Podcasts about Io

On Saturday, Morningline.IO presents the Grade 1 Pegasus World Cup at Gulfstream Park as the Race of the Day. Catch the analysis from David Aragona and Mike Beer here.

Presented by Morningline.IO, this Friday, don't miss the Race of the Day: Race 8 at Laurel Park. David Aragona and Mike Beer share their expert perspectives.

Presented by Morningline.IO, Wednesday's Race of the Day is Turfway Park's eighth race. David Aragona and Mike Beer analyze here.

The Race of the Day for Thursday is the eighth at Aqueduct presented by Morningline.IO. Check out the analysis from David Aragona and Mike Beer.

As Dish Media's new head of programmatic partnerships, Kristinnsson is helping turn advanced TV into a single, addressable marketplace.  Episode TranscriptPlease note, this transcript  may contain minor inconsistencies compared to the episode audio.Damian Fowler (00:00):I'm Damian Fowler.Ilyse Liffreing (00:01):And I'm Ilyse Liffreing.Damian Fowler (00:02):And welcome to this edition of The Big Impression.Ilyse Liffreing (00:09):Today, we're joined by Liam Kristinnsson, head of programmatic partnerships at Dish Media, where he's helping shape how the company connects advertisers with premium audiences across both linear and digital environments.Damian Fowler (00:23):Dish has been pushing hard into the programmatic space. From Dish Connected, it's addressable solution across the ecosystem to Advantage, which links programmatic buying with linear inventory in real time. It's all part of a broader move to bring automation and accountability to advanced TV.Ilyse Liffreing (00:39):We'll talk with Liam about how Dish is tackling fragmentation, what premium really means in a mixed green world, and where the next phase of programmatic growth is headed.Damian Fowler (00:51):So let's get into it.Liam Kristinnsson (00:57):Dish Connected has really revolutionized our product in the marketplace. We've been able to convert an additional four million to five million households into tangible CTV devices across real-time bidding systems across the industry. And it's kind of given us a leg up against some of our more linear competition where we now have full autonomy over our inventory and can enable and provide transparency downstream to any client.Damian Fowler (01:28):That's amazing. I mean, there was a moment there where there was a sort of either all linear or CTV, but this is something that's kind of connecting thoseLiam Kristinnsson (01:38):Two worlds. I think this is the start of the convergence. I know it probably truly started post-pandemic, I would say, but the reality is now that what is perceived as underutilized impression-based audiences are now becoming tangible and kind of overlapping with their traditional legacy linear purchases. And there's much more value to it because we are not enabling people to find attribution in a more roundabout extrapolated way, but we can provide meaningful real time results to third party attribution vendors or measurement vendors.Damian Fowler (02:20):And that brings us to Advantage, which you introduced in May to Power Programmatic and Linear at the same time. Could you tell us a little bit more about that?Liam Kristinnsson (02:30):Yeah. So the beauty of Advantage is it really expands upon what we've already built for Programmatic in Disconnected, but it provides solutions across the whole suite of products we have. Our addressable business can tap into real-time kind of innovations, real-time optimizations against audiences, ensure that we are better delivering across the target audience and finding that incremental reach that in the past may have been next to impossible to verify. And now we have all that inventory in one place. It's kind of like a grocery store when I think the industry has become accustomed to going to a bodega. That's very New York with me, I understand. I like that. But sometimes bodegas have eggs, they have a deli, they might have milk, but they might not always have milk and seltzer and all the little things that you want on a day-to-day basis. And the reality is something lacking when it comes to you being able to actually fill your fridge.(03:35):Now we have all those components that the customer or the client is looking for.Damian Fowler (03:40):Yeah. I like that analogy.Ilyse Liffreing (03:41):It's a good one. Yeah, no, I like that. And now Liam, I'm curious about the advertisers you're working with. Is there a new segment of buyers that Programmatic is really opening the door to here? What is basically your sense of that cohort?Liam Kristinnsson (03:58):Yeah, I think it really has grown overnight programmatic in general, but I think it allows us to have expanded exposure across all clients that are looking for that more meaningful kind of results. I think we are seeing a lot of success in generating a lot of traction across the CPG world, the direct to consumer world. And I think we're finding a nice overlap from a category perspective of what we traditionally looked at as direct IO or addressable business, but maybe not all those brands or clients in maybe like a pharmaceutical vertical would tap or earmark dollars for commitments early in their planning phase. Now they have the liberty and the luxury to find that right audience and enable dollars downstream where we're just not hunting in that lane and now we can kind of, instead of spreading ourselves thin, the technology can enable us to really kind of tap into all those brands, whether it be the CPG or the pharmaceuticals.(05:05):Now on the CPG side, I would double down further. I think because in the linear world, traditionally there's a level of fragmentation when you were to buy linear and you're only getting a percentage of the marketplace. Now the transparency and data that we're passing downstream really changes that, right? Because now these CPG brands are looking to trade off their kind of gross rating points, but kind of understand, all right, am I serving a family that would buy my products? And now we're freeing up the inventory and making it available to those brands that maybe were not always keen on addressable or linear didn't provide enough eyeballs. We're compensating for that with the data we'reIlyse Liffreing (05:49):Providing. Do you have an example of a brand you're working with?Liam Kristinnsson (05:52):Yeah. So I mean, more specifically, even though that wasn't in some of the categories I called out, there was one or two major financial brands that we've been able to elevate our profile quite significantly with and then partner with them around some of their initiatives on the backend. And I think it kind of shows some of the flexibility that a publisher can now provide brands that I don't think they ever associated with a conglomerate or a media company like ourselves.Damian Fowler (06:23):On that point, there is a perception that the space is fragmented and that there's linear here and then there's streaming here. Do you think that that is changing that perception, maybe thanks to some of the work that you're doing?Liam Kristinnsson (06:36):I think that's a lot of our goal. I think that we are simplifying the process and enabling a household or a device level, right? And the device level tends to be at the unique user level and we have the ability to kind of triangulate that and make sure that we're providing good and strong data down to our partners. I think that as a marketplace holistically, I think the fragmentation has changed and I think a lot of that's around some consumer behavior that has changed or specifically around the way consumers are watching more free content or there's pockets where they're not required to provide a subscription. And I think that there's still a gap there and we do have some front porch access to our apps, but we are looking on our end to continue to develop and then enable through Advantage how we can kind of provide those, specifically those returning viewers, that clean look to the advertisers on the back end and really kind of leveraging deterministic data and first party signals to really define that audience more cleanly in some ways that competitors of ours maybe can't do.Ilyse Liffreing (07:53):Overall, how would you describe your measuring the success of these programmatic partnerships?Liam Kristinnsson (08:00):Yeah. So I think that that's a really unique place because that's something that has been our bread and butter. We have our own targeting and attribution team. They've worked very diligently on the direct IO side. I think a lot of the legacy information that they've been able to provide clients and the insights and the ways that we've been able to either cut our inventory or kind of group or the target audiences for these clients have helped demonstrate the programmatic partners the value in not just our audience, which I think is somewhat being underserved because Dish tends to be middle America and maybe they have less apps or maybe they leverage less apps. So they have been underserved. We have a legacy of success around specific verticals and we're able to kind of provide that to these brands. I think the challenge is it's a little bit of a black hole sometimes of how they tie it back to each other.(08:56):And I think there needs to be a little bit more assistance on our end. And by us, I mean the royal we across the industry of like providing some of those insights that I kind of alluded to earlier, whether it's, are we targeting and talking about unique users? Are we looking at success at a household level? And there is some innovation that's required there in the industry, but I think what we're doing is really at the forefront of enabling that.Ilyse Liffreing (09:23):Are there any particular channels that have surprised you in terms of performance or even advertiser adoption?Liam Kristinnsson (09:31):Sure. I mean, I think I imagine everybody talks about the success of sports. Sports has been a real catalyst to the boon of CTV enablement in general, but I think that I'd be remiss not to call out that a lot of our entertainment brands have shined, but not in the ways that traditionally they've been leveraged, right? Even though certain pockets of inventory is not super desirable in the marketplace at times, like news, there are a ton of clients that we've seen a lot of traction there and like pick up incremental success and really drive reach by anonymizing the content that they buy and focusing on the audience.Damian Fowler (10:20):That's interesting. Is there still some resistance to the idea of being around current affairs and news?Liam Kristinnsson (10:26):Yeah. I think I myself came from the website world years ago and I saw firsthand when a certain brand would be next to a certain type of content. And I understand the urgent need to not expose a valuable legacy luxury brand to something that may or may not be bad, right? Yeah. But the reality is often there is a disconnect from the content being consumed and the pod of commercials that's watched, right? Yeah. And while we often, and I'm sure we ... My mother certainly will watch news for hours and hours upon day, which is maybe not healthy for her lifestyle, but I think what's great about it, specifically when she goes to sit down, she is glued in to the TV. And that's something I think that a lot of people are trying to figure out, are people watching? Are they tuned in? Are they walking away?(11:30):And that's the black box of advertising, but I know that people that watch news are glued into the TV and consuming the content between segments. It's kind of like sports, right? Yeah.Damian Fowler (11:43):I think that's true. And I think that's true across all channels as far as I know people reading digital news as well, but I don't want to go off on a massive digression about news, but anyway. But it is fantastic. Can we pull back and look at the big picture a little bit? And we were wondering if there were any precedents or points of inspiration inside or outside of media that inform how you think about programmatic partnerships at Dish?Liam Kristinnsson (12:10):Sure. I mean, I think that back to what I was saying about evolution, I think often in the media industry, we look at things like baseball teams are run today. Not to use a sports analogy. I know you guys are probably sick of them, but- We love sports analogies here. Nelly said the trade death.(12:32):But the reality is these days people want home run hitters. And I think back in the day, that's a little bit of a cyclical history. People always want home run hitters and like big stats, but you win championships with diversity. And I think what partnerships means today is not what it maybe meant 12 or 13 years ago. I think there's a ... We're becoming a world where people, we're all playing Tetris and there's a way to make it all fit together if we cooperate and enable each other. So it's not one size fit all fits all. I think there's a lot of small partnerships and that's good for the competition of the industry and it doesn't take away from the value of these big partnerships. And I think I don't think in my time in TV there's ever been more opportunity there than there is today.Ilyse Liffreing (13:28):Something we often write about at the current is the value of like premium content versus maybe like user generated. For instance, what would you say is the importance of premium and I guess what kind of premium content is most popular? I mean, you brought up sports, but are there any others?Liam Kristinnsson (13:50):Yeah. I mean, I think premium content, I'm sure many people discuss across the course of ad week or just in the industry and in general, how valuable, unique and what's deemed as traditionally primetime TV is. But the reality is it's even more valuable than that because you are in a lot of ways demanding an eclectic audience to watch your spectrum of content and you can't always guarantee that in other places. There is also, sure there's some oversaturation for specific channels and maybe the product that they air, but the reality is it is not what everybody is consuming these days, right? It's Halloween. Everybody can find a bunch of great horror movies or Halloween's coming up, I should say. Everybody could find a bunch of great horror movies across the board, can't always guarantee what is in that content, how glued in they are versus just kind of like, "Oh, it's in season." I think with premium content, specifically around live TV, there's 365 days a year of people competing against each other from a content perspective, but it demands eyeballs.(15:07):And I think we're also starting to see a surprising jump in the youth getting app fatigue, I suppose, that is better enabling that premium content to ensure eyeballs there, but they're paying attention and I cannot stress that enough. In a world of a short attention span, they want to know what's going on and they consumeDamian Fowler (15:28):It. I would almost say it's short form content fatigue to a certain extent. There's something nice about a long form, a game,Liam Kristinnsson (15:41):ADamian Fowler (15:41):Football game,Liam Kristinnsson (15:42):A soccer game, or a movie. To that point, right? I was probably part of the problem with TV from a consumer point of view. I became like a cinephile which didn't help a company's ability to monetize myself, but the more meshed I get into the industry and the more, I don't know, popular I get, the less time I have to go find a film, right? The more time I have to maybe watch a drama about women in New York and I will watch the rerun that I just saw the week before at eight o'clock in anticipation of what's going to happen at nine o'clock, but really because I want to see the reunion or the interview at 10 o'clock, right? So now I'm consuming the same content twice, but I'm even more engaged in the live TV and there's something afterwards that is actually, maybe taped, but it feels live, right?(16:37):Yeah.Damian Fowler (16:37):And that's the proposition that Dish is getting into. I'd want to ask you, how's Dish Media building on the momentum that you've already created?Liam Kristinnsson (16:45):Yeah, I think right now it's what more can we do and how can we keep providing and enabling inventory for the right providers? I think that the assumption in the marketplace for any new product that comes out is, wow, this is it, it's here. 100% of it's enabled. That's never the case, right? It takes a year to ramp up typically for the average product, sometimes as much as three for us. We've been hitting the gas and I think now we're about to go from fifth to sixth speed and really kind of enable our inventory holistically to the marketplace. So for us, it's a little bit of crawl, walk, run from an enablement perspective and with that comes even greater insights into what are they consuming, what's the audience? How do we help define and clean up that audience downstream and then let others maybe do what they do best.(17:45):But we are really in a great position to keep kind of growing that and exposing net new insights about users that I'm not sure everybody's contemplating.Damian Fowler (17:56):Yeah, I'm sure.Ilyse Liffreing (17:57):Very cool. I have a question here about the economy and as you know, and everybody does, it's on kind of shaky ground, you don't know. How do you see spend evolving in the programmatic space at this time?Liam Kristinnsson (18:16):Well, I'm glad you asked that. I think there is marketplace concerns about what is happening on the demand side and a lot of them are valid. A lot of them are maybe being overthought perhaps, but I think there's some rocky roads ahead for specific industries, but it presents a unique opportunity. And I think from a publisher perspective, maintaining the value of inventory and the premium content that they have is absolutely a must because we are going to continue to provide insights and improve products that ultimately will provide better outcomes for backend users. If we kind of enable knee-jerk reactive spend, I think that actually goes against the grain of supply path optimization and increasing outcomes holistically under the guise of potentially lower rates or what have you. But I truly believe that if one category is down, another needs to go up. And I think advertising is like a mutual fund like that where I have lived in Europe in the past and there's a phrase in Scandinavia that like, no matter what happens to our small economy, people will advertise beer because somebody will buy it, right?(19:46):And I think that's much more universal than just in a few select small countries. And I think in a lot of ways we saw that in the pandemic, right? Direct to consumer brands, a lot more variety of entertainment companies or hardware products or TVs were able to kind of put their best foot forward and give the consumer options, right? And I think it's some of their responsibility to provide those options. What we, the publishers can do is enable and ensure they're getting the right results for the content and fitting them in the content or audiences that they really can get the best out of them, right?Damian Fowler (20:28):Absolutely. Okay. We're going to bring this home now with some quick fire questions, right? And here's the first one. What are you obsessed with figuring out right now?Liam Kristinnsson (20:38):Well, this might be a little divisive, but I am obsessed with continuing to improve supply path optimization, but I believe that comes with the slow sunsetting of linear. When I got to Dish, we were still primarily, while our bread and butter was addressable, we were still primarily from a percentage basis, linear, right? Since then, we've completely flipped the script. We are by far and away, mostly impression based. And the reality is I think that we are leveraging too many legacy tools to tell and provide stories on outcomes that are not always as accurate as they should be. We live in a world where transparency is key, maybe not full transparency all the time, but enough transparency where I, the client or brand should be getting a return on our investment or understanding why the audience or the content I was targeting is not working for me.(21:42):And I think that's, those are the pockets we need to start exploring and understanding, not so much the, how do I understand foot traffic on a day-to-day basis, but not convert that to sales when I'm extrapolating out 32 families, right? So that's really, really what I think needs to happen. And I think there's a lot of work to be done there and it's not going to happen overnight, but it starts here and starts with an advantage really.Ilyse Liffreing (22:06):Wow. And why do you think that the slow death of linear, as you said, has to happen for that?Liam Kristinnsson (22:15):I shouldn't say it has to happen. I think there is a time and a place for it, right? I think if I'm going to a bodega and I think I want a soft drink, that's their goal is to make sure that the first thing I think of is whatever the product is, but I think that time and a place is actually creating a lot of noise downstream and creating a lot of challenges for folks on the attribution and measurement side to actually understand and holistically look at their media purchases. And I think it's okay to have gross in terms of volume, ways of looking at how media should be purchased and leveraged, but I believe nine out of 10 clients really, they deserve the insights and the understanding of who is buying their products and how we can figure out how to kind of tie that together and improve into the next year.(23:10):That's how their products are going to build, especially with some of this like in certain categories. There's maybe too many brands or too little, right? Better data will inform beyond individual clients, but it'll enable people to start unique businesses that can compete in an area where there's clearly a lot of eager consumers,(23:35):Right?Ilyse Liffreing (23:36):Very cool. What's one piece of wisdom you'd pass on to other media leaders navigating the shift to programmatic?Liam Kristinnsson (23:43):Yeah. So I hate to say the same thing twice, but if I were to give one piece of wisdom is value your inventory that is going to be the future of your business and there are ways that you can improve your product and enable and improve a third party client or vendor's product, but racing to the bottom for what is happening tomorrow will not enable you next year. And it's a real concern in the marketplace, but my concern is actually twofold that it doesn't actually just hurt publishers, but it ends up ultimately hurting the brands and the people buying the inventory because they are going to receive exponentially more noise, right? And I think that as an industry with a lot of noise, we should really think about like how we can kind of isolate it into, and harness it into, into actual meaningful outcomes.Damian Fowler (24:48):If you could pick one brand that's really nailing programmatic right now, who would it be?Liam Kristinnsson (24:53):Without explicitly calling out a unique brand, but I'll give you two types of folks that are really nailing programmatic. One, I think is second tier auto brands where they are unlocking, and I really think Disconnected plays a great role here. They are unlocking and understanding how they can better access inventory for the right audiences, period. That could be isolating and understanding how I could serve ads from a reach perspective across the city of Des Moines, or it can be somebody looking for blonde-haired men that have two boxer dogs. Secondly, and I think this is part of the paradigm shift across the industry. I think there's quite a number of CPG brands that legacy-wise have really had outstanding success reaching mass eyeballs, whether it's through billboards, radio, traditional linear television. But now again, like they are able to fill a void across the whole ecosystem by getting better, more dynamic insights into the audiences that they're selling to, but also they're actually getting insights, period.(26:13):Retail data, you're talking about? Retail data, yes. And I think if I'm a chip brand, sometimes I want people to know my name first. And that's great. There's a need for that, but eventually you have to start focusing on how you can get money back from that. It's not just about getting your name out there, or it could be diversified. Maybe your name is out there, but now other names have come in, right? Now, how do you leverage the dynamic component of programmatic to diversify your creative and your ability to deliver to the same audience? It'll change the way we think and look at maybe traditional frequency capping or traditional exposure, but now the brand through Programmatic can really lead the new age of creative storytelling and how people understand or change the way people think they know products.Damian Fowler (27:13):And that's it for this edition of The Big Impression.Ilyse Liffreing (27:15):This show is produced by Molten Heart. Our theme is by Love and Caliber, and our associate producer is Sydney Cairns.Liam Kristinnsson (27:22):And remember ... We're also starting to see a surprising jump in the youth kind of getting app fatigue, I suppose, that is better enabling that premium content to ensure eyeballs there, but they're paying attention.Ilyse Liffreing (27:37):I'm Damian. And I'mDamian Fowler (27:38):Ilyse. And we'll see you next time. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The Space Show Presents Guy Schumann, CEO of RSS-Hydro, Tuesday 1-13-26Quick summaryThis program focused on discussing Guy Schumann's transition from academia to founding RSS-Hydro, a company specializing in disaster response and monitoring services using space technology. The discussion covered RSS-Hydro's capabilities in fire and flood monitoring, their business model flexibility, and Guy's academic background in hydrology. The conversation concluded with discussions about the regulatory environment in Luxembourg, the company's future plans including potential AI integration and expansion into new markets, and the broader implications of space technology for disaster management and public awareness.Detailed summaryOur guest, Guy Schumann, discussed his company RSS-Hydro, which provides disaster response and monitoring services using space technology. He explained that while the company is known for flood monitoring, they also offer fire monitoring services due to the ease of detecting fires and heat from space. Guy emphasized that RSS-Hydro is not primarily focused on prevention, but rather on providing rapid insights and assistance during disasters. He also described the company's flexible business model, which allows for both subscription-based and on-demand services, particularly for governments and municipalities with limited budgets.Guy discussed his academic background, transitioning from a professorship at Bristol University to post-doctoral positions at Caltech, JPL, and UCLA, where he was hosted by JPL. He shared his experience working on research projects related to hydrology, focusing on floods, rainstorms, and drought systems. Guy explained how he moved into the private sector in the US, collaborating with companies like Remote Sensing Solutions and Tomorrow.I/O. He mentioned starting his own company, RSS-Hydro in Luxembourg, during the COVID-19 pandemic, while maintaining connections with US research projects through ImageCat. Guy acknowledged the challenges of transitioning from academia to entrepreneurship, noting his lack of business experience compared to his expertise in hydrology.Guy discussed his experience with California's severe drought during his 7-year residence there, highlighting the challenges of managing water resources in the face of climate variability. He explained that his company focuses on providing rapid response and first insights during disasters, using space-born data to offer affordable and comprehensive flood mapping and fire monitoring services globally.Guy explained that fires are easier to monitor from space compared to flooding, and described their data sources, which include public missions from NASA and ESA, as well as partnerships with private satellite operators. He mentioned owning an in-space computer with sensors and the ability to process data from other satellites. Guy also discussed their collaboration with tech companies like Nvidia, Google, and Microsoft to improve data visualization and forecasting tools. David inquired about the future of forecasting and preventing disasters, to which Guy responded that they are developing and refining forecasting models, aiming to commercialize them for easier interpretation of complex data. David concluded by asking about the regulatory environment for private space businesses in Luxembourg, to which Guy did not provide a direct answer.Guy was asked to discuss the business environment in Luxembourg, noting its regulatory challenges compared to the US but highlighting its favorable taxation and government support for space industry startups through accelerator programs. He mentioned that Luxembourg's space agency focuses on business and economic returns rather than research, making it easier for startups to enter the space industry. Guy also explained that Luxembourg has space-based solutions for monitoring soil moisture and predicting floods, with applications like Hydrosense that incorporate rainfall, soil parameters, and vegetation changes.Guy further explained that his company can monitor vegetation and soil moisture through satellite data, which is useful for hydrological applications and fire risk assessment. He noted that while they can measure vegetation indices and assess fire fuel availability, they haven't been specifically requested for this purpose by fire monitoring teams. Guy also mentioned they are currently developing a fire spreading mechanism for their applications. David then posed a hypothetical scenario involving Mayor Bass of L.A. and Governor Newsom seeking a comprehensive space-based solution to manage California's fire and drought risks, to which Guy responded that they could develop a multi-step plan incorporating vegetation monitoring, fire risk assessment, and predictive modeling, but would need to work closely with local experts to tailor the solution to specific needs. He also talked about the importance of key consortium building.Guy discussed the challenges of addressing large-scale infrastructure problems in cities, such as stormwater management, and proposed forming a consortium of companies to develop comprehensive solutions. He emphasized the importance of building partnerships with tech companies and leveraging expertise from various sectors. Guy also highlighted the difficulty of securing political support and budget allocation for such projects, noting that maintaining long-term commitment from city officials can be challenging.David and Guy discussed the current state and future of space technology, emphasizing that while the technology is advanced, there is a need to integrate it affordably and collaboratively. Guy highlighted the importance of democratizing space infrastructure and moving away from high-cost, limited-access models to make space data more accessible and useful for everyday insights. David raised concerns about public understanding of space capabilities, noting that many people, including policymakers, lack basic knowledge about space's role in disaster management and environmental monitoring. Guy agreed, explaining that satellites are crucial for weather forecasting and other Earth observations, and their data significantly improve predictive models. Both emphasized the need for better public awareness and political pressure to leverage space technology for broader societal benefits.Guy took us through the RSS-Hydro's current status and potential future as an AI-driven disaster response company. He explained they are not publicly traded but open to private investment, though they prioritize finding the right investors who align with their mission. Guy and David also discussed the role of AI in their operations, with Guy emphasizing its benefits but also the need for expertise when using AI tools. Marshall raised a question about the balance between real and artificial intelligence, which Guy addressed by highlighting both the potential of AI and the importance of human expertise in its application. David concluded by asking about RSS-Hydro's 5- and 10-year plans. Be sure to listen to it and do post comments on the response on our comment blog and systems.Guy discussed the company's growth trajectory, expressing confidence in doubling revenue annually and potentially exploring public offerings in 5-10 years. He emphasized the importance of maintaining the company's mission of rapid disaster response while expanding its impact. David explored the possibility of utilizing the company's assets for lunar imaging and settlement development, to which Guy responded positively, noting their experience with modeling floods on Mars. They also discussed the company's current focus on disaster response and its potential foray into insurance and proactive risk management. Guy highlighted their work with various clients, including cities and NGOs, and mentioned their participation in upcoming events like the Stormwater Show in Anaheim.This summary is available in full at www.thespaceshow.com and doctorspace.substack.com.Special thanks to our sponsors:American Institute of Aeronautics and Astronautics, Helix Space in Luxembourg, Celestis Memorial Spaceflights, Astrox Corporation, Dr. Haym Benaroya of Rutgers University, The Space Settlement Progress Blog by John Jossy, The Atlantis Project, and Artless EntertainmentOur Toll Free Line for Live Broadcasts: 1-866-687-7223 (Not in service at this time)For real time program participation, email Dr. Space at: drspace@thespaceshow.com for instructions and access.The Space Show is a non-profit 501C3 through its parent, One Giant Leap Foundation, Inc. To donate via Pay Pal, use:To donate with Zelle, use the email address: david@onegiantleapfoundation.org.If you prefer donating with a check, please make the check payable to One Giant Leap Foundation and mail to:One Giant Leap Foundation, 11035 Lavender Hill Drive Ste. 160-306 Las Vegas, NV 89135Upcoming Programs:Broadcast 4488 Zoom, DR. ARMEN PAPAZIAN | Friday 16 Jan 2026 930AM PTGuests: Dr. Armen PapazianArmen presents his latest space economics paper which is posted on The Space Show blog for this program.Broadcast 4489 Zoom Dan Adamo | Sunday 18 Jan 2026 1200PM PTGuests: Dan AdamoZoom: Dan discusses the special lunar orbit being used for the Artemis program Get full access to The Space Show-One Giant Leap Foundation at doctorspace.substack.com/subscribe

New year new pod. McKenzie and Io are rooting around in the media pile 2025 left us to bring you just right AND too hot takes about Eddington, One Battle After Another, Bugonia, Sinners, Marty Supreme, The Long Walk, Toxic Avenger, Weapons, 28 Years Later, Final Destination, Naked Gun, Bring Her Back, The Monkey, Companion, Mickey 17, Wake Up Dead Man, Superman, Welcome to Derry and uh a couple others I forgot about we were kind of just cookin' THIS EPISODES FULL OF SPOILERS OH MY GOD BE CAREFUL YOU SWEET ANGEL Check out Mckenzies letterboxd its a load bearing beam of the internet https://letterboxd.com/kenziebckenzie/ Io can be found on Instagram @Bum.Lung or patreon also go get their shirts and stickers on Etsy at https://www.etsy.com/shop/BumLung This show is published by Strangers in A Tangled Wilderness. We can be found at www.tangledwilderness.org, or on Twitter @TangledWild and Instagram @Tangled_Wilderness. You can support the show on Patreon at www.patreon.com/strangersinatangledwilderness. Our logo is by Robin Savage. And our theme music is by a lovely mountain goblin.

This Saturday, the Race of the Day is Grade 3 Lecomte Stakes at Fair Grounds presented by Morningline.IO. Tune in as David Aragona and Ashley Mailloux offer their analysis.

On Friday, Morningline.IO presents the ninth at Gulfstream Park as the Race of the Day. Catch the analysis from David Aragona and Mike Beer here.

Fluent Fiction - Italian: Delayed Train Sparks Journey to Self-Discovery Find the full episode transcript, vocabulary words, and more:fluentfiction.com/it/episode/2026-01-13-08-38-20-it Story Transcript:It: Il treno per Milano è in ritardo di due ore.En: The train to Milano is delayed by two hours.It: Alla stazione di Firenze, Lorenzo si siede su una panchina di marmo.En: At the Firenze station, Lorenzo sits on a marble bench.It: Sospira mentre guarda i tabelloni che annunciano i ritardi.En: He sighs as he looks at the boards announcing the delays.It: L'aria è fredda, e le persone si stringono nei cappotti.En: The air is cold, and people huddle in their coats.It: Una voce annuncia un altro ritardo.En: A voice announces another delay.It: Lorenzo alza gli occhi al cielo e sente un po' di fastidio.En: Lorenzo looks up at the sky and feels a bit annoyed.It: Ha passato una settimana intensa di lavoro e vuole solo tornare a casa.En: He had an intense week of work and just wants to go home.It: Accanto a lui si siede Ginevra.En: Next to him sits Ginevra.It: Ha un cappello colorato e uno sguardo determinato.En: She has a colorful hat and a determined look.It: Anche lei guarda il tabellone, preoccupata.En: She too watches the board, worried.It: "Ho un'esposizione importante a Milano," mormora.En: "I have an important exhibition in Milano," she murmurs.It: Lorenzo si rivolge a lei e sorride: "Io torno a casa dopo un po' di relax."En: Lorenzo turns to her and smiles: "I'm going home after some relaxation."It: Iniziano a parlare.En: They start to talk.It: Ginevra racconta del suo sogno di diventare un'artista famosa.En: Ginevra tells him about her dream of becoming a famous artist.It: Lorenzo ascolta con interesse.En: Lorenzo listens with interest.It: Anche lui ha un sogno, ma lo ha messo da parte per concentrarsi sul lavoro.En: He too has a dream, but he set it aside to focus on work.It: "Vivo per il mio lavoro," dice Lorenzo.En: "I live for my work," says Lorenzo.It: "Ma ultimamente mi chiedo cosa voglio davvero."En: "But lately, I wonder what I really want."It: Ginevra gli racconta di come ha lasciato un lavoro sicuro per inseguire la sua passione.En: Ginevra tells him how she left a secure job to pursue her passion.It: Lorenzo riflette su questo.En: Lorenzo reflects on this.It: Pensa a Matteo, il suo amico e mentore, che spesso lo incoraggia a trovare un equilibrio nella vita.En: He thinks of Matteo, his friend and mentor, who often encourages him to find a balance in life.It: Nel parlare, Lorenzo si rende conto di quanto gli manchi la libertà e la creatività.En: While talking, Lorenzo realizes how much he misses freedom and creativity.It: Ginevra condivide la sua storia, ed è come se aprisse una porta nella mente di Lorenzo.En: Ginevra shares her story, and it's as if she opens a door in Lorenzo's mind.It: I due parlano di sogni, speranze e scelte.En: The two talk about dreams, hopes, and choices.It: Lorenzo si sente ispirato.En: Lorenzo feels inspired.It: "Forse dovrei esplorare nuove strade," dice pensieroso.En: "Maybe I should explore new paths," he says thoughtfully.It: Il treno finalmente arriva.En: The train finally arrives.It: Lorenzo e Ginevra salgono insieme, promettendo di rimanere in contatto.En: Lorenzo and Ginevra board together, promising to stay in touch.It: C'è qualcosa di speciale in questa nuova amicizia.En: There's something special in this new friendship.It: Mentre viaggiano verso Milano, Lorenzo guarda fuori dal finestrino.En: As they travel towards Milano, Lorenzo looks out the window.It: La neve si accumula sui campi, e lui pensa a un futuro diverso.En: The snow accumulates on the fields, and he thinks of a different future.It: Un futuro dove le sue passioni potrebbero avere spazio.En: A future where his passions might have space.It: Giunti a destinazione, Lorenzo trova Matteo lì ad aspettarlo.En: Upon arrival, Lorenzo finds Matteo there waiting for him.It: "Ciao, Matteo," dice Lorenzo, con un nuovo scintillio negli occhi.En: "Hi, Matteo," says Lorenzo, with a new sparkle in his eyes.It: "Penso di voler cambiare qualcosa nella mia vita."En: "I think I want to change something in my life."It: Il giorno successivo, Lorenzo scrive un messaggio a Ginevra.En: The next day, Lorenzo writes a message to Ginevra.It: Vuole vederla ancora, per continuare a esplorare nuove idee e possibilità.En: He wants to see her again, to continue exploring new ideas and possibilities.It: Sa che sarà un percorso lungo, ma ora ha il coraggio di seguirlo.En: He knows it will be a long journey, but now he has the courage to follow it.It: Sotto il cielo invernale di Milano, Lorenzo trova la forza di iniziare un nuovo capitolo, più semplice e autentico, al fianco di nuovi amici e nuove ispirazioni.En: Under the winter sky of Milano, Lorenzo finds the strength to start a new chapter, simpler and more authentic, alongside new friends and new inspirations. Vocabulary Words:the bench: la panchinato sigh: sospirareto announce: annunciarethe delay: il ritardothe exhibition: l'esposizioneto murmur: mormoraredetermined look: sguardo determinatoto pursue: inseguirethe mentor: il mentorethe sparkle: lo scintilliorelaxation: il relaxthe sky: il cieloto reflect: riflettereto wonder: chiedersito explore: esplorarethe path: la stradato accumulate: accumulareto realize: rendersi contothe chapter: il capitolothe inspiration: l'ispirazioneto promise: prometterethe possibility: la possibilitàauthentic: autenticoto stay in touch: rimanere in contattoto board: salirethe coat: il cappottoto miss: mancarethe balance: l'equilibrioto open a door: aprire una portathe future: il futuro

🧭 REBEL Rundown 🗝️ Key Points 💨 NIV = Support without a tube: CPAP, BiPAP, and HFNC improve oxygenation and reduce the work of breathing.🫁 CPAP = Continuous pressure: Best for hypoxemic patients (e.g., pulmonary edema, OSA).️ BiPAP = Two pressures (IPAP/EPAP): Great for hypercapnic failure (e.g., COPD, obesity hypoventilation).🌬️ HFNC = Heated, humidified high flow: Reduces effort, improves comfort, and enhances oxygen delivery.🩺 Supportive, not definitive: NIV stabilizes patients while the underlying cause is treated. Click here for Direct Download of the Podcast. 📝 Introduction Non-invasive ventilation (NIV) refers to respiratory support provided without endotracheal intubation. The most common modalities include continuous positive airway pressure (CPAP), bilevel positive airway pressure (BiPAP), and high-flow nasal cannula (HFNC). These therapies aim to improve oxygenation, reduce the work of breathing, and potentially prevent invasive mechanical ventilation. 💨 CPAP and BiPAP CPAP delivers a single, continuous pressure during inspiration and expiration. This pressure (commonly 5–10 cm H₂O) helps recruit atelectatic alveoli, reduce shunt, and improve oxygenation. It is commonly used for conditions like pulmonary edema, obstructive sleep apnea, or mild hypoxemia without significant ventilatory failure.BiPAP alternates between two pressures:Inspiratory positive airway pressure (IPAP), augments tidal volume and unloads inspiratory muscles.Expiratory positive airway pressure (EPAP), maintains alveolar recruitment and improves oxygenation.The differential between IPAP and EPAP is critical for reducing hypercapnia in patients with COPD exacerbations or acute hypercapnic respiratory failure.IndicationsCPAP: hypoxemia without major ventilatory failure (e.g., cardiogenic pulmonary edema, atelectasis, OSA).BiPAP: hypercapnia with increased work of breathing (e.g., COPD exacerbation, neuromuscular weakness, obesity hypoventilation).A helpful way to conceptualize CPAP and BiPAP is through the hairdryer analogy. Imagine placing a hairdryer in your mouth: 🩺 Clinical Considerations Masks can be uncomfortable, impair secretion clearance, and limit oral intake.Some patients require sedation to tolerate NIV, but this carries risks in patients with unprotected airways.NIV is thus a high-stakes intervention requiring close monitoring.Common starting dose to understand titration, but start at the level appropriate for your patient:  IPAP 10 cm H₂O / EPAP 5 cm H₂O (“10/5”) and are titrated:Increase IPAP to improve tidal volume and CO₂ clearance.Increase EPAP to recruit alveoli and improve oxygenation.Both may be raised simultaneously if the patient is both hypoxemic and hypercapnic. 🚀 High-Flow Nasal Cannula (HFNC) H: Heated & humidified – improves mucociliary clearance, prevents airway drying, and enhances tolerance. I: Inspiratory flow – high flow meets or exceeds patient demand, reducing respiratory rate and effort.F: Functional residual capacity – modest generation of positive end-expiratory pressure (PEEP), promoting alveolar recruitment.L: Lighter – generally more comfortable and less restrictive than mask-based NIV.O: Oxygen dilution – minimizes entrainment of room air, delivering higher and more predictable FiO₂.W: Washout – flushes anatomical dead space, reducing CO₂ rebreathing.HFNC delivers heated, humidified oxygen at high flow rates (30–60 L/min) through wide-bore nasal prongs. A mnemonic, H-I-F-L-O-W, helps summarize its mechanisms:Indications: Traditionally used for acute hypoxemic respiratory failure (e.g., pneumonia), HFNC is increasingly studied for hypercapnic failure as well, with trials suggesting non-inferiority to BiPAP in select populations. Post Peer Reviewed By: Marco Propersi, DO (Twitter/X: @Marco_propersi), and Mark Ramzy, DO (X: @MRamzyDO) 👤 Show Notes Syed Moosi Raza, MD PGY 3 Internal Medicine Resident Cape Fear Valley Internal Medicine Residency Program Fayetteville NC Aspiring Pulmonary Critical Care Fellow 🔎 Your Deep-Dive Starts Here REBEL Core Cast – Pediatric Respiratory Emergencies: Beyond Viral Season Welcome to the Rebel Core Content Blog, where we delve ... Pediatrics Read More REBEL Core Cast 143.0–Ventilators Part 3: Oxygenation & Ventilation — Mastering the Balance on the Ventilator When you take the airway, you take the wheel and ... Thoracic and Respiratory Read More REBEL Core Cast 142.0–Ventilators Part 2: Simplifying Mechanical Ventilation – Most Common Ventilator Modes Mechanical ventilation can feel overwhelming, especially when faced with a ... Thoracic and Respiratory Read More REBEL Core Cast 141.0–Ventilators Part 1: Simplifying Mechanical Ventilation — Types of Breathes For many medical residents, the ICU can feel like stepping ... Thoracic and Respiratory Read More REBEL Core Cast 140.0: The Power and Limitations of Intraosseous Lines in Emergency Medicine The sicker the patient, the more likely an IO line ... Procedures and Skills Read More REBEL Core Cast 139.0: Pneumothorax Decompression On this episode of the Rebel Core Cast, Swami takes ... Procedures and Skills Read More The post REBEL Core Cast 148.0–Demystifying Non-Invasive Ventilation & HiFlow appeared first on REBEL EM - Emergency Medicine Blog.

In this episode of the Crazy Wisdom podcast, host Stewart Alsop sits down with Peter Schmidt Nielsen, who is building FPGA-accelerated servers at Saturn Data. The conversation explores why servers need FPGAs, how these field-programmable gate arrays work as "IO expanders" for massive memory bandwidth, and why they're particularly well-suited for vector database and search applications. Peter breaks down the technical realities of FPGAs - including why they "really suck" in many ways compared to GPUs and CPUs - while explaining how his company is leveraging them to provide terabyte-per-second bandwidth to 1.3 petabytes of flash storage. The discussion ranges from distributed systems challenges and the CAP theorem to the hardware-software relationship in modern computing, offering insights into both the philosophical aspects of search technology and the nuts-and-bolts engineering of memory controllers and routing fabrics.For more information about Peter's work, you can reach him on Twitter at @PTRSCHMDTNLSN or find his website at saturndata.com.Timestamps00:00 Introduction to FPGAs and Their Role in Servers02:47 Understanding FPGA Limitations and Use Cases05:55 Exploring Different Types of Servers08:47 The Importance of Memory and Bandwidth11:52 Philosophical Insights on Search and Access Patterns14:50 The Relationship Between Hardware and Search Queries17:45 Challenges of Distributed Systems20:47 The CAP Theorem and Its Implications23:52 The Evolution of Technology and Knowledge Management26:59 FPGAs as IO Expanders29:35 The Trade-offs of FPGAs vs. ASICs and GPUs32:55 The Future of AI Applications with FPGAs35:51 Exciting Developments in Hardware and BusinessKey Insights1. FPGAs are fundamentally "crappy ASICs" with serious limitations - Despite being programmable hardware, FPGAs perform far worse than general-purpose alternatives in most cases. A $100,000 high-end FPGA might only match the memory bandwidth of a $600 gaming GPU. They're only valuable for specific niches like ultra-low latency applications or scenarios requiring massive parallel I/O operations, making them unsuitable for most computational workloads where CPUs and GPUs excel.2. The real value of FPGAs lies in I/O expansion, not computation - Rather than using FPGAs for their processing power, Saturn Data leverages them primarily as cost-effective ways to access massive amounts of DRAM controllers and NVMe interfaces. Their server design puts 200 FPGAs in a 2U enclosure with 1.3 petabytes of flash storage and terabyte-per-second read bandwidth, essentially using FPGAs as sophisticated I/O expanders.3. Access patterns determine hardware performance more than raw specs - The way applications access data fundamentally determines whether specialized hardware will provide benefits. Applications that do sparse reads across massive datasets (like vector databases) benefit from Saturn Data's architecture, while those requiring dense computation or frequent inter-node communication are better served by traditional hardware. Understanding these patterns is crucial for matching workloads to appropriate hardware.4. Distributed systems complexity stems from failure tolerance requirements - The difficulty of distributed systems isn't inherent but depends on what failures you need to tolerate. Simple approaches that restart on any failure are easy but unreliable, while Byzantine fault tolerance (like Bitcoin) is extremely complex. Most practical systems, including banks, find middle ground by accepting occasional unavailability rather than trying to achieve perfect consistency, availability, and partition tolerance simultaneously.5. Hardware specialization follows predictable cycles of generalization and re-specialization - Computing hardware consistently follows "Makimoto's Wave" - specialized hardware becomes more general over time, then gets leapfrogged by new specialized solutions. CPUs became general-purpose, GPUs evolved from fixed graphics pipelines to programmable compute, and now companies like Etched are creating transformer-specific ASICs. This cycle repeats as each generation adds programmability until someone strips it away for performance gains.6. Memory bottlenecks are reshaping the hardware landscape - The AI boom has created severe memory shortages, doubling costs for DRAM components overnight. This affects not just GPU availability but creates opportunities for alternative architectures. When everyone faces higher memory costs, the relative premium for specialized solutions like FPGA-based systems becomes more attractive, potentially shifting the competitive landscape for memory-intensive applications.7. Search applications represent ideal FPGA use cases due to their sparse access patterns - Vector databases and search workloads are particularly well-suited to FPGA acceleration because they involve searching through massive datasets with sparse access patterns rather than dense computation. These applications can effectively utilize the high bandwidth to flash storage and parallel I/O capabilities that FPGAs provide, making them natural early adopters for this type of specialized hardware architecture.

The Race of the Day for Thursday is the seventh at Gulfstream Park presented by Morningline.IO. Check out the analysis from David Aragona and Mike Beer.

Presented by Morningline.IO, Wednesday's Race of the Day is Turfway Park's sixth race. David Aragona and Mike Beer analyze here.

.AI, .IO, and .CO propelled this domain investor's 2025 sales. With 2025 in the books, I will be interviewing a handful of domain investors in the coming months to ask them how the year was for them. I find these interviews insightful, as they let you dig into other investors' strategies, understand pricing, and improve […] Post link: It's not just a .com world – DNW Podcast #569 © DomainNameWire.com 2025. This is copyrighted content. Domain Name Wire full-text RSS feeds are made available for personal use only, and may not be published on any site without permission. If you see this message on a website, contact editor (at) domainnamewire.com. Latest domain news at DNW.com: Domain Name Wire.

Moiz Kohari, VP of Enterprise AI and Data Intelligence at DDN, breaks down what it actually takes to get AI into production and keep it there. If your org is stuck in pilot mode, this conversation will help you spot the real blockers, from trust and hallucinations to data architecture and GPU bottlenecks.Key takeaways• GenAI success in the enterprise is less about the demo and more about trust, accuracy, and knowing when the system should say “I don't know.”• “Operationalizing” usually fails at the handoff, when humans stay permanently in the loop and the business never captures the full benefit.• Data architecture is the multiplier. If your data is siloed, slow, or hard to access safely, your AI roadmap stalls, no matter how good your models are.• GPU spend is only worth it if your pipelines can feed the GPUs fast enough. A lot of teams are IO bound, so utilization stays low and budgets get burned.• The real win is better decisions, faster. Moving from end of day batch thinking to intraday intelligence can change risk, margin, and response time in major ways.Timestamped highlights00:35 What DDN does, and why data velocity matters when GPUs are the pricey line item02:12 AI vs GenAI in the enterprise, and why “taking the human out” is where value shows up08:43 Hallucinations, trust, and why “always answering” creates real production risk12:00 What teams do with the speed gains, and why faster delivery shifts you toward harder problems12:58 From hours to minutes, how GPU acceleration changes intraday risk and decision making in finance20:16 Data architecture choices, POSIX vs object storage, and why your IO layer can make or break AI readinessA line worth stealing“Speed is great, but trust is the frontier. If your system can't admit what it doesn't know, production is where the project stops.”Pro tips you can apply this week• Pick one workflow where the output can be checked quickly, then design the path from pilot to production up front, including who approves what and how exceptions get handled.• Audit your bottleneck before you buy more compute. If your GPUs are waiting on data, fix storage, networking, and pipeline throughput first.• Build “confidence behavior” into the system. Decide when it should answer, when it should cite, and when it should escalate to a human.Call to actionIf you got value from this one, follow the show and turn on notifications so you do not miss the next episode.

In factory automation, safety systems are no longer the peripheral add-ons of the past. They are integral to the design, operation and long-term viability of production lines. As automation increases and machinery becomes more interconnected, engineers are routinely tasked with specifying safety controllers, networks, sensors and safety I/O devices that carry a defined safety integrity level (SIL). In this episode of Control Intelligence, written by contributing editor Joey Stubbs, editor in chief Mike Bacidore shares why SIL matters.

Vorresti ricevere notizie, saluti, auguri dalle Apostole della Vita Interiore?Lasciaci i tuoi contatti cliccando il link qui sotto e con la nostra nuova rubrica digitale potremo raggiungerti.https://www.it.apostlesofil.com/database/- Premi il tasto PLAY per ascoltare la catechesi del giorno e condividi con altri se vuoi -+ Dal Vangelo secondo Marco +In quel tempo, Gesù, entrato di sabato nella sinagoga, [a Cafarnao,] insegnava. Ed erano stupìti del suo insegnamento: egli infatti insegnava loro come uno che ha autorità, e non come gli scribi.Ed ecco, nella loro sinagoga vi era un uomo posseduto da uno spirito impuro e cominciò a gridare, dicendo: "Che vuoi da noi, Gesù Nazareno? Sei venuto a rovinarci? Io so chi tu sei: il santo di Dio!". E Gesù gli ordinò severamente: "Taci! Esci da lui!". E lo spirito impuro, straziandolo e gridando forte, uscì da lui.Tutti furono presi da timore, tanto che si chiedevano a vicenda: "Che è mai questo? Un insegnamento nuovo, dato con autorità. Comanda persino agli spiriti impuri e gli obbediscono!".La sua fama si diffuse subito dovunque, in tutta la regione della Galilea.Parola del Signore.

JOYEurovision is back for season 2026. And with it being the 70th edition of the world’s biggest music competition, we all should be celebrating right? The news over the break has made things difficult for Eurovision fans, including Michael and Io. In this season return: Get the latest news about the semi final allocation draw Catch up on the new Eurovision rules introduced after the General Assembly Dive into the issues behind Israel’s participation Find out about the fallout from the EBU General Assembly vote Find out how it’s affecting the JOYEurovision team in 2026 Get involved Follow JOYEurovision across Facebook, Instagram, Threads, TikTok, Bluesky and X at linktr.ee/joy_eurovision Not in Australia? Grab this podcast via Spotify Podcasts. Playlist Käärijä – Disko Balls Go-Jo & Erika Vikman – Appetite Tina Karol – Шиншила Subwoolfer – Dark Side of the Moon Aiko – Time Nemo – Ride My Baby ADONXS – Perfume The post Elephant in the room: New Eurovision rules, old problems; new tunes, old mates appeared first on JOY Eurovision.

We're taking a break this week while Philip recovers from the 'double-whammy' of flu and COVID boosters. (Science works, but sometimes it makes you nap!) However, we couldn't let January 7th pass unnoticed. On this day in 1610, Galileo first spotted Jupiter's moon, Io. To celebrate, we've unlocked the vault for an encore of one of our most popular episodes ever. Strap in for a tour of a lava-covered world with Robin Andrews in... "Walking on IO". ---- DR. ROBIN GEORGE ANDREWS, science writer for The NY Times, National Geographic, Scientific American, and many more, joins us with an IF that'll keep you on your feet: What The IF we could walk on Jupiter's ultra volcanic moon, IO? Would you walk on a hot pizza? If so, you're ready for the trip! The views of Jupiter would be spectacular, but bring your kevlar umbrella because lava's gonna come flyin' out of the sky. One of the most spectacular places in the solar system, Io is also terribly mysterious, bizarre, and confusing to even the greatest scientists of our time. Pack your bags, bring some galoshes, and let's go! --- Robin Andrews is a doctor of experimental volcanology, a full-time freelance science journalist, a part-time photographer, a scientific consultant, an occasional lecturer, public speaker and explain-how-volcanoes-work TV guest, as well as a pending author of a rather curious book. He can tell you exactly how powerful the Death Star is, how cryovolcanoes on alien worlds work, why a supervolcano probably isn't what you think it is, and why the Moon is shrinking. His work has appeared in THE NEW YORK TIMES, THE ATLANTIC, NATIONAL GEOGRAPHIC, SCIENTIFIC AMERICAN, EARTHER, GIZMODO, FORBES, THE VERGE, ATLAS OBSCURA, DISCOVER MAGAZINE, WIRED and elsewhere. VISIT his website: robingeorgeandrews.com -------- REVIEW the show: itunes.apple.com/podcast/id1250517051?mt=2&ls=1 SUBSCRIBE for free: pod.link/1250517051 EINSTEIN'S WAR by our very own MATT STANLEY is on sale now! The Washington Post says "Stanley is a storyteller par excellence." A starred review recipient from KIRKUS, PUBLISHER'S WEEKLY, and BOOKLIST. www.penguinrandomhouse.com/books/60811…81524745417 Thanks & Keep On IFFin'! -- Philip, Matt & Gaby

Stai imparando l'italiano e vuoi evitare di dire cose come "Io è fame" quando hai lo stomaco che brontola? Sei nel posto giusto! Questo test ti farà scoprire se riesci già a ordinare un caffè senza far alzare un sopracciglio al barista, o se rischi ancora di creare situazioni imbarazzanti. Spoiler: Alcune frasi sono corrette, altre... beh, meglio non dirle in giro! Trova tutti gli errori! I Verbi Italiani dal Livello Principiante al Livello Avanzato Come funziona? Per ogni frase, fermati un attimo e chiediti: "È corretta o no?", quindi scopri il tuo livello! Il tuo risultato: 0-6 punti: Principiante avventuroso - meglio ordinare al ristorante col dito sul menù! 7-14 punti: Intermedio promettente - inizi a capirci qualcosa, continua così! 15-20 punti: Avanzato impressionante - gli italiani ti scambiano per uno di loro! LIVELLO 1: SOPRAVVIVENZA IN ITALIA Esercizio 1 "Scusi, io è vegetariano. Nel menù c'è qualcosa senza carne?" ... AIUTO! ERRORE CRITICO! Cosa C'è Che Non Va? Al ristorante hai appena detto "io è vegetariano"... Il cameriere ti guarda perplesso! Il verbo "essere" alla prima persona singolare è "sono", non "è". Quella forma si usa per lui/lei. VERSIONE CORRETTA: "Scusi, io sono vegetariano. Nel menù c'è qualcosa senza carne?" Trucco: Pensa "io SONO / tu SEI / lui È" Esercizio 2 "Ragazzi, ieri sera la pizza da Gino mi ha piaciuto moltissimo!" ... ERRORE DOPPIO! ATTENZIONE! Cosa è andato storto? Qui ci sono ben due errori! Il verbo "piacere" al passato prossimo vuole sempre l'ausiliare ESSERE, NON "avere". Il participio passato deve accordarsi con il soggetto grammaticale (la pizza = femminile singolare), quindi "piaciuta" non "piaciuto". VERSIONE CORRETTA: "Ragazzi, ieri sera la pizza da Gino mi è piaciuta moltissimo!" La formula per "piacere": ESSERE (coniugato) + PIACIUTO/A/I/E (accordato con la cosa che piace) Altri esempi corretti: Il film mi è piaciuto La canzone ti è piaciuta? I dolci ci sono piaciuti Le foto vi sono piaciute Esercizio 3 "Ciao Marco! Tu sei andare alla festa di Lucia sabato scorso?" ... ATTENZIONE! ALLARME ROSSO! Cosa È Andato Storto? Hai praticamente detto "tu sei andare" invece di "sei andato"! Con il passato prossimo, dopo l'ausiliare (essere/avere) ci vuole il participio passato, non l'infinito."Andare" diventa "andato/a". VERSIONE CORRETTA: "Ciao Marco! Tu sei andato alla festa di Lucia sabato scorso?" Attenzione: Con "andare" usiamo sempre l'ausiliare ESSERE! Esercizio 4 "La mia famiglia abita a Milano da dieci anni e ci troviamo benissimo!" ... BRAVISSIMO! ITALIANO AL TOP! Cosa Rende Questa Frase Perfetta? Hai centrato la struttura italiana per azioni che durano ancora!Quando qualcosa è iniziato nel passato e continua ora, usiamo il presente (abita) + "da" + tempo. Ricorda: "Da dieci anni" = l'azione continua ancora adesso! Esercizio 5 "Guarda quelle ragazze! Loro mangia il gelato davanti alla Fontana di Trevi." ... ERRORE DA PRINCIPIANTE! Dove Hai Sbagliato? "Loro mangia"? No no no! "Loro" è plurale, quindi il verbo deve essere "mangiano". "Mangia" lo usi solo per lui/lei (terza persona singolare). VERSIONE CORRETTA: "Guarda quelle ragazze! Loro mangiano il gelato davanti alla Fontana di Trevi." Bonus: In Italia è più comune dire "prendere un gelato", non "mangiare". Esercizio 6 "Stamattina io è comprato i biglietti per il concerto dei Måneskin!" ... DOPPIO ERRORE! CIOÈ? Due Problemi da Risolvere: 1) Hai detto "io è" invece di "io ho". 2) "Comprare" vuole l'ausiliare AVERE, non "essere"! VERSIONE CORRETTA: "Stamattina io ho comprato i biglietti per il concerto dei Måneskin!" Regola d'oro: I verbi che indicano un'azione (comprare, mangiare, bere, studiare) vanno quasi sempre con AVERE! Esercizio 7 "Wow! Francesca canta come un angelo ieri al karaoke!" ... CONFUSIONE TEMPORALE! Qual È il Problema? Hai usato il presente "canta" ma poi hai detto "ieri"! Quando parli di ieri, devi usare il passato prossimo: "ha cantato". Il presente serve per cose abituali o che succedono ora. VERSIONE CORRETTA: "Wow! Francesca ha cantato come un angelo ieri al karaoke!" LIVELLO 2: TI STAI INTEGRANDO BENE! Esercizio 8 "A te interessi i film italiani? A me sì, molto!" ... ERRORE SUBDOLO! Cosa C'è Che Non Va? Verbi come "interessare", "piacere", "mancare", "servire" hanno una costruzione particolare in italiano! Il soggetto grammaticale NON è la persona, ma la cosa che piace o interessa. Nella frase "a te interessi" hai coniugato il verbo come se "tu" fosse il soggetto, ma in realtà il soggetto sono "i film" (plurale). VERSIONE CORRETTA: "A te interessano i film italiani? A me sì, molto!" La struttura corretta: Ti interessa la musica? Vi interessano i libri di storia? Regola d'oro: Con questi verbi, coniuga il verbo in base alla cosa che piace/interessa, non alla persona! Esercizio 9 "Eh, se io avrei più soldi, farei un viaggio in Costiera Amalfitana!" ... L'ERRORE PIÙ COMUNE ANCHE TRA GLI STUDENTI AVANZATI! Il Tranello del "SE": Mai, MAI usare il condizionale dopo "se"! È tentante perché in molte lingue si fa, ma in italiano è un errore grave. Dopo "se" ci vuole il CONGIUNTIVO IMPERFETTO, POI il condizionale. VERSIONE CORRETTA: "Eh, se io avessi più soldi, farei un viaggio in Costiera Amalfitana!" VIETATO: Se + condizionaleCORRETTO: Se + congiuntivo Esercizio 10 "Stavo studiando i verbi irregolari quando improvvisamente mi ha chiamato la mia amica italiana per fare aperitivo." ... ECCELLENTE! MAESTRIA TEMPORALE! Cosa Hai Fatto di Giusto? Hai combinato perfettamente due azioni passate: Imperfetto "stavo studiando" = azione in corso, lo sfondo della scena Passato prossimo "ha chiamato" = azione improvvisa che interrompe In Sintesi: l'imperfetto è la scena, il passato prossimo è l'evento che accade! Esercizio 11 "Oh no! Siamo partiti la valigia in hotel e ora siamo già in aeroporto!" ... COSTRUZIONE IMPOSSIBILE! Dove Sta l'Assurdità? "Partire la valigia"? Il verbo "partire" significa andare via, non lasciare qualcosa! Se vuoi dire che hai dimenticato la valigia, devi usare "lasciare" o "dimenticare" (che vogliono AVERE come ausiliare). VERSIONE CORRETTA: "Oh no! Abbiamo lasciato la valigia in hotel e ora siamo già in aeroporto!" Esercizio 12 "Hai visto le chiavi della macchina? Sì, le ho visto sul tavolo stamattina." ... ERRORE NASCOSTO! SCOPRIAMOLO! Perché È Sbagliato (Anche Se Suona Bene)? Questo è un tranello per studenti avanzati! Quando usiamo i pronomi diretti (lo, la, li, le) prima del verbo al passato prossimo, il participio passato si accorda con il pronome. "Le" si riferisce alle chiavi (femminile plurale), quindi il participio deve essere "viste". VERSIONE CORRETTA: "Hai visto le chiavi della macchina? Sì, le ho viste sul tavolo stamattina." Confronta: "Ho visto le chiavi" (nessun accordo senza pronome) "Le ho viste" (accordo con il pronome "le") "L'ho vista" (la = singolare femminile) "Li ho visti" (li = plurale maschile) Esercizio 13 "Per passare l'esame di italiano, è necessario che tu fai tanti esercizi di grammatica." ... CONGIUNTIVO MANCANTE! Cosa Manca? Dopo espressioni come "è necessario che", "è importante che", "bisogna che", DEVI usare il congiuntivo, NON l'indicativo! È una regola ferrea in italiano. VERSIONE CORRETTA: "Per passare l'esame di italiano, è necessario che tu faccia tanti esercizi di grammatica." Trigger words del congiuntivo: "È necessario/importante/giusto/possibile che..." Esercizio 14 "È sicuro che il prossimo weekend fa bel tempo e noi andremo al mare!" ... PERFETTO! SICUREZZA GRAMMATICALE! Perché È Giusto NON Usare il Congiuntivo? Ottima domanda! Quando esprimi certezza assoluta ("è sicuro che/so che/è chiaro che..."), devi usare l'indicativo.Il congiuntivo serve per dubbi, speranze, opinioni. Qui sei sicuro! Probabilmente hai visto le previsioni. La regola d'oro: CERTEZZA → Indicativo DUBBIO → Congiuntivo LIVELLO 3: SEI QUASI ITALIANO! Esercizio 15 "Pensavo che Luca fosse già arrivato alla stazione, ma poi ho scoperto che era in ritardo come sempre!" ... INCREDIBILE! CONCORDANZA DEI TEMPI PERFETTA! Cosa Hai Fatto di Straordinario? Hai usato il congiuntivo trapassato ("fosse arrivato") dopo un verbo al passato ("pensavo"). Questa è concordanza dei tempi da professionista!Il congiuntivo trapassato esprime un'azione che credevi fosse accaduta prima. Timeline mentale: Prima: Luca arriva (pensavi) Dopo: Tu pensi Realtà: Era in ritardo Formula avanzata: Pensavo/credevo/immaginavo + che + congiuntivo trapassato Esercizio 16 "Benché lui ha studiato il congiuntivo per settimane, continua a fare errori!" ... L'IRONIA! ERRORE SUL CONGIUNTIVO! Dov'è l'Ironia? Stai parlando del congiuntivo ma... hai dimenticato di usarlo! "Benché" è una congiunzione che richiede SEMPRE il congiuntivo. In questo caso, congiuntivo passato perché l'azione di studiare è terminata. VERSIONE CORRETTA: "Benché lui abbia studiato il congiuntivo per settimane, continua a fare errori!" Parole-spia del congiuntivo: "benché, sebbene, nonostante, affinché, prima che..." Esercizio 17 "Se avessi accettato quel lavoro a Roma tre anni fa, ora vivrei nella Città Eterna!" ... FANTASTICO! PERIODO IPOTETICO DA MANUALE! Perché È Perfetto? Hai costruito un perfetto periodo ipotetico del quarto tipo (misto): Protasi: "Se avessi accettato" (congiuntivo trapassato) Apodosi: "vivrei" (condizionale presente)

Outland (1981) synopsis: “A federal marshal newly stationed at a mining colony on the Jupiter moon of Io notices a series of unusual deaths. Against the advice of everyone, he digs deeper to find the cause, and finds himself marked for death.”Starring: Sean Connery, Frances Sternhagen, James B. Sikking, and Peter BoyleDirector: Peter HyamsOn this bonus episode of Podcasting After Dark, Corey flies solo and reviews Outland starring Sean Connery! If you've never seen this movie before, it's basically a crime thriller in the Alien universe. And that should be all you need to know to watch it…but also check out this review lolLeave a comment on Spotify and let us know what you thought of this bonus mini-review!— SUPPORT PODCASTING AFTER DARK —PATREON - Two extra shows a month including Wrap-Up After Dark and The Carpenter Factor, plus other exclusive content!MERCH STORE - We have a fully dedicated merch store at TeePublic with multiple designs and products!INSTAGRAM / FACEBOOK / LETTERBOXD - Follow us on social media for updates and announcements!This podcast is part of the BFOP Network

We explore how connectivity and data acquisition turn control panels into smart, reliable parts of the plant. From switches and routers to analog I/O, cellular access, and trends, we show how to reduce downtime, boost OEE, and make better decisions faster.• why the finish line is real-time awareness• roles of industrial switches on local networks• routers for segmentation, security, and northbound data• cellular modems for remote alerts and support• analog inputs for level, pressure, and trends• analog outputs for smooth valves, VFDs, and stability• early warnings, predictive cues, and OEE gains• practical design for reliability, support, and growth• how EECO helps select, architect, and modernize panelsIf you don't have your EECO Online account set up yet, please get just connect with us. There'll be links in the show notes as well for you to be able to do that. All the links will be will be set up there, and all that can be found at ecooonline.com.Keep Asking Why...Read our latest article on Industrial Manufacturing herehttps://eecoonline.com/inspire/panels_201Online Account Registration:Video Explanation of Registering for an AccountRegister for an AccountOther Resources to help with your journey:Installed Asset Analysis SupportSystem Planning SupportSchedule your Visit to a Lab in North or South CarolinaSchedule your Visit to a Lab in VirginiaSubmit your questions and feedback to: podcast@eecoaskwhy.comFollow EECO on LinkedInHost: Chris Grainger

Vitality and Generative Capacity - Ep185 This podcast is a blend of walking thoughts, followed by three readings which are appended to support the experience and concepts I talk about. It is based on the experience I had of loosing power at home for almost 5 days just before Christmas this year.  The first reading is from Mike Salemi. You can find him on his site Mike Salemi dot IO. He talks about five nutrients that all men need.  The second is from Evan Peikon, who has a Substack titled On Human Performance. He discusses the limitations of modern wearable devices and what they can and cannot tell us, making the case that wearable companies are effectively writing checks they cannot always cash when they draw multiple conclusions from a single device.  The third is from Michael Holt, who discusses how modern man is most often depleted, and how this leads to an erosion of his abilities to be generative. This state does not only impact his ability to perform at the highest level, it negatively impacts everyone in his life.   Links: Mike Salemi ►► https://mikesalemi.io Evan Peikon ►► https://onhumanperformance.substack.com Michael Holt ►► https://savageandsaint.com

Happy new year let's start this off with a banger, it's Dynamite review time! Why are there always 50 contenders? The longest catch phrase ever Briscoe still goofy Mina jealous Sasha and Io bad promo and one doesn't speak english Fun house mirror for Mortis Stand by match for 2 mins Why not make it for the title Thank god for Skye that it's pretaped A good guy but the rest bad guys No multi titles and now what since you did it backwards? Subscribe on patreon.com/LingusMafia for ad-free and video versions of the show, exclusive PPV/PLE reviews and bonus shows including every Wrestlemania, SummerSlam, Royal Rumble, Survivor Series, and Saturday Night's Main Event ever. Get access to over 10 years of podcasts! Stay connected: All our social media (@LingusMafia) links can be found here: https://linktr.ee/lingusmafia We have merch! Shirts, hoodies, stickers and more: lingusmafiashop.printify.me/ Drop us an email with comments or questions: lingusmafia@gmail.com Check our YouTube out at Wrestle Lingus Show! Remember to leave a comment and rate the show wherever you get your podcast from, we gotta get the word out there, we aren't too proud to beg, please?   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this intense episode of We're Done Here, comedian Brittany Brave sits down with Meka Mo to talk candidly about domestic violence. Together, they unpack the realities of abuse, the ways it shapes personal and professional life, and the strength it takes to speak openly about experiences often kept in the dark. Raw, thoughtful, and deeply human. Are you ready to be done here? Grab your headphones, hit play, and get ready to laugh, cry, and learn. This is “We're Done Here”, and we're done talking. Now it's your turn to listen.

- Premi il tasto PLAY per ascoltare la catechesi del giorno e condividi con altri se vuoi -+ Dal Vangelo secondo Giovanni +In quel tempo, Giovanni, vedendo Gesù venire verso di lui, disse: «Ecco l'agnello di Dio, colui che toglie il peccato del mondo! Egli è colui del quale ho detto: "Dopo di me viene un uomo che è avanti a me, perché era prima di me". Io non lo conoscevo, ma sono venuto a battezzare nell'acqua, perché egli fosse manifestato a Israele».Giovanni testimoniò dicendo: «Ho contemplato lo Spirito discendere come una colomba dal cielo e rimanere su di lui. Io non lo conoscevo, ma proprio colui che mi ha inviato a battezzare nell'acqua mi disse: "Colui sul quale vedrai discendere e rimanere lo Spirito, è lui che battezza nello Spirito Santo". E io ho visto e ho testimoniato che questi è il Figlio di Dio».Parola del Signore.

Vorresti ricevere notizie, saluti, auguri dalle Apostole della Vita Interiore?Lasciaci i tuoi contatti cliccando il link qui sotto e con la nostra nuova rubrica digitale potremo raggiungerti.https://www.it.apostlesofil.com/database/- Premi il tasto PLAY per ascoltare la catechesi del giorno e condividi con altri se vuoi -+ Dal Vangelo secondo Giovanni +Questa è la testimonianza di Giovanni, quando i Giudei gli inviarono da Gerusalemme sacerdoti e levìti a interrogarlo: «Tu, chi sei?». Egli confessò e non negò. Confessò: «Io non sono il Cristo». Allora gli chiesero: «Chi sei, dunque? Sei tu Elìa?». «Non lo sono», disse. «Sei tu il profeta?». «No», rispose. Gli dissero allora: «Chi sei? Perché possiamo dare una risposta a coloro che ci hanno mandato. Che cosa dici di te stesso?». Rispose: «Io sono voce di uno che grida nel deserto: Rendete diritta la via del Signore, come disse il profeta Isaìa».Quelli che erano stati inviati venivano dai farisei. Essi lo interrogarono e gli dissero: «Perché dunque tu battezzi, se non sei il Cristo, né Elìa, né il profeta?». Giovanni rispose loro: «Io battezzo nell'acqua. In mezzo a voi sta uno che voi non conoscete, colui che viene dopo di me: a lui io non sono degno di slegare il laccio del sandalo».Questo avvenne in Betània, al di là del Giordano, dove Giovanni stava battezzando.Parola del Signore.

Ellie GMs for Beth, Crash, Io, & Jen. This episode: The adventurers make a delivery to Eivorsby as a cover for investigating some alleged weirdness. Rocks fall, but no one dies. Relevant names: Shopkeeper/fauth (collects taxes/represents town): Luigsech (LOO sha), feltin woman, mid-40s Assistant: Ealdberht (YALD bert) human man, early 20s Tavernkeeper: Lluc (luke), skai man, indeterminate Assistant: Pæga (PAY gah), human man, early 20s Staff: Oxana (giona woman), Augustus (skai man), Hinnerk (human man) Woodwright: Þórunn (THOR oon), gruv woman, mid-40s Apprentice: Síthmaith (shee MAYTH), feltin woman, late teens Blacksmith: Viktoriya, giona woman(?), indeterminate Apprentice: Dagny, human woman, late teens Tanner: Áile (AY lah), tuwati woman, mid-30s Apprentice: Catguocaun (kad GOO kan), feltin man, late teens Scholar in residence: Quintilianus, skai man, middle-aged Guards: Ulrikke, Hallsteinn (gruv), Facundo (skai), Hildr (tuwati) Ingvildr, gruv woman, mid-40s, heading south toward the mountains Imke, kid rock fell on Hinrich, kid who came for help Follow this series on… RSS: https://aaronbsmith.com/cogwheel/tag/plus-ultra-s2/feed/ Patreon: https://www.patreon.com/cogwheelgaming Mastodon: https://is.aaronbsmith.com/@cogwheel Not on Mastodon? Consider these instances: gamepad.club dice.camp mastodon.art chirp.enworld.org tabletop.vip MP3 Download: Plus Ultra S2 Ep 05: The Tree of Crows (Cypher System) Music Used: “The Digital Dragon” by Drozerix is licensed as Public Domain and can be downloaded from http://modarchive.org Keep us ad free by supporting us on Patreon! Thanks to our current Patreon Patrons (as of this upload…): Cindy (Patron Emeritus), Ellie, Liv Dromen, Paul, ShanShen, and Walter!

-- Description --DragonRaid was an attempt to connect with RPG enthusiasts and to use that connection to educate and increase their faith. What did it do right? What did it do wrong? What can we do - as Christian gamers - to ensure our tables are authentic both to the game, itself, and to our identities in Christ?Like what you're hearing? Visit the blog: ⁠https://clericswearringmail.blogspot.com/⁠Want to get in on the conversation, yourself? Send in a voicemail on SpeakPipe: ⁠https://www.speakpipe.com/WhisperingGMPodcast⁠...or join the conversation on Spotify for Podcasters: ⁠https://podcasters.spotify.com/pod/show/the-whispering-gm/message⁠...or come hang out with all of us on Discord: ⁠https://discord.gg/kQnrK4YCCn-- Show Notes --00:00 - Theme00:22 - Mirke the Meek - DragonRaid?!?02:35 - What is DragonRaid?07:27 - Does (or Did) DragonRaid Succeed or Fail?16:50 - Will I be playing DragonRaid? (Spoiler: No.)20:52 - Does Losing Diminish God?26:19 - Gratitude and Direction29:33 - Benediction and Theme-- Links --* Mirke the Meek Podcast: https://open.spotify.com/show/3C2sM7eSEd6uZoyXlLc0Yo Itch.IO: https://mirkethemeek.itch.io/* Ode to '74: https://clericswearringmail.blogspot.com/2023/10/ode-to-74.html* Chubby Funster, Cognitive Load: https://youtu.be/M7h0VaWM3fM

Send us a Message! (But we can't respond, so feel free to email us at info@roman3.ca)This episode touches on the theme of Practical Psychology.In this episode, we explore some psychological concepts and principles that can help us better understand both those we work with and ourselves.Coby walks us through these 3 concepts:The Halo/Horn EffectNegativity BiasHerzberg's Two-Factor Theory Of Motivation-HygieneOur prescription for this episode is to think critically about how these different theories impact our workplaces, our team members, and ourselves. Our workplace culture is shaped by a combination of factors; understanding where they come from is a good place to start.Past Episode  Referenced:S2 E17 - What Is Some Practical Psychology That Can Improve How I Lead And Work With Others?S3 E11 - What Is Some Practical Psychology For The Workplace? [PART 2]You can reach out to us to talk more about successfully working with others, just contact us at info@roman3.ca or through our LinkedIn page at https://www.linkedin.com/company/roman3Don't forget to sign up for our New Quarterly Newsletter that launched this fall!About Our Hosts!James is an experienced business coach with a specialization in HR management and talent attraction and retention. Coby is a skilled educator and has an extensive background in building workforce and organizational capacity. For a little more on our ideas and concepts, check out our Knowledge Suite or our YouTube Channel, Solutions Explained by Roman 3.

durée : 00:12:03 - Les Midis de Culture - par : Marie Labory - Avec "Tutu", la compagnie Chicos Mambo signe un spectacle de danse. Six interprètes revisitent les grands styles chorégraphiques, dans un tourbillon visuel devenu culte. - réalisation : Laurence Malonda - invités : Marie Sorbier Productrice du "Point Culture" sur France Culture, et rédactrice en chef de I/O; Zoé Sfez Productrice de "La Série musicale" sur France Culture

Send us a textA whirlwind tour through Star Wars Minis, Strange New Worlds' finale reveals, DC's Absolute surge, and the business of legacy IP from Peanuts to Archie. We weigh box office milestones, a 007 delay, and what TMNT's toy shift means for collectors and kids.• Star Wars Minis launch as a kid-friendly gateway• Strange New Worlds adds Bones and Sulu in the finale• DC's Absolute Universe drives sales and awards momentum• Brainiac casting sets stakes for Man of Tomorrow• Disney crosses $6B worldwide with a tight slate• IO's 007 delay to May 2026 and editions overview• Sony boosts Peanuts ownership for global strategy• Archie teams with Oni for 2026 reimagining• TMNT toy license ends at Playmates, collectors implicationsWe're on BlueSky at multiversetom, Threads, Facebook, and Instagram at multiversetonight. If you've gotten some value out of the show and would like to pay it back, please head on over to multiversetonight.com, where you can find our Patreon and Ko-fi links, check our show notes, visit our TeePublic store, and so much more. Go ahead and hit that subscribe button, share it with others.Support the showThanks for listening! Come visit the podcast at https://www.multiversetonight.com/

durée : 00:15:28 - Les Midis de Culture - par : Marie Labory - Créé à Broadway en 1975 et devenu un classique absolu, "Chicago" s'installe au Casino de Paris. Jazz, crimes, médias et justice composent ce musical culte, porté par des numéros emblématiques. - réalisation : Laurence Malonda - invités : Zoé Sfez Productrice de "La Série musicale" sur France Culture; Marie Sorbier Productrice du "Point Culture" sur France Culture, et rédactrice en chef de I/O

durée : 00:27:29 - Les Midis de Culture - par : Marie Labory - Au programme de notre débat critique pour bien commencer la semaine : deux spectacles à l'affiche, "Chicago", le musical, et Tutu. - réalisation : Laurence Malonda - invités : Zoé Sfez Productrice de "La Série musicale" sur France Culture; Marie Sorbier Productrice du "Point Culture" sur France Culture, et rédactrice en chef de I/O

Crash GMs Cypher System for Beth, Ellie, Io, & Jen. This session: The alleged gods arrive in town to find an inn and medical treatment, after which nothing supernatural occurs. Follow this series on… RSS: https://aaronbsmith.com/cogwheel/tag/cogworld-s1/feed/ Patreon: https://www.patreon.com/cogwheelgaming Mastodon: https://is.aaronbsmith.com/@cogwheel Not on Mastodon? Consider these instances: gamepad.club dice.camp mastodon.art chirp.enworld.org tabletop.vip MP3 Download: Cogworld S1 Ep 04: Doctor In The House (Cypher System) Music Used: “Christofori’s Dream” by christofori is licensed as Public Domain and can be downloaded from http://modarchive.org Keep us ad free by supporting us on Patreon! Thanks to our current Patreon Patrons (as of this upload…): Cindy (Patron Emeritus), Ellie, Liv Dromen, Paul, ShanShen, and Walter!

[#399 – The babble best of 2025] As the sun sets on another year, we can’t forget the bangers that have lit up our radios and made love to our ears during season number 12. Michael and Io try their best to limit themselves to just a dozen songs that illustrate just how good pop music is when it’s not in English. Presenting the best of babble for 2025… but don’t limit yourself to just these 12. Relive the whole season via the pod. Liked a particular track? Click the link to check out the video. Want to catch up on the episode? Click through on the Episode Number. And don’t forget to follow across social media: Facebook | X (Twitter) | Threads Playlist TORFI & Páll Óskar – EF ÞÚ HEFUR ÁHUGA [#377 – Icelandic: IF YOU ARE INTERESTED]      manifest – Snap [#384 – Turkish]      Domen Kumer – Bolano [#378 – Slovenian: Sick]      Youngtak & Kim Yonja – Juicy Go [#388 – Korean]      Voice of Lele – E Mambo [#375 – Papuan]      Orietta Berti, Fabio Rovazzi & Fuckyourclique – Cabaret [#378 – Italian]      ТУЧА – Комета [#383 – Ukrainian: Comet]      dia maté & Sassa Gurl – Ganda Gandahan (Remix) [#391 – Tagalog: Beautiful Beautiful]      Katarina Živković – Surova realnost [#395 – Serbian: Harsh reality]      Benjamin – Bensaa tulipaloon [#390 – Finnish: Adding fuel to the fire]      Xamdam Sobirov – Altingul [#383 – Uzbek: Golden]      Emilia & Six Sex – pasarella [#378 – Spanish: Catwalk]      The post Three hundred and ninety-nine – Give it up for 2025! appeared first on babble POP!.

What's a supervolcano? Neil deGrasse Tyson and comic co-host Matt Kirshen discover all types of volcanoes in the solar system with cosmochemist and author of Fire and Ice: The Volcanoes of the Solar System, Natalie Starkey. Is there such a thing as an ice volcano?Originally Aired October 5, 2021. NOTE: StarTalk+ Patrons can listen to this entire episode commercial-free here: https://startalkmedia.com/show/cosmic-queries-space-volcanoes-fire-and-ice-with-natalie-starkey/ Subscribe to SiriusXM Podcasts+ to listen to new episodes of StarTalk Radio ad-free and a whole week early.Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode of the World Extreme Medicine Podcast, we explore one of the most talked-about studies in pre-hospital trauma care: “Beyond IO and IV - Trauma Lines in Pre-Hospital Haemorrhagic Shock.”Host Eoin Walker is joined by Paolo Pallavicini, final-year medical student and research fellow with London's Air Ambulance and the Centre for Trauma Sciences, to unpack a groundbreaking study analysing over 8,000 trauma patients.They discuss:Why standard IV and IO access can be inadequate in exsanguinating traumaHow trauma lines can double pre-hospital blood delivery ratesSuccess, complication, and survival outcomes from the studyThe future of central venous access in pre-hospital carePaolo also offers key insights into the realities of working in a chaotic roadside environment, the importance of governance and training, and how clinical risk-benefit decisions are made when every second counts.Read the paper here.Find out more about London Air Ambulance Service.

🧭 REBEL Rundown 🗝️ Key Points 💨 Peak vs. Plateau Pressures: PIP reflects total airway resistance and compliance, while Pplat isolates alveolar compliance—elevations in both suggest decreased lung compliance (e.g., ARDS, pulmonary edema, pneumothorax).🧱 PEEP Protects Alveoli: Maintains alveolar recruitment and prevents collapse; typical range 5–8 cmH₂O, but higher levels may benefit moderate–severe ARDS.️ Driving Pressure (ΔP = Pplat − PEEP): Lower ΔP reduces atelectrauma and improves outcomes; optimize by adjusting PEEP thoughtfully.💥 Prevent VILI: Keep Pplat < 30 cmH₂O, use low tidal volumes (6 mL/kg IBW), and monitor for barotrauma, volutrauma, atelectrauma, and biotrauma.📚 Evidence-Based Practice: ARDSNet and subsequent trials confirm that lung-protective ventilation—low Vt, limited pressures, and individualized PEEP—improves survival in ARDS. Click here for Direct Download of the Podcast. 📝 Introduction This episode reviews essential ventilator pressures and how to interpret them during ICU rounds. 🚀 Under Pressure Peak Inspiratory Pressure (PIP)Definition: Total pressure required to deliver a breath.Reflects: Airway resistance + lung/chest wall compliance.Common Causes of ↑ PIP:Mucus pluggingBiting the endotracheal tubeKinked tubing or bronchospasmPlateau Pressure (Pplat)Definition: Alveolar pressure measured after an inspiratory hold.Reflects: Lung compliance (stiffness of lung tissue).When Both PIP & Pplat Are Elevated:→ Indicates poor compliance (e.g., ARDS, pulmonary edema, pneumothorax).Positive End-Expiratory Pressure (PEEP)Definition: Pressure remaining in airways at end-expiration to prevent alveolar collapse.Typical Range: 5–8 cmH₂O but needs to titrated to meet patient requirements Notes:Provides physiologic “glottic” PEEP in intubated patients.Using high PEEP strategy shows mortality benefit only in moderate–severe ARDS in meta-analysis.Driving Pressure (ΔP)Definition: ΔP = Pplat − PEEP.Reflects: Pressure needed to keep alveoli open during the respiratory cycle.Goal: Lower ΔP → less atelectrauma & improved outcomes.Optimize: Increase PEEP to reduce ΔP and alveolar cycling. 📖 Interpreting High PIP/High Pplat ↑ PIP & ↑ PplatInterpretation: ↓ ComplianceCommon Causes: ARDS, pulmonary edema, pleural effusion, pneumothorax↑ PIP & Normal/Low PplatInterpretation: ↑ Airway ResistanceCommon Causes: Mucus plug, bronchospasm, tube obstruction or biting 🤕 Ventilator-Associated Lung Injury (VILI) Barotrauma:Mechanism: Excessive airway pressure damages alveoli.Prevention: Keep Pplat < 30 cmH₂O.Volutrauma:Mechanism: Overdistension from excessive tidal volumes.Prevention: Use low tidal volume ventilation (6 mL/kg ideal body weight).ARDSNet trial: 6 mL/kg → lower mortality compared to 12 mL/kg.Ideal Body Weight: Based on height and sex, not actual weight.Typical patient: Tidal Volume: 6–8 mL/kg IBWARDS: Tidal Volume: 4–6 mL/kg IBWAtelectrauma:Mechanism: Repeated opening/collapse of unstable alveoli.Prevention: Optimize PEEP to keep alveoli open and reduce driving pressure.Biotrauma:Mechanism: Inflammatory cascade (↑ IL-6, TNF-α) from mechanical injury.Effect: Can trigger systemic inflammation & multiorgan dysfunction.Prevention: Minimize all other forms of VILI. Post Peer Reviewed By: Marco Propersi, DO (Twitter/X: @Marco_propersi), and Mark Ramzy, DO (X: @MRamzyDO) 👤 Show Notes Joel Rios Rodriguez, MD PGY 3 Internal Medicine Resident Cape Fear Valley Internal Medicine Residency Program Fayetteville NC Aspiring Pulmonary Critical Care Fellow 🔎 Your Deep-Dive Starts Here REBEL Core Cast – Pediatric Respiratory Emergencies: Beyond Viral Season Welcome to the Rebel Core Content Blog, where we delve ... Pediatrics Read More REBEL Core Cast 143.0–Ventilators Part 3: Oxygenation & Ventilation — Mastering the Balance on the Ventilator When you take the airway, you take the wheel and ... Thoracic and Respiratory Read More REBEL Core Cast 142.0–Ventilators Part 2: Simplifying Mechanical Ventilation – Most Common Ventilator Modes Mechanical ventilation can feel overwhelming, especially when faced with a ... Thoracic and Respiratory Read More REBEL Core Cast 141.0–Ventilators Part 1: Simplifying Mechanical Ventilation — Types of Breathes For many medical residents, the ICU can feel like stepping ... Thoracic and Respiratory Read More REBEL Core Cast 140.0: The Power and Limitations of Intraosseous Lines in Emergency Medicine The sicker the patient, the more likely an IO line ... Procedures and Skills Read More REBEL Core Cast 139.0: Pneumothorax Decompression On this episode of the Rebel Core Cast, Swami takes ... Procedures and Skills Read More The post REBEL Core Cast 147.0–Ventilators Part 5: Key Mechanical Ventilator Pressures & Definitions Made Simple appeared first on REBEL EM - Emergency Medicine Blog.

In our second hour with Dr. Steph we explore her improv journey, starting as a musical director at Chicago theatre such as IO, Comedy Sports and Second City. We shared our love of the "mother of improv" Viola Spolin and discussed the myriad improv schools and forms that we see today. She studied musical improv with, Mike Descouteaux, legendary founder of the celebrated Music Program at The Second City Training Center in Chicago. That was where she really heightened her playing and working with improvisers. Dr. Steph describes the art of improv and how much it is now a global phenomena. And starting January 4 she is teaching an online class at And, Also Improv and there is still space available at https://andalsoimprov.culmas.io/class/2ynoy17uHUk2FLDfnuqZ?from=component-api

Ricetta Risotto al prosecco e radicchioLivello A1Primo piatto di Natale Buongiorno cari amici e amanti dell'italiano e benvenuti al nostro nuovo episodio.Continua la nostra serie dedicata al Natale e come promesso oggi vi spiego la ricetta per un buon primo piatto che potete cucinare o alla Vigilia di Natale il 24 di dicembre o anche lo stesso giorno di Natale, il 25 dicembre e vi do qui la ricetta del risotto al prosecco e radicchio.Per capire meglio la ricetta vi spiego prima le parole difficili che troveremo. Cominciamo con due abbreviazioni (Abkürzungen) Igp sta per Indicazione Geografica Protetta e significa che un prodotto ha una qualità o una caratteristica unica legata alla zona in cui è prodotto. È una certificazione europea che conferma che un particolare prodotto proviene proprio da una zona o da un territorio, per esempio il vino Barolo che viene dai vigneti della valle del Barolo oppure il formaggio Parmigiano Reggiano che viene prodotto proprio nella zona di Parma.Una seconda abbreviazione è Doc che vuol dire Denominazione di Origine Controllata. Stessa cosa come sopra, ma è usata soprattutto per i vini, certifica che un vino viene da una particolare zona, segue regole di produzione precise e rispetta regole fissate.Lo Squaquerone e la Casatella sono due formaggi morbidi. Lo Squaquerone viene dalla regione Emilia Romagna e la Casatella viene dal Veneto e particolarmente dalla zona dl Treviso. Sono tutti e due formaggi morbidi, dal sapore delicato.Il lardo è un salume ed è fatto quasi tutto di grasso. Viene dalla schiena del maiale e di solito si mangia come un prosciutto o un salame.Cartoccio è un foglio di alluminio in cui si mettono gli alimenti per cuocerli al forno. (In Folie gegart/baked in foil).Battere è l'azione di rendere più sottile un pezzo di carne o un salume con un attrezzo solitamente in legno. (Klopfen/to pound).Stufare è quello che si fa quando si cuoce il risotto. Prima si mette il riso in pentola e lo si fa cuocere fino a quando diventa trasparente (dünsten/to steam).Casseruola è un tipo di pentola con i lati alti e i manici (Kasserolle/saucepan).Trasparente è un aggettivo e descrive una cosa che non ha colore ma attraverso la quale si può vedere (durchsichtig/transparent).Tostare è un po' come stufare. È l'azione di cuocere per breve tempo una verdura o il riso fino a farla diventare trasparente (andünsten, anrösten/to roast). Mantecare è l'azione di aggiungere un grasso tipo burro o formaggio a un piatto e mescolare facendo amalgamare tutti gli ingredienti insieme (cremig rühren/to stir in butter or cheese). Va bene, ora siete pronti per ascoltare la ricetta e cominciamo con gli ingredienti: 600 g Radicchio Rosso di Treviso 420 g Riso Vialone Nano Veronese Igp 150 g Prosecco di Conegliano Valdobbiadene Doc 150 g Casatella Trevigiana Dop oppure formaggio squaquerone 100 g Cipolla bianca 80 g Lardo a fettine sottili 1,5 litri di brodo vegetale Sale Ora vediamo il procedimento: Mettete per prima cosa le foglie di radicchio lavate e asciugate su un foglio di carta da forno alternate con 60 grammi di fette di lardo, bagnate con 50 g di Prosecco, chiudete la carta formando un cartoccio. Infornate in forno cià caldo a 170° C per 25 minuti. Nel frattempo preparate il risotto: tagliate la cipolla a cubetti molto, molto fini, battete il lardo rimasto. Fate stufare cipolla e lardo in una casseruola a fuoco dolce fino a quando la cipolla diventa trasparente.Aggiungete poi il riso, tostatelo per 1 minuto, mescolando di tanto in tanto per non farlo bruciare. Aggiungete il Prosecco rimasto e lasciate evaporare l'alcol per un paio di minuti. Fate cuocere per circa 15 minuti, aggiungendo a poco a poco 1,5 litri di brodo bollente e mescolate. Aggiustate di sale.Mantecate con la casatella tagliata a pezzi o lo squaqueroneo altro formaggio morbido. Quando il risotto è cotto aggiungete il radicchio cotto e servite.Vi è piaciuta la ricetta? Io vi aspetto per il prossimo episodio e una nuova ricetta e la prossima sarà un secondo.Grazie amici per l'ascolto e a presto. Ciao, ciao da Luisa!...- The full transcript of this Episode (and excercises for many of the grammar episodes) is available via "Luisa's learn Italian Premium", Premium is no subscription and does not incur any recurring fees. You can just shop for the materials you need or want and shop per piece. Prices start at 0.20 Cent (i. e. Eurocent). - das komplette Transcript / die Show-Notes zu allen Episoden (und Übungen zu vielen der Grammatik Episoden) sind über Luisa's Podcast Premium verfügbar. Den Shop mit allen Materialien zum Podcast finden Sie unterhttps://premium.il-tedesco.itLuisa's Podcast Premium ist kein Abo - sie erhalten das jeweilige Transscript/die Shownotes sowie zu den Grammatik Episoden Übungen die Sie "pro Stück" bezahlen (ab 20ct). https://premium.il-tedesco.itMehr info unter www.il-tedesco.it bzw. https://www.il-tedesco.it/premiumMore information on www.il-tedesco.it or via my shop https://www.il-tedesco.it/premium

ぬるぽ放送局おたより投稿フォーム https://forms.gle/6tbmBzK6wbyavJG47 2025年12月パワープレイ 「Critikal & RoughSkreamZ - 89seconds Death Ride」 収録アルバム：Critikal Distorxion EP 2025・10・26 Release https://notebookrecords.net/discographyportal.php?cdno=NBCD-051 番組時間：84分10秒 出演者：夕野ヨシミ、たくや VOICEVOX:ずんだもん VOICEVOX:四国めたん ---- 2025/12/18に公開録音したものを配信いたします。 ラジオ記事はリスナーのEEチャンピオンさんが書いてくれているので楽してます。 ＜オープニング＞ ・２人ともビキニを着用しています ・zipファイルに入ったままのマイクロビキニ ・毛量が多い ・冬至がもうすぐです ・日没が早い ・1泊2日で何回お風呂に入ります？ ・旅先にデカいノートPCを ・温泉お楽しみでしたね ・デジタルデトックスのデの字もない ・イオシスくんの最新情報 ・楽曲提供のお知らせ 　「KP all the way／亞生うぱる・雨庭やえ・音門るき(VEE)」 　作詞：七条レタス 　作編曲：D.watt ・イオシスファンボックスご覧ください ・オンライン飲み会をする夢の話 ・流行っているらしい恋の病 　【東方MV】行列のできるえーりん診療所【IOSYS】 　歌編曲：D.watt 　音編曲：溝口ゆうま(Innocent Key) 　作詞：七条レタス 　ボーカル：3L 　MV：take 　収録アルバム：IO-0142 東方真華神祭 　Release　2008.5.25 ・「ラミィズバリバリワークアウト／雪花ラミィ(hololive)」 　作詞・作編曲：まろん (IOSYS) 　YouTube100万再生おめでとうございます！ ・工場作る人と奈落に落ちる人 ・イースラーかよ ・『QQQbeats!!! オリジナルサウンドトラック』本日より各種音楽配信サービスにて配信開始しました！ ・お安くなってますので、QQQbeats!!! 買ってください ・ずんだもんが使える ・ずんだもんの正しい使い方 ・天天天国地獄国はいろんな方が歌ってくれてる ・累計再生数がもううぐ1億再生 ・誰か脱いでくれませんか？ ・体1つで行けるDJ ・CDが使えないCDJ ・RTAJapan始まります ・M1は誰が優勝するんですかね？ ・来週は2本撮りなので、たくさんお便りお待ちしてます ・『鳴潮』Ver3.0 テーマソング「Dawnbreaker」日本語版の作詞を担当しました！ ・PVを是非ご覧ください ・エルサルバドルから、コメント来てます ＜Aパート＞ ・新しいラジオCMが流れました ・イオシスゲーミング大賞を決めましょう ・どれもよかったので大賞はなしにしますか？ ・再生数にします？ ・2025年イオシスゲーミング大賞は「Terraria」に決まりました ・たくや賞は「Factorio 2.0 SPACE AGE」で ・夕野ヨシミ賞は「すってはっくん」 ・何年前のゲームだよ ・お寿司を奢りますので、関係者はイオシスまで来てください ・まだやれてないへべれけばにーがーでん ・来年もゲームやりますので、よろ ・メンバーシップもありがとうございます ・ふつおたです ・2025年買ってよかったもの ・マキタの充電式ヒートガン ・てのひらまつりちゃん ・センサーライトとスマホ ・ずっと家にいるのに家にカメラを？ ・ガレリアのデスクトップPC ・リューターとは ・カツオ節をリューターで？ ・豆のお便り ・マイクロビキニ買ったね ・漫画買い過ぎでは？ ・アスガール ・得体のしれないイカのおもちゃ ・買ってよかったとろ〜り3種のチーズのビーフシチューパイ ・福岡にD.watt ・ボカロ曲のイベントでチルパにえーりん ・この時期の飛行機はしんどい ・私の車は後ろから追突されました ・示談の条件とは ・車には気を付けてください ＜Bパート＞ ・音楽っていいですよね ・みつをたです ・コッコロちゃんは大人に ・地上波やらないWBC ・野球のラジオ中継は味があっていい ・THE W見ましたか？ ・空いてていい京都 ・ホロピックアップニュース ・納得の最弱王みこち ・リアルお母さん過ぎるミオしゃ ・センシティブ挨拶とは ・エルサルバドルのマックはビットコイン対応 ・1日2食 マックかすき家 ・食べ美レイディオはどうですかね？ ・今だけラジオやる美 ＜エンディング＞ ・今年も無事にぬるぽをやってこれました ・ただ来週は大丈夫かな？ ・あ、ポンポロだ ・来週は年末と年始のお便りお待ちしてます ・完全にヨシ！ ・出がらしになったからおわろう

Ti è mai capitato di chiederti perché diciamo "imbiancare" e non semplicemente "biancare"? O perché esiste il verbo "allargare" ma non "largare"?I verbi parasintetici sono un argomento che probabilmente non hai mai studiato a scuola, ma che usi tutti i giorni senza saperlo. Imparerai come si formano, come riconoscerli e, soprattutto, perché sono così importanti per arricchire il tuo italiano e parlare in modo più naturale e preciso. I VERBI PARASINTETICI: abbellire, irrobustire, arrossire... Che Cos'è un Verbo Parasintetico? I verbi parasintetici sono verbi che si formano aggiungendo contemporaneamente un prefisso all'inizio e un suffisso alla fine di una parola base, che può essere un nome o un aggettivo. La parola chiave è proprio "contemporaneamente": significa che né la parola con solo il prefisso, né la parola con solo il suffisso esistono in italiano. Entrambi gli elementi devono essere aggiunti insieme perché il verbo abbia senso. Facciamo un esempio pratico con il verbo "imbiancare": Partiamo dall'aggettivo "bianco" Aggiungiamo il prefisso "in-" (che diventa "im-" davanti a B) + il suffisso "-are" Otteniamo: imbiancare Ma attenzione! In italiano non esistono né "biancare" (solo suffisso) né "imbianco" come verbo (solo prefisso). Devono esserci entrambi! Ecco perché si chiama "parasintetico" – dal greco "para" (accanto) e "synthesis" (composizione): gli elementi si aggiungono insieme, accanto! Come Si Formano i Verbi Parasintetici? Pensa ai verbi parasintetici come a un panino completo: hai bisogno del pane sopra, del pane sotto e del ripieno in mezzo. Senza uno di questi elementi, non hai un panino completo! La formula è questa: PREFISSO + PAROLA BASE (nome o aggettivo) + SUFFISSO VERBALE (-are, -ire, -ificare) I Prefissi Più Comuni I prefissi più utilizzati nella formazione dei verbi parasintetici sono: a-: avvicinare, arrossare, abbellire in-/im-/il-/ir-: imbiancare, indebolire, illuminare, irrobustire (questo prefisso cambia forma come un camaleonte davanti a diverse lettere, ma rimane sempre lo stesso!) s-: spaventare, svenare, sbiancare dis-: disgelare ri-: riempire (anche se alcuni linguisti discutono ancora se sia davvero parasintetico) I Suffissi Più Frequenti I suffissi verbali che completano la formazione dei verbi parasintetici sono: -are: imbiancare, allargare, accorciare (il classico della prima coniugazione) -ire: arrossire, indebolire, impazzire (per chi preferisce la terza coniugazione) -ificare: identificare (il suffisso più elaborato della famiglia) Tipi di Verbi Parasintetici con Esempi Pratici I verbi parasintetici si possono classificare in diverse categorie in base al tipo di cambiamento o azione che indicano. Vediamoli in dettaglio con numerosi esempi! Verbi che Indicano un Cambiamento di Colore Questi verbi descrivono tutte le trasformazioni cromatiche possibili e immaginabili. Sono particolarmente utili per descrivere fenomeni naturali e cambiamenti fisici: Imbiancare (in- + bianco + -are) = diventare bianco o rendere qualcosa bianco "I miei capelli stanno iniziando a imbiancare." "Domani devo imbiancare le pareti della cucina." Arrossare/Arrossire (a- + rosso + -are/-ire) = diventare rosso "Maria arrossisce sempre quando le faccio un complimento!" Ingiallire (in- + giallo + -ire) = diventare giallo "Le pagine di questo vecchio libro sono ingiallite con il tempo." Annerire (a-/in- + nero + -ire) = diventare nero "Il fumo ha annerito il soffitto della cucina." Inverdire (in- + verde + -ire) = diventare verde "In primavera i prati inverdiscono rapidamente." Verbi che Indicano un Cambiamento di Dimensione Questi verbi sono utilissimi quando qualcosa è troppo grande, troppo piccolo, troppo lungo o troppo corto. Permettono di esprimere con precisione le modifiche dimensionali: Allargare (a- + largo + -are) = rendere più largo "Devo allargare questi pantaloni, sono troppo stretti!" Accorciare (a- + corto + -are) = rendere più corto "Il sarto ha accorciato la gonna di due centimetri." Allungare (a- + lungo + -are) = rendere più lungo "Puoi allungare il brodo con un po' d'acqua?" Rimpicciolire (ri- + piccolo + -ire) = rendere più piccolo "Questa giacca si è rimpicciolita in lavatrice!" Ingrandire (in- + grande + -ire) = rendere più grande "Potresti ingrandire questa foto? Non si vede bene." Verbi che Indicano un Cambiamento di Qualità o Stato Questa categoria comprende verbi per le trasformazioni più significative che riguardano caratteristiche fisiche, mentali o economiche: Indebolire (in- + debole + -ire) = rendere debole "L'influenza mi ha indebolito molto." Irrobustire (ir- + robusto + -ire) = rendere robusto "L'allenamento in palestra mi ha irrobustito." Abbellire (a- + bello + -ire) = rendere bello "Hanno abbellito la piazza con nuove fontane." Impazzire (in- + pazzo + -ire) = diventare pazzo "Sto impazzendo con tutti questi compiti da fare!" "I tifosi sono impazziti quando la squadra ha segnato!" Arricchire (a- + ricco + -ire) = rendere ricco "Leggere libri arricchisce la mente." "Si è arricchito vendendo immobili." Impoverire (in- + povero + -ire) = rendere povero "La crisi economica ha impoverito molte famiglie." Verbi che Indicano Movimenti o Azioni Specifiche Questi verbi descrivono azioni dinamiche che implicano spostamenti nello spazio o cambiamenti di posizione: Avvicinare (a- + vicino + -are) = rendere vicino, portare vicino "Avvicina la sedia al tavolo, per favore." Allontanare (a- + lontano + -are) = rendere lontano, portare lontano "Il cane ha allontanato il gatto dal giardino." Atterrare (a- + terra + -are) = toccare terra "L'aereo atterrerà tra dieci minuti." Affondare (a- + fondo + -are) = andare a fondo "Il Titanic affondò nell'Oceano Atlantico." Sbarcare (s- + barca + -are) = scendere dalla barca "I turisti sono sbarcati sul molo." Verbi che Indicano Emozioni o Stati Psicologici Questa categoria comprende verbi che esprimono stati emotivi intensi e le loro manifestazioni: Spaventare (s- + pavento [paura] + -are) = causare paura "Non spaventare il bambino con quelle storie!" Rattristare (r- + triste + -are) = rendere triste "Questa notizia mi ha rattristato molto." Inferocire (in- + feroce + -ire) = rendere feroce, arrabbiare molto "Il suo comportamento mi ha inferocito!" Come Riconoscere un Verbo Parasintetico Ecco il metodo infallibile per identificare un verbo parasintetico: togli mentalmente il prefisso o il suffisso dal verbo. Se la parola che rimane non esiste come verbo in italiano, hai trovato un verbo parasintetico! È come un gioco di detective linguistico. Esempio pratico: Imbiancare → Tolgo il prefisso e il suffisso → "biancare"Esiste "biancare"? NO! → È PARASINTETICO! Rileggere → Tolgo il prefisso → "leggere"Esiste "leggere"? SÌ! → NON è parasintetico Vedi? È semplicissimo! Basta applicare questa regola pratica e saprai sempre distinguere i verbi parasintetici dagli altri verbi. Curiosità Linguistiche sui Verbi Parasintetici La Forma Riflessiva Molti verbi parasintetici hanno anche una forma riflessiva. Ad esempio, "arrossare" diventa "arrossarsi", "avvicinare" diventa "avvicinarsi". La differenza è significativa: Forma transitiva: "Ho arrossato le guance del bambino" (io ho fatto diventare rosse le sue guance – quindi io → lui) Forma riflessiva: "Mi sono arrossato per l'imbarazzo" (io stesso sono diventato rosso – quindi io → io) Verbi Parasintetici Nascosti nel Linguaggio Quotidiano Alcuni verbi parasintetici sono così comuni che non ci rendiamo nemmeno conto che lo sono! Pensa a "atterrare" – lo senti ogni volta che prendi l'aereo negli annunci: "Signore e signori, stiamo per atterrare..." Eppure nessuno si è mai fermato a pensare: "Ma come mai non diciamo 'terrare'?" Perché non esiste! È un verbo parasintetico sotto copertura! Variazioni Dialettali In alcuni dialetti italiani esistono verbi parasintetici che non esistono nell'italiano standard. È come se ogni regione avesse i suoi superpoteri linguistici segreti! Questa ricchezza linguistica dimostra la creatività e la vitalità della lingua italiana in tutte le sue varianti regionali. Il Doppio Significato di "Imbiancare" Il verbo "imbiancare" è particolarmente interessante perché ha un doppio significato: Dipingere le pareti di bianco: "Domani devo imbiancare il salone." Diventare bianco (riferito ai capelli): "I miei capelli stanno iniziando a imbiancare." Questo dimostra la versatilità e la ricchezza semantica dei verbi parasintetici! Errori Comuni da Evitare Anche gli studenti avanzati commettono alcuni errori tipici quando usano i verbi parasintetici. Ecco i più comuni e come evitarli: Errore 1: Confondere Verbi Parasintetici con Verbi Prefissati Normali Questo è l'errore più frequente: Sbagliato: Pensare che "rivedere" sia parasintetico Corretto: "Rivedere" NON è parasintetico perché "vedere" esiste già come verbo! È solo un verbo con un prefisso aggiunto. È come pensare che una pizza con ingredienti extra sia un piatto completamente nuovo. No! È sempre una pizza, solo più riempita! Errore 2: Dimenticare che Servono ENTRAMBI gli Elementi Gli studenti spesso cercano di semplificare, ma l'italiano richiede sia il prefisso che il suffisso: Sbagliato: "Io bianco le pareti" Corretto: "Io imbianco le pareti" Ricorda il panino? Non puoi mangiare solo il pane o solo il ripieno! Dovete avere tutto insieme! Errore 3: Usare il Prefisso Sbagliato La creatività è bella, ma con i verbi dobbiamo essere precisi: Sbagliato: "Disbiancare" (quando si intende diventare bianco) Corretto: "Imbiancare"

Thirty years ago, NASA’s Galileo spacecraft became the first mission to orbit Jupiter, opening a new chapter in our exploration of the outer Solar System. Over eight years around Jupiter, Galileo transformed how we understand Jupiter and its moons, revealing a powerful and dynamic planetary system, uncovering evidence for oceans hidden beneath icy worlds, and reshaping the search for life beyond Earth. To mark the 30th anniversary of Galileo’s orbital insertion, scientists, engineers, historians, and advocates gathered at the California Institute of Technology for a special symposium: Galileo at 30. In this episode of Planetary Radio, host Sarah Al-Ahmed takes you inside that celebration. You’ll hear how Galileo survived seemingly impossible challenges, how its team adapted when things went wrong, and how its discoveries reshaped planetary science. You’ll hear from key voices in Galileo’s story, including historian Erik Conway, project manager Bill O’Neil, magnetometer principal investigator Margaret Kivelson, Europa Clipper Project Scientist Bob Pappalardo, and Dragonfly mission Principal Investigator Elizabeth “Zibi” Turtle, along with reflections from many others whose lives and careers were shaped by this remarkable mission. Together, they tell the story of Galileo not just as a spacecraft, but as a shared human effort, one whose legacy continues to guide exploration today. Discover more at: https://www.planetary.org/planetary-radio/2025-galileo-at-30See omnystudio.com/listener for privacy information.

Carlisle is the only city In County Cumbria, UK and one of the oldest cities, spanning 2,000 years. Someone who hasn't been there quite that long is the marvelous Dr. Steph McCullough, world renowned musical improv director! In this first of a two-part interview, Dr. Steph describes her love of her husband James and her new hometown of Carlisle. In her unique and melodious way, Dr. Steph describes her journey from Chicago to this historic city that is close to Hadrian's Wall, a place she loves to explore. She shares the story of her long distance love affair with James is better than any Hallmark movie, and it brought tears to my eyes. As she lives near Scotland she performed the 2025 Fringe Festival in Edinburgh. We discussed her research project on “seniors” while pursing a Ph.D., interviewing Del Close. Dr. Steph hadn't entered the world of improv yet and wasn't sure she wanted to after meeting with this historic figure. When studying at the IO she met up with Del again. Recently she has created The Improv Lineage Project, a research project that already has 700 participants on their personal improv lineage. You can join the study below. https://improvlineage.com To learn more about Dr. Steph you can visit her YouTube channel for some lessons on musical improv.

When it comes to the evolving gaming market, there's a lot for Sony to keep an eye on in the years and decades to come. To keep PlayStation the vibrant brand it is today, the company needs to spread the field, and two newly-announced projects -- an all-new co-op multiplayer game from the director of Left 4 Dead and a mobile port of mega-popular baseball franchise MLB: The Show -- fit the bill nicely. It's true that Sony has had more than its fair share of false starts (and even outright failures) in both the mobile and games-as-a-service space. Yet, there's gold in them there hills. Lots of it. Can Sony finally slay some off-platform and off-genre demons and reap some rewards? We discuss. Plus: Nixxes helps reduce Helldivers 2's PC file size by an astounding 85%, Bungie has apparently solved its dispute with the artist it purportedly stole Marathon-related art from, Shovel Knight developer Yacht Club Games finds itself in self-inflicted financial duress, Amazon has already renewed the God of War TV show for a second season, and more. Then: Listener inquiries! Has leaking culture gone too far? Will Micron's exit from the consumer RAM business affect console manufacturing? How can people find likeminded gaming friends online? Can we please do away with adult gift-giving once and for all? Please keep in mind that our timestamps are approximate, and will often be slightly off due to dynamic ad placement. 0:00:00 - Intro0:52:36 - Juices flowing0:54:56 - YouTube Recap1:08:13 - Colin dying1:11:02 - Switching to no presents1:21:02 - PlayStation partners with Bad Robot1:35:15 - The Show: Mobile releases1:46:06 - Helldivers 2 PC install sized down1:53:26 - Helldivers 2 movie has a director2:03:31 - Amazon orders two seasons of God of War2:08:14 - Bungie settles with artist over stolen art2:11:45 - Yacht Club Games may be in trouble2:27:26 - Saudi PIF will own 93.4% of EA2:31:22 - IO confirms Hitman 42:36:53 - Splinter Cell Remake director returns2:40:15 - Tomba 2 gets a release date2:43:10 - November's top PSN downloads2:45:16 - What We're Playing (Ball x Pit, Metal. Eden, TMNT: Cowabunga Collection, Metal Gear Solid Delta, Red Dead Redemption)3:09:22 - Arc Raiders introduces gamers to socializing3:25:28 - Games that age well3:31:54 - Disdain for leakers3:41:44 - Micron leaves the consumer market3:49:29 - Meeting new people to play games3:56:53 - Can criticism go too far? Learn more about your ad choices. Visit podcastchoices.com/adchoices

🧭 REBEL Rundown 🗝️ Key Points ❌ Don’t chase perfect numbers: Adequate and safe is often better than “perfect but harmful.”💨 Oxygenation levers: Start with FiO₂ and PEEP, but remember MAP is the true driver.🫁 Ventilation levers: Adjust RR and TV, tailored to underlying physiology.🚫 Watch your obstructive patients: Sometimes less RR is more. Click here for Direct Download of the Podcast. 📝 Introduction Ventilator management can feel overwhelming—there are so many knobs to turn, numbers to watch, and changes to make. But before adjusting any settings, it’s crucial to understand why the patient is in distress in the first place, because the right strategy depends on the underlying cause. In this episode, we’ll walk through three different cases to see how the approach changes depending on the problem at hand. ️ The 4 Main Ventilator Settings Tidal Volume (Vt) 🌬️ Amount of air delivered with each breath Typically set based on ideal body weight (6–8 mL/kg for lung protection) Respiratory Rate (RR) ⏱️ Number of breaths delivered per minute Adjusted to control minute ventilation and manage CO₂ FiO₂ (Fraction of Inspired Oxygen) ⛽ Percentage of oxygen delivered Adjusted to maintain adequate oxygenation (goal SpO₂ 92–96%, PaO₂ 55–80 mmHg). PEEP (Positive End-Expiratory Pressure) 🎈 Pressure maintained in the lungs at the end of exhalation to prevent alveolar collapse and improve oxygenation 🧮 Modes of Ventilation AC/VC (Assist Control – Volume Control)How it Works: Delivers a set tidal volume with each breath (whether patient- or machine-triggered).When It’s Used / Pros: Most common initial mode; guarantees minute ventilation; good for patients with variable effort.Limitations / Cons: May cause patient–ventilator dyssynchrony if set volumes don’t match patient’s demand.AC/PC (Assist Control – Pressure Control)How it Works: Delivers a set inspiratory pressure for each breath; tidal volume varies depending on lung compliance/resistance.When It’s Used / Pros: Useful in ARDS (lung-protective strategy), limits peak airway pressures.Limitations / Cons: Tidal volume not guaranteed; must closely monitor volumes and minute ventilation.PRVC (Pressure-Regulated Volume Control)How it Works: Hybrid: set target tidal volume, ventilator adjusts inspiratory pressure breath-to-breath to achieve it (within limits).When It’s Used / Pros: Common default mode on newer vents; combines benefits of VC (guaranteed volume) + PC (pressure limitation).Limitations / Cons: Can increase pressures if compliance worsens.SIMV (Synchronized Intermittent Mandatory Ventilation)How it Works: Delivers set breaths, but allows spontaneous patient breaths in between (without guaranteed volume).When It’s Used / Pros: Used for weaning; allows patient effort.Limitations / Cons: Risk of increased work of breathing if spontaneous breaths are inadequate.PSV (Pressure Support Ventilation)How it Works: Every breath is patient-initiated; ventilator provides preset pressure support to overcome airway resistance.When It’s Used / Pros: Weaning trials; patients with intact drive who just need assistance.Limitations / Cons: Not a full-support mode; not for unstable patients without spontaneous drive. ♟️ Ventilation Strategies Airway ProtectionLow GCS, seizure, strokeLoss of gag/cough reflexHigh aspiration risk (vomiting, GI bleed, poor mental status)Hypoxemic Respiratory FailureSevere pneumoniaARDSPulmonary edemaInhalation injuryVentilatory (Hypercapnic) Failure / Increased Ventilation DemandSevere metabolic acidosis (DKA, sepsis, renal failure) → need high minute ventilationCOPD, asthma (if decompensating)Neuromuscular weakness (myasthenia, Guillain–Barré, spinal cord injury)Airway Obstruction / Anticipated Loss of AirwayTumor, anaphylaxis, angioedemaFacial or airway traumaPre-op / anticipated deterioration Post Peer Reviewed By: Marco Propersi, DO (Twitter/X: @Marco_propersi), and Mark Ramzy, DO (X: @MRamzyDO) 👤 Show Notes Priyanka Ramesh, MD PGY 1 Internal Medicine Resident Cape Fear Valley Internal Medicine Residency Program Fayetteville NC Aspiring Pulmonary Critical Care Fellow 🔎 Your Deep-Dive Starts Here REBEL Core Cast – Pediatric Respiratory Emergencies: Beyond Viral Season Welcome to the Rebel Core Content Blog, where we delve ... Pediatrics Read More REBEL Core Cast 143.0–Ventilators Part 3: Oxygenation & Ventilation — Mastering the Balance on the Ventilator When you take the airway, you take the wheel and ... Thoracic and Respiratory Read More REBEL Core Cast 142.0–Ventilators Part 2: Simplifying Mechanical Ventilation – Most Common Ventilator Modes Mechanical ventilation can feel overwhelming, especially when faced with a ... Thoracic and Respiratory Read More REBEL Core Cast 141.0–Ventilators Part 1: Simplifying Mechanical Ventilation — Types of Breathes For many medical residents, the ICU can feel like stepping ... Thoracic and Respiratory Read More REBEL Core Cast 140.0: The Power and Limitations of Intraosseous Lines in Emergency Medicine The sicker the patient, the more likely an IO line ... Procedures and Skills Read More REBEL Core Cast 139.0: Pneumothorax Decompression On this episode of the Rebel Core Cast, Swami takes ... Procedures and Skills Read More The post REBEL Core Cast 146.0–Ventilators Part 4: Setting up the Ventilator appeared first on REBEL EM - Emergency Medicine Blog.

The Moon is a “dead” world. It trembles with a few small moonquakes, and there may be occasional “burps” of gas. But for the most part, not much happens inside it. That’s definitely not the case for one of the moons of the giant planet Jupiter. Io is the most volcanically active world in the solar system. It’s covered by hundreds of volcanoes and pools of hot lava. Some of the volcanoes are larger than anything on Earth, and the lava is much hotter. The volcanoes can send gas and ash hundreds of miles high. Some of this material escapes Io completely – about one ton every second. It forms a wide “doughnut” around Jupiter. The activity is powered by a gravitational tug-of-war between Jupiter and some of its other big moons. They pull on Io in different directions. That heats Io’s interior, melting some of its rocks. A couple of recent studies found that Io has been at least this active since it was born. That suggests that Io and the other big moons have been locked into their current configuration since shortly after the birth of Jupiter itself. If that’s the case, then Io has been caught in a terrific tug-of-war for four and a half billion years. Jupiter rises above our moon this evening. The planet looks like a brilliant star – only the Moon and Venus outshine it. But you need binoculars to pick out Io and the planet’s other big moons. Tomorrow: gravitational “rings” around a galaxy. Script by Damond Benningfield