Podcasts about cartoonists

An online publisher has become the center of some genuinely alarming stories. Brad and Dave break down five hard lessons comic creators can learn when a publisher shows signs of instability, mismanagement, or collapse.Today's ShowFive Lessons from a Publisher in CrisisSubmitting your work for awardsSummaryCartoonists Brad Guigar and Dave Kellett explore the importance of owning and controlling one's career in the comic industry. They discuss the need for business acumen among cartoonists and the risks of signing contracts. The conversation emphasizes the value of learning from mistakes in self-publishing, the power of transparency among creators, and the benefits of submitting work for awards. Ultimately, they stress that the goal is not independence at all costs, but informed consent in business relationships.TakeawaysThere is a percentage of humans who can close their nostrils underwater.Cartoonists must be prepared to be business people.Your best defense is often not signing a contract.Mistakes in self-publishing are manageable and teach valuable lessons.Transparency among creators is crucial for success.Experience changes the power dynamic in negotiations.Submitting for awards can provide valuable insights into your work.Reviewing your work helps improve your editorial and aesthetic eye.Self-publishing allows for greater control over your career.Imposter syndrome should not prevent you from submitting your work.  You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.

The Secret S.T.E.A.M Society is a series of educational graphic novels for kids and teenagers. Each volume of Secret S.T.E.A.M. (Science, Technology, Engineering, Art, and Math) Society focuses on a different subject, taking a deep dive into different topics such as music and spaceflight. The debut edition, being published on February 10th by Papercutz, focuses […]

Martin Rowson has been skewering politicians in the Guardian for more than four decades, bringing ink, paint and biting satire to some of the biggest political moments of our time. But with the world in turmoil, does satire still matter?Martin Joined Sean to discuss

28 Years Later was the long awaited sequel to the 28 Days Later zombie movie franchise. Upon its release last year, it split the horror community in half with some fans feeling disappointed in the lack of kinetic thrills the original film delivered and other fans embracing the new apocalyptic world that Danny Boyle and […]

Have everything you're supposed to want, but still feel empty and exhausted? Listen now to this interview with Dr. Toni Liu, #Cartoonist, #HolisticHealer, #Physician, #Educator, #RelationshipCoach, #MentalHealth Advocate,  and Anti-Tiger Mom

Have everything you're supposed to want, but still feel empty and exhausted? Listen now to this interview with Dr. Toni Liu, #Cartoonist, #HolisticHealer, #Physician, #Educator, #RelationshipCoach, #MentalHealth Advocate,  and Anti-Tiger Mom

If you're into comics and graphic novels, you probably know of Raina Telgemeier and Scott McCloud. Telgemeier rose to "first-name-only status" among middle-grade readers with her adaptations of The Babysitters Club and award-winning autobiographical graphic novels including Smile and Guts. Scott McCloud is a leading comics theorist, having spoken and written about the art form since the 1980s. In fact, Telgemeier credits McCloud's work for inspiring her when she was a teenager. Now these two leading artists come together to discuss the unique power of comics and their new graphic novel, The Cartoonists Club. Their book centers around four characters: Makayla, who is bursting with ideas but doesn't know how to make them into a story; Howard, who loves to draw but struggles to come up with ideas and his dad thinks comics are a waste of time; Lynda, who constantly draws in her sketchbook but keeps focusing on what she feels are mistakes; and Art, who simply loves being creative. Throughout the book, Telgemeier and McCloud infuse how-to advice on comics creation that, they hope, will inspire a new wave of cartoonists. They both have seen renewed enthusiasm for the genre, especially among younger readers and are teaming up to provide an entertaining and practical guide to the magic of comics storytelling. Raina Telgemeier is the #1 New York Times bestselling, multiple Eisner Award–winning creator of Smile, Sisters, and Guts, which are all graphic memoirs based on her childhood. She is also the creator of Drama and Ghosts, and is the adapter and illustrator of the first four Baby-sitters Club graphic novels. Facing Feelings: The Art of Raina Telgemeier is a companion catalog for an exhibition held at Ohio State University's Billy Ireland Cartoon Library & Museum. Raina lives in the San Francisco Bay Area. To learn more, visit her online at goraina.com. Scott McCloud is the #1 New York Times bestselling author of Understanding Comics: The Invisible Art; Making Comics: Storytelling Secrets of Comics, Manga, and Graphic Novels; Zot!; and The Sculptor. He is a frequent lecturer on the power of visual communication, creator of the international 24-hour comic movement, and, in 2021, was inducted into the Will Eisner Awards Hall of Fame. His art and stories are available in more than 30 languages and on the web at scottmccloud.com Buy the Book The Cartoonists Club Brick and Mortar Books

A listener asks: "Should you judge a book by its cover?" Cartoonists Dave Kellett and Brad Guigar say... YES! Next, a cartoonist who is too embarrassed to promote his own work gets some encouragement and words of advice from the veteran comic creators.TODAY'S SHOWShould you judge a book by its cover?Too embarrassed to promoteTakeawaysA book's cover plays a significant role in its marketability.It's important to design a cover that reflects the content of the comic.Promoting comics can be challenging, especially in unexpected social situations.Introverts can find it difficult to promote their work in person.Having a decoy website can help ease the promotion process.It's okay to feel uncomfortable discussing your work with strangers.Using humor can help deflect awkward conversations about your work.Online promotion can be more effective than in-person promotion.  You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.

If you’ve been in Portland for a while, you’ve probably seen Mike Bennett’s artwork: It’s on the facade of the Wonderwood Restaurant & Indoor Mini Golf course. It’s on Trailblazer hats and Portland Timbers banners. It’s on road signs and beer cans. Now, the famous cartoonist and immersive space designer has launched a new video-podcast series that explores the animal kingdom for a youth audience. Every episode of “The Zooquarium Podcast” begins with a listener-submitted question — mostly from young kids — and the video element features animations in Bennett’s whimsical cartoon style. The first episode aired Tuesday, with a silly and science-backed conversation about sloth stool.   Bennett joins us to share more about the origins and details of his new podcast. We’re also joined by his co-host, Chanel Hason, a marine biologist, science communicator and director of outreach and community relations at the Elakha Alliance.

Simon Birks is a writer who’s been creating and publishing comic books for over ten years. With his Blue Fox Comics imprint, he’s helped bring various books, comics, and role playing games out into the world. With his comic Antarctica, he teamed with Image Comics to release one of his projects to readers everywhere. In […]

Our pal, John T. Reynolds (TV Writer and Cartoonist), joins us to share a few creepy stories from his childhood involving clowns and disembodied voices in a cemetery. And listener Mike has a story from his uncle about a psychic connection with his grandmother. Instagram @afistfulofbabies  Please send us your own true paranormal experiences in either a voice memo or e-mail to funnyfeelingpod@gmail.com. SpectreVision Radio is a bespoke podcast network at the intersection between the arts and the uncanny, featuring a tapestry of shows exploring creativity, the esoteric, and the unknown. We're a community for creators and fans vibrating around common curiosities, shared interests and persistent passions. ⁠⁠spectrevisionradio.com Learn more about your ad choices. Visit megaphone.fm/adchoices

It’s been eight months (!) since Part-Time Fanboy visited the apocalyptic world of The Planet of the Apes. On our last Damn Dirty Apes episode, we began breaking down the live-action Planet of the Apes television show which only lasted one short season in 1974. This week Joe Slepski (of the Joe on Joe Podcast) […]

Call ins, legal and civic positions on ICE shooting and Noam's take on Dilbert Cartoonist Scott Adams. Guest: Professor Robert Jan Van Pelt, the principal expert witness on Nazi gas chambers in the David Irving trial, joins. Robert Jan Van Pelt is one of the world's leading experts on Auschwitz. An architectural historian who has taught at MIT and the University of Waterloo, he is best known for proving the reality of the gas chambers and crematoria. His work made him a central figure in the fight against Holocaust denial. He appeared in Errol Morris's Mr. Death and served as a key expert witness in the landmark Irving v. Penguin & Lipstadt trial. He has received major honors, including a Guggenheim Fellowship and a National Jewish Book Award.

Tune in to the DMZ America Podcast as hosts Ted Rall from the left and Scott Stantis check in with former Pittsburgh Post-Gazette political cartoonist Rob Rogers. Fired for criticizing Trump in his work, Rogers worked for decades at the Post-Gazette, the highest-profile newspaper top shut down in the journalism bloodbath. Ted and Scott bring you the exclusive dish.The three will also discuss Trump's shocking moves to overthrow the president of Venezuela as well as his threats against Colombia, Iran, Cuba and other countries.Support the showThe DMZ America Podcast is recorded weekly by political cartoonists Ted Rall and Scott Stantis. Twitter/X: @scottstantis and @tedrallWeb: Rall.com

Tune in to the DMZ America Podcast as hosts Ted Rall from the left and Scott Stantis check in with groundbreaking animated political cartoonist Mark Fiore.Mark Fiore, born 1970, is an acclaimed American political cartoonist specializing in Flash-animated editorials. Shaped by California upbringing and Idaho wilderness, he majored in political science at Colorado College, graduating in 1991 amid Dick Cheney's speech.Starting in print for The Washington Post and LA Times, Fiore joined San Jose Mercury News before pioneering online animation in the late 1990s. His cartoons appear on SFGate.com, NPR, Mother Jones, and KQED.Hailed as "the undisputed guru" by The Wall Street Journal, he won the 2010 Pulitzer—the first for non-print work—plus a 2016 Herblock Prize, 2004 RFK Award, and multiple Online Journalism honors. From San Francisco, Fiore satirizes politics via markfiore.com.Support the showThe DMZ America Podcast is recorded weekly by political cartoonists Ted Rall and Scott Stantis. Twitter/X: @scottstantis and @tedrallWeb: Rall.com

“Who can draw when the world is burning?” asks celebrated Vermont cartoonist Alison Bechdel in her new graphic novel, Spent.This tension between the political and personal has been a deep well for Bechdel in her art. Bechdel has been cartoonist laureate of Vermont, as well as a recipient of a MacArthur "genius award" and a prestigious Guggenheim Fellowship.She garnered a cult following with her early comic strip, “Dykes to Watch Out For.” Her best-selling graphic memoir, Fun Home, was named Best Book of 2006 by Time. It was adapted into a musical that won five 2015 Tony Awards, including Best Musical. Fun Home tells the story of growing up in a family that ran a funeral home, and how, after Bechdel came out as a lesbian, her closeted gay father died in a presumed suicide.The cartoonist is also known for the Bechdel Test, which rates movies on whether they include at least one scene in which two women talk to each other about something other than men.Bechdel is now a professor in the practice at Yale University. She divides her time between teaching for a semester at Yale and living and drawing at her home in West Bolton, Vermont. Bechdel's wife Holly has been the colorist for her last two books. This week, she had an op-ed cartoon featured in the New York Times about how to stand up to tyranny.She spoke to me from her home in Vermont.

J.M. Brandt is the writer of the horror comic Swamp Dogs. Like so many creative individuals he’s been horrified by what the current presidential administration has been doing to marginalize LGBTQ people and individuals of color…so he decided to do something about it. He pulled people together from all corners of the comic and artistic […]

What does it really mean when someone looks at your career and says, “You should be doing more”?In this episode of ComicLab, Brad and Dave respond to a pointed listener question that cuts straight to the bone: If they have the skills, the experience, and the ideas — why haven't they launched even more projects? The answer isn't defensive or dismissive. Instead, it becomes a clear-eyed breakdown of creative bandwidth, sustainability, work-life balance, and the invisible labor that propels up a long-term comics career. From Patreon and newsletters to storefronts, commissions, podcasts, and family responsibilities, they unpack why “doing enough” is often misunderstood from the outside — and why restraint can be a strategic choice, not a lack of ambition.The conversation then pivots to one of the trickiest problems any humor writer faces: How to judge your own work when readers don't get the joke. How many confused comments are just statistical noise—and when do they signal a real problem in execution? Brad and Dave dig into the uncomfortable middle ground between ego and humility, exploring how to listen to feedback without letting it derail your voice, and how to improve clarity without sanding off what makes your work distinctive. It's a nuanced, experience-earned discussion about ramps, chasms, audience expectations, and why “it happens to everyone” is not an excuse — but also not a death sentence.If you've ever felt pressure to produce more, or struggled to decide whether reader confusion is a warning sign or just the cost of taking creative risks, this episode offers hard-earned perspective from two cartoonists who've been navigating those exact questions for decades.TakeawaysCreative projects often take a backseat due to time constraints.Cartoonists manage a heavy workload that includes multiple projects.Balancing creativity with administrative tasks is crucial for success.Feedback from readers can help improve comic writing.Self-editing is a continuous process for comic creators.Reader confusion can indicate a need for better communication in comics.Communication is key in the artistic process.     You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.

In this premiere of The Truth In This Art, the guest on this episode is Lonnie Millsap! Who is Lonnie Millsap: Lonnie Millsap is an award-nominated (Thurber Prize, Reuben Award nominee) Los Angeles-based cartoonist. He is known for his work in the New Yorker Magazine, where he's word has been pushlished over 90 times, his synicated cartoon 'bacön' and over publishing over 13 books including his most recent, 'My Pockets Are Juicy!', The juiciest collection of cartoons ever drawn. Millsap is known for his unique illustration style and humor. Also, Millsap has earned the praise of cartooning legends like Keith Knight, Gary Panter, Sergio Aragones, Dan Piraro and Jim Benton. In this episode, Lonnie shares his story. In it, Millsap describes turning his childhood passion of drawing everything into a carerr of publishing books as well as welling them. Millsap shares some of his inspiration from Gary Panter and Charles M. Schulz. Millsap also provides some background on 'The juiciest collection of cartoons ever drawn.', My Pockets Are Juicy!' and his syndicated comic 'bacön'. Lonnie shares his thoughts on the community within indie comics and cartooning. (Lonnie and I met during in the indie comics loop - initially at Small Press Expo and then I had the chance to interview Lonnie at Cartoon Crossroads Columbus in 2025, it was great!)This was a great way to start off the new season and I hope you enjoy. Lonnie's website is https://lonniemillsap.com/ Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis. Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcast The Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

Joe Wos is the 6-time Emmy Award-winning creator and host of “Cartoon Academy” as seen on PBS affiliates nationwide.Joe's been a professional cartoonist since the age of 14. Over the past 35 years, as he's sought new and innovative ways to pursue his passion for the cartoon arts, his career path has taken as many twists and turns as one of his wonderful mazes. For example, he spent 30 years touring the U.S. as a performer, illustrating stories live as he told them. He founded and ran a cartoon art museum here in Pittsburgh called the Toonseum. He illustrated symphony performances live with the Pittsburgh Symphony Orchestra. And he's exhibited his art in museums worldwide. Beyond all that, Joe's been the visiting resident cartoonist of the Charles M. Schulz Museum for over 23 years.With MazeToons — his unique hybrid illustration that is part cartoon and part puzzle — Joe has fulfilled a lifelong dream to appear in the funny pages.He's the author and illustrator of a dozen books, including “A-Maze-Ing Peanuts”, “Mega Maze Challenge,” “Our A-Maze-Ing National Parks,” “A-Maze-Ing America,” “A-Maze-Ing Animals,” “The Exploding Kittens Activity Book,” and many more.  Joe's also the Brand Character Integrity Consultant and artist for Charlie the Tuna of StarKist fame.Joe won the 2020 Divisional Reuben Award for the Variety Category as presented by the National Cartoonists Society.For the record, Joe and I have known one another for more than a decade, from his days running the Toonseum here in Pittsburgh.  

During this holiday season, hear some recent favorites:Jelani Cobb, dean of the Journalism School at Columbia University, a staff writer at The New Yorker and the author of Three or More Is a Riot: Notes on How We Got Here: 2012-2025 (One World, 2025), looks back at recent history and find the threads that connect the era of protests and backlash.Irin Carmon, senior correspondent at New York magazine, co-author of Notorious RBG (Dey Street Books, 2015) and, most recently, author of Unbearable: Five Women and the Perils of Pregnancy in America (Atria/One Signal, 2025), explores what it means to be pregnant today in America through reporting and personal stories.Marina Lopes, author of Please Yell at My Kids (GCP/Balance, 2025), talks about her story in The Atlantic suggesting American parents look at the way childcare works in Singapore where grandparents are frequently primary caregivers and get paid for the work.Julia Ioffe, founding partner and Washington correspondent of Puck and the author of Motherland: A History of Modern Russia, from Revolution to Autocracy (Ecco, 2025), talks about her new book that delves into the feminist history of Russia and why it offers context for the war in Ukraine.Liza Donnelly, writer and cartoonist at The New Yorker and the author of Very Funny Ladies: The New Yorker's Women Cartoonists, 1925-2021 (Prometheus, 2022) and the substack "Seeing Things", discusses the short documentary film she directed, "Women Laughing," about cartoonists at The New Yorker and their artistic processes. These interviews were lightly edited for time and clarity; the original web versions are available here:Defining the Decade (Nov. 13, 2025)The Perils of Pregnancy in America (Nov. 6, 2025)Grandparenting as Paid Labor? (Oct. 10, 2025)Russia and Feminism (Oct. 25, 2025)Funny Women of The New Yorker (Nov. 10, 2025)

For 75 years, Charles Schultz's Peanuts gang has reflected our humor and hope, as well as our struggle to navigate some of life's everyday curveballs. How is it that the characters he created so poignantly reflect how we experience other people and the world around us? And why do a ragtag group of comic strip kids who debuted in newspapers in 1950 post-war America, still resonate with children and adults around the world? Andrew Blauner, author of “THE PEANUTS PAPERS: Writers and Cartoonists on Charlie Brown, Snoopy & the Gang, and the Meaning of Life,” sat down with USA TODAY's The Excerpt to discuss the 75th anniversary of the Peanuts gang and its enduring impact. (This episode originally aired on October 3, 2025.)Have feedback on the show? Please send us an email at podcasts@usatoday.com. Episode transcript available here.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Gene Luen Yang is an award-winning author and comic creator of American Born Chinese, Lunar New Year Love Story, Superman Smashes the Klan, Shang Chi, and more. He is currently creating Teenage Mutant Ninja Turtles and Books of Clash, check it out if you haven't yet. I loved catching up with Gene and learning about his writing process and struggles to stay creative amidst the modern world distractions. It's great to know that despite how prolific he is as a writer and artist, he is human, like the rest of us. Speaking of humanity, we also delve into the pros and cons of AI and what his hopes are for the future of art despite the rise of AI. It is such an honor to talk to guests like Gene.  If you enjoyed this conversation, my favor as usual is to please continue to share this podcast with others. It would mean so much if you also rate it and leave me feedback.  If you would like to help keep this podcast going and support the work I do, visit my website or Get more from Mimi Chan on Patreon. For comments or suggestions reach out on social media @sifumimichan. https://youtu.be/YmN2Zms-6qU THE SIFU MIMI CHAN SHOW CREDITS Host: Mimi Chan Intro Music: Mike Relm Discussed in this episode: Home – Cartoonist & Teacher | Gene Luen Yang TMNT – GLY issues Freedom App Minimalist App Comment Rules: Be Cool. Critical is fine, but if you're rude, we'll delete your stuff. Please do not put your URL in the comment text and please use your PERSONAL name or initials and not your business name, as the latter comes off like spam. Have fun and thanks for adding to the conversation! Disclaimer: I am not a writer. I do not claim to be.  Apologies for grammatical mistakes, long drawn-out run-on sentences, and anything else that drives you crazy. I promise it was not my intention.  Be lenient, please.The post 438. Gene Luen Yang on TMNT, creativity, and the writing process first appeared on Sifu Mimi Chan.

Cartoonists Brad Guigar and Dave Kellett discuss the nuances of print-on-demand services. As Brad says, "It's a good place to start, but a bad place to stay." They delve into the importance of advanced planning for holiday sales. Finally, they share strategies for engaging audiences at comic conventions, covering pricing strategies and the psychology of sales, and emphasizing the importance of understanding costs and audience engagement.Today's ShowPrint on DemandHow to "Let Time Be Your Editor"Convention PricingHuionHuion is sponsoring today's show, and they're offering additional discounts on the following products when you use the discount code: ComicLabKamvas 22 Plus — A luxurious large-screen, high-resolution digital pen display with an etched glass surface that simulates the texture of paper while it protects your eyes from harmful glare.Kamvas 13 (Gen 3) — With a large 13.3-inch screen and an FHD (1920X1080) resolution, this model ensuring seamless collaboration with your laptop. The durable back cover also offers superior protection while ensuring interface stability.Huion Note — You found your new on-the-go brainstorming tool. With writing synchronizing, offline storage, document management, one-click PDF sharing, and portable A5 size, Huion Note will redefine what a new generation of notebooks can do.TakeawaysPatience is key in daily struggles.Print on demand can be a good starting point but not a long-term solution.Planning for holiday sales should start well in advance.Engaging with audiences at conventions is crucial for building a network.Clear pricing and signage can significantly boost sales at conventions.Using loss leaders can attract customers but should be carefully calculated.Understanding your costs is essential for pricing strategies.Round numbers simplify transactions and reduce friction in sales.Time away from your work can provide valuable perspective for editing.Building a strong online presence is important for comic creators. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.

It's been a chaotic year in state politics. To recap 2025 and look ahead at 2026, we spoke with The Times-Picayune | New Orleans Advocate's editorial director and columnist, Stephanie Grace.Walt Handelsman, Pulitzer Prize-winning editorial cartoonist for The Advocate | The Times-Picayune, is set to retire after four decades in the business. He joins us on today's show to discuss his career and what he's doing next.Today's episode of Louisiana Considered was hosted by Bob Pavlovich. Our managing producer is Alana Schreiber. We get production support from Garrett Pittman and our assistant producer, Aubry Procell.You can listen to Louisiana Considered Monday through Friday at noon and 7 p.m. It's available on Spotify, the NPR App and wherever you get your podcasts. Louisiana Considered wants to hear from you!  Please fill out our pitch line to let us know what kinds of story ideas you have for our show. And while you're at it, fill out our listener survey! We want to keep bringing you the kinds of conversations you'd like to listen to.Louisiana Considered is made possible with support from our listeners. Thank you!

Jeff Marvin is a comic book writer who began his career with a book called The Virgin Killers, which was a comic about monster hunting nuns. Jeff, however, is Jewish, and as he developed the idea for his story he began to realize that he was having trouble continuing to write his tale without interjecting […]

Please remember to rate and review our podcast!Check out your YouTube channel @comadresycomics CHISME DE LA SEMANA: San Diego Comic Con International 2026 and the Shinn Saga. Chisme hot off the presses! ON MY RADAR: Absolute Batman #15 comic, that will be on sale on December 10, 2025. BOOK REVIEW: Voices, Heartbreak Tacos & Naw Patrol curated/created by Abby Rocha abbyrocha.com@chica_artista_illustrationEN LA LIBRERIA: THE MATRON Volumes 1 & 2—Slavic folk slasher set in Texas-After her double homicide, Zina Krenek finds her house acquired by force. With the ax and mask of the Matron, she sets out for revenge. https://www.kickstarter.com/projects/...@drew_halloween @davidbowles @harrysaxonartJUNTOS Y FUERTES: Las groserías son expresiones del alma y también son parte de nuestra cultura mexicana. www.pinchestees.com @pinchesteesSALUDOS: Erick Pepper Rivera Writer and Cartoonist www.peperrivera.com @thaterickrivera Follow us on socials @comadresycomicsVisit our website comadresycomics.comProduced by Comadres y Comics Podcast

Syndicated cartoonists Jerry Scott and Rick Kirkman share their journey of collaboration that spans over 35 years, focusing on their iconic comic strip, "Baby Blues." They discuss their initial meeting, the challenges of working together, the creative process behind their gags, and the evolution of their work. The dialogue highlights the joys and conflicts of collaboration, the importance of humor in parenting, and the unique dynamics of their partnership. They discuss their early encounters with legendary cartoonists, the challenges and joys of taking over legacy strips, the impact of awards on their careers, and the importance of authenticity in parenting comics.You can read "Baby Blues" at Gocomics.com/babybluesHuionHuion is sponsoring today's show, and they're offering additional discounts on the following products when you use the discount code: ComicLabKamvas 22 Plus — A luxurious large-screen, high-resolution digital pen display with an etched glass surface that simulates the texture of paper while it protects your eyes from harmful glare.Kamvas 13 (Gen 3) — With a large 13.3-inch screen and an FHD (1920X1080) resolution, this model ensuring seamless collaboration with your laptop. The durable back cover also offers superior protection while ensuring interface stability.Huion Note — You found your new on-the-go brainstorming tool. With writing synchronizing, offline storage, document management, one-click PDF sharing, and portable A5 size, Huion Note will redefine what a new generation of notebooks can do.TakeawaysJerry and Rick's collaboration spans over 35 years.Their wives introduced them, both aspiring cartoonists.They bonded over a shared love for comics and cartooning.Baby Blues was inspired by their experiences as parents.They learned the importance of hitting deadlines.Collaboration requires open communication and compromise.Writing gags often starts with the punchline first.The creative process is a blend of writing and drawing.Their friendship enhances their creative output. Meeting legendary cartoonists was a pivotal moment.Legacy strips come with both pressure and opportunity.Awards can create a sense of responsibility.Parenting comics resonate deeply with readers.Book titles can encapsulate the essence of the work.Professional jealousy is detrimental in the creative field.Authenticity in storytelling is crucial.The weight of awards can be both a blessing and a burden.Creating relatable content helps connect with audiences.Collaboration and community are vital in the cartooning world. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.

Cartoonist and writer Mimi Pond jokes that her obsession with the Mitford Sisters nearly sank her marriage. That fascination became her new graphic biography, "Do Admit! The Mitford Sisters and Me." In a one-on-one conversation with Book Lust host Nancy Pearl, Pond shares why these wildly influential sisters, who moved in circles ranging from Churchill to Hitler to the Black Panthers, still captivate her today.

Christopher Kappel is a TV writer who’s just had his first graphic novel published by the Maverick imprint of Mad Cave Studios. Wrack and Rune tells the story of two young men who develop romantic feelings for each other. There’s only one problem, one of them happens to be a member of a secret society […]

Connie Huang and Dallas Hosington are the creative minds behind Hyde Hermit Studios. They’ve become a staple of the convention circuit selling pins, stickers, shirts, and all kinds of product featuring their own original artistic creations. Last year they put out their own children’s book, Hyde the Hermit Crab, about a hermit crab that has […]

This month, join Jude and Stef for a lively interview with cartoonist and newly minted Tolkien author, Tom Racine, about his new book, “Doomed to Die: An A-Z of Death in Tolkien” published on November 11, 2025 by William Morrow, an imprint of HarperCollins Publishers. We talk about Tom's love of Edward Gorey, the process of turning an viral Instagram Inktober series into a book, banishing the imposter demons, and more. A huge thank you to Tom for joining us and for his warmth and humor.  CitationsThank you to our special guest, Tom Racine! Follow Tom on Instagram: @tom_racine_artGet yourself a copy of Tom's book on bookshop.org:“Doomed to Die: An A-Z of Death in Tolkien”, published on November 11, 2025 by William Morrow, an imprint of HarperCollins Publishers https://bookshop.org/p/books/doomed-to-die-an-a-z-of-death-in-tolkien-tom-racine/fcc5ecee4168afc1?ean=9780063474420&next=tTom's website:https://www.tomracinevoice.com/The Wizard Blues: The Adventures of Mori and Rom:https://www.webtoons.com/en/canvas/the-wizard-blues-the-adventures-of-mori-and-rom/list?title_no=957997&page=1 

Today's show is sponsored by Huion, makers of the Kamvas 22 Plus ! In today's show, Brad and Dave tackle an old question — does your comic HAVE to be in color? The answer is more nuanced than you might think! Also, the comics uncles will discuss the right ways — and the wrong way — to sign your books for fans.HuionHuion is sponsoring today's show, and they're offering additional discounts on the following products when you use the discount code: ComicLabKamvas 22 Plus — A luxurious large-screen, high-resolution digital pen display with an etched glass surface that simulates the texture of paper while it protects your eyes from harmful glare.Kamvas 13 (Gen 3) — With a large 13.3-inch screen and an FHD (1920X1080) resolution, this model ensuring seamless collaboration with your laptop. The durable back cover also offers superior protection while ensuring interface stability.Huion Note — You found your new on-the-go brainstorming tool. With writing synchronizing, offline storage, document management, one-click PDF sharing, and portable A5 size, Huion Note will redefine what a new generation of notebooks can do.Today's Show:Color or B&W?Dave Kellett's "Drive" in color?ComicLab Accent ChallengeHow to sign a bookUse offer code 'COMICLAB' to get an extra discount on these Huion products — Kamvas 22 Plus , Kamvas 13 (Gen 3) , and the Huion Note . (Offer ends Jan. 4, 2026)SummaryIn this engaging conversation, cartoonists Brad Guigar and Dave Kellett explore the debate between black and white versus color in comics, the dynamics of creative teams, and book-signing etiquette. The share personal anecdotes, insights on the creative process, and the importance of listening to audiences. The discussion also touches on the future of comic adaptations and the satisfaction of creating art for its own sake. The hosts delve into the intricacies of storytelling, discussing the journey of creating a narrative and the potential future projects that may arise from it. They share insights from their experiences at Comic Con, particularly focusing on book signing etiquette and best practices. Additionally, they touch on the importance of analytics in understanding audience engagement through platforms like Patreon.But first, Dave waxes poetic over the "Golden Girls" spin-off, "Golden Palace."TakeawaysBreakups in creative teams can be heartbreaking, even when things are going well.Color comics are generally preferred by audiences, but black and white can work too.Mastering different aspects of cartooning is essential for success.The chemistry of a team can change dramatically with one member missing.It's important to listen to your audience, even when making positive changes.Black and white comics can help artists focus on line work and composition.The adaptation of comics into other media can be a complex process.It's okay to be content with your work as a comic artist without seeking adaptation. The journey of storytelling is fulfilling and rewarding.Future projects can stem from the success of previous works.Evil Inc. has the potential for further evolution and expansion.Comic Con experiences enhance the connection with fans.Signing books is an art that requires etiquette and practice.Analytics are crucial for understanding audience engagement.Creating a sequel can be a natural progression for a successful story.Engaging with fans at events can lead to lasting memories.Patreon can provide valuable insights into audience demographics.The importance of personalizing book inscriptions for fans.   You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Ari Gross is a comic creator whom Kristian considers deserving of wider recognition. With books like Upkeep and Wardens, Ari is a writer who delves into interesting subject matter and creates characters with heart. Wardens was one of Kristian’s favorite comics of 2024. It’s about a tough as nails Jewish seamstress by the name of […]

Joseph Illidge is a comic book jack-of-all-trades. Thoughout his career in comics he’s helped guide the ship for various properties as both writer and editor. He began his career at Milestone Media and he guided the path for the Batman stable of characters in the DC universe, serving as editor during the compelling Batman: No […]

Ellie Pyle is a creative professional who has a hand in developing all kinds of media. Comics, podcasts, television, games, and theater…you name it, she’s been a part of it. Her versatile skill set has seen her work as an editor at Marvel and at DC’s Vertigo imprint. She’s been the Director of Creative Development […]

Send us a textScooby Panel #123 - Wendy and I had the pleasure of speaking with Animator, Writer, Cartoonist and Disney Legend Floyd Norman. What an honor it was to speak to him about his career.

Travis Webb is a writer who’s comic Starlite was recently completed via several crowdfunding campaigns on Kickstarter. Since he was a teenager, Travis has been a fan of the cyberpunk genre, in particular of the Japanese manga and anime which made tales of a future world where cyborgs and giant mecha existed seem plausible. Then […]

How to fix today's epidemic of loneliness? For the New Yorker cartoonist and author Sophie Lucido Johnson, the answer involves both pigeons and polyamory. As she argues in her brand new book, Kin: The Future of Family, Johnson provides the tools to forge kinship in everything from asking for help on a grocery run, to choosing to have roommates later in life to combat loneliness, to living in modern day “mommunes” of single mothers sharing bills and responsibilities. And the pigeons and polyamory? Johnson draws on pigeon behavior—how pair-bonded birds navigate home more successfully than solitary ones—as a metaphor for human interdependence. Her own polyamorous life, detailed in her popular 2018 memoir Many Love, exemplifies her broader argument: that intentional, non-traditional relationship structures can provide a much richer web of connectivity than the isolated nuclear family. So the future of family goes way beyond traditional family. It's pigeons, polyamory and mommunes. * The nuclear family is historically recent and economically failing. Johnson argues the isolated two-parent household is a post-industrial phenomenon—barely 150 years old—that leaves people emotionally and financially overburdened.* Loneliness is deadlier than obesity or alcoholism. Research shows chronic loneliness increases mortality more than smoking 15 cigarettes daily, primarily because isolated people lack support networks to catch health crises early.* Small acts of connection matter as much as close relationships. “Loose ties”—knowing your neighbors' names, chatting at the grocery store—provide significant mental health benefits. Johnson advocates borrowing a bundt pan from a neighbor instead of ordering from Amazon.* Polyamory isn't just about sex—it's about intentional kinship. Johnson's polyamorous practice means cultivating multiple committed relationships with extensive communication, creating a web of support that nuclear families can't provide alone.* We need new language for chosen family. Johnson proposes “kin” for people who are more than friends but outside traditional family structures—roommates, co-parents in “mommunes,” neighbors who share resources—arguing blood ties shouldn't define our primary support networks.* Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Clay Adams and David Schrader are a pair of creatives who make up the production company Bloodline Pictures. Over the past several years they have had lots of success crowdfunding their horror anthology series, Nightmare Theater, as well as a host of other Kickstarter projects. Their latest project, debuting on Kickstarter on November 18th, is […]

Bill DeMain has been creating and evolving for decades. A prolific songwriter, music journalist, walking tour guide, and one half of the pop duo Swan Dive, he's still not slowing down. In fact, during the pandemic, he added yet another career to his résumé: cartoonist.

Hosts Ted Rall and Scott Stantis chat with and showcase the work of conservative editorial cartoonist Chip Bok. Chip Bok draws editorial cartoons for Creators Syndicate, syndicating his work to over 150 newspapers worldwide. A Copley News Service alum since 1985, he crafts biting commentary on politics, society, and pop culture from his Akron Beacon Journal perch. Bok's style blends sharp wit with intricate detail, earning him accolades like the 2017 Clifford K. & James T. Berryman Award for Editorial Cartooning. He authored The Book of Bok: The Illustrated Guide to the American Presidency and exhibits globally. Beyond ink, Bok lectures on visual journalism and mentors young artists, pushing boundaries in a digital age. His cartoons fearlessly skewer both sides, blending humor with hard truths to spark debate.Support the showThe DMZ America Podcast is recorded weekly by political cartoonists Ted Rall and Scott Stantis. Twitter/X: @scottstantis and @tedrallWeb: Rall.com

For this week's Fascinating Ohio, we're talking to a well-known cartoonist, someone whose work has been exposed to audiences both nationally and internationally and an author who is reflecting on the experiences of the younger generation.

Cartoonist and comedian, Greg Nussbaum joins us on the second half of the podcast this week. Greg is a fairly new cartoonist, his first cartoon in the New Yorker was in the Dec. 2, 2024 issue. Since then, he has had one other cartoon and a Daily published.Greg is also a standup comedian. You can see him performing around Brooklyn and Manhattan. We talk about his "baby raised by firetrucks" routine during the podcast and if you want to see the image we talk about, you can find it on the podcast facebook page:https://www.facebook.com/profile.php?id=100075679507023You can check out his growth as a cartoonist on his instagram page: https://www.instagram.com/gegnussbaum/You can also buy some of his merch (with prints coming soon) at:https://geg.threadless.com There was a problem with Greg's audio initially, but we got it cleaned up by the 13 minute mark.On Part 1 of the episode, we discuss the current contests:Winning captions for New Yorker contest #962 (Tentacly, I'm the pilot)Finalists for contest #964 (Bearly caught out)Current New Yorker contest #966 (What is the root, root, root cause?)We also talk about our favorite cartoons from the current issue of the New Yorker.You can buy original New Yorker cartoon art at Curated Cartoons:https://www.curatedcartoons.comDig deep into the New Yorker cartoon caption contest data at:https://wordsbelow.app Send us questions or comments to:  Cartooncaptioncontestpodcast@gmail.com

Cartoonist-playwright-filmmaker Dean Haspiel rejoins the show for the homestretch of his new Kickstarter, ANTIMATTER (finishing Nov. 3, 2025), and brings his studio mate Whitney Matheson along to talk about her new story collection, THE FEELING. We talk about how Dino got the idea for a one-man anthology to contain all the characters & stories of his Dino-verse, new models for funding creative projects, and how promotion can be tough when you accidentally get banned on Instagram. They give me creative advice to help me get through my own book project, talk about their lessons from crowdfunding and self-publishing, and come up with a great idea for a new book, while we cope with some technical difficulties. Follow Dean on Instagram, support his Substack, and buy stuff on his Etsy, and follow Whitney on Instagram, support her Substack, and buy stuff on her Etsy • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

Brad thinks Kickstarter is the right place to go for a Brazilian cartoonist who wants to have his work re-published in English, but Dave thinks his co-host is Lost in Translation. Then, the dynamic duo gives some advice to a pro-am cartoonist who just lost their day job and is considering making the move to full-time cartooning. But first, Brad and Dave share some comic convention horror stories.SummaryIn this episode of ComicLab, hosts Brad Guigar and Dave Kellett discuss the chaotic experiences of comic conventions, the challenges of translating comics for the English market, and the importance of building an audience. They also provide advice for cartoonists who have been laid off, emphasizing the need for financial stability. The conversation touches on the realities of comic publishing and the necessity of having an emergency fund when transitioning to full-time cartooning.TakeawaysComic conventions can be chaotic and noisy environments.Translation of comics can be a significant time investment.Building an audience is crucial before launching a comic.Kickstarter can serve as a market research tool for comics.Having an emergency fund is essential for transitioning to full-time cartooning.The comic market in North America is larger than in Brazil.It's important to consider the demand for your work before translating it.Creating new work may be more beneficial than translating old work.Networking and social media can help build an audience for new comics.Financial stability is key when considering a career in comics. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

While you're stuck trying to find the RIGHT way to start your comic, someone else is starting a comic THEIR way. That's because the only RIGHT way to start a comic is the WRONG way. Confused? We'll explain. Also—storytelling without conflict? Kishōtenketsu is a story structure that highlights contrast rather than conflict. But first, Dave's Los Angeles may have the most "perfect days" in the United States, but Brad argues that Philadelphians truly appreciate their sunny weather more when it occurs.SummaryIn this episode of ComicLab, hosts Brad Guigar and Dave Kellett explore the challenges of starting a comic, emphasizing that there is no right way to create comics and that experimentation is essential. The hosts provide practical advice on overcoming creative blocks, the importance of consistency in practice, and the necessity of starting, even if it means doing it imperfectly. In this episode, the hosts explore the creative process, discussing the fear of starting projects and the importance of embracing imperfection. They share insights from their recent social media challenge, reflecting on productivity and the benefits of reducing screen time. The conversation shifts to the discovery of non-conflict storytelling techniques, particularly the Japanese writing style Kishōtenketsu, which emphasizes character development over traditional conflict. Finally, they discuss updates to the Patreon app, highlighting user experiences and the implications of its new features.Today's ShowHow to get startedKishōtenketsu / YonkomaPatreon Quips and the new app layoutTakeawaysThe perfect weather map reveals surprising data about ideal climates.Appreciation for perfect days can differ based on location.Creativity often requires overcoming distractions in daily life.Starting a creative project can be daunting but is essential.There is no 'right' way to create comics; experimentation is key.The importance of frequency in creative practice cannot be overstated.Every artist has a unique process that evolves over time.Mistakes and failures are part of the creative journey.Setting small, achievable goals can lead to significant progress.The fear of imperfection can hinder creativity, but starting is crucial. The fear of starting often holds creators back.Embracing the wrong way is part of the creative process.Social media challenges can lead to increased productivity.Reading before bed can improve mental well-being.Non-conflict storytelling can be just as impactful.Kishōtenketsu offers a fresh perspective on storytelling.Personal growth is a continuous journey, even in adulthood.Patreon updates aim to enhance user experience and discoverability.Understanding new app features is crucial for creators.Community engagement on platforms like Patreon is vital. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Chuck Dillon joins us this week to talk about his work for Highlights magazine, designing the Costco Monopoly board, and his delightful children's books like The Bravest Booger and The Most Serious Fart.SummaryIn this engaging conversation, Chuck Dillon, a talented cartoonist and illustrator, shares his journey from early inspirations to his successful career in children's book illustration. He discusses the challenges of client feedback, the importance of teaching in his artistic growth, and how boredom can spark creativity. Dillon also reflects on his notable projects, including the Costco Monopoly board and his children's books, The Bravest Booger and The Most Serious Fart. Throughout the discussion, he emphasizes the significance of perspective in art and the joy of collaboration, culminating in a heartfelt acknowledgment of the recognition he has received from his peers.Chuck DillonWebsiteBuy Chuck's books and original artBored PandaThe Bravest BoogerThe Most Serious FartCostco MonopolyTakeawaysChuck Dillon's early inspiration came from Peanuts characters.His first comic strip was published at age 19.Teaching at Hussian School of Art enriched his understanding of art.Client feedback can be challenging but is part of the process.The Costco Monopoly project took 14 months to complete.Hidden pictures allow for creative freedom in children's books.Boredom can spark creativity and innovation.Teaching helps artists reevaluate their own processes.Perspective in art is crucial for creating believable scenes.Recognition from peers is a significant milestone for artists.    You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

For 75 years, Charles Schultz's Peanuts gang has reflected our humor and hope, as well as our struggle to navigate some of life's everyday curveballs. How is it that the characters he created so poignantly reflect how we experience other people and the world around us? And why do a ragtag group of comic strip kids who debuted in newspapers in 1950 post-war America, still resonate with children and adults around the world? Andrew Blauner, author of “THE PEANUTS PAPERS: Writers and Cartoonists on Charlie Brown, Snoopy & the Gang, and the Meaning of Life,” sat down with USA TODAY's The Excerpt to discuss the 75th anniversary of the Peanuts gang and its enduring impact.Have feedback on the show? Please send us an email at podcasts@usatoday.com. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Liana Finck is a cartoonist and an illustrator who has contributed to The New Yorker since 2015. She is the author of several books, including the graphic memoir “Passing for Human.” Like many of her forebears at the magazine, Finck has also published works for children, and her recent book, “Mixed Feelings,” explores the ways that emotions are often confusing—a truth for readers of any age. “Kids' books were my first experience of art. They're really why I do what I do,” she tells David Remnick. Finck discusses her time interning for Maira Kalman, and she shares three “deep cuts” from writers associated with The New Yorker: Kalman's own “What Pete Ate from A to Z”; William Steig's “C D B!”; and “Tell Me a Mitzi,” by Lore Segal, with illustrations by Harriet Pincus.