Podcast appearances and mentions of lourdes lopez

Join "Dance Talk” ® with Joanne Carey and special guest Lourdes Lopez, former Artistic Director of Miami City BalletIn this episode of "Dance Talk” ® with Joanne Carey interviews Lourdes Lopez, a prominent figure in the ballet world. They discuss Lourdes's early beginnings in dance, her immigrant experience, and her journey to becoming a principal dancer with the New York City Ballet. Lourdes shares insights on her transition to artistic director at Miami City Ballet, the importance of diverse repertory, and her vision for the future of the performing arts. The conversation highlights the profound impact of dance as a soul's journey as well as the challenges and opportunities facing the arts today.Lourdes Lopez was named one of The Most Influential People in Dance Today by Dance Magazine, became Artistic Director of Miami City Ballet in 2012, bringing with her a nearly 40-year career in dance, television, teaching and arts management. As a Soloist and Principal Dancer with New York City Ballet, Lopez danced for two legends of the art form, George Balanchine and Jerome Robbins. Under Lopez direction, Miami City Ballet has become one of the country premier Ballet companies. According to The New York Times, This troupe [is] at the forefront of all those dancing choreography by George Balanchine today. Bold, light, immediate, intensely musical, the dancing of Miami City Ballet flies straight to the heart. Born in Havana, Cuba in 1958 and raised in Miami, Lopez began taking ballet lessons at the age of five, on the recommendation of a doctor. At the age of 11 she received a full scholarship to the School of American Ballet (SAB), the official school of New York City Ballet, splitting the year between Miami and New York City. At fourteen, she moved to New York permanently to devote herself to full-time studies at SAB, and shortly after her sixteenth birthday, joined the corps de ballet of New York City Ballet. Under the direction of George Balanchine and Jerome Robbins, her star rose quickly at New York City Ballet; In 1984, she was promoted to Soloist and then Principal. Upon retirement, Lopez joined WNBC-TV in New York as a Cultural Arts reporter,. She was also a full-time senior faculty member and Director of Student Placment, Student Evaluation and Curriculum Planning at New York Ballet Academy East. In 2002, Lopez became the Executive Director of The George Balanchine Foundation, which works to educate the public about dance and to further the art of ballet, with a special phasis on the work and achievements of George Balanchine. In this position, she oversaw the 2004 Balanchine Centennial Celebration, a worldwide festival honoring the choreographer and his legacy. Lopez co-founded The Cuban Artists Fund, which supports Cuban and Cuban-American artists in their endeavors. In 2007 she received an award from the American Immigration Law Foundation honoring Cuban Americans for their accomplishments and contributions to American society. She also co-founded Morphoses with Christopher Wheeldon in 2007 a New York-based dance company aiming to revitalize dance through innovative collaborations with important artists from the worlds of music, visual arts, design, film and fashion; and by inviting younger and broader audiences to engage in and actively experience dance. 2014 Lopez was elected to serve on the Ford Foundation Board of Trustees, marking the first time an artist was elected to serve on its board and in 2011, she received the prestigious Jerome Robbins Award for her years in dance. “Dance Talk” ® with Joanne Careywherever you listen to your podcasts. ⁠⁠⁠⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠⁠Follow Joanne on Instagram @westfieldschoolofdance Tune in. Follow. Like us. And Share. Please leave a review! “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

My special guest tonight is author A.J. Flick who's where to discuss her book call Toxic Rage about the shocking plans of one doctor to murder another.   Brian Stidham fell in love with Tucson, Arizona, the minute he came to town. A young and talented eye surgeon, he accepted a job with an established eye surgeon to take over his pediatric patients.  “It's a beautiful place,” Stidham told a friend. “I can live right there by the mountains and go hiking. It's a great deal for me there. The partner I'll be working with is ultracool. He's giving me the keys to the kingdom.” Brad Schwartz, the doctor who hired Brian, was ambitious and possessed surgical skills few others had. But he was a troubled man. Within a year of Stidham's arrival in Tucson, the medical relationship would be severed by Schwartz's personal troubles. Stidham broke away to start his own practice. Rumors abounded within the medical community that Schwartz was incensed and considered the departure a betrayal. His rage grew, even driving a wedge between him and his fiancée, Lourdes Lopez, a former prosecutor. Three years after Stidham moved to Tucson, his life ended in an empty, darkened parking lot. But who would murder such a nice man in such a violent manner? Lourdes, who had witnessed Schwartz's toxic rage toward his former partner, feared she knew. But would her suspicions be enough to catch the killer? Find out in Toxic Rage.   Background Violence, crime, and social problem are seen in all areas of life, and their incidence is higher among profession- als that are constantly interacting with people (Gillespie et al. 2010). The health care workers take place among such professionals. According to WHO, the rate of healthcare professionals who have been subjected to vio- lence, at least once in their lifetime, varies between 8% and 38%, around the world. In addition, according to the National Institute for Occupational Safety and Health, healthcare professionals are the most vulnerable to work- place violence, and hospitals are the public places where violence against employees takes place commonly (Shea et al. 2017; Sun et al. 2017). Although healthcare profes- sionals are mostly exposed to psychological violence, the risk of physical violence is stated to be seven times higher for healthcare professionals (Mento et al. 2020). Turkish Statistical Institute (TURKSTAT) data showed that there is a significant increase in deaths due to violent acts, which even affects the forensic case profile of the Turkey (Akçan et al. 2019). Increas- ing incidents of violence, potentially increase the use of violence by people who experience or witness the violence, and this can cause a chain of violence that spreads throughout the society (Mercy et al. 2017). Although investments in healthcare have increased, especially over the last two decades, it is interesting to note that violence against healthcare profession- als has also increased in parallel. In a study conducted by Baykan et al. (Baykan et al. 2015), it has been stated that 86.4% of the medical doctors participating in the study reported that they had been subjected to vio- lence at least once in their lifetime, while 26.8% of them had experienced physical violence. In addition, it is reported that nearly half of the healthcare professionals in Turkey are exposed to violence every year (Bayram et al. 2017). Turkey has seen the most brutal outcome of the violence, homicide of healthcare professionals, by their patients or patients' relatives for the first time in recent years.Follow Our Other ShowsFollow UFO WitnessesFollow Crime Watch WeeklyFollow Paranormal FearsFollow Seven: Disturbing Chronicle StoriesJoin our Patreon for ad-free listening and more bonus content.Follow us on Instagram @mysteriousradioFollow us on TikTok mysteriousradioTikTok Follow us on Twitter @mysteriousradio Follow us on Pinterest pinterest.com/mysteriousradio Like us on Facebook Facebook.com/mysteriousradio

The Unlikely Ballet Dancer Join us today as we learn about Lourdes Lopes, a ballet dancer who didn't fit the mold, yet devoted her life to ballet. Sources: https://peoplepill.com/people/lourdes-lopez/  https://inspicio.fiu.edu/interviews/lourdes-lopez/  Morey, Janet, and Wendy Dunn. “Lourdes Lopez.” Famous Hispanic Americans, Cobblehill Books, New York, 1996.  Send us listener mail!  Send an audio message: anchor.fm/inquisikids-daily/message  Send an email: podcast@inquisikids.com 

In this episode, we join Pillow Scholar Theresa Ruth Howard in conversation with Lourdes Lopez on the occasion of her tenth anniversary as artistic director of Miami City Ballet.*This episode was produced by Lisa Niedermeyer. 

A diverse group of models are changing an industry—and redefining beauty as we know it. Featuring Anok Yai, Ariel Nicholson, Bella Hadid, Kaia Gerber, Lourdes Lopez, Precious Lee, Sherri Shi, Yumi Nu Find the full story on Vogue.com. For more from VOGUE, make sure to subscribe to VOGUE Stories on: Apple Podcasts: podcasts.apple.com/us/podcast/vogue-stories Spotify: open.spotify.com/vogue-stories Google: podcasts.google.com/vogue-stories or wherever you listen to podcasts. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Enjoy the AD-FREE versions of our latest episodes and our archives right now from anywhere in the world. My special guest tonight is author A.J. Flick who's where to discuss her book call Toxic Rage about the shocking plans of one doctor to murder another. Brian Stidham fell in love with Tucson, Arizona, the minute he came to town. A young and talented eye surgeon, he accepted a job with an established eye surgeon to take over his pediatric patients.  “It's a beautiful place,” Stidham told a friend. “I can live right there by the mountains and go hiking. It's a great deal for me there. The partner I'll be working with is ultracool. He's giving me the keys to the kingdom.” Brad Schwartz, the doctor who hired Brian, was ambitious and possessed surgical skills few others had. But he was a troubled man. Within a year of Stidham's arrival in Tucson, the medical relationship would be severed by Schwartz's personal troubles. Stidham broke away to start his own practice. Rumors abounded within the medical community that Schwartz was incensed and considered the departure a betrayal. His rage grew, even driving a wedge between him and his fiancée, Lourdes Lopez, a former prosecutor. Three years after Stidham moved to Tucson, his life ended in an empty, darkened parking lot. But who would murder such a nice man in such a violent manner? Lourdes, who had witnessed Schwartz's toxic rage toward his former partner, feared she knew. But would her suspicions be enough to catch the killer? Find out in Toxic Rage. Learn more about your ad choices. Visit megaphone.fm/adchoices

Internationally celebrated ballerina and current artistic director of Miami City Ballet, Lourdes Lopez joins Robert Hill on this week’s Barre Talk. Lourdes Lopez was recently named one of “The Most Influential People in Dance Today” by Dance Magazine. She became artistic director of Miami City Ballet in 2012, bringing with her a nearly 40-year career in dance, television, teaching, and arts management. As a Soloist and Principal Dancer with New York City Ballet, Lopez danced for two legends of the art form, George Balanchine and Jerome Robbins

Today's episode was recorded live at The Kennedy Center on Saturday June 1, 2019 before the matinee performance of Miami City Ballet as a part of Ballet Across America. We were joined by Virginia Johnson, the Artistic Director of Dance Theatre of Harlem (who had been performing earlier in the week), Lourdes Lopez, Artistic Director […] The post (140) LIVE from The Kennedy Center: Women Leading the Way in Ballet appeared first on tendusunderapalmtree.com.

Today’s episode was recorded live at The Kennedy Center on Saturday June 1, 2019 before the matinee performance of Miami City Ballet as a part of Ballet Across America. We were joined by Virginia Johnson, the Artistic Director of Dance Theatre of Harlem (who had been performing earlier in the week), Lourdes Lopez, Artistic Director […] The post (140) LIVE from The Kennedy Center: Women Leading the Way in Ballet appeared first on tendusunderapalmtree.com.

Today we are joined by Miami City Ballet Artistic Director, Lourdes Lopez, and our former boss.  Born in Havana, Cuba and raised in Miami, Lopez began taking ballet lessons at the age of five and continued her training full time at the School of American Ballet when she was 14. George Balanchine chose her to […] The post (116) Lourdes Lopez, Artistic Director of Miami City Ballet appeared first on tendusunderapalmtree.com.

Today we are joined by Miami City Ballet Artistic Director, Lourdes Lopez, and our former boss.  Born in Havana, Cuba and raised in Miami, Lopez began taking ballet lessons at the age of five and continued her training full time at the School of American Ballet when she was 14. George Balanchine chose her to […] The post (116) Lourdes Lopez, Artistic Director of Miami City Ballet appeared first on tendusunderapalmtree.com.

Brian Stidham fell in love with Tucson, Ariz., the minute he came to town. A young and talented eye surgeon, he accepted a job with an established eye surgeon to take over his pediatric patients.“It’s a beautiful place,” Stidham told a friend. “I can live right there by the mountains and go hiking. It’s a great deal for me there. The partner I’ll be working with is ultracool. He’s giving me the keys to the kingdom.”Brad Schwartz, the doctor who hired Brian, was ambitious and possessed surgical skills few others had. But he was a troubled man.Within a year of Stidham’s arrival in Tucson, the medical relationship would be severed by Schwartz’s personal troubles. Stidham broke away to start his own practice. Rumors abounded within the medical community that Schwartz was incensed and considered the departure a betrayal. His rage grew, even driving a wedge between him and his fiancée, Lourdes Lopez, a former prosecutor.Three years after Stidham moved to Tucson, his life ended in an empty, darkened parking lot. But who would murder such a nice man in such a violent manner? Lourdes, who had witnessed Schwartz’s toxic rage toward his former partner, feared she knew. But would her suspicions be enough to catch the killer? TOXIC RAGE: A Tale Of Murder In Tucson-A.J. Flick

In the eleventh installment of "Offstage and Unbound," The Music Center's President and CEO Rachel Moore chats with Lourdes Lopez, artistic director of Miami City Ballet. Over the course of a year, Lopez worked closely with designers Isabel and Ruben Toledo to create a newly redesigned George Balanchine’s The Nutcracker®. Lopez became artistic director of Miami City Ballet in September 2012, bringing with her a nearly 40-year career in dance, television, teaching and arts management. As a Soloist and Principal Dancer with New York City Ballet, she danced for two legends of the art form, George Balanchine and Jerome Robbins.

National Arts Centre Executive Producer of Dance Cathy Levy speaks with Lourdes Lopez, Artistic Director of Miami City Ballet, shortly before the company's March 5-7, 2015 NAC presentation. Lourdes talks about her early introduction to ballet and her 24-year career with New York City Ballet where she danced under the legendary George Balanchine and Jerome Robbins. A brief career in television follows. She then leads The George Balanchine Foundation and co-founds the innovative dance company Morphoses with Christopher Wheeldon. In 2012, she succeeds Edward Villella at Miami City Ballet. Lourdes outlines her goals and long-term plans for the company and describes a typical day in her life as artistic director. Lourdes Lopez, Miami City Ballet La productrice de la Danse au Centre national des Arts Cathy Levy s'entretient avec Lourdes Lopez, directrice artistique du Miami City Ballet, avant les représentations de la compagnie les 5, 6 et 7 mars 2015 au CNA. Mme Lopez parle ici de son introduction à la danse et de ses 24 années au sein du New York City Ballet, où elle a dansé pour les légendaires George Balanchine et Jerome Robbins. Elle a ensuite entamé une brève carrière à la télé avant d'assumer la direction de la Fondation George Balanchine et de cofonder la compagnie de danse novatrice Morphoses avec Christopher Wheeldon. En 2012, elle succède à Edward Villella au Miami City Ballet. Elle nous fait part de ses objectifs et plans d'avenir pour la compagnie, et décrit une journée typique dans sa vie de directrice artistique.