Podcasts about leagues

The World Cup is now underway, with planned events around the Bay Area. Under the ethos of soccer as a “global language,” local soccer leagues in the Bay Area have been providing a rare sense of solace for new immigrant youth.  This episode first published June 11, 2025 Learn more about your ad choices. Visit megaphone.fm/adchoices

MERCH: https://orchideight.com/collections/poorhammer TWITCH: https://www.twitch.tv/poorhammer PATREON: https://www.patreon.com/SolelySingleton   On this week's episode, Brad and Eric REFUSE to split the episode into Imperium, Chaos and Xenos, like Games Workshop did on their reveals, and sit down to record a massive episode for your viewing pleasure, full of hot takes and free of rules misinterpretations or editing mistakes. The patrons testified the recordings of this episode over three days in discord and can attest to the integrity of everything that was said on air. They also were responsible for keeping the sanity of our hosts by posting puppy pictures on chat whenever things were about to go out of control so big props to them!   SHOW LINKS: Brad's Bsky: https://bsky.app/profile/drruler.bsky.social Eric's Bsky: https://bsky.app/profile/onekuosora.bsky.social   00:00 Hello and NEWS!!! 02:36 DAY 1 - Orks 15:59 Tangent Number One. I Hope It Stops at One 19:23 Back to Orks 25:10 Aeldari 42:04 Drukhari 47:12 Tyranids 58:31 Genestealer Cults 01:07:07 Necrons 01:17:15 Leagues of Votann 01:24:22 T'au Empire 01:33:18 DAY 2 - Tags 01:50:34 Chaos Space Marines 02:05:11 World Eaters 02:12:36 Emperor's Children 02:14:27 Tangent Number Two 02:15:23 Back to Emperor's Children 02:22:28 Death Guard 02:28:56 Thousand Sons 02:42:33 Chaos Knights 02:51:21 Chaos Daemons 02:57:53 Tangent Number 3 02:58:47 Back to Chaos Daemons 03:02:22 Space Marines 03:09:31 Oath of Moment 03:11:16 Dark Angels 03:14:30 Deathwatch 03:15:03 Space Wolves 03:19:53 Black Templars 03:22:53 Blood Angels 03:27:11 DAY 3 - Grey Knights 03:41:11 Astra Militarum 03:49:09 Adepta Sororitas 03:58:56 No Editor Was Harmed During the Making of this Video 03:59:54 Adeptus Mechanicus 04:13:52 Imperial Knights 04:24:46 Adeptus Custodes 04:34:27 Imperial Agents 04:34:51 Core Rules 04:40:34 Coherency 04:48:34 Outro 04:55:14 Alright Audio Audience   Contact Information: You can interact with Solely Singleton by joining the hosts on discord and Twitter to give input to improve the show. Feel free to email more detailed questions and suggestions to the show's email address.   Your Hosts: Brad (DrRuler) & Eric (OnekuoSora) Brad's Bsky: https://bsky.app/profile/drruler.bsky.social Eric's Bsky: https://bsky.app/profile/onekuosora.bsky.social Show Email: thepoorhammerpodcast@gmail.com Merch Website: http://www.poorhammer.com/ Edited by: Menino Berilio Show Mailing Address: PO Box 70893 Rochester Hills, MI 48307   Licensed Music Used By This Program: "Night Out" by LiQWYD CC BY "Thursday & Snow (Reprise)" by Blank & Kytt CC BY "First Class" by Peyruis CC BY "Funky Souls" by Amaria CC BY  

Mike Evans, Brian Thomas JR.. WIN Leagues in 2026

  MERCH: https://orchideight.com/collections/poorhammer TWITCH: https://www.twitch.tv/poorhammer PATREON: https://www.patreon.com/SolelySingleton   On this week's episode, Brad and Eric talk about Kill Team from the perspective of a Warhammer 40K player. Which factions have a lot of Kill Team kits and which factions don't, and why is that? Which factions deserve the most to gain new models or a unit refresh through a Kill Team update? And why update units through Kill Team instead of a normal release? Tune in to find out how this episode idea ended up becoming a long love letter for harlequins.   SHOW LINKS: Brad's Bsky: https://bsky.app/profile/drruler.bsky.social Eric's Bsky: https://bsky.app/profile/onekuosora.bsky.social   00:00 Hello and Welcome 00:55 We Have a Theroy... A game theroy 08:11 Adeptas Sororitas 13:26 Adeptus Custodes 16:17 Grey Knights 18:51 Tyranids 24:01 Chaos Knights 26:03 Imperial Knights 27:02 Chaos Space Marines 31:52 Space Marines 35:39 Necrons 41:43 Orks 47:44 Chaos Daemons 53:04 Thousand Sons 57:03 Emperor's Children 01:00:01 Drukhari 01:02:21 Adeptus Mechanicus 01:04:33 T'au Empire 01:09:25 Astra Militarum 01:13:21 Genestealer Cults 01:16:10 World Eaters 01:18:13 Death Guard 01:22:09 Leagues of Votann 01:26:24 Imperial Agents 01:29:19 Aeldari 01:38:01 NEWS 01:40:57 Alright Audio Audience   Contact Information: You can interact with Solely Singleton by joining the hosts on discord and Twitter to give input to improve the show. Feel free to email more detailed questions and suggestions to the show's email address.   Your Hosts: Brad (DrRuler) & Eric (OnekuoSora) Brad's Bsky: https://bsky.app/profile/drruler.bsky.social Eric's Bsky: https://bsky.app/profile/onekuosora.bsky.social Show Email: thepoorhammerpodcast@gmail.com Merch Website: http://www.poorhammer.com/ Edited by: Menino Berilio Show Mailing Address: PO Box 70893 Rochester Hills, MI 48307   Licensed Music Used By This Program: "Night Out" by LiQWYD CC BY "Thursday & Snow (Reprise)" by Blank & Kytt CC BY "First Class" by Peyruis CC BY "Funky Souls" by Amaria CC BY

Join Joe Pisapia, Derek Brown, and Tera Roberts as they break down four expert strategies that are going to help you dominate your superflex fantasy football leagues in 2026! Timestamps: (May be off due to ads) Intro - 0:00:00 Tera: Bank on bounce-backs from injured or wayward QBs. - 0:01:45 DBro: Target Rushing upside with late QBs. - 0:05:18 Tera: Take advantage of QB depth instead of overdrafting risky QB1s. - 0:08:30 DBro: Stash 1-2 QB2s on depth charts with your final picks in good offenses or with rushing upside. - 0:12:39 FantasyPros Draft Wizard - 0:15:34 Outro - 0:16:13 Helpful Links: Hard Rock Bet - Sign up for Hard Rock Bet and make a $5 bet and you'll get $150 in bonus bets if you win. Head over to Hard Rock Bet, sign up and make your first deposit today. Payable in bonus bet(s). Not a cash offer. Offered by the Seminole Tribe of Florida in FL. Offered by Seminole Hard Rock Digital, LLC, in all other states. Must be 21+ and physically present in AZ, CO, FL, IL, IN, NJ, OH, TN or VA to play. Terms and conditions apply. Concerned about gambling? In FL, call 1-888-ADMIT-IT. In IN, if you or someone you know has a gambling problem and wants help, call 1-800-9-WITH-IT. GAMBLING PROBLEM? CALL 1-800-GAMBLER (AZ, CO, IL, NJ, OH, TN, VA) Follow us on Twitch - The team here at FantasyPros is taking questions all week, every week on Twitch. Follow us on Twitch at twitch.tv/fantasypros and never miss a stream! Discord – Join our FantasyPros Discord Community! Chat with other fans and get access to exclusive AMAs that wind up on our podcast feed. Come get your questions answered and BE ON THE SHOW at fantasypros.com/chat Leave a Review – If you enjoy our show and find our insight to be valuable, we’d love to hear from you! Your reviews fuel our passion and help us tailor content specifically for YOU. Head to Apple Podcasts, Spotify, or wherever else you get your podcasts and leave an honest review. Let’s make this show the ultimate destination for fantasy football enthusiasts like us. Thank you for watching and for showing your support – https://fantasypros.com/review/ BettingPros Podcast – For advice on the best picks and props across both the NFL and college football each and every week, check out the BettingPros Podcast at bettingpros.com/podcast, our BettingPros YouTube channel at youtube.com/bettingpros, or wherever you listen to podcasts.See omnystudio.com/listener for privacy information.

  MERCH: https://orchideight.com/collections/poorhammer TWITCH: https://www.twitch.tv/poorhammer PATREON: https://www.patreon.com/SolelySingleton   On this week's episode, Brad and Eric talk about Kill Team from the perspective of a Warhammer 40K player. Which factions have a lot of Kill Team kits and which factions don't, and why is that? Which factions deserve the most to gain new models or a unit refresh through a Kill Team update? And why update units through Kill Team instead of a normal release? Tune in to find out how this episode idea ended up becoming a long love letter for harlequins.   SHOW LINKS: Brad's Bsky: https://bsky.app/profile/drruler.bsky.social Eric's Bsky: https://bsky.app/profile/onekuosora.bsky.social   00:00 Hello and Welcome 00:55 We Have a Theroy... A game theroy 08:11 Adeptas Sororitas 13:26 Adeptus Custodes 16:17 Grey Knights 18:51 Tyranids 24:01 Chaos Knights 26:03 Imperial Knights 27:02 Chaos Space Marines 31:52 Space Marines 35:39 Necrons 41:43 Orks 47:44 Chaos Daemons 53:04 Thousand Sons 57:03 Emperor's Children 01:00:01 Drukhari 01:02:21 Adeptus Mechanicus 01:04:33 T'au Empire 01:09:25 Astra Militarum 01:13:21 Genestealer Cults 01:16:10 World Eaters 01:18:13 Death Guard 01:22:09 Leagues of Votann 01:26:24 Imperial Agents 01:29:19 Aeldari 01:38:01 NEWS 01:40:57 Alright Audio Audience   Contact Information: You can interact with Solely Singleton by joining the hosts on discord and Twitter to give input to improve the show. Feel free to email more detailed questions and suggestions to the show's email address.   Your Hosts: Brad (DrRuler) & Eric (OnekuoSora) Brad's Bsky: https://bsky.app/profile/drruler.bsky.social Eric's Bsky: https://bsky.app/profile/onekuosora.bsky.social Show Email: thepoorhammerpodcast@gmail.com Merch Website: http://www.poorhammer.com/ Edited by: Menino Berilio Show Mailing Address: PO Box 70893 Rochester Hills, MI 48307   Licensed Music Used By This Program: "Night Out" by LiQWYD CC BY "Thursday & Snow (Reprise)" by Blank & Kytt CC BY "First Class" by Peyruis CC BY "Funky Souls" by Amaria CC BY

Episode 407 - We go over the relegation playoffs in the Bundesliga and look at the lay of the land for the 26/27 season. Garret talks through the happenings in the Männer and Frauen Bundesliga as well as talking about how German clubs did in Europe. HOSTS Garret Produced by Nathan Kwarta in St. Louis. Find them at bembelboi.bsky.social. Show links:@HEFpod | linktr.ee/hefpod Show art branding by Miles Erich. Hey Eintracht Frankfurt Podcast was created by Brian Sanders. Our theme music is the song "Fórza SGE" by Eintracht Frankfurt and thrash metal legends: Tankard. You can find Tankard at @tankardofficial and at www.reapermusic.de/reaper Our outro music is “Hey Eintracht Frankfurt” by the fabulous Roy Hammer & die Pralinées. Find them at www.royhammer.de

Alex Dunlap and Cody Carpentier talk over 2026 fantasy football league WR ADPs including what to expect out of AJ Brown now that he has been traded to the Patriots.----------------Join RosterWatch Nation TODAY to support your boys.Go PREMIUM for Weekly, Dynasty and Best Ball Rankings plus DFS Tools and MORE -- https://rosterwatch.com/buy-rosterwatch-proFollow us on Twitter -- https://www.x.com/RosterWatchFollow on Instagram -- https://www.instagram.com/rosterwatch/----------------RosterWatch is your year-round source for the best Fantasy Football analysis, including updates LIVE from Training Camp, The NFL Combine, Pro Days, and the Senior Bowl and Shrine Bowl.----------------Subscribe to the podcast:iTunes -- https://podcasts.apple.com/us/podcast/rosterwatch-podcast/id493875129?mt=2Spotify -- https://open.spotify.com/show/2jWDOZcppg9uYVaAWA7YdM?si=0b9aeaa77ae24316&nd=1&dlsi=1b5923c3f21b43c7iHeartRadio -- https://www.iheart.com/podcast/269-rosterwatch-podcast-48874884/RosterWatch PRO offers the best toolset available to help you win your fantasy football league. What is RW PRO?* A full season of fantasy football power tools designed to make winning easy and fun.* Year-round NFL player analysis.* Exclusive live off-season coverage from all major NFL scouting events.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

On this episode of the Football, Football, Football & Sometimes Other Sports Show, AJ Nicoletti opens up the show with The Kickoff & details PSG's Champions League victory over Arsenal. Next AJ recaps the Champions League Final with a full breakdown of the match. Then AJ gives an update on the Stanley Cup Playoffs & NBA Playoffs. Finally, AJ recaps Russell Henley's Charles Schwab Challenge victory. Twitch Streams – twitch.tv/ajnic3 YouTube Channel: https://www.youtube.com/channel/UCNlf78oZxZ1RYHFeRln80ag

In episode 87 of Festpod: The Unofficial Rock Festival Guide, Neill, Rich, and Arran talk about this year's Download Festival - what's coming up, what's changed, and what we're looking forward to.Topics this episode:- Railway bans bins. We discuss East Midlands Railway's decision to ban festival-goers from bringing wheelie bins full of beer and camping gear onto their trains.- RIP Park Farm glass ban. We look into the Download rules, including the controversial ban on glass in the RIP Park Farm campsite. Can it be enforced?- Lineup Updates: We share the unfortunate news that Static X has cancelled their 2026 tour dates, including their Download appearance, due to serious medical issues. - The 2026 Map Reveal: We take a long look at the newly released festival map. We examine the massive expansion of the RIP areas and the brutally long walk facing families in the Mini Mosher and Quiet Camps. - Inside District X: We look at what's happening in District X, including the Ace of Spades tent, The Outpost, and the Arcade Bar. There are some changes and some new spots, too!- We review the stacked District X entertainment lineup, which features sets from Five, Electric Six, a DJ set from Creeper, Dick and Dom in the Doghouse, Token Grass, and Bongo's Bingo. - Are podcasts a good form of stage entertainment at music festivals? Would you rather see music or podcasts on stage at Download?- The Takeover Stage: A quick recap of the six unsigned bands kicking things off on Wednesday: 40,000 Leagues, Celavi, Pryma, DeadWax, Rxptrs, and Black Water County. - Our Top Band Picks: To wrap things up, we share our ultimate recommendations for the weekend. Hear why we are hyped to see Social Distortion, Scooter, Limp Bizkit, Linkin Park, Bad Omens, Caskets, A Day to Remember, and more! with our sponsor, Fat Frank's Camping Shop https://fatfrankscampingshop.comFind all our video podcast episodes in this playlist: https://youtube.com/playlist?list=PLlfyhNTZm6HBHjHm4kSORo_HykWXf0KGu&si=_5FbNi1-Rfe0sU1tPlease support us on Patreon! https://www.patreon.com/festpodIf you'd like to buy our merch, visit our merch store here: https://festpod.shopAll our links here: https://festpod.co.uk Hosted on Acast. See acast.com/privacy for more information.

Crunchtime across Europe as major league titles are being won in France and Germany, while deciders await in Denmark, Hungary and Poland. We discuss PSG denying Nantes and big news at the top and bottom of Denmark's top flight, while Tim Dettmar joins us to look at the Bundesliga run in and the German-heavy EHF Finals in Hamburg this weekend.

Wins Above Fantasy – Van Burnett (@Van_Verified) Steve Gesuele (@stav8818) break down the top priority hitting and pitching prospect stashes for the rest of the fantasy baseball season, highlighting fast-rising bats, potential impact call-ups, and longer-term dynasty arms to monitor. They also discuss several injured MLB names worth stashing before their returns. Intro -- 0:00 Luis Lara — 5:34 Edwin Arroyo — 11:00 Charlie Condon — 21:45 Cole Carrigg — 26:50 Braden Montgomery — 30:13 Hendry Mendez, Kaelen Culpepper — 34:15 Kade Anderson — 43:30 Ryan Sloan — 48:00 Wei-En Lin — 52:00 Jared Jones — 58:00 Spencer Schwellenbach — 59:00 Hunter Greene — 1:00:00 Didier Fuentes, Ryan Waldschmidt — 1:01:50 Join Our Discord & Support The Show: PL+ | PL Pro - Get 15% off Yearly with code PODCASTProud member of the Pitcher List Fantasy Baseball Podcast Network Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Sydney FC v Auckland FC might not have been the A-League Men's grand final that fans expected, but history will be made regardless. The Sky Blues are hoping to be the first Australian team to win a title on New Zealand soil, and the Black Knights want to be the first Kiwi team to win it at all. Add to that the fact that the Knights are coached by a former Sydney FC legend? Spicy. In the AFL Scott Pendlebury will play game 433 but in case you missed it, there are other games too and some of them have serious significance. Featured: Robbie Thomson, football commentator, Paramount+. Corbin Middlemas, commentator, ABC SPORT. To catch up on everything that's making sports headlines recently, listen to more episodes of ABC Sport Daily,' hosted by Patrick Stack on ABC listen or wherever you get your podcasts, and get in touch with them on social media via @abc_sport. In the episodes we will cover big sporting personalities and all sports, including cricket, soccer, F1, NBA, AFL, AFLW to NRLW & NRL news, to covering competitions like the Olympics, the World Cup, The Ashes, Grand Prix and Grand Finals and more. Subscribe to the ABC Sport Newsletter

In today's episode, LDG sits down with a true history-maker: Sydney FC defender and Junior Matildas captain, Willa Pearson!Besides becoming the first guest in the history of our podcast who is younger than LDG himself, despite her youth, her pedigree on the pitch and list of records broken off it is immense.Willa made global headlines after playing the full 90 minutes in Sydney FC's opening match at just 14 years and 312 days old, officially becoming the youngest debutant in A-Leagues history. She followed that up by shattering Sam Kerr's long-standing record to become the league's youngest-ever goalscorer at 15!Willa has quickly gained attention for her composure, defensive awareness, and maturity playing against experienced professional competition. In this conversation, we talk about her journey into the professional game, balancing soccer at such a young age, her development with Sydney FC and Australia's youth national team setup, and what she's learned from her rapid rise in the sport so far.Fresh off her second match at the AFC U-17 Women's Asian Cup, Willa joins the pod to take listeners behind the scenes of her historic rise.We chat about her earliest soccer memories, how navigating a high-level dual-sport background in both soccer and cricket enhanced her athletic abilities, and the exact thoughts running through her mind during her record-breaking pro debut.Willa also opens up about adjusting to the pressure of top-flight football, what it meant to receive the Junior Matildas call-up, and how she processes taking on a massive leadership role as the squad's captain.To wrap things up, we look ahead to her short- and long-term objectives with Sydney FC and the Matildas youth setup, followed by a must-listen rapid-fire section where we find out her locker room DJ picks, favorite kits, and her one-word preview for her massive 2026 calendar!Thank you for listening! Remember to follow us wherever you get your podcasts, on Instagram (@the_womens_soccer_podcast) and Bluesky (@thewomenssoccerpod.bsky.social). In addition, leave a 5-star review and tell all your friends about our show!

 This is the 280th episode of my podcast, 'Soccernostalgia Talk Podcast'.  For this episode, I interview USA National Soccer Hall of Famer and Broadcaster, Dr. Joe Machnik, as we discuss the USA Soccer History from the 1970s to the pre-1994 World Cup era.  Dr. Machnik has been involved in the sport in the United States for many decades as a player, coach, referee broadcaster and Author. He was inducted into the USA National Soccer Hall of Fame in 2017. He was an Assistant Manager of the USA National Team during the 1990 World Cup. He started the No. 1 Goal Keeper's Camp in 1977, that was later expanded to include field players and renamed No. 1 Soccer Camps. This camp has trained many American Internationals in its existence. He has been the Director of Refereeing for many Leagues and Tournaments. Currently, Dr. Machnik is the rules and match commentator on Fox Sports.  Dr. Machnik is also the author of: ‘From The Sandlots To The World Cup: Inside Seven Decades Of American Soccer (2025)'   For any questions/comments, you may contact us: You may also contact me on this blog, on twitter @sp1873 and on facebook under Soccernostalgia. https://linktr.ee/sp1873  Mr. Paul Whittle, @real1888letter on twitter and https://the1888letter.com/contact/ https://linktr.ee/BeforeThePremierLeague   You may also follow the podcast on spotify and Apple podcasts all under ‘Soccernostalgia Talk Podcast' Please leave a review, rate and subscribe if you like the podcast. Dr. Machnik's contact info: Twitter (X): @DrJoeMachnik Link: https://www.no1soccercamps.com/ Book: https://www.amazon.com/Sandlots-World-Cup-Decades-American/dp/B0FVPTLJZN    Listen on Spotify and Apple Podcasts:  https://open.spotify.com/episode/6xax6TFDTdvCKNAWyir5qf?si=_41rj-5XQN6q18QX-f-wfA&nd=1&dlsi=1e3a8ca5ba4240a0https://podcasts.apple.com/us/podcast/soccernostalgia-talk-podcast/id1601074369YouTube Link:  https://www.youtube.com/watch?v=wS6uA_EG2gs Blog Link:  https://soccernostalgia.blogspot.com/2026/05/soccernostalgia-talk-podcast-episode_01077468140.htmlSupport the show

Here are 3 risky fantasy football picks that could actually win your leagues! Draft them for upside, but be prepared for a potential letdown.  Subscribe to smash your leagues. 

STEALS: Trey McBride & Treveyon Henderson WIN leagues!

Some of the best items to receive during an OSRS League are pets! Despite what some people may think, having pets persist between leagues makes them the only drop that truly counts, since all other drops disappear at the end of the league. Check out The Lootbeam Lounge! https://open.spotify.com/show/6DFtxLiNSjsdpqemkc4slbOxies episode - https://open.spotify.com/episode/32NAV8eRxKVs5NwGGZhYV4?si=gQKxRSoWSoSa04hsYAsTbwMichaels episode - https://open.spotify.com/episode/7nBT9cEsUX2TZjt1E8bVNw?si=Z3OLwkQVSzWRMEFWQrMLhQCommunity Question: Should we retire or continue the Community Question, and why?

Join Ryan Wormeli, Pat Fitzmaurice, Scott Bogman, and special guest Scott Pianowksi as they take part in a PPR mock draft to help you prepare for the 2026 fantasy football season! Timestamps: (May be off due to ads) Intro - 0:00:00 Redraft Preparation - 0:01:14 Mock Draft Wizard - 0:03:50 Bijan Robinson - 0:04:35 Jahmyr Gibbs - 0:05:03 Ashton Jeanty - 0:06:30 Jonathan Taylor & Drake London - 0:08:10 Malik Nabers - 0:09:02 Chase Brown - 0:09:51 Brock Bowers - 0:10:27 Omarion Hampton - 0:11:22 Tetairoa McMillan - 0:12:08 Early QB Thoughts - 0:12:45 Kenneth Walker & Colston Loveland - 0:13:42 Devonta Smith & Zay Flowers - 0:15:17 Emeka Egbuka & Derrick Henry - 0:16:10 Hard Rock Bet - 0:17:25 Jameson Williams & Christian Watson - 0:19:10 Cam Skattebo & David Montgomery - 0:21:17 Brian Thomas & Ricky Pearsall - 0:22:10 Kyle Pitts & Chuba Hubbard - 0:22:52 D'Andre Swift - 0:23:50 Harold Fannin - 0:25:51 Caleb Williams & Quintin Johnston - 0:26:35 Blake Corum - 0:27:22 Jaxson Dart - 0:28:34 Dak Prescott - 0:29:34 Brock Purdy - 0:30:17 Jonathon Brooks - 0:30:52 Emmett Johnson - 0:32:33 Roster Reviews and Analysis - 0:32:56 Helpful Links: Hard Rock Bet - Sign up for Hard Rock Bet and make a $5 bet and you'll get $150 in bonus bets if you win. Head over to Hard Rock Bet, sign up and make your first deposit today. Payable in bonus bet(s). Not a cash offer. Offered by the Seminole Tribe of Florida in FL. Offered by Seminole Hard Rock Digital, LLC, in all other states. Must be 21+ and physically present in AZ, CO, FL, IL, IN, NJ, OH, TN or VA to play. Terms and conditions apply. Concerned about gambling? In FL, call 1-888-ADMIT-IT. In IN, if you or someone you know has a gambling problem and wants help, call 1-800-9-WITH-IT. GAMBLING PROBLEM? CALL 1-800-GAMBLER (AZ, CO, IL, NJ, OH, TN, VA) Follow us on Twitch - The team here at FantasyPros is taking questions all week, every week on Twitch. Follow us on Twitch at twitch.tv/fantasypros and never miss a stream! Discord – Join our FantasyPros Discord Community! Chat with other fans and get access to exclusive AMAs that wind up on our podcast feed. Come get your questions answered and BE ON THE SHOW at fantasypros.com/chat Leave a Review – If you enjoy our show and find our insight to be valuable, we’d love to hear from you! Your reviews fuel our passion and help us tailor content specifically for YOU. Head to Apple Podcasts, Spotify, or wherever else you get your podcasts and leave an honest review. Let’s make this show the ultimate destination for fantasy football enthusiasts like us. Thank you for watching and for showing your support – https://fantasypros.com/review/ BettingPros Podcast – For advice on the best picks and props across both the NFL and college football each and every week, check out the BettingPros Podcast at bettingpros.com/podcast, our BettingPros YouTube channel at youtube.com/bettingpros, or wherever you listen to podcasts.See omnystudio.com/listener for privacy information.

  MERCH: https://orchideight.com/collections/poorhammer TWITCH: https://www.twitch.tv/poorhammer PATREON: https://www.patreon.com/SolelySingleton   On this week's episode, Brad and Eric go through all the Codices released in 10th Edition to find out which ones were worth buying and which ones were better off left in the shelf. That's if you got a Codex… Remember: at least you were not that guy over there…    SHOW LINKS: Brad's Bsky: https://bsky.app/profile/drruler.bsky.social Eric's Bsky: https://bsky.app/profile/onekuosora.bsky.social   TIMESTAMPS: 00:00 Hello and Welcome 00:42 What are we judging 04:52 The Tiers 05:49 T'au Empire 07:56 Death Guard 10:56 Imperial Knights 13:08 Chaos Knights 15:29 Tyranids 17:21 Orks 19:53 Genestealer Cults 23:02 10th Edition vs 11th Edition 24:59 Grey Knights 29:58 Aestred Thurga 34:17 Leagues of Votann 40:29 Space Marines 43:29 Space Marines Codex Supplements 44:21 Space Wolves 45:55 Dark Angels 46:58 Blood Angels 48:01 Black Templars 49:01 Deathwatch 49:36 Imperial Agents 53:14 Chaos Daemons 54:27 Chaos Space Marines 56:53 Adeptus Custodes 01:00:00 Thousand Sons 01:05:02 Emperor's Children 01:09:25 World Eaters 01:11:33 Necrons 01:16:15 Adeptus Mechanicus 01:18:14 Astra Militarum 01:21:19 Drukhari 01:29:38 Aeldari 01:34:13 Winners and Losers of 10th 01:36:48 OH GOD LOOK AT THIS EPISODE LENGTH. ITS FRIDAY NIGHT 01:42:41 Alright Audio Audience   Contact Information: You can interact with Solely Singleton by joining the hosts on discord and Twitter to give input to improve the show. Feel free to email more detailed questions and suggestions to the show's email address.   Your Hosts: Brad (DrRuler) & Eric (OnekuoSora) Brad's Bsky: https://bsky.app/profile/drruler.bsky.social Eric's Bsky: https://bsky.app/profile/onekuosora.bsky.social Show Email: thepoorhammerpodcast@gmail.com Merch Website: http://www.poorhammer.com/ Edited by: Menino Berilio Show Mailing Address: PO Box 70893 Rochester Hills, MI 48307   Licensed Music Used By This Program: "Night Out" by LiQWYD CC BY "Thursday & Snow (Reprise)" by Blank & Kytt CC BY "First Class" by Peyruis CC BY "Funky Souls" by Amaria CC BY

    MERCH: https://orchideight.com/collections/poorhammer TWITCH: https://www.twitch.tv/poorhammer PATREON: https://www.patreon.com/SolelySingleton   On this week's episode, Brad and Eric go through all the Codices released in 10th Edition to find out which ones were worth buying and which ones were better off left in the shelf. That's if you got a Codex… Remember: at least you were not that guy over there…    SHOW LINKS: Brad's Bsky: https://bsky.app/profile/drruler.bsky.social Eric's Bsky: https://bsky.app/profile/onekuosora.bsky.social   TIMESTAMPS: 00:00 Hello and Welcome 00:42 What are we judging 04:52 The Tiers 05:49 T'au Empire 07:56 Death Guard 10:56 Imperial Knights 13:08 Chaos Knights 15:29 Tyranids 17:21 Orks 19:53 Genestealer Cults 23:02 10th Edition vs 11th Edition 24:59 Grey Knights 29:58 Aestred Thurga 34:17 Leagues of Votann 40:29 Space Marines 43:29 Space Marines Codex Supplements 44:21 Space Wolves 45:55 Dark Angels 46:58 Blood Angels 48:01 Black Templars 49:01 Deathwatch 49:36 Imperial Agents 53:14 Chaos Daemons 54:27 Chaos Space Marines 56:53 Adeptus Custodes 01:00:00 Thousand Sons 01:05:02 Emperor's Children 01:09:25 World Eaters 01:11:33 Necrons 01:16:15 Adeptus Mechanicus 01:18:14 Astra Militarum 01:21:19 Drukhari 01:29:38 Aeldari 01:34:13 Winners and Losers of 10th 01:36:48 OH GOD LOOK AT THIS EPISODE LENGTH. ITS FRIDAY NIGHT 01:42:41 Alright Audio Audience   Contact Information: You can interact with Solely Singleton by joining the hosts on discord and Twitter to give input to improve the show. Feel free to email more detailed questions and suggestions to the show's email address.   Your Hosts: Brad (DrRuler) & Eric (OnekuoSora) Brad's Bsky: https://bsky.app/profile/drruler.bsky.social Eric's Bsky: https://bsky.app/profile/onekuosora.bsky.social Show Email: thepoorhammerpodcast@gmail.com Merch Website: http://www.poorhammer.com/ Edited by: Menino Berilio Show Mailing Address: PO Box 70893 Rochester Hills, MI 48307   Licensed Music Used By This Program: "Night Out" by LiQWYD CC BY "Thursday & Snow (Reprise)" by Blank & Kytt CC BY "First Class" by Peyruis CC BY "Funky Souls" by Amaria CC BY

In this episode, we interview marriage and family therapist, author, and former athlete Katie Steele, who co-wrote The Price She Pays. Steele describes what fueled her passion as a runner and how she works with parents and coaches to best support athletes through a systems approach. We discuss the current systems that can impacts young athletes' decision-making, sense of self and passion for sport, like early specialization, year-round leagues, and external pressures from technology and NIL deals. In summary, we talk about setting young athletes up for the "long game," which isn't always becoming a college or professional athlete, but instead involves staying healthy, knowing oneself, maintaining maneuverability, and forging lifelong connections through sport. Katie Steele LMFT competed for University of Oregon and Florida State as a collegiate runner, and now incorporates her experiences with mental health struggles, unethical coaching practices, and the pressures of collegiate athletics into her work as a therapist. She co-authored the book, "The Price She Pays: Confronting the Hidden Mental Health Crises in Women's Sports, from the Schoolyard to the Stadium" which was published in summer 2024.

This week we talk about personal and community updates, the minimal changes we got this week, and we do a Q&A.Use code "BUNE20" for 20% off your order from https://mitchiefox.com! Leagues videos we made!Levelling all skills in Varlamore: https://youtu.be/TqGCJPmlhnACombat pacts builds: https://youtu.be/CfKPuBLvWFkEPISODE TIME STAMPS00:00 Intro & personal/community updates52:20 Leagues changes (again)1:08:04 Q&A1:25:29 OutroEpisode notes:https://secure.runescape.com/m=news/a=97/further-leagues-vi-changes?oldschool=1Support the podcast on Patreon: https://www.patreon.com/bunebapeWatch live on Twitch: https://www.twitch.tv/bunebapeWatch live on YouTube: https://www.youtube.com/@BuneBape/streamsCheck out our side channel for variety games: https://www.youtube.com/@SmallBapeWatch Rob live on Twitch: https://www.twitch.tv/smallbapeJoin Our Community Discord at: https://discord.gg/bunebapeHelp buy cosplay supplies: https://throne.com/bunebapeDid you enjoy the content or have any questions? Let us know by commenting and check out more content you might enjoy at the links below.Podcast: open.spotify.com/show/4B3zj5EwqpatWmUre5wV6V?si=HfDE6IY5SqWLjlmdsJyXKQInstagram: instagram.com/bunebapeTwitter: twitter.com/bunebapeosrsTikTok: tiktok.com/@bunebapeosrsMerch: bunebape.comBusiness Inquiries:Bunebape@gmail.comTags:#osrs #oldschoolrunescape #osrspodcast #bunebape #runescapepodcast #podcast

In today's podcast we picked our POWER RANKINGS for the month of APRIL ! Who missed out ?

In this episode of the California Sports Lawyer Podcast, host Jeremy Evans explores the rapid integration of sports betting into the live sports experience and the growing debate over its influence on games, broadcasts, and public perception. As betting odds, sponsorships, and real-time wagering become increasingly embedded in sports media, important questions arise about where the line should be drawn—and who is ultimately responsible for maintaining the integrity of the game. Long viewed as a separate activity, sports betting is now deeply intertwined with leagues, teams, media companies, and even player narratives. This episode examines how this shift is reshaping the fan experience, influencing commentary and coverage, and creating new legal and ethical challenges across the industry. As the business of sports continues to evolve, the conversation highlights the need for clearer standards, thoughtful regulation, and shared accountability among stakeholders. With integrity, transparency, and consumer protection at the forefront, this episode underscores why balancing innovation with responsibility is critical for the future of sports and media alike. (Season 8, Episode 17). Copyright 2026. California Sports Lawyer. All Rights Reserved. (www.CSLlegal.com) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Jadarian Price WINS leagues in 2026

Gordon Duncan, Hugh Keevins, Cammy Bell and Gordon Dalziel are in the studio as the top team are around the grounds. The top team brings you the starting line ups, along with half-time and full-time reports. while the panel in the studio brings you their thoughts and coverage of the Scottish league games. With the lower leagues starting to wrap up, Inverness CT win league one and Eat Kilbride win league two. Hugh is back with more teasers.

Jeremiyah Love WINS leagues;

This week we talk about Leagues 6 community stats, changes we can expect to see soon and in future leagues, and we do a Q&A.Use code "BUNE20" for 20% off your order from https://mitchiefox.com! Leagues videos we made!Levelling all skills in Varlamore: https://youtu.be/TqGCJPmlhnACombat pacts builds: https://youtu.be/CfKPuBLvWFkEPISODE TIME STAMPS00:00 Intro & personal updates39:20 Runescape's merch store update41:11 Leagues fixes & failures57:10 Q&A1:26:49 OutroEpisode notes:https://secure.runescape.com/m=news/a=97/relaunching-our-merch-store-more-variety--a-better-experience?oldschool=1https://secure.runescape.com/m=news/a=97/more-leagues-vi-fixes?oldschool=1Support the podcast on Patreon: https://www.patreon.com/bunebapeWatch live on Twitch: https://www.twitch.tv/bunebapeWatch live on YouTube: https://www.youtube.com/@BuneBape/streamsCheck out our side channel for variety games: https://www.youtube.com/@SmallBapeWatch Rob live on Twitch: https://www.twitch.tv/smallbapeJoin Our Community Discord at: https://discord.gg/bunebapeHelp buy cosplay supplies: https://throne.com/bunebapeDid you enjoy the content or have any questions? Let us know by commenting and check out more content you might enjoy at the links below.Podcast: open.spotify.com/show/4B3zj5EwqpatWmUre5wV6V?si=HfDE6IY5SqWLjlmdsJyXKQInstagram: instagram.com/bunebapeTwitter: twitter.com/bunebapeosrsTikTok: tiktok.com/@bunebapeosrsMerch: bunebape.comBusiness Inquiries:Bunebape@gmail.comTags:#osrs #oldschoolrunescape #osrspodcast #bunebape #runescapepodcast #podcast

Another week of Leagues 6, another week of checking in! This week we are joined by a stand-in host (Tiki Mug) while Oxie is out galivanting around.

McBanterface stops by to talk about how to put together a conquest lineup, for qualifiers, and for Leagues like THL.

Hosts: Shane and Pyrnassius GameJam QoL brings changes to enrage, portals, and the rune pouch including rollbacks. The quarterly survey check-in raises and answers questions about the Road to Restoration and what players are excited for. Also, a Leagues skilling update. For detailed show notes visit update.rsbandb.com. You can also check out the forums for detailed discussion on each episode.Duration: 1:57:24

The stakes are higher than ever in European football! In Episode 254 of "Insert Name" FC Podcast, host Hector Flores is joined by special guest Moussa from Mofootball TV to break down all the action from the Champions League quarterfinals and preview the can't-miss semifinal showdowns. The crew dives deep into the tactical chess matches, key storylines, and underdog narratives dominating this season's UCL, including Atletico Madrid's defensive masterclass, PSG's front-line firepower, and Bayern Munich's unstoppable run. Plus, what's the secret behind Arsenal's set-piece prowess—and is it enough to see them through? After the Champions League, Hector Flores takes you through the final stretch in Europe's Power 5 leagues. From title races to relegation battles and the mad dash for those coveted Champions League spots, find out which clubs still have everything to play for and which narratives are dominating Ligue 1, Bundesliga, Serie A, La Liga, and the Premier League. Also: Players of the Week Top games to watch this weekend A special “Give and Go” card game segment: Who is the GOAT in women's soccer? Shoutouts to partners, sponsors, and the legendary Roosevelt Spencer Plug in for the biggest storylines, boldest predictions, plenty of banter, and your full European football fix! Listen now on Apple, Spotify, Belly Up's YouTube, and wherever you get your podcasts.

The boys kick the episode off by chatting about Leagues 6 The Demonic Pacts, Dilz has been sucked in.. but has Trey? No, no he has not. And then ofcourse we do a deep dive into the Tombs of Amascut, OSRS's 3rd raid! Call in on Speakpipe and leave us a voice message! Join the community discord: https://discord.gg/g6DZPNCJ You can support the show at: www.Patreon.com/TheWildernessPodcast  Come hangout in-game in our clan 'Wild' Get in touch with us at TheWildernessPodcast@gmail.com

In this episode of the California Sports Lawyer Podcast, host Jeremy Evans explores the evolving landscape of alternative and emerging sports leagues and what it takes to achieve long-term success in a competitive industry. As new leagues continue to launch, questions arise around sustainability, innovation, and the ability to capture fan interest and investor confidence. Often viewed as disruptors to traditional models, these leagues face challenges including financial stability, media rights, player development, and market differentiation. This episode examines how alternative leagues can move beyond short-term experimentation toward durable, scalable business models. As the sports industry continues to evolve, the conversation highlights why reinvention, strong leadership, and clear structure are essential for leagues seeking credibility, longevity, and meaningful impact. (Season 8, Episode 15). Copyright 2026. California Sports Lawyer. All Rights Reserved. (www.CSLlegal.com) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The Counselor lays out three players you must draft that could boom or bust for the 2026 NFL season!  Subscribe to smash your leagues! 

  MERCH: https://orchideight.com/collections/poorhammer TWITCH: https://www.twitch.tv/poorhammer PATREON: https://www.patreon.com/SolelySingleton   On  an  ideal  world,  this  episode's  description  would  be  something  like  this:  "Now  that  Brad  and  Eric  finished  reading  ALL  the  Warhammer  books  that  were  published  by  GW  (and  some  fanfictions),  they  can  sit  down  and  tell us  which  are  the  best  first  read  for  each  faction  in  40K.  We  all  know  that  all  of  them  are  very  good,  and  that every  faction,  including  the  non-imperium  ones,  have  more  published  than  anyone  could  read  in  a lifetime,  but  our  hosts  are  literate  and  capable  of   an  objectively  impartial  opinion,  so  let's  tune  in  and  take  notes  of  a  few  recommendations  that  we  will  definitively  read  in  this  year.   SHOW LINKS: Brad's Bsky: https://bsky.app/profile/drruler.bsky.social Eric's Bsky: https://bsky.app/profile/onekuosora.bsky.social   TIMESTAMPS: 00:00 Hello and Welcome 01:13 Poorhammer Hates Horus Heresy 02:06 Combined Effort is a Euphemism for Cheap labor from the patrons 03:09 They Probably forgot about it 03:45 The Poorhammer Podcast Also Hates Space Marines 04:26 Make a Surprised Pikachu when the time comes 04:43 Adepta Sororitas 05:48 Adeptus Custodes 06:49 Adeptus Mechanicus 09:17 Astra Militarum 12:02 Grey Knights 12:34 Imperial Agents 14:31 Imperial Knights 15:37 Space Marines 18:26 Chaos Daemons 20:25 Chaos Knights 21:00 Chaos Space Marines 23:27 Death Guard 24:37 Emperor's Children 25:38 Thousand Sons 27:13 World Eaters 28:11 Aeldari 30:55 Drukhari 32:41 Genestealer Cults 33:33 Leagues of Votann 34:18 Necrons 37:51 Orks 40:40 T'au Empire 41:53 Tyranids 44:29 They Couldn't Wait for the Awards Show 45:49 Please Don't Mind Their Names 51:28 Alright Audio Audience   Contact Information: You can interact with Solely Singleton by joining the hosts on discord and Twitter to give input to improve the show. Feel free to email more detailed questions and suggestions to the show's email address.   Your Hosts: Brad (DrRuler) & Eric (OnekuoSora) Brad's Bsky: https://bsky.app/profile/drruler.bsky.social Eric's Bsky: https://bsky.app/profile/onekuosora.bsky.social Show Email: thepoorhammerpodcast@gmail.com Merch Website: http://www.poorhammer.com/ Edited by: Menino Berilio Show Mailing Address: PO Box 70893 Rochester Hills, MI 48307   Licensed Music Used By This Program: "Night Out" by LiQWYD CC BY "Thursday & Snow (Reprise)" by Blank & Kytt CC BY "First Class" by Peyruis CC BY "Funky Souls" by Amaria CC BY

Tyler Bradshaw of the Nuxhall Miracle Leagues talks with Lance about the Leagues' parade being put on for special needs athletes.See omnystudio.com/listener for privacy information.

Tyler Bradshaw of the Nuxhall Miracle Leagues talks with Lance about the Leagues' parade being put on for special needs athletes.

!!!!!!LEAGUES LEAGUES LEAGUES LEAGUES LEAGUES!!!!!!!!https://dps.osrs.wikiid=ChinchompaBrutalAdventurehttps://dps.osrs.wiki/id=CensusGarnetZarytehttps://leaguesplanner.com/

Ger Gilroy and Vinny Perth are joined by OTB's own Rachel Sheehan to look back on last weekend's Camogie and Football leagues finals which saw Cork claim the Division 1 crown in the Football and Galway win the Division 1A title against Waterford. Viagra Connect 50mg film-coated tablets. Contains sildenafil. For adult men with erectile dysfunction. Subject to suitability. Maximum dosage one 50mg tablet per day. Always read the label. Catch The Off The Ball Breakfast show LIVE weekday mornings from 7:30am or just search for Off The Ball Breakfast and get the podcast on the Off The Ball app. SUBSCRIBE at OffTheBall.com/join

https://m.ebay.co.uk/sch/i.html?sid=tindogpodcast&_pgn=1&isRefine=true&_trksid=p4429486.m3561.l49496 Atlantis: The Lost Empire is a 2001 American animated science fiction adventure film directed by Gary Trousdale and Kirk Wise, produced by Don Hahn, and written by Tab Murphy. Produced by Walt Disney Feature Animation, it stars Michael J. Fox, James Garner, Cree Summer, Don Novello, Phil Morris, Claudia Christian, Jacqueline Obradors, Florence Stanley, David Ogden Stiers, John Mahoney, Jim Varney, Corey Burton and Leonard Nimoy. Set in 1914, the film follows young linguist Milo Thatch, who gains possession of a sacred book, which he believes will guide him and a crew of mercenaries to the lost city of Atlantis. Development of the film began after production had finished on The Hunchback of Notre Dame (1996). Instead of another musical, directors Trousdale and Wise, producer Hahn, and screenwriter Murphy decided to do an adventure film inspired by the works of Jules Verne. Atlantis: The Lost Empire was notable for adopting the distinctive visual style of comic book artist Mike Mignola, one of the film's production designers. The film made greater use of computer-generated imagery (CGI) than any of Disney's previous traditionally animated features and remains one of the few to have been shot in anamorphic format. Linguist Marc Okrand constructed an Atlantean language specifically for use in the film. James Newton Howard provided the film's musical score. The film was released at a time when audience interest in animated films was shifting away from traditional animation toward films with full CGI. Atlantis: The Lost Empire premiered at the El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001, and went into its general release on June 15. The film received mixed reviews from critics. Budgeted at around $90–120 million, Atlantis grossed over $186 million worldwide, $84 million of which was earned in North America; its lackluster box office response was identified as a result of being released in competition with Shrek, Lara Croft: Tomb Raider, The Fast and the Furious and Dr. Dolittle 2. As a result of the film's box office failure, Disney cancelled a planned spin-off animated television series, Team Atlantis; an underwater Disneyland attraction; and a volcanic Magic Kingdom attraction based on it. Atlantis was nominated for several awards, including seven Annie Awards, and won Best Sound Editing at the 2002 Golden Reel Awards. The film was released on VHS and DVD on January 29, 2002, and on Blu-ray on June 11, 2013. Despite its initial reception, reception in later years became favorable and has given Atlantis a cult following[5] and reappraisal from critics as a mistreated classic, due in part to Mignola's unique artistic influence.[6][7] A direct-to-video sequel, Atlantis: Milo's Return, was released in 2003. Plot In 1914 Washington, D.C., archaeo-linguist Milo Thatch obsesses over finding the legendary lost city of Atlantis, believed to have sunk thousands of years ago. His employers ridicule his theories, but he gains an unexpected ally in eccentric millionaire Preston B. Whitmore, a friend of Milo's deceased adventurer grandfather who also sought the city. Determined to honor his old friend's quest, Whitmore recruits Milo for an expedition to Atlantis, having recently uncovered the Shepherd's Journal, an ancient Atlantean manuscript that contains directions to the lost city. Aboard the submarine Ulysses, Milo meets his teammates: Commander Lyle Tiberius Rourke, Lieutenant Helga Sinclair, demolitions expert Vincenzo Santorini, geologist Gaetan "Mole" Molière, medical officer Joshua Sweet, mechanic Audrey Ramirez, radio operator Wilhelmina Packard, mess cook Jebidiah "Cookie" Farnsworth, and a platoon of mercenaries. Upon reaching a cave entrance leading to the lost city, the submarine is destroyed by a massive mechanical leviathan, killing most of the crew. Milo and the survivors escape in smaller craft, navigating through the cave to emerge among ancient ruins. Milo translates the journal, guiding the team through caves beneath a dormant volcano until they reach the worn remains of Atlantis. There, they are greeted by Princess Kidagakash "Kida" Nedakh, who, despite being around 8,500 years old, has the appearance of a young woman. She leads them to her father, King Kashekim, who orders them to leave. Learning that Milo can read their language—a skill lost to the Atlanteans over millennia—Kida asks for his help in uncovering their forgotten history and highly-advanced technology, without which the city has declined and resources have dwindled. Milo learns that Atlantis is powered by the Heart of Atlantis, a massive crystal that grants longevity and health to its citizens through the smaller crystals they carry. Rourke betrays Milo and the Atlanteans, revealing his true intention to steal the Heart for profit, despite knowing the Atlanteans will perish without it. He mortally wounds the King while seizing control and uncovers the crystal's hidden location beneath the city. Sensing the danger, the crystal merges with Kida, who is then captured by Rourke. He departs with the crystallized Kida and his mercenaries, except for Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie, who refuse to take part in the Atlanteans' destruction. Before dying, the King reveals that Atlantis was devastated by a megatsunami after he attempted to weaponize the crystal's vast power. To protect the city, the crystal merged with a royal family member, Kida's mother. This created a protective dome over the city's inner district, shielding it from total destruction as Atlantis sank beneath the waves, but Kida's mother never returned. To prevent the crystal from ever merging with Kida, the King hid it, inadvertently accelerating Atlantis' decline. He warns Milo that Kida will be lost forever if she is not soon separated from the crystal and pleads with him to save her. Alongside his allies, Milo rallies the Atlanteans to reactivate their long-dormant flying machines. Together, they eliminate Rourke and his mercenaries in the volcano. Milo and the others fly the crystallized Kida back to Atlantis as the volcano erupts. Kida ascends into the air and awakens Stone Guardians, who erect a barrier that shields the city from the lava flow. With Atlantis saved, the crystal separates from Kida and remains suspended in the sky. Milo chooses to stay in Atlantis with Kida, having fallen in love with her. Before returning to the surface, Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie each receive a small crystal and a share of treasure. The six reunite with Preston on the surface and agree to keep their adventure a secret to protect Atlantis. Preston opens a package from Milo containing his own crystal and a note thanking him. The newly crowned Queen Kida and Milo carve a stone effigy of her father to join those of past rulers floating beside the Heart of Atlantis, as the city stands restored to its former glory. Voice cast Production layout sketch of Milo and Kida. Milo's character design was based in part on sketches of the film's language consultant, Marc Okrand. Michael J. Fox as Milo James Thatch, a linguist and cartographer at the Smithsonian who was recruited to decipher The Shepherd's Journal while directing an expedition to Atlantis. James Garner as Commander Lyle Tiberius Rourke, the leader of the band of mercenaries for the Atlantean expedition. Cree Summer as Kidagakash "Kida" Nedakh, the Princess of Atlantis and Milo's love interest. Natalie Strom provided dialogue for Kida as a young child. Summer also voiced the unnamed Queen of Atlantis, Kida's mother and Kashekim's wife who was "chosen" by the Crystal during the sinking of the city. John Mahoney as Preston B. Whitmore, an eccentric millionaire who funds the expedition to Atlantis. Lloyd Bridges was originally cast and recorded as Whitmore, but he died before completing the film. Mahoney's zest and vigor led to Whitmore's personality being reworked for the film.[8] Claudia Christian as Lieutenant Helga Katrina Sinclair, Rourke's German-born second-in-command. Don Novello as Vincenzo "Vinny" Santorini, an Italian demolitions expert. Phil Morris as Dr. Joshua Strongbear Sweet, a medic of African-American and Arapaho descent. Jacqueline Obradors as Audrey Rocio Ramirez, a Puerto Rican mechanic and the youngest member of the expedition. Corey Burton as Gaetan "Mole" Molière, a French geologist who acts like a mole. Jim Varney as Jebidiah Allardyce "Cookie" Farnsworth, a Western-style chuckwagon chef. Varney died in February 2000, before the production ended, and the film was dedicated to his memory. Steven Barr recorded supplemental dialogue for Cookie. Florence Stanley as Wilhelmina Bertha Packard: an elderly, sarcastic, chain-smoking radio operator who is also the expedition's photographer. Leonard Nimoy as Kashekim Nedakh, the King of Atlantis and Kida's father. David Ogden Stiers as Fenton Q. Harcourt, a board member of the Smithsonian Institution who dismisses Milo's belief in the existence of Atlantis. Production Development The production team visited New Mexico's Carlsbad Caverns to get a sense of the underground spaces depicted in the film. The idea for Atlantis: The Lost Empire was conceived in October 1996 when Don Hahn, Gary Trousdale, Kirk Wise, and Tab Murphy lunched at a Mexican restaurant in Burbank, California. Having recently completed The Hunchback of Notre Dame,[9] the producer, directors and screenwriter wanted to keep the Hunchback crew together for another film with an "Adventureland" setting rather than a "Fantasyland" setting.[10] Drawing inspiration from Jules Verne's Journey to the Center of the Earth (1864) and Twenty Thousand Leagues Under the Seas (1870), they set out to make a film which would fully explore Atlantis (compared to the brief visit depicted in Verne's novel).[11] While primarily utilizing the Internet to research the mythology of Atlantis,[12] the filmmakers became interested in the clairvoyant readings of Edgar Cayce and decided to incorporate some of his ideas—notably that of a mother-crystal which provides power, healing, and longevity to the Atlanteans—into the story.[13] They also visited museums and old army installations to study the technology of the early 20th century (the film's time period), and traveled underground in New Mexico's Carlsbad Caverns to view the subterranean trails which would serve as a model for the approach to Atlantis in the film.[14] The filmmakers wanted to avoid the common depiction of Atlantis as "crumbled Greek columns underwater", said Wise.[15] "From the get-go, we were committed to designing it top to bottom. Let's get the architectural style, clothing, heritage, customs, how they would sleep, and how they would speak. So we brought people on board who would help us develop those ideas."[16] Art director David Goetz stated, "We looked at Mayan architecture, styles of ancient, unusual architecture from around the world, and the directors really liked the look of Southeast Asian architecture."[17] The team later took ideas from other architectural forms, including Cambodian, Indian, and Tibetan works.[18] Hahn added, "If you take and deconstruct architecture from around the world into one architectural vocabulary, that's what our Atlantis looks like."[19] The overall design and circular layout of Atlantis were also based on the writings of Plato,[18] and his quote "in a single day and night of misfortune, the island of Atlantis disappeared into the depths of the sea"[20] was influential from the beginning of production.[9] The crew wore T-shirts which read "ATLANTIS—Fewer songs, more explosions" due to the film's plan as an action-adventure (unlike previous Disney animated features, which were musicals).[21] Language The Atlantean letter A, created by artist John Emerson. Kirk Wise noted that its design was a treasure map showing the path to the crystal, "The Heart of Atlantis". Main article: Atlantean language Marc Okrand, who developed the Klingon language for the Star Trek television and theatrical productions, was hired to devise the Atlantean language for Atlantis: The Lost Empire. Guided by the directors' initial concept for it to be a "mother-language", Okrand employed an Indo-European word stock with its own grammatical structure. He would change the words if they began to sound too much like an actual, spoken language.[16] John Emerson designed the written component, making hundreds of random sketches of individual letters from among which the directors chose the best to represent the Atlantean alphabet.[22][23] The written language was boustrophedon: designed to be read left-to-right on the first line, then right-to-left on the second, continuing in a zigzag pattern to simulate the flow of water.[24] The Atlantean [A] is a shape developed by John Emerson. It is a miniature map of the city of Atlantis (i.e., the outside of the swirl is the cave, the inside shape is the silhouette of the city, and the dot is the location of the crystal). It's a treasure map. — Kirk Wise, director[25] Writing Joss Whedon was the first writer to be involved with the film but soon left to work on other Disney projects. According to him, he "had not a shred" in the movie.[26] Tab Murphy completed the screenplay, stating that the time from initially discussing the story to producing a script that satisfied the film crew was "about three to four months".[27] The initial draft was 155 pages, much longer than a typical Disney film script (which usually runs 90 pages). When the first two acts were timed at 120 minutes, the directors cut characters and sequences and focused more on Milo. Murphy said that he created the centuries-old Shepherd's Journal because he needed a map for the characters to follow throughout their journey.[28] A revised version of the script eliminated the trials encountered by the explorers as they navigated the caves to Atlantis. This gave the film a faster pace because Atlantis is discovered earlier in the story.[29] The directors often described the Atlanteans using Egypt as an example. When Napoleon wandered into Egypt, the people had lost track of their once-great civilization. They were surrounded by artifacts of their former greatness but somehow unaware of what they meant. — Don Hahn, producer[30] The character of Milo J. Thatch was originally supposed to be a descendant of Edward Teach, otherwise known as Blackbeard the pirate. The directors later related him to an explorer so he would discover his inner talent for exploration.[31] The character of Molière was originally intended to be "professorial" but Chris Ure, a story artist, changed the concept to that of a "horrible little burrowing creature with a wacky coat and strange headgear with extending eyeballs", said Wise.[32][33] Don Hahn pointed out that the absence of songs presented a challenge for a team accustomed to animating musicals, as action scenes alone would have to carry the film. Kirk Wise said it gave the team an opportunity for more on-screen character development: "We had more screen time available to do a scene like where Milo and the explorers are camping out and learning about one another's histories. An entire sequence is devoted to having dinner and going to bed. That is not typically something we would have the luxury of doing."[16] Hahn stated that the first animated sequence completed during production was the film's prologue. The original version featured a Viking war party using The Shepherd's Journal to find Atlantis and being swiftly dispatched by the Leviathan. Near the end of production, story supervisor John Sanford told the directors that he felt this prologue did not give viewers enough emotional involvement with the Atlanteans. Despite knowing that the Viking prologue was finished and it would cost additional time and money to alter the scene, the directors agreed with Sanford. Trousdale went home and completed the storyboards later that evening after visiting a strip club where he boarded the new sequence on a napkin.[34] The opening was replaced by a sequence depicting the destruction of Atlantis, which introduced the film from the perspective of the Atlanteans and Princess Kida.[35] The Viking prologue is included as an extra feature on the DVD release.[36] Casting Kirk Wise, one of the directors, said that they chose Michael J. Fox for the role of Milo because they felt he gave his characters his own personality and made them more believable on screen. Fox said that voice acting was much easier than his past experience with live action because he did not have to worry about what he looked like in front of a camera while delivering his lines.[37] The directors mentioned that Fox was also offered a role for Titan A.E.; he allowed his son to choose which film he would work on, and he chose Atlantis.[38] Viewers have noted similarities between Milo and the film's language consultant, Marc Okrand, who developed the Atlantean language used in the film. Okrand stated that Milo's supervising animator, John Pomeroy, sketched him, claiming not to know how a linguist looked or acted.[24] Kida's supervising animator, Randy Haycock, stated that her actress, Cree Summer, was very "intimidating" when he first met her; this influenced how he wanted Kida to look and act on screen when she meets Milo.[39] Wise chose James Garner for the role of Commander Lyle Tiberius Rourke because of his previous experience with action films, especially war and Western films, and said the role "fits him like a glove". When asked if he would be interested in the role, Garner replied: "I'd do it in a heartbeat."[40] Producer Don Hahn was saddened that Jim Varney, the voice of Jebidiah Allardyce "Cookie" Farnsworth, never saw the finished film before he died of lung cancer in February 2000, but mentioned that he was shown clips of his character's performance during his site sessions and said, "He loved it." Shawn Keller, supervising animator for Cookie, stated, "It was kind of a sad fact that [Varney] knew that he was not going to be able to see this film before he passed away. He did a bang-up job doing the voice work, knowing the fact that he was never gonna see his last performance." Steven Barr recorded supplemental dialogue for Cookie.[41] John Mahoney, who voiced Preston Whitmore, stated that doing voice work was "freeing" and allowed him to be "big" and "outrageous" with his character.[42] Dr. Joshua Sweet's supervising animator, Ron Husband, indicated that one of the challenges was animating Sweet in sync with Phil Morris' rapid line delivery while keeping him believable. Morris stated that this character was extreme, with "no middle ground"; he mentioned, "When he was happy, he was really happy, and when he's solemn, he's real solemn."[43] Claudia Christian described her character, Lieutenant Helga Katrina Sinclair, as "sensual" and "striking", and was relieved when she finally saw what her character looked like, joking, "I'd hate to, you know, go through all this and find out my character is a toad."[44] Jacqueline Obradors said her character, Audrey Rocio Ramirez, made her "feel like a little kid again" and she always hoped her sessions would last longer.[45] Florence Stanley felt that her character, Wilhelmina Bertha Packard, was very "cynical" and "secure": "She does her job, and when she is not busy, she does anything she wants."[46] Corey Burton mentioned that finding his performance as Gaetan "Mole" Molière was by allowing the character to "leap out" of him while making funny voices. To get into character during his recording sessions, he stated that he would "throw myself into the scene and feel like I'm in this make-believe world".[47] Kirk Wise and Russ Edmonds, supervising animator for Vincenzo "Vinny" Santorini, noted Vinny's actor Don Novello's unique ability to improvise dialogue while voicing the role. Edmonds recalled, "[Novello] would look at the sheet, and he would read the line that was written once, and he would never read it again! And we never used a written line, it was improvs, the whole movie."[48] Michael Cedeno, supervising animator for King Kashekim Nedakh, was astounded at Leonard Nimoy's voice talent in the role, stating that he had "so much rich character" in his performance. As he spoke his lines, Cedeno said the crew would sit there and watch Nimoy in astonishment.[49] Animation For comparison, the top image (panoramic view of Atlantis) is cropped to Disney's standard aspect ratio (1.66:1); the bottom image was seen in the film (2.35:1). At the peak of its production, 350 animators, artists and technicians were working on Atlantis[50] at all three Disney animation studios: Walt Disney Feature Animation (Burbank, California), Walt Disney Feature Animation Florida (Orlando), and Disney Animation France (Paris).[51] The film was one of the few Disney animated features produced and shot in 35mm anamorphic format. The directors felt that a widescreen image was crucial, as a nostalgic reference to old action-adventure films presented in the CinemaScope format (2.35:1), noting Raiders of the Lost Ark as an inspiration.[52] Because switching to the format would require animation desks and equipment designed for widescreen to be purchased, Disney executives were at first reluctant about the idea.[16] The production team found a simple solution by drawing within a smaller frame on the same paper and equipment used for standard aspect ratio (1.66:1) Disney-animated films.[52] Layout supervisor Ed Ghertner wrote a guide to the widescreen format for use by the layout artists and mentioned that one advantage of widescreen was that he could keep characters in scenes longer because of additional space to walk within the frame.[53] Wise drew further inspiration for the format from filmmakers David Lean and Akira Kurosawa.[16] The film's visual style was strongly based upon that of Mike Mignola, the comic book artist behind Hellboy. Mignola was one of four production designers (along with Matt Codd, Jim Martin, and Ricardo Delgado) hired by the Disney studio for the film. Accordingly, he provided style guides, preliminary character, and background designs, and story ideas.[54] "Mignola's graphic, the angular style was a key influence on the 'look' of the characters," stated Wise.[55] Mignola was surprised when first contacted by the studio to work on Atlantis.[56] His artistic influence on the film would later contribute to a cult following.[57] I remember watching a rough cut of the film and these characters have these big, square, weird hands. I said to the guy next to me, "Those are cool hands." And he says to me, "Yeah, they're your hands. We had a whole meeting about how to do your hands." It was so weird I couldn't wrap my brain around it. — Mike Mignola[56] The final pull-out shot of the movie, immediately before the end-title card, was described by the directors as the most difficult shot in the history of Disney animation. They said that the pull-out attempt on their prior film, The Hunchback of Notre Dame, "struggled" and "lacked depth"; however, after making advances in the process of multiplaning, they tried the technique again in Atlantis. The shot begins with one 16-inch (40.6 cm) piece of paper showing a close-up of Milo and Kida. As the camera pulls away from them to reveal the newly restored Atlantis, it reaches the equivalent of an 18,000-inch (46,000 cm) piece of paper composed of many individual pieces of paper (24 inches [61 cm] or smaller). Each piece was carefully drawn and combined with animated vehicles simultaneously flying across the scene to make the viewer see a complete, integrated image.[58] Scale model of Ulysses submarine by Greg Aronowitz, used by digital animators as reference during production.[59] At the time of its release, Atlantis: The Lost Empire was notable for using more computer-generated imagery (CGI) than any other Disney traditionally animated feature. To increase productivity, the directors had the digital artists work with the traditional animators throughout the production. Several important scenes required heavy use of digital animation: the Leviathan, the Ulysses submarine and sub-pods, the Heart of Atlantis, and the Stone Giants.[60] During production, after Matt Codd and Jim Martin designed the Ulysses on paper, Greg Aronowitz was hired to build a scale model of the submarine, to be used as a reference for drawing the 3D Ulysses.[59] The final film included 362 digital-effects shots, and computer programs were used to seamlessly join the 2D and 3D artwork.[61] One scene that took advantage of this was the "sub-drop" scene, where the 3D Ulysses was dropped from its docking bay into the water. As the camera floated toward it, a 2D Milo was drawn to appear inside, tracking the camera. The crew noted that it was challenging to keep the audience from noticing the difference between the 2D and 3D drawings when they were merged.[62] The digital production also gave the directors a unique "virtual camera" for complicated shots within the film. With the ability to operate in the z-plane, this camera moved through a digital wire-frame set; the background and details were later hand-drawn over the wireframes. This was used in the opening flight scene through Atlantis and the submarine chase through the undersea cavern with the Leviathan in pursuit.[63] Music and sound Since the film would not feature any songs, the directors hired James Newton Howard to compose the score after they heard his music on Dinosaur. Approaching it as a live-action film, Howard decided to have different musical themes for the cultures of the surface world and Atlantis. In the case of Atlantis, Howard chose an Indonesian orchestral sound incorporating chimes, bells, and gongs. The directors told Howard that the film would have a number of key scenes without dialogue; the score would need to convey emotionally what the viewer was seeing on screen.[64] Gary Rydstrom and his team at Skywalker Sound were hired for the film's sound production.[65] Like Howard, Rydstrom employed different sounds for the two cultures. Focusing on the machine and mechanical sounds of the early industrial era for the explorers, he felt that the Atlanteans should have a "more organic" sound utilizing ceramics and pottery. The sound made by the Atlantean flying-fish vehicles posed a particular challenge. Rydstrom revealed that he was sitting at the side of a highway recording one day when a semi-truck drove by at high speed. When the recording was sped up on his computer, he felt it sounded very organic, and decided to use it in the film. Rydstrom created the harmonic chiming of the Heart of Atlantis by rubbing his finger along the edge of a champagne flute, the sound of sub-pods moving through the water with a water pick, while a ceramic pot from a garden store was used for the sounds of the movement of the Giant stone guardians.[66] Release Atlantis: The Lost Empire had its world premiere at Disney's El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001[67] and a limited release in New York City and Los Angeles on June 8; a wider release followed on June 15.[4][61] At the premiere, Destination: Atlantis was on display, featuring behind-the-scenes props from the film and information on the legend of Atlantis with video games, displays, laser tag, and other attractions. The Aquarium of the Pacific also loaned a variety of fish for display within the attraction.[68] Promotion Atlantis was among Disney's first major attempts to utilize internet marketing. The film was promoted through Kellogg's, which created a website with mini-games and a movie-based video game give-away for UPC labels from specially marked packages of Atlantis breakfast cereal.[50] The film was one of Disney's first marketing attempts through mobile network operators, and allowed users to download games based on the film.[69] McDonald's (which had an exclusive licensing agreement on all Disney releases) promoted the film with Happy Meal toys, food packaging and in-store decor. The McDonald's advertising campaign involved television, radio, and print advertisements beginning on the film's release date.[70] Frito-Lay offered free admission tickets for the film on specially marked snack packages.[71] Home media Atlantis: The Lost Empire was released on VHS and DVD on January 29, 2002.[72] During the first month of its home release, the film led in VHS sales and was third in VHS and DVD sales combined.[73] Sales and rentals of the VHS and DVD combined would eventually accumulate $157 million in revenue by mid-2003.[74] Both a single-disc DVD edition and a two-disc collector's edition (with bonus features) were released. The single-disc DVD gave the viewer the option of viewing the film either in its original theatrical 2.39:1 aspect ratio or a modified 1.33:1 ratio (utilizing pan and scan). Bonus features available on the DVD version included audio and visual commentary from the film team, a virtual tour of the CGI models, an Atlantean-language tutorial, an encyclopedia on the myth of Atlantis, and the deleted Viking prologue scene.[72] The two-disc collector's edition DVD contained all the single-disc features and a disc with supplemental material detailing all aspects of the film's production. The collector's-edition film could only be viewed in its original theatrical ratio, and also featured an optional DTS 5.1 track. Both DVD versions, however, contained a Dolby Digital 5.1 track and were THX certified.[72][75] Disney digitally remastered and released Atlantis on Blu-ray on June 11, 2013, bundled with its sequel Atlantis: Milo's Return.[76] Reception Box office Before the film's release, reporters speculated that it would have a difficult run due to competition from Shrek and Lara Croft: Tomb Raider. Regarding the market's shift from traditional animation and competition with CG-animated films, Kirk Wise said, "Any traditional animator, including myself, can't help but feel a twinge. I think it always comes down to story and character, and one form won't replace the other. Just like photography didn't replace painting. But maybe I'm blind to it."[61] Jeff Jensen of Entertainment Weekly noted that CGI films (such as Shrek) were more likely to attract the teenage demographic typically not interested in animation, and called Atlantis a "marketing and creative gamble".[77] With a budget of $100 million,[3] the film opened at #2 on its debut weekend, behind Lara Croft: Tomb Raider, earning $20.3 million in 3,011 theaters.[78] During its second weekend, it would drop into fourth place behind the latter film, Dr. Dolittle 2 and The Fast and the Furious, making $13.2 million.[79] The film's international release began September 20 in Australia and other markets followed suit.[80] During its 25-week theatrical run, Atlantis: The Lost Empire grossed over $186 million worldwide ($84 million from the United States and Canada).[4] Responding to its disappointing box-office performance, Thomas Schumacher, then-president of Walt Disney Feature Animation, said, "It seemed like a good idea at the time to not do a sweet fairy tale, but we missed."[81] Critical response Atlantis: The Lost Empire received mixed reviews from critics,[82][83][84] many of whom criticized its story.[85] The review aggregator website Rotten Tomatoes reports that 48% of 144 professional critics have given Atlantis: The Lost Empire a positive review; the average rating is 5.5/10. The site's consensus is: "Atlantis provides a fast-paced spectacle, but stints on such things as character development and a coherent plot".[86] Metacritic assigned the film a weighted average score of 52 out of 100 based on 29 reviews from critics, indicating "mixed or average" reviews.[87] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.[88] While critics had mixed reactions to the film in general, some praised it for its visuals, action-adventure elements, and attempt to appeal to an older audience. Roger Ebert gave Atlantis three-and-a-half stars out of four. He praised the animation's "clean bright visual look" and the "classic energy of the comic book style", crediting this to the work of Mike Mignola. Ebert gave particular praise to the story and the final battle scene and wrote, "The story of Atlantis is rousing in an old pulp science fiction sort of way, but the climactic scene transcends the rest, and stands by itself as one of the great animated action sequences."[89] In The New York Times, Elvis Mitchell gave high praise to the film, calling it "a monumental treat", and stated, "Atlantis is also one of the most eye-catching Disney cartoons since Uncle Walt institutionalized the four-fingered glove."[90] Internet film critic James Berardinelli wrote a positive review of the film, giving it three out of four stars. He wrote, "On the whole, Atlantis offers 90 minutes of solid entertainment, once again proving that while Disney may be clueless when it comes to producing good live-action movies, they are exactly the opposite when it comes to their animated division."[91] Wesley Morris of the San Francisco Chronicle wrote positively of the film's approach for an older audience: "But just beneath the surface, Atlantis brims with adult possibility."[92] Other critics felt that the film was mediocre in regards to its story and characters, and that it failed to deliver as a non-musical to Disney's traditional audience. Owen Gleiberman of Entertainment Weekly gave the film a C+ rating, writing that the film had "gee-whiz formulaic character" and was "the essence of craft without dream".[93] Kenneth Turan of the Los Angeles Times said the storyline and characterizations were "old-fashioned" and the film had the retrograde look of a Saturday-morning cartoon, but these deficiencies were offset by its "brisk action" and frantic pace.[94] Todd McCarthy of Variety wrote, "Disney pushes into all-talking, no-singing, no-dancing and, in the end, no-fun animated territory."[95] Stephanie Zacharek of Salon wrote of Disney's attempt to make the film for an adult audience, "The big problem with Disney's latest animated feature, Atlantis: The Lost Empire, is that it doesn't seem geared to kids at all: It's so adult that it's massively boring."[96] Rita Kempley of The Washington Post panned the film, calling it a "new-fashioned but old-fangled hash" and wrote, "Ironically Disney had hoped to update its image with this mildly diverting adventure, yet the picture hasn't really broken away from the tried-and-true format spoofed in the far superior Shrek."[97] In 2015, Katharine Trendacosta at io9 reviewed the film and called it a "Beautiful Gem of a Movie That Deserved Better Than It Got" and said that the film deserves more love than it ended up getting.[6] Lindsay Teal considers "Atlantis" to be "a lost Disney classic". Describing the film as highly entertaining, she praises the writing and characterisation – in particular, Sweet, Helga and Kida.[7] In particular, much praise has been given to the character of Kida.[98] Summer has regarded the character of Kida as one of her favourite roles and even considers the character among the official Disney Princess line-up. Themes and interpretations Several critics and scholars have noted that Atlantis plays strongly on themes of anti-capitalism and anti-imperialism. M. Keith Booker, academic and author of studies about the implicit messages conveyed by media, views the character of Rourke as being motivated by "capitalist greed" when he pursues "his own financial gain" in spite of the knowledge that "his theft [of the crystal] will lead to the destruction of [Atlantis]".[99] Religion journalist Mark Pinsky, in his exploration of moral and spiritual themes in popular Disney films, says that "it is impossible to read the movie ... any other way" than as "a devastating, unrelenting attack on capitalism and American imperialism".[100] Max Messier of FilmCritic.com observes, "Disney even manages to lambast the capitalist lifestyle of the adventurers intent on uncovering the lost city. Damn the imperialists!"[101] According to Booker, the film also "delivers a rather segregationist moral" by concluding with the discovery of the Atlanteans kept secret from other surface-dwellers in order to maintain a separation between the two highly divergent cultures.[102] Others saw Atlantis as an interesting look at utopian philosophy of the sort found in classic works of science fiction by H. G. Wells and Jules Verne.[103] Nadia: The Secret of Blue Water controversy When the film was released, some viewers noticed that Atlantis: The Lost Empire was similar to the 1990-91 anime Nadia: The Secret of Blue Water, particularly in its character design, setting, and story.[104] The similarities, as noted by viewers in both Japan and America, were strong enough for its production company Gainax to be called to sue for plagiarism. According to Gainax member Yasuhiro Takeda, they only refrained from doing so because the decision belonged to parent companies NHK and Toho.[105] Another Gainax worker, Hiroyuki Yamaga, was quoted in an interview in 2000 as saying: "We actually tried to get NHK to pick a fight with Disney, but even the National Television Network of Japan didn't dare to mess with Disney and their lawyers. [...] We actually did say that but we wouldn't actually take them to court. We would be so terrified about what they would do to them in return that we wouldn't dare."[105] Although Disney never responded formally to those claims, co-director Kirk Wise posted on a Disney animation newsgroup in May 2001, "Never heard of Nadia till it was mentioned in this [newsgroup]. Long after we'd finished production, I might add." He claimed both Atlantis and Nadia were inspired, in part, by the 1870 Jules Verne novel Twenty Thousand Leagues Under the Seas.[106] However, speaking about the clarification, Lee Zion from Anime News Network wrote, "There are too many similarities not connected with 20,000 Leagues for the whole thing to be coincidence."[107] As such, the whole affair ultimately entered popular culture as a convincing case of plagiarism.[108][109][110] In 2018, Reuben Baron from Comic Book Resources added to Zion's comment stating, "Verne didn't specifically imagine magic crystal-based technology, something featured in both the Disney movie and the too similar anime. The Verne inspiration also doesn't explain the designs being suspiciously similar to Nadia's."[110] Critics also saw parallels with the 1986 film Laputa: Castle in the Sky from Hayao Miyazaki and Studio Ghibli (which also featured magic crystals, and Atlantis directors Trousdale and Wise both acknowledged Miyazaki's works as a major influence on their own work)[104] and with the 1994 film Stargate as Milo's characteristics were said to resemble those of Daniel Jackson, the protagonist of Stargate and its spinoff television series Stargate SG-1 — which coincidentally launched its own spinoff, titled Stargate Atlantis; the plot of the 1994 film is also paralleled involving a group visiting an unknown world, a fictional language made for the other world's people, the main protagonist having apparent knowledge of the people's culture, falling in love with one of the female locals and electing to stay behind when the others return home.[111] Accolades Award Category Name Result 29th Annie Awards[112] Individual Achievement in Directing Gary Trousdale and Kirk Wise Nominated Individual Achievement in Storyboarding Chris Ure Nominated Individual Achievement in Production Design David Goetz Nominated Individual Achievement in Effects Animation Marlon West Nominated Individual Achievement in Voice Acting – Female Florence Stanley Nominated Individual Achievement in Voice Acting – Male Leonard Nimoy Nominated Individual Achievement for Music Score James Newton Howard Nominated 2002 DVD Exclusive Awards[113] Original Retrospective Documentary Michael Pellerin Nominated 2002 Golden Reel Award[114] Best Sound Editing – Animated Feature Film Gary Rydstrom, Michael Silvers, Mary Helen Leasman, John K. Carr, Shannon Mills, Ken Fischer, David C. Hughes, and Susan Sanford Won Online Film Critics Society Awards 2001[115] Best Animated Feature Nominated 2002 Political Film Society[116] Democracy Nominated Human Rights Nominated Peace Nominated World Soundtrack Awards[117] Best Original Song for Film Diane Warren and James Newton Howard Nominated Young Artist Awards[118] Best Feature Family Film – Drama Walt Disney Feature Animation Nominated Related works Main article: Atlantis (franchise) Atlantis: The Lost Empire was meant to inspire an animated television series entitled Team Atlantis, which would have presented the further adventures of its characters. The series would have been akin to an animated steampunk version of The X-Files and feature a crossover with Gargoyles. However, because of the film's underperformance at the box office, the series was not produced.[119] On May 20, 2003, Disney released a direct-to-video sequel titled Atlantis: Milo's Return, consisting of three episodes planned for the aborted series.[120] Disneyland planned to revive its Submarine Voyage ride with an Atlantis: The Lost Empire theme with elements from the movie. These plans were canceled and the attraction was re-opened in 2007 as the Finding Nemo Submarine Voyage, its theme based on the 2003 Pixar film Finding Nemo, which was far more successful commercially and critically.[121] In addition, after the Submarine Voyage's Magic Kingdom counterpart, 20,000 Leagues Under the Sea: Submarine Voyage, closed down in 1994, four years before Disneyland's, there were proposals of a new attraction that would take its place, with one of them a volcano attraction inspired by that film's Vulcania location, being approved for the Magic Kingdom's Adventureland area. Around 1999, during development of Atlantis: The Lost Empire, it was decided that it would be themed to the movie, with it taking place in 1916, two years after the film's events. The ride would have focused on Preston Whitmore, a character from the film, seeking to make Atlantis existence public and offer expeditions to visitors in newly developed vehicles. However, due to mishaps, the vehicles would be forced to make a detour through the lava-filled caverns of the volcano. The attraction would have used a unique hybrid ride system, in which it would start as a standard coaster before the trains hook up to a suspended track midway through to fly through the caverns. The attraction would have been accessed by a new canyon path in between Pirates of the Caribbean and a re-routed Jungle Cruise that would have led to a Whitmore Enterprises base camp at the edge of the Walt Disney World Railroad path, with the mountain itself being built outside the berm. However, like the previous Submarine Voyage retheme, the ride was cancelled due to the film's disappointment in the box office.[122]

With less than a week to go, the hype for leagues is intensifying!! Join us this week as we continue to unpack the reveals and go over our plans for Leagues 6!Community Question: Give us your best pitch for a new Combat Mastery Ability

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4.7.26, Brian Mitchell, Steve Czaban and Producer Ryan have a discussion about whether the weather is having too much of an impact on sports such as Baseball.

On this edition of Campus2Canton LIVE, Matt Bruening @sportsfanaticMB and Chris Kay @RealestChrisKay discuss their Top 10 wide receivers in college fantasy football and campus2canton leagues. Plus, the top college football headlines. Learn more about your ad choices. Visit megaphone.fm/adchoices

Text and Be HeardA fixed match doesn't start with a brown paper bag under the table. It starts with a system that quietly rewards corruption and punishes honesty, then wraps it all in highlight reels and betting promos. We're joined by Professor Declan Hill, an investigative journalist and researcher who has spent years studying organized crime in sports and the global sports gambling market. He walks us through how match fixing actually works, including why it can reach the biggest stages in soccer, and how intimidation and “inside the sausage factory” incentives keep people silent. One of the most unsettling takeaways is how often athletes are made vulnerable by basic corruption: money intended for players gets siphoned off, and fixers step in offering cash and certainty. From there, we get blunt about legalized sports betting in the United States. We talk about the myth that the average bettor can win long term, the way betting apps turn your phone into a casino, and why young people including teens are getting pulled in fast. Declan explains why prop bets, parlays, micro betting, and live betting aren't harmless extras but powerful addiction mechanisms, and why athletes can be uniquely susceptible to gambling addiction. We end with solutions and a warning. Self-regulation doesn't work, and the growing financial ties between leagues and sportsbooks damage trust in the game. Declan makes the case for an independent sports integrity agency, modeled on systems that already exist elsewhere, and argues that without real oversight a major scandal could push a league into an existential crisis. If you care about sports, recovery, or how industries manufacture consent, this conversation will stick with you. Subscribe for more, share this with a friend who loves sports, and leave a review with your take: do you still trust what you're watching?Declan HillLinkedIn:  Declan Hill | LinkedInSubstack: CrimeWaves | Declan Hill | SubstackBook:  The Fix on Amazon: Amazon.com: The Fix: Soccer and Organized Crime: 9780771041396: Hill, Declan: BooksSupport the showRecovery is Beautiful.   Go Live Your Best Life!!Facebook Group - Recovery Freedom Circle | FacebookYour EQ is Your IQYouTube -    Life Is Wonderful   Hugo VRecovery Freedom CircleThe System That Understands Recovery, Builds Character  and Helps People Have Better Relationships.A Life Changing Solution, Saves You Time, 18 weekswww.lifeiswonderful.love  Instagram -  Lifeiswonderful.LoveTikTok -  Lifeiswonderful.LovePinterest -   Lifeiswonderful.LoveX -     LifeWonderLoveLinkedIn -   Hugo Vrsalovic    LinkedIn -   The 1% in Recovery

Last summer, JJ explored the edge rookies can give fantasy managers in redraft leagues. After a disappointing season from first-year players, he revisits the topic — this time with added nuance and fresh insights. Make sure to check out LateRound.com to order the 2026 Late-Round Prospect Guide. Want to get dynasty rankings while accessing the amazing Late-Round community on Discord? Become a Late-Round member today.See omnystudio.com/listener for privacy information.