Podcasts about Miami City Ballet

Tickets to Conversations on Dance at the 2025 Vail Dance Festival on sale now! https://vaildance.org/conversations-on-dance/Today it's just us as we catch up on the past few weeks: Miami City Ballet's recent announcement of Gonzalo Garcia as the new Artistic Director, Michael's time in Amsterdam, the Clive Barnes awards, and we go through all our events that are coming up at the 2025 Vail Dance Festival. You can support the Clive Barnes Foundation by donating here: https://www.clivebarnesfoundation.org/.SPONSOR:Felice Lesser Dance Theater celebrates its 50th Anniversary with the live documentary, I AM A DANCER 2020, a real-time journey into the effects of the pandemic on the dance world. Combining live dance, projected video, and filmed interviews depicting how dance workers navigated the COVID-19 pandemic, I AM A DANCER 2020 will have four performances, June 26th to 28th at New York Live Arts in New York City. For tickets and information, please visit newyorklivearts.org.LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/COD-email Hosted on Acast. See acast.com/privacy for more information.

A third-generation ballet dancer, Jared Redick spent over two decades as a soloist with world-class companies like Boston Ballet and Miami City Ballet. Now Assistant Dean and professor at UNCSA, he directs productions, leads diversity initiatives, and mentors the next generation. His expertise spans from classical and contemporary repertoire to arts administration and innovative education, making him an engaging guest on topics of artistry, leadership, and innovation.   https://www.instagram.com/jared_redick/ https://www.linkedin.com/in/jared-redick/

Creativity through the lens of the Assistant Dean of The North Carolina School of the Arts"I find creativity in so many areas of my life."Jared Redick, an award-winning, sought-after master teacher, choreographer, and coach whose leadership has shaped the global dance community. A third-generation ballet dancer, Jared blends a deep respect for classical traditions with an innovative approach to contemporary work. He currently serves as a full professor and Assistant Dean of Dance at the University of North Carolina School of the Arts (UNCSA), one of the nation's top conservatories.During his 20-year career, Jared danced as a soloist with Boston Ballet, Miami City Ballet, and the Suzanne Farrell Ballet, performing classical, neoclassical, and contemporary works and collaborating with renowned choreographers such as Jorma Elo and Helen Pickett.After retiring, Jared transitioned to teaching and directing, sharing his expertise with leading companies like American Ballet Theatre, Finnish National Ballet, and Cincinnati Ballet. At UNCSA, he directs the acclaimed Nutcracker production, has led equity-focused curriculum updates, and served as interim dean, overseeing major productions and student success initiatives.Jared's accolades include the UNCSA Excellence in Teaching Award and international recognition as a juror and master teacher. Currently pursuing an MBA, he continues to innovate at the intersection of dance education and leadership.https://www.jared-redick.com/https://www.instagram.com/jared_redick/https://www.linkedin.com/in/jared-redick/Send us a text

OOPS! Due to an editing mistake, I had to reupload the file. Again. My guest for Episode #312 of the My Favorite Mistake podcast is Jared Redick, a third-generation ballet dancer, choreographer, and award-winning educator. Episode page with links and more Jared is a full professor and Assistant Dean of Dance at the University of North Carolina School of the Arts. He has performed with renowned companies including the Boston Ballet and Miami City Ballet, and now shapes the next generation of dancers through his leadership, coaching, and innovation in arts education. In our conversation, Jared shares his favorite mistake—one that unfolded during the height of the COVID-19 pandemic while producing a filmed version of The Nutcracker. A critical planning misstep nearly derailed the production when sets weren't ready for a pivotal weekend of shooting. Facing immense time pressure and logistical complexity, Jared and his team were able to regroup, adapt the schedule, and ultimately find a better way forward. The experience became a lesson in flexibility, communication, and leading with calm under pressure. Jared also reflects on his transition from performer to educator, how he defines effective leadership, and what it means to embrace vulnerability in pursuit of growth. We explore how his equity-focused curriculum changes are reshaping the world of ballet and how earning an MBA is helping him integrate business thinking into the arts. Throughout the episode, Jared's humility, clarity, and passion for mentorship shine through. Questions and Topics: What's your favorite mistake, and what happened during the COVID-era Nutcracker production? How did you lead your team through the anxiety of that situation and find a solution? Was the missed set deadline more of a communication issue or a planning breakdown? Were there lasting lessons from that project that apply to future productions? Was anyone blamed or punished for the mistake—or was it handled differently? What role does leadership play in preventing or responding to these types of issues? What stage of the pandemic were you in when filming The Nutcracker? Were dancers masked? Can you tell us more about your personal path into dance and your early training? How does the transition from high school conservatory to professional ballet typically work? How did you navigate your own transition from performing to teaching and leadership? As a performer, how did you deal with the possibility—or reality—of making mistakes on stage? How do performers balance self-assessment with celebrating what went well? Did you regularly receive feedback or review recordings of your performances? How has your leadership style evolved as an assistant dean and teacher? What are “equity-focused curriculum updates,” and how are they changing ballet education? What are some challenges in making ballet more inclusive and accessible? How does bias in dance differ from other performing arts like music? What has been most eye-opening in your MBA program coming from an arts background? How do business tools like project management software support the arts? What does “embracing vulnerability” mean to you, and how does it relate to learning from mistakes?

My guest for Episode #312 of the My Favorite Mistake podcast is Jared Redick, a third-generation ballet dancer, choreographer, and award-winning educator. Episode page with links and more Jared is a full professor and Assistant Dean of Dance at the University of North Carolina School of the Arts. He has performed with renowned companies including the Boston Ballet and Miami City Ballet, and now shapes the next generation of dancers through his leadership, coaching, and innovation in arts education. In our conversation, Jared shares his favorite mistake—one that unfolded during the height of the COVID-19 pandemic while producing a filmed version of The Nutcracker. A critical planning misstep nearly derailed the production when sets weren't ready for a pivotal weekend of shooting. Facing immense time pressure and logistical complexity, Jared and his team were able to regroup, adapt the schedule, and ultimately find a better way forward. The experience became a lesson in flexibility, communication, and leading with calm under pressure. Jared also reflects on his transition from performer to educator, how he defines effective leadership, and what it means to embrace vulnerability in pursuit of growth. We explore how his equity-focused curriculum changes are reshaping the world of ballet and how earning an MBA is helping him integrate business thinking into the arts. Throughout the episode, Jared's humility, clarity, and passion for mentorship shine through. Questions and Topics: What's your favorite mistake, and what happened during the COVID-era Nutcracker production? How did you lead your team through the anxiety of that situation and find a solution? Was the missed set deadline more of a communication issue or a planning breakdown? Were there lasting lessons from that project that apply to future productions? Was anyone blamed or punished for the mistake—or was it handled differently? What role does leadership play in preventing or responding to these types of issues? What stage of the pandemic were you in when filming The Nutcracker? Were dancers masked? Can you tell us more about your personal path into dance and your early training? How does the transition from high school conservatory to professional ballet typically work? How did you navigate your own transition from performing to teaching and leadership? As a performer, how did you deal with the possibility—or reality—of making mistakes on stage? How do performers balance self-assessment with celebrating what went well? Did you regularly receive feedback or review recordings of your performances? How has your leadership style evolved as an assistant dean and teacher? What are “equity-focused curriculum updates,” and how are they changing ballet education? What are some challenges in making ballet more inclusive and accessible? How does bias in dance differ from other performing arts like music? What has been most eye-opening in your MBA program coming from an arts background? How do business tools like project management software support the arts? What does “embracing vulnerability” mean to you, and how does it relate to learning from mistakes?

On today's episode of "Conversations On Dance", we are joined by two dancers currently on tour with Twyla Tharp, Renan Cerdeiro and Alex Peters. They take us through their journey with Twyla, first as principal dancers with the Miami City Ballet performing her repertoire, then to the creative process for both her new work and a challenging revival, and finally through the experience of taking these works across America. They continue their tour with Twyla through April 20th.LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/COD-email Hosted on Acast. See acast.com/privacy for more information.

Rachel Fine is a Registered Dietitian Nutritionist for dancers with advanced certifications in Eating Disorders, Intuitive Eating, and Sports Nutrition. Rachel works with dancers worldwide to help them build supportive relationships with food and body. FREE 7-DAY TRIAL to become The Healthy Dancer®: https://dancenutrition.com/membership/From downloadable guides to workbooks and online courses, dancers can access everything they need to learn about building a nourishing lifestyle that supports the physical, mental, and emotional demands of dance. A note from Rachel: The importance of dance nutrition goes beyond our plate. This is why I created www.DanceNutrition.com and The Healthy Dancer®. Dancers, dance educators, and dance parents can utilize these resources to access information and guidance about fueling for performance!Disclaimer: This is produced for informational purposes only. This information is general, not specific to you. The information in this podcast does not substitute for medical advice. The viewer or listener assumes full responsibility for consulting a qualified health professional regarding health conditions or concerns, and before starting a new diet or health program.

Jared Redick|Transformational Leader|Mentoring the Next Generation of ArtistsPreparing Dancers for a Global StageJared Redick, an award-winning, sought-after master teacher, choreographer, and coach whose leadership has shaped the global dance community. A third-generation ballet dancer, Jared blends a deep respect for classical traditions with an innovative approach to contemporary work. He currently serves as a full professor and Assistant Dean of Dance at the University of North Carolina School of the Arts (UNCSA), one of the nation's top conservatories.During his 20-year career, Jared danced as a soloist with Boston Ballet, Miami City Ballet, and the Suzanne Farrell Ballet, performing classical, neoclassical, and contemporary works and collaborating with renowned choreographers such as Jorma Elo and Helen Pickett.After retiring, Jared transitioned to teaching and directing, sharing his expertise with leading companies like American Ballet Theatre, Finnish National Ballet, and Cincinnati Ballet. At UNCSA, he directs the acclaimed Nutcracker production, has led equity-focused curriculum updates, and served as interim dean, overseeing major productions and student success initiatives.Jared's accolades include the UNCSA Excellence in Teaching Award and international recognition as a juror and master teacher. Currently pursuing an MBA, he continues to innovate at the intersection of dance education and leadership.LinkedIn:https://www.jared-redick.com/Support PEG by checking out our Sponsors:Download and use Newsly for free now from www.newsly.me or from the link in the description, and use promo code “GHOST” and receive a 1-month free premium subscription.The best tool for getting podcast guests:https://podmatch.com/signup/phantomelectricghostSubscribe to our Instagram for exclusive content:https://www.instagram.com/expansive_sound_experiments/Subscribe to our YouTube https://youtube.com/@phantomelectricghost?si=rEyT56WQvDsAoRprPEG uses StreamYard.com for our live podcastshttps://streamyard.com/pal/c/6290085463457792Get $10.00 Credit for using StreamYard.com when you sign up with our linkRSShttps://anchor.fm/s/3b31908/podcast/rss

Kathryn Morgan is in the studio this month! She is a trailblazing ballerina - or bunhead - as she described herself in this interview - who has redefined what a ballet career can look like beyond traditional company life. She began her professional career in 2006 with the New York City Ballet, rising to the rank of soloist before making the difficult decision to leave the company to focus on personal health challenges. She made a return to the stage with Miami City Ballet in 2019. In 2020, in the midst of pandemic shutdowns that challenged every industry — including the performing arts — she went to work to transform the ballet landscape by founding her brand, Kathryn Morgan & Friends. This is a community dedicated to celebrating dancers for who they are, beyond only their technical skills. Her platform offers online classes, workshops, and retreats, emphasizing the joy of dance and creating a supportive environment for adult ballet dancers in particular.Through her online classes, YouTube channel, social media platform, and workshops, Kathryn continues to inspire and empower dancers at all levels, challenging traditional norms for ballet and advocating for a more inclusive culture within the art form. Her willingness to speak out against toxic ballet culture and instead create a welcoming environment in her classes has not only enriched ballet but has sparked meaningful conversations about what being a successful, healthy and well rounded dancer truly looks like.This conversation discusses body image and health struggles particularly related to diet culture and weight, which can be a sensitive topic for some listeners. Those topics are throughout this conversation, so please be kind to yourself and fast forward if you hear something that's difficult for you. There are two places where that discussion is particularly detailed — around minutes 4:00-11:00 and again during minutes 21:00-27:00. Check out what Kathryn had to say!Follow Kathryn on Instagram: @kathryn_morganVisit Kathryn's website: www.kathrynmorganonline.comLearn more about Kathryn Morgan & Friends: www.kmandfriends.comSubscribe to Kathryn's YouTube channel: @kathryn_morganSign up for Kathryn's upcoming adult ballet retreats: https://www.kmandfriends.com/retreats Music in this episode:Waltz of the Flowers - TchaikovskyBarroom Ballet - Silent Film Light - Kevin MacLeodBarroom Ballet - Silent Film Light by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100310Artist: http://incompetech.com/@eblosfield  | theadultballetstudio@gmail.comAd: Support Author Meg Groff and her book Not If I Can Help It: A Family Lawyer's Battles for Justice for Victims of Domestic Violence and the Poor. A book release party will be held at Puck Live in Doylestown, PA.Purchase her book from Rivertowns Books: https://www.rivertownsbooks.com/book-page/not-if-i-can-help-it-by-meg-groffCheck out her book on Goodreads: https://www.goodreads.com/book/show/219393016-not-if-i-can-help-itOrder her book on Amazon: https://a.co/d/2dahGVDSupport this podcast on Patreon! https://patreon.com/TheAdultBalletStudio?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_creator&utm_content=join_link

Anamarie McGinn is the School Director for Central Florida Ballet. She has received training from prestigious schools all over the U.S. such as; American Ballet Theatre, Boston Ballet, Miami City Ballet, and Joffrey Ballet School. She danced professionally  with Orlando Ballet for 19 seasons, dancing under Fernando Bujones, Bruce Marks, Robert Hill, and Jorden Morris. In 2006, at the American Dance Competition, Anamarie was awarded the Gold Medal in the Senior Classical division as well as The Fernando Bujones “Excellence Award.”  Anamarie received her Bachelor's Degree from the University of Central Florida.  During her tenure with Orlando Ballet, Anamarie also held the title of Company Rehearsal Assistant, where she worked closely with the company and Artistic Staff to stage choreography and run rehearsals.  Anamarie received her ABT Teaching Certification, and was on the teaching faculty for Orlando Ballet School for over 15 years. Takeaways from our conversation:-always give it your all whether in rehearsal, class, or performance-explore how you can move in different techniques and styles-advocate for yourself inside and outside of the studio - a dancer's life is uniqueThanks for listening to our conversation, thanks for sharing this episode with a friend and for leaving a review. Learn more about Anamarie and Central Florida Ballet.You can learn more about dance education and career planning for dancers at theballerinatist.com

Ali Block danced professionally as Clara with the Radio City Christmas Spectacular, as a Principal Dancer with Eglevsky Ballet, and as a dancer with Texas Ballet Theater and Eugene Ballet Company. She earned her Bachelor's degree in psychology and is currently working as a psychology researcher at Mount Sinai School of Medicine.Ali is incredibly transparent in this interview about the good, the bad and everything in between. We talked all about Ali's experience moving away from home at a young age to study ballet and her first pro contract as Clara in the Radio City Christmas Spectacular. She is incredibly candid about her struggle with an eating disorder as she was preparing to enter her professional dance career and the impact her community had on recovery.Ali shares what that first audition season was like, her first pro contracts and how she decided to make the leap to freelance. We also learn about Ali's transition from full-time dancer to psychology researcher and her future dreams for her career and life!Key Moments: Ali's early dance training [1:53] Her experience moving away at a young age to train at UNCSA and Miami City Ballet [5:14] Ali's struggle with an eating-disorder while preparing to enter her pro career [12:03] Ali's first professional contract as Clara in the Radio City Christmas Spectacular [15:50] Her first audition season and getting her first pro contract [27:00] How Ali made the transition to a freelance dance career [41:30] What made Ali want to study psychology and how she made the transition into research [50:41] Her biggest piece of advice for dancers pursuing a career [1:04:33]Connect with Ali:INSTAGRAM: instagram.com/ali_p_blockWEBSITE: alipaigeblock.com/LINKEDIN: https://www.linkedin.com/in/ali-paige-block-b8798a112/Links and Resources:Get your copy of The Intentional Career HandbookGet your copy of The Ultimate Audition GuideSecond Act Mentorship: https://www.secondactnetwork.org/1-1 Career Mentoring: book your complimentary career callLet's connect!My WEBSITE: thebrainyballerina.comINSTAGRAM: instagram.com/thebrainyballerinaQuestions/comments? Email me at caitlin@thebrainyballerina.com

On this episode, Tom goes "On the Aisle" with Toby Lerner Ansin, visionary founder of Miami City Ballet, an organization instrumental in transforming South Florida's cultural landscape and making a name for itself internationally.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Igor Burlak danced professionally with Miami City Ballet, Kansas City Ballet, Atlantic Southeast Ballet and as a principal with Minnesota Ballet. Since retiring from the stage, Igor has had an extensive career working as a Company Manager, Ballet Master, Choreographer, Instructor, Realtor and Photographer.We covered SO MUCH in this episode, from Igor's training at the School of American Ballet to appearing in THE Center Stage. We get expert tips on taking a great dance photo, dealing with onstage snafus and transitioning into a brand new career outside of the dance world. Plus, Igor spills the secret behind the magical moving bed in NYCB's Nutcracker. This episode truly has it all!Key Moments: Early dance training at the School of American Ballet [1:40] Igor's transition from student to professional [3:40] How Igor began teaching and choreographing [5:27] What he hopes to instill in his students as an instructor [7:20] The biggest hurdles dancers are facing today [8:23] Igor's work as a dance photographer and his tips for dancers to feel more comfortable in front of the camera [9:32] How he transitioned into a new career as a realtor [14:43] Dancing as an extra in Center Stage [18:05] Dancing in the iconic filmed version of the NYCB Nutcracker [19:04] Advice for dancers dealing with a mistake on stage [20:42] His biggest piece of advice for dancers pursuing a career [28:30]Connect with Igor:WEBSITE (real estate): www.igorburlakrealestate.comWEBSITE (photography): igorburlakphotography.comLinks and Resources:Get your copy of The Ultimate Audition Guide1-1 Career Mentoring: book your complimentary career callLet's connect!My WEBSITE: thebrainyballerina.comINSTAGRAM: instagram.com/thebrainyballerinaQuestions/comments? Email me at caitlin@thebrainyballerina.com

A conversation with Adriana Pierce, a trailblazing dancer, choreographer, and director, who is reshaping the ballet world through her initiative, Queer the Ballet. Pierce discusses her early dance experiences and how her passion for dance led her to notable positions at the New York City Ballet and Miami City Ballet, where she spent seven years honing her craft.   But at the same time, there was much to negotiate: Pierce discusses the challenges of navigating gender and sexual identity in the ballet community. She reflects on the rigid gender-specific roles taught in partnering classes and her desire to break down these traditional dynamics through her choreography. This led, during the pandemic, to the creation of Queer the Ballet, a pioneering initiative aimed at creating inclusive spaces, work, and choreography for queer artists. Pierce talks about some of the work she's created, including the evening-length piece “Dream of a Common Language” which she directed, and the positive reception from the ballet community and audiences. She also shares her vision for the future of Queer the Ballet, emphasizing the need for ongoing support from the ballet community and inclusive training. 

A conversation with Adriana Pierce, a trailblazing dancer, choreographer, and director, who is reshaping the ballet world through her initiative, Queer the Ballet. Pierce discusses her early dance experiences and how her passion for dance led her to notable positions at the New York City Ballet and Miami City Ballet, where she spent seven years honing her craft.   But at the same time, there was much to negotiate: Pierce discusses the challenges of navigating gender and sexual identity in the ballet community. She reflects on the rigid gender-specific roles taught in partnering classes and her desire to break down these traditional dynamics through her choreography. This led, during the pandemic, to the creation of Queer the Ballet, a pioneering initiative aimed at creating inclusive spaces, work, and choreography for queer artists. Pierce talks about some of the work she's created, including the evening-length piece “Dream of a Common Language” which she directed, and the positive reception from the ballet community and audiences. She also shares her vision for the future of Queer the Ballet, emphasizing the need for ongoing support from the ballet community and inclusive training. 

Adriana Pierce is a dancer, choreographer, and director based in New York City, and she joined the studio to talk about her work elevating queer artists in ballet, creating community, and her career in classical ballet as well as musical theater!  Adriana is the founder of Queer the Ballet, an initiative with the mission to widen the scope of classical ballet by producing queer work by queer dance artists. Queer the Ballet says on its website that it seeks to “queer” our ballet spaces and explore choreography often absent from ballet stages. After training at School of American Ballet, Adriana began her dancing career with New York City Ballet and Miami City Ballet before realizing another dream of hers - working in Broadway, film and tv! She appeared in the 2018 Broadway revival of Carousel, in Steven Spielberg's 2021 West Side Story film, and in the 2019 limited series on FX, Fosse/Verdon.  She's currently the associate director and associate choreographer for Justin Peck's “Illinoise" on Broadway. Adriana's other choreographic work features movement and partnering that allows dancers of all genders equal agency, dismantling the traditional gender dynamics of dance. Her choreography has been performed by American Ballet Theatre, Carolina Ballet, Columbia Ballet Collaborative, Ashley Bouder Project, and more. She's also completed residencies with Center for Ballet and the Arts at NYU and Bridge Street Theatre, and she was recognized by Dance Magazine as one of 25 to watch in 2022. Follow Adriana on Instagram: @adriprc Follow Queer the Ballet on Instagram: @queertheballet Check out Adriana's work: www.adrianapierce.com Support Queer the Ballet: www.queertheballet.com/donate Get tickets to Queer the Ballet's upcoming performance, Dream of a Common Language: https://ci.ovationtix.com/36678/production/1194112?performanceId=11435956 Get tickets for Illinoise: https://illinoiseonstage.com/tickets/ Music in this episode: Waltz of the Flowers - Tchaikovsky Barroom Ballet - Silent Film Light - Kevin MacLeod Barroom Ballet - Silent Film Light by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100310 Artist: http://incompetech.com/ @eblosfield | theadultballetstudio@gmail.com Support this podcast on Patreon! https://patreon.com/TheAdultBalletStudio?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_creator&utm_content=join_link --- Support this podcast: https://podcasters.spotify.com/pod/show/elizabeth-blosfield/support

Michael is currently at the Dutch National Ballet setting Alexei Ratmansky's 'Fairy's Kiss.' This inspired us to go back into our vault and find this 2017 episode with dance historian, Doug Fullington, on the history of the ballet, also known as 'Baiser de la fée.' Ratmansky's 'Fairy's Kiss' was originally made on Miami City Ballet while we were in the company, and during the time this was recorded. We hope you enjoy! WATCH -> Doug's presentation at Works and Process at the Guggenheim in Feb 2017: https://www.youtube.com/watch?v=R-aX7sYMKQA&t=4sLINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/mail-COD Hosted on Acast. See acast.com/privacy for more information.

“Dance Talk” ® with Joanne special guest, Jordan-Elizabeth Long In this episode of  “Dance Talk” ® with Joanne Carey,  join host Joanne Carey as she chats with Special Guest, Jordan-Elizabeth Long, Principal Soloist with Miami City Ballet. Jordan is a returning guest to Dance Talk and brings with her lots of milestones, accomplishments and life changes since we last spoke. Tune in as we catch up and chat about  her continued journey in dance and the important role classical music played in her childhood which brought her to a career in dance. Jordan also emphasizes the importance of early exposure to the arts and the impact of supportive teachers and parents. She also candidly discusses her experience with scoliosis. Jordan shares how she is managing scoliosis as a dancer and the importance of spinal health as well as her gratitude for her teacher who never let her give up. She also recounts her journey through the COVID-19 pandemic (when I first chatted with her) pursuing higher education while dancing, and the resilience of the performing arts industry. Jordan reflects on her recent promotion to principal soloist and the recent emotional reunion with her former colleagues in Sweden. She offers words of advice for dancers going through difficult times and emphasizes the fulfillment that comes from pursuing a career in dance. Jordan-Elizabeth Long was born in Blacksburg, Va. She began her ballet training with Carol Crawford Smith and continued with Terri Post at the Southwest Virginia Ballet. In high school, she trained in South Florida with Magaly Suarez. Upon completion of high school, she was invited to join the Dutch National Ballet as a demi-soloist. In 2010 she joined the Royal Swedish Ballet, where she was promoted to soloist. During her time in Europe, her repertoire included leading roles in The Nutcracker, Swan Lake, Giselle, and The Sleeping Beauty. Long has been awarded the Gold Medal at the World Ballet Competition USA, been a finalist at the Shanghai International Ballet Competition, and was awarded the Louis Gallodier Prize at the Royal Swedish Ballet. She has appeared in galas and festivals in the USA, Dominican Republic, Russia, Romania, and Hong Kong. In 2014, Long joined Miami City Ballet as a Soloist then promoted to Principal Soloist in 2023 Follow on Instagram @jordan.elizabeth.long                                    @miamicityballet Follow Joanne Carey on Instagram @westfieldschoolofdance And follow  “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. Tune in. Follow. Like us. And Share. Please leave us review about our podcast!  “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Get Melissa's guide to Summer Dance Programs - Melissa worked for Central Pennsylvania Youth Ballet, Boston Ballet, Miami City Ballet, and San Francisco Ballet's summer programs. She created an ebook for Parents with her tips and recommendations from her experiences in different cities with different companies so they can prepare their dancers to have a fun, meaningful experience at summer dance programs. Get the guide: https://hpdtn.com/thingsdancersneed/p/rockyoursummerdanceprogram Learn more about dance education and career planning for dancers: emceemovement.com

Costume Designer Alexis Forte CD credits include: Ghostbusters: Frozen Empire | Smile | Eric Larue | Resurrection | Miguel Wants to Fight --- I am so thrilled to welcome my friend Alexis to the inaugural episode of TFACD! We begin with the wild story of how we met (randomly in a bar!), then her beginnings in ballet and to PA-ing, assisting and now where she is today as a department head.   --- Alexis was born and raised in Lisbon, Portugal, and moved to Miami at the age of 10. As a child, she trained as a ballet dancer at Miami City Ballet, Joffrey Ballet School and Alvin Ailey, with dance being her gateway into costumes. Alexis pivoted from dance into visual arts in college when she went to London to study at the prestigious Central Saint Martins. Immersed into the world of theatre and film there, she found her calling. Upon graduation Alexis moved to New York City and started her career. She came up as an Assistant Costume Designer working on films such as Jason Reitman'sGhostbusters: Afterlife and The Front Runner; Drew Goddard's Bad Times at the El Royal; Darren Aronofsky's Mother! and The Whale, and Steven Spielberg's The Post to name a few. In addition, Alexis was on Jacqueline Durran's costume design team for Greta Gerwig's, Little Women, which won Best Costumes at the 2020 Oscars. Alexis kicked off her own design career with IFC Film's Resurrection, which premiered at Sundance 2022. Following that up with Smile for Paramount Pictures; Miguel Wants to Fight for Hulu; Michael Shannon's directorial debut, Eric LaRue, that premiered at Tribeca Film Festival 2023; and currently Gil Kenan's sequel to Ghostbusters Afterlife. Alexis also designs for the stage, most recently making her Broadway debut with Stephen Adly Guirgis's Between Riverside and Crazy, the 2015 Pulitzer Prize-winner for Drama. That production of Between Riverside and Crazy was nominated for a 2023 Tony for Best Play. Alexis is also a proud member of LAByrinth Theater Company. --- Alexis Forte Links:  Website: alexisfortedesign.com  Instagram: @alexis_forte_costumes  --- TFACD Links: Instagram: @talesfromacostumedesigner Twitter: @talesfromaCD TikTok: @talesfromaCD --- Whitney Anne Adams Links: Website: whitneyadams.com  Instagram: @WAACostumeDesign  Twitter: @WhitneyAAdams  TikTok: @WAACostumeDesign 

Dawn Atkins is a principal dancer with Miami City Ballet. She tells us about her career, MCB's 2023-2024 season and her performance as the lead roles of Dew Drop and Sugar Plum Fairy in The Nutcracker this month.

The holidays are right around the corner, so today we are featuring some dance reads that make the perfect last minute gift for the dance lover in your life. On today's episode of 'Conversations On Dance', we are joined by Miriam Landis, former Miami City Ballet dancer, Pacific Northwest Ballet School Faculty member, and author of the recently published book 'Lauren in the Limelight'. Miriam talks to us about overcoming adversity as a student and professional, stepping away from ballet for years to pursue other interests and returning to the world as an author capturing dance in young adult fiction, incorporating her own experiences and tying in themes that can help young dancers everywhere better understand their world and excel in their artistic journeys. Browse our Amazon list of favorite dance reads, including Miriam's book, ‘Lauren in the Limelight' -> https://www.amazon.com/shop/conversationsondanceLINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/mail-COD Hosted on Acast. See acast.com/privacy for more information.

Episode Summary: Host Menina Fortunato talks with Alex Wong about his evolution from tap to ballet to a standout on "So You Think You Can Dance." Alex recounts his reluctant start in ballet, his win at the Prix de Lausanne competition, and his tenure with prestigious ballet companies. The discussion also covers his successful pivot to TikTok during the pandemic, contrasting his traditional dance roles with the more profitable social media sphere. The episode concludes by exploring the broadening avenues for dancers in the digital era, with Alex's story providing both inspiration and actionable insights. Show Notes: 00:01:42 - Introduction to Alex Wong 00:02:40 - Alex's Early Dance Journey 00:07:47 - Social Media Connections 00:13:54 - Social Media and Dance Agencies 00:16:10 - Advice for Dancers 00:20:53 - Building Relationships in the Dance Industry 00:22:35 - Training and Work Balance Biography: Alex Wong began his dance journey at the tender age of 7, with his training encompassing various styles, including tap and jazz. By the age of 10, he was honing his ballet skills at the renowned Goh Ballet Academy in Vancouver, Canada. His prowess in ballet was further recognized when he became the first Canadian to win the prestigious Prix de Lausanne competition in Switzerland in 2004. Alex briefly danced with the American Ballet Theatre before joining the Miami City Ballet. By 2007, he had been promoted to the rank of soloist at MCB. His repertoire is vast, having performed leading roles in renowned productions such as Balanchine's Symphony In Three Movements, Twyla Tharp's Push Comes to Shove, and many more. In 2009, Alex's journey took an exciting turn when he auditioned for the FOX dance series, "So You Think You Can Dance." Although he made it to the final Top 20, contractual obligations with the Miami City Ballet forced him to withdraw. However, his impressive audition led to a promotion to the rank of principal soloist at MCB. In 2010, he took another shot at SYTYCD and made it to the Top 10 contestants for season seven. Unfortunately, an injury during a rehearsal forced him out of the competition. He has appeared on shows like "Glee," "Smash," "The Voice," and "Dancing with the Stars." He even made it to the semi-final Hollywood rounds of "American Idol." Alex's versatility is further highlighted by his dance single "Crave" and his role as Sniper in the Original Broadway Cast of "Newsies." Connect on Social Media: https://www.instagram.com/alexdwong https://www.facebook.com/alexdwong  Official Website https://www.thealexwong.com

“Dance Talk” ® with Joanne Carey and  Gene Schiavone. In this episode of  “Dance Talk” ® with Joanne Carey,  join host Joanne Carey as she chats with Special Guest: Dance Photographer Gene Schiavone  about his  career which grew out of a hobby. You will meet this humble man behind the lens who captures moments in time thus memorializing history. Gene shares how he savors the relationships he has made and the individuals he has met, summing up his career by his treasured box of thank you notes, saying in his own words, "You measure your life, in some way,  by how many thank you notes you got."   Gene Schiavone became interested in photography as a child.  With no formal training, he went on to become a sought after Dance Photographer. What began as a childhood curiosity became a budding career,  photographing some of the worlds best ballet dancers. Gene attributes his introduction to the world of ballet to his wife through her involvement with ABT (American Ballet Theater). His informal conversation with renowned ballerina, Julie Kent, piqued his interest in the art form and then began to attend more ballet performances. Around that same time, Gene was given permission to photograph performances of ABT's studio company and after two years was invited to photograph the main company, which led to other requests for similar work. Gene's work and images includes Boston Ballet, Mariinsky Theatre, Bolshoi Ballet, Washington Ballet, Miami City Ballet, Atlanta Ballet and The Radio City Rockettes among others. His images have appeared New York Times, Washington Post, Wall Street Journal and all the major dance publications both here and abroad. In March 2020, Gene retired from studio photography and is currently working on his first book in collaboration with retired ballerina and dance writer, Gavin Larsen. Gene continues to acknowledge his gratitude for all the dancers he has worked with over the years and for the hundreds of pairs of signed shoes and photos he remembers them by.  Follow on Instagram @geneschiavoneofficial Find out more ⁠https://www.geneschiavone.com/ Follow Joanne Carey on Instagram @westfieldschoolofdance And follow  “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. Tune in. Follow. Like us. And Share. Please leave us review about our podcast  “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

“Dance Talk” ® with Joanne Carey and special guest, Dawn Atkins, principal dancer with Miami City Ballet.  In this episode of  “Dance Talk” ® with Joanne Carey,  join host Joanne Carey as she chats with Special Guest, Dawn Atkins, principal dancer with Miami City Ballet.  They chat about Dawn's recent appointment as principal dancer with Miami City Ballet and her upcoming season. Tune in and hear them share their thoughts on dancers as givers who touch the audience perhaps when they didn't even know they needed it. Dawn shares her desire to be someone positive in the room as well as her advice to dancers on the importance of developing their whole person, for that is the person audiences see on stage, not just the character you are portraying. Dawn Atkins  began her dance training in Rutland, Vermont and upon moving to Virginia, continued her dance training with The School of Richmond Ballet.  She attended North Carolina School of the Arts on scholarship, under the direction of Ethan Stiefel.  Dawn joined Boston Ballet School as a trainee in 2011 and Boston Ballet II in 2012. In 2013, she was a Princess Grace Award nominee and was promoted to Artist of the Company. Dawn was promoted to Second Soloist at Boston Ballet in 2019. She joined Miami City Ballet as soloist in 2021. Atkins was promoted to the rank of principal soloist in 2022. Follow on Instagram @dawnatkinshilty Find out more about Dawn Atkins and Miami City Ballet https://www.miamicityballet.org/portfolio/dawn-atkins ⁠ Follow Joanne Carey on Instagram @westfieldschoolofdance And follow  “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. Tune in. Follow. Like us. And Share. Please leave us review about our podcast!  “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Jamar Roberts is a choreographer and former professional dancer. He has a new work premiering with Miami City Ballet. He tells us about the women who mentored him and his complicated relationship with his hometown of Miami.

Janine has been flexing her moxie muscle throughout her life. In every phase of her career, she has identified her strengths and pursued roles that would build on them. Her path has been a moxie mix of serendipity and strategy and an openness to embrace the opportunities presented to her. Janine also sees connections between people and the organizations she serves throughout her impressive public relations and marketing career. Through her creativity and vision of what's possible, she creates synergy.Janine has held a succession of positions in marketing/public relations and development, including Press Officer of Harrods (in London); Executive Vice President, Head of Corporate Communications, and a member of the Operating Committee of Saatchi & Saatchi Advertising; founder and President of Saatchi & Saatchi Public Relations; and founder and CEO of her own eponymous marketing public relations agency specializing in luxury goods, healthcare and not-for-profit. Her clients included Kiehl's, Shiseido Cosmetics, The Platinum Guild, The Capital Grille, Time Inc., Johnson & Johnson, McNeil Consumer Products, Mayo Clinic and the Weizmann Institute of Science.Having sold her public relations agency and “retired,” Janine and her husband relocated from New York City to Miami.  She now serves on the Board of Trustees of Miami City Ballet and does pro bono marketing consulting for PAMM and Baptist Health. She is a member of the Century Association, Cosmopolitan Club, Economics Club of New York, Penn Club of New York City and, with her husband, Fisher Island Club and Yale Club of New York City.This episode of Main Street Moxie is proudly sponsored by Elyse Harney Real Estate and Kindred Property Care.

We are going back into our archives from the first few years of the podcast and re-releasing some of our favorite episodes. Today we are restoring our 2016 interview with the legendary Balanchine ballerina, Patricia McBride to our feed, and if you missed it the first time, now is the perfect time to catch up. Patty, as she is affectionately referred to by her many fans, peers and students, tells us some truly memorable stories about a legendary time for dance in America with her signature radiance and charm. This episode was recorded in 2016 when Patricia was in Miami working with Miami City Ballet. THIS EPISODE'S SPONSORS:Ballet Bird is a streaming site designed by former Pacific Northwest Ballet principal dancer Julie Tobiason. Ballet Bird offers ballet classes for anyone at any level of training that you can do from the comfort of your home or studio. Ballet Bird is a great addition to your regular in-studio training too. Take advantage of the ten day free trial and use the discount code COD25 to get 25% off through June 30th 2023 at balletbird.com.LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/mail-COD Hosted on Acast. See acast.com/privacy for more information.

We are going back into our archives from the first few years of the podcast and re-releasing some of our favorite episodes. Today is part two of our June 2017 interview with Edward Villella, Balanchine dancer and founding Artistic Director of Miami City Ballet. In part two, we focus on his founding of Miami City Ballet and so much more. Listen to part one here. Subscribe to Conversations on Dance wherever you get your podcasts.THIS EPISODE'S SPONSORS:Ballet Bird is a streaming site designed by former Pacific Northwest Ballet principal dancer Julie Tobiason. Ballet Bird offers ballet classes for anyone at any level of training that you can do from the comfort of your home or studio. Ballet Bird is a great addition to your regular in-studio training too. Take advantage of the ten day free trial and use the discount code COD25 to get 25% off through June 30th 2023 at balletbird.com.LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/mail-COD Hosted on Acast. See acast.com/privacy for more information.

We are going back into our archives from the first few years of the podcast and re-releasing some of our favorite episodes. Today is our first re-release: our June 2017 interview with Edward Villella, Balanchine dancer and founding Artistic Director of Miami City Ballet. We talk with our former boss about his career, dancing for Balanchine, the specific roles made on him, and much more. Part Two of this re-release will be coming next week. Subscribe to Conversations on Dance wherever you get your podcasts.THIS EPISODE'S SPONSORS:Ballet Bird is a streaming site designed by former Pacific Northwest Ballet principal dancer Julie Tobiason. Ballet Bird offers ballet classes for anyone at any level of training that you can do from the comfort of your home or studio. Ballet Bird is a great addition to your regular in-studio training too. Take advantage of the ten day free trial and use the discount code COD25 to get 25% off through June 30th 2023 at balletbird.com.Each year, The Clive & Valerie Barnes Foundation provides recognition, encouragement, and financial support to two talented young professionals, one in Dance and one in Theatre, thus, honoring the memory of the many years of critical work and the warm personal generosity of Clive Barnes and Valerie Taylor. This year's finalists have been nominated by the Foundation's 11-member Selection Committee comprised of arts journalists and accomplished professionals in each field. Finalists were selected based on live performances given in New York City between January and December of 2022. Winners in each category will be announced on May 22 at the 13th Annual Clive Barnes Awards at Florence Gould Hall in New York City. Guest presenters include Pam Tanowitz and Alex Sharp. For more information or to donate, visit cvbarnesfoundation.org/LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/mail-COD Hosted on Acast. See acast.com/privacy for more information.

Hello and welcome back to a new episode of Her HypeSquad with Bosstrack! This week's episode is with Tina van der Ven, CEO of vdV Consulting and Gale Nelson, CEO of Big Brothers Big Sisters Miami.  We talk about speaking up, listening to lead, mentorship, Bigs and Littles, handing over the mic and so much more. It's such a powerful, engaging, and fun conversation. I know I always say it, but you don't want to miss this conversation! About Tina van der Ven: Tina van der Ven is the CEO of vdV Consulting, a Miami-based boutique consulting firm specializing in strategy, marketing, business development, business coaching, and legal recruitment. She has dedicated 20+ years of marketing working both the client and corporate sides elevating branding and business growth for global professional-services firms, leading corporations, non-profits, and health care institutions.  Prior to founding vdV Consulting, Tina was co-founder and Chief Strategy Officer at NewStar Media.  Tina formerly led regional marketing, business development, strategy and communications at the international law firm Greenberg Traurig, worked as a healthcare marketing consultant with Ernst & Young and Enzyme, Inc., and as a clinical researcher at the Brigham and Women's Hospital. She has been recognized by the South Florida Business Journal as a “Power Leader in Marketing” and by Miami Magazine as a “Woman of Style.” With a deep commitment to community service and a keen passion for giving back, she has helped advance the missions of non-profits enhancing the lives of those in need. She currently serves as co-chair of the board of Big Brothers Big Sisters of Miami, a youth mentoring organization. She is a member of the Women of Tocqueville and serves on committees for Miami City Ballet, Perez Art Museum Miami, The Women's Fund Miami-Dade, and the Little Lighthouse Foundation. Contact Tina: Instagram: @vdvconsulting LinkedIn: @tina-van-der-ven-1521136 About Gale Nelson: Gale Nelson is the President and CEO of Big Brothers Big Sisters Miami. H was born in Lincoln, Nebraska, and grew up in Toledo, Ohio where he began his pursuit of personal and professional success. Gale earned his Bachelor of Business Administration in Corporate Finance from the University of Toledo (Toledo, OH) and his Master of Science in Management and Administration of Educational Programs from Nova Southeastern University (Davie, FL). Gale has earned eight doctoral hours in Non-Profit Leadership at Colorado Technical University (Colorado Springs, CO).  Some of Gale's most recent accomplishments include: the Irvin F. Westheimer Visionary Leadership Award (2022). This national award is named after the man whose vision led to the founding of Big Brothers Big Sisters, Children's Trust David Lawrence “Champions for Children” Award (2022), South Florida Business Journal Ultimate CEO Honoree (2021), South Florida Business Journal Power 250 List (2021), completed the Nonprofit Leadership program at Boston College (2018), and the Harvard Business School Strategic Perspectives in Non-Profit Management Course for CEO's from around the world (2018).  Gale's professional career includes over 30 years of non-profit management and leadership experience. Currently, he is the President & CEO of Big Brothers Big Sisters of Miami, and since joining the team in July 2006, he has played a significant role in the growth and development of the agency's mentoring and fund development programs. He led his team in being named the Agency of the Year Award (2021) and the National Pinnacle Award for three straight years (2019, 2020, 2021). Contact Gale: Instagram: @gale_s_nelson Instagram: @bbbsmiami Website: www.bbbsmiami.org

Today on Conversations On Dance we are thrilled to talk about a special children's programming co-production between Miami City Ballet and the Joffrey Ballet, ‘Rita Finds Home'. We are joined by the choreographer Amy Hall Garner and Miami City Ballet Director Of Community Engagement Monica Stephenson to talk about how ‘Rita' relates to children today, […] The post (328) Miami City Ballet's ‘Rita Finds Home' with Monica Stephenson and Amy Hall Garner appeared first on tendusunderapalmtree.com.

In this episode, we join Pillow Scholar Theresa Ruth Howard in conversation with Lourdes Lopez on the occasion of her tenth anniversary as artistic director of Miami City Ballet.*This episode was produced by Lisa Niedermeyer. 

Katia está convencida de que el ballet cambia vidas. Su camino para llegar al éxito nace de la conexión que tiene con esta disciplina permitiéndole conocer un mundo lleno de arte. Desde sus inicios en la Escuela Superior de Música y Danza de Monterrey hasta ser hoy la bailarina principal del Miami City Ballet, Katia ha demostrado un gran respeto por su profesión dejando el alma cada vez que toca un escenario. Para ella el ser agradecida y tener disciplina es la clave para poder bailar hacia el éxito disfrutando cada etapa que le ha tocado vivir. Una historia de sueños cumplidos. Facebook: Efecto Inspiración Instagram: @efectoinspiracion

In this week's episode I have on former professional ballet dancer with the New York City Ballet, Pennsylvania Ballet, and Miami City Ballet, Lauren Fadeley Veyette. Lauren has a tremendous background that found her to leaving the "dream job" at NYCB after just two years in the company. This however led her to a rejuvenated love for ballet through time spent at Indiana University earning a Bachelor of Science in Ballet Performance and an outside field in Kinesiology. While at IU she had the privilege of working with the esteemed, Violette Verdy. Following a successful career, Lauren was hired as the Principal and YAGP Coordinator of the Kansas City Ballet School. She also teaches virtually alongside her husband, Francis, at the Veyette Virtual Ballet School. You can find her and their ballet school on social media or the link below. Lauren Fadeley Veyette - @lfadeley Veyette Virtual Ballet School - https://www.veyettevirtualballetschool.com, @veyettevirtualballetschool Thank you so much for listening and for your support of the podcast!

Today we are joined by our friend and former colleague at Miami City Ballet, Patricia Delgado. While we have had Patricia on the podcast many times in the past, it has been a few years since we have had her back. We catch up with her on her work she did as a part of […] The post (296) Patricia Delgado On Her Return to The Stage at Vail Dance Festival appeared first on tendusunderapalmtree.com.

On this weeks episode of The Dance Docs I sit down with Nicole Stalker.  Nicole is a dancer with Miami City Ballet and a yoga instructor.  She and I discussed at how a yoga practice can be beneficial for a dancer, why it can be a great form of cross training, as well as how a yoga instructor may be able to develop or modify a class for dancer.  She brings her wealth of knowledge as a professional dancer, mover and yoga instructor to this vibrant and thought provoking conversation, I hope that you enjoy it as much as I did.

Today we are joined by our friend and former colleague at Miami City Ballet, Patricia Delgado. While we have had Patricia on the podcast many times in the past, it has been a few years since we have had her back. We catch up with her on her work she did as a part of […] The post (296) Patricia Delgado On Her Return to The Stage at Vail Dance Festival appeared first on tendusunderapalmtree.com.

It's just Michael and Rebecca in this bonus episode, where we chat about the great dance performances we have seen over the past few months, including Royal Danish Ballet, Miami City Ballet, New York City Ballet, Ragamala, Karole Armitage's Armitage Gone Dance!, and more! Support COD: conversationsondancepod.com/support SPONSORS: Conversations on Dance at the Vail Dance […] The post (286) BONUS: Michael and Rebecca spring dance roundup appeared first on tendusunderapalmtree.com.

It's just Michael and Rebecca in this bonus episode, where we chat about the great dance performances we have seen over the past few months, including Royal Danish Ballet, Miami City Ballet, New York City Ballet, Ragamala, Karole Armitage's Armitage Gone Dance!, and more! Support COD: conversationsondancepod.com/support SPONSORS: Conversations on Dance at the Vail Dance […] The post (286) BONUS: Michael and Rebecca spring dance roundup appeared first on tendusunderapalmtree.com.

Music can play a powerful role in helping patients find strength and comfort both during and after treatment. During this engaging episode, Dr. Kauffman will demonstrate several methods for using music to train concentration, reduce reactivity, and induce a relaxation response. Mary Adelyn Kauffman, conductor, vocal coach, and pianist, studied at the University of Miami, earning master's and doctoral degrees in Collaborative Piano. Upon completion of her studies, Dr. Kauffman was a young artist at the Greater Miami Opera and performed with the Miami City Ballet before moving to Europe. She spent nearly twenty years in Germany, conducting musical theater and opera in both private and public theaters. While in Germany, she worked extensively with both adult and youth choirs and instrumental ensembles, instructing and leading both amateur and professional singers and musicians. An intense desire to find out just what it is about music that makes everyone feel so good led Dr.Kauffman back to Miami to pursue a master's degree and board certification in Music Therapy, as well as completing Neurologic Music Therapy certification. She now provides Music Therapy for patients, staff, and caregivers as a part of the Cancer Support Services team at the University of Miami Sylvester Comprehensive Cancer Center and is collaborating with colleagues in multiple disciplines on projects exploring the effects of music performance and music listening on mental and physical wellness. Dr. Kauffman is active as a pianist, conductor, and vocal coach in the South Florida area. --- Support this podcast: https://anchor.fm/aimatmelanoma/support

With American ballerina Kathryn Morgan we cover some challenging subject matter – Kathryn's journey through dance has clearly brought her joy but she has also had to deal with issues around physical and mental health, and especially around body image. With a large and devoted following on social media, she speaks with rare honesty about her experiences. In October 2020, she posted a YouTube video describing why earlier that year she left Miami City Ballet, where she was a soloist. Kathryn's story has prompted a wider discussion of the culture of professional ballet, its attitude to body image, and what needs to change.Content warning: This podcast includes a discussion about eating disorders and mental health. For help with eating disorders please go to the NHS Eating Disorder page: https://bit.ly/3w5hJghFor help with eating disorders or other mental health concerns, please contact the Samaritans helpline on 116 123.RAD acknowledges that these resources are UK specific so for those listening outside of the UK, suggests contacting local health services for advice and support.About Kathryn MorganKathryn Morgan is a modern-day ballerina, blazing a career path outside of the confines of company life. A performer, teacher, judge and influencer, she is also the founder of Kathryn Morgan & Friends, a community focused on the joy that ballet can bring to dancers. Kathryn began her professional career with New York City Ballet in 2006, and was promoted to soloist in 2009. She left NYCB in 2012 while battling an auto-immune illness, and returned to the stage seven years later as a soloist with Miami City Ballet. In 2020, she decided to step away from company life to pursue dancing on her own terms. Her notable performances include Aurora in The Sleeping Beauty, Juliet in Romeo and Juliet, and the Striptease girl in Balanchine's Slaughter on Tenth Avenue.Follow the RAD on social media, and join the conversation with host David JaysInstagram @royalacademyofdanceFacebook @RoyalAcademyofDanceTwitter @RADheadquartersYouTube / royalacademydanceDavid Jays @mrdavidjaysSign up to our mailing list: https://bit.ly/3frWPh9RAD is an independent educational charity and does not receive regular government funding. Every penny we make goes back into the work we do. You can support us by either naming a seat as part of our Name A Seat Campaign: https://bit.ly/3fnxEwm or make a donation: https://bit.ly/3bxA6z5 Find out more about the work of the RAD: https://bit.ly/3KcB5UBKathryn Morgan's website: https://bit.ly/3MRDLc6Kathryn's YouTube channel: https://bit.ly/3JgSJpU See acast.com/privacy for privacy and opt-out information.

Today we are joined by our friend, Monica Stephenson, who just started work at a new post as Director of Community Engagement at Miami City Ballet. Monica is originally from North Carolina and is a graduate of the University of North Carolina School of the Arts and the Professional Training Program at the Houston Ballet […] The post (270) Monica Stephenson, Miami City Ballet Director of Community Engagement appeared first on tendusunderapalmtree.com.

Pacific Northwest Ballet, one of the largest and most highly regarded ballet companies in the United States, was founded in 1972. In July 2005, Peter Boal became artistic director, succeeding Kent Stowell and Francia Russell, artistic directors since 1977. The Company of nearly fifty dancers presents more than 100 performances each year of full-length and mixed repertory ballets at Marion Oliver McCaw Hall in Seattle and on tour. The Company has toured to Europe, Australia, Taiwan, Hong Kong, Canada, and throughout the United States, with celebrated appearances at Jacob's Pillow and in New York City and Washington DC.In this interview, we speak with soloist Price Suddarth and corps de ballet Christopher D'Ariano and Amanda Morgan.· www.pnb.org· www.pnb.org/artists/price-suddarth/· www.pnb.org/artists/christopher-dariano/· www.pnb.org/artists/amanda-morgan · www.creativeprocess.infoPrice Suddarth | SoloistPrice Suddarth is from Westfield, Indiana. He studied at Central Indiana Dance Ensemble, the School of American Ballet, and Pacific Northwest Ballet School, and he attended summer courses on scholarship at Pacific Northwest Ballet School, the Rock School, the School of American Ballet, and Miami City Ballet. Mr. Suddarth joined Pacific Northwest Ballet as an apprentice in 2010. He was promoted to corps de ballet in 2011 and soloist in 2018.Mr. Suddarth has performed as a guest artist with Panama National Ballet. He has choreographed for the Regional Dance America gala in Pittsburgh, Pennsylvania, Pacific Northwest Ballet's NEXT STEP, and Pacific Northwest Ballet School's annual School Performance. In 2015, he choreographed Signature for PNB's mainstage repertory, and in 2017, he choreographed Shifted Figures for Sculptured Dance, a collaboration between Pacific Northwest Ballet and Seattle Art Museum presented at Seattle's Olympic Sculpture Park.Christopher D'Ariano | Corps de BalletChristopher D'Ariano is from The Bronx, New York. He studied at Ballet Tech, the School of American Ballet, and Pacific Northwest Ballet School, and he attended summer courses at Ballet Tech, Boston Ballet, Nederlands Dans Theater, and Pacific Northwest Ballet. He was the recipient of the School of American Ballet Mae L. Wien Award for Outstanding Promise. Mr. D'Ariano joined Pacific Northwest Ballet as an apprentice in 2017 and was promoted to corps de ballet later that year.Mr. D'Ariano also has danced with Lunge Dance Collective, and he has choreographed for the Seattle International Dance Festival.Amanda Morgan | Corps de BalletAmanda Morgan is from Tacoma, Washington. She studied at Dance Theatre Northwest and Pacific Northwest Ballet School, and she attended summer courses at Alonzo King LINES Ballet, Boston Ballet School, and the School of American Ballet. She participated in PNB School's exchange with the Palucca University of Dance in Dresden, where she also performed with Dresden Semperoper Ballett. Ms. Morgan joined Pacific Northwest Ballet as an apprentice in 2016 and was promoted to corps de ballet in 2017.

Pacific Northwest Ballet, one of the largest and most highly regarded ballet companies in the United States, was founded in 1972. In July 2005, Peter Boal became artistic director, succeeding Kent Stowell and Francia Russell, artistic directors since 1977. The Company of nearly fifty dancers presents more than 100 performances each year of full-length and mixed repertory ballets at Marion Oliver McCaw Hall in Seattle and on tour. The Company has toured to Europe, Australia, Taiwan, Hong Kong, Canada, and throughout the United States, with celebrated appearances at Jacob's Pillow and in New York City and Washington DC.In this interview, we speak with soloist Price Suddarth and corps de ballet Christopher D'Ariano and Amanda Morgan.· www.pnb.org· www.pnb.org/artists/price-suddarth/· www.pnb.org/artists/christopher-dariano/· www.pnb.org/artists/amanda-morgan · www.creativeprocess.infoPrice Suddarth | SoloistPrice Suddarth is from Westfield, Indiana. He studied at Central Indiana Dance Ensemble, the School of American Ballet, and Pacific Northwest Ballet School, and he attended summer courses on scholarship at Pacific Northwest Ballet School, the Rock School, the School of American Ballet, and Miami City Ballet. Mr. Suddarth joined Pacific Northwest Ballet as an apprentice in 2010. He was promoted to corps de ballet in 2011 and soloist in 2018.Mr. Suddarth has performed as a guest artist with Panama National Ballet. He has choreographed for the Regional Dance America gala in Pittsburgh, Pennsylvania, Pacific Northwest Ballet's NEXT STEP, and Pacific Northwest Ballet School's annual School Performance. In 2015, he choreographed Signature for PNB's mainstage repertory, and in 2017, he choreographed Shifted Figures for Sculptured Dance, a collaboration between Pacific Northwest Ballet and Seattle Art Museum presented at Seattle's Olympic Sculpture Park.Christopher D'Ariano | Corps de BalletChristopher D'Ariano is from The Bronx, New York. He studied at Ballet Tech, the School of American Ballet, and Pacific Northwest Ballet School, and he attended summer courses at Ballet Tech, Boston Ballet, Nederlands Dans Theater, and Pacific Northwest Ballet. He was the recipient of the School of American Ballet Mae L. Wien Award for Outstanding Promise. Mr. D'Ariano joined Pacific Northwest Ballet as an apprentice in 2017 and was promoted to corps de ballet later that year.Mr. D'Ariano also has danced with Lunge Dance Collective, and he has choreographed for the Seattle International Dance Festival.Amanda Morgan | Corps de BalletAmanda Morgan is from Tacoma, Washington. She studied at Dance Theatre Northwest and Pacific Northwest Ballet School, and she attended summer courses at Alonzo King LINES Ballet, Boston Ballet School, and the School of American Ballet. She participated in PNB School's exchange with the Palucca University of Dance in Dresden, where she also performed with Dresden Semperoper Ballett. Ms. Morgan joined Pacific Northwest Ballet as an apprentice in 2016 and was promoted to corps de ballet in 2017.

Get to know Gary Sheldon, the Artistic Director and Principal Conductor of the Lancaster Festival Orchestra, as well as the Conductor of the Miami City Ballet.

I'm beyond excited to share this weeks guest with you all. As you would have seen from the title, today I bring you a conversation with the Kathryn Morgan. Affectionately also known as Katie and the YouTube star who brought ballet to peoples living rooms before covid made it cool. Kathryn is an American ballet dancer who started her career as a soloist at New York City Ballet. I'm going to let Kathryn share her story in her own words, but I will share that after being diagnosed with a thyroid condition she had no choice but to leave the world of ballet and its unreasonable demands behind. Getting married and thinking she would live out the rest of her life as a happy wife, Kathryn endured immense heartbreak and used ballet to cope with the pain of her divorce. The remarkable part of Kathryn's story is her return to the stage at the age of 30 as a soloist with Miami city Ballet. An absolutely remarkable accomplishment after so much time off and a testament to her talent and skill. I have wanted to host Kathryn on the podcast for a very long time now, but I'll often wait to approach a potential guest until they have something really important to say, celebrate or share. In this case Kathryn released a now famous video titled 'Why I left Miami City Ballet' and after watching I immediately reached out. This video hit a lot of raw nerves for me. Kathryn should be beyond proud of her career. As I mention in our conversation, as someone who is also trying to turn an industry upside down and forge my own path, I look up to and admire people that through the power of social media and sheer determination manage to be the architect of their own life by designing a career and personal brand that previously hasn't really existed. This is a long, but important conversation. So let's get into it! But first, I'd just like to say thank you so much Kathryn for baring your soul, sharing your story with the world and for giving a voice to all the ballerinas who suffer in silence. ____________________ Get your FREE Balanced Ballerinas 'Intention Setting' worksheet HERE and start kicking GOALS: https://www.balancedballerinas.com/product/balanced-ballerinas-intention-setting-worksheet/ You can find more resources at www.balancedballerinas.com Instagram @thebalancedballerina Podcast @balancedballerinas Facebook - Balanced Ballerinas (ensure you join the *SECRET* Facebook group too!)

Daniela Il Grande started dancing professionally when she was fourteen years old when she joined the Miami City Ballet. At fifteen, she was selected to train with Mikhail Baryshnikov and his coaches. At sixteen, she went on to perform and tour with the American Ballet Theater, Joffrey Ballet, Connecticut Ballet, St. Louis Ballet, and Charleston Ballet. Now, Daniella enjoys a successful career in corporate America in her role as the Executive Director for Dean & DeLuca Specialty Food Markets and Cafes. Daniella sits down with Tess Baum to share her exclusive zigzag story in a retelling that moves us as easily as her dancing career.Love the show? Subscribe, rate, review, and share!Here's How »Join the Zig-Zag of Life Community today:tesabaum.comTwitterFacebookPinterest

Jess Spinner is the Founder of The Whole Dancer and an ex-professional ballerina with Louisville Ballet. Jess began her journey into nutrition and health coaching when she had to leave behind the world of professional ballet due to an injury. Jess is a fully qualified Health Coach with over eleven years of experience behind her working with dancers from top companies such as New York City Ballet, Pacific Northwest Ballet, Miami City Ballet, American Ballet Theatre, Boston Ballet Company as well as aspiring young ballerinas and adult ballet dancers from around the world. Jess and I have a lot in common. Our businesses were both born out of a gap in the industry. A gap that we only discovered because we experienced the pain and anguish of not feeling balanced... or whole. I love how the two are interchangeable throughout this conversation... Like myself, Jess struggled with body positivity, confidence and food choices as a young professional dancer and through research, study, discipline and innovation with her business has created a community that supports and encourages young dancers to find their wholeness, their balance... their best body (which you'll find out in this discussion is different for everyone). In this conversation Jess and I do focus on the additional challenges during this particular time whilst navigating food choices and body positivity. But Jess also helps us define health and success in the broader sense with a sprinkle of confidence boosters, common sense advice and helpful suggestions. _____________ Get your FREE Balanced Ballerinas 'Intention Setting' worksheet HERE and start kicking GOALS: https://www.balancedballerinas.com/product/balanced-ballerinas-intention-setting-worksheet/ You can find more resources at www.balancedballerinas.com Instagram @thebalancedballerina Podcast @balancedballerinas Facebook - Balanced Ballerinas (ensure you join the *SECRET* Facebook group too!)