Podcasts about mccartney

The guys are on a brief hiatus this week, but we proudly present this all-time favorite of ours from back in 2021! ----- Originally released August 14 and 21, 2001 Not every Lennon and McCartney tune made its way onto a Beatles record, but that didn't mean they had to hide away gathering dust, only to be released on some future 20-disc rarities box set. The greatest songwriting duo in history also kicked some of their work over to other artists making their names in the 60s—Billy J. Kramer and the Dakotas, Cilla Black, the Fourmost, some scrappy Londoners calling themselves the Rolling Stones, etc.—and this week T.J. and Tony share some of their four-fab faves the Beatles gave away. And maybe also a couple of tossers. While they're at it, they also made some time to: Record a pilot episode for the Untitled TV Guide Podcast* Play a game of "Bob Gaudio, James Guercio, or Joe Guercio?" And reveal their long-guarded secret that Tony and T.J. were, in fact, Chad, Jeremy, Peter, Gordon, Jan, AND Dean. Buckle up! It's gonna be a two parter. * Please no stealing our amazing podcast ideas -- In this thrilling conclusion, T.J. and Tony get Lost in Space (and Portugal) while rummaging thru the songs John, Paul and George gave to other artists—P.J. Proby, Mary Hopkin, Badfinger, Jackie Lomax and more. The embarrassment of riches is sure to send you into a lap slappin' frenzy. As usual, the fellas pose hard-hitting questions such as: Which performance trick did Paul McCartney nick from Barry Manilow? Who is the most famous member of Hollywood Vampires? Do they have the rodeo in the United Kingdom? Plus cameo appearances by local plumbers from Tony's crackerbox palace. Today's episode was compiled by guest editor L'anJello Peculiarissimo.   EPISODE LINKS Like and subscribe! Please support our scrappy show. Score some BRAND NEW MERCH or find us on Patreon. Come hang with us on Facebook/Instagram/and now TikTok! Drop us a review on Apple Podcasts! 13 Green Potatoes by MENDOZA on Bandcamp/Apple Music/Spotify! (and other streamers)

We're almost at the end of Rubber Soul now but before the album bows out we have two final tracks to cover. One is rather notorious and the other is this, If I Needed Someone. How is George's songwriting coming along? Has he managed to pull up alongside Lennon and McCartney in the writing stakes? And how much jangle can one song meaningfully contain?   Rankings: Track-by-track Ranking eMail: beatlesstuffology@gmail.com Twitter: @beatles_ology Instagram: beatlesstuffology JG's Blog: Judgementally Reviews… Andrew's Blog: Stuffology   Produced By: lateral disarmament in favour of JG McQuarrie

British Steve from the McCartney in Goal podcast returns along with special guest co-pilot Brian Kantor to discuss the 1972 release Fragile from Yes.  Rock On!Website: https://ridiculousrockrecordreviews.buzzsprout.comContact us! e-mail: ridiculousrockrecords@gmail.comFacebook: https://www.facebook.com/R4podcastTwitter/X: @r4podcasterInstagram: https://www.instagram.com/r4podcaster/

This episode dives deep into the legend of the Murder City Devil by comic creator Evan Quiring. We explore the city's eerie and supernatural backdrop for the comic, including some of our weird experiences: secret tunnels, ghost stories, hidden love letters in old walls, and the King's Head in the Exchange District. We break down some of the inspirations within the comic, based on old lore and stories from yesteryear.We also dive into comic culture itself — discussing timelines, character progression, and continuity wars: DC Comics vs Marvel Comics, the “Brand New Day” era, Captain Jean DeWolf, and remembering when Marvel “cinema” was “crap” in the '70s and '80s versus today. We talk Gregory Chomichuk, Stan Lee and Jack Kirby (as the Lennon & McCartney of comics), Bill Finger finally getting credit for Batman, and how creators are like bands. Plus: who would you cast in a Jack Kirby biopic?#MurderCityDevil #HauntedWinnipeg #UrbanLegends #GhostStories #JackKirby #StanLee #BillFinger #Batman #ComicCreators #IndieComics #ComicLegends #MarvelComics #DCComics #KirbyForeverLinktree: https://linktr.ee/seangeekpodcastPatreon: https://www.patreon.com/c/meetthegeeksWe are a part of the Boneless Podcast Network: https://boneless-catalogue-player.lovable.app/Merch: Tee Public: https://www.teepublic.com/seangeekpodcastRed Bubble: https://www.redbubble.com/people/seangeekpodcast/shop@seangeekpodcast on Twitter, Instagram and FacebookMentioned in this episode:New Merch AdAn ad that incorporates Red Bubble and Tee Public

We gaan verder met de spannende avonturen van de McCartney's in Lagos (en Londen). Als Band On The Run eind november 1973 verschijnt, blijkt het een kolossaal succes. Iets dat Paul echt nodig heeft in die tijd. Luister naar nog meer mooie opnamen én… naar onze hoogtepunten van het One Hand Clapping project uit 1974. Wil je ons financieel ondersteunen? Word dan Vriend Van Fab4Cast en luister naar exclusieve afleveringen die je alleen als donateur kunt beluisteren! Kijk op petjeaf.com/fab4cast voor de mogelijkheden. We zouden je heel dankbaar zijn voor je steun.

In this episode, we revisit Babylon, the home of Fiona Spence and Morris Lyda. Here, Karen McCartney speaks with architect Rob Brown and Spence about their eight-year collaboration to revive the 1960s house and honour its dramatic sandstone site.Watch our exclusive film on Babylon: https://www.youtube.com/watch?v=dAFtFqc9xisRead Karen McCartney's write up on Babylon: https://estliving.com/babylon-fiona-spence-casey-brown-architecture/Learn more about Casey Brown Architecture: https://estliving.com/professional/casey-brown-architecture/This Much I Know is a podcast by est living, hosted by Karen McCartney.Recorded and produced by Marcus Costello from Audiocraft for est living.About Karen McCartney: Well-regarded for her work in the world of interiors, architecture and design, Karen's impressive resume spans print and digital media. Formerly the editor of Marie Claire lifestyle and Inside Out magazine, Karen is also a bestselling author; releasing Perfect Imperfect, The Alchemy of Things, Super House, and Iconic: Modern Australian Houses 1950- 2000. Karen is the editorial advisor at est living. About est living: As a global design resource, est living inspires exceptional living by featuring the best in architecture, interiors and products. We profile leading and emerging architects and designers from around the globe while spotlighting Australians and scour the globe to unveil authentic design products. est engages discerning design consumers through curating distinct, meaningful and multi-platform content. Our award-winning website estliving.com is the central hub of the est experience, complemented by our quarterly digital magazine, weekly e-newsletter 'the latest', and our social media platforms reaching 1.5M+ design consumers weekly. 

Shai Wyborski is one of the three co-authors of the GHOSTDAG paper, and a man who takes pride in his independent thinking and divergent approach to research. As a PhD in quantum cryptography, he's got lots of knowledge to share. But by virtue of his involvement in Bitcoin and Kaspa, he's got stories to tell too. What does the future of Proof of Work look like? Let's find out! Time stamps: 00:01:09 - Welcoming Shai Wyborski 00:01:28 - Dig into GhostDAG; most interesting PoW scaling tech. 00:04:44 - Shai's BTC opinions over time 00:05:21 - How Shai spent BTC on "creativity fuel" (undisclosed). 00:06:31 - Disenchantment: Steam drops BTC (congestion/volatility); SegWit "tyranny" births BCH. 00:10:47 - Rejects SoV; BTC as "decentralized vault" for eternal data archiving. 00:15:44 - BTC probs: Low TPS; LN fails. 00:16:15 - Kaspa suite: Beyond TPS/confirmations. 00:16:59 - Tradeoff: High throughput → no audit; pruning for 10-30yr trust. 00:18:40 - GhostDAG multi-ledger: Parallel processing, flexible tx order. 00:19:45 - Miners: Partial info cuts selfish mining/MEV. 00:20:42 - Enables auctions/oracles (Elliot Mabe block-voting). 00:21:40 - Debunks PoW myths: BTC artifacts (congestion for fees). 00:22:15 - Kaspa: Paradigm shift proof; lessons from protocols. 00:23:24 - Flaw: Fast emission + fair launch = whale buyout. 00:23:49 - Fair ≠ community; coercion w/o social contract. 00:25:10 - Whales fund → control; monetary world nature. 00:27:46 - Balance: Incentives, explicit contracts. 00:30:31 - Mining phases: CPU/GPU/ASIC stages; ultra-ASIC decen lock. 00:32:22 - ASIC-friendly: Cheap/low-power scale. 00:32:47 - Emission: Heavy early; ASICs 80-90% pre-retail. 00:34:29 - Full supply lifetime; tail short?00:35:28 - BTC emission extend 2-4x for social good. 00:37:27 - Kaspa whales: 3 hold 6% ($100M), foundation collusion. 00:38:27 - Kaspa emission: 60% in 1.5yrs emulates BTC adjusted for fast adoption. 00:41:16 - Guitar jam & sponsors.SideShift.ai: KYC-free swaps. NoOnes.com: P2P global south, "lions" mission. Bitcoin.com News: global views. LayerTwo Labs: Drivechains, ETH/Zcash sides. 00:46:49 - Kaspa drivechain?; WBTC custody risks. 00:48:33 - Citrea: ZK-rollup BTC DeFi. 00:49:27 - Alts: Quai grant, Kadena parallels. 00:50:47 - Parallel sec dilution. 00:52:03 - Quai: Selfish mining fixes, Monero 28% vuln. 00:53:01 - Monero RandomX ASIC-hostility. 00:54:02 - PoW specialized non-wasteful. 01:00:00 - Myths: Scalable, non-congested, decentralization. 01:15:00 - Casino stifles ingenuity; hype vs depth (IOTA rush). 01:30:00 - Funding: Retail quick vs VC long (Mobileye 20yr $80B). 01:45:00 - Game theory: Mechanism design incentives. 02:00:00 - Kaspa risks: Whale control, docs issues. 07:00:00 - Music: Beatles Sgt. Pepper post-Pet Sounds. 07:15:00 - McCartney bass; prog Floyd/Crimson.07:30:00 - Pet Sounds "God Only Knows" acapella. 07:43:02 - Pop→exp; Helter Skelter metal. 07:45:36 - Metal thrash/extreme; stoner Pantheon I. 07:47:41 - HS Pantera/prog/funk.07:49:51 - Concerts: Aristocrats, AC/DC; Dylan regret. 07:52:39 - Misses: Jethro Tull/Motörhead; Bon Jovi meh. 07:55:16 - Grunge: Nirvana In Utero, Soundgarden. 07:58:11 - Smashing Pumpkins trilogy; Corgan drama. 08:00:00 - Timeless tees; Doors sloppy; Zep Moby Dick. 08:02:40 - Zappa Inca Roads/Stink-Foot. 08:07:19 - AI scans/drones; govt bans. 08:12:08 - Radical: Vault, SoV, ultra-ASIC. 08:14:02 - PoW scalable/non-wasteful.08:15:00 - Fair vs community; casino timing punish. 08:17:40 - Narratives over fundamentals; retail vs VC. 08:21:07 - Record 8h21m+; ramble praise. 08:21:50 - Q&A: Kaspa 10yr alive, adapt. 08:22:24 - Beatles Kaspa? Pruning no. 08:23:44 - Game theory mechanism design. 08:26:09 - Work: Consulting, patents, Tectonic quantum.08:29:23 - Quai edu grant, freelance. 08:31:17 - KAS +3% pump; past dumps. 08:31:58 - Quai minor pump; negative effects. 08:33:34 - First interview 0.15→0.5¢; 13 KAS dons. 08:34:21 - Jam: Theme rock, lag. 08:38:07 8h39m record! Sponsors recap. 08:40:00 - Next interview with Val Venis on Monero/WWF; banter.

"An Idiom is a group of words that suggest a meaning different than their specific words. Many of them come from the world of music and we have created a solid list. You will recognize a lot of them."

Paul McCartney had already pulled off the impossible with Band on the Run but in 1975, he set out to prove Wings were more than a fluke. Venus and Mars was the arena-sized sequel: recorded in New Orleans and LA, packed with comic book villains, New Orleans horns, and a No. 1 single that still floats on the radio today.This week, the brothers drop the needle on Venus and Mars, a record that tried to balance McCartney's playful pastiches and stadium-rock ambitions. From the handbells and harp of Love in Song to Jimmy McCulloch's anti-drug anthem Medicine Jar, we go track by track through an album that's equal parts weird, whimsical, and Wings at full flight.Along the way: Allen Toussaint's fingerprints on the sessions, the sax player who links Listen to What the Man Said with Billie Jean. Plus, our full Category Round - best groove, most Beatley moment, least likely to be covered and Kate's Rate on how it holds up fifty years later.

C'est une des anecdotes les plus célèbres de l'histoire du rock : au départ, « Yesterday », la chanson mythique des Beatles, ne s'appelait pas ainsi. Paul McCartney l'a composée en 1964, mais quand la mélodie lui est venue en rêve, il n'avait pas encore de paroles. Pour mémoriser l'air et tester sa sonorité, il improvisa des paroles provisoires. Et comme il fallait bien trouver quelque chose qui colle au rythme, il choisit une phrase complètement banale :« Scrambled eggs, oh my baby how I love your legs… »Autrement dit : « Œufs brouillés, oh mon bébé, comme j'aime tes jambes… »Cette absurdité culinaire lui permettait simplement de garder en mémoire la mélodie. McCartney s'est longtemps demandé s'il n'avait pas plagié la chanson, tant elle lui paraissait naturelle. Il l'a jouée à ses proches et aux autres Beatles pour s'assurer que la mélodie n'existait pas déjà. Finalement rassuré, il a travaillé des mois avant de trouver les vraies paroles.Le titre définitif, « Yesterday », a surgi plus tard, quand McCartney a choisi d'écrire un texte mélancolique sur la nostalgie et la perte. Le contraste est saisissant : d'une blague sur des œufs brouillés, on est passé à l'une des ballades les plus bouleversantes de la musique moderne.Cette chanson, enregistrée en 1965, est devenue l'un des titres les plus repris au monde — plus de 2 000 versions recensées — et un symbole de l'écriture intime et universelle des Beatles.L'histoire des « scrambled eggs » est restée dans la légende comme un rappel amusant : même les œuvres les plus profondes peuvent naître d'une improvisation légère, voire ridicule. McCartney lui-même en plaisante encore sur scène, reprenant parfois la version « Scrambled Eggs » en concert pour raconter l'anecdote.En somme, si des œufs brouillés ont inspiré l'une des chansons les plus connues au monde, c'est parce qu'ils ont servi de paroles provisoires, un simple outil de travail pour ne pas oublier la mélodie. Comme quoi, derrière un chef-d'œuvre intemporel, il y a parfois… un petit déjeuner improvisé. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Brian McCartney, the head coach of West Browar,d joins Larry Blustein to talk about the season so far and what's going on before district stars.

He had a raft of big hit singles in the 1960's and 70's and many of his acclaimed photographs are held the National Portrait Gallery.In the Misadventures in Music podcast episode 36, Mike talks to Ian and Mick lovingly about life in the McCartney family home and about some of the larger than life characters he encountered over the years including Keith Moon, Burton and Taylor and of course, the Beatles.Indeed, his band The Scaffold made their own unique contribution to our pop culture – so much so that Cherry Red Records have released a 5 CD/DVD Box Set of their recordings, including many unreleased tracks.If you enjoy listening to REAL stories from a genuine participant and eye witness to the golden era of pop music this episode is for you.Enjoy."

Swedish singer/songwriter Peter Morén (Peter, Bjorn, and John) joins the podcast to talk about Elvis Costello's 1989 album Spike and Peter's new SunYears album The Song Forlorn.  Jason and Peter talk about how Peter got started with Elvis Costello and Spike, making albums, lyrics, collaboration, how ambitious albums can remain coherent, and much more.  The talk transitions to Peter's career and process, and the making of The Song Forlorn. Subscribe, rate and review wherever you listen to podcasts. Email: beforethestreampodcast@gmail.com Instagram: beforethestream linktr.ee/beforethestream  

Tommy Boyce and Bobby Hart were the initial musical supervisors and songwriters for The Monkees television show. They produced their first recordings before Don Kirshner stepped in. The Duo went on to ave their own pop career and succeeded in aving three top ten hits and three successful albums. This is a selective track tribute to the duo that briefly were the American Lennon & McCartney.Also...If you would, please make a donation of love and hope to St. Jude Children's HospitalMake an impact on the lives of St. Jude kids - St. Jude Children's Research Hospital (stjude.org)Other Items of Interest:Kathy Bushnell Website for Emily Muff bandHome | Kathy Bushnell | Em & MooListen to previous shows at the main webpage at:https://www.buzzsprout.com/1329053Pamela Des Barres Home page for books, autographs, clothing and online writing classes.Pamela Des Barres | The Official Website of the Legendary Groupie and Author (pameladesbarresofficial.com)Listen to more music by Laurie Larson at:Home | Shashké Music and Art (laurielarson.net)View the most amazing paintings by Marijke Koger-Dunham (Formally of the 1960's artists collective, "The Fool").Psychedelic, Visionary and Fantasy Art by Marijke Koger (marijkekogerart.com)For unique Candles have a look at Stardust Lady's Etsy shopWhere art and armor become one where gods are by TwistedByStardust (etsy.com)For your astrological chart reading, contact Astrologer Tisch Aitken at:https://www.facebook.com/AstrologerTisch/Tarot card readings by Kalinda available atThe Mythical Muse | FacebookEmma Bonner-Morgan Facebook music pageThe Music Of Emma Bonner-Morgan | FacebookFor booking Children's parties and character parties in the Los Angeles area contact Kalinda Gray at:https://www.facebook.com/wishingwellparties/I'm listed in Feedspot's "Top 10 Psychedelic Podcasts You Must Follow". https://blog.feedspot.com/psychedelic_podcasts/Please feel free to donate or Tip Jar the show at my Venmo account@jessie-DelgadoII

Brooklyn-born Elliott Charles Adnopoz had only just started calling himself “Ramblin' Jack” in the early 1950s when he came upon a new hero in the wilds of San Francisco.This was a couple years after Elliott had met in his first and most influential mentor — the legendary singer/songwriter/poet Woody Guthrie — whose work and philosophy would shape the 20-something Jack's long life as an itinerant folksinger.Enter Lone CatA few years after Woody, Elliott rambled all the way across the country and met an extraordinary 60-year-old one-man band by the name of Jesse “Lone Cat” Fuller who was playing on the streets and in the coffeehouses of California's Bay Area.Jesse, taking a liking to the eager young wanderer, personally taught Jack his best composition — “San Francisco Bay Blues” — just a few years after he had written and recorded it himself.To this day, Jack Elliott — who just last month turned 94 and is still traveling and performing — makes Fuller's tune a centerpiece in his set list, often introducing it with stories about the song's creator.As the first performer to cover the tune after Fuller's original recording, Elliott included the song on his 1958 album, Jack Takes the Floor. That track played a crucial role in popularizing “San Francisco Bay Blues” during the burgeoning folk revival of the 1960s. After Jack's take, the tune entered the canon of many an up-and-coming trouper, from Tom Rush to Richie Havens to Peter, Paul and Mary.Since then, the song has had an extraordinarily diverse number of covers, by Bob Dylan and Jim Kweskin, by Jim Croce and The Weavers, by Hot Tuna and Janis Joplin.Even The Beatles faked a version of it during the Get Back/Let it Be sessions on Jan. 14, 1969. Later John Lennon recorded an unreleased version during his Imagine sessions in May 1971, while McCartney performed it often during his solo concerts in San Francisco. It is still played frequently at Paul's soundchecks around the world.Eric Clapton performed the song on MTV Unplugged in 1992 during the taping in England. The live album earned six Grammy Awards, including Album of the Year. How Jack Began to RambleBack to Jack, Elliott's life took many turns before he embraced music. Born in New York in 1931, Jack grew up in a family that hoped he would follow his father's example and go into medicine.But young Elliott was captivated by rodeos and the cowboy life, attending events at Madison Square Garden. At just 15, he rebelled. Running away from home, he joined Colonel Jim Eskew's Rodeo, a journey that took him across the Mid-Atlantic states.Though his rodeo stint lasted only three months, the experience was formative. After he learned guitar and some banjo from a singing cowboy rodeo clown named Brahmer Rogers, Jack was on the path to a music career.Back in Brooklyn, he polished his guitar playing and then started busking for a living. It was just a little later that Jack became a devoted student and admirer of famed folkie Woody Guthrie. Elliott even lived in the Guthrie home for two years.Jack absorbed Guthrie's style of playing and singing so well that Woody himself once remarked, "He sounds more like me than I do."About That NameOne story about Jack is that his iconic nickname didn't relate so much to his wanderlust as to his storytelling acumen.The late folk singer Odetta always contended that it was her mother who coined the name. "Oh, Jack Elliott,” she was said to have remarked, “yeah, he can sure ramble on!"Jack's Musical OffspringIn the early 1960s, Elliott toured Britain and Europe with banjo-picking buddy Derroll Adams, recording several albums for Topic Records. In London, the two played small clubs and West End cabarets.Upon returning to the States a couple years later, Elliott found that his albums had preceded him. Suddenly, he had become something of an underground star in the nascent folk music scene around Greenwich Village. Now he was the mentor to newcomers, most notably to a 19-year-old Bob Dylan, who had just hit town. Bob came such a “Ramblin' Jack” fixture that some started calling him “son of Jack.”Over the years, Jack influenced a generation of musicians, from Phil Ochs and Tom Rush to the Grateful Dead. In the UK, Paul McCartney, Elton John and Rod Stewart all have paid tribute to his style. But it took a few more decades for Elliott to finally get widespread recognition. His 1995 album, South Coast, earned him his first Grammy. In 1998, he received the National Medal of Arts from President Bill Clinton.His long life and career were chronicled in the 2000 documentary, The Ballad of Ramblin' Jack, directed and produced by his daughter, Aiyana Elliott.Back to the SongHonestly, we don't remember when we first started doing Jesse Fuller's “San Francisco Bay Blues.” It was back when we were youngsters at those good old folk music parties in the ‘60s. A decade later, the tune was firmly entrenched when The Flood came together. And we were still playing it in 2001 when we recorded our first album, on which it's the closing track. That was a good call, because we often use this song to close out a show, since it gives everybody in the band one more solo before we call it a night, as you can hear in this take from last week's rehearsal. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

Who wants to listen to a new Wings album? Well everyone who bought a copy of Wings: Wild Wonders did, but as with all things McCartney; nothing is ever that easy. Come join us for a very unique episode about McCartneybootlegs!!! Please enjoy. Peace and love, Sam     If you want to support the show, check out our Patreon page at www.patreon.com/mccartneypodcast To get in contact with the show, drop us an email at paulmccartneypod@gmail.com Follow us on Twitter for all Macca updates by searching @mccartneypod.  Check out our YouTube page at https://www.youtube.com/channel/UCXcuhC1jm1wqhUTWhVS-r6A  If you haven't seen the blog, check it out at www.paulmccartneypod.wordpress.com where you can see loads of episodes start out life as a random blog post, before being resculpted into the quality content you are here for today!  Hosted by Sam Whiles.

"This past 4th of July someone posted the Preamble and I wondered who the singer was. I watched a few more and wondered who they were. We will answer that today. We will play some of their Schoolhouse Rock song and then one of their singles. Plus we have some trivia about the show."

En este episodio de Rock a Domicilio repasamos todos los músicos mayores de 70 años que siguen tocando en vivo y girar en el mundo del Rock.

A Portfolio Checklist hétvégi különkiadásának folytatásában ismét Kovács Ferenc Soma (Harvard) és Szepesi Mór (Yale) ültek mikrofon elé. Szóba került az amerikai és magyar felsőoktatás különbsége, a mesterséges intelligencia hatása a diploma értékére, az Ivy League és a techcégek ellentmondásos kapcsolata, sőt még a leghíresebb celebdiákok kulisszatitkai is. Főbb részek: Intro – (00:00) Hallgatói kérdés az egyetemválasztásról – (00:45) Már alapdiploma is top egyetemen? – (04:56) A kulcs a nehezen szisztematizálható készségekben van – (07:30) Mesterképzési kérdések – (12:10) Corvinus keltető – (15:40) Megéri a neves egyetem? Educational Economics megmondja. – (17:40) Láb az ajtórésben – (25:10) AI kérdések az oktatásban – (27:10) Ki hol dolgozna? Ki hol élne? – (32:10) Tech cégek vezetőinek viszonya az Ivy League-hez – (38:25) Pain and suffering by Jensen Huang – (40:50) Bulvár a borostyán ligában – (46:35) Ápolatlan csilliárdos csemete – (47:40) Paltrow, McCartney, Cobra Kai, Affleck – (51:00) Semester 5 tervek – (53:00) See omnystudio.com/listener for privacy information.

V dalším díle videopodcastu týdeníku Respekt Dělnícikultury spolu Jindřiška Bláhová, Pavel Turek a Magdalena Fajtová debatují o tom, co je v uplynulém týdnu v kultuře zaujalo, co je baví a o své aktuální práci. Tentokrát došlo na: filmy Benny Safdieho Mlátička, Jamese Gunna Strážci Galaxie, Roba Reinera Stůj při mě a Spike Jonze Onaseriály Dexter: Vkříšení, Peacemaker, The Paper, Kancl výstavu Striking fotografky Mary McCartney festival Jesnění (Jeseník)kapelu Mezi patry klid knihu Lei Ypi Indignity hru Valiant Hearts: The Great War

The Eagles coach previews his team's game with Rockhurst

"Long before American Idol and Americas Got Talent, there was Star Search. It was pretty schmaltzy but looking back, some of the biggest singers, actors and comedians got their big break on Star Search. We have grabbed as many examples as we could."

Send us a textTim welcomes author Tom Cox for a joyful deep-dive into the rooftop rocker I've Got a Feeling. They trace Tom's earliest Fab Four memories (Paperback Writer on the rug, Yellow Submarine with his Liverpudlian nan), his love of that mid-'60s psychedelic sweet spot, and why McCartney's work ethic and versatility shine here. Together they unpack Lennon–McCartney's last true collaboration: two half-songs woven into one, Billy Preston's spark, George's tasteful lines, Paul's volcanic “scream” vocal, Dylan-ish wordplay, and those chromatic, energy-lifting runs.Along the way they take in the Get Back tensions, the “loose” Let It Be groove, notable covers, and Tom's new novel Everything Will Swallow You (with a delicious cameo from the Beatles).Tom Cox – linksWebsite: https://tom-cox.com/Bluesky: https://bsky.app/profile/dj-acid-reflux.bsky.socialWallflower by RJ McKendree (from Tom's novel Villager): https://rjmckendree.bandcamp.com/album/wallflowerFollow My Favourite Beatles SongBluesky: https://bsky.app/profile/myfavebeatles.bsky.socialFacebook: https://www.facebook.com/MyFavouriteBeatlesSongInstagram: https://www.instagram.com/myfavouritebeatlessongX (Twitter): https://twitter.com/myfavebeatlesOriginal music by Joe KaneLogo design by Mark Cunningham

Seul dans sa chambre, Alexander McCartney a orchestré l'un des réseaux de prédation pédopornographique les plus redoutables jamais jugés. Il a manipulé, piégé près de 3 500 victimes en toute impunité pendant des années. Malgré les alertes, les saisies, les preuves… rien ne l'a arrêté. Jusqu'au jour où la justice, enfin, a dû regarder l'horreur en face. Voici le récit de l'une des plus sordides histoires du cybercrime sexuel.

Building Websites That Work for Small Firm ArchitectsIn this episode of EntreArchitect, Mark R. LePage sits down with Bryon McCartney, co-founder and CEO of Archmark, to unpack the findings of a new business report on architecture firms. Together they explore why an effective online presence has become a non-negotiable for architects who want to grow their practices. Bryon explains how many firms still treat their websites as static portfolios when, in reality, they should function as dynamic business development tools. The conversation emphasizes the role of visibility, SEO fundamentals, and strong website content in reaching and engaging potential clients.Bryon shares common pitfalls he sees in the industry, from neglected websites with too little content to messaging that focuses more on the architect than the client. He stresses that architects who adopt a client-centered approach to their marketing see stronger results, attracting higher-value clients who understand and appreciate their expertise. Mark and Bryon also highlight how small changes in messaging and content strategy can have a dramatic impact on firm growth. Listeners will walk away with a clearer understanding of what it takes to align their digital presence with their business goals.With over 36 years of experience in international branding and digital strategy, Bryon brings deep expertise and a passion for helping architects succeed as business owners. Before launching Archmark in 2016, he led campaigns for global brands like Calvin Klein and General Motors, and today his agency has guided more than 5,000 architects worldwide. As a certified Business Made Simple, Small Business Flight School, and StoryBrand coach, Bryon blends education and strategy to equip architects with the confidence to grow their firms. His mission is simple: when architects thrive, more people get to experience and enjoy great architecture.This week at EntreArchitect Podcast, Building Websites That Work for Small Firm Architects with Bryon McCartney.Connect with Bryon online at Archmark.co or find him on Facebook, X, and LinkedIn. Check out his website to apply for a Clarity Call with Bryon.Stay tuned for a link to the report, From Portfolio to Pipeline: How to Turn Your Architecture Firm's Website into a Business Development Engine, coming soon.Please Visit Our Platform SponsorsArcatemy is Arcat's Continuing Education Program. Listen to Arcat's Detailed podcast and earn HSW credits. As a trusted provider, Arcat ensures you earn AIA CE credits while advancing your expertise and career in architecture. Learn more at Arcat.com/continuing-education.Visit our Platform Sponsors today and thank them for supporting YOU... The EntreArchitect Community of small firm architects.

"Here is a game to play. Name as many two minute songs as you can following these rules. Only one song per group and you cannot name just punk songs. We then go one step farther and change the game to as many one minute songs as you can."

Seul dans sa chambre, Alexander McCartney a orchestré l'un des réseaux de prédation pédopornographique les plus redoutables jamais jugés. Il a manipulé, piégé près de 3 500 victimes en toute impunité pendant des années. Malgré les alertes, les saisies, les preuves… rien ne l'a arrêté. Jusqu'au jour où la justice, enfin, a dû regarder l'horreur en face. Voici le récit de l'une des plus sordides histoires du cybercrime sexuel.Le ton du juge O'Hara est grave, catégorique. La salle d'audience est suspendue à ses lèvres. « Ce que nous avons vu ici dépasse l'entendement. Les mots peinent à décrire l'ampleur du mal. […] Dans certains cas, des enfants de trois ou cinq ans ont été impliqués. » Le juge insiste sur un point essentiel : l'absence totale d'empathie. « Plusieurs enfants lui ont dit vouloir se suicider. L'une d'elles s'est tailladée en direct. D'autres ont envoyé des vidéos de leur détresse. McCartney a répondu, je cite : “Je m'en fiche.” »

Suzanne McCartney, who shares the deeply personal story of her brother's battle with serious mental illness. Diagnosed with paranoid schizophrenia and later autism, Suzanne's brother faced numerous challenges, including a tragic incident in 2020 that highlighted flaws in the mental healthcare system and the restrictive nature of HIPAA laws. Suzanne advocates for systemic reforms, greater mental health awareness, and compassionate understanding to prevent such tragedies. The episode underscores the critical need for mental health advocacy and support. 00:00 Introduction to Why Not Me The Struggles of Mental Illness A Tragic Incident The Aftermath and Advocacy Life at Bridgewater State Hospital Family Dynamics and Mental Health The Need for Change Call to Action INTRO; T. Wild Mantor Music The content on Why Not Me: Embracing Autism amd Mental Health Worldwide, including discussions on mental health, autism, and related topics, is provided for informational and entertainment purposes only. The views and opinions expressed by guests are their own and do not reflect those of the podcast, its hosts, or affiliates.Why Not Me is not a medical or mental health professional and does not endorse or verify the accuracy, efficacy, safety of any treatments, programs, or advice discussed.Listeners should consult qualified healthcare professionals, such as licensed therapists, psychologists, or physicians, before making decisions about mental health or autism- related care.Reliance on this podcast's contents is at the listener's own risk. Why Not Me is not liable for any outcomes, financial or otherwise, resulting from actions taken based on the information provided.

Seul dans sa chambre, Alexander McCartney a orchestré l'un des réseaux de prédation pédopornographique les plus redoutables jamais jugés. Il a manipulé, piégé près de 3 500 victimes en toute impunité pendant des années. Malgré les alertes, les saisies, les preuves… rien ne l'a arrêté. Jusqu'au jour où la justice, enfin, a dû regarder l'horreur en face. Voici le récit de l'une des plus sordides histoires du cybercrime sexuel.Certaines victimes vivent à quelques pas de chez lui, d'autres à plus de 15 000 kilomètres. Le mode opératoire reste le même : Snapchat, Instagram, faux profil, séduction, menace, soumission, extorsion. Dans le monde entier, des adolescentes pensent discuter avec une autre fille. Et partout, c'est la même voix, le même piège. Derrière chaque profil : Alexander McCartney, seul dans sa chambre à Newry.

Enjoy an entire Quick Tap dedicated to the guy who wrote “Good Day Sunshine” because, well, it sounds like he spreads that wherever he goes - Beatles bassist Paul McCartney. Yes, that same Macca who is making a much talked about cameo appearance in the feature film, Spinal Tap 2: The End Continues - coming out on September 12th!!! You'll hear from host of the Bad Decisions podcast, Scott Nathan, about the time Nathan introduced a friend to Paul back in the '90s and everything went Helter Skelter (not really); former senior head of rock promotion at Columbia Records, Paul Rappaport, who tells us about the night he got a little help from his Beatle friend; and Gary Anthony Williams - the voice of Uncle Ruckus on The Boondocks - who saw Paul standing there at a script reading and was offered some delicious pita by the charming Liverpudlian himself. It sounds like everyone has got to get a little McCartney into their lives! Here Scott Nathan's The Bad Decisions Podcast: https://podcasts.apple.com/us/podcast/the-bad-decisions-podcast-with-scott-nathan/id1751541179 Read Paul Rappaport's book, "Gliders Over Hollywood: Airships, Airplay, and the Art of Rock Promotion" https://www.booksoup.com/book/9781916829183 --- ***http://distrokid.com/vip/tmep*** Too Much Effing Perspective is supported by DISTROKID - the best way for Musicians, Songwriters, Producers, DJs to get their original music into Spotify, Apple, TikTok, and all the major platforms. Get 30% OFF your first year subscription to DISTROKID at this special link. ***http://distrokid.com/vip/tmep*** --- Get in touch with Too Much Effing Perspective Contact us: hello@tmepshow.com Website: https://tmepshow.com Social: @tmepshow Learn more about your ad choices. Visit megaphone.fm/adchoices

Seul dans sa chambre, Alexander McCartney a orchestré l'un des réseaux de prédation pédopornographique les plus redoutables jamais jugés. Il a manipulé, piégé près de 3 500 victimes en toute impunité pendant des années. Malgré les alertes, les saisies, les preuves… rien ne l'a arrêté. Jusqu'au jour où la justice, enfin, a dû regarder l'horreur en face. Voici le récit de l'une des plus sordides histoires du cybercrime sexuel.Nous sommes un an plus tard, le 18 mars 2019, la police perquisition pour la troisième fois le domicile d'Alexander McCartney. C'est depuis cette chambre d'enfant, dans une maison familiale sans surveillance particulière, qu'il a construit l'un des systèmes d'exploitation pédocriminels les plus vastes jamais découverts au Royaume-Uni.

Dave's back for another chat about the Dueling guitars format with none other than the Feather to his Whisker, the Lennon to his McCartney, and the Jackson to his Browne, Colin Alvarez. The two chat about the amazeballs that is Dueling Guitars. They also take some time to drop some thoughts on the REAL way to get more gigs and be a more successful performer. Check it out!!

Seul dans sa chambre, Alexander McCartney a orchestré l'un des réseaux de prédation pédopornographique les plus redoutables jamais jugés. Il a manipulé, piégé près de 3 500 victimes en toute impunité pendant des années. Malgré les alertes, les saisies, les preuves… rien ne l'a arrêté. Jusqu'au jour où la justice, enfin, a dû regarder l'horreur en face. Voici le récit de l'une des plus sordides histoires du cybercrime sexuel.10 mai 2018. Il est 19 h 27 à Bruceton Mills, petite ville encaissée de Virginie-Occidentale. Le soleil s'éteint lentement derrière la forêt épaisse, les oiseaux se taisent. Dans une maison familiale, les volets sont à demi baissés, les murs ornés de cadres. Sur l'un d'eux, une préadolescente tout sourire en robe blanche, taches de rousseur et regard franc. Derrière sa porte entrouverte, la lumière du téléphone éclaire faiblement son visage. Cimarron a douze ans. Ce soir, elle ne sourit pas, elle fixe l'écran, les mains moites. Elle tape frénétiquement, les larmes aux yeux. Elle supplie. Supplie qu'on la laisse tranquille. Mais il en veut plus. Plus de photos, plus d'humiliation.

Athletics New Zealand are backing seasoned pole vaulter Eliza McCartney ahead of this month's world championships in Tokyo. The two-time Olympian has barely been competing this season but she was a late inclusion in the 14-strong New Zealand team for the world event. Sports reporter Felicity Reid spoke to Lisa Owen.

The Bangles' Susanna Hoffs celebrates the life and legacy of Sir Paul McCartney, from his Liverpool roots to Beatlemania and beyond. It is a journey that moves from the late 1950s spanning McCartney's skiffle start with John Lennon in The Quarrymen, through to his long solo career, taking in Mersey Beat; the rise of the Fab Four to 1960s icons; and Wings' 1970s success. Susanna learns how The Beatles could only have come from Liverpool, and how a visit to McCartney's old grammar school led to a significant legacy: the formation of the Liverpool Institute of Performing Arts (LIPA). Joining Susanna are author of recent biography Fly Away Paul, Lesley-Ann Jones; veteran songwriter and member of 10cc, Graham Gouldman; LIPA founding principal and chief executive, Sir Mark Featherstone-Witty; Beatles historian and author, David Bedford; lifelong Beatles enthusiast Jean Catharell; BBC Radio Merseyside broadcaster Paul Beesley; Universal Music Group chairman and CEO Sir Lucian Grainge; plus two LIPA alumni - award winning composer Hannah Peel, and singer, songwriter and guitarist Natalie McCool. Giving the narrative an intimately familial contribution is McCartney's younger brother, Mike McCartney.

"A band named The Velvet Sundown had a hit a short while ago. The concern was that the band and the music were all fake. They were both fully AI generated. It is easier than you think. We have the story and some examples of when I did the same thing for an audience just to prove how easy it is to do."

Liberty DeVitto Live on Game Changers With Vicki Abelson Sitting down with iconic Billy Joel drummer, Liberty DeVitto, after a too-long three-year hiatus was fantastical! Friends since the 80s, I never get enough of Lib's stories and his spectacular storytelling. Hot off the heels of being a major player in the current HBO/MAX Billy Joel doc, And So It Goes, Lib caught us up and filled in the blanks. Over the course of five interviews spanning the last decade, pieces of the story have been uncovered; today, Liberty put them all together. How did Billy's once fierce loyalty wane, replaced with a detached coldness? The reasons stated in the doc, only part of the story. We got the deets, including turning down George Martin in favor of his band, refusing a ride to McCartney's 911 recording session when there wasn't room for Lib in the car, and to an ill-shared secret spilled by Lib's then wife to Billy's then wife, Christie. Liberty's sobriety sobering, and a joy killer to Billy. How the end came down without a word to their longtime bandmates, Russell Javors and Doug Stegmeyer, perhaps responsible for the latter's demise. And how, sometime later, the same fate awaited Liberty. The truth about his lawsuit and why he fought. Elizabeth Weber, Billy's first wife and manager's support, and why she finally chose to speak up and set the record straight. Lib talked about his and Billy's 15-year silence following their 30-year collaboration, their reconciliation, and their ongoing renewed friendship, as Billy faces serious health issues. We got the scoop on his meeting Beatles, Ringo and Paul, playing with them - full circle from their inspiring his life's path. Karen Carpenter, Carly Simon, The Beach Boys, Phoebe Snow, Ronnie Spector, just a few he's shared a studio and or a stage with. How, with Billy's blessing, the original Billy Joel Band, Liberty, Richie Cannata (gratefully recovered from a life-threatening aortic dissection), and Russell Javors, carry on as The Lords of 52nd Street, and how his Slim Kings are amassing a huge following, dropping a new record, and readying to tour. He's got a gorgeous wife, a happy marriage, four thriving daughters, and two grandchildren; he's sober. Life is good! Mine's better with Liberty in it. Adore the man! Liberty Devitto Live on Game Changers With Vicki Abelson Wednesday, 8/27/25, 5 PM PT/ 8 PM ET Streamed Live on my FB & YouTube http://bit.ly/4mV01nn https://www.youtube.com/live/9q2bOQD6ZuM

REDIFF - Un tube mythique écrit et composé par Paul McCartney a été inspiré par des œufs brouillés. Lequel ? Et pourquoi ? Dans "Ah Ouais ?", Florian Gazan répond en une minute chrono à toutes les questions essentielles, existentielles, parfois complètement absurdes, qui vous traversent la tête.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

"The Rock School show is now a part of the Library of Congress through their American Archive of Public Broadcasting. I know. I can barely believe it myself. Here is the story of the Library of Congress and how this all came to be. Check the calendar. It is not April and I am not fooling."