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Trisha Moquino is a member of the Cochiti, Kewa, and Ohkay Ohwingeh Tribal Nations. She is the Co-Founder, Education Director and Elementary Keres Speaking Guide at Keres Children's Learning Center, an Indigenous Language Immersion Montessori school in Cochiti Pueblo, NM. Trisha also helps in the continued development of KCLC's Indigenous Montessori Institute, an anti-racist teacher training grounded in our Philosophy of Indigenous Education. In this conversation, Trisha shares what it's like to be a part of a heritage language immersion school and why language revitalization efforts are so important for the Cochiti Pueblo community and other Indigenous communities. She also shares why she felt that Montessori was the best pedagogical fit for the language revitalization efforts of the Keres Children's Learning Center, and why it was important to create a training center for Montessori guides that is grounded in anti-racism and an Indigenous philosophy of education. Show notes for Episode 53 Follow Multilingual Montessori: Website Instagram Consultations Support the Podcast --- Support this podcast: https://podcasters.spotify.com/pod/show/multilingual-montessori/support
Listen and receive impartation. Tẹti ki o sí gbà ifọwọkan Ọlọrun lati oke wa!
Pushing Boundaries has a way to make one glued to them and listen to them because of the issues that they tackling and some people are so uncomfortable to talk about them. Today on Pushing Boundaries we have Dr Kewa who has so much knowledge and speaks the truth about today's subject.
thinking long term, having a vision for your self and your brand, not getting caught up , being humble, focusing on the details and creating unique experiences. this maybe one of my best podcast, the clarity in her thoughts and the knowledge she has encouraged me to go back to do my homework again. Great show i highly recommend you listen.
Show note:Chidera engages Seun & Kewa in the conversation about what storytelling mean to them from the visual representation perspective (2:00)Kewa sheds light on what fueled the concept of using Lagos as their backdrop (3:38)Kewa breaks down how external forces could influence creativity (23:42)Storytelling with Zeta breaks down the different sectors and individuals that play a significant role in the Nigerian storytelling space. Email: admin@houseofzeta.coPhone number: 08060421748
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This week, Wes and Todd talk with Artist, Jesse Littlebird. Jesse talks about deep diving into art during the pandemic, the thought and subject matter behind his art, growing up in New Mexico, gentrification, capitalism, nurturing community, learning how to listen, process, the internet and art, painting as performance, aesthetics, art and cultural appropriation, leveraging identity and privilege, making people think, identity and struggle, filmmaking, the business of art, Hamaatsa, and his solo exhibition “Western Hyperreality”. Join us for an in-depth conversation with Jesse Littlebird.Jesse's solo exhibition, “Western Hyperreality, The Art of Jesse Littlebird”, presented by ARTAOS Gallery, is on display July 9th – August 6th, 2021, at Thrive Workplace, 1415 Park Avenue West, Denver, CO 80205Opening reception Friday, July 9th from 5pm-9pm.To view work from "Western Hyperreality", go to www.artaos.gallery/jesse-littlebirdCheck out Jesse's work at his website www.jesselittlebird.comFollow Jesse Littlebird on social media:Instagram – www.instagram.com/jesselittlebird@jesselittlebirdTo learn about Hamaatsa, an indigenous continuum and story gathering place, go to www.hamaatsa.org
In this episode, I'm honored to welcome Trisha Moquino to the podcast to talk about her personal journey in education, the inspiration behind the founding of the Keres Children's Learning Center and the Indigenous Montessori Institute, and what actionable steps that educators, school districts, and teacher education programs need to take to center the cultural, historical, and lived experiences of Indigenous People with fidelity. To learn more about Trisha's work, you can visit her personal website at indigenouscheerleader.com or the Keres Children's Learning Center website at kclcmontessori.org. You can also follow Trisha on Instagram with the handles @indigenouseducators and @indigenouscheerleader. BIO: Trisha Moquino (Cochiti, Ohkay Owhingeh, Kewa) is the co-founder of Keres Children's Learning Center (KCLC), a Keres-immersion early childhood classroom using Montessori pedagogy that includes a Montessori dual-language Elementary classroom. The vision for a school supporting Keres language and cultural learning and academic development came largely from Moquino's master's thesis in Bilingual Education at the University of New Mexico. For the last 3 years, Moquino has been working with her KCLC colleagues and Montessori Partners to build the Indigenous Montessori Institute (IMI), a teacher training program that uses indigenous knowledge systems and Montessori philosophy to approach education reform. Before KCLC and IMI, Moquino taught in public, private, and BIE schools, but realized she was perpetuating an educational system that didn't work for many Indigenous children, propelling her to develop a different approach to education for her own and other Pueblo children. Moquino is a founding board member of Montessori for Social Justice and is a Luce Indigenous Knowledge Fellow with the First Nations Development Institute. She has a Montessori Elementary I certification from the Montessori Education Center of the Rockies and completed her Primary training with United Montessori Association. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/identitytalk4educators/support
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In the past year, Kewa's Kitchen has really taken on a life of its own as one of the most beloved food delivery services in Lagos among millennials and the older age groups as well. In this episode, Nosa and Folly speak to its founder, Feyikewa Animashaun, about her journey from law school, to Le Cordon Bleu, and how the pandemic affected the cost of running Kewa's Kitchen
On this episode, I talk to Kewa Oni & Seun Opabisi from the directing collective, Loups Garous. They are award-nominated co-directors with notable works such as Lady Donli's 'Cash' and Ladipoe's 'Jaiye'. We talk about collaboration, the benefits of co-directing, and their craziest stories from shooting on the streets of Lagos. Guest's Socials: https://www.instagram.com/loups.garous/ (https://www.instagram.com/loups.garous/) Continue the conversation here: Follow us on Facebook, Instagram and Twitter: @selegotfilm @thenaijafilmpod --- DONATE: https://paystack.com/pay/thenaijafilmpod
Dengarkan Gegar Pagi bersama Shah dan juga Anna setiap Ahad hingga Khamis bermula jam 6 - 10 pagi! #ohmydialek
In this episode we interview Joseph Quintana, Kewa Pueblo, who works at UAII as the Development Director. He shares his journey through college as a Division 1 athlete and gives his take on how to view and engage the urban Native community. UAII depends on community support and this May 19th, the will be putting on 'To Native Beauty,' featuring a number of Native performers and artists. https://www.eventbrite.com/e/to-native-beauty-indigenous-music-dance-and-spoken-word-poetry-tickets-42241250718 uaii.org https://www.gofundme.com/UAIIYouthCamp YUUUUGE thanks to musical contributions of JJ Otero and Carolina Hoyos for the intro and end credits music, and Jason Grasl, the intro voice. mii gwech! http://carolinahoyos.com/ JJ Otero's Music https://www.reverbnation.com/SonOfHw%C3%A9eldi This episode of the Hollywood NDNz podcast was hosted by Rainy Fields, Tim Ramos, and Jim Ruel.
John Hawkes from Points of Interest returns as the gang discusses the present and future of the live action superhero genre! (Special guest appearance from Kewa the Beagle and her collar.)
Ricardo Caté grew up on the Kewa reservation in New Mexico, learning about the white culture through television. He has been a cartoonist for the Santa Fe New Mexican since 2006 drawing his cartoon “Without Reservations”, and has a radio show in Santa Fe. Most of us look at everyday life, shrug and move on. Ricardo looks under the surface and sees life—often funny, sometimes poignant but never commonplace-as the product of competing values, experiences and perspectives. Ricardo imagines a world in which wild animals are the schemers and the predators and hapless humans are the prey. Ricardo has the audacity to ask: what if the world were flat? The answer is disarmingly simple in Ricardo’s mind. His cartoon pictures Columbus sailing right over the edge, and readers get the idea that’s not necessarily a bad thing.
Ricardo Caté grew up on the Kewa reservation in New Mexico, learning about the white culture through television. He has been a cartoonist for the Santa Fe New Mexican since 2006 drawing his cartoon “Without Reservations”, and has a radio show in Santa Fe. Most of us look at everyday life, shrug and move on. Ricardo looks under the surface and sees life—often funny, sometimes poignant but never commonplace-as the product of competing values, experiences and perspectives. Ricardo imagines a world in which wild animals are the schemers and the predators and hapless humans are the prey. Ricardo has the audacity to ask: what if the world were flat? The answer is disarmingly simple in Ricardo’s mind. His cartoon pictures Columbus sailing right over the edge, and readers get the idea that’s not necessarily a bad thing.