Podcasts about Apple Records

Straight Up es el tercer álbum de la banda de rock británica Badfinger, lanzado en diciembre de 1971 en los Estados Unidos y en febrero de 1972 en Gran Bretaña. Publicado en el sello discográfico de Apple de los Beatles, incluye los exitosos singles "Day After Day" y "Baby Blue", y el popularmente conocido "Name of the Game", todos ellos escritos por el cantante y guitarrista Pete Ham. El álbum marcó un alejamiento del sonido más roquero de los lanzamientos anteriores de Badfinger, en parte como resultado de la intervención de Apple Records con respecto a la dirección musical de la banda. Aunque Straight Up recibió una respuesta mixta de los críticos en el lanzamiento, muchos críticos ahora lo consideran como el mejor álbum de la banda. El crítico de Rolling Stone, David Fricke, se ha referido a él como el "ápice del power pop de Badfinger".

Hoy, con motivo del 55º Aniversario de la publicación del último disco de los Beatles, Let It Be (8 de mayo de 1970), recuperamos en La Gran Travesía su grabación, parte de su concierto en la azotea de Apple Records en enero de 1969, varias versiones de otros grupos y alguna sorpresa más. También recordaros que ya podéis comprar La gran travesía del rock, un libro interactivo que además contará con 15 programas de radio complementarios, a modo de ficción sonora... con muchas sorpresas y voces conocidas... https://www.ivoox.com/gran-travesia-del-rock-capitulos-del-libro_bk_list_10998115_1.html Jimi y Janis, dos periodistas musicales, vienen de 2027, un mundo distópico y delirante donde el reguetón tiene (casi) todo el poder... pero ellos dos, deciden alistarse al GLP para viajar en el tiempo, salvar el rock, rescatar sus archivos ocultos y combatir la dictadura troyana del FPR. ✨ El libro ya está en diversas webs, en todostuslibros.com Amazon, Fnac y también en La Montaña Mágica, por ejemplo https://www.amazon.es/GRAN-TRAVES%C3%8DA-DEL-ROCK-autoestopista/dp/8419924938 ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Poncho C, Don T, Francisco Quintana, Gastón Nicora, Con, Piri, Dotakon, Tete García, Jose Angel Tremiño, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Javier Gonzar, Poncho C, Nacho, Javito, Alberto, Pilar Escudero, Blas, Moy, Dani Pérez, Santi Oliva, Vicente DC,, Leticia, JBSabe, Flor, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, María Arán, Joaquín, Horns Up, Victor Bravo, Fonune, Eulogiko, Francisco González, Marcos Paris, Vlado 74, Daniel A, Redneckman, Elliott SF, Guillermo Gutierrez, Sementalex, Miguel Angel Torres, Suibne, Javifer, Matías Ruiz Molina, Noyatan, Estefanía, Iván Menéndez, Niksisley y a los mecenas anónimos.

Picking up from last week, Aaron continues his evaluation of the career and discography of power pop legends Badfinger.  This episodes focuses on the five albums the band released after their time with Apple Records.  While not marked as explicit, these two episodes (specifically the second part) deal with the topic of suicide. Listener discretion is advised. 

With April marking 50 years since the passing of Pete Ham, Aaron takes a deep dive into the career and discography of power pop legends Badfinger.  This episodes focuses on the five albums the band released on Apple Records. While not marked as explicit, these two episodes (specifically the second part) deal with the topic of suicide. Listener discretion is advised. 

It's S&G Friday at WKXL and NH Unscripted where we dedicate the last Friday of every month to chat with our sponsor! Today Bill Christie, partner at Shaheen & Gordon, steps up to the plate to discuss some of the highlights and strengths of their law firm. He's a famous lawyer that successfully sued the federal government for leaking information to Whitey Bulger and the Winter Hill Gang that they then used to murder informants against them. Then he speaks of the time they had a case which dealt with copyrighted material that even involved a representative from Apple Records (think the Beatles) stepping in to assess the case. We are so proud to have them sponsoring NH Unscripted!

It's S&G Friday at NH Unscripted where we dedicate the last Friday of every month to chat with our sponsor! Today Bill Christie, partner at Shaheen & Gordon, steps up to the plate to discuss some of the highlights and strengths of their law firm. He's a famous lawyer that successfully sued the federal government for leaking information to Whitey Bulger and the Winter Hill Gang that they then used to murder informants against them. Then he speaks of the time they had a case which dealt with copyrighted material that even involved a representative from Apple Records (think the Beatles) stepping in to assess the case. We are so proud to have them sponsoring NH Unscripted!

Dive into the compelling and tragic story of Joey Molland and his legendary band, Badfinger, in this must-listen episode. Packed with exclusive insights into the history of one of the most beloved bands of the '60s and '70s, this is your ultimate guide to understanding the highs and lows of Badfinger's incredible journey. Perfect for music lovers, Baby Boomers, Beatles fans, and anyone with a passion for classic hits from the golden era of British pop music, this episode captures the essence of a band that remains iconic to this day. Who Was Joey Molland and Why Was Badfinger So Special? Joey Molland, an exceptional guitarist, singer, and songwriter, joined Badfinger at the height of their success and played a pivotal role in shaping the band's timeless sound. Hailing from Liverpool, the same city that gave the world The Beatles, Molland brought a unique energy and creativity to Badfinger, solidifying their place in music history. Badfinger was one of the first bands signed to The Beatles' Apple Records, a fact that forever intertwined their legacy with the Fab Four. Songs like "Come and Get It," "Day After Day," and "No Matter What" became anthems of their time. The Badfinger-Beatles Connection Badfinger's rise to fame owes much to their connection with The Beatles. Handpicked by Paul McCartney , their first major hit, "Come and Get It," was written and produced by McCartney himself. George Harrison and Todd Rundgren also contributed to the production of some of their most memorable albums. Fans of The Beatles will find a treasure trove of stories and insights here as we delve into how Badfinger became the torchbearers of the British Invasion's next wave. The Tragic Side of Success Despite their immense talent and commercial success, Badfinger's story is one of heartbreak and tragedy. We explore the darker side of their meteoric rise, including the mismanagement and financial woes that plagued the band. From their tumultuous relationship with their manager to the devastating losses of band members Pete Ham and Tom Evans, we uncover the heartbreaking events that turned Badfinger's dream into a nightmare. Badfinger's Timeless Legacy Badfinger's music continues to resonate with audiences around the world. Their influence can be heard in countless bands and artists who followed in their footsteps. Tracks like "Baby Blue," used in the finale of Breaking Bad, have introduced new generations to their work. Joey Molland remains a custodian of Badfinger's legacy. For Baby Boomers who grew up with their music, and for younger fans discovering their brilliance, their story is a testament to the enduring power of great songwriting. What You'll Learn in This Episode Joey Molland's early years in Liverpool and his path to joining Badfinger. The group's formation and early struggles Behind-the-scenes stories working with Paul McCartney and George Harrison. The creation of iconic albums and their chart-topping hits. The band's challenges with management and the financial troubles that led to their downfall. The tragic losses of Pete Ham and Tom Evans and how their deaths impacted the music world. Joey Molland's role in preserving Badfinger's legacy and his continued contributions to music. Why This Episode Is a Must-Listen If you're a fan of sixties and seventies music, this episode is a goldmine of information and nostalgia. Whether you're a longtime admirer of Badfinger or discovering them for the first time, you'll gain a deeper appreciation for their artistry and resilience. Music lovers, Beatles fans, and aficionados of British pop music will find themselves captivated by the stories, music, and legacy of Joey Molland and Badfinger. Engage with Us: We want to hear from you! Share your thoughts, favourite Badfinger memories, and how their music has impacted your life. Join the conversation and connect with fellow fans by leaving comments and reviews. Subscribe to the podcast and share this episode with friends.

While we obviously do Debut Buddies for the Money, what really drives us is the ceaselessness of Time and maybe a little Brain Damage. It's not just Us and Them, either, a whole host of folks are preparing for The Great Gig in the Sky. We discuss Pink Floyd's FIRST #1 RECORD, The Dark Side of the Moon with special guest writer and educator, Steve Livingston. Plus, we talk prog rock, being old, and so much more! And of course, there's a delightful MouthGarf Report and I See What You Did There! Please give us a 5 star rating on Apple Podcasts! Check out the cool Moon Composite that Steve shared here.Want to ask us a question? Talk to us! Email debutbuddies@gmail.comListen to Kelly and Chelsea's awesome horror movie podcast, Never Show the Monster.Get some sci-fi from Spaceboy Books.Get down with Michael J. O'Connor's music!Next time: First Ghost Busters 

Jimmie Nicol was a well respected London session drummer living in relative anonymity until he got his lucky break. When Ringo Starr fell ill with tonsilitis in June 1964, The Beatles carried on with the first leg of their world tour, using Nicol as a temporary substitute. For 13 nights, Jimmie became the only person outside of John, Paul, George, and Ringo to really live as an honest-to-goodness Beatle during the height of Beatlemania - appearing in photos, at press conferences and as one of the four men standing on stage in front of thousands of screaming, adoring fans. Upon Ringo's return, Jimmie resumed his relatively quiet life...soon to retreat from the public eye altogether. What was his story? How was he chosen by The Beatles' camp? What did he do after experiencing the taste of fame? With no sightings for many years, is Jimmie Nicol even still alive?? These are the mysteries that our Third Lad, author, historian and Rock and Roll Detective Jim Berkenstadt seeks to unravel in his book The Beatle Who Vanished (https://thebeatlewhovanished.com). Jim has had a fascinating, multi-faceted career - from attorney to author to research and historical consultant for many music, film and TV projects for Apple Records and others. Jim shares stories of keeping it cool around Beatles (but not necessarily around Doors), jamming with a Beatle, and hearing Nirvana session tapes before they broke big. And, of course, we've got our Top 5 replacement or temporary band members. Yowsah! Learn more about your ad choices. Visit megaphone.fm/adchoices

In 2023, I hosted writer James Campion with Jeff Martin for a discussion of The Beatles' 1968 mega-hit and Apple Records debut. This time, we're drilling down deep for an analysis of the song's composition (as well as possible sources of inspiration) with the musicologists of RPM School: Walter Everett (author of volumes one and … 290: “Hey Jude” Reconstructed Read More »

Peter Asher (Peter & Gordon) and Jeremy Clyde (Chad & Jeremy) were stars during the British Invasion era of the 1960s. Peter & Gordon had massive hits with songs like “A World Without Love” and “I Go To Pieces”. Peter went on to have an illustrious career in the music business, first as the head of A&R for Apple Records where he signed a then-unknown James Taylor, then as producer for many artists including Linda Ronstadt, and currently as the host of “From Me To You”, a weekly Beatles show on Sirius/XM. Jeremy was half of Chad & Jeremy who had several big hits including “Yesterday's Gone” and “A Summer Song”. He tours together with Peter these days. We do two Songfests - one where we select and discuss several favorite British Invasion era songs by other artists that were One Hit Wonders or off the beaten path. And the other where we play and discuss a few of Peter & Gordon's hits plus a Peter and Jeremy song.My featured song is “This Time” from the album “Bobby M and the Paisley Parade”. Spotify link—----------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------“THE GIFT” is Robert's new single featuring his song arranged by Grammy winning arranger Michael Abene. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links. “LOU'S BLUES” is Robert's recent single. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's recent single. With guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------“MILES BEHIND”, Robert's debut album, recorded in 1994, was “lost” for the last 30 years. It's now been released for streaming. Featuring Randy Brecker (Blood Sweat & Tears), Anton Fig (The David Letterman Show), Al Foster (Miles Davis), Tim Ries (The Rolling Stones), Jon Lucien and many more. Called “Hip, Tight and Edgy!” Click here for all links.—--------------------------------------“IT'S ALIVE!” is Robert's latest Project Grand Slam album. Featuring 13 of the band's Greatest Hits performed “live” at festivals in Pennsylvania and Serbia.Reviews:"An instant classic!" (Melody Maker)"Amazing record...Another win for the one and only Robert Miller!" (Hollywood Digest)"Close to perfect!" (Pop Icon)"A Masterpiece!" (Big Celebrity Buzz)"Sterling effort!" (Indie Pulse)"Another fusion wonder for Project Grand Slam!" (MobYorkCity)Click here for all links.Click here for song videos—-----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

Fan-favorite guests Elliot Roberts and Rob Sheffield return to the "Here, There, and Everywhere" podcast and join host Jack Lawless in a nearly 5 hour epic conversation about Paul McCartney's life, music, and career after The Beatles.    Welcome to Part 4 of our conversation about one of the most successful musicians in history, Paul McCartney. In this episode, we talk about some of Paul's albums, "Run, Devil, Run", "Venus & Mars", "McCartney II", The Fireman records, and discuss random songs in a lighting round...   Do we discuss your favorite Paul McCartney album? Tune in to find out! -- Rob Sheffield is a contributing editor at Rolling Stone and has been covering music, TV, and pop culture since 1997. He is the New York Times best-selling author of five books, including 'Love Is A Mix Tape,' 'Talking To Girls About Duran Duran,' 'Turn Around Bright Eyes,' 'On Bowie' and 'Dreaming The Beatles.'    Check out Rob Sheffield's book 'Dreaming The Beatles' Follow Rob on Twitter: @robsheff   Elliot is a YouTuber who creates videos about The Beatles and their legacy. His YouTube videos have become quite popular, averaging close to a million views each, since his channel launched in late 2020. He's ranked every single Paul McCartney and John Lennon album - and has ranked every single Beatles biopic as well. His videos are some of the best Beatles content out there and are absolutely worth watching - you can subscribe to his channel, ElliotRobertsVideos.    Follow Elliot on Twitter: @ElliotRoberts5   If you like this episode, be sure to subscribe to this podcast! Follow us on Twitter and Instagram. Or click here for more information: Linktr.ee/BeatlesEarth   --- The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all timeand were integral to the development of 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band later explored music styles ranging from ballads and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements. Led by primary songwriters Lennon and McCartney, the Beatles evolved from Lennon's previous group, the Quarrymen, and built their reputation playing clubs in Liverpool and Hamburg over three years from 1960, initially with Stuart Sutcliffe playing bass. The core trio of Lennon, McCartney and Harrison, together since 1958, went through a succession of drummers, including Pete Best, before asking Starr to join them in 1962. Manager Brian Epstein moulded them into a professional act, and producer George Martin guided and developed their recordings, greatly expanding their domestic success after signing to EMI Records and achieving their first hit, "Love Me Do", in late 1962.   Lennon, McCartney, Harrison and Starr all released solo albums in 1970. Their solo records sometimes involved one or more of the others; Starr's Ringo (1973) was the only album to include compositions and performances by all four ex-Beatles, albeit on separate songs. With Starr's participation, Harrison staged the Concert for Bangladesh in New York City in August 1971. Other than an unreleased jam session in 1974, later bootlegged as A Toot and a Snore in '74, Lennon and McCartney never recorded together again. Two double-LP sets of the Beatles' greatest hits, compiled by Klein, 1962–1966 and 1967–1970, were released in 1973, at first under the Apple Records imprint. Commonly known as the "Red Album" and "Blue Album", respectively, each has earned a Multi-Platinum certification in the US and a Platinum certification in the UK. Between 1976 and 1982, EMI/Capitol released a wave of compilation albums without input from the ex-Beatles, starting with the double-disc compilation Rock 'n' Roll Music. The only one to feature previously unreleased material was The Beatles at the Hollywood Bowl (1977); the first officially issued concert recordings by the group, it contained selections from two shows they played during their 1964 and 1965 US tours. The music and enduring fame of the Beatles were commercially exploited in various other ways, again often outside their creative control. In April 1974, the musical John, Paul, George, Ringo ... and Bert, written by Willy Russell and featuring singer Barbara Dickson, opened in London. It included, with permission from Northern Songs, eleven Lennon-McCartney compositions and one by Harrison, "Here Comes the Sun". Displeased with the production's use of his song, Harrison withdrew his permission to use it.Later that year, the off-Broadway musical Sgt. Pepper's Lonely Hearts Club Band on the Road opened. All This and World War II (1976) was an unorthodox nonfiction film that combined newsreel footage with covers of Beatles songs by performers ranging from Elton John and Keith Moon to the London Symphony Orchestra. The Broadway musical Beatlemania, an unauthorised nostalgia revue, opened in early 1977 and proved popular, spinning off five separate touring productions. In 1979, the band sued the producers, settling for several million dollars in damages. Sgt. Pepper's Lonely Hearts Club Band (1978), a musical film starring the Bee Gees and Peter Frampton, was a commercial failure and an "artistic fiasco", according to Ingham. Accompanying the wave of Beatles nostalgia and persistent reunion rumours in the US during the 1970s, several entrepreneurs made public offers to the Beatles for a reunion concert.Promoter Bill Sargent first offered the Beatles $10 million for a reunion concert in 1974. He raised his offer to $30 million in January 1976 and then to $50 million the following month. On 24 April 1976, during a broadcast of Saturday Night Live, producer Lorne Michaels jokingly offered the Beatles $3,000 to reunite on the show. Lennon and McCartney were watching the live broadcast at Lennon's apartment at the Dakota in New York, which was within driving distance of the NBC studio where the show was being broadcast. The former bandmates briefly entertained the idea of going to the studio and surprising Michaels by accepting his offer, but decided not to.

Fan-favorite guests Elliot Roberts and Rob Sheffield return to the "Here, There, and Everywhere" podcast and join host Jack Lawless in a nearly 5 hour epic conversation about Paul McCartney's life, music, and career after The Beatles.    Welcome to Part 3 of our conversation about one of the most successful musicians in history, Paul McCartney. In this episode, Jack asks Elliot and Rob about how Paul's relationships to his former bandmates John Lennon, George Harrison, and Ringo Starr changed throughout the post-Beatles years, how Paul's upbringing and the looming legacy of The Beatles affected his music in his solo years, their favorites of Paul's collaborations with other artists, and their favorite era of Paul's life and music to geek out on.    Do we discuss your favorite Paul McCartney era? Tune in to find out!   Check out the featured Cincinnati Opera's Paul McCartney's Liverpool Oratorio.  You can buy tickets here: https://www.cincinnatiopera.org/liverpool-oratorio?gad_source=1&gbraid=0AAAAADOhubPlMgwyItjbJryirdnkUwyHh&gclid=Cj0KCQjw-uK0BhC0ARIsANQtgGOiyrJdVIKHu2qxr7qBA-Q36qy2vm0YKW5IX0sjL-IZgvVhQJwVWRIaAg92EALw_wcB   Follow the #CincinnatiOpera on instagram for more info here: https://www.instagram.com/cincinnatiopera/?img_index=1 -- Rob Sheffield is a contributing editor at Rolling Stone and has been covering music, TV, and pop culture since 1997. He is the New York Times best-selling author of five books, including 'Love Is A Mix Tape,' 'Talking To Girls About Duran Duran,' 'Turn Around Bright Eyes,' 'On Bowie' and 'Dreaming The Beatles.'    Check out Rob Sheffield's book 'Dreaming The Beatles' Follow Rob on Twitter: @robsheff   Elliot is a YouTuber who creates videos about The Beatles and their legacy. His YouTube videos have become quite popular, averaging close to a million views each, since his channel launched in late 2020. He's ranked every single Paul McCartney and John Lennon album - and has ranked every single Beatles biopic as well. His videos are some of the best Beatles content out there and are absolutely worth watching - you can subscribe to his channel, ElliotRobertsVideos.    Follow Elliot on Twitter: @ElliotRoberts5   If you like this episode, be sure to subscribe to this podcast! Follow us on Twitter and Instagram. Or click here for more information: Linktr.ee/BeatlesEarth   --- The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all timeand were integral to the development of 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band later explored music styles ranging from ballads and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements. Led by primary songwriters Lennon and McCartney, the Beatles evolved from Lennon's previous group, the Quarrymen, and built their reputation playing clubs in Liverpool and Hamburg over three years from 1960, initially with Stuart Sutcliffe playing bass. The core trio of Lennon, McCartney and Harrison, together since 1958, went through a succession of drummers, including Pete Best, before asking Starr to join them in 1962. Manager Brian Epstein moulded them into a professional act, and producer George Martin guided and developed their recordings, greatly expanding their domestic success after signing to EMI Records and achieving their first hit, "Love Me Do", in late 1962.   Lennon, McCartney, Harrison and Starr all released solo albums in 1970. Their solo records sometimes involved one or more of the others; Starr's Ringo (1973) was the only album to include compositions and performances by all four ex-Beatles, albeit on separate songs. With Starr's participation, Harrison staged the Concert for Bangladesh in New York City in August 1971. Other than an unreleased jam session in 1974, later bootlegged as A Toot and a Snore in '74, Lennon and McCartney never recorded together again. Two double-LP sets of the Beatles' greatest hits, compiled by Klein, 1962–1966 and 1967–1970, were released in 1973, at first under the Apple Records imprint. Commonly known as the "Red Album" and "Blue Album", respectively, each has earned a Multi-Platinum certification in the US and a Platinum certification in the UK. Between 1976 and 1982, EMI/Capitol released a wave of compilation albums without input from the ex-Beatles, starting with the double-disc compilation Rock 'n' Roll Music. The only one to feature previously unreleased material was The Beatles at the Hollywood Bowl (1977); the first officially issued concert recordings by the group, it contained selections from two shows they played during their 1964 and 1965 US tours. The music and enduring fame of the Beatles were commercially exploited in various other ways, again often outside their creative control. In April 1974, the musical John, Paul, George, Ringo ... and Bert, written by Willy Russell and featuring singer Barbara Dickson, opened in London. It included, with permission from Northern Songs, eleven Lennon-McCartney compositions and one by Harrison, "Here Comes the Sun". Displeased with the production's use of his song, Harrison withdrew his permission to use it.Later that year, the off-Broadway musical Sgt. Pepper's Lonely Hearts Club Band on the Road opened. All This and World War II (1976) was an unorthodox nonfiction film that combined newsreel footage with covers of Beatles songs by performers ranging from Elton John and Keith Moon to the London Symphony Orchestra. The Broadway musical Beatlemania, an unauthorised nostalgia revue, opened in early 1977 and proved popular, spinning off five separate touring productions. In 1979, the band sued the producers, settling for several million dollars in damages. Sgt. Pepper's Lonely Hearts Club Band (1978), a musical film starring the Bee Gees and Peter Frampton, was a commercial failure and an "artistic fiasco", according to Ingham. Accompanying the wave of Beatles nostalgia and persistent reunion rumours in the US during the 1970s, several entrepreneurs made public offers to the Beatles for a reunion concert.Promoter Bill Sargent first offered the Beatles $10 million for a reunion concert in 1974. He raised his offer to $30 million in January 1976 and then to $50 million the following month. On 24 April 1976, during a broadcast of Saturday Night Live, producer Lorne Michaels jokingly offered the Beatles $3,000 to reunite on the show. Lennon and McCartney were watching the live broadcast at Lennon's apartment at the Dakota in New York, which was within driving distance of the NBC studio where the show was being broadcast. The former bandmates briefly entertained the idea of going to the studio and surprising Michaels by accepting his offer, but decided not to.

Fan-favorite guests Elliot Roberts and Rob Sheffield return to the "Here, There, and Everywhere" podcast and join host Jack Lawless in a nearly 5 hour epic conversation about Paul McCartney's life, music, and career after The Beatles.    Welcome to Part 2 of our conversation about one of the most successful musicians in history, Paul McCartney. In this episode, Jack asks Elliot and Rob about their top three most underrated Paul McCartney songs and their favorite song from their least favorite album. Get ready to discover, or remember, some Paul McCartney deep cuts and hits in this episode.    Do we discuss your favorite Paul McCartney songs? Tune in to find out!   --   Rob Sheffield is a contributing editor at Rolling Stone and has been covering music, TV, and pop culture since 1997. He is the New York Times best-selling author of five books, including 'Love Is A Mix Tape,' 'Talking To Girls About Duran Duran,' 'Turn Around Bright Eyes,' 'On Bowie' and 'Dreaming The Beatles.'    Check out Rob Sheffield's book 'Dreaming The Beatles' Follow Rob on Twitter: @robsheff   Elliot is a YouTuber who creates videos about The Beatles and their legacy. His YouTube videos have become quite popular, averaging close to a million views each, since his channel launched in late 2020. He's ranked every single Paul McCartney and John Lennon album - and has ranked every single Beatles biopic as well. His videos are some of the best Beatles content out there and are absolutely worth watching - you can subscribe to his channel, ElliotRobertsVideos.    Follow Elliot on Twitter: @ElliotRoberts5   If you like this episode, be sure to subscribe to this podcast! Follow us on Twitter and Instagram. Or click here for more information: Linktr.ee/BeatlesEarth   --- The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all timeand were integral to the development of 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band later explored music styles ranging from ballads and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements. Led by primary songwriters Lennon and McCartney, the Beatles evolved from Lennon's previous group, the Quarrymen, and built their reputation playing clubs in Liverpool and Hamburg over three years from 1960, initially with Stuart Sutcliffe playing bass. The core trio of Lennon, McCartney and Harrison, together since 1958, went through a succession of drummers, including Pete Best, before asking Starr to join them in 1962. Manager Brian Epstein moulded them into a professional act, and producer George Martin guided and developed their recordings, greatly expanding their domestic success after signing to EMI Records and achieving their first hit, "Love Me Do", in late 1962.   Lennon, McCartney, Harrison and Starr all released solo albums in 1970. Their solo records sometimes involved one or more of the others; Starr's Ringo (1973) was the only album to include compositions and performances by all four ex-Beatles, albeit on separate songs. With Starr's participation, Harrison staged the Concert for Bangladesh in New York City in August 1971. Other than an unreleased jam session in 1974, later bootlegged as A Toot and a Snore in '74, Lennon and McCartney never recorded together again. Two double-LP sets of the Beatles' greatest hits, compiled by Klein, 1962–1966 and 1967–1970, were released in 1973, at first under the Apple Records imprint. Commonly known as the "Red Album" and "Blue Album", respectively, each has earned a Multi-Platinum certification in the US and a Platinum certification in the UK. Between 1976 and 1982, EMI/Capitol released a wave of compilation albums without input from the ex-Beatles, starting with the double-disc compilation Rock 'n' Roll Music. The only one to feature previously unreleased material was The Beatles at the Hollywood Bowl (1977); the first officially issued concert recordings by the group, it contained selections from two shows they played during their 1964 and 1965 US tours. The music and enduring fame of the Beatles were commercially exploited in various other ways, again often outside their creative control. In April 1974, the musical John, Paul, George, Ringo ... and Bert, written by Willy Russell and featuring singer Barbara Dickson, opened in London. It included, with permission from Northern Songs, eleven Lennon-McCartney compositions and one by Harrison, "Here Comes the Sun". Displeased with the production's use of his song, Harrison withdrew his permission to use it.Later that year, the off-Broadway musical Sgt. Pepper's Lonely Hearts Club Band on the Road opened. All This and World War II (1976) was an unorthodox nonfiction film that combined newsreel footage with covers of Beatles songs by performers ranging from Elton John and Keith Moon to the London Symphony Orchestra. The Broadway musical Beatlemania, an unauthorised nostalgia revue, opened in early 1977 and proved popular, spinning off five separate touring productions. In 1979, the band sued the producers, settling for several million dollars in damages. Sgt. Pepper's Lonely Hearts Club Band (1978), a musical film starring the Bee Gees and Peter Frampton, was a commercial failure and an "artistic fiasco", according to Ingham. Accompanying the wave of Beatles nostalgia and persistent reunion rumours in the US during the 1970s, several entrepreneurs made public offers to the Beatles for a reunion concert.Promoter Bill Sargent first offered the Beatles $10 million for a reunion concert in 1974. He raised his offer to $30 million in January 1976 and then to $50 million the following month. On 24 April 1976, during a broadcast of Saturday Night Live, producer Lorne Michaels jokingly offered the Beatles $3,000 to reunite on the show. Lennon and McCartney were watching the live broadcast at Lennon's apartment at the Dakota in New York, which was within driving distance of the NBC studio where the show was being broadcast. The former bandmates briefly entertained the idea of going to the studio and surprising Michaels by accepting his offer, but decided not to.    

Fan-favorite guests Elliot Roberts and Rob Sheffield return to the "Here, There, and Everywhere" podcast and join host Jack Lawless in a nearly 5 hour epic conversation about Paul McCartney's life, music, and career after The Beatles.    Welcome to Part 1 of our conversation about one of the most successful musicians in history, Paul McCartney. In this episode, Jack asks Elliot and Rob about their top three McCartney albums that were released after The Beatles' break up. The three soon break into a deep dive of Paul's albums that ranges from discussing Paul's most rebellious songs of the early 70s, to Paul's career in the 1980s (the highs... and the lows), and the charm of Wild Life.    Do we discuss your favorite Paul McCartney album? Tune in to find out!   --   Rob Sheffield is a contributing editor at Rolling Stone and has been covering music, TV, and pop culture since 1997. He is the New York Times best-selling author of five books, including 'Love Is A Mix Tape,' 'Talking To Girls About Duran Duran,' 'Turn Around Bright Eyes,' 'On Bowie' and 'Dreaming The Beatles.'    Check out Rob Sheffield's book 'Dreaming The Beatles' Follow Rob on Twitter: @robsheff   Elliot is a YouTuber who creates videos about The Beatles and their legacy. His YouTube videos have become quite popular, averaging close to a million views each, since his channel launched in late 2020. He's ranked every single Paul McCartney and John Lennon album - and has ranked every single Beatles biopic as well. His videos are some of the best Beatles content out there and are absolutely worth watching - you can subscribe to his channel, ElliotRobertsVideos.    Follow Elliot on Twitter: @ElliotRoberts5   If you like this episode, be sure to subscribe to this podcast! Follow us on Twitter and Instagram. Or click here for more information: Linktr.ee/BeatlesEarth   --- The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all timeand were integral to the development of 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band later explored music styles ranging from ballads and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements. Led by primary songwriters Lennon and McCartney, the Beatles evolved from Lennon's previous group, the Quarrymen, and built their reputation playing clubs in Liverpool and Hamburg over three years from 1960, initially with Stuart Sutcliffe playing bass. The core trio of Lennon, McCartney and Harrison, together since 1958, went through a succession of drummers, including Pete Best, before asking Starr to join them in 1962. Manager Brian Epstein moulded them into a professional act, and producer George Martin guided and developed their recordings, greatly expanding their domestic success after signing to EMI Records and achieving their first hit, "Love Me Do", in late 1962.   Lennon, McCartney, Harrison and Starr all released solo albums in 1970. Their solo records sometimes involved one or more of the others; Starr's Ringo (1973) was the only album to include compositions and performances by all four ex-Beatles, albeit on separate songs. With Starr's participation, Harrison staged the Concert for Bangladesh in New York City in August 1971. Other than an unreleased jam session in 1974, later bootlegged as A Toot and a Snore in '74, Lennon and McCartney never recorded together again. Two double-LP sets of the Beatles' greatest hits, compiled by Klein, 1962–1966 and 1967–1970, were released in 1973, at first under the Apple Records imprint. Commonly known as the "Red Album" and "Blue Album", respectively, each has earned a Multi-Platinum certification in the US and a Platinum certification in the UK. Between 1976 and 1982, EMI/Capitol released a wave of compilation albums without input from the ex-Beatles, starting with the double-disc compilation Rock 'n' Roll Music. The only one to feature previously unreleased material was The Beatles at the Hollywood Bowl (1977); the first officially issued concert recordings by the group, it contained selections from two shows they played during their 1964 and 1965 US tours. The music and enduring fame of the Beatles were commercially exploited in various other ways, again often outside their creative control. In April 1974, the musical John, Paul, George, Ringo ... and Bert, written by Willy Russell and featuring singer Barbara Dickson, opened in London. It included, with permission from Northern Songs, eleven Lennon-McCartney compositions and one by Harrison, "Here Comes the Sun". Displeased with the production's use of his song, Harrison withdrew his permission to use it.Later that year, the off-Broadway musical Sgt. Pepper's Lonely Hearts Club Band on the Road opened. All This and World War II (1976) was an unorthodox nonfiction film that combined newsreel footage with covers of Beatles songs by performers ranging from Elton John and Keith Moon to the London Symphony Orchestra. The Broadway musical Beatlemania, an unauthorised nostalgia revue, opened in early 1977 and proved popular, spinning off five separate touring productions. In 1979, the band sued the producers, settling for several million dollars in damages. Sgt. Pepper's Lonely Hearts Club Band (1978), a musical film starring the Bee Gees and Peter Frampton, was a commercial failure and an "artistic fiasco", according to Ingham. Accompanying the wave of Beatles nostalgia and persistent reunion rumours in the US during the 1970s, several entrepreneurs made public offers to the Beatles for a reunion concert.Promoter Bill Sargent first offered the Beatles $10 million for a reunion concert in 1974. He raised his offer to $30 million in January 1976 and then to $50 million the following month. On 24 April 1976, during a broadcast of Saturday Night Live, producer Lorne Michaels jokingly offered the Beatles $3,000 to reunite on the show. Lennon and McCartney were watching the live broadcast at Lennon's apartment at the Dakota in New York, which was within driving distance of the NBC studio where the show was being broadcast. The former bandmates briefly entertained the idea of going to the studio and surprising Michaels by accepting his offer, but decided not to.    

Our guest today is the wonderful May Pang, who we're so excited to welcome onto BC the Beatles! May began her career in the music industry at ABKCO and Apple Records before transitioning into being John and Yoko's personal assistant. Three years later, Yoko came to her with a strange request: to be John's lover and companion during a period of their separation. This became his “Lost Weekend” in 1974-1975, in which he and May split time between NYC and LA. May was witness to many of the tall tales that populate the period including John's infamous heckling of the Smothers Brothers at the Troubadour with Harry Nilsson, the recording of John's Rock And Roll album with Phil Spector (and Spector firing a gun in the studio), among many more of John's drunk escapades.  Although they technically broke up in early 1975, May and John continued to see each other through 1978, having their last conversation during Memorial Day weekend in 1980. In 1983, May wrote about her time with John in her book Loving John and in 2022, her story hit the big screen in the documentary feature The Lost Weekend: A Love Story. She's also a photographer whose photos of her time with John are now on tour around the country as well as being featured in the book Instamatic Karma.  Watch The Lost Weekend: A Love Story on Amazon Prime May's upcoming photo exhibition dates May's YouTube channel Learn more about May at her website   --------------------- Follow us on Facebook, Instagram, TikTok, and Twitter/X for photos, videos, and more from this episode & past episodes — we're @bcthebeatles everywhere. Follow BC the Beatles on Apple Podcasts, Spotify, YouTube, or wherever you're listening now. Buy us a coffee! www.ko-fi.com/bcthebeatles Contact us at bcthebeatles@gmail.com.

Label: Apple 1818Year: 1970Condition: M-Last Price: $14.00. Not currently available for sale.Here's a beautiful copy of John Lennon's third solo single, which, as a marvelous article in Wikipedia points out, was one of the fastest records ever to be written, recorded, pressed, and shipped to market -- reportedly in only 10 days. It's also one of Lennon's very best solo recordings, though it (and the two singles that preceded it) never appeared on a Lennon studio album (they did appear on a later compilation LP). The drumming is simply out of this world, and turns out to be by future Yes drummer Alan White. That's Billy Preston on the keyboards, and George Harrison on guitar. The flip is "Who Has Seen The Wind" by Yoko. I'm putting a snippet that contains some of the best drumming bits in the jukebox... just can't ever hear that break enough! Note: This copy comes in a vintage Apple Records factory sleeve. This copy's labels and audio are very close to Mint, and the vinyl looks untouched.

Cet épisode vous est proposé gratuitement en partenariat avec ISpeakSpokeSpoken.com la plus grande communauté d'apprentissage de l'anglais en France sponsorise cet épisode. Recevez gratuitement votre challenge PDF pour vous (re)mettre à l'anglais en 4 semaines en suivant le lien créé pour vous : www.ispeakspokespoken.com/timeline

Cet épisode vous est proposé gratuitement en partenariat avec ISpeakSpokeSpoken.com la plus grande communauté d'apprentissage de l'anglais en France sponsorise cet épisode. Recevez gratuitement votre challenge PDF pour vous (re)mettre à l'anglais en 4 semaines en suivant le lien créé pour vous : www.ispeakspokespoken.com/timeline

Cet épisode vous est proposé gratuitement en partenariat avec ISpeakSpokeSpoken.com la plus grande communauté d'apprentissage de l'anglais en France sponsorise cet épisode. Recevez gratuitement votre challenge PDF pour vous (re)mettre à l'anglais en 4 semaines en suivant le lien créé pour vous : www.ispeakspokespoken.com/timeline

A Morning News Update That Takes Into Account The News Stories You Deem 'Highly Conversational' Today's Sponsor: Blinkisthttp://thisistheconversationproject.com/blinkist Today's Rundown: US identifies three soldiers killed in attack in Jordanhttps://us.cnn.com/2024/01/29/politics/us-identifies-three-soldiers-killed-in-attack-in-jordan/index.html Sofia Vergara Sued By Drug Lord Griselda Blanco's Son: Family Is 'No Way Associated' With Netflix Serieshttps://uinterview.com/news/sofia-vergara-sued-by-drug-lord-griselda-blancos-son-family-is-no-way-associated-with-netflix-series/ Alex Murdaugh denied new murder trial over jury tampering allegationshttps://www.usatoday.com/story/news/nation/2024/01/29/alex-murdaugh-new-murder-trial-jury-tampering-allegations/72394998007/ Elon Musk Says First Human Has Received Neuralink Brain Implanthttps://people.com/elon-musk-says-human-patient-receives-first-neuralink-brain-chip-implant-8552162 Basic Income Payments Spent Mostly on Housing in Austin, Study Findshttps://www.businessinsider.com/austin-guarunteed-basic-income-gbi-ubi-housing-security-homeless-2024-1 Nicki Minaj congratulates Ben Shapiro on ‘#1' track: ‘not bad'https://thehill.com/blogs/in-the-know/4433801-nicki-minaj-congratulates-ben-shapiro-on-1-track-not-bad/?fbclid=IwAR0vHc0jPhn9GDAoV99BQNRKo7kLg-C2ZjLb13AWeP6AoF1jycJ8pf6YFfk Woman clings to hood of speeding car after thieves stole her French bulldog in LAhttps://nypost.com/2024/01/28/news/woman-clings-to-thieves-car-after-french-bulldog-stolen-in-l-a-video-shows-they-stole-my-child/ Martin Short shuts down speculation he and Meryl Streep are datinghttps://us.cnn.com/2024/01/29/entertainment/martin-short-meryl-streep-dating/index.html Website: http://thisistheconversationproject.com Facebook: http://facebook.com/thisistheconversationproject Twitter: http://twitter.com/th_conversation TikTok: http://tiktok.com/@theconversationproject YouTube: http://thisistheconversationproject.com/youtube Podcast: http://thisistheconversationproject.com/podcasts #yournewssidepiece #coffeechat #morningnews ONE DAY OLDER ON JANUARY 30:Gene Hackman (94)Christian Bale (50)Wilmer Valderrama (44) WHAT HAPPENED TODAY:1933: Adolf Hitler was sworn in as Chancellor of Germany.1969: The Beatles' last public performance, on the roof of Apple Records in London. The impromptu concert was broken up by police.2007: Doctors in Oklahoma announced they'd removed a 93-pound cyst from a 32-year-old woman. They likened its removal to delivering a 12-year-old by C-section. PLUS, TODAY WE CELBRATE: Croissant Dayhttps://www.daysoftheyear.com/days/croissant-day/

Label: Apple 1818Year: 1970Condition: M-Last Price: $16.00. Not currently available for sale.Here's a lovely copy of John Lennon's third solo single, which, as a marvelous article in Wikipedia points out, was one of the fastest records ever to be written, recorded, pressed, and shipped to market -- reportedly in only 10 days. It's also one of Lennon's very best solo recordings, though it (and the two singles that preceded it) never appeared on a Lennon studio album (they did appear on a later compilation LP). The drumming is simply out of this world, and turns out to be by future Yes drummer Alan White. That's Billy Preston on the keyboards, and George Harrison on guitar. The flip is "Who Has Seen The Wind" by Yoko. I'm putting a snippet that contains some of the best drumming bits in the jukebox... just can't ever hear that break enough! Note: This is the more common pressing that does not have a Capitol logo on the label. This copy comes in a vintage Apple Records factory sleeve. It has Mint labels and very nearly Mint vinyl and audio.

This episode profiles a band that were proteges to The Beatles. Badfinger found immediate success with the help of The Beatles and Apple Records. The band gained a higher profile but bad management undermined the band, who were considered successors to The Beatles. Unfortunately, it didn't happen, and subsequent events turned tragic, leaving the band legacy as one of the saddest in rock history. But in this episode, we celebrate the truer legacy of the band, which is the music. Please have a look at these special interest sites.If you would, please make a donation of love and hope to St. Jude Children's HospitalMake an impact on the lives of St. Jude kids - St. Jude Children's Research Hospital (stjude.org)Get your Vegan Collagen Gummies from Earth & Elle, available thru Amazon at this link.Amazon.com: Earth & Elle Vegan Collagen Gummies - Non-GMO Biotin Gummies, Vitamin A, E, C - Plant Based Collagen Supplements for Healthier Hair, Skin, Nails - 60 Chews of Orange Flavored Gummies, Made in USA : Health & HouseholdKathy Bushnell Website for Emily Muff bandHome | Kathy Bushnell | Em & MooListen to previous shows at the main webpage at:https://www.buzzsprout.com/1329053Pamela Des Barres Home page for books, autographs, clothing and online writing classes.Pamela Des Barres | The Official Website of the Legendary Groupie and Author (pameladesbarresofficial.com)Listen to more music by Laurie Larson at:Home | Shashké Music and Art (laurielarson.net)View the most amazing paintings by Marijke Koger-Dunham (Formally of the 1960's artists collective, "The Fool").Psychedelic, Visionary and Fantasy Art by Marijke Koger (marijkekogerart.com)For unique Candles have a look at Stardust Lady's Etsy shopWhere art and armor become one where gods are by TwistedByStardust (etsy.com)For your astrological chart reading, contact Astrologer Tisch Aitken at:https://www.facebook.com/AstrologerTisch/Tarot card readings by Kalinda available atThe Mythical Muse | FacebookEmma Bonner-Morgan Facebook music pageThe Music Of Emma Bonner-Morgan | FacebookFor booking Children's parties and character parties in the Los Angeles area contact Kalinda Gray at:https://www.facebook.com/wishingwellparties/I'm listed in Feedspot's "Top 10 Psychedelic Podcasts You Must Follow". https://blog.feedspot.com/psychedelic_podcasts/Please feel free to donate or Tip Jar the show atsonictyme@yahoo.comPlease feel free to donate or Tip Jar the show atsonictyme@yahoo.comPlease feel free to donate or Tip Jar the show atsonictyme@yahPlease feel free to donate or Tip Jar the show at sonictyme@yahoo.com

Episode 171 looks at "Hey Jude", the White Album, and the career of the Beatles from August 1967 through November 1968. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a fifty-seven-minute bonus episode available, on "I Love You" by People!. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Errata Not really an error, but at one point I refer to Ornette Coleman as a saxophonist. While he was, he plays trumpet on the track that is excerpted after that. Resources No Mixcloud this week due to the number of songs by the Beatles. I have read literally dozens of books on the Beatles, and used bits of information from many of them. All my Beatles episodes refer to: The Complete Beatles Chronicle by Mark Lewisohn, All The Songs: The Stories Behind Every Beatles Release by Jean-Michel Guesdon, And The Band Begins To Play: The Definitive Guide To The Songs of The Beatles by Steve Lambley, The Beatles By Ear by Kevin Moore, Revolution in the Head by Ian MacDonald, and The Beatles Anthology. For this episode, I also referred to Last Interview by David Sheff, a longform interview with John Lennon and Yoko Ono from shortly before Lennon's death; Many Years From Now by Barry Miles, an authorised biography of Paul McCartney; and Here, There, and Everywhere: My Life Recording the Music of the Beatles by Geoff Emerick and Howard Massey. This time I also used Steve Turner's The Beatles: The Stories Behind the Songs 1967-1970. I referred to Philip Norman's biographies of John Lennon, George Harrison, and Paul McCartney, to Graeme Thomson's biography of George Harrison, Take a Sad Song by James Campion, Yoko Ono: An Artful Life by Donald Brackett, Those Were the Days 2.0 by Stephan Granados, and Sound Pictures by Kenneth Womack. Sadly the only way to get the single mix of “Hey Jude” is on this ludicrously-expensive out-of-print box set, but a remixed stereo mix is easily available on the new reissue of the 1967-70 compilation. The original mixes of the White Album are also, shockingly, out of print, but this 2018 remix is available for the moment. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Before I start, a quick note -- this episode deals, among other topics, with child abandonment, spousal neglect, suicide attempts, miscarriage, rape accusations, and heroin addiction. If any of those topics are likely to upset you, you might want to check the transcript rather than listening to this episode. It also, for once, contains a short excerpt of an expletive, but given that that expletive in that context has been regularly played on daytime radio without complaint for over fifty years, I suspect it can be excused. The use of mantra meditation is something that exists across religions, and which appears to have been independently invented multiple times, in multiple cultures. In the Western culture to which most of my listeners belong, it is now best known as an aspect of what is known as "mindfulness", a secularised version of Buddhism which aims to provide adherents with the benefits of the teachings of the Buddha but without the cosmology to which they are attached. But it turns up in almost every religious tradition I know of in one form or another. The idea of mantra meditation is a very simple one, and one that even has some basis in science. There is a mathematical principle in neurology and information science called the free energy principle which says our brains are wired to try to minimise how surprised we are --  our brain is constantly making predictions about the world, and then looking at the results from our senses to see if they match. If they do, that's great, and the brain will happily move on to its next prediction. If they don't, the brain has to update its model of the world to match the new information, make new predictions, and see if those new predictions are a better match. Every person has a different mental model of the world, and none of them match reality, but every brain tries to get as close as possible. This updating of the model to match the new information is called "thinking", and it uses up energy, and our bodies and brains have evolved to conserve energy as much as possible. This means that for many people, most of the time, thinking is unpleasant, and indeed much of the time that people have spent thinking, they've been thinking about how to stop themselves having to do it at all, and when they have managed to stop thinking, however briefly, they've experienced great bliss. Many more or less effective technologies have been created to bring about a more minimal-energy state, including alcohol, heroin, and barbituates, but many of these have unwanted side-effects, such as death, which people also tend to want to avoid, and so people have often turned to another technology. It turns out that for many people, they can avoid thinking by simply thinking about something that is utterly predictable. If they minimise the amount of sensory input, and concentrate on something that they can predict exactly, eventually they can turn off their mind, relax, and float downstream, without dying. One easy way to do this is to close your eyes, so you can't see anything, make your breath as regular as possible, and then concentrate on a sound that repeats over and over.  If you repeat a single phrase or word a few hundred times, that regular repetition eventually causes your mind to stop having to keep track of the world, and experience a peace that is, by all accounts, unlike any other experience. What word or phrase that is can depend very much on the tradition. In Transcendental Meditation, each person has their own individual phrase. In the Catholicism in which George Harrison and Paul McCartney were raised, popular phrases for this are "Lord Jesus Christ, Son of God, have mercy on me, a sinner" or "Hail, Mary, full of grace, the Lord is with you; blessed are you among women, and blessed is the fruit of your womb, Jesus. Holy Mary, Mother of God, pray for us sinners now and at the hour of our death. Amen." In some branches of Buddhism, a popular mantra is "_NAMU MYŌHŌ RENGE KYŌ_". In the Hinduism to which George Harrison later converted, you can use "Hare Krishna Hare Krishna, Krishna Krishna Hare Hare, Hare Rama Hare Rama, Rama Rama Hare Hare", "Om Namo Bhagavate Vāsudevāya" or "Om Gam Ganapataye Namaha". Those last two start with the syllable "Om", and indeed some people prefer to just use that syllable, repeating a single syllable over and over again until they reach a state of transcendence. [Excerpt: The Beatles, "Hey Jude" ("na na na na na na na")] We don't know much about how the Beatles first discovered Maharishi Mahesh Yogi, except that it was thanks to Pattie Boyd, George Harrison's then-wife. Unfortunately, her memory of how she first became involved in the Maharishi's Spiritual Regeneration Movement, as described in her autobiography, doesn't fully line up with other known facts. She talks about reading about the Maharishi in the paper with her friend Marie-Lise while George was away on tour, but she also places the date that this happened in February 1967, several months after the Beatles had stopped touring forever. We'll be seeing a lot more of these timing discrepancies as this story progresses, and people's memories increasingly don't match the events that happened to them. Either way, it's clear that Pattie became involved in the Spiritual Regeneration Movement a good length of time before her husband did. She got him to go along with her to one of the Maharishi's lectures, after she had already been converted to the practice of Transcendental Meditation, and they brought along John, Paul, and their partners (Ringo's wife Maureen had just given birth, so they didn't come). As we heard back in episode one hundred and fifty, that lecture was impressive enough that the group, plus their wives and girlfriends (with the exception of Maureen Starkey) and Mick Jagger and Marianne Faithfull, all went on a meditation retreat with the Maharishi at a holiday camp in Bangor, and it was there that they learned that Brian Epstein had been found dead. The death of the man who had guided the group's career could not have come at a worse time for the band's stability.  The group had only recorded one song in the preceding two months -- Paul's "Your Mother Should Know" -- and had basically been running on fumes since completing recording of Sgt Pepper many months earlier. John's drug intake had increased to the point that he was barely functional -- although with the enthusiasm of the newly converted he had decided to swear off LSD at the Maharishi's urging -- and his marriage was falling apart. Similarly, Paul McCartney's relationship with Jane Asher was in a bad state, though both men were trying to repair their damaged relationships, while both George and Ringo were having doubts about the band that had made them famous. In George's case, he was feeling marginalised by John and Paul, his songs ignored or paid cursory attention, and there was less for him to do on the records as the group moved away from making guitar-based rock and roll music into the stranger areas of psychedelia. And Ringo, whose main memory of the recording of Sgt Pepper was of learning to play chess while the others went through the extensive overdubs that characterised that album, was starting to feel like his playing was deteriorating, and that as the only non-writer in the band he was on the outside to an extent. On top of that, the group were in the middle of a major plan to restructure their business. As part of their contract renegotiations with EMI at the beginning of 1967, it had been agreed that they would receive two million pounds -- roughly fifteen million pounds in today's money -- in unpaid royalties as a lump sum. If that had been paid to them as individuals, or through the company they owned, the Beatles Ltd, they would have had to pay the full top rate of tax on it, which as George had complained the previous year was over ninety-five percent. (In fact, he'd been slightly exaggerating the generosity of the UK tax system to the rich, as at that point the top rate of income tax was somewhere around ninety-seven and a half percent). But happily for them, a couple of years earlier the UK had restructured its tax laws and introduced a corporation tax, which meant that the profits of corporations were no longer taxed at the same high rate as income. So a new company had been set up, The Beatles & Co, and all the group's non-songwriting income was paid into the company. Each Beatle owned five percent of the company, and the other eighty percent was owned by a new partnership, a corporation that was soon renamed Apple Corps -- a name inspired by a painting that McCartney had liked by the artist Rene Magritte. In the early stages of Apple, it was very entangled with Nems, the company that was owned by Brian and Clive Epstein, and which was in the process of being sold to Robert Stigwood, though that sale fell through after Brian's death. The first part of Apple, Apple Publishing, had been set up in the summer of 1967, and was run by Terry Doran, a friend of Epstein's who ran a motor dealership -- most of the Apple divisions would be run by friends of the group rather than by people with experience in the industries in question. As Apple was set up during the point that Stigwood was getting involved with NEMS, Apple Publishing's initial offices were in the same building with, and shared staff with, two publishing companies that Stigwood owned, Dratleaf Music, who published Cream's songs, and Abigail Music, the Bee Gees' publishers. And indeed the first two songs published by Apple were copyrights that were gifted to the company by Stigwood -- "Listen to the Sky", a B-side by an obscure band called Sands: [Excerpt: Sands, "Listen to the Sky"] And "Outside Woman Blues", an arrangement by Eric Clapton of an old blues song by Blind Joe Reynolds, which Cream had copyrighted separately and released on Disraeli Gears: [Excerpt: Cream, "Outside Woman Blues"] But Apple soon started signing outside songwriters -- once Mike Berry, a member of Apple Publishing's staff, had sat McCartney down and explained to him what music publishing actually was, something he had never actually understood even though he'd been a songwriter for five years. Those songwriters, given that this was 1967, were often also performers, and as Apple Records had not yet been set up, Apple would try to arrange recording contracts for them with other labels. They started with a group called Focal Point, who got signed by badgering Paul McCartney to listen to their songs until he gave them Doran's phone number to shut them up: [Excerpt: Focal Point, "Sycamore Sid"] But the big early hope for Apple Publishing was a songwriter called George Alexander. Alexander's birth name had been Alexander Young, and he was the brother of George Young, who was a member of the Australian beat group The Easybeats, who'd had a hit with "Friday on My Mind": [Excerpt: The Easybeats, "Friday on My Mind"] His younger brothers Malcolm and Angus would go on to have a few hits themselves, but AC/DC wouldn't be formed for another five years. Terry Doran thought that Alexander should be a member of a band, because bands were more popular than solo artists at the time, and so he was placed with three former members of Tony Rivers and the Castaways, a Beach Boys soundalike group that had had some minor success. John Lennon suggested that the group be named Grapefruit, after a book he was reading by a conceptual artist of his acquaintance named Yoko Ono, and as Doran was making arrangements with Terry Melcher for a reciprocal publishing deal by which Melcher's American company would publish Apple songs in the US while Apple published songs from Melcher's company in the UK, it made sense for Melcher to also produce Grapefruit's first single, "Dear Delilah": [Excerpt: Grapefruit, "Dear Delilah"] That made number twenty-one in the UK when it came out in early 1968, on the back of publicity about Grapefruit's connection with the Beatles, but future singles by the band were much less successful, and like several other acts involved with Apple, they found that they were more hampered by the Beatles connection than helped. A few other people were signed to Apple Publishing early on, of whom the most notable was Jackie Lomax. Lomax had been a member of a minor Merseybeat group, the Undertakers, and after they had split up, he'd been signed by Brian Epstein with a new group, the Lomax Alliance, who had released one single, "Try as You May": [Excerpt: The Lomax Alliance, "Try As You May"] After Epstein's death, Lomax had plans to join another band, being formed by another Merseybeat musician, Chris Curtis, the former drummer of the Searchers. But after going to the Beatles to talk with them about them helping the new group financially, Lomax was persuaded by John Lennon to go solo instead. He may later have regretted that decision, as by early 1968 the people that Curtis had recruited for his new band had ditched him and were making a name for themselves as Deep Purple. Lomax recorded one solo single with funding from Stigwood, a cover version of a song by an obscure singer-songwriter, Jake Holmes, "Genuine Imitation Life": [Excerpt: Jackie Lomax, "Genuine Imitation Life"] But he was also signed to Apple Publishing as a songwriter. The Beatles had only just started laying out plans for Apple when Epstein died, and other than the publishing company one of the few things they'd agreed on was that they were going to have a film company, which was to be run by Denis O'Dell, who had been an associate producer on A Hard Day's Night and on How I Won The War, the Richard Lester film Lennon had recently starred in. A few days after Epstein's death, they had a meeting, in which they agreed that the band needed to move forward quickly if they were going to recover from Epstein's death. They had originally been planning on going to India with the Maharishi to study meditation, but they decided to put that off until the new year, and to press forward with a film project Paul had been talking about, to be titled Magical Mystery Tour. And so, on the fifth of September 1967, they went back into the recording studio and started work on a song of John's that was earmarked for the film, "I am the Walrus": [Excerpt: The Beatles, "I am the Walrus"] Magical Mystery Tour, the film, has a mixed reputation which we will talk about shortly, but one defence that Paul McCartney has always made of it is that it's the only place where you can see the Beatles performing "I am the Walrus". While the song was eventually relegated to a B-side, it's possibly the finest B-side of the Beatles' career, and one of the best tracks the group ever made. As with many of Lennon's songs from this period, the song was a collage of many different elements pulled from his environment and surroundings, and turned into something that was rather more than the sum of its parts. For its musical inspiration, Lennon pulled from, of all things, a police siren going past his house. (For those who are unfamiliar with what old British police sirens sounded like, as opposed to the ones in use for most of my lifetime or in other countries, here's a recording of one): [Excerpt: British police siren ca 1968] That inspired Lennon to write a snatch of lyric to go with the sound of the siren, starting "Mister city policeman sitting pretty". He had two other song fragments, one about sitting in the garden, and one about sitting on a cornflake, and he told Hunter Davies, who was doing interviews for his authorised biography of the group, “I don't know how it will all end up. Perhaps they'll turn out to be different parts of the same song.” But the final element that made these three disparate sections into a song was a letter that came from Stephen Bayley, a pupil at Lennon's old school Quarry Bank, who told him that the teachers at the school -- who Lennon always thought of as having suppressed his creativity -- were now analysing Beatles lyrics in their lessons. Lennon decided to come up with some nonsense that they couldn't analyse -- though as nonsensical as the finished song is, there's an underlying anger to a lot of it that possibly comes from Lennon thinking of his school experiences. And so Lennon asked his old schoolfriend Pete Shotton to remind him of a disgusting playground chant that kids used to sing in schools in the North West of England (and which they still sang with very minor variations at my own school decades later -- childhood folklore has a remarkably long life). That rhyme went: Yellow matter custard, green snot pie All mixed up with a dead dog's eye Slap it on a butty, nice and thick, And drink it down with a cup of cold sick Lennon combined some parts of this with half-remembered fragments of Lewis Carrol's The Walrus and the Carpenter, and with some punning references to things that were going on in his own life and those of his friends -- though it's difficult to know exactly which of the stories attached to some of the more incomprehensible bits of the lyrics are accurate. The story that the line "I am the eggman" is about a sexual proclivity of Eric Burdon of the Animals seems plausible, while the contention by some that the phrase "semolina pilchard" is a reference to Sgt Pilcher, the corrupt policeman who had arrested three of the Rolling Stones, and would later arrest Lennon, on drugs charges, seems less likely. The track is a masterpiece of production, but the release of the basic take on Anthology 2 in 1996 showed that the underlying performance, before George Martin worked his magic with the overdubs, is still a remarkable piece of work: [Excerpt: The Beatles, "I am the Walrus (Anthology 2 version)"] But Martin's arrangement and production turned the track from a merely very good track into a masterpiece. The string arrangement, very much in the same mould as that for "Strawberry Fields Forever" but giving a very different effect with its harsh cello glissandi, is the kind of thing one expects from Martin, but there's also the chanting of the Mike Sammes Singers, who were more normally booked for sessions like Englebert Humperdinck's "The Last Waltz": [Excerpt: Engelbert Humperdinck, "The Last Waltz"] But here were instead asked to imitate the sound of the strings, make grunting noises, and generally go very far out of their normal comfort zone: [Excerpt: The Beatles, "I am the Walrus"] But the most fascinating piece of production in the entire track is an idea that seems to have been inspired by people like John Cage -- a live feed of a radio being tuned was played into the mono mix from about the halfway point, and whatever was on the radio at the time was captured: [Excerpt: The Beatles, "I am the Walrus"] This is also why for many decades it was impossible to have a true stereo mix of the track -- the radio part was mixed directly into the mono mix, and it wasn't until the 1990s that someone thought to track down a copy of the original radio broadcasts and recreate the process. In one of those bits of synchronicity that happen more often than you would think when you're creating aleatory art, and which are why that kind of process can be so appealing, one bit of dialogue from the broadcast of King Lear that was on the radio as the mixing was happening was *perfectly* timed: [Excerpt: The Beatles, "I am the Walrus"] After completing work on the basic track for "I am the Walrus", the group worked on two more songs for the film, George's "Blue Jay Way" and a group-composed twelve-bar blues instrumental called "Flying", before starting production. Magical Mystery Tour, as an idea, was inspired in equal parts by Ken Kesey's Merry Pranksters, the collective of people we talked about in the episode on the Grateful Dead who travelled across the US extolling the virtues of psychedelic drugs, and by mystery tours, a British working-class tradition that has rather fallen out of fashion in the intervening decades. A mystery tour would generally be put on by a coach-hire company, and would be a day trip to an unannounced location -- though the location would in fact be very predictable, and would be a seaside town within a couple of hours' drive of its starting point. In the case of the ones the Beatles remembered from their own childhoods, this would be to a coastal town in Lancashire or Wales, like Blackpool, Rhyl, or Prestatyn. A coachload of people would pay to be driven to this random location, get very drunk and have a singsong on the bus, and spend a day wherever they were taken. McCartney's plan was simple -- they would gather a group of passengers and replicate this experience over the course of several days, and film whatever went on, but intersperse that with more planned out sketches and musical numbers. For this reason, along with the Beatles and their associates, the cast included some actors found through Spotlight and some of the group's favourite performers, like the comedian Nat Jackley (whose comedy sequence directed by John was cut from the final film) and the surrealist poet/singer/comedian Ivor Cutler: [Excerpt: Ivor Cutler, "I'm Going in a Field"] The film also featured an appearance by a new band who would go on to have great success over the next year, the Bonzo Dog Doo-Dah Band. They had recorded their first single in Abbey Road at the same time as the Beatles were recording Revolver, but rather than being progressive psychedelic rock, it had been a remake of a 1920s novelty song: [Excerpt: The Bonzo Dog Doo-Dah Band, "My Brother Makes the Noises For the Talkies"] Their performance in Magical Mystery Tour was very different though -- they played a fifties rock pastiche written by band leaders Vivian Stanshall and Neil Innes while a stripper took off her clothes. While several other musical sequences were recorded for the film, including one by the band Traffic and one by Cutler, other than the Beatles tracks only the Bonzos' song made it into the finished film: [Excerpt: The Bonzo Dog Doo-Dah Band, "Death Cab for Cutie"] That song, thirty years later, would give its name to a prominent American alternative rock band. Incidentally the same night that Magical Mystery Tour was first broadcast was also the night that the Bonzo Dog Doo-Dah Band first appeared on a TV show, Do Not Adjust Your Set, which featured three future members of the Monty Python troupe -- Eric Idle, Michael Palin, and Terry Jones. Over the years the careers of the Bonzos, the Pythons, and the Beatles would become increasingly intertwined, with George Harrison in particular striking up strong friendships and working relationships with Bonzos Neil Innes and "Legs" Larry Smith. The filming of Magical Mystery Tour went about as well as one might expect from a film made by four directors, none of whom had any previous filmmaking experience, and none of whom had any business knowledge. The Beatles were used to just turning up and having things magically done for them by other people, and had no real idea of the infrastructure challenges that making a film, even a low-budget one, actually presents, and ended up causing a great deal of stress to almost everyone involved. The completed film was shown on TV on Boxing Day 1967 to general confusion and bemusement. It didn't help that it was originally broadcast in black and white, and so for example the scene showing shifting landscapes (outtake footage from Stanley Kubrick's Dr. Strangelove, tinted various psychedelic colours) over the "Flying" music, just looked like grey fuzz. But also, it just wasn't what people were expecting from a Beatles film. This was a ramshackle, plotless, thing more inspired by Andy Warhol's underground films than by the kind of thing the group had previously appeared in, and it was being presented as Christmas entertainment for all the family. And to be honest, it's not even a particularly good example of underground filmmaking -- though it looks like a masterpiece when placed next to something like the Bee Gees' similar effort, Cucumber Castle. But there are enough interesting sequences in there for the project not to be a complete failure -- and the deleted scenes on the DVD release, including the performances by Cutler and Traffic, and the fact that the film was edited down from ten hours to fifty-two minutes, makes one wonder if there's a better film that could be constructed from the original footage. Either way, the reaction to the film was so bad that McCartney actually appeared on David Frost's TV show the next day to defend it and, essentially, apologise. While they were editing the film, the group were also continuing to work in the studio, including on two new McCartney songs, "The Fool on the Hill", which was included in Magical Mystery Tour, and "Hello Goodbye", which wasn't included on the film's soundtrack but was released as the next single, with "I Am the Walrus" as the B-side: [Excerpt: The Beatles, "Hello Goodbye"] Incidentally, in the UK the soundtrack to Magical Mystery Tour was released as a double-EP rather than as an album (in the US, the group's recent singles and B-sides were added to turn it into a full-length album, which is how it's now generally available). "I Am the Walrus" was on the double-EP as well as being on the single's B-side, and the double-EP got to number two on the singles charts, meaning "I am the Walrus" was on the records at number one and number two at the same time. Before it became obvious that the film, if not the soundtrack, was a disaster, the group held a launch party on the twenty-first of December, 1967. The band members went along in fancy dress, as did many of the cast and crew -- the Bonzo Dog Doo-Dah Band performed at the party. Mike Love and Bruce Johnston of the Beach Boys also turned up at the party, and apparently at one point jammed with the Bonzos, and according to some, but not all, reports, a couple of the Beatles joined in as well. Love and Johnston had both just met the Maharishi for the first time a couple of days earlier, and Love had been as impressed as the Beatles were, and it may have been at this party that the group mentioned to Love that they would soon be going on a retreat in India with the guru -- a retreat that was normally meant for training TM instructors, but this time seemed to be more about getting celebrities involved. Love would also end up going with them. That party was also the first time that Cynthia Lennon had an inkling that John might not be as faithful to her as she previously supposed. John had always "joked" about being attracted to George Harrison's wife, Patti, but this time he got a little more blatant about his attraction than he ever had previously, to the point that he made Cynthia cry, and Cynthia's friend, the pop star Lulu, decided to give Lennon a very public dressing-down for his cruelty to his wife, a dressing-down that must have been a sight to behold, as Lennon was dressed as a Teddy boy while Lulu was in a Shirley Temple costume. It's a sign of how bad the Lennons' marriage was at this point that this was the second time in a two-month period where Cynthia had ended up crying because of John at a film launch party and been comforted by a female pop star. In October, Cilla Black had held a party to celebrate the belated release of John's film How I Won the War, and during the party Georgie Fame had come up to Black and said, confused, "Cynthia Lennon is hiding in your wardrobe". Black went and had a look, and Cynthia explained to her “I'm waiting to see how long it is before John misses me and comes looking for me.” Black's response had been “You'd better face it, kid—he's never gonna come.” Also at the Magical Mystery Tour party was Lennon's father, now known as Freddie Lennon, and his new nineteen-year-old fiancee. While Hunter Davis had been researching the Beatles' biography, he'd come across some evidence that the version of Freddie's attitude towards John that his mother's side of the family had always told him -- that Freddie had been a cruel and uncaring husband who had not actually wanted to be around his son -- might not be the whole of the truth, and that the mother who he had thought of as saintly might also have had some part to play in their marriage breaking down and Freddie not seeing his son for twenty years. The two had made some tentative attempts at reconciliation, and indeed Freddie would even come and live with John for a while, though within a couple of years the younger Lennon's heart would fully harden against his father again. Of course, the things that John always resented his father for were pretty much exactly the kind of things that Lennon himself was about to do. It was around this time as well that Derek Taylor gave the Beatles copies of the debut album by a young singer/songwriter named Harry Nilsson. Nilsson will be getting his own episode down the line, but not for a couple of years at my current rates, so it's worth bringing that up here, because that album became a favourite of all the Beatles, and would have a huge influence on their songwriting for the next couple of years, and because one song on the album, "1941", must have resonated particularly deeply with Lennon right at this moment -- an autobiographical song by Nilsson about how his father had left him and his mother when he was a small boy, and about his own fear that, as his first marriage broke down, he was repeating the pattern with his stepson Scott: [Excerpt: Nilsson, "1941"] The other major event of December 1967, rather overshadowed by the Magical Mystery Tour disaster the next day, was that on Christmas Day Paul McCartney and Jane Asher announced their engagement. A few days later, George Harrison flew to India. After John and Paul had had their outside film projects -- John starring in How I Won The War and Paul doing the soundtrack for The Family Way -- the other two Beatles more or less simultaneously did their own side project films, and again one acted while the other did a soundtrack. Both of these projects were in the rather odd subgenre of psychedelic shambolic comedy film that sprang up in the mid sixties, a subgenre that produced a lot of fascinating films, though rather fewer good ones. Indeed, both of them were in the subsubgenre of shambolic psychedelic *sex* comedies. In Ringo's case, he had a small role in the film Candy, which was based on the novel we mentioned in the last episode, co-written by Terry Southern, which was in itself a loose modern rewriting of Voltaire's Candide. Unfortunately, like such other classics of this subgenre as Anthony Newley's Can Heironymus Merkin Ever Forget Mercy Humppe and Find True Happiness?, Candy has dated *extremely* badly, and unless you find repeated scenes of sexual assault and rape, ethnic stereotypes, and jokes about deformity and disfigurement to be an absolute laugh riot, it's not a film that's worth seeking out, and Starr's part in it is not a major one. Harrison's film was of the same basic genre -- a film called Wonderwall about a mad scientist who discovers a way to see through the walls of his apartment, and gets to see a photographer taking sexy photographs of a young woman named Penny Lane, played by Jane Birkin: [Excerpt: Some Wonderwall film dialogue ripped from the Blu-Ray] Wonderwall would, of course, later inspire the title of a song by Oasis, and that's what the film is now best known for, but it's a less-unwatchable film than Candy, and while still problematic it's less so. Which is something. Harrison had been the Beatle with least involvement in Magical Mystery Tour -- McCartney had been the de facto director, Starr had been the lead character and the only one with much in the way of any acting to do, and Lennon had written the film's standout scene and its best song, and had done a little voiceover narration. Harrison, by contrast, barely has anything to do in the film apart from the one song he contributed, "Blue Jay Way", and he said of the project “I had no idea what was happening and maybe I didn't pay enough attention because my problem, basically, was that I was in another world, I didn't really belong; I was just an appendage.” He'd expressed his discomfort to his friend Joe Massot, who was about to make his first feature film. Massot had got to know Harrison during the making of his previous film, Reflections on Love, a mostly-silent short which had starred Harrison's sister-in-law Jenny Boyd, and which had been photographed by Robert Freeman, who had been the photographer for the Beatles' album covers from With the Beatles through Rubber Soul, and who had taken most of the photos that Klaus Voorman incorporated into the cover of Revolver (and whose professional association with the Beatles seemed to come to an end around the same time he discovered that Lennon had been having an affair with his wife). Massot asked Harrison to write the music for the film, and told Harrison he would have complete free rein to make whatever music he wanted, so long as it fit the timing of the film, and so Harrison decided to create a mixture of Western rock music and the Indian music he loved. Harrison started recording the music at the tail end of 1967, with sessions with several London-based Indian musicians and John Barham, an orchestrator who had worked with Ravi Shankar on Shankar's collaborations with Western musicians, including the Alice in Wonderland soundtrack we talked about in the "All You Need is Love" episode. For the Western music, he used the Remo Four, a Merseybeat group who had been on the scene even before the Beatles, and which contained a couple of classmates of Paul McCartney, but who had mostly acted as backing musicians for other artists. They'd backed Johnny Sandon, the former singer with the Searchers, on a couple of singles, before becoming the backing band for Tommy Quickly, a NEMS artist who was unsuccessful despite starting his career with a Lennon/McCartney song, "Tip of My Tongue": [Excerpt: Tommy Quickly, "Tip of My Tongue"] The Remo Four would later, after a lineup change, become Ashton, Gardner and Dyke, who would become one-hit wonders in the seventies, and during the Wonderwall sessions they recorded a song that went unreleased at the time, and which would later go on to be rerecorded by Ashton, Gardner, and Dyke. "In the First Place" also features Harrison on backing vocals and possibly guitar, and was not submitted for the film because Harrison didn't believe that Massot wanted any vocal tracks, but the recording was later discovered and used in a revised director's cut of the film in the nineties: [Excerpt: The Remo Four, "In the First Place"] But for the most part the Remo Four were performing instrumentals written by Harrison. They weren't the only Western musicians performing on the sessions though -- Peter Tork of the Monkees dropped by these sessions and recorded several short banjo solos, which were used in the film soundtrack but not in the soundtrack album (presumably because Tork was contracted to another label): [Excerpt: Peter Tork, "Wonderwall banjo solo"] Another musician who was under contract to another label was Eric Clapton, who at the time was playing with The Cream, and who vaguely knew Harrison and so joined in for the track "Ski-ing", playing lead guitar under the cunning, impenetrable, pseudonym "Eddie Clayton", with Harrison on sitar, Starr on drums, and session guitarist Big Jim Sullivan on bass: [Excerpt: George Harrison, "Ski-ing"] But the bulk of the album was recorded in EMI's studios in the city that is now known as Mumbai but at the time was called Bombay. The studio facilities in India had up to that point only had a mono tape recorder, and Bhaskar Menon, one of the top executives at EMI's Indian division and later the head of EMI music worldwide, personally brought the first stereo tape recorder to the studio to aid in Harrison's recording. The music was all composed by Harrison and performed by the Indian musicians, and while Harrison was composing in an Indian mode, the musicians were apparently fascinated by how Western it sounded to them: [Excerpt: George Harrison, "Microbes"] While he was there, Harrison also got the instrumentalists to record another instrumental track, which wasn't to be used for the film: [Excerpt: George Harrison, "The Inner Light (instrumental)"] That track would, instead, become part of what was to be Harrison's first composition to make a side of a Beatles single. After John and George had appeared on the David Frost show talking about the Maharishi, in September 1967, George had met a lecturer in Sanskrit named Juan Mascaró, who wrote to Harrison enclosing a book he'd compiled of translations of religious texts, telling him he'd admired "Within You Without You" and thought it would be interesting if Harrison set something from the Tao Te Ching to music. He suggested a text that, in his translation, read: "Without going out of my door I can know all things on Earth Without looking out of my window I can know the ways of heaven For the farther one travels, the less one knows The sage, therefore Arrives without travelling Sees all without looking Does all without doing" Harrison took that text almost verbatim, though he created a second verse by repeating the first few lines with "you" replacing "I" -- concerned that listeners might think he was just talking about himself, and wouldn't realise it was a more general statement -- and he removed the "the sage, therefore" and turned the last few lines into imperative commands rather than declarative statements: [Excerpt: The Beatles, "The Inner Light"] The song has come in for some criticism over the years as being a little Orientalist, because in critics' eyes it combines Chinese philosophy with Indian music, as if all these things are equally "Eastern" and so all the same really. On the other hand there's a good argument that an English songwriter taking a piece of writing written in Chinese and translated into English by a Spanish man and setting it to music inspired by Indian musical modes is a wonderful example of cultural cross-pollination. As someone who's neither Chinese nor Indian I wouldn't want to take a stance on it, but clearly the other Beatles were impressed by it -- they put it out as the B-side to their next single, even though the only Beatles on it are Harrison and McCartney, with the latter adding a small amount of harmony vocal: [Excerpt: The Beatles, "The Inner Light"] And it wasn't because the group were out of material. They were planning on going to Rishikesh to study with the Maharishi, and wanted to get a single out for release while they were away, and so in one week they completed the vocal overdubs on "The Inner Light" and recorded three other songs, two by John and one by Paul. All three of the group's songwriters brought in songs that were among their best. John's first contribution was a song whose lyrics he later described as possibly the best he ever wrote, "Across the Universe". He said the lyrics were “purely inspirational and were given to me as boom! I don't own it, you know; it came through like that … Such an extraordinary meter and I can never repeat it! It's not a matter of craftsmanship, it wrote itself. It drove me out of bed. I didn't want to write it … It's like being possessed, like a psychic or a medium.” But while Lennon liked the song, he was never happy with the recording of it. They tried all sorts of things to get the sound he heard in his head, including bringing in some fans who were hanging around outside to sing backing vocals. He said of the track "I was singing out of tune and instead of getting a decent choir, we got fans from outside, Apple Scruffs or whatever you call them. They came in and were singing all off-key. Nobody was interested in doing the tune originally.” [Excerpt: The Beatles, "Across the Universe"] The "jai guru deva" chorus there is the first reference to the teachings of the Maharishi in one of the Beatles' records -- Guru Dev was the Maharishi's teacher, and the phrase "Jai guru dev" is a Sanskrit one which I've seen variously translated as "victory to the great teacher", and "hail to the greatness within you". Lennon would say shortly before his death “The Beatles didn't make a good record out of it. I think subconsciously sometimes we – I say ‘we' though I think Paul did it more than the rest of us – Paul would sort of subconsciously try and destroy a great song … Usually we'd spend hours doing little detailed cleaning-ups of Paul's songs, when it came to mine, especially if it was a great song like ‘Strawberry Fields' or ‘Across The Universe', somehow this atmosphere of looseness and casualness and experimentation would creep in … It was a _lousy_ track of a great song and I was so disappointed by it …The guitars are out of tune and I'm singing out of tune because I'm psychologically destroyed and nobody's supporting me or helping me with it, and the song was never done properly.” Of course, this is only Lennon's perception, and it's one that the other participants would disagree with. George Martin, in particular, was always rather hurt by the implication that Lennon's songs had less attention paid to them, and he would always say that the problem was that Lennon in the studio would always say "yes, that's great", and only later complain that it hadn't been what he wanted. No doubt McCartney did put in more effort on his own songs than on Lennon's -- everyone has a bias towards their own work, and McCartney's only human -- but personally I suspect that a lot of the problem comes down to the two men having very different personalities. McCartney had very strong ideas about his own work and would drive the others insane with his nitpicky attention to detail. Lennon had similarly strong ideas, but didn't have the attention span to put the time and effort in to force his vision on others, and didn't have the technical knowledge to express his ideas in words they'd understand. He expected Martin and the other Beatles to work miracles, and they did -- but not the miracles he would have worked. That track was, rather than being chosen for the next single, given to Spike Milligan, who happened to be visiting the studio and was putting together an album for the environmental charity the World Wildlife Fund. The album was titled "No One's Gonna Change Our World": [Excerpt: The Beatles, "Across the Universe"] That track is historic in another way -- it would be the last time that George Harrison would play sitar on a Beatles record, and it effectively marks the end of the period of psychedelia and Indian influence that had started with "Norwegian Wood" three years earlier, and which many fans consider their most creative period. Indeed, shortly after the recording, Harrison would give up the sitar altogether and stop playing it. He loved sitar music as much as he ever had, and he still thought that Indian classical music spoke to him in ways he couldn't express, and he continued to be friends with Ravi Shankar for the rest of his life, and would only become more interested in Indian religious thought. But as he spent time with Shankar he realised he would never be as good on the sitar as he hoped. He said later "I thought, 'Well, maybe I'm better off being a pop singer-guitar-player-songwriter – whatever-I'm-supposed-to-be' because I've seen a thousand sitar-players in India who are twice as better as I'll ever be. And only one of them Ravi thought was going to be a good player." We don't have a precise date for when it happened -- I suspect it was in June 1968, so a few months after the "Across the Universe" recording -- but Shankar told Harrison that rather than try to become a master of a music that he hadn't encountered until his twenties, perhaps he should be making the music that was his own background. And as Harrison put it "I realised that was riding my bike down a street in Liverpool and hearing 'Heartbreak Hotel' coming out of someone's house.": [Excerpt: Elvis Presley, "Heartbreak Hotel"] In early 1968 a lot of people seemed to be thinking along the same lines, as if Christmas 1967 had been the flick of a switch and instead of whimsy and ornamentation, the thing to do was to make music that was influenced by early rock and roll. In the US the Band and Bob Dylan were making music that was consciously shorn of all studio experimentation, while in the UK there was a revival of fifties rock and roll. In April 1968 both "Peggy Sue" and "Rock Around the Clock" reentered the top forty in the UK, and the Who were regularly including "Summertime Blues" in their sets. Fifties nostalgia, which would make occasional comebacks for at least the next forty years, was in its first height, and so it's not surprising that Paul McCartney's song, "Lady Madonna", which became the A-side of the next single, has more than a little of the fifties about it. Of course, the track isn't *completely* fifties in its origins -- one of the inspirations for the track seems to have been the Rolling Stones' then-recent hit "Let's Spend The Night Together": [Excerpt: The Rolling Stones, "Let's Spend the Night Together"] But the main source for the song's music -- and for the sound of the finished record -- seems to have been Johnny Parker's piano part on Humphrey Lyttleton's "Bad Penny Blues", a hit single engineered by Joe Meek in the fifties: [Excerpt: Humphrey Lyttleton, "Bad Penny Blues"] That song seems to have been on the group's mind for a while, as a working title for "With a Little Help From My Friends" had at one point been "Bad Finger Blues" -- a title that would later give the name to a band on Apple. McCartney took Parker's piano part as his inspiration, and as he later put it “‘Lady Madonna' was me sitting down at the piano trying to write a bluesy boogie-woogie thing. I got my left hand doing an arpeggio thing with the chord, an ascending boogie-woogie left hand, then a descending right hand. I always liked that, the  juxtaposition of a line going down meeting a line going up." [Excerpt: The Beatles, "Lady Madonna"] That idea, incidentally, is an interesting reversal of what McCartney had done on "Hello, Goodbye", where the bass line goes down while the guitar moves up -- the two lines moving away from each other: [Excerpt: The Beatles, "Hello Goodbye"] Though that isn't to say there's no descending bass in "Lady Madonna" -- the bridge has a wonderful sequence where the bass just *keeps* *descending*: [Excerpt: The Beatles, "Lady Madonna"] Lyrically, McCartney was inspired by a photo in National Geographic of a woman in Malaysia, captioned “Mountain Madonna: with one child at her breast and another laughing into her face, sees her quality of life threatened.” But as he put it “The people I was brought up amongst were often Catholic; there are lots of Catholics in Liverpool because of the Irish connection and they are often religious. When they have a baby I think they see a big connection between themselves and the Virgin Mary with her baby. So the original concept was the Virgin Mary but it quickly became symbolic of every woman; the Madonna image but as applied to ordinary working class woman. It's really a tribute to the mother figure, it's a tribute to women.” Musically though, the song was more a tribute to the fifties -- while the inspiration had been a skiffle hit by Humphrey Lyttleton, as soon as McCartney started playing it he'd thought of Fats Domino, and the lyric reflects that to an extent -- just as Domino's "Blue Monday" details the days of the week for a weary working man who only gets to enjoy himself on Saturday night, "Lady Madonna"'s lyrics similarly look at the work a mother has to do every day -- though as McCartney later noted  "I was writing the words out to learn it for an American TV show and I realised I missed out Saturday ... So I figured it must have been a real night out." The vocal was very much McCartney doing a Domino impression -- something that wasn't lost on Fats, who cut his own version of the track later that year: [Excerpt: Fats Domino, "Lady Madonna"] The group were so productive at this point, right before the journey to India, that they actually cut another song *while they were making a video for "Lady Madonna"*. They were booked into Abbey Road to film themselves performing the song so it could be played on Top of the Pops while they were away, but instead they decided to use the time to cut a new song -- John had a partially-written song, "Hey Bullfrog", which was roughly the same tempo as "Lady Madonna", so they could finish that up and then re-edit the footage to match the record. The song was quickly finished and became "Hey Bulldog": [Excerpt: The Beatles, "Hey Bulldog"] One of Lennon's best songs from this period, "Hey Bulldog" was oddly chosen only to go on the soundtrack of Yellow Submarine. Either the band didn't think much of it because it had come so easily, or it was just assigned to the film because they were planning on being away for several months and didn't have any other projects they were working on. The extent of the group's contribution to the film was minimal – they were not very hands-on, and the film, which was mostly done as an attempt to provide a third feature film for their United Artists contract without them having to do any work, was made by the team that had done the Beatles cartoon on American TV. There's some evidence that they had a small amount of input in the early story stages, but in general they saw the cartoon as an irrelevance to them -- the only things they contributed were the four songs "All Together Now", "It's All Too Much", "Hey Bulldog" and "Only a Northern Song", and a brief filmed appearance for the very end of the film, recorded in January: [Excerpt: Yellow Submarine film end] McCartney also took part in yet another session in early February 1968, one produced by Peter Asher, his fiancee's brother, and former singer with Peter and Gordon. Asher had given up on being a pop star and was trying to get into the business side of music, and he was starting out as a producer, producing a single by Paul Jones, the former lead singer of Manfred Mann. The A-side of the single, "And the Sun Will Shine", was written by the Bee Gees, the band that Robert Stigwood was managing: [Excerpt: Paul Jones, "And the Sun Will Shine"] While the B-side was an original by Jones, "The Dog Presides": [Excerpt: Paul Jones, "The Dog Presides"] Those tracks featured two former members of the Yardbirds, Jeff Beck and Paul Samwell-Smith, on guitar and bass, and Nicky Hopkins on piano. Asher asked McCartney to play drums on both sides of the single, saying later "I always thought he was a great, underrated drummer." McCartney was impressed by Asher's production, and asked him to get involved with the new Apple Records label that would be set up when the group returned from India. Asher eventually became head of A&R for the label. And even before "Lady Madonna" was mixed, the Beatles were off to India. Mal Evans, their roadie, went ahead with all their luggage on the fourteenth of February, so he could sort out transport for them on the other end, and then John and George followed on the fifteenth, with their wives Pattie and Cynthia and Pattie's sister Jenny (John and Cynthia's son Julian had been left with his grandmother while they went -- normally Cynthia wouldn't abandon Julian for an extended period of time, but she saw the trip as a way to repair their strained marriage). Paul and Ringo followed four days later, with Ringo's wife Maureen and Paul's fiancee Jane Asher. The retreat in Rishikesh was to become something of a celebrity affair. Along with the Beatles came their friend the singer-songwriter Donovan, and Donovan's friend and songwriting partner, whose name I'm not going to say here because it's a slur for Romani people, but will be known to any Donovan fans. Donovan at this point was also going through changes. Like the Beatles, he was largely turning away from drug use and towards meditation, and had recently written his hit single "There is a Mountain" based around a saying from Zen Buddhism: [Excerpt: Donovan, "There is a Mountain"] That was from his double-album A Gift From a Flower to a Garden, which had come out in December 1967. But also like John and Paul he was in the middle of the breakdown of a long-term relationship, and while he would remain with his then-partner until 1970, and even have another child with her, he was secretly in love with another woman. In fact he was secretly in love with two other women. One of them, Brian Jones' ex-girlfriend Linda, had moved to LA, become the partner of the singer Gram Parsons, and had appeared in the documentary You Are What You Eat with the Band and Tiny Tim. She had fallen out of touch with Donovan, though she would later become his wife. Incidentally, she had a son to Brian Jones who had been abandoned by his rock-star father -- the son's name is Julian. The other woman with whom Donovan was in love was Jenny Boyd, the sister of George Harrison's wife Pattie.  Jenny at the time was in a relationship with Alexis Mardas, a TV repairman and huckster who presented himself as an electronics genius to the Beatles, who nicknamed him Magic Alex, and so she was unavailable, but Donovan had written a song about her, released as a single just before they all went to Rishikesh: [Excerpt: Donovan, "Jennifer Juniper"] Donovan considered himself and George Harrison to be on similar spiritual paths and called Harrison his "spirit-brother", though Donovan was more interested in Buddhism, which Harrison considered a corruption of the more ancient Hinduism, and Harrison encouraged Donovan to read Autobiography of a Yogi. It's perhaps worth noting that Donovan's father had a different take on the subject though, saying "You're not going to study meditation in India, son, you're following that wee lassie Jenny" Donovan and his friend weren't the only other celebrities to come to Rishikesh. The actor Mia Farrow, who had just been through a painful divorce from Frank Sinatra, and had just made Rosemary's Baby, a horror film directed by Roman Polanski with exteriors shot at the Dakota building in New York, arrived with her sister Prudence. Also on the trip was Paul Horn, a jazz saxophonist who had played with many of the greats of jazz, not least of them Duke Ellington, whose Sweet Thursday Horn had played alto sax on: [Excerpt: Duke Ellington, "Zweet Zursday"] Horn was another musician who had been inspired to investigate Indian spirituality and music simultaneously, and the previous year he had recorded an album, "In India," of adaptations of ragas, with Ravi Shankar and Alauddin Khan: [Excerpt: Paul Horn, "Raga Vibhas"] Horn would go on to become one of the pioneers of what would later be termed "New Age" music, combining jazz with music from various non-Western traditions. Horn had also worked as a session musician, and one of the tracks he'd played on was "I Know There's an Answer" from the Beach Boys' Pet Sounds album: [Excerpt: The Beach Boys, "I Know There's an Answer"] Mike Love, who co-wrote that track and is one of the lead singers on it, was also in Rishikesh. While as we'll see not all of the celebrities on the trip would remain practitioners of Transcendental Meditation, Love would be profoundly affected by the trip, and remains a vocal proponent of TM to this day. Indeed, his whole band at the time were heavily into TM. While Love was in India, the other Beach Boys were working on the Friends album without him -- Love only appears on four tracks on that album -- and one of the tracks they recorded in his absence was titled "Transcendental Meditation": [Excerpt: The Beach Boys, "Transcendental Meditation"] But the trip would affect Love's songwriting, as it would affect all of the musicians there. One of the few songs on the Friends album on which Love appears is "Anna Lee, the Healer", a song which is lyrically inspired by the trip in the most literal sense, as it's about a masseuse Love met in Rishikesh: [Excerpt: The Beach Boys, "Anna Lee, the Healer"] The musicians in the group all influenced and inspired each other as is likely to happen in such circumstances. Sometimes, it would be a matter of trivial joking, as when the Beatles decided to perform an off-the-cuff song about Guru Dev, and did it in the Beach Boys style: [Excerpt: The Beatles, "Spiritual Regeneration"] And that turned partway through into a celebration of Love for his birthday: [Excerpt: The Beatles, "Spiritual Regeneration"] Decades later, Love would return the favour, writing a song about Harrison and their time together in Rishikesh. Like Donovan, Love seems to have considered Harrison his "spiritual brother", and he titled the song "Pisces Brothers": [Excerpt: Mike Love, "Pisces Brothers"] The musicians on the trip were also often making suggestions to each other about songs that would become famous for them. The musicians had all brought acoustic guitars, apart obviously from Ringo, who got a set of tabla drums when George ordered some Indian instruments to be delivered. George got a sitar, as at this point he hadn't quite given up on the instrument, and he gave Donovan a tamboura. Donovan started playing a melody on the tamboura, which is normally a drone instrument, inspired by the Scottish folk music he had grown up with, and that became his "Hurdy-Gurdy Man": [Excerpt: Donovan, "Hurdy Gurdy Man"] Harrison actually helped him with the song, writing a final verse inspired by the Maharishi's teachings, but in the studio Donovan's producer Mickie Most told him to cut the verse because the song was overlong, which apparently annoyed Harrison. Donovan includes that verse in his live performances of the song though -- usually while doing a fairly terrible impersonation of Harrison: [Excerpt: Donovan, "Hurdy Gurdy Man (live)"] And similarly, while McCartney was working on a song pastiching Chuck Berry and the Beach Boys, but singing about the USSR rather than the USA, Love suggested to him that for a middle-eight he might want to sing about the girls in the various Soviet regions: [Excerpt: The Beatles, "Back in the USSR"] As all the guitarists on the retreat only had acoustic instruments, they were very keen to improve their acoustic playing, and they turned to Donovan, who unlike the rest of them was primarily an acoustic player, and one from a folk background. Donovan taught them the rudiments of Travis picking, the guitar style we talked about way back in the episodes on the Everly Brothers, as well as some of the tunings that had been introduced to British folk music by Davey Graham, giving them a basic grounding in the principles of English folk-baroque guitar, a style that had developed over the previous few years. Donovan has said in his autobiography that Lennon picked the technique up quickly (and that Harrison had already learned Travis picking from Chet Atkins records) but that McCartney didn't have the application to learn the style, though he picked up bits. That seems very unlike anything else I've read anywhere about Lennon and McCartney -- no-one has ever accused Lennon of having a surfeit of application -- and reading Donovan's book he seems to dislike McCartney and like Lennon and Harrison, so possibly that enters into it. But also, it may just be that Lennon was more receptive to Donovan's style at the time. According to McCartney, even before going to Rishikesh Lennon had been in a vaguely folk-music and country mode, and the small number of tapes he'd brought with him to Rishikesh included Buddy Holly, Dylan, and the progressive folk band The Incredible String Band, whose music would be a big influence on both Lennon and McCartney for the next year: [Excerpt: The Incredible String Band, "First Girl I Loved"] According to McCartney Lennon also brought "a tape the singer Jake Thackray had done for him... He was one of the people we bumped into at Abbey Road. John liked his stuff, which he'd heard on television. Lots of wordplay and very suggestive, so very much up John's alley. I was fascinated by his unusual guitar style. John did ‘Happiness Is A Warm Gun' as a Jake Thackray thing at one point, as I recall.” Thackray was a British chansonnier, who sang sweetly poignant but also often filthy songs about Yorkshire life, and his humour in particular will have appealed to Lennon. There's a story of Lennon meeting Thackray in Abbey Road and singing the whole of Thackray's song "The Statues", about two drunk men fighting a male statue to defend the honour of a female statue, to him: [Excerpt: Jake Thackray, "The Statues"] Given this was the music that Lennon was listening to, it's unsurprising that he was more receptive to Donovan's lessons, and the new guitar style he learned allowed him to expand his songwriting, at precisely the same time he was largely clean of drugs for the first time in several years, and he started writing some of the best songs he would ever write, often using these new styles: [Excerpt: The Beatles, "Julia"] That song is about Lennon's dead mother -- the first time he ever addressed her directly in a song, though  it would be far from the last -- but it's also about someone else. That phrase "Ocean child" is a direct translation of the Japanese name "Yoko". We've talked about Yoko Ono a bit in recent episodes, and even briefly in a previous Beatles episode, but it's here that she really enters the story of the Beatles. Unfortunately, exactly *how* her relationship with John Lennon, which was to become one of the great legendary love stories in rock and roll history, actually started is the subject of some debate. Both of them were married when they first got together, and there have also been suggestions that Ono was more interested in McCartney than in Lennon at first -- suggestions which everyone involved has denied, and those denials have the ring of truth about them, but if that was the case it would also explain some of Lennon's more perplexing behaviour over the next year. By all accounts there was a certain amount of finessing of the story th

This is Garrison Hardie with your CrossPolitic Daily News Brief for Tuesday, December 5th, 2023. VanGelder Technologies: VanGelder Technologies is a US-based custom software development company specializing in cross-platform mobile applications, web applications, and desktop programs. Leveraging open-source frameworks, they quickly and efficiently build custom software solutions that are tailor made to fit your specific needs. 

 There’s no need for New Christendom companies to be content with offering sub-par mobile or web experiences. VanGelder Technologies can help you build better software for the glory of God! You can learn more, view examples of their work, or get in touch, at www.vangelder.tech

 That’s V-A-N, G-E-L, D-E-R dot T-E-C-H VanGelder Technologies, where technology and tradition meet. https://hotair.com/jazz-shaw/2023/12/04/congress-freezes-6-billion-for-iran-n596478#google_vignette Congress Freezes $6 Billion for Iran This took place on Thursday, but it’s looking increasingly real. In a move that the Daily Mail described as “humiliating” for Joe Biden, lawmakers cast a bipartisan vote to freeze the six billion dollars that the President had previously freed up for Iran as part of his hostage negotiation deal. The move drew the support of nearly every Republican but also attracted nearly 100 Democrats. Now it’s looking as if it might pass in the Senate as well. During a time when it’s been seeming as if common sense had been banned in Washington, we have lawmakers seemingly conceding that sending billions of dollars to the world’s largest state sponsor of terrorism might not be such a great idea. President Biden is facing a humiliating foreign policy setback as $6 billion he used to leverage the release of five imprisoned Americans from Iran could be frozen. Lawmakers including members of Biden’s own party voted on Thursday to approve a bill that would permanently freeze the funds, which were unfrozen by the White House in September as part of a controversial deal. The bill, named the No Funds for Iranian Terrorism Act, passed in a 307 to 119 vote – which was approved by almost every Republican and 90 Democrats. The money is being held in Qatar, where most negotiations between the West and terror groups take place these days. The reality is that Joe Biden had already “refrozen” the money after the October 7 Hamas terror attacks. Congress is now close to locking the door to those funds indefinitely. Keep in mind that the money was originally leveraged to free five American hostages as well as five Iranian prisoners. But before the cash transfer was even complete, an even larger number of Americans were taken hostage by Hamas, which is almost entirely funded by Iran. In that sense, the United States was losing ground in the exchange, rather than getting something of value for the money. Plenty of people were warning the Biden administration about this when the talks first began. This is why we’ve long had a rule about not negotiating with terrorists. If you pay to secure the release of hostages, you will inevitably wind up with more hostages because the terrorists see that their tactics are working. And that’s precisely where we are today. https://www.dailyfetched.com/blm-rioters-in-atlanta-who-burnt-down-wendys-get-500-fine/ BLM Rioters in Atlanta Who Burnt Down Wendy’s Get $500 Fine Two Black Lives Matter (BLM) rioters who pleaded guilty to torching Wendy’s fast food restaurant in Atlanta in 2020 were sentenced to five years of probation and a $500 fine. Chisom Kingston and Natalie White were charged with conspiracy to commit arson in the first degree, and two counts of first-degree arson. Both pleaded guilty in a plea deal, according to court records. Kingston and White must complete 150 hours of community service. In addition to charges, John Wesley Wade, 35, was indicted for the same fire in January this year. Initially, all three pleaded not guilty and waived their arraignments in March 2022, The charges stem from BLM riots, which took place over the death of Rayshard Brooks, who was killed in a police-involved shooting in June 2020. Brooks allegedly punched police officer David Brosnan and stole his taser while under investigation for a DUI in the parking lot of the Wendy’s restaurant. Brooks reportedly aimed the Taser at Officer Brosnan. However, a second officer, Garrett Rolfe, shot and killed rooks during the altercation. Brooks allegedly punched Brosnan, causing a concussion. In response to the incident, BLM rioters burnt down Wendy’s in protest of Brooks’ death. Later, violent demonstrations exploded over the city in the months following. Former Fulton County District Attorney charged officers Rolfe and Brosnan. Brosnan was charged with aggravated assault, while Rolfe faces felony murder and assault charges. Ninety-nine percent of charges brought against BLM rioters in 2020 were dropped by local prosecutors, according to an analysis from The Guardian. Earlier this year, the United States Court of Appeals in Washington, DC, admitted that BLM rioters were treated better compared to some pro-life protesters. The news comes just under a month after New York City officials agreed to pay $13 million to violent “2020 Summer of Love” BLM and Antifa protesters after they caused damage to 45 businesses. https://www.foxnews.com/us/derek-chauvin-returns-prison-after-alleged-blm-inspired-stabbing Derek Chauvin returns to prison after alleged BLM-inspired stabbing Former Minneapolis police officer Derek Chauvin has returned to a federal prison in Arizona more than a week after a fellow inmate allegedly stabbed him 22 times with a shank in the library in a Black Friday attack partially inspired by the Black Lives Matter movement. Chauvin is serving more than 20 years for the death of George Floyd and for depriving him of his civil rights in a May 2020 encounter that kicked off nationwide protests. Chauvin's family is "very concerned about the facility’s capacity to protect Derek from further harm," his lawyer, Greg Erickson, told the Minneapolis Star Tribune. "They remain unassured that any changes have been made to the faulty procedures that allowed Derek’s attack to occur in the first place." John Turscak, 52, allegedly told federal correction officers that he targeted Chauvin because he was a high-profile inmate, that he plotted the attack for a month and that he would have killed him if guards had not intervened, according to court documents. Turscak could see 60 years added to his federal sentence if he gets the maximum punishment on the four new charges he faces, which includes attempted murder. He was due for release in 2026, according to the Bureau of Prisons. Turscak, a former gang member and snitch, was dropped as an FBI informant for dealing drugs, greenlighting assaults and extorting money, according to prosecutors. He allegedly told investigators that he picked Black Friday for the attack to symbolize both BLM and the "Black Hand" of the Mexican Mafia prison gang. The attack took place from behind in the law library inside Federal Correctional Institution Tucson on Nov. 24. Authorities said guards intervened "immediately," but Erickson questioned how fast the response really was – noting Chauvin's 22 stab wounds. "Why was Derek allowed into the law library without a guard in close enough proximity to stop a possible attack?" he asked. "His family continues to wonder." Prison experts have warned that Chauvin, like other high-profile inmates, is at increased risk. "He was a dead man walking his first day in prison," said Keith Rovere, a former prison minister and the host of the "Lighter Side of Serial Killers" podcast. "This definitely won't be the last attack." In an appeal filed last month, Chauvin claimed new evidence shows he was not responsible for the death. Separately, the Supreme Court rejected his appeal for a new trial just days before the stabbing. Chauvin was one of four officers who arrested Floyd that day after he allegedly passed a counterfeit $20 bill at a coffee shop and refused to cooperate with police. Chauvin, who was seen on a video that prompted riots around the country, knelt on Floyd's neck for more than nine minutes leading up to his death. Erickson previously slammed the prison for "poor procedures and lack of institutional control" – referencing an incident last year in which an inmate allegedly smuggled a firearm into the facility and tried to shoot someone. Prison officials said they "[take] seriously our duty to protect the individuals entrusted in our custody, as well as maintain the safety of correctional employees and the community." Citing privacy and safety concerns, authorities said they do not discuss the medical status or other "conditions of confinement" for inmates. https://www.worldofreel.com/blog/2023/12/1/hb03oy7zedb5m0rhj557tbnr6znepm Raves for ‘Godzilla Minus One’ Who’s seen Toho’s “Godzilla Minus One”? The reviews are almost all glowing. Unless I somehow missed my invitation, I don’t believe there was a press screening for this one. Regardless, it made $11 million domestically this weekend, a real success. “Godzilla Minus One” has a 97% (8.2/10) with critics, from 75 reviews. On Metacritic it’s scoring a very strong 79/100 from 24 reviews. On IMDB, it has an impressive 8.5 user rating. The film takes place in a devastated post-war Japan where Godzilla goes on a rampage. This is the second of the live-action Reiwa era ‘Godzilla’ films, the first being 2016’s “Shin Godzilla”. It looks as though director Takashi Yamazaki has made one of the better films of the franchise. This is the 37th film in the ‘Godzilla’ franchise, and Toho's 33rd Godzilla film. It’s been awhile guys… how about a little on this day in history? On this day December 5th 771 Charlemagne becomes the sole King of the Franks after the death of his brother Carloman 1848 US President James K. Polk triggers gold rush of 1849 by confirming a gold discovery in California 1933 Prohibition ends in the US when 21st Amendment to the US Constitution ratified, 18th Amendment repealed (5:32 PM EST) 1973 Apple Records releases Paul McCartney & Wings album "Band on the Run" in US; the commercial and critical pinnacle of his post-Beatle work tops the charts in 7 countries 2001 "Ocean's Eleven" directed by Steven Soderbergh, starring George Clooney, Brad Pitt, Matt Damon and Julia Roberts premieres in Westwood, California 2017 Russia is banned from the next Winter Olympics in South Korea over state-sponsored doping Did you know? Ship the Mary Celeste is discovered mysteriously abandoned by her crew in the Atlantic Ocean on December 5th, 1872? On November 7, 1872, the Mary Celeste set sail from New York City, with more than 1,700 barrels of alcohol destined for Genoa, Italy. On board were 10 people, including Captain Briggs, his wife, and their two-year-old daughter. Over the next two weeks, the ship encountered harsh weather. According to the last log entry—dated November 25—the Mary Celeste was some 6 nautical miles (11 km) from the Azores. Ten days later, December 5th, the vessel was spotted by the British brig Dei Gratia. Crew from that ship boarded the Mary Celeste and discovered it deserted. Although there was more than 3 feet (1 metre) of water in the hold—an amount that would not have caused panic—the vessel was seaworthy. Adding to the mystery was the fact that the cargo and personal belongings were largely undisturbed, although a longboat was missing. It appeared that the ship had been abandoned quickly. Crewmen from the Dei Gratia sailed the Mary Celeste to Gibraltar, some 800 miles (1,482 km) away. There British authorities conducted an investigation, which ultimately found no evidence of foul play. How about some famous birthdays for December 5th? Martin Van Buren was born on December 5th - 1782 George Armstrong Custer - 1839 Walt Disney - 1901 Little Richard - 1932

This is Garrison Hardie with your CrossPolitic Daily News Brief for Tuesday, December 5th, 2023. VanGelder Technologies: VanGelder Technologies is a US-based custom software development company specializing in cross-platform mobile applications, web applications, and desktop programs. Leveraging open-source frameworks, they quickly and efficiently build custom software solutions that are tailor made to fit your specific needs. 

 There’s no need for New Christendom companies to be content with offering sub-par mobile or web experiences. VanGelder Technologies can help you build better software for the glory of God! You can learn more, view examples of their work, or get in touch, at www.vangelder.tech

 That’s V-A-N, G-E-L, D-E-R dot T-E-C-H VanGelder Technologies, where technology and tradition meet. https://hotair.com/jazz-shaw/2023/12/04/congress-freezes-6-billion-for-iran-n596478#google_vignette Congress Freezes $6 Billion for Iran This took place on Thursday, but it’s looking increasingly real. In a move that the Daily Mail described as “humiliating” for Joe Biden, lawmakers cast a bipartisan vote to freeze the six billion dollars that the President had previously freed up for Iran as part of his hostage negotiation deal. The move drew the support of nearly every Republican but also attracted nearly 100 Democrats. Now it’s looking as if it might pass in the Senate as well. During a time when it’s been seeming as if common sense had been banned in Washington, we have lawmakers seemingly conceding that sending billions of dollars to the world’s largest state sponsor of terrorism might not be such a great idea. President Biden is facing a humiliating foreign policy setback as $6 billion he used to leverage the release of five imprisoned Americans from Iran could be frozen. Lawmakers including members of Biden’s own party voted on Thursday to approve a bill that would permanently freeze the funds, which were unfrozen by the White House in September as part of a controversial deal. The bill, named the No Funds for Iranian Terrorism Act, passed in a 307 to 119 vote – which was approved by almost every Republican and 90 Democrats. The money is being held in Qatar, where most negotiations between the West and terror groups take place these days. The reality is that Joe Biden had already “refrozen” the money after the October 7 Hamas terror attacks. Congress is now close to locking the door to those funds indefinitely. Keep in mind that the money was originally leveraged to free five American hostages as well as five Iranian prisoners. But before the cash transfer was even complete, an even larger number of Americans were taken hostage by Hamas, which is almost entirely funded by Iran. In that sense, the United States was losing ground in the exchange, rather than getting something of value for the money. Plenty of people were warning the Biden administration about this when the talks first began. This is why we’ve long had a rule about not negotiating with terrorists. If you pay to secure the release of hostages, you will inevitably wind up with more hostages because the terrorists see that their tactics are working. And that’s precisely where we are today. https://www.dailyfetched.com/blm-rioters-in-atlanta-who-burnt-down-wendys-get-500-fine/ BLM Rioters in Atlanta Who Burnt Down Wendy’s Get $500 Fine Two Black Lives Matter (BLM) rioters who pleaded guilty to torching Wendy’s fast food restaurant in Atlanta in 2020 were sentenced to five years of probation and a $500 fine. Chisom Kingston and Natalie White were charged with conspiracy to commit arson in the first degree, and two counts of first-degree arson. Both pleaded guilty in a plea deal, according to court records. Kingston and White must complete 150 hours of community service. In addition to charges, John Wesley Wade, 35, was indicted for the same fire in January this year. Initially, all three pleaded not guilty and waived their arraignments in March 2022, The charges stem from BLM riots, which took place over the death of Rayshard Brooks, who was killed in a police-involved shooting in June 2020. Brooks allegedly punched police officer David Brosnan and stole his taser while under investigation for a DUI in the parking lot of the Wendy’s restaurant. Brooks reportedly aimed the Taser at Officer Brosnan. However, a second officer, Garrett Rolfe, shot and killed rooks during the altercation. Brooks allegedly punched Brosnan, causing a concussion. In response to the incident, BLM rioters burnt down Wendy’s in protest of Brooks’ death. Later, violent demonstrations exploded over the city in the months following. Former Fulton County District Attorney charged officers Rolfe and Brosnan. Brosnan was charged with aggravated assault, while Rolfe faces felony murder and assault charges. Ninety-nine percent of charges brought against BLM rioters in 2020 were dropped by local prosecutors, according to an analysis from The Guardian. Earlier this year, the United States Court of Appeals in Washington, DC, admitted that BLM rioters were treated better compared to some pro-life protesters. The news comes just under a month after New York City officials agreed to pay $13 million to violent “2020 Summer of Love” BLM and Antifa protesters after they caused damage to 45 businesses. https://www.foxnews.com/us/derek-chauvin-returns-prison-after-alleged-blm-inspired-stabbing Derek Chauvin returns to prison after alleged BLM-inspired stabbing Former Minneapolis police officer Derek Chauvin has returned to a federal prison in Arizona more than a week after a fellow inmate allegedly stabbed him 22 times with a shank in the library in a Black Friday attack partially inspired by the Black Lives Matter movement. Chauvin is serving more than 20 years for the death of George Floyd and for depriving him of his civil rights in a May 2020 encounter that kicked off nationwide protests. Chauvin's family is "very concerned about the facility’s capacity to protect Derek from further harm," his lawyer, Greg Erickson, told the Minneapolis Star Tribune. "They remain unassured that any changes have been made to the faulty procedures that allowed Derek’s attack to occur in the first place." John Turscak, 52, allegedly told federal correction officers that he targeted Chauvin because he was a high-profile inmate, that he plotted the attack for a month and that he would have killed him if guards had not intervened, according to court documents. Turscak could see 60 years added to his federal sentence if he gets the maximum punishment on the four new charges he faces, which includes attempted murder. He was due for release in 2026, according to the Bureau of Prisons. Turscak, a former gang member and snitch, was dropped as an FBI informant for dealing drugs, greenlighting assaults and extorting money, according to prosecutors. He allegedly told investigators that he picked Black Friday for the attack to symbolize both BLM and the "Black Hand" of the Mexican Mafia prison gang. The attack took place from behind in the law library inside Federal Correctional Institution Tucson on Nov. 24. Authorities said guards intervened "immediately," but Erickson questioned how fast the response really was – noting Chauvin's 22 stab wounds. "Why was Derek allowed into the law library without a guard in close enough proximity to stop a possible attack?" he asked. "His family continues to wonder." Prison experts have warned that Chauvin, like other high-profile inmates, is at increased risk. "He was a dead man walking his first day in prison," said Keith Rovere, a former prison minister and the host of the "Lighter Side of Serial Killers" podcast. "This definitely won't be the last attack." In an appeal filed last month, Chauvin claimed new evidence shows he was not responsible for the death. Separately, the Supreme Court rejected his appeal for a new trial just days before the stabbing. Chauvin was one of four officers who arrested Floyd that day after he allegedly passed a counterfeit $20 bill at a coffee shop and refused to cooperate with police. Chauvin, who was seen on a video that prompted riots around the country, knelt on Floyd's neck for more than nine minutes leading up to his death. Erickson previously slammed the prison for "poor procedures and lack of institutional control" – referencing an incident last year in which an inmate allegedly smuggled a firearm into the facility and tried to shoot someone. Prison officials said they "[take] seriously our duty to protect the individuals entrusted in our custody, as well as maintain the safety of correctional employees and the community." Citing privacy and safety concerns, authorities said they do not discuss the medical status or other "conditions of confinement" for inmates. https://www.worldofreel.com/blog/2023/12/1/hb03oy7zedb5m0rhj557tbnr6znepm Raves for ‘Godzilla Minus One’ Who’s seen Toho’s “Godzilla Minus One”? The reviews are almost all glowing. Unless I somehow missed my invitation, I don’t believe there was a press screening for this one. Regardless, it made $11 million domestically this weekend, a real success. “Godzilla Minus One” has a 97% (8.2/10) with critics, from 75 reviews. On Metacritic it’s scoring a very strong 79/100 from 24 reviews. On IMDB, it has an impressive 8.5 user rating. The film takes place in a devastated post-war Japan where Godzilla goes on a rampage. This is the second of the live-action Reiwa era ‘Godzilla’ films, the first being 2016’s “Shin Godzilla”. It looks as though director Takashi Yamazaki has made one of the better films of the franchise. This is the 37th film in the ‘Godzilla’ franchise, and Toho's 33rd Godzilla film. It’s been awhile guys… how about a little on this day in history? On this day December 5th 771 Charlemagne becomes the sole King of the Franks after the death of his brother Carloman 1848 US President James K. Polk triggers gold rush of 1849 by confirming a gold discovery in California 1933 Prohibition ends in the US when 21st Amendment to the US Constitution ratified, 18th Amendment repealed (5:32 PM EST) 1973 Apple Records releases Paul McCartney & Wings album "Band on the Run" in US; the commercial and critical pinnacle of his post-Beatle work tops the charts in 7 countries 2001 "Ocean's Eleven" directed by Steven Soderbergh, starring George Clooney, Brad Pitt, Matt Damon and Julia Roberts premieres in Westwood, California 2017 Russia is banned from the next Winter Olympics in South Korea over state-sponsored doping Did you know? Ship the Mary Celeste is discovered mysteriously abandoned by her crew in the Atlantic Ocean on December 5th, 1872? On November 7, 1872, the Mary Celeste set sail from New York City, with more than 1,700 barrels of alcohol destined for Genoa, Italy. On board were 10 people, including Captain Briggs, his wife, and their two-year-old daughter. Over the next two weeks, the ship encountered harsh weather. According to the last log entry—dated November 25—the Mary Celeste was some 6 nautical miles (11 km) from the Azores. Ten days later, December 5th, the vessel was spotted by the British brig Dei Gratia. Crew from that ship boarded the Mary Celeste and discovered it deserted. Although there was more than 3 feet (1 metre) of water in the hold—an amount that would not have caused panic—the vessel was seaworthy. Adding to the mystery was the fact that the cargo and personal belongings were largely undisturbed, although a longboat was missing. It appeared that the ship had been abandoned quickly. Crewmen from the Dei Gratia sailed the Mary Celeste to Gibraltar, some 800 miles (1,482 km) away. There British authorities conducted an investigation, which ultimately found no evidence of foul play. How about some famous birthdays for December 5th? Martin Van Buren was born on December 5th - 1782 George Armstrong Custer - 1839 Walt Disney - 1901 Little Richard - 1932

This is Garrison Hardie with your CrossPolitic Daily News Brief for Tuesday, December 5th, 2023. VanGelder Technologies: VanGelder Technologies is a US-based custom software development company specializing in cross-platform mobile applications, web applications, and desktop programs. Leveraging open-source frameworks, they quickly and efficiently build custom software solutions that are tailor made to fit your specific needs. 

 There’s no need for New Christendom companies to be content with offering sub-par mobile or web experiences. VanGelder Technologies can help you build better software for the glory of God! You can learn more, view examples of their work, or get in touch, at www.vangelder.tech

 That’s V-A-N, G-E-L, D-E-R dot T-E-C-H VanGelder Technologies, where technology and tradition meet. https://hotair.com/jazz-shaw/2023/12/04/congress-freezes-6-billion-for-iran-n596478#google_vignette Congress Freezes $6 Billion for Iran This took place on Thursday, but it’s looking increasingly real. In a move that the Daily Mail described as “humiliating” for Joe Biden, lawmakers cast a bipartisan vote to freeze the six billion dollars that the President had previously freed up for Iran as part of his hostage negotiation deal. The move drew the support of nearly every Republican but also attracted nearly 100 Democrats. Now it’s looking as if it might pass in the Senate as well. During a time when it’s been seeming as if common sense had been banned in Washington, we have lawmakers seemingly conceding that sending billions of dollars to the world’s largest state sponsor of terrorism might not be such a great idea. President Biden is facing a humiliating foreign policy setback as $6 billion he used to leverage the release of five imprisoned Americans from Iran could be frozen. Lawmakers including members of Biden’s own party voted on Thursday to approve a bill that would permanently freeze the funds, which were unfrozen by the White House in September as part of a controversial deal. The bill, named the No Funds for Iranian Terrorism Act, passed in a 307 to 119 vote – which was approved by almost every Republican and 90 Democrats. The money is being held in Qatar, where most negotiations between the West and terror groups take place these days. The reality is that Joe Biden had already “refrozen” the money after the October 7 Hamas terror attacks. Congress is now close to locking the door to those funds indefinitely. Keep in mind that the money was originally leveraged to free five American hostages as well as five Iranian prisoners. But before the cash transfer was even complete, an even larger number of Americans were taken hostage by Hamas, which is almost entirely funded by Iran. In that sense, the United States was losing ground in the exchange, rather than getting something of value for the money. Plenty of people were warning the Biden administration about this when the talks first began. This is why we’ve long had a rule about not negotiating with terrorists. If you pay to secure the release of hostages, you will inevitably wind up with more hostages because the terrorists see that their tactics are working. And that’s precisely where we are today. https://www.dailyfetched.com/blm-rioters-in-atlanta-who-burnt-down-wendys-get-500-fine/ BLM Rioters in Atlanta Who Burnt Down Wendy’s Get $500 Fine Two Black Lives Matter (BLM) rioters who pleaded guilty to torching Wendy’s fast food restaurant in Atlanta in 2020 were sentenced to five years of probation and a $500 fine. Chisom Kingston and Natalie White were charged with conspiracy to commit arson in the first degree, and two counts of first-degree arson. Both pleaded guilty in a plea deal, according to court records. Kingston and White must complete 150 hours of community service. In addition to charges, John Wesley Wade, 35, was indicted for the same fire in January this year. Initially, all three pleaded not guilty and waived their arraignments in March 2022, The charges stem from BLM riots, which took place over the death of Rayshard Brooks, who was killed in a police-involved shooting in June 2020. Brooks allegedly punched police officer David Brosnan and stole his taser while under investigation for a DUI in the parking lot of the Wendy’s restaurant. Brooks reportedly aimed the Taser at Officer Brosnan. However, a second officer, Garrett Rolfe, shot and killed rooks during the altercation. Brooks allegedly punched Brosnan, causing a concussion. In response to the incident, BLM rioters burnt down Wendy’s in protest of Brooks’ death. Later, violent demonstrations exploded over the city in the months following. Former Fulton County District Attorney charged officers Rolfe and Brosnan. Brosnan was charged with aggravated assault, while Rolfe faces felony murder and assault charges. Ninety-nine percent of charges brought against BLM rioters in 2020 were dropped by local prosecutors, according to an analysis from The Guardian. Earlier this year, the United States Court of Appeals in Washington, DC, admitted that BLM rioters were treated better compared to some pro-life protesters. The news comes just under a month after New York City officials agreed to pay $13 million to violent “2020 Summer of Love” BLM and Antifa protesters after they caused damage to 45 businesses. https://www.foxnews.com/us/derek-chauvin-returns-prison-after-alleged-blm-inspired-stabbing Derek Chauvin returns to prison after alleged BLM-inspired stabbing Former Minneapolis police officer Derek Chauvin has returned to a federal prison in Arizona more than a week after a fellow inmate allegedly stabbed him 22 times with a shank in the library in a Black Friday attack partially inspired by the Black Lives Matter movement. Chauvin is serving more than 20 years for the death of George Floyd and for depriving him of his civil rights in a May 2020 encounter that kicked off nationwide protests. Chauvin's family is "very concerned about the facility’s capacity to protect Derek from further harm," his lawyer, Greg Erickson, told the Minneapolis Star Tribune. "They remain unassured that any changes have been made to the faulty procedures that allowed Derek’s attack to occur in the first place." John Turscak, 52, allegedly told federal correction officers that he targeted Chauvin because he was a high-profile inmate, that he plotted the attack for a month and that he would have killed him if guards had not intervened, according to court documents. Turscak could see 60 years added to his federal sentence if he gets the maximum punishment on the four new charges he faces, which includes attempted murder. He was due for release in 2026, according to the Bureau of Prisons. Turscak, a former gang member and snitch, was dropped as an FBI informant for dealing drugs, greenlighting assaults and extorting money, according to prosecutors. He allegedly told investigators that he picked Black Friday for the attack to symbolize both BLM and the "Black Hand" of the Mexican Mafia prison gang. The attack took place from behind in the law library inside Federal Correctional Institution Tucson on Nov. 24. Authorities said guards intervened "immediately," but Erickson questioned how fast the response really was – noting Chauvin's 22 stab wounds. "Why was Derek allowed into the law library without a guard in close enough proximity to stop a possible attack?" he asked. "His family continues to wonder." Prison experts have warned that Chauvin, like other high-profile inmates, is at increased risk. "He was a dead man walking his first day in prison," said Keith Rovere, a former prison minister and the host of the "Lighter Side of Serial Killers" podcast. "This definitely won't be the last attack." In an appeal filed last month, Chauvin claimed new evidence shows he was not responsible for the death. Separately, the Supreme Court rejected his appeal for a new trial just days before the stabbing. Chauvin was one of four officers who arrested Floyd that day after he allegedly passed a counterfeit $20 bill at a coffee shop and refused to cooperate with police. Chauvin, who was seen on a video that prompted riots around the country, knelt on Floyd's neck for more than nine minutes leading up to his death. Erickson previously slammed the prison for "poor procedures and lack of institutional control" – referencing an incident last year in which an inmate allegedly smuggled a firearm into the facility and tried to shoot someone. Prison officials said they "[take] seriously our duty to protect the individuals entrusted in our custody, as well as maintain the safety of correctional employees and the community." Citing privacy and safety concerns, authorities said they do not discuss the medical status or other "conditions of confinement" for inmates. https://www.worldofreel.com/blog/2023/12/1/hb03oy7zedb5m0rhj557tbnr6znepm Raves for ‘Godzilla Minus One’ Who’s seen Toho’s “Godzilla Minus One”? The reviews are almost all glowing. Unless I somehow missed my invitation, I don’t believe there was a press screening for this one. Regardless, it made $11 million domestically this weekend, a real success. “Godzilla Minus One” has a 97% (8.2/10) with critics, from 75 reviews. On Metacritic it’s scoring a very strong 79/100 from 24 reviews. On IMDB, it has an impressive 8.5 user rating. The film takes place in a devastated post-war Japan where Godzilla goes on a rampage. This is the second of the live-action Reiwa era ‘Godzilla’ films, the first being 2016’s “Shin Godzilla”. It looks as though director Takashi Yamazaki has made one of the better films of the franchise. This is the 37th film in the ‘Godzilla’ franchise, and Toho's 33rd Godzilla film. It’s been awhile guys… how about a little on this day in history? On this day December 5th 771 Charlemagne becomes the sole King of the Franks after the death of his brother Carloman 1848 US President James K. Polk triggers gold rush of 1849 by confirming a gold discovery in California 1933 Prohibition ends in the US when 21st Amendment to the US Constitution ratified, 18th Amendment repealed (5:32 PM EST) 1973 Apple Records releases Paul McCartney & Wings album "Band on the Run" in US; the commercial and critical pinnacle of his post-Beatle work tops the charts in 7 countries 2001 "Ocean's Eleven" directed by Steven Soderbergh, starring George Clooney, Brad Pitt, Matt Damon and Julia Roberts premieres in Westwood, California 2017 Russia is banned from the next Winter Olympics in South Korea over state-sponsored doping Did you know? Ship the Mary Celeste is discovered mysteriously abandoned by her crew in the Atlantic Ocean on December 5th, 1872? On November 7, 1872, the Mary Celeste set sail from New York City, with more than 1,700 barrels of alcohol destined for Genoa, Italy. On board were 10 people, including Captain Briggs, his wife, and their two-year-old daughter. Over the next two weeks, the ship encountered harsh weather. According to the last log entry—dated November 25—the Mary Celeste was some 6 nautical miles (11 km) from the Azores. Ten days later, December 5th, the vessel was spotted by the British brig Dei Gratia. Crew from that ship boarded the Mary Celeste and discovered it deserted. Although there was more than 3 feet (1 metre) of water in the hold—an amount that would not have caused panic—the vessel was seaworthy. Adding to the mystery was the fact that the cargo and personal belongings were largely undisturbed, although a longboat was missing. It appeared that the ship had been abandoned quickly. Crewmen from the Dei Gratia sailed the Mary Celeste to Gibraltar, some 800 miles (1,482 km) away. There British authorities conducted an investigation, which ultimately found no evidence of foul play. How about some famous birthdays for December 5th? Martin Van Buren was born on December 5th - 1782 George Armstrong Custer - 1839 Walt Disney - 1901 Little Richard - 1932

Terry O'Reilly is an internationally recognised expert on marketing and advertising and hosts a well known podcast on the subject: Under The Influence. In this special episode, Terry speaks with host Paul Romanuk about how The Beatles changed the face of marketing and promotion in the world of pop music.EPISODE NOTES:-you can find out all about Terry O'Reilly and his excellent podcast on marketing and advertising, Under The Influence, at his website - terryoreilly.ca-Terry was the co-founder and editor of the successful Beatles collector magazine Beatlology. You can order back issues at the website: beatlology.com-we talk about memorabilia from the Apple Records era and how unique and valuable some items are. Here is a link to a page featuring some of those items. Some cool stuff (and you can still find some of it on eBay).-The Beatles were among the first to use promotional films (known now as music videos) to market new singles. One of the most well known was the promo film for Hey Jude. Here's a link to a piece on The Paul McCartney Project website talking about making the film.

Label: Apple 5651Year: 1966Condition: M-Last Price: $30.00. Not currently available for sale.Originally released on Capitol 5651. This is the reissue on Apple Records. In case you've forgotten, the B side of this single is more enduring in some ways than the A side... it's one of the touchstones where a lot of power pop pioneers (e.g., Big Star, Beck) got their inspiration. This is the rarer variant that has "All rights reserved... etc." on the labels. Note: This beautiful copy comes in a vintage Beatles on Apple Records factory sleeve. The labels look untouched, and the audio sounds pristine. The vinyl exhibits light storage wear, grading Near Mint.

Jeremiah Fraites of The Lumineers talks with Jack Lawless about music, The Beatles, and creativity on this episode of the "Here, There, and Everywhere" podcast. Jeremiah is a songwriter, multi-instrumentalist, and co-founder of The Lumineers, and is also a critically acclaimed solo artist and instrumentalist.    In this episode, we're diving deep into Jeremiah's musical journey with The Lumineers, his musical influences, how The Beatles have directly influenced certain Lumineers songs, how it feels to be an influence on the next generation of songwriters, and his favorite Beatles and Lumineers songs. This is an episode you're not going to want to miss!   Follow Jeremiah and The Beatles on social media: The Lumineers on Instagram: https://www.instagram.com/thelumineers/ Jeremiah on Instagram: https://www.instagram.com/jeremiahfraites/   Listen to Jeremiah's new 2023 album, "Northern Redux": Spotify: https://open.spotify.com/album/1vJWs7Mzptin7J48XS8bJS?si=EuzLlpK1RjymzRAofUbOkw   If you like this episode, be sure to subscribe to this podcast and leave a review! Follow us on Twitter and Instagram. Or click here for more information: Linktr.ee/BeatlesEarth   --- The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all timeand were integral to the development of 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band later explored music styles ranging from ballads and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements. Led by primary songwriters Lennon and McCartney, the Beatles evolved from Lennon's previous group, the Quarrymen, and built their reputation playing clubs in Liverpool and Hamburg over three years from 1960, initially with Stuart Sutcliffe playing bass. The core trio of Lennon, McCartney and Harrison, together since 1958, went through a succession of drummers, including Pete Best, before asking Starr to join them in 1962. Manager Brian Epstein moulded them into a professional act, and producer George Martin guided and developed their recordings, greatly expanding their domestic success after signing to EMI Records and achieving their first hit, "Love Me Do", in late 1962.   Lennon, McCartney, Harrison and Starr all released solo albums in 1970. Their solo records sometimes involved one or more of the others; Starr's Ringo (1973) was the only album to include compositions and performances by all four ex-Beatles, albeit on separate songs. With Starr's participation, Harrison staged the Concert for Bangladesh in New York City in August 1971. Other than an unreleased jam session in 1974, later bootlegged as A Toot and a Snore in '74, Lennon and McCartney never recorded together again. Two double-LP sets of the Beatles' greatest hits, compiled by Klein, 1962–1966 and 1967–1970, were released in 1973, at first under the Apple Records imprint. Commonly known as the "Red Album" and "Blue Album", respectively, each has earned a Multi-Platinum certification in the US and a Platinum certification in the UK. Between 1976 and 1982, EMI/Capitol released a wave of compilation albums without input from the ex-Beatles, starting with the double-disc compilation Rock 'n' Roll Music. The only one to feature previously unreleased material was The Beatles at the Hollywood Bowl (1977); the first officially issued concert recordings by the group, it contained selections from two shows they played during their 1964 and 1965 US tours.   The Lumineers are an American alternative folk band based in Denver, Colorado. The founding members are Wesley Schultz (lead vocals, guitar) and Jeremiah Fraites (drums, percussion, piano). Schultz and Fraites began writing and performing together in Ramsey, New Jersey, in 2005. Cellist and vocalist Neyla Pekarek joined the band in 2010, and was a member until 2018.[1] The Lumineers emerged as one of the most popular folk-rock/Americana artists during the revival of those genres,[2]their popularity growing in the 2010s.[3] They are known for their energetic live shows and several international hit singles, including "Ho Hey", "Stubborn Love", "Ophelia", "Angela" and "Cleopatra".[4]The band has become one of the top touring bands in the United States[5] and is also popular in other countries.[6] The Lumineers have released four albums on American independent label Dualtone Records (Dine Alone in Canada and Decca/Universal worldwide).[7] Their self-titled first album was released in 2012 and peaked at No. 2 on the U.S. Billboard 200.[8] It has been certified triple platinum in the U.S. and Canada,[9] platinum in the UK[10] and Ireland, and gold in Australia.[11] Their second album, Cleopatra, was released in 2016 and debuted at No. 1 on the Billboard 200, and also on the Canadian and British album charts. It is currently certified platinum in the U.S.[12] Their third album, titled III, was released on September 13, 2019[13] and debuted at No. 2 on the Billboard 200. Their fourth album, Brightside, was released on January 14, 2022.

May Pang is the subject of the just-released documentary THE LOST WEEKEND: A LOVE STORY, in which she recounts her legendary 18-month romantic relationship in '73/'74 with John Lennon which began at 22 when she was John and Yoko Ono's personal assistant—an affair orchestrated by Yoko herself. She is also a photographer, author and jewelry designer. Her intimate portraits of John during their time together include rare images of the former Beatle and music legend and his son Julian. In addition to working for Apple Records and John & Yoko, she worked in music publishing at United Artists, Famous Music and Island Records. May and I discuss this incredible new documentary; her time with John in NY and LA; her thoughts on the phrase "Lost Weekend", her relationships with John's first wife Cynthia Lennon, Julian and Yoko; and the emotional journey she's been on since John's murder in 1980. Got somethin' to say?! Email us at BackroomAndy@gmail.com Leave us a message: 845-307-7446 Twitter: @AndyOstroy Produced by Andy Ostroy, Matty Rosenberg, and Jennifer Hammoud @ Radio Free Rhiniecliff Music by Andrew Hollander Design by Cricket Lengyel

Have you ever wondered what it'd be like to share your story of a classic recording with someone who was there when it was made? Our episode focuses on stories of classic popular and rock music, all of which connects with our guest. Chris O'Dell was an employee of Apple Records and the Beatles, a personal assistant for the Rolling Stones, and a tour manager for many artists throughout the 1970s. The stories in this episode feature the Beatles, Bob Dylan and James Taylor, artists with whom O'Dell worked closely. Musical memories from Ashley Khan, Chelsea Farrar, and Jamili Omar guide our discussion.

You are tuning into the third and final part of the "Here, There, and Everywhere" round-table discussion about the life and music of George Harrison. In this part, Rob Sheffield, Elliot Roberts, and Jack Lawless talk about the 2011 "Living in the Material World" documentary about George's life, if we can collectively re-evaluate George's career as a musician in 2023, the difference the ability to stream music makes, and Elliot and Rob describe George Harrison in one word. Do we finally talk about "All Things Must Pass" in this episode? Only one way to find out!!   Rob Sheffield is a contributing editor at Rolling Stone and has been covering music, TV, and pop culture since 1997. He is the New York Times best-selling author of five books, including 'Love Is A Mix Tape,' 'Talking To Girls About Duran Duran,' 'Turn Around Bright Eyes,' 'On Bowie' and 'Dreaming The Beatles.'    Check out Rob Sheffield's book 'Dreaming The Beatles' Follow Rob on Twitter: @robsheff   Elliot is a YouTuber who creates videos about The Beatles and their legacy. His YouTube videos have become quite popular, averaging close to a million views each, since his channel launched in late 2020. He's ranked every single Paul McCartney and John Lennon album - and has ranked every single Beatles biopic as well. His videos are some of the best Beatles content out there and are absolutely worth watching - you can subscribe to his channel, ElliotRobertsVideos.    Follow Elliot on Twitter: @ElliotRoberts5   If you like this episode, be sure to subscribe to this podcast! Follow us on Twitter and Instagram. Or click here for more information: Linktr.ee/BeatlesEarth   --- The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all timeand were integral to the development of 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band later explored music styles ranging from ballads and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements. Led by primary songwriters Lennon and McCartney, the Beatles evolved from Lennon's previous group, the Quarrymen, and built their reputation playing clubs in Liverpool and Hamburg over three years from 1960, initially with Stuart Sutcliffe playing bass. The core trio of Lennon, McCartney and Harrison, together since 1958, went through a succession of drummers, including Pete Best, before asking Starr to join them in 1962. Manager Brian Epstein moulded them into a professional act, and producer George Martin guided and developed their recordings, greatly expanding their domestic success after signing to EMI Records and achieving their first hit, "Love Me Do", in late 1962.   Lennon, McCartney, Harrison and Starr all released solo albums in 1970. Their solo records sometimes involved one or more of the others; Starr's Ringo (1973) was the only album to include compositions and performances by all four ex-Beatles, albeit on separate songs. With Starr's participation, Harrison staged the Concert for Bangladesh in New York City in August 1971. Other than an unreleased jam session in 1974, later bootlegged as A Toot and a Snore in '74, Lennon and McCartney never recorded together again. Two double-LP sets of the Beatles' greatest hits, compiled by Klein, 1962–1966 and 1967–1970, were released in 1973, at first under the Apple Records imprint. Commonly known as the "Red Album" and "Blue Album", respectively, each has earned a Multi-Platinum certification in the US and a Platinum certification in the UK. Between 1976 and 1982, EMI/Capitol released a wave of compilation albums without input from the ex-Beatles, starting with the double-disc compilation Rock 'n' Roll Music. The only one to feature previously unreleased material was The Beatles at the Hollywood Bowl (1977); the first officially issued concert recordings by the group, it contained selections from two shows they played during their 1964 and 1965 US tours. The music and enduring fame of the Beatles were commercially exploited in various other ways, again often outside their creative control. In April 1974, the musical John, Paul, George, Ringo ... and Bert, written by Willy Russell and featuring singer Barbara Dickson, opened in London. It included, with permission from Northern Songs, eleven Lennon-McCartney compositions and one by Harrison, "Here Comes the Sun". Displeased with the production's use of his song, Harrison withdrew his permission to use it.Later that year, the off-Broadway musical Sgt. Pepper's Lonely Hearts Club Band on the Road opened. All This and World War II (1976) was an unorthodox nonfiction film that combined newsreel footage with covers of Beatles songs by performers ranging from Elton John and Keith Moon to the London Symphony Orchestra. The Broadway musical Beatlemania, an unauthorised nostalgia revue, opened in early 1977 and proved popular, spinning off five separate touring productions. In 1979, the band sued the producers, settling for several million dollars in damages. Sgt. Pepper's Lonely Hearts Club Band (1978), a musical film starring the Bee Gees and Peter Frampton, was a commercial failure and an "artistic fiasco", according to Ingham. Accompanying the wave of Beatles nostalgia and persistent reunion rumours in the US during the 1970s, several entrepreneurs made public offers to the Beatles for a reunion concert.Promoter Bill Sargent first offered the Beatles $10 million for a reunion concert in 1974. He raised his offer to $30 million in January 1976 and then to $50 million the following month. On 24 April 1976, during a broadcast of Saturday Night Live, producer Lorne Michaels jokingly offered the Beatles $3,000 to reunite on the show. Lennon and McCartney were watching the live broadcast at Lennon's apartment at the Dakota in New York, which was within driving distance of the NBC studio where the show was being broadcast. The former bandmates briefly entertained the idea of going to the studio and surprising Michaels by accepting his offer, but decided not to.

Welcome to the "Here, There, and Everywhere" podcast round-table discussion about George Harrison's post-Beatles life and music. Due to a nearly 2.5 hour conversation length, we had to break this amazing discussion into three parts.   In part two, Rob Sheffield, Elliot Roberts, and host Jack Lawless discuss the use of A.I. in a new Beatles song in 2023 and what it may sound like; George Harrison's relationships with himself, each of The Beatles, and the idea of The Beatles; if George's personal beliefs get in the way of his songwriting; George's friends in music and The Traveling Wilburys; and more.   Rob Sheffield is a contributing editor at Rolling Stone and has been covering music, TV, and pop culture since 1997. He is the New York Times best-selling author of five books, including 'Love Is A Mix Tape,' 'Talking To Girls About Duran Duran,' 'Turn Around Bright Eyes,' 'On Bowie' and 'Dreaming The Beatles.'    Check out Rob Sheffield's book 'Dreaming The Beatles' Follow Rob on Twitter: @robsheff   Elliot is a YouTuber who creates videos about The Beatles and their legacy. His YouTube videos have become quite popular, averaging close to a million views each, since his channel launched in late 2020. He's ranked every single Paul McCartney and John Lennon album - and has ranked every single Beatles biopic as well. His videos are some of the best Beatles content out there and are absolutely worth watching - you can subscribe to his channel, ElliotRobertsVideos.    Follow Elliot on Twitter: @ElliotRoberts5   If you like this episode, be sure to subscribe to this podcast! Follow us on Twitter and Instagram. Or click here for more information: Linktr.ee/BeatlesEarth   --- The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all timeand were integral to the development of 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band later explored music styles ranging from ballads and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements. Led by primary songwriters Lennon and McCartney, the Beatles evolved from Lennon's previous group, the Quarrymen, and built their reputation playing clubs in Liverpool and Hamburg over three years from 1960, initially with Stuart Sutcliffe playing bass. The core trio of Lennon, McCartney and Harrison, together since 1958, went through a succession of drummers, including Pete Best, before asking Starr to join them in 1962. Manager Brian Epstein moulded them into a professional act, and producer George Martin guided and developed their recordings, greatly expanding their domestic success after signing to EMI Records and achieving their first hit, "Love Me Do", in late 1962.   Lennon, McCartney, Harrison and Starr all released solo albums in 1970. Their solo records sometimes involved one or more of the others; Starr's Ringo (1973) was the only album to include compositions and performances by all four ex-Beatles, albeit on separate songs. With Starr's participation, Harrison staged the Concert for Bangladesh in New York City in August 1971. Other than an unreleased jam session in 1974, later bootlegged as A Toot and a Snore in '74, Lennon and McCartney never recorded together again. Two double-LP sets of the Beatles' greatest hits, compiled by Klein, 1962–1966 and 1967–1970, were released in 1973, at first under the Apple Records imprint. Commonly known as the "Red Album" and "Blue Album", respectively, each has earned a Multi-Platinum certification in the US and a Platinum certification in the UK. Between 1976 and 1982, EMI/Capitol released a wave of compilation albums without input from the ex-Beatles, starting with the double-disc compilation Rock 'n' Roll Music. The only one to feature previously unreleased material was The Beatles at the Hollywood Bowl (1977); the first officially issued concert recordings by the group, it contained selections from two shows they played during their 1964 and 1965 US tours. The music and enduring fame of the Beatles were commercially exploited in various other ways, again often outside their creative control. In April 1974, the musical John, Paul, George, Ringo ... and Bert, written by Willy Russell and featuring singer Barbara Dickson, opened in London. It included, with permission from Northern Songs, eleven Lennon-McCartney compositions and one by Harrison, "Here Comes the Sun". Displeased with the production's use of his song, Harrison withdrew his permission to use it.Later that year, the off-Broadway musical Sgt. Pepper's Lonely Hearts Club Band on the Road opened. All This and World War II (1976) was an unorthodox nonfiction film that combined newsreel footage with covers of Beatles songs by performers ranging from Elton John and Keith Moon to the London Symphony Orchestra. The Broadway musical Beatlemania, an unauthorised nostalgia revue, opened in early 1977 and proved popular, spinning off five separate touring productions. In 1979, the band sued the producers, settling for several million dollars in damages. Sgt. Pepper's Lonely Hearts Club Band (1978), a musical film starring the Bee Gees and Peter Frampton, was a commercial failure and an "artistic fiasco", according to Ingham. Accompanying the wave of Beatles nostalgia and persistent reunion rumours in the US during the 1970s, several entrepreneurs made public offers to the Beatles for a reunion concert.Promoter Bill Sargent first offered the Beatles $10 million for a reunion concert in 1974. He raised his offer to $30 million in January 1976 and then to $50 million the following month. On 24 April 1976, during a broadcast of Saturday Night Live, producer Lorne Michaels jokingly offered the Beatles $3,000 to reunite on the show. Lennon and McCartney were watching the live broadcast at Lennon's apartment at the Dakota in New York, which was within driving distance of the NBC studio where the show was being broadcast. The former bandmates briefly entertained the idea of going to the studio and surprising Michaels by accepting his offer, but decided not to.

Welcome to the very first round-table discussion on the "Here, There, and Everywhere" podcast. Returning fan-favorite guests Elliot Roberts and Rob Sheffield join host Jack Lawless in exploring the world and post-Beatles music of George Harrison.    Due to a nearly 2.5 hour conversation length, we had to break this amazing discussion into three parts. In part one, we talk about our three favorite George Harrison albums, what we consider George's three most underrated songs, and debate the best song from each guest's least-favorite George album.   Do we discuss your favorite song or album? Tune in to find out!   Rob Sheffield is a contributing editor at Rolling Stone and has been covering music, TV, and pop culture since 1997. He is the New York Times best-selling author of five books, including 'Love Is A Mix Tape,' 'Talking To Girls About Duran Duran,' 'Turn Around Bright Eyes,' 'On Bowie' and 'Dreaming The Beatles.'    Check out Rob Sheffield's book 'Dreaming The Beatles' Follow Rob on Twitter: @robsheff   Elliot is a YouTuber who creates videos about The Beatles and their legacy. His YouTube videos have become quite popular, averaging close to a million views each, since his channel launched in late 2020. He's ranked every single Paul McCartney and John Lennon album - and has ranked every single Beatles biopic as well. His videos are some of the best Beatles content out there and are absolutely worth watching - you can subscribe to his channel, ElliotRobertsVideos.    Follow Elliot on Twitter: @ElliotRoberts5   If you like this episode, be sure to subscribe to this podcast! Follow us on Twitter and Instagram. Or click here for more information: Linktr.ee/BeatlesEarth   --- The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all timeand were integral to the development of 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band later explored music styles ranging from ballads and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements. Led by primary songwriters Lennon and McCartney, the Beatles evolved from Lennon's previous group, the Quarrymen, and built their reputation playing clubs in Liverpool and Hamburg over three years from 1960, initially with Stuart Sutcliffe playing bass. The core trio of Lennon, McCartney and Harrison, together since 1958, went through a succession of drummers, including Pete Best, before asking Starr to join them in 1962. Manager Brian Epstein moulded them into a professional act, and producer George Martin guided and developed their recordings, greatly expanding their domestic success after signing to EMI Records and achieving their first hit, "Love Me Do", in late 1962.   Lennon, McCartney, Harrison and Starr all released solo albums in 1970. Their solo records sometimes involved one or more of the others; Starr's Ringo (1973) was the only album to include compositions and performances by all four ex-Beatles, albeit on separate songs. With Starr's participation, Harrison staged the Concert for Bangladesh in New York City in August 1971. Other than an unreleased jam session in 1974, later bootlegged as A Toot and a Snore in '74, Lennon and McCartney never recorded together again. Two double-LP sets of the Beatles' greatest hits, compiled by Klein, 1962–1966 and 1967–1970, were released in 1973, at first under the Apple Records imprint. Commonly known as the "Red Album" and "Blue Album", respectively, each has earned a Multi-Platinum certification in the US and a Platinum certification in the UK. Between 1976 and 1982, EMI/Capitol released a wave of compilation albums without input from the ex-Beatles, starting with the double-disc compilation Rock 'n' Roll Music. The only one to feature previously unreleased material was The Beatles at the Hollywood Bowl (1977); the first officially issued concert recordings by the group, it contained selections from two shows they played during their 1964 and 1965 US tours. The music and enduring fame of the Beatles were commercially exploited in various other ways, again often outside their creative control. In April 1974, the musical John, Paul, George, Ringo ... and Bert, written by Willy Russell and featuring singer Barbara Dickson, opened in London. It included, with permission from Northern Songs, eleven Lennon-McCartney compositions and one by Harrison, "Here Comes the Sun". Displeased with the production's use of his song, Harrison withdrew his permission to use it.Later that year, the off-Broadway musical Sgt. Pepper's Lonely Hearts Club Band on the Road opened. All This and World War II (1976) was an unorthodox nonfiction film that combined newsreel footage with covers of Beatles songs by performers ranging from Elton John and Keith Moon to the London Symphony Orchestra. The Broadway musical Beatlemania, an unauthorised nostalgia revue, opened in early 1977 and proved popular, spinning off five separate touring productions. In 1979, the band sued the producers, settling for several million dollars in damages. Sgt. Pepper's Lonely Hearts Club Band (1978), a musical film starring the Bee Gees and Peter Frampton, was a commercial failure and an "artistic fiasco", according to Ingham. Accompanying the wave of Beatles nostalgia and persistent reunion rumours in the US during the 1970s, several entrepreneurs made public offers to the Beatles for a reunion concert.Promoter Bill Sargent first offered the Beatles $10 million for a reunion concert in 1974. He raised his offer to $30 million in January 1976 and then to $50 million the following month. On 24 April 1976, during a broadcast of Saturday Night Live, producer Lorne Michaels jokingly offered the Beatles $3,000 to reunite on the show. Lennon and McCartney were watching the live broadcast at Lennon's apartment at the Dakota in New York, which was within driving distance of the NBC studio where the show was being broadcast. The former bandmates briefly entertained the idea of going to the studio and surprising Michaels by accepting his offer, but decided not to.    

Peter Asher is a British musician, record producer, and manager. After starting his music career in the 1960s as part of the British pop duo Peter and Gordon, Asher ran A&R at the Beatles' Apple Records. Over the course of Asher's prolific career as an executive and music producer, he's worked with artists including James Taylor, Linda Ronstadt, Cher, and Bonnie Raitt. He's won two Grammy's for Producer of The Year, Non-Classical (Simple Dreams, JT and Cry Like a Rainstorm, Howl Like the Wind) and one for Best Spoken Comedy Album (Live 2002, Robin Williams). ------- Thank you to the sponsors that fuel our podcast and our team: Manna Vitality https://mannavitality.com/ ------- LMNT Electrolytes https://drinklmnt.com/tetra Get a free LMNT Sample Pack with your order. ------- House of Macadamias  https://www.houseofmacadamias.com/tetra Get a free box of Dry Roasted Namibian Sea Salt Macadamias + 20% off Your Order With Code TETRA

In this episode of the "Here, There, and Everywhere" podcast, David Arquette talks with host Jack Lawless about his favorite Beatles songs, a close connection between the Arquette family and The Beatles, and how his life was influenced by The Beatles' music.    Follow David on X: https://twitter.com/DavidArquette Follow David on Instagram: Instagram.com/davidarquette/   If you like this episode, be sure to subscribe to this podcast! Follow us on Twitter and Instagram. Or click here for more information: Linktr.ee/BeatlesEarth   --- The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all timeand were integral to the development of 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band later explored music styles ranging from ballads and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements. Led by primary songwriters Lennon and McCartney, the Beatles evolved from Lennon's previous group, the Quarrymen, and built their reputation playing clubs in Liverpool and Hamburg over three years from 1960, initially with Stuart Sutcliffe playing bass. The core trio of Lennon, McCartney and Harrison, together since 1958, went through a succession of drummers, including Pete Best, before asking Starr to join them in 1962. Manager Brian Epstein moulded them into a professional act, and producer George Martin guided and developed their recordings, greatly expanding their domestic success after signing to EMI Records and achieving their first hit, "Love Me Do", in late 1962.   Lennon, McCartney, Harrison and Starr all released solo albums in 1970. Their solo records sometimes involved one or more of the others; Starr's Ringo (1973) was the only album to include compositions and performances by all four ex-Beatles, albeit on separate songs. With Starr's participation, Harrison staged the Concert for Bangladesh in New York City in August 1971. Other than an unreleased jam session in 1974, later bootlegged as A Toot and a Snore in '74, Lennon and McCartney never recorded together again. Two double-LP sets of the Beatles' greatest hits, compiled by Klein, 1962–1966 and 1967–1970, were released in 1973, at first under the Apple Records imprint. Commonly known as the "Red Album" and "Blue Album", respectively, each has earned a Multi-Platinum certification in the US and a Platinum certification in the UK. Between 1976 and 1982, EMI/Capitol released a wave of compilation albums without input from the ex-Beatles, starting with the double-disc compilation Rock 'n' Roll Music. The only one to feature previously unreleased material was The Beatles at the Hollywood Bowl (1977); the first officially issued concert recordings by the group, it contained selections from two shows they played during their 1964 and 1965 US tours. The music and enduring fame of the Beatles were commercially exploited in various other ways, again often outside their creative control. In April 1974, the musical John, Paul, George, Ringo ... and Bert, written by Willy Russell and featuring singer Barbara Dickson, opened in London. It included, with permission from Northern Songs, eleven Lennon-McCartney compositions and one by Harrison, "Here Comes the Sun". Displeased with the production's use of his song, Harrison withdrew his permission to use it.Later that year, the off-Broadway musical Sgt. Pepper's Lonely Hearts Club Band on the Road opened. All This and World War II (1976) was an unorthodox nonfiction film that combined newsreel footage with covers of Beatles songs by performers ranging from Elton John and Keith Moon to the London Symphony Orchestra. The Broadway musical Beatlemania, an unauthorised nostalgia revue, opened in early 1977 and proved popular, spinning off five separate touring productions. In 1979, the band sued the producers, settling for several million dollars in damages. Sgt. Pepper's Lonely Hearts Club Band (1978), a musical film starring the Bee Gees and Peter Frampton, was a commercial failure and an "artistic fiasco", according to Ingham. Accompanying the wave of Beatles nostalgia and persistent reunion rumours in the US during the 1970s, several entrepreneurs made public offers to the Beatles for a reunion concert.Promoter Bill Sargent first offered the Beatles $10 million for a reunion concert in 1974. He raised his offer to $30 million in January 1976 and then to $50 million the following month. On 24 April 1976, during a broadcast of Saturday Night Live, producer Lorne Michaels jokingly offered the Beatles $3,000 to reunite on the show. Lennon and McCartney were watching the live broadcast at Lennon's apartment at the Dakota in New York, which was within driving distance of the NBC studio where the show was being broadcast. The former bandmates briefly entertained the idea of going to the studio and surprising Michaels by accepting his offer, but decided not to.

The Milk Carton Kids, Kenneth Pattengale and Joey Ryan, sit down with Jack Lawless to talk about their new album, "I Only See The Moon", their favorite Beatles records, the real meaning of "Norwegian Wood", if the stereo mixes are better than the mono mixes, and so much more. So get ready for an amazing and hilarious conversation with the Grammy-Award-nominated folk duo featuring a spectacular cover of The Beatles' classic, "I'm Only Sleeping". You won't want to miss this one.   Follow The Milk Carton Kids on Social Media here: Instagram: https://instagram.com/themilkcartonkids?igshid=YmM0MjE2YWMzOA== Twitter: https://twitter.com/milkcartonkids?s=21&t=aOh55u30afWUEzTDwRADcQ   Listen to The Milk Carton Kids' new album, "I Only See The Moon" here: https://open.spotify.com/album/7tXYHXjFDzAtPIZoIoX2W6?si=yRX5iPwWSMSshIHJCqwehQ   Check out their touring information and everything else on https://www.themilkcartonkids.com/   If you like this episode, be sure to subscribe to this podcast! Follow us on Twitter and Instagram. Or click here for more information: Linktr.ee/BeatlesEarth   --- The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all timeand were integral to the development of 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band later explored music styles ranging from ballads and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements. Led by primary songwriters Lennon and McCartney, the Beatles evolved from Lennon's previous group, the Quarrymen, and built their reputation playing clubs in Liverpool and Hamburg over three years from 1960, initially with Stuart Sutcliffe playing bass. The core trio of Lennon, McCartney and Harrison, together since 1958, went through a succession of drummers, including Pete Best, before asking Starr to join them in 1962. Manager Brian Epstein moulded them into a professional act, and producer George Martin guided and developed their recordings, greatly expanding their domestic success after signing to EMI Records and achieving their first hit, "Love Me Do", in late 1962.   Lennon, McCartney, Harrison and Starr all released solo albums in 1970. Their solo records sometimes involved one or more of the others; Starr's Ringo (1973) was the only album to include compositions and performances by all four ex-Beatles, albeit on separate songs. With Starr's participation, Harrison staged the Concert for Bangladesh in New York City in August 1971. Other than an unreleased jam session in 1974, later bootlegged as A Toot and a Snore in '74, Lennon and McCartney never recorded together again. Two double-LP sets of the Beatles' greatest hits, compiled by Klein, 1962–1966 and 1967–1970, were released in 1973, at first under the Apple Records imprint. Commonly known as the "Red Album" and "Blue Album", respectively, each has earned a Multi-Platinum certification in the US and a Platinum certification in the UK. Between 1976 and 1982, EMI/Capitol released a wave of compilation albums without input from the ex-Beatles, starting with the double-disc compilation Rock 'n' Roll Music. The only one to feature previously unreleased material was The Beatles at the Hollywood Bowl (1977); the first officially issued concert recordings by the group, it contained selections from two shows they played during their 1964 and 1965 US tours. The music and enduring fame of the Beatles were commercially exploited in various other ways, again often outside their creative control. In April 1974, the musical John, Paul, George, Ringo ... and Bert, written by Willy Russell and featuring singer Barbara Dickson, opened in London. It included, with permission from Northern Songs, eleven Lennon-McCartney compositions and one by Harrison, "Here Comes the Sun". Displeased with the production's use of his song, Harrison withdrew his permission to use it.Later that year, the off-Broadway musical Sgt. Pepper's Lonely Hearts Club Band on the Road opened. All This and World War II (1976) was an unorthodox nonfiction film that combined newsreel footage with covers of Beatles songs by performers ranging from Elton John and Keith Moon to the London Symphony Orchestra. The Broadway musical Beatlemania, an unauthorised nostalgia revue, opened in early 1977 and proved popular, spinning off five separate touring productions. In 1979, the band sued the producers, settling for several million dollars in damages. Sgt. Pepper's Lonely Hearts Club Band (1978), a musical film starring the Bee Gees and Peter Frampton, was a commercial failure and an "artistic fiasco", according to Ingham. Accompanying the wave of Beatles nostalgia and persistent reunion rumours in the US during the 1970s, several entrepreneurs made public offers to the Beatles for a reunion concert.Promoter Bill Sargent first offered the Beatles $10 million for a reunion concert in 1974. He raised his offer to $30 million in January 1976 and then to $50 million the following month. On 24 April 1976, during a broadcast of Saturday Night Live, producer Lorne Michaels jokingly offered the Beatles $3,000 to reunite on the show. Lennon and McCartney were watching the live broadcast at Lennon's apartment at the Dakota in New York, which was within driving distance of the NBC studio where the show was being broadcast. The former bandmates briefly entertained the idea of going to the studio and surprising Michaels by accepting his offer, but decided not to.        

One  of my favorite titles for an album comes from The Animals. They did a bunch of albums up to 1969, then for a year or two there were a couple of compilation albums after they broke up.  But in 1977 the Animals reunited and released a new album, titled Before We Were So Rudely Interrupted. I don't know what made me think of that. Anyway. (heh.) This was one of those episodes where, the more I found, the more there was TO find. And so what I thought would be a relatively short episode clocks in at close to twenty minutes. What a bonus for ye! "Without You" has humble beginnings and a huge, happy ending, except for the composers, Pete Ham and Tom Evans. Although it was a huge hit for Harry Nilsson and later Mariah Carey, neither composer saw much money for it. They, themselves, didn't see much potential in the song, so they buried it in the dead center of the album, at the end of Side 1. Then in 1975, after years of mismanagement and legal squabbles, Ham committed suicide shortly after learning that all of his money had disappeared. Then, in 1983, following a dispute over royalties from the song, which had been in escrow going back to the Apple Records era, Evans also committed suicide. Click here for a transcript of this episode. Click here to become a Patron of the show. As a Patron, you get access to a weekly newsletter that publishes at least 48 times per year (stuff happens once in awhile, ya know?). You also get occasional goodies like: Giveaways Special videos Bonus Episodes A Sense of Pride for Having Helped Foster an Independent Creator

Jack Lawless sits down with comedy writer & musician, Matt Buechele, in this episode of the "Here, There, and Everywhere" podcast.   Matt is a writer, composer, and musician who's written comedy and original music for Netflix, Comedy Central, and The Tonight Show Starring Jimmy Fallon. He's written music for Lin-Manuel Miranda, Matthew McConaughey, Jimmy Fallon and more. But of course, you may also know him from his observational monologue videos of him walking around New York City from either Instagram or TikTok!    Jack & Matt explore the magic of The Beatles' songs, why people fall in love with them, Matt's favorite Beatles songs, why Paul McCartney can't stop writing hits, and actors Matt would cast in a Beatles biopic.    Follow Matt on Instagram: https://www.instagram.com/mattbooshell/?hl=en Follow Matt on Twitter: https://twitter.com/mattbooshell Follow Matt on TikTok: https://www.tiktok.com/@mattbooshell?lang=en Check out Matt's music on Spotify: https://open.spotify.com/track/2bMaGaVedzuLragkMjbPeS?si=ded395b00a834ad9   If you like this episode, be sure to subscribe to this podcast! Follow us on Twitter and Instagram. Or click here for more information: Linktr.ee/BeatlesEarth   --- The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all timeand were integral to the development of 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band later explored music styles ranging from ballads and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements. Led by primary songwriters Lennon and McCartney, the Beatles evolved from Lennon's previous group, the Quarrymen, and built their reputation playing clubs in Liverpool and Hamburg over three years from 1960, initially with Stuart Sutcliffe playing bass. The core trio of Lennon, McCartney and Harrison, together since 1958, went through a succession of drummers, including Pete Best, before asking Starr to join them in 1962. Manager Brian Epstein moulded them into a professional act, and producer George Martin guided and developed their recordings, greatly expanding their domestic success after signing to EMI Records and achieving their first hit, "Love Me Do", in late 1962.   Lennon, McCartney, Harrison and Starr all released solo albums in 1970. Their solo records sometimes involved one or more of the others; Starr's Ringo (1973) was the only album to include compositions and performances by all four ex-Beatles, albeit on separate songs. With Starr's participation, Harrison staged the Concert for Bangladesh in New York City in August 1971. Other than an unreleased jam session in 1974, later bootlegged as A Toot and a Snore in '74, Lennon and McCartney never recorded together again. Two double-LP sets of the Beatles' greatest hits, compiled by Klein, 1962–1966 and 1967–1970, were released in 1973, at first under the Apple Records imprint. Commonly known as the "Red Album" and "Blue Album", respectively, each has earned a Multi-Platinum certification in the US and a Platinum certification in the UK. Between 1976 and 1982, EMI/Capitol released a wave of compilation albums without input from the ex-Beatles, starting with the double-disc compilation Rock 'n' Roll Music. The only one to feature previously unreleased material was The Beatles at the Hollywood Bowl (1977); the first officially issued concert recordings by the group, it contained selections from two shows they played during their 1964 and 1965 US tours. The music and enduring fame of the Beatles were commercially exploited in various other ways, again often outside their creative control. In April 1974, the musical John, Paul, George, Ringo ... and Bert, written by Willy Russell and featuring singer Barbara Dickson, opened in London. It included, with permission from Northern Songs, eleven Lennon-McCartney compositions and one by Harrison, "Here Comes the Sun". Displeased with the production's use of his song, Harrison withdrew his permission to use it.Later that year, the off-Broadway musical Sgt. Pepper's Lonely Hearts Club Band on the Road opened. All This and World War II (1976) was an unorthodox nonfiction film that combined newsreel footage with covers of Beatles songs by performers ranging from Elton John and Keith Moon to the London Symphony Orchestra. The Broadway musical Beatlemania, an unauthorised nostalgia revue, opened in early 1977 and proved popular, spinning off five separate touring productions. In 1979, the band sued the producers, settling for several million dollars in damages. Sgt. Pepper's Lonely Hearts Club Band (1978), a musical film starring the Bee Gees and Peter Frampton, was a commercial failure and an "artistic fiasco", according to Ingham. Accompanying the wave of Beatles nostalgia and persistent reunion rumours in the US during the 1970s, several entrepreneurs made public offers to the Beatles for a reunion concert.Promoter Bill Sargent first offered the Beatles $10 million for a reunion concert in 1974. He raised his offer to $30 million in January 1976 and then to $50 million the following month. On 24 April 1976, during a broadcast of Saturday Night Live, producer Lorne Michaels jokingly offered the Beatles $3,000 to reunite on the show. Lennon and McCartney were watching the live broadcast at Lennon's apartment at the Dakota in New York, which was within driving distance of the NBC studio where the show was being broadcast. The former bandmates briefly entertained the idea of going to the studio and surprising Michaels by accepting his offer, but decided not to.  

Kosh is a Grammy Award Winning art director and former design director for Apple Records. His first project was John Lennon and Yoko's “War Is Over (if you want it)” Christmas card, which led to the worldwide WAR IS OVER billboard campaign that continues to this day. He designed The Beatles' Let It Be book and album package and the Abbey Road album cover, as well as John & Yoko's Wedding Album boxed set. He worked extensively with Linda Ronstadt, garnering three Grammys for her albums, Simple Dreams, Get Closer and Lush Life. He designed and art directed the iconic logo and cover, Hotel California for the Eagles, the classic logo for ELO as well as several albums for James Taylor, Jimmy Buffet and Dan Fogelberg. In today's episode, Kosh shares more memorable moments working for The Beatles and Lennon, namely the day he got to witness The Beatles perform LIVE for the very last time on top of the Apple Corps Headquarters on Jan 30th, 1969, and his participation in John Lennon's art exhibit titled Bag One, which showcased the erotic art Lennon sketched during his honeymoon with Yoko Ono. We also discuss the Marvin Gaye album cover, Here, My Dear, he worked on that so aptly exposed the pain and emotion Gaye was feeling during his divorce at the time. Kosh also had the privilege of working with Richard Pryor and art directing several albums for James Taylor, Dan Fogelberg and Jimmy Buffet - and we cover it all in this episode of My Rock Moment. To learn more about John Kosh and his work, check out his website: https://koshdesign.com/about-kosh/ Social media: Facebook: https://www.facebook.com/koshart Instagram: https://www.instagram.com/koshartdesign Songs from the episode: ELO - Do Ya The Beatles - Ballad of John and Yoko Dan Fogelberg - The Language of Love Marvin Gaye - You Can Leave, But It's Going to Cost You REO Speedwagon - Good Trouble Linda Ronstadt - When Will I Be Loved Learn more about your ad choices. Visit megaphone.fm/adchoices

Kosh is a Grammy Award Winning art director and former design director for Apple Records. His first project was John Lennon and Yoko's “War Is Over (if you want it)” Christmas card, which led to the worldwide WAR IS OVER billboard campaign that continues to this day. He designed The Beatles' Let It Be book and album package and the Abbey Road album cover, as well as John & Yoko's Wedding Album boxed set. He worked extensively with Linda Ronstadt, garnering three Grammys for her albums, Simple Dreams, Get Closer and Lush Life. He designed and art directed the iconic logo and cover, Hotel California for the Eagles, the classic logo for ELO as well as several albums for James Taylor, Jimmy Buffet and Dan Fogelberg. In today's episode, Kosh shares more memorable moments working for The Beatles and Lennon, namely the day he got to witness The Beatles perform LIVE for the very last time on top of the Apple Corps Headquarters on Jan 30th, 1969, and his participation in John Lennon's art exhibit titled Bag One, which showcased the erotic art Lennon sketched during his honeymoon with Yoko Ono. We also discuss the Marvin Gaye album cover, Here, My Dear, he worked on that so aptly exposed the pain and emotion Gaye was feeling during his divorce at the time. Kosh also had the privilege of working with Richard Pryor and art directing several albums for James Taylor, Dan Fogelberg and Jimmy Buffet - and we cover it all in this episode of My Rock Moment. To learn more about John Kosh and his work, check out his website: https://koshdesign.com/about-kosh/ Social media: Facebook: https://www.facebook.com/koshart Instagram: https://www.instagram.com/koshartdesign Songs from the episode: ELO - Do Ya The Beatles - Ballad of John and Yoko Dan Fogelberg - The Language of Love Marvin Gaye - You Can Leave, But It's Going to Cost You REO Speedwagon - Good Trouble Linda Ronstadt - When Will I Be Loved Learn more about your ad choices. Visit megaphone.fm/adchoices

Chris O'Dell has been called the Forrest Gump of Rock 'n Roll because she's worked with so many Superstars. She was one of the original employees of Apple Records. She was in the studio when the Beatles recorded The White Album and Abbey Road. She sang on the chorus of "Hey Jude". She later become the first female Tour Manager working with The Rolling Stones on their Exile On Main Street tour, Bob Dylan on his Rolling Thunder tour, Crosby Stills Nash & Young, Linda Ronstadt and many others. And George Harrison wrote the song “Miss O'Dell” for her, which became the B-side to “Give Me Love”, his 1973 #1 record. My featured song is my reimagined version of The Beatles' “I Wanna Be Your Man” which I renamed “I Wanna Be Your Girl”. Spotify link.—--------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------Chris and I discuss the following:She's American not BritishDerek TaylorWorking for Apple RecordsMeeting John LennonGirl Scout Magazine articleJames TaylorIn the studio with The Beatles“Hey Jude”Living with George Harrison and Pattie Boyd“Miss O'Dell”Post-Beatles careerEric ClaptonRolling StonesCrosby, Stills, Nash & YoungBob DylanFleetwood MacGenesisLed ZeppelinLinda Ronstadt “BOBBY M AND THE PAISLEY PARADE” is Robert's new album. Featuring 10 songs and guest appearances by John Helliwell (Supertramp), Tony Carey (Rainbow) and international sitar sensation Deobrat Mishra. Produced by Tony Carey. Called "ALBUM OF THE YEAR!" by Indie Shark and “One of the great rock sets of the year!” by Big Celebrity Buzz. "Catchy and engaging with great tunes!" - Steve Hackett (Genesis)"This album has life and soul!" - John Helliwell (Supertramp)"Bobby M rocks!" - Gary Puckett (Union Gap)"Nice cool bluesy album!" - Jim McCarty (The Yardbirds)"Robert really really really rocks!" - Peter Yarrow (Peter Paul & Mary)"Great songs. Great performances. It's a smash!" - David Libert (The Happenings)Click here for all streaming links. Download here. Audio production:Jimmy RavenscroftKymera Films Connect with Chris at:https://www.simonandschuster.com Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comPGS Store - www.thePGSstore.comYouTubeFacebook - www.facebook.com/projectgrandslamSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

Quizmasters Lee and Marc meet with Seth for a trivia quiz with topics including Anatomy, Marketing, Disney, Food, Cryptids, Sports and more! Round One ANATOMY - The sclera is a part of which organ in the human body? COMMERCIALS - What product's commercial from 1972 featured someone proclaiming "I can't believe I ate the whole thing"? CURRENT EVENTS - Fox News repeatedly aired allegations that what company's voting machines were rigged against Trump in the 2020 while knowing the accusations were untrue resulting in a lawsuit followed by a $787.5 million dollar settlement reached on Tuesday 18th of April, 2023? DISNEY SONGS - The song "Circle of Life" was nominated for Best Original Song at the Academy Awards and Golden Globes, but lost to what other song from The Lion King soundtrack? DISNEY VILLAINS - The evil queen Grimhilde appears in which Disney film? TASTY, TASTY FOOD - The Miami Cuban sandwich is ham, roast pork, swiss cheese, pickles, and mustard pressed between Cuban bread. The Tampa version adds what salty ingredient? Round Two HISTORY - What dictator famously said "You can pluck a chicken one feather at a time and nobody will notice"? CRYPTIDS - Igopogo, a cryptid said to inhabit Lake Simcoe, is a piece of folklore from which country? Yokozuna, Afa, Sika, Jay, Jimmy, Umaga, Rosey, Solo Sikoa are all members of what family? SOCCER - "The Crescent Stars" is the nickname for what country's national soccer team? 80's ACTION MOVIES - "Obey" and "Consume" are words hidden in advertisements that are revealed by a special pair of sunglasses in what 1988 sci-fi action film that starred pro wrestler Rowdy Roddy Piper? SPACE TRAVEL - What was the final mission of NASA's Apollo program (the most recent time humans have set foot on the moon or traveled beyond low-Earth orbit)? Rate My Question CURRENCIES - Named for a conquistador who explored across the area, the Balboa is the official currency of what country that widely uses the US dollar as well? Final Questions KNIVES - What is the name of the American pocket knife maker/manufacturer (based in bradford, PA since 1905), that has given us models like the Peanut, the Trapper, the Hobo, and the Sodbuster (typically found in American hardware stores) ? 70'S MUSIC - Which American singer-songwriter was the first non-British act to be signed to Apple Records, recording their self-titled debut album alongside The Beatles White Album in London's Trident Studio? MARKETING - Companies creating jingles largely stemmed from the 1924 radio success of a quartet singing "Have you tried" what cereal on air in Minnesota? Upcoming LIVE Know Nonsense Trivia Challenges April 26th, 2023 - Point Ybel Brewing Co. - 7:30 pm EST April 27th, 2023 - Ollie's Pub Records and Beer - 7:30 pm EST April 29th, 2023 - Community Trivia - Ollie's Pub - 6:00 pm EST You can find out more information about that and all of our live events online at KnowNonsenseTrivia.com All of the Know Nonsense events are free to play and you can win prizes after every round. Thank you Thanks to our supporters on Patreon. Thank you, Quizdaddies – Gil, Tim, Tommy, Adam, Brandon, Blake, Spencer, Rick G, Dr. AGE Thank you, Team Captains – Kristin & Fletcher, Aaron, Matthew, David Holbrook, Lydia, Skyler, Hayden Thank you, Proverbial Lightkeepers – Elyse, Kaitlynn, Frank, Trent, Nina, Justin, Katie, Ryan, Robb, Captain Nick, Grant, Ian, Tim Gomez, Rachael, Moo, Rikki, Nabeel, Jon Lewis, Adam, Lisa, Spencer, Hank, Justin P., Cooper, Sarah, Karly, Lucas, Mike K., Cole, Caitlyn H, Sam, Spencer, Stephen, Cameron, Clay, JB, Joshua, James, Paul Thank you, Rumplesnailtskins – Mike J., Mike C., Efren, Steven, Kenya, Dallas, Issa, Paige, Allison, Kevin & Sara, Alex, Loren, MJ, HBomb, Aaron, Laurel, FoxenV, Sarah, Edsicalz, Megan, brandon, Chris, Alec, Sai, Tim, Andrea, Ian, Aunt Kiki, Clay, Littlestoflambs, Seth, Bill, Marc P., Holgast, Nora, Joe, Emily, Andrew H., Joey, Brian K., Zoe If you'd like to support the podcast and gain access to bonus content, please visit http://theknowno.com and click "Support." Special Guest: Seth.

Kosh is a Grammy Award Winning art director and former design director for Apple Records. His first project was John Lennon and Yoko's “War Is Over (if you want it)” Christmas card, which led to the worldwide WAR IS OVER billboard campaign that continues to this day. He designed The Beatles' Let It Be book and album package and the Abbey Road album cover, as well as John & Yoko's Wedding Album boxed set. He worked extensively with Linda Ronstadt, garnering three Grammys for her albums, Simple Dreams, Get Closer and Lush Life. He designed and art directed the iconic logo and cover, Hotel California for the Eagles, the classic logo for ELO and designed the cover for The Who's Who's Next and The Rolling Stones' Get Yer Ya-Yas Out. On today's episode we'll discuss the making of several of these iconic album covers, his early days working with John and Yoko and his longstanding friendship with Ronstadt. It's a fun retrospective on the covers that have become almost as recognizable as the music itself. To learn more about John Kosh and his work, check out his website: https://koshdesign.com/about-kosh/ Social media: Facebook: https://www.facebook.com/koshart Instagram: https://www.instagram.com/koshartdesign Learn more about your ad choices. Visit megaphone.fm/adchoices

Kosh is a Grammy Award Winning art director and former design director for Apple Records. His first project was John Lennon and Yoko's “War Is Over (if you want it)” Christmas card, which led to the worldwide WAR IS OVER billboard campaign that continues to this day. He designed The Beatles' Let It Be book and album package and the Abbey Road album cover, as well as John & Yoko's Wedding Album boxed set. He worked extensively with Linda Ronstadt, garnering three Grammys for her albums, Simple Dreams, Get Closer and Lush Life. He designed and art directed the iconic logo and cover, Hotel California for the Eagles, the classic logo for ELO and designed the cover for The Who's Who's Next and The Rolling Stones' Get Yer Ya-Yas Out. On today's episode we'll discuss the making of several of these iconic album covers, his early days working with John and Yoko and his longstanding friendship with Ronstadt. It's a fun retrospective on the covers that have become almost as recognizable as the music itself. To learn more about John Kosh and his work, check out his website: https://koshdesign.com/about-kosh/ Social media: Facebook: https://www.facebook.com/koshart Instagram: https://www.instagram.com/koshartdesign Learn more about your ad choices. Visit megaphone.fm/adchoices

GGACP celebrates the birthday (June 22nd) of Grammy-winning producer, British Invasion rocker and former Apple Records exec Peter Asher with this memorable interview from 2017. In this episode, Peter joins the boys for a fascinating discussion about the genius of James Taylor, the profound influence of the Everly Brothers, the rivalry between the Beach Boys and the Fab Four and the 50th anniversary of “Sgt. Pepper's Lonely Hearts Club Band.” Also, John Lennon meets Yoko Ono, Linda Ronstadt teams with Nelson Riddle, Peter and Gordon play the '64 World's Fair and Peter becomes the first person to hear "I Want to Hold Your Hand." PLUS: The genius of Spike Milligan! Gilbert sings! Jackie Gleason acts out! Peter “inspires” Austin Powers! Chad & Jeremy meet the Caped Crusaders! And a “rejected” Beatles tune lands Peter at the top of the charts! Learn more about your ad choices. Visit megaphone.fm/adchoices