Podcast appearances and mentions of Christopher Wheeldon

Peloton tweaks their UX...but then puts it back.

We're joined by Kirven, the multi-talented Artistic Director behind Saint Louis Dance Theatre, formerly Big Muddy Dance Company. began his formal dance training at the Boston Arts Academy in 1999 and as a member of Boston Youth Moves under the artistic direction of Jeannette Neil and Jim Viera. He began his professional career as a member of Ailey II from 2002–2004 and performed at Jacob's Pillow Dance Festival as a member of Battleworks Dance Company in 2003. In June 2004, Mr. Douthit-Boyd joined the Alvin Ailey American Dance Theater performing both nationally and internationally for 11 years. During his tenure with the company, he performed leading roles in works choreographed by Alvin Ailey, Judith Jamison, Robert Battle, Ron K. Brown, Geoffrey Holder, Jiri Kylian, David Parsons, Camille A. Brown, Ulysses Dove, Christopher Wheeldon, Hofesh Shecter, Twyla Tharp, Wayne McGregor and Ohad Naharin. He joined COCA-Center of Creative Arts in 2015 as Co-Artistic Director of Dance with his husband Antonio Douthit-Boyd. In 2016, Mr. Douthit-Boyd joined Ron K. Brown/Evidence, A Dance Company as a guest artist.Saint Louis Dance Theatre, formerly The Big Muddy Dance Company, is a dynamic arts organization dedicated to providing world-class contemporary dance performances and exhilarating theatre experiences in our great city. Their 24-25 (RE)Imagine Season is sure to astound, with an exceptional repertoire created by celebrated artists from around the globe, and intentional efforts to pull audiences closer to our movement. Every moment behind the curtain is sure to captivate, every step is sure to inspire, and they will take every bow in celebration of the manifestation of their dreams. Come lose yourselves in this art!  Support the show

Working with narcissistic leaders in dance and experiencing dehumanization as a dancer are sad realities that many dancers face, especially in the professional ballet world. In today's episode, we are talking about how dancers can reclaim a sense of agency over themselves and their journeys even in the midst of this broken system. Melody Mennite Principal ballerina formerly with Houston Ballet and currently dancing with Vitacca Ballet. She has toured internationally to perform the classics as well as contemporary work in dance. Some of her classical Principal roles include Odette/Odile, Aurora, Kitri, Sugar Plum Fairy and Clara in The Nutcracker, Cinderella, Manon, Juliet, The Sylph in Bournanville's La Sylphide, Nikya in La Bayadere, Ciao Ciao San in Madame Butterfly, Marie in the ballet Marie, Tatiana and Olga in Onegin, Stephanie and Mary Vetsera in Meyerling, Swanhilda in Coppelia, Valencienne in The Merry Widow, and Lise in La Fille mal Gardee. Melody's most recent international appearance was in the role of Juliet for the Houston Ballet's Romeo and Juliet tour to Melbourne, Australia. During Melody's professional career she has also originated roles in new classical and contemporary productions by choreographers Christopher Wheeldon, Justin Peck, Stanton Welch, Ben Stevenson, Christopher Bruce, Jorma Elo, Cathy Marston, Paul Taylor, Aszure Barton, Nicole Fonte, Annabelle Lopez Ochoa, Olivier Wevers, Oliver Halkowich, Jane Weiner, and Garret Smith as well as in her dual role as dancer/choreographer for several films. Melody enjoys all forms of dance and has extensive training and experience with styles rooted in classical ballet, contemporary, jazz, and hip hop. She is passionate about both learning and teaching what she has learned with others. Ms. Mennite has graced the cover of both Dance Magazine and Dance Europe and is celebrated as the Audrey Hepburn of ballet due to her dynamic acting and a predisposition for comedic roles. As an actor Melody has achieved two award winning performances in film and continues to build this part of her resume. To read the rest of Melody's impressive resume, visit the description of our other recent episode together. Watch this episode on Youtube: https://youtu.be/Xa0Mno0uWlk To learn more about my mindset coaching and speaking services, visit kirstenkemp.com To stay up to date on the latest announcements and blog posts at The Confident Dancer, sign up to be a part of my email newsletter community here: http://eepurl.com/gDmjtz To follow along for daily tips and behind-the-scenes looks at what I'm up to, follow me on Instagram at @kirsten_theconfidentdancer _______________________________________________ WORK WITH ME 1:1! THE CONFIDENT DANCER COACHING PROGRAM: A 1:1 Coaching Program to master the mental side of dance so you can confidently perform to your fullest potential. Perfect for pre-professional, professional, or recreational dancers wanting overcome mental blocks like self-doubt, performance anxiety, perfectionism, comparison, insecurities, etc., and build a truly confident mindset that allows you to perform your personal best with joy. Learn more and apply here: https://kirstenkemp.com/confident-dancer-coaching-program#confident-dancer _________________________________________________ SPEAKING & WORKSHOPS: I offer mindset seminars to equip dancers with the inspiration and practical tools to thrive in their well-being and ability to perform their personal best. These 60-90 minute seminars can be a valuable addition to the holistic support and education of your dancers at your next intensive, year-round program, or professional development opportunity for your company dancers. Learn more and inquire here: https://kirstenkemp.com/speaking-and-workshops#speaking-and-workshops

Roz Hervey has enjoyed a 30-plus-year career as a dancer, choreographer, director and producer. So, how does she respond when life throws her a challenge which will certainly bring those adventures to a halt? In the face of a recent diagnosis of Motor Neurone Disease (MND), Roz has continue throwing all of her energies into the arts.Also, we ask the multi-award-winning English director and choreographer Christopher Wheeldon, choreographer of a new ballet inspired by Oscar Wilde, which works of art most inspire him, and we celebrate 60 years of the Australian Ballet School with the school's new director Megan Connelly and one of the school's most famous graduates, Graeme Murphy. 

Melody Mennite - Principal ballerina formerly with Houston Ballet and currently dancing with Vitacca Ballet. She has toured internationally to perform the classics as well as contemporary work in dance. Some of her classical Principal roles include Odette/Odile, Aurora, Kitri, Sugar Plum Fairy and Clara in The Nutcracker, Cinderella, Manon, Juliet, The Sylph in Bournanville's La Sylphide, Nikya in La Bayadere, Ciao Ciao San in Madame Butterfly, Marie in the ballet Marie, Tatiana and Olga in Onegin, Stephanie and Mary Vetsera in Meyerling, Swanhilda in Coppelia, Valencienne in The Merry Widow, and Lise in La Fille mal Gardee.Melody's most recent international appearance was in the role of Juliet for the Houston Ballet's Romeo and Juliet tour to Melbourne, Australia. During Melody's professional career she has also originated roles in new classical and contemporary productions by choreographers Christopher Wheeldon, Justin Peck, Stanton Welch, Ben Stevenson, Christopher Bruce, Jorma Elo, Cathy Marston, Paul Taylor, Aszure Barton, Nicole Fonte, Annabelle Lopez Ochoa, Olivier Wevers, Oliver Halkowich, Jane Weiner, and Garret Smith as well as in her dual role as dancer/choreographer for several films. Melody enjoys all forms of dance and has extensive training and experience with styles rooted in classical ballet, contemporary, jazz, and hip hop. She is passionate about both learning and teaching what she has learned with others. Ms. Mennite has graced the cover of both Dance Magazine and Dance Europe and is celebrated as the Audrey Hepburn of ballet due to her dynamic acting and a predisposition for comedic roles. As an actor Melody has achieved two award winning performances in film and continues to build this part of her resume. Also from a musical family Ms. Mennite was singing onstage before she ever started training in dance. She has been professionally recorded and released and has performed leading singing roles in regional productions of both West Side Story and Oklahoma. Melody's choreography has been featured on film, in music videos, and on ballet stages throughout the United States. In the last ten years she has been commissioned to create thirteen separate works nationally. Her hobbies include spending time in the outdoors, spending time with her son and two dogs, singing/making music, reading, writing, and practicing new ways to make art. Watch this episode on Youtube! https://youtu.be/9F17DkF13L0 To follow along for daily tips and behind-the-scenes looks at what I'm up to, follow me on Instagram at @kirsten_theconfidentdancer ________________________________________________ THE CONFIDENT DANCER COACHING PROGRAM: A 1:1 Coaching Program to master the mental side of dance so you can confidently perform to your fullest potential. Perfect for pre-professional, professional, or recreational dancers wanting overcome mental blocks like self-doubt, performance anxiety, perfectionism, comparison, insecurities, etc., and build a truly confident mindset that allows you to perform your personal best with joy. Learn more and apply here: https://kirstenkemp.com/confident-dancer-coaching-program#confident-dancer ______________________________________________ ONLINE COURSES: My online course offerings are a wonderful way to learn the practical steps to retraining your mind so you can thrive and excel in your dancing, all at your own pace and for a more affordable price than individual coaching. Whether your goal is to break through fear and nervousness so you can show up confidently in your auditions or you want to release the self-criticism or self-doubt that's been draining all the joy out of dancing lately, The Confident Dancer Course and rotating mini-courses available are designed to help you do just that. Learn more and enroll here: https://kirstenkemp.com/online-course-offerings

This week, Associate Music Director Andrews Sill invites us to See the Music of Igor Stravinsky's Scènes de Ballet, the eponymous score for Christopher Wheeldon's 1999 work. Sill relates that the piece was composed in 1944 for Broadway impresario Billy Rose, and drew inspiration from both world events and a variety of creative sources—including the ballet Giselle—as with so many of Stravinsky's singular compositions. (12:49) Edited by Emilie Silvestri Music: Symphony in Three Movements (1945) by Igor Stravinsky Scènes de Ballet (1944) by Igor Stravinsky, Performed by Israel Philharmonic Orchestra Who Cares?: The Man I Love (1924) by George Gershwin, Performed by Royal Philharmonic Orchestra Scènes de Ballet (1944) by Igor Stravinsky, Performed by BBC Symphony Orchestra

We review three new West End musicals; Sister Act, with music by Alan Menkin and starring Beverly Knight; MJ the Musical, directed and choreographed by Christopher Wheeldon and starring Miles Frost who reprises his Tony Award winning performance as Michael Jackson; and finally, Ivo Van Hove's new production, Opening Night, with music by Rufus Wainwright and starring Sheridan Smith. Hosted on Acast. See acast.com/privacy for more information.

This week on Finding Your Bliss, we have our annual holiday special! Life Coach and Bliss Expert Judy Librach is joined by Prima Ballerina Heather Ogden (The National Ballet of Canada) and our very own film critic, Thom Ernst!

Nutcracker returns once again to Chicago's Lyric Opera! A part of many folks' holiday traditions, Ioanna and Aaron are so excited to learn about the show from Joffrey Ballet Company Artist, Victoria Jaiani! In her 20th year with the company, Victoria will fill the role of “The Mother” in this year's Nutcracker. We chat with her about the timeless beauty of the show, and what it means for her to continue performing 20 years after joining Joffrey. Victoria twirls us a tale of history as we hear about how she learned to dance in her home country of Georgia before going to New York for further learning. Plus, she shares some behind the scenes highlights from her time with Joffrey. And learn more about what it takes to create such beautiful art! And (so cute), Victoria is married to retired Joffrey dancer Temur Suluashvili! She is kind, funny, and so seasoned in the art of dance, so you won't want to miss this interview! Follow Joffrey: @joffreyballet Follow Victoria: @victoriajaiani Get Tickets Now: (https://joffrey.org/) Nutcracker 2023 (Description From Joffrey Ballet) The Joffrey Ballet's critically-acclaimed reimagined classic, The Nutcracker by Tony Award®-winning choreographer Christopher Wheeldon, returns to celebrate the magic of the holiday season. Wheeldon's American tale relocates Marie and her immigrant family to the Chicago World's Fair in 1893, where Marie embarks on a whirlwind adventure with the Nutcracker Prince. A ballet in two acts set to Tchaikovsky's classic score, The Nutcracker features an award-winning creative team, including Tony Award®-nominated set and costume designer Julian Crouch, Caldecott Medal Award-winning author Brian Selznick, Obie and Drama Desk award-winning puppeteer Basil Twist, Tony Award®-winning lighting designer Natasha Katz and Tony Award®-winning projection designer Ben Pearcy/59 Productions.

In this episode of  “Dance Talk” ® with Joanne Carey,  join host Joanne Carey as she chats with Special Guest: Gavin Larsen, retired professional ballerina, author, writer and teacher. Gavin sits down with Joanne and talks about her career as a professional dancer, a writer and a teacher. Together they also reminisce; sharing dance stories from Gavin's book: Being a Ballerina, The Power and Perfection of a Dancing Life , and her career. The beauty that is ballet is not only evident in Gavin Larsen's writing, but in her conversation and her ability to make her words dance. Gavin Larsen, Born and raised in New York City, Ms. Larsen received her professional dance training at the School of American Ballet, the Pacific Northwest Ballet School and the New York School of Ballet. In 1992, she joined Pacific Northwest Ballet under the direction of Kent Stowell and Francia Russell, leaving the company in 1999 to join the Alberta Ballet, directed by Mikko Nissinen. In 2002, she performed with the Suzanne Farrell Ballet as a soloist at the Kennedy Center in Washington, D.C. In 2003 Ms. Larsen joined Oregon Ballet Theatre as a principal dancer under artistic director Christopher Stowell. Over the course of her career, Ms. Larsen danced prominent roles in ballets by George Balanchine, Jerome Robbins, James Kudelka, Christopher Wheeldon and Paul Taylor, among others, and originated roles in numerous ballets. She retired from performing in 2010 to focus on teaching, coaching and writing about dance. She was a founding member of Incoroporamento, a collaborative trio combining dance, poetry, and music, producing several performances to critical acclaim. Ms. Larsen has taught and coached widely across the country and has been a guest teacher for schools in Japan and Canada. She has been a regular contributor for Pointe, Dance Teacher, and Dance Spirit magazines, and her essay “Why I Dance” appeared in Dance magazine in 2009. Her writing has appeared in Dance/USA's In the Green Room, Oregon ArtsWatch, the Dancing Times, as well as the Threepenny Review, Page & Spine, and The Maine Review. In 2015 she was honored with a fellowship to the Helene Wurlitzer Foundation in Taos, NM, to pursue her work as a writer. Her memoir, Being a Ballerina: The Power and Perfection of a Dancing Life, was published by the University Press of Florida in 2021. She lives in Asheville, NC. Follow @gavinlarsen on Instagram Find out more about Gavin on her website https://gavinlarsen.com/ Follow Joanne Carey on Instagram @westfieldschoolofdance And follow  “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. Tune in. Follow. Like us. And Share. Please leave us review about our podcast  “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

This week Jeremy and Reid have so much to say! Reid takes us through Christopher Wheeldon's “Like Water for Chocolate” with a fun romp through the Met opera house and many other topics such as cake and mulberries. Special guests include Nomi and hummingbird. ◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠ ⁠➩ WEBSITE⁠ ◦ ⁠YOUTUBE ⁠◦⁠ ⁠⁠INSTAGRAM⁠⁠ ⁠ ⁠➩ SUPPORT W/$.99⁠ ◦ ⁠PATREON⁠ ◦ ⁠THE MERCH⁠ ⁠➩ REID⁠ ◦ ⁠JEREMY⁠ ◦ ⁠JACK⁠ ◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠ ⁠➩ withdanceandstuff@gmail.com⁠ ◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠

This week: Thom Yorke and Stanley Donwood on their collaborative art, Wayne McGregor on his new choreographic work—a collaboration with the late Carmen Herrera—and Whistler's Mother returns to Philadelphia.Ahead of an exhibition of their work in London in September, we talk to Radiohead's Thom Yorke and Stanley Donwood—who has created the artwork with Yorke for every Radiohead album since 1994, as well the visuals accompanying Thom's solo records and side projects including the recent records by The Smile—about their collaboration. A new work for the UK's Royal Ballet by the choreographer Wayne McGregor premieres at the Royal Opera House in London on 9 June. Untitled, 2023 is a collaboration with the Cuban-American artist Carmen Herrera, developed before Herrera's death last year at the age of 106. We talk to McGregor about the piece and the intersection between visual art and choreography. And this episode's Work of the Week is one of the most famous pictures in the world: Arrangement in Grey and Black, better known as Whistler's Mother, by James Abbott McNeill Whistler. It's part of an exhibition called The Artist's Mother: Whistler and Philadelphia, curated by Jenny Thompson, and we speak to Jenny about the work and the show.Thom Yorke and Stanley Donwood: The Crow Flies will be at Tin Man Art, Cromwell Place, London in September – exact dates to be confirmed, visit tinmanart.com.Untitled, 2023, is at the Royal Opera House in London until 17 June, as part of the triple bill with Corybantic Games, a tribute to Leonard Bernstein by the Royal Ballet's artistic associate Christopher Wheeldon, and a revival of Anastasia Act III by Kenneth MacMillan.The Artist's Mother: Whistler and Philadelphia, Philadelphia Museum of Art, 10 June-29 October. Hosted on Acast. See acast.com/privacy for more information.

· Bike+ now available on Amazon. · The Peloton recall hits Canada.  · Peloton was featured at Google I/O 2023. · HBO's ‘And Just Like That' having difficulties lining up product placements because of Peloton.  · Peloton's former CFO featured on Fortune.com.  · Peloton's former CMO featured on TheDrum.com.  · Peloton's former Chief Commercial Offer named CEO of Beauty Pie.  · Chief Product Officer Tom Cortese shares a throwback post on IG.  · Android Developers YouTube channel talked to Peloton developers.  · Architectural Digest spoke with John Foley about his latest venture.  · Dr. Jenn -  How to make realistic workout goals.  · Kendall Toole hosted a cornhole watch party.  · Logan Aldridge featured in Well+Good. · Olivia Amato is doing a meet & greet at the Puma store in New York. · Bradley Rose spoke with Travel & Leisure about working out on vacation.  · Joslyn Thompson spoke with Fit & Well about core workouts.  · Emma Lovewell was on CBS Boston.  · Jenn Sherman is participating in the Philadelphia Eagles autism challenge.  · Jenn's Menn is auctioning off a 2nd Row bike at PSNY to raise money for Alzheimer's Association.  · Matt Wilpers, Andy Speer, Mariana Fernandez, and Marcel Dinkins did their timed mile.  · Michael Jackson Broadway Musical (directed by Ross Rayburn's husband Christopher Wheeldon) recoups investment.  · Angelo/MetPro -  Tips for when you're not eating enough.  · The latest artist series features Bruce Springsteen.  · Jenn Sherman was excited about the news.  · PCMag reviews the Avion Strong Series rower.  · Oura rings now integrate with Peloton.  · Andy Speer debuted Total Strength: Density Training. · Alex Toussaint teases outdoor walks.  · Birthdays:  Christian Vande Velde (5/22)         All this plus our interview with Carl Holubowich.   Love the show? Subscribe, rate, review, and share! https://www.theclipout.com/   Copyright 2023 See omnystudio.com/listener for privacy information.

Kirven Douthit-Boyd (Boston, MA) began his formal dance training at the Boston Arts Academy in 1999 and as a member of Boston Youth Moves under the artistic direction of Jeannette Neil and Jim Viera. Mr. Douthit-Boyd studied as a fellowship student at The Ailey School and on scholarship at the Boston Conservatory. He is a graduate of Hollins University where he earned an MFA in dance. ———  He began his professional career as a member of Ailey II from 2002–2004 and performed at Jacob's Pillow Dance Festival as a member of Battleworks Dance Company in 2003. In June 2004, Mr. Douthit-Boyd joined the Alvin Ailey American Dance Theater performing both nationally and internationally for 11 years. During his tenure with the company, he performed leading roles in works choreographed by Alvin Ailey, Judith Jamison, Robert Battle, Ron K. Brown, Geoffrey Holder, Jiri Kylian, David Parsons, Camille A. Brown, Ulysses Dove, Christopher Wheeldon, Hofesh Shecter, Twyla Tharp, Wayne McGregor and Ohad Naharin. He joined COCA-Center of Creative Arts in 2015 as Co-Artistic Director of Dance with his husband Antonio Douthit-Boyd. In 2016, Mr. Douthit-Boyd joined Ron K. Brown/Evidence, A Dance Company as a guest artist. ——— In 2010, Douthit-Boyd performed at the White House tribute to Judith Jamison hosted by then first lady Michelle Obama. He has also appeared as a guest artist in ballet and contemporary dance galas in Argentina, Mexico and Canada. He is the 2014 recipient of the “Black Theater Alliance Award” for his performance in Wayne McGregor's “Chroma,” the 2015 recipient of the “Next Generation in Leadership Award” from the Freedom House in Boston, the 2016 recipient of the Boston Arts Academy's “Apollo Award” the 2021 recipient of the “Excellence in the Arts Award” from the Arts and Education Council in St. Louis, and the 2022 recipient of the Dance Teacher Magazine Award. ——— Douthit-Boyd has choreographed workshops for The Ailey School, The Juilliard School, Webster University, Boston Arts Academy, Boston Youth Moves and COCA. He has also choreographed works for Dallas Black Dance Theater and Ailey II. He is an ABT® Certified Teacher, who has successfully completed the ABT® Teacher Training Intensive in Pre-Primary through Level 5 of the ABT® National Training Curriculum and has completed Lester Horton Pedagogy studies under Ana Marie Forsythe in New York and St. Louis. He has also served as Distinguished Performing Artist at Washington University in St. Louis, where he taught modern dance in the collaborative MFA program between the University and COCA. ———

Host and Associate Artistic Director Wendy Whelan is back with another New Combinations episode, chatting with long-time friend, former ballet partner, and Tony Award-winning choreographer Christopher Wheeldon. He describes his journey from Royal Ballet dancer to New York City Ballet to Broadway and back again, with first new work for the Company in six years premiering on May 4. As Wheeldon shares, the “turbulent beauty” of artist Kylie Manning's work was a major inspiration in the studio as he wrestled with the Schoenberg score; their collaboration, along with that of the dancers, helped bring From You Within Me to the stage. (43:24)  Edited by Emilie Silvestri Music: "Sisyphus" by Andrew Wegman Bird Wixen Music Publishing, Inc. as agent for Muffet Music Co

In this podcast, Principal Dancer Isaac Hernández shares his unique story of growing up in Mexico as one of 11 kids, being taught to dance by his father and dancing with ABT II, San Francisco Ballet, Dutch National Ballet, his move to English National Ballet, and the decision to return to San Francisco Ballet.  Isaac also shares his passion for inspiring the next generation of dancers in Mexico, where he has established projects that provide opportunities for future dance stars. Listen to Isaac talk about his experience of guesting around the world, and working with renowned choreographers, including Christopher Wheeldon as he reprises the role of Prince Guillaume in Wheeldon's dazzling Cinderella. Don't miss the chance to see Isaac perform in Christopher Wheeldon's Cinderella running until 8 April 2023. Get your tickets for Romeo & Juliet, from 21-30 April. For more information visit: San Francisco Ballet PRESS PLAY Isaac Hernández in Forsythe's Blake Works I © Lindsay Thomas

In this podcast, Principal Dancer Isaac Hernández shares his unique story of growing up in Mexico as one of 11 kids, being taught to dance by his father and dancing with ABT II, San Francisco Ballet, Dutch National Ballet, his move to English National Ballet, and the decision to return to San Francisco Ballet.  Isaac also shares his passion for inspiring the next generation of dancers in Mexico, where he has established projects that provide opportunities for future dance stars. Listen to Isaac talk about his experience of guesting around the world, and working with renowned choreographers, including Christopher Wheeldon as he reprises the role of Prince Guillaume in Wheeldon's dazzling Cinderella. Don't miss the chance to see Isaac perform in Christopher Wheeldon's Cinderella running until 8 April 2023. Get your tickets for Romeo & Juliet, from 21-30 April. For more information visit: San Francisco Ballet PRESS PLAY Isaac Hernández in Forsythe's Blake Works I © Lindsay Thomas

This episode is fantastic, if I do say so myself. Chris is open and honest and frankly, very easy to talk to. I'm a huge fan of his work and we chat about much of it in this episode. From his time as a dancer, then as a ballet choreographer, and now as a broadway director and choreographer. I ask him some pretty tough questions about his newest show, MJ the musical, so take a seat and hang out for a bit, in the front row.Christopher Wheeldon is a world-renowned choreographer of contemporary ballet. He was appointed an Officer of the Order of the British Empire (OBE) in the 2016 for “promoting the interests and reputation of British classical and theatrical dance worldwide” Christopher is the winner of not one, but two Tony awards for best choreography for the broadway shows “An American In Paris” and “MJ: The Musical”. Other notable works include the ballets “Alice's Adventures in Wonderland”, “Polyphonia”, “The Winter's Tale”, and many more. He is also the recipient of an Olivier Award.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

On this edition of The Arts Section, host Gary Zidek catches up with world renowned choreographer Christopher Wheeldon to talk about THE NUTCRACKER and his Tony Award-winning production of MJ: The Musical, which is coming to Chicago next summer. The Dueling Critics, Kerry Reid and Jonathan Abarbanel, stop by to review a world premiere of a comedy unlike anything else playing right now. Later in the show, Gary takes you with on a visit to a place called the Sloo Moo Institute. Also, platinum-selling saxaphonisit Dave Koz joins Gary from the road to talk about his holiday tour. And Gary talks to actor Max Greenield about a children's book he authored.

For the concluding conversation of this season of The Rosin Box, hosts Claire Kretzschmar and Aarón Sanz are joined by NYCB Principal Dancer Adrian Danchig-Waring, who also serves as the artistic director for the New York Choreographic Institute. The three share memories of their individual experiences with Institute sessions since its launch in 1999, reflecting on the importance of time and space to experiment both for the burgeoning choreographers involved (whose ranks include Justin Peck, Alexei Ratmansky, and Christopher Wheeldon, among many others) and for the dancers cast for each creatively-rewarding and educational two-week period. (57:26) Edited by Emilie Silvestri Music: "Je ne t'aime plus" by Pink Martini Courtesy of Pink Martini & Heinz Records

Joby Talbot is the only living composer to have written the music for three full-length ballets for The Royal Ballet in London. In this sixth episode of Composing Myself Wise Music CEO and Creative Director Dave Holley and Gill Graham catch up with the genre-bending maestro to talk about his “horrible” jobs before he became a composer (Night shift at the local mortuary! Laundry at a mental institution!), working with Nigel Godrich and their close professional bond, the key differences between composing for animations versus live action projects, the culinary genesis of the Like Water For Chocolate ballet score, and the upside-down sensibility of composing for choreography - “you're trying to give a platform for the choreographer and the dancers to do their thing, without knowing what that thing is”. -----http://www.jobytalbot.comhttps://www.instagram.com/jobytalbotmusic/-----Joby Talbot was born in London in 1971. He studied composition privately with Brian Elias and at Royal Holloway and Bedford New College, before completing a Master of Music (Composition) at the Guildhall School of Music and Drama under Simon Bainbridge.Talbot's diverse catalogue includes full-length narrative ballets (Alice's Adventures in Wonderland , 2011; The Winter's Tale, 2014) and contemporary dance works (Chroma, 2007); small- and large-scale choral and vocal works (The Wishing Tree, 2002; Path of Miracles, 2005; A Sheen of Dew on Flowers, 2019); orchestral pieces (Sneaker Wave, 2004; Chacony in G Minor, 2011; Worlds, Stars, Systems, Infinity, 2012); concerti (Desolation Wilderness, 2006; Ink Dark Moon, 2018); and scores for the screen (The Lodger, 1999; The Dying Swan, 2002; Vampyr, 2018).Talbot's critically acclaimed first opera, Everest, was given its premiere in 2015 by The Dallas Opera. His second opera based on the true story The Diving Bell and The Butterfly, a further collaboration with librettist Gene Sheer, premieres in November 2023. Like Water for Chocolate, Talbot's third narrative ballet with Christopher Wheeldon premiered in June 2022 at The Royal Ballet and will be presented by partner commissioner ABT, in March 2023 in Costa Mesa and at the Metropolitan Opera in New York in June 2023. Hosted on Acast. See acast.com/privacy for more information.

This episode is a Dance Double, with two exciting new ballets; Scottish Ballet's The Crucible, choreographed by Helen Pickett, and The Royal Ballet's Like Water For Chocolate choreographed by Christopher Wheeldon. -Opening/Closing Music: Little Lily Swing by Tri-Tachyonis: licensed under a CC Attribution License

A transcript of this episode is available here: https://thedanceedit.com/transcript-episode-118Subscribe to The Dance Edit Extra: https://podcasts.apple.com/us/podcast/the-dance-edit-extra/id1579075769Visit/add to the Dance Media Events Calendar: https://dancemediacalendar.com/Get the latest dance news direct by subscribing to our free newsletters. Find the ones that match your interests: http://www.dancemagazine.com/subscribeLinks referenced in/relevant to episode 118:-Playbill story on the "Into the Woods" Broadway transfer: https://playbill.com/article/encores-into-the-woods-sets-broadway-transfer-with-patina-miller-brian-darcy-james-phillipa-soo-joshua-henry-sara-bareilles-more-Us Weekly story on Matthew Morrison's departure from "SYTYCD": https://www.usmagazine.com/entertainment/news/matthew-morrison-exits-so-you-think-you-can-dance/-People magazine follow-up on that exit: https://people.com/tv/matthew-morrison-fired-from-sytycd-flirty-messages-with-contestant-source/-Associated Press feature on protests at Paris' Lido cabaret: https://apnews.com/article/entertainment-france-theater-7b6a8ba245d5f33cb93562f0ca544118-Good Morning America interview with Boston Ballet's Sage Humphries on her experience coming forward with abuse allegations: https://www.goodmorningamerica.com/news/video/ballerina-speaks-sexual-abuse-allegations-boston-ballet-star-85016424-Seattle Times interview with Pacific Northwest Ballet's Amanda Morgan on arts activism in the two years since George Floyd's murder: https://www.seattletimes.com/entertainment/dance/catching-up-with-pnbs-amanda-morgan-on-changes-since-the-george-floyd-protests/-Pointe feature on the return of the Helsinki International Ballet Competition: https://pointemagazine.com/dancers-gear-up-for-the-helsinki-international-ballet-competition/-"Eureka!" series trailer: https://www.playbill.com/article/watch-eureka-trailer-with-renee-elise-goldsberry-javier-munoz-loretta-devine-misty-copeland-more-New York Times feature on kid-friendly school productions of "CATS": https://www.nytimes.com/2022/05/27/theater/cats-musical-school.html-Dance Magazine story on "Dork Dancing": https://www.dancemagazine.com/dork-dancing/-Guardian interview with Christopher Wheeldon: https://www.theguardian.com/stage/2022/may/26/christopher-wheeldon-like-water-for-chocolate-michael-jackson-Attitude magazine profile of Marcelino Sambé: https://attitude.co.uk/article/marcelino-sambe-on-like-water-for-chocolate-and-why-its-time-for-ballet-to-embrace-lgbtq-stories-1/27166/

On this episode, Steven and Yasi talk with the artistic and wellness pros behind Diablo Ballet, a professional dance company and ballet school in Walnut Creek, California. As they celebrate the end of their 28th season, we find out how they manage to keep health and wellness a priority, while maintaining artistic excellence. We also delve into the working relationships among the artistic director, principal dancers, and music composer in creating original ballets, while reflecting on staying afloat during a pandemic and handling the pressures of social media. Our guests are Dr Selina Shah MD, company physician for Diablo Ballet; Lauren Jonas, artistic director and co-founder, Diablo Ballet, Raymond Tilton, company dancer and School Principal and teacher of the Diablo Ballet School, and and Justin Levitt, award-winning music composer for the Ballet.    To learn about Diablo Ballet, go to https://diabloballet.org. Follow their Twitter at @diabloballet. For more about International Association of Dance Medicine and Science, go to https://iadms.org. For more about Athletes and the Arts, go to http://athletesandthearts.com Guest bios: Selina Shah, MD, FACP, FAMSSM is a board certified sports medicine and internal medicine physician in private practice in Walnut Creek, CA. She is the company physician for several dance companies and dance studios in the San Francisco Bay Area including Diablo Ballet, AXIS Dance Company, Contra Costa Ballet, San Francisco Ballet School, and Tiffany's Dance Academy. She is a team physician for USA Artistic Swimming, USA Weightlifting, and USA Figure Skating. She also cares for Broadway shows and Cirque du Soleil when they come to the San Francisco Bay Area. She is past Treasurer and Board Member for the IADMS and is now on the board for The Bridge Dance Project and serves on the Executive Committee for the Taskforce on Dancer Health for Dance/USA. She has lectured nationally and internationally on various dance medicine topics, has published papers in medical journals and books, including criteria on determining readiness for pointe and her original research on demographics and dance injuries in modern dance and other injury case reports. Lauren Jonas trained at the Marin Ballet. She performed with the Milwaukee Ballet, the Oakland Ballet, the Southwest Ballet, and toured the United States with the Moscow Ballet. Since Diablo Ballet's premiere in 1994, Ms. Jonas has recruited dancers from around the world to present the finest in contemporary and classical ballets. A firm believer in the need to stimulate the cultural development of future generations, she co-created the Ballet's PEEK Outreach Program in 1995. Ms. Jonas' awards include the 2005 National Philanthropy Day honor, the 2000 Arts and Culture Commission Award of Contra Costa County, and the1998 Contra Costa County Woman of Achievement Award for the Arts. She is the 2014 recipient of the Contra Costa Commission for Women Contributing to the Arts, Hall of Fame award and was an honoree at the State Assembly's Women's History Month. In 2016, Ms. Jonas was honored at the Djerassi's Women's Residency Program for empowering women as leaders in the field of ballet. She is also the Co-Founder and Director of Diablo Ballet School.  Raymond Tilton received his ballet training at San Elijo Dance Academy and San Francisco Ballet School. In 2010, he danced as an apprentice with the San Francisco Ballet and was promoted to the Company in 2011 dancing in ballets by some of today's most sought-after choreographers. Since joining Diablo Ballet in 2015, Mr. Tilton has performed the lead in numerous ballets including Christopher Wheeldon's Carousal (A Dance) and George Balanchine's Apollo. Mr. Tilton is the School Principal and teacher of Diablo Ballet School. Justin Levitt was first inspired to learn and compose for the piano at the age of 15. Since that day, he has been on an...

Have we a got a fantastic episode for you this week?! A brilliant ‘In Conversation' with James Barton, originally recorded in October 2020. James has had, (and is still having) the most wonderful career having started as a Junior Associate of the Royal Ballet School, trained at Elmhurst school, and graduated into Birmingham Royal Ballet, performing on the west end stage, and then becoming ballet master at Scottish Ballet, he has done it all. James has worked some of the best people in the business from Gillian Lynne to Christopher Wheeldon, and the stories he can tell will leave you warm hearted.  He has an effervescent personality and that really comes through in this episode with the many hilarious tales he has to tell, and the many one liners that roll off his tongue. This episode is proudly produced and published by PodcastRecording.co.uk

Have we a got a fantastic episode for you this week?!  A brilliant ‘In Conversation' with James Barton, originally recorded in October 2020. James has had, (and is still having) the most wonderful career having started as a Junior Associate of the Royal Ballet School, trained at Elmhurst school, and graduated into Birmingham Royal Ballet, performing on the west end stage, and then becoming ballet master at Scottish Ballet, he has done it all.James has worked some of the best people in the business from Gillian Lynne to Christopher Wheeldon, and the stories he can tell will leave you warm hearted.  He has an effervescent personality and that really comes through in this episode with the many hilarious tales he has to tell, and the many one liners that roll off his tongue.

In this episode of LIGHT TALK, The Lumen Brothers (and Sistah!) celebrate their 5th Anniversary with friend and lighting designer extraordinair, Natasha Katz.   Join Natasha, Ellen, Stan, David, and Steve, as they pontificate about: Natasha's journey into lighting design; Favorite light sources; "MJ" The Michael Jackson musical; Dealing with "four-wall" Broadway shows; "Diana" - adapting a show for streaming; Giving birth to, and during, "EFX"; Lighting The Boss on Broadway; Collaborating with Christopher Wheeldon; Working with video designers; and Advice for young lighting designers.    Nothing is Taboo, Nothing is Sacred, and Very Little Makes Sense.

Happy Birthday to Ruth Page, Sophie Maslow, and Christopher Wheeldon! --- Support this podcast: https://podcasters.spotify.com/pod/show/dawn-davis-loring/support

George Gershwin's An American in Paris has been associated with dance ever since it inspired the 1951 Gene Kelly film, so who better to bring it to the musical theatre stage than the renowned ballet dancer, choreographer and now director Christopher Wheeldon. Also, with several Australian companies currently presenting works by Bertolt Brecht and Kurt Weill, we learn about the lives of these two men and their belief in the revolutionary potential of the theatre.

LIAM RIDDICKOriginally from South Wales, Liam was a NDCWales associate and Royal Ballet Junior associate before studying contemporary dance at Coleg Gwent in Newport. This led Liam to London to complete his degree at London Contemporary Dance School. Upon graduating Liam joined Richard Alston Dance Company, touring nationally and internationally for 8 years. During his time in the company Liam was nominated 7 times in 6 consecutive years at the Critics Circle National Dance Awards. In February 2018 he won Best Male Dancer 2017. Liam then went on to dance with BalletBoyz for 2 years. He has also danced works by James Cousins, Eleesha Young-Drennan, Bob Cohan, Iván Pérez, Christopher Wheeldon, Xei Xin, Maxine Doyle, Martin Lawrance, Kim Brandstrup, Paul Roberts for BBC The Greatest Dancer and Jay Ravell for Years and Years Pyramid Stage set at Glastonbury. Liam made his choreographic debut in November 2020 with 'The Three Sections' for FFIN Dance and has recently created 'Murmurations' for Ballet Cymru. Currently Liam is working freelance and teaching on the BA course at London Contemporary Dance School.Follow Liam on InstagramTHE BOOKISH TYPEThe Bookish Type is a queer indie bookshop in Leeds. They started out by running pop-up bookstalls in 2019, then set up a website and finally opened the shop in September 2020.They sell a range of queer literature: fiction, children's books, YA, memoirs, poetry, short stories, zines, non-fiction, colouring books and graphic novels. They champion LGBTIQA+ authors and books with queer themes and characters because they know the importance of seeing yourself – and your community – represented. They are a community bookshop so aim to actively support and work with the local queer community. They have a Pay It Forward scheme, run Queer History Tours around Leeds and hold Secondhand Sundays to raise money for good causes. They offer discounts to local book groups and Joe, our Saturday Boy, runs a book group for older LGBTIQA+ people in collaboration with the Leeds LGBT+ Community Consortium.Check out there website here and follow them on InstagramFollow Rainbow Conversations on Instagram and Twitter Hosted on Acast. See acast.com/privacy for more information.

Katie checks in with Broadway dancer, singer, and actor (Ambrose Kemper in Hello Dolly!, Kiss Me, Kate, An American in Paris, Holiday Inn), Will Burton.

“Dance is for everyone. That's the mission. We see people that might not be able to encounter dance in so many ways because it's not something that their school offers. I had a family that subscribed to the New York City Ballet, most families don't do that, so for us to be able to offer that level of exposure…and I think traditionally ballet has felt like it can be an elitist art form. Only certain people are invited. You have to have a certain type of foot. You have to have a long neck. You may have to have finances to be able to study ballet. We would like to eliminate that and make sure that it's available for everybody to sort of dip their toe in and get a sense of it and have an experience of dance.”Artistic Director of Pacific Northwest Ballet and director of PNB's Ballet School, Peter Boal was raised in Bedford, New York. He began studying at the School of American Ballet at the age of 9 and became a principal dancer in the New York City Ballet in 1989. Serving the company for 22 years, Mr. Boal was featured in many ballets, including George Balanchine's Apollo and A Midsummer Night's Dream, as well as works by Jerome Robbins, Christopher Wheeldon, William Forsythe, and many others.· https://www.pnb.org
· https://www.pnb.org/aboutpnb/staff/
· www.creativeprocess.info

Artistic Director of Pacific Northwest Ballet and director of PNB's Ballet School, Peter Boal was raised in Bedford, New York. He began studying at the School of American Ballet at the age of 9 and became a principal dancer in the New York City Ballet in 1989. Serving the company for 22 years, Mr. Boal was featured in many ballets, including George Balanchine's Apollo and A Midsummer Night's Dream, as well as works by Jerome Robbins, Christopher Wheeldon, William Forsythe, and many others.· https://www.pnb.org
· https://www.pnb.org/aboutpnb/staff/
· www.creativeprocess.info

Julie Kent became the Artistic Director of The Washington Ballet in July 2016. She is the longest-serving ballerina in American Ballet Theatre's 79-year history. She began her dance training with Hortensia Fonseca at the Academy of the Maryland Youth Ballet in Bethesda, MD and attended summer sessions at American Ballet Theatre II and the School of American Ballet before joining American Ballet Theatre as an apprentice in 1985. In that same year, Kent won first place in the regional finals of the National Society of Arts and Letters at the Kennedy Center. In 1986, she was the only American to win a medal at the Prix de Lausanne International Ballet Competition, and she became a member of ABT's corps de ballet.Kent starred in the Herbert Ross film “Dancers” in 1987 opposite Mikhail Baryshnikov. She was appointed a Soloist with ABT in 1990 and a Principal Dancer in 1993, the year in which she became the first American to win the Erik Bruhn Prize in Toronto and was named one of People Magazine's “50 Most Beautiful People.” In April 2000, Kent achieved another triumph, becoming the first American to win the “Prix Benois de la Danse.” Later that year, Kent starred in the motion picture “Center Stage” directed by Nicholas Hytner. In 2012, she was awarded an Honorary Doctorate of Performing Arts from the University of North Carolina School of the Arts as well as a “Lifetime Achievement Award” from Dance Magazine. Since 2014, she has been the Brand Ambassador for HANIA New York, a luxury line of hand-knit cashmere in NYC.During Kent's long performing career, she has acquired a vast repertoire dancing over 100 ballets, including all of the major classical, dramatic and neo-classical roles in works by Marius Petipa, George Balanchine, Jerome Robbins, Frederick Ashton, Kenneth MacMillan, John Cranko, Anthony Tudor, Michel Fokine, Agnes DeMille, Merce Cunningham, Jose Limon, Jiri Kylian, Ronald Hynd, Ben Stevenson and Christopher Wheeldon. As well, she has had roles created on her by John Neumeier, Lar Lubovitch, Mark Morris, Twyla Tharp, Alexei Ratmansky, Nacho Duato, Stanton Welch, James Kudelka, Jorma Elo, David Parsons, Jessica Lang, and Natalie Weir. Her appearances as a guest include invitations from the Mariinsky Theatre, Teatro alla Scala, New York City Ballet, Stuttgart Ballet, Berlin Staatsballett, Australian Ballet, Bayerisches Staatsballett, Teatro Colon, Ballet de Santiago, and others. In August of 2015, after a 30-year performing career, Kent was named Artistic Director of ABT's Summer Intensive, a comprehensive summer dance program for 1,400 students at five campuses across the US.Since Kent arrived at The Washington Ballet, she has brought important classical and contemporary masterworks into the repertoire, including her and Victor Barbee's own critically acclaimed staging of The Sleeping Beauty, described by New York Times former chief dance critic Alastair Macaulay as “one of the world's finer Sleeping Beauties.” Kent's steadfast commitment to the development of artists, rising choreographers, and the creation of arts education initiatives that benefit the community of our Nation's Capital, showcase her dedication to creativity, expression, and to propelling ballet forward into the 21st century.Kent is married to The Washington Ballet's Associate Artistic Director Victor Barbee, and, as a mother of two children, she has helped redefine the image of the American Ballerina.

Born in Providence, Rhode Island and trained at Festival Ballet of Rhode Island and Canada's National Ballet School, Greta Hodgkinson joined The National Ballet of Canada in 1990, where she has been a Principal Dancer since 1996. Greta retired as a Principal Dancer at the end of the 2019/20 season and assumed the position of Artist-in-Residence for the 2020/21 season, teaching and coaching the National Ballet's next generation of dancers.An artist acclaimed for her dazzling technical virtuosity, dramatic intensity and articulate characterization, she is the complete ballerina, par excellence. Greta has performed every leading role in the classical repertoire and her talents extend to the contemporary repertoire as well. She has had numerous roles created for her by world renowned choreographers and has worked closely with such icons as William Forsythe, Jiří Kylián, Glen Tetley, John Neumeier, Alexei Ratmansky, Christopher Wheeldon, Wayne McGregor, James Kudelka and Crystal Pite.  As a guest artist, Greta has appeared with The Mariinsky Ballet, Teatro alla Scala, The Royal Ballet, The Australian Ballet, Stuttgart Ballet, Munich Ballet, Teatro Comunale di Firenze, Gala des Étoiles, Stars of the 21st Century and International Ballet Galas in the US, Russia, Japan, Europe and Canada. Greta was invited to tour Japan dancing Swan Lake with K-Ballet, partnered by Tetsuya Kumakawa. She also performed at The World Ballet Festival in Tokyo, with frequent partner Roberto Bolle.Greta has graced the covers of Dance Magazine and Dance International Magazine and has been featured in various fashion publications including Vanity Fair, Lucky, W, GQ Italia, ELLE, NUVO, Flare and FASHION among others.Greta's film credits include a collaboration with director Moze Mossanen in the title role in the film Roxana, based on the novel by Daniel Defoe, the role of Margot Fonteyn in the Bravo! TV docudrama, Nureyev, CBC's Romeos and Juliets and The Rings of Saturn. She also appeared in the title role in The Firebird, The Four Seasons (starring in Summer), A Dancer's Story-50 Years of The National Ballet of Canada (dancing The Sleeping Beauty pas de deux) and as a guest star on the premiere of the Canadian comedy television series Baxter. In 2013, Gretaperformed Giselle in Emerging Pictures' film, Ballet's Greatest Hits, a ballet gala filmed and presented in over 200 cinemas throughout North America.Greta has received two Citations from the State of Rhode Island. One of the highest honours given by the state, the Citations are in recognition of her extraordinary talents, accomplishments and outstanding contribution to arts and culture in the US. Greta was also appointed to the Order of Ontario in 2017.

Artistic Director of Pacific Northwest Ballet and director of PNB's Ballet School, Peter Boal was raised in Bedford, New York. He began studying at the School of American Ballet at the age of 9 and became a principal dancer in the New York City Ballet in 1989. Serving the company for 22 years, Mr. Boal was featured in many ballets, including George Balanchine's Apollo and A Midsummer Night's Dream, as well as works by Jerome Robbins, Christopher Wheeldon, William Forsythe, and many others.· https://www.pnb.org
· https://www.pnb.org/aboutpnb/staff/
· www.creativeprocess.info

“Dance is for everyone. That's the mission. We see people that might not be able to encounter dance in so many ways because it's not something that their school offers. I had a family that subscribed to the New York City Ballet, most families don't do that, so for us to be able to offer that level of exposure…and I think traditionally ballet has felt like it can be an elitist art form. Only certain people are invited. You have to have a certain type of foot. You have to have a long neck. You may have to have finances to be able to study ballet. We would like to eliminate that and make sure that it's available for everybody to sort of dip their toe in and get a sense of it and have an experience of dance.”Artistic Director of Pacific Northwest Ballet and director of PNB's Ballet School, Peter Boal was raised in Bedford, New York. He began studying at the School of American Ballet at the age of 9 and became a principal dancer in the New York City Ballet in 1989. Serving the company for 22 years, Mr. Boal was featured in many ballets, including George Balanchine's Apollo and A Midsummer Night's Dream, as well as works by Jerome Robbins, Christopher Wheeldon, William Forsythe, and many others.· https://www.pnb.org
· https://www.pnb.org/aboutpnb/staff/
· www.creativeprocess.info

On the first episode of the second season of 'A Body's Language' we speak to David McAllister. This episode was recorded late last year, in Davids final week as director of The Australian Ballet Company.David shares stories about his dancing days with The  Australian Ballet, working with the likes of Nureyev and Glen Tetley, speaks about pieces of music still make him feel sick with nerves and provides great insights into his philosophies on directorship- reflecting on how The Australian Ballet chose to prioritize the mental health of their dancers during the pandemic while maintaining their world leading physical healthcare program.A graduate of The Australian Ballet School, Perth-born David McAllister began his training with Evelyn Hodgkinson and joined The Australian Ballet in 1983. He was promoted to senior artist in 1986 and to principal artist in January 1989.During his time with the company, he danced many principal roles, including those in The Sleeping Beauty, Don Quixote, Coppélia, Manon, La Sylphide, John Cranko's Onegin and Romeo and Juliet, and Jiří Kylián's Stepping Stones; in 1985 he won Bronze at the Fifth International Ballet Competition in Moscow.Throughout his career, David made numerous guest appearances worldwide, dancing with Bolshoi Ballet, the Kirov Ballet, the Georgian State Ballet, The National Ballet of Canada, Birmingham Royal Ballet, Singapore Dance Theatre and, in 1992, as part of a Royal Gala performance in London in the presence of the Princess of Wales. In 2000, he completed a Graduate Diploma in Arts and Entertainment Management and in 2001, took his final bow as a dancer after a performance of Albrecht in Giselle at the Sydney Opera House, partnering Miranda Coney. In July of that year, David became artistic director of The Australian Ballet. He was awarded a Member of the Order of Australia in the 2004 Australia Day Honours List.Over the next two decades, on his way to becoming The Australian Ballet's longest-serving artistic director, David invigorated the company's repertoire with a series of new commissions from the world's foremost choreographers, including Alexei Ratmansky, Graeme Murphy and Wayne McGregor. He appointed two new resident choreographers, Tim Harbour and Alice Topp, and, through co-productions with leading international companies, secured major works such as Christopher Wheeldon's Alice's Adventures in Wonderland© and Yuri Possokhov's Anna Karenina. As a director/choreographer, he gifted the company with a lavish and widely acclaimed new production of The Sleeping Beauty, funded largely through donations from philanthropic supporters, and three works in the Storytime Ballet series, made especially for young children.Since stepping down as director in January of 2021, David has created a new 'Swan Lake' for Finnish National Ballet, is currently staging Lucas Jervies 'Spartacus', created for The Australian Ballet in 2018 and is in high demand as a guest teacher and choreographer in Australia and abroad.

“Dance is for everyone. That's the mission. We see people that might not be able to encounter dance in so many ways because it's not something that their school offers. I had a family that subscribed to the New York City Ballet, most families don't do that, so for us to be able to offer that level of exposure…and I think traditionally ballet has felt like it can be an elitist art form. Only certain people are invited. You have to have a certain type of foot. You have to have a long neck. You may have to have finances to be able to study ballet. We would like to eliminate that and make sure that it's available for everybody to sort of dip their toe in and get a sense of it and have an experience of dance.”Artistic Director of Pacific Northwest Ballet and director of PNB's Ballet School, Peter Boal was raised in Bedford, New York. He began studying at the School of American Ballet at the age of 9 and became a principal dancer in the New York City Ballet in 1989. Serving the company for 22 years, Mr. Boal was featured in many ballets, including George Balanchine's Apollo and A Midsummer Night's Dream, as well as works by Jerome Robbins, Christopher Wheeldon, William Forsythe, and many others.· https://www.pnb.org
· https://www.pnb.org/aboutpnb/staff/
· www.creativeprocess.info

Artistic Director of Pacific Northwest Ballet and director of PNB's Ballet School, Peter Boal was raised in Bedford, New York. He began studying at the School of American Ballet at the age of 9 and became a principal dancer in the New York City Ballet in 1989. Serving the company for 22 years, Mr. Boal was featured in many ballets, including George Balanchine's Apollo and A Midsummer Night's Dream, as well as works by Jerome Robbins, Christopher Wheeldon, William Forsythe, and many others.· https://www.pnb.org
· https://www.pnb.org/aboutpnb/staff/
· www.creativeprocess.info

Danielle Rowe is the guest for episode four of  'A Body's Language'.Dani Rowe was born in Shepparton, Australia and trained at The Australian Ballet School. From 2001-2015 Dani was a Principal Dancer with the Australian Ballet and Houston Ballet, and also danced with the prestigious Nederlands Dans Theater. She now lives in San Francisco and works as a choreographer, film director and creator and writer. She is the former Associate Artistic Director of SFDanceworks.We speak about how during  the COVID-19 pandemic, Dani pivoted to film making. Her creations included Shelter, created, directed and choreographed with Garen Scribner and Alexander Reneff-Olson, Wilis in Corps-en-tine for The Australian Ballet, written, directed and choreographed with Garen Scribner, I Am Spartacus for The Australian Ballet, written, directed and choreographed with Garen Scribner and The Animals for Ballet Idaho. The films garnered positive attention from Vogue, The New Yorker, The Guardian and Dance Magazine.We also speak with Dani about her career as a choreographer and how she never imagined herself 'making dances'.  Dani has created works for San Francisco Ballet, most recently creating 'Wooden Dimes' for their digital season, Nederlands Dans Theater's SWITCH program, Royal New Zealand Ballet, Co.Lab Dance (featuring dancers from American Ballet Theater), Ballet Idaho, Grand Rapids Ballet, SFDanceworks, Diablo Ballet, Oakland Ballet and Berkeley Ballet Theater. She also choreographed for the award-winning dance film Sirens Tango (featuring principal dancers, Sasha de Sola and Luke Ingham of San Francisco Ballet), and we speak about her cross-disciplinary immersive theater production of FURY (a collaboration between San Francisco Ballet, Alonzo King LINES Ballet and indie-pop band YASSOU).Dani also reflects on her incredible dancing career.  She originated roles in creations by Paul Lightfoot/Sol Leon, Christopher Wheeldon, Wayne McGregor, Alexander Ekman, Crystal Pite, Marco Goecke and Medhi Walerski and worked with choreographers Mats Ek, Jiri Kylián, Hans van Manen, Alexei Ratmansky and Christopher Bruce. Rowe has also performed in works by Kenneth McMillan, Jerome Robbins, George Balanchine, Mark Morris and Nacho Duato as well as the title roles in Giselle, Cinderella, Sleeping Beauty, Kitri in Don Quixote and Sugar Plum Fairy in The Nutcracker. https://www.youtube.com/watch?v=K8PMw7NuaPM Link for Danielle Rowe as 'The Baroness' in Graeme Murphy's Swan Lake.The Australian BalletChoreography - Graeme MurphyThe Australian Opera and Ballet OrchestraConductor - Nicolette FraillonThe Sydney Opera House - 2008https://www.youtube.com/watch?v=CISGInB-bagLink for 'Shoot the Moon' trailer. Music: Philip Glass: Movement II from Tirol Concerto for piano and orchestra © Dunvagen, New York / Albersen Verhuur B.V., 's-Gravenhage | Light: Tom Bevoort | Choreography, decor and costumes: Sol León and Paul Lightfoot.

Check out DanceConnectSeries.com for more information on each guest! Instagram: @danceconnectseries -------- Antuan Byers (Dallas, TX) is a graduate of the Ailey/Fordham BFA Program in Dance. He holds a certificate from the Parsons School of Design and is an alumnus of Booker T. Washington High School for the Performing and Visual Arts. He was a scholarship student at Dallas Black Dance Theatre and Dallas Ballet Center, and has attended summer programs including Abraham.In.Motion, Cedar Lake Contemporary Ballet, Jacob's Pillow, Northwest Dance Project, Pacific Northwest Ballet, and Ronald K. Brown/EVIDENCE Dance Company, all with partial or full scholarship. Antuan has been featured in OUT Magazine, Dance Magazine, Dance Spirit Magazine, and has global campaigns with ASICS and Capezio. He has also danced for recording artists Erykah Badu, Jennifer Holliday, The Skins, and D.R.A.M. Antuan has toured internationally with Alvin Ailey American Dance Theater's second company, Ailey II, and has performed with The Washington National Opera Ballet, Keigwin + Co., Mark Morris Dance Company, as well as solo work by Kyle Abraham. Antuan has been an ambassador for the Joyce Theater, Company Management Assistant for Alvin Ailey American Dance Theater, and is currently on the Steering Committee of Dance Artists' National Collective (DANC) and a founding member of the Black Caucus at the American Guild of Musical Artists (AGMA). Antuan is currently dancer The Metropolitan Opera Ballet, performing a diverse repertory including Christopher Wheeldon, Mark Morris, Lorin Latarro, Susan Stroman, Kim Brandstrup, Alexei Ratmansky, Sue Lefton, and Philippe Giraudeau. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Tiler Peck, New York City Ballet Principal is not only a famous ballerina in the US, she has become a global household name following her uber successful live ballet classes #turnoutwithtiler, launched during the covid pandemic. In this podcast, Tiler gives an insight into her inspiration for starting the online classes and the incredible feedback received from dancers around the world. Tiler shares one special story about a dancer in Iran, who was able to take class in the privacy of her own home, in a country where dancing in public is forbidden. This is the power of dance, and the power of digital dance during the pandemic. Listen to Tiler talk about her experience of lockdown and months away from the studio, following an extensive break from dancing as a result of a serious neck injury last year. In Tiler's uplifting style, she shares how she has been dealing with dancing at home and how she's ensuring she's ready for when the New York City Ballet is able to perform live. She also gives some insightful advice for other dancers, who are in a similar situation waiting for dance to return to the stage. Tiler has used this time away from the studio and rehearsals to create A New Stage, which is having its world premiere online on 16 October (then available to stream). Hear Tiler talk about curating and staring in A New Stage, which includes three new pieces from ballet to hip-hop to tap; working with Lil Buck, Sierra Boggess, Brooklyn Mack and the Syncopated Ladies, who take the stage in works by Chloe Arnold and Jennifer Weber, and a world premiere from Christopher Wheeldon. PRESS PLAY!

Principal dancer Carlo di Lanno moved from San Francisco Ballet to Semperoper Ballett in Germany just as the coronavirus pandemic started to hit Europe. After arriving in the company's home in the city of Dresden, Carlo immediately quarantined for two weeks before going into the studio to take company class and start rehearsals for the season that has already seen cancellations. Listen to Carlo talk about his lockdown dance experience and what it's like joining a new ballet company when required to socially distance from your colleagues, while taking class metres apart from another, on rotating schedules. Semperoper Ballett is stepping back on stage with a series of gala events called »Semper Essenz: We Will Dance!«, being performed at the wonderful opera house accompanied by their world-famous orchestra.  With so many dance companies around the world cancelling their entire seasons, furloughing dancers and making staff redundant, it is uplifting to see ballet dancers set to perform to live audiences with a live orchestra - it's almost semi-normal! Carlo also shares his journey from growing up in south Italy to dancing with La Scala in Milan, Staatsballett Berlin and moving to San Francisco Ballet and working with world renowned choreographers William Forsythe, David Dawson, Benjamin B. Millepied, Christopher Wheeldon and more. »Semper Essenz: We Will Dance!« is on 25 September and 1, 4, 16, 18 & 25 October 2020 - get your tickets. Photo: Sofiane Sylve and Carlo Di Lanno in On the Nature of Daylight by Ian Whalen PRESS PLAY! https://djwpodcasts.s3-eu-west-1.amazonaws.com/1wwwod/Carlo.mp3 Podcast also available on Apple Podcasts, Spotify, Google Podcasts and other podcast providers!

In this podcast former principal dancer and Artistic Director of the Joffrey Ballet, Ashley Wheater talks about his experience of leading the company for the last 13 years. Born in Scotland, Ashley was recently appointed MBE by the Queen for his exceptional service to dance in the UK. Ashley began his esteemed career training at The Royal Ballet School before joining the London Festival Ballet (now English National Ballet) and moving across the world to dance with The Australian Ballet and then onto the Joffrey Ballet and finally the San Francisco Ballet until he retired following an injury. Joffrey Artists Greig Matthews and Amanda Assucena. Photo by Cheryl Mann. Listen to Ashley share his experience of working with ballet greats including Frederick Ashton, George Balanchine, William Forsythe, David Bintley and more, plus acclaimed choreographers Christopher Wheeldon, Cathy Marsden, Stephanie Martinez, Justin Peck, Yuri Possokhov...and the list continues! As Artistic Director, Ashley gives an insight into building on the legacy of founding director, choreographer and dancer Robert Joffrey, what he looks for in dancers, how a company without a hierarchy works, his advice for the next generation of dancers, plus his vision for the future. PRESS PLAY. https://djwpodcasts.s3-eu-west-1.amazonaws.com/1wwwod/Joffrey+Ballet+Ashley+Wheater.mp3

“It just makes me feel so much, this piece. There's something happening here that's so incredibly sweet but also so mournful.”  In this episode, Christopher Wheeldon talks about how he discovered Russian composer Sergei Prokofiev after seeing his first ballet, Romeo and Juliet, at the Royal Opera House. He later fell in love with Prokofiev's Second Violin Concerto, wearing out a cassette tape of it in the process of playing it over and over. The music stuck with him for years to come, and though he'd abandoned previous attempts to create a ballet for it, once Wheeldon started his own company, he finally felt able to choreograph for the music he'd connected with so strongly as a child. Christopher Wheeldon is a Tony-Award winning choreographer. His work includes An American in Paris, the closing ceremony of the 2012 London Olympic Games and the minimalist ballet After The Rain, which inspired the Open Ears episode by Megan Reid.  
Did you like the track Christopher chose? Listen to the music in full: Violin Concerto No. 2, second movement by Sergei Prokofiev

“If the lights were on in the audience, listening to this music I would just be flayed open...” Children's author and television producer Megan Reid talks about how a performance of choreographer Christopher Wheeldon's After the Rain sparked her lifelong obsession with ballet. Watching the ballet's second half, a stark dance duet set to Estonian composer Arvo Pärt's Spiegel im Spiegel, Reid found that great dance — like great writing — created a world she wanted to live in forever.Subscribe wherever you get your podcasts to receive a new episode every day or delve deeper into our companion playlist. Megan Reid is a children's book author and the director of literary scouting and development at FX Networks. 
Did you like the track Megan chose? Listen to the music in full: Spiegel im Spiegel by Arvo Pärt

The Chicago Symphony Orchestra and The Joffrey Ballet bring to life neo-classical works by Stravinsky. This electrifying collaboration includes a world premiere ballet set to the Dumbarton Oaks Concerto, a work inspired by J.S. Bach's Brandenburg concertos, and the ballet Commedia by internationally acclaimed choreographer Christopher Wheeldon, set to Stravinsky's Pulcinella Suite.

Royal Ballet First Soloist Beatriz Stix-Brunell gives us a unique insight into this famous company ahead of World Ballet Day, as she describes her typical day at the Royal Opera House, the company's repertoire and the supportive and warm dancers that have become her dance family as she's risen through the ranks over the last 8 years. Beatriz reflects on her journey from New York to Paris to London, training with the American Ballet School, Paris Opera Ballet School and the acclaimed Fabrice Herrault, before being invited to join Christopher Wheeldon's company Morphoses at just 14 years old. Listen to Beatriz talk about her very first company class with The Royal Ballet at just 15 years old, what she loves most about dancing, favourite roles, her career highlights both in the studio and on stage, and her advice for future ballerinas. Follow Beatriz on Instgram: @bstix_brunell (Photo: Yasmine Naghdi, Tristan Dyer and Beatriz Stix-Brunell as Florestan and His Sisters in The Sleeping Beauty, The Royal Ballet) PRESS PLAY. https://s3-eu-west-1.amazonaws.com/djwpodcasts/1wwwod/Beatriz+Stix-Brunel.mp3 World Ballet Day SAVE THE DATE: 2 October 2018 WATCH: The Royal Ballet's live-stream broadcast via Facebook live USE HASHTAG: #WorldBalletDay - to share your love Beatriz Stix-Brunell as Alice and Rupert Pennefather as Jack in Alice's Adventures in Wonderland, The Royal Ballet Beatriz Stix-Brunell as Perdita and Vadim Muntagirov as Florizel in Act II of The Winter's Tale, The Royal Ballet Beatriz Stix-Brunell, Olivia Cowley, Romany Pajdak and Artists of The Royal Ballet in The Concert, The Royal Ballet Matthew Ball and Beatriz Stix-Brunell in Giselle, The Royal Ballet

Jake Gyllenhaal on his latest movie Life, a sci-fi thriller about a team of scientists aboard the International Space Station who find a rapidly evolving life form from Mars. He discusses the practicalities of simulating zero gravity on film and also his current role in the musical Sunday in the Park with George on Broadway.Choreographer Christopher Wheeldon talks about directing the Tony Award-winning musical An American in Paris, which has just opened in London. This year thirteen new musicals will receive a Broadway premiere, but in the UK only two new musicals are slated for West End premieres, so is the UK is being left behind by America? Jamie Hendry, producer of the forthcoming West End musical, The Wind in The Willows, and Zoë Simpson, independent producer and board member of the Musical Theatre Network discuss the business of putting on a musical.Pauline Black, lead singer of Midlands ska band The Selecter, reviews One Love: The Bob Marley Musical at The Birmingham Rep. Written and produced by director, actor and playwright Kwame Kwei-Armah, the show brings the reggae star's global hits to the stage for the first time and delves into the political turmoil of Marley's native Jamaica.Presenter: Kirsty Lang Producer Rachel Simpson.