Podcast appearances and mentions of lilo frank

In questo episodio i Radice cubica ci raccontano la loro storia d'amore e di musica indipendente.Il gruppo hip hop crossover Radice Cubica nasce a Napoli, ufficialmente nel lontano 2013 (anche se sotto un altro nome), quando Lilo Frank all'epoca solista incontra ad un concorso canoro la rapper e cantante Effesei anche lei solista.Da lì nasce il rapporto collaborativo ed anche la loro storia sentimentale, fidanzandosi e successivamente sposandosi proprio ad aprile 2023.Il gruppo si definisce crossover perché usa principalmente il genere con cui è nato ovvero il rap , ma con molte influenze sia pop che rock , alternando i vari stili.Nei loro testi cercano sempre di trasmettere un messaggio chiaro all'ascoltatore.Radice Cubica , Radice per due motivi , il primo perché attaccati alle proprie radici alla propria provenienza , come un albero che trae la propria energia proprio da loro e secondo motivo perché anche miscelando i vari generi appunto il gruppo resta comunque fedele al rap anche se evolvendosi , cubica perché inizialmente i membri erano 3.Il pensiero comune del gruppo è che la musica rende ricchi , e non si intende economicamente ma rende proprio ricchi di cultura, ricchi di gioia e il poterlo fare con le persone che stimi e ami rende il tutto una miscela perfetta.Ascolta l'episodio di Sorriso sospeso e scopri la piacevole chiacchierata tra la zia Fizza e i Radice Cubica.Contatti Radice Cubica:https://www.instagram.com/radicecubica3?igsh=MWIwMG55dHE0cnQ0ZA==https://www.facebook.com/share/EtTpoBvZa6xAFGQZ/https://www.tiktok.com/@radicecubica?_t=8mrwfe635xx&_r=1https://youtube.com/@radicecubicaofficial3?si=sHBQGCvR55y9QnsRhttps://open.spotify.com/artist/1EPX2ajmQSw5TIbAdp8GFl?si=hJFg8-AWScOl7Ro1VJDLjw&utm_source=copy-link--------------------------------------- Io sono Maria Cangiano, ma tu chiamami Fizza...puoi trovarmi su Instagram qui https://www.instagram.com/lafizzapodcaster/ Se vuoi offrirmi un caffè puoi farlo su buymeacoffee: https://www.buymeacoffee.com/mariac.lafizza Tutti i miei link e altri social qui https://linktr.ee/lafizza Hosted on Acast. See acast.com/privacy for more information.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.