Podcasts about mccartney

Hvordan var det egentlig at være Paul McCartney efter The Beatles? Og hvordan var det at starte forfra på jagten efter ny succes i nye klæder? Det er omdrejningspunkterne i den nye film, Man On The run, instrueret af Morgan Neville. Den to timer lange film fortæller historien om hvordan Paul efter Beatles-bruddet rejste sig, væltede omkuld og rejste sig igen – især med hjælp fra Linda McCartney – og en god gang stædighed. I denne episode er Andreas Smedegaard med for at tale om filmen, der på optagetidspunktet blot havde været ude i to døgn. På moderne dansk hedder disciplinen en "Instant Reaction" – episode. Og det er lige præcis hvad det er. Friske tanker om en frisk film. Andreas og jeg kender hinanden rigtig godt. Nok mest pga. Paul McCartney. I starten af 90´erne tilbragte vi mange skønne aftener i selskab med rødvin, pop corn og McCartney - og udover at vi har spillet i band sammen, har McCartney og The Beatles altid været et herligt omdrejningspunkt for os.  Heldigvis er Andreas fast medvirkende i "Elsker The Beatles" - og han var frisk på præmissen om at komme med sine helt umiddelbare reaktioner til glæde for mig og forhåbentlig dig der lytter med. Det er altså en brandvarm episode, så der er ikke meget musik i den. Til gengæld håber vi at give stof til eftertanke – og til måske at se filmen, eller deler DINE tanker om "Man On The Run". https://hakon-holm.dk/udgivelser/elsker-the-beatles/ https://bornholm.nu/rubrikannoncer/?Id=17830

If you ever needed proof that the Rock and Roll Hall of Fame is less a museum and more a cultural argument with a gift shop, Episode 13 of On The Record opens by doing what the institution does best: stretching the phrase “rock and roll” until it politely accommodates everyone from Wu‑Tang Clan to Shakira, with a quick stop at INXS (or, as Michael once heard on the BBC, the new Australian sensation “Inks”). Brian runs through the 2026 nominee list like a gig guide for the afterlife—The Black Crowes, Jeff Buckley, Joy Division/New Order, Oasis, Phil Collins (solo, because apparently we're double-dipping now), Melissa Etheridge, Lauryn Hill, New Edition, Pink, Luther Vandross—and lands on the question that always makes the Hall quietly hilarious: who is this for, exactly? Michael's baffled by the ceremony mechanics (do nominees really “turn up hoping”?), while Brian reassures him it's not quite the Oscars, before casually dropping the detail that there's a public vote. Nothing says rock's rebellious spirit like “exercise our democratic right” via a link. The more interesting subtext, though, is what induction inevitably drags in: absence. Several nominees have key members who've died—Buckley, Michael Hutchence, Ian Curtis—prompting the kind of morbid logistics only a Hall of Fame can inspire. Michael wonders aloud whether New Order could be coaxed into a once-only appearance, and if so, would Peter Hook be anywhere near the bass, given the long-running fallout. Rock history, as ever, is part music, part family law. From there, the episode pivots into “telly as coping mechanism” territory.  Michael has started season two of Hijack, acknowledging (with Idris Elba's own executive-producer embarrassment) the inherent silliness of re-hijacking a man who has already been hijacked.  Brian, meanwhile, goes looking for light relief in bleak news cycles and discovers Resident Alien—a show he'd dismissed as fluff until it turns out to be fluff with enough teeth to feel like therapy. The alien-in-a-small-town premise becomes an excuse for a few sharp jokes about humanity's trajectory. But the main event is the week's shared homework: Paul McCartney: Man on the Run, the new documentary spanning the years between the Beatles' breakup and Lennon's murder.  Brian begins with dread—opening on “Silly Love Songs” is hardly a confidence-builder—but both hosts admit the film wins them over. They praise the craft: strong editing, collage-like imagery, and an effective “no talking heads (but their voices)” approach. Then they do the responsible thing and ask the awkward question: how honest can a documentary be when McCartney's own company financed it? Their answer is satisfyingly unresolved. Michael argues it's “warts-and-all enough” to avoid feeling like a total snow job—especially when the film lets other musicians (Nick Lowe, Chrissie Hynde) politely wonder what on earth Paul was thinking during the early, patchy years.  Brian agrees McCartney produced plenty of throwaway material, though he'll still go in to bat for Band on the Run and even dares to defend “Coming Up” (which Michael treats as a personal affront).  They both wish the doco lingered longer on the Lagos chapter, one of the few moments in the Wings story that feels like true risk rather than post-Beatles reputation management. The emotional spine, however, is Scotland. The documentary's portrayal of McCartney retreating to a remote farm with Linda is read here not as quaint pastoral cosplay, but as a survival strategy—grief, disorientation, and the sudden absence of the band-as-family.  The hosts talk candidly about parental loss, the Beatles as McCartney's “emotional prop,” and Lennon as the creative foil who kept Paul's “twee” instincts on a leash.  Linda comes out of it as both partner and lightning rod: necessary to him, mercilessly judged by everyone else.  Along the way, Brian remembers seeing Wings at the Myer Music Bowl in 1975 (yes, he was there), and the hosts revive Norman Gunston as the patron saint of awkward interviews—plus Michael's conspiracy theory that McCartney's infamous Japan marijuana bust may have been a deliberate exit strategy from a tour that Wings' hearts weren't in.  It's ridiculous. It's also, perversely, the kind of narrative logic rock biographies thrive on. By the end, the Hall of Fame is still a “broad church,” McCartney is still a genius with a questionable edit button, and Scotland remains the unlikely setting for both reinvention and retreat.  The biggest twist is that for two men who can't even land a sponsor, they spend 30 minutes proving the oldest rock cliché true: the past is never really over—someone's just nominated it. Important Links Rock & Roll Hall of Fame 2026 Nominees!  Paul McCartney: Man on the Run - Official Trailer | Prime Video  Syfy's Resident Alien - Official Trailer (2021) Alan Tudyk  Nineteen Hundred And Eighty Five (2010 Remaster)  The Art Of Paul McCartney  Paul McCartney - Maybe I'm Amazed  Paul McCartney - Norman Gunston 1975 

Bob Dylan and the Beatles watched each other closely. Jim Windolf is fascinated by the parallels in their stories, the obvious moments they influenced each other and the unconcealable tensions at the times they met, all mapped out in his book ‘Where The Music Had To Go: How Bob Dylan and the Beatles Changed Each Other – and Changed the World'. He talks to us here from New York about what he discovered when writing it, which touches on … … deep-end Dylan and Beatles fans: which can be “crankier”? … the Chaplin-like comic timing of Dylan's early shows and the humour of the Beatles' early stage act … the song Lennon and Dylan wrote, recorded and then lost – now possibly in the Dakota archive … the theory that 4th Time Around refers to the four Beatles songs clearly derived from Dylan … first impressions of each other - “Teenybop music!” “Folk crap!” – and how both acts were crowd-pleasers who could feign indifference … when the two superpowers met at the Delmonico, Warwick and Savoy hotels … Dylan in '66: “girls still scream at me … but in a different way” … the night Bob, Paul and Dana Gillespie saw John Lee Hooker at Blaises … how Lennon's I Want You was a direct response to Dylan's song of the same title … the 15 Dylan songs played in the Get Back sessions … Bob's touching low-key visit to Lennon's childhood home … and the failed attempts by Bob and McCartney to collaborate. Order copies of ‘Where The Music Had To Go: How Bob Dylan and the Beatles Changed Each Other – and Changed the World' here:https://www.waterstones.com/book/where-the-music-had-to-go/jim-windolf/9781399627849Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Bob Dylan and the Beatles watched each other closely. Jim Windolf is fascinated by the parallels in their stories, the obvious moments they influenced each other and the unconcealable tensions at the times they met, all mapped out in his book ‘Where The Music Had To Go: How Bob Dylan and the Beatles Changed Each Other – and Changed the World'. He talks to us here from New York about what he discovered when writing it, which touches on … … deep-end Dylan and Beatles fans: which can be “crankier”? … the Chaplin-like comic timing of Dylan's early shows and the humour of the Beatles' early stage act … the song Lennon and Dylan wrote, recorded and then lost – now possibly in the Dakota archive … the theory that 4th Time Around refers to the four Beatles songs clearly derived from Dylan … first impressions of each other - “Teenybop music!” “Folk crap!” – and how both acts were crowd-pleasers who could feign indifference … when the two superpowers met at the Delmonico, Warwick and Savoy hotels … Dylan in '66: “girls still scream at me … but in a different way” … the night Bob, Paul and Dana Gillespie saw John Lee Hooker at Blaises … how Lennon's I Want You was a direct response to Dylan's song of the same title … the 15 Dylan songs played in the Get Back sessions … Bob's touching low-key visit to Lennon's childhood home … and the failed attempts by Bob and McCartney to collaborate. Order copies of ‘Where The Music Had To Go: How Bob Dylan and the Beatles Changed Each Other – and Changed the World' here:https://www.waterstones.com/book/where-the-music-had-to-go/jim-windolf/9781399627849Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Bob Dylan and the Beatles watched each other closely. Jim Windolf is fascinated by the parallels in their stories, the obvious moments they influenced each other and the unconcealable tensions at the times they met, all mapped out in his book ‘Where The Music Had To Go: How Bob Dylan and the Beatles Changed Each Other – and Changed the World'. He talks to us here from New York about what he discovered when writing it, which touches on … … deep-end Dylan and Beatles fans: which can be “crankier”? … the Chaplin-like comic timing of Dylan's early shows and the humour of the Beatles' early stage act … the song Lennon and Dylan wrote, recorded and then lost – now possibly in the Dakota archive … the theory that 4th Time Around refers to the four Beatles songs clearly derived from Dylan … first impressions of each other - “Teenybop music!” “Folk crap!” – and how both acts were crowd-pleasers who could feign indifference … when the two superpowers met at the Delmonico, Warwick and Savoy hotels … Dylan in '66: “girls still scream at me … but in a different way” … the night Bob, Paul and Dana Gillespie saw John Lee Hooker at Blaises … how Lennon's I Want You was a direct response to Dylan's song of the same title … the 15 Dylan songs played in the Get Back sessions … Bob's touching low-key visit to Lennon's childhood home … and the failed attempts by Bob and McCartney to collaborate. Order copies of ‘Where The Music Had To Go: How Bob Dylan and the Beatles Changed Each Other – and Changed the World' here:https://www.waterstones.com/book/where-the-music-had-to-go/jim-windolf/9781399627849Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Alors que John Lennon a quitté Londres pour New York après avoir retrouvé le sommet des classements et que George Harrison est devenu l'improbable N°1 des ex-Beatles toutes catégories de classement, Paul McCartney écume les cercles étudiants des Midlands au sud de l'Angleterre en passant par le Pays de Galles. L'aventure s'est d'ailleurs terminée à Oxford avec le ras-le-bol des musiciens qu'il a recrutés. C‘est vrai, les gars croyaient avoir une vie de palaces, avions et restos 3 étoiles en tournant avec un ex-Beatles, ils n'ont que le droit de s'entasser dans un mini van et partager la recette de concerts improvisés.Alors la suite, c'est-à-dire le continent européen, doit être un peu mieux organisée. Déjà, le bus de la tournée est un vieux double deck britannique repeint aux couleurs des Wings. Ça le fait pour la promo, en arrivant en ville, personne ne peut les louper, et sur la route, on peut profiter du ciel ouvert aménagé pour admirer le paysage pleinement et bronzer avec les enfants.Alors bien sûr, c'est pas top quand on doit annuler, faute de réservations. Oui, ça arrive, comme à Lyon. Les jeunes Français ont la tête ailleurs avec Led Zeppelin et Pink Floyd, la musique a vraiment changé, hein. Mais à l'Olympia, c'est le frisson, huit ans après la fameuse série avec les Beatles. Et que dire de ce vieux cinéma d'Anvers, juste après, le tout premier concert d'un Beatles en Belgique, car ils n'y ont jamais joué ! Vous y étiez peut-être, l'atmosphère est magique, et surtout, la surprise de pouvoir le regarder d'aussi près est totale. Mais bon ! Où est-il, le génie qui nous a donné Sgt Pepper, qui a entraîné tout le mouvement psychédélique, cassé les codes de la chanson, amené la musique baroque dans le rock ? La comparaison que font les journalistes, alors tout puissants sur les ventes de disques, n'est pas à l'avantage de la musique que propose McCartney. Lui, repart de zéro volontairement, à tous les niveaux, eux exigent la suite, un toujours plus haut, toujours plus fort.Et c'est là qu'intervient à nouveau George Martin, l'ancien producteur des Beatles, l'homme qui a composé leurs fabuleux arrangements orchestraux car il lui a été justement proposé de composer la BO du nouveau James Bond. Pourquoi ne demandez-vous pas à Paul McCartney de composer la chanson, dit-il au producteur Harry Saltzman ? OK, mais juste écrire alors, les génériques de James Bond, ce sont des interprètes soul. Après avoir lu le roman, McCartney, très inspiré, écrit le titre d'un trait au piano mais exige que son groupe en soit l'interprète.Quand Saltzman s'apprête à dire non, il resonge à ce moment où dix ans plus tôt, il a refusé de produire le film des Beatles A Hard days Night, n'y croyant pas un instant, et laissant la société de Charlie Chaplin, la United Artists, réaliser une excellente affaire. Alors il se ravise, dit oui, ouvrant, sans le savoir, un boulevard au retour de Paul McCartney sur le devant de la scène mondiale …

Oscar, Grammy, and Emmy-winning documentary filmmaker Morgan Neville tells us about his new film, ‘Man on The Run.'It begins when the Beatles end, with Paul McCartney trying to figure out who he is as a musician and as a person— without John Lennon and the band that defined him since he was a teenager. Neville got access to previously unseen archival footage of McCartney with his young family and forming his new band, Wings. He spoke with Fresh Air contributor/producer Ann Marie Baldonado.  Also, jazz critic Martin Johnson reviews an Art Blakey concert album, ‘Strasbourg 82.' To manage podcast ad preferences, review the links below:See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Oscar, Grammy, and Emmy-winning documentary filmmaker Morgan Neville tells us about his new film, ‘Man on The Run.'It begins when the Beatles end, with Paul McCartney trying to figure out who he is as a musician and as a person— without John Lennon and the band that defined him since he was a teenager. Neville got access to previously unseen archival footage of McCartney with his young family and forming his new band, Wings. He spoke with Fresh Air contributor/producer Ann Marie Baldonado.  Also, jazz critic Martin Johnson reviews an Art Blakey concert album, ‘Strasbourg 82.' To manage podcast ad preferences, review the links below:See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Février 1971, Paul McCartney enfile le veston qu'il portait deux ans plus tôt sur la pochette de l'album déjà mythique, Abbey Road. Seule différence, il ne se rendra pas pieds nus mais avec de belles chaussures, à son audience devant la Haute Cour de Londres où il va demander la dissolution des Beatles et de son contrat avec leur manager. En effet, le redoutable requin américain leur avait fait accepter de mettre même les revenus de leurs carrières solos dans leur label Apple. Il gardait donc la main sur tout et McCartney pouvait vendre autant de disques qu'il voulait, il allait continuer à gagner peu d'argent.Oh ça ne le dérange pas, vous savez. La preuve : il s'apprête à faire un truc impensable, une fois son procès gagné, un procès qui l'a affecté car il a été obligé de l'intenter contre ses copains d'adolescence. C'est la guerre ! Ainsi, il fait venir de New York les musiciens avec qui il vient d'enregistrer son nouvel album solo, RAM, une merveille entre nous, hein, même si la presse le descend joyeusement. Et quand les gars arrivent dans son repère de la presqu'île de Kintyre, ils découvrent qu'ils ne sont pas là pour des vacances écossaises mais pour créer un vrai groupe qui va enregistrer, là, dans cette ferme spartiate, au milieu des moutons.Le guitariste repart aussitôt pour New York mais les autres restent, alors Paul file au village téléphoner à Londres à son pote Denny Laine, ex-guitariste et chanteur des Moody Blues … ah non, c'est pas lui qui chante ce tube immortel des Moody blues, c'est Justin Hayward, le gars qui l'a remplacé quand il s'est barré en 1966. Qu'est-ce qu'il est devenu depuis, Denny Laine ? Et ben, pas grand chose, la preuve, après le coup de fil, il rapplique aussitôt après avoir accepté un salaire à la semaine.Paul a trouvé un nom pour ce groupe, Wings, les ailes, comme s'il allait s'envoler à nouveau. Et repartir vraiment à zéro, avec un premier album quasiment improvisé à la pochette bucolique, un peu trop d'ailleurs, on le reconnaît à peine. Tout comme la tournée. C'est vrai ! Après quelques coups de fil donnés depuis le village, les voilà partis avec un petit camion de location et un mini van dans lequel ils s'entassent. Oui, alors qu'il aurait été si simple de jouer sur le nom de Paul McCartney, ex-Beatle, toutes les portes se seraient ouvertes, Paul veut rejouer ses débuts. Ainsi en février 1972, une étudiante responsable d'un cercle de l'université de Nottingham se retrouve devant deux jeunes chevelus qui lui demandent s'ils ont une salle. Ben oui ? Vous pourriez venir, on est avec un artiste qui voudrait jouer ici ce soir ? Imaginez sa tête quand arrivée sur le trottoir, elle reconnaît dans le van, Paul McCartney qui lui tend la main, en disant qu'il est d'accord de jouer aux entrées.Le concert aura lieu le lendemain finalement, devant plus de 750 jeunes, imaginez l'ambiance. Et même s'il n'y aura pas une seule chanson des Beatles, le premier concert de Paul depuis ce stade de San Francisco en 1966 est une réussite. Ils ont même gagné 30 livres sterling chacun.

In this week's episode of the world's fastest movie review podcast, Jackson and Mike review TWO new films!!! First "SCARLET" Princess Scarlet fails to avenge her father, wakes in a liminal "Land of the Dead," and must pursue vengeance, or risk being erased into "Void.". Directed by Mamoru Hosoda. Then, a quick review of "PAUL MCCARTNEY: MAN ON THE RUN".  A Morgan Neville-directed documentary focusing on McCartney's post-Beatles decade, 'Wings', reinvention, and the costs of fame.

On this episode of Sound Up!, Alan Light and Producer Roger Coletti discuss the nominees for the Rock & Roll Hall of Fame Class of 2026 and share listener reactions. Alan also reviews two music documentaries: EPIC: Elvis Presley in Concert, directed by Baz Luhrmann, and the Paul McCartney and Wings documentary, Paul McCartney: Man on the Run. Plus, new music picks from Gorillaz and Tori Amos.   We want to make you part of the conversation. Leave us your comments via text or audio message at connect@sounduppod.com https://www.instagram.com/sounduppod/https://twitter.com/sounduppod Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Mark McCartney is an Irish-born coach, host of the acclaimed What Is a Good Life podcast with nearly 300 conversations, and facilitator who helps leadership teams move from performative to genuine authenticity through presence, silence, and radical honesty.3:00 Mark describes his early career in corporate banking and capital markets in Ireland and Canada, passing the CFA Level I but realizing finance wasn't his calling: "If I do the next versions of this, I just haven't had a better idea yet as to what I want to do with my life."5:00 The New York Stock Exchange bell-ringing moment—what looked like a career peak became the catalyst for leaving finance. "I felt like a bit of an imposter where people really seemed to love their work."7:00 Mark's sabbatical to India—meditation, ashrams, Vipassana—and the surprise of meeting his future wife in McLeod Ganj, proposing within five weeks. Ten years later, the story holds.10:00 Turning down a 40% pay increase after a body-scan meditation revealed total clarity. His wife's response: "Yeah, I know you can't. It's fine." They sell everything and leave for Peru's Sacred Valley.15:00 Patterns from 300+ interviews on "What is a good life?"—the deeply individual nature of the answer, the importance of presence, and how people who say they're living a good life have often endured divorce, addiction, or depression.20:00 Authenticity as inner and outer coherence—not sharing everything, but no longer saying things your heart doesn't believe to be true. Tom Morgan reference: "When I said something that my heart didn't believe to be true, it hurt."25:00 Silent conversations explained—groups sit in silence for 10-45 minutes before speaking. Vulnerability isn't sharing your biggest trauma; it's sharing what's alive in this moment.32:00 Leadership teams moving from performative to genuine—creating conditions where defenses lower, elephants get named, and "I don't trust you right now" becomes a conversation starter, not a threat.39:00 Intellectual understanding as a "consolation prize"—the difference between reading Eckhart Tolle and embodying the teaching. "The lived experience of our life equates more to wisdom than sharing intellectual ideas."47:00 Belonging through attention—how a Peruvian woman's daily eye contact gave Mark a sense of home, and why belonging is built through tending to the people around you, not nationality.51:00 Transactional vs. relational living—Bogumil's infinite game tennis analogy and Mark's insight on the psychic toll of pretending something is important when it isn't.59:00 Mark's definition of success: spending days doing something you care about, being with people you love, and having the financial foundation to support it. "It feels like I've created the foundation for something that I hope to enjoy for many more years in this life."Podcast Program – Disclosure StatementBlue Infinitas Capital, LLC is a registered investment adviser and the opinions expressed by the Firm's employees and podcast guests on this show are their own and do not reflect the opinions of Blue Infinitas Capital, LLC. All statements and opinions expressed are based upon information considered reliable although it should not be relied upon as such. Any statements or opinions are subject to change without notice.Information presented is for educational purposes only and does not intend to make an offer or solicitation for the sale or purchase of any specific securities, investments, or investment strategies. Investments involve risk and unless otherwise stated, are not guaranteed.

Help! keeps on running while The Hollies invite us to look through any window, the Small Faces borrow an old title (and chord progression), while PJ Proby moves on with a tune from Lennon and McCartney. The Magical Mystery Camp (https://www.magicalmysterycamp.com/toppermost/) once again sponsors Toppermost for the 2026 year! Friends of the show Darin Murphy and Jon Stone join us for a feature on the Beatles and Dylan! #madeonzencastr. Support this podcast at the $6/month level on patreon to get extra content! Also, Create your own podcast today! #madeonzencastr

Special Guest Elizabeth Hines the widow of the late Denny Laine from Paul McCartney and WINGS and earlier The Moody Blues talks about her take on the film and her late husband's career with WINGS. Man on the Run is a 2025 documentary film directed by Morgan Neville about the life of Paul McCartney from his formation of Wings through the 1970s. McCartney is credited as an executive producer.The film coincides with the 2025 box set Wings, and the book Wings: The Story of a Band on the Run.Listen to previous interviews with Denny here:https://thecitysbackyard.buzzsprout.com/939277/episodes/12103946-the-city-s-backyard-s3-e9-denny-laine-from-the-moody-blues-and-paul-mccartney-and-wings-chats-about-his-songs-stories-tour-plus-his-days-with-the-moody-blues-and-wingsThis next one was recorded live on the radio!https://thecitysbackyard.buzzsprout.com/939277/episodes/12228137-the-city-s-backyard-s3-e12-rocknroll-hall-of-famer-denny-laine-from-the-moody-blues-and-paul-mccartney-wings-drops-by-the-city-s-backyard-live-streaming-rock-show-on-factory-underground-radio-to-chat-about-his-

Darren Frost is a very funny man. He talks about his latest tour, the state of comedy in the clubs and his appearance on CTV tonight / Fred describes his weekend with a herd of deers / Humble talks about the new McCartney documentary / The war in Iran / Dan Duran the achorman Hosted on Acast. See acast.com/privacy for more information.

Ethan Alexanian and I discuss the theatrical (now streaming) incarnation of Morgan Neville's McCartney documentary "Man on the Run".      Incomplete, but highly entertaining.     Lots of Bert too!  #madeonzencastr

Desperate for a new series to binge-watch or heading to the cinema for date-night? Gayle Edmunds shares her top picks of things to watch on the big and small screen with CapeTalk’s Sara-Jayne Makwala King on Weekend Breakfast. This week we’re watching: Man on the Run, a documentary on Prime Video Plot: `Man on the Run is an intimate portrait of Paul McCartney’s journey after The Beatles, as he and wife Linda form the band Wings. Directed by Oscar-winner Morgan Neville, the film explores McCartney’s reinvention through rare archival footage, capturing both the struggles and triumphs of redefining himself in a new musical era.’- https://www.primevideo.com Weekend Breakfast with Sara-Jayne Makwala King is the weekend breakfast show on CapeTalk. This 3-hour morning programme is the perfect (and perky!) way to kickstart your weekend. Author and journalist Sara-Jayne Makwala-King spends 3 hours interviewing a variety of guests about all things cultural and entertaining. The team keeps an eye on weekend news stories, but the focus remains on relaxation and restoration. Favourites include the weekly wellness check-in on Saturdays at 7:35am and heartfelt chats during the Sunday 9am profile interview. Listen live on Primedia+ Saturdays and Sundays between 07:00 and 10:00am (SA Time) to Weekend Breakfast with Sara-Jayne Makwala-King broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/AgPbZi9 or find all the catch-up podcasts here https://buff.ly/j1EhEkZ Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

Man On The Run is een nieuwe documentaire over Paul McCartney in de jaren zeventig, zijn tijd met zijn band Wings.  Het is een prachtige film, vooral omdat hij helemaal vanuit McCartney's visie op die tijd is gemaakt, met gebruik van veel privé fragmenten. Deze podcast, geïnspireerd door die film gaat over Paul's allereerste soloalbum, gewoon McCartney getiteld, die hij helemaal in z'n eentje maakte in 1970, de tijd dat The Beatles uit elkaar vielen. In 1980, toen Wing uit elkaar vielen maakte hij McCartney II en in 2020, toen hij wegens de Corona pandemie noodgedwongen thuiszat, maakte hij McCartney III. Dat is tot vandaag zijn laatst uitgebrachte plaat met nieuw werk. Drie keer McCartney in z'n eentje, drie keer tijdens een cruciale fase in zijn carrière. En drie keer klinkt hij opvallend vrij.

RHLSTP Book Club #171 - John & Paul - A Love Story in Songs - Rich chats to author Ian Leslie about his hit book about Lennon and McCartney. Amongst other things they discuss why no other Beatles book has effectively asked why as well as what and when, whether Lee and Herring were more successful than the Beatles, how this book sends you back to the songs to remind you how truly inspirational and inventive they are, how death seemed to stalk John Lennon and whether Paul died in 1966 and Jane Asher just went along with the replacement (and the more likely hypothesis that there were always loads of Pauls, why Paul said “It's a drag” when Lennon died, how Lennon and McCartney are similar to Peter Cook and Dudley Moore and much more.Buy the book here - https://uk.bookshop.org/p/books/john-and-paul-a-love-story-in-songs-ian-leslie/7751121SUPPORT THE SHOW!See details of the RHLSTP LIVE DATES Watch our TWITCH CHANNELBecome a badger and see extra content at our WEBSITE Buy DVDs and books from GO FASTER STRIPE Hosted on Acast. See acast.com/privacy for more information.

The Gary & Shannon Show Hour 2 (02/27) - Hot tub horror continues, the big tech trial heats up, and Heather Brooker joins for #EntertainmentReport. Shannon coins "man bubbles" — the hot tub crusade continues Social media trial: plaintiff takes the stand, juror reactions, and why settling could open the floodgates LAUSD's failed AI bet: Carvalho invested in a collapsing AI company whose CEO is now on trial for fraud #EntertainmentReport with Heather Brooker: Love Is Blind, Scream 7, McCartney doc "Man on the Run" WBD/Paramount merger now that Netflix is seemingly out — Shannon calls for a movie on this See omnystudio.com/listener for privacy information.

On this episode of The Movie Podcast, Daniel and Shahbaz are joined by returning friend of the show and Oscar, Emmy, and Grammy Award-winning Morgan Neville to discuss this new documentary Paul McCartney: Man on the Run. What happens when you wake up the morning after leaving the most important rock band of all time? In April 1970, Paul released his first solo album, McCartney. When asked what he'd do next, he said his only plan was to grow up. Man on the Run captures Paul's transformative decade in the wake of The Beatles' break-up and the rise of his new band Wings. Through stunning archival footage, Linda McCartney's exceptional photographs, and interviews with Mick Jagger, Chrissie Hynde, Sean Ono Lennon, Mary, and Stella McCartney, all the living Wings members, and of course Paul himself, the film examines this time through a uniquely vulnerable lens. Paul McCartney: Man on the Run is now streaming on Prime Video. Watch and listen to The Movie Podcast now on all podcast platforms, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheMoviePodcast.ca⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. EXCLUSIVE NordVPN Deal ➼ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://nordvpn.com/moviepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Try it risk-free now with a 30-day money-back guarantee! ⁠⁠⁠Check out our new ⁠⁠⁠⁠The Movie Podcast Clips Channel!⁠⁠⁠⁠⁠ Contact: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠hello@themoviepodcast.ca⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠FOLLOW US⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Daniel on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Shahbaz on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Anthony on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The Movie Podcast on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Rotten Tomatoes Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, roots music returns via the altar: Gillian Welch & David Rawlings live at Melbourne's Forum, with guest Andy White joining the chat.  They describe the duo as deities in Australia, playing with disarming minimalism (mics on guitars, SM58s, no fancy DI wizardry), and drawing an audience so quiet it feels like church. Brian's only complaint is the kind you're only allowed after 20-plus gigs: he wanted setlist variations — the tour's Neil Young (“Cortez the Killer”), Springsteen (“Racing in the Street”, “Atlantic City”), maybe a Garcia nod — and didn't get them.  Michael diagnoses him as “gluttonous”, which is fair, though “devout” might be kinder. The conversation widens into stagecraft: tuning mishaps, the art of filling dead air, and the delicate question of whether you should tell stories between songs or let the song do the work.  That segues beautifully into a bigger theme: the thrill (and terror) of the no-setlist life. Bill Frisell becomes the exemplar: dazzling, improvisational, apparently operating without a set list, with Brian recounting a classic partner-at-gig moment — Karen asking if Frisell's strange effects are just him tuning up.  Frisell, told the story, laughs and admits people say that a lot. (This is the highest compliment: “your art is so unfamiliar I assumed it was maintenance.”) From Frisell they leap to Elvis — specifically Baz Luhrmann's concert-footage film EPiC (Elvis Presley in Concert), made from newly uncovered Vegas-era material.  Michael's key point is unexpectedly roots-adjacent: underneath the jumpsuits and spectacle, Elvis is vulnerable.  He's also a kind of bodily conductor, cueing the band with movement rather than baton, with the musicians watching him like hawks for the next dynamic turn. It's showbiz as improvised gospel. And in case you worried the episode might end without another collector's item, Brian flags a song that did land perfectly at the Forum: Gillian & Dave covering Guy Clark's “Desperados Waiting for a Train”, from Old No. 1 (1975), notable also as Steve Earle's first recorded appearance — and now reissued in a special edition.  They wrap by teasing more about the new McCartney documentary, sponsor fantasies (“someone with really deep pockets”), and the ongoing podcast mission statement: tell your friends — and also tell people you don't like. Which, frankly, is the most honest marketing plan in music media. You can catch Andy White live on stage in May at the Merri Creek Tavern. Important Links Gillian Welch & David Rawlings: Tiny Desk Concert Andy White - James Joyce's Grave (live at Abbey Road) The Rolling Stones - Can't You Hear Me Knocking (Live At The Wiltern) Billy Bragg - A New England (Later... with Jools Holland)  EPiC: Elvis Presley in Concert | Official Main Trailer  Paradise Season 2 | Official Trailer | Hulu An t-Eilean | BBC ALBA trailer RTÉ | These Sacred Vows trailer Blue Lights | Trailer - BBC BILL FRISELL TRIO - "You Only Live Twice" @ XJAZZ Festival | LIVE FROM BERLIN Bill Frisell's New Album In My Dreams Bill Frisell - In My Dreams (Live / Visualizer) Bill Frisell - A Change Is Gonna Come Guy Clark - Desperados Waiting For A Train

Chaque vendredi, Margaux propose une recommandation pour le week-end. Et ce vendredi c'est "Band on the Run" des Wings. L'actualité s'y prête avec la sortie du documentaire "Man on the Run" sur Prime Video, consacré à la carrière solo de Paul McCartney après les The Beatles. Retour donc en 1973 avec ce troisième album enregistré en grande partie à Lagos, au Nigéria, dans des conditions mouvementées : départs précipités de membres du groupe, vol à main armée, maquettes disparues... McCartney assure alors presque tous les instruments. Malgré ces obstacles, le morceau-titre ""Band on the Run"" voit le jour, ambitieux et structuré en plusieurs sections. L'album marque un tournant après deux disques à l'accueil mitigé et relance pleinement les Wings, notamment grâce au tube rock et festif ""Jet"", inspiré par le chien de McCartney. On y trouve aussi la douceur bossa nova de ""Bluebird"", l'entraînant ""Mrs. Vandebilt"", et le bluesy ""Let Me Roll It"". Immense succès commercial, "Band on the Run" reste, plus de cinquante ans après sa sortie, l'un des grands classiques des années 70, avec en apothéose ""Nineteen Hundred and Eighty-Five"", final orchestral et flamboyant mis à l'honneur sur RTL2. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Dans cet épisode du podcast "Le Journal Imprévisible", Augustin Lefebvre explore les multiples facettes de la carrière solo de Paul McCartney, l'emblématique ex-membre des Beatles. Bien que connu pour ses succès pop, Sir Paul a en effet mené une carrière foisonnante, se lançant dans des projets musicaux expérimentaux, collaborant avec des artistes aux styles variés, et même en tentant une incursion dans le cinéma. De ses compositions orchestrales pour le London Symphony Orchestra aux morceaux électroniques avec le groupe The Fireman, en passant par ses contributions à des bandes-son de jeux vidéo, l'auditeur découvre la curiosité et la créativité sans limites de cet artiste prolifique, toujours en quête de nouveaux défis musicaux.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Oscar‑winning filmmaker Morgan Neville joins Adam to discuss his intimate archival portrait of Paul McCartney’s turbulent and creatively explosive 1970s. Neville reflects on his own documentarian origin story, his lifelong connection to the Beatles and Wings, how he built the film from audio‑only conversations with Paul, and why McCartney’s post‑Beatles decade feels like a sequel to Get Back.See omnystudio.com/listener for privacy information.

"Luminate is a company that tracks the Entertainment Industry pointing out data analytics and trends. Their 2025 report has come out and it points to overall listenership being up. Listening to new music is way down. There are also some interesting data points regarding AI."

Nach gefühlt 100 Beatles-Dokus gibt's nun endlich auch eine über Paul McCartneys Solokarriere – genauer: ihren Anfang. «Man on the Run» (ab morgen auf Prime Video) ist zwar kein Meisterwerk, erinnert aber an die vielen grossartigen Songs, die McCartney mit den Wings geschrieben hat.

On the new episode of The Behind the Song Podcast, Janda is joined by Oscar-winning director Morgan Neville to talk about his new documentary, Man on the Run. Listen to hear how Neville accessed Paul McCartney's massive personal archive to weave the story of McCartney's life and creative surge in the decade following the Beatles' breakup. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Laurence Juber is an acclaimed guitarist, composer, and former lead guitarist with Paul McCartney's band Wings.His journey began in London during the explosion of Beatlemania. Inspired by The Beatles' revolutionary sound, he picked up the guitar as a child and quickly developed into a versatile and highly skilled musician. His early ambition was to become a studio guitarist, and by his early twenties he was already working in some of London's most prestigious recording studios alongside legendary producers and artists.Everything changed in 1978 when Laurence received a call from Paul McCartney's office inviting him to audition for Wings. After impressing both McCartney and Denny Laine, he joined the band and contributed to the Back to the Egg album, touring and recording with one of the most influential musicians of all time.Laurence reflects on what it was really like working with Paul and Linda McCartney, the creative environment within Wings, and the profound personal and professional impact of that experience.Following Wings, Laurence moved to Los Angeles, where he built a remarkable career as a studio musician, contributing to iconic film soundtracks including Dirty Dancing, Good Will Hunting, and Pocahontas, and recording with artists such as Belinda Carlisle, Eric Carmen, and Al Stewart.Over time, Laurence discovered his true artistic voice as a solo acoustic fingerstyle guitarist. He has since released more than 30 solo albums, earned a Grammy Award, and become internationally recognised for his expressive, innovative guitar work — including his acclaimed acoustic interpretations of Beatles songs.This conversation offers rare insight into life inside Wings, the creative genius of Paul McCartney, and Laurence's lifelong dedication to music as both craft and calling.

           In episode #452 of Things We Said Today, Ken Michaels, Allan Kozinn, Darren DeVivo are joined by Adrian Sinclair, the co-author, with Allan, of “The McCartney Legacy” series, for a lively debate about the merits of the new “Paul McCartney Man on the Run” film. Besides his work on “The McCartney Legacy,” Adrian was a consultant on the McCartney film, which was directed by Morgan Neville and will be streamed on Amazon Prime, starting at 3 a.m. on February 27. As always, we welcome your thoughts about this episode of the show or any other episode. We invite you to send your comments about this or any of our other shows to our email address thingswesaidtodayradioshow@gmail.com, join our "Things We Said Today Video Podcast" Facebook page and comment there, on X at @thingswesaidfab or Bluesky at @thingswesaidtoday, or visit us on Facebook and give us your thoughts. You can watch the show on our YouTube page [https://www.youtube.com/channel/UC-zgHaPfL6BGmOX5NoyFE-A], or hear the audio version on Podbean [https://beatlesexaminer.podbean.com/], iHeart Radio, Apple podcasts and other sources of fine podcasts. Our shows appear every two weeks. Please be sure SUBSCRIBE, click LIKE and write a (positive, ideally!) review of our show here or on our iTunes page! Our download numbers have been continually rising, as more people discover us and it's all because of you. So we thank you very much for your support!             MANY MANY WAYS TO CONTACT US:             Our email address: thingswesaidtodayradioshow@gmail.com             BlueSky: @thingswesaidtoday             Twitter @thingswesaidfab             Facebook: Things We Said Today video podcast       ALLAN on Facebook: Allan Kozinn or Allan Kozinn Remixed. Allan's Twitter/X feed: @kozinn Bluesky: @allankozinn.bsky.social Threads: allan_kozinn The McCartney Legacy's website: mccartneylegacy.co.uk/ The McCartney Legacy on Facebook: McCartney Legacy, on Twitter/X: @McCARTNEYLEGACY and on Bluesky: @mccartneylegacy.bsky.social The McCartney Legacy YouTube channel: https://www.youtube.com/channel/UC8zaPoY45IxDZKRMf2Z6VyA             KEN's YouTube Channel, Ken Michaels Radio: https://www.youtube.com/channel/UCq_Dkp6fkIsYwGq_vCwltyg             Ken's Website Beatles Trivia Page: https://www.kenmichaelsradio.com/beatles-trivia--games.html Ken's other podcast, Talk  More Talk: A Solo-Beatles Videocast You Tube channel:  https://www.youtube.com/@talkmoretalksolobeatles             Ken's Weekly Beatles radio show "Every Little Thing" On Demand:  http://wfdu.fm/Listen/hd1%20recent%20archives/             Ken's e-mail:  everylittlething@att.net Ken's Facebook Page: https://www.facebook.com/ken.michaels.31/ DARREN on Facebook: Darren DeVivo Darren's radio show, “Noises From the Valley,” can be heard Friday nights from 7 p.m. to 11 p.m, on WKZE, 98.1 or  105.9, or at wkze.com.  

The black comedy thriller "How to Make a Killing" is inspired by the classic 1949 British film, "Kind Hearts and Coronets." But this version isn't quite sure what it wants to be. Glen Powell stars as an heir to a vast fortune who's been disowned by his callous family. He plots to bump off all his relatives who stand in the way of his inheritance. The audience is challenged to root for a guy who's obviously ethically challenged and Powell's charisma is a big help in that department. It's modestly funny, but the tone shifts in “How to Make a Killing” are so jarring that it may give audiences a case of whiplash. As a companion piece to his 2022 hit "Elvis," director Baz Luhrmann offers his first documentary, the concert film, "EPiC: Elvis Presley in Concert." Using previously unseen footage stored in a Kansas salt mine, Luhrmann creates a hybrid film that mixes concerts, rehearsals, press conferences and backstage footage into a riveting showcase. For the uninitiated, “EPiC: Elvis Presley in Concert” demonstrates why Presley was such a dynamic and popular performer. Paul McCartney's traumatic post-Beatles years are the focus of the involving Amazon Prime documentary, "Man on the Run.” It serves as a companion to McCartney's new book about his time with Wings. Oscar-winning director Morgan Neville skillfully sorts through a ton of footage to assemble a thoughtful look at both the considerable misfires as well as the tremendous successes McCartney experienced in the 1970s. Interviews with McCartney, his family as well as folks like Mick Jagger, Chrissie Hynde and Sean Lennon, make “Man on the Run” an enlightening and entertaining overview.

On this episode of Obsessed, Matt Wilstein sits down with Oscar-winning filmmaker Morgan Neville to discuss his new documentary Man on the Run, which explores Paul McCartney's turbulent decade after The Beatles broke up. Neville reflects on revisiting McCartney's most painful years, the lingering blame over the band's split, and how John Lennon's death ultimately reshaped Paul's identity and career. The conversation also spans Neville's acclaimed films on Steve Martin, Anthony Bourdain, Johnny Cash, and more, offering a candid look at how documentaries can become an unexpectedly powerful form of therapy for their subjects. Follow Kevin Fallon on Instagram @kpfallon Follow Matt Wilstein on Instagram @mattjwilstein New episodes every Tuesday, Thursday, and Saturday; early drops on YouTube. Learn more about your ad choices. Visit podcastchoices.com/adchoices

"The internet loves lists. The click bait ones often choose to list the worst of something and choose the best of it just to upset the audience for engagement. I can usually ignore these but this one really bugged me for some reason. I'll tell you the list and debunk it and offer some of mine."

Neste vídeo, faço uma análise profunda e honesta revisitando o documentário "The Beatles Anthology" 25 anos depois. Vamos desconstruir o mito da banda perfeita e entender a humanidade, as frustrações e a pressão por trás de John, Paul, George e Ringo.Além da nostalgia, entro em uma das discussões mais polêmicas da música pop atual: Kanye West é o Beatles da nossa geração? Analiso a evolução artística, o impacto cultural e as comparações impossíveis entre as eras.Neste episódio você vai ver:Análise Musical: Por que A Day in the Life pode ser a maior música da história e a defesa técnica de Ringo Starr.Filosofia de Vida: Minhas impressões sobre o livro "A Coragem de Não Agradar" e como aceitar ser odiado é a chave para a liberdade.Bastidores: Detalhes do meu novo programa no UOL (Enquadrado), a cobertura do Globo de Ouro e recomendações de séries e filmes.Debate: The Kinks, Velvet Underground, Heavy Metal e a verdade sobre Yoko Ono.Se você gosta de análises musicais sem filtro, cultura pop e reflexões sobre criatividade, inscreva-se e ative o sininho.

Oscar winner Morgan Neville's new documentary Man on the Run offers an intimate look at Paul McCartney in the 10 years after he left the Beatles, as he tried to establish a new musical and personal identity after the dissolution of rock n' roll's most iconic band. The filmmaker explains how he approached interviewing Sir Paul to gain fresh insight into the least examined aspect of McCartney's career. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mark McCartney showed up to facilitate a C-level team in Berlin on the hottest day of the year, drenched in sweat, and opened by pointing out his own stain marks. They laughed. The room shifted. That's Mark — someone who left a 15-year finance career, spent a year in Peru, and has since asked 300+ people the same question: what is a good life?We got into why real vulnerability isn't the rehearsed trauma story but the small, mundane thing you say in the moment that reminds everyone they're sitting with a human. We talked about boundaries as a source of connection (not walls), why agreement is overrated in teams, and what happens when senior leaders can't admit they're overwhelmed even though it would be weirder if they weren't.Learn more about Mark McCartney:NewsletterWebsiteLinkedInYouTubeAny thoughts? Share them with us!Support the show✨✨✨If you miss the "workshops work" podcast, join us on Substack, where Myriam builds a Podcast Club with monthly gatherings around old episodes: https://myriamhadnes.substack.com/

Real Beatlefans have been saying it on the DL (#JimmyButler) for years: "Who the hell needs Rubber Soul?" Certainly not “The Beatles Anthology”, which puts nearly as much emphasis on the 1965 classic as they do “The Beatles At The Hollywood Bowl” (Pre-Ron Howard Edition). OK so maybe it's not that bad, but c'mon Apple, it's RUBBER SOUL! (#HeyHey #Rip) For better AND worse, Beatles Anthology 5 is much like its predecessors; chock full of incredibly remastered footage and audio; while missing certain key elements for time or perhaps simply to please a mouse. (SFX: Buzzer) Sorry! “The Mouse”! Come join Tony, T.J., and Casey as we mansplain how men mansplain Beatles stuff, and since the rule of two mansplainings cancels things out, we'll ponder other life quandaries, like:

"The Rockin 1000 is a project that started in Italy as gag to create a video of 1000 musicians playing Learn to Fly in order to get the Foo Fighters to come and put on a concert. It has since grown into full scale concerts across Europe. On January 31 the Rockin 1000 played their first concert in America, in New Orleans, and I was part of the band. Let me tell you the story."

Hello Everyone! With all the hype surrounding the upcoming MAN ON THE RUN documentary this week Andy and Tom decided to breakdown and discuss if Paul's most commercially successful album BAND ON THE RUN will or should be the album he will be remembered for? We look at it objectively and agree although we have our favourites as we know you all do to. Let us know your thoughts on this album. Will it be the one people go to 10-20 years from now if they're into McCartney or will they gravitate to PRESS TO PLAY? Also the "New York Taxi" Yellow Vinyl Soundtrack is available from Capitol if you're still looking for one!  

Rafa Panadero arranca en un bar de Mallorca con Talleres Molina, un trío con fecha de caducidad y canciones sin solos, para colarse después en la Casa Blanca de 1970, donde Nixon recibía —o vetaba— a estrellas del rock mientras Johnny Cash le cantaba a la guerra y Elvis pedía placas antidroga. El amigo secreto atraviesa a Lenny Kravitz y la estirpe de los grandes multiinstrumentistas, de McCartney a Stevie Wonder, hasta desembocar en la pionera Ivy Benson y su big band femenina, demostrando que la música —como la política— siempre esconde un giro inesperado. 

"Every year I hear people complaining that the NFL makes lousy picks for the Super Bowl halftime show. If the picks are lousy then ratings must tank. But they do not. In fact the halftime show has never been better watched. We have a long list of ratings and demographics to show that the NFL seems to know what they are doing."

"We are coming into tax season so Tammy and will talk about paying the government. The HITS Act is now in full swing. Foreign governments are changing their tax codes for musicians and we also have a list of what you might not have known was tax deductible."

Marv and I go back to 2010 - and actually a bit before, as we briefly sum up the 16-disc "Paul McCartney Collection".     November of this year will mark the fifteenth anniversary of the debut of the McCartney Archive series.    If we don't get another disc in the series by summer, it will be six years since the most recent one entered our lives.    Marv and I consider the past, present and future of McCartney/Wings reissues, and contemplate a physical-media-less reissue future. #madeonzencastr.

"In our New Year show we related an article that suggested that 3D spatial audio was going to be popular in 2026. Tammy asked for an explanation of 3D audio so here it is. We have examples of both new songs and classic music that has been remixed into a spatial audio format."