Podcasts about Principal dancer

Amy Mae Dolan is a World Champion Irish dancer. At just 19 years old, she became the youngest-ever Principal Dancer in the world-renowned, Grammy Award winning production, Riverdance. Amy Mae's incredible artistry, unwavering determination, and tireless work ethic set her apart as a world-class performer, and also make her an inspiring leader both on and off the stage.

This week on the podcast is part two  of our interview with Ranee Ramaswamy, the Founding Artistic Director of the Ragamala Dance Company, along with her daughters Aparna and Ashwini. Aparna is the Executive Artistic Director, Choreographer and Principal Dancer in the company; and Ashwini is a Choreographic Associate, Dancer, and Communications Director.  ​The Ragamala Company tours extensively worldwide and has appeared at venues including the Kennedy Center, Lincoln Center, and Jacob's Pillow.  Individually, they have won numerous awards including Guggenheim Fellowships, US Artist Fellowships and over a dozen McKnight Fellowships.  This brief bio just scratches the surface of their accolades, so make sure you visit their website to see their impressive list of accomplishments and media! https://www.ragamaladance.org/

This week on the podcast is part one of our interview with Ranee Ramaswamy, the Founding Artistic Director of the Ragamala Dance Company, along with her daughters Aparna and Ashwini. Aparna is the Executive Artistic Director, Choreographer and Principal Dancer in the company; and Ashwini is a Choreographic Associate, Dancer, and Communications Director.  The Ragamala Company tours extensively worldwide and has appeared at venues including the Kennedy Center, Lincoln Center, and Jacob's Pillow.  Individually, they have won numerous awards including Guggenheim Fellowships, US Artist Fellowships and over a dozen McKnight Fellowships.  This brief bio just scratches the surface of their accolades, so make sure you visit their website to see their impressive list of accomplishments and media!  https://www.ragamaladance.org/

Today on Conversations on Dance, we are joined by Paloma Herrera. Paloma is an Argentinian ballerina who, at the age of 19, became the youngest Principal Dancer at American Ballet Theatre in the company's history. We talk with Paloma about what drew her to ballet, her teachers who shaped her as a dancer, her incredible career with American Ballet Theatre, and where life has taken her since her retirement at the age of 40.LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/COD-email Hosted on Acast. See acast.com/privacy for more information.

Rachel Fine is a Registered Dietitian Nutritionist for dancers with advanced certifications in Eating Disorders, Intuitive Eating, and Sports Nutrition. Rachel works with dancers worldwide to help them build supportive relationships with food and body. FREE 7-DAY TRIAL to become The Healthy Dancer®: https://dancenutrition.com/membership/From downloadable guides to workbooks and online courses, dancers can access everything they need to learn about building a nourishing lifestyle that supports the physical, mental, and emotional demands of dance. A note from Rachel: The importance of dance nutrition goes beyond our plate. This is why I created www.DanceNutrition.com and The Healthy Dancer®. Dancers, dance educators, and dance parents can utilize these resources to access information and guidance about fueling for performance!Disclaimer: This is produced for informational purposes only. This information is general, not specific to you. The information in this podcast does not substitute for medical advice. The viewer or listener assumes full responsibility for consulting a qualified health professional regarding health conditions or concerns, and before starting a new diet or health program.

In this episode of Conversations with The Pros, Dance Dietitian and Nutritionist for Dancers Rachel Fine sits down with NYCB Principal Dancer Sterling Hyltin to talk about balance and ballet.Rachel Fine, Registered Dietitian Nutritionist, Certified Eating Disorder Specialist, and Certified Counselor of Intuitive Eating works with dancers to help them build supportive relationships with both food and body. Ready to Become The Healthy Dancer®?

"Dance Talk” ® with Joanne Carey and special guest Skylar Brandt.  In this episode of "Dance Talk” ® , host Joanne Carey interviews Skylar Brandt, a principal dancer with the American Ballet Theatre. They discuss Skylar's journey from childhood dance classes to becoming a professional dancer, the importance of private coaching, and the emotional connection required in performance. Skylar shares insights into her preparation for roles, the dynamics of partnering, and her experiences as a principal dancer. The conversation also touches on her advocacy for causes close to her heart, her love for teaching, and her upcoming performances.  Skylar Brandt was born in Purchase, New York and began her training at the age of six at Scarsdale Ballet Studio. She attended the Jacqueline Kennedy Onassis School at American Ballet Theatre from 2005-2009. Brandt was a silver medalist at Youth America Grand Prix in 2004 and 2008. Brandt joined ABT II in 2009, became an apprentice with ABT in 2010, and joined the corps de ballet in 2011. She was promoted to Soloist in 2015 and to Principal in 2020. Among her leading roles with the Company are Giselle in Giselle, Medora in Le Corsaire, Kitri in Don Quixote, Odette/Odile in Swan Lake, Gamzatti in La Bayadere, Olga in Onegin, Clara, the Princess in The Nutcracker, Young Jane in Jane Eyre, Columbine in Harlequinade, Princess Praline in Whipped Cream, the Lead Maiden in Firebird, the Golden Cockerel in The Golden Cockerel, and roles in The Green Table, Pillar of Fire, The Sleeping Beauty, Bach Partita, The Brahms-Haydn Variations, Company B, Gong, In the Upper Room, Piano Concerto #1, Raymonda Divertissements, Sinfonietta, Symphonic Variations, and AFTERITE. Brandt was awarded a 2013 Princess Grace Foundation-USA Dance Fellowship. That same year, she was featured in the movie “Ballet's Greatest Hits”. In 2018, Brandt was the recipient of an unprecedented Special Jury Award for her performances on the Russian television show “Big Ballet”. In 2022, Brandt was named to the renowned "Forbes 30 Under 30" list of most influential leaders and entrepreneurs.  Skylar Brandt Website  ⁠https://www.skylarbrandt.com/ ⁠ Follow Skylar on Instagram ⁠ ⁠ ⁠@skylarbrandtballet ⁠  American Ballet Theatre Upcoming Performances  ⁠https://www.abt.org/performances/abt-on-tour/⁠  “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. ⁠⁠⁠⁠ ⁠⁠⁠⁠⁠ ⁠https://dancetalkwithjoannecarey.com/⁠⁠⁠⁠⁠ ⁠ Follow Joanne on Instagram @westfieldschoolofdance  Tune in. Follow. Like us. And Share.  Please leave us review about our podcast!  “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Marianela Núñez is a Principal dancer of the Royal Ballet and Opera. Born in Argentina in 1982, Marianela knew she wanted to be a ballet dancer from the age of five and joined the Teatro Colón Ballet School in Buenos Aires when she was eight.She dedicated herself to becoming a professional ballerina and had the full support of her parents despite having to leave home at fifteen to join the Royal Ballet in the UK. After spending a year at the Royal Ballet School and learning English from watching episodes of Friends, she joined the corps de ballet and worked her way up the company to become Principal Dancer. She has danced the lead roles in the ballet repertoire on the London stage and around the world as a guest artist. In 2018, she celebrated her 20th anniversary with the Royal Ballet with a performance of lead roles in Giselle, The Winter's Tale, Manon, Marguerite and Armand, and Swan Lake in her anniversary year. Director of The Royal Ballet Kevin O'Hare called her “one of the greats of her generation”. Marianela has many awards for her dancing including the Laurence Olivier Award for Outstanding Achievement in Dance in 2013. She lives in London with her two cats.DISC ONE: Adíos Nonino (“Goodbye Grandad”) - Astor Piazzolla DISC TWO: Hoy Puede Ser Un Gran Dia (“Today Could Be a Great Day”) - Joan Manuel Serrat DISC THREE: Dancing Queen - ABBA DISC FOUR: Don't Stop Me Now - Queen DISC FIVE: Tchaikovsky: The Sleeping Beauty, Op. 66, TH 13 / Act 1: 8a. Pas d'action: Introduction (Andante) - Adagio ("Rose Adagio") Performed by The Orchestra of the Royal Opera House, Covent Garden, conducted by Mark Ermler DISC SIX: Adam: Giselle / Act 2: Lever du soleil et arrivée de la cour. Performed by The Orchestra of the Royal Opera House, Covent Garden, conducted by Richard Bonynge DISC SEVEN: Count on Me - Bruno Mars DISC EIGHT: I Can See Clearly Now - Johnny Nash BOOK CHOICE: The Collected Works of Jorge Luis Borges LUXURY ITEM: A cashmere blanket CASTAWAY'S FAVOURITE: Tchaikovsky: The Sleeping Beauty, Op. 66, TH 13 / Act 1: 8a. Pas d'action: Introduction (Andante) - Adagio ("Rose Adagio") Performed by The Orchestra of the Royal Opera House, Covent Garden, conducted by Mark Ermler Presenter Lauren Laverne Producer Sarah Taylor

Ali Block danced professionally as Clara with the Radio City Christmas Spectacular, as a Principal Dancer with Eglevsky Ballet, and as a dancer with Texas Ballet Theater and Eugene Ballet Company. She earned her Bachelor's degree in psychology and is currently working as a psychology researcher at Mount Sinai School of Medicine.Ali is incredibly transparent in this interview about the good, the bad and everything in between. We talked all about Ali's experience moving away from home at a young age to study ballet and her first pro contract as Clara in the Radio City Christmas Spectacular. She is incredibly candid about her struggle with an eating disorder as she was preparing to enter her professional dance career and the impact her community had on recovery.Ali shares what that first audition season was like, her first pro contracts and how she decided to make the leap to freelance. We also learn about Ali's transition from full-time dancer to psychology researcher and her future dreams for her career and life!Key Moments: Ali's early dance training [1:53] Her experience moving away at a young age to train at UNCSA and Miami City Ballet [5:14] Ali's struggle with an eating-disorder while preparing to enter her pro career [12:03] Ali's first professional contract as Clara in the Radio City Christmas Spectacular [15:50] Her first audition season and getting her first pro contract [27:00] How Ali made the transition to a freelance dance career [41:30] What made Ali want to study psychology and how she made the transition into research [50:41] Her biggest piece of advice for dancers pursuing a career [1:04:33]Connect with Ali:INSTAGRAM: instagram.com/ali_p_blockWEBSITE: alipaigeblock.com/LINKEDIN: https://www.linkedin.com/in/ali-paige-block-b8798a112/Links and Resources:Get your copy of The Intentional Career HandbookGet your copy of The Ultimate Audition GuideSecond Act Mentorship: https://www.secondactnetwork.org/1-1 Career Mentoring: book your complimentary career callLet's connect!My WEBSITE: thebrainyballerina.comINSTAGRAM: instagram.com/thebrainyballerinaQuestions/comments? Email me at caitlin@thebrainyballerina.com

"Dance Talk” ® with Joanne Carey and special guest  Paloma Hererra In this episode of "Dance Talk”, host Joanne Carey speaks with celebrated ballerina Paloma Herrera about her journey from a young girl discovering her passion for ballet to becoming a principal dancer at the American Ballet Theater and now serving as the artistic director of the Kaatsbaan Ballet Intensive. Paloma shares her experiences, the importance of mentorship, and her vision for nurturing the next generation of dancers. The conversation highlights the significance of support systems in a dancer's career and the joy of pursuing one's passion in the art of dance. Paloma Herrera was born in Buenos Aires, Argentina, and began her training at the age of seven. In January 1991, having just turned 15 years old, she moved to New York and continued her studies at the School of American Ballet. After only six months, she joined the American Ballet Theatre and, in 1995, became the youngest Principal Dancer in American Ballet Theatre history at age 19. She has appeared in ballets ranging from Don Quixote, Romeo and Juliet, and Swan Lake, to Apollo, The Prodigal Son, and Stepping Stones. She has appeared as Guest Artist with great ballet companies around the world, including New York City Ballet, Kirov Ballet, Bolshoi Ballet, Tokyo Ballet, Teatro Colon, and National Ballet of Cuba, to name a few. She retired from American Ballet Theatre at the end of November 2015, right before turning 40. Since that, she moved back to her home, Buenos Aires, Argentina, and continued to teach all over the world. In 2016, she wrote her autobiography that was presented at Feria del Libro in 2017. That same year, she also launched her own perfume Paloma Herrera, in 2019 her second fragrance Paloma Herrera Passion, and in 2022 her third fragrance Paloma Herrera Fantasy. In Argentina she received the award: Konex de Platino, Maria Ruanova and distinctions by the Honorable Camara de Diputados de La Nación, Medalla del Bicentenario by the government of the Buenos Aires city, among many others, and since 2012 she is a member of the gallery of popular idols of the Argentine Government House.  In 2017, she became the artistic director of Ballet Estable del Teatro Colon, where the company has grown immensely since she arrived. She resigned in 2022. To find out more about Kaaatsbaan Summer Ballet Intensive https://kaatsbaan.org/ “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts.  ⁠⁠⁠⁠ ⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠⁠ Follow Joanne on Instagram @westfieldschoolofdance YOUTUBE:  ⁠⁠https://www.youtube.com/channel/UC4NldYaDOdGWsVd2378IyBw⁠⁠ Tune in. Follow. Like us. And Share.   Please leave us review about our podcast!   “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

"Dance Talk” ® with Joanne Carey and special guest, Isabella LaFreniere, Principal Dancer, New York City Ballet. In this episode of Dance Talk, host Joanne Carey interviews Isabella Lafreniere, a principal dancer with the New York City Ballet. They discuss Isabella's journey into dance, the challenges of continuous improvement, and the demanding schedule of a professional dancer. Isabella shares her experiences from a recent tour in Copenhagen, the significance of costumes in ballet, and her roles in The Nutcracker. The conversation highlights the dedication and hard work behind the glamour of ballet, as well as the excitement of upcoming performances. Isabella LaFreniere was born in Lambertville, Michigan, and began her dance training at the age of seven at the Northeast Academy of Dance under Giuseppe Canale and Scott Heinrich. At 11, she began studying with Anna Reznik and Alexei Kremnev, first at the Southold Dance Theatre in South Bend, Indiana, and then at the Joffrey Academy of Dance in Chicago, Illinois. She began studying at the School of American Ballet (SAB), the official school of New York City Ballet, during the 2008 summer course, and enrolled as a full-time student during the 2010 winter term. She received additional training at the Chautauqua Institution and Pacific Northwest Ballet summer programs. Ms. LaFreniere became an apprentice with NYCB in August 2013 and joined the Company as a member of the corps de ballet in June 2014. Ms. LaFreniere was promoted to the rank of soloist dancer in January 2022 and principal dancer in February 2023.  “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts.  ⁠⁠⁠⁠ ⁠https://dancetalkwithjoannecarey.com/⁠ Follow Joanne on Instagram @westfieldschoolofdance YOUTUBE: https://www.youtube.com/channel/UC4NldYaDOdGWsVd2378IyBw Tune in. Follow. Like us. And Share.   Please leave us review about our podcast!   “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Today, we sit down for our annual "Best of" episode! We saw great dance this year and talked with amazing guests. Cheers to another year with all of you. Thank you for coming on this ride with us! Please take 5 mins to take our listener survey. We want to hear from you.Episodes referenced:Maria Calegari - Part 1 Part 2Jennifer Lin - (382) The story of George Lee, the original Tea in Balanchine's 'Nutcracker', with Jennifer LinGeorge Lee & Jennifer Lin - (396) Jennifer Lin and George Lee, the original Tea in Balanchine's 'Nutcracker'Michael Vernon - (391) Michael Vernon, Professor of Music (Ballet) at Indiana University Jacobs School of MusicKatlyn Addison - (383) Katlyn Addison, Principal Dancer with Ballet WestLimon at VDF - (405) Dante Puleio and Joey Columbus on the legacy of José Limón, LIVE from the Vail Dance FestivalGolden State Ballet's Nutcracker: https://www.goldenstateballet.org/LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/COD-email Hosted on Acast. See acast.com/privacy for more information.

Today it's just Michael and Rebecca checking in. Please take 5 mins to take our listener survey. We want to hear from you!LINKS related to this episode:Take our listener survey: https://forms.gle/UU6eFZD2WH6JCmjG7Episode with Silas Farley: https://www.conversationsondancepod.com/episodes-transcripts/416-silas-farley-teacher-and-choreographer. If you donate dance books to a local dance school, please let us know! We would love to hear about it: info@conversationsondancepod.com.Episode with Mathilde Froustey, Principal Dancer with San Francisco Ballet: https://podcasts.apple.com/us/podcast/conversations-on-dance/id1128237763?i=1000413007256Golden State Ballet's Nutcracker: https://www.goldenstateballet.org/LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/COD-email Hosted on Acast. See acast.com/privacy for more information.

Hello Everyone! I had the pleasure of sitting down with Lucas Lima who is a wonderful Principal Dancer of The Norweigan National Ballet as well as a wonderful teacher of The Academy. Lucas is a Brazilian Dancer, who recieved a place at The Royal Ballet School which changed hIs life forever. Despite being a dancer in school who didn't get injured, his mental strength was tested in his professional life. He had not one but a few serious injuries. Despite this, Lucas has this amazing perspective on life, living with gratitude even with these hard lessons. it was wonderful to talk to him. I hope this inspires you as it did me. Enjoy! Like and subscribe! ---------------------------------- Intensives coming up https://balletwithisabella.com/worksh... 14 day free trial to the BWI platform https://balletwithisabella.com/select... My website - Book a private lesson with me Listen to my podcast to enhance your mindset as a dancer! become more confident, with higher self esteem and self belief. Follow me on Instagram   / balletwithisabella   Follow me on TIKTOK Online classes and courses Memberships to enhance you training Live classes and more! Your secret weapon to excellence https://balletwithisabella.com MOST RECENT CLASSES AND COURSES https://balletwithisabella.com/1-to-1... Join thousands of listeners! https://open.spotify.com/show/72hZ7nn...www.tiktok.com/@balletwithisabella Join the BWI Community! Your secret weapon to excellence https://balletwithisabella.com/select...

In this episode, Philip Neal, former Principal Dancer with New York City Ballet and current Artistic Director of Next Generation Ballet, shares insights on shaping up and coming dancers, while championing the art of ballet. Neal discusses his transition from performing to directing, the importance of mentorship, and how he helps his dancers find placements in trainee and second company positions. He also highlights the balance between fostering excellence and keeping the passion for the art form alive. Learn more about Next Generation Ballet on their website. Links: Ballet Help Desk Buy Corrections Journals Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

On today's episode of 'Conversations On Dance' we are joined by Kristoffer Dahl Sakurai, former principal dancer with the Royal Danish Ballet and Artistic Director of the Tivoli Ballet School in Copenhagen. Kristoffer takes us on his personal journey, from being a child at the Royal Danish Ballet School, through the years dancing as a principal under four different directors, from stepping away to explore his interest in fashion to returning as an educator leading the Tivoli Ballet School. For information about attending Tivoli Ballet School, visit https://www.tivoliballetskole.dk/about/.LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/mail-COD Hosted on Acast. See acast.com/privacy for more information.

In this episode, we chat with Cecilia Iliesiu, Principal Dancer at Pacific Northwest Ballet and a ballet career coach. As we're headed into audition season, Cecilia discusses the importance of networking in the industry and offers practical tips for aspiring artists on building meaningful connections, setting career goals, and making informed decisions. Her expertise provides essential guidance as dancers start to gather and send out their audition packages. Tune in for valuable advice that can benefit every dancer. Learn more about Cecilia's career coaching services on her website. Links: Ballet Help Desk Buy Corrections Journals Discounts On Your Favorite Ballet Brands! Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

City Ballet The Podcast returns just in time for the upcoming 24-25 Season. Hear the Dance host Silas Farley is joined by legendary former Principal Dancer and current School of American Ballet faculty member Kay Mazzo and Principal Dancer Anthony Huxley to discuss George Balanchine's Duo Concertant, one of the new works to premiere during the 1972 Stravinsky Festival. Mazzo shares her memories of the speed with which Balanchine choreographed each of the four movements, and commiserates with Huxley on the many unique challenges the ballet presents, including interacting with the piano and violin that share the stage—a "commentary on the festival itself," in Farley's words, as it honored Stravinsky's music and his importance to the Company. (48:57)  Written by Silas Farley Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky All music performed by the New York City Ballet Orchestra Reading List: Stravinsky and Balanchine: A Journey of Invention by Charles M. Joseph Mr. B: George Balanchine's 20th Century by Jennifer Homans Stravinsky's Ballets by Charles M. Joseph Stravinsky Inside Out by Charles M. Joseph An Autobiography by Igor Stravinsky Stravinsky: A Creative Spring: Russia and France, 1882-1934 by Stephen Walsh Stravinsky: The Second Exile: France and America, 1934-1971 by Stephen Walsh Stravinsky: Chronicle of a Friendship by Robert Craft Stravinsky: Discoveries and Memories by Robert Craft The Stravinsky Festival of The New York City Ballet by Nancy Goldner Balanchine's Ballerinas: Conversations with the Muses by Robert Tracy Balanchine Variations by Nancy Goldner

Melody Mennite - Principal ballerina formerly with Houston Ballet and currently dancing with Vitacca Ballet. She has toured internationally to perform the classics as well as contemporary work in dance. Some of her classical Principal roles include Odette/Odile, Aurora, Kitri, Sugar Plum Fairy and Clara in The Nutcracker, Cinderella, Manon, Juliet, The Sylph in Bournanville's La Sylphide, Nikya in La Bayadere, Ciao Ciao San in Madame Butterfly, Marie in the ballet Marie, Tatiana and Olga in Onegin, Stephanie and Mary Vetsera in Meyerling, Swanhilda in Coppelia, Valencienne in The Merry Widow, and Lise in La Fille mal Gardee.Melody's most recent international appearance was in the role of Juliet for the Houston Ballet's Romeo and Juliet tour to Melbourne, Australia. During Melody's professional career she has also originated roles in new classical and contemporary productions by choreographers Christopher Wheeldon, Justin Peck, Stanton Welch, Ben Stevenson, Christopher Bruce, Jorma Elo, Cathy Marston, Paul Taylor, Aszure Barton, Nicole Fonte, Annabelle Lopez Ochoa, Olivier Wevers, Oliver Halkowich, Jane Weiner, and Garret Smith as well as in her dual role as dancer/choreographer for several films. Melody enjoys all forms of dance and has extensive training and experience with styles rooted in classical ballet, contemporary, jazz, and hip hop. She is passionate about both learning and teaching what she has learned with others. Ms. Mennite has graced the cover of both Dance Magazine and Dance Europe and is celebrated as the Audrey Hepburn of ballet due to her dynamic acting and a predisposition for comedic roles. As an actor Melody has achieved two award winning performances in film and continues to build this part of her resume. Also from a musical family Ms. Mennite was singing onstage before she ever started training in dance. She has been professionally recorded and released and has performed leading singing roles in regional productions of both West Side Story and Oklahoma. Melody's choreography has been featured on film, in music videos, and on ballet stages throughout the United States. In the last ten years she has been commissioned to create thirteen separate works nationally. Her hobbies include spending time in the outdoors, spending time with her son and two dogs, singing/making music, reading, writing, and practicing new ways to make art. Watch this episode on Youtube! https://youtu.be/9F17DkF13L0 To follow along for daily tips and behind-the-scenes looks at what I'm up to, follow me on Instagram at @kirsten_theconfidentdancer ________________________________________________ THE CONFIDENT DANCER COACHING PROGRAM: A 1:1 Coaching Program to master the mental side of dance so you can confidently perform to your fullest potential. Perfect for pre-professional, professional, or recreational dancers wanting overcome mental blocks like self-doubt, performance anxiety, perfectionism, comparison, insecurities, etc., and build a truly confident mindset that allows you to perform your personal best with joy. Learn more and apply here: https://kirstenkemp.com/confident-dancer-coaching-program#confident-dancer ______________________________________________ ONLINE COURSES: My online course offerings are a wonderful way to learn the practical steps to retraining your mind so you can thrive and excel in your dancing, all at your own pace and for a more affordable price than individual coaching. Whether your goal is to break through fear and nervousness so you can show up confidently in your auditions or you want to release the self-criticism or self-doubt that's been draining all the joy out of dancing lately, The Confident Dancer Course and rotating mini-courses available are designed to help you do just that. Learn more and enroll here: https://kirstenkemp.com/online-course-offerings

Welcome to a special bonus episode from the 2024 Vail Dance Festival. Today we welcome back our friend, Calvin Royal III, Principal Dancer with American Ballet Theatre. We chat about his met season at ABT, his experience this year at the Vail Dance Festival, and about the ballet festival he is producing at the Joyce this month.UNITE: Joyce Ballet Festival, directed and co-produced by Calvin Royal III. August 13-18, 2024Tickets: https://www.joyce.org/performances/118/unite/ballet-festivalLINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/mail-COD Hosted on Acast. See acast.com/privacy for more information.

Sarah-Gabrielle Ryan is from Philadelphia, Pennsylvania where she studied on scholarship at the Rock School for Dance Education, Metropolitan Ballet Academy, and the School of Pennsylvania Ballet. Sarah-Gabrielle joined Pennsylvania Ballet II (now Philadelphia Ballet II) in 2014 before joining Pacific Northwest Ballet in 2016, where she is currently a principal dancer. She is a two-time Princess Grace Award nominee, was named Dance Magazine's On the Rise in 2018, and was the cover of Pointe Magazine in 2021. In addition to performing, Sarah-Gabrielle has taught around the nation and has choreographed work for Pacific Northwest Ballet's NEXT STEP, Gonzaga University Department of Theatre and Dance, and most recently for Pacific Northwest Ballet in celebration of Latino Heritage Month. Sarah-Gabrielle holds a certificate for Management of Successful Arts and Cultural Organizations from the DeVos Institute of Arts Management, has served as Vice-Chair of Community Engagement for Moulin/Belle Arts Residency, and is co-artistic director of Green Bay Ballet Festival. Follow and connect with Sarah on Instagram: https://www.instagram.com/xosarahryan/ Watch this episode on Youtube: https://youtu.be/1ei1fahVtIA To learn more about my mindset coaching and speaking services, visit kirstenkemp.com To stay up to date on the latest announcements and blog posts at The Confident Dancer, sign up to be a part of my email newsletter community here: http://eepurl.com/gDmjtz To follow along for daily tips and behind-the-scenes looks at what I'm up to, follow me on Instagram at @kirsten_theconfidentdancer __________________________________________________ WORK WITH ME 1:1! THE CONFIDENT DANCER COACHING PROGRAM: A 1:1 Coaching Program to help you do the inner work to step into a new level of confidence, well-being, and preparedness to accomplish your career goals. Perfect for pre-professional, professional, or recreational dancers wanting to master the mental side of optimum performance, so you can overcome the mental blocks that have been holding you back and confidently dance to your fullest potential! Learn more and apply here: https://kirstenkemp.com/confident-dancer-coaching-program#confident-dancer __________________________________________________ SPEAKING & WORKSHOPS: I offer mindset seminars to equip dancers with the inspiration and practical tools to thrive in their well-being and ability to perform their personal best. These 60-90 minute seminars can be a valuable addition to the holistic support and education of your dancers at your next intensive, year-round program, or professional development opportunity for your company dancers. Learn more and inquire here: https://kirstenkemp.com/speaking-and-workshops#speaking-and-workshops __________________________________________________ ONLINE COURSES: My online course offerings are a wonderful way to learn the practical steps to retraining your mind so you can thrive and excel in your dancing, all at your own pace and for a more affordable price than individual coaching. Whether your goal is to break through fear and nervousness so you can show up confidently in your auditions or you want to release the self-criticism or self-doubt that's been draining all the joy out of dancing lately, The Confident Dancer Course and rotating mini-courses available are designed to help you do just that. Learn more and enroll here: https://kirstenkemp.com/online-course-offerings _________________________________________________ DOWNLOAD MY FREE PDF GUIDE on "How To Find Your Unique Strengths as a Dancer": https://mailchi.mp/7e51450a0a3e/findyourstrengths DOWNLOAD MY FREE PDF GUIDE on "How to Break Through the Feeling of Not Being Good Enough": https://tinyurl.com/redefining-good-enough

This interview with Anthony Brown is so inspiring. Not just because he worked as a police officer in the day, dancer in Jubilee at night and professional fighter all at the time, but his lust for life, gratitude and sheer joy are contagious. www.amazon.com/Bluebells-Forever…ast/dp/B0CJXCPB4P NEW WEBSITE www.bluebellsforeverpodcast.com Follow us on Instagram and Facebook to see photos and updates www.instagram.com/bluebells_forever/ www.facebook.com/Bluebells-Forever-100660515010096

Hello Everyone, Welcome back to another episode with myself Isabella. Today we are speaking with amazing principal dancer Denys Cherevychko. He is a beautiful dancer most notably with Vienna State Opera and Ballet however he is also a wonderful touring dancer, working in my galas and guesting worldwide. What struck me is his wonderful mindset. Despite being thrown into many parts, many roles, his mindset has stayed solid and trusting of himself. Being a Principal dancer goes far beyond the steps, there needs to be a certain head on your shoulders to be able to achieve your fullest potential as a dancer and artist. This was a very valuable conversation and I hope you enjoy it! ------ Thank you for Listening! ---------- Follow me on instagram   / balletwithisabella   Let us know if you have struggled with this and find it difficult to be honest with your teacher. Enjoy! ---------- Follow on instagram @balletwithisabella Enjoy! Like and subscribe! ---------------------------------- Take my 8 week absolute beginner course! - become a soloist member. https://balletwithisabella.com/plan/a... 14 day free trial to the BWI platform https://balletwithisabella.com/select... Online classes + courses + plans Live ballet classes online Memberships to enhance you training Live classes and more! Start today! https://balletwithisabella.com * Listen to my podcast to enhance your mindset as a dancer! become more confident, with higher self esteem and self belief. Join thousands of listeners! https://open.spotify.com/show/72hZ7nn... * Follow me on Instagram @balletwithisabella * Follow me on TIKTOK www.tiktok.com/@balletwithisabella Join the BWI Community! Your secret weapon to excellence balletwithisabella.com About Me Hello everyone! my names Isabella. I am the first British graduate of the Vaganova ballet academy in Saint Petersburg Russia. I was a soloist working with the Mikhailovsky Ballet and Eifman ballet. Now I live in London as a full time coach and BWI founder teaching worldwide with my intensives and online platform, Here, on my channel I am sharing my passion with you all about the Vaganova technique amongst many other things related to ballet we all love. It's a hard industry so I am here to help with my insights and knowledge to make it a little easier for you all, as well as to hopefully entertain you with my content. Thank you for Listening!

Renowned American ballet dancer Misty Copeland opens up about the instability she faced in her childhood and how her natural athleticism and incredible discipline led her to shine as a dance prodigy in her teens. She talks about the evolution of her relationship to food and nutrition from growing up in various different kitchens to eating like an athlete. Plus, you'll hear how to make one of her healthy, go-to recipes: Baked tilapia with veggies.Misty Copeland is a Principal Dancer with the American Ballet Theatre. She made history in 2015, becoming the first African-American woman to ever be promoted to that position. She's written several New York Times bestselling books and launched her own foundation in 2022. Hosted on Acast. See acast.com/privacy for more information.

Today on Conversations on Dance we are joined by Maria Kowroski, former Principal Dancer with New York City Ballet and current Artistic Director of New Jersey Ballet. Maria chats with us about her training, her incredible career, some of her favorite memories onstage, then the opportunity to become Artistic Director of New Jersey Ballet. She tells us about her focuses for the company, the challenges she has faced, and how she is forging a new path for the company. Learn more about New Jersey Ballet and their upcoming 65th anniversary on their website njballet.org.LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/mail-COD Hosted on Acast. See acast.com/privacy for more information.

On today's episode of Danceology- Edyta's guest is a Principal Dancer at the New York City Ballet, Indiana Woodward. You don't want to miss this compelling interview. Be sure to check out Indiana's new Ballet workouts online at graceandformstudio.com - use discount code: danceology10 for 10 percent off. --- Send in a voice message: https://podcasters.spotify.com/pod/show/danceology/message

Boston Ballet's principal dancer John Lam will take his final bow for the company later this month after two decades of dancing for them. Radio Boston checks in with him on what's next.

Hello Everyone, I am so excited for you all to listen to this really pleasant conversation I had with Tiler Peck. The world renowned, incredibly dynamic, musical and versatile dancer of today. People have said about her "I don't even have to hear the music to be able to know what it sounds like when I watch you dance." Tiler Peck started dancing at her mother's studio at the age of two and was introduced to various dance styles. She worked with former Bolshoi principal dancer Alla Khaniashvili and former New York City Ballet dancers Patricia Neary and Yvonne Munsey. Peck's journey led her to the School of American Ballet (SAB) and eventually to New York City Ballet. She had to navigate the transition from jazz to ballet and overcome feelings of comparison and insecurity. P eck's musicality is a defining characteristic of her dancing, and she describes it as being an extension of the music. She believes in breaking the rules and being fearless on stage. In this conversation, Tiler Peck discusses the importance of musicality in ballet and how it can be taught. Can it be taught to the degree Tiler is gifted? She emphasizes the need for dancers to listen to the music and become comfortable with it, allowing it to guide their movements. Tiler also shares her experience as a perfectionist and how it has both helped and hindered her progress. She highlights the importance of finding a balance between striving for perfection and letting go to fully express oneself. Tiler also talks about the significance of downtime and having experiences outside of ballet, which can enhance a dancer's artistry and bring more depth to their performances. Let's meet Tiler! Chapters 00:00 Introduction and Early Dance Training 04:12 Transition to Ballet and School of American Ballet 07:32 Working with Former Bolshoi Principal Dancer 10:42 Choosing Ballet as the Focus 20:35 Musicality and Jazz Background 25:14 Maintaining Musicality in Ballet Training 27:45 Nerves and Performing 29:23 Definition of Musicality in Dance 35:28 Developing Musicality as a Student 36:24 The Importance of Musicality in Ballet 39:04 Teaching Musicality in Ballet 41:19 The Relationship Between Technical Ability and Musicality 42:56 Stretching Time and Musicality 47:10 The Pitfalls of Perfectionism 51:49 The Importance of Downtime and Life Outside of Ballet 56:28Finding Yourself Outside of Ballet 01:05:50 Exploring Other Creative Fields 01:09:10Takeaways and Conclusion ------ Enjoy! Like and subscribe! ---------------------------------- 14 day free trial to the BWI platform https://balletwithisabella.com/select-a-plan/ * My website - Online classes and courses Memberships to enhance you training Live classes and more! https://balletwithisabella.com MOST RECENT CLASSES AND COURSES GRAND ALLEGRO COURSE https://balletwithisabella.com/course/grand-allegro-course/ MAT MADNESS 14 DAY CHALLENGE https://balletwithisabella.com/course/mat-madness/ ABSOLUTE BEGINNER 8 WEEK COURSE https://balletwithisabella.com/plan/absolute-beginner-course/ * Listen to my podcast to enhance your mindset as a dancer! become more confident, with higher self esteem and self belief. Join thousands of listeners! https://open.spotify.com/show/72hZ7nnhKSG97VofHYPBOW?si=8ebb73d9aedf425e * Follow me on Instagram https://www.instagram.com/balletwithisabella * Follow me on TIKTOK www.tiktok.com/@balletwithisabella Join the BWI Community! Your secret weapon to excellence https://balletwithisabella.com/select-a-plan/

In today's news, Brandon Marshall & crew discuss…Why does Michael Beasley think LBJ is the G.O.A.T. over MJ, Misty Copeland joins the show, and then, Aaron Rodgers out as VP in the 2024 race! Plus, much more!

Rachel Fine, Registered Dietitian Nutritionist, Certified Eating Disorder Specialist, and Certified Counselor of Intuitive Eating works with dancers worldwide to help them build supportive relationships with both food and body. FREE 7-DAY TRIAL to become The Healthy Dancer®: https://dancenutrition.com/membership/ Follow: https://www.instagram.com/tothepointenutrition/ and show more

This week on Conversations on Dance, we are joined by Cassandra Trenary, a principal dancer with American Ballet Theatre. Cassandra tells us about her leap of faith to pursue ballet, what it's like to be an ABT lifer, the challenges of the pandemic, and ultimately her promotion to principal dancer. Catch Cassandra onstage with ABT. For more information visit, abt.org.LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/mail-COD Hosted on Acast. See acast.com/privacy for more information.

Ingrid Silva is a prominent professional ballerina, activist, and writer, widely recognized for her contributions to the world of dance. Originally from Rio de Janeiro, Brazil, she commenced her ballet training at a social project in the Mangara slum at the age of eight. Overcoming numerous challenges, Ingrid achieved the esteemed position of principal dancer at the Dance Theater of Harlem, where her hand-painted point shoes were prominently displayed at the Smithsonian National Museum of African American History and Culture. As a co-founder of Blacks in Ballet, she actively advocates for diversity and representation in the ballet industry. Ingrid's remarkable journey and unwavering dedication make her an influential figure, inspiring individuals to confront obstacles and pursue personal growth.   In this episode, we discuss: 00:05:04 - Self-Worth and Recognition 00:13:56 - Body Image and Eating Disorders in Dance 00:17:34 - Overcoming Impostor Syndrome 00:27:31 - Overcoming Ageism 00:30:00 - Empowering the Next Generation Connect with Ingrid Silva Website: ingridsilvaballet.com Instagram: @ingridsilva YouTube: @IngridSilvaa   Connect with Amina AlTai Website: aminaaltai.com Instagram: @aminaaltai TikTok: @theaminaaltai Linkedin:   linkedin/in/aminaaltai

On today's episode of 'Conversations On Dance', we are joined by Chyrstyn Fentroy, principal ballerina with Boston Ballet. We talk to Chyrstyn about how she built her work ethic during her training years, dancing under Virgina Johnson in the newly revived Dance Theater Of Harlem and what it was like to make the move to a larger company in the middle of her career. If you'd like to see Chyrstyn perform, stay tuned to the Boston Ballet website at bostonballet.org. LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/mail-COD Hosted on Acast. See acast.com/privacy for more information.

News

NTD News Today—2/7/20241. Court: First Amendment Doesn't Protect Mask Refusal2. House Vote to Impeach Mayorkas Fails3. Mayorkas Impeachment: Delayed, Not Failed?4. Biden Blames Trump for Opposing Border Bill5. How to Protect Integrity of U.S. Asylum System6. NYC Mayor Backs Sanctuary Status, With Exceptions7. Denver Shelters to Kick Out 800 Illegal Immigrant Families8. 40K Migrants Crossed Darien Gap So Far This Year9. Pre-Paid Credit Cards for Illegal Immigrants, NYC Responds10. DC Appeals Court Rules Trump Doesn't Have Immunity11. Attorney: Immunity Rejection Doesn't Mean Trump Conviction12. Nevada: More Votes for ‘None of the Above' Than Haley13. Trump Wins Endorsement From Iupa Police Union14. Biden Plans NYC Fundraiser Alongside Obama, Bill Clinton15. ESPN, Fox, and Warner Team Up for Streaming Platform16. US-Russia Clash at U.N. Over Missiles17. US Should Assist if Ukraine General Replaced: Coates18. Sweden Ends Nord Stream Sabotage Investigation19. Macron Holds Ceremony in Tribute to Hamas Victims20. Albanian Mafia Probe: 30 Arrested in Ecuador, Spain21. Decades of Research Gone: Freezer Fails in Sweden22. Lufthansa Strike Hits Air Travel in Germany23. Taiwan Prepares for Lunar New Year Celebrations24. Clockwork Treasures From China's Forbidden City: Exhibition25. Reporter Slaps Self While Shooing Pesky Pest26. Orcas Escape After Being Trapped in Drift Ice27. Belgium Bans Import of Trophies From Endangered Species28. 285-Year-Old Lemon Lands Big Bids29. U.S. Military Helicopter Missing in California30. Court: First Amendment Doesn't Protect Mask Refusal31. House Vote to Impeach Mayorkas Fails32. Impact of Potential Mayorkas Impeachment on Public Opinion33. How Effective Will the Senate Border Bill Be?34. Does Influx of Border Crossers Have Impact on Election?35. Hamas Proposes 135-Day Truce, Israeli Withdrawal36. Blinken Visits Israel to Discuss Truce Proposal37. U.S. Lawmakers Host Israeli Officials, Families38. Republican Senators Call on McConnell to Step Down39. DC Appeals Court Rules Trump Doesn't Have Immunity40. Trump Wins Endorsement From Iupa Police Union41. Biden Plans NYC Fundraiser Alongside Obama, Bill Clinton42. NYC Mayor Backs Sanctuary Status, With Exceptions43. Denver Shelters to Kick Out 800 Illegal Immigrant Families44. 40K Migrants Crossed Darien Gap So Far This Year45. Ex-Top Baltimore Prosecutor Convicted of Falsifying Document46. 70 NY Housing Workers Allegedly Took Bribes47. Heavy Rainfall in Calif. Triggers Flooding, Mudslides48. Lloyd Austin Agrees to Testify on Hospitalization49. Janet Yellen Opposes World Bank Lending to China50. Winter Weather Disrupts Millions Over Chinese New Year51. US-Russia Clash at U.N. Over Missiles52. Sweden Ends Nord Stream Sabotage Investigation53. Macron Holds Ceremony in Tribute to Hamas Victims54. Albanian Mafia Probe: 30 Arrested in Ecuador, Spain55. Lufthansa Strike Hits Air Travel in Germany56. Decades of Research Gone: Freezer Fails in Sweden57. Major Brands Pay $7 Million for Super Bowl Ads58. Simple Tips for a Happy, Long-Lasting Marriage59. From Baseball Player to Principal Dancer

On today's episode of 'Conversations On Dance', we are joined by Katlyn Addison, principal dancer with Ballet West. Katlyn takes us on the journey through her early training days in Canada, the decision to take a risk by leaving her first major company for new terrain, and how that risk paid off through years of hard work and steady promotions. Katlyn will be making her premiere as Odette/Odile in Ballet West's upcoming performances of 'Swan Lake', which is having its run this February 9th through the 17th. If you are in the Salt Lake City area and would like to purchase tickets, visit balletwest.org. LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/mail-COD Hosted on Acast. See acast.com/privacy for more information.

Today I am speaking with Steven McRae, Principal Dancer with the Royal Ballet, London. Steven grew up in Western Sydney, in a suburb called Plumpton, 45kms West of Sydney. His Dad was a drag car racer, and no one in the family had ever learnt to dance. But somehow, dance found Steven, And at the age of 7, he asked his Mum and Dad if he could start dance lessons and he enrolled in a local studio around the corner from home. It was a life changing decision. By 17, he had not only won the Genée and the Prix de Lausanne, he was standing alone in London having been accepted into the Royal Ballet School—his heartbroken mother on the plane home. In this beautifully candid conversation, Steven talks about his journey to Principal at the Royal Ballet by the age of 23— and that, it's not all as it seems; he speaks about early bullying, crippling home sickness, not always fitting in, and devastating injuries.But Steven speaks of more than that; he talks about starting his own family with his wife Elizabeth Harrod—also a dancer at the Royal Ballet, his post retirement plans, and the moment he snapped his Achilles tendon live on stage in front of 2,500 people, and how he climbed back from the impossible, to perform with the Royal Ballet once again.Steven continues to perform as a Principal Artist with the Royal Ballet in London, all the while juggling life with his wife Elizabeth and their 3 children Audrey, Frederick and Rupert. If you're in London, the Royal Ballet is back on stage, for show times and tickets head to roh.org.uk, and to follow all of Steven's adventures, you can follow him @StevenMcRae_Steven and I recorded our conversation remotely, with Steven dialling in from London, while the podcast recorded on the Gadigal People of the Eora Nation, to whom we pay our greatest respects.Production dream team ✨Hosted by @byclaudialawsonProduced by @fjordreviewAdditional Production @clinttopicSound & Editing @outputmediaStudios @brightsidesydney@sawtoothstudios

Ballerina Misty Copeland is the first African American woman to become a Principal Dancer at the American Ballet Theatre. Katty spoke to Misty at Lincoln Center in New York City.

Today we're am speaking with the magnificent Amy Harris, Principal Dancer with the Australian Ballet. Amy, grew up in the small town of Ararat in rural Victoria, and along with her two sisters, learnt tap, ballet and jazz at her local hall. From there it was the dream run—at 15, Amy was accepted into the Australian Ballet School, before being offered a contract with the Australian Ballet Company on graduation—by the newly appointed director David McAllister no less. For many aspiring dancers, it was the dream run. But from here, Amy's journey changed speeds. In this beautifully candid interview Amy talks about the highs and the lows of her career, about body confidence, becoming pregnant, her mid-year interviews with David McAllister, and ultimately coming to terms with not being made a principal dancer—until magically, 17 years later and newly pregnant with her second child, she was.Amy continues to perform as a Principal Artist with the Australian Ballet, all the while juggling life with her husband Senior Artist Jarryd Madden and their two cherished children Willow and Phoenix. While retirement is not yet in sight, in her spare time Amy is training as a wedding celebrant. To continue to follow all of Amy's adventures, you can find her on Instagram @amyharris_7This episode is sponsored by Bloch. Listen for a promo code, valid through September. Full T&C's on www.bloch.com.auTalking Pointes is recorded in Sydney on the land of the Gadigal People of the Eora Nation, to whom we pay our greatest respects.Production dream team ✨Hosted by @byclaudialawsonProduced by @fjordreviewAdditional Production @clinttopicSound & Editing @outputmediaStudios @brightsidesydney@sawtoothstudios

While dance is often underfunded and under-recognized, leaders in the field acknowledge the incredible talent that lives within every dancer, reminding them that they are, in fact, ‘Acrobats of God'. Today's guest embodies the purpose of the Movers and Shapers: A Dance Podcast; to share insights from those who shape the dance field, and create an archive that preserves rich, personal experiences across generations. During this episode, Jeanne Ruddy shares what it was like to be a member of the Martha Graham Dance Company, and to work with Martha herself. You'll also hear how she forged her own unique role in dance, how she encourages other artists to flourish, and her passion for nurturing future generations of dancers in Philadelphia. Tuning in, you'll learn all about Jeanne's journey as a dancer, and finding her way to creative expression thereafter. Join us to hear all about the highs and lows of our guest's incredible career today.  Key Points From This Episode: ·       Her first experiences of dance and her lifelong love of music. ·       The changing dance scene of the 1960s. ·       The pivotal period of time for a dancer between 16 and 21. ·       Her experience at North Carolina School of the Arts and Utah Repertory Dance Theatre.  ·       Traveling to New York and starting a company with no capital.  ·       Getting a huge break with Yuriko Kikuchi after auditioning with Getting to Know You.  ·       Being chosen to be in the Martha Graham Dance Company and enjoying a ten-year career.  ·       Why Martha would sit in the second wing, stage right, in a director's chair, during performances. ·       The eventual decision to leave the company due to pain.  ·       The birth of the Performance Garage in Philadelphia.   ·       The program Jeanne currently facilitates for dancers.  ·       What Martha Graham taught: dancers are acrobats of God.  “I walked out of Deaths and Entrances, I was definitely a child of the 60s, and I didn't like it. Seven years later, I was playing one of the sisters in that very piece in Lincoln Centre. I loved it.” — Jeanne Ruddy  Jeanne Ruddy is a former Principal Dancer with the Martha Graham Company where she performed throughout the World, on Broadway, served on the faculties of The Juilliard School, Alvin Ailey School, colleges and universities in the US and abroad, founded Jeanne Ruddy Dance, and a center for dance – the Performance Garage, in Philadelphia. More on the episode: Movere & Shapers Follow Movers & Shapers: Instagram and Facebook The organization behind the podcast: The Moving Architects presents "O my soul", where fierce femininity and intergenerational dance meet. Dec 1 in Montclair, NJ. For more info: The Moving Architects

“Dance Talk” ® with Joanne Carey and special guest, Dawn Atkins, principal dancer with Miami City Ballet.  In this episode of  “Dance Talk” ® with Joanne Carey,  join host Joanne Carey as she chats with Special Guest, Dawn Atkins, principal dancer with Miami City Ballet.  They chat about Dawn's recent appointment as principal dancer with Miami City Ballet and her upcoming season. Tune in and hear them share their thoughts on dancers as givers who touch the audience perhaps when they didn't even know they needed it. Dawn shares her desire to be someone positive in the room as well as her advice to dancers on the importance of developing their whole person, for that is the person audiences see on stage, not just the character you are portraying. Dawn Atkins  began her dance training in Rutland, Vermont and upon moving to Virginia, continued her dance training with The School of Richmond Ballet.  She attended North Carolina School of the Arts on scholarship, under the direction of Ethan Stiefel.  Dawn joined Boston Ballet School as a trainee in 2011 and Boston Ballet II in 2012. In 2013, she was a Princess Grace Award nominee and was promoted to Artist of the Company. Dawn was promoted to Second Soloist at Boston Ballet in 2019. She joined Miami City Ballet as soloist in 2021. Atkins was promoted to the rank of principal soloist in 2022. Follow on Instagram @dawnatkinshilty Find out more about Dawn Atkins and Miami City Ballet https://www.miamicityballet.org/portfolio/dawn-atkins ⁠ Follow Joanne Carey on Instagram @westfieldschoolofdance And follow  “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. Tune in. Follow. Like us. And Share. Please leave us review about our podcast!  “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Our hosts David Graver and Indrani Pal-Chaudhuri are delighted to chat with the brilliant Julian MacKay, the first American to graduate from the Bolshoi Ballet Academy with a full Russian Diploma having completed both the upper and lower school, and Principal Dancer at The Bayerisches Staatsballett. Graduating in the top of his class, he was hailed as "Apollo" and the next Nureyev by Russian dance critics. In this episode of The Accutron Show, Julian talks about his experience, upbringing and the challenges (as well as successes) to keep ballet interesting. He also discusses engaging with young audiences in today's world that is dominated by technology. Tune in and dance this episode away with us. EPISODE HIGHLIGHTS11:00 The approach and perceptions on the classical arts is changing. My goal is to make sure that someone my age is excited about the ballet experience. It has a lot to do with the stories we tell, the way we tell them, the people that are represented on stage and who those people are marketed and shown to. 22:43 The beauty and challenge of ballet today is how to bring into modern times characters and stories that were written and conceived centuries ago. As a dancer, I have to understand the original character and how that character would behave today. For example Cinderella, if I am to play the prince, I have to ask myself how would a prince treat a woman today? 29:40 When you take a different approach, rather than the doom and gloom and you put in something beautiful and say "Hey, we are going to create hope and inspire a generation to sort this out," it can lead to something that is unexpected. Because dance and ballet communicate in a way that is even more powerful than words sometimes.

Artistic Director of Pacific Northwest Ballet and Director of the company's affiliated school, Peter Boal was a Principal Dancer with New York City Ballet for over 20 years. Peter shares with Alicia the importance of moving to Fleetwood Mac in his childhood living room, how he lived a "double life" until classmates saw him perform in The Nutcracker, and what it was like to learn from famed dancer, choreographer, and director Jerome Robbins. He also discusses his arrival at PNB, how he has worked to broaden audience involvement and widen the company's approach to inclusivity. Peter discusses his new memoir and gives Alicia a valuable parenting tip.Check out Peter Boal on Instagram.To learn more about Peter, read his memoir Illusions of Camelot.Learn more about Pacific Northwest Ballet on Instagram and the web.Follow Moving Moments on Instagram.Follow Alicia on Instagram.You can find out more about Artful Narratives Media on Instagram or the web.The Moving Moments theme song was composed by Saul Guanipa for Videohelper.Moving Moments was co-created by Alicia Graf Mack, Jessica Handelman, and David Krauss.This interview has been edited and condensed to fit the time format.Episode copyright © 2023 Artful Narratives Media. Hosted on Acast. See acast.com/privacy for more information.

Principal Dancer with Alonzo King LINES Ballet Adji Cissoko attended the Ballet Academy Munich and the Jacqueline Kennedy Onassis School at American Ballet Theatre in New York City on a full scholarship before joining the National Ballet of Canada. Adji shares with Alicia how she fell in love with classical ballet at a young age, and ultimately appreciated her musicality, joyful soul, and long limbs as a natural fit for the improvisational work of the LINES company. She describes the adjustment from dancing with a large ballet company to a significantly smaller one, the overwhelming experience of auditioning for Alonzo, and how she is her happiest and performs her best when she is not trying to be like anyone else.Check out Adji Cissoko on Instagram or on the web.Learn more about Alonzo King LINES Ballet on the web.Follow Moving Moments on Instagram.Follow Alicia on Instagram.You can find out more about Artful Narratives Media on Instagram or the web.The Moving Moments theme song was composed by Saul Guanipa for Videohelper.Moving Moments was co-created by Alicia Graf Mack, Jessica Handelman, and David Krauss.This interview has been edited and condensed to fit the time format.Episode copyright © 2023 Artful Narratives Media. Hosted on Acast. See acast.com/privacy for more information.

Join host Joanne Carey as she chats with Special Guest: Gina Tse, Artistic Director International dance School, Stockholm, Sweden This episode of “Dance Talk” ® with Joanne Carey, is a part of an exciting series Joanne has created that is focusing on the work of Artistic Directors titled: Artistic Directors; "Creating the Torch: Legacy, Mission, Vision; Making and Keeping, History in the 21st Century" Within the series, several guests join Joanne to dive into the responsibility of carrying on the mission and legacy of well established and often world famous dance companies, dance institutions and academies as well as the journey of artistic directors who are forming and have created new dance companies and institutions; all whom are paving the way in the dance world, making their artistic mark for generations to come. In this episode, Joanne sits down, across time zones, with Gina Tse, to discuss Gina's artistic vision and the freedom of creating a dance organization from the ground up and in doing so is instilling the mission of "giving back — teaching from the heart to spread the joy of dance". By keeping the love of the art form, the well-being of her students, and the leadership of her staff at the forefront, Gina has taken both her extraordinary dance and theater background as well as her professional career as a principal dancer with the Royal Swedish Ballet, to create a school where the joy of artistry is nurtured and the vehicle of dance is used as the building blocks of life. Gina Tse began her ballet training at 3 years of age and commenced her pre-professional training at The Royal Ballet School in London seven years later. She was a dancer with English National Ballet before joining The Royal Swedish Ballet  in 2004. There, she was promoted to First Soloist in 2007 and Principal Dancer in 2011–– the same year she was awarded Dancer of the Year in Stockholm. She danced with Stockholm 59°North soloists and was also nominated for Benois de la Dance in Moscow at the Bolshoi Theatre in 2016. Gina has danced for The Swedish Royal Family on numerous occasions, including The Nobel Banquet, and has performed Swan Lake for the Opening of Parliament. Gina's instrumental role in the development of The International Ballet School and Arts Centre has been constant. From teaching 3 year olds the thrill of movement within classical dance steps, to preparing her pre-professionals and Trainee Professionals for coming careers at the world's leading ballet schools and companies, her infectious love of dance and performance is contagious. With a remarkable 100% graduate success rate, it's no surprise that Gina Tse and the IBS teaching staff are in demand. Students and professionals from near and far regularly turn to IBS for masterful preparatory ballet training, and IBS senior associates have won scholarships from Carina Ari Foundation, as well as Gold and Silver Medals at the AED International Dance Competition held in Italy. Gina and her staff have taught at numerous summer dance workshops and schools across the globe. You can find more information on the International Dance School, their programs and offerings, on their website https://www.internationalballet.se/ Follow her on Instagram @balletiner https://instagram.com/balletinter?igshid=MzRlODBiNWFlZA== “Dance Talk” ® with Joanne Carey  "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real." Follow Joanne Carey on Instagram @westfieldschoolofdance Tune in. Follow. Like us. And SHARE! Please leave us review about our podcast! 

Join host Joanne Carey as she chats with Special Guest: Gina Tse, Artistic Director International dance School, Stockholm, Sweden This episode of “Dance Talk” ® with Joanne Carey, is a part of an exciting series Joanne has created that is focusing on the work of Artistic Directors titled: Artistic Directors; "Creating the Torch: Legacy, Mission, Vision; Making and Keeping, History in the 21st Century" Within the series, several guests join Joanne to dive into the responsibility of carrying on the mission and legacy of well established and often world famous dance companies, dance institutions and academies as well as the journey of artistic directors who are forming and have created new dance companies and institutions; all whom are paving the way in the dance world, making their artistic mark for generations to come. In this episode, Joanne sits down, across time zones, with Gina Tse, to discuss Gina's artistic vision and the freedom of creating a dance organization from the ground up and in doing so is instilling the mission of "giving back — teaching from the heart to spread the joy of dance". By keeping the love of the art form, the well-being of her students, and the leadership of her staff at the forefront, Gina has taken both her extraordinary dance and theater background as well as her professional career as a principal dancer with the Royal Swedish Ballet, to create a school where the joy of artistry is nurtured and the vehicle of dance is used as the building blocks of life. Gina Tse began her ballet training at 3 years of age and commenced her pre-professional training at The Royal Ballet School in London seven years later. She was a dancer with English National Ballet before joining The Royal Swedish Ballet  in 2004. There, she was promoted to First Soloist in 2007 and Principal Dancer in 2011–– the same year she was awarded Dancer of the Year in Stockholm. She danced with Stockholm 59°North soloists and was also nominated for Benois de la Dance in Moscow at the Bolshoi Theatre in 2016. Gina has danced for The Swedish Royal Family on numerous occasions, including The Nobel Banquet, and has performed Swan Lake for the Opening of Parliament. Gina's instrumental role in the development of The International Ballet School and Arts Centre has been constant. From teaching 3 year olds the thrill of movement within classical dance steps, to preparing her pre-professionals and Trainee Professionals for coming careers at the world's leading ballet schools and companies, her infectious love of dance and performance is contagious. With a remarkable 100% graduate success rate, it's no surprise that Gina Tse and the IBS teaching staff are in demand. Students and professionals from near and far regularly turn to IBS for masterful preparatory ballet training, and IBS senior associates have won scholarships from Carina Ari Foundation, as well as Gold and Silver Medals at the AED International Dance Competition held in Italy. Gina and her staff have taught at numerous summer dance workshops and schools across the globe. You can find more information on the International Dance School, their programs and offerings, on their website https://www.internationalballet.se/ Follow her on Instagram @balletiner https://instagram.com/balletinter?igshid=MzRlODBiNWFlZA== “Dance Talk” ® with Joanne Carey  "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real." Follow Joanne Carey on Instagram @westfieldschoolofdance Tune in. Follow. Like us. And SHARE! Please leave us review about our podcast! 

Tiler Peck is a Principal Dancer with the New York City Ballet and is also an actor and author. Tiler has been seen on Broadway in The Music Man, On The Town, and Little Dancer. This episode, Tiler discussed the differences between dancing in a Broadway show and being part of the New York City Ballet. She shares how she felt making her Broadway debut at the age of 11, in the 2000 revival of The Music Man with Susan Stroman, explains the musicality and speed required to dance in the George Balanchine style, and details her efforts to care for her mind and body off stage.  New York City Ballet RAGTIME concert with the BSO Tiler on TikTok Neuro Gum Link for 20% off Stages listeners Strip Makeup link for 25% off Stages listenersSupport the show: http://www.stagespodcast.netSee omnystudio.com/listener for privacy information.

Join host, Joanne Carey as she sits down with Special Guest, Emilie Gerrity, newly promoted Principal Dancer with New York City Ballet. In this episode of "Dance Talk®" with Joanne Carey, Emilie candidly shares with Joanne her excitement surrounding her recent promotion to Principal Dancer and what that responsibility means to her. Emilie also shares that she continues to cherish her very first dance teacher who saw her promise as a young dancer and wants to be the best role model she can be for the new generation of dancers. Listen in as Emile talks about coming up through the ranks of New York City Ballet and the day she received the surprise announcement while waiting in the wings. Emilie wants people to know that hard work pays off, and this enchanting ballerina knows that her new role is just beginning. It's always a delight to chat with Emilie and even her cherished doggies, Fred and Maisel, joined the conversation. Emilie Gerrity was born in Danbury, Connecticut, and began her dance training at the age of five at Betty Jean's Dance Studio in Wappingers Falls, New York before studying at the New Paltz School of Ballet. Ms. Gerrity attended summer courses at the School of American Ballet, the official school of New York City Ballet, during the summers of 2004, 2005, and 2006, before enrolling as a full-time student in winter 2006. While at SAB, she performed George Balanchine's Concerto Barocco as part of Protégés II at the Kennedy Center in Washington, D.C. in June 2008. Ms. Gerrity was named as an apprentice in 2009 and joined the Company as a member of the corps de ballet in September 2010. In February 2023, Ms. Gerrity was promoted to principal dancer. Ms. Gerrity was a recipient of the Mae L. Wien Award for Outstanding Promise in 2009. You can also catch the January 2022 IGLive interview with Joanne Carey on Instagram @westfieldschoolofdance "Dance Talk” ® with Joanne Carey “Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real." Tune in, Follow, Like us and SHARE! And don't forget to leave us a review!

One of the most acclaimed dancers of our time, Wendy Whelan had a distinguished career for three decades as Principal Dancer at New York City Ballet, before becoming the first female to take on a leadership role with the company as Associate Artistic Director. Wendy and Alicia reminisce about taking classes together at Steps on Broadway, discuss Wendy's early struggles to be cast in a wider array of roles, and talk about Wendy's hope to leave a legacy of support for future generations of dancers.Check out Wendy Whelan on Instagram or at New York City Ballet.Learn more about Restless Creature here.Follow Moving Moments on Instagram.Follow Alicia on Instagram.You can find out more about Artful Narratives Media on Instagram or the web.The Moving Moments theme song was composed by Saul Guanipa for Videohelper.Moving Moments was co-created by Alicia Graf Mack, Jessica Handelman, and David Krauss. This interview has been edited and condensed to fit the time format.Episode copyright © 2023 Artful Narratives Media. Hosted on Acast. See acast.com/privacy for more information.

Principal Dancer with American Ballet Theatre James Whiteside is unapologetically authentic and celebrated for doing the unthinkable. He talks about falling in love with ballet for the first time, becoming aware of his weaknesses and working to overcome them, and his "dream" workplace, American Ballet Theatre. James also lets Alicia in on the secrets to being a "Cindy." Check out James Whiteside on Instagram, Facebook, Twitter, YouTube, or the web.Follow Moving Moments on Instagram.Follow Alicia on Instagram.You can find out more about Artful Narratives Media on Instagram or the web.The Moving Moments theme song was composed by Saul Guanipa for Videohelper.Moving Moments was co-created by Alicia Graf Mack, Jessica Handelman, and David Krauss. This interview has been edited and condensed to fit the time format.Episode copyright © 2023 Artful Narratives Media. Hosted on Acast. See acast.com/privacy for more information.