Podcasts about technicolour

Released 69 years ago this week, The Cockleshell Heroes was a heavily fictionalised account of the real-life WW2 Operation Frankton, in which a group of marines, headed by Herbert ‘Blondie' Hasler, covertly entered Bordeaux Harbour in kayaks (or ‘Cockles') to sabotage German cargo vessels. The film starred actor/director Jose Ferrer and Trevor Howard, with Anthony Newley and… drum roll… DAVID LODGE providing solid support as Marines Clarke & Ruddock respectively.   Although The Cockleshell Heroes was a hit with audiences and looks gorgeous in Technicolour it doesn't tend to get talked about as much as other similar WW2 films of the period and perhaps this was partly down to the almost anti-climactic third act. However, thanks to shameless plugging by David Lodge on a frequent basis some two decades later as part of Spike Milligan's Q series the film is still regarded affectionately by some people, particularly listeners to this podcast, and it seemed a nice idea to put it under the scrutinising gaze of your host and his special guest this week.   Joining Tyler is Warren Cummings, host of The Cinematic Sausage podcast and someone with a very direct link to the true events which this film depicts – his grandfather served alongside the ‘Cockleshell Heroes' in WW2.   It's a great chat with tons of fascinating factual information about Operation Frankton and how the film reflected the true events, plus there's a long-deserved tribute to David Lodge, without whom this podcast would be poorer.

Brett McKay and Harry Jones rip into another Test Match post-mortem before giving it any thought at all, with this week's fulltime focus on the Wallabies absolutely stunning 42-37 comeback win over England at Twickenham, as well as looking back at New Zealand's 23-13 win over Ireland in Dublin on Friday night An incredible win from Australia. Is it too big a stretch to call it the single greatest win in rugby history? No, we didn't think so.. Social media: #89Combo Twitter: https://twitter.com/89combo YouTube: https://www.youtube.com/@8-9Combo Brett: https://twitter.com/BMcSport Harry: https://twitter.com/HaribaldiJones Make sure you FOLLOW US on Spotify! https://open.spotify.com/show/1BcKhb24YOtwQhKc0S3sDm Find Brett and Harry's written work on RugbyPass and The Roar: Brett: https://www.rugbypass.com/plus/contributor/brett-mckay/ Harry: https://www.theroar.com.au/author/haribaldi/ Music from Uppbeat: https://uppbeat.io/track/oakvale-of-albion/extreme Learn more about your ad choices. Visit podcastchoices.com/adchoices

Hi all, deep vibes and much love this month.Peace ! Playlist :01Remain / DawadShame Shell (6:36) 123 BPMLumiere Noire 02Roland LeeskerHaus Musik (original mix) (6:27) 125 BPMGet Physical Music 03Darlyn VlysRoom 277 (6:18) 122 BPMPolaris 04Julian KoerndlAll You Need (4:44) 123 BPMInnervisions05Bushwacka!Heaven On Earth (main mix) (5:13) 128 BPMRekids 06Radio SlaveJaws (6:24) 120 BPMRekids 07Jasper TygnerEyes (Villager remix) (5:00) 131 BPMTechnicolour 08HoneyLuv / Roland ClarkThis Is My Life (Carl Cox extended mix) (5:29) 132 BPMNothing Else Matters 09Seb WildbloodStick It In The Freezer (3:26) 68 BPMAus Music 10HUDSugar (6:32) 135 BPMRekids   minimal show on iTunes minimal show rss feed  

In this episode of Oil Insights, host Harry Tchilinguirian, Group Head of Research at Onyx Capital Group, is joined by Onyx Research Associates Vincent Wu and Martha Dowding to discuss how recent geopolitical developments have influenced the oil market. Following the October 1 missile attacks on Israel by Iran, the market is closely monitoring Israel's potential response, with Brent prices fluctuating between $73 and $80 per barrel.The discussion also covers the latest positioning data, highlighting how money managers are taking cautious positions on Brent. A significant impact was felt when a Washington Post article reported that Israel may target military sites in Iran, not its oil or nuclear infrastructure, suggesting geopolitical uncertainty could keep oil prices volatile. In addition, the team explore the macroeconomic headwinds from China's economic situation and stimulus measures, shedding light on how they may affect oil prices and demand. Harry, Martha and Vincent revisit their previous prediction about Brent's trading range, noting that it remains consistent within the $70s but could shift depending on developments in the Middle East and China.The team delve into product markets, focusing on Naphtha trends and regional differences in pricing, particularly between Asia and Europe, as they analyse the implications of gasoline demand and petrochemical sector activity.Chapters for this episode are: 0:00 Welcome | This week in the oil markets5:11 Brent Futures12:47 "Crystal ball moment" - Where will Brent be trading by the end of the year?20:46 Product of the week: Naphtha28:00 What we'll be watching this week | Concluding remarks

01 - 00:00:00 - CPH - Fall Forward 02 - 00:03:39 - Technicolour and Komatic featuring Jayma - Vermillion (Random Movement Remix) 03 - 00:05:50 - Hugh Hardie - Yuzu 04 - 00:07:34 - Technicolour & Komatic - Ever After 05 - 00:11:38 - Danny Byrd, S.P.Y., Cmd/Ctrl - Pink Champagne 06 - 00:13:59 - Dephzac and Simon V - Aurora 07 - 00:16:28 - Monty, Trail - In The Cut 08 - 00:19:23 - Metal Work and Just Mack - What You Do To Me 09 - 00:22:43 - Seba - A Little Closer 10 - 00:26:07 - Lokal & Freddy B - Fine Lines 11 - 00:29:45 - PARTICLE - Focus (w/ Javeon) 12 - 00:31:32 - Hugh Hardie - Brawler 13 - 00:33:19 - Halogenix - Take Me Away (ft. dBridge & Steve Spacek) 14 - 00:38:11 - L Plus - Outatime 15 - 00:41:31 - Unglued x Lens - Crunchy Nutter 16 - 00:42:59 - Konetix - Dont Go Back 17 - 00:45:15 - Universal Project - Glock (Zero T Remix) 18 - 00:48:34 - Sub Focus, Julia Church, John Summit - Go Back feat. Julia Church (D&B VIP) 19 - 00:49:23 - Ratso - Give You 20 - 00:50:48 - L Plus - Bass Drop 21 - 00:53:16 - Phentix, Mean Teeth - Everfunk feat. Phentix (Volatile Cycle Remix) 22 - 00:56:12 - Enei, Drs - Count To Ten (2024) 23 - 00:58:52 - Trex - Do Nothing VIP 24 - 01:01:42 - Dub Elements - Lose My Mind 25 - 01:04:08 - Dacamera - Rosewood (Calculon & Stunna Remix) 26 - 01:07:29 - Dunk, Sub Killaz, Gum-B - Talk To Me (Dunk Remix) 27 - 01:10:27 - Break, Workforce - Slippery Fella 28 - 01:13:06 - Dunk - Carbon 29 - 01:16:31 - Midnight CVLT - T-Rex 30 - 01:19:27 - L Plus - Bad Boy 31 - 01:21:57 - Silence Groove, ALB and Subdivision - Origins (Silence Groove Remix) 32 - 01:24:11 - Metal Work and Just Mack - Won´t Change 33 - 01:25:15 - Metal Work and Just Mack - Your Love 34 - 01:27:14 - General Levy, Dr. Apollo - Remedy (LMNOP, Reid Speed Remix) 35 - 01:30:01 - Wez Walker - At That moment 36 - 01:32:11 - Klute - Take A Breath 37 - 01:34:44 - Jakes, The Sauce - 3 Dots (Break Remix) 38 - 01:37:17 - Hadley - Don't Play With Me 39 - 01:38:44 - Misanthrop - Minimax 40 - 01:41:13 - Forbidden Society - Leave It 41 - 01:44:35 - Elliphant, Luude - Pachamama feat. Elliphant (ShockOne Remix) 42 - 01:46:28 - Serial Killaz Ft. Mad Sam - Sound A Di Champion 43 - 01:48:29 - Jam Thieves - Havana 44 - 01:50:30 - Leaf, Dunk - Jamaican Dub 45 - 01:52:09 - Halogenix - Satisfy My Soul (ft. Liam Bailey) 46 - 01:56:20 - Skeptical, Loxy - Krakoa

In this week's episode, Emily and Liv chat about all their worries surrounding motherhood. They discuss what to pack in a hospital bag, how gratitude journaling can impact your wellbeing and how to surrender to the unknown. They also chat about the reality of being self employed, trying for a baby and how to let go of arguments that started in the middle of the night.Follow us on Instagram @justyouwaitthepodcastEmail us at justyouwaitpodcast@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Being alcohol-free continues to bring new learnings and growth. In this episode I talk about how deeply I've been feeling my feelings and the net result of it.  Listen to the find out more.sallywebstercoaching.com

It's all in a technicolour dream: Bubblegumsike trifft Schokoladengarage. Musiksendung mit Stroko. # It's all in a technicolour dream Bubblegumsike trifft Schokoriegelgarage. Undergroundsounds aus den späten Sechzigern und von heute, präsentiert vom Plattenhändler Martin (purple penny records) und Alditütenrodler Stroko (Club Separee / Plan9) * http://www.plan9.tv

I don't like a binary choice - yes/no, on/off, least of all.... black/white. Let's have all the choices in between. What are you making a hard and fast choice and what can you bring a bit of lightness to? Most of my strong opinions are lightly held and I'm ready for a conversation about why I might be wrong. I'm very aware that I ALWAYS might be wrong and I'm pretty comfortable with that!Buy the best-selling book Drink Less; Live Better here or order from anywhere you usually buy your books.Subscribe to my 5 day Drink Less Experiment hereJoin The Email Club hereGet my Habit Tracker hereDid you know I've HIDDEN a podcast episode? It's your secret weapon at 5pm if you are feeling cravings for alcohol. You can download it hereDid you know you can work with me 1:1 over 90 days to change your relationship with alcohol?All details HEREBTW - If you didn't already know, I'm Sarah - Drink Less; Live Better founder, best-selling author, expert speaker, life coach and, as you already know, podcast host!We don't have to hit rock bottom, we're allowed to want something different and we can CHOOSE to improve our lives from this point onwards. I work in the magic space where doubt, hope and action meet... oh.... and PS I believe in you!Let's get connected; on Facebookon instaCheck out Drink Less; Live Better for blog posts and moreSubscribe to this podcast so you don't miss an episode - also please do leave a like or review and share the love! Thank youFound the podcast useful? I'd love to have a coffee with you - you can buy it here THANK YOU!

In this episode artist, author, and horsewoman Nica Quinn returns to the talk to us about her book Dear Equestrians!I absolutely LOVED sitting down to talk with Nica again. We went deep and covered a variety of different topics, sharing our perspectives around creative power, unicorn consciousness, how to shift through life when life is asking you to fundamentally live a different way, and much more! Nica's words draw us a picture of what a 'Technicoloured' life with horses really means for her, and how her path can be an inspiration for others to ask the deeper questions about the why, how, and what if when it comes to breaking through old patterns and ideas around horsemanship. Nica's book Dear Equestrians - Evolving Horsemanship from Black and White to Technicolour is available now to order! Go get yours and let Nica take you on a journey into what living a life with horses can really mean for YOU! Thank you for listening. Connect with Nica Quinn:Website www.nicadrawsnature.comInstagram @nica_draws_nature

01 - 00:00:00 - Grafix - Body Language 02 - 00:01:55 - Tanukichi feat. Bob Ranks - Reload It 03 - 00:04:21 - Mage - Motive 04 - 00:07:22 - Enei, Drs - Count To Ten (2024) 05 - 00:08:49 - Goldie - Inner City Life (Break Remix) 06 - 00:11:25 - Dreazz - It's Love 2000 07 - 00:13:48 - Mean Teeth - Facesplitta (Dropset Remix) 08 - 00:15:27 - Sub Focus - Frozen Solid 09 - 00:17:13 - State Of Mind - Ice Cold 10 - 00:18:53 - Formula - Give Praise (Mandidextrous Remix) 11 - 00:21:33 - SiLi - Repeat 12 - 00:23:36 - Culture Shock, Sarah De Warren - Out My Head (Extended Mix) 13 - 00:24:22 - ShockOne - Hey Boy Hey Girl 14 - 00:25:48 - 1991, Cherryade - Out Of My Head (feat. Cherryade) 15 - 00:27:41 - Bulletproof & Optiv - Camouflage (feat. Optiv) (2023 Remaster) 16 - 00:30:41 - Technicolour & Komatic - The Secret 17 - 00:34:29 - Unglued x Lens - Crunchy Nutter 18 - 00:35:41 - Mosaic - Product 19 - 00:37:55 - Kemal - Animation (Konflict remix) 20 - 00:40:49 - C.A.B.L.E., Randall - TIME FOR THE SWITCH feat. Randall 21 - 00:44:05 - Break, Workforce - Slippery Fella 22 - 00:47:20 - Bad Company UK - Torpedo (Insideinfo Remix) 23 - 00:49:44 - Silence Groove - Kinky Questions 24 - 00:52:23 - Changer - Be There 25 - 00:55:54 - Serial Killaz Ft. Mad Sam - Sound A Di Champion 26 - 00:58:13 - Elliphant, Luude - Pachamama feat. Elliphant (ShockOne Remix) 27 - 00:59:42 - Misanthrop - Minimax 28 - 01:01:58 - Matrix - Temperament 23 29 - 01:04:13 - Emperor - Drunk 30 - 01:06:09 - C.A.B.L.E. - Rounded Edges 31 - 01:08:14 - Levela - Harsh 32 - 01:10:02 - Ed Rush - Voidwalker 33 - 01:11:45 - Hoax, Purple Velvet Curtains - Spark It 34 - 01:15:55 - Addison Groove - Brand New Drop (Thys Remix) 35 - 01:16:39 - CHIMPO - Bedspring Riddim 36 - 01:19:09 - Trex - Do Nothing VIP 37 - 01:21:40 - Stakka & Skynet - Side Effects 38 - 01:23:55 - The Upbeats - Silly Banter 39 - 01:25:46 - Hive, Keaton - The Plague (Ekwols Remix) 40 - 01:27:14 - Altern 8 - E-Vapor 8 (Exile & Mark XTC Remix) 41 - 01:33:05 - René LaVice - Be With Me (Extended Mix) 42 - 01:36:48 - Midnight CVLT, REEBZ - Destruction feat. REEBZ 43 - 01:39:13 - Dub Elements - Lose My Mind 44 - 01:40:41 - Konflict - The Beckoning 45 - 01:43:23 - Mampi Swift - Gangster 46 - 01:45:25 - Universal Project - The Craft 47 - 01:49:05 - Logistics - Kestral 48 - 01:51:23 - Calculon and the Colonel - Reach Out My Junglists 49 - 01:52:56 - Culture Shock - Breathe (Extended Mix) 50 - 01:54:06 - Azzido Da Bass - Dooms Night (Krooked Bootleg) 51 - 01:55:08 - Wolfgang Gartner - Illmerica (Loadstar Remix)

Terry and Mikey out on location in Cheshire (darling) this time chatting all things amazing and Technicolour!

A 360-second podcast that's full of the weird, the wonderful, the profound and the hilarious facts of life on earth.© 2024 Jonathan Clemson & Robin Crossman

It's all in a technicolour dream: Bubblegumsike trifft Schokoladengarage. Musiksendung mit Stroko. # It's all in a technicolour dream Bubblegumsike trifft Schokoriegelgarage. Undergroundsounds aus den späten Sechzigern und von heute, präsentiert vom Plattenhändler Martin (purple penny records) und Alditütenrodler Stroko (Club Separee / Plan9) * http://www.plan9.tv

Tune into this weeks Podcast lots going on including a look back at the Castleford defeat for Paul Rowley's men, Mike Grady's ladies register their 1st win in the Championship against Bradford and Our Wheelchair team compete in the Challenge Trophy in Manchester. We have all the big news including new shirts, Paul Rowley winning coach of the month, 9s rugby and business opportunities. We look forward to this weeks games against London and Stanningley.

Is this the most naive our dreadful duo have been with a film to feature on their horror podcast since the journey began?? Well, regardless, its time for Part 7 of our Monsters of Universal series here on The Dreadcast.   Timestamps:   00:45 - 1 hour to discuss why this film is in its own league 05:28 - The Nightmare of the Opera?? 23:08 - Our first entry in Technicolour and looking fantastic too BREAK 25:28 - Set design 31:42 - Time for mob action in old films 36:18 - A character that looks VERY much like the british devil himself 40:30 - The Phantoms not so gruesome face BREAK 48:26 - Lets pad out the podcast with a Wicker Man quiz for Aidan   - - - You can also send your questions, trivia and horror topics into the mailbox - thedreadcastpodcast@gmail.com - - -   Follow us at: Tom: Instagram - https://www.instagram.com/the_dreadcast/  Twitter - https://twitter.com/The_Dreadcast TikTok - https://www.tiktok.com/@the_dreadcast   Aidan: Twitter - https://twitter.com/AidanHalfTroll  Twitch - https://www.twitch.tv/aidanhalftroll 

Bside Incoming: Machine Woman Oh boy are we excited to share with you show #184! This week we are blessed with a show both errierie and calm, fierce and peaceful, downtempo and energetic; enjoy the B-sides of electronic records selected by https://soundcloud.com/machinewoman. Meet Anastasia Vtorova AKA Machine Woman, a top-tier producer, selector, DJ. We have been a long time fan of her, falling in love with her complex and unique productions that distinguishes herself as one of the best DJs and producers out there. From iconic venues like DC10 to the legendary Berghain, Machine Woman has the ability to mix unique and wonderful records seamlessly. Her sounds possess an innate ability to settle comfortably, resonating effortlessly with the atmospheres of the crowd. Her live and DJ performances, spanning a wide range, have graced festivals worldwide. Machine Woman has released original works on labels such as Technicolour, WTN?, Peder Mannerfelt, K7!, and has contributed remixes to renowned imprints like Houndstooth, Domino, Ninja Tune, DFA, Phantasy, 2DIY4, and more. A personal favorite: 'last days of the Montreal's summer you spoke softly 183' from the 2020 EP: Pleasant Stay But I Wont Come Back https://takeawayjazzrecords.bandcamp.com/track/last-days-of-the-montreals-summer-you-spoke-softly-183 She's also the visionary force steering the experimental electronic music label, Take Away Jazz Records. Well worth a dive into! https://takeawayjazzrecords.bandcamp.com/ Adding to her impressive repertoire, she hosts a regular show on Rinse FM, where she not only spotlights emerging talents in the electronic music realm but also maintains her unique approach rooted in a fervent curiosity for intricate sound design. https://rinse.fm/shows/machine-woman/ Her latest endeavor, Machine Sound Electronics Club, showcases her creative spirit. This free monthly music producer meetup offers captivating lectures and listening sessions for submitted demos, set against the backdrop of the club's sound system for an immersive and unparalleled experience. Enjoy the show Machine Woman's instagram - https://www.instagram.com/mmachinewwoman/ Her soundcloud - https://soundcloud.com/machinewoman Linktree - https://linktr.ee/machinewoman Thanks to Molly Hickey for the beautiful artwork as always. www.instagram.com/mollyth.art/ Follow the Bside Instagram for updates/news/vinyl and general music chat: www.instagram.com/bsidepodcasts/

Regarding the brevity of the intro... which actually wasn't that brief because I was able to use some audio I'd already recorded to pad it out. The bout of sciatica that I was suffering from last week has got significantly worse and I'm typing this while lying on the floor, where I have been for the majority of the last three days. So that's not great - it may affect the podcast schedule next week but let's hope not. Apologies in advance if it does. And now, on with the show...--Would you get “tech house” tattooed on your butt?Me either, and in fairness I don't think our guest this week actually has, despite the title of one of the tracks on her 2020 EP ‘Pleasant Stay But I Won't Come Back'.Machine Woman has emerged as a really great producer with releases on Ninja Tune's Technicolour, Delsin, as well as her own label Take Away Jazz Records. And she is also a character with an interesting story.We discuss the challenges of moving to a new country as a teenager, navigating through musical gender stereotypes, the scene in different cities, and much else besides.This was a fun conversation with one of the more irreverent characters of the dance scene, and you're gonna enjoy it!If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.You can also make a one-off donation to the podcast using either a credit or debit card, or with Paypal. Head over to scubaofficial.io/support.Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlistFollow Scuba: twitter instagram bandcamp spotify apple music beatport Hosted on Acast. See acast.com/privacy for more information.

https://notesonfilm1.com/2023/10/31/in-conversation-with-pamela-hutchinson-on-the-red-shoes/ There is a major retrospective of the films of Powell & Pressburger currently underway in London at the BFI Southbank – the most extensive celebration of their work ever undertaken -- selections of which will tour the country. As part of the celebrations, the BFI has published a short monograph by Pamela Hutchinson on THE RED SHOES -- one of their greatest films -- under its ‘BFI Film Classics' imprint. I found it fun to read and very informative, with an impressive range of sources, intelligently organised. The book is beautifully written in a way that seems personal but is so impressively argued it becomes very difficult to argue against; and with a delightful mode of narrating: ‘but perhaps you disagree with my take.' It's both impressive and entertaining and it made me want to talk to Pam some more about the film and the book. In the accompanying podcast, we discuss the following: Who are Michael Powell and Emeric Pressburger and what is their significance to a history of cinema in general, and British cinema in particular? What is the enduring appeal of THE RED SHOES. Why does the film feel so distinctly British but also so different from the British Cinema then being produced. What is the context for the film's theme of ‘dying for art'. How did the filmmakers and cinematographer Jack Cardiff achieve a style of colour so different than that normally produced by Technicolour productions under the direction of Natalie Kalmus? What is a composed film? What is the relationship of a ‘composed film' to the concept of Gesuntkunstwerk? What was the status of ballet then and how does the film deploy the form? Was the film an influence on MGM Freed Unit Productions such as AN AMERICAN IN PARIS? What did Anton Walbrook and Moira Shearer bring to the film and what happened to the after? And much more. I have spoken to Pam previously on her other brilliant BFI classic on PANDORA'S BOX; listeners might want to have a look at the Silent London website on all aspects of Silent Cinema that she directs and writes in. Pam will be talking on THE RED SHOES at the Midlands Arts Centre on the 16th of December to accompany a screening of the film. The MAC cinema has arguably the best projection system in the Midlands, a perfect place to see such a great and sumptuous film. Do I need to say that the book is a perfect stocking filler for Christmas?

Sent from my e-bike 00:00 - Cold Open 04:21 - Intro 07:43 - Vys and the Amazing Technicolor eBike 17:01 - Baldur's Gate 3 20:16 - Midjourney 22:52 - Oppenheimer 28:53 - Spider-Man 33:35 - Talk to Me 39:34 - HMWH Book Club 45:22 - Intermission Time

Click here for the show notes – http://www.scottishwatches.co.uk/category/podcast/ Welcome to the Scottish Watches Podcast – Episode 480! We continue with Only Watch and new releases. Dave is wearing his Omega Seamaster... The post Scottish Watches Podcast #480 : A Merciless Ming, Spirited Zulu Diver and A Technicolour Maurice Lacroix appeared first on Scottish Watches.

Technicolour Kenny by Arielle Free

The production line; tiny arms; fussy cutting; the trouble with Esther; another one of thoseprojects; beautifully visible mending; and a chat with Kim Werker, about finding creativity.

Episode 13 brings you a deep dive into a 2 day event attended by Cockles and Olly as well as bringing new on events coming up as well as our big news that we have gone visual! Tom (Smithy) Smith is officially part of the TNM crew as he talk about what he has been "secretly" working on for the past few weeks. As always please feel free to contact us or support us on Patreon https://www.patreon.com/thatsnomoonpodcast

Jason Payne reviews a Tindall week in Newcastle United's season with The Athletic's Chris Tindall and Jason Caulkin, featuring a special celebratory interview with the manager of NUFC's title-winning women's team... Becky Langley. Newcastle's men were the visitors for Leeds' first home game under Sam Allardyce and there was no shortage of incident, albeit in a game that lacked any real flow. Can Eddie Howe manage his midfield options to eke out the crucial points needed to reach the Champions League? Brighton and Leicester both visit St Jason's Park before our next show. Pod on the Tyne is a Jason Tindall production by Ollie Bellwood. Learn more about your ad choices. Visit megaphone.fm/adchoices

On today's episode we welcome Alison from englishintechnicolour again. Today we care talking about grammar mistakes and if they are all that bad.

We stand in the doorway of the transport plane and wait for the red jump light as we cover 1953's 'The Red Beret', we're joined this week by journalist and historian Mark Urban, writer of the recent 'Red Devils' that charts the history of the Parachute Regiment during the Second World War.  Alan Ladd stars along side British war movie stalwarts Leo Genn, Harry Andrews, Donald Houston and Stanley Baker in this Technicolour tale that shows the Bruneval Raid among other airborne exploits. Does Ladd stick the landing? Join us to find out! Follow us on Twitter @FightingOnFilm and on Facebook. For more check out our website www.fightingonfilm.com Thanks for listening!

It's our first episode of the year and we're here in technicolour! Links: new pin!! https://store.dftba.com/collections/books-unbound/products/mashed-potato-enamel-pin James from ShelfWornDrawn: https://www.instagram.com/shelfworndrawn/ Romcom news: https://collider.com/best-romance-novel-adaptations/ Uglies Adapatation: https://www.whats-on-netflix.com/news/joey-king-netflix-movie-uglies-filming-start-what-we-know-so-far-08-2022/ Links mentioned: Subscribe to our YouTube channel! https://www.youtube.com/c/BooksUnbound Support The Podcast: Our beautiful merch: https://store.dftba.com/collections/books-unbound Join our patreon and become a Dust Jacket! patreon.com/booksunbound Follow us on instagram: https://www.instagram.com/books_unbound/ Need Info or Some Books? All the books we mentioned in this episode: https://www.booksunboundpodcast.com/books Submit your book requests at booksunboundpodcast.com Use our affiliate link to get 2 audiobooks for the price of 1! https://tidd.ly/3dyW1Xw Our Patrons: A special thanks to our Gold Foil Team on Patreon: Abbey, Allison, Brittany, Chrissy, Christina, Haley, Hannah, Jessie, Luna, Karin, Mario, Nicole, Simon, Tamar, and Tina!

In this episode of My Life In Miniatures, I'm talking to Kathryn who has been injecting a heretical burst of colour into the hobby for some years now. You can find her on Instagram where the voices of the Dark Gods will seem all the brighter! In this episode we'll be talking about some dusty bois and their dreadnoughts, 1980s Drukhari, Eldrad's Technicolour rune-cloak and plenty of heretical marines as well. Enjoy!

Hello, wish you peace, love and harmony.Cheers.And enjoy ! Playlist:01 ELEFAN, Blurry, Connaisseur Germany;02 SOHN, Figureskating, Neusiedlersee, 4AD;03 O'o, Touche (acapella version), Infine France;04 Weval feat Eefje de Visser, Never Stay For Love, Technicolour;05 Brigade, Jesus Saves, Get Physical Music;06 Mano Le Tough, No Road Without A Turn, Pampa Germany;07 Archil & Leon, Loving You, Kompakt Germany;08 Destiino, Venezia (Opening), Lumiere Noire;09 Upercent, Choo Choo, Human By Default;10 All We Are, Eden, Double Six. minimal show on iTunes minimal show rss feed   

On today's episode we have English teacher Alison from englishintechnicolour joining us to discuss about her journey to becoming a teacher and whether intonation is that important.

The Squiz is your shortcut to the news. More details and links to further reading for all of today's news can be found in The Squiz Today email. Click here to get it in your inbox each weekday morning. #Sponsored Click here to find out more about Woolworth Group's 2022 Regional Report.  You can see photos of the Butterfly House in California here. Other things we do: Squiz Shortcuts - a weekly explainer on big news topics Squiz Kids - a news podcast for curious kids. Age-appropriate news without the nasties!

In this captivating conversation, Charlotte Wood, founder of the magical Polar Post, shares her wisdom on building a brand that truly embodies kindness, nostalgia and the spirit of Christmas. With the help of the elves, Charlotte's founding mission was to revive the lost art of calligraphy for a new generation and create remarkable works of art in the form of letters, so that every child can feel as though Father Christmas is speaking directly to them.  Since founding her enchanting business, Polar Post has gone from strength to strength, but with the many highs on her Christmas journey so far, have also come many lows. Here, Charlotte bares her soul, sharing her early struggles with school, and how Polar Post actually sprung from a place of darkness, when she was battling postnatal depression. Charlotte also shares her advice when coping with guilt as a working mother, dealing with copying, working with charities, and the power creativity has in turning your world “from grey to technicolour”. Her creations are a labour of love that sprinkle magic on our doormats, up chimneys and under our Christmas trees, year on year. All you have to do is believe. If you enjoyed this episode, head on over to hear Holly's talk with Jo Tuchener Sharp, founder of Scamp & Dude, which we think you'll love too.  Plus for more unfiltered insight, subscribe to Holly's weekly newsletters on our website, where she shares small business inspiration of all kinds, exclusive nuggets of wisdom from her and her guests, plus offers, creative ideas and topical, 'ungoogleable' business advice. 

Brief update on our progress through Technicolour October. Web: https://www.lisamharrison.com/ ---- Telegram: https://t.me/lisamharrison ---- Rumble: https://rumble.com/account/content?type=all ---- Vimeo: https://vimeo.com/lisamharrison ---- Spotify: https://sptfy.com/httpsopenspotifycomshowLisaMHarrison --- Apple podcast: https://podcasts.apple.com/us/podcast/lisa-m-harrison/id1642000876 — Youtube: https://www.youtube.com/c/lisamharrison — Soundcloud: https://soundcloud.com/lisamharrison

Peter Saville is a man of the moment—and has been, again and again, throughout the past five decades. Raised in Manchester, England, in the sixties—in tandem with the growing prominence of counterculture, the rise of anti-war sentiments, and the birth of pop—Saville developed early on a keen eye and ear for the zeitgeist, or what he terms “nowness.” In his adolescence, he took up a fervent interest in music and in record covers in particular, and went on to art school to study graphic design. In his final year, he was commissioned to design the very first posters for the punk music venue The Factory, which would soon morph into the legendary independent record label Factory Records. Across his prolific, nearly 50-year-long career in graphic design and art direction, Saville has created album covers for Joy Division and New Order (most iconically, the one for Joy Division's debut studio album, Unknown Pleasures); branding for clients including Ferragamo, Burberry, and Aston Martin; and more recently, even Kvadrat fabric designs—each drawing inspiration from the spirit of their times—that can be called nothing short of era-defining. Woven across all of his work are provocative dialogues between past, present, and future.On this episode, Saville speaks with Andrew about coming of age in the punk and post-punk worlds, the increasing impossibility of tracking “nowness,” and creating literal signs of the times.Special thanks to our Season 6 sponsor, L'ÉCOLE, School of Jewelry Arts.Show notes:Peter Saville[12:11] Kvadrat Technicolour[01:10:48] Power, Corruption & Lies album cover[42:21] Factory Records[50:15] FAC1 poster[50:15] Haçienda[53:13] FAC 2[29:23] Unknown Pleasures album cover[01:22:13] Closer album cover[01:24:43] “Blue Monday” cover[01:35:44] The Apartment[01:39:29] Show Studio

This week's RA Podcast marks something of a debut for Infinity Division, the new solo project from Canadian artist Ash Luk, best known as one half of EBM-techno duo Minimal Violence. (Minimal Violence had itself been a solo project since last year, when cofounder Lida P left the group.) Getting his start in Vancouver's punk scene as part of the band Lié, Luk's approach to dance music is informed not only by those origins but by Western Canada's long history with industrial music and techno (spot Skinny Puppy and Tunnel Canary in the tracklist). 
 Minimal Violence first impressed us with their hardware-focused house and techno, a harder-edged version of the sound that was sweeping Vancouver at the time, before moving on to Ninja Tune sub-label Technicolour and then Tresor for a series of records that saw their sound become more expansive, sharper and more melodic, incorporating not just techno and punk influences but also trance, EBM and more. These are the genres that feed into Infinity Division, and Luk's RA Podcast hurtles through everything from old Prodigy, '90s German hard trance, Canadian breakcore and new tracks from his project. This is heavy dance music that's also heavy on melody, unafraid of huge crescendoes that hit that sweet spot between punishment and euphoria. Buckle up. Read more at https://ra.co/podcast/852

Good luck with the start of another academic year: you are not alone. Mental health is often falsely presented as irrelevant to people of colour. Dr. Samara Linton and Dr. Rianna Walcott's brilliant The Colour of Madness explores mental health for and by people of colour across art, essays, poetry, and stories. Together with PhDiva Xine they discuss bridging the STEM/humanities divide through their collaboration and the uses of the book to communities, teaching, and health care professionals. The Colour of Madness https://linktr.ee/TheColourofMadness https://www.instagram.com/colourofmadness/?hl=en https://twitter.com/madnesscolourof?lang=en Support PhDivas on Patreon: www.patreon.com/phdivaspodcast Dr Samara Linton (she/her) is an award-winning writer, researcher, and multidisciplinary content producer. Her work includes The Colour of Madness: Mental Health and Race in Technicolour (2022) and Diane Abbott: The Authorised Biography (2020). Samara writes for various publications, including gal-dem, Huffington Post UK, The Metro, New Economics Foundation, Fawcett Society, and the Royal College of Psychiatrists. Her published research includes an influential report on Ebola-affected communities for the Africa All-Party Parliamentary Group (2016). She also sat on the editorial board for the British Medical Journal's award-winning Racism in Medicine special issue (2020). Samara worked as a junior doctor in east London before joining the BBC, where she worked in production. A University of Cambridge (BA Hons.) and University College London (MBBS) graduate, she is currently completing an MA in Health Humanities at University College London. You can find out more about Samara's work at www.samaralinton.com, and she tweets at @samara_linton. Rianna Walcott (she/her) is an LAHP alumna and PhD candidate at Kings College London researching Black British identity formation in digital spaces. Rianna combines digital work, decolonial studies, arts and culture, and mental health advocacy in her work, with a deep commitment to outreach work and public engagement. She co-founded projectmyopia.com, a website that promotes inclusivity in academia and a decolonized curriculum, and is the UCL writing lab's Scholar-in-Residence for 21-22. Rianna frequently writes about race, feminism, mental health, and arts and culture for publications including The Wellcome Collection, The Metro, The Guardian, The BBC, Vice, and Dazed. Rianna is co-editor of an anthology about BAME mental health - The Colour of Madness (2022), and in the time left over, she moonlights as a professional jazz singer. Rianna will be based at The Black Communication and Technology (BCaT) Lab at the University of Maryland-College Park. Research at this new lab will focus on race and technology, as well as the development of a pipeline program to introduce undergraduates and those in the wider community to the field of Black digital studies with the aim of working toward a more equitable digital future. You can find out more about Rianna's work at www.riannawalcott.com, and she tweets at @rianna_walcott.

On today's episode we have English teacher Alison from englishintechnicolour joining us to discuss about her journey to becoming a teacher and whether reading is that important.

Not many producers can create new aliases after 10+ years and still manage to drop something completely unexpected and refreshing. Peter Rogers' Wardown project did just that in 2020, debuted on the respected Blu Mar Ten label, the self-titled album found admirers from a cross-section of music styles; spanning Jungle, Drum'n Bass and a strong atmospheric element. Wardown / Wardown was consequently one of my most played and admired albums of the year (finding a sweet spot in the Reflection on 2020 and Atmoteka mixes). I found it near impossible to stop the album once it started, as it flowed easily between stories, styles, and sentimental reflection. Peter is now set to drop his second album under the Wardown alias, simply titled Wardown II, but those who absorbed the nostalgia from his first, will undoubtedly be confident that despite its modest title, the conceptual approach is as strong as ever, and the music will once again be left to do the storytelling. Continuing with this brilliant reflective approach from the first album, Wardown II can be considered another vivid capture of one of Peter's undoubtedly many memories he has begun to create with this alias. And just like his productions, his isolatedmix is a natural extension of this approach. As is the case with many producers in this genre, DJ'ing is integral to the culture, so it's of no surprise for us to be treated to a little bit of a masterclass with this latest installment…~ASIP: Many people may know you as one half of the d&b duo Technimatic (and even making an appearance as Technicolour on our Energostatic comp which we were proud to host a few months back). Can you tell us a bit about how you got into producing music and your background?Pete: I started making electronic music in about 2002. I'd been into jungle and drum & bass as a teenager growing up in Luton, and played in a jazz funk band for many years too. But 2002 - after I'd finished studying graphic design at university and moved to London - was the first time I had the opportunity to buy a computer of my own and actually start trying to create stuff with it.You debuted the Wardown project on the Blu Mar Ten label in 2020. What inspired this new alias after years under others?I started Wardown because I had quite specific things I really needed to express and put into music that I didn't have to the opportunity to elsewhere. Technimatic is my main musical focus of attention and I love it, but sometimes there are things unique to you that you need to be able to say, that might not fit within the canon of music you're making as a duo. Things much more personal. I've known Chris Blu Mar Ten for many years and have huge respect for the vision and A&R of his label, so it felt like the perfect fit. Thankfully he was really enthusiastic about putting it out. Wardown by WardownVignettes of people talking about your hometown of Luton open your first Wardown album, (which was a surprise for me to hear, as I grew up in a nearby town). How would you describe your formative years there? How did it impact your music?Luton has a very chequered past. It's regularly featured in the kinds of ‘shittest towns in the UK' lists that appear online. It's been home to the English Defence League, Islamic terror cells, and is generally thought of as a fairly ugly, non-descript town on the outskirts of London that has an awful airport. But as a kid, I had a really good upbringing there. And crucially, being near London and the M25 motorway, back in the 90s it had a very strong connection with rave, hardcore, and jungle music. Legendary hardcore DJ Swan-E was from Luton, Blame was from just down the road in Dunstable, there were pirate radio stations broadcasting the music 24/7 in the area, and most importantly for me, there was an amazing record shop called Soul Sense where as a teenager I spent a lot of my time, learning and being inspired by 90s underground music.I assume you made several trips to London back in the day like most music lovers living in the Shires, for the big nights and DJs in the capital. Who, or what was your mecca back in the day? And which record stores were you gracing?Absolutely. Once I was allowed to go into Luton town centre on my own without my parents, it wasn't long before me and my friends were getting on the train and heading into London to buy records. This was the mid-90s and obviously long before smartphones and the internet, so on several occasions we went with the intention of going to Blackmarket Records in Soho, but ended up coming back empty-handed as we simply couldn't find it! But eventually, we worked it out and it was always a huge buzz. Section 5 on Kings Road in Chelsea was another favourite.In 2000 I moved to London and that's when my real clubbing experiences began. Swerve at The Velvet Rooms on a Wednesday, Movement at Bar Rumba on a Thursday, but the real Mecca for me and my friends was The End. It's still my favourite club that's existed and so much of my dance music education happened there. We went to most d&b nights but the key event for us was LTJ Bukem's Progression Sessions, which ran monthly there throughout most of the noughties. I think I went to every single event from about 2002 - 2007.The Wardown debut was one of my favorites from 2020. A wide spectrum of sounds, running from lush ambient pieces to extremely energetic tracks. The narrative aspect pulled me in, giving off a nostalgic mixtape type of vibe. It felt like it was a pivotal album for you to get out into the world given how personal the elements contained within were - almost a ‘letting go' kind of feel?Absolutely. During the start of 2019 I returned to Luton quite a bit. My granddad, who was the last remaining family member living there, was ill. So I went to visit him at his home, and then the hospital until he eventually died. He was 98 so it was no huge shock, but when I was back there, these ideas started forming in my mind. Luton was my home town but the last remaining Rogers had now left and there was nothing left linking me to it. But despite losing those roots and living away from the town for over 20 years, it still had this strange power over me and I felt a really deep connection. Obviously, some of that was down to simple nostalgia for my childhood. But there was something else tied up in it. Something a bit more complex. And making that first album was an attempt to try and express those feelings. That first track on that album (Culverhouse) has to be one of the most euphoric moments to kick off an album in recent memory of mine. I was definitely keeping it locked for the remainder after that beginning! What was the intention with the sequencing of the album?I honestly can't remember much about the sequencing of the first album. It wasn't like I made 30 or 40 tracks and then whittled them down and picked my favourites. It's a 10 track album and I think I made 11 tracks, and decided to ditch one of them. I wanted it to be a mix of jungle and ambient soundscapes as I think despite the two genres being in some ways at the opposite ends of the spectrum, they also work beautifully together. When I was initially buying records in the 90s, I used to be obsessed with the intros and breakdowns of certain jungle records. There was a run of releases on DeeJay Recordings from DJ Crystl and Future Sound Of Hardcore that had these sprawling instrumental openings that I used to play over and over again. And obviously LTJ Bukem and a lot of those early releases on Good Looking Records are on the same page. That aesthetic felt like a really good way to try and manifest the ideas I was having.According to your first album notes, Wardown is an attempt to capture what the Germans call 'sehnsucht', an "inconsolable longing in the heart for we know not what". Where did this attachment come from?That quote is from the author CS Lewis, attempting to describe the sense of longing he felt for much of his life. And I've been kind of obsessed with that feeling for quite a long time too. ‘Sehnsucht' is a German term that gets somewhere close and there are others in various languages. But it's a very hard thing to accurately pin down and describe. I sometimes feel as though to get a sense of it I have to look out of the corner of my eye, as when I try and focus directly on it, it disappears. It's often a very fleeting feeling brought on by certain scenes in the world, weather, photographs, old films. A kind of bittersweet, melancholy feeling about the past and things that have been lost. But quite often it's a longing for things I've never personally experienced or may never have even happened. “at its simplest, Wardown II is a vision of the future from the past.” Wardown II by WardownThe new album is a subtle shift in concept from the original and perhaps a continuation chronologically. The nostalgia is still there, but I'm getting a look at the future instead of back like the first album. Maybe the artwork is subliminally pointing me in that direction too. Is this Luton today or in the near future?!With the first Wardown album I was trying to evoke those feelings of loss and yearning I felt for my home town and earlier life. And that got me thinking about nostalgia in a wider sense and why it's so alluring, particularly as you get a bit older – but also why it's so pervasive everywhere you look these days. TV, film, music, advertising, even politics draws on the past, utilises it, and sometimes even weaponises it. It's an incredibly powerful thing, and for me it can create a strange kind of ‘uncanny valley' feeling, as though today's popular culture has become unmoored from history and its once-definitive eras and epochs. So much of what we consume today is full of anachronism, a kind of rehash of what's come before. I found myself wondering: what happened to the future I imagined when I was a kid?I think nostalgia is incredibly alluring right now because the future no longer looks bright. We live now with the looming threat of climate change and a catastrophic loss of biodiversity across the world, not to mention war, economic instability and the rise of populism and nationalism. It all feels just too much sometimes, and nostalgia is always there, showing us how better things were in the past – even if the safe, optimistic world it portrays didn't actually exist in the first place. In that way, nostalgia is dangerous because it stops us looking forward and taking responsibility for the future, with all its challenges – something we all need to do.Of course, all this is strongly culturally inflected, and when I say ‘we', I'm coming from a white, Western and affluent perspective; the relationship between nostalgia and progress is likely to be very different for someone born in the global south. But as someone who came of age in Britain in the 90s, the future means a different thing today than it did when I was a child. Back then it felt like there was still a kind of general, unwavering optimism about the coming years, a faith in progress and a belief that society was on the path to an increasingly better place. The fall of the Berlin Wall, the end of communism in the USSR and other Eastern European countries, New Labour, the impending Millennium, which felt like the epitome of all things futuristic – all these things pointed to the fact the future was something to look forward to.So at its simplest, Wardown II is a vision of the future from the past. I decided to give it quite a strong 1950s / 60s flavour, as to me it seems like that is when the idea of ‘the future' was at it's most potent. After the devastation of two world wars came the rise of modernism and its belief that, rather than just being an aesthetic, it could literally improve people's lives through the creation of a new kind of architecture and design. There were the American and Russian plans to send people into space. Film and TV that painted the future as a shiny kind of utopia, with flying cars, and machines that allowed humans to forget the horrific memories of war and enjoy a life of comfort and leisure.Samples are obviously a big part of your work (and your isolatedmix). It sounds like your first album was more personal, collected soundbites and samples. And this new album seems a little more abstract in its samples and direction. Can you describe your process for the sample-heavy tracks such as Instant Money? Do you build a track around a sample, go looking for something specific, or have a bank of samples ready to go?I've always been a fan of collage. Art that brings lots of different, often disparate sources together to create something fresh. As a kid I used to cut up catalogues and booklets that came through the front door and make these mad, stuck together images with them. And at university, I was fascinated by the work of artists like Robert Rauschenberg. So when it came to making music, growing up through an era of sample-heavy jungle and hip-hop (‘Entroducing' by DJ Shadow is one of the most important albums in my life), I adopted a similar technique.However, with Wardown the approach is slightly different to when I'm working on other things. I initially try and establish quite a strong conceptual starting point before I've made any music. I do lots of reading, watch things, and generally think about the world I'm trying to create before anything is made. Obviously things change and develop through the process of actually creating the music, but by starting out like that, I try and attune myself to what I'm looking for, samples wise. It's like I put little antennas up and then go about my usual life of reading, watching films and documentaries, and listening to music. But because my antennas are up and scanning for quite specific things I'm able to isolate sounds that can potentially work a lot better; sounds that would probably pass me by if I had just been taking it all in in a more general sense. And once I've had a strong idea for something I'll then dive a little deeper, in terms of second-hand records, tapes, online archives and the like. Wardown II by WardownI'm also a little gutted that Instant Money didn't make it onto the mix in full here (i hear a quick sample only!) It's one of my faves and extremely addictive (reminds me a bit of Roni Size's Dirty Beats in how the vocal burrows deep inside your brain for hours after listening if I dare compare). What was your intention/concept for the mix overall?The idea for the mix was essentially an extension of what I've done with the two albums. A collection of jungle and electronic music combined with longer ambient passages. There are a few personal favourites in there, as well as some lesser-known stuff I thought worked well. I've also taken apart elements of some of the music from Wardown II and used that throughout. More collage!The drum'n bass / jungle mixtape is of course an iconic piece of music culture and by the sounds of it, you've perfected your skills at putting one together. Do you consider yourself a DJ? Do you enjoy this aspect of your music?Well I've just come off the back of playing a summer of festival shows as Technimatic, so in that regard, definitely. I do think these days however, there is quite a big difference between being a DJ who plays live shows, and someone who puts mixes together online. Years ago you would just press record and essentially recreate what you do in a live setting. But because of the changes in technology and what you're now able to do with sequencers, recorded mixes feel like they've become a separate thing in their own regard. They definitely are to me, anyway. I love putting together online mixes that pull apart tracks, alter tempos, have multiple elements working at the same time to create something really unique. Maybe a really talented DJ could do it live, but I definitely can't!What have been some of your fave mixes over the years that we could go check out? A favorite of all time?I can't really discuss jungle and Wardown without mentioning LTJ Bukem's ‘Essential Mix' for Radio 1 in 1995. It really was such a defining mix, one that created a kind of blueprint for a whole new musical sub-genre. All the classics are there, and it still sounds fresh and exciting to me. In terms of more recent times, Visible Cloaks' ‘Music Interiors' from 2013 is another really important mix for me. It's a collection of 80s ambient and experimental music from Japan, and it totally blew my mind when I first heard it. The fact there was this huge, rich, inspiring area of music I had no idea existed before listening was really extraordinary. And it just flows so well. I'm eternally thankful for VC for creating it; I've played it more times than I can remember.~ astrangelyisolatedplace · isolatedmix 119 - WardownListen on Soundcloud, Mixcloud, or the ASIP Podcast.DownloadTracklist:01. Soft Robot - ‘Point Nemo'02. Kerguelen - ‘Proxemics'03. Sycamore Investments - ‘Cherry Bomb'04. Wardown - ‘Stimulus Progression Pattern'05. LTJ Bukem - ‘Rainfall'06. Offthesky -‘Insofar, In So Far'07. Freedive - ‘Watering A Flower On The Moon'08. Photek - ‘Complex'09. Ki One - ‘Life At The End Of The World'10. Micronation - 'Photographs of Clouds'11. Wardown - ‘The Ideal City'12. Advanced Sound & Vision - ‘The Engineered Yes'13. Wardown - ‘Lifespan'14. Fisher Associates - ‘Scorched Earth'15. Wardown - ‘Graphite and Glitter'16. The Architex - ‘Altitude'17. Creative Innovations Inc. - ‘Stone Tape Theory'18. r beny - ‘Eistla'19. Jefre Cantu-Ledesma - ‘Song Of Forgiveness Pt. 1'~Wardown | Bandcamp | Discogs | Twitter | Instagram

Steve Pilgrim - drummer, singer & songwriter joins me on this episode of the podcast. Another huge talent from the Paul Weller band. Paul is quoted as saying on Steve: "One of the great understated modern songsmiths. I love Pilgrims voice, his lyrics, his sense of melody. I hope people get to hear his music, it's really something special” Ex-The Stands, Cast, John Power and John Head, Steve joined the Paul Weller band in 2008 for the 22 Dreams tour ( following on from drumming legends Steve White and Rick Buckler when you think about it! - something that we discuss on the podcast). Steve has been a key fixture of the band ever since. Both live behind the kit - touring the world multiple times - and on record from Wake Up The Nation through to Fat Pop. As Andy Lewis said on the podcast, "Steve is a better singer-songwriter than he is a drummer, and he's a fantastic drummer..." Our podcast begins with a text from Paul Weller that was the only inspiration Steve Pilgrim needed to finish the writing of his much-anticipated sixth album ‘Beautiful Blue'... Find out more in the show notes for this podcast with a very special Pilgrim Playlist at paulwellerfanpodcast.com/episode-109-steve-pilgrim If you enjoy this episode of the podcast - please share on your social media channels - and leave a review and if you want to support the podcast financially, you can buy me a virtual coffee at paulwellerfanpodcast.com/store

Science Fiction OTR-The Technicolour Time Machine http://oldtimeradiodvd.com  or Nostalgia USA PRIME Roku Channel

Phew! I'm not sure what's hotter, the tune or my studio! Anyway, he's a cracker foryou...PLEASE SPREAD THE WORD, SUBSCRIBE & SUPPORT THE MUSIC!Love you endlessly...Ross xxHere are all my links:-Bandcamp: https://franksonmusicuk.bandcamp.com-Instagram: https://www.instagram.com/FranksonMusicUK-Twitter: https://twitter.com/FranksonMusicUK-Facebook: https://www.facebook.com/FranksonMusicUK-YouTube: https://www.youtube.com/channel/FranksonMusicUK-Headway: https://www.headway.org.ukTracklist:1. Hardkandy, ft. Sarah Goodson '3AM' (Wah Wah 45s)2. Amanda Whiting 'Abstraction' (Jazzman)3. Lauren Ritter & Tenesha The Wordsmith 'Dopamine' (Rift Vision)4. Allysha Joy & Ego Ella May 'Calling You' (First Word)5. B. Bravo 'Penelope' (Bastard Jazz)6. SBTRKT 'BODMIN MOOR (Original Mix)' (Awol)7. Anushka, ft. Wolfgang Flur '4AM' (Tru Thoughts)8. Jimi Jules feat. JAW 'Too Young For Me (Ripperton's Neptunians Marathon Mix)' (Drumpoet Community)9. Barry Can't Swim, ft. Taite Imogen 'God Is The Space Between Us' (Technicolour)10. Ladymonix 'High Notes' (Frizner Electric)11. Aguila 'Morning Slide' (All My Thoughts)12. George IV 'Everything To Me (Extended Edit') (White Label)13. George FitzGerald 'Cold' (Domino)14. Phtalo 'Re-Verbalize' (Endless Process)

Episode 4:   Taking a break from shouts on this episode so let's focus on the tunes.    music from Alix Perez, Beak + Total Science, Technicolour, Komatic, Science of Man, Zero T, Culture Shock, 1991, Waeys, Clusion, Bungle, Hugh Hardie, Ben Rolo and Winslow. 

Who doesn't love Beaujolais? This in-depth episode is all about this picturesque, hilly region and its geological and stylistic diversity. Recent cataloguing of the Beaujolais soils helped bring to light over 300 soil profiles that have been analyzed and described by geologists in tandem with growers, underscoring that diversity (be sure to check out the soil map,  published on  beaujolais.com.)The Thieves welcome Mee Goddard to the round table, one of the newer voices in Beaujolais, who launched her Domaine in 2013 with three special bottlings of Morgon: Corcelette, Grand Cras, and Côte du Py.  She focuses on “vins de garde”, wines meant to age, blending carbonic and non-carbonic techniques. Cyril Chirouze is also on the program,  Director of Winemaking and manager of Château des Jacques,  owned by the venerable Maison Louis Jabot. Cyril made wine in the Côte d'Or before making the move to Beaujolais, yielding to the "siren call" of gamay, and the vast, untapped potential of the region. Today Cyril makes wines in the crus of  Morgon and in Moulin-a-Vent.Mathieu Lapierre is our third star guest at the table. Matthieu's father Marcel Lapierre was a pivotal player in the revival of Beaujolais, one of the "gang of four" who moved towards making wines with a bare minimum of intervention, what are currently often called “natural” wines. Mathieu sets the record straight on what is "traditional" winemaking in the region (spoiler: it's probably not what you think), and explains why gamay languished in northern Burgundy but flourished in the south. John and Sara also attempt to sort out the status of the lieux-dits in Beaujolais and investigate the difference between a lieu-dit, a climat and a cru at the conclusion of the interview.  Join us as we dig beneath the multicoloured soils of Beaujolais to reveal the secrets of France's most affable wine. Santé!This episode was produced in collaboration with the interprofessional association of Beaujolais.

Hey gang!Ever so, slightly late, but definitely worth waiting for. As promised, a glorious selection of new house and disco for you to feast on.Spread the word, share the love and whilst you doing so, please give the show a 5 star rating on Apple podcast too!Love you endlessly...Ross xxP.S. Sorry to mention it yet again, but please do checkout my new EP on the links below. It's out this Friday and if you nejoy the show, I'm sure you'll be into it. xHere are all my links:-Bandcamp: https://franksonmusicuk.bandcamp.com-Instagram: https://www.instagram.com/FranksonMusicUK-Twitter: https://twitter.com/FranksonMusicUK-Facebook: https://www.facebook.com/FranksonMusicUK-YouTube: https://www.youtube.com/channel/FranksonMusicUK-Headway: https://www.headway.org.ukTracklist: 1. Dj Vas 'No Beginning No End (Edit)' (EDR)2. John Gazoo 'What Happened' (Compost Disco)3. DJ Seinfeld 'She Loves Me (godmode Nuptial Remix)' (Ninja Tune)4. DJ Koze, ft. Róisín Murphy 'Illumination (Mano Le Tough Needs A Birra Light Remix)' (Pampa)5. Big Miz, ft. Washington & Washington 'Still Deciding' (Aus)6. Tooli 'That Cowbell Track (Dub)' (Local Talk)7. Greymatter 'Everything You Are' (Unique Uncut)8. Krankbrother 'All Her Loneliness' (Krankbrother)9. Sony Synth 'It's A Sunset, Baby (Original Mix)' (Psicodelica)10. The Magician & Kolombo 'Doo Doo Ratata (Club Fever Part. 2)' (Potion)11. Barry Can't Swim 'God Is The Space Between Us (feat. Taite Imogen)' (Technicolour)12. Dusky, ft. Janai 'Lost In You (Herbert's Lost Dub)' (Anjuna Deep)13. Rumpistol 'I Rum Sø' (Rump)

01 - 00:00:00 - Monument Banks and Leo Wood - Simmer 02 - 00:01:56 - Qumulus & Warm roller - Black Lies 03 - 00:06:23 - Technicolour, Technimatic - Satisfy 04 - 00:08:22 - Molecular, Particle - Switch Hunt 05 - 00:11:27 - Levela, InsideInfo - Creatures 06 - 00:14:04 - Plago - Rat Race 07 - 00:17:25 - St.Iff - The Invisible Man 08 - 00:18:07 - Omina - Habitat 09 - 00:22:04 - Dub Elements - Hit That Loud 10 - 00:24:34 - Meph & Drop Database - Minimalistic 11 - 00:27:39 - Visages - Sunshine Mystery 12 - 00:30:38 - Nic ZigZag - Sherry 13 - 00:33:10 - Kawstic - Tinker 14 - 00:37:43 - Halflight - The Upside Down (Extended Mix) 15 - 00:39:01 - DJ Fresh - Gold Dust (Fox Stevenson Remix) 16 - 00:43:19 - Particle - Drivin' Me Crazy 17 - 00:46:13 - Monty, Visages - Familiarity 18 - 00:49:03 - HEFT - Promise 19 - 00:51:15 - Ezor - Bugs 20 - 00:55:28 - Omina - Chaser 21 - 00:57:45 - Nephos - Lucu 22 - 01:00:24 - Leniz and Perspective Shift featuring Matt Freeman - Hazy (feat. Matt Freeman) 23 - 01:03:07 - Traumatize - Man Down 24 - 01:06:19 - Komatic, Technimatic - Make Me Feel 25 - 01:08:52 - Davide Carbone, Sam Welch - Eventide (Logistics Remix) 26 - 01:12:39 - Noisia - Diplodocus (Skeptical Remix) 27 - 01:13:41 - Fierce, Cause4Concern - Carrier 28 - 01:17:44 - Levela, InsideInfo - Creak 29 - 01:19:56 - L-Side - Dub Dogz feat. MC Moose 30 - 01:22:37 - Dan Structure - Be Free 31 - 01:25:13 - Kaii Concept - A Lil Time 32 - 01:29:18 - Theoretical - Flat Light 33 - 01:32:56 - Concept One - Axos 34 - 01:36:37 - Alix Perez, DLR - Blips 35 - 01:40:16 - Jakes, OCC - Tectonic 36 - 01:43:09 - Visages - Sunshine Mystery 37 - 01:46:18 - Theoretical - Slice 38 - 01:48:09 - Paul SG - Parts Of Me 39 - 01:52:39 - Level 2 - Hot Foot 40 - 01:55:44 - Skellytn - Separate Ways

New D&B I love this week. Taking a break from shouts on this episode so let's focus on the tunes.    music from Alix Perez, Beak + Total Science, Technicolour, Komatic, Science of Man, Zero T, Culture Shock, 1991, Waeys, Clusion, Bungle, Hugh Hardie, Ben Rolo and Winslow. 

01 - 00:00:00 - Dan Structure - Be Free 02 - 00:03:18 - Covert Garden - Reservoir 03 - 00:06:01 - Friske - The Reason 04 - 00:07:34 - Paul SG - King's Town 05 - 00:09:09 - Levela, InsideInfo - Creatures 06 - 00:12:23 - Teej & Screamarts - Horizion 07 - 00:13:41 - Total Science - Jungle Jungle (Remastered) 08 - 00:15:53 - Emperor, IMANU - A Taste of Hope (Emperor Remix) 09 - 00:17:42 - Exile, Trafic MC - Button Mashing 10 - 00:18:57 - Document One, A Little Sound - Back To Me 11 - 00:21:28 - Sub Focus - Special Place 12 - 00:23:50 - Tenkei - Intrusion 13 - 00:26:19 - Alix Perez, DLR - Blips 14 - 00:28:47 - Dropset - Eye Opener 15 - 00:31:49 - Level 2 - Bite The Bone 16 - 00:34:15 - Jestah and Art1fact - Deception 17 - 00:36:07 - Particle - Drivin' Me Crazy 18 - 00:38:54 - Doc Scott - NHS (Total Science Remix) 19 - 00:41:11 - Dub Elements - Hit That Loud 20 - 00:45:40 - L-Side - Dub Dogz feat. MC Moose 21 - 00:46:53 - Fierce, Optiv - Surface Noise 22 - 00:50:00 - CLIQUES - Love Is Not A Game 23 - 00:53:40 - Bob White - Fresh Look 24 - 00:54:42 - Monty, Visages - Familiarity 25 - 00:56:12 - Optiv & Bulletproof - Camouflage 26 - 01:00:25 - Mandidextrous - Trust the Lasers 27 - 01:02:16 - Hadley featuring Ben Verse - Keep It Rolling Ft Ben Verse 28 - 01:04:34 - Addison Groove, Sam Binga - Rzor (Friction Remix) 29 - 01:05:46 - Klinical - Around Me (Workforce Remix) 30 - 01:07:37 - Bad Company - The Pulse 31 - 01:10:23 - Molecular, Particle - Switch Hunt 32 - 01:12:48 - Friction, Fourward - Battlescars Ft. Jakes (Alix Perez Remix) 33 - 01:14:58 - Sl8r - Asterix (Nymfo Remix) 34 - 01:17:06 - Noisia - Diplodocus (Skeptical Remix) 35 - 01:19:02 - Workforce - Broken 36 - 01:21:49 - Komatic, Technimatic - Make Me Feel 37 - 01:24:04 - Total Science, Break - Acquiesce 38 - 01:26:49 - Theoretical - Revival 39 - 01:30:14 - DJ Hybrid & Trex - Diggin' Deep 40 - 01:31:29 - DJ Fresh - Sunset 41 - 01:33:14 - 1991, Cherryade - Out Of My Head (feat. Cherryade) 42 - 01:34:35 - Hybrid - Sky Full Of Diamonds (Metrik Remix) 43 - 01:37:00 - WORKFORCE - Overnight Express (feat SP:MC (Break remix)) 44 - 01:39:00 - Technicolour, Technimatic - Satisfy 45 - 01:42:41 - Onside - Jazz Cafe 46 - 01:45:55 - Halflight - The Upside Down (Extended Mix) 47 - 01:47:20 - METRIK - Closer 48 - 01:49:12 - Pendulum - Watercolour (Matrix & Futurebound Remix) 49 - 01:50:26 - Dossa & Locuzzed, Patch Edison - Play 50 - 01:54:37 - Influx Datum - Back For More

To help continue the much-needed support for the people of Ukraine, we have produced a compilation from one of our favorite Ukrainian-based netlabels, Energostatic Records. Released as part of our Portals deep dive series, the feature includes a remaster of specifically curated tracks, in both individual and mix form. These tracks are available on the ASIP Bandcamp page as Name Your Price, with all proceeds going to Save The Children and their specific activities supporting Ukraine at this time. A big thank you to label owner Marian for allowing this project to happen as he deals with life in Kyiv right now, the artists for their participation, and Rafael Anton Irisarri for kindly providing his mastering services. Also, an advanced thank you to all those who listen and support at this very important time. ~‘Netlabels' are essentially extinct in today's music landscape by definition. Of course, there are still labels that just focus on digital releases, but Netlabels came about during a time when there were little to no platforms monetizing digital releases. Digital distributors were reserved for big or established labels as the streaming era ramped up. And Bandcamp didn't exist. Netlabels were the next logical step after the file-sharing era (Soulseek et al), where instead of P2P servers and software, artists and label began to push their own agendas online, making files available freely on the internet, often under a Creative Commons license and many through a myriad of MP3 blogs that powered this exciting period. It was also, somewhere at this point in time, coincidentally, that the very first iteration of ASIP was also born, diving deep into MP3 blogs and following various Netlabels religiously. Finding a Netlabel's basic website or archive.org page was the Bandcamp profile of its day. Energostatic was pretty late to the ‘Netlabel game'. Their first release didn't arrive until 2010 when many Netlabels were either fizzing out already or converting to more modern release methods. But Energostatic's ethos and approach to providing music against a strict aesthetic, for free, made them a torchbearer for the dying art of sharing music online through small yet beloved corners of the internet. As ASIP began in 2008, Energostatic was one of the many Netlabels I followed, and as curators of dub techno in various forms, they operated within another small yet burgeoning scene it seems, given dub-techno as a genre also seems to have dwindled in popularity in recent years. The writing was perhaps, on the cards for Energostatic, as Marian ceased operations of the label in 2017. But with 49 releases, there was (and still is) a big chunk of music to dig into, which for anybody new to the label, could become a little overwhelming to discover, especially since that number includes several compilations with 20+ tracks each, and many of the artists don't seem to be very active anymore. To help support the people of Ukraine during this time in a small way, I reached out to label founder Marian to see if he would like to raise money through a compilation that spotlighted some of my favorite music from the label's era. Marian had previously released as part of our early Places Series, as Marc Atmost, where he created a track based on some of his early memories in Ukraine (an unsettling and poignant listen under today's circumstances). Today, Marian is on the ground in Kyiv, doing what he can to survive and support his community.The majority of the Energostatic catalog is still available for free on Bandcamp, should you wish to explore it yourself. Ranging from Space Ambient to drone; dub-techno and DnB; it became a bittersweet task to sift through the hundreds of tracks and pull together this compilation for a good cause. With the owner and label based in Ukraine (if Netlabels were to even have a ‘base' of course), the majority of the artists on the label were friends of Marian, so a good majority were Ukraine and Russia-based and a part of local music scenes in each country. The compilation begins with one of the most gentle tracks you will find across the entire Energostatic catalog. Russian artist KaLGaN made a few appearances over the years, but was better known for his work as 110ml - responsible for the very first artist release on the label (Scratch me / Scratch you) and also included further on in the compilation with his 110ml track, Lights In Window. Stellardrone (Lithuania), is one of the more well-known artists to be supported by Energostatic, and even made an appearance on the ASIP Full Circle compilation/LP a few years back, highlighting his importance in the evolution of my own musical journey. Edgaras' music has always remained free on the internet and encaptures some of the finest Space ambient music in recent years. The piece included in the compilation, ‘Light Years' is perhaps one of his darker, more sincere pieces amongst a stand-out catalog which has unfortunately not seen much activity in recent years Textural Being (USA) (see isolatedmix29 also) is another artist who I have admired for a long time, and related to the above compilation was in my shortlist for inclusion on Full Circle. The track I had in mind at the time, however, didn't quite fit the rest of the compilation. Serendipitously, Sept is my all-time favorite track by Sage Taylor / Textural Being, (amongst yet another expansive artist output) so it feels great to present this to a wider audience today. Marc Atmost (Ukraine), as mentioned above, is the founder of Energostatic, and appears consistently across the label over the years through various guises and musical styles ranging from straight-up dub techno to DnB. This track, Deity is one of my favorites from his consistent output, capturing the very essence of spacious, melodic dub techno. Olexa, (Ukraine) was a less prolific artist over the years with just one EP and several compilation appearances on Energostatic, but captured the deep dub techno sound aesthetic of the label to perfection. Gapfield (USA), is a project from US-based Devin Underwood and Jacob Newman. Devin creates some amazing music across a variety of styles and aliases (such as Drexon Field - another fun project I love) and has made several appearances on the Energostatic label, most notably with a solid, straight-up dub-techno album as Specta Ciera (see isolatedmix19). Between Devin and Jacob, they can be found on some amazing ambient labels over the years, such as Carpe Sonum, Neotantra, dataObscura and Bludhoney Records. Their Gapfield project, is definitely one that may have flown under the radar amongst their solid output. Technicolour's (UK) ‘Permafrost', has always been a stand-out track for me on Energostatic and his only appearance on the label. I included it in many of my DJ mixes years ago, and it broke the mold in the label's beginnings with its Autonomic sound and rampant amen breaks, whilst remaining true to the deep and introspective atmosphere the label ended up pushing. But it wasn't until seeking permission to include this track did I come to realize that Technicolour, aka Peter Rogers, was in fact, Wardown, who released one of my favorite Drum'n bass albums of 2020 on Blu Mar Ten's label. Permafrost could be the apex of compilation, but the journey needed a minute to breathe after that kind of energy, which is where Ayqix's (Argentina) Raymi (Coldest Version) came into play. The Buenos Aires musician provides an airy respite towards the end of the compilation before the energetic finale, very much reminiscent of the early minimal techno days of Traum Schallplatten. Closing out the compilation, Enformig, was a Ukrainian Techno producer based in Kharkov who unfortunately died in 2019. His appearances on the label were always met with such high praise and support on social media from Marc, especially for his hardware-driven live sets. This track is perhaps, one of his finest moments from the Energostatic catalog and provides a momentous, energetic and liberating closing chapter to the compilation. Energostatic's label motto was "Reach, resist, research”. Label owner Marian didn't have the time or capacity to answer any of my questions related to its meaning on top of his urgent life on the ground in Kyiv, but I couldn't help relate this motto to a higher meaning and reminder as I thought about his and many other people's lives in Ukraine. Thank you for reading, listening and reflecting. Support the compilation on Bandcamp with all proceeds going to Save The Children and their Ukraine efforts. Portals: Energostatic (For Ukraine) by A Strangely Isolated Place~Podcast link.