Podcasts about mccartney

Send us a textWhat makes a Christmas song timeless? We set ourselves a deceptively hard challenge: pick the single most iconic holiday track from each decade, starting with the 1960s and ending in the 2010s, then fuse them into one perfect album side. Right away a pattern emerged—so many beloved songs weren't immediate smashes. They took years to climb, re-entered charts as rules changed, and found new life through radio, TV specials, movies, and, later, streaming.We start with Darlene Love's Christmas (Baby Please Come Home), released on the day of JFK's assassination and later crowned by time, then square it against Burl Ives' Holly Jolly Christmas, seared into memory by Rankin/Bass. In the 70s, Lennon and Ono's Happy Xmas reframed the “Christmas song” as purposeful protest while McCartney's Simply Having A Wonderful Christmas Time perfected the carefree synth sleigh-ride. The 80s deliver spectacle and sentiment: Band Aid's Do They Know It's Christmas birthed charity supergroups and Live Aid, while Wham's Last Christmas kept quietly climbing until it nearly topped the chart four decades later.The 2000s were a tougher hunt, but they showcase platform power. Faith Hill's Where Are You Christmas rides the Grinch soundtrack into perennial status as Britney's My Only Wish (This Year) evolves from TRL-era fluff to streaming favorite. Then the 2010s give us precision nostalgia: Kelly Clarkson's Underneath The Tree, crafted with Greg Kurstin to echo Phil Spector's wall of sound, stands shoulder to shoulder with Mariah Carey's All I Want For Christmas Is You, the modern juggernaut that finally reached No. 1 decades after release and returns every year like clockwork.By the end, we've got a front-to-back holiday playlist with a story: how classics are born, forgotten, revived, and ultimately adopted as tradition. Hit play, then tell us your decade winners, the sleepers we missed, and the holiday deep cuts you swear by. If you enjoy the show, follow, share with a friend, and leave a quick review—it helps more listeners find their new favorite December soundtrack.One idea. Six songs. Infinite possibilities...

We're simply having a wonderful holiday special, and you're invited.   While music fans may be divided about the merits of Paul McCartney's enduring holiday offering "Wonderful Christmastime," it's hard to deny that the Holidays are always packed with new releases from both of his legendary bands. 2025 brought us both the latest installment in The Beatles Anthology albums (and the updated streaming series), plus two projects that shine a spotlight on Macca's other band, Wings.   One was a new triple LP compilation, WINGS: The Definitive Self-Titled Collection, and the other is a book, the oral history Wings: The Story Of A Band On The Run, written by McCartney himself, and edited by our guest today, historian Ted Widmer, who talks about the process of working with McCartney and what he learned about the story of the ex-Beatle's overachieving second act.   And McCartney's current long-serving guitarist/bassist Brian Ray just got back from the band's worldwide Got Back Tour, and is here to share some of his insights about bringing the McCartney catalogue to life, Every Night. He also talks about some of his solo projects, including the recent RSD Black Friday double LP, Rock The Plaza, where Ray worked alongside legends like Paul Rodgers, Josh Homme, Alice Cooper, and Orianthi.    The Record Store Day Podcast is a weekly music chat show written, produced, engineered, and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com   Didn't find everything on your RSD Black Friday list? Maybe you'll still find it on RSDMRKT.com.    Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends!  

naaaaaa naa naa nanana naaaaaaa nanana naaaaaaa Hey Jude (now all the people in Chicago) At long last, T.J. and Tony had their chance to catch Sir Paul's (Baby) Got Back tour in its final U.S. stop, in the finest city in the land. Sure, it's the same show we heard Glen glow about in Iowa, and Casey canonize in the Twin Cities, and Mark marvel upon in the Big Easy, but Macca always smacks a little harder with a Malort and a side of giardinier'. What were Tony's takeaways from his second-ever McCartney show? T.J.'s tidbits from his SEVENTEENTH? Tune in to find out! And maybe also discover:

It’s that time of year again! Yes, it’s the annual Ledge Christmas episode, and I’m so happy that this year it’s (almost) all brand new material! Even better, there’s a large contingent of friends who have supplied me with proper tunes for this broadcast. In fact, wiht the likes of Numb Surprise, White Rose Motor Oil, Geoff Palmer, Vista Blue, and close to two full sets of Rum Bar artists it’s almost like a typical New Release episode. No, this is not your mother’s holiday show…unless mommy is a really cool rocker! But instead of that insipid McCartney or Wham nonsense, you’ve got over two hours of quality tracks for ths festive season! What’s your fave track this Christmas? For more info, including setlists, head to http://scotthudson.blogspot.com

durée : 00:04:15 - Musique matin - par : Max Dozolme - En ce mardi 24 décembre, à la veille de Noël, Max Dozolme nous invite à plonger au cœur de l'un des plus célèbres chants de Noël jamais enregistrés pour découvrir les ingrédients qui ont fait de la chanson "A Wonderful Christmastime" de Paul MacCartney, un véritable succès ! Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Two new memoirs zoom in on important moments in music history. First, Paul McCartney's new book Wings reflects on the life of his post-Beatles band, which he formed in London in 1971. In today's episode, McCartney speaks with NPR's A Martínez about establishing a distinct identity in The Beatles' shadow. Then, Rob Miller founded Bloodshot Records in the 1990s when a new sound – “insurgent country” or “alt-country” – was just emerging. Miller joined NPR's Scott Simon for a conversation about his memoir The Hours Are Long, But the Pay Is Low, which tells the story behind the label.To listen to Book of the Day sponsor-free and support NPR's book coverage, sign up for Book of the Day+ at plus.npr.org/bookofthedayLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

PopaHALLics #157 "Ho Ho Pop"On our last episode of 2025, we discuss new movies including the latest "Knives Out" and "Hamnet," and books including a great take on the Lennon-McCartney relationship. Plus Kate looks back at "Buffy the Vampire Slayer"!In Theaters:"Hamnet." Academy-Award winning director Chloe Zhao and author Maggie O'Farrell explore how the loss of a son inspires William Shakespeare's "Hamlet." Starring Jessie Buckley and Paul Mescal.Streaming: "Wake up Dead Man: A Knives Out Mystery," Netflix. In the third installment of Rian Johnson's detective series, Benoit Blanc (Daniel Craig, in thumbnail photo) investigates a murder mystery "with biblical proportions" in a small town. With Josh O'Connor, Josh Brolin, and Glenn Close."The Family Plan 2," Apple TV. In this action comedy sequel, the Morgans' trip to London at Christmas is complicated by a "ghost from the past." Starring Mark Wahlberg, Michelle Monaghan, and Kit Harrington ("Game of Thrones")."Buffy the Vampire Slayer," Hulu. Buffy (Sarah Michelle Gellar) and her friends (including Alyson Hannigan and Nicholas Brendon) battle vampires and the terrors of high school in this series (1997-2003).Books:"John & Paul: A Love Story in Song," by Ian Leslie. This fresh take on the Beatles examines Lennon and McCartney's relationship from 1957 to 1980 through songs, both their favorites and their originals."Brightly Shining," by Ingvild H. Rishøi. Two young sisters struggle to make a Christmas for themselves as their father struggles with unemployment and alcoholism."Mr. Splitfoot," by Samantha Harris. This contemporary gothic novel interweaves two timelines, one about two orphans in the 1980s and the other about a mysterious walking pilgrimage decades later.The "fair use" doctrine of U.S. copyright law allows for limited unauthorized use of copyrighted material for purposes such as comment and education.

"This is our second Christmas show of 2025. We are giving more trivia and history for many of your favorite songs. It is quite a list."

"NOTE. This show is being posted a week early due to our Holiday travel. Enjoy two shows this week. This is our traditional end-of-year show were we give one last tip of the hat to the musicians who passed in 2025. "

Historian and biographer Ted Widmer is the editor of Paul McCartney's new book  "Wings: The Story Of A Band On the Run' - is not only a vivid account of Paul's music after the Beatles broke up, but it's also about his second act of life on the road - and in the studio - with his new band Wings. As a respected historian and writer, Widmer shapes McCartney's story into an engaging narrative (I couldn't stop reading it!) with personal stories of the beginnings of Wings to the cultural and societal changes happening in music from the late 1960s and throughout the 1970s. A flashback conversation you won't soon forget - still, get the book and read all the details of this second chapter of Paul's music. Join us!About the Spotlight Conversations podcast:Tune in as I invite friends inside my cozy linoleum free recording studio to talk about all things media - radio, television, music, film, voiceovers, audiobooks, publishing - if guests are in the spotlight, we're talkin'! Refreshingly unscripted and unusually entertaining, listen in as each guest gets real about their careers in the entertainment biz, from where they started to how it's going. Settle into my swanky studio where drinks are on ice and the conversation starters are music + media - always a deal breaker for the rock and roll homemaker! Listen to Donna every night starting at 9 on Houston Radio Platinum, along with a special program she hosts every Tuesday and Thursday night at 10 called 'Late Night Music Stories'. Love the conversations? Follow @donnareedvo @spotlightconversations @rockandrollhomemaker New episodes drop every Tuesday. Social media links, website and more hereFollow and subscribe to my podcast hereBooth Announcer: Joe Szymanski ('Joe The Voice Guy')Theme Song Composer: Mark Sparrow, SongBird Studios...

Cette semaine, Pierre Brassard reçoit Stéphane Archambault, Bryan Audet et Virginie Ranger-Beauregard, qui doivent répondre à des questions sur : la vitre de four d'Elton John, le doublé de Karine Gonthier-Hyndman, les saucisses de Paul, les faces à fesser dedans des joueurs de hockey, le détenu qui voulait manger du crabe, le départ de Béatrice Picard et la langue canine la plus longue du monde.

In this live conversation at Shakespeare & Company in Paris, Adam Biles speaks with writer Ian Leslie about John & Paul: A Love Story in Songs, Leslie's acclaimed exploration of the creative and emotional bond at the heart of The Beatles. Together they trace John Lennon and Paul McCartney's relationship from their first meeting as bereaved teenagers in Liverpool, through the crucible of Hamburg, the frenzy of Beatlemania, and the artistic revolutions of the 1960s. Leslie explains why their partnership was neither simple friendship nor sibling rivalry, but a passionate, volatile, and profoundly collaborative romance—one that shaped their music as much as their music shaped them. They discuss myth-making around the band's breakup, why McCartney's reputation took decades to recover, and how John and Paul remained “entangled particles” long after going their separate ways. A rich, moving conversation about genius, chemistry, and the power of creative partnership.Buy John & Paul, A Love Story in Songs: https://www.shakespeareandcompany.com/books/john-and-paul*lan Leslie is a journalist and author of two acclaimed books on human behaviour, Born Liars, and Curious. His first career was in advertising, where he worked as a strategist for some of the world's biggest brands at ad agencies in London and New York. He now counsels business leaders on communication and writes about psychology, technology, politics and business for the New Statesman, Economist, Guardian and the Financial Times. He is the co-host of a podcast series called Polarised, on the way we do politics today. lan is a fellow of the Royal Society of Arts. He lives in London with his wife and two young children.Adam Biles is Literary Director at Shakespeare and Company.Listen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Hosted on Acast. See acast.com/privacy for more information.

"This is the first show of our annual Christmas double header. We did a show years back that looked at the history and trivia of classic Christmas Carols. For these shows we chose a whole bunch of songs we did not cover in that previous show. Get ready for a lot of information about your favorite songs of the season."

In the world of music production, sometimes even the pros hit roadblocks. Veteran engineer Digby Smith reminisces about the time Paul Rodgers got fed up during a Free recording session, and how Simon Kirke came to the rescue.Listen to Episode 341 - Behind The Boards with Zeppelin, Marley, McCartney & Clapton with Engineer Digby Smith15% OFF Any Purchase At Old Glory For Booked On Rock Listeners! — Over 300,000 officially licensed items. Featuring legendary music artists like Bob Marley, The Beatles,Grateful Dead, and more. Use the code "BOOKEDONROCK" or hit this link:https://oldglory.com/discount/BOOKEDONROCK----------Booked On Rock is part of The Boneless Podcasting Network BookedOnRock.com The Booked On Rock Store The Booked On Rock YouTube Channel Follow The Booked On Rock with Eric Senich:BLUESKYFACEBOOKINSTAGRAMTIKTOKX Find Your Nearest Independent Bookstore Contact The Booked On Rock Podcast: thebookedonrockpodcast@gmail.com The Booked On Rock Music: “Whoosh” by Crowander / “Last Train North” & “No Mercy” by TrackTribe

Want to streamline your least favourite tasks? In this episode of Architecture Business Club, host Jon Clayton explores innovative ways to leverage AI for automating routine and time-consuming tasks in architecture. Joined by Bryon McCartney, CEO of Archmark, the discussion covers identifying tasks AI can optimise, the Teach framework for deciding what to automate, and practical tips for training AI to match your unique tone. Bryon shares insights on creating efficient workflows using AI, recounts his experiences enhancing his agency's profitability through AI integration, and underscores the importance of starting small for those new to AI. Additionally, the episode details Bryon's approach to building an AI-powered advisory board and a successful workshop using AI tools, emphasising the role of AI in freeing up time for creative and strategic work.Today's GuestToday's guest is Bryon McCartney, CEO of Archmark, a leading business coaching, branding, and marketing firm working exclusively with architecture firms. Bryon has more than 35 years of experience and has led digital marketing initiatives for Calvin Klein, General Motors Europe, Lipton Foods, and many others. He has founded and led six successful creative service firms since 2002 and has helped more than 5,000 architects transform their practices. He's the only Business Made Simple, Small Business Flight School, and StoryBrand certified coach serving the architecture industry, and he's on a mission to help 10,000 firm leaders by 2030.—Episode Highlights00:00 Introduction: Tackling Your To-Do List with AI00:47 Welcome to Architecture Business Club01:06 Meet Bryon McCartney: Transforming Architecture Firms01:51 The Power of AI in Architecture05:42 Identifying Tasks for AI Automation06:04 Streamlining Meeting Notes and Emails with AI11:20 The TEACH Framework for AI Automation14:37 Treating AI Like a Summer Intern20:17 Balancing Instructions for AI21:14 Five-Step Formula for Writing AI Prompts22:59 Creating a Blog Post with AI24:39 Structuring Your AI Prompts25:15 Avoiding Common AI Pitfalls26:11 AI's Impact on Agency Profitability26:32 Early Experiences with AI27:13 Adopting AI Tools in Business28:07 Streamlining Client Onboarding with AI29:54 AI-Powered Workshops and Presentations31:29 Efficiency Gains and Profitability Boost31:49 Using AI in Podcast Production32:40 Building an AI Advisory Board35:38 Getting Started with AI39:10 Choosing the Right AI Tools41:00 Creating AI-Powered Workshops46:05 Final Thoughts on AI Integration50:15 Connecting with Bryon McCartney—Key TakeawaysView AI as a powerful tool to free up your time by automating repetitive and routine tasks. By letting AI handle admin, meeting notes, and standard email responses, you can focus more on creative and strategic work that you truly enjoy.You need to approach AI like you would a summer intern: provide clear instructions, context, and feedback. AI is not a magic solution; it requires you to define what a good result looks like and to iterate, refining your prompts and expectations as you go.You will benefit most from AI if you start small, choosing tasks you know well and can clearly explain. As you build confidence, you can gradually integrate AI into more areas of your work and life, ultimately gaining a competitive edge and improving your efficiency.—Connect with Bryon McCartney on LinkedIn

We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2020 conversation with Elvis Costello. ABOUT ELVIS COSTELLOReleased between 1977 and 1979, Elvis Costello's first three albums—My Aim is True, This Year's Model, and Armed Forces—were all included in Rolling Stone magazine's list of the 500 Greatest Albums of All Time. That early period of his recording career yielded now-classic singles such as “Alison,” “Watching the Detectives,” “Pump it Up,” “Radio Radio,” “Oliver's Army,” “Accidents Will Happen,” and others.Though he established his career as a rock artist and reached commercial heights in the US with the pop hit “Everyday I Write the Book,” Costello's more than thirty studio albums cover a breathtaking range of stylistic ground, from Almost Blue, his early 1980s album of country covers, to The Juliet Letters, his 1993 collaboration with The Brodsky Quartet, to North, an album of ballads partially inspired by his wife Diana Krall that topped Billboard's Jazz chart in 2003, to Il Sogno, his first full-length orchestral work, which was performed by the London Symphony Orchestra, and topped Billboard's classical chart in 2004, to Wise Up Ghost, a 2013 collaboration with Questlove and The Roots. In between, he's continued to release albums both solo and with his bands The Attractions, The Imposters, and The Sugarcanes. Always an adventurous collaborator, Costello entered into a fruitful songwriting partnership with Paul McCartney that yielded more than a dozen songs, including Costello's Top 10 single “Veronica” and McCartney's “My Brave Face.” He went on to release entire collaborative albums with Richard Harvey, Burt Bacharach, Allen Toussaint, and others. He has written lyrics for compositions by Charles Mingus, Billy Strayhorn and Oscar Peterson, as well as musical settings for lyrics by Johnny Cash and Bob Dylan. His songs have been covered by a range of artists including George Jones, Chet Baker, Dusty Springfield, and Solomon Burke. Costello has been nominated for fourteen Grammy awards, two of which he won, as well as an Academy Award for co-writing “The Scarlet Tide” with T-Bone Burnett for the film Cold Mountain. He has received two Ivor Novello awards for Songwriting, the Americana Music Association's Lifetime Achievement in Songwriting award, and the ASCAP Founder's Award, which was presented by Burt Bacharach. He was inducted into both the Songwriters Hall of Fame and the Rock & Roll Hall of Fame, and was named one of the 100 Greatest Songwriters of All Time by Rolling Stone magazine. His genre-stretching new album, Hey Clockface, was recorded in Helsinki and Paris, and was released on October 30.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

TrulySignificant.com honors John Lennon on the 45th anniversary of his assassination. Featured on this show is the talented Darin Murphy, featured in the Broadway musical Lennon. Hear the inside story on John Lennon based on Darin doing the show through a beautiful blog that Ariana Huffington published. Enjoy this and the rare insightful stories about John Lennon through the lens of Darin Murphy who channeled his best Lennon on Broadway with Yoko Ono in the audience. When I was born in the fall of1964, the Beatles had just completed a full-scale invasion of the world (they actually were greeted as liberators). In my home the sound of the Beatles was like mother's milk, and the voice of John Lennon was as recognizable as those of my own parents. It was the envy of the music industry and ironically, John himself despised it, but in no way could it ever be mistaken for anyone else's. And I couldn't get enough of it. “Psychedelic vision is reality to me and always was. When I looked in the mirror at twelve, thirteen…I'd trance out and watch my face changing, becoming cosmic and complete. My eyes would get bigger and the room would vanish.” On December 8, 1980, I was 16 and watching Monday Night Football as Howard Cosell announced John's murder to America. Many would say that a part of them died that night, but not me. On the contrary, a part of me was born. I had always been an admirer, but suddenly I identified with John more than ever, and I discovered I could deliver a spot-on impression of that distinct voice. When I acquired my first 4- track tape machine, I would dissect the Beatles' recordings and recreate them as closely as possible. Those recordings eventually led to a job performing in a Lennon production on Broadway, which was seen by Arianna Huffington, which led to you reading this at this moment. That's just one of many serendipities and synchronicities that occurred within the cast and crew of LENNON over this past year, and they fed profound energy to a project that was already unique to anything else any of us had ever done. For all of us in the company, and Yoko Ono, who visited often, LENNON was a spiritual trip that transcended both show and show business, and I got to know a few sides of John that I hadn't before. Though we were dealing with a forty-year-long story that ended a quarter century ago, many of us, onstage and in the seats, felt as though we were actually experiencing John in the here and now. Perhaps that is where the real story of John Lennon lies, not in the places and dates and times, but in the people who have experienced him. There are those close to John who were enchanted by his charm, warmed by his generosity, frustrated by his stubbornness and wounded by his cruelty. And there are those far from him who are captivated by his charisma, inspired or enraged by his politics,enamored by his expressions of love or, like me, galvanized by his craftsmanship and charged by his spirit. Today as much as ever, artists use the talents of John Lennon the way Native Americans used the bison. Besides his musicianship and sensibility, we gain inspiration from his work ethic, his intellect, his literary skills, his presence onscreen, his comic timing, his artistic boldness, his naked candor, and his philosophy on life, which changed shape as his search for his own authenticity widened. “…The hardest thing is facing yourself. It's much easier to shout “Revolution” and “Power to the People” than it is to take a look at yourself; find out what's real inside you and what isn't, when you're pulling the wool over your own eyes, that's the hardest one.' It was no accident that Lennon left such a lasting musical legacy. He and McCartney had set out to do it purposely, to create music for future audiences as well as their own. But John had an even loftier goal: advancing the evolution of human consciousness. He talked and sang about it constantly, about how everyone could make it happen just by getting their minds together, “projecting our images in space and in time…raising the spirit of peace and love.” But he also warned us that the responsibility for bringing about such change lies in each of us as individuals. “You have to do it yourself…I can't wake you up. You can wake you up. I can't cure you. You can cure you.” We've been challenged, more than ever now, to recognize the man- made forces that lie behind our suffering; the prisons we've built for ourselves by limiting our thinking and our perceptions of reality; the ego-influenced illusions by which we live and die. These issues are front-page headlines, right now, every day, and that is why the words and dreams of John Lennon matter every bit as much now as they did then. At the heart of the matter is Truth, and it's important to realize, as Lennon did, that Truth is not some inanimate object to be manipulated, but a natural force living in the fabric of the soul that must be respected. But first, it helps to remember the most simple and basic of all the man's messages, the one he repeated over and over and would no doubt utter again if he had one more moment among us: I Love You. And we love you, too, John. Thanks!Become a supporter of this podcast: https://www.spreaker.com/podcast/success-made-to-last-legends--4302039/support.

durée : 00:02:36 - Regarde le monde - À 83 ans, il prend la peine d'écrire à la Commission européenne, en ajoutant sa signature à celles de huit députés britanniques. Objet de son courroux : ce vote de Bruxelles qui pourrait, à terme, interdire l'appellation « steak », « burger » ou « saucisse » pour des produits végétaux. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:02:36 - Regarde le monde - À 83 ans, il prend la peine d'écrire à la Commission européenne, en ajoutant sa signature à celles de huit députés britanniques. Objet de son courroux : ce vote de Bruxelles qui pourrait, à terme, interdire l'appellation « steak », « burger » ou « saucisse » pour des produits végétaux. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Uryah McCartney of West Broward joins Larry Blustein as they talk about the season they're having and what it's like to be the son of a coach and so much more.

Welcome to an extraordinary edition of the Takin’ A Walk podcast from Buzz Knight music and the “Master of Music Mayhem,” Harry Jacobs. This comprehensive look at weekly music history explores one of the most emotionally complex weeks in rock and roll history, spanning December 8th through December 14th. From tragic losses to groundbreaking debuts, this week encompasses the full spectrum of music history’s most pivotal moments. John Lennon’s Assassination: December 8, 1980 - A Day That Changed Music Forever The episode opens with perhaps the darkest day in rock music history: December 8, 1980, when John Lennon was shot and killed outside The Dakota apartment building in New York City. Buzz Knight and Harry Jacobs provide intimate personal recollections of this Beatles tragedy that shocked the world. For listeners of this weekly music history episode note the Buzz Knight music podcast replay of "Takin A Walk" with the incredible Julian Lennon. The Beatles Reunion: Free as a Bird and the Anthology Era Moving from tragedy to reunion, the episode explores December 9, 1995, when the Beatles released “Free as a Bird”—the first new Beatles music in 24 years. Both hosts were working together at WZLX in Boston during this momentous release, bringing their firsthand perspective to this Beatles reunion moment. The track, built around a John Lennon demo with contributions from Paul McCartney, George Harrison, and Ringo Starr, represented a technological and emotional achievement in music history. Harry admits his initial underwhelm with the track, noting that while “Free as a Bird” generated enormous curiosity worldwide, it never achieved the status of Beatles classics like “Ticket to Ride,” “Help!,” or songs from Sgt. Pepper’s Lonely Hearts Club Band. The honest assessment reflects how even beloved artists can struggle to recapture past magic, and both hosts acknowledge they haven’t revisited the song since its release. This candid discussion provides valuable context for understanding fan expectations versus artistic reality in music reunion projects. The Blues Brothers Phenomenon: From Saturday Night Live to Cultural Institution December 9, 1978 marks the Saturday Night Live debut of the Blues Brothers, a moment that transformed comedy sketch into legitimate musical force. The episode provides deep insights into how Dan Aykroyd and John Belushi created this blues and R&B supergroup, enlisting Paul Shaffer, Lou Marini, Duck Dunn, and Steve Cropper, who just passed away—the latter two being legendary members of Booker T. and the MGs and key figures in the Stax Records sound that defined Memphis soul music and produced classics like “Soul Man” and “Green Onions.” Howard Shore, who served as Saturday Night Live’s musical director, recognized the potential in Aykroyd and Belushi’s blues performances and helped facilitate their transition from comedy bit to recording artists. The hosts discuss how this comedy-music crossover assembled world-class musicians around a satirical concept that became genuinely respected in the music community. The Blues Brothers represented a unique fusion of comedy and music that introduced younger audiences to blues legends and R&B classics. The conversation explores Tom “Bones” Malone, a guest on Buzz’s podcast, who joined the Blues Brothers band and played trombone with Blood, Sweat & Tears before becoming part of the SNL band. The episode details the evolution of the band from initial concept to full touring and recording entity, with Buzz noting the impressive live performances featuring the Blues Brothers’ acrobatic stage show, where the larger-than-life Belushi performed cartwheels, splits, and handstands that would later inspire Chris Farley’s physical comedy style. The Blues Brothers soundtrack, featuring “Briefcase Full of Blues” and subsequent albums, has “stood the test of time” according to both hosts. Songs like “Rubber Biscuit,” performed with Matt “Guitar” Murphy, and the memorable Aretha Franklin diner scene where Jake orders “four fried chickens and a Coke,” remain embedded in popular culture. The authentic musicianship combined with comedic brilliance created something that transcended both genres, making the Blues Brothers a permanent fixture in American music history. Otis Redding’s Legacy and Tragic Death: December 10, 1967 The episode takes a somber turn with December 10, 1967, the day Otis Redding died in a plane crash near Madison, Wisconsin, along with members of the Bar-Kays. The timing of this tragedy magnifies its impact—Redding had recorded ”(Sittin’ On) The Dock of the Bay” just three days earlier, and the song hadn’t yet been released. The track became a posthumous number-one hit, cementing Redding’s status as one of soul music’s greatest artists, though he never lived to see its success. Wings Over America: McCartney’s Epic Live Album - December 10, 1976 December 10, 1976 brought the release of Wings Over America, Paul McCartney’s triple live album documenting his 1975-1976 tour with Wings. The episode explores the rarity of triple albums in music history, particularly live albums of such scope and ambition. The hosts discuss the bootleg album called “Wings from Wings” that allegedly forced McCartney’s hand, rushing the official release to market before bootleggers could dominate sales. Harry reveals the meticulous production process behind Wings Over America, noting that McCartney collected 8,000 hours of live recordings from the tour. The legendary Beatles bassist and singer then personally mixed the album, listening to five different versions of every song before selecting the best performances. The final album was crafted to sound like a single concert experience, though it actually represented the best moments culled from the entire tour—a production approach that set standards for live albums. The episode highlights how “Maybe I’m Amazed” from this album became the definitive version for many fans, surpassing even the studio recording in emotional power and musical execution. The album also featured several Beatles songs including “Yesterday” and “Bluebird,” allowing McCartney to honor his past while showcasing his post-Beatles work with Wings. This balance between Beatles nostalgia and new material demonstrated McCartney’s artistic evolution while satisfying longtime fans. Early Genesis and Progressive Rock Evolution December 11, 1972 saw Genesis release “Foxtrot,” their fifth studio album and a landmark in progressive rock history. The episode explores this Peter Gabriel-era Genesis and the band’s evolution through various lineups. Harry recalls “Watcher of the Skies” as a standout track, while both hosts discuss later Genesis classics like “The Carpet Crawlers” from “The Lamb Lies Down on Broadway.” The conversation reveals differing perspectives on Genesis eras, with Buzz preferring the Peter Gabriel period and later Phil Collins-fronted work, while Harry admits his fandom developed more during the “Trick of the Tail” era following Gabriel’s departure. This honest exchange reflects how progressive rock bands often created distinct identities across lineup changes, appealing to different audiences in different eras. Buzz shares a memorable concert experience seeing Genesis with double drumming featuring Phil Collins and Bill Bruford (renowned for his work with Yes and King Crimson). This unique configuration represented Genesis at a transitional moment, experimenting with expanded instrumentation before settling into the trio format that would define their later commercial success. The “Trick of the Tail” tour demonstrated the band’s ability to continue without their iconic frontman, eventually leading to Collins taking over lead vocals permanently. The episode takes an unexpected turn to December 12, 1901, when Guglielmo Marconi sent the first transatlantic radio signal from Cornwall to Newfoundland. This moment in broadcasting history laid the foundation for everything that followed, including the careers of Buzz and Harry as radio professionals. Harry jokes about Buzz working for Marconi in 1901, highlighting the self-deprecating humor that characterizes their chemistry while acknowledging that without Marconi’s invention, they would never have met or built careers in radio. This historical perspective reminds listeners that music distribution, radio broadcasting, and the entire infrastructure of modern music industry traces back to pioneering moments like Marconi’s transmission. The evolution of radio technology from those first signals to contemporary podcast production represents over a century of innovation that transformed how humans experience and share music globally. The Clash’s London Calling: Punk’s Masterpiece - December 14, 1979 December 14, 1979 saw the Clash release “London Calling” in the UK, a double album that transcended punk rock limitations to incorporate reggae, rockabilly, ska, and R&B influences. The hosts recall the album’s innovative approach, including the hidden track “Train in Vain,” which became a hit despite not being listed on the original album cover—a marketing trick that created mystique and rewarded attentive listeners. Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Welcome to an extraordinary edition of the Takin’ A Walk podcast with host Buzz Knight and the self-proclaimed “Master of Music Mayhem,” Harry Jacobs. This comprehensive music history podcast episode explores one of the most emotionally complex weeks in rock and roll history, spanning December 8th through December 14th. From tragic losses to groundbreaking debuts, this week encompasses the full spectrum of music history’s most pivotal moments. John Lennon’s Assassination: December 8, 1980 - A Day That Changed Music Forever The episode opens with perhaps the darkest day in rock music history: December 8, 1980, when John Lennon was shot and killed outside The Dakota apartment building in New York City. Buzz Knight and Harry Jacobs provide intimate personal recollections of this Beatles tragedy that shocked the world. The Beatles Reunion: Free as a Bird and the Anthology Era Moving from tragedy to reunion, the episode explores December 9, 1995, when the Beatles released “Free as a Bird”—the first new Beatles music in 24 years. Both hosts were working together at WZLX in Boston during this momentous release, bringing their firsthand perspective to this Beatles reunion moment. The track, built around a John Lennon demo with contributions from Paul McCartney, George Harrison, and Ringo Starr, represented a technological and emotional achievement in music history. Harry admits his initial underwhelm with the track, noting that while “Free as a Bird” generated enormous curiosity worldwide, it never achieved the status of Beatles classics like “Ticket to Ride,” “Help!,” or songs from Sgt. Pepper’s Lonely Hearts Club Band. The honest assessment reflects how even beloved artists can struggle to recapture past magic, and both hosts acknowledge they haven’t revisited the song since its release. This candid discussion provides valuable context for understanding fan expectations versus artistic reality in music reunion projects. The Blues Brothers Phenomenon: From Saturday Night Live to Cultural Institution December 9, 1978 marks the Saturday Night Live debut of the Blues Brothers, a moment that transformed comedy sketch into legitimate musical force. The episode provides deep insights into how Dan Aykroyd and John Belushi created this blues and R&B supergroup, enlisting Paul Shaffer, Lou Marini, Duck Dunn, and Steve Cropper, who just passed away—the latter two being legendary members of Booker T. and the MGs and key figures in the Stax Records sound that defined Memphis soul music and produced classics like “Soul Man” and “Green Onions.” Howard Shore, who served as Saturday Night Live’s musical director, recognized the potential in Aykroyd and Belushi’s blues performances and helped facilitate their transition from comedy bit to recording artists. The hosts discuss how this comedy-music crossover assembled world-class musicians around a satirical concept that became genuinely respected in the music community. The Blues Brothers represented a unique fusion of comedy and music that introduced younger audiences to blues legends and R&B classics. The conversation explores Tom “Bones” Malone, a guest on Buzz’s podcast, who joined the Blues Brothers band and played trombone with Blood, Sweat & Tears before becoming part of the SNL band. The episode details the evolution of the band from initial concept to full touring and recording entity, with Buzz noting the impressive live performances featuring the Blues Brothers’ acrobatic stage show, where the larger-than-life Belushi performed cartwheels, splits, and handstands that would later inspire Chris Farley’s physical comedy style. The Blues Brothers soundtrack, featuring “Briefcase Full of Blues” and subsequent albums, has “stood the test of time” according to both hosts. Songs like “Rubber Biscuit,” performed with Matt “Guitar” Murphy, and the memorable Aretha Franklin diner scene where Jake orders “four fried chickens and a Coke,” remain embedded in popular culture. The authentic musicianship combined with comedic brilliance created something that transcended both genres, making the Blues Brothers a permanent fixture in American music history. Otis Redding’s Legacy and Tragic Death: December 10, 1967 The episode takes a somber turn with December 10, 1967, the day Otis Redding died in a plane crash near Madison, Wisconsin, along with members of the Bar-Kays. The timing of this tragedy magnifies its impact—Redding had recorded ”(Sittin’ On) The Dock of the Bay” just three days earlier, and the song hadn’t yet been released. The track became a posthumous number-one hit, cementing Redding’s status as one of soul music’s greatest artists, though he never lived to see its success. Wings Over America: McCartney’s Epic Live Album - December 10, 1976 December 10, 1976 brought the release of Wings Over America, Paul McCartney’s triple live album documenting his 1975-1976 tour with Wings. The episode explores the rarity of triple albums in music history, particularly live albums of such scope and ambition. The hosts discuss the bootleg album called “Wings from Wings” that allegedly forced McCartney’s hand, rushing the official release to market before bootleggers could dominate sales. Harry reveals the meticulous production process behind Wings Over America, noting that McCartney collected 8,000 hours of live recordings from the tour. The legendary Beatles bassist and singer then personally mixed the album, listening to five different versions of every song before selecting the best performances. The final album was crafted to sound like a single concert experience, though it actually represented the best moments culled from the entire tour—a production approach that set standards for live albums. The episode highlights how “Maybe I’m Amazed” from this album became the definitive version for many fans, surpassing even the studio recording in emotional power and musical execution. The album also featured several Beatles songs including “Yesterday” and “Bluebird,” allowing McCartney to honor his past while showcasing his post-Beatles work with Wings. This balance between Beatles nostalgia and new material demonstrated McCartney’s artistic evolution while satisfying longtime fans. Early Genesis and Progressive Rock Evolution December 11, 1972 saw Genesis release “Foxtrot,” their fifth studio album and a landmark in progressive rock history. The episode explores this Peter Gabriel-era Genesis and the band’s evolution through various lineups. Harry recalls “Watcher of the Skies” as a standout track, while both hosts discuss later Genesis classics like “The Carpet Crawlers” from “The Lamb Lies Down on Broadway.” The conversation reveals differing perspectives on Genesis eras, with Buzz preferring the Peter Gabriel period and later Phil Collins-fronted work, while Harry admits his fandom developed more during the “Trick of the Tail” era following Gabriel’s departure. This honest exchange reflects how progressive rock bands often created distinct identities across lineup changes, appealing to different audiences in different eras. Buzz shares a memorable concert experience seeing Genesis with double drumming featuring Phil Collins and Bill Bruford (renowned for his work with Yes and King Crimson). This unique configuration represented Genesis at a transitional moment, experimenting with expanded instrumentation before settling into the trio format that would define their later commercial success. The “Trick of the Tail” tour demonstrated the band’s ability to continue without their iconic frontman, eventually leading to Collins taking over lead vocals permanently. The episode takes an unexpected turn to December 12, 1901, when Guglielmo Marconi sent the first transatlantic radio signal from Cornwall to Newfoundland. This moment in broadcasting history laid the foundation for everything that followed, including the careers of Buzz and Harry as radio professionals. Harry jokes about Buzz working for Marconi in 1901, highlighting the self-deprecating humor that characterizes their chemistry while acknowledging that without Marconi’s invention, they would never have met or built careers in radio. This historical perspective reminds listeners that music distribution, radio broadcasting, and the entire infrastructure of modern music industry traces back to pioneering moments like Marconi’s transmission. The evolution of radio technology from those first signals to contemporary podcast production represents over a century of innovation that transformed how humans experience and share music globally. The Clash’s London Calling: Punk’s Masterpiece - December 14, 1979 December 14, 1979 saw the Clash release “London Calling” in the UK, a double album that transcended punk rock limitations to incorporate reggae, rockabilly, ska, and R&B influences. The hosts recall the album’s innovative approach, including the hidden track “Train in Vain,” which became a hit despite not being listed on the original album cover—a marketing trick that created mystique and rewarded attentive listeners. Support the show: https://musicsavedme.net/See omnystudio.com/listener for privacy information.

Behind-the-scenes stories from veteran engineer Digby Smith on working with Stephen Stills, Bob Marley, Free, Led Zeppelin, Paul McCartney, Eric Clapton, and more! Digby also goes inside the process of remixing classic albums, which he has done recently for Bad Company, and Black Sabbath. A fascinating discussion you won't want to miss!Purchase a copy of One Two Three Four: The Life and Times of a Recording Studio EngineerVisit TQ1Music.comVisit RichardDigbyAuthor.com15% OFF Any Purchase At Old Glory For Booked On Rock Listeners! — Over 300,000 officially licensed items. Featuring legendary music artists like Bob Marley, The Beatles,Grateful Dead, and more. Use the code "BOOKEDONROCK" or hit this link:https://oldglory.com/discount/BOOKEDONROCK----------Booked On Rock is part of The Boneless Podcasting Network BookedOnRock.com The Booked On Rock Store The Booked On Rock YouTube Channel Follow The Booked On Rock with Eric Senich:BLUESKYFACEBOOKINSTAGRAMTIKTOKX Find Your Nearest Independent Bookstore Contact The Booked On Rock Podcast: thebookedonrockpodcast@gmail.com The Booked On Rock Music: “Whoosh” by Crowander / “Last Train North” & “No Mercy” by TrackTribe

A smiling John Lennon on Monday Night Football. A blunt 1970 interview that cut through the post‑Beatles haze. A late‑night Bermuda epiphany triggered by the B‑52s. We stitch together these scenes to tell a clear story of return, risk, and the ache of what never happened.We revisit Lennon's sharp takes on early solo albums, then jump to Howard Cosell's halftime chat where “It's always in the wind” floated a reunion hope. From there we follow the thread to Double Fantasy: phone‑call songwriting with Yoko, the decision to interleave their tracks, and the electric but shelved Cheap Trick‑backed version of I'm Losing You. The music reveals a man choosing domestic honesty over spectacle, and that choice rings loud on Watching The Wheels and Beautiful Boy. We also sit with the shock of December 8, 1980—how news broke live on TV, how radio turned into a vigil, and how listeners discovered deep cuts and new meanings in the days that followed.The legacy keeps evolving. Anthology 1 brought Free As A Bird to life from a worn cassette, reminding us that imperfections can feel truer than polish. New restoration tools now separate voices from tape hiss, reframing classics without erasing their warmth, and sparking debate around releases like Now And Then. We dig into early Beatles gems, Pete Best's late payday, and why Rubber Soul still feels like the band's great hinge moment. Seasonal staples make an appearance too—Lennon's reflective Happy Xmas and McCartney's gloriously divisive Wonderful Christmastime—because these songs hold our calendars as much as our hearts.Come for the stories, stay for the connective tissue: how culture, technology, and memory keep Lennon present. If this journey moved you, follow the show, share it with a friend who loves The Beatles, and leave a quick review so more listeners can find these conversations.Learn Something New orRemember Something OldContact us at musicinmyshoes@gmail.com with your own musical memories.Send us a one-way message. We can't answer you back directly, but it could be part of a future Music In My Shoes Mailbag!!!

The third part of Tony's chat with The Beatles biographer Ian Leslie, exploring the emotional and creative partnership between John Lennon and Paul McCartney. They discuss how Lennon's 1966 “more popular than Jesus” remark shook him, how the Beatles abandoned touring for studio experimentation, and how Yoko Ono and Linda Eastman became catalysts for John and Paul pulling apart. Business conflicts, especially over management, deepened divisions even as the band continued producing remarkable work, culminating in Abbey Road. Despite a turbulent breakup, Lennon and McCartney slowly rebuilt a loose friendship before Lennon's death, and the Beatles' artistic legacy continues to shape modern music.Hosted by Sir Tony Robinson | Instagram @sirtonyrobinsonProducer: Melissa FitzGerald | X @melissafitzgWithIan Leslie | www.ian-leslie.comIan Leslie is the author of acclaimed and bestselling books on human psychology and creativity which have been translated into over a dozen languages. Malcolm Gladwell describes him as “one of my favourite writers”. Ian has written for the Financial Times, the Economist, the New York Times, The Sunday Times, and the New Statesman, among others, covering everything from technology to politics to music.‘John & Paul: A Love Story in Songs' | https://ian-leslie.com/johnandpaul/The New York Times and Sunday Times bestseller Follow us on our socials:Instagram @cunningcastpod | X @cunningcastpod | YouTube @cunningcast and TikTok @cunningcast------- If you enjoy this podcast, please follow us and leave us a rating or review.Thank you, Love Tony x Hosted on Acast. See acast.com/privacy for more information.

"We have broken down the meaning of American Pie and Creeque Alley and now it its time for We Didnt Start the Fire from Billy Joel. Listen closely. We go pretty quick."

La petizione per il lavoro open source. I bio-droni da ricognizione russi. Eugene Rochko fa un passo indietro. Le bollette di OpenAI. Il brano vuoto di Paul McCartney. Queste e molte altre le notizie tech commentate nella puntata di questa settimana.Dallo studio distribuito di digitalia:Franco Solerio, Michele Di Maio, Francesco FacconiProduttori esecutivi:Mirto Tondini, Il Pirata Lechuck, @Joanpiretz, Francesco Usseglio Gaudi, Diego Venturin, Matteo Molinari, Stefano Augusto Innocenti, Nicola Bisceglie, @Akagrinta, Marco Siviero, Piero Alberto Mazzo, Stefano Rocchetti, ---, Matteo Tarabini, Mattia Lanzoni, @Jh4Ckal, Sandro Acinapura, Paolo Boschetti, @Blis, Elisa Emaldi - Marco Crosa, Davide Tinti, Roberto Esposito, Roberto Tarzia, Douglas Whiting, Paolo Bernardini, Riccardo Peruzzini, Luca Di Stefano, Arzigogolo, Nicola Gabriele Del Popolo, Paola Danieli, Fiorenzo PillaSponsor:Squarespace.com - utilizzate il codice coupon "DIGITALIA" per avere il 10% di sconto sul costo del primo acquisto.Links:Stop Putting Your Passwords Into Random WebsitesAttacco informatico a Milano RistorazioneRiconoscimento del lavoro open source come lavoro volontarioRussia Launches First Brain-Chipped Bird Drones for SurveillanceEU Council Approves New “Chat Control” MandateReality Check: EU Council Chat Control Vote is Not a RetreatChatGPT and Copilot are being booted out of WhatsAppMy next chapter with MastodonRoblox is a problem but its a symptom of something worseOpenAI confirms major data breachOpenAI says suicide teen violated TOSLeak confirms OpenAI is preparing ads on ChatGPTOpenAI needs to raise at least $207bn by 2030Plexs crackdown on free remote streaming accessPaul McCartney joins music industry protest against AIWarner Music Group partners with SunoL'aereo fuori controllo e il computer difettosoAirbus A320 a terra, la corsa ad aggiornare i softwareA320: Un'intensa radiazione solare può corrompere dati criticiAirbus A320 Software updates using PDLGingilli del giorno:STFUElon, STFUMark and STFUJeffSpliit - l'alternativa open source per dividere le speseThe A1200 - riedizione del Commodore Amiga 1200Supporta Digitalia, diventa produttore esecutivo.

Welcome to Light On Light Through episode 416, in which I review the The Beatles Anthology 2025 documentary. Relevant links: my written review of Anthology 2025 my 2024 podcast review of Beatles '64 my 1972 article in The Village Voice: Murray the K in Nostalgia's Noose my 1971 article in The Village Voice: A Vote for McCartney my 1972 song Murray the K's Back In Town my 2024 novel It's Real Life: An Alternate History of The Beatles 2023 radioplay It's Real Life on Killerwatt Radio adapted from first chapter of my novel (audiobook of radioplay here) my 2025 written review of One to One: John & Yoko my 2017-2018 written reviews of Rob Sheffield's book Dreaming the Beatles (I review every chapter!) my 2016 review of Billy J. Kramer's book Do You Wanna Know a Secret? my thoughts about The Beatles' Now and Then "The Beatles and Podcasts" my Fall 2023 essay in the Journal of Beatles Studies my 2023 written review of John Lennon: Murder Without a Trial my 2021 podcast reviews of Peter Jackson's The Beatles: Get Back Chris Willman's interview with Oliver Murray in Variety

"The The Office of the US Trade Representative has released their 2024 Piracy Report listing the notorious markets for counterfeiting and piracy. The practice is alive and well. This report dedicated an entire section just to music. We will tell you what it said."

Cheyanne McCartney is one of the most versatile, talented, and mentally tough cowgirls in professional breakaway roping — a four-time NFBR qualifier whose story is built on resilience, horsemanship, and an unwavering commitment to showing up, no matter how tough the season gets.In this episode, Cheyanne takes us through one of the most powerful comeback arcs in rodeo. After missing the NFBR for the first time in 2024, she faced the difficult decision to come home, rehab her body, rebuild her confidence, and prepare for the events she still believed she could win. That choice paid off — with a major AQHA World Championship title and the momentum she needed to come into the new year hungry and focused.Through every story, Cheyanne's growth stands out — her patience, her perspective, her ability to stay grounded in the chaos of summer, and her commitment to trusting her horses in any setup. She embodies what it means to evolve with the sport and to get better, sharper, and tougher with every season.Her journey reflects everything that makes breakaway roping special — grit, faith, family, horsemanship, and the kind of determination that turns setbacks into stepping stones.Follow us for more live rodeo and all the action from your favorite events — Bareback Riding, Saddle Bronc Riding, Bull Riding, Tie-Down Roping, Team Roping, Steer Wrestling, Barrel Racing, and Breakaway Roping. Subscribe for the best of pro rodeo in 2025. ----In The LOOP Podcast hosted by Jordan Jo Hollabaugh, is inspired by the western culture and breakaway roping lifestyle. This podcast highlights the raw, real, truth behind the box of the breakaway roping industry. Bringing you behind the scenes stories of what real life looks like everyday from; breakaway ropers, cowgirls, cowboys, producers, leaders, trailblazers, and the like, all sharing stories of the western culture and lifestyle that they live daily.In The LOOP Podcast & Fabrizio Marketing LLC are not responsible for any losses, damages, or liabilities that may arise from the use of this podcast.----New Episodes Every Friday @ 9a ET on Rodeo Live YT----Get In The LOOP Podcast with Jordan JoGet the Newsletter at | www.inthelooprodeo.com/Like us on Facebook | www.facebook.com/inthelooppodcast.jordanjoTag us on Instagram | www.instagram.com/inthelooppodcast.jordanjoFollow us on TikTok | https://www.tiktok.com/@jordanjo.hollabaughWatch more on our Youtube Channel Watch on Youtube @ JordanJoHollabaugh ... Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On this episode, Tyler Buterbaugh sat down with Fight2Feed founder/CEO Jiwon McCartney to discuss the organization's mission to help those who deal with food insecurity. Dan Raskin also joined the show to discuss how he and Manny's Deli are helping those out who are losing their SNAP benefits.

A fast-moving tour through concerts, songs, and stories that still echo: REM's 1995 blowout, U2's 2005 highs, a supergroup surprise with Darius Rucker, Mike Mills, and Steve Gorman and how a ballad helped change maritime safety. We end with a spirited look at 80s alt gems and one notorious number-one.• deep dive into REM's 1995 Omni shows and rare covers• U2's 2005 setlist peaks, “Miss Sarajevo,” and a proposal during “One”• Howl Owl Howl live review with Darius Rucker, Mike Mills, Steve Gorman• airport chat about McCartney, Rod Stewart, and a Rick Astley ritual• Gordon Lightfoot's Edmund Fitzgerald and Great Lakes safety changes• 70s–80s track talk: KC, Echo and the Bunnymen, The Cure, Oingo Boingo, Big Audio Dynamite• hot take on Starship's "We Built This City"Learn Something New orRemember Something OldLike and follow our Facebook and Instagram pages and spread the word if you enjoy the podcast. Contact us at musicinmyshoes@gmail.com with your own musical memories.Send us a one-way message. We can't answer you back directly, but it could be part of a future Music In My Shoes Mailbag!!!

"This is our annual Thanksgiving show. Thanksgiving is celebrated in many counties other than the United States. We will tell you the list and and how the people celebrate. Plus play songs about Thanksgiving food."