1950s American Dream and the survivability of American ideals. The cultural crater left by these nuclear test sites exists even today in the many movies, television shows, and video games that dwell on the existential crisis of impending apocalypse. Doom Town, USA is an eye-opening tour guide of one of the most bizarre and uniquely American places in history. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Send us Fan MailWe have a bunch of past podcast that sit under lock and key and every Friday we release one just for you. We use to be called the Talking Dicks Comedy Podcast but now we 2 ALs 1 Pod. Enjoy. 2 ALs 1 Pod is a comedy podcast hosted by stand-up comedians Al Ducharme and Al Romas. Originally titled Talking Dicks Comedy Podcast, the show is a spinoff from their web series The Two Dicks, which features two inept 1950s detectives. The podcast blends observational humor, personal anecdotes, and satirical commentary, often revisiting classic episodes from their archives. With over 370 episodes, it offers a mix of new content and “vault” episodes, providing listeners with a variety of comedic material.  You can listen to 2 ALs 1 Pod on platforms like Spotify, Apple Podcasts, and Buzzsprout. For additional content, including video episodes and behind-the-scenes material, visit their Patreon page. https:/patreon.com/2als1podhttps://www.instagram.com/thetalkingdickscomedypodcast/https://twitter.com/DicksTwohttps://www.facebook.com/thetwodickshttps://www.facebook.com/The-Talking-Dicks-Comedy-Podcast-107101331446404 Support the show

Wayfaring: Photography in Taiwan, 1950s–1980s (Australian Centre on China in the World, 2025) explores four transformative decades of photography in Taiwan, tracing its evolution amid the island's emergence from Japanese colonialism and integration into Nationalist China, largely under martial law (1949–87). Through a dozen richly illustrated essays and interviews, the book bridges the gap between vigorous Chinese-language scholarship on photography in Taiwan and its limited representation in English. Essays on photographers in the 1950s–60s, including Long Chin-San (Lang Jingshan) (1892-1995), Deng Nan-Guang (1907-1971), Chang Chao-Tang (1943-2024), Liu An-Ming (1928-2022), Hwang Pai-Chi (b. 1931), Hsu Yuan-Fu (1932-2018) and Tsai Hui-Feng (1928-2005), reveal photography's pivotal role in documenting ‘local' culture and shaping cultural identity, while challenging ideas of ‘amateur' and ‘realist' practices and recognising the importance of transnational connections. Meanwhile, essays on Hsu Jen-Shiu (b.1946), Lin Bo-Liang (b. 1952), Kao Chung-Li (b. 1958), Lien Hui-Ling (b. 1961) and Hou Tsung-Hui (b. 1960), along with interviews sharing the firsthand experiences of Liu Chen-Hsiang (b.1963), Lulu Shur-tzy Hou (1962-2023) and Yao Jui-Chung (b.1969), highlight the experience of photography in 1970s–80s Taiwan, as both witness and agent of social transformation, addressing issues such as environmental protection, mental health and gender politics, as well as being a crucial vehicle for the transdisciplinary nature of contemporary art, theatre, cinema and performance in Taiwan at that time. Chen Shuxia is a historian and curator of Chinese art. Her research concerns art collectives, diasporic artistic practice, and reciprocal relations between people and objects. Her most recent books include Wayfaring: Photography in Taiwan, 1950s–1980s (2025), Chinese Toggles: Culture in Miniature (2024) and A Home for Photography Learning: the Friday Salon, 1977-1980 (2024). Her most recent curated exhibitions include “Merchants of Haymarket: the Making of Sydney's Chinatown” (2026), “The trace is not a presence…” (2025), “Chinese Toggles: Culture in Miniature” (2024). Chen is the inaugural curator of the Chau Chak Wing Museum's China Gallery, and a Senior lecturer in the Master's degree programme in Curating and Cultural Leadership, at the University of New South Wales School of Art & Design. Olivier Krischer is a historian and curator of art from East Asia and the Asian Australian diaspora, whose research concerns modern and contemporary transcultural art, photography and intermedia practices. His curatorial projects include “Assembly” (2023), featuring eight Hong Kong-born artists, “Wayfaring: Photography in 1970s-80s Taiwan” (2021) and “Between: Picturing 1950-1960s Taiwan” (2016). His publications include John Young: The History Projects (2025), Zhang Peili: From Painting to Video (2019) and Asia through Art and Anthropology: Cultural Translation Across Borders (with F. Nakamura and M. Perkins, 2013). Krischer is currently a lecturer and program convenor for the Master's degree programe in Curating and Cultural Leadership, at the University of New South Wales School of Art & Design. Li-Ping Chen is a visiting scholar in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Li-Ping's NBN episodes on Taiwan Studies are supported by the Chun and Jane Chiu Family Foundation Taiwan Studies Program at Oregon State University. Relevant Links: Open Access for Wayfaring: Photography in Taiwan 1950s−1980s Wayfaring 找路: Photography in 1970s–80s Taiwan Exhibition Webpage Wayfaring Exhibition Pamphlet Wayfaring Exhibition Video Tour | Part 1 — Overview “Between: Picturing 1950s-60s Taiwan / 間：臺灣五六十年代面影” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Wayfaring: Photography in Taiwan, 1950s–1980s (Australian Centre on China in the World, 2025) explores four transformative decades of photography in Taiwan, tracing its evolution amid the island's emergence from Japanese colonialism and integration into Nationalist China, largely under martial law (1949–87). Through a dozen richly illustrated essays and interviews, the book bridges the gap between vigorous Chinese-language scholarship on photography in Taiwan and its limited representation in English. Essays on photographers in the 1950s–60s, including Long Chin-San (Lang Jingshan) (1892-1995), Deng Nan-Guang (1907-1971), Chang Chao-Tang (1943-2024), Liu An-Ming (1928-2022), Hwang Pai-Chi (b. 1931), Hsu Yuan-Fu (1932-2018) and Tsai Hui-Feng (1928-2005), reveal photography's pivotal role in documenting ‘local' culture and shaping cultural identity, while challenging ideas of ‘amateur' and ‘realist' practices and recognising the importance of transnational connections. Meanwhile, essays on Hsu Jen-Shiu (b.1946), Lin Bo-Liang (b. 1952), Kao Chung-Li (b. 1958), Lien Hui-Ling (b. 1961) and Hou Tsung-Hui (b. 1960), along with interviews sharing the firsthand experiences of Liu Chen-Hsiang (b.1963), Lulu Shur-tzy Hou (1962-2023) and Yao Jui-Chung (b.1969), highlight the experience of photography in 1970s–80s Taiwan, as both witness and agent of social transformation, addressing issues such as environmental protection, mental health and gender politics, as well as being a crucial vehicle for the transdisciplinary nature of contemporary art, theatre, cinema and performance in Taiwan at that time. Chen Shuxia is a historian and curator of Chinese art. Her research concerns art collectives, diasporic artistic practice, and reciprocal relations between people and objects. Her most recent books include Wayfaring: Photography in Taiwan, 1950s–1980s (2025), Chinese Toggles: Culture in Miniature (2024) and A Home for Photography Learning: the Friday Salon, 1977-1980 (2024). Her most recent curated exhibitions include “Merchants of Haymarket: the Making of Sydney's Chinatown” (2026), “The trace is not a presence…” (2025), “Chinese Toggles: Culture in Miniature” (2024). Chen is the inaugural curator of the Chau Chak Wing Museum's China Gallery, and a Senior lecturer in the Master's degree programme in Curating and Cultural Leadership, at the University of New South Wales School of Art & Design. Olivier Krischer is a historian and curator of art from East Asia and the Asian Australian diaspora, whose research concerns modern and contemporary transcultural art, photography and intermedia practices. His curatorial projects include “Assembly” (2023), featuring eight Hong Kong-born artists, “Wayfaring: Photography in 1970s-80s Taiwan” (2021) and “Between: Picturing 1950-1960s Taiwan” (2016). His publications include John Young: The History Projects (2025), Zhang Peili: From Painting to Video (2019) and Asia through Art and Anthropology: Cultural Translation Across Borders (with F. Nakamura and M. Perkins, 2013). Krischer is currently a lecturer and program convenor for the Master's degree programe in Curating and Cultural Leadership, at the University of New South Wales School of Art & Design. Li-Ping Chen is a visiting scholar in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Li-Ping's NBN episodes on Taiwan Studies are supported by the Chun and Jane Chiu Family Foundation Taiwan Studies Program at Oregon State University. Relevant Links: Open Access for Wayfaring: Photography in Taiwan 1950s−1980s Wayfaring 找路: Photography in 1970s–80s Taiwan Exhibition Webpage Wayfaring Exhibition Pamphlet Wayfaring Exhibition Video Tour | Part 1 — Overview “Between: Picturing 1950s-60s Taiwan / 間：臺灣五六十年代面影” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Wayfaring: Photography in Taiwan, 1950s–1980s (Australian Centre on China in the World, 2025) explores four transformative decades of photography in Taiwan, tracing its evolution amid the island's emergence from Japanese colonialism and integration into Nationalist China, largely under martial law (1949–87). Through a dozen richly illustrated essays and interviews, the book bridges the gap between vigorous Chinese-language scholarship on photography in Taiwan and its limited representation in English. Essays on photographers in the 1950s–60s, including Long Chin-San (Lang Jingshan) (1892-1995), Deng Nan-Guang (1907-1971), Chang Chao-Tang (1943-2024), Liu An-Ming (1928-2022), Hwang Pai-Chi (b. 1931), Hsu Yuan-Fu (1932-2018) and Tsai Hui-Feng (1928-2005), reveal photography's pivotal role in documenting ‘local' culture and shaping cultural identity, while challenging ideas of ‘amateur' and ‘realist' practices and recognising the importance of transnational connections. Meanwhile, essays on Hsu Jen-Shiu (b.1946), Lin Bo-Liang (b. 1952), Kao Chung-Li (b. 1958), Lien Hui-Ling (b. 1961) and Hou Tsung-Hui (b. 1960), along with interviews sharing the firsthand experiences of Liu Chen-Hsiang (b.1963), Lulu Shur-tzy Hou (1962-2023) and Yao Jui-Chung (b.1969), highlight the experience of photography in 1970s–80s Taiwan, as both witness and agent of social transformation, addressing issues such as environmental protection, mental health and gender politics, as well as being a crucial vehicle for the transdisciplinary nature of contemporary art, theatre, cinema and performance in Taiwan at that time. Chen Shuxia is a historian and curator of Chinese art. Her research concerns art collectives, diasporic artistic practice, and reciprocal relations between people and objects. Her most recent books include Wayfaring: Photography in Taiwan, 1950s–1980s (2025), Chinese Toggles: Culture in Miniature (2024) and A Home for Photography Learning: the Friday Salon, 1977-1980 (2024). Her most recent curated exhibitions include “Merchants of Haymarket: the Making of Sydney's Chinatown” (2026), “The trace is not a presence…” (2025), “Chinese Toggles: Culture in Miniature” (2024). Chen is the inaugural curator of the Chau Chak Wing Museum's China Gallery, and a Senior lecturer in the Master's degree programme in Curating and Cultural Leadership, at the University of New South Wales School of Art & Design. Olivier Krischer is a historian and curator of art from East Asia and the Asian Australian diaspora, whose research concerns modern and contemporary transcultural art, photography and intermedia practices. His curatorial projects include “Assembly” (2023), featuring eight Hong Kong-born artists, “Wayfaring: Photography in 1970s-80s Taiwan” (2021) and “Between: Picturing 1950-1960s Taiwan” (2016). His publications include John Young: The History Projects (2025), Zhang Peili: From Painting to Video (2019) and Asia through Art and Anthropology: Cultural Translation Across Borders (with F. Nakamura and M. Perkins, 2013). Krischer is currently a lecturer and program convenor for the Master's degree programe in Curating and Cultural Leadership, at the University of New South Wales School of Art & Design. Li-Ping Chen is a visiting scholar in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Li-Ping's NBN episodes on Taiwan Studies are supported by the Chun and Jane Chiu Family Foundation Taiwan Studies Program at Oregon State University. Relevant Links: Open Access for Wayfaring: Photography in Taiwan 1950s−1980s Wayfaring 找路: Photography in 1970s–80s Taiwan Exhibition Webpage Wayfaring Exhibition Pamphlet Wayfaring Exhibition Video Tour | Part 1 — Overview “Between: Picturing 1950s-60s Taiwan / 間：臺灣五六十年代面影” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Send us Fan MailDucharme is sailing by glaciers and through icebergs in the Alaskan Frontier.Romas is all warm and toasty in the Caribbean . Can you believe he served? 2 ALs 1 Pod is a comedy podcast hosted by stand-up comedians Al Ducharme and Al Romas. Originally titled Talking Dicks Comedy Podcast, the show is a spinoff from their web series The Two Dicks, which features two inept 1950s detectives. The podcast blends observational humor, personal anecdotes, and satirical commentary, often revisiting classic episodes from their archives. With over 370 episodes, it offers a mix of new content and “vault” episodes, providing listeners with a variety of comedic material.  You can listen to 2 ALs 1 Pod on platforms like Spotify, Apple Podcasts, and Buzzsprout. For additional content, including video episodes and behind-the-scenes material, visit their Patreon page. https:/patreon.com/2als1podhttps://www.instagram.com/thetalkingdickscomedypodcast/https://twitter.com/DicksTwohttps://www.facebook.com/thetwodickshttps://www.facebook.com/The-Talking-Dicks-Comedy-Podcast-107101331446404Support the show

Wayfaring: Photography in Taiwan, 1950s–1980s (Australian Centre on China in the World, 2025) explores four transformative decades of photography in Taiwan, tracing its evolution amid the island's emergence from Japanese colonialism and integration into Nationalist China, largely under martial law (1949–87). Through a dozen richly illustrated essays and interviews, the book bridges the gap between vigorous Chinese-language scholarship on photography in Taiwan and its limited representation in English. Essays on photographers in the 1950s–60s, including Long Chin-San (Lang Jingshan) (1892-1995), Deng Nan-Guang (1907-1971), Chang Chao-Tang (1943-2024), Liu An-Ming (1928-2022), Hwang Pai-Chi (b. 1931), Hsu Yuan-Fu (1932-2018) and Tsai Hui-Feng (1928-2005), reveal photography's pivotal role in documenting ‘local' culture and shaping cultural identity, while challenging ideas of ‘amateur' and ‘realist' practices and recognising the importance of transnational connections. Meanwhile, essays on Hsu Jen-Shiu (b.1946), Lin Bo-Liang (b. 1952), Kao Chung-Li (b. 1958), Lien Hui-Ling (b. 1961) and Hou Tsung-Hui (b. 1960), along with interviews sharing the firsthand experiences of Liu Chen-Hsiang (b.1963), Lulu Shur-tzy Hou (1962-2023) and Yao Jui-Chung (b.1969), highlight the experience of photography in 1970s–80s Taiwan, as both witness and agent of social transformation, addressing issues such as environmental protection, mental health and gender politics, as well as being a crucial vehicle for the transdisciplinary nature of contemporary art, theatre, cinema and performance in Taiwan at that time. Chen Shuxia is a historian and curator of Chinese art. Her research concerns art collectives, diasporic artistic practice, and reciprocal relations between people and objects. Her most recent books include Wayfaring: Photography in Taiwan, 1950s–1980s (2025), Chinese Toggles: Culture in Miniature (2024) and A Home for Photography Learning: the Friday Salon, 1977-1980 (2024). Her most recent curated exhibitions include “Merchants of Haymarket: the Making of Sydney's Chinatown” (2026), “The trace is not a presence…” (2025), “Chinese Toggles: Culture in Miniature” (2024). Chen is the inaugural curator of the Chau Chak Wing Museum's China Gallery, and a Senior lecturer in the Master's degree programme in Curating and Cultural Leadership, at the University of New South Wales School of Art & Design. Olivier Krischer is a historian and curator of art from East Asia and the Asian Australian diaspora, whose research concerns modern and contemporary transcultural art, photography and intermedia practices. His curatorial projects include “Assembly” (2023), featuring eight Hong Kong-born artists, “Wayfaring: Photography in 1970s-80s Taiwan” (2021) and “Between: Picturing 1950-1960s Taiwan” (2016). His publications include John Young: The History Projects (2025), Zhang Peili: From Painting to Video (2019) and Asia through Art and Anthropology: Cultural Translation Across Borders (with F. Nakamura and M. Perkins, 2013). Krischer is currently a lecturer and program convenor for the Master's degree programe in Curating and Cultural Leadership, at the University of New South Wales School of Art & Design. Li-Ping Chen is a visiting scholar in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Li-Ping's NBN episodes on Taiwan Studies are supported by the Chun and Jane Chiu Family Foundation Taiwan Studies Program at Oregon State University. Relevant Links: Open Access for Wayfaring: Photography in Taiwan 1950s−1980s Wayfaring 找路: Photography in 1970s–80s Taiwan Exhibition Webpage Wayfaring Exhibition Pamphlet Wayfaring Exhibition Video Tour | Part 1 — Overview “Between: Picturing 1950s-60s Taiwan / 間：臺灣五六十年代面影” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Send us Fan MailWe have a bunch of past podcast that sit under lock and key and every Friday we release one just for you. We use to be called the Talking Dicks Comedy Podcast but now we 2 ALs 1 Pod. Enjoy. 2 ALs 1 Pod is a comedy podcast hosted by stand-up comedians Al Ducharme and Al Romas. Originally titled Talking Dicks Comedy Podcast, the show is a spinoff from their web series The Two Dicks, which features two inept 1950s detectives. The podcast blends observational humor, personal anecdotes, and satirical commentary, often revisiting classic episodes from their archives. With over 370 episodes, it offers a mix of new content and “vault” episodes, providing listeners with a variety of comedic material.  You can listen to 2 ALs 1 Pod on platforms like Spotify, Apple Podcasts, and Buzzsprout. For additional content, including video episodes and behind-the-scenes material, visit their Patreon page. https:/patreon.com/2als1podhttps://www.instagram.com/thetalkingdickscomedypodcast/https://twitter.com/DicksTwohttps://www.facebook.com/thetwodickshttps://www.facebook.com/The-Talking-Dicks-Comedy-Podcast-107101331446404Support the show

你能想像70、80年前的台北，路上有什麼店呢？ 那時士農工商的比例是多少？街上的人群看起來是什麼樣子？ 不同職業的月薪有多少？一碗麵賣多少錢？ 光找到這些答案就得煞費一番苦心了，導演要如何帶領一群訝異「1950沒有電視機」的年輕的美術組，還原1950的台北？！（天啊） - 拍攝這部片的難度極高，但神奇的是，從開機到殺青，《大濛》居然只花 37 天就拍完了！（原本甚至估38天，還提早殺青） 《大濛》最難田調的是民生、最難呈現的是霧？！ 還想知道《大濛》背後更多的故事嗎？本集勳導為我們帶來好多內幕好料，有歡笑、有淚水，這些點滴都是最美的風景。 . 來賓｜陳玉勳（導演） 主持｜幸芳（誠品職人） . 《大濛電影紀念套書》https://eslite.me/97x648 . ⭓ 誠品聯名卡︱天天賺回饋 活動詳情

Send us Fan MailOnce in a while we have to repeat an old episode due to technical issues when we are on cruise ships thousands of miles away. Come on Starlink! Don't let the clouds get in the way. We have a bunch of past podcast that sit under lock and key and every Friday we release one just for you. We use to be called the Talking Dicks Comedy Podcast but now we 2 ALs 1 Pod. Enjoy. 2 ALs 1 Pod is a comedy podcast hosted by stand-up comedians Al Ducharme and Al Romas. Originally titled Talking Dicks Comedy Podcast, the show is a spinoff from their web series The Two Dicks, which features two inept 1950s detectives. The podcast blends observational humor, personal anecdotes, and satirical commentary, often revisiting classic episodes from their archives. With over 370 episodes, it offers a mix of new content and “vault” episodes, providing listeners with a variety of comedic material.  You can listen to 2 ALs 1 Pod on platforms like Spotify, Apple Podcasts, and Buzzsprout. For additional content, including video episodes and behind-the-scenes material, visit their Patreon page. https:/patreon.com/2als1podhttps://www.instagram.com/thetalkingdickscomedypodcast/https://twitter.com/DicksTwohttps://www.facebook.com/thetwodickshttps://www.facebook.com/The-Talking-Dicks-Comedy-Podcast-107101331446404Support the show

Stuart M0SGV started soldering at age 8 in the 1950s, building crystal sets with a copper tip heated over a gas cooker. Nearly 70 years later he is still at the bench, building tube transmitters from 1949 magazine circuits, Hans Summers QMX and QDX rigs, a Michigan Mighty Mite, and a high voltage power supply built from scratch to power all of it.In this episode Stuart walks us through a dozen homebrew projects, shares his philosophy on project selection, and offers hard won advice on soldering and why leaded solder is non-negotiable. We also talk about his connections to the Michigan QRP Club and G QRP Club, and his next big project: a QO-100 geostationary satellite transceiver.Join us as we explore how you can get involved in portable radio, QRP, and more in this episode of the All Portable Discussion Zone (AP/DZ). Every aspect of portable operations is covered in this biweekly podcast, from news and gear to achievements, the workbench, contests, awards, and beyond.**SolderSmoke DISCORD INVITE**: https://discord.gg/GYVRZSBVFCConnect with us:* Discord: https://discord.gg/WVE3vVveWU* YouTube: https://www.youtube.com/c/redsummitrf* TikTok: @redsummitrf* X (formerly Twitter): @NJ7V_Support the channel:* Buy us a Coke: https://www.buymeacoffee.com/RedSummitRF* Red Summit RF Amazon Storefront: https://www.amazon.com/shop/redsummitrf#apdz #HamRadio #QRP #Workbench #Electronics #homebrewradio #DIYradio #amateurradio #hamradiopodcast #scratchbuild #tuberadio #vacuumtube #vintageradio #QCX #QMX #HansSummers #QO100 #satellite #GQRP #MichiganQRP #FourDaysinMay #soldering #FDIM

Peter Huessy discusses the history of "tactical" nuclear weapons and the 1950s Desert Rock exercises where U.S. troops were exposed to nuclear detonations. He details the health risks soldiers faced and parallels these actions with Sovietmaneuvers, highlighting the "ludicrous" idea of trying to operate militarily in a post-detonation environment. (9)1920 PERSIA

Send us Fan MailWe have a bunch of past podcast that sit under lock and key and every Friday we release one just for you. We use to be called the Talking Dicks Comedy Podcast but now we 2 ALs 1 Pod. Enjoy. 2 ALs 1 Pod is a comedy podcast hosted by stand-up comedians Al Ducharme and Al Romas. Originally titled Talking Dicks Comedy Podcast, the show is a spinoff from their web series The Two Dicks, which features two inept 1950s detectives. The podcast blends observational humor, personal anecdotes, and satirical commentary, often revisiting classic episodes from their archives. With over 370 episodes, it offers a mix of new content and “vault” episodes, providing listeners with a variety of comedic material.  You can listen to 2 ALs 1 Pod on platforms like Spotify, Apple Podcasts, and Buzzsprout. For additional content, including video episodes and behind-the-scenes material, visit their Patreon page. https:/patreon.com/2als1podhttps://www.instagram.com/thetalkingdickscomedypodcast/https://twitter.com/DicksTwohttps://www.facebook.com/thetwodickshttps://www.facebook.com/The-Talking-Dicks-Comedy-Podcast-107101331446404Support the show

Joseph Sternberg explains China's reform of the Hukou residency system, which has limited internal migration since the 1950s. By granting migrants access to urban social services like healthcare and education, Beijing aims to reduce high household saving rates and stimulate domestic consumption to revitalize its slowing, multi-trillion dollar communist national economy. (7)1793

Send us Fan Mail2 ALs 1 Pod is a comedy podcast hosted by stand-up comedians Al Ducharme and Al Romas. Originally titled Talking Dicks Comedy Podcast, the show is a spinoff from their web series The Two Dicks, which features two inept 1950s detectives. The podcast blends observational humor, personal anecdotes, and satirical commentary, often revisiting classic episodes from their archives. With over 370 episodes, it offers a mix of new content and “vault” episodes, providing listeners with a variety of comedic material.  You can listen to 2 ALs 1 Pod on platforms like Spotify, Apple Podcasts, and Buzzsprout. For additional content, including video episodes and behind-the-scenes material, visit their Patreon page. https:/patreon.com/2als1podhttps://www.instagram.com/thetalkingdickscomedypodcast/https://twitter.com/DicksTwohttps://www.facebook.com/thetwodickshttps://www.facebook.com/The-Talking-Dicks-Comedy-Podcast-107101331446404Support the show

Send us Fan MailWe have a bunch of past podcast that sit under lock and key and every Friday we release one just for you. We use to be called the Talking Dicks Comedy Podcast but now we 2 ALs 1 Pod. Enjoy. 2 ALs 1 Pod is a comedy podcast hosted by stand-up comedians Al Ducharme and Al Romas. Originally titled Talking Dicks Comedy Podcast, the show is a spinoff from their web series The Two Dicks, which features two inept 1950s detectives. The podcast blends observational humor, personal anecdotes, and satirical commentary, often revisiting classic episodes from their archives. With over 370 episodes, it offers a mix of new content and “vault” episodes, providing listeners with a variety of comedic material.  You can listen to 2 ALs 1 Pod on platforms like Spotify, Apple Podcasts, and Buzzsprout. For additional content, including video episodes and behind-the-scenes material, visit their Patreon page. https:/patreon.com/2als1podhttps://www.instagram.com/thetalkingdickscomedypodcast/https://twitter.com/DicksTwohttps://www.facebook.com/thetwodickshttps://www.facebook.com/The-Talking-Dicks-Comedy-Podcast-107101331446404Support the show

Send us Fan Mail2 ALs 1 Pod is a comedy podcast hosted by stand-up comedians Al Ducharme and Al Romas. Originally titled Talking Dicks Comedy Podcast, the show is a spinoff from their web series The Two Dicks, which features two inept 1950s detectives. The podcast blends observational humor, personal anecdotes, and satirical commentary, often revisiting classic episodes from their archives. With over 370 episodes, it offers a mix of new content and “vault” episodes, providing listeners with a variety of comedic material.  You can listen to 2 ALs 1 Pod on platforms like Spotify, Apple Podcasts, and Buzzsprout. For additional content, including video episodes and behind-the-scenes material, visit their Patreon page. https:/patreon.com/2als1pod https://www.instagram.com/thetalkingdickscomedypodcast/ https://twitter.com/DicksTwo https://www.facebook.com/thetwodicks https://www.facebook.com/The-Talking-Dicks-Comedy-Podcast-107101331446404 Support the show

Reporting from Hot Springs, Arkansas, correspondent Tom Wilmer visits with innkeeper Andie Roberts at her historic motor-court motel, followed by a fascinating conversation with Rose Schweikhart at her super-popular Superior Bathhouse Brewery, located in the heart of historic Bathhouse Row.

Cliff May discusses the deepening crisis in Cuba, where extreme food and electricity shortages have led officials to describe it as a failing state. However, the regime has reportedly received hundreds of attack drones from Russia and Iran, posing a new offensive threat to U.S. interests in the Caribbean. (1)1950S

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In the late 1950s, Pamela strategically seduced producer Leland Hayward, eventually becoming his wife to secure a new life in America. She moved to the United States in 1959, where she was viewed by New York and Washington society as a dangerous "vixen" due to her reputation as a seductress. Despite the success of The Sound of Music, she discovered Leland was financially unstable, leading her to sell her European assets to sustain their lifestyle. Seeking intellectual fulfillment, she opened a Manhattan shop, though her celebrity clients often failed to pay their bills. During this time, she maintained a close friendship with President John F. Kennedy, and his 1963 assassination was a profound personal blow to her. As Leland's health deteriorated throughout the 1960s, Pamela faced hostility from his children, who resented her influence and feared for their inheritance. By Leland's death in 1971, she was left financially depleted. (5/8)1650

The Soviet Era, Crimea's Transfer, and Putin's Formative MythsThe 1950s and 60s represented a "Golden Period" for the Soviet state, during which Nikita Khrushchev transferred Crimea to Ukraine for economic convenience. This era deeply influenced a young Vladimir Putin, who viewed Ukraine not as a separate entity, but as a romanticized extension of Russia—a place for summer vacations and vital industrial output, such as missiles. Finkel notes that this perspective takes Russian dominance for granted, ignoring the history of forced "Russification" and the Holodomor. Meanwhile, American leaders like Bill Clinton and Herbert Hoover are criticized for historically misreading these Russian imperial intentions. Guest: Professor Eugene Finkel. (4/8)1859