Podcast appearances and mentions of Austin City Limits

This week's guest is Diego Rodriguez! We talked about how he got into Phish and the jam band scene back in his high school days and also heard about his first show experience at Austin City Limits back in 2010. We talked about some of his favorite jams, including the YEM from Dick's 2012, and the Tahoe Tweezer. Diego also shared what song he wants to hear Phish cover, and shared some fun stories from the road!

In this episode, I discuss the Rock & Roll Hall of Fame inductees and the Austin City Limits lineup before getting vulnerable and discussing my mental health journey for Mental Health Awareness Month.

  Today on another brand new episode of the Rarified Heir Podcast, we are talking with Rodd Bland, son of blues legend Bobby “Blue” Bland. As this is part two of our interview, we delve deeper with Rodd, who spoke to us on this episode of some of the more silly and fun things about his dad you may not know about the man. Such as? Well, what kind of car did Bobby “Blue” Bland drive? And what color was it? What burger joint was his dad's favorite spot in Los Angeles? We hear that too. And not only do we find out what place that was but we hear of a totally bizarre and wonderful coincidence on their very last visit together, on tour. But sorry – you will have to sign up to hear our Patreon episode to find out what soap opera was Bobby's favorite. We also hear about Rodd's time behind the drum kit as a band leader and also as a guest with some amazing musicians on a recent gig at the Antone's 50th Anniversary at Austin at Austin City Limits. We hear how Rodd started playing the drums and how it used to piss off his dad so much, he had to buy him his first drum kit. We also hear about Rodd's & his dad's relationship with B.B. King – on the road, at home and just hanging out. In fact, Rodd does one really terrific spot-on impression of the man known as Blues Boy that you have to hear to believe. Moreover, we discuss racism in the south, how Rodd is working on selling official Blue merch on the internet and his father's advice to him in life and on stage that seemed to be Blue's mantra for living a good life. It's all here and it's next up on the latest episode of the Rarified Heir Podcast. Everyone has a story.  

In this week's episode, Rosalyn is joined by Tamara Lindeman of The Weather Station. Tamara reflects on how climate grief has shaped her music, a theme that emerged with her previous album Ignorance. She discusses her latest record, Humanhood, which explores themes of personal disconnection and healing, while continuing to resonate with the emotional weight of climate grief and broader political tensions. Tamara also shares her perspective on the current political climate and its impact on touring, speaking candidly about the emotional burden of climate change—particularly on younger generations—and offering thoughtful insights into how artists can balance their roles as advocates. Overall, it's a powerful and timely conversation about art's role in expressing complex emotions, creating connection, and sparking action in the face of an uncertain future.Tamara's recommendations for climate organizations, thinkers and speakers include: 350.org, Environmental Defence, Nature Conservancy Canada, Music Declares Emergency, Bill McKibben and Dr. Ayana Elizabeth Johnson.Buy, download or listen to The Weather Station's latest record, Humanhood.Find The Weather Station online:Website & Upcoming ShowsInstagramFacebookAbout The Weather StationThe Weather Station — the project of Toronto based songwriter Tamara Lindeman — returns with new album Humanhood on January 17th via Fat Possum Records.  The last few years have seen The Weather Station release two albums: the career defining Ignorance (2021) and its ethereal, mostly live recording companion piece, How Is It That I Should Look At The Stars (2022). In that time, The Weather Station have gone on to headline tours across North America and Europe, play major festivals, and perform on the televised Austin City Limits as well as Jimmy Kimmel Live. Ignorance was named Best New Music (Pitchfork), and landed in year-end Top 10 lists from The New Yorker (#1), Spin, New York Times, Uncut, Pitchfork, The Guardian, and many others.  Called "a heartbroken masterpiece" in The Guardian, the record was a complex evocation of climate grief that struck a chord worldwide. As a writer, Lindeman is known for her detail. “Her writing can feel … like the collected epiphanies from a lifetime of observing” (Pitchfork).  Over the course of six albums, her music has moved from home recorded, mostly acoustic folk to the “ornate act of world building” (New Yorker) that was Ignorance.  The throughline, though, is a focus on ideas; her lyrics walk the line between the personal and the conceptual, forever tying small moments to larger metaphysical quandaries.  Nominated for three Juno Awards, a Socan Songwriting Award, and shortlisted for the Polaris Prize, her albums have made a mark both critically and conceptually.______________If you're interested in submitting questions for our upcoming episodes, be sure to follow Folk Canada on Instagram where we will be posting our upcoming guests.Tune in to the latest episodes of the Refolkus Podcast, featuring the latest music releases from Folk Canada members as well as some of our special guests, now broadcasting on CKCU FM 93.1 in Ottawa, CKUW 95.9 FM in Winnipeg and CFBX 92.5 FM in Kamloops.Presented by Folk CanadaHosted by Rosalyn DennettProduced by Kayla Nezon and Rosalyn DennettMixed by Jordan Moore of The Pod CabinTheme music “Amsterdam” by King CardiacArtwork by Jaymie Karn

Send us a textHi everybody and welcome to Attendance Bias. I am your host Brian Weinstein. After two days off and a very very long drive, we are at the third stop of our tour: The Moody Center in Austin, Texas for June 27 and 28. It's rare that Phish stops in Texas, rare that they stop in Texas for the summer, and even more rare that they'll play in Austin–it's been about 15 years since the capitol city entertained the band and its fans. Today's guest, Dianna Hank (known in social media circles as Dianna 2Ns) lives in Austin and is thrilled for Phish to come back to the offbeat city and help keep it weird. If Austin is a city you haven't gotten around to visiting, Dianna makes a strong case for why you should make your way to the City of the Violet Crown, for Phish or otherwise.While Phish has a respectable history in Austin, including an appearance on the long-running PBS show Austin City Limits, and an appearance at the related festival, this 2025 weekend run is primed to be the best. This is the band's first time playing the new, air-conditioned, indoor venue for a two-night run with guaranteed pre-show and post-show live music to be found, great vibes and delicious food in abundance, and more. So whether you're on tour, a Texas native, or flying into town just for the weekend, Dianna is here to give us the lowdown on June 27 and 28 at the Moody Center in Austin, Texas.

The JB and Sandy Show, Wednesday, May 7, 2025Discussion of the Austin City Limits (ACL) music festival lineup and headliners.Personal anecdotes about a biking trip to Colorado, including an accident and injuries sustained.Consideration of whether a teenager should attend the ACL festival with friends.Insights into the challenges of navigating traffic and construction in Austin.Experiences at local dining establishments, including wait times and restaurant atmospheres.Exploration of public transportation options in Austin, including the light rail system.Humor and light-hearted banter about injuries and their social implications.Reflections on changing societal norms regarding parenting and family dynamics.The impact of traffic issues on residents' decisions to move within the city.Engagement with listeners through talkback messages and social media interactions.Sandy introduces the show and co-hosts JB and Tricia.Talkback Message About Actress (00:00:05)  Discussion of a listener's message regarding the actress from "Once Upon a Time in Hollywood."Listener's Insight on Nepotism (00:00:46)  A listener reveals the actress is Andie MacDowell's daughter, discussing nepotism in Hollywood.ACL Festival Lineup Announcement (00:01:31)  Sandy shares the headliners for the Austin City Limits music festival.Discussion on Festival Experience (00:02:26)  Co-hosts talk about the crowded experience at the ACL festival and their daughter's interest in attending.JB's Biking Accident Teaser (00:06:49)  Sandy hints at JB's biking accident in Colorado, teasing a story to come.Uber's Senior Pilot Program (00:07:15)  Tricia introduces Uber's new pilot program aimed at seniors for easier transportation.Garth Brooks ACL Hall of Fame Episode (00:08:00)  Discussion about Garth Brooks' recent ACL Hall of Fame episode aired on PBS.Importance of Performing at ACL (00:09:13)  Sandy shares Garth's thoughts on the legitimacy of performing at Austin City Limits.Uber's Senior Account Features (00:11:17)  Tricia details features of Uber's new senior account designed for easier navigation.JB's Cycling Trip in Colorado (00:14:56)  Teaser for JB's story about his biking trip to Colorado and the injuries he sustained.Description of the Gravel Ride (00:15:59)  JB describes the gravel ride he did in Colorado, highlighting the challenges faced.JB's Biking Accident Details (00:18:22)  JB describes his biking accident, including injuries and initial feelings of embarrassment.Swelling and Bruising Progression (00:19:51)  JB discusses the swelling on his hip, comparing it to a "giant love handle."Doctor's Visit and Diagnosis (00:21:29)  JB shares his experience at the doctor, who reassured him he would be fine.Concerns About Internal Bleeding (00:22:09)  Discussion about the possibility of internal bleeding and JB's worries regarding his injury.Reaction to JB's Injury (00:23:04)  Co-hosts express surprise and concern over the severity of JB's injury.Baby Shower Invitation (00:26:06)  Sandy and Tricia discuss an upcoming couple's baby shower and Sandy's reluctance to attend.Couples Baby Shower Dynamics (00:27:57)  Tricia explains the nature of the baby shower, emphasizing it's more of a gathering than traditional activities.Food and Friends at the Shower (00:29:25)  Sandy and Tricia speculate about the food and social dynamics at the baby shower.Reflections on Parenting Age (00:30:14)  Discussion on the implications of having children later in life, referencing their own experiences.Final Thoughts on the Baby Shower (00:32:45)  Sandy and Tricia wrap up their conversation about the baby shower and the expectations for the event.Traffic in Austin (00:34:32)  Sandy comments on the ongoing construction and traffic issues in Austin, describing it as "unmanageable."Discussion about Laura Restaurant (00:36:28)  Sandy and Tricia share their experience at the popular outdoor dining spot, Laura.Traffic Woes on Lamar (00:36:49)  JB and Tricia discuss the challenges of navigating traffic and construction on Lamar.Kentucky Derby Experience (00:37:58)  The group reminisces about watching the Kentucky Derby with reduced audio clarity.Traffic Solutions on Mopac (00:39:58)  Sandy reveals a traffic hack for avoiding congestion on Mopac during peak hours.Light Rail Discussion (00:41:54)  A lighthearted debate about the use of the train service by Cedar Park residents ensues. Show Recap and Call to Action (00:42:07)  Sandy summarizes the episode's highlights and encourages listener interaction via social media.

"What happens when a celebrity is spotted at a local barbecue joint?" This episode of The Ben and Skin Show takes you on a wild ride through unexpected celebrity sightings, music festival headliners, and hilarious banter. Join hosts Ben Rogers, Jeff “Skin” Wade, Kevin “KT” Turner, and Krystina Ray as they delve into the latest happenings in DFW and beyond.Discover the surprising appearance of Emmy Rossum at Hutchins Barbecue in Trophy Club. The hosts speculate on what brought her to this local hotspot and share amusing anecdotes about her visit.Get the scoop on the headliners for Austin City Limits, including Sabrina Carpenter, and The Strokes. The hosts debate the merits of two-week music festivals and share their excitement (and skepticism) about the lineup.Memorable Moments:Krystina's excited reaction to The Strokes headlining ACL, complete with a reenactment of her original noise.The hosts' playful banter about music festivals, celebrity sightings, and the quirks of famous personalities.KT's fun fact about Emmy Rossum's connection to Counting Crows, adding a surprising twist to the celebrity sighting story.

This week on 512 Degrees, we're turning up the heat with none other than comedian and actor Felipe Esparza. The LA-born funnyman returns to his “second home” of Texas as he takes the stage at Austin City Limits on April 26th as part of his At My Leisure World Tour.Known for his sharp wit, authentic storytelling, and hilarious takes on working-class life, Felipe chats with us about his new Netflix special Raging Fool, his early journey in comedy, how comedians push each other to do better, and how he connects with fans across cultures and generations. From overcoming addiction to building a comedy empire, Felipe is living proof that the hustle pays off.Whether you're an OG fan or just discovering his genius, you don't want to miss this one. Grab your tickets now!

A singer-songwriter and former frontman of The Ugly Americans and The Scabs, Bob Schneider is one of the most-celebrated musicians in Austin. Combining diverse styles, Schneider's music spans genres, blending elements of folk, rock, rap, funk, bluegrass, reggae and country with the more traditional singer/songwriter aesthetic. Schneider has won more than 59 Austin Music Awards including: Best Album, Best Songwriter, Best Musician, and Best Male Vocals making him the most decorated artist in Austin's music history. He started gaining national recognition with his major-label debut Lonelyland. A fiercely-independent artist, Schneider opted to start his own label, Shockorama Records, which has afforded him the freedom to make the music his fans love, on his own terms. Schneider's live performances, both solo and with the band, are legendary. He has two appearances on the Austin City Limits television show and is also in the 20th year of his residency at The Saxon Pub. Bob is also an accomplished visual artist who transforms found visual media into thought-provoking works of art that challenge the viewer's perceptions of contemporary and popular culture. He juxtaposes iconic figures from comic books and other mass media and places them in everyday situations, leaving the viewer to interpret the meaning of the artwork. By appropriating old and valuable books, often intended for mass consumer consumption, Schneider creates something unique and personal for each viewer.

Wildly informative and enjoyable as always, the boys dive into Brandi and Elton, porch concerts, bands rapid rises, singificant passings, Austin City Limits, Beatles doscoveries, and much more. Eclectic, cool, and enjoyable!

In this episode, host Nikki DaVaughn chats with Lloyd Maines, an influential musician and producer considered to be a part of Austin's — and Texas' — musical royalty. From his early days in Lubbock to his iconic performances on Austin City Limits, Lloyd shares his journey and insights into the vibrant Austin music scene. We touch on his unique path to becoming a top-tier musician without formal lessons, his memorable performances with artists like Joe Ely, and his perspective on why ACL TV is integral to Austin's culture. Lloyd also offers valuable advice for aspiring musicians and reflects on his musical legacy, including his impact on his daughter Natalie, lead vocalist for The Chicks. Want some more Austin news? Then make sure to sign up for our Hey Austin newsletter.  Follow us @citycastaustin You can also text us or leave a voicemail.  Interested in advertising with City Cast? Find more info HERE 

2024 — the year of self-worth. As the year comes to a close, I'm reflecting on all the growth, lessons, and beautiful moments that shaped 2024. From learning to believe in myself to deepening friendships and embracing unexpected challenges, this year has been a RIDE.  So in this week's special podcast episode, I dive into all the ups, the downs, lessons learned, and growth I've experienced over the past 12 months. While some lessons were easier to learn than others, I truly believe that, in the end, it's all been to help me become the best version of myself. Let's get REALLY messy and celebrate the end of an unforgettable year together! Make sure to subscribe to this podcast so you don't miss a thing! And don't forget to come hang with me on Instagram @jodie_king_. Interested in being a guest on a future episode of Honest Art? Email me at amy@jodieking.com! Resources mentioned: Studio Elite: https://www.jodiekingart.com/studioelite See all of Jodie's 2025 in-person workshops: https://jodieking.com/workshop Anne Neilson Fine Art Gallery: https://anneneilsonfineart.com/artist/jodie-king  Shop Jodie's Available Art: https://shop.jodieking.com/collections/available-paintings  Episode 61: How to Host a Group Art Exhibition with Stephanie Moore, Ana Stapleton, and Jodie King: https://jodieking.com/episode-61-how-to-host-a-group-art-exhibition-with-stephanie-moore-ana-stapleton-and-jodie-king/  Austin City Limits: https://www.aclfestival.com/     Subscribe to my Patreon for as little as $1 a month and get access to additional art career resources: patreon.com/honestartpodcast  How are you liking the Honest Art Podcast? Leave us a review on your favorite podcast platform and let us know!     Watch this full episode on my YouTube channel: https://www.youtube.com/channel/UC64Vn6NF5BfiwLNTSb_VnDA For a full list of show notes and links, check out my blog: www.jodieking.com/podcast

We had the pleasure of interviewing Atlas Genius over Zoom video!Australian-based brothers, Atlas Genius are thrilled to release their new album End of the Tunnel. The band has put together a special recipe for the new collection of songs. Album ingredients: Lost love, guilt, passion, a dash of social commentary, existential crises, reckless abandon, and honest self-criticism. May contain traces of lust.2024 also marks the 11-year anniversary of the band's debut album When It Was Now, which features top charting songs including the certified platinum “Trojans” which hit #3 on the US Alternative charts and “If So” which peaked at #8.   About Atlas Genius: Their Father was a self made man. He started as a miner, miles below the Australian earth before becoming a successful engineer. But his dreams fell apart following an incapacitating heart attack and a 2 year battle for his life. While their mother tended to their ailing father, the 3 teenage sons, Keith, Steven & Michael grew up quickly having to provide for the family. Eldest Keith's job at KFC wasn't enough, so the Jeffery brothers started playing gigs to pay the family's bills. Even the youngest, 14 year old drummer Michael, had to balance school work and early mornings with their late night cover band shows in the local Adelaide clubs. After a few years and the healing of their father, the band built a recording studio in their home's garage. Out of this home studio came the band's debut album and certified platinum hit single “Trojans.” Over their career, Atlas Genius has traveled the world supporting Weezer, Blink 182, Incubus, Silversun Pickups, The Neighborhood, Passion Pit, Imagine Dragons, The Kooks, and more. Atlas have performed at some of the most iconic and prestigious festivals including Lollapalooza, Austin City Limits, Outside Lands, Bottlerock, Shaky Knees, and Life is Beautiful and has been featured on Jimmy Kimmel, Jimmy Fallon, James Corden, Conan O'Brien, David Letterman and Jay Leno. We want to hear from you! Please email Hello@BringinitBackwards.comwww.BringinitBackwards.com#podcast #interview #bringinbackpod #AtlasGenius #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/followFollow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpodBecome a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support.

The Veteran's day Monday show blows the roof off the bar with a hilarious start, guest starring Denzel Washington and Angelina Jolie! It's all uphill from there as big topics are discussed, laughter is coaxed from the crevices of daily life, and the boys (including J. Holiday) discover they were all at Austin City Limits Live over the previous weekend. Tales of music and concerts (along with General Admission etiquette) are discussed until in Act 2, Tommy finally shares the full story of the infamous Pounding of the Parrothead, which being full circleish, also took place at the ACL venue. There's even more good times and stories that count in this very special live concert oriented episode that is not to be missed! Send us a text

Celebrating the holiday with a truly enjoyable musical romp. Diverse and full of information and opinions, with Austin City Limits, Shaboozey, Dwight Yoakum, Elton John, Beyonce, Yacht Rock, Hollywood Vampires, and many more. Come along for the ride!

Guest: Josh Silverman, CEO of EtsyWhen Josh Silverman joined the board of Etsy, he had one condition: “Don't ask me to the be the CEO.” And technically, they didn't ask. One day, he got a phone call informing him the board had elected him as the new CEO, just days before an earnings miss. He knew the odds were against him — layoffs would be necessary, and “I was going to have to be the villain” — but decided to say yes out of a sense of duty to Etsy's users and workers. “If I can be helpful, I have a responsibility to do it,” Josh says.Chapters:(00:55) - Energy management (02:42) - Meetings (09:56) - Etsy's strategy (13:36) - Learning to delegate (17:10) - Setting an example (24:17) - Evite's rise and fall (27:46) - Self vs. company (30:22) - Legacy (34:21) - Control and agency (37:44) - Joining Etsy's board (40:40) - Becoming CEO (46:16) - Culture shock (48:09) - “We need you, trust us” (51:25) - eBay and Skype (57:15) - Pushed out (01:00:40) - Accountability and family (01:03:53) - Time horizons (01:05:55) - Gen AI-supported art (01:08:29) - Who Etsy is hiring and what “grit” means to Josh Mentioned in this episode: Ken Chenault and American Express, Nick Daniel, Rachana Kumar, Ticketmaster and IAC, Etsy Studios, Silverlake, Shopping.com, Google, Microsoft, and Austin City Limits. Links:Connect with JoshLinkedInConnect with JoubinTwitterLinkedInEmail: grit@kleinerperkins.com Learn more about Kleiner PerkinsThis episode was edited by Eric Johnson from LightningPod.fm

This week Ari sits down with alt-pop singer, rapper & multi-hyphenate, Noga Erez. Her breakout album Off The Radar earned worldwide acclaim and her sophomore project KIDS brought even greater success. She recently released a new record THE VANDALIST, which has further cemented her place as a one-of-a-kind artist of the modern era. Noga Erez has garnered fans across the world, including superstars like Billie Eilish, Missy Elliott (who Noga collaborated with on her 2022 single “Nails”), Gal Gadot, and Finneas. She has sold out the Bowery Ballroom in NY, El Rey Theatre in LA, and Menora Arena in Tel Aviv on her headlining tours. Erez has performed at Bonnaroo, Primavera Sound, Austin City Limits, Lollapalooza, and has been featured on Jimmy Kimmel Live! as well as The Kelly Clarkson Show.In this episode, Ari and Noga talk about the creation process and the craft of songwriting. They also delve into themes from her latest record, including: how social media has affected society and the ways releasing music has changed in recent years. THE VANDALIST is Noga's first record on a major label, so she shares details of what that experience has been like for her. Noga also talks about what it means to be an Israeli artist in a larger global context, and how that has impacted her life and work.https://www.nogaerez.com/00:00 The Meaning of Music in Life01:05 Introducing Noga Erez and Her New Album02:42 Navigating the Music Industry Chaos03:36 Being an Israeli Artist in Today's World04:36 The Creation Process of 'THE VANDLIST'06:31 Collaborating with Real Musicians11:35 Exploring Themes of PC Culture in Music16:55 The Impact of Social Media on Society24:41 The Sad Generation and Its Challenges30:00 The Role of Music in Finding Purpose34:43 Songwriting Process and Collaboration37:26 The Creative Process Behind Songwriting42:07 Navigating Major Label Dynamics46:40 The Impact of Social Media on Artists55:18 The Challenges of Being an Israeli Artist01:10:48 Defining Success in the New Music BusinessEdited and mixed by Ari DavidsMusic by Brassroots DistrictProduced by the team at Ari's TakeOrder the THIRD EDITION of How to Make It in the New Music Business: https://book.aristake.com Hosted on Acast. See acast.com/privacy for more information.

Yee-haw! In this episode, we find out why Austin, Texas is known as the live music capital of the world and how they're proud to Keep Austin Weird. @chrisjunebug and I venture to this southern capital to attend the 3-day Austin City Limits music festival and watch amazing shows from: Dua Lipa, Chappell Roan, Blink-182, Benson Boone, Dom Dolla, and so many more artists We also keep our hearts and bellies full with Austin's best BBQ and Tex Mex institutions like Guero's, Hopdoddy Burgers, Las Trancas, Taquero Mucho, and so much more amazing food. I even get myself a second pair of Tecovas cowboy boots from the flagship store and play dress up in the iconic Allen's boot store. Giddy on up! Video viewers will also be able to catch a sneak peek of upcoming Busy Gal merchandise. WHERE TO FIND ME: Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@busygallivantingpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Youtube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@BusyGallivantingPodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email: busygallivantingpodcast@gmail.com Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠busygallivantingpodcast.com⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/busygallivanting/support

Send us a textEver tried belting out Taylor Swift's 10-minute anthem "All Too Well" without a lyric sheet? Join us on a wild ride through our car karaoke antics, where spontaneity meets hilarity, and our fondness for mixing up seasonal tunes like "All I Want for Christmas Is You" in June. We also navigate the lively chaos of Austin City Limits, sharing our impressions of the ever-evolving cityscape and the quirks of festival life, from battling bugs to doubling up on zinc for that unavoidable festival flu.Picture this: a music festival where I, feeling like a bit of an outsider, discovered the riveting world of Qveen Herbie, a musical revelation that connected past and present in an unexpected way. With my boyfriend Nate, a passionate musician, we explored performances from incredible female artists, both British and Irish, culminating in a Dua Lipa moment. Our journey also takes a playful turn with reality TV banter, contrasting the wholesome charm of the UK's "Love is Blind" with its more dramatic US counterpart.As we unwrap the latest "Crumble Sydney" cookie saga and reflect on surprising life-saving moments at festivals, we also dive into the vibrant worlds of plants and social media. From the thrills of plant shopping and the changing plant market to the joys of Soup Fest in Minneapolis, there's no shortage of anecdotes and insights. Connect with us across platforms like Instagram and TikTok, and explore the world of Brandon Botanical. Whether it's music festivals or plant adventures, there's a whimsical tale awaiting your ears.WAWG: Website Insta Youtube TikTok Nicole: Tik Tok Insta Pinterest Brandon: Tik Tok Insta Youtube Amazon

Click here to send us your victory and vices!Picture yourself in Austin, Texas, caught up in the whirlwind of the Austin City Limits festival. We recount our wild nights and amusing mishaps, from charming local encounters to humorous language barriers at the local club scene. Get ready for tales of pacing ourselves through unforgettable performances, all while navigating Austin's vibrant nightlife and the delightful chaos it brings.But life's adventures aren't just about festivals and probiotics. We dive into the complexities of maintaining friendships over time, the importance of tough conversations, and the humorous comparisons between ancient empires and modern relationships. As we swap stories of hiking in Washington and the joys of sommelier training, we also experience emotional highs at a Kygo concert. Join us for a heartfelt exploration of personal growth, change, and the unexpected adventures that make life truly memorable.

Welcome to season 2 episode 6 of A Friend for the Long Haul - A Long Covid Podcast! This episode features my friend, Laura Thomas. Laura and I met in an Austin, Texas-based long covid support group, and started talking when she found out that I had moved from Texas because I discovered that my MCAS symptoms improved out of state. Laura hosts a podcast called Rescued By A Dog, which features stories of dogs saving their people. In this episode, Laura and I discuss: How we met and our long covid experiences Moving out of state in an attempt to see any improvement in our symptoms Acknowledging the privilege we both had to be able to move Low dose Naltrexone, Paxlovid, anesthesia, and ketamine therapy (none of this is medical advice!) What we call "zero dignity moments" with chronic illness EMDR, brain retraining, staying present "Resentment rebellion" Lymphatic massage The story behind Rescued by a Dog Find Rescued by a Dog on Spotify: https://open.spotify.com/show/0t6XikdERybsS3wwwaJb6j?si=c1654161e4504d1e And Apple Podcasts: https://podcasts.apple.com/us/podcast/rescued-by-a-dog/id1648960693 Support the podcast via Laura's Patreon: https://www.patreon.com/RescuedbyaDogPodcast Don't forget to like, subscribe, follow, and share A Friend for the Long Haul if you can. And if you're feeling extra generous, leave a review. Your support helps get this in front of more earballs and helps me bring more episodes. You can listen to the A Friend for the Long Haul Long Covid Theme Songs playlist on Spotify: https://open.spotify.com/playlist/3n0GXLFRWqDJyifglNNM4K?si=7948dbf2222c4392 If you'd like to support this low budget/high love podcast, you can check out my Bonfire shirt for silly long covid apparel where I'm raising money for a pro license of Zoom (as of right now, I can only record 30-40 minutes at a time and then we have to hang up and come back. Not great for conversational flow!): https://www.bonfire.com/store/a-friend-for-the-long-haul/ or my Amazon wishlist: https://www.amazon.com/hz/wishlist/ls/3MYBB5G0P7YUD?ref_=wl_share Thanks again for listening!

We've been hoping and searching for a bridge, an olive branch, or some commonality us millennials can find with our Gen Zers and thanks to Spotify, we've arrived at such a solution. The answer may be more depressing than you expect, but serves up some nostalgic ear candy that you don't wanna miss. Sulking aside, we're curious about your post 20s supplements, Dustin takes on Austin City Limits, gets his first tattoo, Mel's Tie Die weekend, your emails and more! Drop URLs for us of the worst 90s music videos you can remember at Dustin Nickerson Comedy Fans Facebook Group: http://www.facebook.com/groups/dustinnickersoncomedy Enjoy the show! Sponsor: Check out the 2024 holiday film of the year, The Best Christmas Pageant Ever, out Nov. 8th - https://bestchristmaspageantever.movie/ Watch the new comedy special, Runs in the Family from Dustin Nickerson | (Full Comedy Special) #newcomedy #standupcomedy : https://youtu.be/0Dybn3Atj9k Watch the show every week over at Nateland Entertainment:: https://www.youtube.com/channel/UCzAzMoLwjQTuyqu2QFFzvQQ Order Dustin's book: How to Be Married (To Melissa) today!” https://www.thomasnelson.com/p/how-to-be-married-to-melissa/ Give a little more and get a little more from the pod on Patreon! Head to https://www.patreon.com/DustinNickerson for the Patreon Pre Show with behind the scenes podcast rants, exclusive bonus content, and to help support the show. Want to be a part of the show? Shoot us a message to dontmakemecomebackthere@gmail.com and get your very own horrible parenting/relationship advice. Don't Make Me Come Back There is edited & produced in partnership with Andy Lara at https://www.andylikeswords.com

The execution of Robert Roberson, scheduled for tonight, has been subject to appeal upon appeal. Now, a surprise subpoena from a House subcommittee has left his fate uncertain. Why a commissioners court race could be an indicator of future politics in Tarrant County. Persistent dry weather means wildfire risk is high – and the governor […] The post ‘Austin City Limits' celebrates 50 years on PBS appeared first on KUT & KUTX Studios -- Podcasts.

Another ACL is officially in the books, so we’re keeping those fest memories fresh by bringing y’all some more KUTX-clusive pop-up performances straight outta Zilker Park. And nothing says “Austin City Limits” quite like a band whose handle directly references their UT campus origins. Yep, our October 2024 Artist of the Month (powered by PNC […] The post West 22nd: “Road Trip” (KUTX Pop-Up at ACL Fest) appeared first on KUT & KUTX Studios -- Podcasts.

You feel that? Apparently the menswear vibes are shifting in ways you wouldn't expect. From fashion houses to trickle-down style, we discuss whether or not the vibes are actually shifting or not. We also talk about the rise in wine bars as places to hang out more casually, $910 fleeces, our respective Austin City Limits music festival experiences, clarified cocktails, Moo Deng Girl, Strega Nona Fall, and more. Subscribe to the newsletter: retailpod.substack.com  Shop the Sunday Scaries Scented Candles: www.vellabox.com/sundayscaries Watch all Retail Therapy episodes on YouTube: www.youtube.com/sundayscariespodcast Support This Week's Sponsors Betterhelp: www.betterhelp.com/scaries (10% off first month) Follow Along Retail Therapy on Instagram: www.instagram.com/retail.pod Will deFries on Twitter: www.twitter.com/willdefries Will deFries on Instagram: www.instagram.com/willdefries  Barrett Dudley on Twitter: www.twitter.com/barrettdudley Barrett Dudley on Instagram: www.instagram.com/barrettdudley Sunday Scaries on Twitter: www.twitter.com/sundayscaries Sunday Scaries on Instagram: www.instagram.com/sunday.scaries

Listen everymorning from 6-10 on 103.1 Austin or stream on the Iheart Radio AppIn this episode of the JB and Sandy Show, a lively discussion about recent events in Austin, including the Texas OU football game, and the Austin City Limits music festival. Sandy shares personal anecdotes about the festival, while JB humorously laments the high cost of fair food. Tricia highlights the buzz around artist Chappell Roan's performance at ACL, and JB adds cultural insights. The episode also touches on holiday gift-giving traditions, with a humorous take on the practice of exchanging gift cards and the significance of stocking stuffers.Weather in Austin and the Texas OU Game (00:00:00)Discussion of the typical weather changes following the Texas OU football game.Fair Attendance and Costs (00:00:18)Speakers share thoughts on the high costs associated with attending the fair.Museum Incident with Artwork (00:01:11)A story about a museum employee mistaking valuable art for trash.Austin's Coffee Shop Mural (00:03:05)Discussion about a famous mural at Joe's Coffee and its artist's inspiration.Liz Lambert's Hotel Ventures (00:04:14)Conversation about Liz Lambert's properties and her recent sale of several hotels.Chappell Roan's ACL Festival Buzz (00:08:12)Discussion on the excitement surrounding Chappell Roan at the Austin City Limits festival.Concert Ticket Prices and Parenting (00:13:19)Speakers reflect on the pressure of high concert ticket prices on parents.Christmas Gift-Giving Traditions (00:15:47)Conversation about modern Christmas gift-list practices and family traditions.Sister's Generous Apology (00:18:14)A humorous story about a sister who sent a $1000 check as an apology for missed gifts.Christmas Gift Cards (00:19:05)Discussion on the practicality and lack of thought behind exchanging gift cards during Christmas.Stocking Stuffers (00:20:13)The importance of thoughtful stocking stuffers over generic gifts from Christmas lists.Lottery Ticket Gifts (00:20:46)Concerns about gifting lottery tickets and the potential awkwardness if the recipient wins big.Zombie Movie Discussion (00:22:02)JB shares his past interest in zombie movies, leading to a conversation about "The Walking Dead."Extras in Zombie Shows (00:24:02)JB's humorous take on how extra zombies try to stand out in shows like "The Walking Dead."

Jenn presents another Time Capsule, this time focused on some of the artists from this year's Austin City Limits Music Festival.https://open.spotify.com/playlist/5IfxWtVIxFhb12GdpkjliA?si=2dc8b5b0c5f940d21. Pink Pony Club by Chappell Roan (@chappellroan)2. The Door by Teddy Swims ( @teddyswims)3. Without Your Love by The Paper Kites (@thepaperkites)4. Let The Light In by Bob Schneider (@bob_schneider_music)

On this episode Bob talks The Sopranos about playing Austin City Limits, the song game, retells the lesson of the Bhuda and presents the songs DREAMERS DIE YOUNG, LOST IN THE MIST LIKE A GHOST, EVERYTHING IS SUNSHINE NOW, BLOODLESS, BLOOD, and 3 different versions of crowd favorite BONES.

Hello friends! Music legend Ray Benson from Asleep At The Wheel is my guest for episode 1432! Ray just released his first reggae album, Swingin' And Skankin', produced by Doctor Dread and recorded in Jamaica, and it's available wherever you stream or download music. Go to raybenson.com for music, Asleep At The Wheel info, tour info, and more. Ray and I have an incredible conversation about making Swingin' And Skankin' in Jamaica and working with Tony Garnier (Bob Dylan) and legendary reggae drummer Sly Dunbar, Being on the first episode of Austin City Limits and opening ACL Festival every year (they'll be on at 12:55 on the Honda Stage today 10/4), 54 years of Asleep At The Wheel, Willie Nelson, Doug Sahm, Shep Gordon, Joe Gracey, "Take Me Home Country Roads", old Austin stories, co-founding HAAM, show business, and much more! I had a blast getting to know Ray. I'm sure you will too. Let's get down!   Follow us on Instagram, Facebook, Spotify, Apple Podcasts, or anywhere you pod. If you feel so inclined. Venmo: venmo.com/John-Goudie-1  Paypal: paypal.me/johnnygoudie

Hey Texas! Andrew & Polly are SUPER-excited to finally perform in you! We're taking the stage at Austin City Limits / Austin Kiddie Limits this Friday and Saturday, October 4th & 5th, at 12:30p. Awesome band? GRAMMY-nominated music? Double check. Enough shakers, stickers & bubbles to share? Check, check, check! The good people of ACL are bringing some amazing live acts for all ages along with crafts, activities & snacks to support a full day of rocking and rolling -- so come sing & dance with us? Or tell a friend who can? Thank you for any way you can support family musicians these days, so we can keep making good stuff for your kids - and all kids!

This week on The Broski Report, Fearless Leader Brittany Broski talks about perfume she bought from an undisclosed YouTuber, explains the creation of her muumuus, and FINALLY analyzes her birth chart. 

OPAS update. NFC manicures. Instagram is enhancing safety features for teens. Austin City Limits. Purple apples. Arts Council of the Brazos Valley update. Fall or Autumn? Football in Brazil. Watching Friends. Weekend recap. Mouse in the meal. Overwhelmed.

This week on The Broski Report, Fearless Leader Brittany Broski shares her thoughts on the most recent season of Love Island USA, discusses self-advocacy, and sheds light on the overconnectivity of social media. 

This week, a tribute to legendary singer-songwriter John Prine by his son Tommy Prine & longtime friend and co-writer Keith Sykes recorded live at the Ozark Folk Center State Park. John Prine was an American singer-songwriter of country-folk music. Widely cited as one of the most influential songwriters of his generation, Prine was known for his signature blend of humorous lyrics about love, life, and current events, often with elements of social commentary and satire, as well as sweet songs and melancholy ballads. He was active as a composer, recording artist, live performer, and occasional actor from the early 1970s until his death in 2020. John was connected to Mountain View, Arkansas through his love of fishing and Jack's Resort on the beautiful White River. John visited Mountain View regularly since his childhood and made many friends in the area. In fact, according to John, his first public performance as a teenager was for fellow patrons at Jack's White River Resort. https://www.johnprine.com/about Tommy Prine is an American singer-songwriter and is the youngest son of John Prine. After his father's death in 2020, Tommy decided to pursue a musical career. At the age of 10, Tommy learned how to fingerpick from his father. As a teenager, Prine traveled with his father's tour primarily to assist with merchandise, then occasionally joining him on stage for the encore. While Prine endeavored to create distinct and independent music from his father, his influence is remembered by everything from covering John Prine songs to writing songs about his father. While Tommy is often compared to John, he developed his own path while acknowledging the legacy of his award-winning father. https://www.tommyprine.com/ Once upon a time in the summer of 1967, Keith Sykes hitchhiked to the Newport Folk Festival and saw Arlo Guthrie perform “Alice's Restaurant.” In the fall of that year he got a copy of the album, learned the whole song and sang it at a Holiday Inn in Charleston, South Carolina. They hired him on the spot for a regular gig playing music in the hotel. In the more than 40 years that followed, he would become a troubadour and storyteller, a massively successful songwriter with more than 100 songs recorded by artists as diverse as Rosanne Cash and George Thorogood. He would tour every corner of America and play in just about every conceivable kind of venue, appear on Saturday Night Live and Austin City Limits, and host songwriter nights on Memphis' legendary Beale Street with many of music's most talented songwriters. He would join Jimmy Buffett's Coral Reefer Band, tour the country and record the Volcano album – the title track for which he co-wrote with Jimmy. - http://www.keithsykes.com/ In this week's “From the Vault” segment, OHR producer Jeff Glover offers a 1976 archival recording of John Prine himself performing his famous song “Paradise,” from the Ozark Folk Center State Park archives. In his segment “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins discusses the Ozarks' influence at the “Festival of Festivals,” the first National Folk Festival held in St. Louis, Missouri in 1934. (Part 3)

This week on the show jD welcomes Vish from his own Kreative Kontrol, if you haven't checked it out get after it!Vish discusses song 18 and shares his Pavement origin story.Transcript:Track 1:[0:00] Previously on the Pavement Top 50.Track 2:[0:02] This week we're going deep on Box Elder. How are you feeling about song number 19, Kyra, from the COWI? I fucking love Box Elder so much. It's a great song. It's one of the earlier Pavement songs. I think it's a very early Pavement song, which is cool. And it's one that really holds up.Track 1:[0:25] I think, too. you. Hey, this is Westy from the Rock and Roll Band Pavement, and you're listening to The Countdown.Track 3:[0:34] Hey, it's JD here, back for another episode of our Top 50 Countdown for Seminole Indie Rock Band Pavement. Week over week, we're going to count down the 50 essential pavement tracks that you selected with your very own top 20 ballads. I then tabulated the results using an abacus, a wet towel, and some scrawny kid from 10th grade gym class. How will your favorite songs fare in the rankings? You'll need to tune in to find out. So there's that. This week I'm joined by Pavement superfan Vish from Creative Control with Vish Khanna. Dude, thanks for taking some time to do this. It means a lot. How the hell are you doing? I'm well, JD. Thanks for having me on your show. How are you doing? I'm great today. It's a little overcast here, but it's about five degrees so i'm gonna go for a walk later and uh.Track 3:[1:24] And that's a, that's, those are good times for me. Very nice. That's good. Going outside. Can't beat it. Yeah. No, you can't at all. Well, let's not beat around the bush, speaking of beat it, and get right into your Pavement Origins story.Track 3:[1:38] Talk to me about that, Vish. Well, I was trying to, you know, I knew I was coming on your show, so I figured I should try to ponder this, you know, and I, I was trying to remember. Remember, I think I first came upon the band when I read about them in Spin Magazine, like, I think before Crooked Rain came out. And I don't know what it was about that piece. This is right around the time I started getting to go to record stores. You know, I'm, what would I have been then? I would have been 15, 16. Some of us were driving so we could leave Cambridge, Ontario, where I'm from, and we could go to Kitchener and Waterloo and Toronto. They had the cooler record stores those were like uh college university towns so then we started going to record stores and then you start talking to the record store people and they tell you what they like and you respect them because they're your surrogate parents so somebody somebody somewhere along the line told me about pavement i i'm pretty sure it was the spin magazine article that i was i started devouring more and more music journalism and i think it was that so i remember owning uh slanted and enchanted and also uh the record store had the trigger cut single so i think i bought both things and i'm fairly certain about both things and uh i will say that that first single got me completely obsessed with their singles um because i think they're.Track 3:[3:07] I don't know, they're one of the greatest treasure troves of any band I can think of. I know you've probably talked about this with others, but I really value Pavement B-Sides. Like, I wasn't that surprised. I mean, I was surprised that Harness Your Hopes went kind of bonkers recently, but like, I'm not surprised. Like, Pavement B-Sides, I know some of them better than I know the album songs, to be honest with you. I just became so obsessed with how great, like, the the quality of their B-sides really spoke to me. And then, yeah, that's one of the, and then I feel like that was a gateway into like, what is Silver Jews? Like, why is this, what is Silver Jews in the pavement section? What is it? Oh, it's a, it's a project. Oh, there's Bob and Steve on the back of the album covers. So they're in this, I guess. And so, yeah, the B-side alternate pavement universe if you will really spoke to me and still does uh i find myself uh kind of you know mumbling song lyrics and and tunes and melodies from you know humming them from from all the b-side so yeah i i would i would position myself that way as someone who i get a little obsessive so it wasn't just the album uh the albums it was like i want to get all the singles so i owned every single.Track 3:[4:24] On mostly on compact disc when i was coming up of age and now i've got them all on actually you know what i ordered i ordered that thing that you ordered the box that i ordered the singles box that i have a bunch of them but i was like what the hell i'm gonna do it so the book looks good yeah everything about it looks good i love pavement so uh i just thought i would get that too and uh yeah i think that's pretty much it that's where i discovered them and then of course they blew up uh you know they're one of those bands that all your cool uh heroes were talking talking about before you even heard them you know so you'd read a interview with somebody you liked and they'd mention pavements you're like what is this pavement so really have a time and place for me word of mouth and then actually digging in i have still a sense memory of playing slanted and enchanted and hearing summer babe and you're just like what the hell so yeah i'd say that's that that that's that's got to be it i think that's it and you got to be there for the release of watery then did you as somebody who was like sort of ep and single obsessed did you pick that up when it came out i did i did pick it up i don't know if i got it right when it came out i can't say that for sure because i feel like i still came to them a little bit later um because i'm sure they were that article was 93 like i don't think it was about slanted it was just mentioned so but i got it yeah and as you may have heard me talk about it's yeah it's my it's like my favorite thing, really, in some ways. I love, and yeah, I miss Gary Young.Track 3:[5:51] I never got to meet or talk to Gary Young, but yeah, the drumming as a drummer as well, as a budding drummer, like hearing Gary's playing, that had a huge influence on me too. So yeah, that era. Put your finger on what it is, isn't it?Track 3:[6:06] Like, what it is about Gary's drumming. I love Westy. I love him. He's a great guy, and he's a great drummer. But there's something about Gary. There's something about the looseness and the showmanship of people like Gary Young. I would say here in Canada, we have Mark Gaudette, who was in Eric's trip, and his drumming, too. Like, it's punk rock, but it's a bit more technical. And it's precise, but it's loose. And it just has it. He's making an instrument. you know they have their own voice i suppose as drummers they have their own like you hear it and you're like oh that's that's that's either gary or as i mentioned mark for two examples uh or it's someone copying them you know it's someone someone kind of ripping them off so i certainly was of this learning how to play the instrument and getting into some really amazing drummers at the time uh just because i didn't take drum lessons i would just listen to things or go see bands and And certain people and their drumming had a huge impact on me. And certainly early pavement drumming, you know, I think it's an underrated facet of that band. Did you get a chance to see the Gary Dock?Track 3:[7:18] No, you know what? I haven't seen that doc. That's a good call. I've been rather swamped of late and I need to do that. Have you seen it? Yeah, it's really, it's, it's pretty fabulous. Yeah, I can imagine. You're right. I should, I don't know. I'm at a thing where I got to do so much and I process so much information and music and I can't keep up with everything. So yeah, I saw it come through and I was like, yeah, I will watch that eventually. And then before you know it, I don't think I'm alone in this where there's just so much stuff to consume, but yeah, good Good call. Good call. I'll try to track it down on, I don't know if it's on a thing, a service or whatever, a streaming service, but I'll try and watch that. Yeah, I think it is because I don't know how I would have seen it. I forgot. Yeah. Um, when, when did you finally get to, uh, see them live or did you see them live in the original sort of run? I saw them for the first time in Barrie, Ontario at Lollapalooza in 1995. This was the. Wow. Lollapalooza curated by Sonic Youth.Track 3:[8:18] So also on the bill was, it was supposed to be Sinead, or sorry, it was supposed, yeah, it was supposed to be Sinead O'Connor, but I think I attended the first show that she couldn't play because she was pregnant. And so Elastica filled in, but the day was like a mighty, mighty Boston's first time I got to see the Jesus lizard. Blizzard, uh, uh, Pavement obviously played during the day, uh, Hole played. Beck was on the lineup too, wasn't he? Yeah, I saw Beck play two sets, one on the main stage, uh, this was just ahead, uh, ahead of Odile coming up, and, um, he also did a side stage, uh, performance where I actually spoke to him, he, he came down and, uh, signed autographs, so he signed, I don't know where it is but he signed my Lollapalooza ticket stub and I asked him I actually I think I, I tripped him out a little because I'd heard that he was going to be collaborating with a Toronto musician. And when I mentioned it, he was like, oh, yeah, we have been talking about that. Like he was I kind of nardwired him.Track 3:[9:23] I didn't mean it was just a rumor. I just said it. And he was like, oh, yeah, we were talking about that. So anyway. Yeah. So, yeah. And the Far Side played and Moby played and all sorts of amazing eclectic. Yeah. Yeah, Cypress Hill was one of the headliners. Bob Nastanovich, when he was on my show, I did a little documentary about Bright in the Corners. And he talked extensively about their experiences with some of the artists and their experiences playing Lollapalooza. And Bob's amazing innovation of suggesting that instead of getting a bus, they would each get minivans. He got a great deal in some rental minivans and that way they could play and then just drive ahead to the show and not worry about the gear and all that stuff and and and they could kind of travel at their leisure and uh yeah anyway so Lollapalooza 95 is the first show then I saw them at the Phoenix in Toronto for the Bright in the Corners tour and then I saw them play uh you remember the cool house and the, sorry, for those wondering in Toronto.Track 3:[10:33] There was a venue and it had two rooms. It was called the Warehouse. And then beside it was something called the Government, a smaller room. And then the Warehouse became, it was like the RPM Warehouse or something like that. That's right. And then it changed names. It was the Cool House, but I think the Government was still there. So for Terror Twilight, as I recall, Pavement played the Government. So the smaller room on that tour. So I saw them there. And then I saw them on Toronto Island on the first reunion tour with the Broken Social scene.Track 3:[11:08] And I think that's the last time I was invited or I was supposed to go see them in Austin, Texas. And Bob hooked me up. And I think I might have even been able to attend the Austin City Limits taping. But unfortunately, I couldn't make it at the last minute. So that was a bit of a bummer. But I regret it. But, you know, it was weird, still weird pandemic times then. And I, I think there was also other stuff going on. So I didn't get to see them on this current reunion, but it still seems to be going as we're speaking. So who knows?Track 3:[11:42] Maybe I can see them somehow. now yeah yeah and we are recording this in early april so yeah there's we're not uh that's not a scoop people just in case you're listening to this in october and you're like oh christ they're coming back um they may they very may well be i just edited the bob episode and you know i sort of teased him because he's like we're done after south america and i was like come on come on yeah i'll believe you're done when i when when you're done yeah but um enough about me back to you uh i'm curious about the lola performance like so you got to see them in a government isn't intimate but it's nice um and then you got to see them in um lollapalooza in front of a big crowd what do you think of the the festival version of pavement well i mean obviously it's well documented that they didn't have the best time on that tour on some level uh in slow century there's obviously the the fracas uh you know uh where people are throwing mud at them and all sorts of a rock at steven actually uh you know i i was a kid i mean that was sensory overload i i was just going to how old was I? So 95 I was had I even turned.Track 3:[13:08] Yeah, I was not even, what was I, seven, 16 or something like that? I don't know. I was not an old, I was young. You were 76? No, wait a minute. Yeah, I was 17. So I was born, no, I was born in 77. So I hadn't yet turned 18. So I was 17. And yeah, it was just, that was a bonkers year, to be honest with you. That summer, I went to everything. I went to so many festivals.Track 3:[13:31] For all my bellyaching about my parents not letting me do stuff, they let me do a lot of stuff that summer so uh yeah i don't i think i was just overwhelmed by how many people were surrounding me and and and i got up as close as i could for pavement um and we got up really close like seeing the jesus lizard was a bit i love the jesus lizard already at that point i just love them and to see them was like they were larger than life and you know yeah for those who've never seen them or footage of them at that point, Yao would come into the crowd, you know, he would leap off the stage and crowd surf and all that kind of stuff and sing while he was doing it. So it was very immersive. And then Pavement, relatively the opposite, you know, they're on stage and the songs are great and they played well, as I recall. But on some level, I remember just making a point of getting up as close as possible and trying not to, at the same time, you know, be conscious of not bothering people as you move your way up, you know, because I was kind of annoyed at everyone running around and pushing their way forward and all that stuff. So, uh... Never made sense to me. Yeah, it just... That's my main memory of just, like, trying to... I was probably... For the Jesus Lizard and Pavement, I was probably... That was the closest I was probably, uh, to the stage. And, uh... And then otherwise, yeah, I don't know. I mean, I have...Track 3:[14:57] I have a real sense memory of the Phoenix show for Bright in the Corners for a few reasons. And I've talked about them with Bob, at least.Track 3:[15:05] Bob did an interpolation of a Cool Keith song, which I just, I was like, oh, I didn't know people knew about Cool Keith. Like I had only started listening to Cool Keith at that time. And he did. I have no clue. blue cool keith is a a really uh innovative uh underground hip-hop superstar he was in a group called ultra magnetic mcs and then he went solo as dr octagon and as cool keith has all these pseudonyms and uh to be precise uh and oh yeah black elvis like he had all these cool names so to be precise i believe as i recall bob was quoting dr the dr octagon project and he just did it in the middle of a song and then also the other thing that occurred to me and it's sort of relevant to the song today is during uh stereo when steven malcolm is saying the lines about getty lee and his voice being so high he shot his voice up super high like a comically high effect how did it get so like just pitch perfect super high i think it's i think it's documented in a much music interview that they did that day or whatever, like while they were in town. And then obviously afterwards, they interspersed some live footage of the band playing.Track 3:[16:26] And Stephen singing, you know, on this song that we're here to talk about today is so remarkable to me. And I remember that I had this sense memory of him singing that and thinking it was very amusing. I thought it was more amusing than impressive at the time. but over over time as i um have come to value steven's singing voice and his range and his ability, And just instincts as a singer, I view it as more impressive now than, I still think it's funny because I think he's got a comical element to his choices and certainly live anything can happen, but they were just, I think that Bright in the Corner show is the, it's certainly one of the best shows I've ever seen. So I would also say it's one of the, if not the, it was the best time I saw Pavement probably. Oh, that's a great venue. That's what I, that's, I think the Phoenix is phenomenal. I don't want to discount the reunion show I saw because I think with age and time away from each other, they actually have, I don't know, I don't know how many reunion shows you've seen, but often I find that these bands that, particularly for us, you know, the bands around in the 90s, when they come back, they're better. Yeah. They seem more at ease with themselves as people and as players.Track 3:[17:45] And so the absence, I don't know what it is. They just seem more relaxed. And I think when you're more relaxed, you play better. I think 20-something angst, we'll call it. I think if you're not relaxed with each other, you don't play as well. You're just a little uptight. And then as you sort of resign yourself to, well, not resign yourself, but as you sort of get, yeah, you let go of things. I guess that is a way of putting it. You kind of let go of any little grudges and you don't have that angst, whether it's your own or whether it's about yourself or whether it's interpersonal. And I think you just play better. So when I saw the Jesus Lizard on the reunion tour, having seen them several times in the 90s, I just was like, I think they're better. You know, they might be better. better and pavement as i recall from the toronto island show it felt good they played so well you know together um but up until that point yeah i would say that bright in the corners show i saw at.Track 3:[18:46] The phoenix in toronto was just like they were just on fire it was brilliant so yeah cool yeah well before we get into song number 18 i gotta ask you as one of the only people i know that has interviewed Mark Eibold, the reclusive Mark Eibold, how the hell did you do it? And that interview, by the way, was phenomenal. It was great.Track 3:[19:09] Well, that's very kind of you to say. I have to draw back on my memory for this. So the occasion was the Terror Twilight reissue from a year or two or a couple of years ago, whenever it was. Yeah, who knows? And like you, I think my social entry point into this band is Bob Mstanovich.Track 3:[19:32] Absolutely. So Bob is, uh, I've gone on record saying this to others. I think I said it maybe to him during our terror twilight discussion. Bob is the greatest podcast guest of all time. You don't even have to ask him a question and he starts. He's so funny and he's so frank and he says things that I surprised he might say. I love him so much and he's been very kind to me over the years as well. I first spoke with Bob, uh around the time of that reunion uh tour um uh and so what was that 2009 10 thank you very much yeah sorry i think the jesus lizard was 2009 so yeah i spoke to bob around that period and then we've maintained contact basically ever since that was for my college radio show actually and then so that was here in toronto yes that's right yeah well i lived when i was living in ontario at at the time. Um, I had a college radio show and would play some pavement and Bob was a guest on that show. And he's, and I probably wrote a magazine article for exclaim magazine as well. That's what I do and used to do more often. Anyway. Um.Track 3:[20:43] Yeah. So the Tara Twilight thing came about by this point, Bob and I had, he'd been on my podcast a few times. And so I just, I'm sure I went through the proper channels to get, try to figure out the interview and get the music and the, and you know, all the assets and all that. But Bob, I think I was like, Bob, like, can we get everyone? Let's just get everyone on the show. Probably like you have done, like you just, you know, you're, you're trying to do this now. You're trying to talk to as many of the members as you possibly can. Absolutely. And in the loop. So, yeah, you know, I'm emailing Stephen and I think I texted Stephen because, you know, he wasn't responding.Track 3:[21:22] And so we sort of landed on Westy and Bob and Mark and then Jesper, who was involved in the reissue for Matador, was going to take part. And then at the day of, Mark couldn't do it. He was in transit. He couldn't join us for the group call. But yeah, Bob connected us over email, I believe, and maybe text, I don't recall. And so Mark and I, Mark felt, I think, kind of badly that he couldn't do it, like that he said he would do it and that he didn't end up doing it. And uh i i assume bob vouched for me you know um and so that was kind of it uh really we corresponded uh he felt badly that he couldn't make the group call we arranged a time we had a good talk you heard it uh and then i believe i put it out the right after i had put out that that group call uh so back to back it was like pavement week on my show for terror twilight light. Um, so, uh, yeah, I don't, can't recall cause I do so many of these, uh.Track 3:[22:37] Exactly what mark and i talked about i think we talked about some of his, radio listening habits you did yes he still uses a radio yeah you might actually have a better perspective on it than me at this point because i just don't remember uh you know i jd i'm sure you're familiar with this you do so many of them uh interviews uh episodes you're just like oh yeah, i forgot i had so and so on the show what the hell did we talk about again i that happens to me all the time when i edit i'll be listening and i'll be like it sounds like a conversation between somebody who doubles my voice and my guests because i don't recall virtually anything about what we talked about well i remember realizing it was um a real kind of rarity for mark to do such a thing i think at the time um a sonic youth uh archival compilation had had just come out that mark appeared on so there's just a fair amount to talk about it was a lot of memory jogging unfortunately for him like you know trying to remember the terror twilight sessions trying to remember playing with sonic youth like all about a decade out from doing it you know or more a decade or more 20 years um so uh yeah i i he was very lovely and uh and forthcoming and um.Track 3:[23:59] I really appreciate it. I think I've spoken to everyone but Gary, I suppose. I never got a chance to speak to Gary Young. But in terms of the, I guess, whatever, core or original lineup, yeah, I've talked to all of them at some points in my life. And I hope to talk to them again.Track 3:[24:20] Yeah, I do adore them. So it's, yeah. You can tell. You can really tell. And we should have said this off the top, but Viche is, Creative Control is a podcast, if you haven't listened to it, you should listen to it. If you like music, if you're maybe a bit obsessive about music, Viche does a really phenomenal job of, you know, conversations with famous people. People uh for people who listen to this show you might want to start with some of the david berman stuff because it's it's pretty spectacular and uh and then work your way through the pavement but it's all it's all good from the stuff that i've heard for sure well thank you for the kind words and for saying so yeah i uh i do love doing the show and uh it has uh you know it's granted me access and insight, uh, to, and from people I really, truly admire and adore. And, uh, yeah, I marvel at, uh, what I've been able to, uh, accomplish and get away with, uh, it is, it is, I don't really understand it, but certain people like Bob and others, uh, uh, have a fondness for me and return to the show and all that sort of stuff. And, uh, so yeah, it means a lot. Thanks for saying that. No, no, I should have said it off the top. but uh what do you say we talk about the the song this week song number 18 let's do it okay we'll be back right after this hey.Track 1:[25:48] This is bob mistanovich from pavement uh thanks for listening and now on with a countdown 18.Track 3:[29:27] So today we're talking all about song number 18 from the masterpiece Wowie Zowie. It's the absolutely gorgeous Father to a Sister of Thought. Vish, what are your initial thoughts about this song? Well, you know, I was so happy that we landed on this as a song to talk about because I do love Wowie Zowie. I have a sense memory of picking it up when it came out. I think the day it came out. um and um obviously a strange sort of a strange record uh an eclectic record uh and this is interesting it's a really fascinating song because in some ways it's super accessible uh musically it leans with the pedal steel and some of the other moves it leans towards country music.Track 3:[30:18] I will say, as I was pondering it, I mean, I know we are in a vacuum here of people who love Pavement and who love Stephen Malcomus, but as I was listening to this in preparation for our chat, I'm like, Malcomus is like an underrated everything. I really feel that way. And in particular, I think he's a remarkable singer. And, you know.Track 3:[30:51] And this song, I think, exemplifies that. He makes super fascinating choices with his phrasing, I think, and just the notes he's going to go for on words. Like, I don't know how to put it. I'm not super adept at maybe talking about music on that level. But it's just very dynamic, the way he shoots his voice up and sort of speaks, sings one line.Track 3:[31:17] And I think aside from missing his sort of grittiness, he also is a great screamer, great yeller. He really is. Like Paul McCartney level dynamic range, I think, with Steven when he wants to. Like he can sing. I don't know if that resonates with you. Like McCartney, to me, can sing anything. He can sing a ballad. He can sing like a Little Richard Rocker and sound like a punk. Like it's bonkers, that guy's vocal range. And I think Malcomus is in that, totally in that vein. So he's not yelling on this song but i think if anyone is interested like this song is a perfect showcase for what he can do as a vocalist and before i go much further jd does that resonate with you it certainly does i when i think of this song you know the word i used right off the bat was gorgeous uh and it's gorgeous in a number of ways the vocal the melody uh like his ability as a songwriter. I don't know how much of the arranging he did, or if it was Easley who said, let's use this pedal steel.Track 3:[32:25] But nevertheless, it just works so well with the timbre of his voice. And it all comes together in a really lovely ball.Track 3:[32:36] Yeah, and I think the little contrarian aspect to, or I don't know how to describe it, this little element of, yeah, it's a little contrary, I think, you know, I don't think I'm saying anything untoward where there's an element of self-sabotage sometimes in the pavement realm where everything's going fine, and then all of a sudden, let's pull the plug and do something wild and nuts or crazy, you know what I mean? And then yeah so this song has this really jaunty country vibe and then it ends with this like, minimalist noise rock stomp damn yeah yeah yeah like it gets it suddenly becomes a little more punk after the sort of so it's kind of this and it's all part of this it's that end it has nothing to do with anything else we've heard no instrumentally nothing but it works like it works so perfectly and i think it's a way of being like all right i think i think we're getting a little saccharin here it's too gentle or something let's end a little more raucous and uh so to me i hadn't really pondered it as such before but between malchumus i think singing his ass off and and really showing his range uh the band also ends up playing very dynamically and really beautifully and and also grit like as i say there's some grit towards the end so in a weird way.Track 3:[34:03] And again i hadn't thought of it like this was a single as i recall um like there was a video for it and whatnot and they're all dressed up in like country western garb and all these sorts of things, but uh no it's a nice exemplification like this is a pretty good gateway in the pavement if you were like yeah listen to this song again you never heard of this band try this song just try it it's got humor it's enigmatic lyrically the arrangement itself is beautiful but funny uh yeah i i really think uh 18 this should be in the top five it's really wonderful wow yeah i would have it in my top 10 yeah i know you top 10 sure i don't know what these ratings mean i don't believe in ratings and awards but it's water cooler talk no it's i'm just saying as i think about it more first of all uh anyone out there listening uh once i dig into a topic i get a little excitable. So, uh, you can make the argument like, what about these other 10 songs? And I'd be like, yeah, yeah, those are also great. But this, this to me, I think, as I say, it's got a nice balance of earnestness, irreverence, beautiful singing, wonderful playing. Uh, yeah, I just think all across the board, it's beautiful. Yeah. Uh, well said.Track 3:[35:20] When you think back to buying Wowie Zowie, you said you got it on the day it came out. First of all, that's very cool.Track 3:[35:29] And second of all, I wonder, just to go on a tangent for a moment.Track 3:[35:34] I wonder if your penchant for B-sides helped you with that record. Because it's almost constructed to me where there's like a song and then more of a b-side song than a song than more of a b-side song uh you know i'm thinking like brink's job and and and stuff like that um yeah you know so that that would have really helped but what were you thinking the first time and this is asking you to really stretch your brain i apologize but what were you thinking the first time you heard this song on this wicked roller coaster ride of a record you know what it's i know this song gets come or rather the album why always how he gets compared a lot to the white album sure by the beatles um who are from liverpool uh and are no longer around but they were uh that album was um i think it's rightly regarded as this uh odd pastiche niche of sounds and ideas and somehow it it only coheres because contextually they made it cohere like it doesn't really make a ton of sense as an album but it's one of those albums where like i couldn't tell you what the best song on it is because i almost view it conceptually as a whole Oh, wow. Wow. So, there's some of it, like, you can, there are singles from it and whatnot.Track 3:[37:01] But I have a weird, this is more about me, I suppose, JD, than maybe most people, but like, I'm an albums person. So, when an artist or a band puts out an album, I assume, rightly or wrongly, in some cases it's not the case, but I assume it's a unified statement that they're making of a time, of.Track 3:[37:25] Rolling Stones, certain bands, you'll be like, yeah, this album is actually like odds and sods from the previous couple of albums that they just reworked or whatever, revisited. Um, and they still count as albums, you know, certainly Stones in the seventies, you can make that argument. There's a few records where, yeah, like just what I'm describing, it's an album, but it's really like leftovers from some ideas they had. Um, I would put Wowie Zowie in that white album category of like, it's a whole thing. Like, the way it's sequenced, the way songs blend together.Track 3:[38:04] As soon as you hear an artist do that, where the songs kind of barely, there's barely any air between them. Right. That's a sequencing choice. That's a mastering choice. That's all sorts of choices they're making. but there's then tends to be this coherence between them this isn't the case all across wowie zowie but there are songs as you know where it's just the next one just starts you're just right into another song um so it becomes a sort of sweet like thing all this to say uh i might be stalling to answer your question because i haven't listened to the whole album in some time this is going to prompt me to i listened to this song on its own and i will say it was a bit weird.Track 3:[38:48] To hear it on its own because i don't listen to pavement sorry as i've tried to just maybe exemplify i generally don't listen to um bands i got a friend pointed out to me a few years ago he was we were in a band together and he said yeah you once said you don't like greatest hits compilations i said i said that said yeah we were driving we were listening to like acdc or something and you were just it came up in conversation and you said you don't like greatest hits compilations because the context of the music is all out of order and i said right that makes sense to me yeah you're i said yeah okay i don't remember saying that sometimes i say things and i don't remember that i said them and i said oh yeah well i mean i said i said it and it stuck with him like he said yeah i've started to listen that way now because you're right like the context of an album is so important to it so when you asked me to be on the show and and suggested uh you know that we were going to talk about this particular song i just listened to it on its own.Track 3:[39:52] Totally weird. Totally weird to hear it out of the album context. So I think going back to my sense memory, I don't know. I mean, it starts with We Dance, which is weird. And then you're right. Some of the songs seem, I mean, to some people, they would seem like half finished ideas. That's right. Right. Or just like little jabs of things, you know. So you're absolutely right too, like Serpentine Pad, Brink's Job, those sound like they could be B-sides, but I would argue that the pavement B-sides are never really, they don't feel like throwaways to me. I agree. Sometimes they're a little looser and more fun, like things happen and that you wouldn't really hear. No I don't even you know what I'm just going to retract that I think they are all fully.Track 3:[40:48] Realized songs that stand on their own but yeah Wowie Zowie I suppose might have been the first sort of inkling that this band could do anything and they weren't afraid to try anything, I'm sure some people were disappointed after Crooked Rain Crooked Rain to hear this, band be a little more punk but also as we're talking about a song that like I say who knows I don't know I I've not really thought about this in a long time but I'm sure making the construction of wowie zowie and the sequencing was potentially a reaction to how much success and how they broke through with crooked rain.Track 3:[41:34] Yeah, I can get behind that thought because, I mean, it's almost outlined in Cut Your Hair, right? Yeah. That's sort of the blueprint for Wowie Zowie in a way. Yeah, like not deliberately self-sabotaging themselves, but being like, we're maybe a little too big. Let's do something a little less accessible. Like, let's do something a little more. I just want to be clear. I think it's brilliant. I don't find it confusing. But if you got into Cut Your Hair or Gold Sounds or got into that band that you saw freak out on The Tonight Show, you know... And then listen to Pueblo. Yeah, yeah. I think you're kind of like... Yeah. You would just be like, as a band, I doubt it was even conscious, but maybe it was. Maybe we should do something that's a little more like wild. And if that was the case, I'm not sure it was, I'm sure there's literature and I should have maybe revisited some of the liner notes and reissues and things to read about where their mindset was at. But, you know, even describing father to a sister of thought, it has that mix of totally, totally accessible. I could play this for my country music loving grandfather, but then it ends with like, Hey, grandpa, we're still kind of a punk band. You know what I mean? Yeah. Yeah.Track 3:[43:02] Oh, that's great. Going back to the theory of potentially sabotaging themselves, which I'm with you, I don't think they did it on purpose.Track 3:[43:13] I almost think it's like a sound and style change. You're right, Crooked Rain, Crooked Rain was so accessible, and it had a familiar sound. It had sort of a California classic rock kind of vibe to it. It crooked rain is i will interject only to say that i think crooked rain is also super weird.Track 3:[43:35] It is it helped them break through but it is a weird album like it starts weird it has like a full studio sound like it sounds like i know that was made in a bit of a patchwork as well but like it sounds more like a studio record um sure they went they went to a place that that it wasn't going to be noisy and hissy and ambient even though it has elements of that like it has a warmth to it but it's a weird and wildly arranged album too but this is even well coming off a slant coming off a slanted though it seems it just seems more you know readily available i suppose to to a wider birth of people yeah but what i was going to say is it almost reminds me of what sm did when he went solo that first record is so accessible and so poppy and so hooky and so earwormy it's amazing and then he did piglib after that which i fucking adore but it's so off the wall compared to the self-titled debut yeah and if we're viewing malcolm as you know uh obviously obviously the main driver of of their songs then yeah it's it's his whims and it's his.Track 3:[44:50] His notions for a batch of songs like you know i think bright in the corners is uh on some level it's the cleanest sounding pavement album but it's also the most esoteric and and you know i the songs sprawl and they're all over the place as well but it's also somehow more coherent and contained than wowie zowie like but but the songs stretch out that's their what did we talk about with somebody recently uh maybe it was with the pavement guys uh grateful dead type stuff yeah sure yeah like it it has a it's it's a little more zen it's less frenetic even though the imagery and whatnot is pretty intense and some of the arrangements are too so yeah i think it's just modes again this goes back to my argument i love albums i love knowing that we're hearing where a band was at, at that given time. Uh, and, and that, that batch of songs, however, like wowie zowie, however disparate the songs might be from one another, that's what they were into. Like, that's what was going on with them at the time, whether it had anything to do with external considerations or perceptions about who they were, uh, how successful they wanted to be. Like Like, that might just be all bullshit I'm making up. It could just be that's just what he had, what Malcomus and what the band had going.Track 3:[46:18] And this is it. You know, why waste it? This is, it's all over the place. Let's put it out as one thing. The next album, a little, like, I think it's, it's fair to say, uh, Bright in the Corners. Well, you know, maybe it's not fair to say, I'll ask you. Bright in the Corners, probably safe to say a more coherent sounding album than Why We Sowie. Absolutely. Yeah. It's, it's a more album-y album. Right. In a sense. But I also think Slanton and Enchanted all sounds like it's from the same expression, too. Sure, I guess I mean album to album. I just love the way it opens. There's a middle, and then there's an end. There's a finite end with Finn. Yeah yeah well i mean maybe i don't know like we we mentioned lollapalooza uh there was something going on in the in the moment in the cultural moment where you it was really cool to be an open-ended music listener it was really cool to be like yes we're playing with a folk musician we're playing with shanae o'connor and cypress hill on the same day bonkers and the jesus lizard like on some level that is a culture saying everyone is welcome every sound has merit.Track 3:[47:34] We're sick of the orthodoxies we're sick of there being camps um and so maybe wowie zowie reflects that too uh on a musical level it can be noise damaged it can be a beautiful if strange folk song, it can be a country song, it can be a goddamn screamer where Malcolm clearly loses his voice you know, on Half a Canyon or whatever. Like, it's.Track 3:[48:01] Yeah, as we speak of it, I love that album. And like I say, though, I'm having trouble decontextualizing this song from the whole. Right. And that's more about me. But if we really dial into it, when I say this is a good exemplification of Pavement as a whole, maybe it's a good exemplification of Wowie Zowie as a whole. It has that beauty and thoughtful lyricism where you're like, what's he talking about? What's going on? this is really interesting imagery. Is he talking about Corpus Christi, Texas? Or is he talking about Corpus Christi, the kind of event? Like, I remember just thinking right away, why is he singing about Texas? Like, I have that sense memory. And I have this song and some, I'm just a man. Like, I have just little bits of lyrics that are just always with me that I just hum to myself. And yeah, I, this is one of those songs where I just have sort of mindlessly sung it out loud to myself as i'm sort of tooling around my my life you know i don't know if you have that where you just have these lyrical lyrical fragments but this is definitely one of those songs.Track 3:[49:08] And uh i think um yeah it exemplifies both the band and the album in a really fascinating way for me cool well is there anything you want to say uh more about father to a sister of thought or, well you know i'm a lyrics guy and we didn't uh have a chance to get too far into it but i also i know that i mean it's on the surface it seems to be about spirituality and uh people's relationships to that but with malcolm is also you never really know um on some level i think he's spoken about this song and whatnot but um no i don't know all i'll say is i marvel at the guy and i don't think uh he's one of these people i don't think we marvel at enough as a guitar player as a musician as a as a lyricist and particularly on this song as a singer and i hope uh this isn't uh some people don't find this to be a hyperbole but you know i think we take him for granted as He's a vocalist, and this is a great example of what he can do.Track 3:[50:15] Agreed. Well, Vish, it's been dynamite to talk to you today. We went off on a few different directions, and I'm glad we got to do that. Do you want to talk a little bit more about you and the podcast? And I want to say right off the bat that I said it earlier, Creative Control, it's with K's, Creative Control. So if you're searching for it on the Google, you're going to want to spell it correctly. Correctly well thank you thank visha style of correctly well i will uh immediately say that this is a reference to a hot snake song of the same name creative control um so that's why i didn't make up the case thing and now there's like a fashion company called creative control and i think someone like fashions themselves a rapper and they call themselves creative control but they kind of show up and they don't show up i don't know what's going on but anyway yeah that's my show i mean on the internet they'll be like tweeting ramp like rabidly and then they just disappear. And then I don't know what's going on. Anyway. Yeah. Nothing to do. I, Hey, I copped the name from a band I like, so I can't really complain. Complain spelled with a K by the way.Track 3:[51:23] So, uh, yeah, I have this podcast and as we're speaking, uh, you know, it's, it's still going, uh, and it's more important to me than ever because, uh, it is now my main, job at the moment as maybe by October it won't be, but, um.Track 3:[51:41] Yeah, so all I can say is if you support the work of people like me and JD and want to support podcasters, crowdfunding, I don't know about you, JD, and we don't have to talk too much shop, but the advertising revenue is very minimal and it's honestly a little gross. No offense to your sponsors.Track 3:[52:01] I'd rather just not have it. Yeah, I'd rather not have it. But yeah, the crowdfunding and the Patreon that I have is particularly important to me at the moment. So I have different incentives and different tiers and all that kind of stuff, like pay tiers, and it's flexible and monthly and all that kind of stuff. So sorry to make this about the money. We've already talked about some of the content or whatever, like the people I talked to. Yeah, I'm proud of it. It seems to be relentless. It's never going to stop unless I do and stop making it. That sounded morbid. uh by the way if i die the show will likely die too i i just want to be clear about that but no i i love doing the show it's afforded me um some wonderful experiences and both in the conversations and then just from people like you jd reaching out wanting to talk i mean it means a lot to me so thank you for giving me a time to some time to plug and thank you for having me on this wonderful show of yours and for the the lovely conversation it means a lot yeah for me Me too. Thank you so much. All right, everybody, that's what we've got today. So be cool. Make sure you're safe and wash your goddamn hands.Track 1:[53:15] Thanks for listening to Meeting Malcolmists, a pavement podcast where we count down the top 50 pavement tracks as selected by you. If you've got questions or concerns, please shoot me an email. JD at MeetingMalcolmists.com. You.Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

It's the Friday News Roundup! Host Nikki DaVaughn is joined by Hey Austin newsletter editor Kelsey Bradshaw and Executive Producer Eva Ruth Moravec to discuss the latest news that caught City Cast Austin's eye this week. On our agenda: Austin's inescapable hairdryer-like heat, why Austin City Limits music festival organizers moved Chappell Roan's set (or so we think), and the eviction of a longtime East Side business and what it meant to the neighborhood. Plus, we talk about a new state policy blocking transgender Texans from changing the sex on their driver's licenses. And make sure you stick around after the roundup for our Don't Go Gently tip for this weekend.  We'd like to thank Tecovas, who makes our favorite Western wear in town, for being our exclusive launch sponsor.  Want some more Austin news? Then make sure to sign up for our Hey Austin newsletter.  Follow us @citycastaustin You can also text us or leave a voicemail.  Interested in advertising with City Cast? Find more info HERE 

This week, Ozark original singer, multi-instrumentalist and hit song writing powerhouse Shawn Camp recorded live at the Ozark Folk Center State Park. Also, interviews with this #1 country song writing genius. Some careers can be described with a couple of words but Shawn Camp's isn't one of them. A bold and distinctive singer, a songwriter who's provided material for artists ranging from Ralph Stanley, Del McCoury and Ricky Skaggs to Garth Brooks, Alan Jackson, Porter Wagoner, Loretta Lynn and Brooks & Dunn with hits such as “Two Pina Coladas” (Garth Brooks,) “Nobody But Me” (Blake Shelton,) “Would You Go With Me” (Josh Turner,) “River Of Love” (George Strait) and Billy Currington's hit single “Love Done Gone.”  Along with being a hit writer, he is a gifted multi-instrumentalist who's played as a touring/recording musician with everyone from Jerry Reed, Trisha Yearwood, Shelby Lynn, and Alan Jackson to the Osborne Brothers, Guy Clark and John Prine. - https://shawncamp.com/bio Shawn is joined in this performance by fiddle champion and multi-instrumentalist Tim Crouch. A bluegrass and country fiddle player from Strawberry, Arkansas, Tim got his start fiddling with Jim & Jesse as a Virginia Boy when he was 19 years old. He has since worked with a long list of country and bluegrass artists including Alan Jackson, Dolly Parton and Alison Krauss. He is a former staff fiddle player for Nashville's "Grand Ole Opry" and has also performed on numerous television programs including "Late Night with David Letterman," “The Conan O'Brien Show," "CBS This Morning," "Austin City Limits," "Hee Haw" and others. In this week's “From the Vault” segment, OHR producer Jeff Glover offers an archival recording of Ozark original fiddle master Tim Crouch playing the tune “Tom and Jerry” at the 1981 SPBGMA Fiddle Contest held at the Ozark Folk Center State Park. In his segment “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins discusses the Ozarks' influence at the “Festival of Festivals,” the first National Folk Festival held in St. Louis, Missouri in 1934. (Part 1)

Kris Myers was born on April 5, 1977. Receiving a drum kit at the age of 8, he took an early interest in jazz, rock and punk music. During high school Myers co-started his first musical outfit, a ska/punk band called the Skalawags. The group received a decent amount of success but denied an offer to tour Japan to instead pursue college degrees. Myers attended Elmhurst College from 1995 – 1999 where he was a music major and the drummer in the Elmhurst College Jazz Band. Under director Doug Beach, the Elmhurst College Jazz Band played gigs in the U.S. and Internationally at events such as the Umbria Jazz Festival, Jakarta Jazz Festival and the Montreaux Jazz Festival. In 2001 Myers enrolled in DePaul University where he earned his master's degree in jazz drumming and was a member of the Rob Parton Orchestra.  In addition to his involvement in school bands, Myers was playing in festivals with a variety of jazz artists such as Nicholas Payton, Diane Schuur, Randy Brecker, Dennis DiBlasio as well as local musicians Mark Colby and John McLean.  Myers also was a member of Chicago jazz fusion band Kick the Cat.  Myers began playing drums for progressive-rock band Umphrey's McGee in 2003 following the departure of original drummer Mike Mirro. With Myers at the helm, Umphrey's has released ten albums and maintains a rigorous touring schedule of over 100 live shows per year.  Umphrey's has performed at legendary festivals and venues such as Bonnaroo, Lollapalooza, Austin City Limits, Fuji Rock Festival, South by Southwest, Red Rocks, The Ryman Theatre, The Beacon Theatre and more. With Umphrey's, Myers has shared the stage with countless notable musicians such as Buddy Guy, Huey Lewis, Ivan Neville, Les Claypool, Stephen Perkins, Mike Keneally, Joshua Redman, Bela Fleck, Taj Mahal, Victor Wooten, Adrian Belew, Stanley Jordan, Gene Ween, Derek Trucks and Jason Bonham. In 2011 Myers was honored with the title of Best Jam Band Drummer by DRUM Magazine, beating jamband stalwarts such as Butch Trucks (The Allman Brothers) and Jon Fishman (Phish). In 2018, Myers was featured on the cover of Modern Drummer's July issue. Myers placed second in the Experimental Rock category of the publication's “Readers Poll Awards” behind St. Vincent drummer Matt Johnson. When he's not behind the drum kit, Myers enjoys playing golf, attending concerts, hiking and collecting art.    Some Things That Came Up:  -2:30 Kris's multi genre style  -3:00 Rabid fans  -4:45 The Umphrey's McGee audition turned into a 21 year gig and counting -6:30 Kris's previous band was Kick The Cat  -11:00 Maintaining a list of all the venues the band has played  -11:30 Red Rocks is fave venue as well as The Fox Theater in Oakland and The Ryman in Nashville -14:00 Vic Salazar !!! The ambassador of the drum community -16:40 The rider!  The love of milk chocolate!  -18:00 Stretching, fitness center, yoga -19:40 The documentary “Frame By Frame” -21:20 The Grateful Dead's Mickey Hart.. “most impressive” -23:40 The cover of Modern Drummer magazine in 2018!  -24:30 Dauz pads! Used by Rush and Nine Inch Nails  -26:45 Writing material together as a band  -27:40 Producer Greg Majors and Manny Sanchez -30:30 Different sets every night. Choosing from 14 studio albums. Responsible for all songs at all times  -35:40 collaboration with Huey Lewis. Met at The Jammy Awards in 2006. -43:00 Kris loves practicing impressions  -44:30 Stewart Copeland, Buddy Rich, Vinnie Colaiuta, Keith Carlock, Steve Gadd 49:50 The art of mashups, inspired by DJ culture  -50:15 Kris songs background vocals while playing insane music  -52:00 Rotator Cuff repair surgery. 6 month rehab, but ready after 4 months  -54:00 Local gigs and charity work  -54:50 Getting to do the “Boom Smack” -55:50 “David's Den” for mental health  -56:15 Wedding preparation  -57:20 “The Fave 5”   Follow: www.umphreys.com www.krismyersdrums.com  FB: @krismyers IG: @krismyersdrums YouTube: @krismyersdrums   The Rich Redmond Show is about all things music, motivation and success. Candid conversations with musicians, actors, comedians, authors and thought leaders about their lives and the stories that shaped them. Rich Redmond is the longtime drummer with Jason Aldean and many other veteran musicians and artists. Rich is also an actor, speaker, author, producer and educator. Rich has been heard on thousands of songs, over 30 of which have been #1 hits!   Follow Rich: @richredmond www.richredmond.com   Jim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur.   Follow Jim:   @jimmccarthy www.jimmccarthyvoiceovers.com

What began as a standard interview with Austin City Limits photographer Scott Newton, exploring his past and infamous concert shots, evolved into something unexpectedly profound. As our conversation unfolded, I found myself disarmed by Scott's wisdom, opening up about my own creative process and doubts behind a fan music video I directed. The video, set to the song "Sea of the Edge" by Austin-based band The Bright Light Social Hour, became a case study for our discussion on artistic challenges and growth. What followed was an inspirational pep talk I never knew I needed. Scott's words are deeply moving and motivational, and I hope they resonate with you as powerfully as they did with me.I'm Kyle Lamont, host of Concert Cast. Thank you for pushing play on my mini-cast about the artistic process and the power of the creative journey with Scott Newton, the resident photographer at Austin City Limits.Follow Host Kyle Lamont on Instagram https://www.instagram.com/kyle_lamont/Keep up with Scott Newton at https://www.modernrocksgallery.com/scott-newton-photographerModern Rocks Gallery is a proud sponsor of Concert Cast. Celebrate music photography at  https://www.modernrocksgallery.com/Follow them on Instagram https://www.instagram.com/modernrocksgallery/For more info about The Bright Light Social Hour visit them at https://www.thebrightlightsocialhour.com/And follow the band at https://www.instagram.com/tblsh/To listen to more rockumentary podcasts exploring concert culture, visit https://concertcast.live/Subscribe, Rate Review on Apple PodcastsSubscribe and Rate on Spotify Copyright by Kyle Lamont of Good To Go Studios LLC. 2024 Concert Cast: A Woman-Owned Rockumentary Podcast NetworkCreated and hosted by Kyle Lamont, Concert Cast explores Concert Culture through energetic music journalism. Lamont's informed questions, personal anecdotes, and curated local music soundtracks connect listeners with their favorite musicians and iconic venues, offering a unique perspective on the live music experience, earning a Spotify Editor's Pick recognition in 2022.

Kinky Friedman, the singer, songwriter, humorist and sometime politician who with his band, the Texas Jewboys, developed an ardent following among alt-country music fans with songs like “They Ain't Makin' Jews Like Jesus Anymore” — and whose biting cultural commentary earned him comparisons with Will Rogers and Mark Twain — died on Thursday at his ranch near Austin, Texas. He was 79.The writer Larry Sloman, a close friend, said the cause was complications of Parkinson's disease.Mr. Friedman occupied a singular spot on the fringes of American popular culture, alongside acts like Jello Biafra, the Dead Milkmen and Mojo Nixon. He leered back at the mainstream with songs that blended vaudeville, outlaw country and hokum, a bawdy style of novelty music typified by tracks like “Asshole From El Paso” and “We Reserve the Right to Refuse Service to You.”He toured widely in the 1970s, with his band and solo, including on the second leg of Bob Dylan's Rolling Thunder Revue in 1976. He performed on “Saturday Night Live” and at the Grand Ole Opry — Mr. Friedman claimed to be the first Jewish musician to do so (though in fact others, including the fiddler Gene Lowinger, had beat him to it).Another performance, recorded for the TV show “Austin City Limits,” was reported to be so profane that it has never been aired.In the 1980s, after the band broke up, Mr. Friedman turned to writing detective novels, using the same casual irreverence that he brought to the stage in books like “Kill Two Birds and Get Stoned” (2001) and “God Bless John Wayne” (1995)Yet there was a surprising earnestness behind his weirdness. Mr. Friedman founded a ranch for rescue animals. He and his sister, Marcie, ran Echo Hill Camp, which they inherited from their parents and which they offered, free of charge, to children of parents killed while serving in the U.S. military.He spent an increasing amount of time on his ranch. The Echo Hill camp closed in 2013, but three years ago, he and his sister revived it, this time with a focus on helping the children of fallen service members as well as the children of refugee families from Afghanistan.“There was a volunteer who fixed a water heater who I went over to thank,” he told Texas Highways magazine in 2023. “He said, ‘You're welcome. I'm doing it for Jesus.' I told him, ‘I'm doing it for Moses.'”Clay RisenNew York Times

Ever wonder what really happens when musicians click with the camera lens? Get ready for an emotional podcast about the art of concert photography. In this episode, the host of Concert Cast, Kyle Lamont, meets up with Scott Newton, Austin City Limits' resident photographer (with over 50 years of photo-making experience), to talk about the philosophy and untold stories behind music's most iconic images. This episode's depth will have you reaching for the replay button to fully grasp its wisdom.Follow Host Kyle Lamont on Instagram https://www.instagram.com/kyle_lamont/Keep up with Scott Newton at https://www.modernrocksgallery.com/scott-newton-photographerModern Rocks Gallery is a proud sponsor of Concert Cast. Celebrate concert photography at  https://www.modernrocksgallery.com/ and keep up with them on Instagram https://www.instagram.com/modernrocksgallery/ Follow Austin City Limits https://www.instagram.com/acltv/To listen to more rockumentary podcasts exploring concert culture, visit https://concertcast.live/Rate the show and leave us a review on Apple Podcasts & Spotify.Copyright by Kyle Lamont of Good To Go Studios LLC. 2024 Concert Cast: A Woman-Owned Rockumentary Podcast NetworkCreated and hosted by Kyle Lamont, Concert Cast delivers multiple shows exploring Concert Culture. Lamont's energetic music journalism connects listeners more deeply with favorite musicians and iconic venues. Through informed questions, personal anecdotes, and local music, Concert Cast offers a unique perspective on the live music experience. This approach earned a Spotify Editor's Pick recognition in 2022.

“Find the decisive moment” is renowned concert photographer Scott Newton's approach to capturing musicians in sonic ascension. This episode will take you beyond light and composition and into the outer realms of creation as we talk about his foray into the medium, hear his philosophy on music and on the art of photography and how he landed one of the most rewarding gigs in live music: The House Photographer at Austin City Limits.Follow Host Kyle Lamont on Instagram https://www.instagram.com/kyle_lamont/Keep up with Scott Newton at https://www.modernrocksgallery.com/scott-newton-photographerModern Rocks Gallery is a proud sponsor of Concert Cast. Celebrate concert photography at  https://www.modernrocksgallery.com/ and keep up with them on Instagram https://www.instagram.com/modernrocksgallery/ To listen to more rockumentary podcasts exploring concert culture, visit https://concertcast.live/Rate the show and leave us a review on Apple Podcasts & Spotify.Copyright by Kyle Lamont of Good To Go Studios LLC. 2024 Concert Cast is a woman-owned rockumentary podcast network. Originating in 2019 as a road trip around Maine, Concert Cast has evolved into an audio atlas, guiding listeners through America's concert communities. In 2022, it was recognized as a Spotify Editor's Pick for Lamont's energetic music journalism.

I'm going to the Austin City Limits music festival in October, will I see you there? Also, you should check out the show "Resident Alien" on peacock, also on Netflix. And lastly, "Blasting Zone Ahead"   www.tobefare.com www.wiiay.com --- Support this podcast: https://podcasters.spotify.com/pod/show/threethingswithjr/support

Join us on this exciting episode of the Kick Your Boots Up Podcast as we sit down with the talented TK Trask, the creative mind behind Molly & Gidget. Known for her bold and unapologetic designs that light up red carpets and center stages, TK has made waves in the fashion world with her work featured on runways, at the Grand Ole Opry, Nashville stages, Miss Rodeo America, Whiskey Jam, CMA Fest, worn by Universal Music Group Nashville's Catie Offerman on tour with George Strait, and more! For a full episode transcript, visit our website at: https://www.justinboots.com/en/kick-your-boots-up/podcast.htmlFollow Justin on Social Media:Facebook: https://www.facebook.com/justinboots Twitter: https://twitter.com/justinboots Instagram: https://www.instagram.com/justinboots_/ Pinterest: https://www.pinterest.com/justinboots/ Tik Tok: https://www.tiktok.com/@justin_boots? Shop Justin Boots HERE

This week we welcome Ian MacDougal of the  Lonestar indie rockers BROKEN GOLD. The  band is set for its  first release of new music in three years . MacDougall is a member of cult, Texan punks Riverboat Gamblers,  he spent 5 years with Band Of Horses, and has been drafted into countless other punk and crust band tours. Bobby Daniel (bass) provides low-end to legendary Austin songwriter Alejandro Escovedo and Ben Lance (guitar) is part of anthemic rockers Mountain Time, while drummer Sam Rich has served stints in Del-Vipers and Black Books. While they all call Austin, TX, “home”, they've all put in their fair share of miles performing across the globe. “Spiraling” sets the stage for the Broken Gold's upcoming sophomore album Wild Eyes, which arrives on April 26th via hometown label Chicken Ranch Records. The album's name is a nod to a lyrical phrase shared both by the album track “Shambling”, as well in Thin Lizzy's “The Boys Are Back In Town”. The Thin Lizzy reference is one that always resonated with MacDougall who felt the line “guess who just got back today, them wild eyed boys that had been away” summed up the fried feeling of arriving home after weeks on tour. The collection of songs that make up Wild Eyes reach across genre boundaries to showcase the technical versatility and emotional insight that MacDougall has refined over the past two decades as he performed everywhere from punk squats to headlining mainstages at Austin City Limits and Lollapalooza. The constant is the honesty and vulnerability in both MacDougall's DIY ethics and approach to music, facts that are laid bare on every note of Wild Eyes. To bring Wild Eyes to life, Broken Gold enlisted acclaimed engineer Stuart Sikes (The Walkmen, Modest Mouse, The White Stripes) to track and mix the record, while the legendary Howie Weinberg (Nirvana, Smashing Pumpkins) provided the mastering polish.Wild Eyes will be available on limited edition vinyl on April 26th, 2024. Thanks for listening!!! Please Follow us on Instagram @hiddentracks99Pre and Post roll music brought to you by @sleepcyclespa

Columnist Mike Finger and Spurs beat reporters Jeff McDonald and Tom Orsborn discuss the Spurs' performance in Austin, why they play those games and, also, how to deal with some rowdy hooligans.    Suggested reading:  Young Spurs flash signs of progress in OT win Back at full speed, Johnson enjoyed big shooting night in win over Nets For Vassell, playmaking the new name of the game   Catch us everywhere:  More episodes: https://www.expressnews.com/projects/podcasts/spurs-insider/  Spurs Nation Newsletter: https://www.expressnews.com/newsletters/spurs-nation/ Finger on X (Twitter): https://twitter.com/mikefinger  Become a subscriber: exne.ws/sub Learn more about your ad choices. Visit megaphone.fm/adchoices

A GRAMMY Winning, NYC based singer-songwriter Joanie Leeds is a National touring artist, early childhood educator and activist. For her original children's music, she has won a GRAMMY for Best Children's Album for her album, All the Ladies- a gender equality album for families, 1st place in the USA Songwriting Competition, International Songwriting Competition Winner, Independent Music Awards, Gold Parents' Choice Awards, NAPPA Gold Awards, Family Choice Awards and is a John Lennon Songwriting Award Finalist. Joanie has performed her dynamic and engaging folk-rock creations tailored for family audiences for 15 years at venues such as Lollapalooza, Austin City Limits, Clearwater Festival, The Kennedy Center, Skirball Center, Lincoln Center, Wolftrap Filene Stage, and Levitt Pavilion. Her music has been featured in The New York Times, People Magazine, Parents Magazine, Huffington Post, Billboard, NPR and The Washington Post. Joanie's 11th album, FREADOM, is a collection of songs inspired by banned children's picture books. 

This week I sit down with local Austinite Spiritual Psychologist Billy Lee Myers, Jr.  We discuss what spiritual psychology is, how our faith of origin shape us as adults and cultivating tolerance for others. Billy's professional practice is centered around loving kindness, discovering your authentic self and empowering people to create loving and healthy relationships. Billy takes us through his accident on Austin City Limits and how his internal and external suffering transformed him. We discuss what it means to see oneself clearly, he shares wise words for anyone on a journey. Billy's professional practice is centered around loving kindness, discovering your authentic self and empowering people to create loving and healthy relationships. To find out more about Billy head over to his website at www.therapywithbilly.com    Don't forget to subscribe to our YouTube Channel.    If you need support on your spiritual and human journey, Krista Xiomara has several different 1:1 offerings for the collective. To work with Krista Xiomara head over to https://iamkristaxiomara.com/workwithmekx     Podcast Production: Written, directed, and edited by Krista Xiomara Produced by LightCasting Original Music by Mr. Pixie Follow this podcast on Instagram @ianwpodcast   

Go behind-the-scenes of the iconic, longest-lasting music television series, Austin City Limits, with Austin PBS and the producers & technicians that have made the series a staple for music fans for 49 seasons. Sara Robertson (Chief Content Officer) moderates a discussion with Executive Producer Terry Lickona, Producer Jeff Peterson, Assistant Producer Michael Toland, Audio Director David Hough, and Director of Archives Elizabeth Antaramian about curating ACL's one-of-a-kind music experience, how the series' influence and creative vision has evolved over the last 5 decades, and the necessity of keeping art accessible and preserved for future generations.This conversation was recorded at ATX TV Festival Season 12 (June 1-4, 2023) in Austin, TX.PANELISTS:Terry Lickona (Executive Producer)Jeff Peterson (Producer)Michael Toland (Assistant Producer)David Hough (Audio Director)Elizabeth Antaramian (Director of Archives)Sara Robertson (Chief Content Officer, Austin PBS)SUBSCRIBE to youtube.com/ATXTV for more panels, conversations & events with your favorite TV creatives and casts. (Watch this panel HERE.)FOLLOW ATX TV:Twitter: twitter.com/ATXFestivalFacebook: facebook.com/ATXFestivalInstagram: instagram.com/atxfestival/TikTok: tiktok.com/@atxtvLearn more about year round ATX TV programming & events: https://atxtv.co/Become an ATX TV Member: https://atxtv.co/membership

HDTGM all-star Nick Kroll (Big Mouth, Human Resources) joins Paul, June, and Jason to discuss the 2019 neo-noir thriller Serenity starring Matthew McConaughey & Anne Hathaway. Recorded LIVE from Austin City Limits at the Moody Theater, they talk about the big twist that comes way too early, McConaughey being so wet throughout the movie, the sex scene on the boat, and more. (Originally released 06/20/2019) HDTGM is going on tour this August! Tix on sale now at hdtgm.comFor more Matinee Monday content, visit Paul's YouTube page: https://www.youtube.com/c/PaulScheerFollow Paul on Letterboxd: https://letterboxd.com/paulscheer/HDTGM Discord: discord.gg/hdtgmPaul's Discord: https://discord.gg/paulscheerCheck out Paul and Rob Huebel live on Twitch (https://www.twitch.tv/friendzone) every Thursday 8-10pm ESTSubscribe to The Deep Dive with Jessica St. Clair and June Diane Raphael here: listen.earwolf.com/deepdiveSubscribe to Unspooled with Paul Scheer and Amy Nicholson here: listen.earwolf.com/unspooledCheck out The Jane Club over at www.janeclub.comCheck out new HDTGM merch over at https://www.teepublic.com/stores/hdtgmWhere to find Jason, June & Paul:@PaulScheer on Instagram & Twitter@Junediane on IG and @MsJuneDiane on TwitterJason is not on Twitter