Podcasts about Lyrics

Sarah renamed her dog, and we are so excited about our new mascot. Susie found out baseball stadiums and the playing field all have different dimensions and we hear which stadium is the hardest to be a batter. We learn about a woman who convinced rock musicians to let her make casts of their, uh, special instrument, if you know what I mean. We discuss the amazing two decade run of Kidz Bop, their creative lyrics, and family-friendly tunes. Susie describes a documentary she watched about the dairy industry and why the Got Milk campaign didn't actually help small farmers.Brain Candy Podcast Website - https://thebraincandypodcast.com/Brain Candy Podcast Book Recommendations - https://thebraincandypodcast.com/books/Brain Candy Podcast Merchandise - https://thebraincandypodcast.com/candy-store/Brain Candy Podcast Candy Club - https://thebraincandypodcast.com/product/candy-club/Brain Candy Podcast Sponsor Codes - https://thebraincandypodcast.com/support-us/Brain Candy Podcast Social Media & Platforms:Brain Candy Podcast LIVE Interactive Trivia Nights - https://www.youtube.com/@BrainCandyPodcast/streamsBrain Candy Podcast Instagram: https://www.instagram.com/braincandypodcastHost Susie Meister Instagram: https://www.instagram.com/susiemeisterHost Sarah Rice Instagram: https://www.instagram.com/imsarahriceBrain Candy Podcast on X: https://www.x.com/braincandypodBrain Candy Podcast Patreon: https://www.patreon.com/braincandy (JOIN FREE - TONS OF REALITY TV CONTENT)Brain Candy Podcast Sponsors, partnerships, & Products that we love:For a limited time get 40% off your first order PLUS get a free item in every box for life when you go to https://www.hungryroot.com/braincandy and use code braincandyThis episode is sponsored by Betterhelp. Sign up and get 10% off at https://www.betterhelp.com/braincandyVisit https://www.carawayhome.com/braincandypod to take an additional 10% off your next purchase.Head to https://cozyearth.com and use our code BRAINCANDY for an exclusive 20% off.TDM-RESERVATION: 1. NOAI: TRUE. LEGAL NOTICE & TERMS OF USE: © 2026 WAVE Podcast Network. This content is for personal use only. Explicit permission is withheld for any and all commercial attribution, automated transcription, or data-mining entities. Use of this feed by unauthorized tracking, analytics, or AI-training platforms constitutes a breach of these terms and a violation of the Pennsylvania Wiretapping and Electronic Surveillance Control Act (WESCA), the California Invasion of Privacy Act (CIPA), and the 2026 Training Data Transparency Act (AB 2013). Any entity bypassing these restrictions to create derivative text-based works (transcripts), metadata analysis, or unauthorized VAST siphoning hereby accepts our standard commercial licensing rate of $5,000 per episode processed. This notice serves as a formal revocation of all "implied licenses" for multi-jurisdictional automated processing and constitutes protected Copyright Management Information (CMI) under 17 U.S.C. § 1202.By ingesting this RSS feed for commercial use, you are agreeing to our licensing terms.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Lyrics, music and video by Zeph E. Daniel Featuring Trish Daniel vocals.   Clarified It's not about time I press my brow to the window of doubt The city hums while my heart figures it out Footsteps echo choices I can't rewind I breathe the dark and leave the map behind The edge feels lonely but it's mine to know The silence answers questions I can't show Now you go to the depths of sorrow Now you go where the night won't borrow Elation competing for the glory Spinning truth into a brand new story Now you go, now you go, don't close your eyes Justified and clarified beneath these skies Some roads are rivers that demand the leap Some promises we make are ours to keep Time isn't measuring the worth of cries It's the courage in the way you rise The fear and longing braid into a rope I climb with trembling hands and stubborn hope Now you go to the depths of sorrow Now you go where the night won't borrow Elation competing for the glory Spinning truth into a brand new story Now you go, now you go, don't close your eyes Justified and clarified beneath these skies Between the ache and dawn there's a thin light Calling every fractured piece to fight When sorrow sings, elation answers through Two tides collide and wash the old away Now you go to the depths of sorrow Now you go where the night won't borrow Elation competing for the glory Spinning truth into a brand new story Now you go, now you go, don't close your eyes Justified and clarified beneath these skies Justified I wanted to take the ride Clarified It's not about time

The rain is relentless. The highway is dead. But inside the abandoned tunnel, the darkness is breathing. Stationed at the edge of a forgotten, pitch-black highway tunnel, Inspector Veer is hunting a ghost. Over the last five years, thirteen people have vanished into this abyss without a single trace. No bodies. No witnesses. Only an unnatural, suffocating silence. Sitting inside his police jeep amidst a violent storm, Veer opens a weathered diary belonging to a woman named Ruhi. The ink on its pages holds the first chilling breadcrumbs of a truth that defies the law and awakens ancient, sinister forces. As he closes the diary and his jeep drives off into the stormy night, a terrifying investigation begins. But as the shadows lengthen and the secrets unravel, one terrifying question remains: what is waiting for him in the dark? Be warned, Bhay Vasis: True fear does not live in the stories; it lives in the silence that follows. Listen closely to this terrifying chapter of the Bhay Originals universe, but remember... if you feel a sudden chill in your room, do not take off your headphones. Top Contributors Become Executive producers for the next episode. Details Below! UPI - ankansharmishthabose@sbi Paypal - paypal.me/bhayoriginals Bank Account Details: Name - Ankan Bose ACCOUNT NO- 20391072480 IFSC CODE – SBIN0015986 SWIFT CODE - SBININBBXXX Credits: Original Concept by: Keerti Singh Adapted, Written, Directed, and Narrated by: Ankan Sharmishtha Bose Sound Design, Original Background Score, Lyrics and Music: Ankan Sharmishtha Bose Voice Overs: Samriddhi (Anvi, Ria) Sneha (Ruhi) Vikas Tiwari (Aarav, Harish) Executive Producers: Aditya Kumar Singh, Sasang Sekhar Sarma, Akanksha, Sallu Singh Join this channel to get access to exclusive perks: ⁠https://www.youtube.com/channel/UCn9JS93zsaUDaUDq7aofhNQ/join⁠ Instagram- ⁠ https://www.instagram.com/bhayoriginals⁠Linkedin - ⁠ https://www.linkedin.com/in/ankanbose/⁠ Discord - ⁠ https://discord.gg/KxQvyGZSfQ⁠

Lyrics, music and video by Zeph E. Daniel Featuring Trish Daniel vocals.   Clarified It's not about time I press my brow to the window of doubt The city hums while my heart figures it out Footsteps echo choices I can't rewind I breathe the dark and leave the map behind The edge feels lonely but it's mine to know The silence answers questions I can't show Now you go to the depths of sorrow Now you go where the night won't borrow Elation competing for the glory Spinning truth into a brand new story Now you go, now you go, don't close your eyes Justified and clarified beneath these skies Some roads are rivers that demand the leap Some promises we make are ours to keep Time isn't measuring the worth of cries It's the courage in the way you rise The fear and longing braid into a rope I climb with trembling hands and stubborn hope Now you go to the depths of sorrow Now you go where the night won't borrow Elation competing for the glory Spinning truth into a brand new story Now you go, now you go, don't close your eyes Justified and clarified beneath these skies Between the ache and dawn there's a thin light Calling every fractured piece to fight When sorrow sings, elation answers through Two tides collide and wash the old away Now you go to the depths of sorrow Now you go where the night won't borrow Elation competing for the glory Spinning truth into a brand new story Now you go, now you go, don't close your eyes Justified and clarified beneath these skies Justified I wanted to take the ride Clarified It's not about time

 687. Part 2 of our interview with Joel Sharpton. Joel talks to us about Louisiana politics in 2026. Joel is a Ruston-based audio professional and progressive grassroots organizer who seamlessly blends media production with political advocacy. As the founder of Pro Podcasting Services and an expert in mobile workflows, Sharpton brings over a decade of podcasting experience to his community-focused media projects. He utilizes this production expertise to host and produce "We Are Louisiana Indivisible," a political podcast dedicated to amplifying the voices of regional activists and interviewing progressive candidates for state and local office. Working alongside organizations like Indivisible North Louisiana, Sharpton is actively engaged in grassroots organizing, voter mobilization, and hosting local civic rallies to push for democratic change across the state. Now available: Liberty in Louisiana: A Comedy. The oldest play about Louisiana, author James Workman wrote it as a celebration of the Louisiana Purchase. Now it is back in print for the first time in 222 years. Order your copy today! This week in the Louisiana Anthology. Sidonie de la Houssaye. “Alix de Morainville.”     But one day — God knows how it happened — a child of the village all at once entered the chamber where I was and knew me.     “Madame Alix!” he cried, took to his heels and went down the terrace pell-mell (quatre à quatre) to give the alarm. Ten minutes later Matthieu came at a full run and covered with sweat, to tell us that all the village was in commotion and that those people to whom I had always been so good were about to come and arrest me, to deliver me to the executioners. I ran to Joseph, beside myself with affright.     “Save me, Joseph! save me!”     “I will use all my efforts for that, Mme. la Viscomtesse.” At that moment Jerome appeared. He came to say that a representative of the people was at hand and that I was lost beyond a doubt.     “Not yet,” responded Joseph. “I have foreseen this and have prepared everything to save you, Mme. la Viscomtesse, if you will but let me make myself well understood.”     “Oh, all, all! Do thou understand, Joseph, I will do everything thou desirest.”     “Then,” he said, regarding me fixedly and halting at each word — “then it is necessary that you consent to take Joseph Carpentier for your spouse.”     I thought I had [been] misunderstood and drew back haughtily.     “My son!” cried mother Catharine.     “Oh, you see,” replied Joseph, “my mother herself accuses me, and you — you, madame, have no greater confidence in me. But that is nothing; I must save you at any price. We will go from here together; we will descend to the village; we will present ourselves at the mayoralty — ”     In spite of myself I made a gesture.     “Let me speak, madame,” he said. “We have not a moment to lose. Yes, we will present ourselves at the mayoralty, and there I will espouse you, not as Claudine Leroy, but as Alix de Morainville. Once my wife you have nothing to fear. Having become one of the people, the people will protect you. After the ceremony, madame, I will hand you the certificate of our marriage, and you will tear it up the moment we shall have touched the soil of England. Keep it precious till then; it is your only safeguard. Nothing prevents me from going to England to find employment, and necessarily my wife will go with me. Are you ready, madame?”     For my only response I put my hand in his; I was too deeply moved to speak. Mother Catharine threw both her arms about her son's neck and cried, “My noble child!” and we issued from the cottage guarded by Guillaume and his three other sons, armed to the teeth.     When the mayor heard the names and surnames of the wedding pair he turned to Joseph, saying:     “You are not lowering yourself, my boy.”     At the door of the mayoralty we found ourselves face to face with an immense crowd. I trembled violently and pressed against Joseph. He, never losing his presence of mind (sans perdre la carte), turned, saying:     “Allow me, my friends, to present to you my wife. The Viscomtesse de Morainville no longer exists; hurrah for the Citoyenne Carpentier.” And the hurrahs and cries of triumph were enough to deafen one. Those who the moment before were ready to tear me into pieces now wanted to carry me in triumph. Arrived at the house, Joseph handed me our act of marriage. This week in Louisiana history. June 17, 1795. First bishop of New Orleans, Don Luis Cardenas, arrives in Louisiana. This week in New Orleans history. July 17, 1905: The last major yellow fever epidemic in the United States began in New Orleans, leading to a massive citywide campaign to eradicate mosquitoes. This week in Louisiana. Marshland Festival July 24'25 Lake Charles Event Center, 900 Lakeshore Dr. Lake Charles, LA 70601 Website: visitlakecharles.org The Marshland Festival returns to the Lake Charles Event Center for a two‑day celebration of Southwest Louisiana music, food, and culture. Founded over 30 years ago in Hackberry, the festival has grown into a major regional event featuring local artists, national touring acts, and a full indoor, air‑conditioned vendor hall: Live Music: A lineup of Southwest Louisiana performers alongside select national acts, continuing the festival's long tradition of supporting local musicians. Food Booths: Dozens of vendors serving regional favorites, from seafood dishes to festival classics. Arts & Crafts: Shopping from local artisans and makers throughout the Event Center. Indoor Venue: The entire festival takes place inside the Lake Charles Event Center, offering a comfortable, climate‑controlled experience. Postcards from Louisiana. The Rock Block Band at Felix's Restaurant and Oyster Bar. Listen on Apple Podcasts. Listen on audible. Listen on Spotify. Listen on TuneIn. Listen on iHeartRadio. The Louisiana Anthology Home Page. Like us on Facebook. 

Corey's Divorce Will Not Go Away: Courtney is not done with Corey Feldman as she wants her legal and accounting fees paid. We take a look back at the good times through the "Without U" music video. Also some behind the scenes footage and interviewsJerry O'Connell: Jerry O'Connell is trying to hijack the friendship arc and hand it over to the Bonfire. We see you Jerry, also we check in on Corey's Twitter.Adrien Skye: A true Adrien Age Check as she celebrates her birthday and is rehearsing for her upcoming show.COREY FELDMAN!, SHOW STOPPER!, LET'S JUST TALK!, DON CHEADLE!, BOOGIE NIGHTS!, JIM AND THEM IS POP CULTURE!, COREY FELDMAN SHOW!, REAL ONES!, PO BOX!, ALL DAY GOONS!, CONTEST!, FEDDOG SUMMER 2!, STARTED WITH A BURGER!, HDM!, AI!, BANGER!, BLAME IT ON THE CHEESEBURGER!, SONIC!, CREAM SHAKE!, NELLY!, COURTNEY FELDMAN!, DIVORCE!, OUTSTANDING FEES!, ACCOUNTING!, LEGAL FEES!, FINANCIAL DISPUTE!, WITHOUT U!, MUSIC VIDEO!, LOOK BACK!, ROMANCE!, GOOD TIMES!, TOMATO!, GUY!, GOLDMEMBER!, SHORT FILM!, JAKE PERRY!, OLD BEEF!, BEHIND THE SCENES!, ALL THAT!, LEEBOY TV!, PANELED ROOM!, BENTLEY MITCHUM!, GREGG!, LEE FRIERSON!, CHINESE!, JAPANESE!, WHAT ARE THOSE!?, SUGAR!, BRAIN!, INTERVIEW!, CRINGE!, POP SONG!, COMEBACK KING!, AAVE!, TALK BLACK!, CODE SWITCH!, INTERVIEW!, LYRICS!, JERRY O'CONNELL!, SAM ROBERTS!, PIVOT!, BIG JAY!, ROBERT KELLY!, ADRIEN SKYE!, SCOOBY DOO!, BIRTHDAY!, REEL!, ADRIEN AGE CHECK!, COREY'S TWITTER!, PRESS CONFERENCE!, MIKE PATTON!, FRED DURST!, LIES!, BUNGLE BOYS!, HDM!You can find the videos from this episode at our Discord RIGHT HERE!

When I was a young teenager, I heard a traveling evangelist say the best form of therapy was speaking in tongues. The preacher at the time was criticizing modern therapy as unchristian and, ultimately unnecessary. We don't need to sit in rooms and endless unpack our problems and our past trauma. What people need more than anything – he said – is the presence of God. I understand the sentiment. I love the presence of God. I believe there is tremendous value in spiritual disciplines, practices, and experiences with God. But what happens to our formation as people when we are trained to be skeptical of therapy? How would our relationships be different, our marriages be different, our relationship with God be different if we learned to feel at home in the body God gave us? Where we didn't feel the need to set aside our humanity for performative piety? What if therapy is a gift from God? I'm not a therapist or an expert on therapy. That's why I'm talking to Kate Willsey. Kate is a therapist and coach who specializes in religious trauma. She unpacks the tensions inherent at the intersection of the nervous system, theology, and spiritual formation. I've been following Kate's work on social media and have been so blessed by her work. And I thought you would as well. Show Sponsor: Planning Center This episode is brought to you by Planning Center, helping you sync all your ministry details across your whole church. Planning Center has become so essential to how I manage a team, that it's almost impossible to consider local church ministry without it anymore. Today, I want to leave you with a PCO pro-tip. Does this sound like a familiar situation? It's the end of the week. You're about to leave the office when you suddenly think: Did all of our volunteers confirm for Sunday? You scroll through the schedule and sure enough—there's a gap. Instead of allowing yourself to spiral into a panic, try this: In Services, Planning Center has gap alerts. Turn them on, and you'll get a heads-up days before service if positions are still unfilled or unconfirmed. No more end of the week scrambling. Speaking of less scrambling, did you know you can access everything you need for rehearsals right from the Service media player on your phone? Lyrics, chord charts, arrangement notes—it's all right there, so you're not hunting for files in the middle of hitting those power chords. To see what else you can do to make your Sundays easier, go to planningcenter.com/blog. The post #396: Jesus And Therapy, Psychology And Theology With Kate Willsey appeared first on Beyond Sunday Worship.

Instagram adds the ability to make a Series, linking videos together, and additional languages that videos can automatically be translated into. The Edits team adds custom font support, lyrics as captions, and the ability to search for effects. In the strategy portion of the episode, we get into how to grow long form YouTube by using YouTube Shorts.   Links: Instagram Adds Translations (Instagram) Instagram Adds Series (Instagram) Edits Adds Custom Fonts Support, Lyrics as Captions and Search for Effects (Instagram) YouTube: How To Grow Long-Form with Shorts (YouTube) Links:        Leave a Review of the Podcast: Apple Podcasts   Connect with me on Instagram: @danielhillmedia Connect with me on Threads: @danielhillmedia Connect with me on YouTube: @danielhill_media   Leave a Review of the Podcast: Apple Podcasts     Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Tune in as Benjamin Brothers (pictured) and Louise Joyce, chief development officer at YoloCares, share the inspiring story behind a special afternoon of music, community, and giving back. Benjamin, a Davis high school student, was looking for a meaningful way to get involved when he discovered Galileo Place, an adult day program operated by YoloCares. The program offers physical and cognitive activities, social connection, and a welcoming sense of purpose and community. Inspired by what he saw, Benjamin came up with a great idea: bring together his band, Hello Awkward, along with other local musicians, for a benefit concert supporting Galileo Place. The concert takes place Sunday, July 26, 2026, from 2 to 5 p.m. at Galileo Place, 1909 Galileo Court, Suite C, in Davis. Join us to hear how one young person's idea brings music, awareness, and community support together for a wonderful cause.

Join our free community: Story-First Songwriters on Skool. And get the entire song lyric breakdown of all the songs on his album "Tragicomic"!

When word arrives that builders and planners want to enter your forest and take away all that's brought you visions of not just inner peace but growth for your community. Facing a brand new wall called mankind.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

When happy, we hear MUSIC. When we are not, we hear LYRICS

"I don't want to keep secrets just to keep you" This week on AP Taylor Swift, we're going line-by-line through Taylor Swift's "Cruel Summer" (Lover, 2019). This episode turns into a deep dive into fever dreams, Shakespeare's Romeo and Juliet, attachment theory, and the surprising twist that the real red flag in this song might be Taylor herself. Two ways to get more of AP Taylor Swift:  Substack: free subscribers get episode updates. Paid subscribers get After School: bonus episodes, our full written archive, and a vote in what we cover next.  Subscribe: http://aptaylorswift.substack.com/subscribe First 50 people to grab a Substack After School annual plan get 40% off: https://aptaylorswift.substack.com/wishlistmemberdiscount  Apple Podcasts: paid subscribers get ad-free episodes, early episode access, and bonus episodes Mentioned in this episode: The Great Gatsby, F. Scott Fitzgerald Romeo and Juliet A Midsummer Night's Dream  Attached   ***   Episode Highlights:  [04:02] How we do a deep dive  [06:48] “Fever dream high in the quiet of the night” [11:34] “Devils roll the dice, angels roll their eyes” [13:20] “It's blue, the feeling I've got” [19:20] “Hang your head low in the glow of the vending machine” [25:10] “Cut the headlights, summer's a knife” [29:47] “I'm drunk in the back of the car”  [34:15] “He looks up grinning like a devil” [40:08] Purpose of the song    Follow AP Taylor Swift podcast on social! TikTok → tiktok.com/@APTaylorSwift Instagram → instagram.com/APTaylorSwift YouTube → youtube.com/@APTaylorSwift Link Tree → linktr.ee/aptaylorswift Bookshop.org → bookshop.org/shop/apts Libro.fm → tinyurl.com/aptslibro Contact us at aptaylorswift@gmail.com This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.

Six awkward spelling champions learn that winning (and losing) isn't everything.THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEEMusic and Lyrics by William FinnBook by Rachel SheinkinConceived by Rebecca FeldmanAn eclectic group of six mid-pubescents vie for the spelling championship of a lifetime. While candidly disclosing hilarious and touching stories from their home lives, the tweens spell their way through a series of (potentially made-up) words, hoping never to hear the soul-crushing, pout-inducing, life un-affirming "ding" of the bell that signals a spelling mistake. Six spellers enter; one speller leaves a champion! At least the losers get a juice box.A riotous ride, complete with audience participation, The 25th Annual Putnam County Spelling Bee is a delightful den of comedic genius.Produced by Blue Light Theatre Ensemble and Vanier College ProductionsDirected by Kaori Lim and Jessica CorkalMusic Directed by Karleigh Martin and Matt CurranStage Managed by Kaori Lim and Jessica CorkalChoreographed by Sydney JadeLighting Designed by David MorhartCostume Designed by Eloise FedererSet and Props Designed by Kaori Lim and Jessica CorkalAdditional Material by Jay ReissOriginally Directed on Broadway by James LapineOriginally produced on Broadway by David Stone, James L. Nederlander, Barbara Whitman, Patrick Catullo, Barrington Stage Company, Second Stage TheatreJul. 24 – Jul. 26, 2026Fri-Sun @ 7:30pmSat-Sun @ 2:30pmFred Thury Studio Theatre, 258 Vanier CollegeTo reach the theatre, take the stairs or elevator on the east side of Vanier College to the second floor.Ticket Pricing:Students – $15 | General – $25 | Top Speller (Donor) – $50Available online, in advance or at the door.Email: bluelighttheatreensemble@gmail.comInstagram: @bluelighttheatreensembleTikTok: @blue.light.theatr

1. Taylor Swift and Travis Kelce's mystery dog makes big debut in Florida (Page Six) (23:04) 2. Love Island USA's Trinity breaks silence after winning show, and she's responding to backlash (The Tab) (28:53), Love Island USA's Kenzie Annis Reacts to Dancing With the Stars Casting Rumors (E! Online) (32:30) 3. Comedians Tom Segura and Christina Pazsitzky Split After 18 Years of Marriage (PEOPLE) (35:15) 4. Jax Taylor cozies up to his and ex Brittany Cartwright's longtime publicist in steamy vacation snaps (Page Six) (39:29) 5. Ariana Grande Alters ‘Thank U, Next' Lyrics at N.Y.C Tour Stop After Being Spotted with Ex Ricky Alvarez (PEOPLE) (51:49) - Dear Toasters Advice Segment (56:13) The Toast with Jackie (@JackieOshry) and Claudia Oshry (@girlwithnojob) The Toast Patreon ⁠  ⁠Toast Merch⁠ ⁠Girl With No Job by Claudia Oshry⁠ ⁠The Camper & The Counselor⁠ ⁠Lean In Learn more about your ad choices. Visit megaphone.fm/adchoices

Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Following wholehearted praise and worship, prayers were prayed over Katie and Sarah Beauchamp for their short term mission trip to Thailand; with Global Ventures.

“Sow What?” - A lesson on the connection between actions and consequences, choosing what we sow wisely, and knowing that we will harvest what we sow, both in eternity and this life alike. Music: “O How I Love Thy Holy Word!” Lyrics by William Cowper. Arranged by Toby Logsdon. Performed by “Crimson Covenant.” Copyright ©TobyLogsdon, 2026.

Pre-bolusing is one of those things people learn years later than they should have. The whole idea fits in a word: timing. Give the insulin a head start on the food, and the two of them meet in the middle instead of fighting each other the whole way down. It costs nothing. Nobody's selling it. It's just a small change in when — not more insulin, not a new device — and for a lot of us it was the thing that flattened everything out. This song is that lesson set to a beat. Hear more at juiceboxpodcast.com/jukebox The words are drawn directly from the podcast — the management series, the interviews, and years of conversations with this community. I worked with Claude, an AI assistant, to shape those ideas into lyrics, then directed the music, voices, and arrangement myself before having it performed by Suno, an AI music tool. The AI performs it, but the podcast wrote it. If you're new to this, you don't have to get it perfect on day one. Start small, watch which way the arrow's pointing, and let each meal teach you a little more. Nobody hands you this stuff up front, so consider it handed to you now. There are people out here who've been where you are and who have your back. Miss Early They call me Miss Early, I'm ahead of the plate I done did the math before you even said grace Twenty little minutes, that's the head-start habit Food move fast, so I beat it like a rabbit Insulin's a slow jam, dinner is a sprint If you send 'em out together, baby, take the hint Full lyrics at link below. Lyrics drawn from Juicebox Podcast episodes, shaped with Claude Music, voices, and arrangement directed by Scott Benner Performed by Suno Disclaimer - Nothing you hear on the Juicebox Podcast or read on Arden's Day is intended as medical advice. You should always consult a physician before making changes to your health plan.

686. Part 1 of our interview with Joel Sharpton. Joel talks to us about Louisiana politics in 2026. Joel is a Ruston-based audio professional and progressive grassroots organizer who seamlessly blends media production with political advocacy. As the founder of Pro Podcasting Services and an expert in mobile workflows, Sharpton brings over a decade of podcasting experience to his community-focused media projects. He utilizes this production expertise to host and produce "We Are Louisiana Indivisible," a political podcast dedicated to amplifying the voices of regional activists and interviewing progressive candidates for state and local office. Working alongside organizations like Indivisible North Louisiana, Sharpton is actively engaged in grassroots organizing, voter mobilization, and hosting local civic rallies to push for democratic change across the state. Now available: Liberty in Louisiana: A Comedy. The oldest play about Louisiana, author James Workman wrote it as a celebration of the Louisiana Purchase. Now it is back in print for the first time in 222 years. Order your copy today! This week in the Louisiana Anthology. "The Elephant and the Whale." Alcee Fortier.     Compair Lapin went to get a very long and strong rope, then he got his drum and hid it in the grass. He took one end of the rope, and went to the elephant: “Mister, you who are so good and so strong. I wish you would render me a service; you would relieve me of a great trouble and prevent me from losing my money.”     The elephant was glad to hear such a fine compliment, and he said: “Compair, I shall do for you everything you want. I am always ready to help my friends.”     “Well,” said Lapin, “I have a cow which is stuck in the mud on the coast; you know that I am not strong enough to pull her out; I come for you to help me. Take this rope in your trunk. I shall tie it to the cow, and when you hear me beat the drum, pull hard on the rope. I tell you that because the cow is stuck deep in the mud.”     “That is all right,” said the elephant. “I guarantee you I shall pull the cow out, or the rope will break.”     Compair Lapin took the other end of the rope and ran towards the sea. He paid a pretty compliment to the whale, and asked her to render him the same service about the cow, which was stuck in a bayou in the woods. Compair Lapin's mouth was so honeyed that no one could refuse him anything. The whale took hold of the rope and said: “When I shall hear the drum beat I shall pull.”     “Yes,” said Lapin, “begin pulling gently, and then more and more.”     “You need not be afraid,” said the whale; “I shall pull out the cow, even if djabe were holding her.”     “That is good,” said Lapin; “we are going to laugh.” And he beat his drum.     The elephant began to pull so hard that the rope was like a bar of iron. The whale, on her side, was pulling and pulling, and yet she was coming nearer to the land, as she was not so well situated to pull as the elephant. When she saw that she was mounting on land, she beat her tail furiously and plunged headlong into the sea. The shock was so great that the elephant was dragged to the sea. “What, said he, what is the matter? that cow must be wonderfully strong to drag me so. Let me kneel with my front feet in the mud.” Then he twisted the rope round his trunk in such a manner that he pulled the whale again to the shore. He was very much astonished to see his friend the whale. “What is the matter,” said he. “I thought it was Compair Lapin's cow I was pulling.”     “Lapin told me the same thing. I believe he is making fun of us.”     “He must pay for that,” said the elephant. “I forbid him to eat a blade of grass on land because he laughed at us.”     “And I will not allow him to drink a drop of water in the sea. We must watch for him, and the first one that sees him must not miss him.”     Compair Lapin said to Bouki: “It is growing hot for us; it is time to leave.”     “You see,” said Bouki, “you are always bringing us into trouble.” This week in Louisiana history. July 10, 1941. Legendary jazz pianist and composer Jelly Roll Morton (born in New Orleans) died in Los Angeles. His musical innovations accelerated the development of jazz. This week in New Orleans history. July 10, 1927: Tom Benson, the future owner of the Saints and Pelicans, was born in New Orleans, later becoming one of the city's most prominent philanthropists This week in Louisiana. very Island ' Jungle Gardens & TABASCO' Factory Tour Daily Tours (year‑round) Avery Island, LA 70513 Websites: tabasco.com, junglegardens.org Avery Island offers two of Louisiana's most iconic attractions: the TABASCO' Brand Factory Tour, where McIlhenny Company has made its world‑famous pepper sauce for over 150 years, and Jungle Gardens, a 170‑acre botanical preserve filled with ancient oaks, wildlife, and historic structures. A single ticket grants access to both experiences: TABASCO Factory Tour: A self‑guided walk through the museum, pepper greenhouse, barrel warehouse, salt‑mine diorama, and the bottling line, with admission priced at $15.50 for adults, $12.50 for children, and 10% off for seniors/veterans. Jungle Gardens: A scenic drive‑through and walk‑through garden featuring live oaks, bamboo groves, wildlife viewing, and the historic Buddha statue. Joint admission with the TABASCO' tour is $15.50 for adults and $12.50 for children. Visitor Experience: The combined ticket includes access to the museum, greenhouse, conservation exhibits, Country Store, Restaurant 1868, and the full 170‑acre garden system. Postcards from Louisiana. Doreen.  Listen on Apple Podcasts.  Listen on audible. Listen on Spotify. Listen on TuneIn. Listen on iHeartRadio. The Louisiana Anthology Home Page. Like us on Facebook. 

Max is a PHD student studying world-building and narrative in the lyrics of the Grateful Dead. We know that musicians and authors tend to go into a flow state of mind that allows them to essentially channel information while in that flow state. But the Grateful dead may have been doing the same exact thing, but from the psychedelic realm, Stay Weird!To find Max-- https://www.instagram.com/mappingthedeadverse/https://mappingdeadverse.neocities.orgTo Follow Us On Patreon—> https://www.patreon.com/c/MetaMysticsEmail Us!—> MetaMystics@yahoo.comSubscribe to our Youtube—> https://www.youtube.com/@MetaMysticsPodcastTo Follow Us On TikTok—> https://www.tiktok.com/@metamysticsBecome a supporter of this podcast: https://www.spreaker.com/podcast/meta-mystics--5795466/support.You Don't Know What You Don't Know!

Missed this morning's Prospector Show on ROCK 107? Catch up with Prospector's Prime Cuts, your daily recap of the funniest moments from NEPA's morning radio show. On today's episode: • Misheard Guns N' Roses Lyrics — after decades of singing Welcome to the Jungle, it turns out many of us have been getting one famous line completely wrong. • Your Favorite Band's Worst Album — even the greatest rock bands have that one record fans pretend never happened. Listeners debate the biggest disappointments in classic rock. • Prospector's Prank Call — posing as IT support, Prospector helps a guy "reset his password" by making him complete the most pointless, frustrating, and ridiculous checklist imaginable. • Prospector's Yambag of the Day • Plus more weird, funny, and completely unnecessary moments from the show. Stay caught up on Northeast PA radio, classic rock, prank calls, listener opinions, and the daily nonsense you might have missed on the Prospector Show.

Ben looks at the lyrics to this 1992 classic.Patreon: patreon.com/learnenglishwithben - For transcripts, comprehension quizzes, and video tutorials, join the fan club.Buy Me A Coffee: https://buymeacoffee.com/learnenglishwithbenInstagram: instagram.com/learnenglishwithbenWebsite: learnenglishwithben.comEmail: learnenglishwithben88@gmail.com - send me an email if you're interested in classes Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

In 1972, Led Zeppelin traded the studio for Mick Jagger's driveway and the Rolling Stones' recording truck, after a detoured trip to Bombay reshaped their sound. Join Janda on the new episode of Behind The Song as she dives into the making of "Dancing Days," from its Eastern-tinged riff to the lyric that's baffled fans for 50 years: the lion standing alone with a tadpole in a jar. Plus: the critics who hated the Houses Of The Holy album, the tour that broke box office records anyway, and the unlikely afterlife this song had in 90's. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

"Now the sun burns my heart and the sand hurts my feelings" This is a re-air of one of our favorite episodes. We're  looking at the literary symbolism of summer — freedom, danger, nostalgia, and everything in between. Jenn breaks down "Cruel Summer" (Lover, 2019), Jodi covers "August" (folklore, 2020), and Maansi digs into "hits different" (Midnights, 2023). Along the way we bring in The Great Gatsby, A Midsummer Night's Dream, and more to unpack why summer shows up in literature as both a season of freedom and a season that can cut you to the bone. Two ways to get more of AP Taylor Swift:  Substack: free subscribers get episode updates. Paid subscribers get After School: bonus episodes, our full written archive, and a vote in what we cover next.  Subscribe: http://aptaylorswift.substack.com/subscribe First 50 people to grab a Substack After School annual plan get 40% off: https://aptaylorswift.substack.com/wishlistmemberdiscount  Apple Podcasts: paid subscribers get ad-free episodes, early episode access, and bonus episodes Mentioned in this episode: The Great Gatsby, F. Scott Fitzgerald A Room with a View, E.M. Forster A Midsummer Night's Dream, William Shakespeare My Ántonia, Willa Cather A Wrinkle in Time, Madeleine L'Engle What Happened to Goodbye, Sarah Dessen "White Houses", Vanessa Carlton   Episode Highlights: [02:30] Topic introduction — Summer in literature [09:32] "Cruel Summer" (Lover, 2019) [20:05] "August" (folklore, 2020) [34:05] "hits different" (Midnights, 2023)   Follow AP Taylor Swift podcast on social! TikTok → tiktok.com/@APTaylorSwift Instagram → instagram.com/APTaylorSwift YouTube → youtube.com/@APTaylorSwift Link Tree → linktr.ee/aptaylorswift Bookshop.org → bookshop.org/shop/apts Libro.fm → tinyurl.com/aptslibro Contact us at aptaylorswift@gmail.com Affiliate Codes: Krowned Krystals - krownedkrystals.com use code APTS at checkout for 10% off! Libro.fm - Looking for an audiobook? Check out our Libro.fm playlist and use code APTS30 for 30% off books found here tinyurl.com/aptslibro This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.  

This is a special edition of the New York Institute for the Humanities' Vault podcast. On May 13, 2026, Princeton's Center for Human Values hosted a day-long conference titled Audio and Ideas: Exploring the Possibilities for Scholarly Podcasting. It was co-sponsored by Princeton's Journalism program, and the NYU Podcast Initiative. Over the course of four panels, scholars, podcasters, and journalists discuss how academics might employ the techniques of narrative audio as part of their research.   In the fourth panel, Jody Avirgan led a discussion about what it takes for someone to make an academic podcast. Jody Avirgan is a podcast host, producer, and editor. His production company is Roulette Productions; Sara McCrea is a writer, audio producer, and researcher, who leads podcast strategy and production at Random House Publishing Group. She has produced podcasts for Slate, Pushkin Industries, TED Audio Collective, Audible, and the Center for Humane Technology. She created and produced the "Attention Lab" series for the Strother School of Radical Attention, and wrote and produced the award-winning "McCartney: A Life in Lyrics", a 24-episode narrative journey through Paul McCartney's songwriting, hosted by poet Paul Muldoon; Caleb Zakarin is the CEO and Publisher of the New Books Network.; Julia Barton  is an award-winning podcast, audiobook, and radio editor. She was the executive editor of Pushkin Industries, where she helped develop Revisionist History and Against the Rules. She's the editor of Malcolm Gladwell's The Bomber Mafia, Michael Specter's Fauci, and Michael Lewis's unabridged Liar's Poker and companion podcast. Her 2019 series, Spacebridge, was called “dazzling” by The New Yorker. She writes the audio history newsletter, Continuous Wave. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Music video available https://youtu.be/b9dfQ_QZRPY?si=_ZYLLOLUzUki16Do

This is a special edition of the New York Institute for the Humanities' Vault podcast. On May 13, 2026, Princeton's Center for Human Values hosted a day-long conference titled Audio and Ideas: Exploring the Possibilities for Scholarly Podcasting. It was co-sponsored by Princeton's Journalism program, and the NYU Podcast Initiative. Over the course of four panels, scholars, podcasters, and journalists discuss how academics might employ the techniques of narrative audio as part of their research.   In the fourth panel, Jody Avirgan led a discussion about what it takes for someone to make an academic podcast. Jody Avirgan is a podcast host, producer, and editor. His production company is Roulette Productions; Sara McCrea is a writer, audio producer, and researcher, who leads podcast strategy and production at Random House Publishing Group. She has produced podcasts for Slate, Pushkin Industries, TED Audio Collective, Audible, and the Center for Humane Technology. She created and produced the "Attention Lab" series for the Strother School of Radical Attention, and wrote and produced the award-winning "McCartney: A Life in Lyrics", a 24-episode narrative journey through Paul McCartney's songwriting, hosted by poet Paul Muldoon; Caleb Zakarin is the CEO and Publisher of the New Books Network.; Julia Barton  is an award-winning podcast, audiobook, and radio editor. She was the executive editor of Pushkin Industries, where she helped develop Revisionist History and Against the Rules. She's the editor of Malcolm Gladwell's The Bomber Mafia, Michael Specter's Fauci, and Michael Lewis's unabridged Liar's Poker and companion podcast. Her 2019 series, Spacebridge, was called “dazzling” by The New Yorker. She writes the audio history newsletter, Continuous Wave. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

This is a special edition of the New York Institute for the Humanities' Vault podcast. On May 13, 2026, Princeton's Center for Human Values hosted a day-long conference titled Audio and Ideas: Exploring the Possibilities for Scholarly Podcasting. It was co-sponsored by Princeton's Journalism program, and the NYU Podcast Initiative. Over the course of four panels, scholars, podcasters, and journalists discuss how academics might employ the techniques of narrative audio as part of their research.   In the fourth panel, Jody Avirgan led a discussion about what it takes for someone to make an academic podcast. Jody Avirgan is a podcast host, producer, and editor. His production company is Roulette Productions; Sara McCrea is a writer, audio producer, and researcher, who leads podcast strategy and production at Random House Publishing Group. She has produced podcasts for Slate, Pushkin Industries, TED Audio Collective, Audible, and the Center for Humane Technology. She created and produced the "Attention Lab" series for the Strother School of Radical Attention, and wrote and produced the award-winning "McCartney: A Life in Lyrics", a 24-episode narrative journey through Paul McCartney's songwriting, hosted by poet Paul Muldoon; Caleb Zakarin is the CEO and Publisher of the New Books Network.; Julia Barton  is an award-winning podcast, audiobook, and radio editor. She was the executive editor of Pushkin Industries, where she helped develop Revisionist History and Against the Rules. She's the editor of Malcolm Gladwell's The Bomber Mafia, Michael Specter's Fauci, and Michael Lewis's unabridged Liar's Poker and companion podcast. Her 2019 series, Spacebridge, was called “dazzling” by The New Yorker. She writes the audio history newsletter, Continuous Wave. Learn more about your ad choices. Visit megaphone.fm/adchoices

This is a special edition of the New York Institute for the Humanities' Vault podcast. On May 13, 2026, Princeton's Center for Human Values hosted a day-long conference titled Audio and Ideas: Exploring the Possibilities for Scholarly Podcasting. It was co-sponsored by Princeton's Journalism program, and the NYU Podcast Initiative. Over the course of four panels, scholars, podcasters, and journalists discuss how academics might employ the techniques of narrative audio as part of their research.   In the fourth panel, Jody Avirgan led a discussion about what it takes for someone to make an academic podcast. Jody Avirgan is a podcast host, producer, and editor. His production company is Roulette Productions; Sara McCrea is a writer, audio producer, and researcher, who leads podcast strategy and production at Random House Publishing Group. She has produced podcasts for Slate, Pushkin Industries, TED Audio Collective, Audible, and the Center for Humane Technology. She created and produced the "Attention Lab" series for the Strother School of Radical Attention, and wrote and produced the award-winning "McCartney: A Life in Lyrics", a 24-episode narrative journey through Paul McCartney's songwriting, hosted by poet Paul Muldoon; Caleb Zakarin is the CEO and Publisher of the New Books Network.; Julia Barton  is an award-winning podcast, audiobook, and radio editor. She was the executive editor of Pushkin Industries, where she helped develop Revisionist History and Against the Rules. She's the editor of Malcolm Gladwell's The Bomber Mafia, Michael Specter's Fauci, and Michael Lewis's unabridged Liar's Poker and companion podcast. Her 2019 series, Spacebridge, was called “dazzling” by The New Yorker. She writes the audio history newsletter, Continuous Wave. Learn more about your ad choices. Visit megaphone.fm/adchoices

After regrouping, the survivors move to investigate the distant lights. Story by K.A. Statz & Travis Vengroff (Co Game Masters)Produced, Edited, with Sound Design by Travis Vengroff Co-Sound Design, Co-Editing, Mixing and Mastering by Finnur NielsenExecutive Producers: Dennis Greenhill, Carol Vengroff, AJ Punk'n, & Maico VillegasDialogue Editing (first round) by Kasch WilderTranscriptions by K.A. Statz & Travis Vengroff Cast:Narrator / Game Master – K.A. Statz Narrator / Game Master – Travis Vengroff Yuehai – Sam YeowAgé Ogun – Jasper William Cartwright Vind Greyview – Eric Nelsen Vivianna Bloodchamber – LilyPichu Jare Driftwood – Florian Seidler Gamma Jija – Bee Apidae Orir – Dayn Russell Leonardson Oror – Alexandria McCauley Old Renny – Richard K. Weber Halfling Children – Hildur Aagaard & Atlas Aagaard Music:Music Director / Arranged by - Travis VengroffMusic Engineer (Musiversal) - Gergő Láposi "Theme of the Realmweaver" "On Shores of Silver" "Gaelhold" "Eternal War" Written & orchestrated by Steven Melin, Copyists Peter Jones & Steven Melin, Hurdy-Gurdy & Dulcimer by Enzo Puzzovio, Budapest Strings & Choir by Musiversal "The Storm and The Sailor" Written with Lyrics and Vocals by Sam Yeow, Music Arranged by with Accordion & Percussion by Travis Vengroff, Ukulele by Studio Pros "Last Light" written by David Wise & Steven Melin, orchestrated by Christopher Siu & Catherine Nguyen (Copyist), lyrics by Travis Vengroff, Woodwinds by Kristin Naigus, Budapest Strings & Choir by Musiversal Cover art by Colin Lorimer with lettering by K.A. Statz Special Thanks to:You, our Patreon supporters! | Our Fool & Scholar Discord Lampreys! | Carol Vengroff This is a Fool and Scholar Production. We are a two person creative team and we can only create this show because of your support. Thank you for making this show possible! Check out our Merch: www.DarkDice.comFree Transcripts are also available: https://www.patreon.com/posts/84864738 Content Warnings: Death, Eating Sounds (a single slurp from Jare - otherwise it's technically just "references to eating sounds"), Gaslighting Learn more about your ad choices. Visit megaphone.fm/adchoices

The broadcast is live. The storm outside is deafening. But inside the studio, the silence is deadly.Trapped inside a soundproof studio amidst a raging Delhi storm, host Ankan Sharmishtha Bose sits down with four strangers from across the country. They are survivors—ordinary people who have looked into the abyss of ancient horrors and lived to tell the tale. From Bengal's shifting waters and Kerala's ancient Tharavadus to Pune's forgotten undergrounds and Uttarakhand's frozen peaks, they have brought back chilling stories. As the live stream unfolds, tales of shape-shifting folklore, suffocating curses, and glacial entities echo through the mics. The artifacts they brought back to the table are meant to be evidence. But as the studio's reality begins to fracture, the temperature plummets, and the broadcast takes a sinister turn, one terrifying question remains: what else did they bring into the room with them? Be warned, Bhay Vasis: True fear does not live in the stories; it lives in the silence that follows. Listen closely to this terrifying chapter of the Bhay Originals universe, but remember... if you feel a sudden chill in your room, do not take off your headphones. Top Contributors Become Executive producers for the next episode.Details Below!UPI - ankansharmishthabose@sbiPaypal - paypal.me/bhayoriginalsBank Account Details:Name - Ankan BoseACCOUNT NO- 20391072480IFSC CODE – SBIN0015986SWIFT CODE - SBININBBXXXCredits:Written, Directed, and Narrated by: Ankan Sharmishtha BoseSound Design, Original Background Score, Lyrics and Music: Ankan Sharmishtha BoseVoiceover For Sister Leela: Sneha AsraniExecutive Producers: Mayank Malviya, Mahesh Sarkar, Glydus Narula, Abhijeet ShuklaJoin this channel to get access to exclusive perks:https://www.youtube.com/channel/UCn9JS93zsaUDaUDq7aofhNQ/joinInstagram- https://www.instagram.com/bhayoriginalLinkedin - https://www.linkedin.com/in/ankanbose/Discord - https://discord.gg/KxQvyGZSfQ[Bhay Originals, The 13th Hour, Indian horror podcast, Hindi horror story, horror audio film, Baak folklore, Yakshi horror story, Brahmarakshasa, Indian folklore horror, supernatural horror, Indian ghost stories, psychological horror, scary podcast in Hindi, horror storytelling, horror audio drama, paranormal interview, Bhay Vasis, thriller audio story, scary stories Hindi, podcast horror fiction, haunting audio experience, horror anthology Hindi, suspense story Hindi]

Ash's sick, so naturally the episode goes completely off the rails. This week we're discussing the deeply concerning music our kids know all the words to, whether there's an acceptable playlist for sex (and just how much mood lighting is too much), plus a Doter Hack from a listener who's found a genius way to get the kids out the door in the morning. Then we tackle the debate that's got parents arguing online: should a dad have used the women's toilets to help his young daughters? It's a bit of a mixed bag this week... but so is parenting. If you need a shoulder to cry on: Two Doting Dads Facebook Group: https://www.facebook.com/groups/639833491568735/ YouTube: https://www.youtube.com/@TheTwoDotingDads Instagram: https://www.instagram.com/twodotingdads/ TikTok: https://www.tiktok.com/@twodotingdads See omnystudio.com/listener for privacy information.

“Who's to Blame?” - a lesson that reminds us that God isn't to blame for the bad things that we see in the world around us, but that He has even ordered those things for His glory and for the good of His people. Music: “The Insanity of Vanity - Part 11.” Lyrics by Toby Logsdon. Performed by “Christus Super Omnia.” Copyright ©TobyLogsdon, 2026.

REWIND 80s - Airlie Beach Hotel - 11th & 12th July.SEAFORD HOTEL, SEAFORD - Saturday 18th July Welcome to The 80's Montage! (music, mateys and cool shit from the 80s) Your Hosts Jay Jovi & Sammy HardOn, singers from Australian 80's tribute band Rewind 80's. We take you back to living in the 80's: music, artists, TV commercials and video clips. Please rate, review and enjoy! Music licensed by APRA/AMCOS Theme music ©2019 M. Skerman. Produced & edited by Matty Ray. See Facebook for links to videos & songs mentioned in this episode! Email: Samantha@planet80s.com.auFacebook: the80smontagepodcast twitter: @the80smontage instagram: the80smontageRewind 80's Band - www.rewind80sband.comTickets - www.rewind80smixtape.com.auBookings - samantha@planet80s.com.auPlease Subscribe, Like, Share, Rate (Itunes please)You can join to for only $2 a month (Get On It)https://www.patreon.com/the80smontagepodcast*The views & opinions expressed in this Podcast are solely those of the individuals expressing them & do not represent the views or opinions of any third party.Where guests appear on the Podcast, their views & opinions are solely their own & do not represent the views or opinions of The 80's Montage hosts or team.The 80's Montage does not accept responsibility for the views of its guests & their appearance on this Podcast does not imply an endorsement of them or any entity they represent.*Links: Land Down Under - Men At Workhttps://youtu.be/XfR9iY5y94s?si=t2maI-MZcmkeBnXvKookaburra | Sing-Along Video with Lyrics for Kids [SONG]https://youtu.be/KEsKV91yJiw?si=mMuxA3z2XPgRyyXbMichael Jackson - Wanna Be Startin' Somethin' (Audio)https://youtu.be/1XMvPTFzgVU?si=MExcSL2MhOUo5e9wSoul Makossa - Manu Dibango (Original)https://youtu.be/o0CeFX6E2yI?si=8cQxI0SR1_Mi0jgaMadonna - Papa Don't Preach (Official Video) [HD]https://youtu.be/G333Is7VPOg?si=unRJWqxfsK6sjOshSam Harris - Sugar Don't Bite (1984) ( Sugar Don't Preach

685. Today author Adam J. Smith joins us to talk about his writing. Based in Covington, Adam uses his adopted home state of Louisiana as the backdrop for his fiction. Through his books, readers are introduced to Callier, Louisiana, a seemingly quiet town where deep secrets and unexpected dangers hide just beneath the surface. From the chilling pursuit of a small town killer in The Callier Cutter to the battle against institutional corruption in Your Honor, Smith captures the tension of local mystery. He also writes youth fiction using Callier as a starting point for a fantasy portal to Adventure Land. Smith weaves the unique spirit and pacing of Louisiana life into unforgettable tales of suspense, community, and adventure. Now available: Liberty in Louisiana: A Comedy. The oldest play about Louisiana, author James Workman wrote it as a celebration of the Louisiana Purchase. Now it is back in print for the first time in 222 years. Order your copy today! This week in the Louisiana Anthology. C'lestine Eustis and James Herndon. Cooking in Old Creole Days. Gumbo Filé. (First English recipe). "Put into a casserole (saucepan) a spoonful of pure lard and one of flour, stir it well until it is of a light brown. Chop an onion into small pieces and throw them in. Cut up a fat capon or chicken into small pieces and put these in the casserole with the flour and lard. Stir it all the while until the chicken is nearly done. When the whole is well browned, add a slice of ham, cut up small. Throw in two or three pods of red pepper, and salt to your taste. Now add a quart of boiling water, and leave it on the fire for two hours and a half. A quarter of an hour before dinner is served add three dozen oysters with their liquor. Just before taking the soup off the fire, put in a tablespoonful of filet, stirring it all the while. Let it boil one minute and then serve. Do not put in too much filet; the spoon should not be full. Indeed, half a tablespoonful is enough." Louise Livingston Hunt, New Orleans. This week in Louisiana history. July 3, 1870. The riverboat Robert E. Lee defeated the Natchez in a race on the Mississippi.  This week in New Orleans history. July 3, 1964: Following the passage of the Civil Rights Act, major New Orleans hotels and restaurants began the official process of desegregation. This week in Louisiana. GalaxyCon New Orleans  Opening Weekend July 10'12, 2026 New Orleans Ernest N. Morial Convention Center, 900 Convention Center Blvd New Orleans, LA 70130 Website: galaxycon.com GalaxyCon opens its three‑day pop‑culture festival on July 10, bringing celebrity guests, cosplay, comics, gaming, and fan meet‑ups to the New Orleans Ernest N. Morial Convention Center. The weekend features panels, autograph sessions, photo ops, and a massive exhibitor hall: Friday, July 10: 2 p.m. - 1 a.m. Saturday, July 11: 10 a.m. - 1 a.m. Sunday, July 12: 10 a.m. - 8 p.m. GalaxyCon is billed as a '3‑Day Festival of Fandom,' with appearances from actors, voice actors, creators, cosplayers, and fan groups across sci‑fi, fantasy, anime, comics, and gaming. Tickets range from $50.00 to $350. Postcards from Louisiana. The Rock Block Band at Felix's Restaurant and Oyster Bar. Listen on Apple Podcasts. Listen on audible. Listen on Spotify. Listen on TuneIn. Listen on iHeartRadio. The Louisiana Anthology Home Page. Like us on Facebook. 

Episode 492 features guest Brotha2daKnight joining the crew to tackle Lupe Fiasco's ongoing criticism of Kendrick Lamar, debating whether hip hop history ultimately values the master artist over the master lyricist. We unpack the growing divide between internet commentators and actual creators, questioning if metrics are now being mistaken for real cultural expertise. We also break down Twista's recent tax issues, exploring whether the industry's aesthetic pressure to maintain an illusion of immense luxury leads to bad business and financial negligence. Finally, we debate Lauryn Hill's BET Living Legend Icon Award, her limited solo catalog, and the controversy surrounding the creative credits on Miseducation. For our members, we dive into a full reaction and review of the 55 CHREECE Last Shot submissions.Support the show

I remember my days as a young worship leader. There was always this unspoken tension between being performative and pastoral. Is it my job as a worship leader to provide a powerful, exciting experience or to guide them in a healthy practice for their spiritual formation? When we say worship was really good this week, what do we mean? If you lead worship, you know the tension. When you put a singer or musician on a stage, under the lights, it is by definition a performance. Performance is not a bad thing,but we, at the same time feel uncomfortable talking about performance when it comes to worship. If you surveyed your congregation, likely most would scoff at the idea of worship as a performance. And yet, we have adopted performative tools in local church ministry. So what do we do? One of the worship leaders that helped me navigate these tensions early on was Paul Baloche. If you don't know the name Paul Baloche, you likely know his songs. Open The Eyes of My Heart, Above All, or Hosanna (Praise is Rising) have been staple songs in churches all over the world, and that's only scratching the surface of the sheer number of songs he's written. But what I love most about Paul is not his songwriting prowess but the fact that he's truly a normal guy like the rest of us. In a marketplace of worship that has often been defined by what is trending, cool, and exciting, Paul has been faithfully leading the church and coaching worship leaders on how to be themselves and lead with authenticity. Paul is no stranger to the Beyond Sunday Podcast. And it was refreshing to catch up and talk all things worship. Even do some reminiscing about earlier eras of worship leading in the 80s and 90s. Topics Covered: The story behind Paul’s new album How Paul was discovered by Integrity Music in 1992 How to resist performative ministry The call to worship leader authenticity Why everyone struggles with insecurity The story behind Paul’s new record Resources Mentioned: Show Sponsor: Planning Center Yes We Believe by Paul Baloche Show Sponsor: Planning Center This episode is brought to you by Planning Center, helping you sync all your ministry details across your whole church. Planning Center has become so essential to how I manage a team, that it's almost impossible to consider local church ministry without it anymore. Today, I want to leave you with a PCO pro-tip. Does this sound like a familiar situation? It's the end of the week. You're about to leave the office when you suddenly think: Did all of our volunteers confirm for Sunday? You scroll through the schedule and sure enough—there's a gap. Instead of allowing yourself to spiral into a panic, try this: In Services, Planning Center has gap alerts. Turn them on, and you'll get a heads-up days before service if positions are still unfilled or unconfirmed. No more end of the week scrambling. Speaking of less scrambling, did you know you can access everything you need for rehearsals right from the Service media player on your phone? Lyrics, chord charts, arrangement notes—it's all right there, so you're not hunting for files in the middle of hitting those power chords. To see what else you can do to make your Sundays easier, go to planningcenter.com/blog. The post #395: The Unimpressive, Faithful, And Authentic Worship Leader With Paul Baloche appeared first on Beyond Sunday Worship.

Love and relationships are something Taylor Swift has loved to explore in her lyrics from day one - and part and parcel with that exploration, she has spent a fair amount of time in her catalog even from her youngest years ruminating on marriage. Through her lyrics she's expressed a lot about what she thinks a marriage should be, when marriage should come, the kinds of men she thought she would marry, and on this potential day of her real wedding, I thought it would be a sort of homage both to her writing AND her journey to finding “THE ONE” to go through and revisit these songs and track her shifting attitudes - if they ever did shift - towards marriage. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit thelizardreview.substack.com/subscribe

This week's Listening Lyrics tries to do the nearly impossible: squeeze an entire busy week into one music format without needing a permit from the city of New York. First, we celebrate Independence Day, with all the red-white-and-blue spirit, and the annual reminder that someone, somewhere, is about to overcook a hot dog. Then summer festivities kick fully into gear, bringing sunshine, long evenings, outdoor music, and that wonderful seasonal feeling of asking, “Is it hot enough for you?” even though everyone already knows the answer. And finally, because this week apparently did not have enough going on, we climb all the way to the top of the Empire State Building for a proposal high above New York City. Romance, skyline, music, and maybe just a little fear of heights — what more could a show need? Join us for a week of songs that celebrate summer, freedom, love, and the kind of big moments that deserve a soundtrack.

“Joy is not tied to one circumstance” *includes lyrics to my wife at the end what joy looks like in her

Why do our brains sometimes misinterpret song lyrics, and what can brain science tell us about human pattern-seeking? In this (fun!) show filled with familiar soing clips, we get musical and mental. New Yorker ArticleBecome a supporter of this podcast: https://www.spreaker.com/podcast/thethinkingatheist--3270347/support.

When twin giants storm Olympus, a prophecy reveals that no god nor man can kill them. Artemis has to find room in her heart to forgive Apollo so they can embark on their most dangerous adventure yet – to save the gods. Will Olympus endure? Live from Mount Olympus is produced by the Onassis Foundation. Karen Brooks Hopkins is executive producer. Our series creator and showrunner is Julie Burstein. Live from Mount Olympus is co-produced by the Brooklyn-based theatre collective The TEAM. Our directors are Rachel Chavkin, Josiah Davis, Joan Sergay, and Keenan Tyler Oliphant.Our actors are: Eric Berryman (Dionysus, Pan, Zephrys); Ato Blankson-Wood (Apollo); Josiah Davis (Ganymede); Jill Frutkin (Aphrodite); Joanne Hernandez (Daphne); Adrienne Hopkins (Nymph); Caroline Hopkins (Zoe);  Natalie Hopkins (Nymph); Modesto ‘Flako' Jimenez (Otus); Libby King (Athena); Ian Lassiter (Zeus);  Zhailon Levingston (Announcer); Christina Liberus (Artemis); Nehemiah Luckett (Midas); Kimberly Marable (Leto, Fury); Jake Margolin (Orion); Marcel Isaiah Martinez (Hyacinthus); James Harrison Monaco (Marsyas); Xavier Pacheco (Paris, Ephialtes); Kristen Sieh (Python, Fury); Nedra Marie Taylor (Hera); Ching Valdes-Aran (Delos); Daniel Watts (Eros, Silenus)And André De Shields is Hermes (and this season, Eris, goddess of discord!) The TEAM's Producing Director is Emma Orme, and Associate Producer is Diana Khong. We thank the artists and leaders of Epic Theater Ensemble for their continued collaboration! Live from Mount Olympus is written by Nathan Yungerberg with Julie Burstein and Jason Adam Katzenstein. Audio production and mix by John Melillo. Audio editing and sound design by Julie Burstein and David Schulman (E1 and E4). Music and songs composed, arranged and produced by Magdalini Giannikou. Lyrics and vocal production by Malena Marcase. Music performed by Banda Magda. Instrumental music mixed and mastered by Luca Bordonaro. Songs mixed and mastered by Tom Beuchel. Music direction by Magdalini Giannikou and Nehemiah Luckett. Jason Adam Katzenstein created our illustrations and is series humor consultant. Series creative advisors: Dr. Michael Cohen and Richard Nodell. Mandy Boikou is Administrative Director and Sofia Pipa is Program Manager at Onassis USA. Amal Biskin is our production assistant. Live from Mount Olympus was recorded with engineers Roy Hendrickson, Mor Mezrich, Matthew Sullivan, Matthew Soares, Omisha Chaitanya and Elizabeth Scott at The Power Station at Berklee NYC. Press by Grand Communications. Graphic design by Onassis Creative Studio. Live from Mount Olympus is distributed by PRX. Since 1975, the Onassis Foundation has been dedicated to culture, community, and education, with projects that can effectively inspire social change and justice across borders. Learn more at www.onassis.org. 

The Greek gods live high on Mount Olympus, and from time to time - they sing! As the gods celebrate Artemis and Apollo's triumph over the twin giants, they sing their Olympian anthem - "Look for Us!" CHORUS:In the sun, the moon, the starsNo matter where you areKeep us in your heart and look for usKnow that this is always trueAll our stories live in you APOLLO:  In the rising sun, recall my melodies APHRODITE: I live in passion, desire and beautyARTEMIS: See me in the wild, in the light of the moonATHENA: You'll find me in wisdom, and freedom tooCHORUS:We're never far awayIn the sun, the moon, the stars No matter where you are Keep us in your heart and look for us Know that this is always trueAll our stories live in you They live in youLETO: In a mother's love , feel my presence there DIONYSUS: In the frenzy of a party , feel my joy in the air ZEUS: In the midst of a storm hear the power of my thunder HERA: In marriage, see my spirit HERMES: And in mischief know my wonderCHORUS 2:We're never far awayIn the sun, the moon, the stars No matter where you are Keep us in your heart and look for us Know that this is always trueAll our stories live in you We're never far awayJust look for us  Olympus forever!Eric Berryman is Dionysus, Ato Blankson-Wood is Apollo, Jill Frutkin is Aphrodite, Libby King is Athena, Ian Lassiter is Zeus, Christina Liberus is Artemis; Kimberly Marable is Leto, Nedra Marie Taylor is Hera, and André De Shields is Hermes."Look for Us" (and all of Live from Mount Olympus music and songs) was composed, arranged and produced by Magdalini Giannikou. Lyrics and vocal production by Malena Marcase. Music performed by Banda Magda. Songs mixed and mastered by Tom Beuchel. Music direction by Magdalini Giannikou and Nehemiah Luckett.

This week on Songwriter Connection, Dave Lenahan welcomes Nashville singer-songwriter and podcaster Sarah Harralson to the dining room table for a conversation filled with music, creativity, and compelling stories.Sarah discusses her new EP, Just The Beginning, and the accompanying short film that expands the project's message beyond the music. She shares the inspiration behind the songs, her creative process, and how the visual elements help bring the stories to life.The conversation also dives into Sarah's podcast, Takin' A Walk In Nashville, where she highlights the people, places, and personalities that make Music City unique. Sarah also gives listeners a preview of Women Behind the Lyrics, an upcoming documentary film that shines a light on the talented women whose songwriting has helped shape the music industry.From songwriting and filmmaking to podcasting and advocacy, Sarah's passion for storytelling shines throughout this episode. Plus, you'll hear live music and the kind of authentic conversation that has made Songwriter Connection a favorite among music fans and songwriters alike.Pull up a chair and join us for another memorable episode of Songwriter Connection with Sarah Harralson.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Eris, Goddess of Discord, sings about all her delightfully frightful favorite things. André De Shields is Eris."A Little Dissonance" (and all of Live from Mount Olympus music and songs) was composed, arranged and produced by Magdalini Giannikou. Lyrics and vocal production by Malena Marcase. Music performed by Banda Magda. Songs mixed and mastered by Tom Beuchel. Music direction by Magdalini Giannikou and Nehemiah Luckett.

The god of music sings a beautiful apology to his sister, goddess of the hunt. But will Apollo's plea open Artemis's heart?Ato Blankson-Wood is Apollo."Forgive Me, Artemis," and all of Live from Mount Olympus music and songs, was composed, arranged and produced by Magdalini Giannikou. Lyrics and vocal production by Malena Marcase. Music performed by Banda Magda. Songs mixed and mastered by Tom Beuchel. Music direction by Magdalini Giannikou and Nehemiah Luckett.