“Dance Talk” ® with Joanne Carey

Join "Dance Talk” ® with Joanne Carey and special guest Trinity SantoroIn this episode of "Dance Talk” ® , host Joanne Carey interviews Trinity Santoro, an apprentice with the American Ballet Theatre. Trinity shares her journey from a competition dancer to a ballet apprentice, discussing her early experiences, the importance of technique, and the challenges she faces in the professional dance world. She emphasizes the significance of maintaining joy in dance, the role of competition, and the lessons learned from various summer intensives. Trinity also reflects on her experiences as an ABT apprentice, the excitement of working with dance legends, and the preparations for her upcoming tour. Throughout the conversation, she offers valuable insights and words of wisdom for aspiring dancers. Trinity is definitely a dancer to watch, she's going places!Trinity Santoro began her formal training in classical ballet and contemporary dance in Hanover Park, Illinois, at the Faubourg School of Ballet in 2013 under the direction of Watmora Casey. She then spent five years with A&A Ballet under the direction of Alexei Kremnev and Ana Reznik. Santoro also trained at The Royal Ballet School's Summer Intensive in 2018.In May 2022, she performed in Guatemala with A&A Ballet as the title role in Firebird. In September 2022, Santoro joined Kansas City Ballet as a member of KCBII. In 2023 and 2024, she appeared as a guest artist with Southold Dance Theatre, performing the title role in Giselle.Santoro has won numerous awards during her dance career, including winning Gold at the World Ballet Competition in 2017. She is a four-time Youth America Grand Prix Finalist, winning the Grand Prix award in 2022.Santoro joined ABT Studio Company in January 2024, where her repertoire included Amy Hall Garner's Within the Sunset, “Country Gardens” from Twyla Tharp's Brief Fling, and the Diana and Acteon pas de deux. She created a role in James Whiteside's Young & Beautiful.Santoro joined American Ballet Theatre as an apprentice in December 2024.To see Trinity performhttps://www.abt.org/Follow Trinity on Instagram @trinity_santoro“Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. ⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠Follow Joanne on Instagram @westfieldschoolofdanceTune in. Follow. Like us. And Share.Please leave a review!“Dance Talk” ® with Joanne Carey"Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Join "Dance Talk” ® with Joanne Carey  and special guest Charlene Campbell CareyIn this episode of "Dance Talk” ® , host Joanne Carey speaks with Charlene Campbell Carey, the Artistic Director of Rocky Mountain Ballet Theatre and president of Ballet Beyond Borders. They discuss Charlene's journey in dance, the unique ballets created in Montana, and the importance of cultural relevance in dance. Charlene shares insights about her organization, which fosters cultural exchange and harmony through dance. She shares the impact of personal loss on her artistic vision. The conversation also touches on the challenges of international collaboration, the role of improvisation in performances, and the exciting future projects and tours planned for Ballet Beyond Borders.Charlene Campbell Carey's career in ballet and choreography began in 1976 and branched into entertainment and diplomacy. Studying ballet in Chicago and training on scholarship throughout high school at the National Academy of Arts, led her to American Ballet Theatre where she also became a member of the faculty and assistant to Director Patricia Wilde. Ms. Campbell danced at Radio City Music Hall, choreographed for Chicago's “Light Opera Works” and served on the faculty for Lou Conte and the Hubbard Street Dance Company.Ms. Campbell's career spans hundreds of ballets, operas, night club acts, and industrials.In 1998, Ms. Campbell founded Rocky Mountain Ballet Theatre in Missoula, Montana. 2008, prior to the Olympic Games, Ms. Campbell led the RMBT delegation to Beijing, Guilin, Yangshou, Shanghai, and Suzhou China. The tour was a diplomatic and artistic success, returning to China October 2008 to participate in the Beijing Dance Academy International Ballet Competition as a master teacher and coach.RMBT began a tradition of offering performances in Montana for former Senator Max Baucus, visiting Ambassadors and diplomats. RMBT has toured Europe and participated in an official Trade Mission with Senator Max Baucus to both Brazil and Colombia in 2011. Ms. Campbell continues to create ballets with topics relevant to Montana, showcasing and informing the community about the facts of Ebola, Polio, HPV, Dengue Fever , West Nile , and Influenza. The Gates Foundation utilized the Polio Ballet as an educational tool internationally.RMBT was thrilled to represent the USA & Montana in Gala performances and opening ceremony events for the prestigious Salzburg Music Festival & in collaboration with the Salzburg Ballet in Austria. In 2014, RMBT embarked to China on an official USA State Department tour of the Henan and Guangxi Provinces. RMBT was presented in Beijing by the National Ballet of China at the Tianquio Theater and participated in cultural exchanges throughout the three week tour including a memorable day with the Chinese Disabled Performance Troupe as facilitated by USA Ambassador to China Max Baucus and accompanied by his wife Melodee Hanes Baucus.RMBT currently has an active, unprecedented and successful partnership with Lizt Alfonso in Havana, Cuba. Both USA & Cuba arts organizations are working in harmony via the arts and people to people global understanding projects. The next BBB Festival will be in Cuba January 2025 . BBB also has a feature film in development titled “Rain Balls” which celebrates love and the process of living and dying through a Mother and Childs experience with cancer and chemotherapy.She has continued to teach and choreograph commissions across the United States, Europe, South America and Asia.Learn about RMBT and Ballet Beyond Bordershttps://www.rmbt.org/“Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. ⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/Follow Joanne on Instagram @westfieldschoolofdanceTune in. Follow. Like us. And Share.Please leave a review!“Dance Talk” ® with Joanne Carey"Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Join "Dance Talk” ® with Joanne Carey  and special guests: Duke Dang, Executive Director of Works & Process and Alison Manning, Co-Executive Director of Harkness Dance Center.In this episode of "Dance Talk” ®, host Joanne Carey chats with Duke Dang, and Alison Manning, about their organizations upcoming collaboration: the Uptown Rhythm Dance Festival. The festival is a collaborative project aimed at celebrating various forms of rhythm dance. Alison and Duke discuss the festival's programming, community engagement, and the importance of inclusivity and accessibility in dance. The dialogue highlights the festival's diverse lineup of artists, workshops, and the significance of dance in fostering community connections. Get your tickets, you won't want to miss this festival!Alison Manning is the former Executive Director and Co-Producer of The Yard on Martha's Vineyard, from 2008-2020. She is founding Co-Artistic Director and Choreographer of DanceTheYard, The Yard's year-round professional dance company, with choreographic partner and company Co-Artistic Director Jesse Keller Jason. Alison is a passionate Horton teacher and an avid tap and rhythm dancer and advocate. She discovered her love for the Horton technique as a scholarship student at Jacob's Pillow, working with the great Milton Myers, and has continued studying with mentors Mr. Myers, Kristina Berger, Karen Gayle and other lauded Horton Teachers through the years. She taught the technique on Faculty at The Yard each summer, and as a guest teaching artist at NYU Steinhardt School, Wesleyan Univeristy, Peridance Capezio Center, and STEPS on Broadway. In addition to teaching, Alison dances and performs with The Bang Group and has worked for The Peggy Spina Tap Company, Xodus Dance Collective, Kinodance company among others. She is the current President of the Marymount Manhattan College Dance Advisory Board as well as a member of the Adjunct Faculty. She graduated Magna Cum Laude from said institution with a BFA in Modern Dance and a Minor in Art History. Alison lives in New York City with her wife and four children and is honored to be shepherding the Harkness School of Dance during this exciting time at The 92nd Street Y, New York.https://www.92ny.org/Duke Dang is the executive director of Works & Process, a performing arts organization that champions and resources artists and their creative process from studio-to-stage by partnering with over a dozen residency centers across Massachusetts, New Jersey, and New York to provide fully-funded residencies and presents iteratively at the Guggenheim Museum, Lincoln Center, The New York Public Library for the Performing Arts, and SummerStage.  Works & Process was honored with a 2021 Dance Magazine Award and nominated in 2021 and 2022 for the APAP William Dawson Award for Programmatic Excellence and Sustained Achievement. Born at a UN refugee camp in the Philippines to Vietnamese parents seeking political asylum, Duke immigrated to California growing up with the assistance of Section 8 housing vouchers, food stamps, and attending Head Start. Prior to Works & Process, Duke worked at the J. Paul Getty Museum, Smithsonian American Art Museum, Glimmerglass Festival, and Sydney Theatre Company. He earned in BA in Art History from Boston University and MA in Performing Arts Administration from New York University.To Find out about Works & Process ⁠https://www.worksandprocess.org/ To get your tickets to Uptown Dance Festivalhttps://www.92ny.org/event/uptown-rhythm-dance-festival“Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. ⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/...⁠ ⁠Follow Joanne on Instagram @westfieldschoolofdanceTune in. Follow. Like us. And Share.Please leave a review!“Dance Talk” ® with Joanne Carey"Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

"Dance Talk” ® with Joanne Carey with special guest, Robert Battle, choreographer, artistic director and newly appointed resident choreographer for the Paul Taylor Dance Company.In this episode of "Dance Talk” ® with Joanne Carey, host Joanne Carey interviews Robert Battle. Together they discuss Robert's journey from his early beginnings in dance in Miami, his experiences at Juilliard, and his time as artistic director of the iconic Alvin Ailey Dance Theater. Robert shares insights on the importance of mentorship, the creative process in choreography, and the significance of celebrating humanity through art. The conversation highlights the challenges and triumphs of a career in dance, emphasizing the value of connection and community in the arts.Robert Battle's journey to the top of the modern dance world began in the Liberty City neighborhood of Miami, Florida where he showed artistic talent early and studied dance at a high school arts magnet program. From there he attended Miami's New World School of the Arts and then the dance program at The Juilliard School where he met his mentor Carolyn Adams. He danced with Parsons Dance from 1994 to 2001, and set his choreography on that company starting in 1998. Mr. Battle founded his own Battleworks Dance Company in 2002 which performed extensively at venues including The Joyce Theater, American Dance Festival, and Jacob's Pillow. A frequent choreographer and artist in residence at Ailey Ailey American Dance Theater since 1999, he set many of his works on the Ailey Company and Ailey II. In July 2011 he was personally selected by Judith Jamison to become Artistic Director of Ailey, making him only the third person to head the Company since it was founded in 1958. During his 12 years as Artistic Director he expanded the Ailey repertory with works by artists as diverse as Kyle Abraham, Mauro Bigonzetti, Ronald K. Brown, Rennie Harris, and Paul Taylor. He also instituted the New Directions Choreography Lab to help develop the next generation of choreographers. He stepped down from the position in 2023.For more information about Robert Battle and the Paul Taylor Dance Companyhttps://paultaylordance.org/“Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. ⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/Follow Joanne on Instagram @westfieldschoolofdanceTune in. Follow. Like us. And Share.Please leave a review!“Dance Talk” ® with Joanne Carey"Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

"Dance Talk” ® with Joanne Carey and special guest Candace Thompson-ZacheryIn this episode of "Dance Talk” ® with Joanne Carey , join host Joanne Carey as she speaks with Candace Thompson-Zachery, co-executive director of Dance NYC, about the organization's mission, the challenges facing the dance industry, and the findings of the recent State of NYC Dance 2023 report. While they discuss the importance of advocacy, the impact of the pandemic, and the financial struggles of dance workers and organizations, the conversation highlights the need for greater equity and support within the dance community. During the conversation, Candace Thompson-Zachery also discusses the complexities of the dance industry, focusing on the freelance nature of dance work, financial challenges faced by artists, and the importance of advocacy for the dance community. The discussion also covers the differences between non-profit and for-profit organizations, the launch of the Dance Workforce Resilience Hub, and the significance of grants and funding in supporting dance initiatives. The conversation concludes with insights on future directions for dance advocacy and the importance of community support.Dance/NYC is a valuable resource for dancers and the dance community. Check out their website to find out all that is happening in the NYC Dance World and what resources are available- make use of them!Candace Thompson-Zachery was born in Trinidad and Tobago, now local to Brooklyn, NY, operates between the spheres of dance, cultural production and fitness and wellness, with a focus on the Contemporary Caribbean. She has had an established career as a performer, choreographer, fitness professional, cultural producer, teaching artist, community facilitator and Caribbean dance specialist. In addition to her work in these areas, she leads ContempoCaribe, an ongoing choreography and performance project and is the founder of Dance Caribbean COLLECTIVE, an organisational platform for Caribbean dance in the diaspora that spearheads the New Traditions Festival in Brooklyn, NY. She graduated from Adelphi University's BFA program for Dance, and has presented, performed and taught at major venues including: Queen's Hall (T&T), John F. Kennedy Center, New York Live Arts, Brooklyn Museum, and The Ohio State University. She was an inaugural member of the Dancing While Black Fellowship Cohort 2015/2016, was an awardee of Adelphi University's 2017 - 10 Under 10 program, and a Dixon Place Artist-in-Residence for fall 2017. As a cultural producer and strategist, Candace has worked with the Dance and Performance Institute of Trinidad and Tobago, WIADCA (NY), Sydnie L. Mosley Dances, Renegade Performance Group, and curator Claire Tancons, for the 2019 Sharjah Biennial. Ms. Thompson-Zachery holds an M.A. in Performance Curation from the ICCP program at Wesleyan University and a certificate from the Executive Program in Arts & Culture Strategy at UPenn. with National Arts Strategies. Of tantamount importance to her is the vital role dance plays in our communities and she is eager to see dance artists of various styles, practices and traditions thrive in New York City.https://www.dance.nyc/“Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. ⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠⁠⁠⁠ ⁠Follow Joanne on Instagram @westfieldschoolofdanceTune in. Follow. Like us. And Share.Please leave a review!“Dance Talk” ® with Joanne Carey"Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

"Dance Talk” ® with Joanne Carey with special guest Samuel Pott, founder and artistic director of Nimbus Dance.In this episode of "Dance Talk” ® with Joanne Carey interviews Samuel Pott, the artistic director of Nimbus Dance. They explore his journey into dance, the founding of Nimbus Dance, and the upcoming world premiere of the re-imagined Firebird. They touch on the collaboration with the New Jersey Symphony, the thematic elements of Firebird, and the personal connections that inform the work.Together they discuss the benefits of dance, the importance of community engagement, and the creative process behind reimagining classic works. Samuel shares insights from his experiences with the Martha Graham Dance Company and emphasizes the significance of authenticity in storytelling through dance.Samuel Pott (Founding Artistic Director) founded Nimbus in 2005 . Mr. Pott's work as a performer, choreographer, educator, and arts leader, is dedicated to the authentic, humanistic, and equitable engagement that emerges in individuals and in communities through deep exploration and learning in the dance and the arts.Under his direction, the organization has toured nationally, built the Nimbus Arts Center at The Lively in Downtown Jersey City, developed the School of Nimbus which serves over 400 students onsite and many thousands in offsite community programs annually, and become the largest contemporary dance organization in the State of New Jersey. Mr. Pott's choreography has embodied the organization's endless fascination with exploration and engagement with important themes of the day, and collaboration with artists from many genres, among them: composers Daniel Bernard Roumain, Samson Young, Judd Greenstein, Aaron Parks, and Qasim Naqvi; visual artists Nicola Lopez, Bryant Small, Laia Cabrera/Isabelle Duverger, Theda Sandiford; and writers Alysia Souder and Rashad Wright. Pott maintains a multi-year artistic partnership with the New Jersey Symphony. Mr. Pott's 20+ original works for Nimbus are complemented by his commitment to support the work of diverse established and emerging choreographers through commissions, including: Dawn Marie Bazemore, Sofia Nappi, Darshan Singh Bhuller, Yoshito Sakuraba, Pedro Ruiz, Vernard Gilmore and Korhan Basaran. As a performer, Mr. Pott danced as a soloist with the Martha Graham Dance Company, performing in iconic roles–the Husbandman in Appalachian Spring, Agamemnon in Clytemnestra, and Adam in Embattled Garden–and new choreographic works created by a range of leading contemporary choreographers including Larry Kegwin, Ann Bogart, Robert Wilson, and Lar Lubovitch. Prior to joining the Graham company, Mr. Pott performed as a lead dancer with American Repertory Ballet, Oakland Ballet, and Savage Jazz Dance Company, in a wide range of new and classical repertory. A recipient of Choreography Fellowships from the New Jersey State Council on the Arts in 2008, 2017, and 2023, and named a Distinguished Teaching Artist by the Council in 2012, Pott was one of 25 arts leaders nationally selected for the Association of Performing Arts Presenters' (APAP) inaugural Leadership Fellows Program, serves on the Dance Advisory Council for New Jersey Performing Arts Center and the Diversity, Equity, and Inclusion Committee for ArtPride NJ, and is a co-founder of the Jersey City Arts Council.To get tickets to see Nimbus Dance, March 7th, 8th & 9th and to catch this world premiere click belowhttps://www.njsymphony.org/events/detail/the-firebird-with-xian-zhangTo learn more about the company and their programshttps://www.nimbusdance.org/“Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. ⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/Follow Joanne on Instagram @westfieldschoolofdanceTune in. Follow. Like us. And Share.Please leave a review!“Dance Talk” ® with Joanne Carey"Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

"Dance Talk” ® with Joanne Carey with special guests Mark Howard and Chelsea Hoy of Trinity Irish Dance Company.In this episode of Dance Talk, host Joanne Carey chats with Mark Howard and Chelsea Hoy from the Trinity Irish Dance Company discussing their personal journeys into Irish dance, the company, and the cultural significance of Irish dance. The conversation highlights the innovative choreography that sets Trinity apart, the importance of imagination in the creative process, and the upcoming 35th anniversary season. The episode emphasizes the power of dance to connect with audiences and the mission of inclusivity and kindness within the art form.TRINITY IRISH DANCE COMPANY (TIDC) was founded in 1990 to celebrate the pioneering work of its Founding Artistic Director Mark Howard. This uniquely Irish-American company “ushered in a new era for Irish step dance” (Chicago Tribune), opening new avenues of artistic freedom that led directly to commercial productions such as “Riverdance.”Considered an American treasure TIDC has performed sold-out tours in Europe, Asia, and North America, appearing in distinguished venues, such as New York's The Joyce Theater, Washington D.C.'s Kennedy Center, Princeton's McCarter Theater, Ottawa's National Arts Center of Canada, Tokyo's Orchard Hall, and Chicago's Auditorium Theatre, among many others. The Company has entertained dignitaries as varied as Monaco's royal family, Irish and American presidents, Japanese royalty, and Indian meditation masters. TIDC offers both a highly skilled presentation of traditional Irish step dance and a brilliantly engaging interpretation of contemporary world vision.Mark Howard: Founding Artistic Director / Choreographer and Emmy Award-winning choreographer was born in Yorkshire, England, and raised in Chicago. He began dancing at 8 at the Dennehy School of Irish Dance and began teaching at 17. By 20 he had launched the Trinity Academy of Irish Dance, subsequently leading them to unprecedented World Championship team titles for the United States—the first when he was only 25. He redefined what was possible for American teams becoming the first to win gold in all categories.His pioneering work led to his unique transition from the competitive stage to the performing arts stage to coach then artistic director. Howard himself was a regular guest on The Tonight Show starring Johnny Carson. He has been named three times as one of Irish American Magazine's “Top 100 Irish-Americans,” and he was honored by iBAM! in 2011 and in 2015 by Chicago's Lawyers For the Creative Arts for his outstanding contribution to the performing arts.Chelsea Hoy: Associate Artistic Director / Choreographer / Dancer. Born in Denver, Hoy's choreographic influence has significantly shaped TIDC's newest works. Hoy recently co-choreographed Taking the Mick alongside Howard, a versatile work following their first collaboration An Sorcas (The Circus), which previewed in Japan and had its world premiere at Chicago's historic Auditorium Theatre in 2019.Chelsea grew up dancing competitively for the Wick School of Irish Dance in Denver, Colorado. She joined TIDC in 2014 after she began her studies at Loyola University Chicago. She graduated in 2017 with Bachelors' degrees in Psychology and Photography. In addition to helping guide the company's future, she is a professional photographer, dance instructor, and visual artist. Hoy's love of empowering children through the arts continues to shape TIDC's outreach programming. Information for TIDC and to see their upcoming performances visithttps://trinityirishdancecompany.com/“Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. ⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/... ⁠Follow Joanne on Instagram @westfieldschoolofdance Tune in. Follow. Like us. And Share. Please leave a review! “Dance Talk” ® with Joanne Carey"Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

"Dance Talk” ® with Joanne Carey and special guest Lar Lubovitch.In this episode of "Dance Talk” ® with Joanne Carey, host Joanne Carey interviews renowned choreographer Lar Lubovitch, who shares his journey into the world of dance, his artistic influences, and his experiences at Juilliard. Lubovitch discusses the importance of intuition in dance, the correlation between painting and choreography, and the defining moments that shaped his career. He reflects on his first choreographic experience and the evolution of the Juilliard Dance Department, highlighting the significance of mentorship and the transformative power of dance. In this conversation, Lar Lubovitch shares his journey in the world of dance, discussing the importance of movement poetry, the essence of dance as a higher value, and the significance of improvisation in choreography. He reflects on his recent Lifetime Achievement Award and the sense of community within the dance world. Lubovitch emphasizes the ongoing process of learning and evolving as a dancer and choreographer, encouraging others to embrace the journey of creation and expression in dance.Lar Lubovitch is one of America's most versatile, popular and widely seen choreographers. Based in New York City, Lubovitch's company has performed throughout the world, and his dances have also been performed by many other major companies, including American Ballet Theater, Joffrey Ballet, New York City Ballet, Paris Opera Ballet, Royal Danish Ballet, San Francisco Ballet, Alvin Ailey American Dance Theater, and many others. His dances are renowned for their musicality, rhapsodic style and sophisticated formal structures. His radiant, highly technical choreography and deeply humanistic voice have been acclaimed worldwide.THE COMPANY. The Lar Lubovitch Dance Company is internationally renowned as one of the world's best dance companies. Founded in 1968, the company is now celebrating its 56th anniversary. The 50th season kicked off with a preview performance on Nov 13 (2017) at Lincoln Center's Clark Studio Theater, and culminated with performances from April 17-22 (2018) at the Joyce Theater. Celebrated for both its choreographic excellence and its unsurpassed dancing, the company has created more than 120 new dances and performed before millions throughout the United States and in more than 40 foreign countries. During 2023, the company created two new dances. The first, Conversing With Brahms, premiered in Dallas in April, and the second, Desire, premiered at the Guggenheim Museum in NYC on December 5, 2023. During 2024, the company is creating Many Angels, together with Alvin Ailey American Dance Theater.⁠https://lubovitch.org/Company/Lar_Lubovitch/lar_lubovitch.html⁠“Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. ⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠⁠⁠⁠ ⁠⁠Follow Joanne on Instagram @westfieldschoolofdance Tune in. Follow. Like us. And Share. Please leave a review! “Dance Talk” ® with Joanne Carey"Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

"Dance Talk” ® with Joanne Careyand special guestDavid Dorfman.In this episode of"Dance Talk” ® with Joanne Carey interviewsDavid Dorfman, the Artistic Director of the David Dorfman Dance Company. They discuss David's journey into dance, his influences, and the pivotal moments that shaped his career. David shares insights into his teaching philosophy, the importance of improvisation, and the collaborative nature of dance. He emphasizes the significance of presence in performance and the joy of mentorship in his role as a professor at Connecticut College. In this engaging conversation, David Dorfman shares his insights on the art of partner dancing, the themes of surrender and connection in his work, and the intersection of dance and war. He discusses the transformative power of dance, the importance of legacy, and how revisiting old works can be a journey through time. Dorfman emphasizes the role of dance in healing and connection, advocating for a world where everyone dances as a path to peace.Upcoming performance: Downtown to Uptown, Past to Forward.David Dorfman is the Artistic Director and Founder of David Dorfman Dance (1987), has been Professor of Dance at Connecticut College since 2004. Dorfman received a Guggenheim Fellowship in 2005 to continue his research and choreography in the topics of power and powerlessness, including activism, dissidence, and underground movements. DD has been honored with four fellowships from the National Endowment for the Arts, three New York Foundation for the Arts fellowships, an American Choreographer's Award, the first Paul Taylor Fellowship from The Yard, and a New York Dance & Performance “Bessie” Award.David was a 2019 United States Artists Fellow in Dance. His work has been commissioned widely in the U.S. and in Europe, by Dancing Wheels (Cleveland), AXIS Dance Company (Oakland), and Bedlam Dance Company (London). His forays into theater include choreography for the Tony Award-winning play,Indecent, by Paula Vogel and Rebecca Taichman, for which DD received a Lucille Lortel Award and Chita Rivera Nomination for best choreography for the play's Off-Broadway run. David traveled to London in March 2020 to set choreography forIndecent's UK premiere at the Menier Chocolate Factory. In addition, David has contributed his choreography for the upcomingWhisper House, a new musical by Duncan Sheik and Kyle Jarrow, Ibsen'sAn Enemy of the People at Yale Rep;Our Town, a co-production of Deaf West and Pasadena Playhouse;Assassins at Yale Rep; and the original musicalGreen Violin at the Prince Music Theater in Philadelphia, for which he won a 2003 Barrymore Award for best choreography. Dorfman tours an evening of solos and duets,Live Sax Acts, with dear friend and collaborator Dan Froot, most recently in New York City and at the Harare International Festival of the Arts in Zimbabwe.  As a performer, he toured internationally with Kei Takei's Moving Earth and Susan Marshall & Co.DD hails from Chicago and holds a BS in Business Administration from Washington University in St. Louis (1977). He appeared on several episodes of A Chance to Dance, a reality show on OvationTV starring Dorfman's pals, the BalletBoyz .DD continually thanks Martha Myers and the late Daniel Nagrin, for being his dance mom and dad; his late parents, Oscar and Jeanette, for inspiring him to dance to heal and instilling the importance of a good joke; and his in-house “family project”, Lisa and Samson, for sharing with him the practice of unconditional love.Info About Upcoming Performanceshttps://www.daviddorfmandance.org/calendar“Dance Talk” ® with Joanne Careywherever you listen to your podcasts. ⁠⁠⁠⁠ ⁠⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠⁠⁠⁠ Follow Joanne on Instagram @westfieldschoolofdance Tune in. Follow. Like us. And Share. Please leave a review! “Dance Talk” ® with Joanne Carey"Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

"Dance Talk” ® with Joanne Carey and special guest Skylar Brandt.  In this episode of "Dance Talk” ® , host Joanne Carey interviews Skylar Brandt, a principal dancer with the American Ballet Theatre. They discuss Skylar's journey from childhood dance classes to becoming a professional dancer, the importance of private coaching, and the emotional connection required in performance. Skylar shares insights into her preparation for roles, the dynamics of partnering, and her experiences as a principal dancer. The conversation also touches on her advocacy for causes close to her heart, her love for teaching, and her upcoming performances.  Skylar Brandt was born in Purchase, New York and began her training at the age of six at Scarsdale Ballet Studio. She attended the Jacqueline Kennedy Onassis School at American Ballet Theatre from 2005-2009. Brandt was a silver medalist at Youth America Grand Prix in 2004 and 2008. Brandt joined ABT II in 2009, became an apprentice with ABT in 2010, and joined the corps de ballet in 2011. She was promoted to Soloist in 2015 and to Principal in 2020. Among her leading roles with the Company are Giselle in Giselle, Medora in Le Corsaire, Kitri in Don Quixote, Odette/Odile in Swan Lake, Gamzatti in La Bayadere, Olga in Onegin, Clara, the Princess in The Nutcracker, Young Jane in Jane Eyre, Columbine in Harlequinade, Princess Praline in Whipped Cream, the Lead Maiden in Firebird, the Golden Cockerel in The Golden Cockerel, and roles in The Green Table, Pillar of Fire, The Sleeping Beauty, Bach Partita, The Brahms-Haydn Variations, Company B, Gong, In the Upper Room, Piano Concerto #1, Raymonda Divertissements, Sinfonietta, Symphonic Variations, and AFTERITE. Brandt was awarded a 2013 Princess Grace Foundation-USA Dance Fellowship. That same year, she was featured in the movie “Ballet's Greatest Hits”. In 2018, Brandt was the recipient of an unprecedented Special Jury Award for her performances on the Russian television show “Big Ballet”. In 2022, Brandt was named to the renowned "Forbes 30 Under 30" list of most influential leaders and entrepreneurs.  Skylar Brandt Website  ⁠https://www.skylarbrandt.com/ ⁠ Follow Skylar on Instagram ⁠ ⁠ ⁠@skylarbrandtballet ⁠  American Ballet Theatre Upcoming Performances  ⁠https://www.abt.org/performances/abt-on-tour/⁠  “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. ⁠⁠⁠⁠ ⁠⁠⁠⁠⁠ ⁠https://dancetalkwithjoannecarey.com/⁠⁠⁠⁠⁠ ⁠ Follow Joanne on Instagram @westfieldschoolofdance  Tune in. Follow. Like us. And Share.  Please leave us review about our podcast!  “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

"Dance Talk” ® with Joanne Carey and special guest Omayra Amaya In this episode of Dance Talk, host Joanne Carey speaks with Omayra Amaya, the artistic director of the Flamenco Dance Company. They explore Omayra's rich background in flamenco, her family's legacy, and the cultural roots of flamenco dance. Omayra shares her journey from childhood performances to founding her own dance company, emphasizing the emotional and expressive nature of flamenco. The conversation also highlights the importance of live performances and the connection between dancers and audiences. Omayra discusses her upcoming performance and the influence of gypsy culture on flamenco, providing insights into the artistry and passion behind this vibrant dance form. Omayra Amaya is modern flamenco dancer and choreographer deeply rooted in proud gypsy tradition. The daughter of flamenco dancers Olga and Curro Amaya and grandniece of the legendary Carmen Amaya, Omayra brings new relevance to flamenco while never losing sight of her legacy. Omayra first appeared on stage with her parents' company as a 3-year-old and often interrupted their performances. Her first choreographed role came at age 12, when she performed as her father's partner. Since then, she has developed a style that is both elegant and emotional, and her powerful performances and impeccable technique have won her fans all over the world. Omayra and her company have performed at Lincoln Center and the Players Theater in New York City; flamenco festivals in Madrid, Chicago, Houston, and Los Angeles; the Shanghai Theater Center in Shanghai and the Guo Tai Theater in ChongQin, China; and in a critically acclaimed nine-month residency at the Boston Park Plaza Hotel. Omayra has also appeared on film: She was the subject of “Gypsy Heart,” a documentary by Jocelyn Ajami, and performed with Steve Martin in “The Pink Panther II.” The Omayra Amaya Flamenco Dance Company, based in Miami, Florida, performs all over the world under the artistic direction of Omayra Amaya. Founded in 1994, the company is grounded in flamenco's centuries-old rhythms, traditional structure and deep emotions, yet also stretches to embrace world music and Jazz, innovative staging and modern movement. Critics have hailed Omayra Amaya's choreography as “mesmerizing,” “intense,” and “stylish” and described the company's world-class dancers, singers, and musicians as having “a knock-your-socks-off synergy.” https://www.omayraamaya.com/ Upcoming Performances: https://www.omayraamaya.com/performances/ “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. ⁠⁠⁠⁠ ⁠⁠⁠⁠⁠ https://dancetalkwithjoannecarey.com/⁠⁠⁠⁠⁠  Follow Joanne on Instagram @westfieldschoolofdance  Tune in. Follow. Like us. And Share.  Please leave us review about our podcast!  “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

"Dance Talk” ® with Joanne Carey and special guest Sara Adams In this episode of "Dance Talk” ® host Joanne Carey interviews New York City Ballet soloist Sarah Adams. They discuss Sarah's journey from a young girl dreaming of ballet to becoming a soloist in one of the most prestigious ballet companies in the world. Sarah shares her early experiences in dance, the challenges of moving to New York City, her apprenticeship, and the excitement of being promoted to soloist. The conversation highlights the dedication, passion, and community within the dance world. In this engaging conversation, Sara shares her experiences and insights as a ballerina, discussing the joy of dance, the challenges faced in the industry, and the importance of collaboration and growth. She reflects on her favorite roles, the unpredictability of scheduling, and the significance of setting goals while finding joy in the art of dance. Sara emphasizes the need for strength training and movement, and offers valuable advice for dancers and individuals alike. Sara Adams was born in Dennis, Massachusetts, and began her dance training at the age of six at the Mid-Cape Ballet Academy. She later studied at the Boston Ballet School, before taking a summer course at the School of American Ballet, the official school of New York City Ballet, during the summer of 2003. She enrolled as a full-time student at SAB from 2003 to 2008. She became an apprentice with NYCB in June 2008 and became a member of the corps de ballet in September 2009. In February 2017, Ms. Adams was promoted to soloist. For more information on New York City Ballet and to go see Sara perform: https://www.nycballet.com/discover/meet-our-dancers/soloists/sara-adams/ Follow Sara @sara_jane_adams “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts.  ⁠⁠⁠⁠ ⁠⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠⁠⁠⁠ Follow Joanne on Instagram @westfieldschoolofdance Tune in. Follow. Like us. And Share.   Please leave us review about our podcast!   “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

"Dance Talk” ® with Joanne Carey and special guest Duke DangIn this episode of "Dance Talk” ® , host Joanne Carey speaks with Duke Dang, the executive director of Works & Process. They explore Duke's journey from a refugee camp to becoming a prominent figure in arts administration, emphasizing the importance of the creative process in the performing arts. Duke shares insights on how arts can impact personal growth, the significance of internships, and the mission of Works and Process in supporting artists. The conversation highlights the need for community engagement and the transformative power of dance. In this conversation, Joanne Carey and Duke explore the profound emotional impact of dance, the importance of feeling and embodying movement, and the celebration of street dance traditions. They discuss the significance of intergenerational connections in dance, innovative collaborations, and the upcoming festivals and events that highlight these themes. The conversation emphasizes the iterative nature of live performance and the communal aspect of dance, inviting audiences to engage and participate. Duke Dang is the executive director of Works & Process, a performing arts organization that champions and resources artists and their creative process from studio-to-stage by partnering with over a dozen residency centers across Massachusetts, New Jersey, and New York to provide fully-funded residencies and presents iteratively at the Guggenheim Museum, Lincoln Center, The New York Public Library for the Performing Arts, and SummerStage.  Under Duke's leadership, Works & Process pioneered the bubble residency model in summer 2020, which was captured in the NY-Emmy nominated docuseries Isolation to Creation, and broadcast on PBS and ALL ARTS. Works & Process was honored with a 2021 Dance Magazine Award and nominated in 2021 and 2022 for the APAP William Dawson Award for Programmatic Excellence and Sustained Achievement. Multiple Works & Process commissions including LaTasha Barnes' The Jazz Continuum, Les Ballet Afrik – New York Is Burning by Omari Wiles, and More Forever by Caleb Teicher and Conrad Tao have been honored with Bessie Awards. Born at a UN refugee camp in the Philippines to Vietnamese parents seeking political asylum, Duke immigrated to California growing up with the assistance of Section 8 housing vouchers, food stamps, and attending Head Start. Prior to Works & Process, where he started as a paid college intern, Duke worked at the J. Paul Getty Museum, Smithsonian American Art Museum, Glimmerglass Festival, and Sydney Theatre Company. In 2012, with his husband, he helped founded the Hudson Valley Dance Festival with Dancers Responding to AIDS which has raised over $1.3 million. He earned in BA in Art History from Boston University and MA in Performing Arts Administration from New York University. To Find out about Works & Process https://www.worksandprocess.org/ Upcoming Festival Jan 9-13 “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts.  ⁠⁠⁠⁠ ⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠⁠⁠ Follow Joanne on Instagram @westfieldschoolofdance Tune in. Follow. Like us. And Share.   Please leave us review about our podcast!   “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

"Dance Talk” ® with Joanne Carey and special guest  Paloma Hererra In this episode of "Dance Talk”, host Joanne Carey speaks with celebrated ballerina Paloma Herrera about her journey from a young girl discovering her passion for ballet to becoming a principal dancer at the American Ballet Theater and now serving as the artistic director of the Kaatsbaan Ballet Intensive. Paloma shares her experiences, the importance of mentorship, and her vision for nurturing the next generation of dancers. The conversation highlights the significance of support systems in a dancer's career and the joy of pursuing one's passion in the art of dance. Paloma Herrera was born in Buenos Aires, Argentina, and began her training at the age of seven. In January 1991, having just turned 15 years old, she moved to New York and continued her studies at the School of American Ballet. After only six months, she joined the American Ballet Theatre and, in 1995, became the youngest Principal Dancer in American Ballet Theatre history at age 19. She has appeared in ballets ranging from Don Quixote, Romeo and Juliet, and Swan Lake, to Apollo, The Prodigal Son, and Stepping Stones. She has appeared as Guest Artist with great ballet companies around the world, including New York City Ballet, Kirov Ballet, Bolshoi Ballet, Tokyo Ballet, Teatro Colon, and National Ballet of Cuba, to name a few. She retired from American Ballet Theatre at the end of November 2015, right before turning 40. Since that, she moved back to her home, Buenos Aires, Argentina, and continued to teach all over the world. In 2016, she wrote her autobiography that was presented at Feria del Libro in 2017. That same year, she also launched her own perfume Paloma Herrera, in 2019 her second fragrance Paloma Herrera Passion, and in 2022 her third fragrance Paloma Herrera Fantasy. In Argentina she received the award: Konex de Platino, Maria Ruanova and distinctions by the Honorable Camara de Diputados de La Nación, Medalla del Bicentenario by the government of the Buenos Aires city, among many others, and since 2012 she is a member of the gallery of popular idols of the Argentine Government House.  In 2017, she became the artistic director of Ballet Estable del Teatro Colon, where the company has grown immensely since she arrived. She resigned in 2022. To find out more about Kaaatsbaan Summer Ballet Intensive https://kaatsbaan.org/ “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts.  ⁠⁠⁠⁠ ⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠⁠ Follow Joanne on Instagram @westfieldschoolofdance YOUTUBE:  ⁠⁠https://www.youtube.com/channel/UC4NldYaDOdGWsVd2378IyBw⁠⁠ Tune in. Follow. Like us. And Share.   Please leave us review about our podcast!   “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

"Dance Talk” ® with Joanne Carey and special guest film maker, Gabrielle Lansner In this episode of "Dance Talk” ® host Joanne Carey interviews choreographer and film maker, Gabrielle Lansner, who shares her unique journey from dance to filmmaking. Gabrielle discusses her early dance training, the influence of acting on her choreography, and her transition to creating dance films. She reflects on her creative process, the themes of loss in her work, and how the COVID-19 pandemic inspired her to explore new avenues in filmmaking. The conversation highlights the interconnectedness of dance, theater, and film, emphasizing the importance of storytelling through movement. In this conversation, Gabrielle Lansner discusses her creative journey during the COVID-19 pandemic, focusing on her film 'I Am Not Okay.' She shares insights into the challenges and processes of filmmaking, the themes of her work, and the emotional impact it aims to convey. Lansner also reflects on the recognition her film has received and her aspirations for educational outreach, emphasizing the importance of storytelling in the arts. Gabrielle Lansner is an award winning filmmaker, choreographer, and producer whose work is influenced by her background in choreography and performing.  Her films have screened at dozens of festivals worldwide and garnered multiple awards. For over 30 years, Lansner has explored artistic disciplines moving from pure dance works, to dance/theater, to film. She has always been interested in story and character: creating emotionally complex and layered works that delve into the heart and psyche. Since 1997, she has been the Artistic Director of gabrielle lansner & company, a critically acclaimed dance/theater company based in New York City. The works have been produced at The Peter Jay Sharp Theater, HERE, River to River Festival, P.S 122, The Joyce Soho, to name a few and have toured the US and Canada. The company has received support from The Dance Films Association, The Alvin & Louise Myerberg Foundation, The Harkness Foundation, The Puffin Foundation, Altria, Lower Manhattan Cultural Council and The Field. The company's varied explorations include delving into the lives of Holocaust victims in the literary works of Bertolt Brecht and Cynthia Ozick, exploring adolescent yearning in Carson McCullers' “The Member of the Wedding”, examining the nature of forgiveness in a work inspired by the South African Truth & Reconciliation Commission, and celebrating the life of pop icon Tina Turner in their original musical RIVER DEEP. TURNING HEADS, FROCKS IN FLIGHT, a site-specific dance performed at Battery Park City, was produced by Sitelines 2009/LMCC as part of the River to River Festival Her latest short film, I AM NOT OK is an experimental dance film inspired by the words of Tiffiney Davis, the Executive Director of the Red Hook Art Project, in Red Hook, Brooklyn. The film has screened extensively at film festivals around the world and won Best Experimental Film at the Reel Sisters of the Diaspora FF in NYC and Best Cinedance at the Minneapolis St. Paul Int'l FF in MN.  Lansner has also choreographed episodes of Law & Order: SVU, and Law & Order: Criminal Intent. She is a member of SAG, New York Women in Film and TV,  the Lincoln Center Directors Lab, is a former  Board Member  of the Dance Films Association/DFA, NYC  and was instrumental in developing PS 122 in NYC as a rehearsal and performance space. To learn more https://www.gabriellelansner.com/index  “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts.  ⁠⁠⁠⁠ ⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠ Follow Joanne on Instagram @westfieldschoolofdance YOUTUBE:  ⁠https://www.youtube.com/channel/UC4NldYaDOdGWsVd2378IyBw⁠ Tune in. Follow. Like us. And Share.   Please leave us review about our podcast!   “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Dance Talk” ® with Joanne Carey and special guest, Samantha Géracht, Artistic Director, Sokolow Theatre/Dane Ensemble. In this episode of Dance Talk, host Joanne Carey speaks with Samantha Géracht, the Artistic Director of Sokolow Theatre/Dance Ensemble. Together they discuss the influence of Anna Sokolow's work, the legacy of Anna Sokolow's immense catalogue of work and what an integral modern dance pioneer Sokolow is to the dance community. They also discuss the upcoming concert that emphasizes joy and light during the winter season. Samantha shares insights into her role as artistic director the growth of the company, the transformative experience of working with Sokolow's choreography, and the vision for the future of the company. Samantha Géracht performed with Anna Sokolow's Players' Project for eleven years and is a founding member of the Sokolow Theatre/Dance Ensemble. In 2017 Ms. Géracht was appointed the ensemble's artistic director. She has toured and taught Sokolow's repertory nationally and internationally, setting Ms. Sokolow's works on professional companies, university dance programs, and solo dance artists, including the Centre de Danse Nationale de Paris, the Boston Conservatory, Williams College, The Ailey School/Fordham University, Loyola Chicago, Franklin and Marshall College, Barnard College, Clarence Brooks, Jennifer Conely, Sandra Kaufman, Kanopy Dance Company and Academy, Ellen Robbins Dance, and Christine Dakin. Ms. Géracht studied technique and composition with Alwin Nikolais and Murry Louis, Humphrey/Limon with Jim May, Betty Jones, Fritz Luden, and Gail Corbin, and Weidman with Deborah Carr. She has taught in the Professional Studies program at the Limon Institute, the Herbert Berghoff (‘HB') Studio, and is on the faculty of the Hoboken Charter School. Ms. Geracht performed the Humphrey/Weidman repertory with Deborah Carr Theater Dance Ensemble and Gail Corbin. She has appeared with Rae Ballard's Thoughts in Motion, and as a guest artist with David Parker and The Bang Group. In 2016 she choreographed Shadowbox Theatre's The Earth and Me, a critically acclaimed climate change puppet/dance opera created for NYC public schools and community centers. Ms. Géracht served as a panelist for the Library of Congress opening of the “New Dance Group” archives. She holds an MFA in dance from Montclair State University (NJ) and a BS in dance from the University of Wisconsin-Madison. Ms. Géracht is committed to the preservation of early American Modern Dance, making the works of modern dance pioneers more accessible to dance education programs, young artists, and new audiences. https://sokolowtheatredance.org/ Upcoming Performance: JOY: Dances for Midwinter Choreography of Anna Sokolow, Charles Weidman, and Claudia Gitelman, set to the music of Scriabin, Rachmaninoff, Bach, and Schubert. December 12 & 13, 2024, 7:00 pm Stone Circle Theatre 59-14 70th Avenue, Ridgewood, New York 11385 Tickets: https://stonecircletheatre.org/ “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. ⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠⁠⁠ Tune in. Follow. Like us. And Share. Please leave us review about our podcast! “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

"Dance Talk” ® with Joanne Carey and special guest, Isabella LaFreniere, Principal Dancer, New York City Ballet. In this episode of Dance Talk, host Joanne Carey interviews Isabella Lafreniere, a principal dancer with the New York City Ballet. They discuss Isabella's journey into dance, the challenges of continuous improvement, and the demanding schedule of a professional dancer. Isabella shares her experiences from a recent tour in Copenhagen, the significance of costumes in ballet, and her roles in The Nutcracker. The conversation highlights the dedication and hard work behind the glamour of ballet, as well as the excitement of upcoming performances. Isabella LaFreniere was born in Lambertville, Michigan, and began her dance training at the age of seven at the Northeast Academy of Dance under Giuseppe Canale and Scott Heinrich. At 11, she began studying with Anna Reznik and Alexei Kremnev, first at the Southold Dance Theatre in South Bend, Indiana, and then at the Joffrey Academy of Dance in Chicago, Illinois. She began studying at the School of American Ballet (SAB), the official school of New York City Ballet, during the 2008 summer course, and enrolled as a full-time student during the 2010 winter term. She received additional training at the Chautauqua Institution and Pacific Northwest Ballet summer programs. Ms. LaFreniere became an apprentice with NYCB in August 2013 and joined the Company as a member of the corps de ballet in June 2014. Ms. LaFreniere was promoted to the rank of soloist dancer in January 2022 and principal dancer in February 2023.  “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts.  ⁠⁠⁠⁠ ⁠https://dancetalkwithjoannecarey.com/⁠ Follow Joanne on Instagram @westfieldschoolofdance YOUTUBE: https://www.youtube.com/channel/UC4NldYaDOdGWsVd2378IyBw Tune in. Follow. Like us. And Share.   Please leave us review about our podcast!   “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Dance Talk” ® with Joanne Carey and special guest, Giulia Faria, Ballerina, New York Theatre Ballet. In this episode of Dance Talk, host Joanne Carey interviews Giulia Faria, a dancer with the New York Theatre Ballet, about her journey from a young dancer to her current role as the Sugar Plum Fairy in The Nutcracker. Julia shares her early experiences in dance, the transition to a professional ballet career, and the importance of support systems in her life. She discusses her daily routine as a full-time dancer and provides insights into the unique adaptation of The Nutcracker that her company is performing this season. In this engaging conversation, Giulia shares her experiences and insights as she prepares to perform the iconic role of the Sugar Plum Fairy in the Nutcracker. She discusses the magical nature of the role, the importance of details in dance, and the significance of costumes. Giulia also offers valuable advice for aspiring dancers, emphasizing the importance of positivity and community support in the dance world. The conversation culminates with a preview of the upcoming Nutcracker performances and the special Land of the Sweets party. Giulia Faria is from Queens, New York, where she began dancing at the age of 3 at a local ballet tap and jazz school. At 11 years-old she began training at the New York Theatre Ballet School under the direction of Diana Byer. She attended Laguardia High School of Performing Arts as a dance major. She joined New York Theatre Ballet as an apprentice in 2015, performing in ballets The Nutcracker, Sleeping Beauty, Cinderella, and The Alice-in-Wonderland Follies. In 2017, she spent the year dancing with New York Dance Project under Nicole Duffy and Davis Robertson where she danced leading roles in Gerald Arpino's Birthday Variations and Africa Guzman's Sinfonia Escarlata. She rejoined NYTB for the 2018 season.   https://nytb.org/ Tickets for Nutcracker https://nytb.org/tickets  “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts.  ⁠⁠⁠⁠ https://dancetalkwithjoannecarey.com/ Follow Joanne on Instagram @westfieldschoolofdance Tune in. Follow. Like us. And Share.   Please leave us review about our podcast!   “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Dance Talk” ® with Joanne Carey and special guest, Jarod Lewis, manager of the costume shop, New York City Ballet. In this episode of Dance Talk, Joanne Carey continues her conversation with Jarod Lewis, the manager of the New York City Ballet Costume Shop. They delve into the intricate world of costume design, particularly focusing on the beloved Nutcracker ballet. Jarod shares insights into the preparation for the Nutcracker season, the longevity and craftsmanship of costumes, and the historical significance of certain pieces. The discussion highlights the importance of documenting the work of costume makers and the collaborative effort behind each performance. Jarod also showcases various costumes, emphasizing the attention to detail and the artistry involved in their creation. In this engaging conversation, Joanne Carey and Jarod delve into the intricate world of costume design and reconstruction. They explore the meticulous process of maintaining and rebuilding costumes, the importance of communication between dancers and costume makers, and the essential tools and techniques used in the costume shop. The discussion highlights the blend of artistry and engineering that goes into creating costumes that not only look beautiful but also function effectively on stage. Jarod shares insights into the science behind fabric manipulation and the significance of understanding the dancer's needs during fittings, emphasizing the collaborative nature of costume design. Jarod Lewis, has been the Costume Shop Manager of the NYC Ballet since 2021 where he works alongside the Director of Costumes, Marc Happel, to lead the Costume Shop towards creating the costumes for new ballets and the refurbishments and rebuilds of existing works. During his time at NYCB Jarod and his team of 16 artisans have created 18 world premiere ballets and are preparing for 3 more for this coming Fall and Winter seasons. Before working at NYC Ballet Jarod was the Assistant Designer and Shop Manager at Halsey Onstage, a costume production company in Chicago, IL. There Jarod worked alongside the late Travis Halsey to create over 250 custom costumes that have been worn on stages such as Sea World San Antonio, Papermill Playhouse, Houston Ballet, Vero Beach Ballet, The Joffrey Ballet, and for YAGP. They also created costumes that have been worn in various ballets, musicals, tv shows, and operas across Canada, Australia, and France.   Before beginning his career in costuming, Jarod grew up in the Appalachian Mountains of Eastern Kentucky where he began his journey working in the performing arts by receiving his BA in Music at Morehead State University and continued education of Music Production and Technical Theatre at Troy University. Jarod has performed with various music groups on stages such as Universal Studios in Orlando, FL, the Gulf Coast Symphony Orchestra in Pensacola, FL, and on an international orchestra and percussion ensemble tour in Beijing and Tianjin, China. Alongside Jarod's music career he also worked as a freelance recording engineer and the audio engineer in the marching arts with two Drum and Bugle Corps; The Santa Clara Vanguard Cadets from San Jose, California and The Cavaliers from Chicago, IL “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts.  ⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠⁠ Tune in. Follow. Like us. And Share.  Please leave us review about our podcast!  “Dance Talk” ® with Joanne Carey  "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Dance Talk” ® with Joanne Carey and special guest, Jarod Lewis, manager of the costume shop, New York City Ballet. In this first episode of two with Jarod Lewis, the manager of the New York City Ballet costume shop, join host Joanne Carey as she dives into the intricacies of costume making for the New York City Ballet and some behind the scenes and stay tuned for Part II of our converstaion where we talk all things NUTCRACKER! Jarod shares his unique journey from a small farming community in Eastern Kentucky to managing the costume shop at one of the most prestigious ballet companies in the world. He discusses the intricate art and science of costume making, the importance of communication in a diverse workplace, and the challenges faced during the COVID-19 pandemic. Jarod emphasizes the attention to detail required in costume design, including dyeing fabrics to match dancers' skin tones, and the collaborative effort involved in bringing a ballet to life. The conversation highlights the passion and dedication of those working behind the scenes in the dance world. Jarod's passion for his work shines through as he reflects on the lessons learned throughout his career and the exciting projects ahead. Jarod Lewis, has been the Costume Shop Manager of the NYC Ballet since 2021 where he works alongside the Director of Costumes, Marc Happel, to lead the Costume Shop towards creating the costumes for new ballets and the refurbishments and rebuilds of existing works. During his time at NYCB Jarod and his team of 16 artisans have created 18 world premiere ballets and are preparing for 3 more for this coming Fall and Winter seasons. Before working at NYC Ballet Jarod was the Assistant Designer and Shop Manager at Halsey Onstage, a costume production company in Chicago, IL. There Jarod worked alongside the late Travis Halsey to create over 250 custom costumes that have been worn on stages such as Sea World San Antonio, Papermill Playhouse, Houston Ballet, Vero Beach Ballet, The Joffrey Ballet, and for YAGP. They also created costumes that have been worn in various ballets, musicals, tv shows, and operas across Canada, Australia, and France.   Before beginning his career in costuming, Jarod grew up in the Appalachian Mountains of Eastern Kentucky where he began his journey working in the performing arts by receiving his BA in Music at Morehead State University and continued education of Music Production and Technical Theatre at Troy University. Jarod has performed with various music groups on stages such as Universal Studios in Orlando, FL, the Gulf Coast Symphony Orchestra in Pensacola, FL, and on an international orchestra and percussion ensemble tour in Beijing and Tianjin, China. Alongside Jarod's music career he also worked as a freelance recording engineer and the audio engineer in the marching arts with two Drum and Bugle Corps; The Santa Clara Vanguard Cadets from San Jose, California and The Cavaliers from Chicago, IL.    “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts.  ⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠ Tune in. Follow. Like us. And Share.  Please leave us review about our podcast!  “Dance Talk” ® with Joanne Carey  "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Dance Talk” ® with Joanne Carey and special guest, Artistic Director, Amanda Selwyn In this episode of “Dance Talk” ® with Joanne Carey, join host Joanne Carey as she chats with Special Guest,  Amanda Selwyn, founder of Amanda Selwyn Dance Theatre. Together they discuss Amanda's journey in dance and theater and the future plans of the newly secured Amanda Selwyn Dance Theater Space as they celebrate their 25th anniversary. Amanda stresses her commitment to the community and the importance of dance education for children and its transformative impact her dance programs in schools. Amanda shares several inspiring stories of how dance has changed her students lives, the connection between dance and academic subjects.  Tune in and check out all that upcoming for this amazing organization that is celebrating 25 years! Amanda Selwyn (Artistic Director/Choreographer) founded Amanda Selwyn Dance Theatre/Notes in Motion in 2000 and in 24 seasons, has directed over 110 productions, developed a network of artists, and created Notes in Motion's dance education program. Amanda recently taught workshops at Peridance, a Residency at Hofstra University, New Women, New York, the New York Gender Conference, and a Choreography Master Class at Temple University. Her 24th Season is being presented at BMCC Tribeca Performing Arts Center and her 20th Anniversary Season was presented at Baruch Performing Arts Center both as Residency Artists of the CUNY Dance Initiative. She has choreographed dance for Chicago's Motivity; for theatre productions including House on Mango Street, Free to be You an Me, Once Upon a Mattress, The Wiz, Little Shop of Horrors, and Charlie & The Chocolate Factory; and for her original theatre productions which include Herland, Yellow Feather, and Slitting the Clouds. In addition to her choreographic work, Amanda has directed off-broadway theatre in NYC . Amanda teaches dance and theatre to New York City children and has been on faculty at The Brearley School, Brooklyn Friends School, Beit Rabban School, Solomon Schechter School, and the New Acting Company. She has taught dance composition and technique at the Berkshire Institute for Music and Art and taught dance and theatre in Israel at the Israel Museum, English Village, and the Arad Community Center. She is the recipient of grants from the NY State Council on the Arts, The Harkness Foundation for Dance, the Friars Foundation, Dizzy Feet Foundation, Bronx Council on the Arts, NYC Department of Cultural Affairs Cultural Development Fund, NY City Council Members Bill DeBlasio, Kevin Riley, Andy King, Carlina Rivera, Althea Stevens, James Gennaro, Irma Vernikov, Marjorie Velazquez, Farah N. Louis, Margaret Chin, and Rosie Mendez, Manhattan Borough President, Met Life, City National Bank, Credit Suisse, and the Bossak/Heilbron Charitable Foundation. Her work has been presented on Jacob's Pillow Inside/Out Stage, at Tribeca Performing Arts Center Pushing Progress at Peridance to name a few. She has a Masters from NYU's Tisch School of the Arts in performance studies and a B.S. from Northwestern University in theatre, women's studies, and dance. And follow “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts.  ⁠https://dancetalkwithjoannecarey.com/ Find out more⁠ https://amandaselwyndance.org/ “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts.  ⁠https://dancetalkwithjoannecarey.com/⁠ Tune in. Follow. Like us. And Share.  Please leave us review about our podcast!  “Dance Talk” ® with Joanne Carey  "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Dance Talk” ® with Joanne Carey and special guest, Artistic Director, Jody Sperling In this episode of Dance Talk, host Joanne Carey chats with Jody Sperling, the artistic director of Time Lapse Dance. They explore Jody's journey into dance, the absolute joy it brings, and the influence of historical figures especially Loie Fuller. The discussion delves into the intersection of dance and science, particularly in relation to climate change and environmental themes. Jody shares insights on the role of costumes in her performances, the experience of dancing, and the importance of community connection. They also touch on the two solo works Jody created in homage to Loïe Fuller, Claire de Lune and Vive La Loïe! (world premiere) on the Paul Taylor Company  for their Lincoln Center Season at the Koch Theater.  Tune in - I am sure you  will find Jody's joy and exuberance infectious! Jody Sperling is A New York City-based dancer-choreographer,who has created more than 50 works. She is considered the world's leading exponent of the style of early modern dancer and performance technologist ⁠Loïe Fuller⁠ (1862-1928). Sperling has expanded Fuller's genre into the 21st century, deploying it in the context of contemporary and environmental performance forms. She is currently Eco-Artist-in-Residence at The New York Society for Ethical Culture. Years of working in Fuller's idiom has influenced Sperling's awareness of the body's relationship with the larger environment. In 2014, she participated in a polar science mission—as the first choreographer-in-residence aboard a US Coast Guard icebreaker—and danced on Arctic sea ice. Her short film Ice Floe, shot during the expedition, won a Creative Climate Award. Following her Arctic experience, her artistic focus has been on engaging with climate creatively. Sperling earned a World Choreography Award nomination for her work on the French feature film “The Dancer” (Dir. Stephanie Di Giusto, 2016 Cannes Film Festival). She is also featured and created a new work for the Fuller documentary Obsessed with Light (Dirs. Sabine Krayenbuehl and Zeva Oelbaum, premiere 2023 Rome Film Fest).  Sperling and company have performed or taught throughout the US and in Bahrain, Canada, France, India, Ireland, Italy, The Netherlands, Nigeria, Russia, and Scotland. She holds a BA from Wesleyan University in Dance and Italian Studies, an MA in Performance Studies from New York University Tisch School of the Arts, and an MFA in Dance from Montclair State University. Sperling and Time Lapse Dance have received commissions from the Vermont Performance Lab with Marlboro College, The University of Wyoming through the NEA American Masterpieces Program, and the Streb Lab for Action Mechanics. Works have been featured in the repertory of The Netherlands' Introdans ensemble and performed by Ice Theatre of New York. Sperling, also a dance writer and scholar, has served on the Board of Directors of the Society of Dance History Scholars (SDHS). Her dance writings have appeared online and in print in Dance Magazine, The Village Voice, The SDHS Conference Proceedings, The International Encyclopedia of Dance, and she has contributed chapters to the books Birds of Paradise: Costume as Cinematic Spectacle (British Film Institute, 2014) and Milestones in Dance in the USA (Routledge, 2022). Prior to founding Time Lapse Dance, Sperling performed as a dancer in the works of other choreographers including Sarah Michelson and Yvonne Rainer.  ⁠⁠⁠ Learn More ⁠www.timelapsedance.com/⁠ Tickets to see Jody's work with the Paul Taylor Company  ⁠https://www.davidhkochtheater.com/tickets-and-events/paul-taylor⁠ Follow “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts.  ⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠ Tune in. Follow. Like us. And Share.  Please leave us review about our podcast!  “Dance Talk” ® with Joanne Carey  "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Dance Talk” ® with Joanne Carey and special guest, Román Baca In this episode of Dance Talk, host Joanne Carey chats with Román Baca, artistic director of Exit 12 Dance Company, who shares his unique journey from being a ballet dancer to serving in the United States Marine Corps and then returning to the world of dance. The conversation explores the intersection of dance and military experiences, the healing power of art for veterans, and the mission of Exit 12 to tell stories that challenge perceptions of military life. Román discusses the importance of community engagement and the transformative impact of dance on both performers and audiences and his continued commitment to helping veterans heal.  Thank you for you service. Semper Fidelis. He has choreographed dance works that explore the military veteran experience and the impact of war on civilians and families. He leads workshops and lectures to aid veterans' recovery and inspire critical conversations about military service through the power of dance.  Mr. Baca graduated from St. Mary's College of California with a BA, cum laude, in the Performing Arts and was awarded a Fulbright to the Trinity Laban Conservatoire of Music and Dance in London, UK where he completed his MFA with Merit in Choreography.  Mr. Baca's practice-based research produced his thesis titled Choreographing Soldier's Stories to Provoke Empathy in Audiences winning major awards.  He has also served as a Junior Research Scientist and data manager for several military research studies. Mr. Baca has worked with the Soldiers' Arts Academy C.I.C and also served on the leadership team that delivered the first UK Veterans Art Festival alongside the 2019 UK Invictus Trials in Sheffield, UK.  He has also served as a panelist reviewing awards for Creative Forces: NEA Military Healing Arts Network, US-UK Fulbright candidates, and has served as a panelist for the National Endowment for the Arts Dance Panel 2020. Mr. Baca is a 2024 Fellow with the George W. Bush Institute's Stand-To Veteran Leadership Program and has served as a fellow with Veterans in Global Leadership, The Mission Continues, and Iraq and Afghanistan Veterans of America. Román Baca is the Artistic Director of Exit12 Dance Company and a PhD Candidate investigating the military human through the arts at York St. John University in the UK.  Román Baca is also the Deputy Project Manager for Bravo 22, a Royal British Legion Funded Recovery Through the Arts Programme and the Project Manager for an arts and recovery pilot project with the Ministry of Defense.  Working through the arts with the military Mr. Baca has developed major partnerships and projects with world-class institutions including the Intrepid Museum, The British Museum, the Ministry of Defense, CreatiVets, The Metropolitan Museum of Art among others. Mr. Baca is a classically trained ballet dancer and choreographer. He has danced in the US for the New Mexico Ballet Company, Connecticut Ballet, the Nutmeg Ballet, Ballet Theatre Company. He has served as movement director for several off-Broadway plays and has taught ballet in London and NYC at Pineapple, Alvin Ailey, Peridance, City Academy, and the United Nations.  In 2001 he took a hiatus from dance and enlisted in the United States Marine Corps, serving as a machine-gunner and fire-team leader in Fallujah, Iraq during the US-led Iraq War. After the war, Mr. Baca returned to dance and co-founded Exit12 Dance Company, which tells war stories, choreographically, to increase cross-cultural understanding and heal divisions. Exit 12 Dance Company⁠https://exit12danceco.org/⁠ Follow “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts.  ⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠⁠⁠ Tune in. Follow. Like us. And Share.  Please leave us review about our podcast!  “Dance Talk” ® with Joanne Carey  "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Dance Talk” ® with Joanne Carey and special guest, Kayla Farrish  In this episode of Dance Talk, host Joanne Carey chats with Kayla Farrish, a multifaceted artist known for her work as a dancer, choreographer, and photographer. Kayla was recentlly commissioned to re-imagine a work for the Limon Dance Company with its World Premiere at the Joyce Theater, NYC. Kayla shares her journey into the world of dance, her creative process, and her recent collaboration with the Limon Dance Company to reimagine lost works. The conversation delves into the importance of community, the role of music in dance, and the significance of experimentation in choreography. Kayla emphasizes the need for artistic expression that honors the full range of human experience, including whim, magic, and melancholy. She encourages young dancers to embrace their creativity and find their unique voice in the dance world. Kayla Farrish is NY based dancer, choreographer, director, and photographer. She is a North Carolina native born into a dance-loving family. In 2013, she graduated from the University of Arizona summa cum laude, and was awarded the Gertrude Shurr Award for excellence in modern dance and passionate dancing. Since moving to New York, she has freelanced with various artists and companies including Punchdrunk Sleep No More NYC, Kyle Abraham/Abraham. In. Motion, Kate Weare Company, Helen Simoneau Danse, Rashuan Mitchell/Silas Reiner, Aszure Barton and Artists, Madboots Dance, Nicole Von Arx, Danielle Russo Performance Project, Chris Masters Dance Company, Elena Vazintaris/Dance Projects and others.   Both independently and through companies, she has worked as a rehearsal assistant and teaching artist, instructing at various programs including University of NC School of the Arts, University of the Arts, The Juilliard School, NYU Tisch Dance Program, and local dance organizations and studios, and beyond. Kayla Farrish ⁠https://www.kaylafarrish.com/artist-statement⁠ Limon Dance Company ⁠https://www.limon.nyc/⁠ Follow “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts.  ⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠⁠ Tune in. Follow. Like us. And Share.  Please leave us review about our podcast!  “Dance Talk” ® with Joanne Carey  "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Dance Talk” ® with Joanne Carey and special guest, Sonja Kostich In this episode of Dance Talk, host Joanne Carey chats with Sonja Kostich, the president and executive director of Baryshnikov Arts. Sonia shares her inspiring journey from her early years in dance, through her transition from a professional dancer to a career in finance, and ultimately to her current role in arts administration. The conversation highlights the importance of collaboration in the arts, the challenges of career transitions, and the innovative programming at Baryshnikov Arts that supports artists in their creative processes. Sonia emphasizes the value of taking risks and stepping outside of one's comfort zone to discover new opportunities in life and art.  Sonja Kostich brings with her both the knowledge and experience of having been a professional dancer for over two decades as well as significant business acumen derived from her business education and time working at Goldman Sachs. Through a unique and successful professional trajectory, she now merges her artistic and business experience as an arts leader. Ms. Kostich was hired by Mikhail Baryshnikov at the age of 17 to join American Ballet Theatre from The School of Classical Ballet, the training school for ABT created by Mr. Baryshnikov, consisting of only seven female students and five male students. She later danced with the San Francisco Ballet and the Zurich Ballet, Mikhail Baryshnikov's White Oak Dance Project, and in multiple collaborations with opera/theater director Peter Sellars, before co-founding OtherShore, which she co-directed for six years. Her experience in ballet, contemporary, and modern dance resulted in a diverse international career that spanned across artistic disciplines.Upon retiring from dancing, Ms. Kostich returned to school, obtaining a Bachelor of Business Administration (BBA) in Accounting and Business Communication from Zicklin School of Business, CUNY Baruch College, where she graduated Salutatorian at the age of 42. Following, she began a full-time position at Goldman Sachs in the Finance Division with a focus on regulatory capital requirements. Simultaneously she obtained an MA in Arts Administration, eventually returning to the dance world, first as the finance manager at Mark Morris Dance Group and then as program manager at New York City Center. From 2018 to 2022, she served as the Chief Executive and Artistic Officer at Kaatsbaan Cultural Park, a 153-acre artist sanctuary located in Tivoli, NY, where she led the successful rebrand and revitalization of the 30+ year organization, bringing it to award-winning status for its significant artistic and economic contributions to the Hudson Valley. In October 2022, Ms. Kostich joined Baryshnikov Arts as its new Executive Director. As a female Korean American, born in Seoul, Korea, and raised in Minnesota, her history, both personal and professional, lends itself to cultivating and supporting new perspectives as Baryshnikov Arts expands its capacity to create multi-platform and collaborative havens for artistic expression, innovation and freedom and especially as we commit further to elevating and sharing the stories of artists of diverse cultures and histories. More about Baryshnikov Arts ⁠⁠https://baryshnikovarts.org/⁠ Follow “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts.  ⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠⁠ Tune in. Follow. Like us. And Share.  Please leave us review about our podcast!  “Dance Talk” ® with Joanne Carey  "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Dance Talk” ® with Joanne Carey and special guest, Quinn Wharton, Artist, Choreographer, Film Maker In this episode of Dance Talk, host Joanne Carey chats with Quinn Wharton, who shares his journey from a young dancer in Hawaii to a professional in major ballet companies. Together they discuss Quinn's unique perspective as a filmmaker and choreographer, the importance of mentorship, and the creative process behind his upcoming world premiere, Prisma. The conversation delves into themes of personal growth, storytelling through dance, and the collaborative nature of the arts as well as his past residency at Baryshnikov Arts where his new work, PRISMA brings together dancers with a unique mix of music with Beatboxers Chris Celiz and Gene Shinozaki and the classicals artists known as ARKAI.  More about Quinn Wharton  https://www.quinnwharton.com/about Get tickets for the upcoming World Premiere of PRISMA at Baryshnikov Arts Nov 14, 15 & 16th https://ci.ovationtix.com/31295/production/1208197 PRISMA is Built around the ideas of origins and personal mythology, the work will explore genesis moments. Each of the artists involved has a particular and impactful moment where they started pursuing one direction in their life, and their world was changed by a singular moment. Using this frame, they will explore the ideas storytelling has around the personal human journey and growth. The show uses live music and choreography to express the ineffable experiences we have on these journeys. The audience will experience the hybrid musical form of beatboxing mixed with classical strings as well as dance in the form of contemporary, partnering, and hip hop. Baryshnikov Arts https://baryshnikovarts.org/ Follow “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts.  ⁠https://dancetalkwithjoannecarey.com/⁠ Tune in. Follow. Like us. And Share.  Please leave us review about our podcast!  “Dance Talk” ® with Joanne Carey  "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Dance Talk” ® with Joanne Carey and special guest, Artistic Director of Black Label Movement, Carl Flink. In this episode of “Dance Talk” ® with Joanne Carey, join host Joanne Carey as she chats with Special Guest, Carl Flink, dancer, choreographer, and academic, discussing his journey into dance, the philosophy behind his company Black Label Movement, and the upcoming performance 'Battleground,' premiering at American Dance Festival. They explore the intersections of dance and law, the teaching of modern dance, and the thematic depth of Flink's work, particularly in relation to societal issues and the human experience. Carl Flink is an American choreographer, dancer, director and academic based in Minneapolis, MN USA. He is the founder and artistic director of Black Label Movement, a contemporary dance company based in Minneapolis. He is also the Nadine Jette Sween Professor of Dance and director of the dance program at University of Minnesota. Flink was a member of the Jose Limón Dance Company from 1992 to 1998, among other NYC based dance companies including Creach/Koester Men Dancing, Janis Brenner & Dancers and Nina Winthrop & Dancers. He has been a frequent guest artist with Shapiro & Smith Dance. Flink's work is focused in choreography, theatrical movement direction, contemporary dance and partnering technique, and dance/science collaborations. His work as a dancer, choreographer and director has been featured in the media numerous times. Flink's TED talk in 2011 entitled Dance v. PowerPoint has received media recognition. He has been named to the University of Minnesota Theatre Arts & Dance Department Wall of Note and was featured in Dance Magazine in an article entitled "Flying through Space." Flink graduated in Political Science and Women's Studies from University of Minnesota's College of Liberal Arts in 1990. He then earned his Juris Doctor from Stanford Law School in 2001, where he was a Public Interest Law Fellow and a Skadden Fellowship Alternate. Through Black Label, he has created commissions for MADCO (St. Louis, MO), the American Dance Festival Footprints Series (Durham, NC), Same Planet Different World (Chicago, IL) and Company C (San Francisco, CA). He has also created presentations for the 2011 TEDx Brussels, 2012 TED: Full Spectrum (Long Beach, CA), 2013 TEDMED (Washington D.C. and the 2020 TEDx Minneapolis). His residencies for college dance programs include University of Florida-Gainesville Brenau University, University of North Georgia, University of Utah, Utah Valley State, University of Illinois – Urbana Champaign University of Iowa, Mount Holyoke College and Roger Williams University, among others. For Information on Black Label Movement https://www.blacklabelmovement.com/ YOUTUBE https://youtu.be/4sWN9_ttgYw And follow “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts.  ⁠https://dancetalkwithjoannecarey.com/⁠ Tune in. Follow. Like us. And Share.  Please leave us review about our podcast!  “Dance Talk” ® with Joanne Carey  "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Dance Talk” ® with Joanne Carey and special guest, Sandra Rivera: Teaching Artist/Dancer/Guest Artist with Dances for a Variable Population  In this episode of “Dance Talk” ® with Joanne Carey, join host Joanne Carey as she chats with Special Guest, Sandra Rivera of Dances for a Variable Population. Sandra is a dancer, choreographer, educator, and writer and together they discuss Sandra's extensive career in dance, starting from her early influences in New York City to her involvement with Ballet Hispanico as an original member and up to her current impactful work with Dances for a Variable Population and the upcoming workshops and performances of DVP. Joanne and Sandra also discuss her work with Omega Dance Company. Their conversation highlights the importance of community engagement through dance, and the significance of creating inclusive spaces for older adults to express themselves through movement. They also discuss the role that her experience with liturgical dance held in Sandra's life. Sandra shares her insights on the transformative power of dance and its ability to foster connection and creativity across generations. Sandra Rivera has an extensive career as a dancer, choreographer and educator.  A founding member of Ballet Hispanico, she performed as a principal dancer creating a number of roles in the company's repertory. Since 1990 she has choreographed and performed contemporary dances with thematic content that reflects the Latino experience in the United States.  Artist-in-residence at the Cathedral of St. John the Divine with the Omega Dance Co. where she served as director.  Her solo dance portraits and choreographies have been presented at El Museo del Barrio, the Caramoor International Music Festival and the Abrons Art Center,the  Julia de Burgos Cultural Center, Aaron Davis Hall and the 92 Street Y.  She is on the faculty of Ballet Hispanico School of Dance and performs and is a teaching artist for Dancers for a Variable Population.  BA in Dance in the Latino Diaspora; CUNY's Baccalaureate for Unique & Interdisciplinary Studies.  Sandra Rivera  ⁠⁠https://www.sandrariveraprojects.com/biography⁠⁠ Find out more about Dances for a Variable Population and catch some of their upcoming performances and worksshops Oct 5th, 18th, Nov 16th https://www.dvpnyc.org/ Follow “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts.  ⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠⁠ Tune in. Follow. Like us. And Share.  Please leave us review about our podcast!  “Dance Talk” ® with Joanne Carey  "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Dance Talk” ® with Joanne Carey and special guest, Jeremy Courney, CEO & Co-Founder, Humanite Peace Collective In this episode of “Dance Talk” ® with Joanne Carey, join host Joanne Carey as she chats with Special Guest, Jeremey Courtney CEO & Co-Founder, Humanite Peace Collective, an on-the-ground The National Ballet of Ukraine on its East Coast Tour. Joanne and Jeremy discuss Jeremy's journey into humanitarian work, the formation of Humanite, and the importance of art and culture in times of conflict, particularly focusing on the National Ballet of Ukraine's upcoming tour. The conversation highlights the role of art in preserving identity and providing hope amidst war, as well as the ongoing humanitarian efforts to support children affected by the conflict in Ukraine. Portions of the proceeds from the tour—from ticket purchases, merchandise, and individual donations—will benefit HUMANITE ⁠⁠⁠⁠⁠https://www.humanite.org/⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠and Ukraine House, ⁠⁠⁠⁠⁠⁠https://www.ukrainehouse.us/⁠ ⁠⁠⁠⁠⁠ Organizations dedicated to restoring and improving the lives of Ukrainian families affected by the war. The National Ballet of Ukraine East Coast tour kicks off Oct 8th in Washington, D.C. traveling the East Coast and culminates in Orlanda Florida, Oct 30th. Get Tickets Here: ⁠⁠⁠⁠⁠https://nationalukraineballet.com/⁠⁠⁠⁠ You won't want to miss this! This tour promises to be an experience like no other! Who is Jeremy Courtney? After meeting a little girl in a local café who needed a lifesaving heart surgery, Jeremy and Jessica Courtney ventured into a life of service for which they were totally unprepared.For over 15 years, Jeremy has worked alongside local peacemakers in some of the world's most dangerous conflict zones. His "preemptive love" theory of change has taken him and the HUMANITE founders to the frontlines of revolution and war in Fallujah, Mosul, Damascus, Aleppo, Cairo, Khartoum, and beyond to serve those in need and meet with top leaders, warlords, and terrorists about the rise and fall of peace. Jeremy's work has been covered by CNN, the BBC, Al-Jazeerah, The New York Times, and The Washington Post.From Pres. Jimmy Carter's Human Rights Defenders Forum, to the International Peace Conference for the Korean Peninsula, to the World Summit of Nobel Peace Laureates, Jeremy has had the honor of sharing the stage with changemakers from across the globe.Love Anyway, Jeremy's second book, was released to popular acclaim in 2019, with NYT-bestselling authors calling it "beautifully written", "a must-read", and "deeply subversive."Jeremy lives in Iraq with his wife Jessica and their children, Emma and Micah. Follow “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts.  ⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠ Tune in. Follow. Like us. And Share.  Please leave us review about our podcast!  “Dance Talk” ® with Joanne Carey  "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Dance Talk” ® with Joanne Carey and special guest, Les Sereda, Artistic Director The Ukrainian Shumka Dancers. In this episode of “Dance Talk” ® with Joanne Carey, join host Joanne Carey as she chats with Special Guest, Les Sereda, Artistic Director of The Ukrainian Shumka Dancers who will bring the Canadian company to the US to dance alongside The National Ballet of Ukraine on its East Coast Tour. Joanne and Les discuss his beginnings as a dancer and how it lead him to becoming Artistic Director. The conversation touches on the importance of preserving Ukrainian heritage through folk traditions as well as the impact of the ongoing war in Ukraine on the dance community, the role of art in times of crisis, and the upcoming collaboration with the National Ballet. Les shares insights on the challenges and beauty of storytelling through dance, emphasizing the need for cultural exchange and the evolution of artistic expression. The tour promises to be an experience like no other! More about The Ukranian Shumka Dancers of Canada ⁠https://www.shumka.com/⁠ Les Sereda began his dance career at the age of 12 and joined Shumka four years later. He toured Canada and the United States in Shumka's productions of Absolutely Shumka and Cinderella and was honoured to be one of the performers in Sulyma Productions' The Nutcracker, A Ballet Fantasy for three consecutive years.  During Shumka's 50th Anniversary celebrations, he received a Membership with Distinction award from Shumka for his ongoing dedication to the company. In 1993 Les trained at the Ukrainian Academy of Dance in Lviv, Ukraine, focusing on both ballet and character training along with regional choreography and music.  This immersive experience was a guiding force, influencing his future artistic journey and ongoing commitment to the art form. Over the years, Les developed a truly collaborative spirit, forging relationships with international artists to create original choreography, music, projections and costumes that have influenced the evolving world vision of Ukrainian dance. Serving as the Artistic Director of Viter Ukrainian Dancers from 2004 to 2010, his direction forged new ground for the company guiding the creation of the song and dance style that is a hallmark of the ensemble today. In 2018, Les directed Shumka's newest work, Mosquito's Wedding: All You Need is Love. An enchanting Disney-esque production with a relevant universal message for today, it successfully speaks to audiences of all ages and backgrounds. Les is also owner, director and producer of Blue Toque Productions, an Edmonton based media company specializing in telling stories through documentary-style films. In 2019, Les completed a behind-the-scenes documentary on the journey to Shumka's Ancestors & Elders. Through his years of experience as a dancer, choreographer, director, visual designer and film maker, Les has developed a holistic sense of art and its creation. With a deep respect for Shumka's 60-year history, he is ready to take the company into the future…changing its leaves while keeping intact its roots. The National Ballet of Ukraine East Coast tour kicks off Oct 8th in Washington, D.C. traveling the East Coast and culminates in Orlanda Florida, Oct 30th. Get Tickets Here: ⁠⁠⁠https://nationalukraineballet.com/⁠⁠ You won't want to miss this! Portions of the proceeds from the tour—from ticket purchases, merchandise, and individual donations—will benefit HUMANITE ⁠⁠https://www.humanite.org/⁠⁠ ⁠⁠⁠⁠⁠and Ukraine House, ⁠⁠⁠https://www.ukrainehouse.us/⁠ ⁠⁠ Organizations dedicated to restoring and improving the lives of Ukrainian families affected by the war. Follow “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts.  ⁠⁠https://dancetalkwithjoannecarey.com/⁠ Tune in. Follow. Like us. And Share.  Please leave us review about our podcast!  “Dance Talk” ® with Joanne Carey  "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Dance Talk” ® with Joanne Carey and special guest, Mykyta Sukhorukov, Principal Dance & Honored Artist of Ukraine. In this episode of “Dance Talk” ® with Joanne Carey, join host Joanne Carey as she chats with Special Guest, Mykyta Sukhorukov, Principal Dance & Honored Artist of Ukraine, about the much anticipated tour of the National Ballet of Ukraine. The program is set to inspire and mesmerize audiences up and down the US East Coast by dedication and strength of the dancers admidst the ongoing war in the Ukraine and the power of dance and artistry to "lift your spirit, inspire your soul, and remind you of the power of art in the face of adversity." Joanne and Mykyta discuss his journey as a dancer, the importance of art in providing solace during difficult times, and the cultural representation that the ballet aims to showcase. The conversation highlights the 'Nadiya' -hope -that the upcoming tour brings to both the performers and the audience, emphasizing the need for support and awareness of the situation in Ukraine. The program will present excerpts from traditional ballets as well as a colorful and technical immersive experience for the audience in collaboration with cultural dance artistry of The Ukranian Shumka Dancers of Canada. https://www.shumka.com/ Mykyta SukhorukovPrincipal – Premier Soloist - Honored Artist of Ukraine Graduated from the Donetsk State Choreographic School in 2005 and the Kyiv Choreographic College in 2008. Since 2008 – ballet soloist of the Kyiv Municipal Theater of Opera and Ballet for Children and Youth, since 2013 – soloist of the National Ballet of Ukraine. Laureate of international competitions of ballet artists: 1st prize and gold medal at the 2nd International Competition of Yuri Hryhorovich “Young Ballet of the World” in Sochi (2008), 3rd prize at the 12th International Competition of Ballet Artists and Choreographers in Moscow (2013). Mykyta Sukhorukov is one of the brightest representatives of the today's Ukrainian choreographic school, a leading soloist who is equally subject to both parts from the world's classical choreographic heritage and modern choreography in its various manifestations. He also takes his first steps as a choreographer. Tours: Great Britain, Spain, Germany, Switzerland, France, Italy, Romania, Japan, South Korea, Greece, Austria, Hungary, Canada, and other countries. National Ballet of Ukraine, one of the world's top ballet companies and the country's official ballet company is on their premiere tour of the United States for the first time in over 30 years since the dissolution of the USSR. The ballet is coming to the USA, straight from the historic Taras Shevchenko National Opera House in Kyiv. You won't want to miss this! The East Coast tour kicks off Oct 8th in Washington, D.C. traveling the East Coast and culminates in Orlanda Florida, Oct 30th. Get Tickets Here: ⁠https://nationalukraineballet.com/⁠ Portions of the proceeds from the tour—from ticket purchases, merchandise, and individual donations—will benefit HUMANITE ⁠https://www.humanite.org/⁠ ⁠⁠⁠and Ukraine House, ⁠⁠https://www.ukrainehouse.us/⁠ ⁠ Organizations dedicated to restoring and improving the lives of Ukrainian families affected by the war. Follow “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts.  ⁠https://dancetalkwithjoannecarey.com/ Tune in. Follow. Like us. And Share.  Please leave us review about our podcast!  “Dance Talk” ® with Joanne Carey  "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Dance Talk” ® with Joanne Carey and special guest, Artistic Director & CEO, Christine Cox, Ballet X In this episode of “Dance Talk” ® with Joanne Carey, join host Joanne Carey as she chats with Special Guest, Christine Cox,  Artistic and Executive Director of Ballet X. Together they discuss Christine's journey in the dance world, the founding of Ballet X, and its mission. Christine also shares about her love of music and how it plays an integral role in her artistry. The conversation also touches on the outreach and education programs Ballet X is known for within the community and the dance world. Together they also discuss the life skills that dance instills in individuals. Christine emphasizes the importance of supporting artists and the community and its the value of dance in society.  Check out this episode, it wont disappoint and neither will the company's upcoming season! Christine Cox Cox was a full-time company member with Pennsylvania Ballet from 1993 until her retirement from the stage in 2006. She trained in classical ballet at the Pennsylvania Ballet School and continued at the Performing Arts School of Philadelphia, spending summer sessions at the Joffrey and San Francisco Ballet schools. Some of her featured roles included Rum and Coca Cola in Paul Taylor's Company B, Eve in Margo Sappington's Rodin, Mis En Vie the Cowgirl in Agnes DeMille's Rodeo, and principal female roles in Jerome Robbins' Fancy Free and The Concert. During this time, Cox served for ten years as the rehearsal assistant of the children's corp for Pennsylvania Ballet's annual production of Balanchine's The Nutcracker. Prior to joining the Pennsylvania Ballet, she danced with BalletMet (Columbus, OH), as a guest artist with Ballet Hispanico (New York, NY), and with the American Repertory Ballet (Princeton, NJ). Cox is the proud mother of two young boys, Warren and Wesley. For Information on Ballet X https://www.balletx.org/about-us/staff/christine-cox/ YOUTUBE ⁠https://youtu.be/ABCFzZ83Voc And follow “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts.  https://dancetalkwithjoannecarey.com/ Tune in. Follow. Like us. And Share.  Please leave us review about our podcast!  “Dance Talk” ® with Joanne Carey  "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

“Dance Talk” ® with Joanne Carey and special guest, Diana Byer, founding director of the New York Theater Ballet. In this episode of Dance Talk with Joanne Carey, join host Joanne Carey as she chats with Special Guest, Diana Byer, as she shares her life in dance which began from a suggestion made by her pediatrician to exercise. That first class lead to a lifetime career in dance, an art form on which she continues to leave her imprint and is creating a profound and exemplary legacy. Diana discusses her commitment to developing dance artists and her outreach program for homeless and at-risk children. Diana Byer received her principal dance training from Margaret Craske and Antony Tudor. She is the founder of New York Theater Ballet that stages works that are intimate in scale and able to touch audiences in deeply personal ways. Hailed by Dance Magazine as “a miniature American treasure,” NYTB is known for its theatrical inventiveness, high production quality, excellent technique, and accessibility to its audiences. She has been a guest instructor of the Cecchetti Society of America, the Cecchetti Society of Canada (Toronto), Cornell and New York Universities, State University of New York at Purchase, Martha Graham School, and other centers of dance. Ms. Byer conducts master classes in schools and performance settings across the USA and Europe. Ms. Byer received extensive media attention for her ongoing work with homeless and at-risk children, winning special citations from President George Bush, First Lady Hillary Clinton, the National Endowment for the Arts, and the President's Committee on the Arts & the Humanities. The LIFT Community Service program, which provides dance classes, performance opportunities, scholarships, and services for homeless and at-risk children in New York, was initiated at NYTB through her vision and commitment. In 1988, 1990, and 1993, Ms. Byer received the Helen Wieselberg Award of the National Arts Club in recognition for her ongoing work with LIFT. In 1992, Lincoln Center produced, at Alice Tully Hall, a one-hour presentation for children called Dreams On A Shoestring, featuring an original script based on Ms. Byer and LIFT. She received a Humanitarian Hero recognition from Good Housekeeping Magazine for her ongoing work with LIFT and was the 2023 Martha Hill Dance Fund Lifetime Achievement Awardee. The feature-length film LIFT, documenting Ms. Byer's journey of LIFT, was featured in the 2022 Tribeca Festival and recognized with a “Children's Resilience in Film Award” by Shine Global. In December 1996, she was again spotlighted in two features in Dance Magazine. Ms. Byer coached the principals in the Columbia Pictures film, Center Stage. She was a member of the Antony Tudor Centennial Celebration Committee and in 2008 staged Tudor's Judgment of Paris for the American Ballet Theatre Gala at The Metropolitan Opera House. She is a repetiteur for the Antony Tudor Trust and a member of the Board of Directors of the Dance Notation Bureau and The Clive and Valerie Barnes Foundation. In 2010 she assisted Kevin McKenzie in ABT's restaging of Antony Tudor's Jardin Aux Lilas (Lilac Garden) and staged Agnes de Mille's Three Virgins and a Devil for the Alabama Ballet. In 2011 Ms. Byer restaged Antony Tudor's Soiree Musicale and the dances from Agnes de Mille's Carousel, Oklahoma, and Brigadoon for American Ballet Theatre's Studio Company. She continues to direct the NYTB School which she established in 1978. Learn more about The Diana Byer Legacy Project https://www.dancio.com/dianabyerlegacyproject Learn more about New York Theater Ballet ⁠https://nytb.org/about⁠ Follow Joanne Carey on Instagram @westfieldschoolofdance  Follow “Dance Talk” ® with Joanne Carey wherever you get your podcasts.  Tune in. Follow. Like us. And Share.  Please leave us review!  “Dance Talk” ® with Joanne Carey  "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Dance Talk” ® with Joanne Carey and special guest, Artistic Director & CEO, Eduardo Vilaro, Ballet Hispánico.  In this episode of “Dance Talk” ® with Joanne Carey, join host Joanne Carey as she chats with Special Guest, Eduardo Vilaro, who sits at the head of Ballet Hispánico, leading the organization into its 55th year as a world-class organization with a spirit of love, grace and humility. This engaging and beautiful conversation explores the history of Ballet Hispánico, Mr. Vilaro's story of emigrating from Cuba at 6 years old, his career, his love for his culture, life and the art form along with his continued commitment to making the life and experience of the community around him purposeful and beautiful. Eduardo Vilaro is the Artistic Director & CEO of Ballet Hispánico (BH). He was named BH's Artistic Director in 2009, becoming only the second person to head the company since its founding in 1970, and in 2015 was also named Chief Executive Officer. Mr. Vilaro has infused Ballet Hispánico's legacy with a bold brand of contemporary dance that reflects America's changing cultural landscape. Mr. Vilaro's philosophy of dance stems from a basic belief in the power of the arts to change lives, reflect and impact culture, and strengthen community. He considers dance to be a liberating, non-verbal language through which students, dancers, and audiences of all walks of life and diverse backgrounds, can initiate ongoing conversations about the arts, expression, identity, and the meaning of community. Born in Cuba and raised in New York from the age of six, Mr. Vilaro's own choreography is devoted to capturing the Latin American experience in its totality and diversity, and through its intersectionality with other diasporas. A Ballet Hispánico dancer and educator from 1988 to 1996, he left New York, earned a master's in interdisciplinary arts at Columbia College Chicago and then embarked on his own act of advocacy with a ten-year record of achievement as Founder and Artistic Director of Luna Negra Dance Theater in Chicago. The recipient of numerous awards and accolades, Mr. Vilaro received the Ruth Page Award for choreography in 2001; was inducted into the Bronx Walk of Fame in 2016; and was awarded HOMBRE Magazine's 2017 Arts & Culture Trailblazer of the Year. In 2019, he received the West Side Spirit's WESTY Award, was honored by WNET for his contributions to the arts, and was the recipient of the James W. Dodge Foreign Language Advocate Award. In August 2020, City & State Magazine included Mr. Vilaro in the inaugural Power of Diversity: Latin 100 list. In January 2021, Mr. Vilaro was recognized with a Compassionate Leaders Award, given to leaders who are courageous, contemplative, collaborative, and care about the world they will leave behind. He is a well-respected speaker on such topics as diversity, equity, and inclusion in the arts, as well as on the merits of the intersectionality of cultures and the importance of nurturing and building Latinx leaders. For Information on Ballet Hispánico https://www.ballethispanico.org/   Follow Joanne Carey on Instagram @westfieldschoolofdance  WEBSITE Link https://dancetalkwithjoannecarey.com/ YOUTUBE Link UC4NldYaDOdGWsVd2378IyBw And follow “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts.  Tune in. Follow. Like us. And Share.  Please leave us review about our podcast!  “Dance Talk” ® with Joanne Carey  "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

“Dance Talk” ® with Joanne Carey and special guest, conductor, Robin Fountain. In this episode of Dance Talk with Joanne Carey, join host Joanne Carey as she chats with Special Guest, conductor, Robin Fountain about the world premiere of the Raffaella Ballet that they are working on. Tune in as they discuss Robin's background in music and his process as a conductor, discussing the path to becoming a conductor, the role of a conductor in leading an orchestra, and the preparation process for conducting a piece of music. They also draw parallels between conducting and choreography in terms of leadership, preparation, and the importance of understanding the music or movement. In this conversation, Joanne and Robin discuss the collaborative process of creating a ballet performance, specifically the project they have been working on for months, the Raffaella Ballet. They highlight the importance of communication and collaboration between the dancers, musicians, conductor, and composer, as well as enormous privilege and excitement of being part of a premiere and creating something new for the ballet world. Robin Fountain is Professor Emeritus of Conducting at Vanderbuilt University's Blair School of Music. He is in demand as guest conductor, with recent engagements including concerts with the Singapore Symphony, the Tennessee Philharmonic, the Louisiana Philharmonic, and L'Orchestre Philharmonique Sainte Trinite. Learn more about Robin Fountain and his career http://robinfountain.com/ Learn more about the Raffaella Ballet and to purchase tickets to the June premiere at the Morris Performing Arts Center in South Bend , Indiana https://raffaellaballet.org/ Follow Joanne Carey on Instagram @westfieldschoolofdance  And follow “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts.  Tune in. Follow. Like us. And Share.  Please leave us review about our podcast!  “Dance Talk” ® with Joanne Carey  "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

“Dance Talk” ® with Joanne Carey and special guest, choreographer and author, Vladimir Angelov. In this episode of “Dance Talk” ® with Joanne Carey, join host Joanne Carey as she chats with Special Guest, Vladimir Angelov, a renowned choreographer, and author. Together, they discuss his journey from Bulgaria to the United States and his passion for choreography. He shares his own journey as a choreographer and the satisfaction of contributing to the dance community.  Mr. Angelov is also the founder of the International Choreography Organization and Networking Services (ICONS) that provides resources and opportunities for choreographers worldwide and emphasizes the importance of recognizing and supporting choreographers in the dance industry. His recently published book, 'You, the Choreographer: Creating and Crafting Dance' , does just that. It is a valuable guide for choreographers of all genres in their creative process.  This engaging conversation explores the history and process of choreography, and also delves into the creative process of choreography, discussing the role of personal experiences, storytelling, and the exploration of norms and boundaries.  Mr. Angelov is considered by many of his colleagues a key international expert in choreography, especially in philosophy and theory of choreography, as well as traditional and experimental approaches to creative practices.  Vladimir Angelov (choreographer, author, lecturer, and executive director) graduated from the National School for Dance Arts in Sofia, Bulgaria. He studied philosophy at the University of Sofia and completed his master's degree in dance and choreography at American University in Washington, D.C. Mr. Angelov served as a choreographer at the Washington National Opera at the Kennedy Center in Washington, D.C., under the artistic direction of Placido Domingo. He also has choreographed for diverse musical, theater, film, and television productions. Mr. Angelov has created original contemporary ballets for companies such as Arizona Ballet, Atlanta Ballet, Indianapolis Ballet, Richmond Ballet, San Francisco Ballet, Washington Ballet in the United States, as well as Alberta Ballet in Canada, National Ballet of Finland, Ballet, National Ballet of Mexico, Ballet Manila in the Philippines, Tokyo City Ballet in Japan, Mariinsky Ballet in St. Petersburg, Russia, among others. Mr. Angelov has been regular guest lecturer at the George Washington University and the American University in Washington DC, USA, and has taught at numerous universities and seminars at dance companies in Austria, Brazil, Bulgaria, China, Finland, France, Germany, Japan, Mexico, and Russia. He is the Founding and Executive Director of the International Consortium for Advancement in Choreography – Dance ICONS, Inc., the International Choreographers' Organization and Networking Services – a global association for choreographers based in Washington, DC, USA.  For Information on Dance ICONS visit ⁠https://www.danceicons.org/pages/index.php?p=151221143635  You can purchase the book here https://www.routledge.com/You-the-Choreographer-Creating-and-Crafting-Dance/Angelov/p/book/9780367444464  Follow Joanne Carey on Instagram @westfieldschoolofdance And follow “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts.  Tune in. Follow. Like us. And Share.  Please leave us review about our podcast!  “Dance Talk” ® with Joanne Carey  "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

“Dance Talk” ® with Joanne Carey and special guest, Michelle Leagans.  In this episode of Dance Talk with Joanne Carey, Joanne is joined by Michelle Leagans, an educator, choreographer, and author of her newly released book, "Hey Dancers, Let's Talk About it!" Michelle shares her background in dance, starting at a young age and eventually dancing for the NBA and NFL. She discusses her experiences in the dance team industry in Texas and her passion for creating a positive and inclusive environment for dancers. Michelle also talks about her book, 'Hey Dancers, Let's Talk About It,' which aims to open up discussions about important topics in the dance industry. In this part of the conversation, Joanne and Michelle discuss the importance of effective communication in the dance world. They emphasize the need for dancers to choose their words wisely and have open lines of communication with their teachers and peers. They also discuss the quote from Michelle's book that highlights the importance of understanding the why behind dancing, rather than focusing solely on winning trophies. They go on to discuss several chapters from Michelle's book, including why dancers love to dance, the importance of supporting and cheering on teammates, and the significance of taking corrections and being open to feedback. The conversation between Michelle Leagans and Joanne Carey focused on the importance of communication and positive energy in the dance community. They discussed the need for dancers, teachers, and parents to have open and honest conversations to improve team culture. Michelle emphasized the value of journaling as a tool for self-reflection and communication. They also touched on the impact of negative energy and the role of mental health in the dance community. Michelle Leagans Todero began her dance journey at Oklahoma City University, where she earned her Bachelor of Fine Arts degree in Dance Performance. Following her academic pursuits, Michelle embarked on a remarkable performance career, gracing stages for esteemed organizations such as the NBA, NFL, Busch Gardens, and Six Flags. Her talent and dedication soon led her to the realm of choreography, where she found her true calling. Settling in Houston, Texas, Michelle immersed herself in drill team choreography, becoming a sought-after name in the industry. Over the years, she has crafted award-winning contest pieces for over 100 high school teams and continues to choreograph for the NFL Texans Cheerleaders. In recognition of her exceptional skills, Michelle was honored as the Texas Dance Educators Association All State Choreographer in 2018, solidifying her reputation as a leader in her field. Most notably, she lent her expertise to the world-famous Kilgore Rangerettes for their 2024 Revel performances. Driven by her passion for nurturing young talent, Michelle founded Power Intensives, a revolutionary dance program that fuses intensive training with a vibrant party atmosphere. With Power Intensives now spanning 20 locations annually and attracting over 1,500 dancers, Michelle's impact on the dance world continues to grow. She recently published her first book, Hey Dancers Let's Talk About It! Outside of her bustling career, Michelle finds joy and support in her loving family. She resides in Houston with her husband Jaymie and their two shelties. Information on Michelle's Power Intensives visit https://powerintensives.com/ To purchase the book https://www.amazon.com/dp/1998454061?ref_=cm_sw_r_apin_dp_B2M2NJMGE6WXQKEMA1MW&language=en-US   Follow Joanne Carey on Instagram @westfieldschoolofdance  And follow “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts.  Tune in. Follow. Like us. And Share.  Please leave us review about our podcast!  “Dance Talk” ® with Joanne Carey  "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

“Dance Talk” ® with Joanne special guests, Michelle Loucadoux and Kristen Deiss- co-founders of Danscend In this episode of  “Dance Talk” ® with Joanne Carey,  join host Joanne Carey as she chats with Special Guests, Michelle Loucadoux and Kristen Deiss  co-founders of Danscend, two women who are trail blazers when it comes to the care of dancers' mental health. Listen in as these three ladies discuss the importance of mental health within the dance world. Michelle & Kristin, each share their personal backgrounds in dance and education, how they met, and then came together to create their organization, Danscend that offers courses, workshop and support for the dance community. You'll hear a discussion about the challenges faced by dancers; the negative self-talk, perfectionism, and body image issues. They also discuss the impact of the Covid-19 pandemic on dancers' mental health and the importance of community support. The conversation explores the importance of community, the struggles of advanced dancers, the impact of fear on the mind-body connection, tools for mental wellness, prioritizing self-care, and the power of validation and community. In Danscend, Deiss and Loucadoux have created a resource that they wish was available when they were beginning their dance careers, a resource that will benefit not only their students but also the dance industry as a whole. Michelle Loucadoux and Kristen Deiss are the co-founders of Danscend, a mental health organization focused on the well-being of dancers. They started Danscend in response to the mental health struggles they observed in the dance community, particularly during the pandemic. Michelle has a background in ballet and musical theater, while Kristen started as a ballet dancer but shifted to teaching and higher education. They both have a passion for education and saw a need for mental health resources tailored to dancers. Danscend offers courses, resources, and workshops for dancers and dance teachers, with a focus on creating a supportive and inclusive environment. Dancers face challenges such as negative self-talk, perfectionism, and body image issues. The pandemic exacerbated feelings of isolation and stress. It is important for dancers to prioritize self-care and seek support from their community. Tools for dancers include reflection, journaling, and validating feelings. Interested in the resources Danscend has to offer? Try it for 1 month free. Just enter the code freemonth24 at checkout. ⁠https://danscend.teachable.com/p/about-us⁠ Follow on Instagram @danscendoffical Follow Joanne Carey on Instagram @westfieldschoolofdance And follow  “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. Tune in. Follow. Like us. And Share. Please leave us review about our podcast!  “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

“Dance Talk” ® with Joanne special guest, Teacher Terrel, creator and author of the Once Upon a Dance Book Series In this episode of  “Dance Talk” ® with Joanne Carey,  join host Joanne Carey as she chats with Special Guest, Teacher Terrel.    Listen in as we chat about how Terrel's love for dance and how dance contributes to the lives of others, making it her mission to spread its joy. The COVID-19 Pandemic lockdown was pivotal in inspiring Terrel to find new ways to keep dance alive and create- thus the Once Upon a Dance book series was born! Terrel shares her love for dance and her motivation to be a positive force for dance through her work. She also talks about her process of creating the book series, which she created along with her ballerina daughter. Along with finding illustrators and handling the layout. All royalties from her books have been donated to nonprofit charity partners that support the arts. Terrel's goals for the future are limitless so get in line to collaborate with her. The possibilities for this creator are endless! Teacher Terrel arrived in Seattle after a Peace Corps stint teaching English and dance. Complementing decades of teaching dance, she worked in early childhood education and for non-profits supporting kids. Terrel was recognized by her local City Council for "embodying the spirit of partnership and commitment to children in our community" for her work with young dancers. She serves on Pacific Northwest Ballet's Board of Directors and on a National Dance Education Organization committee. Once Upon a Dance offers movement, breath, joy, connection and imagination through stories. Their catalog (25 books across four series) offers positive role models, whimsical stories, and diverse characters. Alongside movement and dance, the books feature themes of empathy, friendship, the value of practice, self-acceptance, sibling relationships, anger management, and working toward goals. Stories are lovingly crafted, and royalties are donated to charity partners. A few highlighted honors: • 40+ Book Awards • Family Choice Award • Mom's Choice Gold Award Recipient • PenCraft Award: First Place • Firebird Book Award: First Place • Royal Dragonfly Book Award: First Place • Pinnacle Book Achievement Award - Best Book Juvenile Fiction • Outstanding Creator Awards: Best Children's Book, Top 10 Author of 2022 • Kirkus Reviews Starred Review Follow on Instagram @once_uponadance Visit  DanceStories.com to learn about the mother-daughter team, browse books, or discover learning resources. https://onceuponadance.com/www.CreativeMovementStories.com Follow Joanne Carey on Instagram @westfieldschoolofdance And follow  “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. Tune in. Follow. Like us. And Share. Please leave us review about our podcast!  “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

“Dance Talk” ® with Joanne special guest, Jordan-Elizabeth Long In this episode of  “Dance Talk” ® with Joanne Carey,  join host Joanne Carey as she chats with Special Guest, Jordan-Elizabeth Long, Principal Soloist with Miami City Ballet. Jordan is a returning guest to Dance Talk and brings with her lots of milestones, accomplishments and life changes since we last spoke. Tune in as we catch up and chat about  her continued journey in dance and the important role classical music played in her childhood which brought her to a career in dance. Jordan also emphasizes the importance of early exposure to the arts and the impact of supportive teachers and parents. She also candidly discusses her experience with scoliosis. Jordan shares how she is managing scoliosis as a dancer and the importance of spinal health as well as her gratitude for her teacher who never let her give up. She also recounts her journey through the COVID-19 pandemic (when I first chatted with her) pursuing higher education while dancing, and the resilience of the performing arts industry. Jordan reflects on her recent promotion to principal soloist and the recent emotional reunion with her former colleagues in Sweden. She offers words of advice for dancers going through difficult times and emphasizes the fulfillment that comes from pursuing a career in dance. Jordan-Elizabeth Long was born in Blacksburg, Va. She began her ballet training with Carol Crawford Smith and continued with Terri Post at the Southwest Virginia Ballet. In high school, she trained in South Florida with Magaly Suarez. Upon completion of high school, she was invited to join the Dutch National Ballet as a demi-soloist. In 2010 she joined the Royal Swedish Ballet, where she was promoted to soloist. During her time in Europe, her repertoire included leading roles in The Nutcracker, Swan Lake, Giselle, and The Sleeping Beauty. Long has been awarded the Gold Medal at the World Ballet Competition USA, been a finalist at the Shanghai International Ballet Competition, and was awarded the Louis Gallodier Prize at the Royal Swedish Ballet. She has appeared in galas and festivals in the USA, Dominican Republic, Russia, Romania, and Hong Kong. In 2014, Long joined Miami City Ballet as a Soloist then promoted to Principal Soloist in 2023 Follow on Instagram @jordan.elizabeth.long                                    @miamicityballet Follow Joanne Carey on Instagram @westfieldschoolofdance And follow  “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. Tune in. Follow. Like us. And Share. Please leave us review about our podcast!  “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

“Dance Talk” ® with Joanne special guest, Jodee Nimericher, Executive Director of the prestigious American Dance Festival, located at Duke University in North Carolina.  In this episode of  “Dance Talk” ® with Joanne Carey,  join host Joanne Carey as she chats with Special Guest, Jodee Nimericher, Executive Director of the American Dance Festival. Listen as Jodee shares her personal dance journey, from starting dance classes at a young age to discovering her passion for arts administration. The conversation explores the importance of dance in inspiring and connecting people, and the role of the American Dance Festival in promoting and supporting the dance community. This episode highlights the impact of live performances and the need for community engagement in the arts, something ADF is proud to be a leader. Jodee highlights the impact that these powerful performances and programs have on the community as well as on all those working on the fesitval, herself included. Summertime is special in North Carolina! Jodee also shares insights into the process for artists to be represented and encourages dancers to take the initiative to reach out. Check out all the upcoming events and programs at the American Dance Festival. You'll want to be a part of this vibrant art scene in North Carolina that this Executive Director continues to curate with passion and purpose! Jodee Nimerichter is an arts administrator and film producer and currently serves as the executive director of the American dance Festival. She began working for American Dance Festival in 1991 as an intern and in 1997 worked on the production of the festival's documentary series Free to Dance which earned an Emmy nomination in Research. In 2003 she became the festival's associate director, managing dance festivals in South Korea and Russia and building dance exchange programs in South Africa, Poland, Argentina, and the Philippines.  Nimerichter was appointed as the director of the American Dance Festival in 2012 and became executive director in 2016. Since 1934, the American Dance Festival has been a recognized leader in modern dance presenting dance performances, and offering educational opportunities and community programs, while maintaining an international reach. The American Dance Festival (ADF) is thrilled to announce its 2024 season with a full summer performance schedule from June 13 to July 28 and additional performances in April, September, and October. With 49 performances by 24 acclaimed dance companies and choreographers from around the globe, featuring 11 world premieres, 12 ADF commissions, and 12 ADF debuts, ADF celebrates the diversity of modern dance and its community. Tickets go on sale on Tuesday, April 23rd, with prices ranging from $18 to $70 and can be purchased through ADF's website or the Duke University Box Office. More detailed information about performances, venues, tickets, and performing companies, including photos, videos, and press reviews, are available at americandancefestival.org. https://americandancefestival.org/ Follow on Instagram @amerdancefest Follow Joanne Carey on Instagram @westfieldschoolofdance And follow  “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. Tune in. Follow. Like us. And Share. Please leave us review about our podcast!  “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

“Dance Talk” ® with Joanne and special guest, Betti Franceschi.  In this episode of  “Dance Talk” ® with Joanne Carey,  join host Joanne Carey as she chats with a very Special Guest, 90 year old Betti Franceschi. She is an artist, painter, sculptor, and now new author.  Betti joins me on her very first podcast interview where we talk about her lifelong love of ballet, dance, and art.  A life-long stutterer, Betti talks about her constant search for grace in all things she does.  She candidly shares that stuttering is seen as a lack of grace, but let me assure you- this beautiful lady is FILLED with grace and exudes it! Listen in as we laugh and share stories and learn about her new photography book that embodies the longevity of the elder dancer titled, Ageless Dancers. You are going to want to get this book and if you're like me, you are going to want to listen to this inspirational and light-filled lady over-and-over again! Betti Franceschi is an artist who has done a double major in school and in life: fine art and ballet. Born in 1934 and raised in Cleveland, Ohio, she studied ballet with Marguerite de Anguera at Indiana University, Bloomington, fine art with Roger Anliker at Carnegie Tech (now Carnegie Mellon), and art history with Rosalind Krauss at Hunter College. Her Still Point drawings—vertical-hatched, tightly realistic nude close-ups of dancers' centers—were published in London as a book (The Still Point, 1987) designed by Simon Rendall, which won six nominations to the National Trust Show in London and Frankfurt, and were exhibited at Sadlers Wells in London, the National Museum of Dance in Saratoga Springs, New York, and the Philharmonic Center in Naples, Florida, among other venues. Her explosive, almost abstract, zen-calligraphic Signature Drawings (1983–1986) of dancers in motion, have been exhibited in several venues, including the New York State Theater, home of the New York City Ballet. Her early work was mostly portraits, then turned to focus on movement, with figure drawings and paintings, and later sculptures of dancers. In 2016 her interest in gesture brought her to photography for her Ageless Dancers project, a series of elegant, joyous portraits of dancers in the latter years of life. Her work has been reviewed in the London Evening Standard, The New York Times, the Saratogian, the New York City Ballet Playbill, and Dance Magazine. Franceschi lives in New York City. Follow on Instagram @brsfran19Learn More:https://www.bettifranceschi.com/ Purchase Betti's book:https://brilliant-editions.com/collections/new-arrivals/products/copy-of-refractions-2-ralph-gibson Join Betti April 18th in NYC for her book launch Jason McCoy Gallery41 East 57th StreetNew York, NY 10022 Thursday, April 18, 2024 - 5:00pm https://brilliant-editions.com/ Follow Joanne Carey on Instagram @westfieldschoolofdance And follow  “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. Tune in. Follow. Like us. And Share. Please leave us review about our podcast!  “Dance Talk” ® with Joanne Carey Dates:Tickets:"Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

“Dance Talk” ® with Joanne Carey and special guest, Megan Williams.  In this episode of  “Dance Talk” ® with Joanne Carey,  join host Joanne Carey as she chats with Special Guest, Megan Williams, whose long and varied career as a dance artist brought her from Julliard to dancing with the Mark Morris Dance Group.  She candidly shares her experience as a teacher and choreographer along with the challenges and rewards of aging in the dance world. Megan shares about her upcoming show, 'Smile Though Your Heart is Aching'  taking place at the Mark Morris Dance Center in April 2024. Megan Williams  is an independent dance artist, choreographer, teacher and repetiteur, with a BFA from the Juilliard School, and an MFA from Sarah Lawrence College. Her choreography has been produced by 10 Hairy Legs, DANCE NOW NYC at Joe's Pub and Dance Theater Workshop, and by the Rivertown Artist's Workshop, Barnspace, MIXT Co., Purchase College, Marymount Manhattan College, Connecticut College, and Interlochen Arts Academy. In addition to performing her own work, she can be seen dancing with choreographer Rebecca Stenn and in Netta Yerushalmy's Paramodernities project. She performed and toured internationally in the 1980's with the companies of Laura Glenn, Ohad Naharin, and Mark Haim, among many others. In 1988, she joined the Mark Morris Dance Group, dancing for 10 years, touring worldwide, teaching, and appearing in several films, including Falling Down Stairs (with YoYo Ma), The Hidden Soul of Harmony, The Hard Nut, and Dido and Aeneas. Ms. Williams continues her affiliation with Morris as guest performer, creating the role of Lady Capulet in Morris' 2009 Romeo and Juliet: On Motifs of Shakespeare and dancing in Bijoux at the 2014 Bessie Awards, guest rehearsal director, and guest faculty at the Mark Morris Dance Center. She has staged Morris' work on the Purchase Dance Company, Vassar Repertory Company, Fieldston Dance Company, the Boston Ballet, and the Pittsburgh Ballet Theater and on students at the Juilliard School, George Mason University, Les Etes de la Danse (Paris), Interlochen Arts Academy, and Cal State Long Beach among others. Ms. Williams has been Morris' assistant in a variety of settings including ballet, Broadway and television. From 2000-2013 she served on the modern dance faculty of the Conservatory of Dance at Purchase College, State University of New York and taught as a guest lecturer at Connecticut College in 2017. She was featured in Dance Teacher Magazine in 2010, 2014, and 2019. She teaches Dance for Parkinson's Disease in Rye, NY, and is on the renowned Dance for PD flagship teaching team. She has recently served on the faculties of Marymount Manhattan College and Hunter College teaching Anatomy for Dancers. She has served on the board of directors of the Martha Hill Dance Fund since 2011 and is proud to have a producing credit on the documentary film Martha Hill: Making Dance Matter. She was a 2019 Center for Ballet and the Arts Artistic Partnership Initiative Fellow at NYU (CBA). She is currently on the ballet faculty of Sarah Lawrence College. Instagram @meganwilliamsdance https://www.mwdanceprojects.com/ Purchase Tickets below Smile, though your heart is aching is  a world premiere evening length dance and live music event with choreography by Megan Williams in collaboration with composer Eve Beglarian.https://megan-williams-dance-projects.ticketleap.com/smile-though-your-heart-is-aching/ Follow Joanne Carey on Instagram @westfieldschoolofdance And follow  “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. Tune in. Follow. Like us. And Share. Please leave us review about our podcast!  “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

“Dance Talk” ® with Joanne Carey and special guest, Alicia Graf Mack, Dean and Director of the Dance  Division of The Juilliard School.  In this episode of  “Dance Talk” ® with Joanne Carey,  join host Joanne Carey as she chats with Special Guest, Alicia Graf Mack who was recently recognized as a Dance Magazine Award Honoree.     Join us as we talk, not only about her inspiring career, its longevity and the set backs she has overcome, but she graciously pulls back the curtain on her gratefulness, spirituality and family that grounds her along with sharing her deep connection to the responsibility of an artist in the world. You will agree that Alicia Graf Mack brings this to all she does.  Be inspired by this kind, gentle, thought provoking and intelligent woman who not only loves to dance, but she loves teaching and loves to inspire the success of her students no matter which path they choose.  Listen in and be 'moved in these moments.' Alicia Graf Mack enjoyed a distinguished career as a leading dancer of Alvin Ailey American Dance Theater.  She has also been a principal dancer with Dance Theater of Harlem and Complexions Contemporary Ballet, and she had danced as a guest performer with Alonzo King's LINES Ballet, Beyonce, John Legend, Andre 3000, and Alicia Keys.  Graf Mack graduated magna cum laude with honors in history from Columbia University and holds an MA in nonprofit management from Washington University in ST. Louis.  In 2007, Smithsonian Magazine named her American Innovator of the ARTS and Sciences. She is the recipient of the Columbia University Medal of Excellence, an award given each year an alumnus who has demonstrated excellence in their field of work.  In 2008, she delivered the keynote address to the graduates of Columbia University's School of General Studies.  As a dance educator, Graf Mack most recently taught as an adjunct faculty member at the University of Houston and was a visiting assistant professor at Webster University.  She is co-founder of D(n)A Arts Collective, an initiative created to enrich the lives of young dancers through master classes and intensives.  She began her inaugeral season as director of the Juilliard Dance Division in 2018. Follow on Instagram @aliciagrafmack @movingmomentspodcast https://www.juilliard.edu/dance/faculty/graf-mack-alicia Follow Joanne Carey on Instagram @westfieldschoolofdance Follow  “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. Tune in. Follow. Like us. And Share. Please leave us review about our podcast!  “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

“Dance Talk” ® with Joanne Carey  In this episode of  “Dance Talk” ® with Joanne Carey,  join host Joanne Carey as she chats with Special Guest: Joan Myers Brown during Women's History Month. Listen in with Ms. Brown (who is 92 years young) shares her story that began as a young dancer living in segregated America who became determined to create opportunities for black dancers. Ms. Brown emphasizes the power and essence of dance as a form of expression and the life lessons it teaches. She is a lady who will inspire you to do and be your best! Joan Myers Brown (affectionately known as “Aunt Joan” or “JB”) is the founder of The Philadelphia School of Dance Arts in 1960 and The Philadelphia Dance Company (PHILADANCO!) in 1970.  She serves as honorary chairperson for the International Association of Blacks in Dance (IABD), established in 1991, an organization that she laid the groundwork for in 1988 with the founding of the International Conference of Black Dance Companies.  She is a Distinguished Visiting Professor at the University of the Arts in Philadelphia, which bestowed upon her an honorary Doctorate of Fine Arts; is a member of the dance faculty at Howard University in Washington, DC; and awarded an honorary Doctorate in Humane Letters from Ursinus College in Collegeville, PA. In May 2015, she received an honorary Doctor of Arts degree from The University of Pennsylvania. Listed in Who's Who in America and described as an “innovator and communicator,” Ms. Brown has made significant contributions to arts communities locally, regionally, nationally and throughout the world.  Joan Myers Brown's undisputed status as a leader in the national and international arts communities were acknowledged when she was selected to receive the 2012 National Medal of the Arts, the nation's highest civic honor for excellence in the arts. President Barack Obama presented the prestigious honor at a ceremony that took place in July 2013 at the White House. President Obama cited Ms. Brown for carving out “an artistic haven for African American dancers and choreographers to innovate, create, and share their unique visions with the national and global dance communities.” In May 2020, Ms. Brown celebrated two landmark achievements – PHILADANCO!'s  50th year and the Philadelphia School of Dance Arts' 60th year.  She as recently honored with a Lifetime Achievement Recognition from the Martha Hill Awards Gala. Find out more about Joan Myers Brown and Philadanco: https://philadanco.org/about/ @philadanco @philaschoolofdancearts @joanmyersbrown ⁠⁠⁠Follow Joanne Carey on Instagram @westfieldschoolofdance And follow  “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. Tune in. Follow. Like us. And Share. Please leave us review about our podcast  “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

“Dance Talk” ® with Joanne Carey  In this episode of  “Dance Talk” ® with Joanne Carey,  join host Joanne Carey as she chats with  Special Guest: Valerie Green. Valerie shares her dance journey and what lead her to the work she does today as well as her choreographic process. Valerie also shares the wonderful, healing work she has been dedicated to- providing performances and workshops for underserved populations, including at-risk youth, trauma survivors, the formerly incarcerated, addiction rehabilitation patients, older adults, and those with differing abilities, immigrant communities and more. This is a person dedicated to helping lives. Valerie's new work 'Rite' premieres Feb 29th-March 2nd at The Center at West Park:165 West 86th Street, New York, NY 10024 centeratwestpark.org Tickets: https://danceentropy.networkforgood.com/events/65644-rite-premiere Valerie Green: Artistic Director of Dance Entropy and the Founder and Director of Green Space. She is a dancer, choreographer, working over 25 years with dancers of all levels, from the absolute beginner to the consummate professional, Valerie Green has developed her unique teaching style, Dance Your Frame. She has taught master classes and workshops to dancers of varying ages locally in New York, nationally, and in countries as far reaching as Azerbaijan, Armenia, India, and Cuba. Dance Your Frame integrates Green's own style, emphasizing correct musculature and bone alignment, with the Erick Hawkins technique. She supplements her modern dance technique methods with creative workshops such as Enter The Body: Choreography Workshop. Green has also developed two unique workshops, Skimming the Surface and Movement Playground, through her individual teaching experience and the outreach programs she spearheads in her local community for groups such as older adults, at risk youth and trauma survivors. These movement workshops for non-dance populations are rooted in Green's philosophy that all bodies can benefit from movement and dance. She also offers one on one sessions in Core Energetics a somatic based psychotherapy modality and facilitates and Somatic Healing Group Green is available to lead classes and workshops at a variety of partner organizations independently, through festivals or in conjunction with VG/DE's grant programs. Contact Valerie Info@DanceEntropy.org https://www.danceentropy.org/ Follow Valerie @danceentropy ⁠⁠⁠⁠⁠Follow Joanne Carey on Instagram @westfieldschoolofdance And follow  “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. Tune in. Follow. Like us. And Share. Please leave us review about our podcast  “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

“Dance Talk” ® with Joanne Carey  In this episode of  “Dance Talk” ® with Joanne Carey,  join host Joanne Carey as she chats with  Special Guest: Liz Gerring chair of the 2024 Martha Hill Awards Gala.  Join us as we chat about Liz's career as a dancer, choreographer and teacher and the legacy of Martha Hill "whose influence in the world of dance education and performance knew no bounds."    Liz Gerring is the Executive Director of Liz Gerring Dance and the chair of the 2024 Martha Hill Awards Gala. Liz was born in San Francisco in 1965 and grew up in Los Angeles where she began studying dance at age 13.  Ms. Gerring studied at the Cornish Institute in Seattle, and in 1987 she received a BFA from the Juilliard School.  She formed the Liz Gerring Dance Company in 1998 and has been presenting her work in New York City and abroad continuously since that time. Ms. Gerring was awarded the Jacob's Pillow prize in June 2015 and a Joyce Theater Residency the same year. Between 2013-18, Ms. Gerring was commissioned for three works in collaboration with composer Michael J. Schumacher for Peak Performances at the Kasser Theater in Montclair NJ. In 2017/18 she was awarded a City Center Choreographic Fellowship and in 2019 Ms. Gerring was one of five artists to receive the Cage - Cunningham Fellowship from the Baryshnikov Arts Center. Ms. Gerring has been on the faculty of Groove With Me, an after school dance program for girls, since 2018. She lives in New York City and upstate NY with her husband Kirk Radke, her three children, a dog and a cat.  “For most of my life I have been engaged in the pursuit of movement for its own sake. Developing an early interest in abstraction as the primary means to expression, I have focused my work on the body and its presentation through space and time.” -- Liz Gerring ⁠⁠⁠Follow Liz @lizgerringdance https://www.lizgerringdance.org/ For information on the Martha Hill Awards go to https://www.marthahilldance.org/martha-hill-awards and follow @marthahilldancefund "Our goal is to honor a professional in the dance field who exemplifies any or all of those qualities for which Martha Hill was most revered--whether an educator or a creative force who has made a significant contribution to the field of dance 'behind the scenes". ⁠⁠⁠Follow Joanne Carey on Instagram @westfieldschoolofdance And follow  “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. Tune in. Follow. Like us. And Share. Please leave us review about our podcast  “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

“Dance Talk” ® with Joanne Carey  In this episode of  “Dance Talk” ® with Joanne Carey,  join host Joanne Carey as she chats with Special Guest: Alex Smith Jr.  Executive Chairman of Thelma Hill Performing Arts Center.   Listen in as we sit down and talk about Alex's unexpected and fascinating journey that lead him to where he is today. A Visual Artist, Graphic Designer, Caretaker and Executive Chairman and a man with an open heart to where he is lead- we are celebrating this man and all he is doing in the community and for the performing arts! THPAC's Black History Month FREE program Saturday, February 24, 4 p.m.   Alex Smith Jr.  was born in Montgomery, AL. His parents, both veterans of the Montgomery bus boycott, migrated to Brooklyn, NY when he was 3 years old. He has resided in Brooklyn ever since that time. Smith is the Executive Chairman of Thelma Hill Performing Arts Center (THPAC). This association began in 1988, when it's then executive director, Melvin Davis hired Smith to assist in re-branding the image of THPAC. It turned into a long term business relationship with THPAC which continued until the untimely death of Melvin Davis in May of 1995. At this point Smith was asked by the THPAC board to consider becoming the executive director. He accepted the position along with choreographer Marshall Swiney, who became artistic director of THPAC.  Under Smith's continuing tenure at THPAC as Executive Chairman, over 300 artists have been presented in performance including: Ron Brown, Camille Brown, George Faison, Louis Johnson, Marlies  Yearby, Fred Benjamin, Urban Bush Women, Dance Theater of Harlem and Philadanco, among many others; seven new programming formats have been added; THPAC's  Life Time Achievement Awards were established; new relationships with performance venues at Long Island University and the Actors Fund Arts Center were formed;  a development dept. for THPAC was established; new in-house works for THPAC entitled Audre Lorde In Motion, Ramp to Paradise and The Gospel According to THPAC were produced; the administrative staff and THPAC boards were restructured; the relocation of THPAC's headquarters was accomplished.  Smith is spearheading the production of a documentary on THPAC's 42 years on the dance scene as well as laying out a digital archival structure for THPAC in association with the NYPL at Lincoln Center. On October 18, 2016 Smith was the recipient of the Bessie Award for outstanding service to the field of dance. Smith is a Brooklyn College graduate with advance graphics design/photography studies from the School of  Visual Arts. He is a graphics designer and a visual fine artist. Thelma Hill Performing Arts Center (THPAC), the oldest presenting organization in Brooklyn, and Central Baptist Church of NYC will present its FREE Black History Month program on Saturday, February 24, 4 p.m. for the community celebrating Black contributions through music, dance and spoken word in observance with Black History Month. The performance features three bible-themed works by choreographer Walter Rutledge, featuring dancers Amina Konate and Tevin Johnson and narration by James Earl Jones. THPAC and Central Baptist Church of NYC are committed to the remembrance of Black history and to uplifting of African Americans. By reaching back through this program, we can envision and grasp a healing future for our community and all of humanity. Audiences, the church congregation and larger community will experience a performance about faith, perseverance and the collective strength communities have when joined together. Find out more https://www.thelmahill.org/ ⁠⁠⁠Follow Joanne Carey on Instagram @westfieldschoolofdance And follow  “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. Tune in. Follow. Like us. And Share. Please leave us review about our podcast  “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

“Dance Talk” ® with Joanne Carey and  Jamel Gaines of Creative Outlet. In this episode of  “Dance Talk” ® with Joanne Carey,  join host Joanne Carey as she chats with Special Guest: Jamel Gaines, founder and Director of Creative Outlet.  This year marks a special moment for JGCO's annual program as more than 3,000 New York City Public School students will experience the lessons of Remembering. The Company will travel to Cape Coast and Accra, Ghana giving performances and workshops in Africa. Listen in as we talk about the impact Arts in Education had and continues to have in Jamel's life. The February 15 performance of Remembering is in collaboration with Brooklyn Borough President Antonio Reynoso, City Council Member Crystal Hudson, and NAACP Brooklyn Chapter, and pays tribute to New York City Board of Education principals and teachers. The February 16 performance is in collaboration with the Delta's Chapter of Brooklyn. The February 17 performance is in collaboration with the Brooklyn Brownstones Organization https://youtu.be/x8JgSjd3S_M?si=HIB-br85c8s4xW0M Tickets are available through the link belowhttps://www.bam.org/dance/2024/remembering Brooklyn Academy of Music on February 15 and 16 at 7:30 PM and February 17th at 2 PM. Jamel Gaines is the Founder and Artistic Director of Creative Outlet.Jamel has dedicated his life to delivering artistic excellence and stirring, soaring performance to audiences everywhere.  With more than 22 years of teaching and choreographing experience, Jamel seeks to inspire, motivate and nurture dancers and artists.  Under his leadership, Creative Outlet has set itself apart as a highly acclaimed performing arts organization with a proven record in training the next generation of professional dancers and artists. Some of Jamel's more recent choreography includes the crowd pleasing presentation live streamed across the internet during Spike Lee's Annual Tribute Concert to Michael Jackson (August 2017) televised choreography and dramatic performance by contestants on So You Think You Can Dance. (2010).  In addition, Mr. Gaines has created and staged over 25 repertory and concert productions.  He has had the distinction of working with such distinguished artists as Jennifer Holiday, Michael Jackson, Whitney Houston, Savion Glover, Malik Yoba, George Fasion, Ornette Coleman, Ossie Davis, Olatunje Babatunde, Max Roach, Cassandra Wilson and Rick James. Founder and Artistic Director, Jamel Gaines has dedicated his life to delivering artistic excellence to artists and audiences. Jamel has appeared on Public Television's American Talent in which he was presented The Teacher Recognition Award, during the Presidential Scholars in the Arts Committee at The Kennedy Center, and has been featured in publications such as Essence Magazine, The New York Times, The Seattle Times and The Daily News.  His work has been staged by the Actors Theater Workshop, The NYC Department of Parks, Alvin Ailey American Dance Center, the Paramount Theatre and The Martha Graham School.   Mr. Gaines serves as the director of St. Paul's Eldad Medad Danced Ministry. His work at St. Paul's includes “He Got Up”, the commemoration of the African Holocaust and the acclaimed “Black Nativity” for which he won an Obie Award. Gaines began his dance career in the mid-1990s under the direction of Diane and Adrian Brown, and James Grant and Received his BFA from SUNY Purchase. He credits the development of his unique and nurturing approach to teaching and composing to Kevin Iega Jeff. Follow on Instagram @jamelgainescreativeoutlet  Find out more https://www.creativeoutlet.org/⁠ ⁠⁠⁠Follow Joanne Carey on Instagram @westfieldschoolofdance And follow  “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. Tune in. Follow. Like us. And Share. Please leave us review about our podcast  “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

“Dance Talk” ® with Joanne Carey and  Karisma Jay. In this episode of  “Dance Talk” ® with Joanne Carey,  join host Joanne Carey as she chats with Special Guest: Karisma Jay founder of the AbunDance Academy of the Arts, teaching and mentoring abundance in the lives of all her students . The AbunDance Academy is the first Black Owned Non-Profit Arts Organization to produce an original production written by Karisma herself. With a healthy and robust curriculum, AbunDance Academy of the Arts offers specialized classes in Dance, Audition Prep, Adult Fitness and Aerial Yoga. Its diverse faculty roster includes highly skilled teaching artists who are passionate about their artistry and the budding artistry of every student. Located in Brooklyn's Prospect Heights / Lefferts Gardens neighborhood, AbunDance Academy gives students the opportunity to explore their passions without having to travel to another borough. The organization will host the second annual Abundance Awards to be held at the Billie Holiday Theatre in Brooklyn to Benefit The Abundance Academy of Arts on February 4th. Tickets are available through the link below https://www.eventbrite.com/e/the-2nd-annual-abundance-awards-tickets-523131930687?aff=oddtdtcreator The AbunDance Awards were created in 2023 and raise funds for the AbunDance Arts Academy, founded by award-winning artist and entrepreneur Karisma Jay to show youths what they can accomplish in the dance world and to honor people of color who have made significant contributions to the field. 2024 honorees include Reginald Van Lee, Assane Konte, Obediah Wright, Karen Thornton, Jamel Gaines, Chloe Arnold, Maud Arnold, Arcell Cabuag, and Nicole Deweever.  Karisma Jay is a Brooklyn native , dancer, actress, singer, director, playwright, choreographer, coach, teacher, entrepreneur and host who has been performing, curating and creating for three decades. She is the recipient of a Dance Teacher Magazine 2021 Dance Teacher Award and a 2023 Women of Distinction Award Recipient. Her work has been featured on Netflix, Lifetime, BET, MTV, NBC, and VH1. In 2013, Karisma joined STOMP. In 2016, Family Circle magazine coined her a “Local Hero,” and Lifetime TV called her “a Female Entrepreneur to Watch.” In 2017, she won the “Power Women in Business” award for her work as Artistic Director/Founder of AbunDance Academy. A recent Summa Cum Laude Dance MFA graduate of Hunter College, she also Guest Teaches Dance/Culture at Hunter. A Guest Teaching Artist at The Juilliard School, LaGuardia High School, Hunter College, Ballet Tech, and Broadway Dance Center, she was also the choreographic apprentice of David Byrne's American Utopia and choreographer for COMMON's Music Video, "When We Move."  Jay is dedicated to providing affordable classes and opportunities to perform for young aspiring dancers of color. She conceived, co-wrote, and co-directed the 2022 short film C.R.O.W.N., which tells the story of a young Brown ballerina who has to tame her hair into submission for the biggest audition of her life. The film was inspired by Jay's own attempts to fit into a ballet world with her thick, curly hair and Afro-Latina curves. Crown sparked an important conversation around embracing one's differences and loving one's hair texture and skin tone in ballet. Jay also directed the 2021 short film Just Like YOU to inspire young people to love themselves regardless of their skin color, hair texture, body shape, or background. Follow on Instagram @abundance_company @iamkarisamajayFind out more https://www.abundancearts.org/our-journey ⁠Follow Joanne Carey on Instagram @westfieldschoolofdance And follow  “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. Tune in. Follow. Like us. And Share. Please leave us review about our podcast  “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

 "Dance Talk” ® with Joanne Carey In this episode of  “Dance Talk” ® with Joanne Carey,  join host Joanne Carey as she chats with Special Guest: Gabriel Chajnik. Joanne and Gabriel go way back as dancers, colleagues, friends.  It's always a treat when Dance Talk welcomes an old friend to the platform! sit back , listen in, laugh a little as they forget they are recording a podcast and chat about their time working together, their thoughts on the power of dance and Gabriels upcoming project "Jungle Book" in collaboration with classical Indian dance choreographer Sudha Shekhar Devulapalli.  Gabriel Chajnik is the founding director of the new Axelrod Contemporary Ballet Theater, Gabriel Chajnik was trained under the tutelage of Maestro Hector Zaraspe and is an alumnus of the Juilliard School. Gabriel is a former dancer with American Repertory Ballet. His teaching credits expand from Argentina to Europe and the United States at Brooklyn Music School, Princeton Ballet, the Academy of Dance Arts and Gotta Dance in New Jersey. Gabriel's work has been featured at Juilliard, the Manhattan School of Music, the Shakespeare Theater in Washington, D.C., Alice Tully Hall, the Clark Theater at Lincoln Center, MMAC, and the Lambs Theater. Gabriel is also the Artistic Director for TranscenDanceGroup, whose TDG Holocaust Awareness performance has reached school students throughout the tri-state area. Gabriel has been honored by the Jewish Federation of Somerset, Hunterdon, & Warren Counties. Find out more ⁠https://www.axcbt.org/about-axcbt⁠ Get tickets to Jungle Book February 2-11, 2024  A new ballet based on Rudyard Kipling's collection of stories about a boy adopted and raised by wolves fulfilling his quest for identity, love and belonging. Directed and choreographed by AXCBT Director Gabriel Chajnik, The Jungle Book is a groundbreaking collaboration with classical Indian dance teacher Sudha Shekhar Devulapalli. This AXCBT production features a fusion of Bharatanatyam and contemporary dance performed by a cast of professional dancers and talented young fellows and trainees, with elaborate costumes designed by José Solis and masks and headpieces designed by Tentacle Studios, whose clients include Lady Gaga, Kesha, and the Royal Ballet. ⁠https://ci.ovationtix.com/35486/production/1160725⁠ ⁠⁠⁠Follow on Instagram @⁠https://www.instagram.com/axelrodarts/⁠ Follow Joanne Carey on Instagram @westfieldschoolofdance And follow  “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real." Tune in. Follow. Like us. And Share. Please leave us review about our podcast