Podcasts about pejk malinovski

Coming at the end of an intensely creative period, The Beatles' Abbey Road features some of the most adventurous compositions in the quartet's catalog. It's fitting then that the album concludes with one of the most inventive and famous medley committed to record. To close season two of “A Life in Lyrics” McCartney discusses The Beatles' send off to recording: “Golden Slumbers”, “Carry That Weight” and “The End.” “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O'Donnell and Sophie Crane; mastered by Jason Gambrell with assistance from Jake Gorski and sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman and Scott Rodger. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.See omnystudio.com/listener for privacy information.

“Michelle” from 1965's Rubber Soul started as a kind of light-hearted party piece. But in McCartney's quest to turn it into a legitimate Beatles song, he went on a bit of a journey to sound not only like a believable French chanteur but also to expand his approach to bass playing, taking inspiration from Motown's James Jamerson. “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O'Donnell and Sophie Crane; mastered by Jason Gambrell with assistance from Jake Gorski and sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman and Scott Rodger. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.See omnystudio.com/listener for privacy information.

This episode deals with themes and events surrounding the Northern Ireland conflict. As such, this episode may be traumatic or emotional for some listeners. Paul McCartney doesn't view himself as a writer of protest songs. But the events of Bloody Sunday sufficiently moved him to use his voice. Rush released as Wings first single in 1972, “Give Ireland Back To The Irish”  was banned in Britain by the BBC and in the US radio avoided playing it. However, through any criticism, McCartney stood steadfastly behind the release which ultimately reached number one in Ireland. “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O'Donnell and Sophie Crane; mastered by Jason Gambrell with assistance from Jake Gorski and sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman and Scott Rodger. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.See omnystudio.com/listener for privacy information.

The breadth of Paul McCartney's influences is astounding. One of the many surprising places McCartney found inspiration was in the music of his parent's generation. For 1966's “Here, There and Everywhere”, he found himself looking to write something akin to Fred Astaire's 1935 classic “Cheek to Cheek.” In the process, McCartney wrote what might be his favorite song in his catalog. “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O'Donnell and Sophie Crane; mastered by Jason Gambrell with assistance from Jake Gorski and sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman and Scott Rodger. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.See omnystudio.com/listener for privacy information.

In 1968 the longest song to ever reach number one on the Billboard charts was Paul McCartney's epic “Hey Jude”—clocking in at seven minutes and twelve seconds. The song was written to soothe John Lennon's son Julian amid his parent's divorce. But as with all great works, it has come to mean something a little different to everyone who hears it. “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O'Donnell and Sophie Crane; mastered by Jason Gambrell with assistance from Jake Gorski and sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman and Scott Rodger. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.See omnystudio.com/listener for privacy information.

Paul McCartney and John Lennon had a knack for finishing each other's songs. They collaborated by lending ideas for verses, choruses and middle eights many times over the course of their partnership. 1967's “A Day in the Life” is one of the most prominent examples of McCartney and Lennon's collaboration. What started as a Lennon song, once worked on with McCartney, became a truly collaborative piece—and a standout in The Beatles' catalog. “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O'Donnell and Sophie Crane; mastered by Jason Gambrell with assistance from Jake Gorski and sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman and Scott Rodger. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.See omnystudio.com/listener for privacy information.

The UBP is honored to partner once again with the good folks at Pushkin, as we proudly present Season 2, Episode 3 of McCartney: A Life In Lyrics.   This week, T.J., Producer Casey, and a rather talkative, dialed-in, obviously present Tony, listen in and discuss Macca and Paul Muldoon's deep-dish of "Maxwell's Silver Hammer". Bang Bang! On the door, baby!   ----- McCartney: A Life in Lyrics | Maxwell's Silver Hammer One day in the car, Paul McCartney heard a BBC production of the absurdist play “Ubu Cocu” by French writer Alfred Jarry.  Taken by the rebelliousness of the radio play, McCartney wrote a sweet-sounding tune about a murderous medical student that seemingly lives in the same universe as Ubu: “Maxwell's Silver Hammer.” “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O'Donnell and Sophie Crane; mastered by Jason Gambrell with assistance from Jake Gorski and sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman and Scott Rodger. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell. -- McCartney: A Life in Lyrics offers listeners the opportunity to sit in on conversations between Paul McCartney and poet Paul Muldoon dissecting the people, experiences, and art that inspired McCartney's songwriting. These conversations were held during the past several years as the two collaborated on the best selling book, “The Lyrics: 1965 to Present.” Over two seasons and 24 episodes of McCartney: A Life in Lyrics, you'll hear a combination master class, memoir, and improvised journey with one of the most beloved figures in popular music. Each episode focuses on one song from McCartney's iconic catalog – spanning early Beatles through his solo work. “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries.

From his earliest days as a songwriter, Paul McCartney was interested in love songs. But by the time of Wing's 1976 album “At the Speed of Sound” McCartney had become tired of critics suggesting that was all he wrote. And so he wrote the album's lead single, a defiant anthem about the importance of love in our lives, and named it “Silly Love Songs.” Through discussing this song with Paul Muldoon, McCartney also touches on some of the other love songs in his catalogue: “Can't Buy Me Love,” “All My Loving,” “I Will” and one he wrote for his wife, Nancy —”My Valentine.” “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O'Donnell and Sophie Crane; mastered by Jason Gambrell with assistance from Jake Gorski and sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman and Scott Rodger. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.See omnystudio.com/listener for privacy information.

“Drink to me, drink to my health” were among the last words spoken by the great Spanish artist Pablo Picasso. On somewhat of a lark, Dustin Hoffman challenged Paul McCartney to use those words to write a song – on the spot. McCartney indulged Hoffman and, without hesitation, an early version of “Picasso's Last Words (Drink to Me)” poured out of him. “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O'Donnell and Sophie Crane; mastered by Jason Gambrell with assistance from Jake Gorski and sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman and Scott Rodger. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.See omnystudio.com/listener for privacy information.

The Beatles' songbook became standard repertoire for artists to perform almost as quickly as they kicked off “the British invasion.” But one was covered more than all the rest: Yesterday. “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O'Donnell and Sophie Crane; mastered by Jason Gambrell with assistance from Jake Gorski and sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman and Scott Rodger. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.See omnystudio.com/listener for privacy information.

One day in the car, Paul McCartney heard a BBC production of the absurdist play “Ubu Cocu” by french writer Alfred Jarry.  Taken by the rebelliousness of the radio play, McCartney wrote a sweet-sounding tune about a murderous medical student that seemingly lives in the same universe as Ubu: “Maxwell's Silver Hammer.” “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O'Donnell and Sophie Crane; mastered by Jason Gambrell with assistance from Jake Gorski and sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman and Scott Rodger. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.See omnystudio.com/listener for privacy information.

Countless decisions, large and small, aided The Beatles' ascent to the top of popular culture. The release of their debut single, “Love Me Do,” in the UK in the fall of 1962 was one of those decisions. Their debut on American television was another. In this episode from McCartney: A Life in Lyrics, Paul McCartney and Paul Muldoon discuss the early evolution of The Beatles. Listen to the new season now. “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O'Donnell and Sophie Crane; mastered by Jason Gambrell with assistance from Jake Gorski and sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman and Scott Rodger. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.See omnystudio.com/listener for privacy information.

Paul McCartney found himself in a tricky place after The Beatles' break up. What did his musical future look like without the three musicians he'd spent half of his life building a musical rapport with? McCartney's other band, Wings, and an impromptu tour of UK colleges helped him find his footing. “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O'Donnell and Sophie Crane; mastered by Jason Gambrell with assistance from Jake Gorski and sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman and Scott Rodger. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.See omnystudio.com/listener for privacy information.

Countless decisions, large and small, aided The Beatles' ascent to the top of popular culture. The release of their debut single, “Love Me Do,” in the UK in the fall of 1962 was one of those decisions. Their debut on American television was another. In this first episode of season two, Paul McCartney and Paul Muldoon discuss the early evolution of The Beatles. “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O'Donnell and Sophie Crane; mastered by Jason Gambrell with assistance from Jake Gorski and sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman and Scott Rodger. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.See omnystudio.com/listener for privacy information.

Countless decisions, large and small, aided The Beatles' ascent to the top of popular culture. The release of their debut single, “Love Me Do,” in the UK in the fall of 1962 was one of those decisions. Their debut on American television was another. In this episode from McCartney: A Life in Lyrics, Paul McCartney and Paul Muldoon discuss the early evolution of The Beatles. Listen to the new season now. “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O'Donnell and Sophie Crane; mastered by Jason Gambrell with assistance from Jake Gorski and sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman and Scott Rodger. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.See omnystudio.com/listener for privacy information.

Countless decisions, large and small, aided The Beatles' ascent to the top of popular culture. The release of their debut single, “Love Me Do,” in the UK in the fall of 1962 was one of those decisions. Their debut on American television was another. In this first episode of season two, Paul McCartney and Paul Muldoon discuss the early evolution of The Beatles. Season Two of McCartney: A Life in Lyrics comes out weekly starting February 7th, and features the stories behind songs like Yesterday, Band on the Run, Here, There and Everywhere, Picasso's Last Words (Drink to Me) and many more. Follow the show to learn more about Paul McCartney's songwriting process, the creation of Wings, the development of McCartney's bass playing over the life of The Beatles and more! Binge the entire season early and ad-free starting February 7th by subscribing to Pushkin+ on our Apple show page or at pushkin.fm/plus. “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O'Donnell and Sophie Crane; mastered by Jason Gambrell with assistance from Jake Gorski and sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman and Scott Rodger. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.See omnystudio.com/listener for privacy information.

Countless decisions, large and small, aided The Beatles' ascent to the top of popular culture. The release of their debut single, “Love Me Do,” in the UK in the fall of 1962 was one of those decisions. Their debut on American television was another. In this episode from McCartney: A Life in Lyrics, Paul McCartney and Paul Muldoon discuss the early evolution of The Beatles. Listen to the new season now. “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O'Donnell and Sophie Crane; mastered by Jason Gambrell with assistance from Jake Gorski and sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman and Scott Rodger. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.See omnystudio.com/listener for privacy information.

Season 1 of “McCartney: A Life in Lyrics” concludes with a band in flux. The Beatles had evolved significantly by 1968 from when they first released “Love Me Do.” Back then, they were only competing with the likes of Andy Williams, Little Stevie Wonder, and Peter Paul and Mary. But by the recording of the “White Album" The Beatles were up against acts on the charts with a more hard driving sound like Cream, The Who, and Sly and the Family Stone. Paul McCartney sensed an opportunity to jump into the fray himself and wrote a song that many consider to be the genesis of the hard rock and metal genres. “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O'Donnell and Sophie Crane; mastered by Jason Gambrell with sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman and Scott Rodger. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell. Special thanks to Leah Rose, Alexandra Garreton, Martin Birket-Smith, Brittani Brown, Owen Miller, Daniella Lakhan, Jordyn McMillin, Kyra Posey, Eric Sandler, Heather Fain, Gretta Cohn, Christina Sullivan, Jon Schnaars and Jacob Weisberg of Pushkin Industries. And also Winslow Bright and Nora Nalepka from Premier Music.See omnystudio.com/listener for privacy information.

Many observers have tried to pinpoint the specific events that lead to Lennon-McCartney, the formidable songwriting partnership, transitioning to Lennon v. McCartney. But the fact is there is no single truth regarding why the beloved duo split. So instead of investigating the why, we look at the aftermath: legal battles, hurtful accusations in song and, ultimately, a sense of resolution. “Too Many People” opens Paul and Linda McCartney's 1971 album, “RAM” and serves as an opening to explore Lennon-McCartney's dissolution ahead of ultimately resolving their differences and rekindling a friendship. “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O'Donnell and Sophie Crane; mastered by Jason Gambrell with sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman and Scott Rodger. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.See omnystudio.com/listener for privacy information.

Many observers have tried to pinpoint the specific events that lead to Lennon-McCartney, the formidable songwriting partnership, transitioning to Lennon v. McCartney. But the fact is there is no single truth regarding why the beloved duo split. So instead of investigating the why, we look at the aftermath: legal battles, hurtful accusations in song and, ultimately, a sense of resolution. “Too Many People” opens Paul and Linda McCartney's 1971 album, “RAM” and serves as an opening to explore Lennon-McCartney's dissolution ahead of ultimately resolving their differences and rekindling a friendship. “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O'Donnell and Sophie Crane; mastered by Jason Gambrell with sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman and Scott Rodger. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.See omnystudio.com/listener for privacy information.

Many observers have tried to pinpoint the specific events that lead to Lennon-McCartney, the formidable songwriting partnership, transitioning to Lennon v. McCartney. But the fact is there is no single truth regarding why the beloved duo split. So instead of investigating the why, we look at the aftermath: legal battles, hurtful accusations in song and, ultimately, a sense of resolution. “Too Many People” opens Paul and Linda McCartney's 1971 album, “RAM” and serves as an opening to explore Lennon-McCartney's dissolution ahead of ultimately resolving their differences and rekindling a friendship. “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O'Donnell and Sophie Crane; mastered by Jason Gambrell with sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman and Scott Rodger. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.See omnystudio.com/listener for privacy information.

Many observers have tried to pinpoint the specific events that lead to Lennon-McCartney, the formidable songwriting partnership, transitioning to Lennon v. McCartney. But the fact is there is no single truth regarding why the beloved duo split. So instead of investigating the why, we look at the aftermath: legal battles, hurtful accusations in song and, ultimately, a sense of resolution. “Too Many People” opens Paul and Linda McCartney's 1971 album, “RAM” and serves as an opening to explore Lennon-McCartney's dissolution ahead of ultimately resolving their differences and rekindling a friendship. “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O'Donnell and Sophie Crane; mastered by Jason Gambrell with sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman and Scott Rodger. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.See omnystudio.com/listener for privacy information.

“Long Tailed Winter Bird,” “Bluebird,” and “Single Pigeon” are just a few of the many bird-oriented songs Paul McCartney has written over the years. His love of ornithology extends back before his songwriting days to his early childhood. “Blackbird”, one of the most universally cherished songs in his canon, was born of that love and worked well with the civil rights allusions that were the song's subtext. The latter day companion of “Blackbird”, “Jenny Wren,” was also born of that love. Released 40 years apart, those two songs explore McCartney as an ornithologist as well as the ways in which he's in dialogue with his songs as a writer. “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O'Donnell and Sophie Crane; mastered by Jason Gambrell with sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman and Scott Rodger. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.See omnystudio.com/listener for privacy information.

“Magical Mystery Tour” was inspired by a holiday bus from Liverpool to a mystery destination—often ending up in the carnivalesque seaside town of Blackpool. It's one of the best examples of The Beatles further dipping into the era's psychedelic subculture. The production of the song delivers a dense and lively atmosphere, from the opening brass fanfare to the flanging piano in the coda. “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O'Donnell and Sophie Crane; mastered by Jason Gambrell with sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman and Scott Rodger. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.See omnystudio.com/listener for privacy information.

James Bond themes were handled by soulful or sultry vocalists in the decade since 1963's “From Russia With Love.” Shirley Bassey, Tom Jones and even Louis Armstrong had taken turns singing themes and secondary themes for the films. The Broccoli family who produces the James Bond franchise expected nothing less when they asked Paul McCartney to write the theme for “Live and Let Die.” What they didn't expect was for him to perform it too. And for the song—1973's “Live and Let Die”—to become the most popular theme of the series thus far. “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O'Donnell and Sophie Crane; mastered by Jason Gambrell with sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman and Scott Rodger. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.See omnystudio.com/listener for privacy information.

Warning: This episode begins with a description of the assassination of John Lennon. John Lennon's assassination has reverberated across decades, country and culture. On the 8th of December, 1980 the world lost one of its greatest creative forces and advocates for peace. And Paul McCartney lost even more: a collaborator, a bandmate, and a dear friend. As McCartney sat in the upstairs room of his Sussex home, mourning his loss, he picked up a guitar, found a comforting set of chords and began memorializing his friendship with Lennon in song. “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O'Donnell and Sophie Crane; mastered by Jason Gambrell with sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman and Scott Rodger. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.See omnystudio.com/listener for privacy information.

As Paul McCartney's life moved further away from the centering force of Liverpool, the distance, both physical and cultural, started becoming increasingly apparent. It's a distance described by Paul as inevitable, if regrettable. “Uncle Albert / Admiral Halsey” is Paul's expression of the dual longing for home one can experience while also longing to create a new life full of adventure. Released on Paul and Linda's “RAM” album in 1971, the song is layered with meaning and references to his contradictory feelings. “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O'Donnell and Sophie Crane; mastered by Jason Gambrell with sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman and Scott Rodger. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.See omnystudio.com/listener for privacy information.

As a young boy, Paul McCartney soaked up the radio plays his mother listened to while cleaning around their house. They gave McCartney an expansive understanding of characterization, something he's been able to do astonishingly well in his own work throughout his writing career. The song “Penny Lane” may sound like much of the psychedelic musings that was common by the late 60s, but the song is actually a beautifully abstract description of a Liverpool suburb well-known to both McCartney and John Lennon. “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O'Donnell and Sophie Crane; mastered by Jason Gambrell with sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman and Scott Rodger. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.See omnystudio.com/listener for privacy information.

At the dawn of the Beatles' dissolution, Paul McCartney and his wife, Linda, started to spend an increasing amount of time in the Scottish countryside. Sequestered at their farm near the Mull of Kintyre, McCartney found refuge in his family, his animals, and in fixing up their homestead. The ease and charm of country living was documented in “When Winter Comes” from 2020's McCartney III. And in 1977 his ode to life on the family farm, “Mull of Kintyre,” became a massive hit for Wings despite the hold disco and soft rock had on the charts and the ascendance of punk and new wave. “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O'Donnell and Sophie Crane; mastered by Jason Gambrell with sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman and Scott Rodger. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell. And thank you to Ally the Piper for her rendition of “Mull of Kintyre,” “inchadney” for their composition, “Bagpipes in Pitlochery” and Ross Fleming for voicing the 1966 news item.See omnystudio.com/listener for privacy information.

Paul McCartney's mother Mary passed away in 1956, when Paul was only 14 years old. Over a decade later, she appeared to him in a dream, lending a few immortal words of wisdom: “Let it be.” These words arrived in time to help see Paul through the difficult days after The Beatles' gave up touring to enter the studio full time. And, of course, they went on to become the basis of the song that's now a popular standard and the title of The Beatles' final studio release, “Let It Be.” “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O'Donnell and Sophie Crane; mastered by Jason Gambrell with sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman and Scott Rodger. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.  And thank you to the Melbourne Soul & Gospel Choir for their rendition of “Let It Be,” arranged and conducted by Darren Wicks for the album “Stand Strong.”See omnystudio.com/listener for privacy information.

Here's a preview from a podcast from iHeart Media, MPL and Pushkin Industries, McCartney: A Life in Lyrics. Face cream, a Bristol liquor business, and a lifelong reverence for the elderly are just a few of the rather ordinary and disparate inspirations Paul McCartney brought together in the creation of a masterpiece: “Eleanor Rigby.” In this episode, McCartney and Paul Muldoon tease out the song's lyrical inspirations and discuss the influence a Bernard Herrman score for a Hitchcock film had on the lead single from 1966's “Revolver." Hear McCartney: A Life in Lyrics every Wednesday, available wherever you get your podcasts. (The series was produced by Pejk Malinovski and Sara McCrea; edited by Dan O'Donnell and Sophie Crane; mastered by Jason Gambrell with sound design by Pejk Malinovski. And executive produced by Leital Molad, Justin Richmond, Lee Eastman and Scott Rodger.Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.)See omnystudio.com/listener for privacy information.

Listen to this special episode from another podcast you'll love called McCartney: A Life in Lyrics from iHeart Media, MPL and Pushkin Industries. Face cream, a Bristol liquor business, and a lifelong reverence for the elderly are just a few of the rather ordinary and disparate inspirations Paul McCartney brought together in the creation of a masterpiece: “Eleanor Rigby.” In this episode, McCartney and Paul Muldoon tease out the song's lyrical inspirations and discuss the influence a Bernard Herrman score for a Hitchcock film had on the lead single from 1966's “Revolver." Hear McCartney: A Life in Lyrics every Wednesday, available wherever you get your podcasts. (The series was produced by Pejk Malinovski and Sara McCrea; edited by Dan O'Donnell and Sophie Crane; mastered by Jason Gambrell with sound design by Pejk Malinovski. And executive produced by Leital Molad, Justin Richmond, Lee Eastman and Scott Rodger.Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.)See omnystudio.com/listener for privacy information.

Here's a preview from a podcast from iHeart Media, MPL and Pushkin Industries, McCartney: A Life in Lyrics. Face cream, a Bristol liquor business, and a lifelong reverence for the elderly are just a few of the rather ordinary and disparate inspirations Paul McCartney brought together in the creation of a masterpiece: “Eleanor Rigby.” In this episode, McCartney and Paul Muldoon tease out the song's lyrical inspirations and discuss the influence a Bernard Herrman score for a Hitchcock film had on the lead single from 1966's “Revolver." Hear McCartney: A Life in Lyrics every Wednesday, available wherever you get your podcasts. (The series was produced by Pejk Malinovski and Sara McCrea; edited by Dan O'Donnell and Sophie Crane; mastered by Jason Gambrell with sound design by Pejk Malinovski. And executive produced by Leital Molad, Justin Richmond, Lee Eastman and Scott Rodger.Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.)See omnystudio.com/listener for privacy information.

What's Paul McCartney, a Liverpudlian, doing writing about the Soviet Union in 1968? Turns out McCartney was doing a little Chuck Berry, a bit of The Beach Boys, some pastiche and a lot of subversion. Opening “The White Album”, “Back in the U.S.S.R.” raised some eyebrows. And because of The Beatles' evolving position within the former Eastern Bloc the song has over the years taken on a life of its own, following the trajectory of the West's often fraught relationship with the region.   “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O'Donnell and Sophie Crane; mastered by Jason Gambrell with sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman and Scott Rodger. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.   See omnystudio.com/listener for privacy information.

Face cream, a Bristol liquor business, and a lifelong reverence for the elderly are just a few of the rather ordinary and disparate inspirations Paul McCartney brought together in the creation of a masterpiece: “Eleanor Rigby.” In this episode, McCartney and Paul Muldoon tease out the song's lyrical inspirations and discuss the influence a Bernard Herrmann score for a Hitchcock film had on the lead single from 1966's “Revolver." “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O'Donnell and Sophie Crane; mastered by Jason Gambrell with sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman and Scott Rodger. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.See omnystudio.com/listener for privacy information.

Here's a preview from a podcast from iHeart Media, MPL and Pushkin Industries, McCartney: A Life in Lyrics. Face cream, a Bristol liquor business, and a lifelong reverence for the elderly are just a few of the rather ordinary and disparate inspirations Paul McCartney brought together in the creation of a masterpiece: “Eleanor Rigby.” In this episode, McCartney and Paul Muldoon tease out the song's lyrical inspirations and discuss the influence a Bernard Herrman score for a Hitchcock film had on the lead single from 1966's “Revolver." Hear McCartney: A Life in Lyrics every Wednesday, available wherever you get your podcasts. (The series was produced by Pejk Malinovski and Sara McCrea; edited by Dan O'Donnell and Sophie Crane; mastered by Jason Gambrell with sound design by Pejk Malinovski. And executive produced by Leital Molad, Justin Richmond, Lee Eastman and Scott Rodger.Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.)See omnystudio.com/listener for privacy information.

I den tidlige sommer 2021 var Forfatterskolen på studietur rundt i Danmark. Først til Bonbonland i Næstved, derfra ned over Møn og videre mod Lolland og Falster. Så mod vest, mod nord og så tilbage igen. Undervejs blev det til møder med alt fra vildheste og fossile skildpadder til forfattere og tidligere havnearbejdere, og besøg i medicinhaver, skulpturparker, ved Vesterhavet og hos Odin Teatret. Natur, kulturarv, arbejdspladser, museer, mennesker. Turen er blevet til syv meget forskellige lydessays – optaget og produceret af skolens studerende, under redaktion af Pejk Malinovski. Serien er en særudgave af Forfatterskolens tidsskrift Legenda. Trailer produceret af Pejk Malinovski Med klip fra filmen God tur (Dansk vandrelaug, 1956)

Billedkunstner Jeuno Kims lydbog Movements That Matter udspringer af en performance, der tematiserer levede erfaringer i overlappet mellem krop, race, seksualitet, identitet og tilhørsforhold. Kim beskriver bogen således:   A text written as part of a performance score. A performance score that focuses on the body. The body in relation to the power dynamics of race, sexuality, identity and (un)belonging. Identity and (un)belonging of a diasporic body. A diasporic body that speaks in translation. Translation that hides and reveals the fragility of social structures and nebulous relations. Bogen er indtalt på engelsk af kunstneren selv.   Uddrag fra bogen “A text about coming out can become a text about hiding. A text about coming out can also become a text about looking. A text about coming out can be a text about observing the world around her and the people she looks at but is not necessarily in contact with. A text about coming out can be a text about things she doesn't want to know.”   -- Kunstner Jeuno Kim er født i Seoul i Sydkorea i 1977. Hun er uddannet fra Oberlin College in Ohio, fra Harvard university og fra University of Illinois, Chicago og bor og arbejder i dag i København. Hun har en baggrund i musik og radio og feministisk teologi, og hendes praksis er ofte fokuseret på lyd, performance, video, spil og tekst.   Denne lydbog er en del af serien ‘5 lydbøger af 5 kunstnere'. Serien er støttet af Statens Kunstfond.   Tekst og oplæsning: Jeuno Kim Redigering og lyddesign: Pejk Malinovski

Pejk Malinovski blev født ind i et linoleumsnit. Et linoleumsnit, som rigtig mange kender, fordi det var på forsiden af en bog, der blev meget berømt sidst i 1970'erne: Dea Trier Mørchs Vinterbørn. På omslaget af bogen sidder en ung kvinde og ammer et barn. Kvinden er forfatter Nina Malinovski, og barnet, er digter og radiotilrettelæggeren Pejk Malinovski. De to, mor og barn, mødes for at tale om den unge kvinde på billedet, om tiden, om Vinterbørn og om Dea Trier Mørch. I udsendelsen læser Dea Trier Mørch passager højt fra sin roman. Tilrettelæggelse: Pejk Malinovski. (Sendt første gang 1. juli 2019).

“The urge to create and the urge to copulate are very close.” In this interview the iconic feminist writer Erica Jong speaks candidly of being fuelled creatively by desire, her experiences as a female writer and what she has come to realize about men.Erica Jong was interviewed by Pejk Malinovski in connection with the Louisiana Literature festival in Denmark, August 2016.

Tonight's episode of Recreation Sonore #inEnglish features two Irish school boys, aged 10 & 13, skilfully blagging their way from Dublin to New York. You'll hear from Keith, the 10 year old in the story, who was in his 20s when the documentary was made. "Don’t go Far" was produced by Paul Russell and Ronan Kelly for @rtedoconone. ‘Don’t go Far’ was made for Documentary on One @rtedoconone, RTE Radio Ireland. It’s currently being developed into a feature film. This episode was prepared by @AbiMcNeil for @RecreationSonore, broadcast on @radiocampusparis FM + all podcast platforms. #laville #thecity #recreationsonore #englishepisode #radiocampusparis #dontgofar #rte Further listening and #recommendations of #englishlanguage #podcasts continuing with the theme of CITY LIFE : Ghetto Life 101 by Dave Isay - https://tinylink.net/jFho5 Sensa Parole by Katharina Smets - https://tinylink.net/rn9Uw Give My Regards to Brooklyn by Aja Monet - https://tinylink.net/xC2LF Poetry Texas by Pejk Malinovski - https://soundcloud.com/fallingtreeproductions/poetry-texas #toppicks #coupsdecoeurs

Now that "Alone, Together" is over, and before we turn to stories that - gasp - have little to do with the virus, we revisit and update our most popular episode ever - "Love Syndrome." On March 22, 2020, as we were all just starting to fathom the new reality we were about to enter, hundreds of Israel Story fans went online to hear an update from an ultra-Orthodox woman from Tzfat. Six years ago, Chaya Ben Baruch’s inspiring story brought listeners around the world to tears. It was the story of a trailblazer who wouldn’t let life, and the many obstacles it presented her, dictate reality.Chaya grew up as Enid, in a “Conservadox” Jewish family in Far Rockaway, N.Y. Like many women of her generation and from her background, Chaya’s life seemed to be preordained - she’d go to school, marry a nice Jewish boy, raise a family, and be active in the community. But Enid had different plans: midway through college, she left that structured world behind and ventured off to far-away Fairbanks, Alaska, to study the mothering patterns of sea otters. A decade, three children, and one failed marriage later, Enid met Stan - a tall, Catholic salmon fisherman from the Gold Stream Valley. Together they had three more kids, the last of whom - Angkor - was born with Down Syndrome. While many parents - especially at the time - might have viewed this as a devastating misfortune, Enid and Stan saw it as an opportunity. They were determined to find Angkor a partner; a soulmate. That wish of theirs kicked off an incredible journey that led the family from Alaska to Tzfat, in the north of Israel, and - on the way - precipitated a return to Judaism. Mishy Harman brings us a tale that unfolds in courtrooms, hospitals, Ultra-Orthodox yeshivas, immigration centers and wedding halls. In today’s episode we hear the original story that aired in 2014, followed by a short update from Chaya. Did her Angkor ever find his soulmate? What happened to the young couple? And what is it like to parent special needs children who leave the nest? All this and more in an edited conversation between Chaya and Mishy at the end of the episode. The original episode was scored by Pejk Malinovski with music composed and performed by Rob Burger. Julie Subrin, Yoshi Fields, and Zev Levi edited the episode, which was mixed by Sela Waisblum. Additional music by Broke for Free. The end song, “Nekuda Tova” (“Good Point”) is by Shuli Rand, and features vocals by Ehud Banai.Stay connected with us on Facebook, Twitter, Instagram and by signing up for our newsletter at israelstory.org/newsletter/. For more, head to

Ce dimanche, c’est la dernière émission de l’année, que nous terminons avec notre thème : la liste. La liste noire, la liste d’invités, la liste de voeux, la liste de tâches, la liste de ce que l’on compte faire ou de ce qui est à faire. Jour après jour, nous utilisons des listes, intimes, personnelles, qui nous apparaissent parfois comme des litanies, des obsessions, des idées que l’on note et que l’on souhaite parfois remettre à plus tard. Des listes les plus pragmatiques (inventaires, catalogues, menus et recettes) aux plus poétiques (les travaux de Walt Whitman, Marianne Moore ou Gertrude Stein), tous se sont nourris de la forme “liste” pour construire leur quotidien, charpenter leurs idées, faire évoluer leurs pensées. Ce dimanche, pour notre dernière émission de l’année, nous diffuserons les oeuvres sonores de Pauline Tiprez, Jack Kerouac, Pejk Malinovski, Léa Minod, ainsi qu’une pièce sonore de l’atelier de production de Phonurgia Nova. On commence cette émission avec l’oeuvre de Pauline Tiprez, « L’inventaire », une oeuvre de 2016 qui aborde la question du deuil. « Aborder la thématique du deuil n’est pas facile. Encore moins lorsqu’il s’agit du deuil de ses parents. C’est à travers la description d’objets que ce documentaire tente une approche sensible de la question. Qu’il s’agisse de lettres, d’objets de la vie quotidienne ou encore de pièces rares, ils sont les derniers fragments qui subsistent après la mort. Et finalement, sans eux, que reste-t- il de celui ou celle que l’on a perdu? » – Pauline Tiprez Nous écouterons ensuite une pièce sonore de Jack Kerouac, intitulée « American Haikus ». En 1958, Jack Kerouac entre en studio avec le saxophone ténor Al Cohn et Zoot Sims pour enregistrer son deuxième album, un mélange de jazz et de poésie appelé Blues et Haikus. Ce sera ensuite au tour de la pièce sonore produite par Phonurgia Nova, « 150 grammes 200°C ». « Explorer le pain, depuis sa croute jusqu’à sa mie. Pain objet de gourmandise, pain madeleine de Proust, pain quotidien et autres pains…pour en faire une modeste tranche sonore, cuisinée collectivement… Cela vous irait-il ? » Nous écouterons enfin « Secrets », de Pejk Malinovski, qui offre dans son documentaire sonore une collection de secrets. Le réalisateur danois propose à des étrangers à confier leurs secrets sur bande… Enfin, nous terminons avec « dans le tiroir », un rubrique de Léa Minod qui s’appelle « Rejoindre la Mer ». « Gemma était belle à faire fondre les hommes, elle ressemblait à Monica Vitti. Jeune italienne, blonde, les yeux bleus, la peau mate, menue et gracieuse. Grandie en Tunisie dans le faste de l’après-guerre. Elle rayonne, séduit. La toute nouvelle saison de Récréation sonore débutera le 27 septembre 2020. Nous lançons d’ores et déjà un appel à création. Vous avez aussi la possibilité de diffuser vos oeuvres selon les thèmes présentées ci-dessous. Date de fin de réception : fin juillet 2020. Thèmes à l’approche : Confinement, Déconfinement, La ville, La maison, Les repas, La famille, L’invisible, Le sport, La nuit, La nature. Toute l’équipe de Récréation sonore vous souhaite un très bel été ! Cette émission a été préparée, réalisée et présentée par Abi McNeil et Anna-Livia Marchaison.

Ce dimanche, c'est la dernière émission de l'année, que nous achevons à travers le thème de "la liste".  La liste noire, la liste d'invités, la liste de voeux, la liste de tâches, la liste de ce que l'on compte faire ou de ce qui est à faire.  Jour après jour, nous utilisons des listes, intimes, personnelles,  qui nous apparaissent parfois comme des litanies, des obsessions, des idées que l'on note et que l'on souhaite parfois remettre à plus tard.  Des listes les plus pragmatiques (inventaires, catalogues, menus et recettes) aux plus poétiques (les travaux de Walt Whitman, Marianne Moore ou Gertrude Stein), tous  se sont nourris de la forme “liste” pour construire leur quotidien, charpenter leurs idées, faire évoluer leurs pensées.  Ce dimanche, pour notre dernière émission de l'année, nous diffuserons les oeuvres sonores de Pauline Tiprez,  Jack Kerouac,  Pejk Malinovski,  Léa Minod, ainsi qu'une pièce sonore de l'atelier de production de Phonurgia Nova. On commence cette émission avec l'oeuvre de Pauline Tiprez, "L'inventaire", une oeuvre de 2016 qui aborde la question du deuil. "Aborder la thématique du deuil n'est pas facile. Encore moins lorsqu'il s'agit du deuil de ses parents. C'est à travers la description d'objets que ce documentaire tente une approche sensible de la question. Qu'il s'agisse de lettres, d'objets de la vie quotidienne ou encore de pièces rares, ils sont les derniers fragments qui subsistent après la mort. Et finalement, sans eux, que reste-t- il de celui ou celle que l'on a perdu?" - Pauline Tiprez Nous écouterons ensuite une pièce sonore de Jack Kerouac, intitulée "American Haikus". En 1958, Jack Kerouac entre en studio avec le saxophone ténor Al Cohn et Zoot Sims pour enregistrer son deuxième album, un mélange de jazz et de poésie appelé Blues et Haikus. Ce sera ensuite au tour de la pièce sonore produite par Phonurgia Nova, "150 grammes 200°C". "Explorer le pain, depuis sa croute jusqu'à sa mie. Pain objet de gourmandise, pain madeleine de Proust, pain quotidien et autres pains...pour en faire une modeste tranche sonore, cuisinée collectivement… Cela vous irait-il ?" [caption id="attachment_97554" align="alignleft" width="300"] Comparatifs de micro [photo © Félix Blume, Arles] « Ceux qui aspirent à faire art avec le son empruntent souvent plus de quatre chemins » Kaye Mortley[/caption] Cette création  a été produite en 2018 sous la direction de Kaye Mortley et Sophie Berger, aux participants : Mahé Ben Hamed, Elise Bonnard, Eva Dupérier, Geoffroy Gesser, Brigitte Jamois, Johann Mazé, Elodie Mollé, Manon Prigent, Estelle Redon et Sophie Réthoré. #phonurgianova #radiolabo #marcjaquin #kayemortley #felixblume Nous écouterons enfin "Secrets", de Pejk Malinovski, qui offre dans son documentaire sonore une collection de secrets. Le réalisateur danois propose à des étrangers à confier leurs secrets sur bande... Enfin, nous terminons avec "dans le tiroir", un rubrique de Léa Minod qui s'appelle "Rejoindre la Mer".  "Gemma était belle à faire fondre les hommes, elle ressemblait à Monica Vitti. Jeune italienne, blonde, les yeux bleus, la peau mate, menue et gracieuse. Grandie en Tunisie dans le faste de l'après-guerre. Elle rayonne, séduit.  Gemma était ma grand-mère, restée figée, glacée dans les bouches de ses trois filles. Elles en parlent tant que j'ai le sentiment de la connaître mieux que tous mes autres grands-parents.  Fantôme ou Mythe familial. J'ai pensé qu'en essayant de recomposer son portrait, j'allais pouvoir l'apprivoiser. Voici le dernier volet de Gemma : Rejoindre la mer. " - Lea Minod La toute nouvelle saison de Récréation sonore débutera le 27 septembre 2020. Nous lançons d'ores et déjà un appel à création. Vous avez aussi la possibilité de diffuser vos oeuvres selon les thèmes présentées ci-dessous. Date de fin de réception : fin juillet 2020.  Thèmes à l'approche : Confinement, Déconfinement, La ville, La maison, Les repas, La famille, L'invisible, Le sport, La nuit, La nature.  Formulaire à remplir ici : https://docs.google.com/forms/d/13ZJXO0octEuRh6S29U07jK57-IqUndKx_56hLRyCNVc/viewform?fbclid=IwAR2FAJNedb2pgcD44fB2Vlp-4yQCHDkv1gy2F0uOdPom_cd8uYX4hdHdq7M&edit_requested=true Toute l'équipe de Récréation sonore vous souhaite un très bel été ! 

Ce dimanche, c’est la dernière émission de l’année, que nous achevons à travers le thème de "la liste".  La liste noire, la liste d'invités, la liste de voeux, la liste de tâches, la liste de ce que l'on compte faire ou de ce qui est à faire.  Jour après jour, nous utilisons des listes, intimes, personnelles,  qui nous apparaissent parfois comme des litanies, des obsessions, des idées que l’on note et que l’on souhaite parfois remettre à plus tard.  Des listes les plus pragmatiques (inventaires, catalogues, menus et recettes) aux plus poétiques (les travaux de Walt Whitman, Marianne Moore ou Gertrude Stein), tous  se sont nourris de la forme “liste” pour construire leur quotidien, charpenter leurs idées, faire évoluer leurs pensées.  Ce dimanche, pour notre dernière émission de l'année, nous diffuserons les oeuvres sonores de Pauline Tiprez,  Jack Kerouac,  Pejk Malinovski,  Léa Minod, ainsi qu'une pièce sonore de l'atelier de production de Phonurgia Nova. On commence cette émission avec l'oeuvre de Pauline Tiprez, "L'inventaire", une oeuvre de 2016 qui aborde la question du deuil. "Aborder la thématique du deuil n'est pas facile. Encore moins lorsqu’il s'agit du deuil de ses parents. C'est à travers la description d'objets que ce documentaire tente une approche sensible de la question. Qu'il s'agisse de lettres, d'objets de la vie quotidienne ou encore de pièces rares, ils sont les derniers fragments qui subsistent après la mort. Et finalement, sans eux, que reste-t- il de celui ou celle que l'on a perdu?" - Pauline Tiprez   Nous écouterons ensuite une pièce sonore de Jack Kerouac, intitulée "American Haikus". En 1958, Jack Kerouac entre en studio avec le saxophone ténor Al Cohn et Zoot Sims pour enregistrer son deuxième album, un mélange de jazz et de poésie appelé Blues et Haikus. Ce sera ensuite au tour de la pièce sonore produite par Phonurgia Nova, "150 grammes 200°C". "Explorer le pain, depuis sa croute jusqu’à sa mie. Pain objet de gourmandise, pain madeleine de Proust, pain quotidien et autres pains...pour en faire une modeste tranche sonore, cuisinée collectivement… Cela vous irait-il ?" [caption id="attachment_97554" align="alignleft" width="300"] Comparatifs de micro [photo © Félix Blume, Arles] « Ceux qui aspirent à faire art avec le son empruntent souvent plus de quatre chemins » Kaye Mortley[/caption] Cette création  a été produite en 2018 sous la direction de Kaye Mortley et Sophie Berger, aux participants : Mahé Ben Hamed, Elise Bonnard, Eva Dupérier, Geoffroy Gesser, Brigitte Jamois, Johann Mazé, Elodie Mollé, Manon Prigent, Estelle Redon et Sophie Réthoré. #phonurgianova #radiolabo #marcjaquin #kayemortley #felixblume     Nous écouterons enfin "Secrets", de Pejk Malinovski, qui offre dans son documentaire sonore une collection de secrets. Le réalisateur danois propose à des étrangers à confier leurs secrets sur bande... Enfin, nous terminons avec "dans le tiroir", un rubrique de Léa Minod qui s'appelle "Rejoindre la Mer".  "Gemma était belle à faire fondre les hommes, elle ressemblait à Monica Vitti. Jeune italienne, blonde, les yeux bleus, la peau mate, menue et gracieuse. Grandie en Tunisie dans le faste de l’après-guerre. Elle rayonne, séduit.  Gemma était ma grand-mère, restée figée, glacée dans les bouches de ses trois filles. Elles en parlent tant que j’ai le sentiment de la connaître mieux que tous mes autres grands-parents.  Fantôme ou Mythe familial. J’ai pensé qu’en essayant de recomposer son portrait, j’allais pouvoir l’apprivoiser. Voici le dernier volet de Gemma : Rejoindre la mer. " - Lea Minod La toute nouvelle saison de Récréation sonore débutera le 27 septembre 2020. Nous lançons d'ores et déjà un appel à création. Vous avez aussi la possibilité de diffuser vos oeuvres selon les thèmes présentées ci-dessous. Date de fin de réception : fin juillet 2020.  Thèmes à l'approche : Confinement, Déconfinement, La ville, La maison, Les repas, La famille, L'invisible, Le sport, La nuit, La nature.  Formulaire à remplir ici : https://docs.google.com/forms/d/13ZJXO0octEuRh6S29U07jK57-IqUndKx_56hLRyCNVc/viewform?fbclid=IwAR2FAJNedb2pgcD44fB2Vlp-4yQCHDkv1gy2F0uOdPom_cd8uYX4hdHdq7Metedit_requested=true Toute l'équipe de Récréation sonore vous souhaite un très bel été !  Cette émission a été préparée, réalisée et présentée  par Abi McNeil et Anna-Livia Marchaison.   

Pejk Malinovski om uopfindsomheden ved at vælge at blive digter, når man er tredje generation af poetiske penneførere, skønheden i at forfølge mennesker i smug ved ankomsten til en ny by, lighederne mellem radiomontage og lyrikken og rastløshedens konsekvenser.  See omnystudio.com/listener for privacy information. See omnystudio.com/listener for privacy information.

Valeria Luiselli first travelled to the U.S.–Mexico border in 2014, when the current immigration crisis began to heat up. Under the Trump Presidency, the border has become the dead center of American politics, and Luiselli returned with the radio producer Pejk Malinovski. Luiselli is a Mexican writer living in New York, and the author of “Lost Children Archive” and other books. She wrote in The New Yorker about Wild West reënactments, in which actors stage scenes like a gunfight at O.K. Corral. In Tombstone, Arizona, and Shakespeare, New Mexico, she finds a very particular view of Western history that elides the U.S.’s long and complicated relationship with Mexico, which once owned this region. She finds that historical reënactments feed a notion of the border region as a lawless frontier requiring vigilantes to defend American interests.

Pejk Malinovski blev født ind i et linoleumssnit. Et linoleumssnit som rigtig mange kender, fordi det var på forsiden af en bog, der blev meget berømt sidst i 1970'erne, nemlig Dea Trier Mørchs Vinterbørn. På omslaget af bogen sidder en ung kvinde og ammer et barn. Kvinden er forfatter Nina Malinovski, og barnet, er digter og radiotilrettelægger Pejk Malinovski. De to, moder og barn, mødes for at tale om den unge kvinde på billedet, om tiden, om Vinterbørn og om Dea Trier Mørch. Tilrettelæggelse: Pejk Malinovski. (Sendt første gang 1. juli 2019).

Velkommen til ‘Station To Station’ Vol. 20 – programmet med poesi og musik. Hver lørdag kl. 12 på Heartbeats Radio læser Asger Schnack digte op og spiller musik.Digte og musik:Gunvor Hofmo: Fra en anden virkelighedThe Beatles: Blue Jay Way Michael Strunge: KrystalskibetPaul Kantner / Jefferson Starship: StarshipAnne Carson: Udsigten (oversat af Pejk Malinovski, Peter Højrup, Martin Larsen)Jan DeGaetani (Charles Ives): Memories A – Very Pleasant / B – Rather SadMorten Søndergaard: OversættelsestilstandenStephen Drury (John Cage): Music for Marcel DuchampFrank O’Hara: Digt (oversat af Pejk Malinovski og Palle Sigsgaard)Jane Russell: Boin-N-N-NgMorti Vizki: Kampdigt (floden)Jeanette Lindström (featuring Robert Wyatt): RiverHans Vilhelm Kaalund: Da de rev Voldene nedJohn Coltrane: Everytime We Say GoodbyeRené Char: Den røg som bar os (oversat af Ebbe Traberg)Jan Kaspersen, Peter Friis Nielsen, Claus Bøje: Switch Blade, Gong and Bells Per Højholt: TiltaleThe Seekers: This Little Light Of Mine Pia Juul: RomanMiles Davis: Black Satin

This hour, a teenage taxidermist, a community of medical migrants who settled in Snowflake, Arizona, and, a day in the life of a sacred cow.A Cow A Day by Pejk Malinovski for Falling Tree Productions and Between the Ears from BBC Radio 3 At sunrise, on the banks of the Ganges river, the poet and radio producer Pejk Malinovski picks out a cow at random and starts to follow her. He continues to follow her until sunset. A meditative journey unfolds within the sonic backdrop of the ancient city of Varanasi - until suddenly the two of them find themselves on the set of a Bollywood dance film. ‘A Cow a Day’ invites you to un-follow your digital stream and exercise your ability to be just present.The Teenage Taxidermist by Rachel Matlow for The Sunday Edition from the CBC Tristan Meyer-Odell is a pretty normal 15-year-old guy. He loves video games, comic books and his pets: a python and big burly dog. But recently, Tristan has taken up an unusual hobby. And to support it, he has a freezer in his bedroom. It was the top thing on his Christmas wish list last year. The freezer is now full of dead animal carcasses, patiently waiting for his attention.Medical Migrants by Delaney Hall for State of the Re:Union Susan Molloy has a controversial medical condition called Multiple Chemical Sensitivity (MCS), which renders people seriously intolerant to synthetic substances. Because of this she’s lived in the clean mountain air of Snowflake, Arizona since 1994. MCS is not recognized as an illness by the American Medical Association, and people with the condition often find themselves without medical care, or access to disability resources. Sufferers live largely outside of mainstream society in isolated communities where they fend for themselves and build their own support networks. In Snowflake, the few dozen people who migrated there, left behind homes, families, and jobs to seek a place they can feel better... and more are still hoping to move in.This episode of Re:sound was produced by Dennis Funk See acast.com/privacy for privacy and opt-out information.

Intercepted presents "Evening at the Talk House", an original play by Wallace Shawn.  Part 1 of 3.  A group of writers and actors reunite to celebrate a collaboration from their past. But the world is now very different. And so are they Cast: JANE - Annapurna Sriram; DICK - Wallace Shawn; ROBERT - Matthew Broderick; TED - John Epperson; NELLIE - Jill Eikenberry; TOM - Larry Pine; ANNETTE - Claudia Shear; BILL - Michael Tucker Based on the original U.S. theatrical production directed by Scott Elliott for the New Group in New York. Written by Wallace Shawn. Directed and produced by Pejk Malinovski. Assistant Director Marie Masters. Original music by John Epperson. Additional music, mixing, and sound design by Bart Warshaw. Executive producers Jeremy Scahill and Leital Molad.

Intercepted presents "Evening at the Talk House", an original play by Wallace Shawn.  Part 3 of 3.  All it takes is complacency to enable the dirty work of an authoritarian regime. Cast: JANE - Annapurna Sriram; DICK - Wallace Shawn; ROBERT - Matthew Broderick; TED - John Epperson; NELLIE - Jill Eikenberry; TOM - Larry Pine; ANNETTE - Claudia Shear; BILL - Michael Tucker Based on the original U.S. theatrical production directed by Scott Elliott for the New Group in New York. Written by Wallace Shawn. Directed and produced by Pejk Malinovski. Assistant Director Marie Masters. Original music by John Epperson. Additional music, mixing, and sound design by Bart Warshaw. Executive producers Jeremy Scahill and Leital Molad.

Intercepted presents "Evening at the Talk House", an original play by Wallace Shawn.  Part 2 of 3.  As drinks and hors d’oeuvres are consumed, small talk evolves into more sinister topics. Cast: JANE - Annapurna Sriram; DICK - Wallace Shawn; ROBERT - Matthew Broderick; TED - John Epperson; NELLIE - Jill Eikenberry; TOM - Larry Pine; ANNETTE - Claudia Shear; BILL - Michael Tucker Based on the original U.S. theatrical production directed by Scott Elliott for the New Group in New York. Written by Wallace Shawn. Directed and produced by Pejk Malinovski. Assistant Director Marie Masters. Original music by John Epperson. Additional music, mixing, and sound design by Bart Warshaw. Executive producers Jeremy Scahill and Leital Molad.

Kaitlin has a dream, and The Heart says goodbye (for now). Listen on headphones. Produced by Kaitlin Prest with help from Phoebe Wang. Thank you to all of the listeners who sent us your voices so KP could meet you on the moon. In this episode, you also heard the voices of Mitra Kaboli, Phoebe Wang, Jen Ng, Sharon Mashihi, Samara Breger, Meg Bell, Jessica Grosman, Pejk Malinovski, Sean Cole, Lulu Miller, Veronica Simmonds, Johnny Spence, Nancy Prest, Natalie Prest, Allen Watts and Brendan Baker. Music by Inne Eysermans, special thanks to Katharina Smets. If you wanna keep up with KP: ~*click here*~

Not gonna lie...we're not sure what went on in this one. Had the usual tech difficulties in-studio, but can tech difficulties talk? Anyways, they recorded their own show, and I guess I'll put it here. It's a Weird one. Did a little digging and I found the names of what they featured! "Cuil Theory", "Playground P.I.", and "Cereal Made to Sound Epic" by Roy Kelly "Shia LaBeouf" by Rob Cantor "Redesign Your Logo" by Lemon Demon "Everything, Nothing, Harvey Keitel" produced by Pejk Malinovski as a Falling Tree production, and originally aired on BBC Radio 3 "No Breathing in Class" by Michael Rosen "P001: A Waste Odyssey" seems to be an original movie trailer, but I can't find the movie it's referencing...huh.

En lydvandring kombinerer det at gå med det at lytte. Med mobile applikationer, radiotransmittere eller simple mp3-afspillere tilsat et par høretelefoner guides man på lydvandringen rundt i det offentlige rum. Ofte inddrager lydvandringen lyden af de omgivelser, man befinder sig i, samtidig med at den tilføjer en ekstra dimension af historier, tider og personer. Lydvandringen bliver introduceret som kunstværk af bl.a. Janet Cardiff, der udsender sin Forest Walk i 1991, og op gennem 00'erne bliver lydvandringen en stadig mere anvendt og anerkendt kunstform. I dag arbejder både kunstnere, kulturformidlere, teaterfolk, entreprenører og turistbureauer med lydvandringer, og dagligt kommer nye teknologier for lydvandringer på markedet. I denne podcast undersøger vi lydvandrignen som æstetisk praksis. Hvad kan formatet? Hvornår virker det? Og hvad betyder den konkrete fysiske involvering for kunstoplevelsen? Du vil møde den danske digter og radioproducent, Pejk Malinovski, som begyndte at arbejde med lydvandringer inden der var noget der hed lydvandringer.  Og så skal du møde den tyske kunstnerduo B-Tour, der siden 2013 har haft stor succes med deres kunstnerisk guidede ture gennem europæiske storbyer, og som gæstede København i forbindelse med Copenhagen Art week 2016. Podcasten er blevet til i samarbejde med kunsten.nu og med støtte fra Statens Kunstfond, Dansk Komponist Forening og Koda. FAKTA OM MEDVIRKENDE: B-Tour: B-Tour blev etableret i 2013 af Christin Endter og Yael Sheril som en kuratorisk platform for kunstnerisk guidede ture, lydvandringer, digital navigation and kortlægning. Siden har de to kunstnere stået bag mere end 100 projekter i både Berlin, Beograd, Leipzig, København og Vilnius.  http://b-tour.org/ Lydklip: "In the Eye of the Beholder", med Pernille Zidore Nygaard og René Viborg, præsenteret på messen Alt_Cph kurateret af Råderum på Fabrikken for Kunst og Design, Amager, Copenhagen Art Week 2016. "The Practice of Everyday Life", med Ion Sørvin og Anne Romme (N55), kurateret af B-Tour til Copenhagen Art Week 2016. Læs mere om Ion Sørvin og Anne Romme på: http://www.n55.dk Pejk Malinovski: Pejk Malinovski er poet, oversætter and radioproducer. Hans radiodramaer, dokumentarer og lydkunstværker er blevet spillet på radiokanaler som P1, WNYC og BBC og på museer og gallerier rundt om i verden. Han er medstifter af online lydmagasinet Thirdear, og vandt Prix Europa i 2014 for sin “Everything, Nothing, Harvey Keitel": https://soundcloud.com/jonathan-mitchell-1/everything-nothing-harvey-keitel. Pejk Malinowski er født i København, og bor i New York. Lydklip: "Portræt af Værnedamsvej", radiodokumentar, Lydmuren på P1 1991 "Passing Stranger", en lydvandring om East Village’s poetiske fortid, 2012. Downloades her: http://eastvillagepoetrywalk.org/index.html "Lydtur 2016", med Bjørn Rasmussen, Louissiana Litteraturfestival 2016. Se trailer her: https://www.youtube.com/watch?v=ad6pXVXIUS8 Podcasten er produceret af Anne Neimenn Clement med støtte fra Statens Kunstfond og Dansk Komponistforening. Følg LYDKUNST på: https://www.facebook.com/lydkunst/?fref=ts Hør eller genhør også LYDKUNST’s lydvandring om kunst i Det Mytologiske Kvarter på Nørrebro, produceret i forbindelse med Copenhagen Art Week 2013: https://soundcloud.com/podwalk_lydkunst/podwalk-med-lydkunst

Episode three of Silent Evidence; one woman’s story of childhood sexual abuse. In episode three, a court case unfolds. Tennessee decides to call the cops and tell them about what happened with Dr. Youseffi. Detective Kimberly Norton picks Tennessee up at the airport in Virginia so she can file an official report. What Tennessee and Detective Norton discover is that Tennessee is not alone. Four women come forward, in three different counties. Only one prosecutor picks up the case. Find out more about Silent Evidence. Produced by Tennessee Watson and Kaitlin Prest with The Heart. Editing by Sharon Mashihi and Mitra Kaboli. Additional help reporting by Jocelyn Frank. Assistant Production by Ashley Cortez. Editorial advising by Pejk Malinovski. Music by Matthew Daher. This project was made possible with funding from the IWMF Howard G. Buffett Fund for Women Journalists.

Midt i New York, en av verdens travleste byer, setter en mann seg ned og prøver å meditere. Å lære og meditere er vanskelig. Å fokusere bare på sin egen pust er vanskelig. Og det blir enda vanskeligere når han skjønner at ved siden av ham sitter den berømte skuespilleren Harvey Keitel. Programmet er laget av poet og programskaper Pejk Malinovski og Falling Tree Productions, for BBC Radio 3. Versjonert til norsk av Kjetil Hansen og Kari Hesthamar. Øystein Røger leser den norske fortellerstemmen. Sendt på P2 15.02.2014

Pejk Malinovski is a poet and a radio producer. "I feel like when I make structure it's not a traditional Hollywood storyline where there's a beginning and a middle and an end and a conflict and resolution I think it's more about tension and release. I think it's more about composing musically basically."

Pejk Malinovski, poet og radioproducer, har lavet radiofortællingen "Alting, Ingenting, Harvey Keitel". At meditere handler om at lukke alt ude og fokusere på ro og åndedræt. Men det kan være svært at få tankerne til at lande. Især når der sidder en verdensstjerne lige ved siden af en. "Alting, ingenting, Harvey Keitel" er en dansk version af en BBC-udsendelse, som Pejk Malinovski har produceret for The Falling Tree-production. (Sendt første gang 12. april 2014).

Shadowplay offers a four-part 'symphony of voices' to celebrate 20 years of Between the Ears. It explores the shadows that may fall between the appearance of things and their reality. Making use of the full palette available to the radio producer - documentary, fiction, music, pure sound - four feature-makers address our values, our identities, our romantic inclinations and our sense of worth. 2. Slow Movement: Everything, Nothing, Harvey Keitel In the middle of one of the busiest cities in the world, the city of lights and dreams and distractions, a man sits down and tries to meditate. Learning to meditate is hard. Emptying one's mind, focusing entirely on one's breath is hard. And it gets even harder for the man with the realisation that he's sitting next to the famous actor Harvey Keitel. Radio 3's showcase for adventurous feature-making was launched in October 1993 with a 'piece for radio', by the composer Ian Gardiner. 'Monument', which was conceived as a kind of London symphony, received the prestigious Prix Italia the following year. Produced by Pejk Malinovski. A Falling Tree production for BBC Radio 3.

En kærlighedshistorie som stilleleben. Pejk Malinovski kigger nærmere på statuen »Siddende Unge Mennesker« opført ved foden af Dronning Louises bro på Nørrrebro i 1942 af kunstneren Johannes Hansen.