Podcasts about Apple Corps

If you’re not a musician, you might occasionally think how great it would be to be a musician. If you are a musician, you might occasionally think how great it must have been to be in The Beatles. New Orleanian Bruce Spizer is not a musician. He’s a lawyer and an accountant. But, not only has he occasionally thought how great it must have been to be in The Beatles, he’s written 16 books about them. Bruce is a world-renowned Beatles expert. He’s been a guest on practically every major American TV news show. He’s made countless TV appearances around the world. He’s a Beatles consultant for Universal Music Group, Capital Records, and Apple Corps – the Beatles’ own label – and he wrote the questions and answers for The Beatles edition of Trivial Pursuit. In case you’re wondering why any of this would make Bruce Spizer a guest on a business show, his book sales alone have earned over $3m. One of his books is selling on Amazon for over $4,000, and there are more books in the works. If you live in New Orleans and you like festivals and live music – and if you don’t, you’re probably planning on leaving – you’ll be familiar with the work of Stephen St. Cyr. If you’re trying to place his name and wondering what band he’s in, or whether he’s maybe a celebrity chef, nope, it’s none of that. Stephen is President of a company called Vivid Ink. Vivid Ink makes visual artwork for festivals and events – like stage banners, sponsor signage, practically everything that’s not food or music, at events like Jazz Fest, Sugar Bowl, Hogs For The Cause, Tales of the Cocktail and a long list of others. There are two branches of Stephen’s company – a Baton Rouge office that works with corporate clients, and the more fun New Orleans division - a big building on Poydras Street where a staff of 29 creates all the live event stuff. It’s kind of nice at this point in their respective careers to talk with Stephen and Bruce about the extraordinary successes they’ve both accomplished. But none of this success was handed to either of them. Their own creativity and hard work has made all of this happen. And it doesn’t look either of them are taking their foot off the gas any time soon. Their future achievments may turn out to be as notable as their histories. Out to Lunch was recorded live over lunch at Columns in Uptown New Orleans. You can find photos from this show by Jill Lafleur at itsneworleans.com.See omnystudio.com/listener for privacy information.

Chris O'Dell has led a fascinating life; one that planted her firmly in rock royalty's inner circle in the 60s and 70s. Befriending Derek Taylor in LA, she soon found herself working for the Beatles' Apple Corps in London. While there she was present for the recording of The White Album, Abbey Road, Let it Be, and sang in the Hey Jude chorus. She sat on the rooftop while the Beatles played their last live performance in January of 1969 and even lived with George Harrison and Pattie Boyd at Friar Park. She went on to be one of the first - if not, THE first - female tour managers, working with the likes of George Harrison, The Rolling Stones, and Bob Dylan on his 'Rolling Thunder Revue' tour. She inspired George Harrison to pen the song, "Miss O'Dell,” she's the subject of Leon Russell's “Pisces Apple Lady” and “Hummingbird," she is the “woman down the hall,” in the Joni Mitchell song, “Coyote,” and her picture can be seen on the back cover of The Stones's 1972 masterpiece, Exile on Main Street. We cover a lot of ground in this episode, but to get the full story, check out her book and website with the links below: https://www.missodell.com Miss O'Dell: Hard Days and Long Nights with The Beatles, The Stones, Bob Dylan, Eric Clapton and the Women They Loved Playlist: Pisces Apple Lady - Leon Russell Hey Jude - The Beatles All Things Must Pass - George Harrison Miss O'Dell - George Harrison Torn and Frayed - The Rolling Stones Just Like a Woman - Bob Dylan Follow My Rock Moment on Instagram: https://www.instagram.com/la_woman_rocks Learn more about your ad choices. Visit megaphone.fm/adchoices

May Pang : John Lennon's Lost WeekendMonday Nov 9th 730 PM , May Pang is being honored with the Ambassador of Rock AwardLe Poisson Rouge 158 Bleeker St. NYhttp://rockersonbroadwayMay Pang, world-renowned confidant and companion of John Lennon, has been in the public eye for over three decades. Her career in the music industry spans over 40 years, beginning with Allen Klein's company, ABKCO Industries, the firm which managed the Beatles, Apple Corps. Ltd. and the Rolling Stones besides having an extensive music publishing catalogue which included songs by Sam Cooke.In 1970, Lennon and Yoko Ono hired Pang as their personal assistant. She would eventually become their production coordinator -- playing a key role in records by Lennon, Ono and Harry Nilsson. In 1974, Pang was awarded an RIAA Gold Album Award for her work on Lennon's Walls and Bridges, the #1 hit album which included his first and only #1 single in his lifetime, "Whatever Gets You Thru The Night." She can also be heard singing on "#9 Dream," the second single from the album.In the late 1970s working for Island Records, Pang coordinated all activities related to the release of albums by Robert Palmer, Third World, and Bob Marley and the Wailers. By the early 1980s, she was one of the leading professional managers in the music publishing industry, working with several unknown songwriters and successfully obtaining coverage by such artists as Diana Ross, Judas Priest, The Four Tops, Ullanda McCullough and Air Supply.During this period, Pang decided to set the record straight about her relationship with Lennon. Warner Books published her memoir, Loving John, in 1983. The book detailed her liaison and working association with the late Beatle and shed light on his relationships with his first son, Julian, as well as Paul McCartney, Ringo Starr and George Harrison.During the last two decades, Pang has appeared in every major news and magazine publication worldwide (NY Times, LA Times, Washington Post, The Daily News, UK's Mail On Sunday, Vogue online, Germany's Die Seite Drei, Marie Claire, People, etc.) and has been a guest on such national TV shows as Good Morning America, Howard Stern, Good Morning LA, CBS Sunday Morning, Court TV and Entertainment Tonight.Pang has also designed a unique collection of stainless steel Feng Shui jewelry and accent furniture. She has a weekly internet radio show with co-host Cynthia Neilson called Dinner Specials on BlogTalkRadio. Com. Pang continues her consulting work on music for films and is still an advisory board member of Women In Music. She also serves as an advisory board member, along with Julian Lennon, Jeff Bridges to name a few at the Amazon Conservation Team (ACT) organization. ACT deals with saving the rainforest and its indigenous people. This was started by world known ethnobotanist Dr. Mark J. Plotkin and conservationist Liliana Madrigal.In 2008, St. Martin's Press released Instamatic Karma, a collection of Pang's personal photographs of John Lennon. Fine art prints of these portraits have been exhibited in major galleries across the country.Also in the Fall of 2014, she released a book only for the German market called John Lennon & May Pang, Another Love. She had received numerous press coverage in some of Germany's largest newspaper publications.Pang has lectured and given talks at various events across the country including public libraries and most recently at Berklee College of Music in Boston sponsored in part by theLiberal Arts Dept. While there, she also lectured the John Lennon Songwriting class. She also gave a talk at The Rock & Roll Fantasy Camp in Las Vegas as a Special Guest Speaker.She has also been asked to be a guest speaker along with guests Donovan, Peter Asher, Pattie Boyd and others at The International Beatles Week 2015 in Liverpool this coming August.In this age of “social awareness”, Pang was asked to participate as an artist on a CD called: ALL ABOUT BULLIES…BIG AND SMALL. The CD won a Grammy for The Best Children's CD category in 2012.John Lennon: The Lost Weekend- Living, Loving and Making Rock & RollShe shared his life, his music and his love. She was his intimate companion during the time known as- THE LOST WEEKEND.May Pang was twenty-two. She was John and Yoko's personal assistant, a trusted member of their inner circle of carefully chosen friends and associates. She budgeted and contracted for their albums and became an invaluable part of their creative and personal lives.When John and Yoko separated, May was enlisted to care for John as he embarked on a period known as "The Lost Weekend" – an intense period of enormous creativity and violent self-destructiveness. She lived, worked, and fell deeply in love with Lennon.Together they shared a rocky romance, with Yoko waiting in the wings for John's return. This is her record of that time, a time when John was recording, seeing friends, exploring the world and confronting his own inner demons. It is a personal account written of life with Lennon by a woman who loved and was loved by one of the most fascinating creative men of our time. Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

May Pang : John Lennon's Lost WeekendMonday Nov 9th 730 PM , May Pang is being honored with the Ambassador of Rock AwardLe Poisson Rouge 158 Bleeker St. NYhttp://rockersonbroadwayMay Pang, world-renowned confidant and companion of John Lennon, has been in the public eye for over three decades. Her career in the music industry spans over 40 years, beginning with Allen Klein's company, ABKCO Industries, the firm which managed the Beatles, Apple Corps. Ltd. and the Rolling Stones besides having an extensive music publishing catalogue which included songs by Sam Cooke.In 1970, Lennon and Yoko Ono hired Pang as their personal assistant. She would eventually become their production coordinator -- playing a key role in records by Lennon, Ono and Harry Nilsson. In 1974, Pang was awarded an RIAA Gold Album Award for her work on Lennon's Walls and Bridges, the #1 hit album which included his first and only #1 single in his lifetime, "Whatever Gets You Thru The Night." She can also be heard singing on "#9 Dream," the second single from the album.In the late 1970s working for Island Records, Pang coordinated all activities related to the release of albums by Robert Palmer, Third World, and Bob Marley and the Wailers. By the early 1980s, she was one of the leading professional managers in the music publishing industry, working with several unknown songwriters and successfully obtaining coverage by such artists as Diana Ross, Judas Priest, The Four Tops, Ullanda McCullough and Air Supply.During this period, Pang decided to set the record straight about her relationship with Lennon. Warner Books published her memoir, Loving John, in 1983. The book detailed her liaison and working association with the late Beatle and shed light on his relationships with his first son, Julian, as well as Paul McCartney, Ringo Starr and George Harrison.During the last two decades, Pang has appeared in every major news and magazine publication worldwide (NY Times, LA Times, Washington Post, The Daily News, UK's Mail On Sunday, Vogue online, Germany's Die Seite Drei, Marie Claire, People, etc.) and has been a guest on such national TV shows as Good Morning America, Howard Stern, Good Morning LA, CBS Sunday Morning, Court TV and Entertainment Tonight.Pang has also designed a unique collection of stainless steel Feng Shui jewelry and accent furniture. She has a weekly internet radio show with co-host Cynthia Neilson called Dinner Specials on BlogTalkRadio. Com. Pang continues her consulting work on music for films and is still an advisory board member of Women In Music. She also serves as an advisory board member, along with Julian Lennon, Jeff Bridges to name a few at the Amazon Conservation Team (ACT) organization. ACT deals with saving the rainforest and its indigenous people. This was started by world known ethnobotanist Dr. Mark J. Plotkin and conservationist Liliana Madrigal.In 2008, St. Martin's Press released Instamatic Karma, a collection of Pang's personal photographs of John Lennon. Fine art prints of these portraits have been exhibited in major galleries across the country.Also in the Fall of 2014, she released a book only for the German market called John Lennon & May Pang, Another Love. She had received numerous press coverage in some of Germany's largest newspaper publications.Pang has lectured and given talks at various events across the country including public libraries and most recently at Berklee College of Music in Boston sponsored in part by theLiberal Arts Dept. While there, she also lectured the John Lennon Songwriting class. She also gave a talk at The Rock & Roll Fantasy Camp in Las Vegas as a Special Guest Speaker.She has also been asked to be a guest speaker along with guests Donovan, Peter Asher, Pattie Boyd and others at The International Beatles Week 2015 in Liverpool this coming August.In this age of “social awareness”, Pang was asked to participate as an artist on a CD called: ALL ABOUT BULLIES…BIG AND SMALL. The CD won a Grammy for The Best Children's CD category in 2012.John Lennon: The Lost Weekend- Living, Loving and Making Rock & RollShe shared his life, his music and his love. She was his intimate companion during the time known as- THE LOST WEEKEND.May Pang was twenty-two. She was John and Yoko's personal assistant, a trusted member of their inner circle of carefully chosen friends and associates. She budgeted and contracted for their albums and became an invaluable part of their creative and personal lives.When John and Yoko separated, May was enlisted to care for John as he embarked on a period known as "The Lost Weekend" – an intense period of enormous creativity and violent self-destructiveness. She lived, worked, and fell deeply in love with Lennon.Together they shared a rocky romance, with Yoko waiting in the wings for John's return. This is her record of that time, a time when John was recording, seeing friends, exploring the world and confronting his own inner demons. It is a personal account written of life with Lennon by a woman who loved and was loved by one of the most fascinating creative men of our time. Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

May Pang : John Lennon's Lost WeekendMonday Nov 9th 730 PM , May Pang is being honored with the Ambassador of Rock AwardLe Poisson Rouge 158 Bleeker St. NYhttp://rockersonbroadwayMay Pang, world-renowned confidant and companion of John Lennon, has been in the public eye for over three decades. Her career in the music industry spans over 40 years, beginning with Allen Klein's company, ABKCO Industries, the firm which managed the Beatles, Apple Corps. Ltd. and the Rolling Stones besides having an extensive music publishing catalogue which included songs by Sam Cooke.In 1970, Lennon and Yoko Ono hired Pang as their personal assistant. She would eventually become their production coordinator -- playing a key role in records by Lennon, Ono and Harry Nilsson. In 1974, Pang was awarded an RIAA Gold Album Award for her work on Lennon's Walls and Bridges, the #1 hit album which included his first and only #1 single in his lifetime, "Whatever Gets You Thru The Night." She can also be heard singing on "#9 Dream," the second single from the album.In the late 1970s working for Island Records, Pang coordinated all activities related to the release of albums by Robert Palmer, Third World, and Bob Marley and the Wailers. By the early 1980s, she was one of the leading professional managers in the music publishing industry, working with several unknown songwriters and successfully obtaining coverage by such artists as Diana Ross, Judas Priest, The Four Tops, Ullanda McCullough and Air Supply.During this period, Pang decided to set the record straight about her relationship with Lennon. Warner Books published her memoir, Loving John, in 1983. The book detailed her liaison and working association with the late Beatle and shed light on his relationships with his first son, Julian, as well as Paul McCartney, Ringo Starr and George Harrison.During the last two decades, Pang has appeared in every major news and magazine publication worldwide (NY Times, LA Times, Washington Post, The Daily News, UK's Mail On Sunday, Vogue online, Germany's Die Seite Drei, Marie Claire, People, etc.) and has been a guest on such national TV shows as Good Morning America, Howard Stern, Good Morning LA, CBS Sunday Morning, Court TV and Entertainment Tonight.Pang has also designed a unique collection of stainless steel Feng Shui jewelry and accent furniture. She has a weekly internet radio show with co-host Cynthia Neilson called Dinner Specials on BlogTalkRadio. Com. Pang continues her consulting work on music for films and is still an advisory board member of Women In Music. She also serves as an advisory board member, along with Julian Lennon, Jeff Bridges to name a few at the Amazon Conservation Team (ACT) organization. ACT deals with saving the rainforest and its indigenous people. This was started by world known ethnobotanist Dr. Mark J. Plotkin and conservationist Liliana Madrigal.In 2008, St. Martin's Press released Instamatic Karma, a collection of Pang's personal photographs of John Lennon. Fine art prints of these portraits have been exhibited in major galleries across the country.Also in the Fall of 2014, she released a book only for the German market called John Lennon & May Pang, Another Love. She had received numerous press coverage in some of Germany's largest newspaper publications.Pang has lectured and given talks at various events across the country including public libraries and most recently at Berklee College of Music in Boston sponsored in part by theLiberal Arts Dept. While there, she also lectured the John Lennon Songwriting class. She also gave a talk at The Rock & Roll Fantasy Camp in Las Vegas as a Special Guest Speaker.She has also been asked to be a guest speaker along with guests Donovan, Peter Asher, Pattie Boyd and others at The International Beatles Week 2015 in Liverpool this coming August.In this age of “social awareness”, Pang was asked to participate as an artist on a CD called: ALL ABOUT BULLIES…BIG AND SMALL. The CD won a Grammy for The Best Children's CD category in 2012.John Lennon: The Lost Weekend- Living, Loving and Making Rock & RollShe shared his life, his music and his love. She was his intimate companion during the time known as- THE LOST WEEKEND.May Pang was twenty-two. She was John and Yoko's personal assistant, a trusted member of their inner circle of carefully chosen friends and associates. She budgeted and contracted for their albums and became an invaluable part of their creative and personal lives.When John and Yoko separated, May was enlisted to care for John as he embarked on a period known as "The Lost Weekend" – an intense period of enormous creativity and violent self-destructiveness. She lived, worked, and fell deeply in love with Lennon.Together they shared a rocky romance, with Yoko waiting in the wings for John's return. This is her record of that time, a time when John was recording, seeing friends, exploring the world and confronting his own inner demons. It is a personal account written of life with Lennon by a woman who loved and was loved by one of the most fascinating creative men of our time. Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

Derek talks about the fashion, Apple Corps, the cultural climate and the second half of The White Album! buymeacoffee.com/wheatleydeQ

Selvom det snart er 55 år siden The Beatles stoppede, er de næsten mere populære end nogensinde. Sidst i november er der premiere på Scorseses nye dokumentar 'The Beatles '64'. I denne POVcast møder du et af de mennesker, der var tættest på, da musikverdenen drejede sig om The Beatles akse. Fra 1962 til 1972 var Freda Kelly ansat som sekretær og fanklubleder, først for Brian Epstein - senere efter hans død i 1967 for Apple Corps. Og dermed for The Beatles. Hun var førstehånds vidne til deres, ja, sensationelle udvikling. Da The Beatles var på toppen, blev Freda Kelly i en overskrift kaldt 'Verdens mest eftertragtede kvinde'. Egentlig er Jan Eriksen stoppet som podcaster. Men dette POVcast ekstranummer – og et par andre - har ligget i en digital skuffe, siden han sammen med andre Beatles fans besøgte Liverpool i foråret 2024 – under en rejse arrangeret af den danske Beatles fan, Søren Mathiasen. Ved en spontan indskydelse optog Jan Eriksen en samtale med Freda Kelly i baren på hotel A Hard Day's Night i det centrale Liverpool. Den er optaget på en telefon og lyden på POVcasten er ikke optimal. Det beklager vi. Alligevel håber vi, at du vil lytte med. Musikken er god. I POVcasten fortæller Freda Kelly, i dag 79, anekdoter om sin tid sammen med The Beatles, der begyndte, da hun igen og igen så dem i den ikoniske musikklub, The Cavern. ”Selvfølgelig var det kærlighed ved første blik. Kvinderne her vil forstå det. Du havde fire flotte fyre på scenen. Med al respekt for andre musikere – nogle gange har du et band med måske to flotte fyre, måske en pæn sanger. I The Beatles så de alle godt ud,” siger hun. Og senere blev de vist meget gode, som Shu-Bi-Dua synger. Hør hende fortælle om: - forskellene mellem de fire beatler indbyrdes. - samarbejdet med manager Brian Epstein. - Epsteins død, der i årene efter har været omgærdet af en vis mystik. - øjeblikket, da hun indså omfanget af vanvittige beatlemania, der kulminerede midt i 60erne. - Magien. - The Fab Fours luner. - festerne, der fulgte i kølvandet på deres færden. - da hun blev fyret af John Lennon. - to af de største oplevelser med The Beatles. - mødet, hvor det lykkedes hende at overbevise George Harrison om, at hun forlod familien The Beatles, og som derfor besluttede at lukke den officielle Beatles-fanklub. POVcasten et mini-indblik i, hvordan The Beatles var som kolleger.

Staci's guest is Chris O'Dell, the author of an incredible memoir called “Miss O'Dell.” Chris worked for Apple Corps and was in the studio when the Beatles recorded The White Album, Abbey Road, and Let It Be, and she sang in the Hey Jude chorus. She lived with George Harrison and Pattie Boyd and she's the subject of Leon Russell's song, Pisces Apple Lady. She's “the woman down the hall” in Joni Mitchell's song Coyote, the “mystery woman” pictured on the Stones album Exile on Main Street, and the Miss O'Dell of George Harrison's song. She's even in Staci's latest book, “Rock & Roll Nightmares: Phantom Chords,” which has a chapter on the haunted goings-on at Friar Park, where she lived when she was working for George Harrison. She has a lot to say about Bob Dylan, Eric Clapton, John and Yoko, and her upcoming "Miss O'Dell" documentary.

Dear Beatle People, it's time for a very fab, gear, and overall special episode of Fans On The Run: The Podcast Made By, For, And About Beatles Fans!   Today's episode has been a long time coming, but as they say, "good things come to those who wait". Our guest today was a member of The Beatles inner circle, in various roles for ten whole years, from 1962 to 1972. From the Cavern Club and the early days with Brian Epstein, to the Magical Mystery Tour of the days of Apple Corps. Please give a big Fans On The Run welcome to Freda Kelly!   This is a very special episode, so you won't want to miss it!   This episode is available to stream wherever good podcasts can be heard!   Follow us elsewhere: https://linktr.ee/fansontherun   Contact: fansontherunpodcast@gmail.com 

Passenger 34: Former Disney Imagineer & creative exec at Universal, Sony, SpectraFX & Contour involved in such classic projects as EPCOT Center, Catastrophe Canyon/Disney-MGM Studios, Blizzard Beach, Poseidon's Fury/UIOA, & The Beatles' Yellow Submarine simulator, Richard Vaughn.   Richard Vaughn is an artist, a designer, and an articulate creative leader who has been involved in some of the most exciting immersive entertainment projects around the world. He has lead teams and overseen projects for big owner/operators like Disney, Universal, and Sony, as well as two start-ups, SpectraFX and Contour Entertainment. Richard has brought his clever and intellectual artistic abilities to EPCOT Center, the Disney-MGM Studios Theme Park, Universal's Islands of Adventure, Sony's Metreon and its German sister in Potsdamer-Platz, Berlin. He developed a longstanding relationship with Apple Corps that lead to a number of Beatles-themed projects. And he lead his father's band, The Billy Vaughn Orchestra, on multiple tours of Japan. Set your clocks now to travel back in time with one of our industry's most talented designers!

Join our live, virtual event for Memphis BRRRR properties on June 25th. Free. Sign up now at: GREwebinars.com The homeownership rate has fallen due to low affordability. This means that there are more renters. There are still just one-half as many housing units as America needs. But it had been one-quarter. New duplexes, triplexes, and fourplexes are vanishing. I describe six reasons why. Two entire US counties now have a median home price of $2M+. Learn where they are. It's better to be an investor than a landlord or flipper. GRE Investment Coach, Naresh, and I discuss how to use a lower down payment to achieve a potential 20% cash-on-cash return with the BRRRR Strategy. Join our live, virtual event for this at: GREwebinars.com. Resources mentioned: Join our live, virtual event for Memphis BRRRR properties on June 25th. Free. Sign up now at: GREwebinars.com For access to properties or free help with a GRE Investment Coach, start here: GREmarketplace.com Get mortgage loans for investment property: RidgeLendingGroup.com or call 855-74-RIDGE  or e-mail: info@RidgeLendingGroup.com Invest with Freedom Family Investments.  You get paid first: Text FAMILY to 66866 For advertising inquiries, visit: GetRichEducation.com/ad Will you please leave a review for the show? I'd be grateful. Search “how to leave an Apple Podcasts review”  GRE Free Investment Coaching: GREmarketplace.com/Coach Best Financial Education: GetRichEducation.com Get our wealth-building newsletter free— text ‘GRE' to 66866 Our YouTube Channel: www.youtube.com/c/GetRichEducation Follow us on Instagram: @getricheducation Keith's personal Instagram: @keithweinhold   Complete episode transcript:   Keith Weinhold (00:00:01) - Welcome to GRE. I'm your host, Keith Weinhold. Hold properties are vanishing, and sadly, they represent some really good property types that are hardly being built anymore. American housing is changing for good. Two entire U.S. counties now have median home values of $2 million or more. You'll learn where those are and learn about a specific real estate investing strategy, where investors are getting especially high yield returns in today's low affordability market. All today on get rich education.   Robert Syslo (00:00:37) - Since 2014, the powerful Get Rich education podcast has created more passive income for people than nearly any other show in the world. This show teaches you how to earn strong returns from passive real estate, investing in the best markets without losing your time being a flipper or landlord. Show host Keith Weinhold writes for both Forbes and Rich Dad Advisors, and delivers a new show every week. Since 2014, there's been millions of listeners downloads and 188 world nations. He has A-list show guests include top selling personal finance author Robert Kiyosaki. Get Rich education can be heard on every podcast platform.   Robert Syslo (00:01:09) - Plus it has its own dedicated Apple and Android listener. Phone apps build wealth on the go with the get Rich education podcast. Sign up now for the get Rich education podcast or visit get Rich education.com.   Corey Coates (00:01:23) - You're listening to the show that has created more financial freedom than nearly any show in the world. This is get rich education.   Keith Weinhold (00:01:39) - What we heard in 188 nations worldwide. I'm your host, Keith Weinhold, and you're listening to get Rich education. Last week, I covered a lot of bad news here as you and I uncovered some real estate problems. Of course, overall, when you're invested in real estate and obtain productive working income for yourself through tenants in their employment, you can almost always play another side of the coin and be profitable because, well, it really comes right back to the fact that real estate pays five ways simultaneously, for example, souring housing affordability. Well, that's bad for homeowners. That's bad news for people that are primarily want to be homeowners and not you. You're an investor. In fact, here's exactly what that means when you're the investor, the homeownership rate has fallen in in the past year.   Keith Weinhold (00:02:38) - It's gone from 66% down to 65.6% due to that low affordability. Okay. Well, that's just a 4/10 of a percent drop in the homeownership rate. And it is poised to fall further. Or what does that 4/10 really mean. Well, that's the proportion of Americans that don't own their homes. So then they have to rent. And this means that there are hundreds of thousands more American renters today than there were just a year ago. And that pushes up rental demand, rental occupancy and the price of rent itself. And that's what you get to capture off from a low affordability problem, which outsiders only think of as bad real estate news, because it is bad news through the lens of that one of your first time homebuyer. Now I want to tell you about the property types that are disappearing. Just vanishing today, and it's the degree to which it's happening that you probably aren't aware of. I'll also tell you why it's personally concerning to me, why this is all going on at all, and I don't even see any reason that it's going to turn around.   Keith Weinhold (00:03:52) - It's probably going to get worse. What's going on is basically that too many builders have thrown their duplex, triplex, and fourplex development plans out the car window like it's an Apple Corps on a summer road trip. They are vanishing. Yes, 2 to 4 unit properties vanishing. In fact, if you're a newsletter subscriber here, you got to see a jarring chart that shows this. And what you'll basically see is that in 2007, the number of 2 to 4 unit properties built just fell off a cliff. It flatlined, and it still hasn't gotten up. The amount constructed now is still just one half to one third of what it had been in pre global financial crisis years. Really they're only closer to a third. All right. So what we're talking about here is only about one third as many duplex triplex and fourplex starts today as there were 20 years ago. And this is sourced by the National Association of Homebuilders. And some call this entire phenomenon M triple M multi families missing middle. And whatever you call this disappearing act.   Keith Weinhold (00:05:10) - Before I get to the reasons for why this is happening, I've got to tell you that this disappearance, it hurts me a little. It's sort of heartfelt because as you know, I began this way with a fourplex that was my first ever property of any kind. You know, the story where I lived in one unit and rented out the other three. It was just an amazing way to start with a bang. Well, now, when we compare this paltry construction, this dearth of. construction today, when we compare that to both smaller property types and larger property types, that being single family homes and five plus unit apartment buildings, will construction of all three of these types fell hard around 2008. But here's the thing. Single family homes and five plus apartment buildings. They got back up around 2010 and they started resuming more building. But duplexes and fourplex, they never did. They never had that happen. The number coming out of the market that just kept flatlining. Those new starts. All right.   Keith Weinhold (00:06:16) - So why exactly is this going on with these vanishing 2 or 3 and four unit property construction types? Why this trend? Well, first, it's NIMBYism, not in my backyard ism primarily of those single family homeowners, because once people are comfy in owning their single family home. Well, then they don't want higher density duplexes in fourplex built in their area. They fear that it can lower their property values. It'll almost certainly increase the traffic around that area. And the second reason is that there simply just been less building overall of most all housing types. And I have discussed this elsewhere, so I won't get into it again. Yes, it is that erstwhile housing supply crash. A third reason for these vanishing 2 to 4 unit properties is the need for zoning reform and the adoption of what's called light touch density. Light touch density. That means a zoning strategy for more dense housing. And what are we up to now for? The fourth reason is that builders, they find more scale efficiencies when they build larger apartments.   Keith Weinhold (00:07:25) - Fifth is limits in international building codes, in international residential codes. And the sixth reason is that this trend began around 2008. These more recent work from home lifestyle starting in 2020. That means that residents can live in single family homes, and they tend to be further from the urban core, rather than 2 to 4 unit properties. And this lifestyle trend right here, that can mean that this disappearing trend for this property type continues. And there you go. They are the six reasons for why. If you were 2 to 4 unit properties are being built today, drastically fewer. And I lament this fact because see duplex the four plex neighborhoods, they can have good walkability where you don't always need a car to get everywhere. And yet at the same time, they still have ample green space. Now, conversely, some fourplex neighborhoods, you know, they can get to look and really junky. Well, they all have different owners. And then there are dumpsters all over the place, like my first fourplex was, and like my second fourplex was as well.   Keith Weinhold (00:08:33) - I really hope that builders become more attracted to the 2 to 4 unit space. See, with giant large apartment complexes, say 300 units. Well, the builder has to wait until the construction of all of those 300 units are done until they can start filling it with rent paying tenants. So therefore builders have to wait longer to start getting that rent income. But instead, construction of this missing middle housing that can be broken into phases. And that way units can be open when they're completed. And that provides early rent revenue to the builder and 2 to 4 unit properties. I mean, they really are an investor sweet spot, but due to builder and lifestyle trends like I'm describing, fewer are being built new. But please remember there were many missing middle properties built decades ago and they can still make good investment properties into the future. In fact, the first two fourplex that I bought were both built in the mid 80s, so there's still plenty that are already out there. The takeaway here for you is that you're going to be seeing fewer new ones, and that means that duplexes to fourplex is now take up a smaller proportion of America's housing stock, and that portion is positioned to become smaller and smaller going forward.   Keith Weinhold (00:09:56) - So it's not that death of these properties. We even have home builders at Gray Marketplace right now with new build 2 to 4 plex. So it isn't their death, but they are dying, waning in number. Now, Jerry recently got Ahold of some jaw dropping info here. I my gosh, now remember a few years ago, maybe even ten or more years ago when you probably heard something like certain small towns in California, Silicon Valley. They now had median priced homes that hit the million dollar mark. And you know, when you first heard that, you might have thought, oh, wow, it's not just neighborhoods, but entire towns in aggregate have hit the million dollar mark in some high priced American places. Well, then get ready for this. As housing affordability makes headlines in California in its wealthiest cities, continue to fight building more housing. We have two Bay area counties, not towns, but entire counties that have hit a milestone. The median price for sold homes there has climbed to $2 million or more.   Keith Weinhold (00:11:15) - We're not just talking 1 million anymore, and we're not just talking about one upper crust town, but two entire California counties now have median home prices of $2 million or more. And notice these are not asking prices. No speculation here. These are the values, the amounts that they have actually sold for. And this is according to a recent California Association of Realtors report. Median homes are now $2 million plus in which two Bay area counties, you might wonder? Well, first, Santa Clara County, which includes San Jose, they notched an even $2 million back in April. And yes, this is more than San Francisco County's $1.8 million. And the second county, it spirals even higher than that. The second California county, with median home prices of 2 million plus is San Mateo County. It's basically a county that lies between San Francisco and San Jose. And that's where the median home price sold for in San Mateo County, California, $2.17 million. Not just one upper crust town, but an entire county.   Keith Weinhold (00:12:38) - Not just $1 million, not even $2 million anymore, but $2.17 million. And this is not for a fancy, lavish home. This is just the median priced home in the middle and San Mateo County that is home to the nation's most expensive zip code, by the way. Atherton, California, where the median home price tops the charts nationally at $7.1 million. That's that is according to Compass Real Estate. And if that's not enough, homes are still flying off the shelves there. They're days on market is now at the lowest since 2022. And though all this sounds pretty astonishing right now, you know what? If you are listening to this episode ten years from now, well into the 2030s, you might think these were the good old days here. How quaint. Because over the next ten years, we all expect more inflation, and we've still got more housing shortage years between now and say, ten years into the future. And of course, here at URI, we don't tend to focus on the high priced markets, which tend to be on the coasts, things like this.   Keith Weinhold (00:13:55) - Really, it's just a harbinger of what's to come to more parts of the nation later on. What we do here is we help you win in real estate without being a landlord and without being a flipper. As a savvy investor that tends to buy either new or fixed up properties and might have a manager manage them for you, hands off is the place to be. Hands off is being an investor, and you get the best tax advantages this way to when your hands off and you know something. Some people that get into real estate investing, they think that they have to be a flipper, or that they have to be a landlord in order to make it profitable. Now, there's nothing wrong with those two disciplines. So much flipping or landlord. I was a landlord for a little while on my own properties. Most of my investment career. I use a property manager and I never flipped. It's just that these things flipping and landlord, they're not any sort of prerequisite to you being a successful investor. You can shortcut all of that with turnkey real estate investing or like with a different strategy that we're going to talk about later today.   Keith Weinhold (00:15:04) - What most people really want is the financial freedom that real estate investing brings. But in order to get there, it's often not the route that you think it is. It's typically not flipping or landlords. And, you know, really it's this way with a lot of things. For example, say that you want to own in ice cream business. Well, most people think that they have to start their own ice cream business from scratch. And like you need to find a space and you need to buy all the equipment and develop systems and go through the excruciating process of hiring all of your staff. No, a lot of times you can shortcut all of that by not starting your own ice cream business, but instead studying, vetting, and buying an existing ice cream business without having to start your own from scratch. Be strategic, study a little, shortcut the process and get in where it's profitable. You want the benefit of owning real estate without having to use a nail gun yourself, or being a manager where you're 25 tenants can text you.   Keith Weinhold (00:16:17) - What kind of life are you building for yourself? Then you want the benefit of owning an ice cream business. The way to get to the end goal. The path there is often different than you think. And here's another example that I can relate to, but I think that you will too. Do you have a favorite real estate? Influencer out there and they think about starting a podcast. Well, I personally know three real estate podcasters out there that have all quit. They produce some episodes and all three quit doing their podcast. And these are just among people I know and just real estate thought leaders. Just that space and all. Recent hosting your own podcast platform is a ton of work from. You need to have a huge bank of your own original content, to having the ability to book big name guests and then making sure they're prepared to. Making sure you have the right marketing team so that a podcast actually reaches the right people. It is work, work, work, and seemingly no one in this world knows that better than me.   Keith Weinhold (00:17:21) - With 500 plus episodes reliably released every single week since 2014, and we don't replay old shows either, there is nothing passive about this. There are so many shows today that if your favorite real estate influencer starts one, they're going to be competing with a lot that are already out there. I mean, anymore, even celebrities that start podcasts, they usually don't get any substantial reach or traction. All these people that start and quit their podcasts, they were too slow to realize that actually they didn't want to host a podcast. What they really wanted is for their voice to be heard. Well, the way to shortcut that, like with turnkey real estate investing or with buying an existing ice cream business, is that that influencer should have developed a strategy for being a guest on other shows that are already popular and established, probably by hiring an experienced and connected booking agent. That way, you've outsourced all of that marketing and research activity to another show that already did that for you. So the point is, be clear on getting what you want.   Keith Weinhold (00:18:34) - What is the goal that you want first, it's probably a large real estate portfolio built for leverage and income, and then work your way back to try to find the most efficient route to get there. And there are often shorter paths to get there than what you first thought. Now, when we talk about where are the best real estate deals today, you have to look harder than you did, say, 8 to 10 years ago. Coming up shortly, you'll have the pleasure of hearing an in-house chat with I in one of Gre's own investment coaches. We're going to talk about a strategy that specific and proven but underutilized in order to recapture those higher cash on cash returns like you could have gotten back in, say, 2015 and 2016. And for a time, I had been talking about how Newbuild properties and their builder interest rate buy downs, that they're really the place to be. And that's still true, but not to the extent that it was just a year ago, because today some builders, they're not paying down your interest rate for you as much as they did last year.   Keith Weinhold (00:19:39) - They're asking you to pay more toward it. Now. A few minutes ago, I told you about America's vanishing duplexes to fourplex. And if you're one of our newsletter readers, you got to see a jarring chart or two that demonstrates exactly what I was talking about there. And also in our newsletter, I show you great maps, real estate maps that beautifully demonstrate housing market trends and where the opportunities are for you. Also, in a recent letter, I showed you exactly where I'm getting 8% interest paid to me and what's basically a savings account. If you don't already subscribe, it is free. Our email letter is called the Don't Quit Your Day Dream letter. It's concise, valuable info that's just good, clean content that I put directly into your hands. It is easier to use than a website. Today's websites have paywalls and cookies, disclaimers or pop up ads. This is just the good stuff directly from me, straight to you. And you can get the letter now at get Rich education com slash letter that's get rich education com slash letter.   Keith Weinhold (00:20:50) - In a world of AI and bots, I actually write every word of the don't quit your daydream letter myself, just like I have from day one. And another easy way to start the free letter is text gray to 66866. Just do it right now while it's on your mind. Text gray to 6686616. I'm Keith Reinhold. You're listening to get Rich education. Your bank is getting rich off of you. The national average bank account pays less than 1% on your savings. If your money isn't making 4%, you're losing your hard earned cash to inflation. Let the liquidity fund help you put your money to work with minimum risk. Your cash generates up to an 8% return with compound interest year in and year out. Instead of earning less than 1% sitting in your bank account, the minimum investment is just 25 K. You keep getting paid until you decide you want your money back there. Decade plus track record proves they've always paid their investors 100% in full and on time. And I would know, because I'm an investor, to earn 8%.   Keith Weinhold (00:22:02) - Hundreds of others are text family 266866. Learn more about Freedom Family Investments Liquidity Fund on your journey to financial freedom through passive income. Text family to 66866. Role under the specific expert with income property, you need Ridge lending group and MLS for 2056 injury history from beginners to veterans. They provided our listeners with more mortgages than anyone. It's where I get my own loans for single family rentals up to four Plex's. Start your prequalification and chat with President Charlie Ridge. Personally, they'll even customize a plan tailored to you for growing your portfolio. Start at Ridge Lending group.com Ridge lending group.com. This is peak prosperity.   Robert Syslo (00:23:00) - Chris Martinson, listen to get Rich education with Keith Arnold and don't quit your daydream.   Keith Weinhold (00:23:15) - Hey, would like to welcome in Gray's extraordinary investment coach. He's booksmart because he's got his MBA. He street smart because he's an active direct real estate investor, just like I am. Before joining gray back in 2021, he worked for financial publishing companies and in the banking sector, too and elsewhere. And today is an investment coach here.   Keith Weinhold (00:23:36) - He helps beginning real estate investors understand the process of acquiring rental property, and he helps veteran investors optimize their strategies to save on taxes and more. Hey, it's terrific to welcome back Naresh Vizard. Thanks a lot Keith. It's been a while, but I'm looking forward to talking real estate before we're done. Today, we're going to tell you about an upcoming live GRE virtual event, where you learn how to get 20 to 25% of immediate built in equity through real estate. And before we do the race, let's talk about what's really going on. Besides giving GRE devotees free education and guidance like you do, you also help them find the best deals on income properties nationwide and for a time, brand new build to rent properties they look good in. Many still do with a lot of rate buy downs into the fives and even the fours on those new build properties. But this year, I learned that builders aren't contributing to buying down the race for the investor like they had last year, and that the onus seems to be more on the investor to buy the rate down with some of these builders.   Keith Weinhold (00:24:44) - So tell us more about what's happening in America's build to rent sector. Well, Keith, build to rent. For those who don't know, it's been around here at GRA. Bill to rent asset classes, build to rent real estate. But it's the concept of builders building real estate properties with the intention of selling them to investors so they can rent it out. So right now I live in a house that was built, and I bought it because the builder intended for somebody to buy it and live in it. That's not built to rent. Build to rent is the idea of.   Naresh Vissa (00:25:16) - Specifically selling it to investors like our listeners, like our loyal followers who live out of state and who want to rent the properties out to tenants. Now, Build to Rent was very hot and it's still popular. I don't want to call it hot, but it's still popular for those who want new construction properties. However, the rehabs are making a furious comeback because there was about a four year period from 2019 to 23 or so where you just couldn't find good cash flowing rehabs.   Naresh Vissa (00:25:50) - Right. And when I say rehabs, I mean these older properties that were built 50 years ago, maybe as long as 120 years ago there we have some properties in our inventory that were built in the late 1800s, and they've just kept being rehabbed and rehabbed and renovated. Buildings are making a furious comeback because they're cash flowing better. Previously, they were just cash flowing marginally better than new construction built to rent properties. Now, especially with a strategy called ver, which we'll talk about some more, you can have the opportunity to get cash on cash returns back to what you remember in 2016, 2015 where we're talking 15, 16% cash on cash returns. I mean, some of our BR clients or listeners who ended up buying BRS, they're doing 2021 all the way up to 30% cash on cash returns. So BR simply means buy, rehab, rent, refinance, repeat the cycle. So that's B followed by for Rs b r r r r buy, rehab, rent, refinance. Repeat the process again.   Naresh Vissa (00:27:10) - And it's during that refinance where investors are getting a good chunk of their down payment back. Because what happens in that refinance is after you rehab it and you read it, you rent it out at the target rent, which almost all of these are renting out at very aggressive high target rents. When you refinance it, the property appraises at a value that's much, much greater post rehab than when you initially bought it. And that's where you get essentially your money back. You can choose to keep it in with the mortgage company so you have more equity in the property, or you can take the cash back and use it to buy more BR properties. It's become a very popular. Form of real estate investing. People think when they hear this. Well, it sounds like flipping, right. This is not flipping. Flipping is kind of like day trading. You're looking to make a quick buck, whereas in this case you're not selling the property. You're keeping the property with the intention of renting it out and collecting the cash flow from your tenant.   Naresh Vissa (00:28:19) - So that's in a nutshell, what BRR is. And we are having a live event on Tuesday, June 25th at 8:30 p.m. Eastern Time. That's Tuesday, June 25th at 8:30 p.m. eastern. Time to talk about and go over this BR process. The bird key process or listeners are familiar with turnkey. Well we have BR key which is similar except it's using the BR method. And Keith, you probably know this and you've talked about it a little bit on your podcast. BR has become the most popular strategy that our investors are utilizing this year, 2024.   Keith Weinhold (00:29:01) - Yeah. Now back to the build to render the new build properties is attractive as they can be because they attract a certain quality of tannin and they're not going to have any maintenance or repair issues, most likely for quite a while. The thing with those is, oh, you might pay 300 K or more for a new build. Single family home in the builder rent style with 20% down payment, 5% for closing costs, you're out of pocket. 75 K.   Keith Weinhold (00:29:30) - One reason that this has become the most popular strategy for gray followers we're talking about here. The BR strategy is that you could come out of pocket with a lot less to begin with.   Naresh Vissa (00:29:42) - That's number one. Number one is we have some GRE followers who went into this Berkey and they put no money down. They got lucky. They initially bought the property, and the property appraised so much that they got their money back and their down payment was actually zero. They didn't make money on it, but what they allocated, what they thought that they would allocate 25% down, they ended up using that money since they got it back to buy a second property and then a third property and then a fourth party. We have one guy who bought six properties, all birds, because he didn't get I don't want to say, look, we're not making promises that you're going to put 0% down. That's not the promises that we're making. The worst case scenario is that you put 25% down and that's your standard real estate investment.   Naresh Vissa (00:30:27) - But there is a chance that you could put 15% down or 10% down if the rehab turns out really well. And if you get a good appraiser, there's a chance it can happen. But the goal here, again, is not to make a quick buck or to house hack. We're not taking shortcuts here. The goal here is simply to buy a property renovated or rehab it and drive up the rent price, drive up the value of the property, put a good tenant in there and call it a day. Collect those cash flows. Now I do want to say a few things about that process. So like I said, the first thing that you do is you buy. So first you buy, then you rehab. You do not have to do we call it Berkey because everything is done for you. So when people hear this, they're like, oh, this sounds like I live in Florida. I don't want to go to Memphis. And by the way, this specific market is in Memphis, Tennessee that we're focusing on.   Naresh Vissa (00:31:26) - We have burrs in Baltimore, Maryland and Philadelphia, Pennsylvania and Pittsburgh, Pennsylvania. But we've identified Memphis as not just the hottest, but it just makes the most sense numbers wise. And so I want to go back to the point of, hey, you don't have to physically go or even go on Google and find handymen or rehab ers to do this for you, our Berkey provider. The best part is they do it all for you. It's completely taken care of. You literally just sign some papers. Once you decide that you like a property and the specs of the property, you sign some papers. They take care of it. The rehab takes about 90 days. Then from rehab to closing, it takes another 40 days or so. And then from closing to someone signing a lease that takes another 30 days to find somebody, stick them in there and takes another 30 days after that for the tenant to move in. So overall, this process can actually take just for one property. You can take six months.   Keith Weinhold (00:32:26) - Now. Naresh has touched on it somewhat. One conventional problem with the Burr strategy by rehab rent, refinance, repeat is that first are the rehab because it involves vetting and managing contractors, which is a real nightmare for many. So instead, we're talking about tapping into a system with a proven team of contractors and lenders and project managers to make it easy. It's known as Berkey, and it's in profitable Memphis.   Naresh Vissa (00:32:54) - Profitable Memphis. And I'll say this about Memphis, we're going to talk. Way more about this on the webinar. Highly recommend people go to GRI webinars. Com gri webinars.com. You can sign up for the webinar there. It's actually live. So this is not like something that you just can show up to whenever you want. It's a live event on Tuesday, June 25th at 8:30 p.m. Eastern Time. That's Tuesday, June 25th at 8:30 p.m. Eastern Time. Great webinars.com is how you can register. And like you said, we could have focused on Baltimore, Maryland or Pittsburgh. Memphis has really and I myself by the way, own five properties and four in Memphis proper.   Naresh Vissa (00:33:42) - And one is in the Memphis area and Mississippi, a suburb of of Memphis. And this I don't want to call it a town, because Memphis used to be one of the most popular towns in the south back in the day. But this city has really come up as a result of pandemic, of population growth, of even inflation. We've seen rents go up, we've seen the population go up. Memphis is not what you think of from eight years ago. Seven years ago when I first bought my properties. I'll admit, when I bought my first property seven years ago in Memphis, I had a lot of problems with tenants. I had a lot of problems with the city. I didn't like what I was reading about the police department, just all sorts of things. Not the police department, just crime in general. And Memphis has really turned itself around. Not completely turned itself around, but it's gotten better. And we're seeing it just on the investment side because that's where we're seeing appreciation growth. My personal properties, they're up since 2020, since January 2020, I was when I closed all my last Memphis property.   Naresh Vissa (00:34:49) - They're all up at least 50% in value. So it's a market that's still appreciating. But the most important thing because we are cash flow investors, not necessarily appreciation investors. It's great to get the appreciation, but the rents keep going up. And I actually today I've talked to a Berkey client, great loyal Jerry listener and follower who ended up buying three properties, and she's on her fourth one, or about to do a fourth one with this Memphis market provider. And when she told me her rents, I was blown away at how much these properties were renting for before the rehab. So it's not just the appreciation again, that goes up after the rehab, how much they were renting for before the rehab. We're talking less than $800 a month and post rehab. Her rents went up by nearly 50%, about 45% on average. House rehab is like three bedroom, one and a half bathroom. Homes initially she bought them. This is how a lot of the properties are. They only had two bedrooms and they converted one of the spaces.   Naresh Vissa (00:36:05) - The rehab were converted at no extra. You know, it's all inclusive of the rehab charges. They were able to find space in a lot of these properties that were two bedrooms to create a third bedroom and turn them into three bedroom properties instead of two bedroom properties, which also improves the value of the home. And you can get another body in there and increase the rent. So, Jerry, listeners have been really, really happy with this burpee process because at the end of the day, you really do get more bang for your buck. Yes, new construction overall. It's just safer. We have tons of great new construction providers, especially in Florida, whom we recommend, but this is an alternative for those people who don't have $100,000 sitting in the bank ready to invest in a new construction, single family, or a new construction duplex. The Berkey, I mean, really all you need is about 20, $25,000 to do it. And like I said, if you get lucky, you could get a decent portion of that back after the rehab.   Keith Weinhold (00:37:08) - Well, you bring up so many good points there in the race. For one thing, with real estate, you can intentionally improve the value. That's something that you cannot do if you own a stock or if you own cryptocurrency, or if you own gold, you can help control what your investment is worth. And a lot of that happens here in the rehab process. Well, the race would love to tell you more, including walking you through an example with numbers, but that's the best place for him to do it. That is on the live event next week because it is co-hosted by narration. You can join the live virtual event from the comfort of your own home. You can ask questions and have them answered in real time. It is all free and we'll also be sharing special off market Berkey inventory. In Memphis for two, three and four bedroom properties, so go ahead and attend on June 25th. Which again is next Tuesday. Be sure to register now at GR webinars.com. Just been great to walk through the Berkey.   Keith Weinhold (00:38:12) - Thanks so much for coming back on the show.   Naresh Vissa (00:38:14) - Thank you. It's been a pleasure.   Keith Weinhold (00:38:21) - Oh good info from Gree investment coach Naresh as always. Next week's live event. That could be a bigger deal than the Paris Olympics this summer and this year's presidential election combined. Oh yes. Well, at least it expects to be more profitable for you than those other events. It will also be more entertaining when you join as an attendee live next week. Certainly more entertaining and informative than Olympic handball and Olympic race walking, no doubt about that. I don't think I've offended any race walking fans because there are only perhaps five in the world. In any case, BR is a process by which, after you buy months later, you can expect to refinance at a higher valuation since the property has been rehabbed from your initial purchase, and then you get a big chunk of your own down payment back, meaning you have less invested in the deal. And that's why you get a higher cash on cash return. Because cash and cash return all that is, is your annual cash flow divided by your initial investment or your starting equity position.   Keith Weinhold (00:39:37) - The last R in BR is repeat. You can repeat sooner because you did get some of your invested cash back. And that's part of what makes the strategy so effective. Now is part of your refi. You might get a post appraisal rehab that's so high you essentially get all of your down payment money returned to you, at which point it would be an infinite return because you don't have anything invested in the deal. But you should not count on having all of it returned, just a lot of it or most of it. Next week's live event is where the BR real estate investing strategy gets introduced to a wider swath of America one last time. Attend live next Tuesday. The 25th. I really encourage you to check it out. Be sure to sign up for the virtual GRE live event now! It's pretty quick and easy to do at GR webinars.com. Until next week, I'm your host, Keith Weintraub. Don't quit your day dream.   Speaker 5 (00:40:41) - Nothing on this show should be considered specific, personal or professional advice.   Speaker 5 (00:40:45) - Please consult an appropriate tax, legal, real estate, financial or business professional for individualized advice. Opinions of guests are their own. Information is not guaranteed. All investment strategies have the potential for profit or loss. The host is operating on behalf of yet Rich education LLC exclusively.   Robert Syslo (00:41:09) - The preceding program was brought.   Keith Weinhold (00:41:10) - To you by your home for wealth building. 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Selvom det snart er 55 år siden The Beatles stoppede, er de næsten mere populære end nogensinde. Sidst i november er der premiere på Scorseses nye dokumentar 'The Beatles '64'. I denne POVcast møder du et af de mennesker, der var tættest på, da musikverdenen drejede sig om The Beatles akse. Fra 1962 til 1972 var Freda Kelly ansat som sekretær og fanklubleder, først for Brian Epstein - senere efter hans død i 1967 for Apple Corps. Og dermed for The Beatles. Hun var førstehånds vidne til deres, ja, sensationelle udvikling. Da The Beatles var på toppen, blev Freda Kelly i en overskrift kaldt 'Verdens mest eftertragtede kvinde'. Egentlig er Jan Eriksen stoppet som podcaster. Men dette POVcast ekstranummer – og et par andre - har ligget i en digital skuffe, siden han sammen med andre Beatles fans besøgte Liverpool i foråret 2024 – under en rejse arrangeret af den danske Beatles fan, Søren Mathiasen. Ved en spontan indskydelse optog Jan Eriksen en samtale med Freda Kelly i baren på hotel A Hard Day's Night i det centrale Liverpool. Den er optaget på en telefon og lyden på POVcasten er ikke optimal. Det beklager vi. Alligevel håber vi, at du vil lytte med. Musikken er god. I POVcasten fortæller Freda Kelly, i dag 79, anekdoter om sin tid sammen med The Beatles, der begyndte, da hun igen og igen så dem i den ikoniske musikklub, The Cavern. ”Selvfølgelig var det kærlighed ved første blik. Kvinderne her vil forstå det. Du havde fire flotte fyre på scenen. Med al respekt for andre musikere – nogle gange har du et band med måske to flotte fyre, måske en pæn sanger. I The Beatles så de alle godt ud,” siger hun. Og senere blev de vist meget gode, som Shu-Bi-Dua synger. Hør hende fortælle om: - forskellene mellem de fire beatler indbyrdes. - samarbejdet med manager Brian Epstein. - Epsteins død, der i årene efter har været omgærdet af en vis mystik. - øjeblikket, da hun indså omfanget af vanvittige beatlemania, der kulminerede midt i 60erne. - Magien. - The Fab Fours luner. - festerne, der fulgte i kølvandet på deres færden. - da hun blev fyret af John Lennon. - to af de største oplevelser med The Beatles. - mødet, hvor det lykkedes hende at overbevise George Harrison om, at hun forlod familien The Beatles, og som derfor besluttede at lukke den officielle Beatles-fanklub. POVcasten et mini-indblik i, hvordan The Beatles var som kolleger.

John Kosh, known simply as Kosh, is an English art director, album cover designer, graphic artist, and documentary producer/director. He was born in London, England and rose to prominence in the mid-1960s while designing for the Royal Ballet and the Royal Opera House. He was the creative director of Apple Corps for The Beatles and was art director and album cover designer for Abbey Road and Let It Be, as well as Hotel California, James Taylor's Greatest Hits, and more.    Today, Kosh sits down with Jack Lawless to discuss his work, reminisce on his memories of working with The Beatles and John and Yoko, tell stories about designing Abbey Road's and Hotel California's covers, the WAR IS OVER! campaign, and much more. Without Kosh, some of the world's most iconic designs would not be here.    Check out A Walk in the Park book here: https://www.andykatzphotography.com/purchase/p/a-walk-in-the-park   Follow Kosh on social media here: Instagram: https://www.instagram.com/koshartdesign/ Facebook: https://www.facebook.com/koshart   Follow us on all social media, @BeatlesEarth ! For questions/inquires, please reach us at BeatlesOfCourse @gmail .com.   ------ #Thebeatles #beatles #beatle #paulmccartney #johnlennon #georgeharrison #ringostarr #60smusic #60s #70smusic #70s #60s70s80s #70s80s90s #90s #iconic #rocknroll #classicmusic #fyp #foryoupage #foryou #recommended #beatlesfans #mclennon #lennon #viralreels #peaceandlove #letitbe #beatlespodcast #podcast #mccartney #starr #harrison The Beatles were a highly influential and globally popular rock band that originated in Liverpool, England. The group consisted of four members: John Lennon, Paul McCartney, George Harrison, and Ringo Starr. The Beatles' journey began in the late 1950s when Lennon formed a skiffle group called The Quarrymen. McCartney and Harrison joined later, and the lineup eventually evolved into The Beatles. Ringo Starr replaced their original drummer, Pete Best, in 1962. The Beatles achieved unprecedented success and popularity during the 1960s, often referred to as the "Beatlemania" era. Their music was a blend of various genres, including rock and roll, pop, and later, elements of Indian music and psychedelia. They wrote and recorded numerous hit songs, becoming one of the most innovative and successful bands in the history of popular music. Some of their most famous albums include: 1. **"Please Please Me" (1963) 2. **"A Hard Day's Night" (1964):** The soundtrack to their first film. 3. **"Rubber Soul" (1965):** Marking a shift toward a more experimental sound. 4. **"Revolver" (1966):** Further experimentation and the use of studio techniques. 5. **"Sgt. Pepper's Lonely Hearts Club Band" (1967):** Widely considered one of the greatest albums of all time. 6. **"The White Album" (1968):** A double album with diverse musical styles. 7. **"Abbey Road" (1969):** Their final studio album, known for its iconic cover and medley of songs. The Beatles' legacy extends far beyond their music. They revolutionized the music industry, set new standards for songwriting, and influenced countless artists across genres. Their impact on popular culture, fashion, and social movements of the 1960s is immeasurable. The Beatles remain one of the most celebrated and enduring musical acts in history.

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May Pang : John Lennon's Lost WeekendMonday Nov 9th 730 PM , May Pang is being honored with the Ambassador of Rock AwardLe Poisson Rouge 158 Bleeker St. NYhttp://rockersonbroadwayMay Pang, world-renowned confidant and companion of John Lennon, has been in the public eye for over three decades. Her career in the music industry spans over 40 years, beginning with Allen Klein's company, ABKCO Industries, the firm which managed the Beatles, Apple Corps. Ltd. and the Rolling Stones besides having an extensive music publishing catalogue which included songs by Sam Cooke.In 1970, Lennon and Yoko Ono hired Pang as their personal assistant. She would eventually become their production coordinator -- playing a key role in records by Lennon, Ono and Harry Nilsson. In 1974, Pang was awarded an RIAA Gold Album Award for her work on Lennon's Walls and Bridges, the #1 hit album which included his first and only #1 single in his lifetime, "Whatever Gets You Thru The Night." She can also be heard singing on "#9 Dream," the second single from the album.In the late 1970s working for Island Records, Pang coordinated all activities related to the release of albums by Robert Palmer, Third World, and Bob Marley and the Wailers. By the early 1980s, she was one of the leading professional managers in the music publishing industry, working with several unknown songwriters and successfully obtaining coverage by such artists as Diana Ross, Judas Priest, The Four Tops, Ullanda McCullough and Air Supply.During this period, Pang decided to set the record straight about her relationship with Lennon. Warner Books published her memoir, Loving John, in 1983. The book detailed her liaison and working association with the late Beatle and shed light on his relationships with his first son, Julian, as well as Paul McCartney, Ringo Starr and George Harrison.During the last two decades, Pang has appeared in every major news and magazine publication worldwide (NY Times, LA Times, Washington Post, The Daily News, UK's Mail On Sunday, Vogue online, Germany's Die Seite Drei, Marie Claire, People, etc.) and has been a guest on such national TV shows as Good Morning America, Howard Stern, Good Morning LA, CBS Sunday Morning, Court TV and Entertainment Tonight.Pang has also designed a unique collection of stainless steel Feng Shui jewelry and accent furniture. She has a weekly internet radio show with co-host Cynthia Neilson called Dinner Specials on BlogTalkRadio. Com. Pang continues her consulting work on music for films and is still an advisory board member of Women In Music. She also serves as an advisory board member, along with Julian Lennon, Jeff Bridges to name a few at the Amazon Conservation Team (ACT) organization. ACT deals with saving the rainforest and its indigenous people. This was started by world known ethnobotanist Dr. Mark J. Plotkin and conservationist Liliana Madrigal.In 2008, St. Martin's Press released Instamatic Karma, a collection of Pang's personal photographs of John Lennon. Fine art prints of these portraits have been exhibited in major galleries across the country.Also in the Fall of 2014, she released a book only for the German market called John Lennon & May Pang, Another Love. She had received numerous press coverage in some of Germany's largest newspaper publications.Pang has lectured and given talks at various events across the country including public libraries and most recently at Berklee College of Music in Boston sponsored in part by theLiberal Arts Dept. While there, she also lectured the John Lennon Songwriting class. She also gave a talk at The Rock & Roll Fantasy Camp in Las Vegas as a Special Guest Speaker.She has also been asked to be a guest speaker along with guests Donovan, Peter Asher, Pattie Boyd and others at The International Beatles Week 2015 in Liverpool this coming August.In this age of “social awareness”, Pang was asked to participate as an artist on a CD called: ALL ABOUT BULLIES…BIG AND SMALL. The CD won a Grammy for The Best Children's CD category in 2012.John Lennon: The Lost Weekend- Living, Loving and Making Rock & RollShe shared his life, his music and his love. She was his intimate companion during the time known as- THE LOST WEEKEND.May Pang was twenty-two. She was John and Yoko's personal assistant, a trusted member of their inner circle of carefully chosen friends and associates. She budgeted and contracted for their albums and became an invaluable part of their creative and personal lives.When John and Yoko separated, May was enlisted to care for John as he embarked on a period known as "The Lost Weekend" – an intense period of enormous creativity and violent self-destructiveness. She lived, worked, and fell deeply in love with Lennon.Together they shared a rocky romance, with Yoko waiting in the wings for John's return. This is her record of that time, a time when John was recording, seeing friends, exploring the world and confronting his own inner demons. It is a personal account written of life with Lennon by a woman who loved and was loved by one of the most fascinating creative men of our time. Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

Episode 171 looks at "Hey Jude", the White Album, and the career of the Beatles from August 1967 through November 1968. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a fifty-seven-minute bonus episode available, on "I Love You" by People!. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Errata Not really an error, but at one point I refer to Ornette Coleman as a saxophonist. While he was, he plays trumpet on the track that is excerpted after that. Resources No Mixcloud this week due to the number of songs by the Beatles. I have read literally dozens of books on the Beatles, and used bits of information from many of them. All my Beatles episodes refer to: The Complete Beatles Chronicle by Mark Lewisohn, All The Songs: The Stories Behind Every Beatles Release by Jean-Michel Guesdon, And The Band Begins To Play: The Definitive Guide To The Songs of The Beatles by Steve Lambley, The Beatles By Ear by Kevin Moore, Revolution in the Head by Ian MacDonald, and The Beatles Anthology. For this episode, I also referred to Last Interview by David Sheff, a longform interview with John Lennon and Yoko Ono from shortly before Lennon's death; Many Years From Now by Barry Miles, an authorised biography of Paul McCartney; and Here, There, and Everywhere: My Life Recording the Music of the Beatles by Geoff Emerick and Howard Massey. This time I also used Steve Turner's The Beatles: The Stories Behind the Songs 1967-1970. I referred to Philip Norman's biographies of John Lennon, George Harrison, and Paul McCartney, to Graeme Thomson's biography of George Harrison, Take a Sad Song by James Campion, Yoko Ono: An Artful Life by Donald Brackett, Those Were the Days 2.0 by Stephan Granados, and Sound Pictures by Kenneth Womack. Sadly the only way to get the single mix of “Hey Jude” is on this ludicrously-expensive out-of-print box set, but a remixed stereo mix is easily available on the new reissue of the 1967-70 compilation. The original mixes of the White Album are also, shockingly, out of print, but this 2018 remix is available for the moment. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Before I start, a quick note -- this episode deals, among other topics, with child abandonment, spousal neglect, suicide attempts, miscarriage, rape accusations, and heroin addiction. If any of those topics are likely to upset you, you might want to check the transcript rather than listening to this episode. It also, for once, contains a short excerpt of an expletive, but given that that expletive in that context has been regularly played on daytime radio without complaint for over fifty years, I suspect it can be excused. The use of mantra meditation is something that exists across religions, and which appears to have been independently invented multiple times, in multiple cultures. In the Western culture to which most of my listeners belong, it is now best known as an aspect of what is known as "mindfulness", a secularised version of Buddhism which aims to provide adherents with the benefits of the teachings of the Buddha but without the cosmology to which they are attached. But it turns up in almost every religious tradition I know of in one form or another. The idea of mantra meditation is a very simple one, and one that even has some basis in science. There is a mathematical principle in neurology and information science called the free energy principle which says our brains are wired to try to minimise how surprised we are --  our brain is constantly making predictions about the world, and then looking at the results from our senses to see if they match. If they do, that's great, and the brain will happily move on to its next prediction. If they don't, the brain has to update its model of the world to match the new information, make new predictions, and see if those new predictions are a better match. Every person has a different mental model of the world, and none of them match reality, but every brain tries to get as close as possible. This updating of the model to match the new information is called "thinking", and it uses up energy, and our bodies and brains have evolved to conserve energy as much as possible. This means that for many people, most of the time, thinking is unpleasant, and indeed much of the time that people have spent thinking, they've been thinking about how to stop themselves having to do it at all, and when they have managed to stop thinking, however briefly, they've experienced great bliss. Many more or less effective technologies have been created to bring about a more minimal-energy state, including alcohol, heroin, and barbituates, but many of these have unwanted side-effects, such as death, which people also tend to want to avoid, and so people have often turned to another technology. It turns out that for many people, they can avoid thinking by simply thinking about something that is utterly predictable. If they minimise the amount of sensory input, and concentrate on something that they can predict exactly, eventually they can turn off their mind, relax, and float downstream, without dying. One easy way to do this is to close your eyes, so you can't see anything, make your breath as regular as possible, and then concentrate on a sound that repeats over and over.  If you repeat a single phrase or word a few hundred times, that regular repetition eventually causes your mind to stop having to keep track of the world, and experience a peace that is, by all accounts, unlike any other experience. What word or phrase that is can depend very much on the tradition. In Transcendental Meditation, each person has their own individual phrase. In the Catholicism in which George Harrison and Paul McCartney were raised, popular phrases for this are "Lord Jesus Christ, Son of God, have mercy on me, a sinner" or "Hail, Mary, full of grace, the Lord is with you; blessed are you among women, and blessed is the fruit of your womb, Jesus. Holy Mary, Mother of God, pray for us sinners now and at the hour of our death. Amen." In some branches of Buddhism, a popular mantra is "_NAMU MYŌHŌ RENGE KYŌ_". In the Hinduism to which George Harrison later converted, you can use "Hare Krishna Hare Krishna, Krishna Krishna Hare Hare, Hare Rama Hare Rama, Rama Rama Hare Hare", "Om Namo Bhagavate Vāsudevāya" or "Om Gam Ganapataye Namaha". Those last two start with the syllable "Om", and indeed some people prefer to just use that syllable, repeating a single syllable over and over again until they reach a state of transcendence. [Excerpt: The Beatles, "Hey Jude" ("na na na na na na na")] We don't know much about how the Beatles first discovered Maharishi Mahesh Yogi, except that it was thanks to Pattie Boyd, George Harrison's then-wife. Unfortunately, her memory of how she first became involved in the Maharishi's Spiritual Regeneration Movement, as described in her autobiography, doesn't fully line up with other known facts. She talks about reading about the Maharishi in the paper with her friend Marie-Lise while George was away on tour, but she also places the date that this happened in February 1967, several months after the Beatles had stopped touring forever. We'll be seeing a lot more of these timing discrepancies as this story progresses, and people's memories increasingly don't match the events that happened to them. Either way, it's clear that Pattie became involved in the Spiritual Regeneration Movement a good length of time before her husband did. She got him to go along with her to one of the Maharishi's lectures, after she had already been converted to the practice of Transcendental Meditation, and they brought along John, Paul, and their partners (Ringo's wife Maureen had just given birth, so they didn't come). As we heard back in episode one hundred and fifty, that lecture was impressive enough that the group, plus their wives and girlfriends (with the exception of Maureen Starkey) and Mick Jagger and Marianne Faithfull, all went on a meditation retreat with the Maharishi at a holiday camp in Bangor, and it was there that they learned that Brian Epstein had been found dead. The death of the man who had guided the group's career could not have come at a worse time for the band's stability.  The group had only recorded one song in the preceding two months -- Paul's "Your Mother Should Know" -- and had basically been running on fumes since completing recording of Sgt Pepper many months earlier. John's drug intake had increased to the point that he was barely functional -- although with the enthusiasm of the newly converted he had decided to swear off LSD at the Maharishi's urging -- and his marriage was falling apart. Similarly, Paul McCartney's relationship with Jane Asher was in a bad state, though both men were trying to repair their damaged relationships, while both George and Ringo were having doubts about the band that had made them famous. In George's case, he was feeling marginalised by John and Paul, his songs ignored or paid cursory attention, and there was less for him to do on the records as the group moved away from making guitar-based rock and roll music into the stranger areas of psychedelia. And Ringo, whose main memory of the recording of Sgt Pepper was of learning to play chess while the others went through the extensive overdubs that characterised that album, was starting to feel like his playing was deteriorating, and that as the only non-writer in the band he was on the outside to an extent. On top of that, the group were in the middle of a major plan to restructure their business. As part of their contract renegotiations with EMI at the beginning of 1967, it had been agreed that they would receive two million pounds -- roughly fifteen million pounds in today's money -- in unpaid royalties as a lump sum. If that had been paid to them as individuals, or through the company they owned, the Beatles Ltd, they would have had to pay the full top rate of tax on it, which as George had complained the previous year was over ninety-five percent. (In fact, he'd been slightly exaggerating the generosity of the UK tax system to the rich, as at that point the top rate of income tax was somewhere around ninety-seven and a half percent). But happily for them, a couple of years earlier the UK had restructured its tax laws and introduced a corporation tax, which meant that the profits of corporations were no longer taxed at the same high rate as income. So a new company had been set up, The Beatles & Co, and all the group's non-songwriting income was paid into the company. Each Beatle owned five percent of the company, and the other eighty percent was owned by a new partnership, a corporation that was soon renamed Apple Corps -- a name inspired by a painting that McCartney had liked by the artist Rene Magritte. In the early stages of Apple, it was very entangled with Nems, the company that was owned by Brian and Clive Epstein, and which was in the process of being sold to Robert Stigwood, though that sale fell through after Brian's death. The first part of Apple, Apple Publishing, had been set up in the summer of 1967, and was run by Terry Doran, a friend of Epstein's who ran a motor dealership -- most of the Apple divisions would be run by friends of the group rather than by people with experience in the industries in question. As Apple was set up during the point that Stigwood was getting involved with NEMS, Apple Publishing's initial offices were in the same building with, and shared staff with, two publishing companies that Stigwood owned, Dratleaf Music, who published Cream's songs, and Abigail Music, the Bee Gees' publishers. And indeed the first two songs published by Apple were copyrights that were gifted to the company by Stigwood -- "Listen to the Sky", a B-side by an obscure band called Sands: [Excerpt: Sands, "Listen to the Sky"] And "Outside Woman Blues", an arrangement by Eric Clapton of an old blues song by Blind Joe Reynolds, which Cream had copyrighted separately and released on Disraeli Gears: [Excerpt: Cream, "Outside Woman Blues"] But Apple soon started signing outside songwriters -- once Mike Berry, a member of Apple Publishing's staff, had sat McCartney down and explained to him what music publishing actually was, something he had never actually understood even though he'd been a songwriter for five years. Those songwriters, given that this was 1967, were often also performers, and as Apple Records had not yet been set up, Apple would try to arrange recording contracts for them with other labels. They started with a group called Focal Point, who got signed by badgering Paul McCartney to listen to their songs until he gave them Doran's phone number to shut them up: [Excerpt: Focal Point, "Sycamore Sid"] But the big early hope for Apple Publishing was a songwriter called George Alexander. Alexander's birth name had been Alexander Young, and he was the brother of George Young, who was a member of the Australian beat group The Easybeats, who'd had a hit with "Friday on My Mind": [Excerpt: The Easybeats, "Friday on My Mind"] His younger brothers Malcolm and Angus would go on to have a few hits themselves, but AC/DC wouldn't be formed for another five years. Terry Doran thought that Alexander should be a member of a band, because bands were more popular than solo artists at the time, and so he was placed with three former members of Tony Rivers and the Castaways, a Beach Boys soundalike group that had had some minor success. John Lennon suggested that the group be named Grapefruit, after a book he was reading by a conceptual artist of his acquaintance named Yoko Ono, and as Doran was making arrangements with Terry Melcher for a reciprocal publishing deal by which Melcher's American company would publish Apple songs in the US while Apple published songs from Melcher's company in the UK, it made sense for Melcher to also produce Grapefruit's first single, "Dear Delilah": [Excerpt: Grapefruit, "Dear Delilah"] That made number twenty-one in the UK when it came out in early 1968, on the back of publicity about Grapefruit's connection with the Beatles, but future singles by the band were much less successful, and like several other acts involved with Apple, they found that they were more hampered by the Beatles connection than helped. A few other people were signed to Apple Publishing early on, of whom the most notable was Jackie Lomax. Lomax had been a member of a minor Merseybeat group, the Undertakers, and after they had split up, he'd been signed by Brian Epstein with a new group, the Lomax Alliance, who had released one single, "Try as You May": [Excerpt: The Lomax Alliance, "Try As You May"] After Epstein's death, Lomax had plans to join another band, being formed by another Merseybeat musician, Chris Curtis, the former drummer of the Searchers. But after going to the Beatles to talk with them about them helping the new group financially, Lomax was persuaded by John Lennon to go solo instead. He may later have regretted that decision, as by early 1968 the people that Curtis had recruited for his new band had ditched him and were making a name for themselves as Deep Purple. Lomax recorded one solo single with funding from Stigwood, a cover version of a song by an obscure singer-songwriter, Jake Holmes, "Genuine Imitation Life": [Excerpt: Jackie Lomax, "Genuine Imitation Life"] But he was also signed to Apple Publishing as a songwriter. The Beatles had only just started laying out plans for Apple when Epstein died, and other than the publishing company one of the few things they'd agreed on was that they were going to have a film company, which was to be run by Denis O'Dell, who had been an associate producer on A Hard Day's Night and on How I Won The War, the Richard Lester film Lennon had recently starred in. A few days after Epstein's death, they had a meeting, in which they agreed that the band needed to move forward quickly if they were going to recover from Epstein's death. They had originally been planning on going to India with the Maharishi to study meditation, but they decided to put that off until the new year, and to press forward with a film project Paul had been talking about, to be titled Magical Mystery Tour. And so, on the fifth of September 1967, they went back into the recording studio and started work on a song of John's that was earmarked for the film, "I am the Walrus": [Excerpt: The Beatles, "I am the Walrus"] Magical Mystery Tour, the film, has a mixed reputation which we will talk about shortly, but one defence that Paul McCartney has always made of it is that it's the only place where you can see the Beatles performing "I am the Walrus". While the song was eventually relegated to a B-side, it's possibly the finest B-side of the Beatles' career, and one of the best tracks the group ever made. As with many of Lennon's songs from this period, the song was a collage of many different elements pulled from his environment and surroundings, and turned into something that was rather more than the sum of its parts. For its musical inspiration, Lennon pulled from, of all things, a police siren going past his house. (For those who are unfamiliar with what old British police sirens sounded like, as opposed to the ones in use for most of my lifetime or in other countries, here's a recording of one): [Excerpt: British police siren ca 1968] That inspired Lennon to write a snatch of lyric to go with the sound of the siren, starting "Mister city policeman sitting pretty". He had two other song fragments, one about sitting in the garden, and one about sitting on a cornflake, and he told Hunter Davies, who was doing interviews for his authorised biography of the group, “I don't know how it will all end up. Perhaps they'll turn out to be different parts of the same song.” But the final element that made these three disparate sections into a song was a letter that came from Stephen Bayley, a pupil at Lennon's old school Quarry Bank, who told him that the teachers at the school -- who Lennon always thought of as having suppressed his creativity -- were now analysing Beatles lyrics in their lessons. Lennon decided to come up with some nonsense that they couldn't analyse -- though as nonsensical as the finished song is, there's an underlying anger to a lot of it that possibly comes from Lennon thinking of his school experiences. And so Lennon asked his old schoolfriend Pete Shotton to remind him of a disgusting playground chant that kids used to sing in schools in the North West of England (and which they still sang with very minor variations at my own school decades later -- childhood folklore has a remarkably long life). That rhyme went: Yellow matter custard, green snot pie All mixed up with a dead dog's eye Slap it on a butty, nice and thick, And drink it down with a cup of cold sick Lennon combined some parts of this with half-remembered fragments of Lewis Carrol's The Walrus and the Carpenter, and with some punning references to things that were going on in his own life and those of his friends -- though it's difficult to know exactly which of the stories attached to some of the more incomprehensible bits of the lyrics are accurate. The story that the line "I am the eggman" is about a sexual proclivity of Eric Burdon of the Animals seems plausible, while the contention by some that the phrase "semolina pilchard" is a reference to Sgt Pilcher, the corrupt policeman who had arrested three of the Rolling Stones, and would later arrest Lennon, on drugs charges, seems less likely. The track is a masterpiece of production, but the release of the basic take on Anthology 2 in 1996 showed that the underlying performance, before George Martin worked his magic with the overdubs, is still a remarkable piece of work: [Excerpt: The Beatles, "I am the Walrus (Anthology 2 version)"] But Martin's arrangement and production turned the track from a merely very good track into a masterpiece. The string arrangement, very much in the same mould as that for "Strawberry Fields Forever" but giving a very different effect with its harsh cello glissandi, is the kind of thing one expects from Martin, but there's also the chanting of the Mike Sammes Singers, who were more normally booked for sessions like Englebert Humperdinck's "The Last Waltz": [Excerpt: Engelbert Humperdinck, "The Last Waltz"] But here were instead asked to imitate the sound of the strings, make grunting noises, and generally go very far out of their normal comfort zone: [Excerpt: The Beatles, "I am the Walrus"] But the most fascinating piece of production in the entire track is an idea that seems to have been inspired by people like John Cage -- a live feed of a radio being tuned was played into the mono mix from about the halfway point, and whatever was on the radio at the time was captured: [Excerpt: The Beatles, "I am the Walrus"] This is also why for many decades it was impossible to have a true stereo mix of the track -- the radio part was mixed directly into the mono mix, and it wasn't until the 1990s that someone thought to track down a copy of the original radio broadcasts and recreate the process. In one of those bits of synchronicity that happen more often than you would think when you're creating aleatory art, and which are why that kind of process can be so appealing, one bit of dialogue from the broadcast of King Lear that was on the radio as the mixing was happening was *perfectly* timed: [Excerpt: The Beatles, "I am the Walrus"] After completing work on the basic track for "I am the Walrus", the group worked on two more songs for the film, George's "Blue Jay Way" and a group-composed twelve-bar blues instrumental called "Flying", before starting production. Magical Mystery Tour, as an idea, was inspired in equal parts by Ken Kesey's Merry Pranksters, the collective of people we talked about in the episode on the Grateful Dead who travelled across the US extolling the virtues of psychedelic drugs, and by mystery tours, a British working-class tradition that has rather fallen out of fashion in the intervening decades. A mystery tour would generally be put on by a coach-hire company, and would be a day trip to an unannounced location -- though the location would in fact be very predictable, and would be a seaside town within a couple of hours' drive of its starting point. In the case of the ones the Beatles remembered from their own childhoods, this would be to a coastal town in Lancashire or Wales, like Blackpool, Rhyl, or Prestatyn. A coachload of people would pay to be driven to this random location, get very drunk and have a singsong on the bus, and spend a day wherever they were taken. McCartney's plan was simple -- they would gather a group of passengers and replicate this experience over the course of several days, and film whatever went on, but intersperse that with more planned out sketches and musical numbers. For this reason, along with the Beatles and their associates, the cast included some actors found through Spotlight and some of the group's favourite performers, like the comedian Nat Jackley (whose comedy sequence directed by John was cut from the final film) and the surrealist poet/singer/comedian Ivor Cutler: [Excerpt: Ivor Cutler, "I'm Going in a Field"] The film also featured an appearance by a new band who would go on to have great success over the next year, the Bonzo Dog Doo-Dah Band. They had recorded their first single in Abbey Road at the same time as the Beatles were recording Revolver, but rather than being progressive psychedelic rock, it had been a remake of a 1920s novelty song: [Excerpt: The Bonzo Dog Doo-Dah Band, "My Brother Makes the Noises For the Talkies"] Their performance in Magical Mystery Tour was very different though -- they played a fifties rock pastiche written by band leaders Vivian Stanshall and Neil Innes while a stripper took off her clothes. While several other musical sequences were recorded for the film, including one by the band Traffic and one by Cutler, other than the Beatles tracks only the Bonzos' song made it into the finished film: [Excerpt: The Bonzo Dog Doo-Dah Band, "Death Cab for Cutie"] That song, thirty years later, would give its name to a prominent American alternative rock band. Incidentally the same night that Magical Mystery Tour was first broadcast was also the night that the Bonzo Dog Doo-Dah Band first appeared on a TV show, Do Not Adjust Your Set, which featured three future members of the Monty Python troupe -- Eric Idle, Michael Palin, and Terry Jones. Over the years the careers of the Bonzos, the Pythons, and the Beatles would become increasingly intertwined, with George Harrison in particular striking up strong friendships and working relationships with Bonzos Neil Innes and "Legs" Larry Smith. The filming of Magical Mystery Tour went about as well as one might expect from a film made by four directors, none of whom had any previous filmmaking experience, and none of whom had any business knowledge. The Beatles were used to just turning up and having things magically done for them by other people, and had no real idea of the infrastructure challenges that making a film, even a low-budget one, actually presents, and ended up causing a great deal of stress to almost everyone involved. The completed film was shown on TV on Boxing Day 1967 to general confusion and bemusement. It didn't help that it was originally broadcast in black and white, and so for example the scene showing shifting landscapes (outtake footage from Stanley Kubrick's Dr. Strangelove, tinted various psychedelic colours) over the "Flying" music, just looked like grey fuzz. But also, it just wasn't what people were expecting from a Beatles film. This was a ramshackle, plotless, thing more inspired by Andy Warhol's underground films than by the kind of thing the group had previously appeared in, and it was being presented as Christmas entertainment for all the family. And to be honest, it's not even a particularly good example of underground filmmaking -- though it looks like a masterpiece when placed next to something like the Bee Gees' similar effort, Cucumber Castle. But there are enough interesting sequences in there for the project not to be a complete failure -- and the deleted scenes on the DVD release, including the performances by Cutler and Traffic, and the fact that the film was edited down from ten hours to fifty-two minutes, makes one wonder if there's a better film that could be constructed from the original footage. Either way, the reaction to the film was so bad that McCartney actually appeared on David Frost's TV show the next day to defend it and, essentially, apologise. While they were editing the film, the group were also continuing to work in the studio, including on two new McCartney songs, "The Fool on the Hill", which was included in Magical Mystery Tour, and "Hello Goodbye", which wasn't included on the film's soundtrack but was released as the next single, with "I Am the Walrus" as the B-side: [Excerpt: The Beatles, "Hello Goodbye"] Incidentally, in the UK the soundtrack to Magical Mystery Tour was released as a double-EP rather than as an album (in the US, the group's recent singles and B-sides were added to turn it into a full-length album, which is how it's now generally available). "I Am the Walrus" was on the double-EP as well as being on the single's B-side, and the double-EP got to number two on the singles charts, meaning "I am the Walrus" was on the records at number one and number two at the same time. Before it became obvious that the film, if not the soundtrack, was a disaster, the group held a launch party on the twenty-first of December, 1967. The band members went along in fancy dress, as did many of the cast and crew -- the Bonzo Dog Doo-Dah Band performed at the party. Mike Love and Bruce Johnston of the Beach Boys also turned up at the party, and apparently at one point jammed with the Bonzos, and according to some, but not all, reports, a couple of the Beatles joined in as well. Love and Johnston had both just met the Maharishi for the first time a couple of days earlier, and Love had been as impressed as the Beatles were, and it may have been at this party that the group mentioned to Love that they would soon be going on a retreat in India with the guru -- a retreat that was normally meant for training TM instructors, but this time seemed to be more about getting celebrities involved. Love would also end up going with them. That party was also the first time that Cynthia Lennon had an inkling that John might not be as faithful to her as she previously supposed. John had always "joked" about being attracted to George Harrison's wife, Patti, but this time he got a little more blatant about his attraction than he ever had previously, to the point that he made Cynthia cry, and Cynthia's friend, the pop star Lulu, decided to give Lennon a very public dressing-down for his cruelty to his wife, a dressing-down that must have been a sight to behold, as Lennon was dressed as a Teddy boy while Lulu was in a Shirley Temple costume. It's a sign of how bad the Lennons' marriage was at this point that this was the second time in a two-month period where Cynthia had ended up crying because of John at a film launch party and been comforted by a female pop star. In October, Cilla Black had held a party to celebrate the belated release of John's film How I Won the War, and during the party Georgie Fame had come up to Black and said, confused, "Cynthia Lennon is hiding in your wardrobe". Black went and had a look, and Cynthia explained to her “I'm waiting to see how long it is before John misses me and comes looking for me.” Black's response had been “You'd better face it, kid—he's never gonna come.” Also at the Magical Mystery Tour party was Lennon's father, now known as Freddie Lennon, and his new nineteen-year-old fiancee. While Hunter Davis had been researching the Beatles' biography, he'd come across some evidence that the version of Freddie's attitude towards John that his mother's side of the family had always told him -- that Freddie had been a cruel and uncaring husband who had not actually wanted to be around his son -- might not be the whole of the truth, and that the mother who he had thought of as saintly might also have had some part to play in their marriage breaking down and Freddie not seeing his son for twenty years. The two had made some tentative attempts at reconciliation, and indeed Freddie would even come and live with John for a while, though within a couple of years the younger Lennon's heart would fully harden against his father again. Of course, the things that John always resented his father for were pretty much exactly the kind of things that Lennon himself was about to do. It was around this time as well that Derek Taylor gave the Beatles copies of the debut album by a young singer/songwriter named Harry Nilsson. Nilsson will be getting his own episode down the line, but not for a couple of years at my current rates, so it's worth bringing that up here, because that album became a favourite of all the Beatles, and would have a huge influence on their songwriting for the next couple of years, and because one song on the album, "1941", must have resonated particularly deeply with Lennon right at this moment -- an autobiographical song by Nilsson about how his father had left him and his mother when he was a small boy, and about his own fear that, as his first marriage broke down, he was repeating the pattern with his stepson Scott: [Excerpt: Nilsson, "1941"] The other major event of December 1967, rather overshadowed by the Magical Mystery Tour disaster the next day, was that on Christmas Day Paul McCartney and Jane Asher announced their engagement. A few days later, George Harrison flew to India. After John and Paul had had their outside film projects -- John starring in How I Won The War and Paul doing the soundtrack for The Family Way -- the other two Beatles more or less simultaneously did their own side project films, and again one acted while the other did a soundtrack. Both of these projects were in the rather odd subgenre of psychedelic shambolic comedy film that sprang up in the mid sixties, a subgenre that produced a lot of fascinating films, though rather fewer good ones. Indeed, both of them were in the subsubgenre of shambolic psychedelic *sex* comedies. In Ringo's case, he had a small role in the film Candy, which was based on the novel we mentioned in the last episode, co-written by Terry Southern, which was in itself a loose modern rewriting of Voltaire's Candide. Unfortunately, like such other classics of this subgenre as Anthony Newley's Can Heironymus Merkin Ever Forget Mercy Humppe and Find True Happiness?, Candy has dated *extremely* badly, and unless you find repeated scenes of sexual assault and rape, ethnic stereotypes, and jokes about deformity and disfigurement to be an absolute laugh riot, it's not a film that's worth seeking out, and Starr's part in it is not a major one. Harrison's film was of the same basic genre -- a film called Wonderwall about a mad scientist who discovers a way to see through the walls of his apartment, and gets to see a photographer taking sexy photographs of a young woman named Penny Lane, played by Jane Birkin: [Excerpt: Some Wonderwall film dialogue ripped from the Blu-Ray] Wonderwall would, of course, later inspire the title of a song by Oasis, and that's what the film is now best known for, but it's a less-unwatchable film than Candy, and while still problematic it's less so. Which is something. Harrison had been the Beatle with least involvement in Magical Mystery Tour -- McCartney had been the de facto director, Starr had been the lead character and the only one with much in the way of any acting to do, and Lennon had written the film's standout scene and its best song, and had done a little voiceover narration. Harrison, by contrast, barely has anything to do in the film apart from the one song he contributed, "Blue Jay Way", and he said of the project “I had no idea what was happening and maybe I didn't pay enough attention because my problem, basically, was that I was in another world, I didn't really belong; I was just an appendage.” He'd expressed his discomfort to his friend Joe Massot, who was about to make his first feature film. Massot had got to know Harrison during the making of his previous film, Reflections on Love, a mostly-silent short which had starred Harrison's sister-in-law Jenny Boyd, and which had been photographed by Robert Freeman, who had been the photographer for the Beatles' album covers from With the Beatles through Rubber Soul, and who had taken most of the photos that Klaus Voorman incorporated into the cover of Revolver (and whose professional association with the Beatles seemed to come to an end around the same time he discovered that Lennon had been having an affair with his wife). Massot asked Harrison to write the music for the film, and told Harrison he would have complete free rein to make whatever music he wanted, so long as it fit the timing of the film, and so Harrison decided to create a mixture of Western rock music and the Indian music he loved. Harrison started recording the music at the tail end of 1967, with sessions with several London-based Indian musicians and John Barham, an orchestrator who had worked with Ravi Shankar on Shankar's collaborations with Western musicians, including the Alice in Wonderland soundtrack we talked about in the "All You Need is Love" episode. For the Western music, he used the Remo Four, a Merseybeat group who had been on the scene even before the Beatles, and which contained a couple of classmates of Paul McCartney, but who had mostly acted as backing musicians for other artists. They'd backed Johnny Sandon, the former singer with the Searchers, on a couple of singles, before becoming the backing band for Tommy Quickly, a NEMS artist who was unsuccessful despite starting his career with a Lennon/McCartney song, "Tip of My Tongue": [Excerpt: Tommy Quickly, "Tip of My Tongue"] The Remo Four would later, after a lineup change, become Ashton, Gardner and Dyke, who would become one-hit wonders in the seventies, and during the Wonderwall sessions they recorded a song that went unreleased at the time, and which would later go on to be rerecorded by Ashton, Gardner, and Dyke. "In the First Place" also features Harrison on backing vocals and possibly guitar, and was not submitted for the film because Harrison didn't believe that Massot wanted any vocal tracks, but the recording was later discovered and used in a revised director's cut of the film in the nineties: [Excerpt: The Remo Four, "In the First Place"] But for the most part the Remo Four were performing instrumentals written by Harrison. They weren't the only Western musicians performing on the sessions though -- Peter Tork of the Monkees dropped by these sessions and recorded several short banjo solos, which were used in the film soundtrack but not in the soundtrack album (presumably because Tork was contracted to another label): [Excerpt: Peter Tork, "Wonderwall banjo solo"] Another musician who was under contract to another label was Eric Clapton, who at the time was playing with The Cream, and who vaguely knew Harrison and so joined in for the track "Ski-ing", playing lead guitar under the cunning, impenetrable, pseudonym "Eddie Clayton", with Harrison on sitar, Starr on drums, and session guitarist Big Jim Sullivan on bass: [Excerpt: George Harrison, "Ski-ing"] But the bulk of the album was recorded in EMI's studios in the city that is now known as Mumbai but at the time was called Bombay. The studio facilities in India had up to that point only had a mono tape recorder, and Bhaskar Menon, one of the top executives at EMI's Indian division and later the head of EMI music worldwide, personally brought the first stereo tape recorder to the studio to aid in Harrison's recording. The music was all composed by Harrison and performed by the Indian musicians, and while Harrison was composing in an Indian mode, the musicians were apparently fascinated by how Western it sounded to them: [Excerpt: George Harrison, "Microbes"] While he was there, Harrison also got the instrumentalists to record another instrumental track, which wasn't to be used for the film: [Excerpt: George Harrison, "The Inner Light (instrumental)"] That track would, instead, become part of what was to be Harrison's first composition to make a side of a Beatles single. After John and George had appeared on the David Frost show talking about the Maharishi, in September 1967, George had met a lecturer in Sanskrit named Juan Mascaró, who wrote to Harrison enclosing a book he'd compiled of translations of religious texts, telling him he'd admired "Within You Without You" and thought it would be interesting if Harrison set something from the Tao Te Ching to music. He suggested a text that, in his translation, read: "Without going out of my door I can know all things on Earth Without looking out of my window I can know the ways of heaven For the farther one travels, the less one knows The sage, therefore Arrives without travelling Sees all without looking Does all without doing" Harrison took that text almost verbatim, though he created a second verse by repeating the first few lines with "you" replacing "I" -- concerned that listeners might think he was just talking about himself, and wouldn't realise it was a more general statement -- and he removed the "the sage, therefore" and turned the last few lines into imperative commands rather than declarative statements: [Excerpt: The Beatles, "The Inner Light"] The song has come in for some criticism over the years as being a little Orientalist, because in critics' eyes it combines Chinese philosophy with Indian music, as if all these things are equally "Eastern" and so all the same really. On the other hand there's a good argument that an English songwriter taking a piece of writing written in Chinese and translated into English by a Spanish man and setting it to music inspired by Indian musical modes is a wonderful example of cultural cross-pollination. As someone who's neither Chinese nor Indian I wouldn't want to take a stance on it, but clearly the other Beatles were impressed by it -- they put it out as the B-side to their next single, even though the only Beatles on it are Harrison and McCartney, with the latter adding a small amount of harmony vocal: [Excerpt: The Beatles, "The Inner Light"] And it wasn't because the group were out of material. They were planning on going to Rishikesh to study with the Maharishi, and wanted to get a single out for release while they were away, and so in one week they completed the vocal overdubs on "The Inner Light" and recorded three other songs, two by John and one by Paul. All three of the group's songwriters brought in songs that were among their best. John's first contribution was a song whose lyrics he later described as possibly the best he ever wrote, "Across the Universe". He said the lyrics were “purely inspirational and were given to me as boom! I don't own it, you know; it came through like that … Such an extraordinary meter and I can never repeat it! It's not a matter of craftsmanship, it wrote itself. It drove me out of bed. I didn't want to write it … It's like being possessed, like a psychic or a medium.” But while Lennon liked the song, he was never happy with the recording of it. They tried all sorts of things to get the sound he heard in his head, including bringing in some fans who were hanging around outside to sing backing vocals. He said of the track "I was singing out of tune and instead of getting a decent choir, we got fans from outside, Apple Scruffs or whatever you call them. They came in and were singing all off-key. Nobody was interested in doing the tune originally.” [Excerpt: The Beatles, "Across the Universe"] The "jai guru deva" chorus there is the first reference to the teachings of the Maharishi in one of the Beatles' records -- Guru Dev was the Maharishi's teacher, and the phrase "Jai guru dev" is a Sanskrit one which I've seen variously translated as "victory to the great teacher", and "hail to the greatness within you". Lennon would say shortly before his death “The Beatles didn't make a good record out of it. I think subconsciously sometimes we – I say ‘we' though I think Paul did it more than the rest of us – Paul would sort of subconsciously try and destroy a great song … Usually we'd spend hours doing little detailed cleaning-ups of Paul's songs, when it came to mine, especially if it was a great song like ‘Strawberry Fields' or ‘Across The Universe', somehow this atmosphere of looseness and casualness and experimentation would creep in … It was a _lousy_ track of a great song and I was so disappointed by it …The guitars are out of tune and I'm singing out of tune because I'm psychologically destroyed and nobody's supporting me or helping me with it, and the song was never done properly.” Of course, this is only Lennon's perception, and it's one that the other participants would disagree with. George Martin, in particular, was always rather hurt by the implication that Lennon's songs had less attention paid to them, and he would always say that the problem was that Lennon in the studio would always say "yes, that's great", and only later complain that it hadn't been what he wanted. No doubt McCartney did put in more effort on his own songs than on Lennon's -- everyone has a bias towards their own work, and McCartney's only human -- but personally I suspect that a lot of the problem comes down to the two men having very different personalities. McCartney had very strong ideas about his own work and would drive the others insane with his nitpicky attention to detail. Lennon had similarly strong ideas, but didn't have the attention span to put the time and effort in to force his vision on others, and didn't have the technical knowledge to express his ideas in words they'd understand. He expected Martin and the other Beatles to work miracles, and they did -- but not the miracles he would have worked. That track was, rather than being chosen for the next single, given to Spike Milligan, who happened to be visiting the studio and was putting together an album for the environmental charity the World Wildlife Fund. The album was titled "No One's Gonna Change Our World": [Excerpt: The Beatles, "Across the Universe"] That track is historic in another way -- it would be the last time that George Harrison would play sitar on a Beatles record, and it effectively marks the end of the period of psychedelia and Indian influence that had started with "Norwegian Wood" three years earlier, and which many fans consider their most creative period. Indeed, shortly after the recording, Harrison would give up the sitar altogether and stop playing it. He loved sitar music as much as he ever had, and he still thought that Indian classical music spoke to him in ways he couldn't express, and he continued to be friends with Ravi Shankar for the rest of his life, and would only become more interested in Indian religious thought. But as he spent time with Shankar he realised he would never be as good on the sitar as he hoped. He said later "I thought, 'Well, maybe I'm better off being a pop singer-guitar-player-songwriter – whatever-I'm-supposed-to-be' because I've seen a thousand sitar-players in India who are twice as better as I'll ever be. And only one of them Ravi thought was going to be a good player." We don't have a precise date for when it happened -- I suspect it was in June 1968, so a few months after the "Across the Universe" recording -- but Shankar told Harrison that rather than try to become a master of a music that he hadn't encountered until his twenties, perhaps he should be making the music that was his own background. And as Harrison put it "I realised that was riding my bike down a street in Liverpool and hearing 'Heartbreak Hotel' coming out of someone's house.": [Excerpt: Elvis Presley, "Heartbreak Hotel"] In early 1968 a lot of people seemed to be thinking along the same lines, as if Christmas 1967 had been the flick of a switch and instead of whimsy and ornamentation, the thing to do was to make music that was influenced by early rock and roll. In the US the Band and Bob Dylan were making music that was consciously shorn of all studio experimentation, while in the UK there was a revival of fifties rock and roll. In April 1968 both "Peggy Sue" and "Rock Around the Clock" reentered the top forty in the UK, and the Who were regularly including "Summertime Blues" in their sets. Fifties nostalgia, which would make occasional comebacks for at least the next forty years, was in its first height, and so it's not surprising that Paul McCartney's song, "Lady Madonna", which became the A-side of the next single, has more than a little of the fifties about it. Of course, the track isn't *completely* fifties in its origins -- one of the inspirations for the track seems to have been the Rolling Stones' then-recent hit "Let's Spend The Night Together": [Excerpt: The Rolling Stones, "Let's Spend the Night Together"] But the main source for the song's music -- and for the sound of the finished record -- seems to have been Johnny Parker's piano part on Humphrey Lyttleton's "Bad Penny Blues", a hit single engineered by Joe Meek in the fifties: [Excerpt: Humphrey Lyttleton, "Bad Penny Blues"] That song seems to have been on the group's mind for a while, as a working title for "With a Little Help From My Friends" had at one point been "Bad Finger Blues" -- a title that would later give the name to a band on Apple. McCartney took Parker's piano part as his inspiration, and as he later put it “‘Lady Madonna' was me sitting down at the piano trying to write a bluesy boogie-woogie thing. I got my left hand doing an arpeggio thing with the chord, an ascending boogie-woogie left hand, then a descending right hand. I always liked that, the  juxtaposition of a line going down meeting a line going up." [Excerpt: The Beatles, "Lady Madonna"] That idea, incidentally, is an interesting reversal of what McCartney had done on "Hello, Goodbye", where the bass line goes down while the guitar moves up -- the two lines moving away from each other: [Excerpt: The Beatles, "Hello Goodbye"] Though that isn't to say there's no descending bass in "Lady Madonna" -- the bridge has a wonderful sequence where the bass just *keeps* *descending*: [Excerpt: The Beatles, "Lady Madonna"] Lyrically, McCartney was inspired by a photo in National Geographic of a woman in Malaysia, captioned “Mountain Madonna: with one child at her breast and another laughing into her face, sees her quality of life threatened.” But as he put it “The people I was brought up amongst were often Catholic; there are lots of Catholics in Liverpool because of the Irish connection and they are often religious. When they have a baby I think they see a big connection between themselves and the Virgin Mary with her baby. So the original concept was the Virgin Mary but it quickly became symbolic of every woman; the Madonna image but as applied to ordinary working class woman. It's really a tribute to the mother figure, it's a tribute to women.” Musically though, the song was more a tribute to the fifties -- while the inspiration had been a skiffle hit by Humphrey Lyttleton, as soon as McCartney started playing it he'd thought of Fats Domino, and the lyric reflects that to an extent -- just as Domino's "Blue Monday" details the days of the week for a weary working man who only gets to enjoy himself on Saturday night, "Lady Madonna"'s lyrics similarly look at the work a mother has to do every day -- though as McCartney later noted  "I was writing the words out to learn it for an American TV show and I realised I missed out Saturday ... So I figured it must have been a real night out." The vocal was very much McCartney doing a Domino impression -- something that wasn't lost on Fats, who cut his own version of the track later that year: [Excerpt: Fats Domino, "Lady Madonna"] The group were so productive at this point, right before the journey to India, that they actually cut another song *while they were making a video for "Lady Madonna"*. They were booked into Abbey Road to film themselves performing the song so it could be played on Top of the Pops while they were away, but instead they decided to use the time to cut a new song -- John had a partially-written song, "Hey Bullfrog", which was roughly the same tempo as "Lady Madonna", so they could finish that up and then re-edit the footage to match the record. The song was quickly finished and became "Hey Bulldog": [Excerpt: The Beatles, "Hey Bulldog"] One of Lennon's best songs from this period, "Hey Bulldog" was oddly chosen only to go on the soundtrack of Yellow Submarine. Either the band didn't think much of it because it had come so easily, or it was just assigned to the film because they were planning on being away for several months and didn't have any other projects they were working on. The extent of the group's contribution to the film was minimal – they were not very hands-on, and the film, which was mostly done as an attempt to provide a third feature film for their United Artists contract without them having to do any work, was made by the team that had done the Beatles cartoon on American TV. There's some evidence that they had a small amount of input in the early story stages, but in general they saw the cartoon as an irrelevance to them -- the only things they contributed were the four songs "All Together Now", "It's All Too Much", "Hey Bulldog" and "Only a Northern Song", and a brief filmed appearance for the very end of the film, recorded in January: [Excerpt: Yellow Submarine film end] McCartney also took part in yet another session in early February 1968, one produced by Peter Asher, his fiancee's brother, and former singer with Peter and Gordon. Asher had given up on being a pop star and was trying to get into the business side of music, and he was starting out as a producer, producing a single by Paul Jones, the former lead singer of Manfred Mann. The A-side of the single, "And the Sun Will Shine", was written by the Bee Gees, the band that Robert Stigwood was managing: [Excerpt: Paul Jones, "And the Sun Will Shine"] While the B-side was an original by Jones, "The Dog Presides": [Excerpt: Paul Jones, "The Dog Presides"] Those tracks featured two former members of the Yardbirds, Jeff Beck and Paul Samwell-Smith, on guitar and bass, and Nicky Hopkins on piano. Asher asked McCartney to play drums on both sides of the single, saying later "I always thought he was a great, underrated drummer." McCartney was impressed by Asher's production, and asked him to get involved with the new Apple Records label that would be set up when the group returned from India. Asher eventually became head of A&R for the label. And even before "Lady Madonna" was mixed, the Beatles were off to India. Mal Evans, their roadie, went ahead with all their luggage on the fourteenth of February, so he could sort out transport for them on the other end, and then John and George followed on the fifteenth, with their wives Pattie and Cynthia and Pattie's sister Jenny (John and Cynthia's son Julian had been left with his grandmother while they went -- normally Cynthia wouldn't abandon Julian for an extended period of time, but she saw the trip as a way to repair their strained marriage). Paul and Ringo followed four days later, with Ringo's wife Maureen and Paul's fiancee Jane Asher. The retreat in Rishikesh was to become something of a celebrity affair. Along with the Beatles came their friend the singer-songwriter Donovan, and Donovan's friend and songwriting partner, whose name I'm not going to say here because it's a slur for Romani people, but will be known to any Donovan fans. Donovan at this point was also going through changes. Like the Beatles, he was largely turning away from drug use and towards meditation, and had recently written his hit single "There is a Mountain" based around a saying from Zen Buddhism: [Excerpt: Donovan, "There is a Mountain"] That was from his double-album A Gift From a Flower to a Garden, which had come out in December 1967. But also like John and Paul he was in the middle of the breakdown of a long-term relationship, and while he would remain with his then-partner until 1970, and even have another child with her, he was secretly in love with another woman. In fact he was secretly in love with two other women. One of them, Brian Jones' ex-girlfriend Linda, had moved to LA, become the partner of the singer Gram Parsons, and had appeared in the documentary You Are What You Eat with the Band and Tiny Tim. She had fallen out of touch with Donovan, though she would later become his wife. Incidentally, she had a son to Brian Jones who had been abandoned by his rock-star father -- the son's name is Julian. The other woman with whom Donovan was in love was Jenny Boyd, the sister of George Harrison's wife Pattie.  Jenny at the time was in a relationship with Alexis Mardas, a TV repairman and huckster who presented himself as an electronics genius to the Beatles, who nicknamed him Magic Alex, and so she was unavailable, but Donovan had written a song about her, released as a single just before they all went to Rishikesh: [Excerpt: Donovan, "Jennifer Juniper"] Donovan considered himself and George Harrison to be on similar spiritual paths and called Harrison his "spirit-brother", though Donovan was more interested in Buddhism, which Harrison considered a corruption of the more ancient Hinduism, and Harrison encouraged Donovan to read Autobiography of a Yogi. It's perhaps worth noting that Donovan's father had a different take on the subject though, saying "You're not going to study meditation in India, son, you're following that wee lassie Jenny" Donovan and his friend weren't the only other celebrities to come to Rishikesh. The actor Mia Farrow, who had just been through a painful divorce from Frank Sinatra, and had just made Rosemary's Baby, a horror film directed by Roman Polanski with exteriors shot at the Dakota building in New York, arrived with her sister Prudence. Also on the trip was Paul Horn, a jazz saxophonist who had played with many of the greats of jazz, not least of them Duke Ellington, whose Sweet Thursday Horn had played alto sax on: [Excerpt: Duke Ellington, "Zweet Zursday"] Horn was another musician who had been inspired to investigate Indian spirituality and music simultaneously, and the previous year he had recorded an album, "In India," of adaptations of ragas, with Ravi Shankar and Alauddin Khan: [Excerpt: Paul Horn, "Raga Vibhas"] Horn would go on to become one of the pioneers of what would later be termed "New Age" music, combining jazz with music from various non-Western traditions. Horn had also worked as a session musician, and one of the tracks he'd played on was "I Know There's an Answer" from the Beach Boys' Pet Sounds album: [Excerpt: The Beach Boys, "I Know There's an Answer"] Mike Love, who co-wrote that track and is one of the lead singers on it, was also in Rishikesh. While as we'll see not all of the celebrities on the trip would remain practitioners of Transcendental Meditation, Love would be profoundly affected by the trip, and remains a vocal proponent of TM to this day. Indeed, his whole band at the time were heavily into TM. While Love was in India, the other Beach Boys were working on the Friends album without him -- Love only appears on four tracks on that album -- and one of the tracks they recorded in his absence was titled "Transcendental Meditation": [Excerpt: The Beach Boys, "Transcendental Meditation"] But the trip would affect Love's songwriting, as it would affect all of the musicians there. One of the few songs on the Friends album on which Love appears is "Anna Lee, the Healer", a song which is lyrically inspired by the trip in the most literal sense, as it's about a masseuse Love met in Rishikesh: [Excerpt: The Beach Boys, "Anna Lee, the Healer"] The musicians in the group all influenced and inspired each other as is likely to happen in such circumstances. Sometimes, it would be a matter of trivial joking, as when the Beatles decided to perform an off-the-cuff song about Guru Dev, and did it in the Beach Boys style: [Excerpt: The Beatles, "Spiritual Regeneration"] And that turned partway through into a celebration of Love for his birthday: [Excerpt: The Beatles, "Spiritual Regeneration"] Decades later, Love would return the favour, writing a song about Harrison and their time together in Rishikesh. Like Donovan, Love seems to have considered Harrison his "spiritual brother", and he titled the song "Pisces Brothers": [Excerpt: Mike Love, "Pisces Brothers"] The musicians on the trip were also often making suggestions to each other about songs that would become famous for them. The musicians had all brought acoustic guitars, apart obviously from Ringo, who got a set of tabla drums when George ordered some Indian instruments to be delivered. George got a sitar, as at this point he hadn't quite given up on the instrument, and he gave Donovan a tamboura. Donovan started playing a melody on the tamboura, which is normally a drone instrument, inspired by the Scottish folk music he had grown up with, and that became his "Hurdy-Gurdy Man": [Excerpt: Donovan, "Hurdy Gurdy Man"] Harrison actually helped him with the song, writing a final verse inspired by the Maharishi's teachings, but in the studio Donovan's producer Mickie Most told him to cut the verse because the song was overlong, which apparently annoyed Harrison. Donovan includes that verse in his live performances of the song though -- usually while doing a fairly terrible impersonation of Harrison: [Excerpt: Donovan, "Hurdy Gurdy Man (live)"] And similarly, while McCartney was working on a song pastiching Chuck Berry and the Beach Boys, but singing about the USSR rather than the USA, Love suggested to him that for a middle-eight he might want to sing about the girls in the various Soviet regions: [Excerpt: The Beatles, "Back in the USSR"] As all the guitarists on the retreat only had acoustic instruments, they were very keen to improve their acoustic playing, and they turned to Donovan, who unlike the rest of them was primarily an acoustic player, and one from a folk background. Donovan taught them the rudiments of Travis picking, the guitar style we talked about way back in the episodes on the Everly Brothers, as well as some of the tunings that had been introduced to British folk music by Davey Graham, giving them a basic grounding in the principles of English folk-baroque guitar, a style that had developed over the previous few years. Donovan has said in his autobiography that Lennon picked the technique up quickly (and that Harrison had already learned Travis picking from Chet Atkins records) but that McCartney didn't have the application to learn the style, though he picked up bits. That seems very unlike anything else I've read anywhere about Lennon and McCartney -- no-one has ever accused Lennon of having a surfeit of application -- and reading Donovan's book he seems to dislike McCartney and like Lennon and Harrison, so possibly that enters into it. But also, it may just be that Lennon was more receptive to Donovan's style at the time. According to McCartney, even before going to Rishikesh Lennon had been in a vaguely folk-music and country mode, and the small number of tapes he'd brought with him to Rishikesh included Buddy Holly, Dylan, and the progressive folk band The Incredible String Band, whose music would be a big influence on both Lennon and McCartney for the next year: [Excerpt: The Incredible String Band, "First Girl I Loved"] According to McCartney Lennon also brought "a tape the singer Jake Thackray had done for him... He was one of the people we bumped into at Abbey Road. John liked his stuff, which he'd heard on television. Lots of wordplay and very suggestive, so very much up John's alley. I was fascinated by his unusual guitar style. John did ‘Happiness Is A Warm Gun' as a Jake Thackray thing at one point, as I recall.” Thackray was a British chansonnier, who sang sweetly poignant but also often filthy songs about Yorkshire life, and his humour in particular will have appealed to Lennon. There's a story of Lennon meeting Thackray in Abbey Road and singing the whole of Thackray's song "The Statues", about two drunk men fighting a male statue to defend the honour of a female statue, to him: [Excerpt: Jake Thackray, "The Statues"] Given this was the music that Lennon was listening to, it's unsurprising that he was more receptive to Donovan's lessons, and the new guitar style he learned allowed him to expand his songwriting, at precisely the same time he was largely clean of drugs for the first time in several years, and he started writing some of the best songs he would ever write, often using these new styles: [Excerpt: The Beatles, "Julia"] That song is about Lennon's dead mother -- the first time he ever addressed her directly in a song, though  it would be far from the last -- but it's also about someone else. That phrase "Ocean child" is a direct translation of the Japanese name "Yoko". We've talked about Yoko Ono a bit in recent episodes, and even briefly in a previous Beatles episode, but it's here that she really enters the story of the Beatles. Unfortunately, exactly *how* her relationship with John Lennon, which was to become one of the great legendary love stories in rock and roll history, actually started is the subject of some debate. Both of them were married when they first got together, and there have also been suggestions that Ono was more interested in McCartney than in Lennon at first -- suggestions which everyone involved has denied, and those denials have the ring of truth about them, but if that was the case it would also explain some of Lennon's more perplexing behaviour over the next year. By all accounts there was a certain amount of finessing of the story th

Growing up in the 1970s and 80s, one assumed that Paul McCartney was always universally loved because of his work in The Beatles, his 70s solo work and that with Wings, and his positive peace & love attitude. However, in 1973 Paul found himself in a bit of turmoil. Though he'd enjoyed some success as a solo artist, particularly in the US, Paul was being criticized for the adult contemporary nature of his music vs. the output of the other Beatles and the harder rocking music of the day. He was skewered in the British press after he released Leave Ireland to the Irish on the heels of Bloody Sunday in 1972 and had lost several members of Wings over being treated as hired hands and the presence of Linda in the band despite her lack of musical ability. However, Paul forged ahead with Linda and Denny Laine to create Band on the Run, released on December 5, 1973 in the US (November 30, 1973 in the UK). The title track is one of redemption and freedom inspired by George Harrison during their ongoing Apple Corps meetings and negotiations. Jet is an upbeat song that climbed the charts around the world despite it being about his dog and getting to know Linda's father. Songs like Bluebird, Mrs. Vanderbilt, Let Me Roll It and Nineteen Hundred and Eighty-Five became AM and classic rock radio staples in the US where the album not only went to #1 but sold more than 3 million copies. As the album that gave Paul back his credibility with the critics and allowed Paul and Wings to continue through the end of the 70s turns 50, we give it our classic track by track treatment. Ugly American Werewolf in London Website Ugly American Werewolf in London Store - Get your Wolf merch and use code 10OFF2023 to save 10% during the holidays! Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Growing up in the 1970s and 80s, one assumed that Paul McCartney was always universally loved because of his work in The Beatles, his 70s solo work and that with Wings, and his positive peace & love attitude. However, in 1973 Paul found himself in a bit of turmoil. Though he'd enjoyed some success as a solo artist, particularly in the US, Paul was being criticized for the adult contemporary nature of his music vs. the output of the other Beatles and the harder rocking music of the day. He was skewered in the British press after he released Leave Ireland to the Irish on the heels of Bloody Sunday in 1972 and had lost several members of Wings over being treated as hired hands and the presence of Linda in the band despite her lack of musical ability. However, Paul forged ahead with Linda and Denny Laine to create Band on the Run, released on December 5, 1973 in the US (November 30, 1973 in the UK). The title track is one of redemption and freedom inspired by George Harrison during their ongoing Apple Corps meetings and negotiations. Jet is an upbeat song that climbed the charts around the world despite it being about his dog and getting to know Linda's father. Songs like Bluebird, Mrs. Vanderbilt, Let Me Roll It and Nineteen Hundred and Eighty-Five became AM and classic rock radio staples in the US where the album not only went to #1 but sold more than 3 million copies. As the album that gave Paul back his credibility with the critics and allowed Paul and Wings to continue through the end of the 70s turns 50, we give it our classic track by track treatment. Ugly American Werewolf in London Website Ugly American Werewolf in London Store - Get your Wolf merch and use code 10OFF2023 to save 10% during the holidays! Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

"Para Paul". Yoko Ono etiquetó un casete con estas dos palabras de su puño y letra y se lo entregó a Paul McCartney. Lo hizo dieciséis años después de que John Lennon escribiera unas cuantas canciones en su apartamento de Nueva York. En 1978 los Beatles ya se habían separado como grupo musical. Ahora, una canción titulada 'Now and Then' ha sido recuperada con IA y lanzada por Apple Corps. La tecnología ha permitido que los fans disfruten de la última canción del cuarteto de Liverpool más de 50 años después de su separación. La voz resucitada de Lennon abre el debate sobre los límites de la Inteligencia Artificial. ¿Es un negocio o un homenaje? ¿Qué pensaría hoy uno de los artistas más influyentes del siglo XX? ¿Es Now then arte o un artefacto de marketing?Lo abordamos con la ayuda de Carlos 'Putxe' Prieto, estudioso de los Beatles. "He tenido la sensación de que es un poco un arreglo de coro de parroquia". Alberto Iglesias, director de Disruptores e Innovadores, destaca que en este caso, la inteligencia artificial ha sido empleada para "limpiar y purificar la voz de Lennon", el equivalente de "limpiar un CD hace años". También hablamos con Juanma Fernández, fundador de Bluper, la sección de televisión de EL ESPAÑOL. Considera que es un "homenaje" que sirve para acercar a los Beatles a "las nuevas generaciones"

May Pang, world-renowned confidant and companion of John Lennon, has been in the public eye for over three decades. Her career in the music industry spans over 40 years, beginning with Allen Klein's company, ABKCO Industries, the firm which managed the Beatles, Apple Corps. Ltd. and the Rolling Stones besides having an extensive music publishing catalogue which included songs by Sam Cooke.In 1970, Lennon and Yoko Ono hired Pang as their personal assistant. She would eventually become their production coordinator -- playing a key role in records by Lennon, Ono and Harry Nilsson. In 1974, Pang was awarded an RIAA Gold Album Award for her work on Lennon's Walls and Bridges, the #1 hit album which included his first and only #1 single in his lifetime, "Whatever Gets You Thru The Night." She can also be heard singing on "#9 Dream," the second single from the album.In the late 1970s working for Island Records, Pang coordinated all activities related to the release of albums by Robert Palmer, Third World, and Bob Marley and the Wailers. By the early 1980s, she was one of the leading professional managers in the music publishing industry, working with several unknown songwriters and successfully obtaining coverage by such artists as Diana Ross, Judas Priest, The Four Tops, Ullanda McCullough and Air Supply.During this period, Pang decided to set the record straight about her relationship with Lennon. Warner Books published her memoir, Loving John, in 1983. The book detailed her liaison and working association with the late Beatle and shed light on his relationships with his first son, Julian, as well as Paul McCartney, Ringo Starr and George Harrison.During the last two decades, Pang has appeared in every major news and magazine publication worldwide (NY Times, LA Times, Washington Post, The Daily News, UK's Mail On Sunday, Vogue online, Germany's Die Seite Drei, Marie Claire, People, etc.) and has been a guest on such national TV shows as Good Morning America, Howard Stern, Good Morning LA, CBS Sunday Morning, Court TV and Entertainment Tonight.Pang has also designed a unique collection of stainless steel Feng Shui jewelry and accent furniture. She has a weekly internet radio show with co-host Cynthia Neilson called Dinner Specials on BlogTalkRadio. Com. Pang continues her consulting work on music for films and is still an advisory board member of Women In Music. She also serves as an advisory board member, along with Julian Lennon, Jeff Bridges to name a few at the Amazon Conservation Team (ACT) organization. ACT deals with saving the rainforest and its indigenous people. This was started by world known ethnobotanist Dr. Mark J. Plotkin and conservationist Liliana Madrigal.In 2008, St. Martin's Press released Instamatic Karma, a collection of Pang's personal photographs of John Lennon. Fine art prints of these portraits have been exhibited in major galleries across the country.Also in the Fall of 2014, she released a book only for the German market called John Lennon & May Pang, Another Love. She had received numerous press coverage in some of Germany's largest newspaper publications.Pang has lectured and given talks at various events across the country including public libraries and most recently at Berklee College of Music in Boston sponsored in part by theLiberal Arts Dept. While there, she also lectured the John Lennon Songwriting class. She also gave a talk at The Rock & Roll Fantasy Camp in Las Vegas as a Special Guest Speaker.She has also been asked to be a guest speaker along with guests Donovan, Peter Asher, Pattie Boyd and others at The International Beatles Week 2015 in Liverpool this coming August.In this age of “social awareness”, Pang was asked to participate as an artist on a CD called: ALL ABOUT BULLIES…BIG AND SMALL. The CD won a Grammy for The Best Children's CD category in 2012.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/1198501/advertisement

Lien pour accéder à la playlist de cet épisode : linktr.ee/djwildroseCrédits :Animatrice : DJ WildroseDirectrice éditoriale : DJ WildroseRéalisateur : Kevin AbadieIngénieur du son : Kevin AbadieMusique :. Hard Day's Night, Beatles, Parlophone (UK) / United Artist (USA Canada). I'm a King Bee, Rolling Stones, Decca Records(UK) / ABKCO (USA). I Wanna Be Your Man, Rolling Stones, Decca Records. Lucy in the Sky With Diamonds, Beatles, Parlophone (UK) / Capitol Records (USA). She's a Rainbow, Rolling Stones, Decca Records(UK) / ABKCO (USA). Love You To, Beatles, Parlophone (UK) / Capitol Records (USA). Helter Skelter, Beatles, Apple Corps. Jumpin' Jack Flash, Rolling stones, Decca Records(UK) / London Records (USA) Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Billions of dollars were sent to people and businesses who aren't eligible to receive CERB. This was known at the time and we were told it would be sorted out at a later time but now the CRA is saying that it isn't worth their time to go and collect that money that shouldn't have even been sent in the first place. Even though it's known who received the money and how much they received, where is the challenge? Guest: Duff Conacher, Co-Founder, Democracy Watch - On this day in 1969, The Beatles performed their last public performance on the roof of Apple Corps headquarters. The police were called and among the responding officers was 19-year-old Ray Dagg. He joined Scott while Scott was filling in on the Bill Kelly Show to talk about that day and what his life was like after the event. Guest: Ray Dagg, Former London Metropolitan Police Constable - Sports Talk with Don Robertson returns to talk about the Tiger-Cats' newest acquisition, remembering Bobby Hull, NHL teams tanking on purpose to get better draft picks and more. Guest: Don Robertson, Head Coach & Owner, Dundas Real McCoys & Broker of Record, ComChoice Realty

Fab4Cast had de eer om aanwezig te zijn bij de luistersessie van de nieuwe Revolver Box Set in de Wisseloord Studios in Hilversum. Wat waren onze eerste indrukken van de remix en outtakes? Anne Hurenkamp en Ron Bulters schoven aan; en ook Guy Hayden, verbonden aan Apple Corps en Universal Music. Wil je ons financieel ondersteunen? Word dan Vriend Van Fab4Cast en luister naar exclusieve afleveringen die je alleen als donateur kunt beluisteren! Kijk op petjeaf.com/fab4cast voor de mogelijkheden. We zouden je heel dankbaar zijn voor je steun.

In 1968, The Beatles established their APPLE RECORDS Company, and in addition to release their own group and solo tunes, signed many first-time artists to their label, including Ronnie Spector, Mary Hopkin, James Taylor, Badfinger, Billy Preston, and many others.Not surprisingly, The Beatles also released their own group and solo singles on their Apple Records label, up until their contract as a group legally expired at the end of 1976. From 1977 on, The Beatles released their singles on other labels. Here are all the Beatles Apple singles from 1968-1971. Enjoy!APPLE RECORDS BEATLES SINGLES 1972-1974PAUL McCARTNEY (as "WINGS")1. Give Ireland Back to the Irish / Give Ireland Back to the Irish (version) (2/28/72)RINGO STARR2. Back Off Boogaloo / Blindman (3/20/72)PAUL McCARTNEY (as "WINGS")3. Hi Hi Hi / C Moon (4/2/72)JOHN & YOKO/PLASTIC ONO BAND 4. Woman Is the N***** of the World / Sisters O Sisters (4/24/72)PAUL McCARTNEY (as "WINGS")5. Mary Had a Little Lamb / Little Woman Love (5/29/72)Paul McCartney & Wings6. My Love / The Mess (4/9/73)GEORGE HARRISON7. Give Me Love (Give Me Peace on Earth) / Miss O'Dell (5/7/73)PAUL McCARTNEY (as "WINGS")8. Live & Let Die / I Lie Around (6/18/73)RINGO STARR9. Photograph / Down & Out (9/24/73)JOHN LENNON10. Mind Games / Meat City (single version) (10/29/73)PAUL McCARTNEY & WINGS11. Helen Wheels / Country Dreamer (11/12/73)RINGO STARR12. You're Sixteen/ Devil Woman (12/3/73)PAUL McCARTNEY & WINGS13 Jet / Let Me Roll It (2/18/74)RINGO STARR14. Oh My My / Step Lightly (2/18/74)PAUL McCARTNEY & WINGS15. Band on the Run / Zoo Gang / Nineteen-Hundred & Eighty-Five [U.S. & Great Britain B-sides] (4/8/74)JOHN LENNON16. Whatever Gets You Thru' the Night / Beef Jerky (9/23/74)PAUL McCARTNEY & WINGS (as "The Country Hams")17. Walking in the Park with Eloise / Bridge on the River Suite (10/18/74)PAUL McCARTNEY & WINGS18. Junior's Farm / Sally G (11/4/74)RINGO STARR19. Only You / Call Me (11/11/74)GEORGE HARRISON20. Dark Horse / I Don't Care Anymore 11/18/74)JOHN LENNON21. #9 Dream / What You Got (12/16/74)GEORGE HARRISON22. Ding Dong Ding Dong / Hari's on Tour (12/23/74)The Beatles' contract with EMI Records (of which Apple Records was a subsidiary) expired on January 26, 1976, thus ending The Beatles' original "run" with Apple Records (1968-1976). Apple Corps./Apple Records. All Beatles recordings would continue to be distributed by Apple Records, although The Beatles would record for other labels after 1/26/76, except for Paul McCartney, who had re-signed with Capitol Records in 1975.

In 1968, The Beatles established their APPLE RECORDS Company, and in addition to release their own group and solo tunes, signed many first-time artists to their label, including Ronnie Spector, Mary Hopkin, James Taylor, Badfinger, Billy Preston, and many others.Not surprisingly, The Beatles also released their own group and solo singles on their Apple Records label, up until their contract as a group legally expired at the end of 1976. From 1977 on, The Beatles released their singles on other labels. Here are all the Beatles Apple singles from 1968-1971. Enjoy!APPLE RECORDS BEATLES SINGLES 1975-1976RINGO STARR1. No No Song / Snookeroo (1/27/75)JOHN LENNON2. Stand By Me / Move Over Ms. L (3/10/75)PAUL McCARTNEY (as "WINGS")3. Listen to What the Man Said / Love in Song (5/16/75)RINGO STARR4. (It's All Down to) Goodnight Vienna / Oo-Wee (6/2/75)GEORGE HARRISON5. You / World of Stone (9/15/75)PAUL McCARTNEY (as "WINGS")6. Letting Go / You Gave Me the Answer (10/4/75)7. VENUS & MARS/ROCK SHOW / Magneto & Titanium Man (10/27/75)GEORGE HARRISON 8. This Guitar (Can't Keep from Crying) / Maya Love (12/8/75)The Beatles' contract with EMI Records (of which Apple Records was a subsidiary) expired on January 26, 1976, thus ending The Beatles' original "run" with Apple Records (1968-1976). Apple Corps./Apple Records. All Beatles recordings would continue to be distributed by Apple Records, although The Beatles would record for other labels after 1/26/76, except for Paul McCartney, who had re-signed with Capitol Records in 1975.

In 1968, The Beatles established their APPLE RECORDS Company, and in addition to release their own group and solo tunes, signed many first-time artists to their label, including Ronnie Spector, Mary Hopkin, James Taylor, Badfinger, Billy Preston, and many others.Not surprisingly, The Beatles also released their own group and solo singles on their Apple Records label, up until their contract as a group legally expired at the end of 1976. From 1977 on, The Beatles released their singles on other labels. Here are all the Beatles Apple singles from 1968-1971. Enjoy!APPLE RECORDS BEATLES SINGLES 1968-1971BEATLES1. Hey Jude / Revolution (8/26/68)2. Get Back / Don't Let Me Down (5/5/69)3. Ballad of John & Yoko / Old Brown Shoe (6/4/69)PLASTIC ONO BAND (John & Yoko)4. Give Peace A Chance / Remember Love (7/7/69)BEATLES5. Something / Come Together (10/6/69)JOHN & YOKO6. Cold Turkey / Don't worry Kyoko (Mummy's Only Looking for a Hand in the Snow) (10/20/69)7. Instant Karma / Who Has Seen the Wind? (2/2/70)BEATLES8. Let It Be / You Know My Name (Look Up the Number) (3/11/70)RINGO STARR9. Beaucoups of Blues / Coochy Coochy (10/5/70)GEORGE HARRISON10. My Sweet Lord / Isn't It a Pity? (11/23/70)11. What Is Life? / Apple Scruffs (2/15/71)PAUL McCARTNEY12. Another Day / Oh Woman, Oh Why? (2/22/71)JOHN & YOKO13. Power to the People / Touch Me (3/22/71)RINGO STARR14. It Don't Come Easy / Early 1970 (4/16/71)GEORGE HARRISON15. Bangla Desh / Deep Blue (7/28/71)PAUL & LINDA McCARTNEY16. Uncle Albert/Admiral Halsey / Too Many People (8/2/71)JOHN LENNON17. Imagine / It's So Hard (10/11/71)JOHN & YOKO18. Happy Xmas (War Is Over) / **The B-side, "Listen the Snow Is Falling," is listed separately under "Yoko Ono" on the Apple Singles (Non-Beatles) as part of a two-sided Yoko single.1971-1972 pageThe Beatles' contract with EMI Records (of which Apple Records was a subsidiary) expired on January 26, 1976, thus ending The Beatles' original "run" with Apple Records (1968-1976). Apple Corps./Apple Records. All Beatles recordings would continue to be distributed by Apple Records, although The Beatles would record for other labels after 1/26/76, except for Paul McCartney, who had re-signed with Capitol Records in 1975.

Brenna Ehrlich is Chief Research Editor at Rolling Stone as well as a young adult author, short story writer, and freelance journalist. In this episode, Jack and Brenna discuss how The Beatles can be introduced to you at any age, how the John & Paul Dynamic is evident in many other bands, the best cover of "Monkberry Moon Delight", and more!   Follow Brenna on Twitter @BrennaEhrlich and check out her new book, "Killing Time", here.   If you enjoy this episode, please remember to subscribe to this podcast so you can receive a notification on your phone every week when a new episode is released! Follow us on Twitter Follow us on Instagram Follow us on YouTube ------------------------------ The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all time[1] and were integral to the development of 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band later explored music styles ranging from ballads and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements. Led by primary songwriters Lennon and McCartney, the Beatles evolved from Lennon's previous group, the Quarrymen, and built their reputation playing clubs in Liverpool and Hamburg over three years from 1960, initially with Stuart Sutcliffe playing bass. The core trio of Lennon, McCartney and Harrison, together since 1958, went through a succession of drummers, including Pete Best, before asking Starr to join them in 1962. Manager Brian Epstein moulded them into a professional act, and producer George Martin guided and developed their recordings, greatly expanding their domestic success after signing to EMI Records and achieving their first hit, "Love Me Do", in late 1962. As their popularity grew into the intense fan frenzy dubbed "Beatlemania", the band acquired the nickname "the Fab Four", with Epstein, Martin and other members of the band's entourage sometimes given the informal title of "fifth Beatle". By early 1964, the Beatles were international stars and had achieved unprecedented levels of critical and commercial success. They became a leading force in Britain's cultural resurgence, ushering in the British Invasion of the United States pop market, and soon made their film debut with A Hard Day's Night (1964). A growing desire to refine their studio efforts, coupled with the untenable nature of their concert tours, led to the band's retirement from live performances in 1966. At this time, they produced records of greater sophistication, including the albums Rubber Soul (1965), Revolver (1966) and Sgt. Pepper's Lonely Hearts Club Band (1967), and enjoyed further commercial success with The Beatles (also known as "the White Album", 1968) and Abbey Road (1969). Heralding the album era, their success elevated the album to the dominant form of record consumption over singles; they also inspired a greater public interest in psychedelic drugs and Eastern spirituality, and furthered advancements in electronic music, album art and music videos. In 1968, they founded Apple Corps, a multi-armed multimedia corporation that continues to oversee projects related to the band's legacy. After the group's break-up in 1970, all principal members enjoyed success as solo artists and some partial reunions have occurred. Lennon was murdered in 1980 and Harrison died of lung cancer in 2001. McCartney and Starr remain musically active. The Beatles are the best-selling music act of all time, with estimated sales of 600 million units worldwide. They hold the record for most number-one albums on the UK Albums Chart (15), most number-one hits on the Billboard Hot 100 chart (20), and most singles sold in the UK (21.9 million). The band received many accolades, including seven Grammy Awards, four Brit Awards, an Academy Award (for Best Original Song Score for the 1970 documentary film Let It Be) and fifteen Ivor Novello Awards. They were inducted into the Rock and Roll Hall of Fame in 1988, and each principal member was inducted individually between 1994 and 2015. In 2004 and 2011, the group topped Rolling Stone's lists of the greatest artists in history. Time magazine named them among the 20th century's 100 most important people.

Jake Fogelnest is an Emmy Award nominated writer, producer, and broadcaster. In 1994, when Jake was 14 years old, he started his own pop culture TV show called "Squirt TV on MTV". Jake has since worked on shows such as Comedy Central's “Corporate”, Marvel's "Runaways", and "Wet Hot American Summer". Jake's a huge Beatles fan and loves all kinds of music. In this episode, Jake and Jack discuss how COVID affected the creative process that The Beatles once innovated, Magic Alex and his legacy, why The Beatles bring the world together, the mysterious Carnival of Light song, and more. Follow Jake on Twitter: @jakefogelnest If you enjoy this episode, please remember to subscribe to this podcast so you can receive a notification on your phone every week when a new episode is released! Follow us on Twitter Follow us on Instagram Follow us on YouTube ------------------------------ The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all time[1] and were integral to the development of 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band later explored music styles ranging from ballads and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements. Led by primary songwriters Lennon and McCartney, the Beatles evolved from Lennon's previous group, the Quarrymen, and built their reputation playing clubs in Liverpool and Hamburg over three years from 1960, initially with Stuart Sutcliffe playing bass. The core trio of Lennon, McCartney and Harrison, together since 1958, went through a succession of drummers, including Pete Best, before asking Starr to join them in 1962. Manager Brian Epstein moulded them into a professional act, and producer George Martin guided and developed their recordings, greatly expanding their domestic success after signing to EMI Records and achieving their first hit, "Love Me Do", in late 1962. As their popularity grew into the intense fan frenzy dubbed "Beatlemania", the band acquired the nickname "the Fab Four", with Epstein, Martin and other members of the band's entourage sometimes given the informal title of "fifth Beatle". By early 1964, the Beatles were international stars and had achieved unprecedented levels of critical and commercial success. They became a leading force in Britain's cultural resurgence, ushering in the British Invasion of the United States pop market, and soon made their film debut with A Hard Day's Night (1964). A growing desire to refine their studio efforts, coupled with the untenable nature of their concert tours, led to the band's retirement from live performances in 1966. At this time, they produced records of greater sophistication, including the albums Rubber Soul (1965), Revolver (1966) and Sgt. Pepper's Lonely Hearts Club Band (1967), and enjoyed further commercial success with The Beatles (also known as "the White Album", 1968) and Abbey Road (1969). Heralding the album era, their success elevated the album to the dominant form of record consumption over singles; they also inspired a greater public interest in psychedelic drugs and Eastern spirituality, and furthered advancements in electronic music, album art and music videos. In 1968, they founded Apple Corps, a multi-armed multimedia corporation that continues to oversee projects related to the band's legacy. After the group's break-up in 1970, all principal members enjoyed success as solo artists and some partial reunions have occurred. Lennon was murdered in 1980 and Harrison died of lung cancer in 2001. McCartney and Starr remain musically active. The Beatles are the best-selling music act of all time, with estimated sales of 600 million units worldwide. They hold the record for most number-one albums on the UK Albums Chart (15), most number-one hits on the Billboard Hot 100 chart (20), and most singles sold in the UK (21.9 million). The band received many accolades, including seven Grammy Awards, four Brit Awards, an Academy Award (for Best Original Song Score for the 1970 documentary film Let It Be) and fifteen Ivor Novello Awards. They were inducted into the Rock and Roll Hall of Fame in 1988, and each principal member was inducted individually between 1994 and 2015. In 2004 and 2011, the group topped Rolling Stone's lists of the greatest artists in history. Time magazine named them among the 20th century's 100 most important people.  

Jake Fogelnest is an Emmy Award nominated writer, producer, and broadcaster. In 1994, when Jake was 14 years old, he started his own pop culture TV show called "Squirt TV on MTV". Jake has since worked on shows such as Comedy Central's “Corporate”, Marvel's "Runaways", and "Wet Hot American Summer". Jake's a huge Beatles fan and loves all kinds of music. In this episode, Jake and Jack discuss the Sgt. Pepper movie, how The Beatles influenced modern comedy with "A Hard Day's Night", and how The Beastie Boys sampled The Beatles on their legendary album, "Paul's Boutique".  Follow Jake on Twitter: @jakefogelnest If you enjoy this episode, please remember to subscribe to this podcast so you can receive a notification on your phone every week when a new episode is released! Follow us on Twitter Follow us on Instagram Follow us on YouTube ------------------------------ The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all time[1] and were integral to the development of 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band later explored music styles ranging from ballads and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements. Led by primary songwriters Lennon and McCartney, the Beatles evolved from Lennon's previous group, the Quarrymen, and built their reputation playing clubs in Liverpool and Hamburg over three years from 1960, initially with Stuart Sutcliffe playing bass. The core trio of Lennon, McCartney and Harrison, together since 1958, went through a succession of drummers, including Pete Best, before asking Starr to join them in 1962. Manager Brian Epstein moulded them into a professional act, and producer George Martin guided and developed their recordings, greatly expanding their domestic success after signing to EMI Records and achieving their first hit, "Love Me Do", in late 1962. As their popularity grew into the intense fan frenzy dubbed "Beatlemania", the band acquired the nickname "the Fab Four", with Epstein, Martin and other members of the band's entourage sometimes given the informal title of "fifth Beatle". By early 1964, the Beatles were international stars and had achieved unprecedented levels of critical and commercial success. They became a leading force in Britain's cultural resurgence, ushering in the British Invasion of the United States pop market, and soon made their film debut with A Hard Day's Night (1964). A growing desire to refine their studio efforts, coupled with the untenable nature of their concert tours, led to the band's retirement from live performances in 1966. At this time, they produced records of greater sophistication, including the albums Rubber Soul (1965), Revolver (1966) and Sgt. Pepper's Lonely Hearts Club Band (1967), and enjoyed further commercial success with The Beatles (also known as "the White Album", 1968) and Abbey Road (1969). Heralding the album era, their success elevated the album to the dominant form of record consumption over singles; they also inspired a greater public interest in psychedelic drugs and Eastern spirituality, and furthered advancements in electronic music, album art and music videos. In 1968, they founded Apple Corps, a multi-armed multimedia corporation that continues to oversee projects related to the band's legacy. After the group's break-up in 1970, all principal members enjoyed success as solo artists and some partial reunions have occurred. Lennon was murdered in 1980 and Harrison died of lung cancer in 2001. McCartney and Starr remain musically active. The Beatles are the best-selling music act of all time, with estimated sales of 600 million units worldwide. They hold the record for most number-one albums on the UK Albums Chart (15), most number-one hits on the Billboard Hot 100 chart (20), and most singles sold in the UK (21.9 million). The band received many accolades, including seven Grammy Awards, four Brit Awards, an Academy Award (for Best Original Song Score for the 1970 documentary film Let It Be) and fifteen Ivor Novello Awards. They were inducted into the Rock and Roll Hall of Fame in 1988, and each principal member was inducted individually between 1994 and 2015. In 2004 and 2011, the group topped Rolling Stone's lists of the greatest artists in history. Time magazine named them among the 20th century's 100 most important people.  

John Illsley is the bass guitarist of the band Dire Straits. He has received multiple BRIT and Grammy Awards, and a Heritage Award. As one of the founding band members, with guitarist brothers Mark and David Knopfler, and drummer Pick Withers, Illsley played a role in the development of Dire Straits' sound. By the time the group disbanded in 1995 changes in personnel meant that Illsley and lead singer Mark Knopfler were the only two original band members remaining. Illsley was inducted into the Rock and Roll Hall of Fame as a member of Dire Straits in 2018. In this episode, John speaks with Jack about his thoughts on The Beatles, their influence on him and Dire Straits, Paul McCartney's bass playing, whether or not there will be a biopic about Dire Straits, and his favorite Dire Straits record. Check out John's recent solo album, VIII: https://open.spotify.com/album/4VVX7O3Jc8yJ0wJih8jTXf?si=qlKyeTrARSaN2RoXTbB0Hw You can also buy John's book, "My Life in Dire Straits", here: https://www.amazon.com/My-Life-Dire-Straits-Biggest-ebook/dp/B08WBXZCQ1 If you like this episode, be sure to follow this podcast! Follow us also on Twitter and Instagram. Or click here for more information: Linktr.ee/BeatlesEarth ------------------------------- The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all time and were integral to the development of 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band later explored music styles ranging from ballads and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements. Led by primary songwriters Lennon and McCartney, the Beatles evolved from Lennon's previous group, the Quarrymen, and built their reputation playing clubs in Liverpool and Hamburg over three years from 1960, initially with Stuart Sutcliffe playing bass. The core trio of Lennon, McCartney and Harrison, together since 1958, went through a succession of drummers, including Pete Best, before asking Starr to join them in 1962. Manager Brian Epstein moulded them into a professional act, and producer George Martin guided and developed their recordings, greatly expanding their domestic success after signing to EMI Records and achieving their first hit, "Love Me Do", in late 1962. As their popularity grew into the intense fan frenzy dubbed "Beatlemania", the band acquired the nickname "the Fab Four", with Epstein, Martin and other members of the band's entourage sometimes given the informal title of "fifth Beatle". By early 1964, the Beatles were international stars and had achieved unprecedented levels of critical and commercial success. They became a leading force in Britain's cultural resurgence, ushering in the British Invasion of the United States pop market, and soon made their film debut with A Hard Day's Night (1964). A growing desire to refine their studio efforts, coupled with the untenable nature of their concert tours, led to the band's retirement from live performances in 1966. At this time, they produced records of greater sophistication, including the albums Rubber Soul (1965), Revolver (1966) and Sgt. Pepper's Lonely Hearts Club Band (1967), and enjoyed further commercial success with The Beatles (also known as "the White Album", 1968) and Abbey Road (1969). Heralding the album era, their success elevated the album to the dominant form of record consumption over singles; they also inspired a greater public interest in psychedelic drugs and Eastern spirituality, and furthered advancements in electronic music, album art and music videos. In 1968, they founded Apple Corps, a multi-armed multimedia corporation that continues to oversee projects related to the band's legacy. After the group's break-up in 1970, all principal members enjoyed success as solo artists and some partial reunions have occurred. Lennon was murdered in 1980 and Harrison died of lung cancer in 2001. McCartney and Starr remain musically active. The Beatles are the best-selling music act of all time, with estimated sales of 600 million units worldwide.[4][5] They hold the record for most number-one albums on the UK Albums Chart (15), most number-one hits on the US Billboard Hot 100 chart (20), and most singles sold in the UK (21.9 million). The band received many accolades, including seven Grammy Awards, four Brit Awards, an Academy Award (for Best Original Song Score for the 1970 documentary film Let It Be) and fifteen Ivor Novello Awards. They were inducted into the Rock and Roll Hall of Fame in 1988, and each principal member was inducted individually between 1994 and 2015. In 2004 and 2011, the group topped Rolling Stone's lists of the greatest artists in history. Time magazine named them among the 20th century's 100 most important people. Dire Straits were a British rock band formed in London in 1977 by Mark Knopfler (lead vocals and lead guitar), David Knopfler (rhythm guitar and backing vocals), John Illsley (bass guitar and backing vocals) and Pick Withers (drums and percussion). They were active from 1977 to 1988 and again from 1990 to 1995. Their first single, "Sultans of Swing", from their 1978 self-titled debut album, reached the top ten in the UK and US charts. It was followed by hit singles including "Romeo and Juliet" (1981), "Private Investigations" (1982), "Twisting by the Pool" (1983), "Money for Nothing" (1985), and "Walk of Life" (1985). Their most commercially successful album, Brothers in Arms (1985), has sold more than 30 million copies; it was the first album to sell a million copies on compact disc[4][5] and is the eighth-bestselling album in UK history. According to the Guinness Book of British Hit Albums, Dire Straits have spent over 1,100 weeks on the UK albums chart, the fifth most of all time. Dire Straits' sound draws from various influences, including country, folk, the blues rock of J. J. Cale, and jazz.[7] Their stripped-down sound contrasted with punk rock and demonstrated a roots rock influence that emerged from pub rock. There were several changes in personnel, with Mark Knopfler and Illsley being the only members who lasted from the beginning of the band's existence to the end. After their first breakup in 1988, Knopfler told Rolling Stone: "A lot of press reports were saying we were the biggest band in the world. There's not an accent then on the music, there's an accent on popularity. I needed a rest." They disbanded for good in 1995, after which Knopfler launched a solo career full-time. He has since declined numerous reunion offers. Dire Straits were called "the biggest British rock band of the 80s" by Classic Rock magazine; their 1985–1986 world tour, which included a performance at Live Aid in July 1985, set a record in Australasia. Their final world tour from 1991 to 1992 sold 7.1 million tickets. Dire Straits won four Grammy Awards, three Brit Awards (Best British Group twice), two MTV Video Music Awards, and various other awards. They were inducted into the Rock and Roll Hall of Fame in 2018. Dire Straits have sold over 120 million units worldwide, including 51.4 million certified units, making them one of the best-selling music artists. Brothers Mark and David Knopfler, from Newcastle in northeast England, and friends John Illsley and Pick Withers, from Leicester in the east midlands, formed Dire Straits in London in 1977. Withers was already a 10-year music business veteran, having been a session drummer for Dave Edmunds, Gerry Rafferty, Magna Carta and others through the 1970s; he was part of the group Spring, which recorded an album for RCA in 1971. At the time of the band's formation, Mark was working as an English teacher, Illsley was studying at Goldsmiths' College, and David was a social worker. Mark and Withers had both been part of the pub rock group Brewers Droop at different points in and around 1973. The band was initially known as the Café Racers. The name Dire Straits was coined by a musician flatmate of Withers, allegedly thought up while they were rehearsing in the kitchen of a friend, Simon Cowe, of Lindisfarne. In 1977, the group recorded a five-song demo tape which included their future hit single, "Sultans of Swing", as well as "Water of Love" and "Down to the Waterline".[18][19] After a performance at the Rock Garden in 1977, they took a demo tape to MCA in Soho but were turned down. They then went to DJ Charlie Gillett, presenter of Honky Tonk on BBC Radio London.[20] The band simply wanted advice, but Gillett liked the music so much that he played "Sultans of Swing" on his show. Two months later, Dire Straits signed a recording contract with the Vertigo division of Phonogram Inc. In October 1977, the band recorded demo tapes of "Southbound Again", "In the Gallery" and "Six Blade Knife" for BBC Radio London; in November, demo tapes were made of "Setting Me Up", "Eastbound Train" and "Real Girl". The original Dire Straits line-up in Hamburg, Germany (1978); L to R: John Illsley, Mark Knopfler, Pick Withers and David Knopfler The group's first album, Dire Straits, was recorded at Basing Street studios in Notting Hill, London in February 1978, at a cost of £12,500. Produced by Muff Winwood, it was first released in the United Kingdom on Vertigo Records, then a division of Phonogram Inc. It came to the attention of A&R representative Karin Berg, working at Warner Bros. Records in New York City. She felt that it was the kind of music audiences were hungry for, but only one person in her department agreed at first. Many of the songs on the album reflected Mark Knopfler's experiences in Newcastle, Leeds and London. "Down to the Waterline" recalled images of life in Newcastle; "In the Gallery" is a tribute to Leeds sculptor/artist Harry Phillips (father of Steve Phillips); "Wild West End" and "Lions" were drawn from Knopfler's early days in the capital. That year, Dire Straits began a tour as opening band for Talking Heads, after the re-released "Sultans of Swing" finally started to climb the UK charts. This led to a United States recording contract with Warner Bros. Records; before the end of 1978, Dire Straits had released their self-titled debut worldwide. They received more attention in the US, but also arrived at the top of the charts in Canada, Australia and New Zealand. Dire Straits eventually went top 10 in every European country. The following year, Dire Straits embarked on their first North American tour. They played 51 sold-out concerts over a 38-day period. "Sultans of Swing" scaled the charts to No. 4 in the United States and No. 8 in the United Kingdom.[24][26] The song was one of Dire Straits' biggest hits and became a fixture in the band's live performances. Bob Dylan, who had seen the band play in Los Angeles, was so impressed that he invited Mark Knopfler and drummer Pick Withers to play on his next album, Slow Train Coming. Recording sessions for the group's second album, Communiqué, took place in December 1978 at Compass Point Studios in Nassau, Bahamas. Released in June 1979, Communiqué was produced by Jerry Wexler and Barry Beckett and went to No. 1 on the German album charts, with the debut album Dire Straits simultaneously at No. 3. In the United Kingdom, the album peaked at No. 5 in the album charts. Featuring the single "Lady Writer", the second album continued in a similar vein to the first and displayed the expanding scope of Knopfler's lyricism on the opening track, "Once Upon a Time in the West".[28] In the coming year, however, this approach began to change, along with the group's line-up.

Loren Gold has been the keyboardist and backup vocalist for The Who since 2012 (Roger Daltrey since 2009) and the band Chicago since 2021. Other artists he has toured with include Kenny Loggins, Don Felder, Natalie Maines, Mandy Moore, Rita Wilson, and American Idol winner Taylor Hicks. Loren co-wrote the first song on Taylor's platinum selling album, entitled “The Runaround.” Gold has been musical director for pop stars Selena Gomez, Demi Lovato, and Hilary Duff (in addition to being her touring keyboardist) and he continues to build and develop bands for other artists. Gold has published two instructional books through his collaboration with Alfred Music, and his original compositions have been on HBO and Showtime. Gold helped create the musical medley for The Who's Super Bowl halftime show in 2010. On this episode, Loren and Jack discuss how "Rubber Soul" is the reason why Loren began playing the keyboard, the competition between The Who and The Beatles, and the importance of The Beatles in today's music.  Follow Loren on Twitter here: @lorengold If you enjoy this episode, please remember to subscribe to this podcast so you can receive a notification on your phone every week when a new episode is released! Follow us on Twitter Follow us on Instagram Follow us on YouTube ------------------------------ The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all time[1] and were integral to the development of 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band later explored music styles ranging from ballads and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements. Led by primary songwriters Lennon and McCartney, the Beatles evolved from Lennon's previous group, the Quarrymen, and built their reputation playing clubs in Liverpool and Hamburg over three years from 1960, initially with Stuart Sutcliffe playing bass. The core trio of Lennon, McCartney and Harrison, together since 1958, went through a succession of drummers, including Pete Best, before asking Starr to join them in 1962. Manager Brian Epstein moulded them into a professional act, and producer George Martin guided and developed their recordings, greatly expanding their domestic success after signing to EMI Records and achieving their first hit, "Love Me Do", in late 1962. As their popularity grew into the intense fan frenzy dubbed "Beatlemania", the band acquired the nickname "the Fab Four", with Epstein, Martin and other members of the band's entourage sometimes given the informal title of "fifth Beatle". By early 1964, the Beatles were international stars and had achieved unprecedented levels of critical and commercial success. They became a leading force in Britain's cultural resurgence, ushering in the British Invasion of the United States pop market, and soon made their film debut with A Hard Day's Night (1964). A growing desire to refine their studio efforts, coupled with the untenable nature of their concert tours, led to the band's retirement from live performances in 1966. At this time, they produced records of greater sophistication, including the albums Rubber Soul (1965), Revolver (1966) and Sgt. Pepper's Lonely Hearts Club Band (1967), and enjoyed further commercial success with The Beatles (also known as "the White Album", 1968) and Abbey Road (1969). Heralding the album era, their success elevated the album to the dominant form of record consumption over singles; they also inspired a greater public interest in psychedelic drugs and Eastern spirituality, and furthered advancements in electronic music, album art and music videos. In 1968, they founded Apple Corps, a multi-armed multimedia corporation that continues to oversee projects related to the band's legacy. After the group's break-up in 1970, all principal members enjoyed success as solo artists and some partial reunions have occurred. Lennon was murdered in 1980 and Harrison died of lung cancer in 2001. McCartney and Starr remain musically active. The Beatles are the best-selling music act of all time, with estimated sales of 600 million units worldwide.[4][5] They hold the record for most number-one albums on the UK Albums Chart (15), most number-one hits on the Billboard Hot 100 chart (20), and most singles sold in the UK (21.9 million). The band received many accolades, including seven Grammy Awards, four Brit Awards, an Academy Award (for Best Original Song Score for the 1970 documentary film Let It Be) and fifteen Ivor Novello Awards. They were inducted into the Rock and Roll Hall of Fame in 1988, and each principal member was inducted individually between 1994 and 2015. In 2004 and 2011, the group topped Rolling Stone's lists of the greatest artists in history. Time magazine named them among the 20th century's 100 most important people.

Simon Barber and Brian O'Connor of the songwriting and podcast host duo, "Sodajerker", join Jack on the "Here, There, and Everywhere" podcast to talk about The Beatles, their interview with Paul McCartney, and Paul McCartney's songwriting process.  Subscribe to Sodajerker podcast: https://www.sodajerker.com If you enjoy this episode, please remember to subscribe to this podcast so you can receive a notification on your phone every week when a new episode is released! Follow us on Twitter Follow us on Instagram Follow us on YouTube ------------------------------ SODAJERKER IS A SONGWRITING TEAM FROM LIVERPOOL, UK, FOUNDED BY SIMON BARBER AND BRIAN O'CONNOR. SIMON AND BRIAN ALSO HOST THE SODAJERKER ON SONGWRITING PODCAST FEATURING INTERVIEWS WITH SOME OF THE MOST SUCCESSFUL SONGWRITERS IN THE WORLD.   The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all time[1] and were integral to the development of 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band later explored music styles ranging from ballads and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements. Led by primary songwriters Lennon and McCartney, the Beatles evolved from Lennon's previous group, the Quarrymen, and built their reputation playing clubs in Liverpool and Hamburg over three years from 1960, initially with Stuart Sutcliffe playing bass. The core trio of Lennon, McCartney and Harrison, together since 1958, went through a succession of drummers, including Pete Best, before asking Starr to join them in 1962. Manager Brian Epstein moulded them into a professional act, and producer George Martin guided and developed their recordings, greatly expanding their domestic success after signing to EMI Records and achieving their first hit, "Love Me Do", in late 1962. As their popularity grew into the intense fan frenzy dubbed "Beatlemania", the band acquired the nickname "the Fab Four", with Epstein, Martin and other members of the band's entourage sometimes given the informal title of "fifth Beatle". By early 1964, the Beatles were international stars and had achieved unprecedented levels of critical and commercial success. They became a leading force in Britain's cultural resurgence, ushering in the British Invasion of the United States pop market, and soon made their film debut with A Hard Day's Night (1964). A growing desire to refine their studio efforts, coupled with the untenable nature of their concert tours, led to the band's retirement from live performances in 1966. At this time, they produced records of greater sophistication, including the albums Rubber Soul (1965), Revolver (1966) and Sgt. Pepper's Lonely Hearts Club Band (1967), and enjoyed further commercial success with The Beatles (also known as "the White Album", 1968) and Abbey Road (1969). Heralding the album era, their success elevated the album to the dominant form of record consumption over singles; they also inspired a greater public interest in psychedelic drugs and Eastern spirituality, and furthered advancements in electronic music, album art and music videos. In 1968, they founded Apple Corps, a multi-armed multimedia corporation that continues to oversee projects related to the band's legacy. After the group's break-up in 1970, all principal members enjoyed success as solo artists and some partial reunions have occurred. Lennon was murdered in 1980 and Harrison died of lung cancer in 2001. McCartney and Starr remain musically active. The Beatles are the best-selling music act of all time, with estimated sales of 600 million units worldwide.[4][5] They hold the record for most number-one albums on the UK Albums Chart (15), most number-one hits on the Billboard Hot 100 chart (20), and most singles sold in the UK (21.9 million). The band received many accolades, including seven Grammy Awards, four Brit Awards, an Academy Award (for Best Original Song Score for the 1970 documentary film Let It Be) and fifteen Ivor Novello Awards. They were inducted into the Rock and Roll Hall of Fame in 1988, and each principal member was inducted individually between 1994 and 2015. In 2004 and 2011, the group topped Rolling Stone's lists of the greatest artists in history. Time magazine named them among the 20th century's 100 most important people.    

David Bennett is a professional pianist, published composer, and YouTube educator. His YouTube channel has 700,000 subscribers and his videos are viewed by millions worldwide who are interested in learning about music and music theory. David joins Jack in an hour long discussion about the world's most famous musical group, The Beatles. David and Jack discuss The Beatles' most structurally impressive song, details about how The Beatles created "Strawberry Fields Forever", if "With a Little Help" was on a different Beatles album, his thoughts on the future of pop music and The Beatles place there, and more.  Subscribe to David's YouTube channel: David Bennett Piano Follow David on Instagram and on Spotify   If you enjoy this episode, please remember to subscribe to this podcast so you can receive a notification on your phone every week when a new episode is released! Follow us on Twitter Follow us on Instagram Follow us on YouTube ------------------------------ David is a professional pianist, published composer and YouTube educator. His work in music has taken him on many exciting adventures: from a residency at Monaco's Casino de Monte Carlo, to recording at Abbey Road studios, and even starring in an episode of WDR's 'Wunderschön!' with his band. ​David started taking piano lessons at the age of eleven. At thirteen, he ditched the lessons and started teaching himself and by twenty-one he was a professional, full-time working musician. In 2018, David decided to start a YouTube channel where he could share his passion for music. His videos use music theory to analyse and appreciate some of the most revered music of the last one-hundred years and, as of 2021, he has gained a following of over 500,000 subscribers. David's favourite artists are no secret to his audience, with The Beatles and Radiohead making regular appearances in his videos. David's first love in music is composing. His style is meditative, minimalist and, very much, piano-focused. His new EP, "The Longest March", was released November 2020 and is available on most streaming services. The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all time[1] and were integral to the development of 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band later explored music styles ranging from ballads and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements. Led by primary songwriters Lennon and McCartney, the Beatles evolved from Lennon's previous group, the Quarrymen, and built their reputation playing clubs in Liverpool and Hamburg over three years from 1960, initially with Stuart Sutcliffe playing bass. The core trio of Lennon, McCartney and Harrison, together since 1958, went through a succession of drummers, including Pete Best, before asking Starr to join them in 1962. Manager Brian Epstein moulded them into a professional act, and producer George Martin guided and developed their recordings, greatly expanding their domestic success after signing to EMI Records and achieving their first hit, "Love Me Do", in late 1962. As their popularity grew into the intense fan frenzy dubbed "Beatlemania", the band acquired the nickname "the Fab Four", with Epstein, Martin and other members of the band's entourage sometimes given the informal title of "fifth Beatle". By early 1964, the Beatles were international stars and had achieved unprecedented levels of critical and commercial success. They became a leading force in Britain's cultural resurgence, ushering in the British Invasion of the United States pop market, and soon made their film debut with A Hard Day's Night (1964). A growing desire to refine their studio efforts, coupled with the untenable nature of their concert tours, led to the band's retirement from live performances in 1966. At this time, they produced records of greater sophistication, including the albums Rubber Soul (1965), Revolver (1966) and Sgt. Pepper's Lonely Hearts Club Band (1967), and enjoyed further commercial success with The Beatles (also known as "the White Album", 1968) and Abbey Road (1969). Heralding the album era, their success elevated the album to the dominant form of record consumption over singles; they also inspired a greater public interest in psychedelic drugs and Eastern spirituality, and furthered advancements in electronic music, album art and music videos. In 1968, they founded Apple Corps, a multi-armed multimedia corporation that continues to oversee projects related to the band's legacy. After the group's break-up in 1970, all principal members enjoyed success as solo artists and some partial reunions have occurred. Lennon was murdered in 1980 and Harrison died of lung cancer in 2001. McCartney and Starr remain musically active. The Beatles are the best-selling music act of all time, with estimated sales of 600 million units worldwide.[4][5] They hold the record for most number-one albums on the UK Albums Chart (15), most number-one hits on the Billboard Hot 100 chart (20), and most singles sold in the UK (21.9 million). The band received many accolades, including seven Grammy Awards, four Brit Awards, an Academy Award (for Best Original Song Score for the 1970 documentary film Let It Be) and fifteen Ivor Novello Awards. They were inducted into the Rock and Roll Hall of Fame in 1988, and each principal member was inducted individually between 1994 and 2015. In 2004 and 2011, the group topped Rolling Stone's lists of the greatest artists in history. Time magazine named them among the 20th century's 100 most important people.  

Mark Cunningham is a music industry author, journalist and designer who got involved with Apple Corps during the Anthology project. In this episode he discusses one of the Beatles' most acclaimed pieces, the mighty Strawberry Fields Forever.

In March of 1957, John Winston Lennon formed a "skiffle" group called The Quarrymen. What is "skiffle," you may be asking? It's a kind of folk music with a blues or jazz flavor that was popular in the 1950s, played by a small group and often incorporating improvised instruments such as washboards. On July 6, '57, Lennon met a guy named James. James Paul McCartney, while playing at the Woolton Parish church fete. In Britain, fêtes are traditional public festivals held outdoors and organized to raise funds for a charity. On February 6, 1958, the young up-and-coming guitarist George Harrison was invited to watch the group perform at Wilson Hall, Garston, Liverpool. He was soon brought in as a regular player. During this period, members continually joined and left the lineup. Finally, Lennon, McCartney, Harrison, and Stuart Sutcliffe (a classmate of Lennon at Liverpool Art College) emerged as the only constant members. One day, the members showed up to a gig wearing different colored shirts, so they decided to call themselves 'The Rainbows.' In a talent show they did in 1959, they called themselves 'Johnny and the Moondogs.' Once again, changing their name to "The Silver Beatles," they eventually decided, on August 17, 1960, on the moniker "The Beatles." Why did they choose the Beatles, Logan? They were huge fans of Buddy Holly and The Crickets – as a way of emulating their heroes, they called themselves after an insect. Right?   Well, According to John Lennon, "It came in a vision – a man appeared on a flaming pie and said unto them, 'from this day forward you are the Beatles with an 'A'! Thank you, mister man, they said, thanking him," he said.   Most of the accounts claim that Lennon's love of wordplay led them to adopt the 'a' eventually. Lennon would explain in a 1964 interview: "It was beat and beetles, and when you said it, people thought of crawly things, and when you read it, it was beat music."   After Lennon died in 1980, George Harrison claimed that the name came about differently in the Beatles' Anthology documentary (as is usually the case).   Harrison claimed that the name, 'The Beatles', came from the 1953 Marlon Brando film, The Wild One. In the film, Brando played a character called 'Johnny' and was in a gang called 'The Beetles.'   This answer would add up considering that the group also flirted with the name of 'Johnny and the Beetles', as well as 'Long John and the Silver Beetles.' Their unofficial manager, Allan Williams, arranged for them to perform in clubs on the Reeperbahn in Hamburg, Germany. On August 16, 1960, McCartney invited a guy named Pete Best to become the group's permanent drummer after watching Best playing with The Blackjacks in the Casbah Club. The Casbah Club was a cellar club operated by Best's mother Mona in West Derby, Liverpool, where The Beatles had played and often visited. They started in Hamburg by playing in the Indra and Kaiserkeller bars and the Top Ten club. George, who was only seventeen years old, had lied about his age, and when this little fact was discovered, he was deported by the German authorities. Paul and Pete thought it was good to start a small fire by lighting an unused condom in their living quarters while leaving it for more luxurious rooms. Arrested and charged for arson, they too were both deported. Lennon and Sutcliffe followed suit and returned to Liverpool in December. While in Germany, they stayed in a small room with bunkbeds. George Harrison admitted in The Beatles Anthology that this made things especially awkward when he crawled under the sheets with a woman for the first time — Lennon, McCartney, and then-drummer Pete Best actually applauded for him after the deed was done. Harrison joked, "At least they kept quiet while I was doing it."   They went back a second time and played the Top Ten Club for three months (April-June 1961). Stuart Sutcliffe decided to remain in Germany to concentrate on painting and left the group during this time. Sutcliffe's departure led McCartney to switch from playing rhythm guitar to bass guitar. While they were playing at the Top Ten, they were recruited by singer Tony Sheridan to act as his "backing band" on a series of recordings for the German Polydor Records label, produced by famed bandleader Bert Kaempfert ("Strangers in the Night", "Danke Schoen"). Kaempfert signed the group to its own Polydor contract at the first session on June 22, 1961. On October 31, Polydor released the recording, My Bonnie (Mein Herz ist bei dir nur), which made it into the German charts under Tony Sheridan and The Beat Brothers. Around 1962, My Bonnie was mentioned in Cashbox as the debut of a "new rock and roll team, Tony Sheridan and the Beatles," and a few copies were also pressed for U.S. disc jockeys. Cashbox, also known as Cash Box, was a music industry trade magazine published initially weekly from July 1942 to November 1996. Ten years after its dissolution, it was revived and continues as Cashbox Magazine, an online magazine with weekly charts and occasional special print issues. The band's third stay in Hamburg was from April 13–May 31, 1962, when they opened The Star Club. However, that stay was dampened when Astrid Kirchherr informed them upon their arrival of Sutcliffe's death from a brain hemorrhage. Astrid, a German photographer, and friend of the Beatles, revealed that her fiancé (and former Beatles bass player) Stuart Sutcliffe had died. No one was more shocked than John Lennon, who reportedly broke out in a fit of hysterical laughter at the idea of losing his art school buddy.   Upon their return from Hamburg, the group was enthusiastically promoted by local promoter Sam Leach, who presented them for the next year and a half on various stages in Liverpool forty-nine times. Brian Epstein (no relation to a particular disgusting human being), took over as the group's manager in 1962 and led The Beatles' quest for a British recording contract. In one now-famous exchange, a senior Decca Records A&R executive named Dick Rowe turned Epstein down flat and informed him that "The Decca audition for guitar groups are on the way out, Mr. Epstein." Remember Decca? They were Buddy Holly's first record label that thought "rock n roll was a fad." Strike two, Decca. Strike two. Epstein eventually met with producer George Martin of EMI's Parlophone label. Martin expressed an interest in hearing the band in the studio. So he invited the band to London's Abbey Road studios to audition on June 6. Martin wasn't particularly impressed by the band's demo recordings but instantly liked them when they met. He concluded that they had raw musical talent but said (in later interviews) that what made the difference for him that fateful day was their wit and humor in the studio.   Martin privately suggested to Brian Epstein that the band use another drummer in the studio. Yikes. Pete Best had some popularity and was considered attractive by many fans. Still, the three founding members had become increasingly unhappy with his popularity and personality, and Epstein had become exasperated with his refusal to adopt the distinctive hairstyle as part of their unified look. So Epstein sacked Best on August 16, 1962. Lennon and McCartney immediately asked their friend Richard Starkey, the drummer for one of the top Merseybeat groups, Rory Storm and the Hurricanes, to join the band. Unfortunately, Rory Storm didn't want to release Starkey but let Starkey out of his contract. Oh... Richard Starkey would eventually be known as "Ringo Starr." He chose Ringo because of the rings he wore, and it also had a cowboy feel to it. His drum solos were referred to as Starr Time.   The Beatles' first EMI session on June 6 did not yield any releasable recordings, but the September sessions produced the minor U.K. hit, "Love Me Do," which peaked on the charts at number 17. The single reached the top of the United States singles chart more than 18 months later in May 1964. This single was swiftly followed by their second single, "Please Please Me." They recorded their first album (also titled Please Please Me) three months later. George Martin capitalized on the wild, live energy the boys perfected in Hamburg and recorded the entire Please Please Me LP in less than 13 hours — saving "Twist and Shout" for last so the taxing vocals wouldn't ruin Lennon's voice before the other songs were done. That's fourteen songs. Luckily, the longest song on the album was only 2 minutes and 54 seconds long. The shortest was a minute and 47 seconds.   The band's first televised performance was on a program called People and Places, transmitted live from Manchester by Granada Television on October 17, 1962. The band experienced massive popularity on the record charts in the U.K. from early 1963. However, Parlophone's American counterpart, Capitol Records (owned by EMI), refused to issue their singles "Love Me Do," "Please Please Me," and "From Me to You" in the United States. Mainly because no British act had ever had a sustained commercial impact on American audiences.   Vee-Jay Records, a small Chicago label, is said by some to have been pressured into issuing these initial singles. Allegedly it was part of a deal for the rights to another performer's masters. Art Roberts, music director of Chicago powerhouse radio station WLS, placed "Please Please Me" into radio rotation in late February 1963, making it possibly the first time the American people heard a Beatles record on American radio. In August 1963, the Philadelphia-based Swan Records tried again with The Beatles' "She Loves You," which failed to receive airplay.   After The Beatles' massive success in 1964, Vee-Jay Records and Swan Records took advantage of their previously secured rights to The Beatles' early recordings and reissued the songs they had rights to, which all reached the top ten of the charts the second time around. Then, in a shifty move, Vee-Jay Records issued some weird L.P. repackaging of the Beatles' material they had and released "Introducing… The Beatles," which was basically The Beatles' debut British album with some minor alterations. Andi Lothian, a former Scottish music promoter, laid claim to the term in that he coined 'Beatlemania" while speaking to a reporter on October 7, 1963 at the Caird Hall in Dundee at a Beatles concert that took place during The Beatles' 1963 Mini-Tour of Scotland. Beatlemania was taking over the world.   In early November 1963, Brian Epstein persuaded Ed Sullivan to commit to presenting The Beatles on three editions of his show in February. He turned this guaranteed exposure into a record deal with Capitol Records. Capitol agreed to a mid-January 1964 release for "I Want to Hold Your Hand." Still, unexpected circumstances triggered premature airplay of an imported copy of the single on a Washington D.C. radio station in mid-December. Capitol brought forward the release of the record on December 26, 1963.   Bob Dylan introduced The Beatles to the cannabis drug in 1964 in a New York hotel room. He offered the "Fab Four" marijuana as a consequence of his misconception that the lyrics in their hit song "I Want to Hold Your Hand" from Meet the Beatles! were "I get high" instead of "I can't hide." This initial partaking in drugs grew into heavier experimentation with LSD and other substances whose psychedelic effects were commonly thought to have manifested themselves in the band's music. The Beatles, in turn, would influence Dylan's move into an electrified rock sound in his music.   Several New York City radio stations—first WMCA, then WINS, and finally, WABC began playing "I Want to Hold Your Hand" on its release day. The Beatlemania that had started in Washington was duplicated in New York and quickly spread to other markets. The record sold one million copies in just ten days. By January 16, Cashbox Magazine had certified The Beatle's record as number one in the edition published with the cover-date January 23, 1964.   This widespread phenomenon contributed to the near-hysterical fan reaction on February 7, 1964 at John F. Kennedy International Airport (which had been renamed in December 1963 from Idlewild Airport). A record-breaking seventy-three million viewers, approximately 40 percent of the U.S. population at the time, tuned in to the first Ed Sullivan Show appearance two days later on February 9. During the week of April 4, The Beatles held the top five places on the Billboard Hot 100, a feat that has never been repeated. They had an additional seven songs at lower positions. That's twelve songs on the Billboard charts at once. Of all the music acts on the charts, 12 percent of the entries consisted of Beatles songs. They were so unaware of their popularity in America that, on their arrival, they initially thought the crowds were there to greet someone else.   Oh, and their Concerts Often Smelled Like Urine Apparently, the masses of young girls who turned up for their concerts, movie premieres, or to wave hello as the Beatles walked off the plane in a new city were apparently too distracted by their love for the band to care about whether or not their bladders were full. DSo, they'd pee themselves.  In 1964, the band undertook their first appearances outside of Europe and North America, touring Australia and New Zealand, notably without Ringo Starr, who was ill and was temporarily replaced by session drummer Jimmy Nicol. When they arrived in Adelaide, The Beatles were greeted by what is reputed to be the largest crowd of their touring career, when over 300,000 people turned out to see them at the Adelaide Town Hall. Yeah, Adelaide's population was only right around 200,000. In September of that year, baseball owner Charles O. Finley paid the band the unheard-of sum of $150,000 to play in Kansas City, Missouri. That's $1,398,914.52 today and utterly unheard of at that time.   In 1965, Queen Elizabeth II of the United Kingdom bestowed the band the Member of the Order of the British Empire or MBE, a civil honor nominated by Prime Minister Harold Wilson.   On August 15, that year, The Beatles performed in the first stadium rock concert in the history of Rock n roll, playing at Shea Stadium in New York to a crowd of 55,600. The stadium's capacity is 57,333. The band later admitted that they had mainly been unable to hear themselves play or sing due to the volume of screaming and cheering. This concert is generally considered when they started disliking playing live shows.   In 1965, recently interested in Indian music, George Harrison purchased a sitar. He played it in the song Norwegian Wood (This Bird Has Flown), the first instance of such an instrument being used on a rock record. He later took sitar lessons from maestro Ravi Shankar, and implemented additional elements of Eastern music and spirituality into his songs, notably Love You To and Within You Without You. These musical decisions significantly increased the influence of Indian music on popular culture in the late 1960s.   In July 1966, when The Beatles toured the Philippines, they unintentionally snubbed the nation's first lady, Imelda Marcos, who had expected the group to attend a breakfast reception at the Presidential Palace. Manager Brian Epstein was forced to give back all the money that the band had earned while there before being allowed to leave the country.   Upon returning from the Philippines, an earlier comment by John Lennon back in March of that year launched a backlash against The Beatles. In an interview with British reporter Maureen Cleave, Lennon had offered his opinion that Christianity was dying and that The Beatles were "more popular than Jesus now." Oops!   There was an immediate response, starting with an announcement by two radio stations in Alabama and Texas that they had banned Beatles' music from their playlists. WAQY DJ, Tommy Charles said: "We just felt it was so absurd and sacrilegious that something ought to be done to show them that they can't get away with this sort of thing." Around two dozen other stations followed suit with similar announcements. Some stations in the South (shocker) went further, organizing demonstrations with bonfires, drawing hordes of teenagers to burn their Beatles' records and other memorabilia publicly. Many people affiliated with churches in the American South took the suggestion seriously.   The Memphis, TN city council, aware that a Beatles' concert was scheduled at the Mid-South Coliseum during the group's upcoming U.S. tour, voted to cancel it. Rather than have "municipal facilities be used as a forum to ridicule anyone's religion" and said, "The Beatles are not welcome in Memphis." On August 13, The Ku Klux Klan nailed a Beatles' album to a wooden cross and subsequently burned it, vowing "vengeance," with conservative groups staging further public burnings of Beatles' records.   Young people across the United States and South Africa burned Beatles records in protest. Then, under tremendous pressure from the American media, John Lennon apologized for his remarks at a press conference in Chicago on August 11, the eve of the first performance of what turned out to be their final tour.   The Beatles performed their last concert at Candlestick Park in San Francisco on August 29, 1966. From that point forward, they focused on recording music. They ended up pioneering more advanced, multi-layered arrangements in popular and pop music. After three months away from each other, they returned to Abbey Road Studios on November 24, 1966, to begin a 129-day recording period in making their eighth album: Sgt. Pepper's Lonely Hearts Club Band, was released on June 1, 1967.   Along with studio tricks such as sound effects, unconventional microphone placements, automatic double-tracking, and vari-speed recording, The Beatles began to augment their recordings with unconventional instruments for rock music at the time. These instruments included string and brass ensembles, Indian instruments such as the sitar and the "swarmandel," tape loops, and early electronic devices, including the "Mellotron," which was used with flute voices on the intro to "Strawberry Fields Forever." McCartney once asked Martin what a guitar would sound like if played underwater and was serious about trying it. Lennon also wondered what his vocals would sound like if he was hanging upside down from the ceiling. Unfortunately, their ideas were ahead of the available technology at the time.   Beginning with the use of a string quartet (arranged by George Martin) on Yesterday in 1965, The Beatles pioneered a modern form of art-rock and art song, exemplified by the double-quartet string arrangement on "Eleanor Rigby" (1966), "Here, There and Everywhere" (1966), and "She's Leaving Home" (1967). In addition, Lennon and McCartney's interest in the music of Johann Sebastian Bach led them to use a piccolo trumpet on the arrangement of "Penny Lane" and a Mellotron at the start of "Strawberry Fields Forever."   On June 25, 1967, the Beatles became the first band globally transmitted on television, in front of an estimated 400 million people worldwide, in a segment within the first-ever worldwide T.V. satellite hook-up, a show entitled Our World. The Beatles were transmitted live from Abbey Road Studios, and their new song "All You Need Is Love" was recorded live during the show.   Following the triumphs of the Sgt. Pepper album and the global broadcast, The Beatles' situation seemingly got worse. First, their manager Brian Epstein died of an overdose of sleeping pills on August 27, 1967, at 32, and the band's business affairs began to unravel. Next, at the end of 1967, they received their first major negative press criticism in the U.K., with disparaging reviews of their surrealistic T.V. film Magical Mystery Tour. The public wasn't a fan, either.   The group spent the early part of 1968 in Rishikesh, Uttar Pradesh, India, studying transcendental meditation with the Maharishi Mahesh Yogi. Upon their return, Lennon and McCartney formed Apple Corps, initially a philanthropic business venture they described as an attempt at "western communism." The middle part of 1968 saw the guys busy recording the double album, The Beatles, popularly known as "The White Album" due to its stark white cover. These sessions saw deep divisions beginning within the band, including John Lennon's new girlfriend, Yoko Ono, being at his side through much of the sessions and the feeling that Paul McCartney was becoming too dominating. Paul McCartney gradually took more control of the group. Internal divisions within the band had been a small but growing problem during their earlier career. Most notably, this was reflected in the difficulty that George Harrison experienced in getting his songs onto Beatles' albums, and in the growing artistic and personal differences between John and Paul.   On the business side, Paul wanted Lee Eastman, the father of his wife, Linda Eastman, to manage The Beatles, but the other guys wanted New York manager Allen Klein to represent them. All of the band's decisions in the past were unanimous, but this time the four could not agree on a manager. Lennon, Harrison, and Starr felt the Eastmans would look after McCartney's well-being before the group's. Paul was quoted years later during the Anthology interviews, saying, "Looking back, I can understand why they would feel that was biased against them." Afterward, the band kicked themselves in the ass for the Klein decision, as Klein embezzled millions from their earnings.   Their final live performance was on the rooftop of the Apple building in Savile Row, London, on January 30, 1969, the next-to-last day of the problematic Get Back sessions. Mainly due to Paul McCartney's efforts, they recorded their final album, Abbey Road, in the summer of 1969.   John Lennon announced his departure to the rest of the group on September 20, 1969. The rest of the band talked him out of saying anything publicly. In March 1970, the band gave the "Get Back" session tapes to American producer Phil Spector, whose "Wall of Sound" production was in direct opposition to the record's original intent to appear as a stripped-down live studio performance. McCartney announced the breakup on April 10, 1970, a week before releasing his first solo album, McCartney. On May 8, 1970, the Spector-produced version of Get Back was released as the album Let It Be, followed by the documentary film of the same name. The Beatles' partnership was legally dissolved after McCartney filed a lawsuit on December 31, 1970. Following the group's dissolution, the BBC marketed an extensive collection of Beatles recordings, mainly of original studio sessions from 1963 to 1968. Much of this material formed the basis for a 1988 radio documentary series, The Beeb's Lost Beatles Tapes. Later, in 1994, the best of these sessions were given an official EMI, released on Live at the BBC.   On the evening of December 8 1980, John Lennon was shot and fatally wounded in the archway of the Dakota, his home in New York City. His killer was Mark David Chapman, an American Beatles fan incensed by Lennon's lavish lifestyle and his 1966 comment that the Beatles were "more popular than Jesus." Chapman said he was inspired by the fictional character Holden Caulfield from J. D. Salinger's novel The Catcher in the Rye, a "phony-killer" who despised hypocrisy. Chapman planned the killing over several months and waited for John at the Dakota on the morning of December 8. Early in the evening, Chapman met Lennon, who signed his copy of the album Double Fantasy and subsequently left for a recording session. Later that night, Lennon and his wife, Yoko Ono, returned to the Dakota. As Lennon and Ono approached the building's entrance, Chapman fired five hollow-point bullets from a .38 special revolver, four of which hit John in the back. Chapman remained at the scene reading The Catcher in the Rye until the police arrested him. John Lennon was rushed to Roosevelt Hospital in a police car, where he was pronounced dead on arrival at around 11:15 p.m.   In February 1994, the then-three surviving Beatles reunited to produce and record additional music for a few of John Lennon's old unfinished demos, almost as if reuniting the Beatles. "Free As A Bird" premiered as part of The Beatles Anthology, a series of television documentaries, and was released as a single in December 1995, with "Real Love" following in March 1996. These songs were also included in the three Anthology collections of C.D.s released in 1995 and 1996, each consisting of two C.D.s of never-before-released Beatles material.   On November 29 2001, George Harrison died at a property belonging to Paul McCartney, on Heather Road in Beverly Hills, California. He was 58 years old. As relayed in a statement by his wife Olivia and son Dhani, his final message to the world was: "Everything else can wait, but the search for God cannot wait, and love one another." The Beatles were the best-selling popular musical act of the twentieth century. EMI estimated that by 1985, the band had sold over one billion discs or tapes worldwide. In addition, the Recording Industry Association of America has certified The Beatles as the top-selling artists of all time in the United States based on U.S. sales of singles and albums.   The Beatles have spent 132 weeks at No. 1 on the Billboard 200 chart – by far the most of any artist. Garth Brooks occupied the top spot for 52 weeks, the second most.   The Beatles are one of only two musical acts to have eight consecutive albums on the Billboard 200 all hit No. 1.  – the other being Eminem –   Anthology 1 sold 450,000 copies on its first day of release, reaching the highest volume of single-day sales ever for an album. In 2000, a compilation album named one was released, containing almost every number-one single released by the band from 1962 to 1970. The collection sold 3.6 million copies in its first week and more than 12 million in three weeks worldwide, becoming the fastest-selling album of all time and the biggest-selling album of 2000. The collection also reached number one in the United States and 33 other countries. In 1988, every Beatles member (including Pete Best and Stuart Sutcliffe) was inducted into the Rock and Roll Hall of Fame. www.iconsandoutlaws.com www.accidentaldads.com  

Today's special episode features our good friends from the Rock and Roll Hall of Fame and Museum in Cleveland, Ohio, here to discuss their new exhibition, The Beatles: Get Back to Let It Be. Designed to serve as an immersive complement to Peter Jackson's Get Back docuseries, the groundbreaking exhibition allows fans to experience The Beatles' creative journey through original instruments, clothing, and handwritten lyrics used by The Beatles and seen in the film. Artifacts include items loaned directly by Paul McCartney, Ringo Starr, and the estates of George Harrison and John Lennon. The exhibit features high-definition film clips, audio, and custom projections, transporting fans into The Beatles' vibrant world of January 1969. Fans will also enjoy audio engineer, producer, and Rock & Roll Hall of Fame Inductee Glyn Johns' record acetate from the sessions and iconic photography by Linda McCartney and by Ethan Russell, who documented the band's January 1969 rehearsals, sessions, and rooftop performance, and whose photos are featured in the Let It Be album art. As with Jackson's Get Back docuseries, the exhibit shows how The Beatles composed and recorded many of their iconic songs from scratch. The exhibit's three screening rooms feature a selection of footage from each location from the docuseries: Twickenham, Apple Studios, and the Apple Corps rooftop. Ken's first guest is Greg Harris, President & CEO of the Rock & Roll Hall of Fame. Prior to serving in his current role, Greg worked as a senior executive at the National Baseball Hall of Fame and Museum for 14 years. Ken is also joined by Nwaka Onwusa, the Rock Hall's Chief Curator & Vice President of Curatorial Affairs. Prior to joining the Rock Hall in 2019, Nwaka spent a decade researching, developing and curating more than 20 full-scale exhibits for The GRAMMY Museum at L.A. LIVE. --- Support this podcast: https://anchor.fm/everythingfabfour/support

Madison authors, topics, book events and publishers.Stu Levitan welcomes back to the program the Rock and Roll Detective himself, Madison's own Jim Berkenstadt, to talk about his latest book Mysteries in the Music: Case Closed.Who really discovered Elvis Presley? What role did the CIA play in the gun attack on Bob Marley and his eventual death from cancer? How seriously did the FBI take its investigation into whether the lyrics to Louie, Louie were dirty? Did the Beach Boys steal a song from Charles Manson? Did Bob Dylan really record an album with members of the Beatles and the Rolling Stones?These are just some of the controversies and conspiracy theories Jim Berkenstadt investigates as only he can, before providing definitive answers. It's a book he is uniquely qualified to write.He is, after all, the Rock and Roll Detective, LLC, specializing in uncovering the lost histories and solving the mysteries of pop music. And because musicians know and trust him, he has great access to the people who were there when the deals went down. The book is filled with revealing interviews with such legendary musicians as Elvis's late great guitarist Scotty Moore, drummers Hal Blaine and Jim Keltner, producer Glyn Johns, and my old cab driving colleague Butch Vig, who also wrote the forward, and more. And not just musicians – this may be the only book which features interviews with Rolling Stone founder Jann Wenner, disgraced Col. Oliver North, a sitting federal judge, and even a former CIA agent.Jim is especially authoritative about the Beatles, serving as historical consultant for Martin Scorcese's HBO Emmy-wining film, George Harrison: Living in the Material World, as well as to the estate of George Harrison and the Beatles' Apple Corps. Itself. Sharp-eyed viewers will have spotted his name among those thanked in the credits to Peter Jackson's majestic new 8-hour film about the recording of the Beatles' Let It Be album, Get Back.In addition to the new book tour, Jim is currently serving as co-executive producer and script consultant on the feature film adaptation of his book The Beatle Who Vanished, about the drummer Jimmie Nicol, who at the height of Beatlemania in 1964 filled in for a fortnight when Ringo Starr was felled by tonsilitis just before a world tour. That best-seller has been included in the Library and Archives of the Rock and Roll Hall of Fame, as have his earlier books Black Market Beatles and Classic Rock Albums: Nirvana-Neverrmind,. He was also a featured expert for several seasons on the Reelz Channel TV series Celebrity Legacies and Celebrity Damage Control.He lives north side with his wife, Holly Cremer Berkenstadt.Jim was with us last fall to discuss The Beatle Who Vanished, and it is a pleasure to welcome him back to MBB.

이름이 불리면 너에게로 가서 꽃이 될 수 있는 이유. 00:00:00-00:02:44 --- 1: 오프닝 00:02:44-00:10:08 --- 2: 무의식의 루틴 00:10:08-00:22:21 --- 3: 묘사와 거시기 00:22:21-00:38:33 --- 4: 코인과 아이돌 00:38:33-00:40:50 --- 5: 아이디 00:40:50-00:44:41 --- 6: 선점 00:44:41-00:53:09 --- 7: 소송 00:53:09-00:56:49 --- 8: 내가 나다 00:56:49-01:00:48 --- 9: 정신 건강 01:00:48-01:04:06 --- 10: 마무리 에피소드 관련 링크 00:05:35 --- 에피소드 10, 반인반수 녹취록 --- https://ithaka.imaginariumkim.com/ep-10-baninbansu-mugyeonggyejeog-gongjon 00:23:08 --- 에피소드 9, 금서금지 녹취록 --- https://ithaka.imaginariumkim.com/ep-9-geumseogeumji-king-balgeul-taljunganghwa-mirae 00:25:46 --- 동방신기 오장육부 썰 --- https://www.donga.com/news/amp/all/20070423/8433518/1 00:33:42 --- Investopia의 브랜드에 대한 정의 --- https://www.investopedia.com/terms/b/brand.asp 00:41:25 --- 이 세상 단 하나의 인스타그램 시인 --- https://www.instagram.com/poet/ 00:47:32 --- 애플과 우크라이나 인디 영화 ‘애플 맨' --- https://www.hollywoodreporter.com/business/digital/apple-man-trademark-fight-1235085326/amp/ 00:48:00 --- 애플과 과일 로고 --- https://news.bloomberglaw.com/ip-law/apple-said-to-thwart-other-fruit-logos-even-far-from-its-tree 00:48:18 --- Prepear --- https://www.prepear.com/ 00:49:30 --- 2021년 2월 9일 자 기사를 보면, 합의를 본 것 같은데... --- https://9to5mac.com/2021/02/09/apple-and-prepear-reach-an-agreement-on-pear-shaped-logo-trademark/amp/ 00:50:05 --- Apple Corps vs. Apple Computer --- https://en.m.wikipedia.org/wiki/Apple_Corps_v_Apple_Computer 00:51:38 --- 애플 맨 영화 --- https://www.imdb.com/title/tt12313066/ 00:56:00 --- '아임 드리밍'이 등장하는 크리스마스 노래 --- https://www.youtube.com/watch?v=BOrwX11CbsY 00:57:12 --- 에피소드 7, 인간포장 녹취록 --- https://ithaka.imaginariumkim.com/ep-7-inganpojang-geu-ihuyi-salm/ ♥️ 프릭들이 등장하는 '괴물성' 책 ♥️ https://docs.google.com/forms/d/1FGoCSWLy1fsDB-SI2NNLRz3FFcvnAuRba_GqMTFtPzU/ 전체 에피소드 녹취록 https://ithaka.imaginariumkim.com/ep-11-yimihamcug-neoyi-ireumeun

Even after conquering the world and experiencing the highest highs celebrity had maybe ever known, by summer 1964 John found himself at odds with the public persona he'd been living with. After a journalist told him he felt John was more revealing in his offbeat poetry and prose than in his music, and with a little help from their new friend Bob Dylan and the party supplies he turned them on to, John began looking inward more than he had previously on the band's 4th lp, Beatles for Sale. The album's 2nd track, "I'm A Loser," sees Lennon embracing his trademark wordplay and wit, alternating the idea of a loser as both someone who isn't cool and confident (at least not as he pretends to be) with someone who's lost something, or someone. It's an important song in John's songwriting journey, as the track has that trademark early Beatle excitement, with a first taste of introspection that he begins to master on albums like Help! and Rubber Soul. Another clue to the new direction. Joining us this week is songwriter and musician Hilarie Sidney of The High Water Marks (and formerly of Apples In Stereo). We talk about being born into a Beatles family, life in Norway, hamburger snobs, and the similarities between the Beatles' Apple Corps. and Elephant 6 Recording Collective, which she helped found in the late 80s/early 90s, which gave rise to such indie bands as Neutral Milk Hotel, Olivia Tremor Control, and her own Apples In Stereo among others. We also talk about her current band The High Water Marks, their new album Proclaimer of Things which came out Feb 4th, and is a fun blast of 60s influenced indie pop rock. This episode features samples of the tracks "Jenny" and "Proclaimer of Things." Pick up a copy of the album at their Bandcamp page https://thehighwatermarks.bandcamp.com, and be sure to follow along on Facebook! What do you think? Too high? Too low? Just right? Let us know in the comments on Facebook https://www.facebook.com/rankingthebeatles, Instagram @rankingthebeatles, or Twitter @rankingbeatles! Be sure to check out RTB's official website, www.rankingthebeatles.com! Enjoying the show, and wanna show your support? Buy Us A Coffee! --- Send in a voice message: https://anchor.fm/rankingthebeatles/message Support this podcast: https://anchor.fm/rankingthebeatles/support

Written in Hamburg at the end of 1962, and inspired by a very early memory of his mother, "Do You Want To Know A Secret?" is a John tune given to George (or maybe a John & Paul tune written specifically for George, depending on who's telling the story) to sing on their debut album. It's genetic make up is a bit all over there place...a dash of Disney, a pinch of Spanish soap opera dramatics, a hint of a band called The Stereos, and just a kiss of the doo-wah-doos. It makes for a perfectly pleasant song, one that would released as an American single in 64 and go all the way to #2, while Billy J. Kramer and the Dakotas would cover it and take to #1 in the UK. Despite that, by the summer of '63 the Beatles were well and done with the song, and maybe that's rightfully so. It doesn't seem to have any of the hallmarks of what made a great Beatles song, nor does it necessarily sound very different from any other number of pop groups of the day. But that said, it's charming and catchy and a pleasant way to spend 1:58. Joining us this week to chat is "The Rock & Roll Detective," Jim Berkenstadt! Jim's the author of a number of books including Black Market Beatles, Classic Rock Albums: Nirvana - Nevermind, The Beatle Who Vanished, and his newest one, Mysteries In The Music: Case Closed. We discuss run-ins with rock legends, working with Apple Corps, George Harrison and his estate, the mystery and excitement of bootlegs, and so much more! Check out Jim's goings-on at rockandrolldetective.com, on Twitter @rockdetective, and on Facebook! What do you think? Too high? Too low? Just right? Let us know in the comments on Facebook https://www.facebook.com/rankingthebeatles, Instagram @rankingthebeatles, or Twitter @rankingbeatles! Be sure to check out RTB's official website, www.rankingthebeatles.com! Enjoying the show, and wanna show your support? Buy Us A Coffee! --- Send in a voice message: https://anchor.fm/rankingthebeatles/message Support this podcast: https://anchor.fm/rankingthebeatles/support

In Episode 360 of Things We Said Today, Ken Michaels, Allan Kozinn and Darren DeVivo discuss the often-overlooked “Yellow Submarine” album and the 1999  “Yellow Submarine Songtrack” expanded remix. We also, in light of the delay in the release of “The Beatles: Get Back” DVD/Blu-ray, pass along Peter Jackson's advice that we let Disney and Apple know that we want bonus material on such a release. Here are some relevant addresses, as well as a link to an online petition: To email Disney:  TWDS.Global.Communications@disney.com To catch their attention on Twitter, include @DisneyPlus, @disney and @thebeatles in your Tweet. (Disney's Facebook pages don't allow for messages, public or private.) In social media, use the hashtag #TheBeatlesGetBack.  To send Apple snail mail, write to Jeff Jones, Apple Corps, 27 Ovington Square, London, England SWW3 1JL. The petition: https://www.change.org/p/walt-disney-the-beatles-get-back-extended-cut?utm_content=cl_sharecopy_32233916_en-GB%3A6&recruiter=1251097143&recruited_by_id=60186320-83ab-11ec-926e-91f788da4087&utm_source=share_petition&utm_medium=copylink&utm_campaign=psf_combo_share_initial&utm_term=psf_combo_share_initial&share_bandit_exp=initial-32233916-en-US AND, for further discussion of Yellow Submarine, check out our interview with Dr. Bob Heironymus and Laura Cortner, authors of  “Inside the Yellow Submarine” and “It's All in the Mind”:     https://www.youtube.com/watch?v=mimPhQnvxms&t=182s. Ken also interviewed them on his Ken Michaels Radio YouTube channel: https://www.youtube.com/watch?v=rlQqu5ntbF4&t=996s and he spoke with Bruce Spizer and Al Sussman about Bruce's latest book, “Magical Mystery Tour and Yellow Submarine”: https://www.youtube.com/watch?v=Q6ZJOmByEtA&t=602s  NOTE: This is an audio version of the podcast. There is also a video version on our YouTube page. As always, we welcome your thoughts about this episode of the show or any other episode. We invite you to send your comments about this or any of our other shows to our email address thingswesaidtodayradioshow@gmail.com, join our "Things We Said Today Beatles Fans" Facebook page and comment there, tweet us at @thingswesaidfab or catch us each on Facebook and give us your thoughts. And we thank you very much for listening. You can hear and download our show on Podbean, the Podbean app and iTunes and stream us through the Tune In Radio app and from our very own YouTube page.  Our shows appear every two weeks. Please be sure and write a (good, ideally!) review of our show on our iTunes page. If you subscribe to any of our program providers, you'll get the first word as soon as a new show is available. We don't want you to miss us. Our download numbers have been continually rising, as more people discover us and it's all because of you. So we thank you very much for your support!

It was 50 years ago to the day when four of the very few people in the world who can actually say “I was there” talked to RHOD SHARP about The Beatles' rooftop concert on January 30, 1969. In a conversation broadcast on BBC 5 Live's Up All Night in 2019, Let It Be director Michael Lindsay-Hogg, Apple Corps' Kevin Harrington and Ken Mansfield and Metropolitan police constable Ken Wharfe provide a fresh take on the events depicted anew in Peter Jackson's extended documentary.

En Música de Contrabando , revista diaria de música en Onda Regional de Murcia (hoy vamos de 23,05 a 01,00h) El Benidorm Fest ha terminado envuelto en polémica por el resultado. Hoy hacemos un ejercicio de reflexión con @oscarvarry @VarryBrava, que nos cuenta su experiencia desde dentro del concurso que, no cabe duda, ha devuelto la vida a Eurovisión. El 30 de enero de 1969 The Beatles tocaban su famosísimo concierto final en la azotea de sus oficinas centrales de Apple Corps en Savile Row, Londres. Este domingo marcó el 53 aniversario que será celebrado con una serie de lanzamientos especiales, eventos y anuncios. Contempopranea 2022 estrena sede en Olivenza (Badajoz), ciudad que acogerá la edición número 26, los días 29 y 30 de julio (Viva Suecia). Neil Young y Joni Mitchell han retirado su música de Spotify (no toda en el caso de la segunda) para denunciar que algunos de los podcasts disponibles en la plataforma sueca promuevan desinformación sobre la covid, la cual está «contribuyendo a alargar la pandemia». En concreto se ha puesto en el punto de mira el podcast de Joe Rogan, el más escuchado de 2021 en el gigante del streaming. Spotify pierde más de 2.000 millones de dólares tras eliminar la música de Neil Young de la plataforma. Black Country, New Road han anunciado hoy que Isaac Wood, quien hasta hoy era su cantante, abandona oficialmente la formación. The Kooks regresan anunciando 10 tracks to echo in the dark, su nuevo disco, con "connection - echo in the dark part 1", fresco primer triple adelanto de indie pop. Ladilla Rusa presenta ‘After Party', una ilusión de Eurovisión. >>El dúo catalán imagina en un videoclip cómo hubiese sido su (desastroso) paso por el festival. La canción techno-cañí es un guiño y un homenaje a algunas interpretaciones míticas de España en Eurovisión. Es tu nuevo grupo favorito, solo tiene dos canciones, pero no son sólo canciones, son himnos generacionales”. Así de explícito, tanto en el aspecto lírico como en el musical, arranca el segundo álbum de Carolina Durante, "Cuatro chavales". “Infinitos”, un tema conmovedor y desamparado que cuenta con la voz fluorescente, hilo rasgado, de la argentina Zoe Gotusso para el séptimo video-single extraído de Cuando te muerdes el labio,el nuevo disco de Leiva que ya ha sido Disco de Oro en España a las pocas semanas de su salida a la calle. Pantocrator estrenan hoy Teléfono de Aludidos, una nueva llamada de atención en relación a su próximo trabajo: Sálvame.. Fuel Fandango lanza su cuarto romance “Un sonido”, con la colaboración de Iván Ferreiro, un nuevo adelanto de su próximo proyecto “Romances” que verá la luz en el mes de mayo. The Smile (Thom yorke, Jonny greewood y Tom skinner) hacen una personal aproximación al dub en "the smoke", Tempers anuncian New meaning, su nuevo disco, con el nocturno pop sintético de "nightwalking". Pinegrove estrenan "habitat", intenso nuevo adelanto de 11:11, su emocional nuevo disco que se publica este viernes. “The girls are fighting”, es el nuevo videoclip de Bloc Party: un avance de su próximo álbum, Alpha games, que se editará el 29 de abril. “Out in style” es una combinación perfecta de pop y soul en la que Cecilia Krull colabora con el músico y productor francés Celestal. "Somos La Resistencia cuando plantamos cara a la ansiedad, a los problemas cotidianos, y, en definitiva, a todo aquello que nos atormenta" canta Laura Uve en su nuevo single. Y es que, este tema, es como un golpe en la mesa, como esa alarma que nos indica que es el momento de luchar por lo que queremos conseguir. Presentamos el single de presentación de “La Calma y la Tormenta” . Denuncian el parecido del tema 'SloMo' con una canción del año 2017 de la artista serbia Dara Bubamara.

Puntata a cura di Untimoteo.Con Get Back, il regista de “Il Signore degli Anelli” Peter Jackson realizza un'opera emozionante e straniante, e non solo per i fanatici dei Beatles. Condensando una mole mostruosa di materiale in 3 parti per 8 ore (su Disney+). Facendoci vivere in prima persona le quattro settimane di inizio 1969 che culminarono nel leggendario concerto sul tetto della Apple Corps. Ma anche costringendoci a riflettere sull'uso dell'intelligenza artificiale nell'arte. E sul labile confine tra la dimensione umana e quella iconica della più grande pop band di tutti i tempi."Documentari" è il format del podcast di Mondoserie dedicato all'approfondimento delle produzioni non di fiction.Parte del progetto: https://www.mondoserie.it/Iscriviti al podcast sulla tua piattaforma preferita: https://www.spreaker.com/show/mondoserie-podcast Collegati a MONDOSERIE sui social: https://www.facebook.com/mondoseriehttps://www.instagram.com/mondoserie.it/ https://twitter.com/mondoserie_it https://www.youtube.com/channel/UCwXpMjWOcPbFwdit0QJNnXQ https://www.linkedin.com/in/mondoserie/

The Beatles visit the Maharishi in Rishikesh, India. They learn about meditation, and write a ton of songs. They come back to launch their new company, Apple Corps, and the story of John and Yoko begins.

The Rock N Roll Archaeologist goes back to the Beatles well with author Ken McNab, who's new book examines the last days of the Fab Four. It's called ‘And in the End: The Last Days of the Beatles'. Ken and Christian go through the details and the aftermath of demise of perhaps the single greatest cultural phenomenon of the 20th Century.Ken McNab's in-depth look at The Beatles' acrimonious final year is a detailed account of the breakup featuring the perspectives of all four band members and their roles. A must to add to the collection of Beatles fans, And In the End is full of fascinating information available for the first time.McNab reconstructs for the first time the seismic events of 1969, when The Beatles reached new highs of creativity and new lows of the internal strife that would destroy them. Between the pressure of being filmed during rehearsals and writing sessions for the documentary Get Back, their company Apple Corps facing bankruptcy, Lennon's heroin use, and musical disagreements, the group was arguing more than ever before and their formerly close friendship began to disintegrate.In the midst of this rancour, however, emerged the disharmony of Let It Be and the ragged genius of Abbey Road, their incredible farewell love letter to the world.KEN MCNAB is a lifelong Beatles fan and well-respected journalist with Scotland's Evening Times. He lives in Glasgow with his wife and children.https://www.amazon.com/End-Last-Days-Beatles-ebook/dp/B084F93TKQ/ref=sr_1_1?crid=20ZDEL9LR594P&dchild=1&keywords=and+in+the+end&qid=1598460144&sprefix=and+in+the+%2Caps%2C238&sr=8-1

The Rock N Roll Archaeologist goes back to the Beatles well with author Ken McNab, who's new book examines the last days of the Fab Four. It's called ‘And in the End: The Last Days of the Beatles'. Ken and Christian go through the details and the aftermath of demise of perhaps the single greatest cultural phenomenon of the 20th Century.Ken McNab's in-depth look at The Beatles' acrimonious final year is a detailed account of the breakup featuring the perspectives of all four band members and their roles. A must to add to the collection of Beatles fans, And In the End is full of fascinating information available for the first time.McNab reconstructs for the first time the seismic events of 1969, when The Beatles reached new highs of creativity and new lows of the internal strife that would destroy them. Between the pressure of being filmed during rehearsals and writing sessions for the documentary Get Back, their company Apple Corps facing bankruptcy, Lennon's heroin use, and musical disagreements, the group was arguing more than ever before and their formerly close friendship began to disintegrate.In the midst of this rancour, however, emerged the disharmony of Let It Be and the ragged genius of Abbey Road, their incredible farewell love letter to the world.KEN MCNAB is a lifelong Beatles fan and well-respected journalist with Scotland's Evening Times. He lives in Glasgow with his wife and children.https://www.amazon.com/End-Last-Days-Beatles-ebook/dp/B084F93TKQ/ref=sr_1_1?crid=20ZDEL9LR594P&dchild=1&keywords=and+in+the+end&qid=1598460144&sprefix=and+in+the+%2Caps%2C238&sr=8-1