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Well, here we are my friends, the 100th and final episode! We go back to where it all started, the National Gallery of Art, for a look at one of Pieter de Hooch's idealized depictions of what a Dutch household was supposed to be. This cozy home may have been more wishful thinking than reality, though! We'll find out how an embarrassing meeting helped create the Gallery! And I'll share final thoughts and thank yous and a few podcast recommendations I think you'll really like (listed below). If you want to follow along, you can find it here on the Gallery's site SHOW NOTES “A Long Look” themes are "Easy" by Ron Gelinas https://youtu.be/2QGe6skVzSs and “At the Cafe with You” by Onion All Stars https://pixabay.com/users/onion_all_stars-33331904/ Episode Music “The Well Tempered Clavier, Book I, BWV 846-869 - Prelude No. 19 in A major, BWV 864” composed by Johann Sebastian Bach. Performed by Kimiko Ishizaka. Courtesy of musopen.org https://musopen.org/music/43466-the-well-tempered-clavier-book-i-bwv-846-869 “Hand in Space” by Quantum Jazz https://archive.org/details/jamendo-046377 Artwork information https://www.nga.gov/artworks/1172-bedroom https://www.nga.gov/research/publications/online-editions/dutch-paintings-seventeenth-century-bedroom-16581660 Pieter de Hooch information “Pieter de Hooch, 1629-1684” by Peter C. Sutton (Archive.org) https://archive.org/details/pieterdehooch16200sutt https://www.theartstory.org/artist/de-hooch-pieter https://en.wikipedia.org/wiki/Pieter_de_Hooch “Public and Private Life in the Art of Pieter de Hooch” by Martha Hollander (JSTOR) Nederlands Kunsthistorisch Jaarboek (NKJ) / Netherlands Yearbook for History of Art 51 (2000): 272–93. https://www.jstor.org/stable/24706499 Women in Dutch life “The Embarrassment of Riches” by Simon Schama (Bookshop.org) Gallery history https://www.nga.gov/about-us/our-history https://www.doaks.org/resources/cultural-philanthropy/national-gallery-of-art “America's National Gallery of Art” by Philip Kopper (Internet Archive) https://archive.org/details/americasnational0000kopp/americasnational0000kopp Jazz in the Garden https://www.nga.gov/calendar/jazz-garden “The Mill” by Rembrandt https://www.nga.gov/artworks/1201-mill The Object Podcast--Minneapolis Institute of Art https://new.artsmia.org/the-object-podcast The Modern Art Notes Podcast https://manpodcast.com Tyler Greene presents in-depth discussions with artists about their practice and curators about current shows for a fascinating look at today's art world. Immaterial https://www.metmuseum.org/perspectives/series/immaterial-podcast The Metropolitan of Art's limited series podcast tells us surprising stories about the stuff art is made from. Transcript available at https://alonglookpodcast.com/bedroom-de-hooch
Episode 170 Chapter 29, Buchla Analog Synthesizers. Works Recommended from my book, Electronic and Experimental Music Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 29, Buchla Analog Synthesizers from my book Electronic and Experimental music. Playlist: MUSIC MADE WITH BUCHLA ANALOG SYNTHESIZERS Time Track Time Start Introduction –Thom Holmes 01:38 00:00 1. Morton Subotnick, “Prelude No. 4” (1966). Early work for piano and electronic tape using sounds created on the Buchla 100. Pianist, Richard Bunger, recorded in 1973 (Buchla tape from 1966). 05:15 01:40 2. Morton Subotnick, “Silver Apples of the Moon” (Part 1) (1966). First commissioned work of electronic music from Nonesuch Records. 04:23 08:32 3. Gerry Olds, “4/3 + 1” (1967). Jazz mixed with electronics created on the Buchla 100 at a San Francisco Tape Music Center Concert. 11:19 12:58 4. Buffy Sainte- Marie, “Better To Find Out For Yourself” and “The Vampire” (1969). Electronic “settings,” processing of Sainte-Marie's voice and guitar done on Buchla 100 modular systems (3 units) used by Michael Czajkowski at the electronic music studio of NYU. 04:39 24:16 5. Douglas Leedy, “Entropical Paradise” (1970). Sonic environments created by the Moog and Buchla modular synthesizers. 20:09 28:52 6. George Marsh, “Wind Borne” (1973). Prepared Buchla 200 Synthesizer with sequencing, George Marsh. 08:28 49:06 7. David Rosenboom and Donald Buchla, “How Much Better If Plymouth Rock Had Landed On The Pilgrims, Section V” (1978). Buchla modular synthesizers by composer Rosenboom and the inventor himself, Donald Buchla. 22:47 57:34 8. Morton Subotnick, “The Last Dream of the Beast” (1978, 1982, 1984). Featured the Buchla 400. 14:47 01:20:20 9. Mel Powell, “Three Synthesizer Settings” (1981). Moog and Buchla synthesizers. 08:47 01:35:06 10. Morton Subotnick, “A Sky of Cloudless Sulphur, Opening” (1980). Buchla 200 and Subotnick's “ghost shadow electronics.” 11:15 01:43:51 Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.
Episode 160 Chapter 21, The San Francisco Tape Music Center. Works Recommended from my book, Electronic and Experimental Music Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 21, The San Francisco Tape Music Center from my book Electronic and Experimental music. Playlist: THE SAN FRANCISCO TAPE MUSIC CENTER Time Track Time Start Introduction –Thom Holmes 01:30 00:00 1. Terry Riley, “Mescalin-Mix” (1960-62). Early tape collage and one of Riley's first works for tape. 14:23 01:38 2. Terry Riley, “Concerto For Two Pianos and Five Tape Recorders” )1961). Piano, LaMonte Young; piano and tape assemblage, Terry Riley. Recorded live. 1961 Riley-Terry_ConcertoForTwoPianos-b.wav 04:36 15:56 3. Pauline Oliveros, “Apple Box Double” (performance 2008). This piece was composed for various configurations of apple crates that were touched and scraped with various objects while being amplified. The original dates from about 2006. This performance by Seth Cluett and Oliveros took place in 2008. 12:45 20:30 4. Steve Reich, “Melodica” (1966). Tape piece and the last of Reich's works before moving onto instrumental composition in his minimalist style. 10:42 33:16 5. Morton Subotnick, “Laminations” (1966). For orchestra and electronic sounds, on tape. By this point, Subotnick was working with an early model of a synthesizer built for the San Francisco Tape Music Center by Donald Buchla. This synthesizer material was also used for the opening of Silver Apples of the Moon the following year. 10:29 44:08 6. Morton Subotnick, “Prelude No.4 for piano and electronic tape (1966). Another Subotnick work for instruments and tape with synthesized electronic sounds. 06:58 54:36 7. Pauline Oliveros, “Alien Bog” (1967). Utilizing the original Buchla Box 100 series created for the Tape Music Center by Don Buchla and a tape delay system. 33:17 01:01:30 8. Morton Subotnick, “Silver Apples of the Moon” (1967). Subotnick, recently departed from San Francisco and taking up shop at New York University, brought synthesizers constructed for him by Don Buchla when he was at the San Francisco Tape Music Center. This electronic composition represented a high point for the use of synthesizers at that time and was recorded on commission from Nonesuch Records. 32:01 01:35:00 Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.
Episode 157 Chapter 18, The Columbia– Princeton Electronic Music Center, New York. Works Recommended from my book, Electronic and Experimental Music Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Playlist: THE COLUMBIA–PRINCETON ELECTRONIC MUSIC CENTER, NEW YORK Time Track Time Start Introduction –Thom Holmes 01:31 00:00 1. Vladimir Ussachevsky, “Sonic Contours” (1952). Tape composition produced at the Columbia-Princeton Electronic Music Center. 07:24 01:36 2. Otto Luening and Vladimir Ussachevsky, “Incantation For Tape” (1953). Tape composition produced at the Columbia-Princeton Electronic Music Center. 02:36 08:56 3. Vladimir Ussachevsky, “Linear Contrasts” (1958). Tape composition produced at the Columbia-Princeton Electronic Music Center. 03:46 11:28 4. Halim El Dabh, “Electronics And The Word” (1959). Tape composition produced at the Columbia-Princeton Electronic Music Center. 02:47 15:14 5. Mario Davidovsky, “Electronic Study No. 1” (1960). Tape composition produced at the Columbia-Princeton Electronic Music Center. 05:44 17:56 6. Otto Luening, “Gargoyles” (1960). Tape composition produced at the Columbia-Princeton Electronic Music Center. 09:27 23:42 7. Vladimir Ussachevsky, “Wireless Fantasy” (1960). Tape composition produced at the Columbia-Princeton Electronic Music Center. 04:37 33:08 8. Ihan Mimaroglu, “Prelude No. 8 (To the memory of Edgard Varèse)” (1966). Tape composition produced at the Columbia-Princeton Electronic Music Center. 04:00 37:44 9. Pril Smiley, “Eclipse” (1967). Tape composition produced at the Columbia-Princeton Electronic Music Center. 07:56 41:38 10. Milton Babbitt, “Occasional Variations” (1968-71). Tape composition produced at the Columbia-Princeton Electronic Music Center. 09:56 49:46 11. Bülent Arel, “Stereo Electronic Music No. 2 (1970). Tape composition produced at the Columbia-Princeton Electronic Music Center. 14:24 59:41 12. Charles Dodge, “Changes” (1970). Tape composition produced at the Columbia-Princeton Electronic Music Center. 14:44 01:14:00 13. Alice Shields, “The Transformation Of Ani” (1970). Tape composition produced at the Columbia-Princeton Electronic Music Center. 09:05 01:28:44 14. Daria Semegen, “Electronic Composition No.1” (1971). Tape composition produced at the Columbia-Princeton Electronic Music Center. 05:53 01:37:48 15. Bülent Arel and Daria Semegen, “Out Of Into” (1972). Tape composition produced at the Columbia-Princeton Electronic Music Center. 16:39 01:43:34 Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.
List of pieces:Level 1. Waltz No. 17 in A minorLevel 2. Prelude No. 4 in E minor (from 24 Preludes)Level 3. Waltz No. 21 in A minorLevel 4. Waltz No. 6 in Db majorLevel 5. Waltz No. 7 in C# minorStay tuned for part two!
No. 6 is Debussy's first book of Preludes is called "Des pas sur la neige" or "Footsteps in the Snow", and paints a poetic picture with repeating rhythms and colorful chords, all the time while looking for a way forward. It's hard to put this type of evocative art into exact words, but we can nevertheless look closer at the musical material to see a bit more of what's going on. With pianist Henrik Kilhamn. Video: https://youtu.be/m3eNCDNiGts
This poignant prelude from Chopin's set of Op. 28 is one page and about 2,5 minutes long. That's almost the length of a modern pop song, but it still contains more interesting musical ideas than most in that genre. It's a great piece for intermediate players, and here I give some playing tips before going through the piece again to inspect those ideas further. Pianist Henrik Kilhamn. Update dec 2024: Sorry for lagging behind in podcast uploads; I'm catching up with a few episodes already published on youtube. Video: https://youtu.be/Pkb5Lk2UCqs
Johann Sebastian Bach - Prelude No. 1Carol Rosenberger, pianoMore info about today's track: Delos DE3079Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon
Spotify: https://open.spotify.com/show/4ddtKTMUUKPOS3YpC9MMfF?fbclid=IwAR2ahnAOofvzKs2bLJ7Zapc5WWburwTHfLSlF2TLFCyW83devbGexPsAsTY Deezer: https://www.deezer.com/es/show/2816092 Instagram: https://www.instagram.com/yo.te.lo.narro/ Youtube: https://www.youtube.com/@yotelonarro Apple: https://podcasts.apple.com/us/podcast/yo-te-lo-narro/id1564586494 Música: "Prelude No. 17 de Chris Zabriskie cuenta con una licencia Creative Commons Atribución 4.0. https://creativecommons.org/licenses/by/4.0/ Fuente: http://chriszabriskie.com/preludes/ Artista: http://chriszabriskie.com/" #JoanManuelSerrat #España #Padre #narracion #declamacion #literatura #lectura #poesia #arte #literatura_hispanoamericana #arts #poetry #poem #amamoslapoesia #podcastenespañol #cuentosenespañol #poesiaenespañol ---- Padre, dígame qué le han hecho al río que ya no canta. Que resbala como esos peces que murieron bajo un palmo de espuma blanca. Padre, el río ya no es el río. Antes de que llegue el verano esconda usted todo lo que encuentre vivo. Qué le han hecho al bosque padre que no hay un árbol. Con qué leña encenderemos el fuego y en qué sombra nos cobijaremos si el bosque ya no es el bosque. Antes de que se haga oscuro padre guarde usted un poco de vida en la despensa, porque sin leña y sin peces, tendremos que quemar la barca, tendremos que arar sobre las ruinas y cerrar con muchas llaves la puerta de casa. Y usted nos dijo padre que donde hay pinos hay piñones, que donde hay flores hay abejas y hay cera y miel. Pero el campo ya no es ese campo, alguien anda pintando el cielo de rojo y anunciando lluvia de sangre. Alguien que ronda por ahí padre, son monstruos de carne con gusanos de hierro. Asómese y les dice que usted nos tiene a nosotros y les dice que nosotros no tenemos miedo. Pero asómese padre porque son ellos los que están matando la tierra. Padre deje usted de llorar que nos han declarado la guerra. ----
Sticky Rice Art by https://linktr.ee/asterinvoid Lucy is Quyen Ngo https://www.quyen-ngo.com/ Writing, Producing Other Voices : Hugo Pierre Martin Music and FX Point-Counterpoint by John Patitucci Just As Soon by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Source: http://incompetech.com/music/royalty-... Artist: http://incompetech.com/ Prelude No. 21 by Chris Zabriskie is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Source: http://chriszabriskie.com/preludes/ Artist: http://chriszabriskie.com/ Cylinder One by Chris Zabriskie is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Source: http://chriszabriskie.com/cylinders/ Artist: http://chriszabriskie.com/ Galactic Bass by John Pattiucci Sound FX 080101-004 lamb chops sizzling.wav by martian -- https://freesound.org/s/197997/ -- License: Creative Commons 0
I can't see you again, without finding out what it means to be free my friend Leona played by Cherise Boothe https://www.cheriseboothe.com/ VO, Words & Production by https://www.hugopierremartin.com/ Art by https://linktr.ee/eena.chan Music Brisket Taco by Cumbia Deli Zodiac Structures by NoMBe Comfortable Mystery 4 - Film Noire by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Source: http://incompetech.com/music/royalty-... Artist: http://incompetech.com/ Prelude No. 13 by Chris Zabriskie is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Source: http://chriszabriskie.com/preludes/ Artist: http://chriszabriskie.com/ A Quiet Thought by Wayne Jones The Map by Me
Frederic Chopin - Prelude No. 15 "Raindrop"Idil Biret, pianoMore info about today's track: Naxos 8.554536Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon
How did God use Bathsheba's messy story as a prelude to the coming of Immanuel?
Intro: One More Night – Can 1. Come Down (Baby) – The Beginning of the End (3:05) 2. Fugata – Astor Piazzolla, y su Quinteto (2:49) 3. Sonata in A Major K 429 – Domenico Scarlatti, Tilney (3:30) 4. An Tonn Reatha – Seán Ó Riada, & Ceoltóirí Cualann (3:45) 5. Howlin' for my Darlin' – Howlin' Wolf (2:30) 6. Cler Achel – Tinariwen (4:23) 7. Η Γυναίκα Μου Ζηλεύει (I Gynaíka Mou Zilévei - My Wife Is Jealous) – Markos Vamvakaris (3:17) 8. Sidi Sma Ya Boulandi – Maalem Mahmoud Gania (8:06) 9. Stray – Calexico (2:54) 10. Ahlane Ouassahlane – Ahl Nana (9:22) 11. Reuben's Train – Doc Watson & Family (2:43) 12. Golden Brown – Laurence Mason (2:16) 13. Prelude No.12 in F Minor BWV 881 from Book 2 of ‘Das Wohltemperierte Klavier' – J.S. Bach, Gould (1:45) 14. Ugetsu – Art Blakey's Jazz Messengers (11:12) 15. Wine (The Infidel) – Dorothy Ashby (4:01) 16. Hoppavalssi – JPP (2:40) 17. At Last I Am Free – Fire! Orchestra (6:39) 18. Orden Du Aldrig Säger – Enhet För Fri Musik (3:35) 19. Iceland – The Fall (6:42) 20. Seydis – Astrid Øster Mortensen (1:48) 21. Verner Ravn – Spælimenninir (2:52) 22. Allah Ho, Allah Ho (Live at WOMAD 1985) – Nusrat Fateh Ali Khan & Party Outro: Pogles Walk – Vernon Elliott Ensemble
Join us in this insightful episode as we delve deep into the heart of recovery with "How It Works" in Alcoholics Anonymous. In the chronicles of book writing, "How It Works" was penned towards the end of the process, making it the culmination of wisdom gained through countless experiences.In this revealing podcast, we'll uncover the profound significance of "How It Works" and the revered 12 Steps in the journey of recovery. Step by step, we'll explore the transformative power of these principles, and how they can guide individuals toward a life free from addiction.Discover the stories behind the chapters, and learn how the process of writing this life-changing text mirrored the very journey it outlines. We'll discuss the interplay of self-discovery, healing, and community within the 12 Steps, providing a roadmap for those seeking a path to sobriety.Whether you're new to AA or a seasoned member, this episode will illuminate the path to recovery and help you better understand the core principles that have changed countless lives. Tune in and let's explore "How It Works" together on this captivating journey toward healing and hope.Comfortable Mystery 4 and Luminous Rain - Film Noire by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100535Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100169Artist: http://incompetech.com/Prelude No. 5 and Prelude No. 20 by Chris Zabriskie is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/Source: http://chriszabriskie.com/preludes/Artist: http://chriszabriskie.com/In Motion by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/Artist: http://audionautix.com/I have a quick favor to ask you. If you enjoy this podcast and want to support it, please go to soberfriendspod.com and sign up for the weekly newsletter. It's free, it's fun, and it's full of sober news, tips, resources, and the latest episode of the show. So don't miss out on this amazing opportunity to stay connected with the show and get the most out of this podcast. Go to soberfriendspod.com and sign up for the newsletter today. Trust me, you won't regret it. Do you find value in what the Sober Friends Podcast does? Consider buying us a coffee at buymeacoffee.com/soberfriendspod. Your donation helps us with hosting and website fees and allows up to maintain our equipment. You keep us on the air for the new guy or gal.Support the show
Henrik Kilhamn looks into Chopin's famous Prelude in C minor, a miniature piece just like a poem, that rings with heavy tolls of funeral bells. Video: https://youtu.be/cgqAH4lig4k
In this installment, we unravel the mysteries of "There Is a Solution," the second chapter of the Big Book of Alcoholics Anonymous, authored by none other than Bill Wilson himself. Bill explores the inner workings of the alcoholic's mind and reveals that the real problem lies in our thinking, especially in that critical moment just before taking that fateful first drink. Could it be a form of temporary insanity? Bill certainly thinks so.But fear not, dear listeners, for there is hope! Bill lays out a roadmap to recovery, one that includes self-searching, humbling our pride, and facing our sins head-on. It may not sound easy, but as Bill explains, it's the path to freedom from the grips of alcoholism.Join us as we uncover the purpose behind this chapter, which is to answer the age-old question: "How and why do we recover from the hopeless condition of alcoholism?" Bill challenges us to identify as one of two kinds of drinkers: the moderate, "take it or leave it" type, and the heavy drinker who can't seem to stop, even when faced with health problems. But for the real alcoholic, Bill's words hit home.Whether you're on a journey to recovery or simply seeking to understand the human spirit, Bill Wilson's insights will leave you inspired and eager to explore the road to a better life. Tune in now and let the journey begin! Decoding the Big Book, is sourced from "Writing the Big Book, by William Schaberg. We highly recommend this book. Click here to purchase the book on Amazon.You can learn more at William Schaberg's website and Youtube ChannelSneaky Snooper by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/Prelude No. 5 by Chris Zabriskie is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0Source: http://chriszabriskie.com/preludes/Artist: http://chriszabriskie.com/Operating System (Sting) by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/Artist: http://www.twinmusicom.org/At The Shore - The Dark Contenent, Industrial Music Box , HarlequinI have a quick favor to ask you. If you enjoy this podcast and want to support it, please go to soberfriendspod.com and sign up for the weekly newsletter. It's free, it's fun, and it's full of sober news, tips, resources, and the latest episode of the show. So don't miss out on this amazing opportunity to stay connected with the show and get the most out of this podcast. Go to soberfriendspod.com and sign up for the newsletter today. Trust me, you won't regret it. Do you find value in what the Sober Friends Podcast does? Consider buying us a coffee at buymeacoffee.com/soberfriendspod. Your donation helps us with hosting and website fees and allows up to maintain our equipment. You keep us on the air for the new guy or gal.Support the show
If the words "candy cane" give you the shivers, chances are you've seen the movie Amanda and Wade are discussing this week, Joy Ride (the 2001 thriller, not the 2023 comedy). The two hosts talk about the complexity of Steve Zahn's sleeziness, the disorienting first 20 minutes, and the spine-tingling vocal talent of Ted Levine. Plus: justice for Charlotte!!! Enjoy. Credits: Don't Worry B Movies https://www.instagram.com/dontworrybmovies/ Logo – John Capezzuto https://www.creativecap.net/ Intro and Outro Music – Andrew Wolfe of Darling Overdrive https://www.instagram.com/darlingoverdrive/?hl=en Additional Music: Note: Some songs may have been adapted from their original form to fit the length of our segments All songs were obtained through www.FreeMusicArchive.com "Self Care" by HoliznaCC0 (www.freemusicarchive.org/music/holiznacc0/be-happy-with-who-you-are/self-care/) (Public Domain) "MURDA (HIP-HOP - BASS - ATL).mp3" by Joey Hendrixx (www.freemusicarchive.org/music/joey-hendrixx/single/murda-hip-hop-bass-atlmp3/) (CC BY-SA) "Prelude No. 7" and "Prelude No. 14" by Chris Zabriskie (www.freemusicarchive.org/music/chris-zabriskie/preludes) (CC BY) "Hundred Years in Helheim" by Tri-Tachyon (www.freemusicarchive.org/music/Tri-Tachyon/The_Spellbreaker_EP/Hundred_Years_in_Helheim/)
Discover the purpose behind Bill Wilson's words and the evolution of his own recovery narrative. Did you know that Bill had to rewrite his own story several times? We'll uncover the reasons behind these revisions and the key moments that shaped his path to sobriety.Explore the turning point in Bill's life as he meets Ebby Thatcher, a moment that resonates with countless recovering alcoholics. Discover how Ebby's words, "Why don't you choose your own conception of God?" opened doors to a more flexible approach to spirituality within the 12-step program. We'll also delve into the mystery surrounding the origins of the phrase, "God as I understood Him."As we journey through Bill's story, you'll gain a deeper appreciation for the powerful message of hope and recovery that the Big Book carries. Join us as we decode the Big Book chapter by chapter, uncovering the truths, myths, and transformative moments that have guided countless individuals on their own paths to recovery.So, whether you're a seasoned AA member or simply curious about the history and wisdom contained within the Big Book, join us on this captivating exploration of sobriety, spirituality, and the enduring legacy of Alcoholics Anonymous. Tune in now and be inspired by the incredible stories and insights that have transformed lives for generations.Decoding the Big Book, is sourced from "Writing the Big Book, by William Schaberg. We highly recommend this book. Click here to purchase the book on Amazon.You can learn more at William Schaberg's website.writingthebigbook.comWilliam Schaberg's You Tube ChannelAnd Awaken - Stings , Dark Star, Harlequin, Hidden Agenda by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1200102Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100635Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100534Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100331Artist: http://incompetech.com/Sneaky Snooper, In Motion by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/Artist: http://audionautix.com/Prelude No. 5 and Prelude No. 20 by Chris Zabriskie is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/Source: http://chriszabriskie.com/preludes/Artist: http://chriszabriskie.com/Support the show
"I was just saying to Eric yesterday, we were walking down the quay and talking and suddenly I said, "People just don't think about place enough. We don't recognize the importance of place." I think it's a little bit the social media environment that we're living in now where we're all bent over a screen, but to try to locate yourself in a place is reifying. It's identifying. It gives you a sense of positive self-consciousness. I think if you find that you're comfortable or not, just being able to feel out the positive or negative effects of a space or place is really important. And I don't think people spend enough time affording themselves that contemplation of place. And, to go back to my work, that's a little bit what I'm doing...I've been trying to sort of locate myself outside of myself as a way of reflecting back on who I am as a person."In this fractured world, how do the arts build community, understanding, and inspire change? How does art help us define who we are and our place in the world?April Gornik is known for her large scale landscape paintings which embrace the vastness of sea and sky. Her imagined landscapes, built up through a series of underpaintings are meditations on light and time. Her work is included in the collections of the Metropolitan Museum of Art, The Museum of Modern Art (MoMA), the Museum of Fine Arts Houston, and the Smithsonian American Art Museum in Washington, DC. She is a director of the board of the Sag Harbor Cinema Arts Center and co-founded The Church arts, exhibition space, and creativity center, which is a sanctuary for visual, performing, literary artists, and other creatives. Together with her husband the artist Eric Fischl, they are at the center of Sag Harbour's arts district, and in this episode, we'll also hear from some of the talented artists they've brought to their stages.www.aprilgornik.comwww.thechurchsagharbor.orgwww.milesmcenery.com/exhibitions/april-gornik2https://sagharborcinema.org/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastKimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 01 Prelude No. 1 in C major, BWV 846Creative Commons CC0 1.0 Universal Public DomainAdditional audio courtesy of Sag Harbor Cinema Arts Center.
In this fractured world, how do the arts build community, understanding, and inspire change? How does art help us define who we are and our place in the world?April Gornik is known for her large scale landscape paintings which embrace the vastness of sea and sky. Her imagined landscapes, built up through a series of underpaintings are meditations on light and time. Her work is included in the collections of the Metropolitan Museum of Art, The Museum of Modern Art (MoMA), the Museum of Fine Arts Houston, and the Smithsonian American Art Museum in Washington, DC. She is a director of the board of the Sag Harbor Cinema Arts Center and co-founded The Church arts, exhibition space, and creativity center, which is a sanctuary for visual, performing, literary artists, and other creatives. Together with her husband the artist Eric Fischl, they are at the center of Sag Harbour's arts district, and in this episode, we'll also hear from some of the talented artists they've brought to their stages."I was just saying to Eric yesterday, we were walking down the quay and talking and suddenly I said, "People just don't think about place enough. We don't recognize the importance of place." I think it's a little bit the social media environment that we're living in now where we're all bent over a screen, but to try to locate yourself in a place is reifying. It's identifying. It gives you a sense of positive self-consciousness. I think if you find that you're comfortable or not, just being able to feel out the positive or negative effects of a space or place is really important. And I don't think people spend enough time affording themselves that contemplation of place. And, to go back to my work, that's a little bit what I'm doing...I've been trying to sort of locate myself outside of myself as a way of reflecting back on who I am as a person."www.aprilgornik.comwww.thechurchsagharbor.orgwww.milesmcenery.com/exhibitions/april-gornik2https://sagharborcinema.org/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastKimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 01 Prelude No. 1 in C major, BWV 846Creative Commons CC0 1.0 Universal Public DomainAdditional audio courtesy of Sag Harbor Cinema Arts Center.
In this fractured world, how do the arts build community, understanding, and inspire change? How does art help us define who we are and our place in the world?April Gornik is known for her large scale landscape paintings which embrace the vastness of sea and sky. Her imagined landscapes, built up through a series of underpaintings are meditations on light and time. Her work is included in the collections of the Metropolitan Museum of Art, The Museum of Modern Art (MoMA), the Museum of Fine Arts Houston, and the Smithsonian American Art Museum in Washington, DC. She is a director of the board of the Sag Harbor Cinema Arts Center and co-founded The Church arts, exhibition space, and creativity center, which is a sanctuary for visual, performing, literary artists, and other creatives. Together with her husband the artist Eric Fischl, they are at the center of Sag Harbour's arts district, and in this episode, we'll also hear from some of the talented artists they've brought to their stages."The current climate situation is so overwhelming to people. This is a scale of problem that we have never encountered before. We talk about World War this and World War that, but this is a global catastrophe that's affecting every part of our planet. And it's, importantly, I think, bigger than anyone can actually take in. And I think everyone has the best intentions of trying to make positive change - unless it disturbs their cellphone use and their car driving too much. We have to get a little more serious about that.I've chosen my work because I've loved the outside world. I love the things outside of myself. I love what isn't immediate to me. And I love projecting onto that as a way of kind of trying to reach the distance between my inner self and the vastness. To try to do that in a way that makes other people feel inspired by it, not be chided for not taking care of it. It's not something that I intend to be a message per se, but I think it might be a better message if it's not saying, "People, you've been bad. You have to change your evil ways!"You know, I'd rather people look at the natural world and see the heartbreaking beauty of it and sense its fragility and its impermanence and their own impermanence and fragility and then have a response to that rather than say, you know, you have to act, you have to do something. I would hope that would inspire action rather than to cudgel them with a directive."www.aprilgornik.comwww.thechurchsagharbor.orgwww.milesmcenery.com/exhibitions/april-gornik2https://sagharborcinema.org/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastKimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 01 Prelude No. 1 in C major, BWV 846Creative Commons CC0 1.0 Universal Public DomainAdditional audio courtesy of Sag Harbor Cinema Arts Center.
"The current climate situation is so overwhelming to people. This is a scale of problem that we have never encountered before. We talk about World War this and World War that, but this is a global catastrophe that's affecting every part of our planet. And it's, importantly, I think, bigger than anyone can actually take in. And I think everyone has the best intentions of trying to make positive change - unless it disturbs their cellphone use and their car driving too much. We have to get a little more serious about that.I've chosen my work because I've loved the outside world. I love the things outside of myself. I love what isn't immediate to me. And I love projecting onto that as a way of kind of trying to reach the distance between my inner self and the vastness. To try to do that in a way that makes other people feel inspired by it, not be chided for not taking care of it. It's not something that I intend to be a message per se, but I think it might be a better message if it's not saying, "People, you've been bad. You have to change your evil ways!"You know, I'd rather people look at the natural world and see the heartbreaking beauty of it and sense its fragility and its impermanence and their own impermanence and fragility and then have a response to that rather than say, you know, you have to act, you have to do something. I would hope that would inspire action rather than to cudgel them with a directive."In this fractured world, how do the arts build community, understanding, and inspire change? How does art help us define who we are and our place in the world?April Gornik is known for her large scale landscape paintings which embrace the vastness of sea and sky. Her imagined landscapes, built up through a series of underpaintings are meditations on light and time. Her work is included in the collections of the Metropolitan Museum of Art, The Museum of Modern Art (MoMA), the Museum of Fine Arts Houston, and the Smithsonian American Art Museum in Washington, DC.She is a director of the board of the Sag Harbor Cinema Arts Center and co-founded The Church arts, exhibition space, and creativity center, which is a sanctuary for visual, performing, literary artists, and other creatives. Together with her husband the artist Eric Fischl, they are at the center of Sag Harbour's arts district, and in this episode, we'll also hear from some of the talented artists they've brought to their stages.www.aprilgornik.comwww.thechurchsagharbor.orgwww.milesmcenery.com/exhibitions/april-gornik2https://sagharborcinema.org/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastKimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 01 Prelude No. 1 in C major, BWV 846Creative Commons CC0 1.0 Universal Public Domain
"I was so mad at the Catholic Church and my upbringing and the way that my parents, my mother particularly, was so manipulated to think that if she did one thing for herself that she was somehow hurting Jesus and the local priests. I mean, it's such a brainwashing kind of situation. On the other hand, if you're raised Catholic, you're raised to believe in miracles. And the idea of transubstantiation. There's so many things about Catholicism, there's so much imagery that's magic, magical thinking, that lets your mind run free to a certain extent. You know, it does give you the willful ability to dream and imagine and just take off on crazy tangents. I mean religious people tend to be seekers and seekers tend to be the people that keep us whole and spiritually grounded and not just religious per se."In this fractured world, how do the arts build community, understanding, and inspire change? How does art help us define who we are and our place in the world?April Gornik is known for her large scale landscape paintings which embrace the vastness of sea and sky. Her imagined landscapes, built up through a series of underpaintings are meditations on light and time. Her work is included in the collections of the Metropolitan Museum of Art, The Museum of Modern Art (MoMA), the Museum of Fine Arts Houston, and the Smithsonian American Art Museum in Washington, DC. She is a director of the board of the Sag Harbor Cinema Arts Center and co-founded The Church arts, exhibition space, and creativity center, which is a sanctuary for visual, performing, literary artists, and other creatives. Together with her husband the artist Eric Fischl, they are at the center of Sag Harbour's arts district, and in this episode, we'll also hear from some of the talented artists they've brought to their stages.www.aprilgornik.comwww.thechurchsagharbor.orgwww.milesmcenery.com/exhibitions/april-gornik2https://sagharborcinema.org/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastKimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 01 Prelude No. 1 in C major, BWV 846Creative Commons CC0 1.0 Universal Public Domain
In this fractured world, how do the arts build community, understanding, and inspire change? How does art help us define who we are and our place in the world?April Gornik is known for her large scale landscape paintings which embrace the vastness of sea and sky. Her imagined landscapes, built up through a series of underpaintings are meditations on light and time. Her work is included in the collections of the Metropolitan Museum of Art, The Museum of Modern Art (MoMA), the Museum of Fine Arts Houston, and the Smithsonian American Art Museum in Washington, DC. She is a director of the board of the Sag Harbor Cinema Arts Center and co-founded The Church arts, exhibition space, and creativity center, which is a sanctuary for visual, performing, literary artists, and other creatives. Together with her husband the artist Eric Fischl, they are at the center of Sag Harbour's arts district, and in this episode, we'll also hear from some of the talented artists they've brought to their stages."I was so mad at the Catholic Church and my upbringing and the way that my parents, my mother particularly, was so manipulated to think that if she did one thing for herself that she was somehow hurting Jesus and the local priests. I mean, it's such a brainwashing kind of situation. On the other hand, if you're raised Catholic, you're raised to believe in miracles. And the idea of transubstantiation. There's so many things about Catholicism, there's so much imagery that's magic, magical thinking, that lets your mind run free to a certain extent. You know, it does give you the willful ability to dream and imagine and just take off on crazy tangents. I mean religious people tend to be seekers and seekers tend to be the people that keep us whole and spiritually grounded and not just religious per se."www.aprilgornik.comwww.thechurchsagharbor.orgwww.milesmcenery.com/exhibitions/april-gornik2https://sagharborcinema.org/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastKimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 01 Prelude No. 1 in C major, BWV 846Creative Commons CC0 1.0 Universal Public DomainAdditional audio courtesy of Sag Harbor Cinema Arts Center.
In this fractured world, how do the arts build community, understanding, and inspire change? How does art help us define who we are and our place in the world?April Gornik is known for her large scale landscape paintings which embrace the vastness of sea and sky. Her imagined landscapes, built up through a series of underpaintings are meditations on light and time. Her work is included in the collections of the Metropolitan Museum of Art, The Museum of Modern Art (MoMA), the Museum of Fine Arts Houston, and the Smithsonian American Art Museum in Washington, DC. She is a director of the board of the Sag Harbor Cinema Arts Center and co-founded The Church arts, exhibition space, and creativity center, which is a sanctuary for visual, performing, literary artists, and other creatives. Together with her husband the artist Eric Fischl, they are at the center of Sag Harbour's arts district, and in this episode, we'll also hear from some of the talented artists they've brought to their stages."The current climate situation is so overwhelming to people. This is a scale of problem that we have never encountered before. We talk about World War this and World War that, but this is a global catastrophe that's affecting every part of our planet. And it's, importantly, I think, bigger than anyone can actually take in. And I think everyone has the best intentions of trying to make positive change - unless it disturbs their cellphone use and their car driving too much. We have to get a little more serious about that.I've chosen my work because I've loved the outside world. I love the things outside of myself. I love what isn't immediate to me. And I love projecting onto that as a way of kind of trying to reach the distance between my inner self and the vastness. To try to do that in a way that makes other people feel inspired by it, not be chided for not taking care of it. It's not something that I intend to be a message per se, but I think it might be a better message if it's not saying, "People, you've been bad. You have to change your evil ways!"You know, I'd rather people look at the natural world and see the heartbreaking beauty of it and sense its fragility and its impermanence and their own impermanence and fragility and then have a response to that rather than say, you know, you have to act, you have to do something. I would hope that would inspire action rather than to cudgel them with a directive."www.aprilgornik.comwww.thechurchsagharbor.orgwww.milesmcenery.com/exhibitions/april-gornik2https://sagharborcinema.org/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastKimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 01 Prelude No. 1 in C major, BWV 846Creative Commons CC0 1.0 Universal Public DomainAdditional audio courtesy of Sag Harbor Cinema Arts Center.
In this fractured world, how do the arts build community, understanding, and inspire change? How does art help us define who we are and our place in the world?April Gornik is known for her large scale landscape paintings which embrace the vastness of sea and sky. Her imagined landscapes, built up through a series of underpaintings are meditations on light and time. Her work is included in the collections of the Metropolitan Museum of Art, The Museum of Modern Art (MoMA), the Museum of Fine Arts Houston, and the Smithsonian American Art Museum in Washington, DC. She is a director of the board of the Sag Harbor Cinema Arts Center and co-founded The Church arts, exhibition space, and creativity center, which is a sanctuary for visual, performing, literary artists, and other creatives. Together with her husband the artist Eric Fischl, they are at the center of Sag Harbour's arts district, and in this episode, we'll also hear from some of the talented artists they've brought to their stages."The current climate situation is so overwhelming to people. This is a scale of problem that we have never encountered before. We talk about World War this and World War that, but this is a global catastrophe that's affecting every part of our planet. And it's, importantly, I think, bigger than anyone can actually take in. And I think everyone has the best intentions of trying to make positive change - unless it disturbs their cellphone use and their car driving too much. We have to get a little more serious about that.I've chosen my work because I've loved the outside world. I love the things outside of myself. I love what isn't immediate to me. And I love projecting onto that as a way of kind of trying to reach the distance between my inner self and the vastness. To try to do that in a way that makes other people feel inspired by it, not be chided for not taking care of it. It's not something that I intend to be a message per se, but I think it might be a better message if it's not saying, "People, you've been bad. You have to change your evil ways!"You know, I'd rather people look at the natural world and see the heartbreaking beauty of it and sense its fragility and its impermanence and their own impermanence and fragility and then have a response to that rather than say, you know, you have to act, you have to do something. I would hope that would inspire action rather than to cudgel them with a directive."www.aprilgornik.comwww.thechurchsagharbor.orgwww.milesmcenery.com/exhibitions/april-gornik2https://sagharborcinema.org/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastKimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 01 Prelude No. 1 in C major, BWV 846Creative Commons CC0 1.0 Universal Public DomainAdditional audio courtesy of Sag Harbor Cinema Arts Center.
"The current climate situation is so overwhelming to people. This is a scale of problem that we have never encountered before. We talk about World War this and World War that, but this is a global catastrophe that's affecting every part of our planet. And it's, importantly, I think, bigger than anyone can actually take in. And I think everyone has the best intentions of trying to make positive change - unless it disturbs their cellphone use and their car driving too much. We have to get a little more serious about that.I've chosen my work because I've loved the outside world. I love the things outside of myself. I love what isn't immediate to me. And I love projecting onto that as a way of kind of trying to reach the distance between my inner self and the vastness. To try to do that in a way that makes other people feel inspired by it, not be chided for not taking care of it. It's not something that I intend to be a message per se, but I think it might be a better message if it's not saying, "People, you've been bad. You have to change your evil ways!"You know, I'd rather people look at the natural world and see the heartbreaking beauty of it and sense its fragility and its impermanence and their own impermanence and fragility and then have a response to that rather than say, you know, you have to act, you have to do something. I would hope that would inspire action rather than to cudgel them with a directive."In this fractured world, how do the arts build community, understanding, and inspire change? How does art help us define who we are and our place in the world?April Gornik is known for her large scale landscape paintings which embrace the vastness of sea and sky. Her imagined landscapes, built up through a series of underpaintings are meditations on light and time. Her work is included in the collections of the Metropolitan Museum of Art, The Museum of Modern Art (MoMA), the Museum of Fine Arts Houston, and the Smithsonian American Art Museum in Washington, DC.She is a director of the board of the Sag Harbor Cinema Arts Center and co-founded The Church arts, exhibition space, and creativity center, which is a sanctuary for visual, performing, literary artists, and other creatives. Together with her husband the artist Eric Fischl, they are at the center of Sag Harbour's arts district, and in this episode, we'll also hear from some of the talented artists they've brought to their stages.www.aprilgornik.comwww.thechurchsagharbor.orgwww.milesmcenery.com/exhibitions/april-gornik2https://sagharborcinema.org/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastKimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 01 Prelude No. 1 in C major, BWV 846Creative Commons CC0 1.0 Universal Public Domain
"The current climate situation is so overwhelming to people. This is a scale of problem that we have never encountered before. We talk about World War this and World War that, but this is a global catastrophe that's affecting every part of our planet. And it's, importantly, I think, bigger than anyone can actually take in. And I think everyone has the best intentions of trying to make positive change - unless it disturbs their cellphone use and their car driving too much. We have to get a little more serious about that.I've chosen my work because I've loved the outside world. I love the things outside of myself. I love what isn't immediate to me. And I love projecting onto that as a way of kind of trying to reach the distance between my inner self and the vastness. To try to do that in a way that makes other people feel inspired by it, not be chided for not taking care of it. It's not something that I intend to be a message per se, but I think it might be a better message if it's not saying, "People, you've been bad. You have to change your evil ways!"You know, I'd rather people look at the natural world and see the heartbreaking beauty of it and sense its fragility and its impermanence and their own impermanence and fragility and then have a response to that rather than say, you know, you have to act, you have to do something. I would hope that would inspire action rather than to cudgel them with a directive."In this fractured world, how do the arts build community, understanding, and inspire change? How does art help us define who we are and our place in the world?April Gornik is known for her large scale landscape paintings which embrace the vastness of sea and sky. Her imagined landscapes, built up through a series of underpaintings are meditations on light and time. Her work is included in the collections of the Metropolitan Museum of Art, The Museum of Modern Art (MoMA), the Museum of Fine Arts Houston, and the Smithsonian American Art Museum in Washington, DC.She is a director of the board of the Sag Harbor Cinema Arts Center and co-founded The Church arts, exhibition space, and creativity center, which is a sanctuary for visual, performing, literary artists, and other creatives. Together with her husband the artist Eric Fischl, they are at the center of Sag Harbour's arts district, and in this episode, we'll also hear from some of the talented artists they've brought to their stages.www.aprilgornik.comwww.thechurchsagharbor.orgwww.milesmcenery.com/exhibitions/april-gornik2https://sagharborcinema.org/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastKimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 01 Prelude No. 1 in C major, BWV 846Creative Commons CC0 1.0 Universal Public Domain
In this fractured world, how do the arts build community, understanding, and inspire change? How does art help us define who we are and our place in the world?April Gornik is known for her large scale landscape paintings which embrace the vastness of sea and sky. Her imagined landscapes, built up through a series of underpaintings are meditations on light and time. Her work is included in the collections of the Metropolitan Museum of Art, The Museum of Modern Art (MoMA), the Museum of Fine Arts Houston, and the Smithsonian American Art Museum in Washington, DC. She is a director of the board of the Sag Harbor Cinema Arts Center and co-founded The Church arts, exhibition space, and creativity center, which is a sanctuary for visual, performing, literary artists, and other creatives. Together with her husband the artist Eric Fischl, they are at the center of Sag Harbour's arts district, and in this episode, we'll also hear from some of the talented artists they've brought to their stages."I've chosen my work because I've loved the outside world. I love the things outside of myself. I love what isn't immediate to me. And I love projecting onto that as a way of kind of trying to reach the distance between my inner self and the vastness. To try to do that in a way that makes other people feel inspired by it, not be chided for not taking care of it. It's not something that I intend to be a message per se, but I think it might be a better message if it's not saying, "People, you've been bad. You have to change your evil ways!"You know, I'd rather people look at the natural world and see the heartbreaking beauty of it and sense its fragility and its impermanence and their own impermanence and fragility and then have a response to that rather than say, you know, you have to act, you have to do something. I would hope that would inspire action rather than to cudgel them with a directive.In terms of The Church arts center. It's not a religious institution, but it had been an old Methodist church that was built originally in 1835, and we renovated it to be an arts and creativity center. The arts are deeply important and creativity in all its forms is equally important to encourage and extol. So it was a natural place to develop that way, where we have art and poetry readings, and we have dance performances and rehearsals. And all of our residents are from different kinds of creative endeavors, and we haven't quite enacted this as much as I would like, but we want to have people who are computer scientists, composers, environmentalists, and anyone who is using creativity to make a positive change in the world and to express themselves. So that's the basic idea."www.aprilgornik.comwww.thechurchsagharbor.orgwww.milesmcenery.com/exhibitions/april-gornik2https://sagharborcinema.org/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastKimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 01 Prelude No. 1 in C major, BWV 846Creative Commons CC0 1.0 Universal Public DomainAdditional audio courtesy of Sag Harbor Cinema Arts Center.
"I've chosen my work because I've loved the outside world. I love the things outside of myself. I love what isn't immediate to me. And I love projecting onto that as a way of kind of trying to reach the distance between my inner self and the vastness. To try to do that in a way that makes other people feel inspired by it, not be chided for not taking care of it. It's not something that I intend to be a message per se, but I think it might be a better message if it's not saying, "People, you've been bad. You have to change your evil ways!"You know, I'd rather people look at the natural world and see the heartbreaking beauty of it and sense its fragility and its impermanence and their own impermanence and fragility and then have a response to that rather than say, you know, you have to act, you have to do something. I would hope that would inspire action rather than to cudgel them with a directive.In terms of The Church arts center. It's not a religious institution, but it had been an old Methodist church that was built originally in 1835, and we renovated it to be an arts and creativity center. The arts are deeply important and creativity in all its forms is equally important to encourage and extol. So it was a natural place to develop that way, where we have art and poetry readings, and we have dance performances and rehearsals. And all of our residents are from different kinds of creative endeavors, and we haven't quite enacted this as much as I would like, but we want to have people who are computer scientists, composers, environmentalists, and anyone who is using creativity to make a positive change in the world and to express themselves. So that's the basic idea."In this fractured world, how do the arts build community, understanding, and inspire change? How does art help us define who we are and our place in the world?April Gornik is known for her large scale landscape paintings which embrace the vastness of sea and sky. Her imagined landscapes, built up through a series of underpaintings are meditations on light and time. Her work is included in the collections of the Metropolitan Museum of Art, The Museum of Modern Art (MoMA), the Museum of Fine Arts Houston, and the Smithsonian American Art Museum in Washington, DC. She is a director of the board of the Sag Harbor Cinema Arts Center and co-founded The Church arts, exhibition space, and creativity center, which is a sanctuary for visual, performing, literary artists, and other creatives. Together with her husband the artist Eric Fischl, they are at the center of Sag Harbour's arts district, and in this episode, we'll also hear from some of the talented artists they've brought to their stages.www.aprilgornik.comwww.thechurchsagharbor.orgwww.milesmcenery.com/exhibitions/april-gornik2https://sagharborcinema.org/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastKimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 01 Prelude No. 1 in C major, BWV 846Creative Commons CC0 1.0 Universal Public Domain
In this fractured world, how do the arts build community, understanding, and inspire change? How does art help us define who we are and our place in the world?April Gornik is known for her large scale landscape paintings which embrace the vastness of sea and sky. Her imagined landscapes, built up through a series of underpaintings are meditations on light and time. Her work is included in the collections of the Metropolitan Museum of Art, The Museum of Modern Art (MoMA), the Museum of Fine Arts Houston, and the Smithsonian American Art Museum in Washington, DC. She is a director of the board of the Sag Harbor Cinema Arts Center and co-founded The Church arts, exhibition space, and creativity center, which is a sanctuary for visual, performing, literary artists, and other creatives. Together with her husband the artist Eric Fischl, they are at the center of Sag Harbour's arts district, and in this episode, we'll also hear from some of the talented artists they've brought to their stages."I just started reading Emerson, and I'm glad that I've gotten to it because he talks about history and says that folded into every person, if you think of this as a fractal situation, I was just reading about this and it blew my mind. There is the understanding and the containment of all of history, of all dreams, of all desires of all the furthest reaches of our minds and our accomplishments are folded into every person. And how astonishing is that? I mean, I'm so mad at people all the time about what a mess everything is. On the other hand, we are just astonishing. And we have so much potential. But we're also so misdirected by advertising, by product placement, by false desires - say, to get everybody addicted to corn syrup and then have them develop diabetes is really evil, in my opinion. So I'm just always swinging wildly between an appreciation at the amazement of the human spirit and humanity and its accomplishments and then frustration at the bad uses to which that's put."www.aprilgornik.comwww.thechurchsagharbor.orgwww.milesmcenery.com/exhibitions/april-gornik2https://sagharborcinema.org/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastKimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 01 Prelude No. 1 in C major, BWV 846Creative Commons CC0 1.0 Universal Public DomainAdditional audio courtesy of Sag Harbor Cinema Arts Center.
"I just started reading Emerson, and I'm glad that I've gotten to it because he talks about history and says that folded into every person, if you think of this as a fractal situation, I was just reading about this and it blew my mind. There is the understanding and the containment of all of history, of all dreams, of all desires of all the furthest reaches of our minds and our accomplishments are folded into every person. And how astonishing is that? I mean, I'm so mad at people all the time about what a mess everything is. On the other hand, we are just astonishing. And we have so much potential. But we're also so misdirected by advertising, by product placement, by false desires - say, to get everybody addicted to corn syrup and then have them develop diabetes is really evil, in my opinion. So I'm just always swinging wildly between an appreciation at the amazement of the human spirit and humanity and its accomplishments and then frustration at the bad uses to which that's put."In this fractured world, how do the arts build community, understanding, and inspire change? How does art help us define who we are and our place in the world?April Gornik is known for her large scale landscape paintings which embrace the vastness of sea and sky. Her imagined landscapes, built up through a series of underpaintings are meditations on light and time. Her work is included in the collections of the Metropolitan Museum of Art, The Museum of Modern Art (MoMA), the Museum of Fine Arts Houston, and the Smithsonian American Art Museum in Washington, DC. She is a director of the board of the Sag Harbor Cinema Arts Center and co-founded The Church arts, exhibition space, and creativity center, which is a sanctuary for visual, performing, literary artists, and other creatives. Together with her husband the artist Eric Fischl, they are at the center of Sag Harbour's arts district, and in this episode, we'll also hear from some of the talented artists they've brought to their stages.www.aprilgornik.comwww.thechurchsagharbor.orgwww.milesmcenery.com/exhibitions/april-gornik2https://sagharborcinema.org/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastKimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 01 Prelude No. 1 in C major, BWV 846Creative Commons CC0 1.0 Universal Public Domain
The Creative Process in 10 minutes or less · Arts, Culture & Society
"I was just saying to Eric yesterday, we were walking down the quay and talking and suddenly I said, "People just don't think about place enough. We don't recognize the importance of place." I think it's a little bit the social media environment that we're living in now where we're all bent over a screen, but to try to locate yourself in a place is reifying. It's identifying. It gives you a sense of positive self-consciousness. I think if you find that you're comfortable or not, just being able to feel out the positive or negative effects of a space or place is really important. And I don't think people spend enough time affording themselves that contemplation of place. And, to go back to my work, that's a little bit what I'm doing...I've been trying to sort of locate myself outside of myself as a way of reflecting back on who I am as a person."In this fractured world, how do the arts build community, understanding, and inspire change? How does art help us define who we are and our place in the world?April Gornik is known for her large scale landscape paintings which embrace the vastness of sea and sky. Her imagined landscapes, built up through a series of underpaintings are meditations on light and time. Her work is included in the collections of the Metropolitan Museum of Art, The Museum of Modern Art (MoMA), the Museum of Fine Arts Houston, and the Smithsonian American Art Museum in Washington, DC. She is a director of the board of the Sag Harbor Cinema Arts Center and co-founded The Church arts, exhibition space, and creativity center, which is a sanctuary for visual, performing, literary artists, and other creatives. Together with her husband the artist Eric Fischl, they are at the center of Sag Harbour's arts district, and in this episode, we'll also hear from some of the talented artists they've brought to their stages.www.aprilgornik.comwww.thechurchsagharbor.orgwww.milesmcenery.com/exhibitions/april-gornik2https://sagharborcinema.org/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastKimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 01 Prelude No. 1 in C major, BWV 846Creative Commons CC0 1.0 Universal Public Domain
In this fractured world, how do the arts build community, understanding, and inspire change? How does art help us define who we are and our place in the world?April Gornik is known for her large scale landscape paintings which embrace the vastness of sea and sky. Her imagined landscapes, built up through a series of underpaintings are meditations on light and time. Her work is included in the collections of the Metropolitan Museum of Art, The Museum of Modern Art (MoMA), the Museum of Fine Arts Houston, and the Smithsonian American Art Museum in Washington, DC. She is a director of the board of the Sag Harbor Cinema Arts Center and co-founded The Church arts, exhibition space, and creativity center, which is a sanctuary for visual, performing, literary artists, and other creatives. Together with her husband the artist Eric Fischl, they are at the center of Sag Harbour's arts district, and in this episode, we'll also hear from some of the talented artists they've brought to their stages."I just started reading Emerson, and I'm glad that I've gotten to it because he talks about history and says that folded into every person, if you think of this as a fractal situation, I was just reading about this and it blew my mind. There is the understanding and the containment of all of history, of all dreams, of all desires of all the furthest reaches of our minds and our accomplishments are folded into every person. And how astonishing is that? I mean, I'm so mad at people all the time about what a mess everything is. On the other hand, we are just astonishing. And we have so much potential. But we're also so misdirected by advertising, by product placement, by false desires - say, to get everybody addicted to corn syrup and then have them develop diabetes is really evil, in my opinion. So I'm just always swinging wildly between an appreciation at the amazement of the human spirit and humanity and its accomplishments and then frustration at the bad uses to which that's put."www.aprilgornik.comwww.thechurchsagharbor.orgwww.milesmcenery.com/exhibitions/april-gornik2https://sagharborcinema.org/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastKimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 01 Prelude No. 1 in C major, BWV 846Creative Commons CC0 1.0 Universal Public DomainAdditional audio courtesy of Sag Harbor Cinema Arts Center.
"I just started reading Emerson, and I'm glad that I've gotten to it because he talks about history and says that folded into every person, if you think of this as a fractal situation, I was just reading about this and it blew my mind. There is the understanding and the containment of all of history, of all dreams, of all desires of all the furthest reaches of our minds and our accomplishments are folded into every person. And how astonishing is that? I mean, I'm so mad at people all the time about what a mess everything is. On the other hand, we are just astonishing. And we have so much potential. But we're also so misdirected by advertising, by product placement, by false desires - say, to get everybody addicted to corn syrup and then have them develop diabetes is really evil, in my opinion. So I'm just always swinging wildly between an appreciation at the amazement of the human spirit and humanity and its accomplishments and then frustration at the bad uses to which that's put."In this fractured world, how do the arts build community, understanding, and inspire change? How does art help us define who we are and our place in the world?April Gornik is known for her large scale landscape paintings which embrace the vastness of sea and sky. Her imagined landscapes, built up through a series of underpaintings are meditations on light and time. Her work is included in the collections of the Metropolitan Museum of Art, The Museum of Modern Art (MoMA), the Museum of Fine Arts Houston, and the Smithsonian American Art Museum in Washington, DC. She is a director of the board of the Sag Harbor Cinema Arts Center and co-founded The Church arts, exhibition space, and creativity center, which is a sanctuary for visual, performing, literary artists, and other creatives. Together with her husband the artist Eric Fischl, they are at the center of Sag Harbour's arts district, and in this episode, we'll also hear from some of the talented artists they've brought to their stages.www.aprilgornik.comwww.thechurchsagharbor.orgwww.milesmcenery.com/exhibitions/april-gornik2https://sagharborcinema.org/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastKimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 01 Prelude No. 1 in C major, BWV 846Creative Commons CC0 1.0 Universal Public Domain
And So, She Left: Wisdom from Women Beyond the Corporate World
Anna Li's been to over 90 countries. Burned out, anxious, and depressed from her job in tech, she started out side-hustling as an Airbnb host. But rather than bringing the world to her, Anna left everything behind to backpack through Southeast Asia. A few years later, her company Healing Journey Retreats is organizing a retreat to Tulum, Mexico. Anna's mission is to bridge the gap between neuroscience and travel. Discover what she learned about burnout through her trips around the world, how she used them to gain perspective, and the familial challenges she faced when she adopted the life of an ever-curious traveler. Anna talks about:How she learned to develop meaningful relationships quickly through backpackingHow her side-hustle as an Airbnb host launched her current careerFacing and overcoming severe burnout and being a toxic colleague Defying parental expectations as a child of immigrants Exploring multiple paths to achieve the same goals We'd love to hear your feedback! Here's a quick 5-question survey. Your answers will help us to make the show even better: https://forms.gle/5JnfCUWbgLRw1NTa8 Hosted by Katherin Vasilopoulos. Made by Cansulta and Ethan Lee.Music by © Chris Zabriskie, published by You've Been a Wonderful Laugh Track (ASCAP). Songs used in this episode include: "Air Hockey Saloon," "Prelude No. 20," "Prelude No. 7," "Short Song 020723," "Short Song 030523," "Short Song 020123," "Prelude No. 11," "Short Song 021123," "Short Song 020323," "Short Song 030923," "Prelude No. 12," "Short Song 012223," "Prelude No. 14," "Short Song 020523."Used under the Creative Commons 4.0 International License
Today we talk about clever twists, whether in music or in stories, and how these twists can be delightful in their subversion of our expectations -- when done well. In this less-than-famous little prelude from the famous compilation The Well-Tempered Clavier, Bach uses deceptive cadences to add flavor to the music without sacrificing the form, in such a way that the music feels inevitable. Prelude No. 15 from WTC Book 2, performed on harpsichord by Christine Schornsheim for the Netherlands Bach Society Thanks as always to Netherlands Bach Society for the use of their excellent recordings as our musical examples! Excerpt from Mozart's Symphony no. 40 in G minor, mvt.4, from Das Orchester Tsumugi, Fukuoka, Japan; public domain recording (Creative Commons Attribution 3.0)
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