Podcasts about Contemporary dance

Bongani Bingwa speaks with CEO and Director for Education at Moving Into Dance, Nadia Virasamy, about Joburg Theatre becoming a meeting place between generations as Moving into Dance revives two landmark South African contemporary dance works that have influenced dancers for more than three decades.. 702 Breakfast with Bongani Bingwa is broadcast on 702, a Johannesburg based talk radio station. Bongani makes sense of the news, interviews the key newsmakers of the day, and holds those in power to account on your behalf. The team bring you all you need to know to start your day Thank you for listening to a podcast from 702 Breakfast with Bongani Bingwa Listen live on Primedia+ weekdays from 06:00 and 09:00 (SA Time) to Breakfast with Bongani Bingwa broadcast on 702: https://buff.ly/gk3y0Kj For more from the show go to https://buff.ly/36edSLV or find all the catch-up podcasts here https://buff.ly/zEcM35T Subscribe to the 702 Daily and Weekly Newsletters https://buff.ly/v5mfetc Follow us on social media: 702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio7See omnystudio.com/listener for privacy information.

6/12/26 (Host – Josh Silver) MTA President Max Page w/ Congressional Candidate Mariah Lancaster: running for an open seat for the 6th Congressional District, Primary in September Director Rose Schwietz Malla, Assistant Director Hia Ghosh, Actor Caleb Koval: Silverthorne Theater Company's Sanctuary City by Martyna Majok, Performances now through June 21 at Hampshire College Theater (Emily Dickinson Hall). Director Jen Polins: The School For Contemporary Dance & Thought presents Hatchery Dance Company's Asteroid B-612: A Love Story inspired by The Little Prince at The Workroom Theater in Northampton. June 12 (sold out) & June 13 2 & 730 pm Josh Silver: Easthampton Override & Easthampton's World Cup Watch Parties MTA President Max Page & Senator Ed Markey: Public Education, The Big Ugly Bill & Markey facing Seth Moulton for the Democratic nomination for U.S. Senate in the September 1 primary.

Paul Malek has built a lot of things. A pre-professional dance training centre. A production company. A media company. A 180-seat theatre. A movement for fair dancer pay that went global. And through all of it, one question has driven him: what does it actually take to create sustainable artists in a world that keeps changing? In this Spotlight Series episode, Loren sits down with Paul Malek, Director, Choreographer, Educator, and founder of Transit Dance in Melbourne, Australia. Paul talks about why being a great dancer is no longer enough, what it means to train artists who can build careers that last, and why curiosity might be the most important skill a dancer can develop. He also gets into the mental health side of the arts, his three guides for living and teaching, and what he wishes more dance teachers understood about the human being standing in front of them. If you're a studio owner, a teacher, or someone building something in this industry, this one is for you. A full transcription of the podcast is here: https://www.acrobaticarts.com/blog/ep-135-building-a-dance-business-with-purpose-with-paul-malek About Paul Paul Malek is a renowned Director, Choreographer, and Educator whose influence extends across theatre and stage in Australia and across the globe. With a fervent dedication to artistic ingenuity, he ignites the ambitions of individuals, businesses, and communities, inspiring them to reach their full potential. Having received formal training in Classical Ballet and Contemporary Dance at the Victorian College of the Arts Secondary School, Paul's early career as a dancer and global performer took him on tours across 5 continents, honing his skills and leadership as a dance captain, rehearsal director, and company manager by the age of 26. Returning to Australia in 2007, the spirit of entrepreneurship beckoned Paul to venture into creating enterprises such as Collaboration the Project (2008 – 2015), which produced ground-breaking events like UNDRGRND Melbourne, Sydney, and Brisbane, Immersed Melbourne Dance Industry Night, DANCE CHAT, DANCE CHAT LIVE, and Project Y (Youth Dance Company), in addition to steering over 16 professional production seasons and tours. This includes award-winning productions Yours Truly, Parkland Avenue and Unanswered. Paul's contributions to the artistic community manifest through his past roles as board member and President of Australian Teachers of Dancing International. A board member of Ausdance Victoria, and the inaugural Artistic Director of the Victorian Dance Festival. A founding member of Dancers Australia, MEAA, Paul champions fair pay for dancers across the industry which goes back to 2013 when he initiated the #paythedancers movement which reached global attention and has continued moving forward. Paul was the co-director of BOOM Media (2011 – 2015), a forward-thinking Marketing and Media Company dedicated to and led by dancers. During this time, he worked as a Videographer, Photographer and Film Editor along his choreographic and producing achievements. He was also the Director of Dance Architect choreographic award and the Dance Architect Education Summit. His choreographic proficiency shines through his work on television shows like Dancing with the Stars and So You Think You Can Dance Australia, alongside crafting captivating performances for numerous corporate events, award ceremonies, music videos and television commercials. A regular on the Dance Festival Circuit, Paul has taught and lectured at Australian Dance Festival, Victorian Dance Festival, MOVE IT London, Dance Summit New York, Come Together Dance Convention to name a few. In 2015, Paul founded Transit Dance, a ground-breaking endeavour that serves as a testament to his visionary leadership. As Artistic Director (2015 – 2024), he spearheaded a diverse spectrum of performance platforms and educational initiatives, housed within his innovative dance and performance precinct in Brunswick, Victoria. He currently continues his influence as Chairman of the Transit Dance Board of Directors. Beyond his instrumental role at Transit Dance, Paul stands as a prominent figure in the realm of motivational speaking, addressing audiences at corporate events, conventions, and festivals globally. As an avid dance photographer his artistic expression extends through his lens, capturing the essence of movement and grace, working alongside esteemed artists to bring their visions to life. Envisioning a world where art and inspiration intertwine seamlessly, Paul Malek strives to leave an indelible mark on the cultural landscape, shaping the future of dance and performance with his unparalleled vision and unwavering commitment to excellence. If you'd like more amazing content more tips and ideas check out our Acrobatic Arts Channel on YouTube. Subscribe Now! Connect with Acrobatic Arts on your favourite social media platform: Instagram: https://www.instagram.com/acrobaticarts/ Facebook: https://www.facebook.com/Acroarts Twitter: https://twitter.com/acrobatic_arts/ Learn more and register for our programs at AcrobaticArts.com

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Multi-media essay 'Tracing a Legacy: Martha Graham's Centuryl Long Journey to Jacob's Pillow'  

Join us for a fascinating conversation with choreographer Alexander Whitley about how movement shapes consciousness and how technology transforms our perception of the world and of ourselves.
In this episode, Alexander shares his vision of the body as a site of knowing and self-making. He calls it “auto-fabrication”, meaning we are continually creating ourselves through moving, sensing, perceiving, a process, he asserts, where there is creativity. As Artistic Director of the Alexander Whitley Dance Company, Alexander places live bodies in dialogue with digital systems, staging the tension between our physical, embodied existence and the disembodied way of experiencing the world that modern technologies introduce. He explores how our experience becomes fractured, distributed spatially and temporally, and how social media creates what he calls “jittery, schizoid intervals,” a constant interruption that breaks the flow of attention into fragmented, arrhythmic patterns. In this episode, he walks us through his productions: Antibody, on the transhumanist desire to transcend the body; Overflow, on the emotional impact of social media; Future Rites, a VR reimagining of The Rite of Spring; and his new work Mirror, inspired by Shannon Vallor's The AI Mirror, which asks how much we absorb from what technology reflects back to us. Alex invites us to question the narratives that frame technology as either savior or destroyer, setting us into the grey area, where the real inquiry is. Be prepared to sit with a striking profound reflection: What becomes of the sensitive attunement between humans when screens mediate our bonds? Alexander reminds us that the mind is embodied, shaped by movement, rhythm, and connection. And that dance may be one of our most powerful tools for sensing what it means to be human.

In this powerful and deeply inspiring episode, I sit down with Jill Douka, a woman who truly embodies leadership, transformation, and global impact.Ranked among the top 4% of coaches worldwide as a Master Certified Coach (MCC) by the International Coaching Federation, Jill is not only a coach, but a force of change. Through her work, she has empowered thousands of individuals across Europe, the USA, and Asia to step into their full potential.This conversation goes beyond titles and achievements. It is about purpose, resilience, and what it really means to lead, both in life and in business.Jill is the Academic Director and founder of the Global Academy of Coaching, where she has trained leaders in more than 30 countries.An International Bestselling Author, her book Create Love has touched lives worldwide, alongside her other impactful works including How to Create Your Life, Suddenly Now, Woman Now, and The 10X Plan.Her journey is as dynamic as it is inspiring. With Greek-Canadian roots and a truly global presence, Jill has built a reputation as one of Europe's most celebrated coaches. She was among the first Europeans to speak at TEDx events in both Asia and Europe within the same year, a testament to her international influence.In our conversation, Jill shares her unique perspective on transformation, leadership, and navigating change in a fast-moving world.We dive into:What it takes to become a top 4% coach globallyHow to lead with clarity, confidence and compassionThe power of unlocking your inner energy and strengthsWhy personal transformation is the foundation of professional successThe evolving role of women in leadership and entrepreneurshipHow coaching can truly change livesJill's approach blends strategic thinking with deep emotional intelligence, making her work both powerful and deeply human.Jill's academic and professional journey reflects her commitment to growth and excellence.She holds an MBA from ALBA and is a graduate of the International Coach Academy. Her studies also include Human Resources at Cornell University and a Master's Degree in Cultural Management and Political Science from Université Paris Dauphine.Adding another dimension to her profile, Jill also explored her artistic side through Contemporary Dance and Choreography at the Merce Cunningham Foundation in New York, a beautiful reflection of her creativity and multidimensional personality.Jill is not only a leader in her field, but also a passionate mentor, entrepreneur, and philanthropist.She is a contributor to the Forbes Coaches Council, a frequent guest on television and radio, and has been featured in international publications such as The Times of India and Madame Figaro.She is also actively involved in leading coaching and mentoring organisations across Europe, continuously shaping the future of the industry.Beyond her impressive career, Jill is a proud mother to her daughter Joy, who plays a central role in her life. She is also a passionate athlete, training daily through swimming, cycling, and running, embodying the values of discipline, resilience, and balance that she teaches.Jill truly lives what she speaks.This episode is a reminder that leadership is not about titles, it is about impact.It is about showing up with authenticity, courage, and a willingness to grow.Jill Douka's journey is proof that when you combine purpose with action, and vision with heart, you can create a life and a legacy, that inspires others across the world.To learn more about Jill's work, speaking engagements, and coaching programs, explore her Global Academy of Coaching and discover her bestselling books.If you are ready to step into your next level, in life, business, or leadership, this conversation will leave you inspired, energised, and ready to take action.

Penny Saunders is an absolute force in the dance world and a choreographer every dancer dreams of working with. But before she was a choreographer, she was a dynamic performer dancing with companies including American Repertory Ballet, Ballet Arizona, MOMIX, Cedar Lake, and Hubbard Street Dance Chicago.She is now an acclaimed choreographer who has created works for companies including Grand Rapids Ballet, Hubbard Street, Cincinnati Ballet, Whim W'Him, Pacific Northwest Ballet, Parsons Dance, Oklahoma City Ballet, BalletX, Sacramento Ballet, The Royal New Zealand Ballet, Tulsa Ballet, Diablo Ballet, Dayton Ballet, Eugene Ballet, ArtEmotion/Ballet West and Seattle Dance Collective, among others.In this episode, Penny shares how her early training shaped her independence, and what it really looked like to transition from a classical dancer into a contemporary artist. We also dive into her evolution as a choreographer, the moment she finally claimed that title, and how motherhood has influenced both her creative process and career.Key "Pointes" from this Episode: Training at Harid Conservatory and how dance fostered independence at a young age. Her transition into a professional career with her first job at American Repertory Ballet. Navigating the transition from classical ballet to contemporary dance. The story behind one of her favorite performance experiences and falling in love with her husband. Taking the leap into choreography at Hubbard Street Dance Chicago. Overcoming imposter syndrome and growing into the identity of “choreographer”. Balancing motherhood with a demanding dance career and why it matters for children to see their parents pursuing fulfilling work. Adapting choreography across different companies while staying true to her voice. An inside look at her current commissions, including Romeo & Juliet with Diablo Ballet and Sherlock Holmes co-produced by Ballet Idaho, Grand Rapids Ballet, and Nashville Ballet.Connect with Penny:INSTAGRAM https://www.instagram.com/pennyfix/Connect with Chronicle StudioAPP: https://chroniclestudio.passion.io/INSTAGRAM: instagram.com/chronicle_cdt_studio/FACEBOOK: facebook.com/chronicleCDTstudioMORE INFO: allongefilms.com/chroniclestudioLet's connect!MY WEBSITE: thebrainyballerina.comINSTAGRAM: instagram.com/thebrainyballerinaSchedule your complimentary career consultation: https://www.thebrainyballerina.com/career-mentoringQuestions/comments? Email me at caitlin@thebrainyballerina.com

Latin dance is a living blend of rhythms, histories, and styles, and Araceli Cervantes approaches it as both cultural practice and personal craft. Cervantes is an actress and dancer whose love for the arts began early and continues to shape her work. Drawing on training that spans Mexican traditional dance as well as contemporary and Latin forms, she brings both technique and joy to performance. A dance champion and medal-winning competitor, Cervantes shares what it takes to keep growing through discipline, resilience, and a commitment to reaching the next level. Series: "Mi Universidad " [Arts and Music] [Education] [Show ID: 41212]

Latin dance is a living blend of rhythms, histories, and styles, and Araceli Cervantes approaches it as both cultural practice and personal craft. Cervantes is an actress and dancer whose love for the arts began early and continues to shape her work. Drawing on training that spans Mexican traditional dance as well as contemporary and Latin forms, she brings both technique and joy to performance. A dance champion and medal-winning competitor, Cervantes shares what it takes to keep growing through discipline, resilience, and a commitment to reaching the next level. Series: "Mi Universidad " [Arts and Music] [Education] [Show ID: 41212]

Latin dance is a living blend of rhythms, histories, and styles, and Araceli Cervantes approaches it as both cultural practice and personal craft. Cervantes is an actress and dancer whose love for the arts began early and continues to shape her work. Drawing on training that spans Mexican traditional dance as well as contemporary and Latin forms, she brings both technique and joy to performance. A dance champion and medal-winning competitor, Cervantes shares what it takes to keep growing through discipline, resilience, and a commitment to reaching the next level. Series: "Mi Universidad " [Arts and Music] [Education] [Show ID: 41212]

Gugs Mhlungu speaks with Gregory Maqoma, internationally acclaimed South African choreographer, dancer, and founder of Vuyani Dance Theatre, about his latest work, Genesis, a groundbreaking dance opera that fuses dance, music, and poetry at Joburg Theatre and what audiences can anticipate from it. Gugs Mhlungu gets you ready for the weekend each Saturday and Sunday morning on 702. She is your weekend wake-up companion, with all you need to know for your weekend. The topics Gugs covers range from lifestyle, family, health, and fitness to books, motoring, cooking, culture, and what is happening on the weekend in 702land. Thank you for listening to a podcast from 702 Weekend Breakfast with Gugs Mhlungu. Listen live on Primedia+ on Saturdays and Sundays from 06:00 and 10:00 (SA Time) to Weekend Breakfast with Gugs Mhlungu broadcast on 702 https://buff.ly/gk3y0Kj For more from the show go to https://buff.ly/u3Sf7Zy or find all the catch-up podcasts here https://buff.ly/BIXS7AL Subscribe to the 702 daily and weekly newsletters https://buff.ly/v5mfetc Follow us on social media: 702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio702 See omnystudio.com/listener for privacy information.

In this episode we have the opportunity to peel back the curtain on competition judges. Meghan Faddis joins us to share her insights on becoming a judge and giving good FEEDBACK to dancers and groups. You won't want to miss this! ABOUT MEGHAN:Meghan, a St. Louis native, is a New York based professional dancer, actor, and educator. She has over 25 years of dance training, 14 of which she received from St. Louis Academy of Dance. While in St. Louis, Meghan began her professional musical theatre career and performed in over 25 mainstage shows at the Muny and was a part of the Muny Teen Touring Troupe throughout her teenage years. She then attended Indiana University and holds a BFA in Musical Theatre and a minor in Contemporary Dance. Upon graduating, she performed at various regional theatre houses, most notably; West Side Story (Jet Girl), The Music Man (Ensemble), and Gypsy (Ensemble) at The Muny, Beauty and The Beast (Ensemble), On the Town (Ft. Dancer), 9 to 5 (Ensemble), and Damn Yankees (Ft. Female Dancer) at Sacramento Music Circus, and Grease (Ensemble/Dance Captain) at Kansas City Starlight. Most recently, she concluded a 4.5 year run as an ensemble swing with Hamilton. She joined the Chicago company of Hamilton in 2019 and later joined the First National Touring Company. Meghan has also traveled and performed as a dancer for Broadway's MJ the Musical's promotional team. While she is not on stage, Meghan teaches musical theatre, contemporary, jazz, and improv master classes all over the country and sits on the convention faculty at Ultimate Dance Tour. She also is currently going on her fifth year as a qualified dance competition adjudicator and sits on the judging panel for Ultimate Dance Tour, Ultra, Refresh, StarQuest, Expressions, and Rave.Meghan has also created a revolutionary training course geared towards new, incoming judges to elevate the standard of feedback provided at dance competitions. Learn more at www.feedbackforjudges.comCONNECT WITH MEGHAN :TikTok: @MeghanFaddisinsta: @mfadd Website: www.meghanfaddis.com EPISODE SPONSORSDream Duffel, the original rolling duffel with a built in garment rack! Choose from multiple sizes, colors, patterns, & styles!www.dreamduffel.comApolla Performance Compression Socks, Made by dancers for dancers! Increase stability and support, while reducing pain and fatigue. www.apollaperformance.comRATE & REVIEWRate & Review Apple Podcast Rate on Spotify SOCIALS Instagram: https://www.instagram.com/twodancemomspodcast/

Raphael Miro Holzer - wie baut man sich ein Leben rund um Tanz auf?Wer sich in Österreich für zeitgenössischen Tanz interessiert, der/die wird sicher auf dem einen oder anderen Weg auch von Raphael Miro Holzer gehört haben: der Tausendsassa ist Tänzer, Choreograph, Kurator, Pädagoge, betreibt den Tanz-Hub "Bluebox" und hat mit der "Blueprint-Methode" quasi eine eigene "Notation" für Choreographie entwickelt. Aber Moment mal, was ist, und wie definiert man eigentlich kontemporären Tanz? Wann ist man eigentlich Choreograph? Was sind Probleme und Hürden in der Tanzwelt? Wie kann man sich in dem Business eigentlich positionieren, um sichtbar zu werden? Wir hatten da einige Fragen, denen wir mit Raphael im Gespräch nachgingen, und so viel vorab: es ist etwas komplizierter als man vielleicht denkt. Aber hört selbst, wie er seinen Zugang zum Tanz fand, wie er ihn weiter dachte, und was - in seinen Augen - Tanz eigentlich ist und kann.

About This Episode: In this episode of Stageworthy, host Phil Rickaby sits down with Gabrielle Martin, Artistic Director of Vancouver's PuSh International Performing Arts Festival. Gabrielle discusses her unconventional path into arts leadership, the realities of curating large-scale interdisciplinary work, and the responsibility of presenting challenging, global performance within a local context. This episode explores: Gabrielle's journey into arts leadership and festival direction The role of PuSh Festival within Vancouver's cultural ecosystem Curating interdisciplinary and international performance Audience engagement and accessibility in contemporary performance The realities of producing large-scale work in Canada Care, sustainability, and leadership in the performing arts And much more! Guest:

Olga Roberts is a former professional ballet dancer and Master Pilates Teacher whose career spans Europe, Australia, and the United States. She was accepted into the Birmingham Royal Ballet at the age of 13 and later trained at the Rambert School of Ballet and Contemporary Dance under former principal dancers Margaret Porter, Anya Linden, and Diana Vere, all partners of Rudolf Nureyev. Her contemporary training included techniques developed by Martha Graham, Merce Cunningham, and Gaga, alongside choreography studies under Dr. Ross McKim, former Artistic Director of Rambert School.Olga holds a Foundation/BA (Hons) Degree from Rambert School and a specialist Teaching Diploma in Contemporary Dance from the Laban Centre in London. She began Pilates training at the age of 11 and later completed 2.5 years of Master teaching Pilates training in Body Control Pilates under Master Teacher Jenny Colbourne, a second-generation Pilates educator trained by Joseph Pilates' protégé Jerome Andrews. She also trained with Master Pilates Teacher Dreas Reyneke, who worked with principal dancers of The Royal Ballet.She is the founder of Body Intelligence Pilates, an advanced movement and conditioning method designed for dancers, athletes, and rehabilitation clients. Olga is an active member of the Royal Academy of Dance (RAD), Pilates Alliance Australasia, and the International Association of Dance Medicine (IADM).In this episode, we discuss: Why Intelligence Beats Intensity in MovementDiscipline of Ballet, Wisdom of PilatesThe Real Core: Beyond Six Packs Alignment Isn't Aesthetic - It's Transformational Why the Right Teacher Isn't OptionalWith podcast host Mark SephtonHope you'll enjoy the episode! Hosted on Acast. See acast.com/privacy for more information.

The Choreography of Environments: How the Anna and Lawrence Halprin Home Transformed Contemporary Dance and Urban Design (Oxford UP, 2025) explores how objects and the domestic spaces seep into the aesthetic consciousness of movement-based artists, like dancers and urban designers, significantly shaping their approach to movement invention and choreography. If these objects and spaces happen to have been designed by a leading modernist architect and landscape designer working with the dancer, then the aesthetic imprint is amplified. Dance innovation becomes pressed into dialogue with spatial, environmental, and urban agendas. The Choreography of Environments builds on this premise to consider the use of ordinary objects from a private residence as lenses into viewing dance innovation. Author Janice Ross posits the Halprins' 1950s iconic mid-century modern home and expansive outdoor dance deck as a hidden archive. She explores four objects from their house and gardens -- staircase, deck, chair, and window -- to trace how, despite the conservative postwar climate, this intimate domestic space became a radical template reshaping postmodern dance invention and its expansion into civic, social, and environmental engagement in the twentieth and twenty-first centuries. The work that happened in this white, middle class, Jewish-American home in a San Francisco suburb paved the way for changes that continue to resonate today across contemporary dance, performance, and urban design. These include: defamiliarizing urban landscape and gardens as cloistered theaters where civic identities are rehearsed, orchestrating collective problem solving and invention, normalizing the nude body, privileging a utilitarian and responsive rather than sentimental approach to dance in the environment, and re-positioning choreography as a vital medium for urban problem solving. These four representative objects in the Halprin home are also used to trace the burgeoning of dance as a forceful medium for civic engagement, and its valorization of the ordinary in movement. As a whole, this book shows how dance, architecture, and landscape design would have a profound confluence through these shared domestic spaces and objects of the Halprins' lives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Choreography of Environments: How the Anna and Lawrence Halprin Home Transformed Contemporary Dance and Urban Design (Oxford UP, 2025) explores how objects and the domestic spaces seep into the aesthetic consciousness of movement-based artists, like dancers and urban designers, significantly shaping their approach to movement invention and choreography. If these objects and spaces happen to have been designed by a leading modernist architect and landscape designer working with the dancer, then the aesthetic imprint is amplified. Dance innovation becomes pressed into dialogue with spatial, environmental, and urban agendas. The Choreography of Environments builds on this premise to consider the use of ordinary objects from a private residence as lenses into viewing dance innovation. Author Janice Ross posits the Halprins' 1950s iconic mid-century modern home and expansive outdoor dance deck as a hidden archive. She explores four objects from their house and gardens -- staircase, deck, chair, and window -- to trace how, despite the conservative postwar climate, this intimate domestic space became a radical template reshaping postmodern dance invention and its expansion into civic, social, and environmental engagement in the twentieth and twenty-first centuries. The work that happened in this white, middle class, Jewish-American home in a San Francisco suburb paved the way for changes that continue to resonate today across contemporary dance, performance, and urban design. These include: defamiliarizing urban landscape and gardens as cloistered theaters where civic identities are rehearsed, orchestrating collective problem solving and invention, normalizing the nude body, privileging a utilitarian and responsive rather than sentimental approach to dance in the environment, and re-positioning choreography as a vital medium for urban problem solving. These four representative objects in the Halprin home are also used to trace the burgeoning of dance as a forceful medium for civic engagement, and its valorization of the ordinary in movement. As a whole, this book shows how dance, architecture, and landscape design would have a profound confluence through these shared domestic spaces and objects of the Halprins' lives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

The Choreography of Environments: How the Anna and Lawrence Halprin Home Transformed Contemporary Dance and Urban Design (Oxford UP, 2025) explores how objects and the domestic spaces seep into the aesthetic consciousness of movement-based artists, like dancers and urban designers, significantly shaping their approach to movement invention and choreography. If these objects and spaces happen to have been designed by a leading modernist architect and landscape designer working with the dancer, then the aesthetic imprint is amplified. Dance innovation becomes pressed into dialogue with spatial, environmental, and urban agendas. The Choreography of Environments builds on this premise to consider the use of ordinary objects from a private residence as lenses into viewing dance innovation. Author Janice Ross posits the Halprins' 1950s iconic mid-century modern home and expansive outdoor dance deck as a hidden archive. She explores four objects from their house and gardens -- staircase, deck, chair, and window -- to trace how, despite the conservative postwar climate, this intimate domestic space became a radical template reshaping postmodern dance invention and its expansion into civic, social, and environmental engagement in the twentieth and twenty-first centuries. The work that happened in this white, middle class, Jewish-American home in a San Francisco suburb paved the way for changes that continue to resonate today across contemporary dance, performance, and urban design. These include: defamiliarizing urban landscape and gardens as cloistered theaters where civic identities are rehearsed, orchestrating collective problem solving and invention, normalizing the nude body, privileging a utilitarian and responsive rather than sentimental approach to dance in the environment, and re-positioning choreography as a vital medium for urban problem solving. These four representative objects in the Halprin home are also used to trace the burgeoning of dance as a forceful medium for civic engagement, and its valorization of the ordinary in movement. As a whole, this book shows how dance, architecture, and landscape design would have a profound confluence through these shared domestic spaces and objects of the Halprins' lives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

The Choreography of Environments: How the Anna and Lawrence Halprin Home Transformed Contemporary Dance and Urban Design (Oxford UP, 2025) explores how objects and the domestic spaces seep into the aesthetic consciousness of movement-based artists, like dancers and urban designers, significantly shaping their approach to movement invention and choreography. If these objects and spaces happen to have been designed by a leading modernist architect and landscape designer working with the dancer, then the aesthetic imprint is amplified. Dance innovation becomes pressed into dialogue with spatial, environmental, and urban agendas. The Choreography of Environments builds on this premise to consider the use of ordinary objects from a private residence as lenses into viewing dance innovation. Author Janice Ross posits the Halprins' 1950s iconic mid-century modern home and expansive outdoor dance deck as a hidden archive. She explores four objects from their house and gardens -- staircase, deck, chair, and window -- to trace how, despite the conservative postwar climate, this intimate domestic space became a radical template reshaping postmodern dance invention and its expansion into civic, social, and environmental engagement in the twentieth and twenty-first centuries. The work that happened in this white, middle class, Jewish-American home in a San Francisco suburb paved the way for changes that continue to resonate today across contemporary dance, performance, and urban design. These include: defamiliarizing urban landscape and gardens as cloistered theaters where civic identities are rehearsed, orchestrating collective problem solving and invention, normalizing the nude body, privileging a utilitarian and responsive rather than sentimental approach to dance in the environment, and re-positioning choreography as a vital medium for urban problem solving. These four representative objects in the Halprin home are also used to trace the burgeoning of dance as a forceful medium for civic engagement, and its valorization of the ordinary in movement. As a whole, this book shows how dance, architecture, and landscape design would have a profound confluence through these shared domestic spaces and objects of the Halprins' lives. Learn more about your ad choices. Visit megaphone.fm/adchoices

Eva Stone believes every young woman in ballet should learn to choreograph, and she is on a mission to make that happen. In this episode, the Pacific Northwest Ballet faculty member shares why she sees choreography as essential to developing artistic confidence, voice, and agency in female dancers. She talks about her New Voices program, which gives young women the opportunity to create their own work, and how the experience transforms the way they approach dance, creativity, and leadership. Eva also reflects on her own unconventional path to PNB, the importance of building resilience through rejection, and why empowering dancers to think and create for themselves is key to the future of ballet. Learn more about Eva on her website. Links: Shop Our Back to Dance Guide Buy Corrections Journals Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk TikTok: @BalletHelpDesk

Professor Anne Tomiche of Sorbonne University in Paris was the keynote speaker at an international symposium exploring various aspects of the norms and transgressions of masculinities in Central Europe — from the 19th century to the present day. Martina Greňová Šimkovičová also spoke with Ivana Taranenková, head of the Slovak Academy of Sciences, and Václav Smyčka of Charles University in Prague. The program includes a brief tribute to Anca Monica Dragu, a longtime member of the RSI English section, who passed away on October 3rd, 2021. This week's culture tips feature: an invitation to Roman Ondák's solo exhibition in New York, the shared Visegrad Stage at the Budapest International Book Festival, and the Bratislava in Movement, the International Festival of Contemporary Dance — among others.

Lewis Walker is a former world champion gymnast and now a dancer. We often talk about dance as a short career, one which embeds a very binary approach, and in which partnering is a question of intense trust – well, all this is even more true of gymnastics. Lewis discovered the sport at six, reached its peak – but also realised there was more to explore, more to express. Their side-shimmy into dance has led to collaborations in music, fashion and choreography. Their new work, Bornsick was co-commissioned by the Serpentine Gallery and travels to the Edinburgh Art Festival this summer.Lewis Walker is a London-born queer, non-binary movement artist. A former Great Britain gymnast and Acrobatic Gymnastics World Champion, they trained from age 6 to 21 before earning a degree in Contemporary Dance. Their work spans theatre, film, fashion, music, and the commercial sector. Walker continues to choreograph gymnastics competition routines for the Great Britain, Italian and French national teams. Their creative vision and dynamic movement style have led to collaborations with Tim Walker, Yorgos Lanthimos, ANOHNI, Tirzah, BULLYACHE, Burberry, UNTITLAB, and the Institute of Contemporary Arts (ICA).Beyond performance, Walker is dedicated to teaching movement as a tool for accessing deeper states of consciousness and developing a deeper understanding of consensual touch. Their Connecting to Improv workshop explores dance improvisation as a ritual of shared energy and expression, while MOVE HYPNO, a collaboration with hypnotherapist Michele Occelli, blends movement and hypnotherapy for personal transformation.Walker is currently a Studio Wayne McGregor RESIDENT 6 artist-in-residence.Lewis Walker's website https://www.lewiswalker.uk/Why Dance Matters is a dance podcast featuring inspiring conversations with extraordinary people from the world of dance and beyond. Hosted by David Jays, editor of Dance Gazette, this podcast explores how dance shapes lives and why it matters to us all. Brought to you by the RAD, which inspires the world to dance, these insightful stories will surprise and delight. Tune in and discover more on our website. Hosted on Acast. See acast.com/privacy for more information.

Guests - Maddie Marcadis & Stephani SosaHosted By - Courtney OrtizIn our special summer bonus episode of Making The Impact - A Dance Competition Podcast, Courtney hosted a live podcast event at Streetz Dance Convention's Nationals where parents, students, and teachers joined us for a Q&A alongside some fabulous guests! We loved connecting and meeting so many Making The Impact fans this summer!Topics Include:The significance of versatility and technique in dance trainingThe financial challenges of competitive danceThe need for respect and proper compensation for dancers in the industry.Advice for aspiring professional dancersHelp support our podcast. Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members-onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Season 4 & 5. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizMaddie Marcadis - @maddiekmarcadisStephani Sosa - @stephychicaStreetz Dance Convention - @thestreetzdance Thank you to Streetz for sponsoring and hosting this live podcast event! Learn more about Streetz Dance Convention and register for an upcoming event in their 2026 tour! www.thestreetzdance.com Join our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show

Kim Brandstrup is a Danish born choreographer whose latest project, Breaking Bach, unites him with the Orchestra of the Age of Enlightenment. Kim often works with leading classical companies, but in Breaking Bach he directs street dancers, some with no previous stage experience. What will they all find in Bach's exacting rhythms? Kim took an unusual route into choreography – he initially trained in film, before finding that dance was the perfect medium for his narrative impulse. His recent rich, elegant ballets draw on Hans Christian Andersen and timeless Greek myths.Kim Brandstrup studied film at the University of Copenhagen and choreography at London School of Contemporary Dance. He founded his dance company Arc in 1985, forging a narrative style that owes more to his early cinematic training than to classical story ballet or contemporary dance. His has been commissioned by international companies including the Royal Ballet, Les Grands Ballets Canadiens and the Royal Danish Ballet. Throughout his career he has sought a theatre of movement that is both powerful and subtle, creating poignant and suggestive narratives that are intensely human and emotionally revealing.Kim Brandstrup's website https://kimbrandstrup.org/Breaking Bach at the Edinburgh Festival https://www.eif.co.uk/events/breaking-bachWhy Dance Matters is a dance podcast featuring inspiring conversations with extraordinary people from the world of dance and beyond. Hosted by David Jays, editor of Dance Gazette, this podcast explores how dance shapes lives and why it matters to us all. Brought to you by the RAD, which inspires the world to dance, these insightful stories will surprise and delight. Tune in and discover more on our website. Hosted on Acast. See acast.com/privacy for more information.

In this episode of the Scaling Wellness Podcast, I'm sitting down with someone who's redefining what it means to run a successful, client-centered massage business—Nadin Bailey, founder of MEND Massage Therapy. A licensed massage therapist, registered yoga teacher, and lifelong student of movement, Nadin brings nearly a decade of expertise to the industry. With a background that combines advanced bodywork techniques and a BFA in Contemporary Dance, her deep understanding of anatomy and body mechanics shines through in every aspect of her work. But what truly sets Nadin apart is her vision for MEND Studios—a space built not just for clients to heal, but for massage therapists to grow, thrive, and master their craft. From opening her first location to now running thriving studios in Brookfield and Mequon, Nadin shares the realities of building a team, maintaining high standards, and staying rooted in her passion for helping people feel—and function—better. In this episode, Nadin opens up about: How her movement background enhances her massage techniques The challenges and rewards of building a massage studio focused on both client and practitioner success Why results-driven, highly skilled massage therapy sets MEND apart The lessons she's learned as a business owner navigating growth, leadership, and building a standout brand Whether you're a solo practitioner, studio owner, or dreaming of creating your own wellness space, Nadin's story and insights will inspire and empower you.

Join "Dance Talk” ® with Joanne Carey and special guest Lloyd MayorIn this episode of "Dance Talk” ® , host Joanne Carey speaks with Lloyd Mayor, director of the Clive Barnes Foundation, about his journey in the dance world, the influence of Martha Graham, and the importance of resilience in the performing arts. They discuss the role of the Clive Barnes Foundation in supporting emerging talent, the future of dance and theater, and the significance of movement as a form of therapy. Lloyd shares insights on navigating the dance industry, the challenges faced by dancers, and offers advice for aspiring artists.LLoyd Mayor is of Swiss and British nationality and was born in Geneva, Switzerland, and trained at the Rambert School of Ballet and Contemporary Dance in London. After entering the Martha Graham School with a full scholarship, he joined the Martha Graham Dance Company as a soloist dancer from 2012 to 2022. Mr. Mayor performed a wide range of lead roles in Martha Graham's repertoire as well as contemporary collaborations with Pam Tanowitz, Nacho Duato, Andonis Foniadakis, and Richard Move's “The Show (Achilles Heels),” first danced by Mikhail Baryshnikov. For the Martha Graham Company's 90th anniversary in April 2016, Mr. Mayor danced with former Étoile and former artistic director of the Paris Opera Ballet, Aurélie Dupont. Mr. Mayor also continues to teach around the world, sharing the knowledge of the Graham Technique. Outside of dance, Mr. Mayor is a vibrant real estate agent with Berkshire Hathaway HomeServices and takes great pride in being a global multilingual and multicultural professional who always puts forward the experience of collaborative effort and being of service to his clients' needs. In 2014, he was honored with the Clive Barnes Dance Award, and is now Director of the Foundation. Lloyd Mayor is passionate about keeping Clive and Valerie Taylor Barnes's legacy alive so that young talent can keep being recognised and celebrated.More about the Clive Barnes Foundationhttps://www.clivebarnesfoundation.org/Tickets to the Annual Awards June 9that the National Arts Club https://www.zeffy.com/en-US/ticketing/15th-annual-award-clive-barnes-ceremony-and-anniversary“Dance Talk” ® with Joanne Careywherever you listen to your podcasts. ⁠⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠Follow Joanne on Instagram @westfieldschoolofdance Tune in. Follow. Like us. And Share. Please leave a review! “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Guest: Peter ChuHosted by Courtney Ortiz & Lesley MealorContemporary dance is a genre that can be hard to define, but what everyone can agree on is that it is one of the most popular styles of dance in the industry. Peter Chu joins us on our final genre spotlight episode of season 6 to discuss the ways contemporary dance has evolved and why it will take ongoing support from the community to allow it to continue. Follow Peter Chu on social media @peterchuthis!Help support our podcast. Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Season 4, 5 & 6. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!This episode is sponsored by:Dance Teacher Web Conference and Expo This summer July 22nd-25th in Las Vegas, NV! 140+ master classes, seminars, events, & more for continuing education and networking in the dance community! Use code: IMPACT50 for $50 off! Check out our service: IDA Online Judge's CritiquesSend us a video of your dance and an IDA Judge will critique your routine! You can request a genre-specific specialty judge or add on 10 minutes of additional feedback. 24 hour rush delivery available! Submit your video now! Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor  - @miss.lesley.dancePeter Chu - @peterchuthisJoin our NEW Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow us on social media at @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show

Curtain Up, the Culture Ministry's flagship dance project now in its 35th year, is a showcase for contemporary dance in Israel, providing a springboard for independent choreographers to premiere their works in locations around the country. Twelve creators are participating in this year's program which runs through May 30th. Curtain Up co-artistic director Maya Brinner spoke with KAN reporter Naomi Segal about the creative process in complex times. (Photo: Yair Meyuhas)See omnystudio.com/listener for privacy information.

Michael Bearden, Director of the University of Oklahoma School of Dance, joins us to talk about what makes OU's program stand out. With three distinct tracks—ballet, modern, and pedagogy—OU offers a robust performance schedule, new choreographic opportunities, and wellness support for its students. We dig into the admission process, scholarship landscape, and what career outcomes look like for OU grads. Michael also shares advice for dancers choosing between college and company life, and gives insight into how public university dance programs are navigating ongoing funding cuts. Learn more about OU's Dance Program More Links: Support Ballet Help Desk Summer Intensive Essentials Guide Buy Summer Corrections Journals Instagram: @BalletHelpDesk Facebook: BalletHelpDesk Ballet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

Jessica Warshal '23 reflects on how her lifelong love of dance transformed at UCLA, where she began exploring movement as an academic discipline and cultural practice. After training at the London School of Contemporary Dance and completing a residency in Cameroon, she speaks on navigating dance professionally and the bravery to choose joy. Follow for more stories of Bruin Success:IG: @bruinsuccesspodcastalumni.ucla.edu/bruin-success-podcast/Follow Jessica's journey:IG: @chiyeseedThe Bruin Success Podcast is hosted and produced by Sara Mosgrove '18 and Lily Rosenberg '18, and brought to you by the UCLA Alumni Association. Thank you to our sustaining donors.

4/4/25: MTA Pres Max Page: threats to education, some rays of sunshine. Comm Action PV Exec Dir Clare Higgins: the not-so-bad-yet effect of fed employee firings. Amy Fairchild & Lonesome Bros' Ray Mason w/ organizers Robert Markey & Pam Cote: musical benefit for CA wildfire victims tomorrow. Astronomer Salman Hameed: NASA, the moon, & Musk. Donnabelle Casis w/ Jennifer Polins, Founding Art Dir, School for Contemporary Dance & Thought.

4/4/25: MTA Pres Max Page: threats to education, some rays of sunshine. Comm Action PV Exec Dir Clare Higgins: the not-so-bad-yet effect of fed employee firings. Amy Fairchild & Lonesome Bros' Ray Mason w/ organizers Robert Markey & Pam Cote: musical benefit for CA wildfire victims tomorrow. Astronomer Salman Hameed: NASA, the moon, & Musk. Donnabelle Casis w/ Jennifer Polins, Founding Art Dir, School for Contemporary Dance & Thought.

4/4/25: MTA Pres Max Page: threats to education, some rays of sunshine. Comm Action PV Exec Dir Clare Higgins: the not-so-bad-yet effect of fed employee firings. Amy Fairchild & Lonesome Bros' Ray Mason w/ organizers Robert Markey & Pam Cote: musical benefit for CA wildfire victims tomorrow. Astronomer Salman Hameed: NASA, the moon, & Musk. Donnabelle Casis w/ Jennifer Polins, Founding Art Dir, School for Contemporary Dance & Thought.

4/4/25: MTA Pres Max Page: threats to education, some rays of sunshine. Comm Action PV Exec Dir Clare Higgins: the not-so-bad-yet effect of fed employee firings. Amy Fairchild & Lonesome Bros' Ray Mason w/ organizers Robert Markey & Pam Cote: musical benefit for CA wildfire victims tomorrow. Astronomer Salman Hameed: NASA, the moon, & Musk. Donnabelle Casis w/ Jennifer Polins, Founding Art Dir, School for Contemporary Dance & Thought.

4/4/25: MTA Pres Max Page: threats to education, some rays of sunshine. Comm Action PV Exec Dir Clare Higgins: the not-so-bad-yet effect of fed employee firings. Amy Fairchild & Lonesome Bros' Ray Mason w/ organizers Robert Markey & Pam Cote: musical benefit for CA wildfire victims tomorrow. Astronomer Salman Hameed: NASA, the moon, & Musk. Donnabelle Casis w/ Jennifer Polins, Founding Art Dir, School for Contemporary Dance & Thought.

We celebrate the centenary of the publication of F Scott Fitzgerald's seminal novel The Great Gatsby, with Fitzgerald experts James West and Sarah Churchwell, Writer and performer Matthew Zajac talks about his new theatre production The Testament of Gideon Mack, based on James Robertson's acclaimed book about a Minister who doesn't believe in God, but then meets the Devil, And news of a new prize for contemporary dance productions, from SIr Alistair Spalding of Sadler's Wells, and one of the judges of the prize, Dame Arlene Phillips. Presenter: Kirsty Wark Producer: Fiona Maclellan

Reflecting on a year of phenomenal guests, we are bringing you a selection of the Best Conversations of 2024.At the make or break moment of his choreography career, the last person Rafael expected to hear from was Australia's pop princess, Kylie Minogue.Rafael Bonachela was born in the dying years of Franco's Spain, into a patriarchal culture that didn't appreciate little boys who wanted to dance. As the eldest of four brothers, his father expected him to be an example of academic achievement and bravado.This hardline approach slowly drove his father away from the family, though when it came time to say goodbye, Rafael saw an unexpected side of him.At the age of 17, when the wide world beckoned, Rafael left his home country without a backward glance, grasping with both hands the opportunity to become a professional dancer.After a last ditch attempt at becoming a choreographer, he received an email from Kylie Minogue. And the rest is history.This episode of Conversations contains discussions about Spain, Spanish, Catalonia, Catalonian, General Francisco Franco, Spanish history, small towns, villages, dancing, Fame, choreography, dance school, choreographers, London, Australia, Sydney, Sydney Dance Company, classical dance, music, theatre, performing arts, high school, homosexuality, gay, LGBTQIA, coming out, death, grief, artistic director, naked, nakedness, undressed, modern dance, contemporary dance.  

My guests this week are Dustyn Martincich & Phoebe Rumsey who have edited and authored (along with a number of other contributors) a recent book titled Dance In Musical Theatre — A History of the Body in Movement. As anyone who has listened to this podcast regularly knows, much like the authors of this book, I believe that dance has always been one of the most important and key elements of musical theater—from Oklahoma! and West Side Story to Spring Awakening and Hamilton. By pulling together a range of diverse authors and perspectives, this book not only tracks the emergence of the dancer as a key figure in the genre, it also connects the contributions of past and present choreographers from the beginning of the 20th century and right up to today.  Dustyn Martincich is a Professor of Theatre and Dance at Bucknell University. Her research interests involve investigating narrative, collaborative, and interdisciplinary possibilities in theatre and dance performance and musical theatre dance studies that focuses on the work of the ensemble. She has movement directed, choreographed, and performed for concert dance and theatrical stages. She has been recently published in Studies in Musical Theatre, and in edited collections like Gender Sex, and Sexuality in Musical Theatre (edited by Kelly Kessler), Dueling Grounds: Revolution and Revelation in the Musical Hamilton (edited by Paul Laird and Mary Jo Lodge), and Toni Morrison: Forty Years in The Clearing (edited by Carmen Gillespie). Phoebe Rumsey is a Senior Lecturer in Musical Theatre and Course Leader of the BA (Hons) Musical Theater degree at the University of Portsmouth in the United Kingdom. She received her PhD from The Graduate Center, CUNY, and holds an MA in Performance Studies from NYU, an MA in Theatre from UNLV, and a BFA in Contemporary Dance from Simon Fraser University. A scholar and practitioner, her research has been published in The Routledge Companion to Theatre and Politics, Studies in Musical Theatre, The Routledge Companion to the Contemporary Musical and Reframing The Musical: Race, Culture, and Identity (Palgrave). She is the author of Embodied Nostalgia: Social Dance, Communities and the Choreographing of Musical Theatre (Routledge). Along with her engagement in academic studies Dr. Rumsey has worked extensively as a performer and choreographer. How to become a PATRON of Broadway Nation! This podcast is made possible in part by the generous support of our Patron Club Members, including long-time patron Judy Hucka. For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth discussions with my frequent co-host, Albert Evans, that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation, there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Katie checks in with co-founder and co-Artistic Director of Complexions Contemporary Ballet Company, as well as noted dancer and choreographer (The Joyce, the Bolshoi, The Marinsky, BAM, Cairo Opera House, Holland Dance Festival, and more), Dwight Rhoden.

If you think Ballerina Farm means pigs with point shoes and tutus 1. that's really cute and 2. you're very wrong (unfortunately).Today we are diving into the world of ‘Trad Wives' and more specifically the world of Ballerina Farm which is both a brand and a woman. Hannah Neeleman is a mumfluencer, a mother of eight children and has amassed a huge 10 million followers on Instagram who follow her literally churning butter and collecting eggs from her chickens. Seems wholesome right? Wrong (kinda).Her charges include competing in a beauty pageant just two weeks postpartum, pretending to be poor but owning a $30,000 stove and a birthday present which is the stuff of nightmares (but that was technically her husband's fault). We unpack all. Plus, more of your lazy gewl stories. A LIST OF EVERYONE WE'VE CANCELLED ALONG THE WAY: The O.C: Seth's Behind The Scenes Antics & The Issue With Marissa 7th “Stop Trying To Be The Bible” Heaven Timothée ChalametThe “Ryan Gosling's Face Is Too Hot” NotebookThe OlympicsDrew BarrymoreIt Ends With Us DramaBenniferLady Gaga SEND US YOUR LAZY GEWL STORIES: podcast@mamamia.com.au END BITS:If you're looking for something else to listen to why not check out our hilarious and seriously unhelpful podcast The Baby Bubble hosted by Clare and Jessie Stephens.Or click here to listen to But Are You Happy, hosted by Clare Stephens. Or click here to listen to the hosts of Mamamia Out Loud open up about creativity and how they stay inspired.  CREDITS:Hosts: Clare and Jessie Stephens Executive Producer: Kimberley Braddish Audio Producer: Leah Porges Mamamia acknowledges the Traditional Owners of the Land we have recorded this podcast on, the Gadigal people of the Eora Nation. We pay our respects to their Elders past and present, and extend that respect to all Aboriginal and Torres Strait Islander cultures.Support the show: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

In this excerpt from a 2004 PillowTalk, choreographer Shen Wei speaks with dance scholar Suzanne Carbonneau about his love of abstraction when making movement, stripping away narrative from musical scores, and integrating visual art into his stage works. Shen Wei also shares about his upbringing in the traditions of Chinese Opera and his early years after emigrating to New York City.

The Value of Studying DanceDanceCast is a podcast that spotlights non-traditional dance artists. It is produced by Silva Laukkanen, an advocate for inclusive dance based in Austin, TX.In this episode of DanceCast, Silva interviews Jasmiina Sipilä, who works as a leading teacher in the dance department of Vocational College Live, where they offer the only professional dance degree in Finland for dancers with special needs. The professional degree in dance is aimed for students with special needs, which means these dance students need individual support, modifications, and extra guidance in their studies and working life. The definition of special needs is used in this interview as an umbrella term to mean students who are neurodivergent, have developmental disabilities, have mental health challenges, or have different bodies and motor functions.  Jasmiina describes how, in the degree, the students focus on contemporary dance, cooperation, somatic skills, performing, choreographing, and inclusive dance theory, as well as curriculum in dance practice and theory. The students' degree has many applications after graduation, from dancing professionally to working in the community with different populations.This episode is part of a series interviewing institutions with inclusive dance programs and individuals who identify as disabled and have experienced formal dance education as either students or teachers. This series is part of Silva's ongoing work as the director of Art Spark Texas' dance program. This year, she is continuing the multi-year community-engaged research project, funded in part by the National Endowment for the Arts, that explores disability-centered accessibility in dance education and how we can create barrier-free dance education for students with disabilities in the US.Jasmiina Sipilä is a dancer (BA Hons in Contemporary Dance, Trinity Laban, City University of London), a dance teacher (Master of Dance, University of the Arts, Helsinki), and a special education teacher (professional teacher training college, Haaga-Helia, Helsinki). She has worked widely for 18 years as a dancer, choreographer and teacher in Finland and Europe. Jasmiina loves exploring inclusive dance practice and its possibilities in improvisation and somatic work.

Hosted By - Courtney Ortiz and Lesley Mealor

Katie checks in with Artistic Director (and former principal dancer) of Smuin Contemporary Ballet, Celia Fushille.

Pregnancy brings about some of the most significant physical transformations a woman can experience. Diet is obviously vital to support these changes and your developing baby, but so is staying active. So, what are the safest ways to exercise while pregnant? The most fabulous (& vibrant) NYC-based Dancebody fitness instructor, Mindi stopped by to share her top tips on staying fit during pregnancy + a piece of her unique pregnancy fitness journey with you. LISTEN UP! The Flourish Heights Podcast was made for women, by women. To be empowered in health starts with a true connection with your body. Join Valerie Agyeman, Women's Health Dietitian as she breaks through topics surrounding periods, women's nutrition, body awareness, and self-care.  About Mindi Zim: Mindi's dance journey began in her hometown of Plantation, FL where she spent her time training with renowned companies such as Keigwin + Company and The Ailey School. After graduating from Indiana University with a B.S. in Kinesiology and a focus on Contemporary Dance, she made the leap to NYC. Mindi became a DanceBody trainer and began working on the DanceBody Marketing team in 2018. When she's not in the studio or launching a new marketing partnership, you'll most likely find her with a croissant and coffee in hand. Send her a DM, she reads every single one! Connect with Mindi Zim: Website: https://www.dancebody.com IG: www.instagram.com/mindi_dancebody Stay Connected: Is there a topic you'd like covered on the podcast? Submit it to hello@flourishheights.com Say hello! Email us at hello@flourishheights.com Subscribe to our quarterly newsletters: Flourish Heights Newsletter Visit our website + nutrition blog: www.flourishheights.com Follow us on social media: Instagram: @flourishheights Facebook: @flourishheights Twitter: @flourishheights Want to support this podcast? Leave a rating, write a review and share! Thank you!

Join us as we talk with Alicia Graf Mack, the first person of color and the youngest ever to head the Dance Department at Juilliard. Our conversation covered not only how the program is structured, but also the current state of the job market, what Juilliard dancers do once they graduate as well as the school's cross-over academic program that allows students to take some academic classes at Columbia University. Ms Graf Mack also talked about one of their newer programs tailored for dancers ages 10-18 called the Juilliard Dance Experience. This program will take place in late fall 2025 in New York and on tour in a yet to be announced location.  Learn more on Juilliard's website.   Links: Ballet Help Desk Support Ballet Help Desk Instagram: @BalletHelpDesk

At the make or break moment of his choreography career, the last person Rafael expected to hear from was Australia's pop princess — Kylie Minogue

In this episode Celest chats with Elodie Fratt about her career as an Osteopath specialising in performing arts and as yoga teacher and anatomy educator. About Elodie Elodie is a yoga teacher and osteopath specialising in treating performing artists. Originally from France, she moved over to the UK to train at The Northern School of Contemporary Dance, and fell into yoga over a decade ago as she decided to hang up her dancing shoes. She teaches many styles from Yoga Nidra, all the way through to Jivamukti and has also worked behind the yoga curtain, both as a studio manager, teacher trainer and head of teaching for Hotpod Yoga. She continues to teach anatomy on many reputable teacher training courses, as well as work as an osteopath in South London. She also lectures at the University College of Osteopathy.  ___________________________________________________ Learn more with Elodie Follow Elodie on Instagram Visit her Moving Dynamics website ___________________________________________________ My Socials:   ⁠⁠⁠⁠Celest's Instagram⁠⁠⁠⁠ ⁠⁠⁠⁠Celest's Website ⁠⁠⁠⁠ ⁠⁠⁠⁠Too Flexible To Feel Good Book

Guest: Tommy ScrivensHosted By - Courtney OrtizSpecial BONUS EPISODE! A Platinum Premium Exclusive! To end out the 2023 year strong we are bringing back our popular Q&A with Courtney LIVE episodes! Our Q&A episodes now record monthly for Platinum Premium subscribers only. Dive in to a chat about all things competitive dance with Making the Impact host Courtney Ortiz and special guest IDA Judge Tommy Scrivens! This episode was recorded in November 2023.Topics include:How does a dancer learn how to perform?What should a dancer focus on in a fosse style musical theater solo?Is singing a requirement to have a professional dance career?Is costuming pushing the envelope or staying age appropriate?Want more Q&A episodes?  Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Seasons 4 & 5. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Host & Guest!Courtney Ortiz - @courtney.ortizTommy Scrivens - @tommytoes7Join our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show