Podcasts about cartoonists

While Dave Kellett was at Alaska Comics Camp, he had the opportunity to speak with Jarad Greene, a cartoonist who works on staff at The Center for Cartoon Studies and has helped color many graphic novels for younger readers. He is the author and illustrator of the graphic novels A-Okay, A for Effort, and Scullion: A Dishwasher's Guide to Mistaken Identity — available wherever books are sold and through his affiliate Bookshop.org shop. He talked with Dave about the joys of learning to use a brush for inking.MORE ABOUT JARADWebsite  | TikTok | Instagram | YouTube You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Cartoonist and former brand manager Tom Fishburne—best known as the creator of Marketoonist—joins Carl for a conversation that flips the script on what it means to take risks. From leaving a stable job with a Harvard MBA to becoming a full-time cartoonist, Tom shares what looked like “career suicide” from the outside became his most stable and fulfilling path. They explore the quiet financial anxiety of childhood, the lessons Tom learned from his mom's late return to college, and a pivotal year spent in Prague that sparked a lifelong entrepreneurial mindset. Along the way, they talk about the voices of self-doubt, the myth of the “safe job,” and the courage it takes to build a purposefully small, soulful business. ### Follow 50 Fires on Instagram: https://www.instagram.com/50firespod/ Please direct business inquires to: blindnilaudio@magnolia.com Cover Art: Josh Passler - TheFinArtist.com Music Credits:  Alexandra Woodward / Rabbit Reggae / courtesy of www.epidemicsound.com Cody Francis / Wherever You're Going / courtesy of www.epidemicsound.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Dave Kellet returns from Alaska Comics Camp once more rejuvinated, recharged, and reinvigorated! He shares his joy-filled experiences from a week in Juno, Alaska, with about 60 other cartoonists sharing knowledge, friendship, and happiness. In the second half, a cartoonist shares her feelings of depression after losing a couple of cartooning contests.Today's ShowAlaska Comics CampSusan MacTaggart's personal affirmationComicLab LIVE at the NCS conference, Aug.14-16Rejection storiesSummaryIn this episode of ComicLab, hosts Dave Kellett and Brad Guigar share their experiences at the Alaska Comics Camp, a unique gathering of cartoonists that fosters creativity, community, and personal growth. They discuss the joy of disconnecting from technology, the enriching interactions among artists of all levels, and the cultural exposure provided by the camp. The conversation highlights the importance of friendship and collaboration in the creative process and the humorous challenges of camp life. In this conversation, the hosts discuss the enriching experiences at Comics Camp, where artists come together to learn, share, and create in a supportive environment. They highlight the importance of teaching and learning from one another, the joy of creative games, and the deep personal connections formed during the camp. The discussion emphasizes the altruistic nature of the event and its impact on the artists' personal and professional growth. In this episode of ComicLab, hosts Brad Guigar and Dave Kellett discuss personal affirmations, the importance of motivation, and the upcoming ComicLab Live stage show. They delve into the universal experience of rejection in the comics industry, sharing personal stories and insights on how to cope with setbacks. The conversation emphasizes the value of persistence in cartooning and the idea that true success lies in continuing to create, regardless of awards or recognition.TakeawaysAlaska Comics Camp is a joy-filled experience.The camp fosters community among cartoonists.Participants come from all over North America.The camp is hosted in a beautiful, pristine location.Disconnecting from technology is healing and refreshing.The camp encourages interaction between artists of all levels.Both experienced and new cartoonists teach classes.The camp runs under Chatham House rules for open discussion.Friendship and collaboration are key themes at the camp. Comic Camp fosters a unique environment for learning and sharing.Teaching at Comic Camp is driven by altruism and community spirit.Creative games enhance camaraderie and collaboration among artists.Personal stories shared at camp deepen connections between artists.The camp experience allows for genuine friendships to form quickly.Artists engage in hands-on activities that spark creativity.The isolation of the camp creates a unique bonding experience.Scholarships are available for those who may need financial assistance.The camp is a blend of professional development and personal growth.Comic Camp is considered one of the best experiences in the comics community. Your talent is undeniable, unless you're the one denying it.Stop denying yourself and embrace your creativity.Comic Lab Live is a highlight of the year for creators.Rejection is a universal experience for artists.Don't let rejection define your self-worth.Persistence is key in the world of cartooning.Awards don't determine your value as an artist.You can't let others dictate your happiness.True victory is continuing to create despite setbacks.Sometimes, not winning is a blessing in disguise.  You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Veteran Gay Cartoonists: In the first of two Pride themed episodes of Panel Borders, Alex Fitch talks to a pair of veteran gay cartoonists about their auto/biographical books on LGBTQIA+ history. Kate Charlesworth discusses Sensible Footwear: A Girl’s Guide published by Myriad Editions, which tells her history as a lesbian cartoonist, interwined with the history […]

Susie and Sarah are headed to a baseball game, but first Susie needs to explain the importance of safety and the precariousness of Buc Fever after a man recently fell at a game. We disuss the P Diddy sketch artist who appears to have the same talent as the recent caricaturist Sarah had, and why Sarah thinks he doesn't know how to draw people of color. We talk about the Pee Wee Herman documentary, how he came to resent the character he created, and how creativity can be a burden. Susie describes the Nathan Fielder docu-comedy series, The Rehearsal, and the way pilots could be saved through a small change in training and how the comedian is trying to save lives through updates to aviation.Listen to more podcasts like this: https://wavepodcastnetwork.comConnect with us on social media:BCP Instagram: https://www.instagram.com/braincandypodcastSusie's Instagram: https://www.instagram.com/susiemeisterSarah's Instagram: https://www.instagram.com/imsarahriceBCP on X: https://www.x.com/braincandypodSponsors:Get 25% off your first month of Ritual when you visit https://ritual.com/BRAINCANDY and add Essential Protein today.New customers can get the Liquid Lash Extensions Mascara and a mini-sized Brilliant Eye Brightener at a special set price with free shipping at https://thrivecausemetics.com/BRAINCANDYSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

When medicine mixes with metaphor, what kind of healing transpires? In this unexpected meeting of minds, physician Amy Baxter shares her innovative approach to treating pain, while cartoonist Navied Mahdavian explores how he traces its deeper meaning. From punchlines to pain scales, they reveal how drawing can be diagnostic and why medicine might just need a touch more whimsy. (This conversation is part of "TED Intersections," a series featuring thought-provoking conversations between experts navigating the ideas shaping our world.)Want to help shape TED's shows going forward? Fill out our survey!Become a TED Member today at https://ted.com/join Hosted on Acast. See acast.com/privacy for more information.

Today's episode is sponsored by Dreamhost. The first step in owning and controlling your own work is building a website, and Dreamhost is there to make that simple, painless, and inexpensive. Go to www.Dreamhost.com/ComicLab for details.The life of a comic artist is often a solitary one. Brad and Dave discuss ways of maintaining social connections for mental health and creativity. Later, they discuss the dangers of setting an artificially low Kickstarter goal.ON TODAY'S SHOWThe lone life of a comic artistUPDATE: Susan MacTaggart's affirmationshttp://www.Dreamhost.com/comiclab for special offers on web hosting for listenersAn artist is reminded of the importance of artSetting an artificially low Kickstarter goalSUMMARYIn this episode of ComicLab, hosts Brad Guigar and Dave Kellett explore the themes of socialization and loneliness in the life of cartoonists. They share humorous anecdotes from a recent trip to San Diego Comic Con, discuss the challenges of working alone, and emphasize the importance of maintaining social connections for mental health and creativity. The conversation also touches on practical tips for finding community, engaging with other cartoonists, and the value of stepping outside one's comfort zone to meet new people. In this episode, the hosts explore the importance of socialization for cartoonists and the healing power of art. They discuss how creative spaces can foster social interaction and the necessity of getting out of the studio.The conversation shifts to the emotional impact of art, particularly in times of personal grief, highlighting how art can provide escapism and comfort. The hosts reflect on their own experiences with art as a source of healing and the responsibility of artists to connect with their audience. In this episode, Brad Guigar and Dave Kellett discuss the significance of the arts in education and the joy of discovering new authors like John Scalzi.The show ends with discussing practical strategies for running successful Kickstarter campaigns. They emphasize the importance of understanding costs, setting realistic goals, and the potential risks of lowering funding targets. The hosts also explore the concept of urgency in crowdfunding and how to engage backers effectively, including leveraging early releases and creating special offers for supporters.TAKEAWAYSCartoonists often face loneliness in their profession.Finding a balance between solitude and socialization is crucial.Social interactions can enhance creativity and humor.Engaging with other cartoonists can provide support and inspiration.Joining groups like the National Cartoonist Society can foster connections.Participating in local meetups can improve mental health.Volunteering can introduce you to diverse perspectives.Maintaining friendships is essential for personal growth.Stepping out of your comfort zone can lead to new opportunities. Cartoonists can benefit from socializing in creative spaces.Art serves as a vital escape during tough times.Engaging with the community can enhance creativity.Walking a dog can lead to unexpected social interactions.Art can be a source of emotional healing.Creativity can be a daily practice, like brewing coffee.Comics can have a profound impact on readers' lives.Doom scrolling can be countered with engaging literature.Art can help maintain mental health and balance.Every artist contributes to the larger narrative of humanity. The arts are often undervalued in education.Discovering new authors can enhance escapism.Kickstarter strategies can significantly impact success.Setting realistic funding goals is crucial.Understanding costs is essential for Kickstarter campaigns.Lowering goals can be risky and detrimental.Project We Love may not significantly boost funding.Engaging backers early can create a sense of urgency.Special offers can incentivize early support.Learning from failed campaigns is part of the process.  You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Stu Heinecke shares fun and unconventional methods to reach VIPs.— YOU'LL LEARN — 1) The secret behind Stu's 100% response rate 2) The master key to grabbing people's attention 3) What AI can and can't do for your outreachSubscribe or visit AwesomeAtYourJob.com/ep1063 for clickable versions of the links below. — ABOUT STU — Stu Heinecke is a Wall Street Journal cartoonist, Hall of Fame-nominated marketer and author. Heinecke discovered the magic of "Contact Marketing" early in his career, when he launched a Contact Campaign to just two dozen Vice Presidents and Directors of Circulation at the big Manhattan-based magazine publishers. That tiny $100 investment resulted in a 100% response rate, launched his enterprise and brought in millions of dollars worth of business. Heinecke is the host and author of the How To Get A Meeting with Anyone podcast and blog, and founder and president of Contact, a Contact Marketing agency, and cofounder of Cartoonists.org, a coalition of famed cartoonists dedicated to raising funds for charity, while raising the profile of the cartooning art form. He lives on an island in the pristine Pacific Northwest with his wife, Charlotte, and their dog, Bo. • Book: Get the Meeting!: An Illustrative Contact Marketing Playbook • Book: How to Get a Meeting with Anyone, Updated Edition: The Untapped Selling Power of Contact Marketing • Book: How to Grow Your Business Like a Weed: A Complete Strategy for Unstoppable Growth • LinkedIn: Stu Heinecke• Website: StuHeinecke.com — RESOURCES MENTIONED IN THE SHOW — • Book: The AI Edge: Sales Strategies for Unleashing the Power of AI to Save Time, Sell More, and Crush the Competition by Jeb Blount and Anthony Iannarino • Previous episode: 503: How to Get a Meeting with Anyone with Stu Heinecke — THANK YOU SPONSORS! — • Strawberry.me. Claim your $50 credit and build momentum in your career with Strawberry.me/AwesomeSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Send us a textReady, Vet, Go is a 7-month cohort veterinarian mentorship program with live mentorship, community, and real-world skills to help you grow your confidence. It's perfect for early-career vets and anyone transitioning into small animal practice, but anyone is welcome to join. New cohorts start in July and October. Enroll at https://readyvetgo.co/ Use code SPRINKLE for a 10% discount on enrollment!Support the showMore Vet Life Reimagined?

Send us a textScooby Panel #111 - Dive into the world of Scooby-Doo books, comic books and sketch cards as Wendy and I talk to illustrator, cartoonist and graphic designer Scott Neely. Learn about his 30 year career in the industry, 26 years drawing Scooby-Doo, including the Upper Deck Scooby-Doo sketch cards that are set to release eventually. #ScoobyDoo #Interview #podcast

Dan Nadel joins Kate Wolf and Eric Newman to speak about his new biography, Crumb: A Cartoonist's Life. The book traces the life and art of Robert Crumb, arguably the most influential cartoonist of the last half century. Crumb emerged from the world of underground comics that he helped create in the late 1960s to both mainstream fame and commercial success. But he was a reticent celebrity who often felt at odds with the hippie culture that he became so identified with. Nadel sifts through the aspects of American culture that did inspire Crumb—from Disney cartoons to pre-war comic books to old blues 78s— and also looks closely at his troubled early life and complicated family. The book also faces the misogyny and racism in much of Crumb's work and explores his long marriage to his wife and frequent collaborator, cartoonist Aline Kominsky-Crumb.

Dan Nadel joins Kate Wolf and Eric Newman to speak about his new biography, "Crumb: A Cartoonist's Life." The book traces the life and art of Robert Crumb, arguably the most influential cartoonist of the last half century. Crumb emerged from the world of underground comics that he helped create in the late 1960s to both mainstream fame and commercial success. But he was a reticent celebrity who often felt at odds with the hippie culture that he became so identified with. Nadel sifts through the aspects of American culture that did inspire Crumb—from Disney cartoons to pre-war comic books to old blues 78s— and also looks closely at his troubled early life and complicated family. The book also faces the misogyny and racism in much of Crumb's work and explores his long marriage to his wife and frequent collaborator, cartoonist Aline Kominsky-Crumb.

Now that comic creators are returning to websites, SEO (search engine optimization) is once again a hot topic. We'll talk about methods to help search engines index comics. Also, if Brad and Dave were to design a four-year degree for cartoonists, what classes would be on the curriculum?Today's showSEO for webcomicsShould you use alt text on social media posts?Susan MacTaggart's personal affirmationUPDATE: Comiclab Live stage show at the NCS conference, Aug. 14-16UPDATE: Apple loses its 30% cash grabUPDATE: Superfan Ray Michels does it againWhat would Dave and Brad's comics BFA degree include?SummaryIn this episode, Dave Kellett and Brad Guigar discuss the importance of SEO for comic creators, particularly in 2025, highlighting best practices for optimizing webcomics. The episode concludes with practical tips for improving website performance and audience engagement through effective content strategies. In the mid-show updates, Dave Kellett and Brad Guigar promote their upcoming ComicLab LIVE stage show at the NCS convention in August, examine the implications of Apple's recent court loss, and thank superfan Ray Michaels for updating Dave Kellett's Wikipedia page.In the second half, they explore what an ideal art degree for cartoonists might look like, emphasizing the balance between craft and business education. They discuss the ideal curriculum for aspiring comic artists, focusing on creative writing, business skills, art techniques, and the importance of real-world experience. They explore various classes that would benefit students, including humor writing, long-form storytelling, digital tools, and color theory. The discussion emphasizes the need for a well-rounded education that combines artistic skills with practical knowledge to prepare students for a successful career in comics.TakeawaysSEO is crucial for comic creators to reach their audience.Transcripts can enhance SEO and accessibility for comics.Alt text is essential for improving search engine visibility.Optimizing image metadata can boost website performance.Creating a 'Start Here' page can guide new readers effectively.Regularly updating meta descriptions can improve SEO rankings.Engaging with your audience through alt text can enhance their experience.Content creation should be efficient and serve multiple purposes.SEO tactics can often be misleading and should be approached with caution.Linking to other webcomics can create a supportive community.Quality content is more important than SEO for attracting readers.Personal affirmations can provide motivation and encouragement.Events like the Reuben weekend are valuable for networking in the comic community.Recent legal victories can benefit creators financially on platforms like Patreon.Understanding analytics is crucial for independent artists.Business courses should be a core part of an art degree for cartoonists.Branding and legal knowledge are essential for success in the comic industry.Grant writing can be a valuable skill for artists seeking funding.A creative writing class specifically for comics is essential.Rhetoric and composition should be included in the curriculum.Understanding humor is crucial for all writers, not just humorists.Long-form storytelling should be taught with a focus on serialization.Art classes should cover visual storytelling and mark-making techniques.A history of mixed media communication is important for understanding comics.Digital tools and their applications should be part of the curriculum.Color theory and management are vital for storytelling in comics.Internships provide valuable real-world experience for students.A well-rounded curriculum should balance art, writing, and business skills.Brad's Comics BFAThis is Brad Guigar's wishlist for a full 4-year BFA-style degree for comics creators, assuming a 120-credit hour program, broken down into approximately 40 classes (3 credits each). I've grouped them by category and semester.YEAR 1 – FoundationFall SemesterIntro to Visual Storytelling (Art)Creative Writing for Comics I (Writing)Foundations of Marketing (Business)Composition & Rhetoric (Gen Ed)Digital Tools for Creatives (Art/Tech)Spring SemesterDrawing for Sequential Art (Art)Creative Writing for Comics II (Writing) Entrepreneurship 101 (Business) Intro to Media Studies (Gen Ed)Social Media Strategy (Business)YEAR 2 – Skill BuildingFall SemesterNarrative Structure & Pacing (Writing)Lettering & Typography (Art)Branding for Creators (Business)  Art History for Comic Artists (Gen Ed/Art History)Accounting & Taxes for Freelancers (Business) Spring SemesterPanel Layout & Visual Flow (Art)Character Development & Dialogue (Writing) Marketing Campaigns & Analytics (Business) Legal Issues in Creative Careers (Business) Psychology of Storytelling (Writing/Gen Ed) YEAR 3 – Integration & Professional PrepFall SemesterWriting humor (Writing) Coloring (Art)Crowdfunding & Direct Sales (Business) The Comic Industry: History & Trends (Gen Ed/Art History)Pitching & Proposal Writing (Business/Writing) Spring SemesterAdvanced Sequential Storytelling (Art)Long-Form Storytelling & Serialization (Writing) Client & Commission Work (Business)Internship or Industry Mentorship (Business)Elective: Animation, Game Art, or PodcastingYEAR 4 – Capstone & LaunchFall SemesterCapstone Project Planning (Writing/Art)Publishing & Distribution Models (Business)Teaching & Workshops for Creators (Business)Grant Writing & Residencies (Business/Writing)  Elective: Zines, Erotic Comics, or Experimental FormsSpring SemesterCapstone Execution & Exhibition (Writing/Art)Webcomic Design & User Experience (Art/Tech)Pre-Press (Art/Tech)Collaborative Studio Project (All)Exit Interview & Career Planning (Business) You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Today's show is sponsored by Dreamhost. The first step in owning and controlling your own work is creating a website, and Brad and Dave have relied on Dreamhost for years. Check out Dreamhost.com/comiclab to find out how you can lock in a rate of $2.59/month for three years!Every beginning cartoonist agonizes over drawing eyes! Why is that — and while we're at it, what's the right way to do it? Next, we'll talk about why we hate anthologies, and answer a listener who suspects his webhost is throttling his traffic.Today's showHow to draw eyesSusan MacTaggart's personal affirmationDreamhostAnthologies"Is my host blocking my traffic??"SummaryIn this engaging conversation, Dave Kellett and Brad Guigar explore the nuances of cartooning, focusing on the art of drawing eyes and the importance of expressiveness in comics. They share personal anecdotes, discuss the evolution of their styles, and provide valuable insights for aspiring cartoonists. The discussion highlights the balance between maintaining a unique style and adapting to the needs of storytelling, emphasizing that style often emerges from solving artistic challenges over time. In this conversation, Brad Guigar and Dave Kellett explore various aspects of comic art, including the importance of flexibility in artistic style, the significance of character-specific design choices, and the challenges associated with comic anthologies. They emphasize the need for experimentation in developing a unique style and the forgiving nature of comics as a medium. The discussion also touches on personal affirmations, sponsorships, and the humorous dynamics between the hosts. In this conversation, Brad Guigar and Dave Kellett delve into the complexities of anthologies in the comic industry, discussing the dynamics of collaboration, the challenges faced by creators, and the reader's perspective on anthologies. They also touch on the importance of portfolio sites and the misconceptions surrounding web traffic and SEO. The discussion highlights the frustrations and joys of comic creation, emphasizing the need for professionalism and the impact of collaboration on the final product.TakeawaysThe way eyes are drawn can significantly impact a character's expressiveness.Cartoonists often obsess over how to draw eyes more than other features.Style in cartooning is often discovered in hindsight, not planned.Using simple eye representations can be effective in storytelling.Different expressions can be conveyed through variations in eye design.It's important to adapt eye styles based on the emotional context of the scene.The dot is a versatile starting point for drawing eyes in comics.Cartooning styles can evolve significantly over time.  Comics allow for flexibility and experimentation in art.Don't lock yourself into a specific style too early.Your artistic style will evolve over time.Character design should reflect the moment and emotion.Comics can be forgiving in terms of artistic rules.Anthologies can be challenging due to varying contributor commitment.It's important to find what works best for your characters.Trust your instincts and do what looks best in the moment. Anthologies often succeed when creators are in a specific career stage.The dynamics of collaboration can lead to frustration in anthologies.Reader experiences with anthologies can vary widely.Portfolio sites serve a different purpose than high-traffic sites.SEO may not be the primary issue for low traffic on portfolio sites.Social media can drive traffic to portfolio sites effectively.The quality of contributions in anthologies can greatly affect the overall product.Professionalism and deadlines are crucial in collaborative projects.The importance of having a clear theme in anthologies is often overlooked.Creatives should focus on their own work rather than anthologies.   You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Hometown Radio 05/22/25 3:30p: Cartoonist Kane Lynch shares his new book

Author and curator Dan Nadel is a hero of mine and a bit of a renaissance man. He was the publisher of the brilliant and influential PictureBox for decades and was a champion of much of what Juxtapoz was founded on but took it to a whole new level of intricate historical research and creating a voice of record for so many artists who time wasn't given them a needle to etch their name in the vinyl, so to speak. We are talking comic book legends, graphic novelists, outsider artists who might have created some of the most recognizable art of the 20th century that the history books hadn't given the full retrospective for. And Dan was going to do it. This year in paricular, Dan is busy. From publishing his newest book, Crumb: A Cartoonist's Life on the career and life of the controversial figura that is Robert Crumb, to co-curator for Sixties Surreal, a rethinking survey the art history of the 1960s at the Whitney Museum of American Art (opening September 24, 2025) and Curator-at-Large for Geroge Lucas' new Lucas Museum of Narrative Art, we had a lot to catch up on The Unibrow's Radio Juxtapoz podcast. We talk about undergrround comic's new resurgence into contemporary art, the making of the Crumb biography and the incredibly pivotal moment of KAWS' collection show at the Drawing Center in 2024.But more than that, I got to speak with someone I admire on his dedication to print, to words, to creating narratives in a world that needs to understand it's visual history. —Evan PriccoThe Unibrow's Radio Juxtapoz podcast⁠ is hosted by Juxtapoz editor, ⁠⁠⁠Evan Pricco⁠⁠⁠. Episode 165 was recorded in Los Angeles and Brooklyn on May 14th, 2025.

Okay, let's say Paula wants to keep entertaining people, but at a distance. Could she make it as a cartoonist? “New Yorker” cartoonist and author Tom Toro is here to sketch out that scenario. And then we confuse you (and ourselves) with the return of the Poundstone Riddle Invitational! GUEST Tom Toro tomtoro.com Crocodiles Need Friends Too HOUSE BAND Julene Yanez SPONSORS Head to helixsleep.com/paula now to shop the Helix Memorial Day Sale: you'll get a huge 27% off sitewide, plus a FREE Bedding Bundle—that's a Sheet Set and Mattress Protector—when you order any Luxe or Elite mattress. This episode is sponsored by/brought to you by BetterHelp. Give online therapy a try at betterhelp.com/PAULA and get on your way to being your best self. Visit betterhelp.com/PAULA to get 10% off your first month. Start the new year off right with Honeylove. Get 20% OFF by going to honeylove.com/PAULA! #honeylovepod Get 15% off OneSkin with the code PAULA at https://www.oneskin.co/  #oneskinpod Go to quince.com/nobody for free shipping on your order and three hundred and sixty-five-day returns.  Go to prettylitter.com/paula to save twenty percent on your FIRST order and get a free cat toy. Get started at factormeals.com/paula50off and use code paula50off to get 50 percent off plus FREE shipping on your first box. Learn more about your ad choices. Visit megaphone.fm/adchoices

Amy Kurzweil is a cartoonist and graphic memoirist whose latest book is Artificial: A Love Story. She previously authored Flying Couch: A Graphic Memoir, and you can find her cartoons in The New Yorker. Co-hosts: Jonathan Friedmann & Joey Angel-Field Producer-engineer: Mike Tomren Artificial: A Love Storyhttps://books.catapult.co/books/artificial/ Amy's Websitehttps://amykurzweil.com/ Amy's TED Talkhttps://www.youtube.com/watch?v=G37VO1yeVEo Amusing Jews Merch Storehttps://www.amusingjews.com/merch#!/ Subscribe to the Amusing Jews podcasthttps://www.spreaker.com/show/amusing-jews Adat Chaverim – Congregation for Humanistic Judaism, Los Angeleshttps://www.humanisticjudaismla.org/ Jewish Museum of the American Westhttps://www.jmaw.org/ Atheists United Studioshttps://www.atheistsunited.org/au-studios

5/19/25: N'hmpt Art Council's Steve Sanderson w/ student performer—live in studio: the Bow Bow Bash. Megan Zinn w/ New Yorker cartoonist & author Harry Bliss: "You Can Never Die." Ehmptn Mayor Nicole LaChapelle: a secret sauce for a sustainable budget? Ron Fitzsimmons, Ex Dir of Alice's Kids, and Jo Newman on Alice's Kids.

Today's show is sponsored by Dreamhost. The first step in owning and controlling your own work is creating a website, and Brad and Dave have relied on Dreamhost for years. Check out Dreamhost.com/comiclab to find out how you can lock in a rate of $2.59/month for three years!Your social media profile needs to answer three questions clearly: Who are you? What do you do? And why should I care? If you're wasting time being cute, you're missing out of opportunities. Also, the NCS releases the nominees for Outstanding Cartoonist of the Year, and a person hired to illustrate a children's book faces a tough question from the writer: How do we sell this thing??Today's ShowBranding on your social media profileSusan MacTaggartShow sponsor: Dreamhost dreamhost.com/comiclabUPDATE: NCS Outstanding Cartoonist nominationsWe made the book... now what?"Have we ever considered not doing free content?SummaryIn this conversation, Brad Guigar and Dave Kellett discuss the importance of branding for cartoonists on social media, emphasizing the need for clear communication in profiles. The conversation wraps up with insights on navigating new platforms like Bluesky and the importance of straightforward messaging in promoting one's work. They discuss the evolving nature of social media presence, and the value of reliable hosting services like DreamHost. They also engage in a light-hearted personal affirmation segment and provide updates from the National Cartoonist Society. The conversation culminates in practical advice for illustrators on how to sell their work, emphasizing the importance of understanding one's role in the creative process. In this episode, Brad Guigar and Dave Kellett discuss the importance of branding in book promotion, the exploration of new intellectual properties (IP) for original graphic novels, and the value of audience engagement and product testing in the creative process. They also touch on the resurgence of physical media in a digital age, emphasizing that quality content will always find an audience.TakeawaysBranding is crucial for self-publishing cartoonists.Social media profiles should clearly state who you are.Consistency is more important than creativity on social media.Cartoonists often struggle with self-promotion due to imposter syndrome.Blue Sky may not have the same algorithmic restrictions as other platforms.Direct communication is key in branding and marketing.It's okay to promote your work without feeling like you're bragging. Put some of the creative thought into solving business problems.This change is 100% not permanent.You can change it tomorrow.We're big fans of DreamHost.This is the perfect opportunity for you.A 97-day money back guarantee.You are a limitless well of creativity.This is not your job, Jay.You should run as far away from him as you can.Your job is to use the book to promote Jay. Your job is to use the book to promote your next gig.Selling books, marketing books, promoting books, that's not Jay's brand.The responsibility of selling this book is not your job.This is a time management issue.You can use this to get to the next stage in your career.We have both done this with IP that the world has never seen.You'd better have previews and sample images that look incredible.People will absolutely buy that thing because they know it's good.People will buy your book. Absolutely.You can absolutely make that work. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

April 30th marked 50 years since the end of the Vietnam War. The war looms large in U.S. culture— it’s been the subject of countless books and movies. These works have often focused on American soldiers, but not so much on the experiences of everyday Vietnamese people living through the war. Artist and writer Thi Bui’s 2017 bestselling graphic memoir The Best We Could Do started as an attempt to change that. It tells her family’s story of living through the war and ultimately leaving her birth country to come to the United States. More recently, Thi co-edited an issue of the literary journal McSweeney's featuring work by artists from the Vietnamese diaspora. She talks to us about both those projects and reflects on her experiences as a mother. GUESTS: Thi Bui: cartoonist, writer and artist. She’s author of the bestselling and award-winning graphic memoir, The Best We Could Do. Most recently she co-edited an issue of the literary journal McSweeney’s that was released to mark 50 years since the end of the Vietnam War. See omnystudio.com/listener for privacy information.

Cartoonist and editor Sammy Harkham, author of the recent and critically acclaimed graphic novel Blood of the Virgin, joins hosts Harry and Daniel to discuss the 1973 cult classic horror film, Messiah of Evil, co-directed by Willard Huyck and Gloria Katz. A 70s era stylized West Coast horror, the movie has acquired a cult following and is credited as one of the conceptual forbearers of the modern zombie film.They discuss the movie's aesthetic successes in spite of, or perhaps because of, its extremely limited budget. They explore themes of the tension between community and identity, the banality of emotionless evil, and argue some Jewish readings of the film's conception of its Messianic ideas.Purchase Sammy's BookFollow Sammy Harkham on InstagramMessiah of Evil Movie TrailerMessiah of Evil on IMDbConnect with Jews on Film online:Jews on Film Merch - https://jews-on-film.printify.me/productsInstagram - https://www.instagram.com/jewsonfilm/Twitter - https://twitter.com/jewsonfilmpodYouTube - https://www.youtube.com/@jewsonfilmTikTok - https://www.tiktok.com/@jewsonfilmpod

it’s the halfway point of the latest season of Doctor Who! This year, due to unfortunate circumstances, the Part-Time Fanboy conclave couldn’t get together to chat about the premier episode of season two/fifteen/forty-one…so we’re here to do a mid-series catch up! PTF Doctor Who scholar Barry Negrin joins the podcast once again to chat about […]

World-renowned political cartoonist Dwayne Booth, more commonly known as Mr. Fish, has found himself in the crosshairs of the new McCarthyist assault on free expression and higher education. While employed as a lecturer at the University of Pennsylvania, Booth became a target of Zionist and pro-Israel critics, and his work became a flashpoint of controversy in the months leading up to his firing in March. Facing charges that certain cartoons contained anti-Semitic tropes, J. Larry Jameson, interim president of the University of Pennsylvania, denounced Booth's illustrations as “reprehensible.” In a statement about his firing, Booth writes: “The reality – and something that, unfortunately, is not unique to Penn – is that colleges and universities nationwide have been way too complicit with the largely Republican-led efforts to target students and faculty members engaged in any and all speech rendered in support of trans/black/immigrant, and women's rights, free speech, the independent press, academic freedom, and medical research – speech that also voices bold criticism of right-wing nationalism, genocide, apartheid, fascism, and specifically the Israeli assault on Palestine.”In this special edition of The Marc Steiner Show, Marc sits down with Booth in the TRNN studio in Baltimore to discuss the events that led to his firing, the purpose and effects of political art, and how to respond to the repressive crackdown on art and dissent as genocide is unfolding and fascism is rising. Producer: Rosette SewaliStudio Production / Video Post-Production: Cameron Granadino Audio Post-Production: Alina NehlichHelp TRNN continue producing radically independent news and in-depth analysis by following us and becoming a monthly sustainer.Sign up for our newsletterFollow us on BlueskyLike us on FacebookFollow us on TwitterDonate to support this podcast

World-renowned political cartoonist Dwayne Booth, more commonly known as Mr. Fish, has found himself in the crosshairs of the new McCarthyist assault on free expression and higher education. While employed as a lecturer at the University of Pennsylvania, Booth became a target of Zionist and pro-Israel critics, and his work became a flashpoint of controversy in the months leading up to his firing in March. Facing charges that certain cartoons contained anti-Semitic tropes, J. Larry Jameson, interim president of the University of Pennsylvania, denounced Booth's illustrations as “reprehensible.” In a statement about his firing, Booth writes: “The reality – and something that, unfortunately, is not unique to Penn – is that colleges and universities nationwide have been way too complicit with the largely Republican-led efforts to target students and faculty members engaged in any and all speech rendered in support of trans/black/immigrant, and women's rights, free speech, the independent press, academic freedom, and medical research – speech that also voices bold criticism of right-wing nationalism, genocide, apartheid, fascism, and specifically the Israeli assault on Palestine.”In this special edition of The Marc Steiner Show, Marc sits down with Booth in the TRNN studio in Baltimore to discuss the events that led to his firing, the purpose and effects of political art, and how to respond to the repressive crackdown on art and dissent as genocide is unfolding and fascism is rising. Producer: Rosette SewaliStudio Production / Video Post-Production: Cameron Granadino Audio Post-Production: Alina NehlichHelp TRNN continue producing radically independent news and in-depth analysis by following us and becoming a monthly sustainer.Sign up for our newsletterFollow us on BlueskyLike us on FacebookFollow us on TwitterDonate to support this podcast

Whenever we bring the Maryland Krab Kake Tour to Koco's Pub, we recruit our lifer pal and sage sports cartoonist Ricig as the Ko-Host to sort of the world of Baltimore news and views. This week, we attempt to make sense of the Orioles' pitching and the Ravens' zero tolerance policy. The post Our sports cartoonist Ricig attempts to make sense of Orioles pitching and Ravens zero tolerance policy with Nestor first appeared on Baltimore Positive WNST.

When cartoonist Harry Bliss lost his dog of 17 years, Penny, he realized in his grief that he wanted to take stock of his life. The result is a new graphic memoir, You Can Never Die, featuring his many illustrations of Penny, journal entries, reflections on his often dysfunctional family and his career.Bliss will be in conversation with New Yorker cartoon editor Emma Allen at P&T Knitwear on April 30 at 6:30.

Today on Vermont Edition, the celebrated cartoonist Harry Bliss discusses his new graphic memoir, You Can Never Die. It's about his life, his relationship with his dog Penny, and his grief over her death. We'll learn about his successful cartooning career with the New Yorker and collaborating with the comedian Steve Martin.Plus: April is National Poetry Month. For the final installment of our April poetry series, we'll talk with Sarah Audsley of Johnson. Her poetry often reflects her experiences as a Korean American adoptee living in Vermont.

It's the final day of April! In celebration of April Fools' month, every week this month we at the Part-Time Fanboy clubhouse will be talking about our favorite “bad” movies. Movies we love, but that other people may not have such a favorable opinion of. This week, writer and comic book creator Josh Eiserike (Pale of Settlement, […]

Welcome to the club! Makayla is bursting with ideas but doesn't know how to make them into a story. Howard loves to draw, but he struggles to come up with ideas and his dad thinks comics are a waste of time. Lynda constantly draws in her sketchbook but keeps focusing on what she feels are mistakes, and Art simply loves being creative and is excited to try something new. They come together to form The Cartoonists Club, where kids can learn about making comics and use their creativity and imagination for their own storytelling adventures! Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

"A picture is worth a thousand words." It's a well-worn phrase but there is special resonance when applied to editorial cartoons, a centuries-old tradition that is evolving as the media landscape itself does. Senior arts correspondent Jeffrey Brown takes a closer look for our series, Art in Action, exploring the intersection of art and democracy and our arts and culture series, CANVAS. PBS News is supported by - https://www.pbs.org/newshour/about/funders

"A picture is worth a thousand words." It's a well-worn phrase but there is special resonance when applied to editorial cartoons, a centuries-old tradition that is evolving as the media landscape itself does. Senior arts correspondent Jeffrey Brown takes a closer look for our series, Art in Action, exploring the intersection of art and democracy and our arts and culture series, CANVAS. PBS News is supported by - https://www.pbs.org/newshour/about/funders

We are thrilled to welcome New Yorker Cartoonist Harry Bliss, author of the forthcoming graphic memoir You Can Never Die. Beautifully illustrated and written with extraordinary depth of feeling and honesty, the book centers Harry's love for his dog, Penny, and grief over her loss. Every page brings a smile, a laugh, a tear, and more often than not all three. For more about Harry's book & links to purchase: https://celadonbooks.com/book/you-can-never-die/Tour dates & info: https://celadonbooks.com/news/join-harry-bliss-on-tour-for-his-new-memoir/Reach Ken at kenddv@gmail.com, Nancy at nancysaxtonlopez@gmail.com.A new way to support our work: To read our email correspondence with listeners and see photos of their beloved animal companions subscribe at https://petlosscompanionconversations.substack.com (a $5/month subscription fee applies).You may also support our work on this podcast with a one-time gift: Venmo @Ken-Dolan-DelVecchio or ⁠⁠⁠⁠⁠⁠⁠⁠PayPal⁠⁠⁠⁠⁠⁠⁠⁠ (https://www.paypal.com/paypalme/kenddv?country.x=US&locale.x=en_US)We are happy to announce our affiliation with Bereave, a company that offers beautifully crafted granite pet memorial plaques. When you purchase one of their plaques using the link that follows you are also supporting our podcast. https://shareasale.com/r.cfm?b=2399618&u=3798931&m=141340&urllink=&afftrack=To support this podcast with a monthly subscription: https://anchor.fm/kenneth-dolan-del-vecchio/support⁠⁠⁠⁠⁠⁠⁠⁠The Pet Loss Companion (book) on Amazon⁠⁠⁠⁠⁠⁠⁠⁠: https://www.amazon.com/Pet-Loss-Companion-Healing-Therapists/dp/1484918266/ref=sr_1_3?dchild=1&keywords=pet+loss+companion&qid=1612535894&sr=8-3mpa...⁠⁠⁠⁠⁠⁠⁠⁠To subscribe on YouTube⁠⁠⁠⁠⁠⁠⁠⁠: https://www.youtube.com/@thepetlosscompanion6602 (and hit the "subscribe" button)⁠⁠⁠⁠⁠⁠⁠⁠To RSVP for the next cost-free zoom pet loss support group facilitated by Ken ⁠⁠⁠⁠⁠⁠⁠: https://www.dakinhumane.org/petlossThis program is a friend of Dakin Humane Society in Springfield, Mass. Dakin is a 501 (c) (3) community-supported animal welfare organization that provides shelter, medical care, spay/neuter services, and behavioral rehabilitation for more than 20,000 animals and people each year. Since its inception in 1969, Dakin has become one of the most recognized nonprofit organizations in central Massachusetts and a national leader in animal welfare. You can learn more about Dakin and make a donation at ⁠⁠⁠⁠⁠⁠⁠⁠dakinhumane.org⁠⁠⁠⁠⁠⁠⁠⁠.For a list of financial resources to help with payment for veterinary care visit the ⁠⁠⁠⁠⁠⁠⁠⁠community tab on our YouTube channel⁠⁠⁠⁠⁠⁠⁠⁠: https://www.youtube.com/@thepetlosscompanion6602/community and note the addition of  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://get.scratchpay.com/veterinary

It's April! In celebration of April Fools' month, every week this month we at the Part-Time Fanboy clubhouse will be talking about our favorite “bad” movies. Movies we love, but that other people may not have such a favorable opinion of. This week horror writer and critic Mark L. Miller joins the podcast once again and picks […]

What is allowed to be a joking matter? And where does one draw the line?This week, Alan and Lionel discuss the pitfalls of being a satirist in 2025. They talk to political cartoonist Steve Bell, who worked for the Guardian for over 40 years before being unceremoniously dismissed after an image of Benjamin Netanyahu drew ire.They're also joined by former Spectator editor Fraser Nelson, who leapt to Steve's defence, despite being on opposite ends of the political aisle. Fraser also shares how he put his job on the line whilst at the helm of the magazine. Hosted on Acast. See acast.com/privacy for more information.

Imagine a cartoon opening a door to transform a challenging conversation into a productive and meaningful conversation in your team.  In this episode, we explore how listening and observation can engage humor which can shift our mindset and enhance our ability to engage with others meaningfully. Dave Coverly is the award-winning creator of the internationally syndicated cartoon Speed Bump, featured in hundreds of publications including The Washington Post, The New Yorker, and The Globe & Mail. A four-time winner of the National Cartoonists Society's “Best Newspaper Panel” award, he received their highest honor, the Reuben Award for “Outstanding Cartoonist of the Year,” in 2009. His work appears on greeting cards, in books, and across major media outlets, and he serves as the principal cartoonist for BarkBox.  Dave Coverly has authored several cartoon collections and children's books published by Macmillan namely Speed Bump: A Collection of Cartoon Skidmarks (Andrews McMeel), Cartoons for Idea People (ECW), Just One %$#@ Speed Bump After Another (ECW),  Dogs Are People, Too, and its sequel, Cats Are People, Too. And his children's picture books include Sue MacDonald Had a Book (with Jim Tobin, Macmillan), The Very Inappropriate Word (with Jim Tobin, Macmillan), and How To Care For Your T-Rex (with Ken Baker, Macmillan). His chapter book trilogy began with Night of the Living Worms, and continued with Night of the Living Shadows, and Night of the Living Zombie Bugs.   With a career spanning over 30 years, Dave has mastered the art of observational humor, using his cartoons to reflect on the human experience and the nuances of everyday life. In this conversation, Dave shares personal stories and insights that have shaped his career as a cartoonist with listening playing a core role. Not just as a skill, but as a vital part understanding human patterns and through this tapping into human connection.  We explore how humor can serve as a bridge to deeper conversations and how the act of listening can inform and inspire creativity.  Listen to the end, where David also shares how humor can help navigate serious conversations and lighten the mood. Enjoy listening in! “Listening is about connecting with people and understanding their experiences.” – Dave Coverly SUPERPOWER Notes: 00:08 – The Power of Humor. Dave discusses how humor can provide a different perspective on serious topics and enhance communication. 02:50 – Early Influences. Reflecting on his childhood experiences with his uncle and teacher that sparked his interest in listening and humor. 10:15 – The Role of Observation. Dave explains how being an observant listener informs his cartooning process and helps him create relatable content. 15:30 – The Importance of Context. Understanding how context shapes humor and the need to stay relevant in a changing world. 22:00 – Listening as a Creative Tool. How deep listening can lead to new ideas and insights in both cartooning and everyday interactions. 30:00 – The Impact of Silence. Exploring how silence can enhance the listening experience and foster deeper connections. 35:00 – Humor in Serious Situations. Dave shares how humor can help navigate serious conversations and lighten the mood. 42:00 – The Evolution of Humor. A discussion on how humor adapts to cultural changes and the importance of authenticity in comedic expression. Key Takeaways: “Doing humor is kind of that right brain, left brain thing." – Dave Coverly “Humor is a way to connect with people and share experiences.” – Dave Coverly “Listening is not just about hearing words; it's about understanding the context and emotions behind them.” – Dave Coverly "I love the idea of having a cartoon as a pause for, to take a breath or pause to reset or a pause to allow another perspective or pause to give permission to another perspective."– Dave Coverly   People Mentioned: Mike Peters - A cartoonist who provided Dave with valuable advice about humor and authenticity in cartooning. Christy Ottaviano - Dave's children's book editor, described as a legend in the industry.   Connect with Dave Coverly: https://www.speedbump.com/ https://www.instagram.com/speedbumpcomic/  

Get ready for an intimate episode of “DMZ America” with political cartooning giants Ted Rall and Scott Stantis. Ted Rall, a fearless left-leaning cartoonist and author, has wielded his pen to challenge authority, sparking both praise and controversy. Scott Stantis, a razor-sharp conservative cartoonist, has drawn for The Chicago Tribune and created Prickly City, captivating audiences for decades. With a combined 90 years of experience, they offer a rare glimpse into the heart of political satire.This episode dives deep as Rall and Stantis confess their exhaustion with politics, even with the endless material provided by the daily firehose from Trump. They share raw, unfiltered insights on the perilous state of editorial cartooning, threatened not just by authoritarianism but by shrinking newsrooms and AI's rise. Expect lively banter, clashing perspectives, and their trademark humor as they wrestle with the question: can cartooning survive in today's world? From their creative struggles to their enduring passion, this is an insider's look at two masters navigating a fading art form.Don't miss this thrilling, candid conversation that's equal parts frustration and inspiration. Will these legends rediscover their spark, or is political cartooning on its last legs? The DMZ America Podcast is recorded weekly by political cartoonists Ted Rall and Scott Stantis. Twitter/X: @scottstantis and @tedrallWeb: Rall.com

Get ready for an intimate episode of “DMZ America” with political cartooning giants Ted Rall and Scott Stantis. Ted Rall, a fearless left-leaning cartoonist and author, has wielded his pen to challenge authority, sparking both praise and controversy. Scott Stantis, a razor-sharp conservative cartoonist, has drawn for The Chicago Tribune and created Prickly City, captivating audiences for decades. With a combined 90 years of experience, they offer a rare glimpse into the heart of political satire.This episode dives deep as Rall and Stantis confess their exhaustion with politics, even with the endless material provided by the daily firehose from Trump. They share raw, unfiltered insights on the perilous state of editorial cartooning, threatened not just by authoritarianism but by shrinking newsrooms and AI's rise. Expect lively banter, clashing perspectives, and their trademark humor as they wrestle with the question: can cartooning survive in today's world? From their creative struggles to their enduring passion, this is an insider's look at two masters navigating a fading art form.Don't miss this thrilling, candid conversation that's equal parts frustration and inspiration. Will these legends rediscover their spark, or is political cartooning on its last legs? The DMZ America Podcast is recorded weekly by political cartoonists Ted Rall and Scott Stantis. Twitter/X: @scottstantis and @tedrallWeb: Rall.com

It's April! In celebration of April Fools' month, every week this month we at the Part-Time Fanboy clubhouse will be talking about our favorite “bad” movies. Movies we love, but that other people may not have such a favorable opinion of. This week David Accampo picks the 1990 Larry Cohen horror movie, The Ambulance! Eric Roberts stars […]

Brooklyn-born Israeli cartoonist Yaakov Kirschen, whose iconic “Dry Bones” cartoons appeared in newspapers for decades, has died at Meir Medical Center in Kfar Saba at the age of 87 after a lengthy illness. Kirschen, who made aliyah in 1971, began drawing his trademark cartoon “Dry Bones” in 1973—a series inspired by the biblical vision of the Valley of Dry Bones and featuring a main character named Shuldig (Yiddish for guilty or blame). The comic strip became internationally syndicated and was published in The Jerusalem Post for 50 years before Kirschen moved his work to JNS.Jeff Barak, a former editor in chief of The Jerusalem Post, says that Yaakov Kirschen was the “ideal cartoonist.” He told reporter Arieh O’Sullivan that Kirschen had a unique, original style and a joie de-vivre presence whose cartoons also resonated outside of Israel. (photo: Koren Jerusalem) See omnystudio.com/listener for privacy information.

Peter Moore wrote for some major magazines, before he learned an entirely new skill to appreciate his travel in different ways.  He joins Rick on the show this week to talk hiking, travel, and appreciating the little things.

Ever think it's too late to start something new? Think again!This week on The People of Penn State, we're joined by Dave Blazek ('79), an award-winning cartoonist behind the syndicated comic "Loose Parts." Dave has drawn a cartoon a day for more than 25 years — but here's the twist: he didn't even learn to draw until he was 42!"Loose Parts" is syndicated everywhere and appears daily in nearly 200 newspapers and websites in the United States and Canada. Dave also has produced nine books and his greeting cards appear in the USA, United Kingdom, Australia and New Zealand.We chat with Dave about his unexpected journey to becoming a nationally syndicated cartoonist, how his time at Penn State helped prepare him in ways he never anticipated, and why creativity and humor can play a powerful role in any career.Connect with Dave on Facebook, Instagram, X and BlueSky. --------------------------------------------------------------------------------------------------------------------Kick Off Summer With We Are Weekend (June 20–21)Registration is now open for this year's We Are Weekend!"We Are Weekend" is an annual celebration, organized by the Penn State Alumni Association, that brings together Penn State alumni, students, and friends for a series of activities and events on the University Park campus. Set for June 20-21, this is the perfect opportunity to bring your family and friends and kick off summer with a Blue & White celebration. This year's We Are Weekend will feature an in-person agenda including a special event at The Arboretum at Penn State to commemorate the summer solstice, the Pioneer Induction Dinner for the Class of 1975, a silent disco, an ice cream social, campus tours, and much more.Learn more and register today!

Andy Nardvall is a writer who’s worked in everything from screenwriting, to podcasts, to web and physical comics. This month he has an anthology book launching on Kickstarter called Bad Future. Bad Future contains stories of, well, bad futures. Moments in the near future which are dystopian in their nature. Inspired by works like Blade […]

It’s April! In celebration of April Fools’ month, every week this month we at the Part-Time Fanboy clubhouse will be talking about our favorite “bad” movies. Movies we love, but that other people may not have such a favorable opinion of. This week, we’re chatting about the 1981 Western vigilante bomb, The Legend of the Lone Ranger! […]

In this Forecast episode, Chrissie is sharing 10 kidlit books releasing in April 2025 that she is looking forward to.FEATURED TITLESPicture BooksEarl and Worm: The Bad Idea by Greg Pizzoli (4/1)Oh, Carrots! by Mariajo Ilustrajo (4/1)Warm and Fuzzy by Scott Rothman, illustrated by Brian Won (4/15)Just One Wave by Travis Jonker (4/15)The Bear Out There by Jess Hannigan (4/29)Graphic NovelsAvery and the Fairy Circle by Rowan Kingsbury (4/1)The Cartoonist's Club by Raina Telgemeier and Scott McCloud (4/1)Middle GradeCandle Island by Lauren Wolk (4/22)The Barking Puppy by Lori Lobenstine, illustrated by Il Sung Na (4/22)The Trouble with Heroes by Kate Messner (4/29)Be sure to subscribe to the show wherever you get your podcasts. You can follow the show on Instagram @bookdelightpod, follow Chrissie on Instagram @librarychrissie, and subscribe to Chrissie's kidlit newsletter at librarychrissie.substack.com.If you want to support the show, please consider becoming a paid subscriber on Substack. For $7/month, you are helping to pay the costs of the show and receive exclusive content like extra booklists, live video Q&As with Chrissie, reviews of books Chrissie did not like, and more. Visit librarychrissie.substack.com to subscribe.

Cartoonist, author, and mayor enthusiast Mattie Lubchanksy rejoins Riley, Nova, and Hussein to talk about the continuing war on the creative industries being waged by AI - including Meta's great book heist, the Studio Ghibli-fication of fascist imagery, and OpenAI's attempt to write literary fiction. Pre-order Mattie's book SIMPLICITY here! Get the full episode on Patreon here! *MILO ALERT* Check out Milo's tour dates here: https://miloedwards.co.uk/live-shows Trashfuture are: Riley (@raaleh), Milo (@Milo_Edwards), Hussein (@HKesvani), Nate (@inthesedeserts), and November (@postoctobrist)

Moving to Mars has always been an out-of-this-world idea, but it's not as far-fetched as one may think. Suppose you are prepared to take the nine-month journey to the Red Planet, Cartoonist and co-author of A City on Mars, Zach Weinersmith explores why moving away from Earth is desirable and what it'll take to set up a functioning society to cohabitate with the Mars rover.  Follow Kennedy on Twitter: @KennedyNation Kennedy Now Available on YouTube: https://bit.ly/4311mhD Learn more about your ad choices. Visit podcastchoices.com/adchoices

Send us a text In this episode, Dr. Eeks is joined by neuroscientist Dr. Dwayne Godwin and cartoonist Dr. Jorge Cham, the creative duo behind Out of Your Mind, a book that makes neuroscience both fun and digestible—perfect for Nerds and Nerd Nots alike (yes, that's my podcast tagline). They kick things off with love—what it is, why we fall for some people and not others, and whether science could create a love potion that turns romance into a biochemical hostage situation. From love, they move to hate and how some people actually get addicted to hate. They'll also discuss AI—whether it could ever develop consciousness and what that might mean for humanity—before diving into addiction and the ongoing debate over how much of it is choice versus biology. They'll talk about happiness, whether money can actually buy it, and a bizarre true medical case of a man who, after a brain surgery gone wrong, was left permanently stuck in the present moment.  Finally, they'll explore what happens when we die and whether the authors ever get existentially bummed out thinking about how fragile and robotic we really are. If you like science with a side of humor and deep, slightly absurd questions, this episode is for you. Dr. Dwayne Godwin is a neuroscientist, educator, and professor in the Department of Translational Neuroscience at Wake Forest University School of Medicine. His research focuses on abnormal brain rhythms, exploring calcium channel function, epilepsy, and traumatic brain injury to develop potential treatments for neurological diseases. Beyond the lab, he is passionate about science outreach, co-creating Mind in Pictures for Scientific American Mind and contributing to blogs for the Society for Neuroscience and the Museum of the Moving Image. Dr. Jorge Cham is a Daytime Emmy-nominated, best-selling cartoonist and the creator of PHD Comics, a popular online comic strip about academia. He is the co-creator, Executive Producer, and Creative Director of Elinor Wonders Why, a top-rated PBS Kids animated series. Cham has co-authored several popular science books, including We Have No Idea: A Guide to the Unknown Universe and Frequently Asked Questions about the Universe, as well as the children's book Oliver's Great Big Universe. He also co-hosts and co-creates the hit podcast Daniel and Jorge Explain the Universe. Originally from Panama, Cham earned his Ph.D. in robotics from Stanford University and was a researcher at Caltech.You can contact Dr. Eeks at bloomingwellness.com.Follow Eeks on Instagram here.Or Facebook here.Or X.On Youtube.Or TikTok.SUBSCRIBE to her monthly newsletter here.Support the show

Social media has convinced an entire generation of creators to focus on numbers — followers, subscribers, likes, shares, and other engagement metrics. However, focusing on numbers can often lead an artist to make bad decisions.Today's ShowFocusing on numbersLimiting comments on BSkyUPDATE: Hoganmag.comLost the Kickstarter mojoComic book vs graphic novelSummaryIn this conversation, Dave Kellett and Brad Guigar discuss recent updates on Blue Sky, a social media platform, and how it offers a healthier commenting environment. They emphasize the importance of quality followers over quantity, sharing insights from their own experiences with Kickstarter campaigns and the ineffectiveness of traditional social media platforms like Twitter and Instagram. The conversation concludes with a focus on engagement metrics and the need for creators to prioritize passionate followers rather than simply chasing numbers. In this conversation, Dave Kellett and Brad discuss the importance of building the right audience for comics, emphasizing the shift from merely increasing follower counts to fostering passionate engagement. They explore the challenges of navigating social media changes, the necessity of embracing change in the webcomics industry, and the emotional toll of crowdfunding campaigns like Kickstarter. The discussion culminates in advice for rekindling motivation and finding joy in the creative process amidst uncertainty. In this conversation, Brad and Dave explore the emotional and practical aspects of running Kickstarter campaigns, the importance of market testing, and the structural elements that contribute to a successful project. They also discuss the significance of listening to one's inner voice during creative endeavors and reflect on the differences between comic books and graphic novels, emphasizing the evolution of sequential art.TakeawaysOrganizing your workspace can be a form of avoidance.Blue Sky's new commenting features promote a healthier online environment.Quality followers are more valuable than a large follower count.Kickstarter success can be achieved without relying on traditional social media.Engagement metrics should focus on passionate followers, not just numbers.Turning off public comments can improve mental well-being for creators.Social media platforms should be evaluated based on their effectiveness for business.Creators should prioritize platforms that allow for direct engagement with their audience.The herd mentality in social media can lead to poor decision-making. Building the right audience is crucial for success.Focusing on passionate engagement is more important than follower counts.Social media platforms can change, and so should your strategy.Embrace change as a constant in the webcomics industry.Kickstarter campaigns can be emotionally exhausting but are part of the process.It's natural to feel doubt after a failed campaign.Finding joy in the creative process is essential for motivation.You are not alone in your struggles as a creator.Being pragmatic about social media is key to success.Every upheaval in the industry can lead to new opportunities. Challenges can ignite motivation and creativity.Finding personal motivation is key to success.Kickstarter serves as a valuable market testing tool.Emotional tolls are part of the creative process.Structuring your Kickstarter effectively can lead to better outcomes.Listening to your inner voice can guide your decisions.Evaluating past projects helps in future planning.The distinction between comic books and graphic novels is significant.Comic books are often seen as disposable, while graphic novels are more permanent.Creative paths may need reevaluation based on market feedback. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.