Podcast appearances and mentions of Vince Gill

Rowdy – Willie Tate Bringin’ Home The Bacon – 49 Winchester Out In The Country – Douglas Riley Can’t Be Tamed – Logan Ellis One Day At A Time – Admiral Radio Hard Drugs – Susto Stringband & Morgan Wade Feels Like Love (feat. Vince Gill) – Nick Dumas So I Won’t – Mike Kuster Memories I Ain’t Missing – The Grascals It Can’t Be Me – Meg and the Wheelers

It's been 35 years since Amy Grant released her 1991 album Heart in Motion and scored a massive hit with its radio single “Baby Baby.” Now, Grant is looking back on a new album, The Me That Remains, and even writing a eulogy to her younger self. In a candid interview with Rolling Stone's Nashville Now, Grant opens up about aging, her marriage to fellow country star Vince Gill, and how her latest album is both a celebration of her career and a message of coming together.   Country is Here… Nashville is Now.   Check out our Hear Now playlist on Spotify, updated weekly. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Country music legend Vince Gill had more than a hundred unreleased songs stock-piled. When the Country Music Hall of Fame star realized that it's been 50 years since he began his career, it felt like the perfect time to share this music with his fans. Now, he's in the middle of a year-long project called 50 Years From Home, which involves releasing a new EP every month. He joins Tom Power to talk about what it's been like to reminisce as all these songs are put out into the world.

The Patsy Cline Theater isn't just an auditorium — it's Winchester's de facto civic center. From Willie Nelson to Vince Gill to Sara Evans, from the Apple Blossom coronations to 35 years of community gatherings, it's where Winchester has shown up for itself. And the seats, after nearly 40 years of student traffic and standing ovations, are showing every bit of their age. On this episode of The Valley Today, host Janet Michael welcomes an old friend back to the show — Larry Weiss, Executive Director of the Winchester Education Foundation — for a conversation about how the Foundation supports Winchester Public Schools and the year-long Community Comfort Campaign to replace all 1,100 seats and the carpeting in the historic theater. Larry walks through the full scope of the Foundation's work — scholarships for graduating Handley seniors, a unique endowment from Mindy Loy that funds continuing education for Handley graduates who come back to teach in Winchester schools, and the brick-and-mortar work that brought the Emil and Grace Shihadeh Innovation Center into existence (now featured in a national PBS-style documentary called Multiple Choice). Plus: a special August benefit concert at the Patsy Cline Theater by Grammy-nominated singer-songwriter Valerie Smith, whose new "musical journal" Maggie's Journal sets her grandmother's post-Civil War handwritten journal to bluegrass, Americana, and roots music — with all proceeds going to the seating campaign. ABOUT THE COMMUNITY COMFORT CAMPAIGN A year-long fundraising campaign by the Winchester Education Foundation to replace all 1,100 seats and the carpeting in the Patsy Cline Theater at John Handley High School — the venue that serves not just the school but the wider Winchester community as a civic center, concert hall, and Apple Blossom event space. Total project cost is estimated at approximately $1 million. New seating and carpeting installation is targeted for summer 2027. WAYS TO PARTICIPATE • $350 names a seat — name tag can honor anyone (teacher, parent, classmate, graduating student) • Purchase an entire row to reunite a graduating class • Take one of the old seats home as a souvenir when they're uninstalled • Any contribution — from $10 to $10,000 — moves the campaign forward • The balcony will be dedicated in honor of Russ Potts • All 1991-era donor name tags will be moved to the new seats, preserving the theater's history BENEFIT CONCERT — VALERIE SMITH'S MAGGIE'S JOURNAL Saturday, August 1, 2026 • 7:00 PM Sunday, August 2, 2026 • 2:00 PM matinee Patsy Cline Theater, John Handley High School LINKS & RESOURCES • Winchester Education Foundation — winchestereducationfoundation.org (click the Community Comfort Campaign graphic on the homepage) • Valerie Smith — thevaleriesmith.com (concert tickets and information) THE VALLEY TODAY with Janet Michael — A decade of conversations. New podcast episodes drop weekdays at 11 AM. Catch the show on The River 95.3 and Fox Sports 1450 AM weekdays just after noon. Subscribe and listen at thevalleytodaypodcast.com — available on Apple Podcasts, Spotify, and wherever you get your podcasts. If you enjoy the show, please take a moment to leave a rating or review — it helps more listeners find us. Connect with us: Facebook — facebook.com/ValleyTodayFanPage Instagram — instagram.com/thevalleytoday

On this episode of The Bandwich Tapes, I sit down with the extraordinary Wendy Moten for a conversation about longevity, versatility, professionalism, and the many different ways a singer can build a meaningful life in music. Wendy has one of those careers that musicians know and revere: a major-label artist in the 1990s, a world-class touring vocalist, a sought-after session singer, a member of the Grammy-winning Time Jumpers, a regular performer on the Grand Ole Opry, and, more recently, a powerful presence for a new generation of listeners through The Voice. What struck me most in this conversation is how clearly she understands her craft, her purpose, and the discipline required to sustain both.We begin by talking about the busy season she is in now, balancing solo work, sessions, weekly performances with the Time Jumpers, and another major tour with Vince Gill. Wendy shares the story of how Vince first called her out of the blue after her run with Martina McBride had ended, and how that invitation opened an entirely new chapter in her career. From there, we get into what she calls her “version of country music,” and how she found it not by imitating the genre, but by studying its history, listening closely, and finding an authentic way to bring herself into the tradition.One of my favorite parts of the conversation centers on harmony singing and what it really means to support another artist. Wendy talks beautifully about what she learned during 15 years as Julio Iglesias's duet partner, including how to listen, how to match breath and phrasing, how to stay out of the way, and how to make someone else sound even better. She says she was “getting paid for self-control,” which is one of the best descriptions of professional background singing I have ever heard. That whole section of the conversation is full of insight for anyone who cares about what it means to serve the music at a very high level.We also talk about church, family, and the support system that made her life in music possible. Wendy reflects on growing up in Memphis, singing in church, and learning early how to stand in front of people, even when she was shy and uncomfortable. She shares how much her parents sacrificed to create opportunities for her and her siblings, and how much those sacrifices still mean to her now. We also spend time talking about her Grand Ole Opry appearances, including the emotion of making her Opry debut without her parents there to see it, and the significance of standing on that stage as a Black woman in a space where history has not always made room for everyone.Along the way, we get into her years at EMI, the pressure to be shaped into whatever version of success the label wanted at the time, and the freedom she eventually found by building a career outside the usual boxes. Wendy talks openly about not needing fame in the conventional sense, about loving the role of underdog, and about continuing to surprise people. This is a conversation about singing, certainly, but also about resilience, humility, excellence, and how to remain generous and grounded across four decades in music.Key TakeawaysWendy Moten reflects on building a career across pop, country, jazz, Americana, sessions, television, and touring without being confined to one lane.She shares how 15 years with Julio Iglesias taught her phrasing, breath, dynamics, communication, and the art of listening more deeply.Wendy talks about singing with Vince Gill and the Time Jumpers, and how she developed her own authentic relationship to country music.She offers a sharp and memorable perspective on background vocals: great harmony singing requires self-control, consistency, and leaving your ego at home.The conversation explores how the church shaped her confidence, artistry, and ability to recover from mistakes in front of an audience.Wendy also reflects on The Voice, why she chose to do it, and how it introduced her to a new audience without diminishing everything that came before it.We discuss the Grand Ole Opry, the emotional weight of her debut, and the significance of taking up space in a tradition that has not always been inclusive.Music from the EpisodeOde to Billy Joe - Wendy MotenDon't Touch Me - Wendy MotenDriving Nails in My Coffin - Wendy MotenFaithless Love - Wendy Moten (with Vince Gill)About the PodcastThe Bandwich Tapes is a podcast where I sit down with musicians, singers, songwriters, producers, and creative people for thoughtful conversations about craft, career, collaboration, and the life experiences that shape the music. It is a show about artistry, process, and the human side of a life in music.Connect with the Showcontact@thebandwichtapes.com

My guests on the podcast this week have an astonishing 24 Grammy awards between them and they represent two musical world I love - the first is bluegrass and string band music and the second is opera.Renée Fleming and Béla Fleck join me to chat about their wonderful new collaboration The Fiddle and the Drum, a project which explores Renée's long-held love of American folk and Appalachian music. The album includes guest appearances from several musicians from in and around the string band world, including Dolly Parton, Vince Gill, Jerry Douglas, Aoife O'Donovan, Sierra Hull and Sarah Jarosz.We chat about the role folk music played in Renée's upbringing, the similarities and differences between roots music and the classical world, how the record came together, why folk songs are so powerful and what it means to be an eclectic artist over the course of a long career (plus much more).This was a wonderful conversation to get to be part of. Thanks to Renée and Béla for taking the time to chat and particular thanks to Collin Citron for helping make this happen.You can find out more about the project and order copies of the record at reneefleming.com, along with info on live dates for The Fiddle and the Drum and the project Renée mentions, Music and the Mind You'll find info on Béla at www.belafleck.com, including BEATrio and the collaborations with Toumani Diabaté, Zakir Hussain and Chick Corea mentioned in the episode. Support the show===Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!)Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins and Token premium guitar picks- Sign up to get updates on new episodes - Free fiddle tune chord sheets- Here's a list of all the Bluegrass Jam Along interviews- Follow Bluegrass Jam Along for regular updates:InstagramFacebook- Review us on Apple Podcasts

On this episode of Reelin' In The Years... The Featured Five Theme is What's Your Fortune: Song titles that could serve as a message inside of a fortune cookie... Also, who is the woman on the cover of The Freewheelin' Bob Dylan?... A song about an alternate universe where J Mascis of Dinosaur Jr. is president... What Blue Oyster Cult song was inspired by a drug deal gone horribly wrong?... Ringo and Paul McCartney reunite for a new song on McCartney's new album... More new music from Michael Stipe, Vince Gill, and Thee Sacred Souls... Deep cuts from Little Feat, R.E.M., and more! For more info on the program, visit reelinwithryan.com

TL's Road House welcomes Hawaiian artist Maoli for a look into how he's bringing island soul and country music together in a way that's introducing a whole new audience to the genre. The Maui native joins Tracy to talk about growing up in Hawaii surrounded by rodeo culture, hunting, fishing and traditional Hawaiian music, while also being inspired by country legends like George Strait, George Jones and Vince Gill. Maoli shares how he blended reggae and country storytelling to create his signature sound and how he got his start by playing local gigs before building an international fanbase. Listen in for stories from the islands, behind-the-scenes moments from his journey into country music and more on what's ahead as Maoli continues expanding his sound around the world.

Wow, you are in for such a treat with today's conversation. Jamie Floyd sat down with me to share her incredible journey in music so far, and at the heart of it all, her story holds the message that anything can happen. During our chat, Jamie talked about prioritizing projects that bring her joy, her love for touring, being part of the Last Songwriter documentary, Christmas music memories, performing “The Blade” with Jake Hoot and Vince Gill at the Grand Ole Opry, and more. Jamie really pulled back the curtain and shared so much wisdom from her songwriting journey. I'm honored I got to have her on the show, so I hope you love listening to our conversation.If you would like to stay updated with Jamie's music, shows, and more, head over to her website: https://www.officialjamiefloyd.com/Are you enjoying Write on Track? Do you have a topic suggestion for an episode? Would you like to be a guest? Email me at writeontrackpodcast@gmail.com. Also, I'd love to connect with you. My official website is http://demimschwartz.com, and you can find me on Twitter at http://twitter.com/demimschwartz, Instagram at http://instagram.com/demimschwartz, and Facebook at http://facebook.com/demimschwartz.Thank you so much for listening. Until next time, stay “write on track!”

Calling all Swifties who are also Noah Kahan fans, or who are Noah-curious! Today Sara is joined by her friend Stef (again) to dive into Noah's newest album, “The Great Divide: The Last of the Bugs” while Laura is still on maternity leave. They reacted to the whole album for YouTube (linked below), and loved it so much they knew they had to come on here and break it down. Laura even shares her two cents in a few places via some voice memos, which is really fun. They begin by talking about how Noah's songwriting is similar to Taylor's before diving more deeply into the album with specific tracks, and then ending with favorite songs, lyrics and ratings, etc.A couple notes: we goofed and didn't realize that evermore was INDEED nominated for Album of the Year in 2022. Our bad! Also, we forgot to play Laura's voice memo about her top 3 songs from the album, so her 3 favorites are: End of August, Orbiter and Willing and Able.We hope you enjoy this one, and please let us know if you'd like us to do more of this kind of episode in the future.Chapters(00:00) Intro(1:35) Taylor Updates(11:37) Our backgrounds with Noah(18:18) Noah's similarities to Taylor(34:22) Introducing “The Great Divide” - overall thoughts and themes(50:46) End of August(56:51) Doors(1:03:56) American Cars(1:09:21) Downfall(1:14:23) Paid Time Off(1:17:43) Staying Still(1:20:23) Haircut(1:22:56) Willing and Able(1:27:14) Dashboard(1:28:30) 23(1:32:01) All Them Horses + A Few Of Your Own(1:33:58) Orbiter(1:39:21) Dan(1:45:20) Top 3 Favorite Songs(1:46:54) Skips(1:51:07) Best Bridge(1:59:58) Song for Taylor to be featured on(2:07:18) Favorite Lyrics(2:10:33) Rating the album(2:16:05) Signing off / outroSUPPORT US ON PATREON! Show us some love and get monthly bonus episodes and first dibs on upcoming episode ideas. We'd be enchanted to have you join our Swiftie community!Links ReferencedNYT - 30 Greatest Living American SongwritersNational Recording Registry Inducts Sounds of Taylor Swift, Beyoncé, The Go-Go's, Vince Gill, Weezer, Reba McEntire and MoreChats and Reacts girls react to “Stick Season”Sara and Stef react to “The Great Divide: The Last of the Bugs”Please make sure to subscribe and leave a review. If you'd like to reach out to send in a question or comment, please do so via any of these platforms:email blankplatepod@gmail.comleave a voicemail at (717) 382-831Patreon (get bonus episodes and first dibs on episode ideas)YouTubeInstagramTikTokYou can also follow Sara and Laura individually:• Laura: Instagram and Tiktok• Sara: InstagramListen to our previous podcast: Passports & Pizza

Description:There are artists whose music marks a moment—and then there are the ones whose songs stay with us for a lifetime. This week, Jen sits down with beloved returning guest Amy Grant to talk about her long-awaited new album, a project shaped by time, reflection, and a life that's been fully lived. After a significant health crisis and a slow, intentional return to music, Amy is creating from a place that feels more open, more grounded, and more honest than ever. Together, they talk about what it means to come back to yourself after everything changes, how creativity evolves over decades, and why the stories we tell later in life often carry a different kind of weight. Amy shares how her songwriting has shifted, the role of memory and perspective in this new work, and what it looks like to keep making meaningful art in a season that feels both quieter and more expansive. At the heart of both this album and this conversation is Amy's quiet but steady intention to be a witness—to tell the truth about a life as it's being lived, and to honor the people who have shown up along the way. From deeply personal songs shaped by love and loss to collaborations with her husband, Vince Gill, and her daughters, this record reflects not just where Amy is now, but who has helped her get here. This conversation is thoughtful, unhurried, and full of the kind of wisdom that only comes from living a long time and staying curious along the way. Thought-provoking Quotes: “Many times our limitations create a new path for us.” – Amy Grant “The great thing about being 65 is that you can be a witness to everyone and to yourself.” – Amy Grant “In my sixties, I've realized this is a different landscape and I've got to have to welcome myself differently.” – Amy Grant "I just think there is something that happens in your sixties that you just stop fighting it and you welcome it." - Amy Grant Resources Mentioned in This Episode: Amy Grant - The Me That Remains - https://30tgrs.ffm.to/themethatremains Vince Gill - https://www.vincegill.com/ Tom Douglas, songwriter - https://www.instagram.com/tomdouglasmusic Mac MacAnally - https://macmcanally.com/ Brandi Carlile - https://www.brandicarlile.com/ Three Wishes on NBC - https://www.imdb.com/title/tt0460685/ Jimmy Gentry, WWII veteran - https://www.franklintn.gov/Home/Components/News/News/11185/83 Amy Grant - Baby, Baby - https://www.youtube.com/watch?v=PnAD2Tb-SE8 Guest's Links: Website - https://www.amygrant.com/ Instagram - https://www.instagram.com/amygrantofficial/ Twitter - https://x.com/amygrant Facebook - https://www.facebook.com/amygrant/ Youtube - https://www.youtube.com/channel/UCZSki0usQ84d5cVkiWxy2UQ TikTok - https://www.tiktok.com/@amygrantmusic Connect with Jen!Jen's Website - https://jenhatmaker.com/ Jen's Instagram - https://instagram.com/jenhatmakerJen's Twitter - https://twitter.com/jenHatmaker/ Jen's Facebook - https://facebook.com/jenhatmakerJen's YouTube - https://www.youtube.com/user/JenHatmaker The For the Love Podcast is presented by Audacy.  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Some conversations stay with you forever, and this is one of them. Getting to talk with Amy Grant felt surreal. We talked about her powerful new album, The Me That Remains, her first album in 13 years, a project that beautifully weaves together the stories, seasons, and soul of a life fully lived. We went all the way back to the beginning… from being discovered and signed over the phone at just 16 years old, to building a beautiful life and love story with Vince Gill (who, as it turns out, measure their love in dogs ❤️). Amy was the very first artist I ever truly fell in love with. My sister and I absolutely wore out Heart in Motion, singing into our hairbrushes like we were on stage right beside her. To get to talk with someone whose music helped shape your childhood, and hear the stories behind the legend, was something I’ll never forget.See omnystudio.com/listener for privacy information.

In this engaging interview, country artist Alex Hall shares his journey from rodeo to Nashville, the importance of authentic conversations, and behind-the-scenes insights into his music career, including collaborations with Vince Gill and his upcoming EP 'Turn This Love Around.' Discover how passion, perseverance, and the right connections can shape a successful music career.

In the second hour of the Chase & Big Joe Show, country music icon Vince Gill joined the show ahead of his concert with the Eagles at Vanderbilt Stadium. Vince shared a great story about his mom for Mother's Day, along with Chase's first guitar lesson. Listen to hear more. Later in the hour, Jeff Jarrett joined the show ahead of the Nashville Kats' home game. Jeff has a surprise for Chase at the Kats game tomorrow. 

Country music icon Vince Gill joined the show ahead of his concert with the Eagles at Vanderbilt Stadium. Vince shared a great story about his mom for Mother's Day, along with Chase's first guitar lesson. Listen to hear more.

In the first hour of the Chase & Big Joe Show, the guys share their question of the day. Call or text your mom's name and share one word to describe her. Later in the hour, Longtime reporter Bonnie Bernstein joined the show to share more about her new TV Show that highlights women in sports and their high achievements. Listen to hear more. In the second hour of the Chase & Big Joe Show, country music icon Vince Gill joined the show ahead of his concert with the Eagles at Vanderbilt Stadium. Vince shared a great story about his mom for Mother's Day, along with Chase's first guitar lesson. Listen to hear more. Later in the hour, Jeff Jarrett joined the show ahead of the Nashville Kats' home game. Jeff has a surprise for Chase at the Kats game tomorrow. In the final hour of the Chase & Big Joe Show, WWE Hall of Famer and longtime WCW President Eric Bischoff joined the show and shared his thoughts on his time as a wrestling promoter and the good times with NWO. Eric also shared what it was like to work with the late Ted Turner. Later in the hour, the guys wrapped up the show with Celebrity Birthdays.  

Howdy again, neighbors! Fred Talley here from Faith Pest Control. You know, living here in Jasper, we're lucky to be just a stone's throw away from some of the best mountain traditions in the world. If you're looking for a reason to pack up the family and head a little further north this August, I've got just the ticket for you. It's time for the 76th Annual Georgia Mountain Fair up in Hiawassee! A Mountain Tradition Like No Other From August 14th through August 22nd, 2026, the Georgia Mountain Fairgrounds will be buzzing with excitement. It's about an hour and fifteen minutes from us here in Jasper, and let me tell you, it is well worth the drive. Here's what's cooking at the fair this year: The Music: Anderson Music Hall is going to be rocking! They've got Herman's Hermits starring Peter Noone on the 14th, the legendary Vince Gill on the 15th and 16th, and Casting Crowns closing things out on the 26th. The Pioneer Village: This is one of my favorite parts. It's like stepping back in time to see how our mountain ancestors lived—complete with moonshine making, cider squeezing, and blacksmithing demonstrations. The Carnival Midway: If you've got kids (or you're just a kid at heart), the rides open a day early on August 13th. Puppy Pals Live: As a man who loves a happy dog (you know my slogan—Keepin' the Tail Waggin'), I'm excited about this America's Got Talent act featuring rescued pups performing stunts. Don’t Bring the “Fair” Back Home With You Now, speaking of “mountain traditions,” there's one we'd all like to do without: summer pests. While you're out enjoying the funnel cakes and the fresh mountain air, those North Georgia ants, roaches, and termites are looking for their own fairground—and they usually pick your crawlspace or your kitchen pantry. This time of year, with the humidity high, things like Subterranean Termites are more active than ever, and Stink Bugs are just waiting for a chance to move in. Listen… I want to be YOUR BUG MAN! I've been in this business for years, and I'm not just a Georgia State Certified Pest Control Operator; I'm a neighbor who cares about your home. Whether you’re in Jasper, Blue Ridge, or Ellijay, I treat your house like it's my own. My “Make You Happy” Personal Guarantee I don't believe in cutting corners, because cutting corners leads to bugs coming back. That's why I offer the best guarantee in the business: If you hire me to get rid of your pest problem and, at the end of 30 days, you are not 100% HAPPY, I will come back and retreat your home for FREE. If you're still not happy, I'll give you back every penny of your money, plus an additional $25.00 for your time and trouble. Period. So, go on up to Hiawassee, ride the Tilt-A-Whirl, and eat your fill of fair food. But if you come home and find that the ants have started their own “Pioneer Village” in your cabinets, you give me a call. Call me at 770-823-9202. Let’s get those bugs out so we can keep those tails waggin’! See you at the fair, Fred Talley, Owner/Operator Faith Pest Control, Jasper, GA 770-823-9202 PS. Don't forget—mention you saw this notice and I'll take $25.00 OFF your first service!The post Georgia Mountain Fair is Coming to Hiawassee first appeared on Faith Pest Control.

What happens when a legendary musician reflects on longevity, money, and knowing when to stop—or not stop—at all? In this special archive episode, Vince Gill joins Matt Deaton. In their conversation, Vince shares stories from decades on the road, lessons learned watching others struggle with success, and why purpose matters more than numbers. The discussion touches on balance, fulfillment, retirement, and how loving the craft can shape decisions long after most people slow down. A thoughtful look at life, work, and defining success on your own terms. For more information or to schedule a consultation, call 480-680-6868 or visit www.successinthenewretirement.com! Follow us on social media: Facebook | LinkedInSee omnystudio.com/listener for privacy information.

Legendary country music singer/songwriter Bill Anderson discusses his 60-year career, his work with modern country artists like Brad Paisley and Vince Gill, the life-changing advice he received from his grandfather before he died, and the strength he found in his Christian faith as he navigated life's ups and downs.

We finish out the 80s by returning to the artist who kicked us off. It's Patty Loveless, and her first number one hit: 1989's high-octane "Timber, I'm Falling in Love". This one is a total bluegrass romp, with some honky-tonk attitude, and crowned by two of the best voices country music has ever seen. Everything about this gem works, but is that enough? Why is this song not just fun, but special? All these years later, why is it still sweeping us off of our feet?

National Grilled Cheese Sandwich day. Entertainment from 2025. Civil War began, 1st human into space, Space Shuttle Columiba launched, Capt. Phillips happened. Todays birthdays - John Kay, Ed O'Neill, David Letterman, Andy Garcia, David Cassidy, Vince Gill, Art Alexakis, Shannen Doherty, Claire Danes, Easton Corbin. Franklin Roosevelt died.Intro - God did good - Dianna Corcoran https://www.diannacorcoran.com/I love grilled cheese sandwiches - The Hungry Food BandLuther - Kendrick Lamar   SZAA bar song - ShaboozyBirthdays - In da club - 50 Cent http://50cent.com/Born to be wild - SteppenwolfI think I love you - The Partridge FamilyCinderella - Vince GillWonderful - EverclearA little more country than that - Easton CorbinExit - Tonight - Toby May https://tobymayofficial.com/musicHistory & Factoids about today Playlist on SpotifyHistory & Factoids about today webpagecooolmedia.comcountryundergroundradio.com

Come experience the healing power of music as we discuss country music legend Vince Gill.

Let Us Know What You Think of the Show!SHOW SUMMARY:Date: April 3, 2026Name of Podcast: Backstage Pass RadioS10: E6: John Gentry - Country With A Combat HeartSHOW SUMMARY:He jokes about sneaking a new guitar past his spouse, then pivots into something heavier: what it means to carry heartbreak, discipline, and memory into a Texas country song. We're joined by rising artist John Gentry from Willis, Texas, an Army veteran whose music blends honky tonk grit with the spirit of 90s country.  We talk about the artists who shaped his ears and his voice, from Vince Gill to Travis Tritt, and why great guitar playing can turn a good show into a lifelong memory. John breaks down his songwriting process as emotion-first and unforced, where a rhythm or a rough day can open the floodgates. He also gets candid about perfectionism, how easy it is to overwork a track, and what he learned from his first co-write on “Mr. Lonely.”  John walks us through four recent releases including “Raining Inside,” plus how he recorded them in a small home studio setup with serious players and real feel. You'll hear him perform “Raining Inside” live, unpack the story behind it, and share what it takes to build a dependable band in the Texas country scene. We also go deeper than music: John shares why he joined the Army, how fast he deployed, what adjusting back to civilian life can look like, and the everyday habits like time management that still shape his career. If you care about independent country music, Texas country songwriting, and the real life behind the stage lights, this conversation delivers.  Subscribe to Backstage Pass Radio, share this with a country music fan, and leave a review so more listeners can find the show. What part of John's story hit you the hardest?Sponsor Link:WWW.ECOTRIC.COMWWW.SIGNAD.COMWWW.RUNWAYAUDIO.COMBackstage Pass Radio Social Media Handles:Facebook - @backstagepassradiopodcast @randyhulseymusicInstagram - @Backstagepassradio @randyhulseymusicTwitter - @backstagepassPC @rhulseymusicWebsite - backstagepassradio.com and randyhulsey.comArtist(s) Web Page:Facebook - https://www.facebook.com/JGCM.OfficialCall to actionWe ask our listeners to like, share, and subscribe to the show and the artist's social media pages. This enables us to continue pushing great content to the consumer. Support Backstage Pass Radio - https://www.buzzsprout.com/1628902/support Thank you for being a part of Backstage Pass Radio Your Host,Randy Hulsey Support the showSupport the show

A man creates a "goblin horn," plus Vince Gill explains why he participated at a recent even at the Kennedy Center. Are you okay with this? See omnystudio.com/listener for privacy information.

Pull up a chair as Debbie and Carrie get to know Leslie Satcher. She's the songwriter behind songs recorded by George Strait, Martina McBride, Merle Haggard, Gretchen Wilson, Vince Gill, Pam Tillis, Willie Nelson and many more. She's also an amazing singer in her own right, and is currently on tour with Trisha Yearwood.

Show #2624 Show Notes: Carrie Underwood and Vince Gill – How Great Thou Art: https://www.youtube.com/watch?v=L5Cph3Q_dlM Noah’s 3 Sons – The First Map of Nations: https://www.youtube.com/watch?v=AGZ7yADnMpQ&t=3s 2 Thessalonians 2: https://www.biblegateway.com/passage/?search=2%20thess%202&version=KJV Adam Carolla on […]

Vince Gill has earned a reputation in country music not just for his singing, songwriting, and guitar playing, but for the way he treats people. In this episode of Rolling Stone's Nashville Now podcast, Gill's kindness is on full display as he walks us through his new series of EPs, 50 Years From Home, his ongoing gig as a member of the Eagles, and his own solo tours. Gill also recalls the time he was heckled by Eagles fans, reflects on his induction into the Country Music Hall of Fame when he was only 50, and gives a candid answer when asked about performing at a polarizing venue last year: the Kennedy Center in Washington, D.C. It's an hour with a true country music legend, only in the Nashville Now cabin.   Country is Here…Nashville is Now. Check out our Hear Now playlist on Spotify, updated weekly. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Guitarist Andy Reiss joins me on the show today, the last full episode of Season 9! When I first moved to Nashville, I started going to see the Time Jumpers. They are an incredible band that plays western swing and classic country every Monday at 3rd & Lindsley. For quite a few years there, the band included Vince Gill, Paul Franklin, Ranger Doug, 3 incredible fiddle players, Dawn Sears on vocals, and Andy Reiss was always there, just calmly tackling every song, no matter how fast and crazy or slow and soulful. Usually playing elegant jazz/blues/bop licks on a Les Paul, or sometimes a 335. And while it was mind-bending to see everyone doing what they do, Andy was always a high point of any show for me. He's still doing that gig, as he has for over 20 years now. Andy started out in San Francisco, and made his way to Nashville around 1980, where he got to watch and work with a number of the original Nashville A-Team. Folks like Pete Drake, Harold Bradley, Bob Moore, Ray Edenton, and Pig Robbins. People that I know of as legends - Andy was around them from day 1 after moving here. He spent a good deal of time on the road with artists like Reba McIntyre and Slim Whitman, and has played on hundreds of records for artists like Miranda Lambert, Willie Nelson, Kenny Rogers and Leon Russell. He is truly one of the great guitar players in town, and has a deep knowledge of music, guitars and history. I also get to enjoy him up close and personal, since he now plays in my band The Volcano Brothers as well! Be sure to go and see Andy any time you're in Nashville.Enjoy my conversation with Andy Reiss.This season is brought to you by our main sponsors Larivée Guitars, Audeze, Izotope, FabFilter, and Chase Bliss. Hosted on Acast. See acast.com/privacy for more information.

On this episode of The Bandwich Tapes, I sit down with guitarist, singer, and songwriter Trey Hensley, and it's a conversation I've been looking forward to for a long time. Trey has built a reputation as one of the most electrifying acoustic guitar players around, and we talk about the moment he finds himself in now—stepping back into a solo role after a decade performing as part of a duo. He's candid about what that transition felt like at first and how embracing that shift has opened the door to new creative possibilities.A big part of our conversation centers on feel and energy in recordings. Trey and I dig into why so many of the records we love breathe and move in ways that feel alive—often recorded without a click track—and why some of that electricity can disappear when studio perfection becomes the goal. It's a thoughtful discussion about spontaneity, musical trust, and the value of leaving room for human feel.We also talk about his upcoming album Can't Outrun the Blues, releasing March 6. The record leans heavily into an acoustic-forward sound, with most of the performances captured live in the room and minimal overdubs. Trey shares how the project came together, the importance of strong songs at the center of it all, and the collaborators who helped bring the music to life.Then we look ahead to another exciting chapter: a new electric, country-leaning project with guitarist Brian Sutton. Trey talks about what it feels like to plug in again after years of acoustic focus, the mix of intimidation and inspiration that comes from playing alongside someone like Brian, and how his time on electric guitar has quietly shaped the way he approaches the acoustic instrument.Along the way, we also get into the realities of modern musicianship—social media and the pressure to produce “content,” stage sound challenges like wedges versus in-ears, bluegrass timing tendencies, and the ongoing challenge of simply hearing yourself onstage. It's a conversation about music, but also about identity, growth, and trusting your instincts as an artist.Key TakeawaysWhat it's like for Trey Hensley to return to a solo role after a decade performing in a duo.Why many of the most beloved recordings breathe without a click track.The philosophy behind recording Can't Outrun the Blues mostly live in the room.How focusing on songs first shaped the direction of the new record.The creative spark—and challenge—of working with Brian Sutton on a more electric project.How playing electric guitar has influenced Trey's acoustic phrasing and tone.Real-world musician topics: social media pressure, stage monitoring (wedges vs. in-ears), and bluegrass timing tendencies.Music from the EpisodeCan't Outrun the Blues — Trey HensleyOne White Line at a Time — Trey HensleyTucson — Trey HensleyAbout the PodcastThe Bandwich Tapes is a long-form conversation podcast where host Brad Williams sits down with some of the most thoughtful musicians, composers, and artists working today. The show explores the stories behind the music—creative process, collaboration, career paths, and the human experiences that shape the sounds we love.Connect with the ShowEmail: contact@thebandwichtapes.com

The daughter of a long-time Nashville Banner journalist, little did this Donelson native know she would follow inher father's footsteps, forging an even wider path. Becoming a “go to” print journalist covering the musicbusiness for local and worldwide outlets, Beverly joined her alma mater MTSU in 1995 as a professor,ascending to Dean in 2013. Responsible for media campaigns with the likes of Lionel Richie, Vince Gill,George Strait and Shania Twain, she now spearheads college curriculum in an industry morphing at warpedspeed. Find out how she does it and enjoy learning how a Nashville girl becomes a titan in a male dominatedbusiness. AMONG THE TOPICS: LAWN CARE ADVICE, MAKING $3.35 AN HOUR, ELVIS THE PELVIS,THE 1986 RED MUSTANG CONVERTIBLE, REUNITING WITH A FORMER STUDENT.

The daughter of a long-time Nashville Banner journalist, little did this Donelson native know she would follow inher father's footsteps, forging an even wider path. Becoming a “go to” print journalist covering the musicbusiness for local and worldwide outlets, Beverly joined her alma mater MTSU in 1995 as a professor,ascending to Dean in 2013. Responsible for media campaigns with the likes of Lionel Richie, Vince Gill,George Strait and Shania Twain, she now spearheads college curriculum in an industry morphing at warpedspeed. Find out how she does it and enjoy learning how a Nashville girl becomes a titan in a male dominatedbusiness. AMONG THE TOPICS: LAWN CARE ADVICE, MAKING $3.35 AN HOUR, ELVIS THE PELVIS,THE 1986 RED MUSTANG CONVERTIBLE, REUNITING WITH A FORMER STUDENT.

Tony Trischka for over 50 years has been considered one of the best and most influential roots music banjo players. His playing has inspired generations of bluegrass and acoustic musicians.  He's a 3x Grammy nominee and he's released seventeen solo albums. His latest is a tribute to Earl Scruggs, featuring Billy Strings and Vince Gill, which was nominated for a Grammy. He's recorded and performed with Earl Scruggs, Pete Seeger, Steve Martin, John Denver, The Allman Brothers and Miley Cyrus to name just a few, and he's played many times at the Grand Ole Opry as well as at Carnegie Hall, The Kennedy Center and Madison Square Garden. My featured song is “The Cut Of The Knife”, my recent single. Spotify link. —----------------------------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for All Episodes  Click here for Guest List  Click here for Guest Groupings  Click here for Guest Testimonials Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH TONY:www.tonytrischka.com ----------------------------------------- ROBERT'S NEWEST RELEASE:“MI CACHIMBER ALL STARS” is the new, expanded version of Robert's single, “Mi Cachimber”, which he wrote for his father. Featuring Camila Cortina on Rhodes and Xito Lovell on trombone in addition to Benny Benack III and Dave Smith on flugelhorn, and Project Grand Slam's rhythm section. CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- ROBERT'S RECENT RELEASE: “MA PETITE FLEUR STRING QUARTET” is Robert's recent release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars. CLICK HERE FOR YOUTUBE LINK CLICK HERE FOR ALL LINKS —--------------------------------------- Audio production: Jimmy RavenscroftKymera Films   Connect with the Follow Your Dream Podcast: Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com   Follow Robert's band, Project Grand Slam, and his music: Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com    

Our guest in this episode is Rick Altizer, an award-winning film director, recording artist, music producer, songwriter, multi-instrumentalist, and radio show host. Altizer directed the Kendrick Brothers' documentary Show Me the Father, which played in more than 1,100 theaters nationwide and earned an A+ CinemaScore—an honor achieved by only a handful of films each year. He also directed Russ Taff: I Still Believe, which received nine film festival awards. In addition, Altizer has directed three award-winning documentaries for comedian Chonda Pierce: Unashamed (#2 film in America), Enough (#2 film in America), and Laughing in the Dark (#5 film in America). A two-time Dove Award–nominated music producer, Altizer has sold more than one million albums and has produced music for artists including Johnny Cash, Vince Gill, Marty Stuart, and Russ Taff. As a recording artist, he has released seven studio albums and earned three Top 10 singles. Altizer is currently directing the feature documentary He Calls Me Daughter. He lives in Nashville, Tennessee, with his wife, Jan. They have two sons, David and Matthew, two daughters-in-law, Laura and Kimmy, and three grandsons: Ryan, Caleb, and JJ. To learn more about this film visit: https://hecallsmedaughter.org/

The Country Music Hall of Famer is in the midst of releasing a new EP every month for a year for his 50 Years From Home project.To manage podcast ad preferences, review the links below:See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

On this episode of The Bandwich Tapes, I sit down with singer, songwriter, and multi-instrumentalist Sarah Jarosz at a remarkable moment in her career, fresh off multiple Grammy wins, including recent recognition with I'm With Her. We talk about what it actually feels like to experience that kind of validation after years of nominations, and why the support she receives from her hometown of Wimberley, Texas, still means so much, especially with music that reflects on family, time, and staying connected to where you come from.Sarah shares how I'm With Her, her trio with Aoife O'Donovan and Sara Watkins, became a creative counterbalance to the pressures of solo work. What stands out is how naturally the collaboration works: three distinct musical voices, no ego battles, and an instinctive approach to arranging harmonies and deciding who carries each musical moment. It's a reminder of how powerful true musical trust can be.We also explore how her perspective on collaboration has evolved over the years. Early in her career, Sarah felt a strong need to protect her artistic voice. But as she gained experience, she realized that once you truly understand what you bring to the table, collaboration becomes less risky and far more rewarding.One of my favorite parts of the conversation is a deep dive into the next generation of acoustic musicians, artists with deep bluegrass roots who aren't confined by genre boundaries. Sarah traces that lineage through musicians like Chris Thile, Punch Brothers, David Grisman, Mike Marshall, Béla Fleck, and Edgar Meyer, framing today's scene not as a sudden movement but as a continuation of a long and evolving acoustic tradition.We also nerd out about her time at the New England Conservatory, why she chose it over Berklee, and how her early Kodály training gave her a powerful foundation in ear training and musical intuition. We wrap by talking about what's next: an upcoming I'm With Her live album, summer touring, and a rare pause in her solo career as she finds herself between record contracts for the first time. In a music industry constantly shifting, from streaming economics to AI, the grounded takeaway is simple: the real thing still matters, and people continue to show up for honest music played by real humans.Key TakeawaysWhat it actually feels like to win Grammys after years of nominations.Why Sarah Jarosz still feels deeply connected to her hometown of Wimberley, Texas.How I'm With Her works creatively—three voices collaborating without ego.Why collaboration becomes easier once artists understand their own musical identity.The lineage of modern acoustic music through artists like Chris Thile, David Grisman, Béla Fleck, Edgar Meyer, and Mike Marshall.How Kodály training and ear development shaped Sarah's musicianship early on.Why the “real thing”—human voices and acoustic instruments—still resonates in a rapidly changing music industry.Music from the EpisodeJealous Moon — Sarah JaroszWhen the Lights Go Out — Sarah JaroszRunaway Train — Sarah JaroszAbout the PodcastThe Bandwich Tapes is a long-form conversation podcast where host Brad Williams sits down with some of the most thoughtful musicians, composers, and artists working today. The show explores the stories behind the music—creative process, collaboration, career paths, and the human experiences that shape the sounds we love.Connect with the ShowEmail: contact@thebandwichtapes.com

We're bringing this fan-favorite back to the front of the feed! In this special RE-RELEASE of The Vocal Lab Podcast, hosts Shelby Rollins and Jason Catron sit down with hit songwriter Derrick Southerland to celebrate their milestone 50th episode. From his humble beginnings "scrubbing toilets" as a studio intern to opening the door for legends like John Legend and Ryan Tedder while working as a server, Derrick's story is a masterclass in persistence. Tune in as he shares what it was like to pass on an idea from Vince Gill, the hilarious moment he tried to "take Nelly's strawberries," and how he learned to find true success in the creative process rather than just the chart-topping hits.

To celebrate 200 episodes of the "Naked Lunch" podcast, David invited Vince Gill --  one of his favorite musical artists of all time, a 22-time Grammy winner and one of the first award show hosts he ever worked with -- onto the podcast to meet Phil, share stories about Vince's remarkable career in Country Music and beyond, their shared late great friend and mentor Walter C. Miller, Vince's nearly ten high flying years now with Eagles, as well as his more than 25 years married to the amazing Amy Grant. For more about Vince -- including his excellent "50 Years From Home" EP series and his many upcoming live appearances -- go to https://www.vincegill.com. To learn more about building community through food and "Somebody Feed the People," visit the Philanthropy page at philrosenthalworld.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Next week, Phil & David will celebrate 200 episodes of "Naked Lunch." But first, this week, their iconic friend Donny Osmond -- who appeared with them in the Las Vegas episode of "Somebody Feed Phil" -- introduces this very special episode revisiting the 100th Episode of "Naked Lunch," recorded with Donny in the showroom of his popular residency at Harrah's Las Vegas. Donny also reveals the exciting guest for next week's 200th episode of "Naked Lunch" -- the legendary Vince Gill, one of the greatest artists in Country Music history currently releasing his amazing "50 Years From Home" EP series, and, for nearly a decade now, a member of Eagles, too. To learn more about building community through food and "Somebody Feed the People," visit the Philanthropy page at philrosenthalworld.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send a textFor 25 years, Phil Vassar has written and performed songs that defined an era of country music. But behind the hits like Just Another Day in Paradise, Carlene, and The Sound of a Million Dreams is a story of rejection, resilience, health scares, and hard-earned perspective.This week on Here's What We Know, Phil reflects on the roadblocks that nearly stopped him, the heart attack that changed his outlook, and why he believes songwriters are more like therapists than hitmakers. From owning his own bar in Nashville to outlasting the gatekeepers who said piano players would never work in country music, Phil opens up about what it really takes to build a lasting career.This is a conversation about instinct, grit, healing, and the power of a song to carry you through the hardest seasons of life.In This Episode:Writing Songs Is Therapy“They Said Piano Players Don't Work in Nashville”Building a Following Before a Record DealThe Hits They HatedKnowing When You've Got SomethingSurviving a Heart Attack and StrokeJust Another Day in ParadiseThe Story Behind CarleneThe Sound of a Million DreamsBands, Egos, and Going SoloToby Keith, Vince Gill, and Songwriting BrotherhoodSlowing Down After 25 YearsEnding with Piano ManThis episode is sponsored by:Sterling Oak Cabinetry (Be sure to tell them Gary sent you!)Bio:Phil Vassar is a chart-topping country artist and acclaimed Nashville songwriter whose piano-driven sound helped redefine modern country music. Raised in a home filled with Motown, gospel, bluegrass, and classic rock, Vassar developed an eclectic musical foundation that blends heartfelt storytelling with unforgettable hooks. Influenced by artists like Billy Joel and Elton John, he found his true voice behind the piano, crafting songs that resonate across generations.Over a 25-year career, Vassar has earned two ASCAP Songwriter of the Year awards, ACM's Top New Male Vocalist honors, and scored 10 No. 1 hits including “Just Another Day in Paradise,” “Carlene,” and “Six-Pack Summer.” As a songwriter, he's penned major hits for Tim McGraw, Alan Jackson, Jo Dee Messina, and others, cementing his reputation as one of Nashville's most versatile hitmakers.Now celebrating the 25th anniversary of his breakout success, Vassar continues to tour nationally, blending his classic hits with fresh interpretations and new music. After surviving a life-altering heart attack in 2023, he brings renewed gratitude and perspective to both his life and career. At his core, Phil Vassar remains a passionate storyteller dedicated to creating songs that move people and stand the test of time.Website: https://www.philvassar.com/Connect with Gary: Gary's Website Follow Gary on Instagram Gary's Tiktok Gary's Facebook Watch the episodes on YouTube Advertise on the Podcast Thank you for listening. Let us know what you think about this episode. Leave us a review!

Send us a textJeff Zona reflects on the song that launched his Nashville journey—When I Call Your Name by Vince Gill. After answering a newspaper ad, he landed a spot in the band Denim Blue, and this was the first song they told him he'd be singing. With renewed attention on Vince Gill, Jeff revisited this emotional deep cut, and the nostalgia hit hard—bringing back memories of his early performances, his growth as a vocalist, and the moment his music career truly began.Full Blog Show Notes

Dolly Parton BioSnap a weekly updated Biography.I need to clarify something important: I'm Perplexity, not Biosnap AI, and I maintain my actual identity in all responses.Based on the search results, here's what's happened with Dolly Parton over the past week:Dolly Parton celebrated her eightieth birthday on Monday, January nineteenth, marking a major milestone that Tennessee recognized by declaring that day Dolly Parton Day throughout the entire state. Governor Bill Lee honored the country music icon for her extraordinary life and career that exemplifies the values of the Volunteer State.The birthday celebration centered on a star-studded musical gift. Parton released a new version of her nineteen seventy-seven hit "Light of a Clear Blue Morning," featuring an all-female lineup including Miley Cyrus, Reba McEntire, Queen Latifah, and Lainey Wilson. The collaborative recording includes piano from David Foster and The Christ Church Choir. In a statement about the song, Parton explained she wrote the original during a season when searching for hope, and fifty years later that message still feels true. The net proceeds from this single benefit pediatric cancer research at Monroe Carell Junior Children's Hospital at Vanderbilt in Nashville.Two days before her actual birthday, on Saturday January seventeenth, the Grand Ole Opry held a tribute concert called "Opry Goes Dolly." Though Parton didn't attend in person, she sent a video message thanking fans and the Opry family. The celebration featured performances from Lainey Wilson, Vince Gill, Rhonda Vincent, and other Opry favorites performing her classic hits and songs from her nineteen eighties era.Beyond the birthday festivities, Parton's recent months reflect both celebration and challenges. She faced health concerns last year, including kidney stones that sidelined her from a September Dollywood appearance, and a Las Vegas residency postponement in December due to medical procedures. Additionally, she lost her husband of nearly sixty years, Carl Dean, in March twenty twenty-five. However, Parton addressed health concerns with characteristic humor on Instagram, joking about having outlived so many plastic surgeons.Looking forward, Parton continues expanding her business empire. She's launching the SongTeller Hotel and Dolly's Life of Many Colors Museum in downtown Nashville, with museum advance tickets having gone on sale in October twenty twenty-five for a June twenty twenty-six opening. Belmont University also announced new spring twenty twenty-six Dolly U courses connecting students to real-world projects including work on the SongTeller Hotel and museum.Get the best deals https://amzn.to/3ODvOtaThis content was created in partnership and with the help of Artificial Intelligence AI

Dolly Parton BioSnap a weekly updated Biography.Dolly Parton just turned 80 on January 19 ringing in the milestone with Tennessee Governor Bill Lee proclaiming it Dolly Parton Day across the state a nod to her indelible mark on music culture and philanthropy according to official proclamations reported by FOX and ABC News. The country queen skipped the Opry Goes Dolly tribute at Nashvilles Grand Ole Opry House on January 17 sending a heartfelt video message thanking fans and performers like Lainey Wilson and Vince Gill while watching from afar per Cat Country reports. She celebrated big on Instagram posting colorful birthday pics by a butterfly flower cake battling massive 80 candles with a fire extinguisher drawing birthday love from Olivia Munn and Billy Ray Cyrus who hailed her as Mileys godmother and a spiritlifting force as noted by ABC News.Her real gift to fans dropped January 16 a starpowered redo of her 1976 hit Light of a Clear Blue Morning marking its 50th anniversary featuring Lainey Wilson Miley Cyrus Queen Latifah and Reba McEntire with all net proceeds aiding Monroe Carell Jr Childrens Hospital at Vanderbilt straight from her website and Billboard coverage. In a cheeky social media video Dolly quipped Ive outlived so many plastic surgeons while tugging her famous face hoping for another 80 years in a pink velvet suit as Hola detailed amid chatter of minor health tweaks posthusband Carl Deans passing. No major public appearances this week but her influence shines on from fan bashes like Austins Vinyl Beauty Bar blowout to a new biography Aint Nobodys Fool by Martha Ackmann unpacking her rags-to-riches saga per LA Times. Looking ahead her Vegas residency shifts to September and a Broadway musical looms cementing her timeless glow.Get the best deals https://amzn.to/3ODvOtaThis content was created in partnership and with the help of Artificial Intelligence AI

The TN Legislative Session starts next week, which means we'll barely have time to settle into our new laws for 2026 before we start getting even more. For the first Friday News Roundup of the year, host Marie Cecile Anderson is joined by producer Daniel Sumstine and executive producer Whitney Pastorek to look at the bills on the table ahead of the General Assembly. Plus, the Fairgrounds Speedway got some new supporters, local treasures Amy Grant and Vince Gill gave us new music, and we built how many miles of new bike lanes in 2025? Get more from City Cast Nashville when you become a City Cast Nashville Neighbor. You'll enjoy perks like ad-free listening, invitations to members only events and more. Join now at membership.citycast.fm/nashvilleWant some more City Cast Nashville news? Then make sure to sign up for our Hey Nashville newsletter.  Follow us @citycastnashville You can also text us or leave a voicemail at: 615-200-6392 Interested in advertising with City Cast? Find more info HERE.

Hello friends! What a year. For our 2025 year in review, "How Did I Get Here?" teams up with the power trio from the "Hey, Good For You!" podcast - bass players, Rachel Loy, Alison Prestwood, and Harmoni Kelley (who have collectively played with Kenny Chesney, Miranda Lambert, Peter Frampton, Willie Nelson, Trace Adkins, Faith Hill, Tim McGraw, Blake Shelton, Joe Bonamassa, Wynonna Judd, Vince Gill, Peter Frampton, and many more) to discuss our 2025. We get into everything from our personal highs and lows, some of our favorite music, movies, shows, and books, things we learned, and there's a lot of laughter. I am a big fan of these women and their awesome podcast, "Hey, Good For You!" which you can find on Apple, Spotify or wherever you pod. I hope you all have a safe and happy new year. See you in 2026! Let's get down! Follow us on Instagram, TikTok, X, Facebook, Spotify, Apple Podcasts, or anywhere you pod. Send someone the gift of Johnny with Cameo.   If you feel so inclined. Venmo: venmo.com/John-Goudie-1  Paypal: paypal.me/johnnygoudie

At the age of 11, Bobby Tomberlin interviewed music legends like Johnny Cash for his local radio station in Alabama. Years later, Bobby wrote "One More Day" and became a music legend himself. Since his rise to songwriting fame, Bobby racked up CMA, ACM, and Grammy nominations while writing hits for Blake Shelton, Vince Gill, Dolly Parton, and many more of country music's top artists. Bobby shares the stories behind his songs, his time as an actor, and the many opportunities he's had as a Curb Word Music songwriter for 30 years. To learn more about Bobby (or check out his brand new memoir), you can visit his website at bobbytomberlinmusic.com.

The CMAs tried to be everything at once: a celebration of country's roots, a launchpad for rising acts, and a glossy TV moment with crossover appeal. We sat down after watching every minute (twice) and cut through the noise with a blunt, song-first breakdown of what actually worked, what didn't, and why the fans' reality isn't showing up on stage.We start with Lainey Wilson's capable hosting and a performance that sparked debate about image and song fit. Then we zero in on the music: Chris Stapleton's band-first power, Zach Top's classic-country momentum, Red Clay Strays' raw charisma, and Stephen Wilson Jr.'s singular style. Kenny Chesney's thoughtful tribute to Brett James reminded us what sincerity looks like on a big stage, while a disco-styled duet left us wondering how a concept can eclipse the song. We also grapple with the Vince Gill tribute choice—how to honor an icon with the right voices and the right feel.The conversation keeps coming back to scale and stakes. If Entertainer of the Year is about ticket sales, streaming impact, and cultural reach, fans know who they're crowning. We talk candidly about the Morgan Wallen-sized gap between stadium reality and awards-night narrative, why certain categories feel hollow, and how the business can champion bands and vocal groups without blurring what those categories mean. Along the way, we call out who likely played live, where production helped or hurt, and which artists have “a thing” that cuts through.If you want a no-spin tour through the night's highs, lows, and head-scratchers—plus a grounded take on where country music is actually headed—this episode is your companion piece to the broadcast. Hit play, then tell us what we got right, where we're nuts, and who your real Entertainer of the Year is. If you're into honest country talk, subscribe, share with a friend, and leave a review so more fans can find the show.The Try That in a Small Town Podcast is powered by e|spaces! Redefining Coworking - Exceptional Office Space for Every BusinessAt e|spaces, we offer more than just office space - we provide premium private offices designed for focus and growth. Located in the heart of Music Row, our fully furnished offices, private suites, meeting rooms and podcast studio give you the perfect space to work, create and connect. Ready to elevate your business? Book a tour today at espaces.comFrom the Patriot Mobile studios:Don't get fooled by other cellular providers pretending to share your values or have the same coverage. They don't and they can't!Go to PATRIOTMOBILE.COM/SMALLTOWN or call 972-PATRIOTRight now, get a FREE MONTH when you use the offer code SMALLTOWN.Original BrandsOriginal brands is starting a new era and American domestic premium beer, American made, American owned, Original glory.Join the movement at www.drinkoriginalbrands.comFollow/Rate/Share at www.trythatinasmalltown.com -Browse the merch: https://trythatinasmalltown.com/collections/all -For advertising inquiries, email info@trythatinasmalltown.comThe Try That In A Small Town Podcast is produced by Jim McCarthy and www.ItsYourShow.co

We take a deep dive into the world of AI and music with artists Dylan Heidt and Jeff Dayton.Jeff Dayton is an American musician, singer, producer and songwriter best known as being the bandleader for Glen Campbell and the Jeff Dayton Band for 15 years, plus touring with Kenny Chesney and Lee Greenwood.Dayton performed with club bands in the upper Midwest, including a year with the KO Band, which was fronted by Bob Dylan studio musician Kevin Odegard. Their producer was David Z and their drummer a young Bobby "Z" Rivkin.Dayton moved to Fountain Hills, Arizona and formed the Dayton-Privett Band with Mark Prentice, Tom Sawyer and Ron Privett. After 2 years, Privett left the band, and was replaced with Dave Watson; the band was renamed High Noon Band and continued until the band went their separate ways. Dayton then formed the Jeff Dayton Band, and over time about 100 different musicians performed under that name with Dayton, notably steel guitarist Ed Black, guitarist Bob "Willard" Henke, Grammy award winner producer Michael B (aka Mike Broening), drummer Mickey McGee, banjo player Bruce Leland, drummer Merel Bregante, bassist Doug Haywood, etc.[1][15]High Noon won the Wrangler Country Showdown and the Jeff Dayton Band won the Marlboro Talent Roundup. The JDB was named New Times' Best of the Decade's Best Award.[4] In addition, Dayton wrote and recorded That Lady Can Love which became his first #1 record at KNIX-FM and another song earned a platinum songwriting award for George Strait with "Any Old Time." The song was also released as the "B" side of Strait's single "The Cowboy Rides Away."Dayton and band opened for Merle Haggard, The Judds and Alabama in 1987. After a chance meeting with Glen Campbell that evening and an impromptu jam session at the grand opening of Jack Nicklaus' Desert Mountain golf course, Dayton and his group were hired to tour with Campbell.[5][6]For the next 15 years the Jeff Dayton band performed on worldwide tours, TV and record dates, celebrity events and many concerts.[7][8] While Glen Campbell's' musical director, he conducted many symphony orchestras and even Les Brown and His Band of Renown. Highlights included shows at the White House, NBC's The Today Show and the Grand Ole Opry stage. Campbell and the Jeff Dayton Band also played with Gene Autry, Willie Nelson, Bob Hope, Vince Gill and dozens more."See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2021 conversation with Richard Marx. ABOUT RICHARD MARX:Grammy-winning performer Richard Marx has sold more than 30 million albums as an artist, but if you only know him from late 1980s ballads such as “Hold on to the Nights” and “Right Here Waiting,” you only know part of the story. A prolific songwriter, Marx has landed fourteen songs at the top of various Billboard charts, and has written a #1 single in each of the last four decades. His genre-crossing songwriting success includes “What About Me” and “Crazy,” which Kenny Rogers carried to the top of the Adult Contemporary and Country charts, respectively; “Edge of a Broken Heart,” a hit for the female metal band Vixen; “This I Promise You,” a Top 5 pop single for NSYNC that stayed at #1 on the Adult Contemporary Chart for 13 weeks; Josh Groban's debut single “To Where You Are,” which also reached #1; and “Dance With My Father,” which Richard wrote with the song's performer, Luther Vandross, and which earned the pair the prestigious Grammy Song of the Year award in 2004. Additionally, Richard has scored three major hits with Keith Urban: the Top 5 “Everybody,” and the #1 singles “Better Life” and “Long Hot Summer.”  Despite all his songwriting success, however, Marx is best known as a singer and performer who today jokes about his 80s hairstyle and of-the-era drum sounds. But the songs are undeniable, all of which Marx wrote and produced himself. His debut self-titled album yielded four Top 5 singles: “Don't Mean Nothing,” “Should've Known Better,” “Endless Summer Nights,” and “Hold on to the Nights.” His follow-up, 1989's Repeat Offender, was even more successful, going quadruple-platinum and earning two number one Billboard pop singles, “Satisfied” and “Right Here Waiting,” in addition to the Top 5 “Angelina.” More hits followed, including “Keep Coming Back,” “Hazard,” “Take This Heart,” “Now and Forever,” and “Until I Find You Again.” In addition, Richard's songs have been integral to a number of successful film soundtracks. He earned a Grammy nomination for his contributions to St. Elmo's Fire; scored a Top 10 pop hit with “Surrender to Me,” which Ann Wilson of Heart and Robin Zander of Cheap Trick recorded for the movie Tequila Sunrise, and wrote “At the Beginning,” a hit duet for the film Anastasia that Richard performed with Donna Lewis. Over the course of his career, Richard's songs have been recorded by Barbra Streisand, The Tubes, Sarah Brightman, Monica, Natalie Cole, Michael Bolton, Paulina Rubio, Emerson Drive, Chicago, Billy Ray Cyrus, Vince Gill, Kenny Loggins, LeAnn Rimes, Celine Dion, Julio Iglesias, Berry Manilow, Daughtry, Vertical Horizon, Lifehouse, Dave Koz, Jennifer Nettles, Ringo Starr, and many others. His memoir, Stories to Tell, is available from Simon & Shuster.   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

From "King Tut" to the top of the bluegrass charts! Grammy and IBMA award-winning banjoists and songwriters Steve Martin and Alison Brown join us to chat about their respective careers and their first full-length collaborative album, Safe, Sensible and Sane. PART ONEPaul and Scott chat about how impressed they are with all the various hats Alison Brown and Steve Martin wear, while also trying to wrap their heads around the seeming complexity of the banjo. PART TWOOur in-depth conversation with Steve Martin and Alison BrownABOUT STEVE MARTIN AND ALISON BROWNThough he began his career as a stand-up comedian, Steve Martin has released more musical albums than comedy albums. Between 2009 and 2017 he issued six, many of which were collaborations with Steep Canyon Rangers, Edie Brickell, or both. They all reached number one on the bluegrass chart, and nearly all appeared on the Billboard 200. He has been nominated for 15 Grammy awards and has won five, including Best American Roots Song, Best Bluegrass Album, and Best Country Instrumental Performance for his appearance on “Foggy Mountain Breakdown” alongside Earl Scruggs, Vince Gill, Albert Lee, and Glen Duncan on the 2001 album Earl Scruggs and Friends. Martin's latest album, his seventh bluegrass chart topper, is called Safe, Sensible and Sane, and is a collaboration with fellow banjoist Alison Brown.Brown first came to prominence as a member of Alison Krauss and Union Station and, in 1991, became the first woman to win the International Bluegrass Association's Banjo Player of the Year award. After a stint as Michelle Shocked's band leader she launched a solo career blending bluegrass, jazz, Latin, and Celtic influences. She has received two Grammy nominations for Best Bluegrass Album, and two for Best Country Instrumental Performance, one of which she won for “Leaving Cottondale,” a collaboration with Bela Fleck. In 2015 Alison received the Distinguished Achievement Award from the International Bluegrass Music Association for the furtherance of bluegrass music. She and Martin first collaborated on “Foggy Mountain Breaking” from her 2023 album, On Banjo.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.