Podcasts about Freesound

This is the Thursday evening liturgy during the season of Advent for the Compline podcast from the Center for Worship and the Arts at Samford University. For more about the Center for Worship and the Arts, as well as the resources we provide, visit us at https://www.samford.edu/worship-arts/.CREDITS:© 2020 Center for Worship and the Arts, Samford University.Engineered and produced by Wen Reagan for the Center for Worship and the Arts at Samford University.SPOKEN WORD:Wen Reagan, Stacy Love, Tracy Hanrahan, Meagan Kennedy, Pierce Moffett, Eden Walker.MUSIC:“Compline #6 - Advent” by Wen Reagan, © 2020 Sursum Corda Music (BMI).“How Long?” by Emily Hanrahan, © 2020 Emily Hanrahan.“The Son Forsook the Father's Home” by Samuel John Stone and Bruce Benedict, © 2010 Cardiphonia Music, CCLI # 6571188.TEXTS:The liturgical words for this podcast series include original phrasings, but were primarily curated and designed from several public domain sources, including “An Order for Compline” from the Anglican and Episcopal Book of Common Prayer and collects collected from Grace Cathedral and the University of Notre Dame.SOUNDS:The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA."Door, Front, Opening, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org."Door, Front, Closing, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org.“06 – Crackling Candle.wav” by 14GPanskaLetko_Dominik of Freesound.org.“Lights a Candle Light with a Match” by straget of Freesound.org.The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution-NonCommercial 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.“Soft Shoes Walking on a Dirt Road” by Nagwense of Freesound.org.“Match Being Lit.wav” by Jeanet_Henning of

This is the Wednesday evening liturgy during the season of Advent for the Compline podcast from the Center for Worship and the Arts at Samford University. For more about the Center for Worship and the Arts, as well as the resources we provide, visit us at https://www.samford.edu/worship-arts/.CREDITS:© 2020 Center for Worship and the Arts, Samford University.Engineered and produced by Wen Reagan for the Center for Worship and the Arts at Samford University.SPOKEN WORD:Wen Reagan, Stacy Love, Tracy Hanrahan, Meagan Kennedy, Pierce Moffett, Eden Walker.MUSIC:“Compline #6 - Advent” by Wen Reagan, © 2020 Sursum Corda Music (BMI).“How Long?” by Emily Hanrahan, © 2020 Emily Hanrahan.“The Son Forsook the Father's Home” by Samuel John Stone and Bruce Benedict, © 2010 Cardiphonia Music, CCLI # 6571188.TEXTS:The liturgical words for this podcast series include original phrasings, but were primarily curated and designed from several public domain sources, including “An Order for Compline” from the Anglican and Episcopal Book of Common Prayer and collects collected from Grace Cathedral and the University of Notre Dame.SOUNDS:The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA."Door, Front, Opening, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org."Door, Front, Closing, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org.“06 – Crackling Candle.wav” by 14GPanskaLetko_Dominik of Freesound.org.“Lights a Candle Light with a Match” by straget of Freesound.org.The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution-NonCommercial 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.“Soft Shoes Walking on a Dirt Road” by Nagwense of Freesound.org.“Match Being Lit.wav” by Jeanet_Henning of

This is the Tuesday evening liturgy during the season of Advent for the Compline podcast from the Center for Worship and the Arts at Samford University. For more about the Center for Worship and the Arts, as well as the resources we provide, visit us at https://www.samford.edu/worship-arts/.CREDITS:© 2020 Center for Worship and the Arts, Samford University.Engineered and produced by Wen Reagan for the Center for Worship and the Arts at Samford University.SPOKEN WORD:Wen Reagan, Stacy Love, Tracy Hanrahan, Meagan Kennedy, Pierce Moffett, Eden Walker.MUSIC:“Compline #6 - Advent” by Wen Reagan, © 2020 Sursum Corda Music (BMI).“How Long?” by Emily Hanrahan, © 2020 Emily Hanrahan.“The Son Forsook the Father's Home” by Samuel John Stone and Bruce Benedict, © 2010 Cardiphonia Music, CCLI # 6571188.TEXTS:The liturgical words for this podcast series include original phrasings, but were primarily curated and designed from several public domain sources, including “An Order for Compline” from the Anglican and Episcopal Book of Common Prayer and collects collected from Grace Cathedral and the University of Notre Dame.SOUNDS:The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA."Door, Front, Opening, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org."Door, Front, Closing, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org.“06 – Crackling Candle.wav” by 14GPanskaLetko_Dominik of Freesound.org.“Lights a Candle Light with a Match” by straget of Freesound.org.The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution-NonCommercial 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.“Soft Shoes Walking on a Dirt Road” by Nagwense of Freesound.org.“Match Being Lit.wav” by Jeanet_Henning of

From the depths of our Patreon, we bring you a very special Oddjobs holiday adventure! Haven't joined us yet in the new campaign? Let us get you caught up! Spoilers for Arcs 1 + 2 of Oddjobs ahead! Jassifer is a no-nonsense goblin captain who's been spirited away from her own world of Erdheim, and into the city of Forever: a twinkling and futuristic metropolitan of inter-connected asteroids. Having falling in battle against her sworn enemy, she's left with no option to work off her resurrection debt at the morally grey adventuring company, Oddjobs (led by eccentric tiefling CEO, Odessa Magisteria). But contracts for Jassifer, her slime familiar Goo, and her partner Clover are about to go off the charts... as FESTQUEST approaches! Sound Effects: “Book Sounds” - Allsounds/Audionauti“Subway-door-close” - tweeterdj"Elevator-ding” - collierhscolinlib“Klaxon Alarm Sound” - Lord Sandwich, Youtube“Mad-scientist-lab-loopable” - ramonmineiro“Record scratch” - Luffy “Bamf” - themfish “Portal-idle” - couchhero“Teleport” - outroelison “Teleport-24b” - blendcache “Time-stop” - damnsatinist“Time-slow-down” - patricklieberkind “Nyc-ambience” - purpleaux “Tires-squeaking” - rutgermuller “Renault-master-f3500-dci135-foley-horn-outside-mono” - sound holder“Crowd-cheering-soft-cheering-and-chatter” - gregorquendel “Small Marketplace” - Sword Coast Soundscapes“Blizzard” - Michaël Ghelfi “Metal-gate-01” - silentstrikez“Stone door-closingwithboom” - audiotorpedo“Window breaking” - m1a2t3z4“Car-door-open-05” - pnmcarrierrailfan“Door opening 1” - Bowen707“Fire-in-fireplace-close-up-reverberant2” - silencyo__silencyo“Vehicle-small_car_burnout-version-1” - scott_snailham “Laser-pistol-shooting” - nxrt “Bullet-ricochet” - aust-paul “Crashing” - smmassuda “Crowd-in-panic” - ienba “Champagne glasses” - idabrandao“Daytime Tavern” - Sword Coast Soundscapes All sound effects from ⁠Freesound.org⁠, unless listed under AllSounds/Audionauti, background sound effects, Free Audio Zone, Fun With Sound, Gaming Sound FX, Live Wallpaper Master, Lord Sandwich, Michaël Ghelfi, OmarSounds, Relaxing Recordings, Royalty Free FX, Sound Effect Database, Studiomod, Sword Coast Soundscapes, or Viral Vids NL. Additional sound effects by Noah Perito

Sod's Country Farms was raising 65,000 chickens when a fire burned down the poultry house. After a detailed investigation, the cause of the fire was undetermined. To further complicate matters, Sod's Country Farms didn't even own the chickens themselves, but raised them for a vendor. They want to know if the property loss of the  animals is covered-- and what policy would be most appropriate.   Notable Timestamps [ 00:00 ] - A poultry house fire destroys 65,000 chickens, but the insured doesn't own the birds. [ 03:30 ] - Contract Growing is common in agriculture, with farmers raising animals owned by vendors.  [ 05:20 ] - Under the ISO BOP, animals are generally excluded, but exceptions exist for animals owned by others and "boarded" by the insured. [ 07:00 ] - Courts may rely on dictionary definitions when policy terms like "boarded" are undefined. [ 09:00 ] - Adjusters should review the contract for risk transfer provisions, insurance requirements, and other-insurance clauses to understand responsibilities and potential overlap. [ 11:30 ] - Standard BOP coverage can fall short for farming operations. Specialized farm policies are designed to address poultry risks more directly through scheduling and declaration-based coverage. [ 13:30 ] - Declarations pages matter in agricultural losses. How buildings, poultry locations, and coverage types are defined can determine whether coverage applies or is excluded. [ 15:30 ] - Valuing large-scale poultry losses is complex, involving age, weight, market timing, pricing data, and delay to market, often guided by specific policy language on cash market value. [ 17:15 ] - Brennan summarizes the key points above. Your PLRB Resources Annotation: BP191 - Animals - https://members.plrb.org/documents/bp191-animals Podcast Episode: Don't Count Your Chicken Coops Before They're Insured - https://members.plrb.org/education/courses/dont-count-your-chicken-coops-before-theyre-insured Listeners can email education@plrb.org for help navigating resources, requesting new content, or getting tailored curriculum support. Employees of member companies also have access to a searchable legal database, hundreds of hours of video trainings, building code materials, weather data, and even the ability to have your coverage questions answered by our team of attorneys (https://www.plrb.org/ask-plrb/) at no additional charge to you or your company. Subscribe to this Podcast Your Podcast App - Please subscribe and rate us on your favorite podcast app YouTube - Please like and subscribe at @plrb LinkedIN - Please follow at "Property and Liability Resource Bureau" Send us your Scenario! Please reach out to us at 630-509-8704 with your scenario! This could be your "adjuster story" sharing a situation from your claims experience, or a burning question you would like the team to answer. In any case, please omit any personal information as we will anonymize your story before we share. Just reach out to scenario@plrb.org.  Legal Information The views and opinions expressed in this resource are those of the individual speaker and not necessarily those of the Property & Liability Resource Bureau (PLRB), its membership, or any organization with which the presenter is employed or affiliated. The information, ideas, and opinions are presented as information only and not as legal advice or offers of representation. Individual policy language and state laws vary, and listeners should rely on guidance from their companies and counsel as appropriate. Music: "Piece of Future" by Keyframe_Audio. Pixabay. Pixabay License. Font: Metropolis by Chris Simpson. SIL OFL 1.1. Icons: FontAwesome (SIL OFL 1.1) and Noun Project (royalty-free licenses purchased via subscription). Sound Effects: Pixabay (Pixabay License) and Freesound.org (CC0).

This is the Monday evening liturgy during the season of Advent for the Compline podcast from the Center for Worship and the Arts at Samford University. For more about the Center for Worship and the Arts, as well as the resources we provide, visit us at https://www.samford.edu/worship-arts/.CREDITS:© 2020 Center for Worship and the Arts, Samford University.Engineered and produced by Wen Reagan for the Center for Worship and the Arts at Samford University.SPOKEN WORD:Wen Reagan, Stacy Love, Tracy Hanrahan, Meagan Kennedy, Pierce Moffett, Eden Walker.MUSIC:“Compline #6 - Advent” by Wen Reagan, © 2020 Sursum Corda Music (BMI).“How Long?” by Emily Hanrahan, © 2020 Emily Hanrahan.“The Son Forsook the Father's Home” by Samuel John Stone and Bruce Benedict, © 2010 Cardiphonia Music, CCLI # 6571188.TEXTS:The liturgical words for this podcast series include original phrasings, but were primarily curated and designed from several public domain sources, including “An Order for Compline” from the Anglican and Episcopal Book of Common Prayer and collects collected from Grace Cathedral and the University of Notre Dame.SOUNDS:The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA."Door, Front, Opening, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org."Door, Front, Closing, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org.“06 – Crackling Candle.wav” by 14GPanskaLetko_Dominik of Freesound.org.“Lights a Candle Light with a Match” by straget of Freesound.org.The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution-NonCommercial 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.“Soft Shoes Walking on a Dirt Road” by Nagwense of Freesound.org.“Match Being Lit.wav” by Jeanet_Henning of

The job offer notification pops up on my phone early on Christmas Eve. It's a short-term role helping with overnight deliveries. The regular delivery driver has hurt his back and needs an offsider for heavy lifting.Nick's Helper is a short story by Robert Fairhead from the Tall And True writers' website.Read the story on Tall And True: https://www.tallandtrue.com.au/fiction/short-stories/nicks-helperListen to all podcast episodes on Tall And True Short Reads: https://www.tallandtrueshortreads.comEpisode 13, The Gift: https://www.tallandtrueshortreads.com/the-gift/Episode 52, The Special Tree: https://www.tallandtrueshortreads.com/the-special-tree/Season Five Trailer: https://www.tallandtrueshortreads.com/introducing-season-five/Support the podcast: https://supporter.acast.com/tall-and-true-short-readsBuy Robert's short story and microfiction collections online:• Amazon Kindle: https://www.amazon.com/Robert-Fairhead/e/B086HZ36NM• Apple Books: https://books.apple.com/us/author/robert-fairhead/id1436773436• Rakuten Kobo: https://www.kobo.com/au/en/author/robert-fairheadPodcast Theme and Sound EffectsRoyalty-free music from Pixabay.com: Beethoven Piano Sonata No. 15 in D major, Op. 28 'Pastorale' – IV. Rondo. Allegro ma non-Troppo, performed by Karine Gilanyan.Sound effects licensed under Creative Commons 0 from FreeSound.org:• Phone Notification: https://freesound.org/people/katjajansen1997/sounds/538006/• Phone Vibration: https://freesound.org/people/Breviceps/sounds/515295/• Santa Bells: https://freesound.org/people/BrianJamesLong/sounds/330415/• Kids Laughing: https://freesound.org/people/Iamgiorgio/sounds/371342/• Door Slammed: https://freesound.org/people/TiesWijnen/sounds/455540/Production NotesTall And True Short Reads is produced using Audacity.Episodes are recorded in Sydney, Australia, on the traditional lands of the Gadigal People.Acast Podcast Supporter PageSupport this show http://supporter.acast.com/tall-and-true-short-reads. Hosted on Acast. See acast.com/privacy for more information.

Segunda-feira da 3ª Semana do AdventoPrimeira Leitura: Nm 24,2-7.15-17a | Salmo: Sl 24 (25), 4bc-5ab. 6-7bc. 8-9 (R. 4b) | | Evangelho: Mt 21,23-27Compartilhe com amigos e familiares. Baixe nosso APP com conteúdos católicos: orações, reflexões, homilias e muito mais.Conheça nosso canal youtube/voxcatolicawww.voxcatolica.com.brNarração: Sonia Abreu...CRÉDITOS MUSICAISVinheta inicial: Freesound.org | Xinematix, emotional-piano (CC03) | Leituras: Freesound.com - triangelx__emotional-piano & 520585__xinematix__emotional-piano-009-d-120 | Freesfx.co.uk – soundideas-AThousandLifetimes (CC03) e 123rf – PianoLight Romantic direitos adquiridos | soundstrap.com – Dawn Awaits Cody Martin instrumental | Yakov - Golman-Hope. |Aos domingos, no conversando sobre a palavra - Abertura: Sunrise by Yakov Golman is licensed under a Attribution License. https://freemusicarchive.org/music/Yakov_Golman

This is the Sunday evening liturgy during the season of Advent for the Compline podcast from the Center for Worship and the Arts at Samford University. For more about the Center for Worship and the Arts, as well as the resources we provide, visit us at https://www.samford.edu/worship-arts/.CREDITS:© 2020 Center for Worship and the Arts, Samford University.Engineered and produced by Wen Reagan for the Center for Worship and the Arts at Samford University.SPOKEN WORD:Wen Reagan, Stacy Love, Tracy Hanrahan, Meagan Kennedy, Pierce Moffett, Eden Walker.MUSIC:“Compline #6 - Advent” by Wen Reagan, © 2020 Sursum Corda Music (BMI).“How Long?” by Emily Hanrahan, © 2020 Emily Hanrahan.“The Son Forsook the Father's Home” by Samuel John Stone and Bruce Benedict, © 2010 Cardiphonia Music, CCLI # 6571188.TEXTS:The liturgical words for this podcast series include original phrasings, but were primarily curated and designed from several public domain sources, including “An Order for Compline” from the Anglican and Episcopal Book of Common Prayer and collects collected from Grace Cathedral and the University of Notre Dame.SOUNDS:The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA."Door, Front, Opening, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org."Door, Front, Closing, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org.“06 – Crackling Candle.wav” by 14GPanskaLetko_Dominik of Freesound.org.“Lights a Candle Light with a Match” by straget of Freesound.org.The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution-NonCommercial 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.“Soft Shoes Walking on a Dirt Road” by Nagwense of Freesound.org.“Match Being Lit.wav” by Jeanet_Henning of

Send us a textAs advent candles burn into their second half, and berries blaze along the towpath, why not join us tonight aboard the Erica to hear about what it feels like to experience this advent on the cut. Journal entry:8th December, Monday“A ragged river of rooks Stream across A watery sky On purposeful wings.They rise and circle Around the One Oak. The fire of their Jubilant chatter Warms the day.”With special thanks to our lock-wheelersfor supporting this podcast.Susan BakerMind Shambles Clare Hollingsworth Kevin B. Fleur and David Mcloughlin Lois Raphael Tania Yorgey Andrea Hansen Chris Hinds Chris and Alan on NB Land of Green Ginger Captain Arlo Rebecca Russell Allison on the narrowboat Mukka Derek and Pauline Watts Anna V. Orange Cookie Mary Keane. Tony Rutherford. Arabella Holzapfel. Rory with MJ and Kayla. Narrowboat Precious Jet. Linda Reynolds Burkins. Richard Noble. Carol Ferguson. Tracie Thomas Mark and Tricia Stowe Madeleine SmithGeneral DetailsThe intro and the outro music is ‘Crying Cello' by Oleksii_Kalyna (2024) licensed for free-use by Pixabay (189988). Narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.Contact Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Bluesky: https://bsky.app/profile/noswpod.bsky.social Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message by clicking on the microphone icon. For more information about Nighttime on Still Waters You can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com.

Holiday themed scary allegedly true stories from Reddit (wait till you hear how many people have actually seen Santa)https://www.reddit.com/r/MrNightmare/comments/7k9qzj/my_scary_christmas_story_true/https://www.reddit.com/r/ParanormalEncounters/comments/18fq07b/does_anyone_have_any_good_creepy_christmas_stories/https://www.reddit.com/r/Paranormal/comments/2loa38/i_saw_santa/https://www.reddit.com/r/Paranormal/comments/5jrgrs/i_also_have_seen_santa/https://www.reddit.com/r/Paranormal/comments/1hlfap1/witnessed_santa_claus_im_38_now_and_still_believe/https://www.reddit.com/r/Glitch_in_the_Matrix/comments/mjy6nw/a_gift_from_beyond_the_grave/https://twitter.com/clawztrophobia/status/1378824818095689732/photo/1TRIGGER WARNINGS AVAILABLE AT THE BOTTOM OF THE SHOW NOTES. MAY CONTAIN SPOILERS.Intro music by Brandt ParksLeave me a voice mail! ‪(323) 546-8764‬Ad Free version available on PatreonYou can send your stories to: scareyoutosleep@gmail.comhttps://linktr.ee/ScareYouToSleepMusic by Epidemic Sound and Co.AGAdditional sound effects from Freesound.orgS: Horror_Ambience_Atmos-07.wav by Headphaze | License: Attribution 4.0S: Horror_Ambience_Atmos-08.wav by Headphaze | License: Attribution 4.0S: Horror_Ambience_Atmos-04.wav by Headphaze | License: Attribution 4.0S: Horror_Ambience_Atmos-09.wav by Headphaze | License: Attribution 4.0S: Horror_Ambience_Atmos-10.wav by Headphaze | License: Attribution 4.0S: Horror_Ambience_Atmos-01.wav by Headphaze | License: Attribution 4.0  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Holiday themed scary allegedly true stories from Reddit (wait till you hear how many people have actually seen Santa)https://www.reddit.com/r/MrNightmare/comments/7k9qzj/my_scary_christmas_story_true/https://www.reddit.com/r/ParanormalEncounters/comments/18fq07b/does_anyone_have_any_good_creepy_christmas_stories/https://www.reddit.com/r/Paranormal/comments/2loa38/i_saw_santa/https://www.reddit.com/r/Paranormal/comments/5jrgrs/i_also_have_seen_santa/https://www.reddit.com/r/Paranormal/comments/1hlfap1/witnessed_santa_claus_im_38_now_and_still_believe/https://www.reddit.com/r/Glitch_in_the_Matrix/comments/mjy6nw/a_gift_from_beyond_the_grave/https://twitter.com/clawztrophobia/status/1378824818095689732/photo/1TRIGGER WARNINGS AVAILABLE AT THE BOTTOM OF THE SHOW NOTES. MAY CONTAIN SPOILERS.Intro music by Brandt ParksLeave me a voice mail! ‪(323) 546-8764‬Ad Free version available on PatreonYou can send your stories to: scareyoutosleep@gmail.comhttps://linktr.ee/ScareYouToSleepMusic by Epidemic Sound and Co.AGAdditional sound effects from Freesound.orgS: Horror_Ambience_Atmos-07.wav by Headphaze | License: Attribution 4.0S: Horror_Ambience_Atmos-08.wav by Headphaze | License: Attribution 4.0S: Horror_Ambience_Atmos-04.wav by Headphaze | License: Attribution 4.0S: Horror_Ambience_Atmos-09.wav by Headphaze | License: Attribution 4.0S: Horror_Ambience_Atmos-10.wav by Headphaze | License: Attribution 4.0S: Horror_Ambience_Atmos-01.wav by Headphaze | License: Attribution 4.0  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

A wealthy British businessman living in colonial Egypt finds his comfortable life begin to unravel when he is haunted by the mysterious sound of footsteps that seem to follow him through the streets at night.This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “THE STEP” by E.F. Benson, 1931.Supporting my workIf you like, you can donate in the following ways:Patreon: https://www.patreon.com/encryptedpodYouTube channel membership: https://www.youtube.com/c/EnCryptedClassicHorror/joinOne-off donation: https://ko-fi.com/encryptedpodcastYou can now also say THANKS (on YouTube) with a SUPER THANKS!LIKE, COMMENT, SHARE - it all helps the show survive and prosper!If you want to discuss the show, talk business, or have any ideas for stories you'd like to hear in future episodes, contact me: encryptedpod@gmail.com

One winter's evening, a man, dogged by depression, encounters a mysterious figure who challenges his perception of time and fulfillment. But what is the true nature of his visitor?This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “THE GLASS OF SUPREME MOMENTS” by Barry Pain, 1892.

Domingo da 3ª Semana do Advento - Ano APrimeira Leitura: Is 35, 1-6a.10 | Salmo: Sl 145,7.8-9a.9bc-10 (R. Cf. Is 35,4) | Tg 5, 7-10 | Evangelho: Mt 11,2-11Compartilhe com amigos e familiares. Baixe nosso APP com conteúdos católicos: orações, reflexões, homilias e muito mais.Conheça nosso canal youtube/voxcatolicawww.voxcatolica.com.brNarração: Sonia Abreu...CRÉDITOS MUSICAISVinheta inicial: Freesound.org | Xinematix, emotional-piano (CC03) | Leituras: Freesound.com - triangelx__emotional-piano & 520585__xinematix__emotional-piano-009-d-120 | Freesfx.co.uk – soundideas-AThousandLifetimes (CC03) e 123rf – PianoLight Romantic direitos adquiridos | soundstrap.com – Dawn Awaits Cody Martin instrumental | Yakov - Golman-Hope. |Aos domingos, no conversando sobre a palavra - Abertura: Sunrise by Yakov Golman is licensed under a Attribution License. https://freemusicarchive.org/music/Yakov_Golman

Sábado da 2ª Semana do Advento | Memória de Santa LuziaPrimeira Leitura: Eclo 48,1-4.9-11 | Salmo: Sl 79 (80), 2ac.3b. 15-16. 18-19 (R.4) | | Evangelho: Mt 17,10-13Compartilhe com amigos e familiares. Baixe nosso APP com conteúdos católicos: orações, reflexões, homilias e muito mais.Conheça nosso canal youtube/voxcatolicawww.voxcatolica.com.brNarração: Sonia Abreu...CRÉDITOS MUSICAISVinheta inicial: Freesound.org | Xinematix, emotional-piano (CC03) | Leituras: Freesound.com - triangelx__emotional-piano & 520585__xinematix__emotional-piano-009-d-120 | Freesfx.co.uk – soundideas-AThousandLifetimes (CC03) e 123rf – PianoLight Romantic direitos adquiridos | soundstrap.com – Dawn Awaits Cody Martin instrumental | Yakov - Golman-Hope. |Aos domingos, no conversando sobre a palavra - Abertura: Sunrise by Yakov Golman is licensed under a Attribution License. https://freemusicarchive.org/music/Yakov_Golman

Episode Notes Join our Patreon for early access and bonus episodes and help support the show! Get exclusive Japanese horror merchandise and join the Discord! Eight terrifying dreams that'll make you question going to sleep, and if it's really safer there than it is here in the waking world. BGM thanks to Myuuji, Kevin MacLeod and CO.AG. Sound effects thanks to Free Sound and freeSFX. Licensed under Creative Commons: By Attribution 3.0 License Support Kowabana: 'True' Japanese scary stories from around the internet by contributing to their tip jar: https://tips.pinecast.com/jar/kowabana

ON THIS EPISODE: (TIME STAMPS BELOW) A review of the Norwegian Netflix movie Troll 2, reactions to the 2025 Game Awards, and a crazy, experiment with A.I. to generate a Christmas story involving: Rudolph, Red & Blue Lanterns and Free Grace Theology! ‍ ‍ AND MUCH MORE! 00:00:30 Intro 00:02:36 Troll 2 Review 00:23:54 CGC & Christian Geek News 00:28:08 Bonkers Christmas, Red-Lantern-Rudolph, Free Grace Theology AI Story 00:42:35 Game Awards 2025 Reactions ‍ ‍ GEEK WEEK 01:25:58 COMIC BOOKS: Superman #64 Christmas Story 01:32:51 MOVIES/TV: Supergirl Teaser Trailer ‍ ‍ 01:51:24 VIDEO GAMES- Death Stranding ‍ ‍ 01:58:05 On The Next Episode… ‍ ‍ ‍ ‍ Death Stranding: Christmas In Solitude - https://youtu.be/uxS5EJZ10jM?si=1HzUWPtATKGPSi7d ‍ ‍‍ ‍ Get The Wonderful Wizard Of Oz & More Audio Entertainment From Spirit Blade Productions HERE: https://www.patreon.com/posts/44479037 or on youtube at https://www.youtube.com/watch?v=XNC7Qz41mx8‍ ‍ ‍ ‍ Support this podcast and enjoy exclusive rewards at https://www.patreon.com/spiritbladeproductions ‍ ‍ Join Our Free Public Discord Channels! Invite HERE: https://discord.gg/5CRfFy2GG5 ‍ ‍ SUBSCRIBE TO PAETER'S SUBSTACK, @PAETERFRANDSEN: https://paeterfrandsen.substack.com/ ‍ ‍ Subscribe in a reader ‍ ‍ Open In i-tunes- itms://itunes.apple.com/us/podcast/the-christian-geek-central-podcast/id258963175?mt=2 i-tunes Page Link- https://itunes.apple.com/us/podcast/the-christian-geek-central-podcast/id258963175?mt=2 Get fun, exclusive rewards for your support! Visit: https://www.patreon.com/spiritbladeproductions Or Become a Patron! ‍ ‍ All episodes are archived and available for download at www.spiritblade.com , Resources used to prepare CGC Bible Study/Devotional content include:"Expositor's Bible Commentary", Frank E. Gaebelein General Editor (Zondervan Publishing House),"The IVP Bible Background Commentary: Old Testament", by Dr. John H. Walton, Dr. Victor H. Matthews & Dr. Mark W. Chavalas (InterVarsity Press), "The IVP Bible Background Commentary: New Testament", by Dr. Craig S. Keener (InterVarsity Press),Thayer's Greek Lexicon, Strong's Exhaustive Concordance Blueletterbible.org, The Christian Geek Central Statement Of Faith can be found at: http://christiangeekcentral.blogspot.com/p/about.html The Christian Geek Central Podcast is written, recorded and produced by Paeter Frandsen. Additional segments produced by their credited authors. Logo created by Matthew Silber. Copyright 2007-2025, Spirit Blade Productions. Music by Wesley Devine, Bjorn A. Lynne, Pierre Langer, Jon Adamich, audionautix.com and Sound Ideas. Spazzmatica Polka by Kevin MacLeod (incompetech.com) Freesound.org effects provided by: FreqMan

The melody has changed, the beginning of the final refrain. Show social & schedule - ⁠⁠⁠⁠⁠⁠⁠⁠⁠@RespectTheCrit⁠⁠⁠⁠⁠⁠⁠⁠⁠ Mabel McIntyre - Jamie Lee-Bonés ⁠⁠⁠⁠⁠⁠⁠⁠⁠@jamiemfbones⁠⁠⁠⁠⁠⁠⁠⁠⁠ Aline Lévesque - Xavier Trudeau-Deschênes ⁠⁠⁠⁠⁠⁠⁠⁠⁠@xavierTD⁠⁠⁠⁠⁠⁠⁠⁠⁠ Razz McClay - Zach Clark ⁠⁠⁠⁠⁠⁠⁠⁠⁠twitch.tv/chancemc⁠⁠⁠⁠⁠⁠⁠⁠⁠ Melody Thompson - Karen Huesman ⁠⁠⁠⁠⁠⁠⁠⁠⁠@notsoshyronnie⁠⁠⁠⁠⁠⁠⁠⁠⁠ Yasher Angell - Ian Duncan ⁠⁠⁠⁠⁠⁠⁠⁠⁠@iduncs⁠⁠⁠⁠⁠⁠⁠⁠⁠ Keeper of Arcane Lore - Susan Spenader ⁠⁠⁠⁠⁠⁠⁠⁠⁠@sueslalues⁠⁠⁠⁠⁠⁠⁠⁠⁠   Whatever the system, miss or a hit, you always gotta respect the crit!   Original music provided with license or permissions ⁠1 Hour of Dark Piano Dark Piano for Silent Limbo⁠ - Lucas King Music from ⁠⁠⁠⁠⁠⁠⁠⁠⁠Freesound.org⁠⁠⁠ Corpse Rot by Universfield⁠ -- https://freesound.org/search/?f=username%3A%22Universfield%22&s=Date+added+%28newest+first%29&g=0&page=1#sound ⁠⁠-- License: Attribution 4.0 Dramatic Piano by Universfield⁠ -- ⁠https://freesound.org/search/?f=username%3A%22Universfield%22&s=Date+added+%28newest+first%29&g=0&page=1#sound⁠ ⁠⁠-- License: Attribution 4.0 Music from ⁠⁠⁠⁠⁠⁠⁠Free Music Archive:⁠⁠⁠⁠⁠⁠⁠ "Dancing Ghosts" by HoliznaPATREON: https://freemusicarchive.org/music/holiznapatreon/orphaned-media-1/dancing-ghosts/ ⁠License: ⁠⁠⁠⁠⁠⁠⁠⁠https://creativecommons.org/licenses/by/3.0/⁠⁠⁠⁠⁠ "Dumbell" by Zez Confrey: ⁠https://freemusicarchive.org/music/Zez_Confrey/Antique_Phonograph_Music_Program_02102015/Dumbell_-_Zez_Confrey/⁠ ⁠License: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://creativecommons.org/licenses/by/3.0/⁠⁠⁠⁠⁠⁠ "The New Mown Hay feat. Will Mason (after Holst)" by Axletree: https://freemusicarchive.org/music/Axletree/music-from-a-hampshire-farm/the-new-mown-hay-feat-will-mason-after-holst/ ⁠License: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://creativecommons.org/licenses/by/3.0/⁠⁠⁠⁠⁠⁠⁠ Music from ⁠⁠⁠⁠⁠⁠⁠⁠Artlist⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠Empty Rooms⁠⁠⁠⁠⁠⁠⁠⁠ by Gal Lev Lost Place Atmospheres 002 by Sascha Ende https://ende.app/en/song/7665-lost-place-atmospheres-002 License: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://creativecommons.org/licenses/by/3.0/⁠⁠⁠⁠⁠⁠ Additional music and sound from ⁠⁠⁠⁠⁠⁠⁠⁠⁠Freesound.org⁠⁠⁠⁠⁠⁠⁠⁠⁠ Additional music and sound by ⁠⁠⁠⁠⁠⁠⁠⁠⁠TableTop Audio⁠⁠⁠⁠⁠⁠⁠⁠⁠ Additional music and sound by ⁠⁠⁠⁠⁠⁠⁠⁠⁠Syrinscape⁠⁠⁠⁠⁠⁠⁠⁠⁠ Additional music and sound by Pro Scores from Video Copilot Additional music and sound by Monument Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

This is the Thursday evening liturgy during the season of Advent for the Compline podcast from the Center for Worship and the Arts at Samford University. For more about the Center for Worship and the Arts, as well as the resources we provide, visit us at https://www.samford.edu/worship-arts/.CREDITS:© 2020 Center for Worship and the Arts, Samford University.Engineered and produced by Wen Reagan for the Center for Worship and the Arts at Samford University.SPOKEN WORD:Wen Reagan, Stacy Love, Tracy Hanrahan, Meagan Kennedy, Pierce Moffett, Eden Walker.MUSIC:“Compline #6 - Advent” by Wen Reagan, © 2020 Sursum Corda Music (BMI).“How Long?” by Emily Hanrahan, © 2020 Emily Hanrahan.“The Son Forsook the Father's Home” by Samuel John Stone and Bruce Benedict, © 2010 Cardiphonia Music, CCLI # 6571188.TEXTS:The liturgical words for this podcast series include original phrasings, but were primarily curated and designed from several public domain sources, including “An Order for Compline” from the Anglican and Episcopal Book of Common Prayer and collects collected from Grace Cathedral and the University of Notre Dame.SOUNDS:The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA."Door, Front, Opening, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org."Door, Front, Closing, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org.“06 – Crackling Candle.wav” by 14GPanskaLetko_Dominik of Freesound.org.“Lights a Candle Light with a Match” by straget of Freesound.org.The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution-NonCommercial 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.“Soft Shoes Walking on a Dirt Road” by Nagwense of Freesound.org.“Match Being Lit.wav” by Jeanet_Henning of

Episode 130 Past Life Lost . . . and Then I Was Found In this past life for my client, as a child who walked away from his family, he was found too late. In his current life, he also walked away as a child, looking for his home, but this time he was found in time. Every Soul has a story. Sometimes we are meant to hear it, other times we search and never find it. We are scheduling now for Season Two. If you are interested in receiving a reading with a loved one in the afterlife, or a soul existence reading as part of a future episode, contact  linkingpodcast@gmail.com. Purchase Donna's books on Amazon. You can find out more about Donna here:  https://linktr.ee/donnaboylemedium To schedule a private or group reading, contact Donna at  dboylemedium@gmail.com Producer and editor: Donna Boyle Music from Freesound.org Opening: CD_PLENITUDE_002 kevp888  Closing: Pinecone ambient evanjones4 #theafterlife #mediumship #pastlife #spirituality #soulpurpose #consciousness #channeling #innerwork #spirit  #spiritguide

This is the Wednesday evening liturgy during the season of Advent for the Compline podcast from the Center for Worship and the Arts at Samford University. For more about the Center for Worship and the Arts, as well as the resources we provide, visit us at https://www.samford.edu/worship-arts/.CREDITS:© 2020 Center for Worship and the Arts, Samford University.Engineered and produced by Wen Reagan for the Center for Worship and the Arts at Samford University.SPOKEN WORD:Wen Reagan, Stacy Love, Tracy Hanrahan, Meagan Kennedy, Pierce Moffett, Eden Walker.MUSIC:“Compline #6 - Advent” by Wen Reagan, © 2020 Sursum Corda Music (BMI).“How Long?” by Emily Hanrahan, © 2020 Emily Hanrahan.“The Son Forsook the Father's Home” by Samuel John Stone and Bruce Benedict, © 2010 Cardiphonia Music, CCLI # 6571188.TEXTS:The liturgical words for this podcast series include original phrasings, but were primarily curated and designed from several public domain sources, including “An Order for Compline” from the Anglican and Episcopal Book of Common Prayer and collects collected from Grace Cathedral and the University of Notre Dame.SOUNDS:The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA."Door, Front, Opening, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org."Door, Front, Closing, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org.“06 – Crackling Candle.wav” by 14GPanskaLetko_Dominik of Freesound.org.“Lights a Candle Light with a Match” by straget of Freesound.org.The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution-NonCommercial 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.“Soft Shoes Walking on a Dirt Road” by Nagwense of Freesound.org.“Match Being Lit.wav” by Jeanet_Henning of

Newspaperwoman Anne Rogers and Lt. Mike Flannigan investigate a string of unsolved murders, with the help of private detective Jeff Warren, despite interference by an angry, obnoxious District Attorney.Adapted from the script of a lost episode of the radio drama “Hot Copy”.Originally broadcast on Sunday, October 8th, 1944.OUR CAST:Rhonda Sigler-Ware … Ann Rogers.Jerry Kokich … Lt. Mike Flannigan.Patrick Brancato, … Jeff Warren.Dan Ware ... District Attorney Tom Craven.Gregory Dwyer … John Paxton.Kenny Hertling … Patrolman Tim Riley.Glen Haskell … Desk Sgt. McGuire.Karim Kronfli, … Hotel Desk ClerkSamantha Thompson ... Elevator Operator .Pete Lutz, … Garage Manager (Joe) .Erin Suminsby ... Receptionist (Miss Davis).Logan Smith ... your Announcer.Jim Goodluck ... Producer / Director / Audio Editor.SOUND EFFECTS CREDITS:All sound effects are from Freesound.org, Inspector J, or the Public Domain.CONTACT US!If you have any questions, comments or suggestions, please feel free to email:hotcopyradiotheater@gmail.comBlueSky:@hotcopyradio.bsky.social‬Facebook page:https://www.facebook.com/HotCopyRadioTheater Hosted on Acast. See acast.com/privacy for more information.

This is the Tuesday evening liturgy during the season of Advent for the Compline podcast from the Center for Worship and the Arts at Samford University. For more about the Center for Worship and the Arts, as well as the resources we provide, visit us at https://www.samford.edu/worship-arts/.CREDITS:© 2020 Center for Worship and the Arts, Samford University.Engineered and produced by Wen Reagan for the Center for Worship and the Arts at Samford University.SPOKEN WORD:Wen Reagan, Stacy Love, Tracy Hanrahan, Meagan Kennedy, Pierce Moffett, Eden Walker.MUSIC:“Compline #6 - Advent” by Wen Reagan, © 2020 Sursum Corda Music (BMI).“How Long?” by Emily Hanrahan, © 2020 Emily Hanrahan.“The Son Forsook the Father's Home” by Samuel John Stone and Bruce Benedict, © 2010 Cardiphonia Music, CCLI # 6571188.TEXTS:The liturgical words for this podcast series include original phrasings, but were primarily curated and designed from several public domain sources, including “An Order for Compline” from the Anglican and Episcopal Book of Common Prayer and collects collected from Grace Cathedral and the University of Notre Dame.SOUNDS:The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA."Door, Front, Opening, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org."Door, Front, Closing, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org.“06 – Crackling Candle.wav” by 14GPanskaLetko_Dominik of Freesound.org.“Lights a Candle Light with a Match” by straget of Freesound.org.The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution-NonCommercial 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.“Soft Shoes Walking on a Dirt Road” by Nagwense of Freesound.org.“Match Being Lit.wav” by Jeanet_Henning of

Alex is a team leader working with a mix of experienced adjusters and brand-new claims professionals, some assigned to the field and others working behind a desk. Alex has to make sure his team has the training they need to approach their work with confidence. Luckily PLRB.org's Education Hub has everything they need to succeed.   Notable Timestamps [ 00:10 ] - The PLRB Education Hub supports team leaders like Alex with training for both new and experienced adjusters to build confidence in handling claims. [ 01:25 ] - Update #1: A new critical thinking course will help adjusters analyze information, decide when to bring in experts, and resolve claims fairly and in good faith. [ 02:20 ] - Update #2: The annual "Claims Resolution" webinar series will address ethics of automation, bad faith in AI, and how emerging tech affects investigations. [ 03:35 ] - Update #3: A new PLRB designation program aims to take adjusters from entry level through line-of-business-specific training with elective options. [ 05:05 ] - The Education Hub offers 200+ recorded webinars, podcasts, modules, and downloadable slide decks as an on-demand claims knowledge library. [ 06:35 ] - "Test Your Claims Knowledge" microlearning modules use flashcards, definitions, photos, and scenarios for quick, interactive training. [ 08:45 ] - Member companies can integrate PLRB courses, webinars, microlearnings, and even this podcast directly into their own LMS platforms. [ 12:55 ] - PLRB will help members curate custom courses by combining videos, quizzes, and interactives in any sequence to match specific training goals. [ 14:10 ] - The library includes 100+ non-CE modules, about 200 podcasts, some 250 recorded webinars, plus many shorter video series for flexible learning. [ 16:25 ] - Mike summarizes the key points above. Your PLRB Resources Upcoming Events: PLRB Conferences & More! https://www.plrb.org/events PLRB Education HUB: https://members.plrb.org/education Listeners can email education@plrb.org for help navigating resources, requesting new content, or getting tailored curriculum support. Employees of member companies also have access to a searchable legal database, hundreds of hours of video trainings, building code materials, weather data, and even the ability to have your coverage questions answered by our team of attorneys (https://www.plrb.org/ask-plrb/) at no additional charge to you or your company. Subscribe to this Podcast Your Podcast App - Please subscribe and rate us on your favorite podcast app YouTube - Please like and subscribe at @plrb LinkedIN - Please follow at "Property and Liability Resource Bureau" Send us your Scenario! Please reach out to us at 630-509-8704 with your scenario! This could be your "adjuster story" sharing a situation from your claims experience, or a burning question you would like the team to answer. In any case, please omit any personal information as we will anonymize your story before we share. Just reach out to scenario@plrb.org.  Legal Information The views and opinions expressed in this resource are those of the individual speaker and not necessarily those of the Property & Liability Resource Bureau (PLRB), its membership, or any organization with which the presenter is employed or affiliated. The information, ideas, and opinions are presented as information only and not as legal advice or offers of representation. Individual policy language and state laws vary, and listeners should rely on guidance from their companies and counsel as appropriate. Music: "Piece of Future" by Keyframe_Audio. Pixabay. Pixabay License. Font: Metropolis by Chris Simpson. SIL OFL 1.1. Icons: FontAwesome (SIL OFL 1.1) and Noun Project (royalty-free licenses purchased via subscription). Sound Effects: Pixabay (Pixabay License) and Freesound.org (CC0).

No episódio de hoje, você escuta uma conversa um pouco diferente: um bate-papo com as pesquisadoras Germana Barata e Sabine Righetti, ambas do Laboratório de Estudos Avançados em Jornalismo (Labjor). Elas estiveram na COP30 e conversaram com Mayra Trinca sobre a experiência de cobrir um evento ambiental tão relevante e sobre quais foram os pontos fortes da presença da imprensa independente.  __________________________________________________________________________________ TRANSCRIÇÃO [música] Mayra: Olá, eu sou a Mayra, você já deve me conhecer aqui do Oxigênio. Hoje a gente vai fazer uma coisa um pouquinho diferente do que vocês estão acostumados. E eu trouxe aqui duas pesquisadoras do LabJor pra contar um pouquinho da experiência delas na COP30, que rolou agora em novembro. Então vai ser um episódio um pouco mais bate-papo, mas eu prometo que vai ficar legal. Vou pedir pra elas se apresentarem e a gente já começa a conversar. Então eu estou com a Germana Barata e a Sabine Righetti, que são pesquisadoras aqui do Labjor. Germana, se apresenta pra gente, por favor. Germana: Olá, pessoal, eu sou a Germana. Obrigada, Maíra, pelo convite pra estar aqui com vocês no Oxigênio. Eu sou pesquisadora do LabJor, do aula também por aqui, e tenho coordenado aí uma rede de comunicação sobre o oceano, que é a Ressou Oceano, que é o motivo da minha ida pra COP30.Então a gente vai ter a oportunidade de contar um pouquinho do que foi essa aventura na COP30. Mayra: Agora, Sabine, se apresenta pra gente, por favor. Sabine: Oi, pessoal, um prazer estar aqui. Sou pesquisadora aqui no LabJor, ouvinte do Oxigênio, e trabalho entendendo como que o conhecimento científico é produzido e circula na sociedade, sobretudo pela imprensa. Então esse foi um assunto central na COP lá em Belém. [vinheta]  Mayra: Eu trouxe a Sabine e a Germana, porque, bom, são pesquisadoras do Labjor que foram pra COP, mas pra gente conhecer um pouquinho o porquê que elas foram até lá a partir das linhas de interesse e de pesquisa. Então, meninas, contem pra gente por que vocês resolveram ir até a COP e o que isso está relacionado com as linhas de trabalho de vocês. Germana: Bom, acho que uma COP no Brasil, no coração da Amazônia, é imperdível por si.  Sabine: Não tinha como não ir.  Germana: Não, não tinha. E como eu atuo nessa área da comunicação sobre o oceano pra sociedade, esse é um tema que a comunidade que luta pela saúde do oceano tem trabalhado com muito afinco para que o oceano tenha mais visibilidade nos debates sobre mudanças climáticas. Então esse foi o motivo que eu percebi que era impossível não participar dessa grande reunião. Enfim, também numa terra onde eu tenho família, Belém do Pará é a terra do meu pai, e uma terra muito especial, uma cidade muito especial, eu acho que por tantos motivos era imperdível realmente essa experiência na COP. Sabine: Voltamos todas apaixonadas por Belém. O pessoal extremamente acolhedor, a cidade incrível, foi maravilhoso. Eu trabalho tentando compreender como a ciência, conhecimento científico, as evidências circulam na sociedade, na sociedade organizada. Então entre jornalistas, entre tomadores de decisão, entre grupos específicos. E no meu entendimento a COP é um espaço, é um grande laboratório sobre isso, porque a ciência já mostrou o que está acontecendo, a ciência já apontou, aliás faz tempo que os cientistas alertam, e que o consenso científico é muito claro sobre as mudanças climáticas. Então o que falta agora é essa informação chegar nos grupos organizados, nos tomadores de decisão, nas políticas públicas, e quem pode realmente bater o martelo e alterar o curso das mudanças climáticas. Claro que a gente precisa de mais ciência, mas a gente já sabe o que está acontecendo. Então me interessou muito circular e entender como que a ciência estava ou não. Porque muitos ambientes, as negociações, os debates, eles traziam mais desinformação ou falsa controvérsia do que a ciência em si. Germana: E é a primeira vez que a COP abrigou um pavilhão de cientistas. Então acho que esse é um marco, tanto para cientistas quanto outros pavilhões, outras presenças que foram inéditas ou muito fortes na COP, como dos povos indígenas ou comunidades tradicionais, mas também de cientistas, que antes, claro, os cientistas sempre foram para as COPs, mas iam como individualmente, vamos dizer assim. Sabine: Para a gente entender, quem não tem familiaridade com COP, os pavilhões, e isso eu aprendi lá, porque eu nunca tinha participado de uma COP, os pavilhões são como se fossem grandes estandes que têm uma programação própria e acontecem debates e manifestações, eventos diversos, culturais, enfim. Então a zona azul, que a gente chama, que é a área central da COP, onde tem as discussões, as tomadas de decisão, tem um conjunto de pavilhões. Pavilhões de países, pavilhões de temas. Oceanos também foi a primeira vez, né? Germana: Não foi a primeira vez, foi o terceiro ano, a terceira COP, mas estava enorme, sim, para marcar a presença. Mayra: O Oceano foi a primeira vez que estava na Blue Zone ou antes ele já estava na zona azul também? Germana: Ele já estava na Blue Zone, já estava na zona azul, é a terceira vez que o Oceano está presente como pavilhão, mas é a primeira vez que o Oceano realmente ocupou, transbordou, digamos assim, os debates, e os debates, incluindo o Oceano, acabaram ocupando, inclusive, dois dias oficiais de COP, que foram os dias 17 e 18, na programação oficial das reuniões, dos debates. Então é a primeira vez que eu acho que ganha um pouco mais de protagonismo, digamos assim. Mayra: E vocês participaram de quais pavilhões? Porque a gente tem o pavilhão dos Oceanos, tinha um pavilhão das universidades, que inclusive foi organizado por pesquisadores da Unicamp, não necessariamente aqui do Labjor, mas da Unicamp como um todo, e eu queria saber por quais pavilhões vocês passaram. Germana, com certeza, passou pelo do Oceano, mas além do Oceano, quais outros? Vocês passaram por esse das universidades? Como é que foi? Sabine: Eu apresentei um trabalho nesse contexto dos pavilhões, como espaço de discussão e de apresentações, eu apresentei um resultado de um trabalho que foi um levantamento de dados sobre ponto de não retorno da Amazônia com ajuda de inteligência artificial. Eu tenho trabalhado com isso, com leitura sistemática de artigos científicos com ajuda de inteligência artificial e tenho refletido como a gente consegue transformar isso numa informação palatável, por exemplo, para um tomador de decisão que não vai ler um artigo, muito menos um conjunto de artigos, e a gente está falando de milhares. Eu apresentei no pavilhão que a gente chamava de pavilhão das universidades que tinha um nome em inglês que era basicamente a Educação Superior para a Justiça Climática. Ele foi organizado institucionalmente pela Unicamp e pela Universidade de Monterrey, no México, e contou com falas e debates de vários cientistas do mundo todo, mas esse não era o pavilhão da ciência. Tinha o pavilhão da ciência e tinha os pavilhões dos países, os pavilhões temáticos, caso de oceanos, que a gente comentou. Então, assim, eu circulei em todos, basicamente. Me chamou muita atenção o dos oceanos, que de fato estava com uma presença importante, e o pavilhão da China, que era o maior dos pavilhões, a maior delegação, os melhores brindes. Era impressionante a presença da China e as ausências. Os Estados Unidos, por exemplo, não estava, não tinha o pavilhão dos Estados Unidos. Então, as presenças e as ausências também chamam a atenção.  Mayra: Tinha o pavilhão do Brasil?  Sabine: Tinha. Germana: Tinha um pavilhão maravilhoso.  Sabine: Maravilhoso e com ótimo café. Germana: É, exatamente.  Sabine: Fui lá várias vezes tomar um café.  Germana: Inclusive vendendo a ideia do Brasil como um país com produtos de qualidade,né, que é uma oportunidade de você divulgar o seu país para vários participantes de outros países do mundo. E acho que é importante a gente falar que isso, que a Sabine está falando dos pavilhões, era zona azul, ou seja, para pessoas credenciadas. Então, a programação oficial da COP, onde as grandes decisões são tomadas, são ali.  Mas tinha a zona verde, que também tem pavilhões, também tinha pavilhão de alguns países, mas, sobretudo, Brasil, do Estado do Pará, de universidades etc., que estava belíssimo, aberta ao público, e também com uma programação muito rica para pessoas que não necessariamente estão engajadas com a questão das mudanças… Sabine: Muito terceiro setor.  Germana: Exatamente.  Sabine: Movimentos sociais. Germana: E fora a cidade inteira que estava, acho que não tem um belenense que vai dizer o que aconteceu aqui essas semanas, porque realmente os ônibus, os táxis, o Teatro da Paz, que é o Teatro Central de Belém, todos os lugares ligados a eventos, mercados, as docas… Sabine: Museus com programação. Germana: Todo mundo muito focado com programação, até a grande sorveteria maravilhosa Cairu, que está pensando inclusive de expandir aqui para São Paulo, espero que em breve, tinha um sabor lá, a COP30. Muito legal, porque realmente a coisa chegou no nível para todos.  Mayra: O que era o sabor COP30? Fiquei curiosa.  Sabine: O de chocolate era pistache.  Germana: Acho que era cupuaçu, pistache, mais alguma coisa. Sabine: Por causa do verde. É que tinha bombom COP30 e tinha o sorvete COP30, que tinha pistache, mas acho que tinha cupuaçu também. Era muito bom. Germana: Sim, tinha cupuaçu. Muito bom! Mayra: Fiquei tentada com esse sorvete agora. Só na próxima COP do Brasil.  [música] Mayra: E para além de trabalho, experiências pessoais, o que mais chamou a atenção de vocês? O que foi mais legal de participar da COP? Germana: Eu já conheci a Belém, já fui algumas vezes para lá, mas fazia muitos anos que eu não ia. E é incrível ver o quanto a cidade foi transformada em relação à COP. Então, a COP deixa um legado para os paraenses. E assim, como a Sabine tinha dito no começo, é uma população que recebeu todos de braços abertos, e eu acho que eu estava quase ali como uma pessoa que nunca tinha ido para Belém. Então, lógico que a culinária local chama muito a atenção, o jeito dos paraenses, a música, que é maravilhosa, não só o carimbó, as mangueiras dando frutos na cidade, que é algo que acho que chama a atenção de todo mundo, aquelas mangas caindo pela rua. Tem o lado ruim, mas a gente estava vendo ali o lado maravilhoso de inclusive segurar a temperatura, porque é uma cidade muito quente. Mas acho que teve todo esse encanto da cultura muito presente numa reunião que, há muitos anos atrás, era muito diplomática, política e elitizada. Para mim, acho que esse é um comentário geral, que é uma COP que foi muito aberta a muitas vozes, e a cultura paraense entrou ali naturalmente por muitos lugares. Então, isso foi muito impressionante. Sabine: Concordo totalmente com a Germana, é uma cidade incrível. Posso exemplificar isso com uma coisa que aconteceu comigo, que acho que resume bem. Eu estava parada na calçada esperando um carro de transporte, pensando na vida, e aí uma senhora estava dirigindo para o carro e falou: “Você é da COP? Você está precisando de alguma coisa?” No meio da rua do centro de Belém. Olhei para ela e falei, Moça, não estou acostumada a ter esse tipo de tratamento, porque é impressionante. O acolhimento foi uma coisa chocante, muito positiva. E isso era um comentário geral. Mas acho que tem um aspecto que, para além do que estávamos falando aqui, da zona azul, da zona verde, da área oficial da COP, como a Germana disse, tinha programação na cidade inteira. No caso da COP de Belém, acho que aconteceu algo que nenhuma outra COP conseguiu proporcionar. Por exemplo, participei de um evento completamente lateral do terceiro setor para discutir fomento para projetos de jornalismo ligados à divulgação científica. Esse evento foi no barco, no rio Guamá que fala, né? Guamá. E foi um passeio de barco no pôr do sol, com comida local, com banda local, com músicos locais, com discussão local, e no rio. É uma coisa muito impressionante como realmente você sente a cidade. E aquilo tem uma outra… Não é uma sala fechada.Estamos no meio de um rio com toda a cultura que Belém oferece. Eu nunca vou esquecer desse momento, dessa discussão. Foi muito marcante. Totalmente fora da programação da COP. Uma coisa de aproveitar todo mundo que está na COP para juntar atores sociais, que a gente fala, por uma causa comum, que é a causa ambiental. Mayra: Eu vou abrir um parênteses e até fugir um pouco do script que a gente tinha pensado aqui, mas porque ouvindo vocês falarem, eu fiquei pensando numa coisa. Eu estava essa semana conversando com uma outra professora aqui do Labjor, que é a professora Suzana. Ouvintes, aguardem, vem aí esse episódio. E a gente estava falando justamente sobre como é importante trazer mais emoção para falar de mudanças climáticas. Enfim, cobertura ambiental, etc. Mas principalmente com relação a mudanças climáticas.  E eu fiquei pensando nisso quando vocês estavam falando. Vocês acham que trazer esse evento para Belém, para a Amazônia, que foi uma coisa que no começo foi muito criticada por questões de infraestrutura, pode ter tido um efeito maior nessa linha de trazer mais encanto, de trazer mais afeto para a negociação. Germana: Ah, sem dúvida.  Mayra: E ter um impacto que em outros lugares a gente não teria. Germana: A gente tem que lembrar que até os brasileiros desconhecem a Amazônia. E eu acho que teve toda essa questão da dificuldade, porque esses grandes eventos a gente sempre quer mostrar para o mundo que a gente é organizado, desenvolvido, enfim. E eu acho que foi perfeita a escolha. Porque o Brasil é um país desigual, riquíssimo, incrível, e que as coisas podem acontecer. Então a COP, nesse sentido, eu acho que foi também um sucesso, mesmo a questão das reformas e tudo o que aconteceu, no tempo que tinha que acontecer, mas também deu um tom diferente para os debates da COP30. Não só porque em alguns momentos da primeira semana a Zona Azul estava super quente, e eu acho que é importante quem é do norte global entender do que a gente está falando, de ter um calor que não é o calor deles, é um outro calor, que uma mudança de um grau e meio, dois graus, ela vai impactar, e ela já está impactando o mundo, mas também a presença dos povos indígenas eu acho que foi muito marcante. Eu vi colegas emocionados de falar, eu nunca vi tantas etnias juntas e populações muito organizadas, articuladas e preparadas para um debate de qualidade, qualificado. Então eu acho que Belém deu um outro tom, eu não consigo nem imaginar a COP30 em São Paulo. E ali teve um sentido tanto de esperança, no sentido de você ver quanto a gente está envolvida, trabalhando em prol de frear essas mudanças climáticas, o aquecimento, de tentar brecar realmente um grau e meio o aquecimento global. Mas eu acho que deu um outro tom. Sabine: Pegou de fato no coração, isso eu não tenho a menor dúvida. E é interessante você trazer isso, porque eu tenho dito muito que a gente só consegue colar mensagem científica, evidência, se a gente pegar no coração. Se a gente ficar mostrando gráfico, dado, numa sala chata e feia e fechada, ninguém vai se emocionar. Mas quando a gente sente a informação, isso a COP30 foi realmente única, histórica, para conseguir trazer esse tipo de informação emocional mesmo. [música] Mayra: E com relação a encontros, para gente ir nossa segunda parte, vocês encontraram muita gente conhecida daqui do Labjor, ou de outros lugares. O que vocês perceberam que as pessoas estavam buscando na COP e pensando agora em cobertura de imprensa? Porque, inclusive, vocês foram, são pesquisadoras, mas foram também junto com veículos de imprensa. Germana: Eu fui numa parceria com o jornal (o) eco, que a gente já tem essa parceria há mais de dois anos. A Ressou Oceano tem uma coluna no (o) eco. Portanto, a gente tem um espaço reservado para tratar do tema oceano. Então, isso para a gente é muito importante, porque a gente não tem um canal próprio, mas a gente estabeleça parcerias com outras revistas também. E o nosso objetivo realmente era fazer mais ou menos uma cobertura, estou falando mais ou menos, porque a programação era extremamente rica, intensa, e você acaba escolhendo temas onde você vai se debruçar e tratar. Mas, comparando com a impressão, eu tive na COP da biodiversidade, em 2006, em Curitiba, eu ainda era uma estudante de mestrado, e uma coisa que me chamou muito a atenção na época, considerando o tema biodiversidade, era a ausência de jornalistas do norte do Brasil. E, para mim, isso eu escrevi na época para o Observatório de Imprensa, falando dessa ausência, que, de novo, quem ia escrever sobre a Amazônia ia ser o Sudeste, e que, para mim, isso era preocupante, e baixa presença de jornalistas brasileiros também, na época.  Então, comparativamente, essa COP, para mim, foi muito impressionante ver o tamanho da sala de imprensa, de ver, colegas, os vários estúdios, porque passávamos pelos vários estúdios de TV, de várias redes locais, estaduais e nacionais. Então, isso foi muito legal de ver como um tema que normalmente é coberto por poucos jornalistas especializados, de repente, dando o exemplo do André Trigueiro, da Rede Globo, que é um especialista, ele consegue debater com grandes cientistas sobre esse tema, e, de repente, tinha uma equipe gigantesca, levaram a abertura dos grandes jornais para dentro da COP. Isso muda, mostra a relevância que o evento adquiriu. Também pela mídia, e mídia internacional, com certeza.  Então, posso falar depois de uma avaliação que fizemos dessa cobertura, mas, a princípio, achei muito positivo ver uma quantidade muito grande de colegas, jornalistas, e que chegou a quase 3 mil, foram 2.900 jornalistas presentes, credenciados. Sabine: E uma presença, os veículos grandes, que a Germana mencionou, internacionais, uma presença também muito forte de veículos independentes. O Brasil tem um ecossistema de jornalismo independente muito forte, que é impressionante, e, inclusive, com espaços consideráveis. Novamente, para entender graficamente, a sala de imprensa é gigantesca em um evento desse, e tem alguns espaços, algumas salas reservadas para alguns veículos. Então, veículos que estão com uma equipe muito grande têm uma sala reservada, além dos estúdios, de onde a Globo entrava ao vivo, a Andréia Sadi entrava ao vivo lá, fazendo o estúdio i direto da COP, enfim. Mas, dentro da sala de imprensa, tem salas reservadas, e algumas dessas salas, para mencionar, a Amazônia Vox estava com uma sala, que é um veículo da região norte de jornalismo independente, o Sumaúma estava com uma sala, o Sumaúma com 40 jornalistas, nessa cobertura, que também… O Sumaúma é bastante espalhado, mas a Eliane Brum, que é jornalista cofundadora do Sumaúma, fica sediada em Altamira, no Pará. Então, é um veículo nortista, mas com cobertura no país todo e, claro, com olhar muito para a região amazônica. Então, isso foi, na minha perspectiva, de quem olha para como o jornalismo é produzido, foi muito legal ver a força do jornalismo independente nessa COP, que certamente foi muito diferente. Estava lá o jornalismo grande, comercial, tradicional, mas o independente com muita força, inclusive alguns egressos nossos no jornalismo tradicional, mas também no jornalismo independente. Estamos falando desde o jornalista que estava lá pela Superinteressante, que foi nossa aluna na especialização, até o pessoal do Ciência Suja, que é um podcast de jornalismo independente, nosso primo aqui do Oxigênio, que também estava lá com um olhar muito específico na cobertura, olhando as controvérsias, as falsas soluções. Não era uma cobertura factual. Cada jornalista olha para aquilo tudo com uma lente muito diferente. O jornalismo independente, o pequeno, o local, o grande, o internacional, cada um está olhando para uma coisa diferente que está acontecendo lá, naquele espaço em que acontece muita coisa. [som de chamada]  Tássia: Olá, eu sou a Tássia, bióloga e jornalista científica. Estou aqui na COP30, em Belém do Pará, para representar e dar voz à pauta que eu trabalho há mais de 10 anos, que é o Oceano.  Meghie: Oi, gente, tudo bem? Meu nome é Meghie Rodrigues, eu sou jornalista freelancer, fui aluna do Labjor. Estamos aqui na COP30, cobrindo adaptação. Estou colaborando com a Info Amazônia, com Ciência Suja. Pedro: Oi, pessoal, tudo bem? Eu sou Pedro Belo, sou do podcast Ciência Suja, sou egresso do LabJor, da turma de especialização. E a gente veio para cobrir um recorte específico nosso, porque a gente não vai ficar tanto em cima do factual ali, do hard news, das negociações. A gente veio buscar coisas que, enfim, picaretagens, coisas que estão aí, falsas soluções para a crise climática. Paula: Eu sou Paula Drummond, eu sou bióloga e eu fiz jornalismo científico. Trabalho nessa interface, que é a que eu sempre procurei, de ciência tomada de decisão, escrevendo policy briefs. [música]  Mayra: Acho que esse é um ponto forte para tratarmos aqui, que vai ser o nosso encerramento, falar um pouco da importância desses veículos independentes na COP, tanto do ponto de vista de expandir a cobertura como um todo, da presença mesmo de um grande número de jornalistas, quanto das coberturas especializadas. Então, eu queria saber qual é a avaliação que vocês fizeram disso, se vocês acham que funcionou, porque a gente teve muita crítica com relação à hospedagem, isso e aquilo. Então, ainda tivemos um sucesso de cobertura de imprensa na COP? Isso é uma pergunta. E por que é importante o papel desses veículos independentes de cobertura? Germana: Eu, falando por nós, da Ressoa Oceano, o Oceano é ainda pouco coberto pela mídia, mas a gente já vê um interesse crescente em relação às questões específicas de oceano, e quem nunca ouviu falar de branqueamento de corais, de aquecimento das águas, elevação do nível do oceano? Enfim, eu acho que essas questões estão entrando, mas são questões que não devem interessar apenas o jornalista especializado, que cobre meio ambiente, que cobre essas questões de mudanças climáticas, mas que são relevantes para qualquer seção do jornal. Então, generalistas, por exemplo, que cobrem cidades, essa questão das mudanças climáticas, de impactos etc., precisam se interessar em relação a isso.  Então, o que eu vejo, a gente ainda não fez uma análise total de como os grandes veículos cobriram em relação ao jornalismo independente, que é algo que a gente está terminando de fazer ainda, mas em relação ao oceano. Mas o que a gente vê é que as questões mais políticas, e a grande mídia está mais interessada em que acordo foi fechado, os documentos finais da COP, se deu certo ou não, o incêndio que aconteceu, se está caro ou não está caro, hospedagem etc., e que são pautas que acabam sendo reproduzidas, o interesse é quase o mesmo por vários veículos. O jornalismo independente traz esse olhar, que a Sabine estava falando, inclusive dos nossos alunos, que são olhares específicos e muito relevantes que nos ajudam a entender outras camadas, inclusive de debates, discussões e acordos que estavam ocorrendo na COP30. Então, a gente vê, do ponto de vista quase oficial da impressão geral que as pessoas têm da COP, que foi um desastre no final, porque o petróleo não apareceu nos documentos finais, na declaração de Belém, por exemplo, que acho que várias pessoas leram sobre isso. Mas, quando a gente olha a complexidade de um debate do nível da COP30, e os veículos independentes conseguem mostrar essas camadas, é mostrar que há muitos acordos e iniciativas que não necessitam de acordos consensuais das Nações Unidas, mas foram acordos quase voluntários, paralelos a esse debate oficial, e que foram muito importantes e muito relevantes, e que trouxeram definições que marcaram e que a gente vê com muito otimismo para o avanço mesmo das decisões em relação, por exemplo, ao mapa do caminho, que a gente viu que não estava no documento final, mas que já tem um acordo entre Colômbia e Holanda de hospedar, de ter uma conferência em abril na Colômbia para decidir isso com os países que queiram e estejam prontos para tomar uma decisão. Então, esse é um exemplo de algo que foi paralelo à COP, mas que trouxe muitos avanços e nos mostra outras camadas que o jornalismo independente é capaz de mostrar. Sabine: A cobertura jornalística de um evento como a COP é muito, muito difícil. Para o trabalho do jornalista, é difícil porque são longas horas por dia, de domingo a domingo, são duas semanas seguidas, é muito desgastante, mas, sobretudo, porque é muita coisa acontecendo ao mesmo tempo e é difícil entender para onde você vai. Novamente, ilustrando, na sala de imprensa tem, e todo grande evento com esse caráter costuma ter isso, umas televisões com anúncios. Vai ter tal coletiva de imprensa do presidente da COP, tal horário. Então, nessa perspectiva, dá para se organizar. Eu vou aqui, eu vou ali. Às vezes, é hora de almoço, e, na hora de almoço, o jornalista já vai, sem almoçar, escrever o texto, e, quando vê, já é a noite. Mas você vai se organizando. Só que tem coisas que não estão lá na televisão. Então, por exemplo, passou o governador da Califórnia por lá. Não foi anunciado que ele estava. Ele estava andando no corredor. Para um jornalista de um grande veículo, se ele não viu que o governador da Califórnia estava lá, mas o seu concorrente viu, isso, falo no lugar de quem já trabalhou num veículo jornalístico grande comercial, isso pode levar a uma demissão. Você não pode não ver uma coisa importante. Você não pode perder uma declaração de um chefe de Estado. Você não pode não ver que, de repente, a Marina parou no meio do corredor em um quebra-queixo e falou, a Marina Silva, que estava muito lá circulando, e falou alguma coisa. Então, a cobertura vai muito além do que está lá na programação da sala de imprensa e do que está nos debates, nos pavilhões que a gente mencionava. Então, o jornalista, como a Germana disse, jornalista dos veículos, está correndo atrás disso. E, muitas vezes, por essa característica, acaba se perdendo, entre grandes aspas, nesses acontecimentos. Por exemplo, o que ficou muito marcante para mim na COP foi a declaração do primeiro-ministro da Alemanha, que foi uma declaração desastrosa, mas que tomou pelo menos um dia inteiro da cobertura, porque acompanhei na sala de imprensa os colegas jornalistas tentando repercutir aquela fala. Então, tentando falar com o governo do Brasil, com o presidente da COP, com outros alemães, com a delegação da Alemanha, com o cientista da Alemanha, porque eles precisavam fomentar aquilo e repercutir aquilo. E foi um dia inteiro, pelo menos, um dia inteiro, diria que uns dois dias ou mais, porque até a gente voltar, ainda se falava disso, vai pedir desculpa ou não. Para quem não lembra, foi o primeiro-ministro que falou que ainda bem que a gente saiu daquele lugar, que era Belém, que ele estava com um grupo de jornalistas da Alemanha, que ninguém queria ficar lá. Enfim, um depoimento desastroso que tomou muito tempo de cobertura. Então, os jornalistas independentes não estavam nem aí para a declaração do primeiro-ministro da Alemanha. Eles queriam saber outras coisas.  Então, por isso, reforço a necessidade e a importância da diversidade na cobertura. Mas é importante a gente entender como funciona esse jornalismo comercial, que é uma pressão e é um trabalho brutal e, muitas vezes, de jornalistas que não são especializados em ambiente, que estão lá, a Germana mencionou, na cobertura de cidades e são deslocados para um evento tipo a COP30. Então, é difícil até entender para onde se começa. É um trabalhão. [música]  Mayra: E aí, para encerrar, porque o nosso tempo está acabando, alguma coisa que a gente ainda não falou, que vocês acham que é importante, que vocês pensaram enquanto a gente estava conversando de destacar sobre a participação e a cobertura da COP? Germana: Tem algo que, para mim, marcou na questão da reflexão mesmo de uma conferência como essa para o jornalismo científico ou para os divulgadores científicos. Embora a gente tenha encontrado com vários egressos do Labjor, que me deixou super orgulhosa e cada um fazendo numa missão diferente ali, eu acho que a divulgação científica ainda não acha que um evento como esse merece a cobertura da divulgação científica.  Explico, porque esse é um evento que tem muitos atores sociais. São debates políticos, as ONGs estão lá, os ambientalistas estão lá, o movimento social, jovem, indígena, de comunidades tradicionais, os grandes empresários, a indústria, enfim, prefeitos, governadores, ministros de vários países estão lá. Eu acho que a divulgação científica ainda está muito focada no cientista, na cientista, nas instituições de pesquisa e ensino, e ainda não enxerga essas outras vozes como tão relevantes para o debate científico como a gente vê esses personagens. Então, eu gostaria de ter visto outras pessoas lá, outros influenciadores, outros divulgadores, ainda mais porque foi no Brasil, na nossa casa, com um tema tão importante no meio da Amazônia, que as mudanças climáticas estão muito centradas na floresta ainda. Então, isso, eu tenho um estranhamento ainda e talvez um pedido de chamar atenção para os meus colegas divulgadores de ciência de que está na hora de olharmos para incluir outras vozes, outras formas de conhecimento. E as mudanças climáticas e outras questões tão complexas exigem uma complexidade no debate, que vai muito além do meio científico. Sabine: Não tinha pensado nisso, mas concordo totalmente com a Germana. Eu realmente não… senti a ausência. Eu estava falando sobre as ausências. Senti a ausência dos divulgadores de ciência produzindo informação sobre algo que não necessariamente é o resultado de um paper, mas sobre algo que estava sendo discutido lá. Mas eu voltei da COP com uma reflexão que é quase num sentido diferente do que a Germana trouxe, que a Germana falou agora dos divulgadores de ciência, que é um nicho bem específico. E eu voltei muito pensando que não dá para nós, no jornalismo, encaixar uma COP ou um assunto de mudanças climáticas em uma caixinha só, em uma caixinha ambiental. E isso não estou falando, tenho que dar os devidos créditos. Eu participei de um debate ouvindo Eliane Brum em que, novamente a cito aqui no podcast, em que ela disse assim que a Sumaúma não tem editorias jornalísticas, como o jornalismo tradicional, porque isso foi uma invenção do jornalismo tradicional que é cartesiano. Então tem a editoria de ambiente, a editoria de política, a editoria de economia. E que ela, ao criar a Sumaúma, se despiu dessas editorias e ela fala de questões ambientais, ponto, de uma maneira investigativa, que passam por ciência, passam por ambiente, passam por política, passam por cidade, passam por tudo. E aí eu fiquei pensando muito nisso, no quanto a gente, jornalismo, não está preparado para esse tipo de cobertura, porque a gente segue no jornalismo tradicional colocando os temas em caixinhas e isso não dá conta de um tema como esse. Então a minha reflexão foi muito no sentido de a gente precisar sair dessas caixinhas para a gente conseguir reportar o que está acontecendo no jornalismo. E precisa juntar forças, ou seja, sair do excesso de especialização, do excesso de entrevista política, eu só entrevisto cientista. Mas eu só entrevisto cientista, não falo com política e vice-versa, que o jornalismo fica nessas caixinhas. E acho que a gente precisa mudar completamente o jeito que a gente produz informação. [música]  Mayra: Isso, muito bom, gostei muito, queria agradecer a presença de vocês no Oxigênio nesse episódio, agradecer a disponibilidade para conversar sobre a COP, eu tenho achado muito legal conversar com vocês sobre isso, tem sido muito interessante mesmo, espero que vocês tenham gostado também desse episódio especial com as pesquisadoras aqui sobre a COP e é isso, até a próxima! Sabine: Uma honra! Germana: Obrigada, Mayra, e obrigada a quem estiver nos ouvindo, um prazer! Mayra: Obrigada, gente, até mais!  [música]  Mayra: Esse episódio foi gravado e editado por mim, Mayra Trinca, como parte dos trabalhos da Bolsa Mídia Ciência com o apoio da FAPESP. O Oxigênio também conta com o apoio da Secretaria Executiva de Comunicação da Unicamp. A trilha sonora é do Freesound e da Blue Dot Sessions. [vinheta de encerramento] 

Welcome to the nineteenth episode of season 8 of the TFTuesday Podcast!In this episode, Sushi joins us to chat about how euphoric/positive slants on TF content hit differently, especially when it comes to embracing the parts of ourselves we may be reluctant to at first blush. The pair chat about the sorts of media getting people into TF these days, as well as how past properties continue to get folks into stuff, before touching on what makes the mid-point in TF so fascinating.- - -A podcast for all your TF-ey needs! Featuring in-depth discussions amongst longtime TF artists.The TFTuesday podcast focuses on transformation, mainly in the niche of the furry community.Content warning: This podcast occasionally touches on NSFW topics.Support us on Patreon! https://www.patreon.com/tftuesdaypodTwitter: https://twitter.com/TFTuesdayPodSpotify: https://open.spotify.com/show/1cYhqNGb4033ucISNdxaIkApple Podcasts: https://podcasts.apple.com/us/podcast/tftuesday-podcast/id1599438910 - - -Featuring Sushi: BlueSky - https://bsky.app/profile/eweyearnewme.bsky.socialFuraffinity - https://www.furaffinity.net/user/eweyearnewme/Hosted by Zil: BlueSky - https://bsky.app/profile/zilepo.bsky.socialFuraffinity - https://www.furaffinity.net/user/zilepo/Twitter - https://twitter.com/Zilepo_OpelizArt by HoneyBear & K-Libra: https://bsky.app/profile/honey-bear.bsky.social & https://bsky.app/profile/k-libra.bsky.social- - -The music used for the intro and outro is [Ambient soundscape with drums by Erokia]; Sounds provided by Erokia/Jordan Powell from Freesound.org

This is the Monday evening liturgy during the season of Advent for the Compline podcast from the Center for Worship and the Arts at Samford University. For more about the Center for Worship and the Arts, as well as the resources we provide, visit us at https://www.samford.edu/worship-arts/.CREDITS:© 2020 Center for Worship and the Arts, Samford University.Engineered and produced by Wen Reagan for the Center for Worship and the Arts at Samford University.SPOKEN WORD:Wen Reagan, Stacy Love, Tracy Hanrahan, Meagan Kennedy, Pierce Moffett, Eden Walker.MUSIC:“Compline #6 - Advent” by Wen Reagan, © 2020 Sursum Corda Music (BMI).“How Long?” by Emily Hanrahan, © 2020 Emily Hanrahan.“The Son Forsook the Father's Home” by Samuel John Stone and Bruce Benedict, © 2010 Cardiphonia Music, CCLI # 6571188.TEXTS:The liturgical words for this podcast series include original phrasings, but were primarily curated and designed from several public domain sources, including “An Order for Compline” from the Anglican and Episcopal Book of Common Prayer and collects collected from Grace Cathedral and the University of Notre Dame.SOUNDS:The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA."Door, Front, Opening, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org."Door, Front, Closing, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org.“06 – Crackling Candle.wav” by 14GPanskaLetko_Dominik of Freesound.org.“Lights a Candle Light with a Match” by straget of Freesound.org.The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution-NonCommercial 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.“Soft Shoes Walking on a Dirt Road” by Nagwense of Freesound.org.“Match Being Lit.wav” by Jeanet_Henning of

Bernie sat by himself on the far side of the emergency department waiting room. Elsie and Rita were sitting together, near the doors to the operating theatres. Elsie was sobbing, and Bernie wanted to console her, but he couldn't face Rita's wrath again. "It's all your fault, Bernie!" she'd shouted at him.The Nine Lives of Leo Roberts — Two: A Fast Car — Part Three is a short story by Robert Fairhead from the Tall And True writers' website.Read Robert's writing on Tall And True: https://www.tallandtrue.com.auA Dog and Van Road Trip:• Part One: Sydney to Uluru: https://www.tallandtrue.com.au/blog/a-dog-and-van-road-trip-part-one-sydney-to-uluru• Part Two: Uluru: https://www.tallandtrue.com.au/blog/a-dog-and-van-road-trip-part-two-uluruListen to all podcast episodes on Tall And True Short Reads: https://www.tallandtrueshortreads.comSeason Five Trailer: https://www.tallandtrueshortreads.com/introducing-season-five/The Nine Lives of Leo Roberts:• Prologue: The Clinic: https://www.tallandtrueshortreads.com/the-nine-lives-of-leo-roberts-prologue-the-clinic/• One: Rock Fishing: https://www.tallandtrueshortreads.com/the-nine-lives-of-leo-roberts-one-rock-fishing/• Two: A Fast Car - Part One: https://www.tallandtrueshortreads.com/the-nine-lives-of-leo-roberts-two-a-fast-car-part-one/• Two: A Fast Car - Part Two: https://www.tallandtrueshortreads.com/the-nine-lives-of-leo-roberts-two-a-fast-car-part-two/• Two: A Fast Car - Part Three: https://www.tallandtrueshortreads.com/the-nine-lives-of-leo-roberts-two-a-fast-car-part-three/Support the podcast: https://supporter.acast.com/tall-and-true-short-readsBuy Robert's short story and microfiction collections online:• Amazon Kindle: https://www.amazon.com/Robert-Fairhead/e/B086HZ36NM• Apple Books: https://books.apple.com/us/author/robert-fairhead/id1436773436• Rakuten Kobo: https://www.kobo.com/au/en/author/robert-fairheadPodcast Theme and Sound EffectsRoyalty-free music from Pixabay.com: Beethoven Piano Sonata No. 15 in D major, Op. 28 'Pastorale' – IV. Rondo. Allegro ma non-Troppo, performed by Karine Gilanyan.Sound effects licensed under Creative Commons 0 from FreeSound.org:• Car Engine Revving: https://freesound.org/people/overmedium/sounds/651534/• Hospital Waiting Room: https://freesound.org/people/bassboybg/sounds/201638/• Heart Monitor-Flat Line: https://freesound.org/people/samfk360/sounds/148897/• Opening Door: https://freesound.org/people/deleted_user_7146007/sounds/383846/• Police Car Radio: https://freesound.org/people/mrrap4food/sounds/618971/• Racing Cars: https://freesound.org/people/DaleT92/sounds/260886/• Car Crash: https://freesound.org/people/squareal/sounds/237375/• Bernie's Car: https://freesound.org/people/tiramisuper/sounds/474461/• Heart Monitor: https://freesound.org/people/iluminati_2705/sounds/536706/• Baby Laughter: https://freesound.org/people/iccleste/sounds/260774/• Pub Ambience: https://freesound.org/people/BurghRecords/sounds/415974/• Respirator: https://freesound.org/people/dansotak/sounds/137709/• Wall Clock: https://freesound.org/people/Richard1052/sounds/585774/• Underwater: https://freesound.org/people/DCSFX/sounds/366159/• Wind and Waves: https://freesound.org/people/nickmaysoundmusic/sounds/585622/• Santa Bells: https://freesound.org/people/BrianJamesLong/sounds/330415/Production NotesTall And True Short Reads is produced using Audacity.Episodes are recorded in Sydney, Australia, on the traditional lands of the Gadigal People.Acast Podcast Supporter PageSupport this show http://supporter.acast.com/tall-and-true-short-reads. Hosted on Acast. See acast.com/privacy for more information.

This is the Sunday evening liturgy during the season of Advent for the Compline podcast from the Center for Worship and the Arts at Samford University. For more about the Center for Worship and the Arts, as well as the resources we provide, visit us at https://www.samford.edu/worship-arts/.CREDITS:© 2020 Center for Worship and the Arts, Samford University.Engineered and produced by Wen Reagan for the Center for Worship and the Arts at Samford University.SPOKEN WORD:Wen Reagan, Stacy Love, Tracy Hanrahan, Meagan Kennedy, Pierce Moffett, Eden Walker.MUSIC:“Compline #6 - Advent” by Wen Reagan, © 2020 Sursum Corda Music (BMI).“How Long?” by Emily Hanrahan, © 2020 Emily Hanrahan.“The Son Forsook the Father's Home” by Samuel John Stone and Bruce Benedict, © 2010 Cardiphonia Music, CCLI # 6571188.TEXTS:The liturgical words for this podcast series include original phrasings, but were primarily curated and designed from several public domain sources, including “An Order for Compline” from the Anglican and Episcopal Book of Common Prayer and collects collected from Grace Cathedral and the University of Notre Dame.SOUNDS:The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA."Door, Front, Opening, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org."Door, Front, Closing, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org.“06 – Crackling Candle.wav” by 14GPanskaLetko_Dominik of Freesound.org.“Lights a Candle Light with a Match” by straget of Freesound.org.The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution-NonCommercial 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.“Soft Shoes Walking on a Dirt Road” by Nagwense of Freesound.org.“Match Being Lit.wav” by Jeanet_Henning of

Terrifying stories sent in by listeners (and I also threw in a couple of my own this time)TRIGGER WARNINGS AVAILABLE AT THE BOTTOM OF THE SHOW NOTES. MAY CONTAIN SPOILERS.Intro music by Brandt ParksLeave me a voice mail! ‪(323) 546-8764‬Ad Free version available on PatreonYou can send your stories to: scareyoutosleep@gmail.comhttps://linktr.ee/ScareYouToSleepMusic by Epidemic Sound and Co.AGAdditional sound effects from Freesound.orgS: horror ambience 75 140328_143.ogg by klankbeeld | License: Attribution 4.0S: Horror_Ambience_Atmos-06.wav by Headphaze | License: Attribution 4.0TW: loss of a pet Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Terrifying stories sent in by listeners (and I also threw in a couple of my own this time)TRIGGER WARNINGS AVAILABLE AT THE BOTTOM OF THE SHOW NOTES. MAY CONTAIN SPOILERS.Intro music by Brandt ParksLeave me a voice mail! ‪(323) 546-8764‬Ad Free version available on PatreonYou can send your stories to: scareyoutosleep@gmail.comhttps://linktr.ee/ScareYouToSleepMusic by Epidemic Sound and Co.AGAdditional sound effects from Freesound.orgS: horror ambience 75 140328_143.ogg by klankbeeld | License: Attribution 4.0S: Horror_Ambience_Atmos-06.wav by Headphaze | License: Attribution 4.0TW: loss of a pet Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Welcome to the last podcast of 2025! We'll be back for Season 4 in January!Keep up with everything Operation: Puppet does at https://www.operationpuppet.com!IntroIntro, the last pod of the year!Good things from this year! Um...How about a good thing in two years?Coping Mechanism! Sara Loves Archery Soulframe YouTube, Bright Sun Films26:34The Puppet PitYear end wrap-up and what's aheadPixels and Puppets YouTube/Twitch is returning to main O:P channelAll links on https://www.operationpuppet.com. Join the Discord! https://discord.gg/3zPqDcGJAC37:04PixeltownKevin played something that isn't Warframe!Andrew's No Man's Sky catch-upBut Kevin really played Warframe and made our first produced Warframe video guide! Join the OP Warframe clan!RIP home computing, also probably handheldsRIP AAA gamingGoing into 2026 we welcome the new age of ordinary people keeping old hardware running for longer, playing old(er) games, and using FOSS because there literally isn't any other choice.Music Credits:Opening Music/Stinger: Funk Babe by emiliomerone. Audiojungle Broadcast License.Pixeltown: kiddpark, Freesound.org (Creative Commons 0 License). Hosted on Acast. See acast.com/privacy for more information.

ON THIS EPISODE: (TIME STAMPS BELOW) Paeter's surprising picks of the best DC Comics Christmas stories published from 1990-2011 and how they hit or miss theologically! Then, what Christmas is REALLY about for most of us: Revelation 21! Confused? We'll look at how our pursuit of fun and joy, along with our experiences of sadness & stress in the Christmas season, all point to Revelation Chapter 21: The best Christmas passage you'll probably never hear at a Christmas Eve service! ‍ ‍ AND MUCH MORE! 00:00:30 Intro 00:03:26 Favorite DC Christmas Stories 00:39:17 CGC & Christian Geek News(Frozen Underwear, Following Yonder Star: Christmas Stories with a Speculative Fiction Twist) 00:52:38 How Christmas Joy, Sadness & Stress Points To Revelation 21 (Geek Bible Study) 01:20:50 Listener/Viewer Questions & Feedback (What does Paeter think of KJV-Onlyism? What is Paeter's denomination? Are single people allowed to give marriage advice to married people?, Questions & Reactions About Paeter's Meditative/Devotional Video “Death Stranding: Christmas In Solitude”) ‍ ‍ GEEK WEEK 02:09:20 COMIC BOOKS- Miles Morales: The Ultimate Spider-man 02:15:49 VIDEO GAMES- Marvel's Spider-Man, Spider-Man: Miles Morales ‍ ‍ 02:32:19 On The Next Episode… ‍ ‍ ‍ ‍ Death Stranding: Christmas In Solitude - https://youtu.be/uxS5EJZ10jM?si=1HzUWPtATKGPSi7d ‍ ‍‍ ‍ Get The Wonderful Wizard Of Oz & More Audio Entertainment From Spirit Blade Productions HERE: https://www.patreon.com/posts/44479037 or on youtube at https://www.youtube.com/watch?v=XNC7Qz41mx8‍ ‍ ‍ ‍ Support this podcast and enjoy exclusive rewards at https://www.patreon.com/spiritbladeproductions ‍ ‍ Join Our Free Public Discord Channels! Invite HERE: https://discord.gg/5CRfFy2GG5 ‍ ‍ SUBSCRIBE TO PAETER'S SUBSTACK, @PAETERFRANDSEN: https://paeterfrandsen.substack.com/ ‍ ‍ Subscribe in a reader ‍ ‍ Open In i-tunes- itms://itunes.apple.com/us/podcast/the-christian-geek-central-podcast/id258963175?mt=2 i-tunes Page Link- https://itunes.apple.com/us/podcast/the-christian-geek-central-podcast/id258963175?mt=2 Get fun, exclusive rewards for your support! Visit: https://www.patreon.com/spiritbladeproductions Or Become a Patron! ‍ ‍ All episodes are archived and available for download at www.spiritblade.com , Resources used to prepare CGC Bible Study/Devotional content include:"Expositor's Bible Commentary", Frank E. Gaebelein General Editor (Zondervan Publishing House),"The IVP Bible Background Commentary: Old Testament", by Dr. John H. Walton, Dr. Victor H. Matthews & Dr. Mark W. Chavalas (InterVarsity Press), "The IVP Bible Background Commentary: New Testament", by Dr. Craig S. Keener (InterVarsity Press),Thayer's Greek Lexicon, Strong's Exhaustive Concordance Blueletterbible.org, The Christian Geek Central Statement Of Faith can be found at: http://christiangeekcentral.blogspot.com/p/about.html The Christian Geek Central Podcast is written, recorded and produced by Paeter Frandsen. Additional segments produced by their credited authors. Logo created by Matthew Silber. Copyright 2007-2025, Spirit Blade Productions. Music by Wesley Devine, Bjorn A. Lynne, Pierre Langer, Jon Adamich, audionautix.com and Sound Ideas. Spazzmatica Polka by Kevin MacLeod (incompetech.com) Freesound.org effects provided by: FreqMan

You can start late as long as you start! A harmful berry turns into a rather harmful battle, and Victor stands alone. But is he really alone? Join us every other Friday for another exhilarating episode of Late Starters! The Late Starters have launched a Patreon to help with the journey in front of them! If you would like to be a supporter head here to help out! Catch ya later! Get merch, subscribe to Youtube and follow us on twitter to stay up to date with every thing Late Starters! You can find everything we do at linktr.ee/LateStarters! #pokemon #ttrpg #roleplay #improv  Cast GM - Austin (@SeezyDrop) Calynn - Alex (@Alexandbirds) Ford - Tim (@Remobware) Victor - Kaycie (@Kayciedoom) Pokedex - Jenna (@JennaChil) Music Some of the music used in this production belongs to ©2022 Pokémon. ©1995-2022 Nintendo/Creatures Inc./GAME FREAK inc. The following music was used for this media project: Embrace The Wind by WinnieTheMoog Free download: https://filmmusic.io/song/6685-embrace-the-wind  License (CC BY 4.0): https://filmmusic.io/standard-license   Artist website: https://linktr.ee/taigasoundprod  Open Those Bright Eyes by Kevin MacLeod Free download: https://filmmusic.io/song/4171-open-those-bright-eyes   License (CC BY 4.0): https://filmmusic.io/standard-license   Artist website: https://incompetech.com  Scheming Weasel [Metal Version] (feat. Kevin MacLeod) by Alexander Nakarada  Free download: https://filmmusic.io/song/8163-scheming-weasel-metal-version-feat-kevin-macleod   License (CC BY 4.0): https://filmmusic.io/standard-license  Arcane Anthems Patreon Ivan Duch and Pokemon Sound Effects “Pokeball Sounds Remade” by Pablobd of Freesound.org https://freesound.org/people/Pablobd/sounds/516687/  "teleport" by leszek-szary of Freesound.org https://freesound.org/people/Leszek_Szary/sounds/172207/  “Drawing sword from scabbard” by Giddster of Freesound.org https://freesound.org/people/giddster/sounds/484298/  Woman Loud Scream by yeehaw_kitty -- https://freesound.org/s/709640/ -- License: Creative Commons 0 Wind.wav by BeeProductive -- https://freesound.org/s/376443/  -- License: Creative Commons 0 ufo_atmosphere.wav by Erratic -- https://freesound.org/s/235/  -- License: Creative Commons 0 Laser Gun 02 by mrspivey -- https://freesound.org/s/805194/  -- License: Creative Commons 0 “Crush” by StaneStane of Freesound.org https://freesound.org/people/StaneStane/sounds/73564/  Bone Cracking 2.wav by DalomarGrimm -- https://freesound.org/s/7720/  -- License: Sampling+ LETHRCreak_Leather Stretching Creak 01_KVV AUDIO_FREE by KVV_Audio -- https://freesound.org/s/797919/  -- License: Attribution 4.0 Big Metal Shine 01.m4a by WhiteFire43 -- https://freesound.org/s/641389/  -- License: Creative Commons 0 "flame ignition" by hykenfreak of Freesound.org https://freesound.org/people/hykenfreak/sounds/331621/  FUN-EXPLOSION04.wav by newagesoup -- https://freesound.org/s/347317/  -- License: Attribution 4.0

This is the Thursday evening liturgy during the season of Advent for the Compline podcast from the Center for Worship and the Arts at Samford University. For more about the Center for Worship and the Arts, as well as the resources we provide, visit us at https://www.samford.edu/worship-arts/.CREDITS:© 2020 Center for Worship and the Arts, Samford University.Engineered and produced by Wen Reagan for the Center for Worship and the Arts at Samford University.SPOKEN WORD:Wen Reagan, Stacy Love, Tracy Hanrahan, Meagan Kennedy, Pierce Moffett, Eden Walker.MUSIC:“Compline #6 - Advent” by Wen Reagan, © 2020 Sursum Corda Music (BMI).“How Long?” by Emily Hanrahan, © 2020 Emily Hanrahan.“The Son Forsook the Father's Home” by Samuel John Stone and Bruce Benedict, © 2010 Cardiphonia Music, CCLI # 6571188.TEXTS:The liturgical words for this podcast series include original phrasings, but were primarily curated and designed from several public domain sources, including “An Order for Compline” from the Anglican and Episcopal Book of Common Prayer and collects collected from Grace Cathedral and the University of Notre Dame.SOUNDS:The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA."Door, Front, Opening, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org."Door, Front, Closing, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org.“06 – Crackling Candle.wav” by 14GPanskaLetko_Dominik of Freesound.org.“Lights a Candle Light with a Match” by straget of Freesound.org.The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution-NonCommercial 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.“Soft Shoes Walking on a Dirt Road” by Nagwense of Freesound.org.“Match Being Lit.wav” by Jeanet_Henning of

Episode 129 Our 2026 Purpose: A Channeled Message From JFK I sat to record on the anniversary of JFK's passing. As usual, he didn't disappoint. He immediately put an image in my head and I channeled this message from him about our purpose for 2026. We are all beings of the same love. We all walk with the purpose of love. Love is our purpose. 2026 is the year of accepting the Oneness of Love.  You can view past years here on my blog.  We are scheduling now for Season Two. If you are interested in receiving a reading with a loved one in the afterlife, or a soul existence reading as part of a future episode, contact  linkingpodcast@gmail.com. Purchase Donna's books on Amazon. You can find out more about Donna here:  https://linktr.ee/donnaboylemedium To schedule a private or group reading, contact Donna at  dboylemedium@gmail.com Producer and editor: Donna Boyle Music from Freesound.org Opening: CD_PLENITUDE_002 kevp888  Closing: Pinecone ambient evanjones4 #theafterlife #mediumship #pastlife #spirituality #soulpurpose #consciousness #channeling #innerwork #spirit #jfk 

This is the Wednesday evening liturgy during the season of Advent for the Compline podcast from the Center for Worship and the Arts at Samford University. For more about the Center for Worship and the Arts, as well as the resources we provide, visit us at https://www.samford.edu/worship-arts/.CREDITS:© 2020 Center for Worship and the Arts, Samford University.Engineered and produced by Wen Reagan for the Center for Worship and the Arts at Samford University.SPOKEN WORD:Wen Reagan, Stacy Love, Tracy Hanrahan, Meagan Kennedy, Pierce Moffett, Eden Walker.MUSIC:“Compline #6 - Advent” by Wen Reagan, © 2020 Sursum Corda Music (BMI).“How Long?” by Emily Hanrahan, © 2020 Emily Hanrahan.“The Son Forsook the Father's Home” by Samuel John Stone and Bruce Benedict, © 2010 Cardiphonia Music, CCLI # 6571188.TEXTS:The liturgical words for this podcast series include original phrasings, but were primarily curated and designed from several public domain sources, including “An Order for Compline” from the Anglican and Episcopal Book of Common Prayer and collects collected from Grace Cathedral and the University of Notre Dame.SOUNDS:The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA."Door, Front, Opening, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org."Door, Front, Closing, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org.“06 – Crackling Candle.wav” by 14GPanskaLetko_Dominik of Freesound.org.“Lights a Candle Light with a Match” by straget of Freesound.org.The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution-NonCommercial 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.“Soft Shoes Walking on a Dirt Road” by Nagwense of Freesound.org.“Match Being Lit.wav” by Jeanet_Henning of

Budgets frozen. Institutions wobbling. Political earthquakes everywhere. In the middle of all that, many artists and cultural workers are stepping straight into the messy moral world of community change.This episode is the fourth in our special series where we're unpacking the building blocks of effective art and social change practice, This episode we explore: What happens when “good intentions” aren't enough?What do we owe the communities we hope to serve?And how does an artist even begin to understand the ethical weight of their presence in places carrying trauma, tension, or long histories of power imbalance?Notable MentionsPeopleBill Cleveland – Host of Art Is Change and Director of the Center for the Study of Art & Community.Leni Sloan – Activist, performer, impresario, and cultural historian.Barbara Schaffer Bacon – Educator, author, and longtime arts-and-democracy leader.Confucius – Philosopher quoted on the cultural health of society.Carol Bebelle – Co-founder of Ashé Cultural Arts Center in New Orleans.Roberta Uno – Director and cultural organizer referenced via Project 2050.Judy Munson – Composer for the series' theme and soundscapes.Andre Neppe – Text editor for the series.OrganizationsCenter for the Study of Art & Community – Producer of Art Is Change.National Endowment for the Arts (NEA) – Federal arts funder.Mid Atlantic Arts – Regional arts funder.Kennedy Center – National cultural institution.Junebug Productions – Community-rooted arts organization.Ashé Cultural Arts Center – Cultural organization founded by Carol Bebelle.UMass Project 2050 – Intergenerational arts and social justice project.Freesound.org – Open-source audio effects platform.EventsPennsylvania Arts Residency Shutdowns – State-level budget freeze causing all residencies to wind down.California Gerrymandering Ballot Vote – Referenced political event affecting democratic institutions.White House East Wing Renovation – Described as symbolic cultural destabilization.Northern Ireland Peace-Sector Encounters – Experiences working in sectarian communities.Prison Songwriting Class – A pivotal ethical moment demonstrating the power of creative work.Publications / TextsConfucian Canon – Referenced philosophically regarding art and society.*******Change the Story / Change the World is a podcast that chronicles the power of...

This is the Tuesday evening liturgy during the season of Advent for the Compline podcast from the Center for Worship and the Arts at Samford University. For more about the Center for Worship and the Arts, as well as the resources we provide, visit us at https://www.samford.edu/worship-arts/.CREDITS:© 2020 Center for Worship and the Arts, Samford University.Engineered and produced by Wen Reagan for the Center for Worship and the Arts at Samford University.SPOKEN WORD:Wen Reagan, Stacy Love, Tracy Hanrahan, Meagan Kennedy, Pierce Moffett, Eden Walker.MUSIC:“Compline #6 - Advent” by Wen Reagan, © 2020 Sursum Corda Music (BMI).“How Long?” by Emily Hanrahan, © 2020 Emily Hanrahan.“The Son Forsook the Father's Home” by Samuel John Stone and Bruce Benedict, © 2010 Cardiphonia Music, CCLI # 6571188.TEXTS:The liturgical words for this podcast series include original phrasings, but were primarily curated and designed from several public domain sources, including “An Order for Compline” from the Anglican and Episcopal Book of Common Prayer and collects collected from Grace Cathedral and the University of Notre Dame.SOUNDS:The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA."Door, Front, Opening, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org."Door, Front, Closing, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org.“06 – Crackling Candle.wav” by 14GPanskaLetko_Dominik of Freesound.org.“Lights a Candle Light with a Match” by straget of Freesound.org.The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution-NonCommercial 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.“Soft Shoes Walking on a Dirt Road” by Nagwense of Freesound.org.“Match Being Lit.wav” by Jeanet_Henning of

It's gonna blow! Jassifer and Clover fight the super-heating Slay-I and discuss the dangers of online shopping. We're gonna need some sandwiches after this one! Thank you for catching this arc of Oddjobs! You can hear us discuss this arc in the next episode of the Afterlife, our Patreon-exclusive talkback show, on the $5 tier this month! Thank you to Nicola Narracci for our opening graphics and our wonderful podcast network as well: loreparty.com! Produced by Noah Perito & Lisa CondemiMusic by Noah Perito & Lisa Condemi Sound Effects: “Book Sounds” - Allsounds/Audionauti“mad-scientist-lab-loopable” - ramonmineiro“Record Scratch” - Luffy“Klaxon Alarm Sound” Lord Sandwich on Youtube“Gut-a-Blastix” - Rolandseer“device powering up” - spoonsandlessspoons“lightningcrash” - noirnoir“glass-smash” - chewiesmissus“sword-clash-and-slide” - Fun with Sound“bullet-ricochet” - aust-paul“crack-glass” - 13fpanska-cerny-jan“bamf” - themfish“fireball-whoosh” - robinhood76“explosion” - tommccann“fire-in-fireplace-close-up-reverberant2” - silencyo__silencyo“crashing” - smmassuda“explo-hit-metal-01” - pnmcarrierailfan“elevator-ding” - collierhs-colinlib“large-crowd-medium-distance-stereo” - eguobyte“crowd-cheering-soft-cheering-and-chatter” - gregorquendel All sound effects from ⁠Freesound.org⁠, unless listed under AllSounds/Audionauti, background sound effects, Free Audio Zone, Fun With Sound, Gaming Sound FX, Live Wallpaper Master, Lord Sandwich, Michaël Ghelfi, OmarSounds, Relaxing Recordings, Royalty Free FX, Sound Effect Database, Studiomod, Sword Coast Soundscapes, or Viral Vids NL. Additional sound effects by Noah Perito.

Jamie has been a property adjuster for some time now and is ready to graduate to larger and more complex losses involving hurricanes, construction defects, historic buildings, massive commercial structures, and more. Chris is a seasoned large loss adjuster looking to hone their practice in the casualty arena and network with others in their area. To address these questions, we'll take them to the PLRB Large Loss Conference.   Notable Timestamps [ 00:15 ] - The conference attracts adjusters ready to move into larger and more complex losses, giving them exposure to hurricanes, defects, historic buildings, and large commercial structures. [ 01:40 ] - Attendees include seasoned adjusters, newcomers to large loss work, EGAs, casualty specialists, and experts like engineers and forensic accountants, creating a fully integrated learning environment. [ 03:45 ] - Sessions use real or modeled claim scenarios to walk participants through years of handling, highlighting decision points, mistakes, successes, and insights from complex losses. [ 06:20 ] - Topics span property, casualty, liability, business interruption, food contamination, smoke damage, and multi-claimant events, ensuring relevance to a broad range of adjusters. [ 08:52 ] - Presenters use interactive tools—polling, role assignments, breakout groups, and scenario debates—to let attendees test coverage positions and compare investigative approaches. [ 11:45 ] - Networking is built into the event with receptions, meals, and vendor interactions, giving adjusters chances to reconnect with long-time colleagues and meet new industry partners. [ 13:15 ] - Intimate spaces and structured seating make it easy to meet people from across the country, fostering mentorship opportunities and cross-disciplinary conversations. [ 15:20 ] - Mike summarizes the key points above. Your PLRB Resources Upcoming Events: PLRB Conferences & More! https://www.plrb.org/events CE Course: A Deep Dive Into a Premises Liability Claim, Part 1 https://members.plrb.org/education/courses/a-deep-dive-into-a-premises-liability-claim-part-1 Employees of member companies also have access to a searchable legal database, hundreds of hours of video trainings, building code materials, weather data, and even the ability to have your coverage questions answered by our team of attorneys (https://www.plrb.org/ask-plrb/) at no additional charge to you or your company. Subscribe to this Podcast Your Podcast App - Please subscribe and rate us on your favorite podcast app YouTube - Please like and subscribe at @plrb LinkedIN - Please follow at "Property and Liability Resource Bureau" Send us your Scenario! Please reach out to us at 630-509-8704 with your scenario! This could be your "adjuster story" sharing a situation from your claims experience, or a burning question you would like the team to answer. In any case, please omit any personal information as we will anonymize your story before we share. Just reach out to scenario@plrb.org.  Legal Information The views and opinions expressed in this resource are those of the individual speaker and not necessarily those of the Property & Liability Resource Bureau (PLRB), its membership, or any organization with which the presenter is employed or affiliated. The information, ideas, and opinions are presented as information only and not as legal advice or offers of representation. Individual policy language and state laws vary, and listeners should rely on guidance from their companies and counsel as appropriate. Music: "Piece of Future" by Keyframe_Audio. Pixabay. Pixabay License. Font: Metropolis by Chris Simpson. SIL OFL 1.1. Icons: FontAwesome (SIL OFL 1.1) and Noun Project (royalty-free licenses purchased via subscription). Sound Effects: Pixabay (Pixabay License) and Freesound.org (CC0).

Horsemen written by Z.S. OrchidTRIGGER WARNINGS AVAILABLE AT THE BOTTOM OF THE SHOW NOTES. MAY CONTAIN SPOILERS.Intro music by Brandt ParksLeave me a voice mail! ‪(323) 546-8764‬Ad Free version available on PatreonYou can send your stories to: scareyoutosleep@gmail.comhttps://linktr.ee/ScareYouToSleepMusic by Epidemic Sound and Co.AGAdditional sound effects from Freesound.orgTW: child death, rape, suicide, stalking, gore Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Horsemen written by Z.S. OrchidTRIGGER WARNINGS AVAILABLE AT THE BOTTOM OF THE SHOW NOTES. MAY CONTAIN SPOILERS.Intro music by Brandt ParksLeave me a voice mail! ‪(323) 546-8764‬Ad Free version available on PatreonYou can send your stories to: scareyoutosleep@gmail.comhttps://linktr.ee/ScareYouToSleepMusic by Epidemic Sound and Co.AGAdditional sound effects from Freesound.orgTW: child death, rape, suicide, stalking, gore Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This is the Monday evening liturgy during the season of Advent for the Compline podcast from the Center for Worship and the Arts at Samford University. For more about the Center for Worship and the Arts, as well as the resources we provide, visit us at https://www.samford.edu/worship-arts/.CREDITS:© 2020 Center for Worship and the Arts, Samford University.Engineered and produced by Wen Reagan for the Center for Worship and the Arts at Samford University.SPOKEN WORD:Wen Reagan, Stacy Love, Tracy Hanrahan, Meagan Kennedy, Pierce Moffett, Eden Walker.MUSIC:“Compline #6 - Advent” by Wen Reagan, © 2020 Sursum Corda Music (BMI).“How Long?” by Emily Hanrahan, © 2020 Emily Hanrahan.“The Son Forsook the Father's Home” by Samuel John Stone and Bruce Benedict, © 2010 Cardiphonia Music, CCLI # 6571188.TEXTS:The liturgical words for this podcast series include original phrasings, but were primarily curated and designed from several public domain sources, including “An Order for Compline” from the Anglican and Episcopal Book of Common Prayer and collects collected from Grace Cathedral and the University of Notre Dame.SOUNDS:The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA."Door, Front, Opening, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org."Door, Front, Closing, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org.“06 – Crackling Candle.wav” by 14GPanskaLetko_Dominik of Freesound.org.“Lights a Candle Light with a Match” by straget of Freesound.org.The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution-NonCommercial 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.“Soft Shoes Walking on a Dirt Road” by Nagwense of Freesound.org.“Match Being Lit.wav” by Jeanet_Henning of

Two wintry fireside tales. In “The Vanishing House” by Bernard Capes, a group of travelling musicians are passing the night in a country inn when their banjo player shares a mysterious story about his grandfather. In “On the Northern Ice” by Elia Wilkinson Peattie, a groomsman follows a beautiful skating apparition on his way to a wedding.This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “THE VANISHING HOUSE” by Bernard Capes (1898). “ON THE NORTHERN ICE” by Elia Wilkinson Peattie (1898).

This is the Sunday evening liturgy during the season of Advent for the Compline podcast from the Center for Worship and the Arts at Samford University. For more about the Center for Worship and the Arts, as well as the resources we provide, visit us at https://www.samford.edu/worship-arts/.CREDITS:© 2020 Center for Worship and the Arts, Samford University.Engineered and produced by Wen Reagan for the Center for Worship and the Arts at Samford University.SPOKEN WORD:Wen Reagan, Stacy Love, Tracy Hanrahan, Meagan Kennedy, Pierce Moffett, Eden Walker.MUSIC:“Compline #6 - Advent” by Wen Reagan, © 2020 Sursum Corda Music (BMI).“How Long?” by Emily Hanrahan, © 2020 Emily Hanrahan.“The Son Forsook the Father's Home” by Samuel John Stone and Bruce Benedict, © 2010 Cardiphonia Music, CCLI # 6571188.TEXTS:The liturgical words for this podcast series include original phrasings, but were primarily curated and designed from several public domain sources, including “An Order for Compline” from the Anglican and Episcopal Book of Common Prayer and collects collected from Grace Cathedral and the University of Notre Dame.SOUNDS:The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA."Door, Front, Opening, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org."Door, Front, Closing, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org.“06 – Crackling Candle.wav” by 14GPanskaLetko_Dominik of Freesound.org.“Lights a Candle Light with a Match” by straget of Freesound.org.The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution-NonCommercial 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.“Soft Shoes Walking on a Dirt Road” by Nagwense of Freesound.org.“Match Being Lit.wav” by Jeanet_Henning of

Send us a textThese are the days of the long nights, when ¾ of our day gives way to the dark. If we listen carefully, their gifts are rich and restoring. In these strange times we need, once more, to slow down, look up, and hear the night speak to us with its silences. Come aboard the Erica and let's journey into the night.  Journal entry:27th November, Thursday"This morning, The kingfisher wakes To a softer, kinder day.The willow leaf Finds the current That I cannot see.”Episode Information:In this episode I read an extracts from: Jen Ratcliffe's wonderful and highly recommended Substack Mess in a Boat (with spoken word version). Chet Raymo's The Soul of the Night (1985) published by Cowley.I also read Tom Hennan's ‘Summer Night Air' from his collection Darkness Sticks to Everything (2013) published by Copper Canyon Press, and refer to Nic Wilson's Country Diary column.With special thanks to our lock-wheelersfor supporting this podcast.Susan BakerMind ShamblesClare HollingsworthKevin B.Fleur and David McloughlinLois RaphaelTania YorgeyAndrea HansenChris HindsChris and Alan on NB Land of Green Ginger Captain Arlo Rebecca Russell Allison on the narrowboat Mukka Derek and Pauline Watts Anna V. Orange Cookie Mary Keane. Tony Rutherford. Arabella Holzapfel. Rory with MJ and Kayla. Narrowboat Precious Jet. Linda Reynolds Burkins. Richard Noble. Carol Ferguson. Tracie Thomas Mark and Tricia Stowe Madeleine SmithGeneral DetailsThe intro and the outro music is ‘Crying Cello' by Oleksii_Kalyna (2024) licensed for free-use by Pixabay (189988). Narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.Contact Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Bluesky: https://bsky.app/profile/noswpod.bsky.social Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message by clicking on the microphone icon. For more information about Nighttime on Still Waters You can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com.

Episode Notes Join our Patreon for early access and bonus episodes and help support the show! Get exclusive Japanese horror merchandise and join the Discord! Eight Japanese horror tales that will not just terrify you, but also make you question what's really out there, and whether everything can truly be explained. BGM thanks to Myuuji, Kevin MacLeod and CO.AG. Sound effects thanks to Free Sound and freeSFX. Licensed under Creative Commons: By Attribution 3.0 License Support Kowabana: 'True' Japanese scary stories from around the internet by contributing to their tip jar: https://tips.pinecast.com/jar/kowabana

This is the Thursday evening liturgy during the Fall season of Ordinary Time for the Compline podcast from the Center for Worship and the Arts at Samford University. For more about the Center for Worship and the Arts, as well as the resources we provide, visit us at https://www.samford.edu/worship-arts/.CREDITS:© 2021 Center for Worship and the Arts, Samford University.Engineered and produced by Wen Reagan for the Center for Worship and the Arts at Samford University.SPOKEN WORD:Wen Reagan, Stacy Love, Tracy Hanrahan, Meagan Kennedy, Pierce Moffett, Eden Walker.MUSIC:“Compline #5” by Wen Reagan, © 2020 Sursum Corda Music (BMI).“Wishing Elsewhere” by Emily Hanrahan, © 2020 Emily Hanrahan.“My Savior Left His Throne Above” by Julie Anne Vargas and Zac Hicks, © 2015 Unbudding Fig Music (ASCAP) & Julie Anne Vargas, CCLI #7056910.TEXTS:The liturgical words for this podcast series include original phrasings, but were primarily curated and designed from several public domain sources, including “An Order for Compline” from the Anglican and Episcopal Book of Common Prayer and collects collected from Grace Cathedral and the University of Notre Dame.SOUNDS:The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA."Door, Front, Opening, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org."Door, Front, Closing, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org.“06 – Crackling Candle.wav” by 14GPanskaLetko_Dominik of Freesound.org.“Lights a Candle Light with a Match” by straget of Freesound.org.The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution-NonCommercial 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.“Soft Shoes Walking on a Dirt Road” by Nagwense of Freesound.org.“Match Being Lit.wav” by Jeanet_Henning of Freesound.org.“Candle Blow.wav” by Bee09 of Freesound.org.Mentioned in this episode:Discover Samford's Center for Worship and the Arts - the creator...