Podcast appearances and mentions of lynn morris

Lots of ‘classic' bluegrass in this show, with a few surprises thrown in! The Bluegrass Album Band, Dan Crary, Sonoran Dogs, the Bluegrass Cardinals, Lynn Morris, plus some great songs from Tim O'Brien, Vince Gill, some fine fiddling from Billy Hurt and guitar picking from Dan Crary. There's a track from the 1960's, too, from the HCBB singing about springtime. Seasonal bluegrass?

Theresa Lynn Morris was a Phenix City, Alabama mother of four who was found deceased behind a Piggly Wiggly in Ladonia, Alabama on April 28, 1994. There wasn't much left of her. Her head was missing and it appeared the remains were likely scattered by animals. She had been missing since April 2nd before she was found deceased. She was only 21 years old when she died, but her entire life had been troubled. According to her daughter Danica Hovey, she had her first child at 15 and was sexually abused as child.Theresa was born in California on October 18th, 1972. Her mother parents were Diane Pulaski and William Morris. Theresa was the middle child of three. She has an older brother named Kenneth and a younger sister named Melissa who recently passed away.Unfortunately, other than a tiny newspaper article in an Alabama newspaper article there is no information about Theresa. Theresa's story deserves to receive as much media coverage as anyone else's. And since her case has been mostly forgotten, it reduces the chances her killer will ever be arrested.Theresa was the mother of four children who lost their mother when they were young. So, none of them have any memories of spending Mother's Day with her or even celebrating birthdays, holidays or even sitting around the family dinner table having a nice dinner together. Unfortunately, someone took her life and has denied her children of creating any memories with her.For Theresa's story, I spoke to her daughter Danica Hovey. This is the conclusion of a two-part story. If you have any information about this unsolved homicide, please contact the Russell County Sheriff's department in Phenix City, Alabama at 334-298-6535.Please also visit my website for more information about my true crime and paranormal newspaper columns at www.themarcabe.com. You can also help support my podcast by purchasing a cup of $5 coffee every month. To help support the podcast, please visit https://www.buymeacoffee.com/catchmykiller. If you would like to contact me about this podcast, please visit my websites www.catchmykiller.com or www.themarcabe.com where you can submit a case.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4077372/advertisement

Theresa Lynn Morris was a Phenix City, Alabama mother of four who was found deceased behind a Piggly Wiggly in Ladonia, Alabama on April 28, 1994. There wasn't much left of her. Her head was missing and it appeared the remains were likely scattered by animals. She had been missing since April 2nd before she was found deceased. She was only 21 years old when she died, but her entire life had been troubled. According to her daughter Danica Hovey, she had her first child at 15 and was sexually abused as child. Theresa was born in California on October 18th, 1972. Her mother parents were Diane Pulaski and William Morris. Theresa was the middle child of three. She has an older brother named Kenneth and a younger sister named Melissa who recently passed away.Unfortunately, other than a tiny newspaper article in an Alabama newspaper article there is no information about Theresa. Theresa's story deserves to receive as much media coverage as anyone else's. And since her case has been mostly forgotten, it reduces the chances her killer will ever be arrested.Theresa was the mother of four children who lost their mother when they were young. So, none of them have any memories of spending Mother's Day with her or even celebrating birthdays, holidays or even sitting around the family dinner table having a nice dinner together. Unfortunately, someone took her life and has denied her children of creating any memories with her. For Theresa's story, I spoke to her daughter Danica Hovey. This is the first half of a two-part story. Please be sure to listen to the conclusion next week. If you have any information about this unsolved homicide, please contact the Russell County Sheriff's department in Phenix City, Alabama at 334-298-6535. Please also visit my website for more information about my true crime and paranormal newspaper columns at www.themarcabe.com. You can also help support my podcast by purchasing a cup of $5 coffee every month. To help support the podcast, please visit https://www.buymeacoffee.com/catchmykiller. If you would like to contact me about this podcast, please visit my websites www.catchmykiller.com or www.themarcabe.com where you can submit a case.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4077372/advertisement

Dancer, choreographer, professor – and inventor – Merry Lynn Morris talks with Barbara St. Clair about her work exploring dance and disability, and how dance companies and educators are embracing a diversity of dancing bodies in performance. Published in the Creative Pinellas Arts Coast magazine on May 16, 2023 – https://creativepinellas.org/arts-coast-magazine/ Photo by Jim Lennon – Mary Lynn Morris and Dwayne Scheuneman in ML Morris choreography

This week we feature banjo and guitar player Tom Adams.  We talk with Tom about his early years in bluegrass performing with his family's band and his moving on to perform with the Johnson Mountain Boys, Jimmy Martin, Blue Highway, Lynn Morris, Bill Emerson, Michael Cleveland and others.

Bluegrass Album Band playing some ‘classic' bluegrass, Thomas Porter, Dolly Parton, Mike Scott, Tony Ellis, Lynn Morris – real variety here. Gospel from Doyle Lawson, and some top tracks from NZ's own Hamilton County Bluegrass Band.

This week we welcome, country music recording legend, Junior Brown! With his unique voice, more unique song writing, and even more unique double necked “Guit-Steel” guitar, there has absolutely never been ANYONE like Junior Brown. He's an American Original. Born in 1952 in Cottonwood, Arizona, Junior Brown showed an affinity for music at an early age when the family moved to a rural area of Indiana near Kirksville. In the following years, Junior began to experience Country music and remembers it as “growing up out of the ground like the crops – it was everywhere; coming out of cars, houses, gas stations and stores like the soundtrack of a story, but Country music programs on TV hadn't really come along much yet; not until the late fifties.” Discovering a guitar in his grandparent's attic, he spent the next several years woodshedding with records and the radio. Junior was also able to tap into music he couldn't hear at home which older, college aged kids were listening to. This was possible due to his father's employment at small campuses throughout the next decade as the family moved twice again. As a young boy he was able to experience the thrill of performing before live audiences, at parties, school functions even singing and playing guitar for five thousand Boy Scouts at an Andrews Air Force Base jamboree; then while still a teenager, getting the chance to sit in with Rock and Roll pioneer, Bo Diddley. Armed with this broad spectrum of influences, he began to develop a storehouse of musical chops. In the early nineties Brown and his band (including wife Tanya Rae) relocated to Texas to the active Austin music scene and landed a weekly gig at the Continental club. Having worked as a sideman for many of the Austin-based acts over the years, Junior was already well familiar with the town. His unique and entertaining combination of singing, songwriting, instrumental and production skills led to a seven record deal with Curb Records that began with “Twelve Shades of Brown” in 1993. He later released two albums on the TelArc label. There were several Grammy nods, a CMA (Country Music Association) award for “My Wife Thinks You're Dead”, movie and repeated TV appearances like Letterman, Conan, Saturday Night Live, Austin City Limits, SpongeBob, X Files, Dukes of Hazzard, Me Myself and Irene, Tresspass, Still Breathing, Blue Collar Comedy Tour 1 and 2, and more recently, Better Call Saul. And there were the Ad Campaigns; The Gap, Lee Jeans and Lipton Tea. As Junior became more well known, he began to collaborate on projects with some of his heroes. These include a duet with Ralph Stanley for which Junior received a Bluegrass Music Association Award (IBMA), a duet and video with Hank Thompson, as well as duets with video and record collaborations with the Beach Boys, George Jones, Leon McAuliffe, Ray Price, Leona Williams, Lynn Morris, Lloyd Green and Doc Watson. He even played guitar for Bob Wills' Texas Playboys in a radio commercial. Junior is currently finishing up recording on his latest album, “Deep In The Heart Of Me”. Release date is slated for Spring 2017. Junior's performance on the promotional song, “Better Call Saul” was recorded and released both as a video on AMC as well as a flexible 33 1/3rd vinyl record included in the show's box set from Season One. Junior, Tanya Rae and the band continue to tear up the highways and no doubt will be appearing in concert near you one of these days. Seeing Junior live is a definite must, so GUIT WITH IT 'cause he's AN AMERICAN ORIGINAL! For more information and tour dates, visit JuniorBrown.com.

This week we welcome Junior Brown! With his unique voice, more unique song writing, and even more unique double necked “Guit-Steel” guitar, there has absolutely never been ANYONE like Junior Brown. He's an American Original. Born in 1952 in Cottonwood, Arizona, Junior Brown showed an affinity for music at an early age when the family moved to a rural area of Indiana near Kirksville. In the following years, Junior began to experience Country music and remembers it as “growing up out of the ground like the crops – it was everywhere; coming out of cars, houses, gas stations and stores like the soundtrack of a story, but Country music programs on TV hadn't really come along much yet; not until the late fifties.” Discovering a guitar in his grandparent's attic, he spent the next several years woodshedding with records and the radio. Junior was also able to tap into music he couldn't hear at home which older, college aged kids were listening to. This was possible due to his father's employment at small campuses throughout the next decade as the family moved twice again. As a young boy he was able to experience the thrill of performing before live audiences, at parties, school functions even singing and playing guitar for five thousand Boy Scouts at an Andrews Air Force Base jamboree; then while still a teenager, getting the chance to sit in with Rock and Roll pioneer, Bo Diddley. Armed with this broad spectrum of influences, he began to develop a storehouse of musical chops. In the early nineties Brown and his band (including wife Tanya Rae) relocated to Texas to the active Austin music scene and landed a weekly gig at the Continental club. Having worked as a sideman for many of the Austin-based acts over the years, Junior was already well familiar with the town. His unique and entertaining combination of singing, songwriting, instrumental and production skills led to a seven record deal with Curb Records that began with “Twelve Shades of Brown” in 1993. He later released two albums on the TelArc label. There were several Grammy nods, a CMA (Country Music Association) award for “My Wife Thinks You're Dead”, movie and repeated TV appearances like Letterman, Conan, Saturday Night Live, Austin City Limits, SpongeBob, X Files, Dukes of Hazzard, Me Myself and Irene, Tresspass, Still Breathing, Blue Collar Comedy Tour 1 and 2, and more recently, Better Call Saul. And there were the Ad Campaigns; The Gap, Lee Jeans and Lipton Tea. As Junior became more well known, he began to collaborate on projects with some of his heroes. These include a duet with Ralph Stanley for which Junior received a Bluegrass Music Association Award (IBMA), a duet and video with Hank Thompson, as well as duets with video and record collaborations with the Beach Boys, George Jones, Leon McAuliffe, Ray Price, Leona Williams, Lynn Morris, Lloyd Green and Doc Watson. He even played guitar for Bob Wills' Texas Playboys in a radio commercial. Junior is currently finishing up recording on his latest album, “Deep In The Heart Of Me”. Release date is slated for Spring 2017. Junior's performance on the promotional song, “Better Call Saul” was recorded and released both as a video on AMC as well as a flexible 33 1/3rd vinyl record included in the show's box set from Season One. Junior, Tanya Rae and the band continue to tear up the highways and no doubt will be appearing in concert near you one of these days. Seeing Junior live is a definite must, so GUIT WITH IT 'cause he's AN AMERICAN ORIGINAL! For more information and tour dates, visit JuniorBrown.com.

In honour of her upcoming induction into the Bluegrass Hall of Fame, we feature Lynn Morris in our artist feature set. Plus we have some birthdays to celebrate and some great new music. Stay Safe!

Um assassinato seguido de quatro desaparecimentos misteriosos. A ligação entre as cinco pessoas é Steve Snedegar, o pai da vítima de assassinato Lora Lynn Morris. Será que os desaparecimentos misteriosos foram fruto de uma vingança de Steve? Detetive do Sofá | Instagram | Twitter | Facebook Apresentação, Pesquisa e Roteiro: Marcela Souza Edição: Alexandre Lima Trilha: Guilherme Moraes

Alex Araman is joined by Lynn Morris, Upstream Research Analyst, and Liam Kelleher, LNG Research Analyst.

Main Street Bluegrass Podcast #2051 for the week of December 13th, 2020. This week music from Lorraine Jordan & Carolina Road, The VW Boys, Russell Johnson, Darrell Webb, Junior Sisk, Wilma Lee Cooper, Lynn Morris [...]

The Lynn Morris live on Folkscene. Recorded 5-23-99. Engineered & remastered by Peter Cutler. Tune into Folkscene every Sunday from 6 to 8 p.m. (PT) at KPFK 90.7 Los Angeles and on-line at www.kpfk.org. ©Folkscene

This show feature some of the wonderful Dobro playing by Josh Graves, as part of the Flatt & Scruggs band, as well as some gems from my collection such as Lynn Morris, the Kathy Kallick Band, and Ron Block.

Multi-award winning bluegrass couple Lynn Morris & Marshall Wilborn discuss their storied careers with Katy Daley.

In honour of her birthday, we are featuring the lovely Lynn Morris in our artist feature segment. Plus we have more birthdays to celebrate and lots of new music!

Rethinking Assistive Technologies

A multitrack recording of my slow and simple version of this Lynn Morris tune, where I'm playing clawhammer banjo (Enoch 12" Tradesman with Rickard Dobson tone ring, Double D), fiddle (low G tuned up to A), guitar (Martin HD-28), and bass. This version is more Old Time. As is always the case, better headphones/earbuds/speakers will do a better job of picking up the bass.

A multitrack recording of my slow and simple version of this Lynn Morris tune, where I'm playing clawhammer banjo (Enoch 12" Tradesman with Rickard Dobson tone ring, Double D), fiddle (low G tuned up to A), guitar, and bass. This version is more Old Time. Mostly banjo in this one, though fiddle is audible in the third round. As always, the bass will sound better with better headphones / earbuds / speakers.

A multitrack recording of my slow and simple version of this Lynn Morris tune, where I'm playing clawhammer banjo (Enoch 12" Tradesman with Rickard Dobson tone ring, Double D), fiddle (low G tuned up to A), guitar (Martin HD-28), and bass. This version is more Old Time. As is always the case, better headphones/earbuds/speakers will do a better job of picking up the bass.

A multitrack recording of my slow and simple version of this Lynn Morris tune, where I'm playing clawhammer banjo (Enoch 12" Tradesman with Rickard Dobson tone ring, Double D), fiddle (low G tuned up to A), guitar (Martin HD-28), and bass. This version is more Old Time. As is always the case, better headphones/earbuds/speakers will do a better job of picking up the bass.

A multitrack recording of my slow and simple version of this Lynn Morris tune, where I'm playing clawhammer banjo (Enoch 12" Tradesman with Rickard Dobson tone ring, Double D), fiddle (low G tuned up to A), guitar, and bass. This version is more Old Time. Mostly banjo in this one, though fiddle is audible in the third round. As always, the bass will sound better with better headphones / earbuds / speakers.

It's Lynn Morris' birthday this week so we celebrate with five songs. More birthdays and new music also. Enjoy!