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Here's your local news for Monday, February 24, 2025:We find out why a local nonprofit has withdrawn their proposal for a new charter school,Attend a downtown rally commemorating the third anniversary of Russia's invasion of Ukraine,Attend a wake for surrealist filmmaker David Lynch,Share the local government's calendar for the week ahead,Mark the anniversary of Paul McCartney's "Give Ireland Back to the Irish,"Explore the rich history of "The Sidecar,"Hear about the newest entry in the Paddington cinematic universe,And much more.
Marv, Lonnie and I talk the new Record Store Day Mind Games EP and two more episodes from the "Life In Lyrics" podcast. A nice preview of the box set coming later this summer, and we return to Paul McCartney's Life in Lyrics podcast for episodes covering "Here There and Everywhere" and "Give Ireland Back to the Irish."
This episode deals with themes and events surrounding the Northern Ireland conflict. As such, this episode may be traumatic or emotional for some listeners. Paul McCartney doesn't view himself as a writer of protest songs. But the events of Bloody Sunday sufficiently moved him to use his voice. Rush released as Wings first single in 1972, “Give Ireland Back To The Irish” was banned in Britain by the BBC and in the US radio avoided playing it. However, through any criticism, McCartney stood steadfastly behind the release which ultimately reached number one in Ireland. “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O'Donnell and Sophie Crane; mastered by Jason Gambrell with assistance from Jake Gorski and sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman and Scott Rodger. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.See omnystudio.com/listener for privacy information.
It is a staple of McDonalds menus around the world but Irish customers have been denied an ice cream sundae since 2018. Now, there's a campaign to bring it back. Andrea Horan has launched a petition and she joined Dermot and Dave to drum up support.
In 1968, The Beatles established their APPLE RECORDS Company, and in addition to release their own group and solo tunes, signed many first-time artists to their label, including Ronnie Spector, Mary Hopkin, James Taylor, Badfinger, Billy Preston, and many others.Not surprisingly, The Beatles also released their own group and solo singles on their Apple Records label, up until their contract as a group legally expired at the end of 1976. From 1977 on, The Beatles released their singles on other labels. Here are all the Beatles Apple singles from 1968-1971. Enjoy!APPLE RECORDS BEATLES SINGLES 1972-1974PAUL McCARTNEY (as "WINGS")1. Give Ireland Back to the Irish / Give Ireland Back to the Irish (version) (2/28/72)RINGO STARR2. Back Off Boogaloo / Blindman (3/20/72)PAUL McCARTNEY (as "WINGS")3. Hi Hi Hi / C Moon (4/2/72)JOHN & YOKO/PLASTIC ONO BAND 4. Woman Is the N***** of the World / Sisters O Sisters (4/24/72)PAUL McCARTNEY (as "WINGS")5. Mary Had a Little Lamb / Little Woman Love (5/29/72)Paul McCartney & Wings6. My Love / The Mess (4/9/73)GEORGE HARRISON7. Give Me Love (Give Me Peace on Earth) / Miss O'Dell (5/7/73)PAUL McCARTNEY (as "WINGS")8. Live & Let Die / I Lie Around (6/18/73)RINGO STARR9. Photograph / Down & Out (9/24/73)JOHN LENNON10. Mind Games / Meat City (single version) (10/29/73)PAUL McCARTNEY & WINGS11. Helen Wheels / Country Dreamer (11/12/73)RINGO STARR12. You're Sixteen/ Devil Woman (12/3/73)PAUL McCARTNEY & WINGS13 Jet / Let Me Roll It (2/18/74)RINGO STARR14. Oh My My / Step Lightly (2/18/74)PAUL McCARTNEY & WINGS15. Band on the Run / Zoo Gang / Nineteen-Hundred & Eighty-Five [U.S. & Great Britain B-sides] (4/8/74)JOHN LENNON16. Whatever Gets You Thru' the Night / Beef Jerky (9/23/74)PAUL McCARTNEY & WINGS (as "The Country Hams")17. Walking in the Park with Eloise / Bridge on the River Suite (10/18/74)PAUL McCARTNEY & WINGS18. Junior's Farm / Sally G (11/4/74)RINGO STARR19. Only You / Call Me (11/11/74)GEORGE HARRISON20. Dark Horse / I Don't Care Anymore 11/18/74)JOHN LENNON21. #9 Dream / What You Got (12/16/74)GEORGE HARRISON22. Ding Dong Ding Dong / Hari's on Tour (12/23/74)The Beatles' contract with EMI Records (of which Apple Records was a subsidiary) expired on January 26, 1976, thus ending The Beatles' original "run" with Apple Records (1968-1976). Apple Corps./Apple Records. All Beatles recordings would continue to be distributed by Apple Records, although The Beatles would record for other labels after 1/26/76, except for Paul McCartney, who had re-signed with Capitol Records in 1975.
Paul McCartney & Wings - "Give Ireland Back To The Irish" Learn more about your ad choices. Visit megaphone.fm/adchoices
“I exhibited all the classic symptoms of the unemployed, the redundant man,” Paul McCartney recalled in his authorized biography Many Years from Now. “And justifiably so because I was being screwed by my mates. So, I didn’t shave for quite a while. I didn’t get up. Mornings weren’t for getting up. I might get up and stay on the bed a bit and not know where to go, and get back into bed. Then if I did get up, I’d have a drink. Straight out of bed… I felt I’d outlived my usefulness. This was the overall feeling: that it was good while I was in the Beatles, I was useful and I could play bass for their songs, I could write songs for them to sing and for me to sing, and we could make records of them. But the minute I wasn't with the Beatles any more it became really very difficult.” This episode takes a deep dive into a dark period for the man who’d always been most in love with being a Beatle—covering the years 1969 to 1973 when he was battling his former bandmates, his critics, even his fans… as well as himself: an artistic force of nature at an existential crossroads; a master maneuverer, sometimes outmaneuvered. It’s the revealing story of a complex character and helping to peel back the layers are two experts on the subject: Allan Kozinn and Adrian Sinclair, co-authors of the soon-to-be-published ‘McCartney Legacy – Vol. 1: Beyond the Beatles, 1969-1973’. https://www.mccartneylegacy.co.uk The music: Every Night Junk 3 Legs Dear Boy My Dark Hour Man We Was Lonely Maybe I’m Amazed Dear Friend Another Day Bip Bop Too Many People Give Ireland Back to the Irish Hi, Hi, Hi The Back Seat of My Car
The Wings University tour has drawn to a close, and Paul McCartney’s plan to start from scratch had taken shape exactly as he had hoped it would. Wings was now a tested group, with a tight set and the kind of camaraderie you can only get from dividing up pound notes in a pub along the open road. And so the band embarked again into the studio, ready to put their new sound to record on a brand new LP project...but Paul’s lucky streak was about to run out. The latest Wings single, Give Ireland Back to the Irish, was banned on the BBC and under-performed on the US charts (though did manage to climb to the #1 spot in Ireland and...Spain?). While controversy may have been expected on their protest song single, producer and old friend Glyn Johns walking out on the new Wings LP recording session came as more of a surprise...and a shock. Ringo, meanwhile, found himself on a hot streak of singles, this time with the monstrous Back Off Boogaloo - inspired by newfound friend Marc Bolan of T.Rex. The pair would even film a movie on the grounds of John & Yoko’s former Tittenhurst Park estate, which was made possible by the Lennons’ finding a permanent new home across the pond in New York City. That is, if the Nixon administration doesn’t get to them first... See acast.com/privacy for privacy and opt-out information.
It’s 1972! While the dream of The Beatles may have been left behind in sixties, this new year saw with it a boom in activity from the solo careers of John, Paul, George and Ringo. John & Yoko’s new home of New York City certainly made the couple feel welcome, despite the David Frost Show exchange that had ended in a shouting match with audience members the December prior. Undeterred from their political endeavors, the couple launched into another series of protests in the new year, as well as a new series of recordings to capture the various protest songs they had written over the past several months. While John may have been the most outspoken activist of his former bandmates, one issue managed to capture and inspire both Lennon and McCartney to songwriting action: Bloody Sunday. The plight of the Irish drove Paul’s new band Wings into the recording studio in early 1972 to record Give Ireland Back to the Irish, which would join John’s Luck of the Irish and Sunday Bloody Sunday in the cannon of former Beatle support for the Irish cause. Another major move for Paul McCartney and Wings was also around the corner, in the form of a planned university tour of Great Britain in the weeks and months to come... See acast.com/privacy for privacy and opt-out information.
More real-time discussion covering the video DVD in the "Wings Wild Life Archive Collection" box. Video from the dawn of Wings. ICA footage, ABC news clips of "Give Ireland Back to the Irish" and Scottish farmhouse footage of Mr. and Mrs. McCartney singing and playing, while Heather, Mary and Martha play nearby. Fun, laid back and a good companion to the album.
A collection of some of my favorite post Beatles tunes... 1) I'm the Greatest by Ringo Starr 2) Sue Me, Sue You Blues by George Harrison 3) Give Ireland Back to the Irish by Paul McCartney & Wings 4) Mind Games by John Lennon 5) Beaucoups of Blues by Ringo Starr 6) All Things Must Pass by George Harrison 7) Rock Show by Paul McCartney & Wings 8) Gimme Some Truth by John Lennon 9) Early 1970 by Ringo Starr 10) Living in the Material World by George Harrison 11) Another Day by Paul McCartney & Wings 12) Going Down on Love by John Lennon 13) Coochy Coochy by Ringo Starr 14) Far East Man by George Harrison 15) Jet by Paul McCartney & Wings 16) Power to the People by John Lennon