Podcasts about mccartney

Zach Heinzerling is an Academy Award-nominated and Emmy Award-winning director based in New York City. He began his career at HBO working on four consecutive Emmy Award-winning documentaries and the Emmy Award-winning series “24/7” as a Field Producer and Cinematographer. In 2012, he left HBO to complete his feature debut, the multi-award-winning film, “Cutie and the Boxer”, which he both directed and shot. “Cutie and the Boxer” was nominated for the 2014 Academy Award for Best Documentary Feature. The film also won a 2015 Emmy Award for Best Feature Documentary. In 2015 he was enlisted by Beyoncé Knowles-Carter to direct the five-part web series “Self-Titled” for her album, “Beyoncé.” In 2019 he directed an episode of “Dirty Money” for Netflix. In 2021, he directed the critically acclaimed 6-part series “McCartney 3,2,1” starring Sir Paul McCartney and Rick Rubin for Hulu. Salon called it “quite simply, the most engaging documentary ever made about the songwriting exploits of popular music's most successful composer.” His latest docu series entitled “Rafa” is a four part show for  HBO  that follows Nadal through his final professional season. He is also the director of  “Stolen Youth: Inside the Cult of Sarah Lawrence”  which the The New Yorker calls “a remarkable work, advancing the prestige true-crime genre's slow but steady reorientation toward centering victims,” while Variety raved “…with a startling rawness and directness, Heinzerling's work makes a case for itself as an unusually sensitive and strong outing in its genre.” Learn more about your ad choices. Visit podcastchoices.com/adchoices

This Legends episode spotlights Chas Chandler. He's the guy who turned Jimmy James into Jimi Hendrix. Here's the story. Chas Chandler was the bass player for the Animals, the ‘60s British Invasion band fronted by Eric Burdon, which had a string of hits in that era including “The House Of The Rising Sun”, “Don't Let Me Be Misunderstood”, “I'm Crying” and many others. They had a rougher, earthier sound than most of the other British Invasion bands. After tiring of touring nonstop with the Animals for very little money, Chandler left the band to became an artist manager. And then he got lucky. He discovered a young guitar player in a New York City club who played left-handed and who had something unique going on. He became his manager and took Jimmy James - as he was then known - to England, and introduced him to all the great English musicians. One night in particular all the greats came to see him live - McCartney, Clapton, Beck, Townshend - and they were blown away by his talent and ingenuity. Chandler put this guitarist together with two white English musicians, Noel Redding and Mitch Mitchell. And this trio emerged as the Jimi Hendrix Experience. When they came back to the U.S. they performed at the Monterey Pop Festival, and they became stars. Their first album, “Are You Experienced”, took the world by storm. Their sound was completely unique. And Hendrix's guitar playing was simply out of this world. They set off a musical Revolution. Chandler's enthusiasm, guidance and support helped fuel Hendrix during the early days. It was Chandler's idea, for example, for Hendrix to set his guitar on fire which became a staple of his live performances. Hendrix continued to soar and dominate the rock scene until his untimely death at age 27 in 1970. But keep in mind that all of this might never have happened without Chas Chandler, an unsung hero of the rock era.      

"This is the second to last Rock School show and I'm using it to pitch my 4th album, Widow Maker, which went live last week on Spotify and Apple Music. I hope you enjoy it and I hope to see you all next week for the final Rock School Show."

We continue our discussion on the Paul and Declan demos.    Marv relays details from recent conversations with Chris Whitten and Kevin Armstrong concerning playing on the McCartney and Macmanus demos.      We also present the beginning of our thoughts on the Rubber Soul Super Deluxe Edition (due October 2), particularly "Michelle (take One)" #madeonzencastr

durée : 00:43:36 - Les émissions culturelles de France Culture - par : Aliette Hovine - Il y a 60 ans, les Beatles sortaient "Revolver", album mythique et révolutionnaire. L'essayiste Pacôme Thiellement revient sur le destin des quatre musiciens de Liverpool. Puis, Rosie Broadley nous guide dans l'exposition "Eyes of the Storm" à Aix-en-Provence, à travers le regard de Paul McCartney. - équipe : Alexandre Fougeron, Olivier Bétard, Alban Peltier, Anne-Toscane Viudes, Théa Corler, Alice Puydebois, Louan Chailleux - invités : Pacôme Thiellement Écrivain, essayiste, vidéaste, Rosie Broadley Conservattrice au National Portrait Gallery, Londres Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Most leaders try to restore a struggling performer's confidence with a pep talk. It almost never works. When Jason McCartney had written himself off, a coach did something far more deliberate, and it pulled him back from the edge of walking away. The approach is simple, repeatable, and the opposite of what most people reach for. You can find Jason at his LinkedIn: https://www.linkedin.com/in/jason-mccartney-oam-b10a39217/ Use Code "PQPODCAST10" to get 10% off your Lumo Coffee order:https://lumocoffee.com/ Interested in sharing your story? Email Producer Shannon at support@performanceintelligence.com today with your story and contact details. Learn more about Andrew and Performance Intelligence: https://performanceintelligence.com/Find out more about Andrew's Keynotes : https://performanceintelligence.com/keynotes/Follow Andrew May: https://www.instagram.com/andrewmay/Watch the Performance Intelligence Podcast on Youtube: https://www.youtube.com/@performanceintelligencepodcastIf you enjoy the podcast, we would really appreciate you leaving a short review on Apple Podcasts, Spotify or Google Play. It takes less than 60 seconds and really helps us build our audience and continue to provide high quality guests.

Golden redemption for Eliza McCartney in the Women's pole vault at the Commonwealth Games in Glasgow. She's taking home her first major championship win after beating Australian favourite Nina Kennedy on count back after clearing 4 metres 65 in cold weather. Athletics commentator and former Olympian Sarah Cowley-Ross told Piney it was so wonderful to see Eliza on top of the podium after such a long journey in the pole vault. She thinks McCartney's entering the championships injury-free for the first time in a long time, and it really shows. LISTEN ABOVE See omnystudio.com/listener for privacy information.

"Every list of the best bands contains the same bands in the top 20 so I made a new list. I looked at several best band lists and eliminated those top 20 bands. My list gets rid of the obvious choices and gives many lesser known bands a chance. See what you think."

"Tammy and I have decided to retire from our jobs and also from creating the Rock School Radio show. I know this is the 744th show on PRX but it's actually our 997th show overall. We will do this show and three more, ending on our 1000th show. To that end, in this show we will announce some musicians who might be retiring soon themselves. We will list the oldest people touring this summer."

"For an experiment, I denoted the last ten generations and attempted to define the song of their generation. Some were easy and some quite difficult. I offer five possibilities first and then pick. See if I made the correct choice."

Rebecca Rechtszaid is a Harvard Law grad and former lead counsel for partnerships at Meta who now represents creators through her own firm. Her core message: if you're a creator, you're running an IP business whether you realise it or not, and most people only figure that out at the worst possible moment.In this episode, Rebecca breaks down the mistakes she sees over and over, from creators treating brand deals as gifts to co-creators with no paperwork discovering the camera operator legally owns the footage. We cover what the creator economy can learn from music (handshake deals, Lennon and McCartney, Prince's fight for his masters), why AI is making everything scarier (she reads TikTok's terms of service line by line), and the first legal moves every serious creator should make right now.An honest, occasionally alarming, and very practical guide to protecting the business you may not know you already have.Topics covered: creators as IP businesses · chain of title · lessons from music · AI clauses and likeness rights · trademarks · first legal steps for creators

The Iveys came together in Swansea in the early 1960s, with Ron Griffiths on bass alongside guitarist Pete Ham. Bill Collins took over as manager, and it was during their residency at the Marquee that Beatles aide Mal Evans caught their set and carried a demo tape to Apple. Live tapes, and dozens of demos have since been unearthed from the Golders Green house where they wrote and rehearsed. Ray Davies also took an interest and recorded a handful of their songs. Tony Visconti also produced, including Ron’s ‘Dear Angie.' For Badfinger's ‘Come and Get It' Paul McCartney read an interview where Ron complained the group got nothing from The Beatles, turned up at Golders Green with a demo, and told them to copy it exactly, no changes, this is the hit. At Abbey Road with McCartney producing, it was Ron who broke the rule with a Hendrix style bass run at the end of the take. McCartney kept it in. Not long after, a domestic row over late night noise waking his baby got Ron dropped from the group, right on the cusp of its biggest success. The tapes and demos have kept surfacing, and he’s now back on lead vocals for ‘Take Good Care of My Baby' on the new album Just Look Inside The Cover – Songs of Pete Ham. Further information Support The Strange Brew Ron Griffiths podcast tracks Podcasts also available: Bob Jackson – Badfinger, Joey Molland – Badfinger, The Beatles and Apple, Tony Waddington, Almost Beatles Songs This podcast is also available on Apple Podcasts, Spotify, YouTube, Google apps and all usual platforms The post Ron Griffiths – The Iveys/Badfinger appeared first on The Strange Brew .

Abrimos La Ventana de los Viajes con Paco Nadal, que este viernes nos habla sobre una ruta en bicicleta por Los Alpes. En La Ventana de americana hablamos sobre la 'taquitificación' de la gastronomía en Madrid con Fernanda Fernández, periodista hispanoamericana y compañera de A vivir que son dos días; Eileen  Truax, periodista mexicana y el chef ecuatoriano Miguel Ángel Méndez. Recibimos a Miguel Anómalo en su sección Multiverso para explorar la posibilidad de de que Lennon y McCartney  "no fuesen unos brasas". Por último, despedimos La Ventana con Voces de Alejandría.  

"I was talking about the Paul is Dead conspiracy theory in class one day and the students began asking me if I knew about THIS theory. And then THIS theory. We went on for 30 minutes and then I did some research. There were so many theories I had never heard of. Hopefully they are new to you as well. We have a long list."

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Asher remembers when Paul McCartney and John Lennon played “I Want to Hold Your Hand” for him for the first time. “I thought, am I losing my mind, or is this one of the best songs I've ever heard in my life?” McCartney, who was dating Asher's sister at the time, was living with his family. A new documentary, ‘Peter Asher: Everywhere Man,' chronicles Asher's life in the record industry. He spoke with Terry Gross about his own band in the British Invasion (Peter and Gordon), discovering James Taylor and launching Linda Ronstadt. Subscribe to our free weekly newsletter Follow us on Instagram Subscribe to our YouTube channel Check out the Fresh Air ArchivesSee pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

How can we design equitable employee benefits? Employee benefits dictate far more than basic health coverage – they're a fundamental indicator of financial security, holistic health, and overall workplace equity. Traditional plans often default to nuclear family frameworks that inadvertently disqualify equity deserving groups. By moving away from static, one-size-fits-all perks and implementing a strategic DEI lens, organizations can leverage usage data to build flexible coverage systems that shift from basic administrative compliance to a true corporate culture of human belonging. On this episode of Just One Q, Dominique chats with Kristin McCartney, Director of People & Culture at J.L. Richards & Associates. They discuss how employers can transition to data-driven, flexible frameworks when creating benefit plans. Kristin breaks down enhancements that benefit employees who are S2LGBTQ+, neurodivergent, Indigenous, first-generation professionals, or who practice certain religions. She argues that designing benefits for all signals a deeply supportive culture. Keep Up with Kristin: https://www.linkedin.com/in/kristin-mccartney-chrp-335336a6/ Try Learning Snippets: https://dialectic.solutions/signup Contact Us to Be a Guest on Just One Q: https://dialectic.solutions/podcast-guest

Asher remembers when Paul McCartney and John Lennon played “I Want to Hold Your Hand” for him for the first time. “I thought, am I losing my mind, or is this one of the best songs I've ever heard in my life?” McCartney, who was dating Asher's sister at the time, was living with his family. A new documentary, ‘Peter Asher: Everywhere Man,' chronicles Asher's life in the record industry. He spoke with Terry Gross about his own band in the British Invasion (Peter and Gordon), discovering James Taylor and launching Linda Ronstadt. Subscribe to our free weekly newsletter Follow us on Instagram Subscribe to our YouTube channel Check out the Fresh Air ArchivesSee pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Today begins our summer sermon series on the book of 1 John! Join us for the next several weeks as Pastor Joey leads us through 1 John. 

Why Great Architects Lose Great ClientsWhy great architects lose great clients often has little to do with design ability. In this episode, Bryon McCartney explains why many architecture firms struggle to communicate their value, even when their work is exceptional. He shares how firm owners can shift the way they position themselves and build stronger client relationships.Drawing from decades of branding and business experience, Bryon introduces a simple but powerful framework that helps architects move from being the hero of the story to becoming a trusted guide. As a result, firms can connect with better-fit clients and create a more effective sales process. He also explains why clear messaging is often the missing piece holding firms back from growth.Bryon also explores how architects can use proven business systems and emerging AI tools to scale with confidence. Along the way, he shares practical strategies that any firm owner can apply right away. If you want to build a stronger practice and attract better clients, this conversation offers a clear path forward.This week at EntreArchitect Podcast, Why Great Architects Lose Great Clients with Bryon McCartney. Connect with Bryon online at Archmark.co, check out The EA Academy Firm Fix, find him on Facebook, Instagram, and LinkedIn, or email him at bryon@entrearchitect.com. Please Visit Our Platform SponsorsARCAT makes finding architectural product information simple. Access specifications, CAD details, BIM objects, and sustainability documentation from thousands of manufacturers—all free, with no paywalls or registration required. Explore the platform architects trust every day at ARCAT.com.WeCollabify is one of EntreArchitect's trusted allied partners, helping architecture firms build capacity through integrated design, BIM, and technical professionals who work directly within your team. Their goal to help firm owners create the capacity they need to better serve clients, support their teams, and make confident long-term growth decisions. Learn more at WeCollabify.com/EntreArchitect.Visit our Platform Sponsors today and thank them for supporting YOU... The EntreArchitect Community of small firm architects.Mentioned in this episode:Unstruct

The first thing Jason McCartney asked for wasn't a doctor. It was a whiteboard. Badly injured and facing months in hospital, he didn't ask "why me?!". He set a goal, picked a deadline, and started working backwards, the same way he had for every season of his AFL career. What he learned about handling the moments that flatten everyone else is something most leaders never have to discover until it's forced on them.You can find Jason at his LinkedIn: https://www.linkedin.com/in/jason-mccartney-oam-b10a39217/ Use Code "PQPODCAST10" to get 10% off your Lumo Coffee order:https://lumocoffee.com/ Interested in sharing your story? Email Producer Shannon at support@performanceintelligence.com today with your story and contact details. Learn more about Andrew and Performance Intelligence: https://performanceintelligence.com/Find out more about Andrew's Keynotes : https://performanceintelligence.com/keynotes/Follow Andrew May: https://www.instagram.com/andrewmay/Watch the Performance Intelligence Podcast on Youtube: https://www.youtube.com/@performanceintelligencepodcastIf you enjoy the podcast, we would really appreciate you leaving a short review on Apple Podcasts, Spotify or Google Play. It takes less than 60 seconds and really helps us build our audience and continue to provide high quality guests.

(Rec: 24/12/24) Sweet wrappers, disliking Pink Floyd, hippy mistrust, celebrity weirdos, and McCartney in the pub and jail. Join the Iron Filings Society: https://www.patreon.com/topflighttimemachine and on Apple Podcast Subscriptions. Get a 7-day full access free trial and pay for 10 months up front for the price of 12 if you like a bargain. Hosted on Acast. See acast.com/privacy for more information.

Mimmo Di Marzio"Gli insospettabili"Da Goethe a David Bowie, la pittura come seconda vitaGiunti Editorewww.giunti.itGli acquerelli nostalgici di Hermann Hesse, i ritratti rock di Paul McCartney e David Bowie, i disegni erotici di Federico Fellini, i paesaggi della campagna inglese di Winston Churchill, le litografie pop di Johnny Deep. Tanti personaggi celebri, un'unica (quasi) segreta grande passione: la pittura. Quasi un saggio romanzato, il libro racconta la storia umana e psicologica di coloro che non hanno saputo accontentarsi della propria celebrità nella letteratura, nello spettacolo o nella politica, ma hanno cercato e trovato sulla tela la via per raggiungere il proprio equilibrio interiore. Questa “necessità pittorica” ha in molti casi generato risultati sorprendenti, al punto che oggi molti di questi artisti paralleli sono finiti nelle collezioni dei musei o nelle grandi collezioni private. Il libro si snoda attraverso una serie di ritratti che narrano, non senza aneddoti divertenti e immagini delle opere, il percorso avventuroso da outsider nell'affascinante mondo dell'arte.Mimmo Di Marzio è giornalista, critico d'arte, curatore e pittore. Da molti anni firma le pagine culturali de Il Giornale, dove si occupa di arte e di mercato dell'arte. È stato docente di Editoria per l'Arte all'Accademia di Brera e ha al suo attivo numerosi saggi critici. Come curatore ha firmato mostre in sedi prestigiose — tra cui il Castello Sforzesco di Milano (Homo Faber), lo Spazio Oberdan e la Fondazione Stelline — spaziando dall'arte contemporanea alla street e lowbrow art. Affianca all'attività critica una propria ricerca pittorica, presentata in personali come Vite parallele. Nel maggio 2026 ha pubblicato per Giunti Gli insospettabili. Da Goethe a David Bowie, la pittura come seconda vita, saggio narrativo dedicato a personaggi celebri che hanno coltivato l'arte come "seconda vita" creativa.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

"When you listen to Van Halen or Extreme or Steely Dan you expect a great guitar solo. The point of this show is to offer some examples of totally unexpected solos. These are solos in a song or a genre or by an artists that it seems to be coming out of nowhere. "

In this episode, we've collected listener feedback on Paul McCartney's The Boys of Dungeon Lane, summarizing four core themes: the album as a slow burner that rewards repeat listens, praise as a surprising triumph for his age, debates about vocal tone and production, and a perceived lack of McCartney-style whimsy.  We also highlight listener comments on standout tracks (e.g., "Life Can Be Hard"), track-by-track reactions, and a discussion of album variants and collector culture, concluding that overall fan response is positive and emotionally resonant. -Check out albums to buy, including The Boys of Dungeon Lane, in our Amazon store! (As an Amazon Associate we earn from qualifying purchases)   -Feel free to email or record a message about this episode to ivegotabeatlespodcast@outlook.com and we'll include you in our "Please Mr. Postman" segment. Try using Vocaroo for an audio message! -Also, please comment on, like, and rate us wherever you listen to your podcasts. You can now watch us on YouTube! Complete episodes can be found at https://ivegotabeatlespodcast.podbean.com. Email: ivegotabeatlespodcast@outlook.com X: @ivegotabeatles Facebook: I've Got A Beatles Podcast Check out our non-Beatles video venture: "Song Album Career!"  

Rick McCartney, candidate for Arizona's 1st Congressional District. Rick is the first democratic candidate to enter the center ring. He talks about the plan he has for Arizona if he wins.

"Back on May 31st Black Crowes frontman Chris Robinson chided an audience for chanting USA. Much of the audience then walked out. I wondered if this had happened before and it certainly did. We have multiple examples of an audience turning on the performer and vice versa. For many we have the audio from the stage."

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! A falta del Disco Estrella, os traemos una playlist fresquita para el verano con videntes, gurus y vendemotos que se estrellaron en sus pasos por el mundo de la canción. El asombroso Criswell con sus profecías musicadas, Uri Geller arropado por el arreglista de McCartney, Paco Porras homenajeando a las amas de casa, el Penumbra aflamencao, Tony Kamo dándole al italo-disco, Sandro Rey perreando y hasta Esperanza Gracia se marca un rap. ¿Los preferís prediciendo el futuro o delante del micro? Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Did Phil Collins contribute more to Paul McCartney's Press To Play than many fans realize?In this highlight from my conversation with author Luca Perasi, we explore the fascinating connections between Phil Collins and McCartney's 1986 album Press To Play. From Phil's officially credited performances to the possibility that his influence may be heard elsewhere on the record, this is one of the most intriguing stories behind one of McCartney's most misunderstood albums.Listen to the full interview with Luca Perasi for a deeper dive into the making of Press To Play, the Hugh Padgham collaboration, and the album's lasting legacy.