Podcasts about Sunday Bloody Sunday

Send us a textHet is zover. Na acht magere jaren kan Anderlecht met de Beker van België eindelijk nog eens een prijs pakken. Nu zondag is het do or die tegen aartsrivaal Club Brugge. In een nieuwe Radio Radzinski blikken we samen met tenniscoach en Anderlecht-fan Kristof Vliegen vooruit en wikken en wegen we de kansen van paars-wit. “Als Vertonghen zondag de beker in zijn handen heeft, dan zal dat waarschijnlijk niet als speler zijn. Maar het is voor mij wel de foto van het jaar.” Tennis en voetbal zijn twee sporten die je nauwelijks met elkaar kan vergelijken. Wat de ondergrond ook is, in een tennisarena is het tijdens de balwisselingen meestal muisstil. Supporters gedragen zich en kennen de regels van de edele racketsport. Noblesse oblige, zouden ze in de bestuurskamer van Anderlecht zeggen. Wat er in het Astridpark daarentegen soms aan spreekkoren van de tribunes rolt, doet terecht de wenkbrauwen fronsen. Maar voetbal is dan ook geen gentleman's sport. Een groep vrienden… Het snijpunt tussen de twee sporten luistert misschien wel naar de naam Kristof Vliegen. De Limburger schopt het midden jaren 2000 tot de dertigste plaats op de wereldranglijst van het mannentennis. The Fly haalt in die periode ook enkele mooie resultaten op de grandslams om uiteindelijk in 2011 een punt achter zijn carrière te zetten. Vandaag begeleidt hij het opkomende tennistalent Zizou Bergs, vernoemd naar de Franse god op noppen: Zinédine Zidane. Bergs supportert voor KV Mechelen, Vliegen voor Anderlecht. En dat doet hij in het vak van de BCS, de harde kern van paars-wit. “Ja, ik weet dat die groep een bepaalde reputatie heeft, maar voor mij zijn het in de eerste plaats vrienden waarmee ik mij goed kan amuseren. Sommige dingen zijn niet goed te praten, zoals de rellen tijdens de wedstrijd tegen Fenerbahçe. Maar ik snap tegelijkertijd ook niet dat er Anderlecht-supporters zijn die hun kaartje doorgeven aan Turkse fans. Da's om problemen vragen.” … met een opVliegend karakter Zelf kan Vliegen zich wel beheersen in een voetbalstadion, al vindt hij het wel jammer dat het supportersvuur bij sommigen vandaag minder hard lijkt te branden dan vroeger. “De sportieve haat tegenover aartsrivalen als Club Brugge is wat zoek. Ik kan dat niet begrijpen. Het is nu zondag in de bekerfinale niet op leven en dood, maar eigenlijk toch wel he.” En dus hoopt Vliegen dat de ploeg er vanaf de eerste minuut staat en durft door te pakken wanneer dat nodig is. Iets wat hemzelf in zijn eigen tenniscarrière misschien wel meer matchen heeft gekost dan opgeleverd. “Tennis is een totaal andere sport. Je wint en verliest alleen en daarvoor moet je mentaal ijzersterk zijn. Tegen Nadal spelen was bijvoorbeeld allesbehalve plezierig. Die speelt elk punt alsof zijn leven ervan afhangt en gunt niemand een kruimel. Ja, da's om zot van te worden...” De match van de waarheid Terug naar het voetbal dan. Een opstelling voor de bekerfinale is er nog niet, maar dat belet ons niet om zelf al eens een ideale basiself samen te stellen. En da's er een zonder Jan Vertonghen. “Als Vertonghen zondag de beker in zijn handen heeft, dan zal dat waarschijnlijk niet als speler zijn. Maar het is voor mij wel de foto van het jaar,” wordt Vliegen enthousiast. Verder vindt hij het vreemd dat er in dit stadium van de competitie nog altijd geen typeploeg is, al ziet hij coach Hasi met een viermansverdediging wel duidelijke keuzes maken. Tussen de discussies door pakken we nog uit met een nieuwe, toch wel bijzondere give-away. En dan is het aan Bono en U2 om deze Radio Radzinski muzikaal af te sluiten met Sunday Bloody Sunday.   

Thanks for listening.

Thanks for listening.

This episode of Taking You to School with Dr. Tom Prichard, focuses on Smoky Mountain Wrestling's Sunday Bloody Sunday. Dr. Tom and co-host John Poz take a dive deep into what was going on in and around SMW in the Winter of 1994. We talk about Jim Cornette, Chris Candido, The Heavenly Bodies, Brian Lee, Tracy Smothers, blading, blood in wrestling, and so much more! At shopmando.com the Mando Starter Pack comes with a Solid Stick #deodorant + Cream Tube Deodorant, two free products of your choice (like Mini #BodyWash or Deodorant Wipes), & #free shipping. As a special offer for #TYTS listeners, new customers get $5 off a Starter Pack w our exclusive code. That's over 40% off if you use code SCHOOL Stop settling for average, go to LEGACYSUPPS.COM now and use code DRTOM For 10% off your entire order and if you subscribe to have it shipped every 30 days, you can still get the discount, every single time. L-E-G-A-C-Y-S-U-P-P-S DOT COM, Level-up with Legacy!

In this electrifying episode of Brew Crime, J.T. dives deep into the history of U2, exploring how a group of young Irish musicians transformed into one of the most politically active rock bands of all time. From their humble beginnings in 1976 Dublin to global superstardom, U2 has never shied away from using their music as a tool for activism, awareness, and change.We'll uncover the key moments that shaped their political voice:

On the January 30 edition of the Music History Today podcast, we have Sunday Bloody Sunday, KISS pays in front of 10 people & the inspiration for Sunday Bloody Sunday takes place. For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts from ALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday

Send us a textWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: More Than Words by Extreme (1990)Song 1: A Hard Day's Night by The Beatles (1964)Song 2: That Moon Song by Gregory Alan Isakov (2009)Song 3: Sunday Bloody Sunday by U2 (1983)Song 4: Another Kind of Green (Live) by John Mayer (2005)Song 5: The Way You Make Me Feel by Michael Jackson (1987)Song 6: Don't Want to Lose You Now by James Morrison (2019)Song 7: Cowboy Like Me by Taylor Swift (2020)Song 8: Babe by Styx (1979)Song 9: Another Brick in the Wall, Pt. 2 by Pink Floyd (1979)Song 10: Crazy Little Thing Called Love by Queen (1979)

John Schlesinger's Sunday Bloody Sunday (1971) is a deeply personal work, presaging New Hollywood while making something neither New Hollywood or the British New Wave would dare. We meet a middle-aged doctor, Daniel, and a 30 something divorced woman, Alex, who are both dating Bob, a young artist who makes them both feel alive even if he's a self-centered jerk most of the time. Like the average non-Lubitsch film about polyamory, this relationship is obviously doomed, but the exploration of Daniel and Alex's emotional journey in their final week with Bob is exquisite. Plus, we get to meet some of the most wonderfully precocious we've ever seen in a Criterion picture.

In two weeks, Donald Trump will be inaugurated as president in Washington. There is a new order in America but where does it leave those close to the old establishment? Many are scurrying to be onside. Meta are abandoning fact-checking, Jeff Bezos is censoring cartoonists at the Washington Post and Elon Musk might be outstaying his welcome at Mar-a-Lago. “In America, the land of the free, we saw in the past election that freedom is universally valued but not universally defined,” Bono said as he received the medal of freedom from Joe Biden.What does this even mean? On Free State, Joe and Dion look at how the world is changing and how Bono will change with it. Few serious people would claim that freedom was universally valued by everyone at the last presidential election but does this tell us something about how Bono has operated in the US and around the world? In Ireland, in Derry, there are families of those who lost loved ones in Bloody Sunday who are angry with Bono for U2's song and who were angry again when he received the medal of freedom. But does it just prove that when it came to ‘Sunday Bloody Sunday', Alan Partridge was right?Free State with Joe Brolly and Dion Fanning is a Gold Hat Production in association with SwanMcG.For more on Free State: https://freestatepodcast.com/ Hosted on Acast. See acast.com/privacy for more information.

Depuis le 2 janvier 2025, et tous les dimanches à 18h, la Cité des sciences à Paris transporte les amateurs de musique dans une aventure unique. À travers « U2 Immersive Experience », les visiteurs découvrent le répertoire mythique du groupe irlandais sous un angle révolutionnaire. Cette expérience immersive de 43 minutes est un véritable régal pour les sens. Les spectateurs sont enveloppés par des projections numériques à 360° d'une qualité exceptionnelle, alliées à une acoustique hors pair. Sous un dôme intégral, les classiques de U2 prennent vie comme jamais auparavant. Parmi les titres phares à (re)découvrir : « Sunday Bloody Sunday », « Where the Streets Have No Name », « Beautiful Day », « Pride (In The Name of Love) », « With or Without You », et bien... • La suite sur https://www.radiomelodie.com/podcasts/12756-plongez-dans-lunivers-de-u2.html

L'info du matin - Pour 5 euros seulement, le Nordic Pass Evasion donne accès à une multitude d'activités dans les stations de ski des Alpes du Sud. Le winner du jour : - La gérante d'un pub anglais lutte contre une pénurie de Guinness en obligeant les clients à acheter deux autres boissons avant de commander leur pinte, et ça fonctionne. - Un avion doit atterrir précipitamment à cause de l'odeur dégagée par des porcs dans la soute, incommodant tous les passagers. Le flashback de février 1983 - En tête des ventes : le single "Africa" de Rose Laurens. - La sortie de l'album "War" de U2 avec des titres comme "Sunday Bloody Sunday". Les savoirs inutiles : - Claude François est décédé le 11 mars 1978, la veille des élections législatives. Le journal *Libération* titre de manière originale : "Claude François : a volté !". 3 choses à savoir sur les Simpson Qu'est-ce qu'on teste ? - Une manette de console Heineken qui gère votre stress et propose une pause bière sans alcool pour vous détendre pendant les moments critiques. Le jeu surprise : - Emmanuel de Houilles gagne une PS5, une PlayStation Portal et 200 euros de bons d'achat chez Grand Frais. La banque RTL2 : - Julie de Maromme remporte 900 euros et un coffret Jeff de Bruges. - Stéphanie de Petosse repart avec 500 euros de bons d'achat chez Grand Frais et le mug de l'émission.

In this podcast episode, the Gods discuss: The 4:30 Movie (4k UHD Blu-ray) About Dry Grasses (Blu-ray) Addams Family Values (4k UHD Blu-ray) American Movie (4k UHD Blu-ray) Are You Afraid of the Dark: The Limited Series Three-Season Collection (DVD) Beetlejuice Beetlejuice (4k UHD Blu-ray) Bill & Ted's Most Triumphant Trilogy (4k UHD Blu-ray) Blazing Saddles 4k UHD (4k UHD Blu-ray) The Block Island Sound (4k UHD Blu-ray) Blue Christmas (Blu-ray) A Bluegrass Christmas (DVD) Bones and All (4k UHD Blu-ray) Born on the Fourth of July (4k UHD Blu-ray) CC40 [8½ (1963), Tokyo Story (1953), All That Jazz (1979), Bicycle Thieves (1948), Repo Man (1984), Naked (1993), Jules and Jim (1962), Being There (1979), Weekend (1967), Yi Yi (2000), The Night of the Hunter (1955), Pickpocket (1959), Sweet Smell of Success (1957), On the Waterfront (1954), Do the Right Thing (1989), Ratcatcher (1999), Sunday Bloody Sunday (1971), Mirror (1975), Barry Lyndon (1975), Safe (1995), Seconds (1966), His Girl Friday (1940), Mishima: A Life in Four Chapters (1985), Y tu mamá también (2001), My Own Private Idaho (1991), Love & Basketball (2000), Night of the Living Dead (1968), Ace in the Hole (1951), 3 Women (1977), The Red Shoes (1948), Down by Law (1986), La Ciénaga (2001), Wanda (1970), House (1977), Sullivan's Travels (1941), The Battle of Algiers (1966), A Woman Under the Influence (1974), Cléo from 5 to 7 (1962), Persona (1966), In the Mood for Love (2000)] (Blu-ray) The Crow (4k UHD Blu-ray) The Dark Crystal - Limited Edition 4k Collector's Set (4k UHD Blu-ray) Demon Pond (4k UHD Blu-ray) Drag Me to Hell 4k Collector's Edition (4k UHD Blu-ray) Evil: The Complete Series (DVD) Fear the Walking Dead: The Complete Collection (Blu-ray) Food Wars! The Fifth Plate Limited Edition Premium Box Set (Blu-ray) Funny Girl (4k UHD Blu-ray) Galaxy Quest 25th Anniversary 4k UHD (4k UHD Blu-ray) Godzilla (4k UHD Blu-ray) Gummo (4k UHD Blu-ray) The Hitcher (4k UHD Blu-ray) Hush (4k UHD Blu-ray) I Walked with a Zombie / The Seventh Victim: Produced by Val Lewton (4k UHD Blu-ray) The Intern (4k UHD Blu-ray) Interstellar (4k UHD Blu-ray) Irving Berlin's White Christmas (4k UHD Blu-ray) The Killer's Game (4k UHD Blu-ray) The King of Queens - Complete Series (Blu-ray) Labyrinth - Limited Edition 4k Collector's Set (4k UHD Blu-ray) Land of the Dead Collector's Edition (4k UHD Blu-ray) Pandora's Box (Blu-ray) Paper Moon (4k UHD Blu-ray) Pulp Fiction 4K Ultra HD 30th Anniversary Collector's Edition (4k UHD Blu-ray) Rock 'N' Roll High School [45th Anniversary Edition] (4k UHD Blu-ray) Scarface (4k UHD Blu-ray) Seven Samurai (4k UHD Blu-ray) The Shape of Water (4k UHD Blu-ray) Shawscope Vol 3 [Limited Edition] (Blu-ray) Silent Night, Deadly Night [40th Anniversary Edition] + Exclusive Paperback Novelization (4k UHD Blu-ray) So Help Me Todd: The Complete Series (DVD) South Park (Not Suitable for Children) (Blu-ray) A Sudden Case of Christmas (DVD) The Swan Princess: The Royal Collection (DVD) Teenage Mutant Ninja Turtles: The Complete Classic Series Collection (DVD) The Terminator 4k UHD (4k UHD Blu-ray) Thanksgiving (4k UHD Blu-ray) Toxic Crusaders (Blu-ray) Trap (4k UHD Blu-ray) Twisters (4k UHD Blu-ray) Walker: The Complete Series (DVD) Watchmen Chapter II (4k UHD Blu-ray) The West Wing: Complete Series (Blu-ray) The Whitest Kids U' Know: The Complete Series (DVD)

Today on The Story Behind the Song, we look behind U2's 1983 hit ‘Sunday Bloody Sunday'.  See omnystudio.com/listener for privacy information.

Lisa tells us the horrific story about a man that tried to smuggle hundreds of tarantula's on his body.British singer Andrew Roachford calls in to talk about coming to Perth for the first time in 20 years, how his career took off and bad chat-up lines.In The Shaw Report, Netflix is being sued with a class action lawsuit and an upcoming Fleetwood Mac documentary gets the tick of approval from the band.We open up the phones to ask, “what did you accidentally throw in the bin?”In the Story Behind The Song, we take a look behind U2's ‘Sunday Bloody Sunday'.See omnystudio.com/listener for privacy information.

In the 80s, 45 RPM singles were some of the most prized items of the GenX kids who were living through the greatest decade. Join us today as John and Steve pick out some of their favorite 45s and FLIP THEM OVER to talk about the B-Sides. They discuss the B-Sides from hit singles: True, The Reflex, Radio Free Europe, Goody Two Shoes, Sunday Bloody Sunday and more ...If you 80s music, you'll love this podcast! Like and Subscribe to the All About 80s Music Podcast here and everywhere you can find/listen to podcasts. Hosted on Acast. See acast.com/privacy for more information.

Ce 22 octobre, Marjorie Hache nous propose un voyage musical entre classiques intemporels et découvertes fraîches. Côté classiques, on retrouve "Love Shack" des B52s, "Summer In The City" de Lovin' Spoonful, "Reign O'er Me" des Who et "One Way or Another" de Blondie. Les nouveautés sont à l'honneur avec Gans et leur "Dirty Cowboy", Blush Always avec "My Mum's Birthday", et les Irlandais de The Murder Capital avec "Can't Pretend To Know". L'album de la semaine est "The Clouds, They Will Always Be There For Me" de Porridge Radio, illustré par le titre "I Get Lost". La reprise du jour est "Sunday Bloody Sunday" de U2, revisitée par Black Veil Brides. "The Gift" du Velvet Underground pour le long format du jour. Également dans la playlist de l'émission : "Wake Up" d'Arcade Fire, "The Distance" de Cake, "Clover Paradise" de La Femme et "Constipation Blues" de Screamin' Jay Hawkins.

Episode 308 Oh The Pain Podcast with Joe Benigno Sunday Bloody Sunday. The Mets season ends in game six in L.A. and The Jets crap out in Pittsburg Get 20% OFF @MANSCAPED + FREE SHIPPING with promo code OHTHEPAIN at MANSCAPED.COM #AD #MANSCAPED --- Support this podcast: https://podcasters.spotify.com/pod/show/ohthepainpodcast/support

Dan Barreiro opens the show discussing the Sunday Bloody Sunday for Minnesota sports fans with the Vikings losing their first game of the season and the Lynx losing decisive Game 5 of the WNBA Finals.

Dan Barreiro opens the show discussing the Sunday Bloody Sunday for Minnesota sports fans with the Vikings losing their first game of the season and the Lynx losing decisive Game 5 of the WNBA Finals.

Dan Barreiro opens the show discussing the Sunday Bloody Sunday for Minnesota sports fans with the Vikings losing their first game of the season and the Lynx losing decisive Game 5 of the WNBA Finals.

Episode 304 Oh The Pain Podcast with Joe Beningo Sunday, Bloody Sunday The Jets brutal loss in London to the Vikings, Jets must trade Davante Adams rite now and the Mets brutal loss in game 2 in Philly --- Support this podcast: https://podcasters.spotify.com/pod/show/ohthepainpodcast/support

Judges 4 & 5

Judges 4-5:1-9, 19-21, 24-27, 31

This week on the pod jD and Matt discuss some U2 trivia before ceding the floor to Thomas and returning guest, Ryan McNeil. Transcript: Track 3:[0:28] Ryan McNeil. And now, curator of the Hall, J.D.Track 3:[0:39] Thank you so much, Doug Dines. It is great to be back here in the SNL Hall of Fame at the SNL Hall of Fame podcast. My name is J.D., and I would love to welcome you in, but my goodness, this fall season has made your shoes all mucky-muck. Give them a wipe, won't ya? The SNL Hall of Fame podcast is a weekly affair where each episode we take a deep dive into the career of a former cast member, host, musical guest, or writer, and add them to the ballot for your consideration. Once the nominees have been announced, we turn to you, the listener, to vote for the most deserving and help determine who will be enshrined for perpetuity in the hall. And that's how we play the game. It's just that simple.Track 3:[1:36] You listen. You vote. You listen again. You complain. We've got a spot for that now. That's the SNL Hall of Fame water cooler, which is going to appear in your feed every Thursday. Day and it's going to be discussing that week's episode in a little more critical focus and view inside the context of the hall so we hope you'll enjoy that send us an email snl8 the snl hof.Track 3:[2:14] At gmail.com, So there's that. This week we have a great show. My friend Ryan McNeil is joining us. He is a multi-time guest on the show. Tends to focus on music and he is doing that once again talking about U2, nominating U2. So that should be interesting to hear. If you enjoy what you hear, please follow him at thematinee.ca. That's his blog, his movie-loving blog, and there is the podcast of the same name. Let's find our friend Matt Ardill and see what he has to say, that son of a gun. Matt!Track 4:[2:59] Diddy. You too. What do you got?Track 4:[3:04] Yeah, I mean, they're from Ireland. I think that was obvious by like two seconds of listening to them. They formed in 1976. They were formed by Larry Mullen Jr. Posted a note on his school notice board for musicians starting as a seven piece called Feedback. Uh then they started whittling away and became hype and then eventually got down to uh the lineup we know larry mullen jr bono the edge and adam clayton becoming you too now bono's real name is paul david hewson the edge's real name is david howell evans um and they're they how they got got their nicknames or kind of internet edge got his nickname from the shape of his face uh so um it's it's he's edgy um larry and adam also have nicknames which you don't often see uh larry's being yeah jam jar uh that's what they like to call him um and adam was mrs burns um i mean it's It's clear that these are names that that are given in jest because Bono's actual full nickname came from an abbreviation like Bono came from an abbreviation of his full nickname, which is Bono Vox of O'Connell Street.Track 4:[4:30] Really? Yeah, I, you know, the Irish, we're a mystery. Um now he's inspired by everything from uh Brian Eno or they are inspired by from everything from Brian Eno to Thin Lizzy to Joy Division and the Beatles um to say their their their inspirations are diverse.Track 4:[4:52] Understatement um now they kind of broke big by winning a saint patrick's day talent show in limerick in 1978 they won 500 pounds and studio time which resulted in the demo they gave to cbs records in ireland um their first release was an ep entitled three which was released only in ireland um they are very charitably minded um including amnesty international make poverty history the one campaign live aid live eight data uh music rising and goodness knows how many more charities um they are the fourth band on the cover of time magazine the others being the beatles the band and the who um so they're the only one without company yeah pretty good company and the only one without the in their name so uh that makes them unique but yeah i mean like what what other band like those are three of the best bands of all time so can't complain they're actually one of the few bands though that turned down doing a uh by john peel um get out of here Yeah, John Peele's like, no, no, I don't like them.Track 4:[6:12] Oh, they were turned down by Peele. Yeah, Peele's just like, no, I don't want to do it. The UK Tastemaker was one of the few big hits he refused.Track 4:[6:22] The others being The Police and Dire Straits. Peele shrugged it off in the not a fan category.Track 4:[6:32] Basically, just didn't like them. So they are a bit polarizing. I have an ex-wife who hated U2. So, yeah. They're the only Irish band to win a Grammy for Album of the Year. They hold the record for the most Grammys won by one band at 22. They went on to do a 40-night residency at the Las Vegas Globe, filling the 160-square-foot venue. I have to correct you. Sorry. The Sphere. Sphere? The Sphere. Okay. Yes. The Sphere. The Sphere. Okay, let's go back. No, no. they didn't just leave it let's just leave that yeah okay um they they sold 281 000 tickets uh making 109.8 million dollars get out of here yeah uh they they don't need any money they're doing fine um now apple they aren't without controversy aside from my ex-wife um apple Apple pushed their album, Songs of Innocence, with no way to remove it, which pissed people off so much. Apple had to develop a special program to remove the album after it was pushed to devices without permission.Track 4:[7:59] But in 2005, they were inducted into the Rock and Roll Hall of Fame and have also received a Kennedy Center Honor in 2022. 22 she was very well decorated yeah so they are a band with uh the credits to to get in pretty much anywhere they want so will they get one more accolade this season in the much maligned musical guest category matt uh i don't know i don't know they are certainly friends of the show and uh they they pack a ton of credibility as far as having a worldwide band in 8h you know pretty neat kind of thing um what do you say we head downstairs, can't wait let's give it all right thomas take it away.Track 2:[9:25] Yes, JD and Matt, thank you so, so much. Today's an exciting day here on the SNL Hall of Fame. I'm going to be talking about a band that I absolutely love. Arguably, at their peak, the biggest band in the world. I'm not even sure how arguable that is. I think they were the biggest band in the world. And joining me to talk all things U2 and SNL, back for what I like to call another edition of Ryan's Music Corner here on the SNL Hall of Fame. That's kind of what I've pigeonholed him as, but like awesome musical guests. So without further ado, I want to welcome Ryan McNeil to the podcast. Ryan, what's up, my man? You know what? I just keep on trying to get one of these bands into the hall. I also just selfishly love coming by to just talk about my favorite bands. Come on back next time, kids, while I talk about Jack White.Track 2:[10:23] We're just going through the list. You know, I'm basically getting to talk about all of my favorite acts. And I'm sure there are legions of people who have met me over the course of my life who cannot believe that you gents have given me a soapbox to talk about you two. There are whole swaths of people that are saying, in the long list of bad ideas, this is a very bad idea. Oh boy, here we go. oh, yeah, that's how I can get with a lot of my favorite bands as well. You just pull the cord and then watch us go.Track 2:[10:55] It's shutting me up. That's the hard part. Yeah. Our Dave Grohl episode was a little like that, which was one of my favorite episodes that I've done. This is now the fifth season that I've been doing these conversations. And our Dave Grohl episode was still one of my favorite episodes. So I think we can handle this one. Nice. Can't wait. Yeah, me too. Before we get to that, though, you have a podcast that I love, a movie podcast, The Matinee Cast. So, man, what's been happening over on your pod? We just wrapped up a season. My seasons end in August because September for film is a little weird. So I usually just take the month to kind of reset. And I send a postcard from TIFF, which happens in Toronto the week after Labor Day. So there would have been a TIFF postcard that went out about what we saw, what the week was like, what the festival was like. And then we get ready in October for a whole new season. and I've lost count of how many seasons. I guess this would be, oh shit, this would be our 15th season actually. No kidding. Yeah. That's impressive. I'm a senior citizen when it comes to podcasting.Track 2:[12:02] I was telling Darren Patterson was on with me recently for Garrett Morrison. He does the SNL Nerds podcast and he was saying they're on their 300th episode. I'm like, you realize that most podcasts go to like four or five episodes and then quit? Yeah. So this is like, that's really impressive, man. If you hit double digits, you're doing muscle. So I, the, one of the things that keeps me going is I only do them every other week. Yeah. Yeah. That's, that's true. That's only spread. Yeah. Spreading that out. Uh, so will you be covering the Saturday night movie in October?Track 2:[12:32] Good question. Uh, in the past, yes, yes, I would have been, but Tiff for me, uh, around 2016, I changed my approach actually to the, to the Toronto international film festival. And that was the first year where I was really limited to what I could see. I had a very shortened window that year, so I needed to pare things down. And I started that year only going to see the films at TIFF that were directed by women, which cut a big chunk out of the festival and really made it easier to choose how many films I was going to see. And I had such a great time that year. It really kind of gave me a new lane in the festival that I just stayed in that lane. So ordinarily, I would be. Uh, I've seen several Jason Reitman films at the film festival. He kind of loves going there. Um, and I, I love a lot of how Saturday night looks, uh, but I, you know, rules are rules. So, uh, no, so not at the festival, but I will be seeing it. Uh, and then on the podcast, I'm sure we'll be covering it. Yeah. I might, I might, I might have to bring in JD to talk about that one. So yeah, Saturday night movies coming out in October, October 11th, I believe. So I'm, I'm pumped about that. So I can't wait to hear if you have an episode about that. I can't wait to hear your thoughts.Track 2:[13:48] I'm looking forward to it, for sure. Yeah, for sure. So a few months ago, you and I were talking about what other bands we could cover here on the SNL Hall of Fame. No offense, if my other guests are listening to this, Ryan, with the musical guest, does get special treatment, I suppose, and kind of picking his brain about, so what other bands would you want to talk about? And you brought up U2 pretty immediately and excitedly. So what does U2 as a music fan, Ryan, mean to you?Track 2:[14:19] U2 is my band. And it's a strange thing to say that because I realize how many people in the world really don't like U2. There's a lot of people who love them. You know, they're still packing thousands to their concerts all over the world, including, you know, sometimes when they're just doing a Las Vegas show for a few months. Uh but there's a lot of people who hate them a lot of people who think they're overexposed their music is boring that they're still mad at them for putting music on their ipod um but i when i was.Track 2:[14:55] 13 14 years old started listening to their songs and they spoke to me and i have never really let go of them it's it's an interesting feeling now because it kind of they're not what interests me from day to day i i latch more onto bands like the national and uh kendrick lamar and saint vincent and bands like that um but you two always feels like going home um so even watching a lot of these performances were songs that i haven't actually played in some time but i know every word to so they they are my favorite band ever uh they always will be uh they're they're are confounding at times but i i love the holy heck out of them yeah yeah i love them too and i'm that way my favorite band is radiohead and i'm that way with radiohead because i don't go and listen to radiohead every single day i can go a long time without listening to radiohead but when i decide to put okay computer on it's like i'm coming back home man like the warm and fuzzies and everything so i can see that uh for sure about you too um i i've loved them um probably Probably more so in the last 15 years or so. But even when I was a kid growing up, like the Joshua Tree, I was so familiar with that album, Octoon Baby.Track 2:[16:12] So they've been a part of my life. Like they've just been ever present since I've known what music was. Would you agree? I mean, there was a time when they were the biggest, like the biggest band in the world, right? Oh, absolutely. They kind of, it was interesting because, yes, is the short answer. Yes, and to, you know, to honor SNL. Yes, and they kept trying to get the belt back.Track 2:[16:37] And we'll talk about that when we start talking about their performances. But what's interesting is right now, if you ask me for cash and prizes, who is the biggest band in the world? I legit do not know. The biggest band in the world is probably a solo act of some sort that I cannot think of a group of individuals that I would say is the biggest band in the world. I know who the biggest artist is, but like band, you're right. I couldn't name the biggest band. Yeah. And, you know, there was this lineage for a while of bands like U2 and Guns N' Roses and Oasis and, you know, and so on and so forth. Coldplay for a while, Radiohead for sure, that were, you know, capital letters, the biggest band in the world. I don't know who it is now, but yeah, U2, they've had this up and down career. It's strange to say that when you consider how omnipresent they are, but they have had these wild fluctuations in their career where people either really love what they're doing and identify with it or cannot stand it and completely reject it. And it's no in between. Yeah, I know someone who rejects U2 almost because she says that Bono, well-intended with his community service and world – essentially world service pursuits, comes off as a bit – Preachy. Preachy, yeah. Self-importance. Exactly.Track 2:[18:01] So she says that in a wrong way, but – Yeah. I say this as a fan, the band would probably be more successful if Bono wasn't working on his humanitarian stuff as much as he is. Yeah, so I know that's a critique. Before we get into their SNL stuff too, you saw them at the Sphere in Vegas. I did. And I think our listeners need just a quick review of the show that you saw, man. I went with my best friend of 35 years, who is also a big U2 fan. It was his idea. And we really didn't know what we were getting into. We were able to get tickets on the floor, which was in classic U2 style, were the cheapest seats in the house. It's like, if you want to stand on the floor, we are more than happy to have you and you can get in for less. And what is trippy about that room i say this to everybody who's listening if your band plays that venue go like pull the money out of savings and go because that room is has to be seen to be believed it's the size of a basketball arena but built for art so the problem with a basketball with any kind of venue that you see a band in is you're watching a place that's designed for sports and television, not music. Sound is not even secondary. Sound is probably third, fourth, or fifth down the list.Track 2:[19:31] The sight lines were gorgeous the screen is incredible it's 26 stories tall and the set like they just put on an incredible show it was um it was the best i've ever seen them but they were helped in a big way by the venue uh and and just again it felt like going home like all those songs just hit me anew yeah i was simultaneously jealous but super happy for you at the same time because i know how much you love you too so and in classic u2 style they turned their sphere residency into this running gag you know where people by the time they got to the end of the residency people were comparing them to the phantom of the opera that's just stuck in the sphere and cannot leave oh that's great yeah that's awesome so yeah so if you ever if one of your favorite bands plays the sphere take it from run don't walk yes yeah run don't walk go check it out um so we're gonna as far as you two on snl we're gonna do a little something different to start the show because I've brought you two up with some really big SNL geeks and they've told me the same thing like you two's awesome but SNL didn't get them like at their peak necessarily.Track 2:[20:39] So I'm like yeah like I had to concede that like they they didn't so I want to do an exercise with Ryan I'm going to take part in this too we're going to do a little fantasy booking before we get into their actual performances and for SNL hall of fame voting purposes this does not count toward the rest of the Hall of Fame. This is just mine and Ryan's kind of nerdy exercise here, brief fantasy booking here. So I told Ryan between about 1980 and 1991, if they appeared twice in that time period, how would you book those appearances and when? So I want to start, do you want to kick it off, Ryan, or how do you want to do this? How many do I get? Two appearances. Two appearances. And standard SNL, so that should guide you as to how many songs they perform. Okay, okay. So in that case, here's what I want to do. I want to go... I actually want to start earlier in their career. I don't want to go all the way back to Boy in 1980. I want to bring them in when they're touring War. war. So the war came out in 1983. Yep. 83, 82. 83.Track 2:[21:57] I should have this stuff committed to memory. And I think that would have been interesting if that was one of the episodes where Drew Barrymore hosted. And I would love to see them play Sunday Bloody Sunday and New Year's Day. Oh yeah yeah okay they're like that era of the band it's almost it's almost foreign to see now because they're so lo-fi they're much they're much more in tune with where they came from like you know them coming from ireland in the late 70s and being inspired by the ramones and the clash and you know those kinds of bands and television like you wouldn't expect that now when you watch them play and you see them being so larger than life and so anthemic, you wouldn't think that they were guys who were inspired by white men at Hammersmith Palais, but they were. So to go back to that era and to watch them be so young, so full of energy, like their songs were so fast, that I would love to see on the SNL stage. I think that would fit in really well with a lot of that early SNL aesthetic too, when it was much more DIY.Track 2:[23:11] Yep ebersole that's the ebersole era yeah still that they would have that they would have come into uh yeah as well yeah yeah i like that uh it's kind of funny we had parallel thinking right there um because for mine i i waited for them to have like three albums under their belt kind of get more and more of their name out there so i had them for war as well after the war album and i wanted to see them play sunday bloody sunday and like a song i think like a song is this energetic love it kind of big sounding i think they would they would have totally ripped like a song they would have in 8h and uh so i have them doing yeah sunday bloody sunday like a song i don't think they were the band in 83 to get the preferential third song no but so that's why only having them do two songs but i think that's a nice like sunday bloody sunday we both have because that's just like the chill inducing that's the one that you play first that's what what people know. But then like, yeah, you and I kind of differed on the second song. But interesting that we both had them around the war period of 83. Yeah. I mean, I do love when SNL brings a band in early in their career. You know, it's wild to say in this case, early in their career being three years and three albums in, arguably at the point where they cemented the fact that they were going to stick around. Because after the second record, people weren't really sure. And nowadays they wouldn't have made it to a third record.Track 2:[24:38] But yeah, that that was the point where it's like, OK, no, these these these lads have something to say. So for appearance number two in our fantasy booking, Ryan, where do you go?Track 2:[24:48] I could go several different ways, to be entirely honest. I'm going to go against my instinct. And I'm going to say I want to bring them back in 1991 when they were on the heels of the Actung Baby album, when they really reinvented themselves. I think Jason Priestley would host that show. And I would love to see them play The Fly and Mysterious Ways. Okay. Yeah, I'm curious about The Fly. The.Track 2:[25:18] Fly is so fun visually like The Fly was when they went and did this album that was so different than everything else they'd already done it wasn't as rootsy it wasn't that DIY record it was this really you know produced by Brian Eno very Berlin inspired music that actually cost them a lot of fans like there were a lot of fans that were like out at that point but The Fly was really where the band and Bono leaned into this music and it's got this like fuzz boxy kind of guitar and he's dressed up in this like patent leather with these stupid goggles and he's acting all very larger than life and very um you know acrobatic uh it it visually it's great it would be great tv yeah yeah no i can see that that's a that's a good call so you so you said you had um and mysterious ways and mysterious ways just because i think that's a song uh that they would probably like they were the the visual for that one was a a belly dancer so i could foresee a belly dancer kind of doing their thing on the stage with them yeah good call so parallel thinking for us again man so oh you went there as well i went there as well so actoon baby i went in 1991 i'm gonna give them keifer sutherland okay as the host skid row was the actual musical guest for keifer sutherland we're kicking skid row out and we're bringing you two in love it so uh so i went with mysterious ways their most popular song i think off of Vac Tune Baby.Track 2:[26:46] I think it would play well in 8H. This is my personal favorite U2 song.Track 2:[26:53] It's acrobat okay so you know you know what's interesting is that neither one of us went for one yeah i looked at one and i'm like no i want to get off of that i was like thomas gonna choose that um but um i didn't go populist this time no acro and acrobat again it would sound and look.Track 2:[27:12] Incredible um i believe i've heard them play that i don't hold me to that but it's it's it's very deep in the record. I think if it's not the second last track, it's the third from the end. It's kind of where people usually tune out, but yeah, it's a really soaring guitars.Track 2:[27:29] Oh, swirling music. Love that song so much. Very underrated song. A hundred percent. And the soaring guitars is what gets me. And that's, that's why it's my favorite you to song. Cause I hear it and I'm like, this is just like chill inducing. It's amazing. I think it would rock. I think it would just sound so good. I could imagine the lighting Bono getting so into it. Um, Ryan, I have them playing a third song because by 1991, they're so huge. I think they're going to close out the good nights and I have them playing. I still haven't found what I'm looking for at the end, a little crowd pleaser during the good nights. I can totally just totally see that happen. So I'm giving them a third song. It's going to go back to the Joshua tree. I still haven't found what I'm looking for to close it out. Okay. I like it. I like it a lot. That would set a precedent for, for you to doing a third song because we saw that a couple Double time. So. So that was fantasy booking with me and Ryan geeking out a little bit because we missed, I think a lot of SNL fans missed you two kind of at their peak. It's kind of a Prince thing. I think Ryan, like amazing artists, but we didn't see like the peak necessarily on the show. This is true. Prince, at least he showed up and then he disappeared and he came back. It was kind of like Bowie too. He showed up, he disappeared, and then he came back.Track 2:[28:51] U2, they never had that. And they went, again, we've got 20 years of their career before they show up. They're teetering on the Rock and Roll Hall of Fame by the time they finally arrive.Track 2:[29:06] And it's not like they weren't performing on television. It's not like they weren't doing well or doing that kind of appearance. Their music videos at the time were very known for kind of taking over public spaces. So it's, I have no idea, maybe just the stars could never align to get them in or what, but it's a really wild thing to see this band not just show up fully formed, because we've talked about that on this show before, but just show up several rounds, it's like several peaks and valleys into their career.Track 2:[29:39] And that they had interaction on stage with a couple of, or with at least one or two SNL characters. Didn't Wayne and Garth kind of do some sort of cross thing with them on MTV? They did. Yeah. There was a, there was the MTV awards one year, Dana Carvey hosted it. And at one point he came out as Garth and he got to drum with them. They were, the funny thing is they were like from, by satellite from whatever live concert they were doing. Right. But he was drumming like really live because at the time it was the Zoo TV tour where he He was like flipping channels and like the TV part of it was very big. And at one point he flipped to Garth and Garth was drumming with them. Yeah, that's so cool. So there's a little bit of an SNL connection. Yeah, they're in early 90s. But when they first made their debut and I said the SNL fans missed out, they didn't miss out on great performances. Certainly. They just kind of missed out on like when U2 was like the biggest band in the world kind of band. Yeah, they missed out on eras is what they missed out on. To steal the label of the current biggest artist in the world. Yeah, exactly. So their first appearance, season 26, episode 7, that was December of 2000. Val Kilmer, your host. This was after they released All That You Can't Leave Behind. I think the songs that they performed completely made sense. The first one was Beautiful Day.Track 2:[31:05] Someone you could lend a hand To turn the world around To you there's my hand, I'll face the sky for the fear I'll face the future for the day.Track 2:[31:25] Down the road On record, I think it's an okay song to me. But live like I was super impressed by this one what do you think Ryan so the wild thing about this moment is this is them coming back, So the late 90s was not kind to U2. They were disappearing for long stretches. Their tours were only so-so.Track 2:[31:54] And people were already tired of them. People were like, ah, they've lost it. So then they go and they make this song that is structurally very strange, should not work. And even me as a fan, I was like, well, it's OK. And then all of my non-U2 friends were playing it and playing it and playing it. And it became this huge song in 2000 that was their big comeback hit. And you're right, live it gets additional legs. And this one I've definitely heard live several times. And, you know, even just when Val Kilmer is introducing them, you can hear the crowd is already like ramped up and ready to adore it. I noticed that too. there's like an anticipation like pent up yeah for like years yeah yeah they make it all look so easy uh what i love about this song is it shows how loud these four boys can get like they're they're you know it's just four instruments there's no extra there's no strings behind them there's no keys or nothing like that that's filling things in it's just them they make a lot of noise and they get a very very big sound and it's it's wild because they make 8h seem like an arena when they're playing this song yeah absolutely i do want to shout out the boys by name we've mentioned bono and of.Track 2:[33:09] Course on yes on the guitar edge david evans to his mother but edge to everybody else um adam clayton on the bass larry mullen jr on the drums those two are uh unsung heroes in that band they are they are incredibly talented and could do anything they They wanted to, if, if they were ever got bored of doing this job and, and they, and they shine later on, we'll talk about them again in a second. Yeah. But yeah, these two songs, beautiful day in elevation.Track 2:[33:37] They really showed off. Um what the band was ready to do like they were ready to take back their place at the top of the charts um elevation was actually kind of interested as well both of them bono has a real trick of knowing when and where he is um at all times and this episode was on december 9th 2000 which was almost 20 years to the day that john lennon was killed in new york so in both songs there are snippets of john lennon music he does um i think it's all you need is love in the first song and instant karma in the second song so it's it's he's got a real trick of knowing where and when he is at all times and kind of alluding to that so um lennon's another person who really inspired bono especially but the band for sure so seeing those two things caught on on camera was really wild and knowing where he is like to to quote like the cowbell sketch from around that time bono was exploring the studio space yes in 8h man like i loved when like there was already great energy to begin with and then bono goes into the crowd walks around messes with the camera a little bit he loves doing that he loves messing with cameras like at the so you see him alive will he kind of like find a camera that's shooting like the big screen he'll kind of mess with it too Mm-hmm. Always. That's been his favorite trick since 91.Track 2:[35:05] Oh, okay. Yeah. He messed with the Studio 8H camera. The crowd was on fire at the end of this. They really did. And it really was this wild moment in 2000 where this band that everybody had more or less moved on from, all of a sudden just came back unexpectedly.Track 2:[35:58] Their first snl appearance an event it sounded like an event you would reference their music sounds big we would use the term soaring which i think both of these songs qualify it so that both of them sounded so big on that little stage and and and it worked it just it just so like completely worked so i thought it was like an event the first time like yeah 20 years in the making and it delivered absolutely so their second appearance season 30 episode 6 mr luke wilson uh hosting a couple of days this is november 20th of 04 so it was a couple days still before they were going to release how to dismantle an atomic bomb i think vertigo was already kind of out there in the ether and being played and that was the first song that they chose again um made sense typical big U2 sound I mean sound like a broken record I enjoy this performance very much.Track 2:[37:22] We'll be right back. The, vertigo had latched into a lot of people's consciousness because it was the ipod commercial it was it was kind of this controversial moment of had you two just sold out um back you know back when that was a taboo thing nowadays that's part of that that's part of your income but um you know, for this band that was very much about altruism and about selflessness. And, you know, yeah, listen, they make money, but they weren't about selling their souls to sell Cadillacs. It was like, what do you mean they licensed their music to Apple? And the story then turned into, oh, no, no, they let Apple use it, but they didn't take the money. Vertigo. This is where Larry and Edge are playing their asses off. The bass line and the drum line of that song is deceptively good that just kind of gets lost behind that guitar riff that's so easy and bono doing his yeah yeah yeahs throughout the whole thing It's a fun song to sing along to. They play it up again, really loud, really big.Track 2:[38:30] It's it's it's yeah, it's just take no prisoners holding the belt. You know, they're the biggest band in the world again. And it's like we're not letting go. It took us seven years or six or seven years to get back to the mountaintop. We're not getting off the mountaintop just yet. Yeah, I felt that, too, for sure. And it's kind of funny because maybe it's like, I don't know, like because Bono's wearing wearing sunglasses indoors or something. He always does. Yeah. Like it occurred to me while watching this, how much of a giant rock star that he is. And that might, yeah, that might sound like such an obvious statement, but like watching him command the stage just makes me think like, oh yeah, this is what a rock star is. And you can't really learn how to do this. It's almost seems like it's something that's in you. And so watching Bono, it's like, he knows, he knows how to command the stage you referenced he he he lives for the moment so that's like with watching vertigo again yeah adam play and edge stood out but bon i looked it was like bonos of damn rock star yes yeah the.Track 2:[39:33] Amazing thing about going back to this episode after vertigo and its braggadociousness um is they come back and they play this song that was a huge single off this record but i've actually almost forgotten about it called sometimes you can't make it on your own long.Track 2:[40:16] This song is one that Bono wrote in the wake of losing his father.Track 2:[40:25] And I knew that at the time. I knew that. I follow every darn thing that the band does. But for some reason, I didn't really hear it properly at the time. And now coming back to it after my own father has passed away, this song is just dripping with grief and it's got this beautiful build um some incredibly frank lyrics that when you learn more about um bono's relationship with his father and what that all entailed which would be enough to fill a whole show um and not in a way that's the typical like angsty father-son relationship but actually a very very close one um the song gets a whole other layer so watching it in in preparation for this conversation it hit me a lot harder than it has in the past um and it's something that i i do recommend people go back to if they've never heard the song or if they've forgotten the song listen to it because it's just it's one of their more underrated songs and the way they perform it and it becomes this slow beautiful build into to just this beautiful embrace is really something special to see yeah it was great sometimes you can't make it on your own uh is the song two things that stood out to me really was like.Track 2:[41:50] Edge really shines during this performance for me i love that soaring guitar yeah that's part of the build-up that you mentioned and then it turns into this soaring guitar that edge does so well and i don't know if it's it's the guitar tone and the youtube does a lot especially live with like reverb and making it sound big and stuff like that but that's what like he's a mad professor yeah right yeah edge's guitar just totally like sung and soared to me and.Track 2:[42:18] It almost it did make me think too that even their slower songs sound huge oh yes that's an accomplishment but their slow songs have this build up and they just sound enormous like this is a band ryan that was i think you listen to boy and i think when i listened to boy which was their first album that they're already made for the arena instantly i think i will follow is the first song off of.Track 2:[42:42] Boy and i listened to that and i'm like they're made for the arena they did like they were they were aiming big they they they aimed big and they hit it yeah absolutely so you can see that in their slow songs yes as well so this is like a perfect example and i just did a segue and i didn't even mean to do that i looked up and i was like oh yeah um this song this next song would have been if we were doing fantasy booking early on i would have chosen i will follow um so i love that they did this during the good nights they got a third song what a special moment like how cool was this.Track 2:[43:54] Watch them play a song that's 24 years old at that point just you know rip the roof off the the studio the crowd is in it the cast is losing their minds one of my favorite parts one o'clock in the morning and everybody is just wrapped you know everybody is loving their them saying good night with this classic yeah i mean bono's doing his bono thing he's walking throughout eight age messing with the camera he gives a lady in the audience a lap dance and she kind of grabs him though like oh yeah she was she was like she's like fanning herself after yeah yeah she's enjoying it it was such a cool shot like you mentioned all the cast members on home base dancing he hugs amy poehler well she looks like she's about ready to like her heart's gonna burst completely she was so into you can see parnell and dratch and maya and will forte and finesse mitchell like they're They're all getting into it. What a, just the best good nights of all time, maybe. Like, yeah, definitely. Right. Very unexpected. And it plays so well. Yeah. And do you know about this? Like, um, they seemingly played more after the show ended and, and, and they moved on. I read about that. Yeah. I read about that. Like, I mean, it's the, you usually do have to kind of drag them off stage. They will keep going as long as they want to. Yeah. Uh, but they're kind of like Bruce Springsteen in that way. Uh, but, uh, yeah, they, apparently they played, they kept on playing, but I, and I, and you, And as I said, if you watch that crowd, you would not know that it's 1 o'clock in the morning at that point because nobody's going anywhere.Track 2:[45:24] No, they weren't. And I think Bono even announced, like, we're not going to go. Like, can we stay or whatever? So the camera, the show ended. And as U2 was starting another song. I don't know what song. No idea. I can probably look it up. Check the show notes, folks. Yeah, I'm sure the U2 fan community.Track 2:[45:42] It's listed somewhere. I'm sure it is. But to be in that crowd. No, I'm kidding.Track 2:[45:48] Can you imagine? Oh, that was awesome. So I will follow one of my personal favorite U2 songs, a special moment to close their second appearance on Saturday Night Live, like some legendary moments already, making up for lost time, as we mentioned. Most definitely. Yeah, absolutely. They come back not too long after, like the five-year gap, September of 2009. Five years is a long time. Let's not cut this short here. Five years in between appearances five years in between records is a very long time in this century it was a long time in the 80s like that that's one of the things that's held this band back is they have always worked very slow and for a long time that was okay when bands were taking that much time in between albums the world has sped up they have not but yeah no five years from 2004 to 2009 that is a very long time yeah i guess i because i was like oh we've been waiting 20 years since their first appearance so yeah well i mean yeah comparatively in in the music world and like to be an snl uh musical guest yeah i think five years um so people were aching for him to come back and so they had released no line on the horizon uh earlier in the year so they made an appearance in september of 2009 megan fox hosting first song breathe and i i think this is a song that i've always loved the melody i love that there's a little bit of heaviness but then it It kind of pulls back.Track 2:[47:13] There's not too much, like it doesn't like, it's not too crunchy. So there's a lot I've always really enjoyed about this song. So this appearance they're fighting like i said you know the the second appearance they're still on the mountaintop and they're they don't want to let go this one they're fighting to stay there and they're fighting hard and they're not really gonna stay there because this record is not gonna do what the last two did um the songs are for me not as good uh no i think this is the weakest of I am looking squarely at you, Bono, because musically, there is something that I would love to have. And I'm sure one way or another, I could probably get it in the age of AI. I want this record without vocals because musically it is stunning. The lyrics are terrible.Track 2:[48:38] But it's a season premiere. So, you know, if you want to talk about like what the show thinks of the band at this stage, they're giving them opening night. Night um they this is another time where they get three songs and two of the three are very long breathe and moment of surrender are both really long numbers moment of surrender like six and a half minutes yeah something like that yeah yeah yeah um the band musically though is doing some amazing things like you talked about watching edge's guitar in um in sometimes you can't make watching him play in moment of surrender is just sublime yeah yeah i agree um even larry mullen jr in breathe really stood out oh yeah yeah his drums are just drumming or gore is gorgeous it's great and that's like uh it's funny because that's what i noticed too is it's it's more so like edge and adam clayton and larry mullen jr standing out that it is bono yes here three out of four Four people did their job. Yeah, for sure. Yeah. But I think the moment of surrender, so I'll say this, that's probably my least favorite of their SNL performances, which says more about how great U2 has been on the show. Yeah. Because it's still good.Track 2:[49:57] Yeah. But it's just like you're watching it. You're comparing it to I Will Follow. Yeah. To Elevation. You're comparing it to all of these great performances. It's a beautiful day. Compare it to their debut and it's like, hmm.Track 2:[50:09] Yeah. Yeah. So so but even that even moment of surrender it's long. It's my least favorite, but I'm like I'm like watching it going it's.Track 2:[50:17] So yeah so that's just don't listen to the words yeah watch three out of four and don't listen to the words and you'll love it yeah luckily i'm not like i say that as a fan what's that yeah i'm not total a total like lyrics guy too like that's the lyrics are the last thing that i'll notice in the song so that's probably to my place to my their benefit with right right um but you mentioned they did a third song again um and this is where like yeah ultraviolet like during the good nights like interesting visuals to me this is where things get cool because while.Track 2:[50:50] Most of what they do in their snl career is very small and club-like theater like this is a band that still plays stadiums uh to this day still play stadiums and not a lot of bands can put on a full stadium show uh you know beyonce can taylor can of course but i mean and i say this is a person who appreciates his music but and and you know listeners please write in and tell me what is an ed sheeran concert like in a stadium you know what i mean like i i can't i can't fathom that uh but this is a band that can still do a large spectacle and you get a glimmer of it with ultraviolet.Track 2:[52:00] This tour had this really cool like claw, this very big circular stage. Oh, that was the claw. Yeah. 2009.Track 2:[52:09] They really started leaning back towards their Acton Baby album because its visuals kind of mirrored what they were doing. And they did this trippy encore with this suit where he had like basically laser pens pointing out of every which direction. Pretty much. It seemed like little mirrors that refracted light to make it look like lasers or something. Something like that. Were they actual lasers? No, they were actually lasers. As he moved, they kept on. Like a laser suit, basically. Yeah. And this microphone that's like an old-fashioned boxing announcer microphone that descends from the ceiling. And it's like a steering wheel that also has red LEDs in it. And he swings on it and he sings into it. And this is giving you a glimpse into this is what this band does in a bigger room. So the fact that they could bring that, they could bring the stadium show to SNL is pretty damn impressive. Yeah, it was really cool. And it seemed like the production compared to their first two SNL appearances, it seems like it was a bit more. There were screens behind them, a little bit more lighting, I think. This is where SNL is starting to lean into that too, where they're getting people away from the train station and they're starting to let them play a little bit more. Yeah, yeah. And it's very evident right here. And the only thing I'll say about Ultraviolet on the negative side is I wish we got the entire thing. Yeah, no kidding.Track 2:[53:28] Right? Yeah. I mean, of course, Time, they're doing a television show, but they had to cut them off. Like, the credits were rolling and they're still doing the song. So I wish we got the whole thing. But still a cool moment. You got to see some of the visuals from that tour in 2009. in nine.Track 2:[53:44] Definitely a long time, Ryan, before they come back. It's a little over eight years before they come back. The Irish took over that day. Saoirse Ronan hosted their fellow country person. I can only assume Notre Dame won that day as well. It was a full Irish takeover. And the Celtics. And the Celtics. Yeah, exactly.Track 2:[54:05] So they had released Songs of Experience the day prior.Track 2:[54:10] Was that the album that ended up on everyone's iPhone? phone no that would be songs of innocence oh okay which basically torpedoed songs of experience by the time by the time they came back and this time they came back actually pretty quick they came back just a few years later uh one year later actually with songs of experience people were like no i'm out forget it you put your music onto my device i'm done it's so funny like yeah i don't know like you could have i think these people felt violated electronically but you could have just not listened to it or you could have just well there's that i mean the really the really wild thing is apple was the.Track 2:[54:43] One who did it but you two never wanted to get out there and say we did not do this apple did this if you want to yell at anybody yell at them and by the time they finally brought that up the ship had long since left the dock like they didn't bring that up until years later and that kind of tells you something where they're like you know if people want to be mad at us we'd rather them be mad at us we're not gonna you know get into a pissing match with a corporation yeah um the timing of this episode is interesting because this is this is around the time that uh the president of the united states is banning people from whole countries from coming to the america um they start with this song called american soul that has this really powerful intro um you know like blessed are the liars blessed are the peacemakers blessed art you know and that's Kendrick Lamar that is Kendrick Lamar and um.Track 2:[55:43] Again, you two knowing where they are, when they are, they know well enough that one of the biggest voices in the world right now is not them, is Kendrick Lamar. So they put him front and center on this track to the point where they actually let him take the track. He has a song on his damn record that takes a snippet of American Soul and drops it into the middle completely without context. Context yeah they then use it as a full song a year later um so it was kind of wild to see that and and beautiful that the first voice we hear when they're back here is kendrick lamar not bono yeah cool visuals too yeah beautiful visuals in the background um it's it's um you know it's again it's really four on the floor kind of music really driving just really energetic kind of again Again, back to what they were doing in that 2000 performance. At this point, they're just straight out of cares. They're just happy to be there. They don't care about staying on the mountaintop. They're there to champion the people that folks like the president of the United States at the time would say is worthless. And they're saying, no, you are not worthless. You are what makes this country great. You are what makes the rest of the world great.Track 2:[57:04] And, you know, we see you. I love the message. and the performance was good nothing too like chill inducing but i love the message love enjoy the performance.Track 2:[57:50] I like the second song to me. Get out of your own way. Yeah, no, it feels like a throwback in a good way to me, like a like a recent U2 song that kind of feels like somewhat of a throwback. I kind of like the melody. So I kind of dig this song. I definitely dig the song. And I do get a laugh at a band like U2 singing a song called Get Out of Your Own Way, because it's it's like, are you listening to your own words? Well, he's you know, I mean, he wrote it. You know who he wrote it for? before that one he did yeah yeah um but no you're right i mean the irony's not lost yes there for sure um the songs are flipped this is the interesting thing is get out of your on the record get out of your own way lead straight into american soul with that blessed are the bullies blessed are the liars um segue that that kendrick does so it's kind of wild that they flip them um i watching them in prep for this show i was actually thinking it would have been cool if If somehow or another they had to convince Destinel to let them play them back to back. Yeah. I don't think that's ever been done.Track 2:[58:51] But that would have been a cool experience. They're not Taylor Swift. No. Doing a 10 minute. No. But I mean, they're doing Moment of Surrender for seven minutes. Sure. Right. You know, I think they're going to be able to talk Lauren into doing it. Yeah. I found that interesting too. Like rechecking the track listing and stuff. I'm like, that was my first thought. I'm like, oh, if they could have somehow. how yeah you hear kendrick's voice at the end of get out of your own way into american soul so you're absolutely right but get out of your own ways one of those like it soars it's kind of light it's just yeah it's a it's a pretty song that's like it's it's a lot of what i love about about you too it's probably my favorite one of my favorite songs like that they've put out like the past 10 years.Track 2:[1:00:06] Those songs are underrated. There's a lot of really beautiful stuff on there. It's just at this point, a lot of people have kind of moved on. Yeah. So so the you know, the thesis at the beginning, the what we pointed out was took them 20 years from boy to their first appearance. But I think they nailed it. I think I nailed it as SNL. I mean, regardless of we didn't get any Joshua Tree songs ever on SNL. We didn't get stuff like Desire that might have been fun, but we got some damn good performances, Ryan. Which is, I mean, it's interesting because a lot of times when they bring in legacy bands, especially when they bring in legacy bands late in their career, that second song at 1245 will be an older one that people recognize, right? Like it's, let's play the new song and then let's play the encore number. They never really did that. that they kept they kept some of those songs till 1am uh when they were let but they're like no our new material holds up it's good music on its own in and of itself let's just play the new stuff and and for my money it worked even though like even as i say that the the no line episode is weird.Track 2:[1:01:16] Lyrically it's still great music and then they end it by going back to their older stuff that fits with the new music. So, you know, points for the ballsiness of saying, we are just gonna stick to the new stuff because we believe the new stuff is good. And for the most part it is. Yeah, I'm glad like a lot of fans were maybe exposed to their new stuff. Like they might've just, And like, oh, U2, I haven't really listened to U2 since like the mid 90s. And then they get this new stuff and hopefully it motivated some people to go check it out. Yeah, yeah. So do you think how much like should it factor in that they weren't on the show at arguably their peak? When it comes to like how people remember them and their SNL musical guest legacy, like should that factor in? Like, where do you stand on that? I would say that it doesn't matter as much as it might for other bands, because when they came when they did finally show up in 2000 and 2004.Track 2:[1:02:14] They were still at a peak. Peak those two records in the early part of this century they were huge and when you look back and like i say this now as a fan i say that their music is not as relevant as it used to be but when i say that it used to be i'm talking like 20 years ago so when they did show up they showed up at a peak they this is a band that's had a few peaks over the course of its career and they showed up for one of them so if we've got four spots and two of their spots they are the biggest band in the world i think that negates the fact that they took a 20-year wander before they got around to it yeah it's a good point and as far as because we've we've talked about this i mean we both champion dave grohl i i've taken it as a personal mission this season to try to get dave grohl into the snl hall of fame i'm still stumping for prince man still stumping for prince i mean Yeah, no, Dave, we did David Bowie. It's hard for musical guests to get into the hall, for sure. But why should voters really strongly consider you two for the hall? Maybe as part of the show's musical legacy, knowing all that. I'm glad you asked. There are only a small handful of bands that have had a three-song night on SNL.Track 2:[1:03:35] No other band has had it more than once. And this band got it two times. So that to me, it's like, it's like throwing a 20 strikeout game and there's one pitcher who's done it twice. So that's the kind of thing it's, it's, it's a special number in the legacy of the show. And not only have they hit the special number, but they did it two times.Track 3:[1:04:16] So there's that you know i hadn't really considered ryan's final argument there that like a 20 strikeout game they in this case you too did it twice they performed three songs twice and one of the instances that they performed we're going to listen to right now it's from the 2004 episode hosted by luke wilson the band got invited to perform a third song after the good nights and they chose I will follow. So let's give that a listen right now.Track 3:[1:08:58] Electric. That performance was definitely whole worthy when you factor in the context. And that's important. The context is very important. The musical guest takes up about 10 minutes of a 90 minute show. So I understand that they are not quite as, you know, important per se in your head as cast members and potentially writers and even hosts, but musical guests are people too.Track 3:[1:09:32] So there's that. Keep that in mind. We've got Dave Grohl still on the ballot. He should be in. I, I'm curious if the news that just broke this week will factor into his vote this year or, or not. There is not a, um, a clause in the SNL hall of fame bylaws that indicate, uh, somebody needs to, um, behave in order to go into the hall. but I digress. Listen, next week we have a great show, but before we head into that, I really want to thank Ryan McNeil for joining us again. Visit thematinee.ca for more of his work. Thomas, once again, just a bang up job. Matt Ardill in the trivia corner, just phenomenal. And then of course, this Thursday you have Joe and Shari that are going to, I don't know, No, probably continue my musical guest rant.Track 3:[1:10:38] So there's that. That's what I've got for you this week. Join us next week where we nominate Charles Barkley. We're joined by SNN super stat guy, Mike Murray. So that should be a real good one. Give us a listen. Send us an email at the SNL HOF at gmail.com. We would love to hear from you. one last favor before you leave on your way out as you pass the weekend update exhibit turn out the lights because the snl hall of fame is now closed.Support this podcast at — https://redcircle.com/snlhof/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Benno & JP return for a Sunday Spotlight as they catch up on the week (and weekend) in wrestling and talk the build to Geand Slam and WrestleDream, Nigel vs Bryan, AEW on Fox and WWE's return to USA. They also talk Jacob Fatu, MLW, TNA Victory Road, CMLL's Anniversary show and more! SHOWNOTES 0:00 STORY of the Yes Movement on GRAPPL Patreon 1:23 Intro, Plugs, JP's Dealer's Choice 17:45 All Out fallout, Grand Slam, Bryan/Nigel, AEW Dynamite 1:04:14 Daniel Garcia, AEW TV Deal, other news 1:23:30 WWE on USA, Triple H, MCMG, WWE news 1:55:38 Other News, TNA Victory Road, CMLL Anniversary show, MLW, BKPW Bam Bam Bigelow Playlist: https://docs.google.com/document/d/1IrwrDAfH5-Behexi6vijrdBNzlhWOLUXnPQFFUshsQU GRAPPL Spotlight is produced with support from our Patrons and YouTube members, with special thanks to Patreon Kings Of The Mountain - Conor O'Loughlin, Eddie Sideburns, Chris Platt, Ewan Cameron, Mark Buckeldee & Carl Gac! You can find all of our live shows on YouTube by becoming a Member at ⁠http://www.Youtube.com/@GRAPPL,⁠ or join us on Patreon for both live video and audio replays at ⁠http://www.patreon.com/GRAPPL!⁠ Get the the new line of GRAPPL merchandise with FREE SHIPPING to the UK, EU, US, Canada, Australia & New Zealand at https://chopped-tees.com/en-uk/collections/grappl You can find all of our live shows on YouTube by becoming a Member at http://www.Youtube.com/@GRAPPL, or join us on Patreon for both live video and audio replays at http://www.Patreon.com/GRAPPL! You can also join us on the GRAPPL Discord for free at https://discord.gg/KqeVAcwctS⁠

Andy Biersack of Black Veil Brides joins Joshua Toomey to discuss the latest EP "Bleeders". The EP showcases their eclectic influences with a mix of an original track and covers, including U2's "Sunday Bloody Sunday." The conversation delves into their personal musical journey, touching on the impact of bands like KISS and W.A.S.P., and sharing stories from their early career. Andy also reflects on the powerful experiences from the Warped Tour and the challenges of being both loved and criticized by audiences. The interview explores the evolution of their live performances, the impact of online negativity, and the potential future of using technology like avatars in concerts, wrapping up with some fun sports banter. Toomey starts the show with a quick recap of PopCon and his experiences with the live podcast stage.Joshua Toomey on Facebook/Twitter @talktoomeytalk Support Toomey on Patreon www.patreon.com/talktoomey Concept Cafes Coffee https://www.conceptcafes.com Subscribe to Talk Toomey on YouTube for exclusive performances & in-depth interviews with the most exciting artists in aggressive music, deep dives into iconic artists' discography, and more. #talktoomey #bvb #andyblack #blackveilbrides #andybiersack #warpedtour

For the 9th straight week, the Reds lost on Sunday, and what better way to spend your Sunday than with the guys at Late Night Reds! Tim and Ben recap the Giants series, which is very little good and very bad. The guys also discuss Noelvi Marte's struggling return from Suspension, the Reds moves, or lack thereof at the Deadline, and look ahead to the series in Miami against the Marlins in the contest of who has the most 4-A players on their MLB Roster. You are invited to join our ever-growing family of Cincinnati sports fans (and support the podcast) on Patreon! You can also give us a like and subscribe to our YouTube channel to catch each episode as it is released. Follow us on Twitter @riverfrontcincy, Instagram, and Facebook.  Please subscribe to the audio podcast for free (on Apple Podcasts/iTunes, Spotify, Amazon Music, and give us a rating/review over at iTunes and elsewhere. If you like us, tell your friends! Podcast-related questions and comments can be directed to the podcast via email (team@riverfrontcincy.com). Learn more about your ad choices. Visit podcastchoices.com/adchoices

In the early morning of September 15, 1935, Agnes Oxley, a housekeeper at the home of Dr. Buck Ruxton, is roused from her sleep by an unexpected visitor. Ruxton, usually composed and well-groomed, stands disheveled and agitated at her door. Oxley finds his nervous behavior and insistence that she stay away from the house for the day odd to say the least. Little does she know, this is the beginning of a macabre tale.Dr. Ruxton, a respected physician, is hiding a dark secret. His increasing paranoia and jealousy have culminated in a violent outburst, leading to the brutal murder of his wife, Isabella, and their young nanny, Mary Rogerson. Over the course of a gruesome night, Ruxton dismembers their bodies, utilizing his knowledge of medicine and police forensics to meticulously conceal his crime.As the narrative unfolds, you will be taken through the chilling events of that fateful Sunday. You will hear Ruxton's elaborate efforts to cover up his actions. How he deceived friends and lied to authorities. And how his ingenious plan to cover up the murders slowly unravels."Beyond Recognition" hosted by Yeardley Smith, delves into one of the most shocking murder cases of the early 20th century. With insights from experts like Tom Wood, Paul Holes, and Professor Sue Black, this episode not only recounts the gruesome details but also examines the psychological and forensic aspects of the case. To binge the series or support Small Town Dicks, visit patreon.com/smalltowndickspodcast Hosted on Acast. See acast.com/privacy for more information.

Från 2010. Brittiska fallskärmsjägare skjuter ihjäl 13 människor under en fredlig demonstration i Nordirland. Efter 40 år av sorg och ilska, kommer sanningen om Bloody Sunday fram. Nya avsnitt från P3 Dokumentär hittar du först i Sveriges Radio Play. ”Blodiga söndagen” var den dödligaste skottlossningen under den tre decennier långa och blodiga konflikten.Yngst bland de döda var Michael Kelly, som just fyllt 17. I dokumentären möter vi Michaels storebror John, som vigt sitt liv åt att kämpa för upprättelse för sin lillebror och de andra som dödades.– Jag sa åt Michael att vara försiktig. Det var sista gången jag såg honom i livet, säger storebrodern John Kelly i dokumentären.Konflikten i Nordirland krävde tusentals livMedverkar gör också medborgarrättskämpen Eamonn McCann och den tidigare IRA-medlemmen Gerry McCartney. De var alla där den januarisöndagen, och de vägrar glömma.Omkring 3 700 människor miste livet i den drygt 30 år långa våldsamma perioden, som brukar kallas kallad ”The Troubles”.En dokumentär av: Thella Johnson.Dokumentären är producerad 2010.

Scripture: Hebrews 9:9-22

This is a free preview of a paid episode. To hear more, visit wethefifth.substack.comEvery second Sunday of the month, the lads fire up Zoom and do a (mostly) Q&A show for subscribers only. It's very fun, often a bit messy and chaotic, and full of listeners expressing love, disbelief, dismay, and often delivering Strom Thurmond- like filibusters. So for you subscribers who couldn't make it on June 9, we revive the Zoom recording just to…

In this week's episode of 'EPL State of Mind,' we dissect the seismic shifts in the title race as both Arsenal and Liverpool suffer shocking defeats at home, while Manchester City's dominant performance over Luton puts them firmly in the driver's seat. We also analyze the implications of these results on the table and on our mental health's. The show opens with a preview of the upcoming Champions League Quarterfinals. Plus, we delve into Leverkusen's clinching of the Bundesliga and explore the latest developments in the world of football. You can find every episode of this podcast on Apple Podcasts, Spotify, or Amazon Music. Make sure to stay up to date with all of the latest happenings with the pod including highlights on reels @eplstateofmind on Instagram.

On our 80th episode of Fabulous Film & Friends what better way to follow up a Road House podcast than by looking at the highlights of pioneering gay director John Schlesinger? We're talking about 1969's Midnight Cowboy starring Dustin Hoffman, Jon Voight, Brenda Vaccaro, John McGiver, Sylvia Miles, Bob Balaban and Barnard Hughes as well as 1971's Sunday, Bloody Sunday starring Peter Finch, Glenda Jackson, Murry Head and Dame Peggy Ashcroft topped off with 1975's The Day of the Locust starring William Atherton, Donald Sutherland, Karen Black, Burgess Meredith, Bo Hopkins, Pepe Serna, Geraldine Paige, Richard Dysart, Lil' Jackie Earl Haley, an even littler Billy Barty and Mrs. Lovey Howell, herself, Natalie Schaeffer.  I'm joined this week by the reliably ab-fab crew of my kid-sister and lit major Roseanne Caputi as well as the sensitive cowhand himself, actor, photographer and snappy patter producer par excellence Gordon Alex Robertson!  Okay, before we don the fringed suede jackets and find a spot on 43rd St., the synopses:  In Midnight Cowboy big, dumb Texan Joe Buck quits his job as a dishwasher and hops on a Greyhound to the big town, New York City with dreams of making his fortune as a male prostitute servicing rich, bored housewives on Park Avenue. After a series of cringe-inducing misfires, Joe finds himself penniless and living in a squalid, condemned apartment with a sickly, limping con man named Enrico “Ratso” Rizzo. With Ratso serving as Joe's manager the only place they can go is straight down. Barely surviving a New York winter, Joe's fortunes finally start to change for the better until a dying Ratso implores Joe to get him to Florida.  Sunday, Bloody Sunday slowly--ever so slowly-- catalogues the highs and lows of two middle-aged, upper-class Londoners, one man, Dr. Daniel Hirsch, a perennially single doctor and one woman, Alex Greville a divorcee who both find purpose and vitality in a love triangle with Bob Elkin, a young sculptor in his 20's. The three must deal with abrupt change, loss and acceptance when Bob the sculptor moves to America.  The Day of the Locust, based on the 1939 novel by Nathaniel West, follows the course of three, tragic dreamers who came to Hollywood with eyes toward stardom but end up victims of its cold-hearted excess: Tod Hacket, a somewhat idealistic --if a bit rapey set designer from Yale-- who is in love with Fay Greener, a beautiful but talentless day playing actress who refuses to date men that aren't wealthy, and none other than Homer Simpson, a simple, religious and socially awkward accountant who naively takes Fay in to live with him.  Was Mr. Schlesinger an all time great? Or a one hit wonder?  Find out! Watch this podcast on Youtube: https://youtu.be/rVaMo465c8A Follow FF&F on Facebook: https://www.facebook.com/groups/fabulousfilmandfriends 

Welcome to Season 3 of Encore! When the Landmark Las Vegas sphere opened up in September of 2023, with its $2.3 Billion dollar price tag, its 300 tons of steel, 16K resolution screens, 1,600 speakers and 4D machines capable of pumping in wind, scent and more into the venue… There was never any doubt that there was only one band in the world capable of matching the Sphere's fantastical ambitions… and that band was the Iconic U2. Officially forming in 1976,U2 had an unbelievably successful run from around 1980 all the way through to about 1997, culminating with their first Best of Collection released in ‘98 with such classics as Pride (In The Name Of Love), New Year's Day, Sunday Bloody Sunday, Desire, and many more. Normally, in any band's career - this would probably be enough - you've had the better part of 20 years on top, with critical and commercial success rivaling *literally* any artist that ever lived - it's probably time to realize that your best days are behind you. Right? U2 did *not* get that particular memo to take it easy, because they did none of the above, and as the world prepared to roll over into a brand new millennium... U2 knew there was plenty of a ‘Beautiful Day' to be had. This is the story of U2's comeback single, the iconic 'Beautiful Day' with newly unearthed audio from the band. Also features audio from the official Making Of Beautiful Day Music Video Encore is now available on the following Radio Stations in Canada! Newstalk 1010 610 CKTB 580 CFRA Ottawa AM 1150 CFAX 1070 AM800 CKLW CJAD 800 Check your local listings for air times  

Utter devastation in the Big East Conference as only 3 teams received a bid to the 2024 NCAA Tournament. Russ Wilk returns to help sort through the rubble and figure out how Providence, St. John's and Seton Hall all got snubbed.

Sometimes when you're on the road, your plans go out the window. You have only a fraction of the stuff you need. But something unexpected comes up. And you have to MacGyver a solution.

Paul calls the playoffs the second season and yesterday was the last day of the playoffs. Now its on to the Superbowl so we say Viva Las Vegas! Vegas will host this years big event but in this show we look back at Sunday Bloody Sunday and give shout outs to the two quarterbacks who moved on. Plus Paul has a special sound bite in store for us as he has identified stupidity at its finest  Support the show

We are rolling rolling rolling into the final round of the playoffs. It's gonna be a Sunday Bloody Sunday in what Paul calls the last day of regular football. Listen to the show to catch his analysis of the two big games on Sunday. Plus he talks prop bets and who he likes. Support the show

On our 6th edition of our monthly sidecast, First Concert Memories, we welcome our friend Markus "The Darkus" Goldman from 93.3 WMMR in Philadelphia and The Imbalanced History of Rock n Roll Podcast to talk about an epic night in the history of rock music. On June 5, 1983, an up and coming back from Ireland had decided to film their concert at the Red Rock Amphitheater in Morrison, Colorado just north of Denver. However, heavy rains and storms were expected and members of the management and crew didn't think it was a good idea for that day. Many ticket holders were convinced to stay home and the band had to go on the radio to implore folks to come to the show. The show was delayed and opening act The Alarm didn't even play due to the weather. But in the end, the show went on, it was filmed and it changed the fortunes of the band for for millions of members of the MTV generation. Yes, it was U2 that played that night, recording the entire show that would eventually end up on MTV Saturday nights and form part of the live album Under A Blood Red Sky. But the video for Sunday Bloody Sunday would get into heavy rotation on MTV, showing Bono waving a white flag with bonfires atop the natural mountain formation. It made for an otherworldly scene that helped propel U2 to superstar status in the US and set them up to become legends. Hear Markus talk about braving the elements, having security keep him from being crushed against the barrier, his favorite moments and many remarkable memories of a teenager seeing U2 in that incredible setting. Listen to Markus on https://imbalancedhistory.com/Ugly American Werewolf in London Website Ugly American Werewolf in London Store - Get your Wolf merch and use code 10OFF2023 to save 10% during the holidays! Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

On our 6th edition of our monthly sidecast, First Concert Memories, we welcome our friend Markus "The Darkus" Goldman from 93.3 WMMR in Philadelphia and The Imbalanced History of Rock n Roll Podcast to talk about an epic night in the history of rock music. On June 5, 1983, an up and coming back from Ireland had decided to film their concert at the Red Rock Amphitheater in Morrison, Colorado just north of Denver. However, heavy rains and storms were expected and members of the management and crew didn't think it was a good idea for that day. Many ticket holders were convinced to stay home and the band had to go on the radio to implore folks to come to the show. The show was delayed and opening act The Alarm didn't even play due to the weather. But in the end, the show went on, it was filmed and it changed the fortunes of the band for for millions of members of the MTV generation. Yes, it was U2 that played that night, recording the entire show that would eventually end up on MTV Saturday nights and form part of the live album Under A Blood Red Sky. But the video for Sunday Bloody Sunday would get into heavy rotation on MTV, showing Bono waving a white flag with bonfires atop the natural mountain formation. It made for an otherworldly scene that helped propel U2 to superstar status in the US and set them up to become legends. Hear Markus talk about braving the elements, having security keep him from being crushed against the barrier, his favorite moments and many remarkable memories of a teenager seeing U2 in that incredible setting. Listen to Markus on https://imbalancedhistory.com/Ugly American Werewolf in London Website Ugly American Werewolf in London Website Ugly American Werewolf in London Store - Get your Wolf merch and use code 10OFF2023 to save 10% during the holidays! Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

On Week 8 of Sunday Bloody Sunday on The Matt Barrie Show, Matt talks through North Carolina's terrible loss, Alabama's win over Tennessee, Michigan being the best team in the country and much more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to another Cinema Sounds & Secrets Tribute episode! Today's tribute is for Glenda Jackson: She won the Academy Award for Best Actress twice, for the romance films Women in Love (1970) and A Touch of Class (1973). She also won the BAFTA Award for Best Actress in a Leading Role for Sunday Bloody Sunday (1971). English actress and politician, she was one of the few performers to achieve the American Triple Crown of Acting, having won two Academy Awards, three Emmy Awards, and a Tony Award. She was appointed CBE by Queen Elizabeth II in 1978. To learn more about this episode and others, visit the Official Cinema Sounds & Secrets website! Also visit our Instagram, @cinemasoundspod. 

NEW FOR SEPTEMBER 1, 2023 Knee deep in music you need to hear . . . Storm Surge - The Best Radio You Have Never Heard Vol. 467 1. Blowing In The Wind (live) - Neil Young 2. Mad World - Jesse Maclaine and The Scotch feat. Seth Girton 3. Something In The Air - Thunderclap Newman 4. Crystal River (live) - Mudcrutch 5. Drown (unplugged) - Smashing Pumpkins 6. Firth Of Fifth (live) - Genesis 7. Beware Of Darkness - George Harrison 8. It's Raining (live) - Irma Thomas 9. Purple Rain (live) - Jeff Beck feat. Jan Hammer, Beth Hart, and Rosie Bones 10. Killing Moon - Echo and The Bunnymen 11. This Is The Place (Naïve Melody) (live) - Talking Heads 12. Another World / Chinatown / Breaking Us In Two / Can't Get What You Want (Till You Know What You Want) (live) - Joe Jackson 13. Sunday Bloody Sunday (live) - U2 14. 1000 Dollar Car (live) - The Bottle Rockets 15. See How We Are (live unplugged) - X 16. Gasoline Alley (live unplugged) - Rod Stewart 17. Diamonds On The Soles Of Her Shoes (alt) - Paul Simon 18. Wake Me Up When September Ends - Green Day The Best Radio You Have Never Heard. Fixing a hole . . . Accept No Substitute Click to leave comments on the Facebook page.

Ira Sachs' new PASSAGES centers on a relationship broadly similar to the one at the center of SUNDAY BLOODY SUNDAY, but approaches it with a different level of intimacy and intensity (one that earned it an NC-17 rating before the filmmakers opted to release it unrated). We're joined once again by freelance critic and friend of the show Noel Murray to talk through the different points of characterization and performance on PASSAGES' love triangle, before looking at how the two films compare and contrast in their critiques of hetero-monogamous normativity, their ideas about suppressed jealousy and art, and their frank, arguably “graphic” depictions of homosexual desire. And in Your Next Picture Show, we offer a mini-revisitation of another John Schlesinger film that is impossible to avoid when considering this pairing.  Please share your comments, thoughts, and questions about SUNDAY BLOODY SUNDAY, PASSAGES, or anything else in the world of film, by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Next Pairing: Emma Seligman's BOTTOMS and Michael Lehmann's HEATHERS Learn more about your ad choices. Visit megaphone.fm/adchoices

Ira Sachs' new PASSAGES is treading ground that was broken in part by John Schlesinger's 1971 British drama SUNDAY BLOODY SUNDAY, which also concerns the tortured intimacies of an MMF love triangle, albeit with a bit more reserve. We're joined by freelance critic and friend of the show Noel Murray to talk over our responses to that reserved approach in relation to SUNDAY BLOODY SUNDAY as a product of its era and as a counterpoint to Schlesinger's previous film, MIDNIGHT COWBOY; how this portrayal of a love triangle balances desperation and dignity; and whether this movie actively hates kids, or if the Hodson children serve a greater thematic purpose. Then we reopen the BARBIE discussion with the help of a couple of listener comments in Feedback. Please share your comments, thoughts, and questions about SUNDAY BLOODY SUNDAY, PASSAGES, or anything else in the world of film, by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Learn more about your ad choices. Visit megaphone.fm/adchoices

Glenda Jackson plays part of a love triangle in John Schlesinger's follow up to his Oscar winning Midnight Cowboy. The plot written by Penelope Gilliat centres on an artist who has relationships with a female job consultant and a male doctor. Was the 1971 film ahead of its times? Matthew Sweet re-watched it with guests including Glenda Jackson, playwright Mark Ravenhill, film historian Melanie Williams and BFI National Archive curator Simon McCallum. They discuss the different elements of the film, including the score, which features the trio Soave sia il vento from Mozart's opera Così fan tutte, the very precise decor and evocation of late '60s London and filming inside a Jewish synagogue. Glenda Jackson died in June 2023 and we are repeating this discussion to mark her death. Producer: Fiona McLean Sunday Bloody Sunday is available on Blu-ray You can find Matthew Sweet discussing other classics of British Cinema in the Free Thinking archives including British New Wave Films of the 60s - Joely Richardson and Melanie Williams evaluate the impact and legacy of Woodfall Films, the company behind Look Back in Anger, A Taste of Honey and The Loneliness of the Long Distance Runner. https://www.bbc.co.uk/programmes/b09ysnl2 An extended interview with Mike Leigh, recorded as he released his historical drama Peterloo, but also looks back at his film from 1984 Four Days in July https://www.bbc.co.uk/programmes/m0000tqw Early Cinema looks back at a pioneer of British film Robert Paul and at the work of Alice Guy https://www.bbc.co.uk/programmes/m000dy2b Philip Dodd explores the novel and film of David Storey's This Sporting Life with social historian Juliet Gardiner, journalist Rod Liddle, writer Anthony Clavane and the author's daughter Kate Storey https://www.bbc.co.uk/programmes/b09j0rt6 Samira Ahmed convenes a discussion about British Social Realism in Film https://www.bbc.co.uk/programmes/b01pz16k

It's time for the 1st episode of our trip through SMW 1994 and it's gonna be a sprint to the finish line. We are starting our drive through this INFLUENTIAL YEAR as we make our first stop in the DELOREAN. Episode 1 of Season 4 is this upcoming Friday and as per usual ACEFIELD RETRO returns with MIKE BELCASTER & that beautiful KENTUCKY WATERFALL COLTON to chat about an retro filled happening! We take on the TWO MONTHS of the year of SMOKY MOUNTAIN WRESTLING programming! We talk about all the usual SMW happenings like titles changes, new debuts and just a different style of wrestling to shed some light on this awesome year. Don't forget to grab your weekly Shot of Nostalgia at 7 PM Eastern to continue FLASHBACK FRIDAY ON THE TAVERN. As always, tip your bartenders & learn from the past! Go to theturnbuckletavern.com for all your Tavern needs!

Glenda Jackson (May 1936-June 2023) starred in many plays and films. One of those was Sunday Bloody Sunday where she plays part of a love triangle in John Schlesinger's follow up to his Oscar winning Midnight Cowboy. The plot written by Penelope Gilliat centres on an artist who has relationships with a female job consultant and a male doctor. Was the 1971 film ahead of its times? Matthew Sweet re-watched it with guests including Glenda Jackson, playwright Mark Ravenhill, film historian Melanie Williams and BFI National Archive curator Simon McCallum. They discuss the different elements of the film, including the score, which features the trio Soave sia il vento from Mozart's opera Così fan tutte, the very precise decor and evocation of late 60s London and filming inside a Jewish synagogue. This programme was recorded in July 2022. Producer: Fiona McLean Sunday Bloody Sunday is available on Blu-ray You can find Matthew Sweet discussing other classics of British Cinema in the Free Thinking archives including: British New Wave Films of the 60s - Joely Richardson and Melanie Williams evaluate the impact and legacy of Woodfall Films, the company behind Look Back in Anger, A Taste of Honey and The Loneliness of the Long Distance Runner. https://www.bbc.co.uk/programmes/b09ysnl2 An extended interview with Mike Leigh, recorded as he released his historical drama Peterloo, but also looks back at his film from 1984 Four Days in July https://www.bbc.co.uk/programmes/m0000tqw Early Cinema looks back at a pioneer of British film Robert Paul and at the work of Alice Guy https://www.bbc.co.uk/programmes/m000dy2b Philip Dodd explores the novel and film of David Storey's This Sporting Life with social historian Juliet Gardiner, journalist Rod Liddle, writer Anthony Clavane and the author's daughter Kate Storey https://www.bbc.co.uk/programmes/b09j0rt6 Samira Ahmed convenes a discussion about British Social Realism in Film https://www.bbc.co.uk/programmes/b01pz16k

Yeah I'm thinking we're back. Back with a big one. Back with Bono. He wrote a memoir called Surrender: 40 Songs, One Story and we're podcasting all about it. Well, not all about it, but about half of it, because Bono's book is so meaty that it requires a two-part podcast. We dig into Bono's early life in bubblin' Dublin, the crucial single week where he asked out his wife and joined U2, his political awakening and initial transition into "foreign dignitary," and the time he made a Parmesan cheese sandwich at Paul McGuinness's house. It's a wild ride, and an Irish one. Missed you guys :) Subscribe to Molly's music newsletter (it costs $0): https://themollyzone.beehiiv.com/ Songs in the episode: "With Or Without You (8-Bit U2 Cover)" - 8-Bit Misfits "Teenage Kicks" - The Undertones "I Will Follow" - U2 "Sunday Bloody Sunday" - U2 "Pride (In The Name of Love)" - U2 "Do They Know It's Christmas?" Band Aid "Where The Streets Have No Name" - U2 "Where The Streets Have No Name (Live)" - The Killers "Big Boy" - Viagra Boys and Jason Williamson "The Fly" - U2

Ahead of the Texas Death Match between Jon Moxley & Adam Page at AEW Revolution, Dave LaGreca, Tommy Dreamer, Bully Ray, and Mark Henry discuss what blood brings to a match and break down how blood should be used in wrestling today.