Podcasts about Lyrics

Once again, the team journeys from Ilmater's Hope into the Dead Pines... Check out the PDF for ⁠Shores of the Silver Thrum⁠! Story by Travis Vengroff & K.A. Statz (Game Masters) Produced, Edited, and with Sound Design by Travis Vengroff Executive Producers: Dennis Greenhill, Carol Vengroff, AJ Punk'n, & Maico Villegas Mixing and Mastering by Finnur Nielsen Transcriptions by Travis Vengroff & Florian Seidler Cast: Narrator / Co-Game Master – Travis Vengroff Narrator / Co-Game Master – K.A. Statz Father Sindri Westpike – Eyþór Viðarsson Rowena Granitepike / Glóey Westpike – Hem Brewster Soren Arkwright – Peter Joeseph Lewis Ildrex Mystan – Russ D. More Devoir – Melchior Riemens Music: (in order of appearance) Music Director / Arranged by - Travis Vengroff Music Engineer (Musiversal) - Gergő Lá "Danse Silencieuse" – Arranged and Performed by Travis Vengroff with Cello by Sam Boase-Miller and stock media provided by avinograd/ Pond5, Written and Performed by Andrey Vinogradov "Ilmater's Hope" - Written and Mixed by Steven Melin, Orchestrated by Christopher Siu, with Additional Copyist Catherine Nguyen, Lyrics & Translations by Travis Vengroff, Violin by Matheus Garcia Souza, Budapest Strings Recorded by Musiversal, Choir Recorded by Budapest Scoring "Sun for Grandpa" - Harp Performed by Steven Melin Dark Dice art by Allen Morris with lettering by Kessir Riliniki This is a Fool and Scholar Production. For early episodes and bonus content join us at: ⁠⁠⁠⁠⁠https://www.patreon.com/FoolandScholar⁠⁠⁠⁠⁠ Check out our Merch: www.DarkDice.com Free Transcripts are also available: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/posts/dark-dice-22460850⁠⁠ Special Thanks to: Our Patreon supporters! | Hem Brewster | Our Fool & Scholar Discord Lampreys! | Carol Vengroff Content Warnings: Agency (Loss of), Death, Feelz (you may cry), Gaslighting, Loss (Familial) Learn more about your ad choices. Visit megaphone.fm/adchoices

“Corruption, Death, and Contentment” - a lesson on how we, as Christians, should respond to the corruption that we see in places and institutions in which it should be most absent. Music: “Corruption and Contentment.” Lyrics by Toby Logsdon. Performed by “Crimson Covenant.” Copyright ©TobyLogsdon, 2026

663. Part 2 of our conversation with Matthew and Melissa, hosts of the the "This Ain't It" podcast, covering their response to MAGA religion. Hosted by Matthew Teutsch, a scholar of African American literature and Director of the Lillian E. Smith Center, and his wife Melissa Teutsch, the show explores the intersection of culture, politics, and history. Together, they engage in deep conversations about civil rights, the power of rhetoric, and the ongoing struggle for social justice in the American South and beyond. By examining the "interminable" nature of systemic oppression, the Teutsches challenge listeners to embrace the responsibility of resistance through education and empathy. Now available: Liberty in Louisiana: A Comedy. The oldest play about Louisiana, author James Workman wrote it as a celebration of the Louisiana Purchase. Now it is back in print for the first time in 222 years. Order your copy today! This week in the Louisiana Anthology. "The Expedition of Hernando de Soto" was written by his companion Luis Hernandez de Biedma. "When we arrived, the queen sent us one of her nieces, in a litter carried by Indians. She sent the governor a present of a necklace of beads, canoes to cross the river with, and gave us half the village to lodge in. The governor opened a large temple built in the woods, in which was buried the chiefs of the country, and took from it a quantity of pearls, amounting to six or seven arrobes, which were spoiled by being buried in the ground. We dug up two Spanish axes, a chaplet of wild olive seed, and some small beads, resembling those we had brought from Spain for the purpose of trading with the Indians. We conjectured they had obtained these things by trading with the companions of Vasquez de Ayllon. The Indians told us the sea was only about thirty leagues distant." This week in Louisiana history. January 30, 1704. Bienville was told that "Pelican" was on its way to Mobile with 27 young women. This week in New Orleans history. Frostop on Jefferson Highway Closed January 30, 2007. Just a couple of blocks from East Jefferson High School on the corner of Phlox Avenue at 4637 Airline Highway, the Frostop Drive-in Restaurant was a popular stop for burgers and root beer.  Today Popeyes Chicken & Biscuits occupies the corner. Other local Frostop locations could be found around town back in the day, and a few still exist in the greater New Orleans area. These photographs are of the Frostop which was located on Jefferson Highway in the Jefferson Plaza Shopping Center (AKA Arrow Shopping Center) which were taken the day before it closed on January 30, 2007: This week in Louisiana. Visit the Alexandria Zoo. 3016 Masonic Drive Alexandria, LA 71301 Hours: Open daily from 9:00 AM to 5:00 PM (Last entry at 4:30 PM) Website: thealexandriazoo.com Email: info@thealexandriazoo.com Phone: (318) 441-6810 January is an excellent time to visit, as the cooler weather keeps many of the larger mammals more active: Louisiana Habitat: A 3.5-acre exhibit showcasing native species like cougars, black bears, and alligators in a natural swamp setting. The Train: The “Bayou Le Zoo Choo Choo” offers a 10-minute narrated tour around the perimeter of the park.  African Experience: Features a 17-foot waterfall and habitat for lions, flamingos, and giant tortoises. ). Postcards from Louisiana. Sporty's Brass Band. Party in NOLA / Happy Birthday.Listen on Apple Podcasts. Listen on audible. Listen on Spotify. Listen on TuneIn. Listen on iHeartRadio. The Louisiana Anthology Home Page. Like us on Facebook. 

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠https://ow.ly/msoH50WCu0K⁠ In the Notorious Mass Effect segment, Analytic Dreamz dives into Rod Wave's surprise Christmas drop "Feed the Streets", released December 25, 2025, as a holdover single ahead of his forthcoming album Don't Look Down (no confirmed 2026 release date yet).The Florida trap-soul artist delivers his signature melodic R&B over minimalist production: finger-picked guitar, classic trap drums, and simple bassline in a tight 2:58 runtime. The track channels personal grief—referencing Key Glock losing Young Dolph and Rod Wave's late uncle—while addressing generational tension, leadership for a "lost generation," and industry power dynamics. Lyrics name-drop Tupac Shakur, Malcolm X, and Suge Knight, framing themes of control vs. independence, distrust, and revolutionary gangster wisdom: "This that gangster shit that Malcolm X was preachin' 'bout / That 2Pac was teachin' 'bout."Directed by Cam Grey, the official music video features private jet boarding, backstage tour footage, and emotional visuals, amassing over 6 million views shortly after premiere (now on all streaming platforms as of January 30, 2026)."Feed the Streets" follows October 2025's "Leavin'" and reinforces Rod Wave's winter release pattern with raw, emotional impact. It builds anticipation for Don't Look Down, focused on avoiding self-sabotage and overthinking success post-breakthrough, including a track titled "Redemption."The single arrives amid the Redemption Experience Tour wrap-up under his new Mainstay Touring company (formed after a $27M+ lawsuit dispute with Grizzly Touring over the canceled Last Lap Tour). Final shows: Atlanta's State Farm Arena (Dec 28 & 29, 2025) and Miami's Kaseya Center (Jan 1 & 2, 2026).Analytic Dreamz breaks down the lyrical depth, cultural references, visual storytelling, and how this positions Rod Wave for dominant 2026 momentum in trap-soul.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsPrivacy & Opt-Out: https://redcircle.com/privacy

If you have not listened to episode 119, part 1 of Dan's interview, you can click here and listen there first: Episode 119 Dan Cook part 1Dan Cook, a HealingStrong Group Leader, is a Stage 3 colon cancer survivor, healing consultant, and advocate for faith-based natural healing. After undergoing surgery and choosing to forgo chemotherapy and radiation, he turned to God for guidance and transformed his health through diet, lifestyle, and environmental changes, successfully eliminating all signs of recurrent disease within a year.⁣⁣Today, Dan shares his journey through Dan's Cancer Healing Story, http://myhealingquest.com , and the My Healing Quest podcast. He also writes and produces music as Lyrics by DMC, with all healing-focused songs available for free on Bandcamp and streaming across major platforms. As co-leader of HealingStrong Victor Valley, Dan empowers others to embrace hope, take charge of their health, and discover their own path to healing.HealingStrong's mission is to educate, equip and empower our group leaders and group participants through their journey with cancer or other chronic illnesses, and know there is HOPE. We bring this hope through educational materials, webinars, guest speakers, conferences, community small group support and more.Please take advantage of our FREE resources below to help you along your health and healing journey: Support Group Directory Holistic Curriculum - Participant Guide Support Our Mission - Donate Additional Health Resources Listen to Previous Episodes Website: healingstrong.org

2026 Show Notes Addendum: Our last [for now] Ch 2 rerun (our last Ch 2 rerun specifically shared with incoming NintenDomain listeners in mind in the wake of the recent Ch F "Channel Trey" one-off) This was the first episode of the last season of Ch 2 - the one where we announced to the listeners that Ch 2 would be shutting down, as well as the episode where I revealed my then very recently discovered African and Jewish ancestry. This episode also has the distinction of being my personal favorite episode in Ch 2 history with perhaps the lone exception of the 5 1/2hr long "C2F: 'Finally our Final Finale'" series retrospective. You can also hear our very last non-retrospective Ch 2, C2E20: "....all good things...." if you look back to the NNR Dec 2025 podcast feed. And with that.....NintenDomain fans now have had a great look at the seeds to what went on to make "Channel Trey", while long-time NNR fans get a look back on a handful of really great moments in Ch 2 (and "quasi-channel 2") history. Enjoy this last [for now] installment! :-) ---------------------------------------------------------------------------------------- ------------------------------Original 2024 Show Notes------------------------------ ---------------------------------------------------------------------------------------- Today's Broadcast is C2E16 for Theme Thursday, March 7th, 2024. Today's theme is vocal music from video games, on a program we're calling “Songs with Words”. BE SURE TO CATCH OUR SPECIAL ANNOUNCEMENT TOWARDS THE END OF THE EPISODE!! (It's highlighted in the show notes!)   Tracklist   Track# / Track Name / Game / System(s) / Composer(s) / Vocalist / Selected by   01) Shenhua (Vocal Version) - Shenmue - Dreamcast - c: Ryuji Iuichi (music) and Yumi Asada (lyrics) / a: Hayato Matsuo (orchestration) - Ioli - Hugues   a) Earcatcher - 00:00:00 b) Music - 00:00:08 c) Introduction - 00:04:12 d) Top of Show Business - 00:04:39 e) Discussion - 00:14:56   02) Connected (Yours Forever) - Tetris Effect: Connected - Multiplatform - Hydelic - Kate Brady - St. John   a) Music - 00:18:28 b) Discussion - 00:24:03   03) Melodies of Life (English Version) - Final Fantasy IX - PS1 - Nobuo Uematsu (music) and Hioyuki Ito (lyrics) / a: Shiro Hamaguchi - Emiko Shiratori - Hugues   a) Music - 00:28:34 b) Discussion - 00:34:30   04) Sky High - Daytona USA - Saturn - Takenobu Mitsuyoshi (music) and David R. Leytze (lyrics) - Takenobu Mitsuyoshi - St. John   a) Music - 00:40:45 b) Discussion - 00:45:33   05) Instructor Mooselini's Rap - PaRappa the Rapper - PS1 - Izumi Amano and/or Ryu Watanabe - John Simpson III and Saundra Williams - Hugues   a) Music - 00:50:35 b) Discussion - 00:52:43   06) My Intellivision - Intellivision Lives - Multiplatform - Tom Kahelin and/or Michael Schwartz - Michael Schwartz (?) - St. John   a) Music - 00:56:50 b) Discussion - 01:01:33   07) Sea of Love - It Came from the Desert - TG16 - Kenneth Melville - Terence Kirby - Hugues   a) Music - 01:05:28 b) Discussion - 01:07:51   08) Volver a Comenzar - Little Big Planet - PS3 - Cafe Tabvca - Cafe Tabvca - St. John   [NOTE: I failed to sync this track up to the vocal portion where we do the "this part right here" thing. My apologies! - St. John]   a) Music - 01:14:01 b) Discussion - 01:22:18   09) A Crimson Rose and a Gin Tonic - Katamari Damacy  PS2 - Asuka Sakai - Ado Mizumori - Hugues   [NOTE: Same as the above track - missed the "this part right here" thing. - St. John]   a) Music - 01:25:23 b) Discussion - 01:30:01   10) Sonic Boom (Ending Version) - Sonic CD (N/A) - Sega CD - Spencer Nilsen, Mark Young, and/or Pastiche - Pastiche - St. John   a) Music - 01:33:16 b) Discussion - 01:37:02   11) Sora wo Miagete (Ending Version) - Trails in the Sky the 3rd - PSP - c: Takahiro Unisuga / a: Yukihiro Jindo - Kanako Kotera - Hugues   a) Music - 01:41:18 b) Discussion - 01:47:26   12) Always Been but Never Dreamed - Tetris Effect: Connected - Multiplatform - Hydelic - Kate Brady - St. John   [NOTE: This time I caught the "this moment right here" thing. Hooray! - St. John]   a) Music - 01:51:04 b) Discussion - 01:55:38   13) Everything's Alright - To the Moon - PC - Ken Gao and/or Laura Shigihara - Laura Shigihara - Hugues   a) Music - 02:01:12 b) Discussion - 02:04:46 c) End of Show Business - 02:14:40 d) Oddie HD Updates - 02:19:42 e) MOAR End of Show Business - 02:20:37 f) *****OUR BIG CH 2 ANNOUNCEMENT***** - 02:22:36 g) EVEN MORE End of Show Banter - 02:26:12 h) Closing Track Discussion - 02:30:35 i) Sign-Off - 02:32:12   14) Still Alive - Portal - Multiplatform - Jonathan Coulton - Ellen McClain (as GLaDOS) - St. John   a) Music - 02:32:42 b) Outtakes - 02:35:35 c) [Audio-Only] The Debut YouTube Video of Oddie HD (the complete, unabridged audio) - 02:43:51   Total Episode Runtime: 02:54:34   Retro Game Club can be found here:   https://podcasts.apple.com/us/podcast/retro-game-club/id1453018680   You can also follow Retro Game Club on Facebook and Instagram @retrogameclubpodcast and on Twitter @rgcpodcast.   Hugues' blog can be found here:    https://huguesjohnson.com/   Referenced Article about “Sea of Love”: https://www.tg-16.com/Lyrics_for_It_Came_From_the_Desert.htm    You can find Nerd Noise Radio on Facebook and on Twitter each @NerdNoiseRadio. There are also two Facebook Groups: Nerd Noise Radio “Easy Mode” where we just have general video game and nerd fun, or for the gearheads among you, Nerd Noise Radio “Expert Mode” where we deep dive sound hardware, composer info, and music theory.    You can find the blog at www.nerdnoiseradio.blogspot.com. Where we sometimes share additional show notes, and inside info. You can also find Nerd Noise Radio on Archive.org, where we have remixes and super bonuses only available there (such as a music-only alternative version of today's show).   Nerd Noise Radio is also a member of the Retro Junkies community, which can be found at www.theretrojunkies.com. And we are a member of the VGM Podcast Fans community on Facebook. St. John is also the admin of the Podcasters of Des Moines Facebook group, which features a number of other podcasters and great programs from the greater Des Moines area.   Thanks for listening! Join us again later this month for C1E82: “Run and/or Gun”! Delicious VGM on Noise from the Hearts of Nerds. And wherever you are - Fly the N!

You'll never hear these songs the same way again!

Chasta & Huey talked to 311 singer Nick Hexum about his upcoming solo show at The Cornerstone in Berkeley, his trilogy of solo EPs, why he chose his solo music to be americana acoustic theme, opening up about his personal life and being vulnerable with his lyrics, how he leads a spiritual and relaxing life, reflecting on the 30th anniversary of 311's self-titled album, being nostalgic and what he misses from being in a band in the 90s, a preview for 311 day in Las Vegas and more. Nick Hexum with Water Tower will be at The Cornerstone in Berkeley on February 4th. For tickets and more info go to: nickhexum.com Also, go to: cornerstoneberkeley.com Nick Hexum's latest EP "Waning Time" is out now. 311 Day 2026 will be March 7th & 8th at Dolby Live at Park MGM in Las Vegas. For tickets and more info go to: 311day.com 311 will be at Channel 24 in Sacramento on Sunday, March 1st. For tickets and more info go to: 311.com Also, go to: channel24sac.comSee omnystudio.com/listener for privacy information.

Taylor Swift Lyrics & Relational Trauma | Episode 4: loml + Mad WomanJoin Mandy Friedman LPCC-S and Sarah Morehart LPC as we explore relational trauma themes through the lens of Taylor Swift's songwriting. In this five-part series, we each count down our personal Top 5 Taylor Swift songs and discuss the emotional patterns, symbolism, and relational dynamics woven into the lyrics.

“From Slaves to Sons” - A lesson on the way that the triune God worked in our salvation not only to justify us, but to adopt us as sons of God. Music: “Behold the Glories of the Lamb.” Lyrics by Isaac Watts. Arranged by Toby Logsdon. Performed by “Crimson Covenant.” Copyright ©TobyLogsdon, 2026

662. Part 1 of our conversation with Matthew and Melissa, hosts of the the "This Ain't It" podcast, covering their response to MAGA religion. Hosted by Matthew Teutsch, a scholar of African American literature and Director of the Lillian E. Smith Center, and his wife Melissa Teutsch, the show explores the intersection of culture, politics, and history. Together, they engage in deep conversations about civil rights, the power of rhetoric, and the ongoing struggle for social justice in the American South and beyond. By examining the "interminable" nature of systemic oppression, the Teutsches challenge listeners to embrace the responsibility of resistance through education and empathy. Now available: Liberty in Louisiana: A Comedy. The oldest play about Louisiana, author James Workman wrote it as a celebration of the Louisiana Purchase. Now it is back in print for the first time in 222 years. Order your copy today! This week in the Louisiana Anthology. Dorothy Day wrote the article, “Florence Is a Communist.”     “Do you know what Communism is, Florence?”    “Yes, I am a Communist,” Florence stated, and afterward when we were alone together in the kitchen she went into more details about her beliefs.     “Communism,” she stated, “is to help the poor.” So the poor of the small town of Jacobi where she came from, were quite ready to be enrolled in the ranks of the Communists.     There were about eighty Negroes signed up with the Communist group in her little town in Louisiana, and in the neighboring towns of Lettsworth, Lagonia, Batchelor, Torras and Susport there were groups of from forty to sixty in each town.     They were not doing anything much at present, not even meeting, she explained, since the young Communist organizer who had been keeping contact with them had been jailed and run out of town. He had been transferred by the Party to another state, so there the matter was halted. This week in Louisiana history. January 23, 1680. Bienville born in Montreal, Canada, 12 of 14 children.  This week in New Orleans history. The Clio streetcar ran from January 23, 1867 until September 1, 1932.  This line originally ran from Canal Street up to Clio Street to Magnolia Street, returning on Erato and Carondelet Streets. In 1874, it was extended across Canal Street to Elysian Fields, making it the first streetcar line to cross Canal Street. It was extended at both ends from time to time, before giving up its territory to newer lines in 1932. This week in Louisiana. January 31, 2026 The Legends of Hip Hop Tour Shreveport Municipal Auditorium 705 Elvis Presley Ave. Shreveport, LA 71101 Website: shreveportmunicipalauditorium.com Email: info@shreveportmunicipalauditorium.com Phone: (318) 841-4000 A star-studded concert featuring some of the biggest names in classic hip hop. Lineup & Details This event takes place in the historic venue where Elvis Presley got his start: 7:00 PM: Doors open to the public. 8:00 PM: Show starts. The Lineup: The 2026 tour features performances by Webbie, Ying Yang Twins, Trina, and Lil' Keke. The Venue: The “Muni” is a National Historic Landmark, offering an intimate and high-enenrgy atmosphere.  The After-Party: Many local downtown Shreveport bars host unofficial after-parties following the show. End: Approximately 11:30 PM. Note for Listeners: This is an all-ages show, but parental discretion is advised due to concert volume and lyrical content. Postcards from Louisiana. Florida Street Blowhards at LSU. Listen on Apple Podcasts. Listen on audible. Listen on Spotify. Listen on TuneIn. Listen on iHeartRadio. The Louisiana Anthology Home Page. Like us on Facebook. 

Recently, KDRT lost two truly wonderful and creative super-volunteers—friends who helped shape the heart and soul of this station. Diane Crumley and Bill Wagman were long-time members of the KDRT family, deeply committed to community radio and to showing up, week after week, with generosity, curiosity, and care. Today, I'm sharing an hour of upbeat, sing-along music—not to mark a loss, but to celebrate a life well shared. This hour is about the joy, the laughter, and the connection Diane and Bill brought into our lives. So stay with me, turn it up, sing along—and let's celebrate them together.

Dan Cook, a HealingStrong Group Leader, is a Stage 3 colon cancer survivor, healing consultant, and advocate for faith-based natural healing. After undergoing surgery and choosing to forgo chemotherapy and radiation, he turned to God for guidance and transformed his health through diet, lifestyle, and environmental changes, successfully eliminating all signs of recurrent disease within a year.⁣⁣Today, Dan shares his journey through Dan's Cancer Healing Story, http://myhealingquest.com , and the My Healing Quest podcast. He also writes and produces music as Lyrics by DMC, with all healing-focused songs available for free on Bandcamp and streaming across major platforms. As co-leader of HealingStrong Victor Valley, Dan empowers others to embrace hope, take charge of their health, and discover their own path to healing.HealingStrong's mission is to educate, equip and empower our group leaders and group participants through their journey with cancer or other chronic illnesses, and know there is HOPE. We bring this hope through educational materials, webinars, guest speakers, conferences, community small group support and more.Please take advantage of our FREE resources below to help you along your health and healing journey: Support Group Directory Holistic Curriculum - Participant Guide Support Our Mission - Donate Additional Health Resources Listen to Previous Episodes Website: healingstrong.org

Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Episode 2.76What makes a worship song good—and who gets to decide?In this episode, Michael and Zach sit down with Tim Bryant, fellow elder at Charleston Bible Church and worship coordinator, to talk through a thoughtful, pastoral philosophy of worship music. Rather than debating style or preference, the conversation focuses on theological content, spiritual formation, and pastoral responsibility.The discussion tackles questions many churches wrestle with but rarely slow down to address clearly:-What actually makes a worship song good or bad?-Should churches sing exclusively from the Psalms?-Is it acceptable to sing a theologically solid song that comes from a problematic source?-Do church leaders have a responsibility to warn congregations about unfaithful or harmful influences behind certain music?Drawing from Scripture, pastoral experience, and Tim's work in biblical counseling, this episode frames worship music not as neutral background but as teaching, shaping, and discipling content. The goal is not fear or gatekeeping, but wisdom—helping churches sing in a way that forms hearts, guards doctrine, and honors Christ.Tim also serves as founder and president of the Lowcountry Biblical Counseling Center (lcbcc.org), bringing a unique counseling lens to how repeated lyrics shape belief, emotion, and spiritual health.Find our videocast here: https://youtu.be/DoKzXExynoQMerch here: https://take-2-podcast.printify.me/Music from #Uppbeat (free for Creators!):⁠https://uppbeat.io/t/reakt-music/deep-stone⁠License code: 2QZOZ2YHZ5UTE7C8Find more Take 2 Theology content at http://www.take2theology.com

Think twice before you add R.E.M.'s "The One I Love" to your romance playlist. While it reached #9 on the Billboard charts and even became a favorite at weddings, Michael Stipe himself calls the track "downright brutal." Get into the story of this often-misunderstood song in the new episode of the Behind The Song podcast with Janda Lane. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

As the darkness closes in, Soren makes a wish. Story by Travis Vengroff (Game Master) Produced, Edited, and with Sound Design by Travis Vengroff Executive Producers: Dennis Greenhill, Carol Vengroff, AJ Punk'n, & Maico Villegas Mixing and Mastering by Finnur Nielsen Transcriptions by Travis Vengroff Cast: Balmur – Jeff Goldblum Narrator / Co-Game Master – Travis Vengroff Narrator / Co-Game Master – K.A. Statz Father Sindri Westpike – Eyþór Viðarsson Rowena Granitepike – Hem Brewster Lirril – Tanja Milojevic Elias "Payne" Embertree – Drew Tillman Soren Arkwright – Peter Joeseph Lewis Ildrex Mystan – Russ D. More Glom Vogelberg – Sean Howard Gaelle Vogelberg – Holly Billinghurst Music: (in order of appearance) Music Director / Arranged by - Travis Vengroff Music Engineer (Musiversal) - Gergő Lá "The Silent Clan" - Arranged by Travis Vengroff, Performed and Written by Steven Melin "Lament" - Written and Performed by Josh Barron "Danse Silencieuse" – Arranged and Performed by Travis Vengroff with Cello by Sam Boase-Miller and stock media provided by avinograd/ Pond5, Written and Performed by Andrey Vinogradov "Eastwood in Spring" & "Ilmater's Hope" - Written and Mixed by Steven Melin, Orchestrated by Christopher Siu, with Additional Copyist Catherine Nguyen, Lyrics & Translations by Travis Vengroff, Violin by Matheus Garcia Souza, Budapest Strings Recorded by Musiversal, Choir Recorded by Budapest Scoring Dark Dice art by Allen Morris with lettering by Kessir Riliniki This is a Fool and Scholar Production. For early episodes and bonus content join us at: ⁠⁠⁠⁠⁠https://www.patreon.com/FoolandScholar⁠⁠⁠⁠⁠ Check out our Merch: www.DarkDice.com Free Transcripts are also available: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/posts/dark-dice-22460850⁠⁠ Special Thanks to: Our Patreon supporters! | Hem Brewster | Our Fool & Scholar Discord Lampreys! | Carol Vengroff Content Warnings: Agency (Loss of), Death, Feelz (you may cry), Gaslighting, Loss (Familial) Learn more about your ad choices. Visit megaphone.fm/adchoices

In our one-hundred and eighty-seventh episode, Robbie and Ryan talk about:Emails! Send us one: goinggreypod@gmail.comHe said/(S)he said: Some politicsSuck My D: The coffee maker and InstacartOh, That's Nice: Speed run at the supermarketWell That's Great: Bug in the saladSports: some NFL talkEntertainment: A Knight of the Seven Kingdoms (no spoilers)Check out "Let the Boys Watch" with cousin Benny! https://linktr.ee/lettheboyswatchFollow us on InstagramGoodnight 49ers

Here is the link to the song enjoy [Ang Pag-ibig diba? ]https://www.patreon.com/posts/144767819Want to Practice Speaking Tagalog?⁠⁠ Hire a Tagalog Conversation Tutor here ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://LearnTagalogFilipino.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or Join our community ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Https://patreon.com/learntagalogfilipino⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ And get access to all the lessons plus regular free online Google meet conversational Tagalog lessons #learntagalog #tagaloglessons #learntagalogfilipino #filipino #tagalog #learnfilipino #learnfilipinowords #tagalogwords #filipinowords#tagaloglanguage #filipinolanguage#filipino #tagalog#tagalogvocabulary #flipinovocabularyIf You Want to Practice Speaking Tagalog?⁠⁠ Hire a Tagalog Conversation Tutor here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/posts/120741420⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

“The Christian Identity” - a lesson on the Christian's identity in Christ as a member of the family and nation that God has been building throughout human history and as an inheritor of God's covenant promises. Music: “Psalm 119, part 16” Lyrics by Isaac Watts. Arranged by Toby Logsdon. Performed by “Theotronica!” Copyright ©TobyLogsdon, 2026

661. Today we talk to Rachel L. Doherty about Louisiana folklore and folklife. Rachel is the Assistant Director for Programming and Special Projects at the Center for Louisiana Studies. Dr. Rachel Doherty is a scholar of contemporary Francophone art, literature, and creolized identities in Louisiana and Canada. She is an alumna of UL Lafayette's Francophone Studies program, a former lecturer at UL and Université Sainte-Anne, and a former French immersion teacher. Dr. Doherty specializes in occult and magical lore in minority Francophone literatures and arts, and analyzes folklore's place in today's language and identity movements. Now available: Liberty in Louisiana: A Comedy. The oldest play about Louisiana, author James Workman wrote it as a celebration of the Louisiana Purchase. Now it is back in print for the first time in 222 years. Order your copy today! This week in the Louisiana Anthology. “At the 'Cadian Ball” by Kate Chopin is about a Fais Do Do in the late 1800s. "BOBINÔT, that big, brown, good-natured Bobinôt, had no intention of going to the ball, even though he knew Calixta would be there. For what came of those balls but heartache, and a sickening disinclination for work the whole week through, till Saturday night came again and his tortures began afresh? Why could he not love Ozéina, who would marry him to-morrow; or Fronie, or any one of a dozen others, rather than that little Spanish vixen? Calixta's slender foot had never touched Cuban soil; but her mother's had, and the Spanish was in her blood all the same. For that reason the prairie people forgave her much that they would not have overlooked in their own daughters or sisters." This week in Louisiana history. January 16, 1962. Students at Southern Univ. begin civil rights demonstrations. This week in New Orleans history. Mayor C. Ray Nagin's "Chocolate City Speech" January 16, 2006. The "Chocolate City Speech" is the nickname that some have given to the Martin Luther King Jr. Day speech by Mayor Ray Nagin on January 16, 2006, several months after Hurricane Katrina. Prior to Nagin's speech, some commentators were suggesting that the city's demographics would change from majority African American to majority Caucasian.  In an interview with Public Radio International's Tavis Smiley (originally broadcast on January 13, 2006) Nagin used the phrase "chocolate city" in reference to New Orleans' future demographics. This week in Louisiana. January 31, 2026 Louisiana King Cake Festival 402 West 3rd Street Thibodaux, LA 70301 A large-scale outdoor food festival where attendees can sample dozens of different king cakes from across the state. This event serves as a major fundraiser for the Lafourche Education Foundation: 10:30 AM: The “Krewe of King Cake” Children's Parade kicks off the festivities around 201 Green Street. 11:00 AM: The festival grounds officially open for tasting and live music. Highlight 1 (The Tasting): Guests purchase “tasting tickets” to sample various king cakes and vote for the “People's Choice” winner. Highlight 2 (The Music): Local Louisiana bands perform on the main stage throughout the afternoon.  4:00 PM: The winners of the best traditional and non-traditional king cakes are announced. End: The festival wraps up at 5:00 PM. Website: louisianakingcakefest.com Email: info@lafourcheeducation.com Phone: (985) 688-4662 Lafourche Education Foundation P.O. Box 486 Thibodaux, LA 70302 Postcards from Louisiana. Little Freddie King. Listen on Apple Podcasts. Listen on audible. Listen on Spotify. Listen on TuneIn. Listen on iHeartRadio. The Louisiana Anthology Home Page. Like us on Facebook.    

YoutubeSpotifyhttps://supportandfeed.org/BioRising pop-rock artist and multi-talented producer Ed Keiser returns with his new single, “Foreign Land,” a deeply personal and emotionally rich follow-up to his debut release, “You Are Not Alone.” Known for blending reflective storytelling with melodic, immersive production, Keiser once again invites listeners into a vulnerable and honest space shaped by resilience, love, and the human experience. “Foreign Land” expands on the themes first introduced in You Are Not Alone, a song Keiser released to encourage individuals facing loneliness, grief, or difficult circumstances. The debut track resonated widely not only for its message, but also for Keiser's commitment to donate 100 percent of its earnings to Support+Feed and Feeding America. With this new release, he continues building a catalog rooted in empathy, connection, and emotional truth. While You Are Not Alone served as an offering of comfort to those suffering in isolation, Foreign Land turns inward. Written as a dialogue between two lovers navigating trauma, the song was inspired by a painful chapter Keiser and his wife endured together. The verses unfold like a script, capturing an intimate back-and-forth that moves from confusion and fear toward clarity, faith, and renewal. “The song is a conversation between my wife and me,” Keiser explains. “We were going through a very trying time and still finding our way out of it. I wrote the song as an expression for both of us a way to look toward the future with hope. It was my way of helping us breathe again.” Across its four verses, Foreign Land explores uncertainty, spiritual questioning, and the emotional weight of hardship. Lyrics such as “When the pain is so strong, we question why the world is wrong?!” capture the rawness of that moment. Yet the song ultimately lifts upward, offering a path toward restoration through lines like “There will be no pain or fear, only through faith be it clear.” For Keiser, faith served as a grounding force during the creation of the track, though he emphasizes the song's universal message. “It is a song of hope,” he says. “My faith played a central role, but I didn't want to project my beliefs onto others. I embedded them gently, on purpose. The main theme is simple: hang in there—it will get better. It's about love, companionship, and overcoming hardship with your partner or loved one, whatever your beliefs may or may not be.” As both writer and producer, Keiser takes a hands-on approach to his music. Working primarily in Logic Pro, he performs multiple instruments and collaborates with skilled musicians to bring each arrangement to life. His contributions on acoustic guitar, piano, and bass provide a warm foundation, enriched by layered acoustic textures and meticulous production. The track also features acclaimed vocalist and guitarist Jamie Hoover, whose performance adds depth and emotional resonance. With Foreign Land now released, Keiser continues to shape a growing body of work, with plans for a larger project on the horizon. Whether the songs culminate in an EP or full-length album, his goal remains the same: to offer listeners solace, strength, and a reminder that healing is always possible. At the heart of Keiser's work is compassion. To support the approximately 47 million people in the United States experiencing food insecurity—about 1 in 7 Americans, according to the USDA Keiser has donated 100 percent of the earnings from You Are Not Alone and will continue to donate 100 percent of proceeds from Foreign Land to Support+Feed and Feeding America. Foreign Land is available now on all major streaming platforms, with promotional support from Starlight PR.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

Minneapolis keeps producing artists who are technically sharp, stylistically open, and community-rooted. That mix explains why musicians from the city move easily between funk, jazz, indie, and pop—and why the music feels both local and universal. Listen in to an hour of music from the Twin Cities.

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Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠https://ow.ly/msoH50WCu0K⁠In this segment of Notorious Mass Effect, Analytic Dreamz breaks down the raw, underground urbano/trap single “Pase y Toque” by BeatBoy (MX) and Victor Mendivil, released December 12, 2025, via Xkalibvr Music as a digital-only track (≈2:48 runtime).Victor Mendivil, born 2005 in Mexico, fuses hip house, reggaetón, and gangsta rap. He broke through via features on corridos tumbados tracks (e.g., Óscar Maydon's “Hong Kong” in 2023), often praised on X for outshining collaborators. In 2025, he signed a 360 deal with Rico o Muerto (founded by Óscar Maydon, partnered with Downtown Artist & Label Services), positioning him as flagship artist alongside collabs with Natanael Cano, Alemán, Luis R Conriquez, and more. BeatBoy provides bass-heavy, party-oriented trap production with low-visibility underground roots.The explicit track dives into hedonism, nightlife, substances (keta, popper, LSD, nitro), luxury (Mansory Tesla, Johnny Dang diamonds), sex, and street bravado with aggressive, raw delivery tailored to Mexican urbano/trap scenes. Lyrics emphasize “puro pase y toque” repetition, blending braggadocio and party energy without mainstream polish.No music video, radio airplay, or major chart entries (Billboard Hot 100, Hot Latin Songs absent as of January 2026). Growth relies on Spotify/Apple Music streams, fan-made playlists (some with thousands of saves), and niche X/TikTok buzz in Latino communities. Pre-release “filtrada” versions sparked discussion, but explicit content caps algorithmic/radio push.Analytic Dreamz analyzes its niche traction: limited editorial support, no visuals or viral catalysts yet, but tied to Mendivil's rising street credibility post-Rico o Muerto signing. Upside hinges on label investment, potential TikTok uptake in Mexican subcultures, or future remixes—positioning it as early momentum for an emerging Mexican rap voice rather than immediate breakout.Join Analytic Dreamz for this no-fluff, data-driven look at an authentic underground release reinforcing Victor Mendivil's ascent in 2025-2026 urbano rap. Stream “Pase y Toque” now and stay locked in for more Notorious Mass Effect.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsPrivacy & Opt-Out: https://redcircle.com/privacy

Ep 200: Stop Queerbaiting - Carnival Cruise Fiasco, The World of Audio P-rn, and more !Join Lil' Lo and Big Shot Shae as they discuss apps like Dipsea and Quinn and the audio p-rn world, whether queerbaiting is an issue in the world of actors, Big Shot Shae's terrible experience on a carnival cruise, Jordan Firstman's (I Love LA) comments on Heated Rivalry, and more ! Follow Our Hosts:@lilloworldwide @bigshotshae**DISCLAIMER: THIS IS A COMEDIC PODCAST** Scenarios and responses from this show should be taken with a grain of salt. In other words, this is all a joke. Unless otherwise noted, any similarity to actual persons, living or dead, or actual events, is purely coincidental.Chapters:(00:00) Intro and Exploring Audio P-rn(07:10) What We're Watching(16:57) Honorable Mention - Author Rachel Reid (24:55) Hotep of the Week - Carnival Cruiselines(33:02) Lyrics and Lessons(37:33) Let Me Stay Focused - Can Actors be Queerbaiting ?(56:11) Advice From The Internet

Threevisiting on the Tues: Lauren, Paul and Scott discuss friendships, getting rid of clothes, and play Kind of Like Name That Tune But Only With 2 Lyrics and No Betting. Send Threetures and emails to threedomusa@gmail.com.Leave us a voicemail asking us a question at hagclaims8.comFollow us on Instagram @ThreedomUSA.Unlock every episode of THREEDOM and THREEMIUM, ad-free, on cbbworld.comGrab some new Threedom merch at cbbworld.com/merchSee omnystudio.com/listener for privacy information.

Write better songs faster! Clay & Marty's 10-day video series will help you level-up your songs and finish them faster. CLICK HERE to begin!  SongTown Press Books:Mastering Melody Writing : Check It OutSong Building: Mastering Lyric Writing : Check It OutThe Songwriter's Guide To Mastering Co-Writing : Check It Out Hosts: Clay Mills : Facebook   :   InstagramMarty Dodson :   Facebook   :   Instagram SongTown on Songwriting Podcast, Powered by Sweetwater.com - The best place for musical gear on the planet! For advertising opportunities, email kristine@songtown.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Die Liebe zu Dry Cleaning ist gar nicht mehr so secret. Schon ihr Debütalbum war Sounds! Album der Woche und auch ihr drittes «Secret Love», ist es wieder. Wie kann man auch Florence Shaws gelangweiltem Sprechgesang über ihre «inside thoughts» widerstehen! Noch nie groovte es bei Dry Cleaning so sehr wie auf der dritten Platte. Detailverliebte Instrumentals unter analytischen Lyrics ad absurdum. Zwischen Abgrund und Aufstieg, Hoffnungslosigkeit und Zuversicht. Das Musikjahr 2026 ist eröffnet. Und Sounds! verlost jeden Abend Vinyl und CDs des ersten Albums der Woche im 2026: Dry Cleaning «Secret Love».

660. Today we're joined by writer and cultural historian Brian Fairbanks, author of “Wizards: David Duke, America's Wildest Election, and the Rise of the Far Right.” In this book, Fairbanks delivers a vivid account of David Duke's 1991 run for governor of Louisiana — a campaign that shocked the country and revealed how extremist politics could slip into the mainstream. Through sharp reporting and a storyteller's eye, he reconstructs the chaos, the media frenzy, and the deeper social tensions that made that election a turning point in modern American politics. Fairbanks brings that same clarity to a very different American saga in “Willie, Waylon, and the Boys: How Nashville Outsiders Changed Country Music.” Here he traces the rise of the outlaw movement, showing how Willie Nelson, Waylon Jennings, and their circle pushed back against Nashville's rigid studio system and reshaped the sound and soul of country music. He explores the rebellion, the artistry, and the cultural moment that allowed these musicians to redefine authenticity and leave a lasting imprint on American music. Beyond these two major works, Brian Fairbanks has built a reputation as a writer who connects individual stories to the larger forces shaping American life. Now available: Liberty in Louisiana: A Comedy. The oldest play about Louisiana, author James Workman wrote it as a celebration of the Louisiana Purchase. Now it is back in print for the first time in 222 years. Order your copy today! This week in the Louisiana Anthology. Heloise Hulse Cruzat wrote an article on the history of the Ursuline Nuns in New Orleans.      You have been told in eloquent periods of the founding of New Orleans, of its subsequent development, and I am to be the humble interpreter of another intimate chapter of its history: THE SHARE WOMEN TOOK IN ITS ESTABLISHMENT.      Can we mention the French colonial days without recalling the URSULINES, who by their unfaltering courage and their steady and efficient work, incorporated their history into that of our fair city.      Bienville realized that New Orleans would never attain his dream of greatness without education, and especially such an education of the female youth as would give worthy wives and mothers to the colonists. With this end in view, he intrusted to the Jesuit, Father de Beaubois, the care of choosing these educators. How successfully this mission was accomplished by his selection of the Ursulines of Rouen, the two past centuries have demonstrated.       A contract was signed by the Company of the Indies and the Ursulines, approved by brevet signed by Louis XV, and on February 22nd, 1727, Mother St. Augustin, Tranchepain, with eight professed nuns, a novice and two postulants sailed on the Gironde from L'Orient. This week in Louisiana history. January 9, 1877 Both Democrat Francis T. Nicholls and Republican Stephen B. Packard claim victory in election for governor; both take oath of office. This week in New Orleans history. Andrew Jackson arrived on board the steamer “Vicksburg” on January 8, 1840 at ten o'clock in the morning, landing at the Carrollton wharf, where an immense throng had assembled to welcome “the most distinguished citizen of the country.”  The specific reason for his presence was that a cornerstone was to be laid, commemorating his victories in the Battle of New Orleans, a quarter of a century before. General Jackson laid the cornerstone in the Place d'Armes, on January 9, 1840. It was not until some years later that the monument decided upon was the one of Jackson, designed by Clark Mills, which stands in the center of the ancient parade grounds for the troops. This statue has been called the “center piece of one of the finest architectural sittings in the world.” (NOPL) This week in Louisiana. January 10, 2026. Fools of Misrule Parade Historic St. John District Covington Marchers will follow the “Lord of Misrule” in a medieval-themed procession. The January 10, 2026 Route & Key Stops The parade follows a traditional path through downtown Covington with key festivities: Start: Seiler Bar (434 N. Columbia St.) following the members-only “Feast of Fools.” Stop 1 (The Crowning): The procession marches to the Covington Trailhead (419 N. New Hampshire St.) to crown the “Lord of Misrule.” Stop 2 (The Carouse): Revelers, flambeaux, and brass bands march along New Hampshire Street to Boston Street. Stop 3 (The Watering Holes): The krewe heads north along Columbia Street, stopping at local restaurants and pubs. End: The march concludes back at the Columbia Street Tap Room & Grill. Website: foolsofmisrule.org Email: membership@foolsofmisrule.org Phone: (985) 893-8187 St. John Fools of Misrule 434 N. Columbia St. Suite H20 Covington, LA 70433 Note for Listeners: While public, this march has a rowdy “pub crawl” atmosphere. Families should aim for the Trailhead crowning for the best experience with kids. Postcards from Louisiana. Crescent City Brewhouse. Listen on Apple Podcasts. Listen on audible. Listen on Spotify. Listen on TuneIn. Listen on iHeartRadio. The Louisiana Anthology Home Page. Like us on Facebook. 

Random Lyrics that everyone gets wrong. If you like singing songs out loud, or going to Karaoke, you may want to make sure you are getting the lyrics right. Tune in as we talk about popular song lyrics that people get wrong. 

We’re looking forward to Taylor Frankie Paul’s season of The Bachelorette and there have been some major developments!Ashley has some boots on the ground reporting after working with Taylor on an ad campaign recently. Find out what she thought!!Taylor's 2025 recap post may have revealed some secret details about the cast of her season. Ben and Ashley break it all down. See omnystudio.com/listener for privacy information.

In this solo episode of the Ern & Iso Podcast, Ern explores the long-running hip-hop debate around lyrics versus production. Using Nas and Jay-Z as a comparison point, the discussion focuses on how beat selection, producer relationships, and sonic direction influence replay value, cultural reach, and long-term perception.The episode examines why some highly lyrical artists are praised but not consistently replayed, how production helps music travel beyond core hip-hop audiences, and why fan loyalty can sometimes resist artistic evolution. Ern also discusses producer impact, listener behavior, and whether hip-hop fans are honest about how they consume music.This episode is for listeners interested in hip-hop culture, music criticism, production theory, and thoughtful debate about what really makes records last.4️⃣ TIMESTAMPS00:00 Introduction03:45 Why this take sparked backlash08:12 Jay-Z vs Nas as a production discussion, not a rivalry13:40 Why beats shape replay value18:55 Producers Nas rarely collaborated with24:30 How production helps music travel29:10 Lyrics loved vs beats criticized34:20 Fan loyalty vs honest critique39:05 Do fans want evolution or confirmation?44:30 Final thoughts on beats, lyrics, and legacy

and bill is a real estate novelist!

Lyrics by Zeph E Daniel (Exist) [Verse] grow your own atmosphere not far from here beyond the ice wall beyond singularity beyond time limits [dub breakdown] [Verse] Lost in the bubble Time for trouble I am the revolution I ascend because I'm rejected Chosen just like elected [Prechorus] Saddle up you are going to sink Beneath the cities cast in ink Behold the golden circle of gold is nothing but visions of old In a world about to fold [Chorus] Electronic thoughts it's all a maze wiring my heart declined the spark when you live in a glass cage throwing rocks on the main stage then you'll know about the early grave [Bridge] Racing fingers shattered screen Icy moves vut sight unseen Synthetic dreams the temptress now Resist her glitter and gold extremes or lose all your dreams. [Repeat Chorus]

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Songs have a way of making us see and feel things unlike other forms of writing, which is why so many of us treasure the words of lyricists. And when it comes to early Christianity, no songs were more treasured and influential than those of Romanos. This week, Danièle speaks with Thomas Arentzen about the life and works of Romanos the Melodist, why his work is so important to the history of Christianity, and how this legendary lyricist wrote about women.This podcast is made possible by the generous support of listeners like you! To find out how to help spread the joy of medieval history, please visit patreon.com/themedievalpodcast

In this playful Clap for Classics! episode, Miss Elizabeth and Forte the Lion invite young listeners to move, sing, spin, and play through classic nursery rhymes and delightful classical music. This episode is part of our Course Preview Season, where we share sample activities from our popular Rhymes & Games course—designed to help children learn musical concepts through joyful, low-pressure play. Free Resource for This Episode: Enhance your listening experience with our Rhymes & Games Movement Pack, which includes: Lyrics to featured nursery rhymes Simple movement and rhythm ideas Tips for engaging with Bizet's Children's Games

“Is it metal? Or is it NOT metal?”   As metalheads, we've all heard some variation of this argument at least once in our lives, and the further down the rabbit hole we go, the more we truly reflect on what makes something obviously metal or obviously NOT metal.    “Fish teeth is metal as fuck…”   What's the lyrical content like? The darker the subject matter, the more metal it is. Lyrics about love and happiness might be considered less metal than lyrics about drugs and wizards, or other more doom and gloom topics.   “If it was distorted as fuck, then it would be metal. But it's not, so it's rock and roll…”   How about production? How does it sound? Is it distorted and heavy? Is it really fast or extremely aggressive? More distortion and more speed in the sound equals more metal.    “He's getting high with a wizard, dude…that's pretty metal…”   Many of us who grew up with the likes of Ozzy, Dio, and Motley Crue in the early 80's could easily tell when the boundaries started to shift between rock and metal. And of course, those are the easiest artists to reference as they each capture the majority of the traits that inherently make them metal artists: intensity and attitude, darkness and speed, distortion and heaviness.   “When I think of metal, I think of…Metal Church…”   There are some instances where it's obvious whether or not something is metal (or not), and there are some where it's not quite as cut and dry. So, if you'd like to get our take, be sure to JOIN US (along with our special guest for this episode, Mr. Bonerman) deep in The Bunkerpoon as we attempt to settle the great debate of METAL? OR NOT METAL? (because THAT is the question).  Visit www.metalnerdery.com/podcast for more on this episode Help Support Metal Nerdery https://www.patreon.com/metalnerderypodcast Leave us a Voicemail to be played on a future episode: 980-666-8182 Metal Nerdery Tees and Hoodies – metalnerdery.com/merch and kindly leave us a review and/or rating on your favorite Podcast app Follow us on the Socials: Facebook - Instagram - TikTok Email: metalnerdery@gmail.com Can't be LOUD Enough Playlist on Spotify Metal Nerdery Munchies on YouTube @metalnerderypodcast Show Notes: (00:01): “I think that's definitely metal…” / #Krokus / “I said come…you said back…”/ #onetake / Some Christmas movie leftovers…/ #ChristmasVacation #HomeAlone / “He was beating on your Ethan?” / “You're about to be cross trained, dude…”/ ***WARNING: #listenerdiscretionisadvised *** / ***WELCOME BACK TO THE METAL NERDERY PODCAST!!!*** / “Possibly soon to be something else maybe…”/ #Bunkerpoon2026 / “The only thing useful that I've learned in 53 years…”/ #OneLineADay / #simulation / “I've got a lot to look forward to…”   (06:36): SOCIAL MEDIA US at #metalnerderypodcast on #Instagram #Facebook #YouTube and #TikTok / PATREON US at patreon.com/metalnerderypodcast / “We don't show our tits or anything…(yet)”/ “Oh…The Metal Nerdery calendar…” / #ThrashOfTheTitans / “It's the old Roxy…” / “Alright…you're fired.”/ “Hell to the naw, naw, naw…”/ “That fits perfectly…”/ “It's a Tuesday night…”/ “It's Mr. Bonerman…”   (12:49): “Metal, or NOT Metal!? THAT is the question!!!” / #TheDocket METAL NERDERY PRESENTS:  METAL? OR NOT METAL? / “Is it on the edge? Is it metal? Is it not metal? Is rock metal? Is light beer ‘beer'? Is nonalcoholic beer ‘beer'? / “Rock seems kinda like the lite beer of metal…”/ “Metal is heavier…and angrier…” / “If you dial it all the way back, it's all blues, right?”/ “Think of songs you're not sure of…like we don't know their pronouns…”/ #BeavisASMR / “This song is definitely gonna get us flagged…”/ #MetalOrNotMetal / #DeepPurple SMOKE ON THE WATER (Machine Head – 1972) / “When I think of metal, I think of #MetalChurch …”/ #BlackSabbath DIRTY WOMEN (Technical Ecstasy – 1976) / “That's more metal than what we just listened to…”   (22:49): #NIN TERRIBLE LIE (Pretty Hate Machine – 1989) / “If we're using heaviness, and intensity, and darkness…”/ “It's like Bob Ross coloring only in neons…”/ #FaceDownAssUp / #SugarRay MEAN MACHINE (Lemonade And Brownies – 1995) / #sixseven / “#Motorhead IS metal…”/ #Mountain MISSISSIPPI QUEEN (Climbing! – 1970) / “It's gonna sound great in post…”/ #RamJam BLACK BETTY (Ram Jam – 1977) / NOTE: Black Betty was originally written by Huddie Lead Belly Ledbetter / “This is a little bit…just a touch heavier than rock ‘n' roll…”/ “If you stroke broadly…”   (33:22): “I'm gonna go more modern…me and the wife argue about this…”/ #FallingInReverse POPULAR MONSTER (Popular Monster – 2024) “Alright, play God is a Weapon…they got shit that is metal…” / #FallingInReverse GOD IS A WEAPON / “I saw the eyebrow raise…”/ “Hold on, play Bad Girls Club…”/ BAD GIRLS CLUB  “That was not even close…” (37:16): #UriahHeep THE WIZARD (Demons and Wizards – 1972) / NOTE:  Long Haired Country Boy by The Charlie Daniels Band came out in 1974 / “He's getting high with a wizard, dude…that's pretty metal…”/ “Hair metal bands…are those bands metal?”/ “Wait a minute…you just did 3 Falling in Reverse songs that were NOT metal…”/ “Fish teeth is metal as fuck…”/ #LedZeppelin ACHILLES LAST STAND (Presence – 1976) / “If it was distorted as fuck, then it would be metal. But it's not, so it's rock and roll…”/ “I'm sorry, what was that?”/  “Is it a monkey…or a chimpanzee?”/ “That and the breakdancer…”/ #AldoNova MONKEY ON YOUR BACK (Subject…Aldo Nova – 1983) / “You think THAT is more metal than Fantasy?”/ “Metal? Or NOT Metal?”/ #Weezer HASH PIPE (The Green Album – 2001) /  “I got more thoughts now…” / “You've gotta have attitude…extremes is what we're talking about…”/ #TheKinks YOU REALLY GOT ME (Kinks – 1964) / “They were shooting coke and heroin…and ropes…”/ #BlueCheer SUMMERTIME BLUES (Vincebus Eruptum – 1968) / “You add more distortion to that and they're opening for #Sleep …”/ “Is Bon Jovi metal? You throw his voice on that, and that's Bon Jovi…”   (54:44): #Heart BARRACUDA (Little Queen – 1977) / “It's almost Achilles Last Stand…”/  “More metal than #KISS?”/ “You know Nancy was in Fast Times At Ridgemont High…”/  “That's gotta be Joe Walsh in the background…”/ “OMG, her sweater reminds me of a great joke…what's the difference between pink and purple?”/ “We're gonna have to do a few episodes of this…”/ “It's kinda like how death metal was…it wasn't really thrash but it was something beyond thrash…”/ #BlueOysterCult GODZILLA (Spectres – 1977) / #Cream SUNSHINE OF YOUR LOVE (Disraeli Gears – 1967) / “He must have done all the acid…”/ “This is Vol. I…”/ #DefLeppard STAGEFRIGHT (Pyromania – 1983) / “Let's pick the least metal Slayer song…”/ EMAIL US at metalnerdery@gmail.com VOICEMAIL US at 980-666-8182!!! / #untilthenext #outroreel

Sindri and Rowena are ambushed by Soren and his team in a bloody battle for the ages. Story by Travis Vengroff (Game Master) Produced, Edited, and with Sound Design by Travis Vengroff Executive Producers: Dennis Greenhill, Carol Vengroff, AJ Punk'n, & Maico Villegas Mixing and Mastering by Finnur Nielsen Transcriptions by Travis Vengroff Cast: Narrator / Game Master – Travis Vengroff Balmur – Jeff Goldblum Father Sindri Westpike – Eyþór Viðarsson Rowena Granitepike – Hem Brewster Lirril – Tanja Milojevic Elias "Payne" Embertree – Drew Tillman Soren Arkwright – Peter Joeseph Lewis Ildrex Mystan – Russ D. More Glom Vogelberg – Sean Howard Gaelle Vogelberg – Holly Billinghurst Music: (in order of appearance) Music Director / Arranged by - Travis Vengroff Music Engineer (Musiversal) - Gergő Lá "Theme of the Realmweaver" – Written and Mixed by Steven Melin, Orchestrated by Christopher Siu, with Additional Copyist Catherine Nguyen, Violin by Matheus Garcia Souza, Budapest Strings Recorded by Musiversal, Choir Recorded by Budapest Scoring "Valor" – Written by Nobuo Uematsu & Steven Melin, Orchestrated and Mixed by Steven Melin, Lyrics & Translations by Travis Vengroff & Florian Seidler, Budapest Strings, Choir, and Brass recorded by Musiversal "Conspiracy" Written and performed by Brandon Boone, orchestrated by Christopher Siu & Catherine Nguyen, Budapest Strings (orchestra) recorded by Musiversal, Budapest Choir Recorded by Budapest Scoring, mixed by Steven Melin "Unchecked Ambition" - Co-Written by Travis Vengroff, Co-Written, Orchestrated, and Mixed by Steven Melin, Other credits match ^ "Dark Dice The Musical Excerpt" - by Steven Melin and Mike Pettry "Sufferers' Cant" Written by Hitoshi Sakimoto, Orchestrated by Steven Melin, Copyist Catherine Nguyen, Lyrics by Travis Vengroff & Florian Seidler, Feat. Matheus Souza Garcia (Violin), Kristin Kaigus (Woodwinds), Andrew Dunn (Cello), Johannes Geworkian Hellman (Hurdy), Kyle Paxton (Dulcimer), Budapest Strings, Budapest Choir, & Budapest Brass by Musiversal "The Lucky Die Intro" - Written and Performed by Neil Martin of Blighthouse Studio, Budapest Choir by Musiversal "Sheila" & "Secret Water" - Written and Performed by Dark Fantasy Studio "A Plot Most Sinister" & "Lament" - Written and Performed by Josh Barron "Sun for Grandpa" - Harp Performed by Steven Melin"Danse Sanguis" - Written and Performed by Steven Melin, and Travis Vengroff, arranged and performed by Steven Melin, with Cello by Sam Boase-Miller, and stock media provided by avinograd/ Pond5, Written and Performed by Andrey Vinogradov "The Silent Clan" - Arranged by Travis Vengroff, Performed and Written by Steven Melin "Empty Hearts" & "Danse Silencieuse" – Arranged and Performed by Travis Vengroff with Cello by Sam Boase-Miller and stock media provided by avinograd/ Pond5, Written and Performed by Andrey Vinogradov Dark Dice art by Allen Morris with lettering by Kessir Riliniki This is a Fool and Scholar Production. For early episodes and bonus content join us at: ⁠⁠⁠⁠⁠https://www.patreon.com/FoolandScholar⁠⁠⁠⁠⁠ Check out our Merch: www.DarkDice.com Free Transcripts are also available: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/posts/dark-dice-22460850⁠⁠ Special Thanks to: Our Patreon supporters! | Hem Brewster | Our Fool & Scholar Discord Lampreys! | Carol Vengroff Content Warnings: Agency (Loss of), Animal people (harm to), Death, Feelz (you may cry), Gaslighting, Loss (Familial), Mind Control, Murder Learn more about your ad choices. Visit megaphone.fm/adchoices

Ben uses Kelly's Christmas gift against her with the Guess the Lyrics game! We call the mayor of Louisville, Ohio to get a definitive answer on WHICH Louisville was shouted out on "Stranger Things"! Plus when did you feel old?

“Redeeming the Time: Wisdom for a New Year” - a lesson that reminds us of our responsibility is to steward the time we've been given by God, and that starts with seeing that every season of life has been appointed by God as a blessing from His hand to that end. Music: “The Insanity of Vanity, part 5 (Ecclesiastes 3:1-15).” Lyrics by Toby Logsdon. Performed by “Crimson Covenant.” Copyright ©TobyLogsdon, 2026

Kimberly Rockwell, Dawn "Sam" Alden and Lauren Torres talk about the music that shaped their youth. The songs we scream-sang, and those that comforted us when we were heartbroken - did we ever really listen to the lyrics? Music has power to teach, and words set to music stick in our heads. What were we absorbing when we were young, what were we being taught by the music on the radio?

659. John C. Rodrigue joins us to discuss his research on the Civil War and Reconstruction. John is a prominent historian specializing in the U.S. Civil War and Reconstruction, known for his deep focus on slavery, emancipation, and the Lower Mississippi Valley, with key books like Reconstruction in the Cane Fields and Freedom's Crescent, exploring how the war transformed Southern society and Lincoln's evolving views on Reconstruction. He's recognized for meticulous research and contributions to understanding the complex transition from slavery to free labor, earning awards like the 2024 John Nau Book Prize for his 2023 work. Now available: Liberty in Louisiana: A Comedy. The oldest play about Louisiana, author James Workman wrote it as a celebration of the Louisiana Purchase. Now it is back in print for the first time in 222 years. Order your copy today! This week in the Louisiana Anthology. Richard Emmons wrote an "Epick Poem" about the Battle of New Orleans: "Now when the States with soul-abhorrence saw Britain's design to wage a Vandal war — That spoils and rapine fill'd her heart with joy — That all her thoughts were loosen'd to destroy, — One voice from Florida to Maine was heard, To rise in panoply and draw the sword — Grace, Hampton, Norfolk, Baltimore — of late, Urg'd their uniting with unbroken weight, To guard their cities smiling on the sea, From the rude grasp of spoiling Royalty. This week in Louisiana history. January 2, 1860 Seminary of Learning of the State of Louisiana near Pineville, Louisiana opened with Col. William Tecumseh Sherman as superintendent, would later become LSU, Seminary opens with five professors and 19 cadets This week in New Orleans history. Troy Andrews (born January 2, 1986), also known by the stage name Trombone Shorty has worked in jazz, funk and rap music. Andrews is the younger brother of trumpeter and bandleader James Andrews as well as the grandson of singer and songwriter Jessie Hill. Andrews began playing trombone at age six, and since 2009 has toured with his own band, Trombone Shorty & Orleans Avenue. This week in Louisiana. Carnival season begins in Louisiana on 12th Night of Christmas, January 6, 2025 Joan of Arc Parade French Quarter New Orleans Floats will focus on Joan of Arc's life. The 2026 Route & Key Stops The parade follows a specific path through the French Quarter with three traditional “stops” for pageantry: Start: Corner of Bienville and Front Streets. Stop 1 (The Toast): A toast to the royalty from the balcony of the Historic New Orleans Collection (416 Chartres St). Stop 2 (The Blessing): The blessing of Joan's sword. Due to ongoing construction, this may take place at St. Mary's Church at the Old Ursuline Convent rather than the Cathedral. Stop 3 (The Birthday Song): A pause at the golden Joan of Arc statue (Place de France) on Decatur Street to sing “Happy Birthday.” End: The crowning of the King and a public King Cake ceremony at Oscar Dunn Park. Website: joanofarcparade.org Email: joanofarcparade@gmail.com Phone: (504) 251-5046 The Joan of Arc Project 7330 Sycamore St. New Orleans, LA 70118 This event is family friendly. Postcard from Louisiana. Delfeayo Marsalis & Doreen at Snug Harbor.  Listen on Apple Podcasts. Listen on audible. Listen on Spotify. Listen on TuneIn. Listen on iHeartRadio. The Louisiana Anthology Home Page. Like us on Facebook. 

It's Friday, January 2nd, A.D. 2026. This is The Worldview in 5 Minutes heard on 140 radio stations and at www.TheWorldview.com.  I'm Adam McManus. (Adam@TheWorldview.com) By Adam McManus Nigerian Muslims killed 14 in Adamawa State Fourteen Nigerians are dead, and four are missing after Boko Haram, a Muslim terrorist group, attacked three villages on the evening of December 29th in Adamawa State, reports International Christian Concern. In addition, numerous homes and businesses were vandalized or burned in the attacks, which struck the villages of Zah, Mubang Yadul, and Kijing. Many villagers fled for their safety. The attackers reportedly fled into the bush before security personnel arrived. The attacks, which occurred days after the U.S. struck ISIS-affiliated Muslim militants in northwest Nigeria, were the latest in a string of assaults on villages in the area to occur around Christmas. MN employees: "Gov. Tim Walz is 100% responsible for massive fraud." Republican Senator John Kennedy of Louisiana took to the Senate floor to address how it's possible that Somalis in Minnesota were able to defraud taxpayers to the tune of $1 billion, possibly $9 billion, through fake non-profits. KENNEDY: “Here's what the Legislative Auditor in Minnesota said: ‘The threat of litigation and the negative press affected how the state politicians use their regulatory power.' “And here's what a fraud investigator in the Attorney General's office said: ‘There is a perception that forcefully tackling this issue would cause political backlash from the Somali community, which is a core voting block for Democrats.' “One of the other witnesses in the fraud investigation said, ‘Look, the 80,000-voting block folks with Somali ancestry, you got to have their votes to win in Minneapolis. And if you're a Democrat, if you can't win Minneapolis, you can't win in the state.' So, the politicians did nothing.” Senator Kennedy quoted from a social media post in which hundreds of employees of the Minnesota Department of Human Service weighed in. KENNEDY: “Don't just take my word for it, and don't blame the state employees. They tried. In fact, recently the state employees, they just said, ‘Look, we've had enough.' Several hundred employees from the Minnesota Department of Human Service, who administered this program, they posted this. I'm quoting now. '[Democratic] Governor Tim Walz is 100% responsible for massive fraud in Minnesota. We let Tim Walz know of fraud early on.' That's employees talking, hoping for a partnership and stopping fraud. ‘But no, we got the opposite response. Tim Walz systematically retaliated against whistleblowers.'” Jeremiah 9:6 says, “'You live in the midst of deception; in their deceit they refuse to acknowledge Me,'” declares the LORD.” Additional massive fraud at Somali-run day care centers in Minnesota In a related story, YouTuber Nick Shirley, age 23, has exposed what appears to be massive additional fraud in taxpayer-subsidized, Somali-run day care centers. This has prompted the Department of Health and Human Services to announce that it is derailing the $185-million gravy train.  HHS Deputy Secretary Jim O'Neil said on X, “We have frozen all child care payments to the state of Minnesota,” reports The Blaze. O'NEIL:” “Intrepid journalists have made shocking and credible allegations of extensive fraud in Minnesota's child care programs. We believe the state of Minnesota has allowed scammers and fake day cares to siphon millions of taxpayer dollars over the past decade.” Muslim NYC Mayor sworn in with Quran Incoming New York City Mayor Zohran Mamdani took his New Year's Eve oath of office on his grandfather's Quran and a 200-year-old Quaran from the New York Public Library. It marked the first time a New York City mayor used Islam's misguided text to be sworn in, reports the Associated Press. The 34-year-old Democrat became mayor in a long-closed subway station beneath City Hall, the first Muslim, the first South Asian and the first African-born person to hold that position. Most of Mamdani's predecessors were sworn in on a Bible, although the oath to uphold the federal, state, and city constitutions does not require the use of any religious text. In addition, Republican Senator Ted Cruz of Texas has directly labeled Mayor Mamdami a Communist.  Posting on X, Cruz wrote, “When communists rule, individual rights—invariably—are taken away.” Listen to the Big Apple Mayor's own words. MAMDAMI: “We will replace the frigidity of rugged individualism with the warmth of collectivism.” CT Governor to give $10 million to abortion giant Planned Parenthood Connecticut Democrat Governor Ned Lamont has announced he intends to give $10.4 million of taxpayers' money to Planned Parenthood of Southern New England, in order to compensate for Trump's decision to defund the abortion giant, reports LifeSiteNews.com. The Connecticut Mirror reported the governor's latest spending proposal, part of $41 million to make up for lost federal funds for a variety of so-called “services,” bringing the total committed for that purpose up to almost $168 million. Parents: School cancels Christmas concert over “Jesus” lyrics And finally, parents in Fonda, New York are furious after the annual elementary school Christmas concert was canceled. Many suspect it's because a teacher was offended by the name of Jesus, reports Christian talk show host Todd Starnes. Children at Fonda-Fultonville Elementary School had worked very hard to learn songs for the concert.  But there was one particular song that caused a bit of controversy. The song is called, “Oh, What a Special Night” and it tells the birth of Christ from the perspective of the animals around the manger scene. At the end of each verse, the children sang, “Thank you God for Baby Jesus.” The school district confirmed that the song was removed from the concert under guidance from their legal department.  Shortly after that, the concert was canceled. On Facebook, one parent wrote, “So tired of this woke culture, where one parent can call in and complain, and ruin it for the entire district.” Another said, “It is CHRISTmas. If someone doesn't agree with that, then they don't need to participate, and their parents don't need to attend. … The school has ruined the countless hours of practice the other kids have put in, as well as the joy and excitement they feel when they see their families in the audience. All of that happiness has been taken away.” Isaiah 9:6 declares, “For unto us a Child is born, unto us a Son is given, and the government will be on His shoulders. And He will be called Wonderful Counselor, Mighty God, Everlasting Father, Prince of Peace." Close And that's The Worldview on this Friday, January 2, in the year of our Lord 2026. Follow us on X or subscribe for free by Spotify, Amazon Music, or by iTunes or email to our unique Christian newscast at www.TheWorldview.com.  I'm Adam McManus (Adam@TheWorldview.com). Seize the day for Jesus Christ.

Did you know "Here I Go Again" was originally released 5 years before it became a hit? This week on the BehindTheSong podcast, Janda breaks down the evolution of Whitesnake's signature tune—from its bluesy origins to its chart-topping 1987 reinvention.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Notes and Links to Cole Cuchna's Work     Cole Cuchna graduated from California State University with a degree in music composition. Cuchna graduated in 2015, pursued a short solo career, then worked as a barista. But his desire to bridge the classical and pop worlds persisted. He remembered his love of writing essays and conducting deep research about music. That coincided with the growing popularity of podcasting, which had been around for a decade. It was the perfect medium, he felt, for long-form analysis of an audio art.    Cole is the host and creator of Dissect Podcast, a music podcast which debuted in 2016. The podcast is renowned for its in-depth analysis of contemporary music. Dissect was named "Best podcast of 2017" by Quartz, and the following year was named "Best podcast of 2018" by The New York Times. Additionally, both Time magazine and The Guardian listed Dissect as one of the top 50 podcasts of 2018. 2025 marks the 13th season of Dissect.  Listen to Dissect Podcast   Watch Dissect Podcast on Netflix   Dissect Podcast Homepage   Dissect Podcast Wikipedia   Review of Dissect Podcast   At about 2:55, Cole explains plans for Dissect Podcast on Netflix, coming soon! At about 4:40, Cole responds to Pete's question about his own love of hip hop and transformative and formative music for him  At about 6:50, Cole underscores the “shared community” of skating growing up that welcomed “rappers” and “rockers” At about 8:30, Robin Branson, who put Pete on to Dissect (thanks, Robin), asks Cole about his view of himself as an “educator” At about 12:35, the two discuss Cole's research process and ideas of knowing the artist and his/her art At about 15:45, Pete shares a profound quote from Cole about the essence of music and music fandom At about 16:15, Cole responds to Pete's question about how he listens to music differently (or not) since he has become  At about 17:20, Cole expands upon the genesis for the podcast, dealing with Kendrick Lamar's To Pimp a Butterfly and his daughter's birth At about 19:00, a discussion of possible future hip hop heads alludes to a classic video At about 20:00, Cole outlines his average research time and his early research in the early days of the podcast At about 20:45, Cole explains what skills he had already developed in college music composition, and what skills he has learned/used in doing the podcast At about 22:20, Cole responds to Pete's question about how he picks an album At about 25:00, Pete details some of the great “subtlety and nuance” on the podcast At about 26:45, Cole expands on one of the show's “inside jokes” At about 27:45, Pete brings up “syncopation” in Radiohead's work in asking Cole about he balances sonic and lyrical jargon with digestible information for people who are not necessarily students of music theory  At about 32:15, Cole responds to Pete's question about what it's like to work with experts on individual artists in crafting his seasons  At about 34:25, Cole and Pete discuss the “side projects” that Cole has done involving standout artists and songs At about 36:20, Cole reflects on contemporary artists and his willingness to stay open to new sounds and talents At about 40:20, Cole talks about cool and beneficial feedback from the artists profiled on the podcast At about 41:40, Cole responds to Pete asking about “surreal” moments he's experienced in doing the podcast and offshoot projects  At about 42:40, Manifesting for a future Cole interview with Kendrick! At about 43:20, Cole shouts out the rapper who has “sealed the deal” for him as the G.O.A.T. At about 44:25, When's Frank Ocean gonna drop?      You can now subscribe to the podcast on Apple Podcasts, and leave a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, will be up at Chicago Review in the next week or so.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode features an exploration of children's literature on standout writers from the show, including Robert Jones, Jr. and Javier Zamora, as well as Pete's cherished relationship with Levar Burton, Reading Rainbow, and libraries.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 316 with Kiese Laymon, a Black southern writer from Jackson, Mississippi. He is the author of Long Division, which won the 2022 NAACP Image Award for fiction, and the essay collection, How to Slowly Kill Yourself and Others in America, named a notable book of 2021 by the New York Times critics. Laymon's bestselling memoir, Heavy: An American Memoir, won the Andrew Carnegie Medal for Excellence in Nonfiction, the Christopher Isherwood Prize for Autobiographical Prose, the Barnes and Noble Discovery Award, the Austen Riggs Erikson Prize for Excellence in Mental Health Media, and was named one of the 50 Best Memoirs of the Past 50 Years by The New York Times.    The episode airs on January 6.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.

In State of the Culture Pt. 1, the dynamic duo is back setting the tone and talking directly to the people. The conversation kicks off with gratitude for the listeners and a breakdown of why the show continues to grow—evergreen content over momentary trends. From reflecting on the success of the Diddy documentary breakdown to explaining why older episodes resurface and trend, Ern and Iso dig into what longevity in podcasting really looks like.The episode moves into a thoughtful discussion on public scrutiny, social media judgment, and accountability, using real-world examples to explore how visibility comes with both opportunity and backlash. The duo also touches on family, boundaries, and how the internet has changed the way people feel entitled to comment on others' lives.Later, the conversation lightens up with talk about Stranger Things, binge culture, and why watching something in real time versus years later creates completely different experiences. The episode wraps with Ern revisiting his thoughts on the Nas & DJ Premier album “Light Years”, clarifying his stance and engaging with listener feedback.As promised, this one is all over the place—but in the best way. Real talk, culture, music, media, and honest perspective all rolled into one.00:00 – Introduction & welcome back02:10 – Thanking listeners & Diddy documentary success04:30 – What “evergreen content” really means08:15 – Why old episodes start trending again12:05 – Social media judgment & public scrutiny17:40 – Accountability vs empathy in public life23:10 – Keeping family out of the spotlight28:45 – Internet culture & entitlement to opinions33:20 – Announcing Christmas live show & call-in plans36:50 – Stranger Things binge vs real-time watching45:30 – Shared viewing experiences & generational hype52:10 – Revisiting the Nas & DJ Premier “Light Years” album58:40 – Lyrics vs production debate & hip-hop nostalgia#StateOfTheCulture #ErnAndIso #PodcastTalk #HipHopCulture #EvergreenContent #MediaDiscussion #PodcastCommunity #CulturalCommentary #RealConversations #fyp #ernandiso4president