Podcast appearances and mentions of George Jones

Winston Churchill's warning that "success is not final, failure is not fatal" sets the tone for a fast-moving episode full of comeback stories, Texas legends, and the kind of colorful observations only Kent Hance can deliver. If you like sharp political commentary wrapped in unforgettable storytelling, this one is built to keep you listening. From there, the conversation ranges widely but never drifts: Hance connects Churchill's mindset to rebuilding after disaster, then pivots into a parade of true-life tales that bounce from country music chaos to football greatness, political power, and bureaucratic drama. Hance spins stories with his trademark mix of wit, memory, and straight talk.You'll hear Hance on: George Jones, Bob Wills, and the wild behavior that came with legendary fame Bobby Bare, Janis Joplin, and the music stories that made Texas and country radio what they are Jimmy Johnson, Terry Bradshaw, Drew Brees, and the sports figures who left a mark far beyond the field Red McCombs and Boone Pickens, the big-swing businessmen who never feared taking chances Gen Z, inheritance, and why some people struggle to connect in a hyper-digital world Senator Richard Shelby, Katie Britt, and the long game of political influence in Alabama Fauci, Comey, Rand Paul, and the fallout from COVID-era public narratives Hance also digs into one of his favorite recurring themes: stupid criminals, absurd decisions, and the strange ways real life can sound like a joke until it isn't. Along the way, he revisits the importance of persistence, resilience, and knowing when to keep going even when the odds look bad. This episode is part nostalgia, part political commentary, part pure Texas storytelling - and it's exactly the kind of conversation that rewards anyone who enjoys sharp memory, old-school perspective, and a host who can make every detour worth the trip. Perfect for listeners who want insight, laughs, and a few unforgettable stories they'll be repeating later.

ALL-BUMMER SUMMER continues on THE STORY SONG PODCAST! Join your hosts for their review of the 1980 country music classic, “He Stopped Loving Her Today,” by singer/songwriter George Jones.  “He Stopped Loving Her Today” by George Jones (from the album I Am What I Am) is available on Apple Music, YouTube Music, Amazon Music, Tidal, Pandora, Spotify, or wherever you listen to music. Continue the conversation; follow THE STORY SONG PODCAST on social media. Follow us on Bluesky (@storysongpodcast.bsky.social), Instagram (storysongpodcast), Facebook (thestorysongpodcast), Threads (storysongpodcast), GoodPods, and Podchaser. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of The Bandwich Tapes, I sit down with singer-songwriter Stephanie Rabus for a conversation about resilience, perseverance, and what it really looks like to build a music career one performance at a time.Stephanie shares how she balances life between Nashville's Broadway scene and weekends performing with her longtime cover band, Borderline, in the St. Louis area. We talk about the unique challenges of performing for different audiences, reading a room, developing as a live vocalist, and how every show becomes another opportunity to grow.Our conversation also explores Stephanie's remarkable personal story. From open-heart surgery as a child to another heart procedure earlier this year, music has been a constant source of purpose and healing throughout her life. We discuss how those experiences shaped songs like “I Told Me So,” and why honest storytelling has become the foundation of everything she writes.Along the way, we dive into Nashville, songwriting, harmony singing, touring as a backup vocalist for Georgette Jones, learning from country music's rich traditions, and why Stephanie continues to pursue her career entirely on her own terms. It's an inspiring conversation about resilience, artistry, and believing that your best work may still be ahead of you.Key TakeawaysStephanie balances a demanding schedule between performing regularly on Nashville's Broadway and traveling to St. Louis for weekend shows with Borderline.Music became both an emotional refuge and a source of confidence after childhood health challenges, including open-heart surgery.Her recent single “I Told Me So” reflects the importance of perseverance and trusting yourself through life's setbacks.Stephanie discusses lessons learned from an early record deal and why independent artists now have more opportunities than ever.Touring as a harmony singer for Georgette Jones deepened her appreciation for vocal phrasing and supporting another artist's musical identity.Live performance continues to shape her artistry as she adapts every show to the audience in front of her.New music is already on the horizon, including several upcoming singles and a possible Christmas project.Music from the EpisodePayback's a Beach - Stephanie RabusAbout the PodcastThe Bandwich Tapes is a long-form interview podcast hosted by Brad Williams featuring thoughtful conversations with musicians, songwriters, producers, and artists about creativity, craft, collaboration, and the stories behind the music. Each episode goes beyond biography to explore how music is made and the experiences that shape the people who create it.Connect with the ShowEmail: contact@thebandwichtapes.com

Actor and rising country music artist Jet Jurgensmeyer joins the Braves Country Podcast to discuss his journey from starring in Ozark and Stranger Things to chasing his dream in country music. Jet shares stories about:

Music behind DJ: Big Pete & the Minute Men - "Big Pete" - single [0:00:00] Carl Smith - "Trademark" - single [0:03:49] Goldie Smith And the Black Mountain Boys - "Girl Polka" - single [0:06:02] Les Harris - "And the Bull Walked Around Olay" - single [0:07:23] Loretta Lynn - "I Wanna Be Free" - single [0:10:24] Ray Price - "If She Could See Me Now" - The Same Old Me [0:12:40] Music behind DJ: Big Pete & the Minute Men - "Baracuda" - single [0:15:21] Ronnie Hawkins - "Summertime" - single [0:18:10] Norris Wilson - "Baby Don't Pout" - single [0:20:48] Vince Everett - "Don't Go" - single [0:24:25] Marty Balin - "I Specialize in Love" - single [0:25:27] Hedy Sontag - "Bad Girl" - single [0:27:22] Music behind DJ: Big Pete & the Minute Men - "Big Pete" - single [0:30:30] Bub Robinson & The Sunset Rangers - "The Same Things Again" - single [0:32:53] Stompin' Tom Connors - "Honky Tonk Girl" - Pistol Packin' Mama And Other Old Time Favorites [0:35:04] George Jones and Melba Montgomery - "Let's Invite Them Over" - What's In Our Heart [0:37:55] Jack Reno - "Nine Stitches" - single [0:39:19] Tommy Shaw and the Sundowners - "How Can I Miss You (If You Won't Go Away)" - single [0:41:19] Music behind DJ: Big Pete & the Minute Men - "Baracuda" - single [0:43:21] Don Rich and the Buckaroos - "Lay A Little Light On Me" - single [0:46:34] Johnny Roberts - "I Was Made To Roam" - single [0:48:17] Gary Sargeants - "I Just Started Hatin' Cheatin' Songs Today" - single [0:50:50] Jerry Waddel - "One Sided Love Affair" - single [0:53:52] Carl Smith - "I'm Gonna Act Right" - Kisses Don't Lie [0:56:22] Music behind DJ: Big Pete & the Minute Men - "Baracuda" - single [0:58:32] https://www.wfmu.org/playlists/shows/166945

Actor and rising country music artist Jet Jurgensmeyer joins the Braves Country Podcast to discuss his journey from starring in Ozark and Stranger Things to chasing his dream in country music. Jet shares stories about:

Music behind DJ: Big Pete & the Minute Men - "Big Pete" - single [0:00:00] Carl Smith - "Trademark" - single [0:03:49] Goldie Smith And the Black Mountain Boys - "Girl Polka" - single [0:06:02] Les Harris - "And the Bull Walked Around Olay" - single [0:07:23] Loretta Lynn - "I Wanna Be Free" - single [0:10:24] Ray Price - "If She Could See Me Now" - The Same Old Me [0:12:40] Music behind DJ: Big Pete & the Minute Men - "Baracuda" - single [0:15:21] Ronnie Hawkins - "Summertime" - single [0:18:10] Norris Wilson - "Baby Don't Pout" - single [0:20:48] Vince Everett - "Don't Go" - single [0:24:25] Marty Balin - "I Specialize in Love" - single [0:25:27] Hedy Sontag - "Bad Girl" - single [0:27:22] Music behind DJ: Big Pete & the Minute Men - "Big Pete" - single [0:30:30] Bub Robinson & The Sunset Rangers - "The Same Things Again" - single [0:32:53] Stompin' Tom Connors - "Honky Tonk Girl" - Pistol Packin' Mama And Other Old Time Favorites [0:35:04] George Jones and Melba Montgomery - "Let's Invite Them Over" - What's In Our Heart [0:37:55] Jack Reno - "Nine Stitches" - single [0:39:19] Tommy Shaw and the Sundowners - "How Can I Miss You (If You Won't Go Away)" - single [0:41:19] Music behind DJ: Big Pete & the Minute Men - "Baracuda" - single [0:43:21] Don Rich and the Buckaroos - "Lay A Little Light On Me" - single [0:46:34] Johnny Roberts - "I Was Made To Roam" - single [0:48:17] Gary Sargeants - "I Just Started Hatin' Cheatin' Songs Today" - single [0:50:50] Jerry Waddel - "One Sided Love Affair" - single [0:53:52] Carl Smith - "I'm Gonna Act Right" - Kisses Don't Lie [0:56:22] Music behind DJ: Big Pete & the Minute Men - "Baracuda" - single [0:58:32] https://www.wfmu.org/playlists/shows/166945

All three have teamed up for a special recording of the classic “Silver Threads and Golden Needles”. Originally recorded in 1956 by rockabilly pioneer Wanda Jackson and later championed by legends like Dolly Parton, Tammy Wynette, and Loretta Lynn, the song has long stood as an anthem of strength and independence—now reimagined by three women honoring that enduring tradition. Award-winning singer-songwriter Lee Newton's latest project, the acoustic album ‘Beautifully Undone,' is available now. Featuring a collection of songs from across her career, the project presents each track in a more intimate acoustic setting, bringing the lyrics and emotion to the forefront while offering a fresh perspective on the songs fans already love.  Georgette Jones was born to Country Music legends and Hall of Fame couple, George Jones and Tammy Wynette. Georgette has performed at the Opry, the Ryman and has toured across the US, Canada and overseas.  In addition to singing and songwriting, she is also an author. She co-wrote her biography, "The Three of Us", which was about her life growing up with her famous parents.  Georgette also acted in the TV series, "Sordid Lives" along side Leslie Jordan and Olivia Newton John as well as singing on the soundtrack.  Heidi Parton is the daughter of singer-songwriter and musician Randy Parton and the niece of Dolly Parton. Family connections have not only influenced Heidi's musical journey, they've presented opportunities. However, her individual talent, drive and determination have led to her growth as a performer. She began dancing in a Dollywood show at 13, became a featured vocalist at 15, and secured a spot as the headliner of her own show at Dollywood in 2024. #dollyparton #georgejones #tammywynette #lorettalynn #lorimorgan #pamtillis #ellalangley #taylorswift #countrymusic #countryradio #singersongwriter #dollywood 

All three have teamed up for a special recording of the classic “Silver Threads and Golden Needles”. Originally recorded in 1956 by rockabilly pioneer Wanda Jackson and later championed by legends like Dolly Parton, Tammy Wynette, and Loretta Lynn, the song has long stood as an anthem of strength and independence—now reimagined by three women honoring that enduring tradition. Award-winning singer-songwriter Lee Newton's latest project, the acoustic album ‘Beautifully Undone,' is available now. Featuring a collection of songs from across her career, the project presents each track in a more intimate acoustic setting, bringing the lyrics and emotion to the forefront while offering a fresh perspective on the songs fans already love.  Georgette Jones was born to Country Music legends and Hall of Fame couple, George Jones and Tammy Wynette. Georgette has performed at the Opry, the Ryman and has toured across the US, Canada and overseas.  In addition to singing and songwriting, she is also an author. She co-wrote her biography, "The Three of Us", which was about her life growing up with her famous parents.  Georgette also acted in the TV series, "Sordid Lives" along side Leslie Jordan and Olivia Newton John as well as singing on the soundtrack.  Heidi Parton is the daughter of singer-songwriter and musician Randy Parton and the niece of Dolly Parton. Family connections have not only influenced Heidi's musical journey, they've presented opportunities. However, her individual talent, drive and determination have led to her growth as a performer. She began dancing in a Dollywood show at 13, became a featured vocalist at 15, and secured a spot as the headliner of her own show at Dollywood in 2024. #dollyparton #georgejones #tammywynette #lorettalynn #lorimorgan #pamtillis #ellalangley #taylorswift #countrymusic #countryradio #singersongwriter #dollywood 

Country Music Hall of Famer, Nashville Songwriters Hall of Famer, 2-time Country Song of the Year GRAMMY winner, and 5-time BMI Country Songwriter of the Year Paul Overstreet gives us a peek behind the curtain of his legendary career. PART ONE: Scott does his best not to throw a certain individual under the bus with a very funny story involving Paul Overstreet. Plus, the guys pay tribute to the late Joe Melson, past Songcraft guest and primary Roy Orbison collaborator. PART TWO: Our in-depth conversation with Paul OverstreetABOUT PAUL OVERSTREET Paul Overstreet is one of the most successful songwriters in Nashville history and among the three inductees in the Country Music Hall of Fame's class of 2026. His catalog of classics includes “Same Ole Me,” recorded by George Jones, as well as the Randy Travis hits “Digging Up Bones,” “No Place Like Home,” “Deeper Than the Holler,” “On the Other Hand,” and “Forever and Ever, Amen.” The latter two were both named Song of the Year by NSAI, the CMA, and the ACM. Additionally, “Forever and Ever, Amen” earned a Grammy award for Best Country Song in 1988. Overstreet won another Best Country Song Grammy in 1992 for “Love Can Build a Bridge,” which was a major hit for The Judds.  Other highlights of the Paul Overstreet songbook include the number one hits “A Long Line of Love,” recorded by Michael Martin Murphy,” “When You Say Nothing at All,” which was a hit for both Keith Whitley and Alison Krauss, and “Some Beach” for Blake Shelton. In addition to his achievements with other performers, Overstreet became a successful recording artist in his own right. He reached the top of the charts in 1987 with “I Won't Take Less Than Your Love,” which he recorded with Tanya Tucker and Paul Davis, and had hits with the group S-K-O, a trio he formed with Thom Schuyler and Fred Knobloch. From 1988 through 1991 Paul scored eight consecutive top 10 singles as a solo artist, including “Seein' My Father in Me” and “Daddy's Come Around.”  Paul was named BMI's Country Songwriter of the year five years in a row from 1987 through 1991, a feat that hasn't been duplicated since. He was inducted into the Nashville Songwriters Hall of Fame in 2003.    Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On this episode of The Bandwich Tapes, I sit down with country singer and songwriter Trey Calloway for a conversation about authenticity, tradition, performance, and the responsibility that comes with carrying country music forward.Trey grew up singing in church, where he learned early how music can bring people together. We talk about the influence of his Pentecostal upbringing, watching his father preach, and how those experiences shaped his instincts as an entertainer and his ability to connect with an audience. We also discuss the lessons he learned playing honky-tonks and working his way through the Myrtle Beach music scene.Trey explains why he wants his music to remain unmistakably country while still sounding current. He reflects on the influence of artists including George Jones, Garth Brooks, George Strait, Loretta Lynn, and Merle Haggard, as well as the Southern rock music of Lynyrd Skynyrd, The Marshall Tucker Band, and Molly Hatchet.We also dig into Trey's approach to songwriting. His songs explore working people, family, heartbreak, faith, redemption, and the lives he observes around him. Trey talks about drawing inspiration from conversation, writing about his father's life as a construction worker, and trying to create songs that hold a mirror up to ordinary experience.Trey also shares the story behind his recording of “Slide,” a song previously recorded by Gary Allan and written by Ross Ellis, Alex Kline, and Michael Whitworth. He explains why the song felt personal enough to become his own, the importance of honoring great outside songs, and why country music still needs strong relationships between singers and professional songwriters.Key TakeawaysTrey believes country music can honor its history while still sounding fresh, modern, and personal.Growing up in a Pentecostal church taught him how to communicate with an audience and make music feel communal.His years in the Myrtle Beach music scene taught him how to lead a band, manage production, run a show, and treat music as a business.Moving to Nashville required Trey to start over, accept a smaller role, and rebuild his career in a more competitive environment.Trey approaches songwriting as a way to observe people and turn conversations, family experiences, and everyday struggles into songs.Many of his working-class songs are inspired by his father, who spent his life in construction and other forms of physical labor.Recording “Slide” reinforced Trey's belief that a singer does not have to write a song to deliver it honestly and make it feel personal.Music from the EpisodeSlide - Trey CallowayAbout the PodcastThe Bandwich Tapes is a music interview podcast hosted by Brad Williams. Each episode features thoughtful conversations with musicians, songwriters, producers, and other creative artists about their careers, influences, collaborations, musical craft, and the experiences that shape their work.Connect with the ShowEmail: contact@thebandwichtapes.com

On this episode of The Bandwich Tapes, I sit down with singer, songwriter, producer, author, and visual artist Kelly Lang for a conversation about creativity, confidence, country music, and the experiences that have shaped her life and work.Kelly and I begin by discussing the many forms her creativity takes, from songwriting and recording to painting, producing, and creating videos. She talks about learning to move between those disciplines, the freedom that comes from no longer being afraid to fail, and the challenge of navigating social media without letting a single negative voice outweigh the support of an entire audience.We also discover that Kelly and I share an unusual part of our musical histories: we both appeared on Star Search. Kelly reflects on competing as a young artist, navigating unexpected changes during the show, and why she is grateful that her experience took place before social media became part of every televised performance.Kelly also shares stories from growing up around Conway Twitty, whose road manager was her father. She remembers hearing Conway test new songs for family and friends, sitting beside the stage as audiences responded to him, and realizing at an early age that she wanted to create that same kind of connection. We discuss her song “Goodbye Darlin',” written in Conway's honor, and the songwriting lesson she learned from Harlan Howard: say as much as possible with as few words as necessary.Our conversation also explores Kelly's growth as a producer, the confidence she has developed in the studio, and the emotional perspective that comes from experience. Twenty-two years after a breast cancer diagnosis, Kelly says she is less interested in chasing fame and more interested in creating music that helps someone through a difficult day. She also introduces her album Jealous Green Eyes and the single “Never Met a Man I Didn't Love.”Key TakeawaysKelly sees songwriting, painting, producing, and video creation as connected parts of a larger creative life.Her experience on Star Search taught her to adapt quickly, perform under pressure, and trust herself at a young age.Growing up around Conway Twitty gave Kelly an early understanding of songwriting, performance, and the connection between an artist and an audience.Harlan Howard taught her to write directly and use as few words as possible while preserving the song's emotional meaning.Kelly has become more confident about expressing her musical ideas and making final production decisions on projects bearing her name.Life experience has deepened the way she writes and interprets songs, giving her greater empathy and emotional perspective.More than two decades after her breast cancer diagnosis, Kelly now measures success by whether her music moves, encourages, or helps another person.Music from the EpisodeThis Too Shall Pass - Kelly LangAbout the PodcastThe Bandwich Tapes is a music interview podcast hosted by Brad Williams. Each episode features thoughtful conversations with musicians, songwriters, producers, and other creative artists about their careers, influences, collaborations, musical craft, and the experiences that shape their work.Connect with the ShowEmail: contact@thebandwichtapes.com

Welcome back to When Words Fail, Music Speaks—the show where we dive deep into the healing power of music, especially when life's lows feel impossible to bear. I'm your host, James Cox, a lifelong music lover who's turned personal struggles with depression into a mission to help others find the same refuge I found in melody.In today's episode we sit down with a true renaissance man of the modern country scene—Dave McElroy. Dave's story reads like a novel: a businessman turned songwriter, television host, outdoorsman, and bandleader whose faith has repeatedly nudged him into unknown territory. From his early mornings in a coffee‑scented army truck listening to Loretta Lynn, to a second‑grade awe of Louis Armstrong, through a teenage fascination with Stevie Wonder, Van Halen, reggae beats, and even the occasional metal riff, Dave's influences are as diverse as his life experiences.We'll hear how those eclectic roots shape his sound—country at heart, yet tinged with rock, R&B, and a subtle Tom Petty slide‑guitar vibe that surfaces on his single “Vibin'.” We'll explore his journey from a top‑40 breakout, through the challenges of releasing singles versus a full‑length album, to the heartbreaking loss of his beloved drummer Jared and the very real conversations about mental health that now drive his podcast's purpose.Dave also shares the humble moments that keep him grounded: hunting trips in the Midwest, the smell of fresh‑mowed grass that whisks him back to childhood, and his abiding belief that music is a lifeline—“the breathing” that carries us through the darkest days. Along the way we'll touch on his “king of country” debates, his love for legends like Dolly Parton, Garth Brooks, and George Jones, and his relentless commitment to using his platform for charity, family, and faith.Stick around for the lightning round, where Dave reveals his first memorized country lyric, the instrument that challenged him the most, and the song he wishes he'd written himself. All of this—plus a sneak peek at an upcoming album slated for release this spring—makes for a heartfelt, candid conversation that underscores why, no matter the genre, music still speaks when words fall silent.Grab your headphones, sip a coffee (or a cold beer), and join us as we explore the man behind the music and the melodies that keep us moving forward.

Sometimes dreams only come true when you build them yourself. For Chris Johnson, that philosophy has defined a remarkable career spanning decades in the music industry. Now, after years spent creating opportunities for other artists while quietly honing his own craft, Johnson is stepping back into the spotlight with his powerful new single, "Better Days Ahead," out June 26 2026, and  the first release from his forthcoming album, Tales From The Cowboy Palace.Born and raised in the rural community of Lakeside in San Diego County, California, Johnson grew up balancing life between Future Farmers of America, horseback riding, surfing and skateboarding. Raised among cattle, rodeos, and wide-open spaces, he proudly identifies as an "urban cowboy"—someone who may live in the suburbs but carries a rural spirit at heart.Chris Johnson is a California-born singer-songwriter, musician, entrepreneur, and self-described urban cowboy whose career spans performance, production, sound engineering, venue ownership, and artist development. Raised in Lakeside, California, Johnson has spent decades immersed in the music industry while continuing to write songs rooted in real-life experiences. His upcoming album, Tales From The Cowboy Palace, showcases his distinctive blend of traditional Country storytelling and hard-earned authenticity.Music was woven into Johnson's life from the very beginning. With a mother, aunts, and grandfathers who were all musicians, his passion for songwriting and performance came naturally. By the age of twelve, he was already playing guitar and singing alongside his mother at schools, county fairs, senior centers, and community events. Influenced by legends such as Willie Nelson, Waylon Jennings, Merle Huggard, George Jones, John Denver, and Pete Seeger, Johnson developed a deep appreciation for storytelling through song.As a teenager, he played in school bands before forming his own country rock group. During college, he fronted a local band called Border Tones before pursuing solo performances throughout Southern California. His journey eventually led him to Los Angeles, where he attended Musicians Institute and joined a booking agency that sent him across the country performing corporate events and hotel engagements.While the experience sharpened his skills as a performer, Johnson ultimately felt pulled toward creating music of his own."I really wanted to get back to doing my own music," Johnson recalls. "I didn't even have a house—we were just in band houses and hotel rooms all the time."Back in Los Angeles, Johnson built an impressive behind-the-scenes career, running sound for legendary venues including the Whisky A Go Go and the Roxy, managing backline operations for FM Station. Also, touring as guitar tech for John Fogerty, Styx, Government Mule, Lisa Marie Presley, Chaka Khan and System of A Down. While also performing demo vocals, composing commercial jingles, and providing voiceover work. He also launched his own equipment company, Hollywood Studio Rentals, Valley Production Storage and Drum Paradise LA before eventually purchasing the very Country music venue where he frequently performed—the famed Cowboy Palace.Through every chapter of his career, songwriting remained a constant. Now, Tales From The Cowboy Palace serves as the culmination of a lifetime of experiences, offering listeners an authentic collection of songs centered around perseverance, freedom, fatherhood, motorcycles, hard work, and redemption. Backed by his band, The Hollywood Hillbillies, Johnson delivers a modern Country project enriched by decades of musical influences and real-world experiences.Lead single "Better Days Ahead" stands as a heartfelt anthem for dreamers, workers, and anyone pushing forward through adversity."It's about working my ass off when I had nothing," Johnson says. "Dreaming of giving a better life to my wife and kids."Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Episode Description Welcome back to the Lonely Town Podcast, where Derek and Jimmy explore the music, stories, and world of Brandon Flowers and The Killers. With Brandon's upcoming solo album Thrasher just around the corner, Derek and Jimmy break down the newly released trailer, discuss its striking imagery, and explain why this project already feels different from anything Brandon has released before. From classic cars and dusty highways to small-town diners, county fairs, and the familiar backdrop of Mount Nebo, the trailer paints a picture of the Utah Brandon Flowers remembers growing up. Derek and Jimmy connect the visual callbacks to Pressure Machine, discuss Brandon's relationship with Nephi, and explore why Thrasher feels like an even more personal continuation of that story. The conversation then takes an unexpected but fascinating turn into the world of classic country music. Rather than simply reviewing the trailer, the guys share the artists, albums, and songs they believe helped shape Brandon's musical upbringing—including legends like Johnny Cash, Merle Haggard, George Jones, Glen Campbell, Waylon Jennings, Willie Nelson, and The Highwaymen. If you've never listened to traditional country music, this episode serves as a roadmap for understanding the storytelling, emotion, and authenticity that appear to be at the heart of Thrasher. Along the way, Derek shares stories from growing up in Nephi, working at a local truck stop, discovering country music, traveling throughout the Southwest with his father, and why experiencing different cultures makes both music—and life—more meaningful. Whether you've already embraced Brandon's new direction or you're still unsure what to expect, this episode is designed to prepare you for the journey before Thrasher arrives. Show Notes Featured Topic Brandon Flowers' Thrasher Trailer First reactions to Brandon's official trailer The symbolism behind the classic convertible Returning to Nephi after Pressure Machine Mount Nebo, backroads, diners, and county fairs Why the trailer feels deeply personal Visual callbacks to Pressure Machine The importance of place in Brandon's songwriting Inside Brandon's Musical Influences The guys discuss why understanding classic country music may help fans appreciate Thrasher. Artists discussed include: Johnny Cash Merle Haggard George Jones Waylon Jennings Willie Nelson Glen Campbell Dwight Yoakam Dolly Parton The Highwaymen Topics include: Storytelling through country music Why Brandon isn't "going country" Traditional country vs. modern country Songs that inspired generations How to prepare yourself for Thrasher A Road Trip Through Utah Memories of growing up in Nephi Local landmarks featured in the trailer El Bambi Café White Brothers Trailers Small-town carnivals Truck stops and discovering new music Why Beaver, Utah stands in for a different era of Nephi Behind the Album Session musicians in Nashville Why session players matter Brandon's songwriting process Why Thrasher feels like the next chapter after Pressure Machine The influence of Brandon's father Country music as memory and storytelling Discussion Highlights Music as a soundtrack to life Travel, empathy, and discovering new perspectives Why stories matter more than genres The beauty of small-town America Looking forward to Brandon's upcoming tour Why fans should approach Thrasher with an open mind

One of country music's most gifted singer-songwriters—a woman whose voice carries the warmth, honesty, and heart that have made country music timeless. Throughout her remarkable career, her songs have been recorded by some of the biggest names in music, The Oak Ridge Boys, Crystal Gayle, George Jones, B.J. Thomas, Jerry Lee Lewis to name a few. Her songs that have touched audiences around the world, and earned the admiration of fans and fellow artists alike. Whether she's delivering a heartfelt ballad or an uplifting anthem, every performance comes from a place of authenticity and grace. Beyond her extraordinary musical talent, she's an inspiration, demonstrating resilience, faith, and an unwavering passion for using music to encourage others. Her latest music continues to remind us why genuine storytelling will always have a place in country music. Her new album, Jealous Green Eyes, is another beautiful chapter in a career built on authenticity, grace, and unforgettable melodies. But beyond the music, I'm grateful to call Kelly a friend. Her kindness, her faith, and her genuine love for people shine just as brightly off the stage as they do under the spotlight. Kelly, thank you for sharing your music and your heart with us today. Be sure to pick up Jealous Green Eyes at KellyLang.net and experience this wonderful collection for yourself. #countrymusic #lovesongs #music #singer #songwriter #singersongwriter #newalbum #newmusic #trendingpodcast #podcast #entertainment

One of country music's most gifted singer-songwriters—a woman whose voice carries the warmth, honesty, and heart that have made country music timeless. Throughout her remarkable career, her songs have been recorded by some of the biggest names in music, The Oak Ridge Boys, Crystal Gayle, George Jones, B.J. Thomas, Jerry Lee Lewis to name a few. Her songs that have touched audiences around the world, and earned the admiration of fans and fellow artists alike. Whether she's delivering a heartfelt ballad or an uplifting anthem, every performance comes from a place of authenticity and grace. Beyond her extraordinary musical talent, she's an inspiration, demonstrating resilience, faith, and an unwavering passion for using music to encourage others. Her latest music continues to remind us why genuine storytelling will always have a place in country music. Her new album, Jealous Green Eyes, is another beautiful chapter in a career built on authenticity, grace, and unforgettable melodies. But beyond the music, I'm grateful to call Kelly a friend. Her kindness, her faith, and her genuine love for people shine just as brightly off the stage as they do under the spotlight. Kelly, thank you for sharing your music and your heart with us today. Be sure to pick up Jealous Green Eyes at KellyLang.net and experience this wonderful collection for yourself. #countrymusic #lovesongs #music #singer #songwriter #singersongwriter #newalbum #newmusic #trendingpodcast #podcast #entertainment

Hometown Bluegrass Show Podcast – Episode #109This week on the Hometown Bluegrass Show Podcast, Tim and Josh are joined by one of the most respected musicians in bluegrass music, Andy Leftwich! Andy shares stories from his incredible career, discusses his musical journey, and gives listeners a behind-the-scenes look at life as one of the most in-demand instrumentalists in acoustic music.As always, the conversation is full of laughs, great stories, and plenty of bluegrass talk.Plus, Josh takes us back in time with a performance of a classic George Jones song, adding his own bluegrass touch to one of country music's most beloved hits.Be sure to like, subscribe, and share the podcast with your bluegrass-loving friends!

Sometimes dreams only come true when you build them yourself. For Chris Johnson, that philosophy has defined a remarkable career spanning decades in the music industry. Now, after years spent creating opportunities for other artists while quietly honing his own craft, Johnson is stepping back into the spotlight with his powerful new single, "Better Days Ahead," out June 26 2026, and  the first release from his forthcoming album, Tales From The Cowboy Palace.Born and raised in the rural community of Lakeside in San Diego County, California, Johnson grew up balancing life between Future Farmers of America, horseback riding, surfing and skateboarding. Raised among cattle, rodeos, and wide-open spaces, he proudly identifies as an "urban cowboy"—someone who may live in the suburbs but carries a rural spirit at heart.Chris Johnson is a California-born singer-songwriter, musician, entrepreneur, and self-described urban cowboy whose career spans performance, production, sound engineering, venue ownership, and artist development. Raised in Lakeside, California, Johnson has spent decades immersed in the music industry while continuing to write songs rooted in real-life experiences. His upcoming album, Tales From The Cowboy Palace, showcases his distinctive blend of traditional Country storytelling and hard-earned authenticity.Music was woven into Johnson's life from the very beginning. With a mother, aunts, and grandfathers who were all musicians, his passion for songwriting and performance came naturally. By the age of twelve, he was already playing guitar and singing alongside his mother at schools, county fairs, senior centers, and community events. Influenced by legends such as Willie Nelson, Waylon Jennings, Merle Huggard, George Jones, John Denver, and Pete Seeger, Johnson developed a deep appreciation for storytelling through song.As a teenager, he played in school bands before forming his own country rock group. During college, he fronted a local band called Border Tones before pursuing solo performances throughout Southern California. His journey eventually led him to Los Angeles, where he attended Musicians Institute and joined a booking agency that sent him across the country performing corporate events and hotel engagements.While the experience sharpened his skills as a performer, Johnson ultimately felt pulled toward creating music of his own."I really wanted to get back to doing my own music," Johnson recalls. "I didn't even have a house—we were just in band houses and hotel rooms all the time."Back in Los Angeles, Johnson built an impressive behind-the-scenes career, running sound for legendary venues including the Whisky A Go Go and the Roxy, managing backline operations for FM Station. Also, touring as guitar tech for John Fogerty, Styx, Government Mule, Lisa Marie Presley, Chaka Khan and System of A Down. While also performing demo vocals, composing commercial jingles, and providing voiceover work. He also launched his own equipment company, Hollywood Studio Rentals, Valley Production Storage and Drum Paradise LA before eventually purchasing the very Country music venue where he frequently performed—the famed Cowboy Palace.Through every chapter of his career, songwriting remained a constant. Now, Tales From The Cowboy Palace serves as the culmination of a lifetime of experiences, offering listeners an authentic collection of songs centered around perseverance, freedom, fatherhood, motorcycles, hard work, and redemption. Backed by his band, The Hollywood Hillbillies, Johnson delivers a modern Country project enriched by decades of musical influences and real-world experiences.Lead single "Better Days Ahead" stands as a heartfelt anthem for dreamers, workers, and anyone pushing forward through adversity."It's about working my ass off when I had nothing," Johnson says. "Dreaming of giving a better life to my wife and kids."Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Jamey Johnson stops by TL's Road House for a thoughtful conversation with Tracy Lawrence about songwriting, the evolving country music industry and staying true to yourself through every season of life. Jamey reflects on how his perspective has changed over the years, from his approach to writing songs and making records to redefining what success means to him. The two also share stories from their early days in Nashville, discuss the lasting influence of country music legends like Waylon Jennings, Willie Nelson and George Jones, and the importance of giving back through charitable work. As Tracy gets ready to join Jamey for his upcoming birthday celebration at the Grand Ole Opry, the two longtime friends look back on the experiences that have shaped their careers and the values that continue to guide them today.

The best selling crime author on the tracks that have inspired him. Inherited: Have Mercy on the Criminal by Elton John Pass on: He Stopped Loving Her Today by George Jones

Send us Fan MailWe recorded with Jim's guy Swa last weekend.  My man can talk, thus requiring some extra editing time.  Therefore, we grabbed this one from the shelf recorded just a few weeks ago.  EnjoyBeer or Bourbon?Falling KnifeTell us what you think--reallyPun of the DayAging perspectiveMr SeedsYet another Shark Tank ideaWho turns down Indy?RIP Kyle BuschNo RagratsTommy Lee Jones projectsCourtship of Eddie's FatherSong of the Week:One for My Baby--Frank SinatraTake Me--George JonesJim's linguistics rantNice name, Hugh JackmanEr no?Celebrity sightingsBanned content#NewtsAppleValleyMN#SharkTankThe Ascertainers@gmail.comFrank Sinatra - One For My Baby (Live At Royal Festival Hall / 1962)George Jones- "Take Me" from "A Poem is a Naked Person"

George Jones possessed one of the finest and most expressive instruments God ever created: his voice, which is widely considered the greatest in country music. But he was also possessed by demons who haunted him his whole life, and heard voices that tormented and controlled him. His addictions to drugs and alcohol made him legendarily unreliable, earning him the nickname "No Show Jones." But just when George Jones was at his lowest, a song came along that would change everything - proving that his voice could still work wonders.To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership. This episode was originally published on December 26, 2024. To listen to Disgraceland ad free and get access to exclusive bonus content and more, become a Disgraceland All Access member at ⁠⁠⁠⁠⁠⁠⁠disgracelandpod.com/membership⁠⁠⁠⁠⁠⁠⁠. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - GET THE NEWSLETTER Follow Jake and DISGRACELAND: Instagram YouTube X (formerly Twitter) Facebook Fan Group TikTokSee omnystudio.com/listener for privacy information.

Miss Kay's memory issues are changing how her family spends time with her, but they definitely haven't stolen her joy. Al shares how Miss Kay lights up over simple moments like burger cookouts, popcorn movie nights, and a trip to see a patriotic documentary — and she still cracks a perfectly-timed joke when the moment calls for it. Jase and Al also revisit a few wild childhood memories from Phil's barroom years after an old George Jones song brings the past rushing back. The guys dig into the difference between trials and temptations, why God uses testing to mature us, and how Satan tries to twist vulnerable moments toward destruction. In this episode: Matthew 6, verse 13; Matthew 4, verses 1–11; Matthew 16, verses 15–23; James 1, verses 2–15; Job 1, verses 6–22; Job 2, verses 9–10; James 5, verse 11; Matthew 5, verse 48; Romans 6, verses 1–14; Hebrews 4, verses 14–16; Hebrews 6, verses 4–12; Romans 1, verses 21–25 “Unashamed” Episode 1355 is sponsored by: http://curehydration.com/unashamed — Get 20% off your first order with promo code UNASHAMED https://myphdweightloss.com — Find out how Al lost 80+ pounds. Visit the website or call 864-644-1900 and mention "AL" to get 2 weeks free in the program! https://fastgrowingtrees.com — Get 20% your first purchase when using the code UNASHAMED at checkout. http://unashamedforhillsdale.com/ — Sign up now for free, and join the Unashamed hosts every Friday for Unashamed Academy Powered by Hillsdale College Listen to Not Yet Now with Zach Dasher on Apple, Spotify, iHeart, or anywhere you get podcasts. Check out At Home with Phil Robertson, nearly 800 episodes of Phil's unfiltered wisdom, humor, and biblical truth, available for free for the first time! Get it on Apple, Spotify, Amazon, and anywhere you listen to podcasts! https://podcasts.apple.com/us/podcast/at-home-with-phil-robertson/id1835224621 Chapters 00:00 Movie Nights with Miss Kay 08:05 Phil's Quote Shows Up Again 14:28 Growing Up In a Bar 23:33 God Tests but Satan Tempts 34:08 The Choice to Curse God or Trust Him 39:01 What Jesus Meant by ‘Be Perfect' 44:15 The Controversy of Hebrews 6 49:10 Temptation Starts with Distorted Desires — Learn more about your ad choices. Visit megaphone.fm/adchoices

Hosts Nate Wilcox and Justin Bankston finish our appreciation of Tales from the Tour Bus season one with an interview with Jeff Feuerzeig, the writer & producer of the Johnny Paycheck, George Jones and Tammy Wynette episodes. GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack. Also subscribe to the LET IT ROLL EXTRA feed on Apple, Spotify or your preferred podcast service to access the full episodes via your preferred podcast outlet. We've got all 350+ episodes listed, organized by mini-series, genre, era, co-host, guest and more. Please consider becoming a paid subscriber to support the show. Thanks! Email ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letitrollpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Let It Roll is proud to be part of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pantheon Podcast⁠s⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Hosts Nate Wilcox and Justin Bankston continue the Let It Roll mini-series in which we comment on a great music animated documentary series. In this episode, Justin and Nate revel in the epic tragicomic tale of the love between two of country music's all-time best. GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack. Also subscribe to the LET IT ROLL EXTRA feed on Apple, Spotify or your preferred podcast service to access the full episodes via your preferred podcast outlet. We've got all 350+ episodes listed, organized by mini-series, genre, era, co-host, guest and more. Please consider becoming a paid subscriber to support the show. Thanks! Email ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letitrollpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Let It Roll is proud to be part of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pantheon Podcast⁠s⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

TL's Road House welcomes Hawaiian artist Maoli for a look into how he's bringing island soul and country music together in a way that's introducing a whole new audience to the genre. The Maui native joins Tracy to talk about growing up in Hawaii surrounded by rodeo culture, hunting, fishing and traditional Hawaiian music, while also being inspired by country legends like George Strait, George Jones and Vince Gill. Maoli shares how he blended reggae and country storytelling to create his signature sound and how he got his start by playing local gigs before building an international fanbase. Listen in for stories from the islands, behind-the-scenes moments from his journey into country music and more on what's ahead as Maoli continues expanding his sound around the world.

Opie's Best nd Last Year of radio! Vault opens for a classic session with Mark Normand, Vic Henley, and the legendary Carl Ruiz.​The guys dive into:​The Trucker Life: Carl auditions CB radio handles (welcome, "Chef Whiskey Smoke") and gets real-world warnings from the "Snowman" on Channel 22.​Northern Exposure: A breakdown of why dating in Canada is like "peeling an onion."​Country Legends: Jesse Dayton stops by to share a wild, first-hand account of a pre-comeback George Jones.​The Lethal Cocktail: Dr. Steve weighs in on the crew's questionable caffeine habits.*THESE EPISODES ARE NOW THEY'RE OWN PODCAST CALLEDOpie: Final Mic Drop https://www.spreaker.com/podcast/opie-final-mic-drop--6950078Follow along in chronological order of my last year of radio*

Episode SummaryIn this episode of The Business of Dance Podcast, George Jones Jr. shares his unconventional path into the dance industry, from starting dance at 17 to building a successful commercial career working with artists like Britney Spears, Jennifer Lopez, Nicki Minaj, and Usher. He opens up about coming from a musical theater foundation, teaching himself hip-hop through culture and observation, and learning how to navigate the industry by staying adaptable, observant, and open to unexpected opportunities. His story is a powerful reminder that there is no single timeline in dance, and that success often comes from taking a different road than the one you originally imagined.George also dives deep into the realities of the professional dance world, including how relationships can shape your career more than money, why strategy matters in auditions, and how dancers must learn to identify their lane while still building versatility. He speaks candidly about moving from New York to Los Angeles, booking major opportunities through submissions and connections, and eventually transitioning from performer to choreographer and mentor. Throughout the conversation, he emphasizes collaboration, self-awareness, resilience, and the importance of building a career that reflects who you truly are, not just what the industry expects from you.Top 10 Show Notes3:47 — George started dancing at 176:31 — College scholarship launched his dance path8:55 — He found his lane in dance10:46 — Rhapsody James changed his commercial career15:22 — New York built grit and artistic layers18:56 — LA became the next career move26:09 — Skeleton crew work led to bigger jobs31:00 — Britney tour came through visibility and submissions41:00 — He built his own lane as choreographer1:08:19 — Auditions require strategy, not just talentBiography:George Jones Jr. is an accomplished choreographer, educator, and performer with extensive experience across commercial dance, live performance, and elite team choreography. His career launched working with Britney Spears and has since included collaborations with Jennifer Lopez, Nicki Minaj, and Usher, along with appearances on major television shows, award stages, and international tours.A graduate of Marymount Manhattan College, George combines strong technical training with a foundation in production and visual design, bringing a well-rounded creative approach to his work. Which ranges from a flashy Jazz and  Jazz Funk Technique, to a hard hitting and visually impactful Hip Hop technique. He has choreographed for professional teams including the Dallas Cowboys Rhythm & Blue Dancers and Sacramento Kings Dancers, and has spent over a decade working with Varsity Spirit, developing and training dancers at a national level.Currently represented by MSA Agency, George continues to teach and choreograph internationally while focusing on creating high-impact work for collegiate and professional dance teams.Connect on Social Media:Instagram: https://www.instagram.com/mrgeorgejonesjr/

From rocking celebrations to hard-earned reflections, this week's episode of Deeper Roots turns its attention to the man they called “The King.” We've got two hours with songs about Elvis Presley — musical tributes, name-drops, eulogies, and love letters from artists across the past century. Some are playful, some reverent, and some wrestle with the contradictions that made Elvis both larger than life and painfully human. Together, they form a kind of American scrapbook around a figure who never really left the cultural conversation. From the wide-eyed devotion of artists like George Jones, Janis Martin, and Bobby Bare, to later songs reflecting on the strange and tragic arc that carried Elvis from hip-shaking revolutionary to Vegas spectacle, from the Nixon White House photo-op to a lonely and frightening decline, these recordings trace the many ways America mythologized him. Whether delivered as tribute, cautionary tale, obituary, or heartfelt fan letter, the songs on this morning's show reveal just how deeply Elvis worked his way into the DNA of rock 'n' roll mythology — and into the imagination of generations that followed.

This week we’re talking horse tracks, crooked cops, femme fatales, and an ex-con with a plan to make a killing as Zeth looks back at the 1956 Stanley Kubrick film ‘The Killing.’ Plus we make a mixtape inspired by the film including songs by Phantom Planet, George Jones, and Danger Doom. Become an All Access member and get ad-free listening by visiting disgracelandpod.com.See omnystudio.com/listener for privacy information.

On Episode 299 of Outside The Round, Matt Burrill sits down with rising South Carolina artist Cooper Ledford. Fresh off his first tour opening for Kameron Marlowe, Cooper shares how posting a cappella covers on TikTok helped launch his career and led to sold out shows across the Midwest. The conversation dives into growing up with a preacher father in South Carolina, football injuries that pushed him toward music, and falling in love with songwriting through artists like Eric Church, George Jones, and Keith Whitley. Cooper also talks about moving to Nashville at 19, building his band with fellow South Carolina musicians, and creating a sound that blends traditional country, rock, and bluegrass influences. Plus, stories from the road, hearing fans sing his songs back to him for the first time, and what's next as he prepares for a breakout year. Follow on Social Media: Cooper Ledford: @coopertledford Matt Burrill: @raisedrowdymatt Outside The Round: @outsidetheround Raised Rowdy: @raisedrowdy Chapters (00:00:00) - Cooper Ledford On The Rage Rowdy Podcast(00:02:51) - How JD Stopped The Car on the Road(00:04:03) - Songwriter and musician from South Carolina talks about growing up in the(00:06:36) - Blair Gibbon on Growing Up in a Preacher's Home(00:10:11) - Ori Lee Cornbread on the Carolina Gamecocks(00:13:08) - Cornbread Connects for TD(00:13:14) - Cameron on His Acappella Tour(00:14:27) - Carolina Songwriter Meets Eric Church(00:15:45) - Colton Dawson on How He Met Kelsey(00:20:08) - The Local Nashville Song(00:23:59) - How to Get a Handgun in Antioch(00:25:28) - Living With My Bandmates(00:26:47) - Thrift Shop(00:29:28) - Cameron Marlowe on His Carolina Country Music Fest(00:31:18) - Getting to Be Around Ella and Tucker(00:31:50) - Colton On Playing The Tuesday Writers' Round(00:32:53) - Writing With Legendary Songwriters(00:35:00) - Cooper Ladford on His Faith(00:38:52) - "I Started Singing Acapella Before I(00:39:11) - Favorite Places to Eat in Nashville(00:42:15) - Cooper Ledford on His New Music(00:45:11) - Cooper Ledford on His Live Show(00:47:52) - Maroon 5 at a Concert(00:49:42) - Willie Nelson At His First Concert(00:51:22) - Cooper Ledford on His New Music(00:53:54) - Cooper Ledford

This week's show, after a 1971 Badfinger boogie: brand new Social Distortion, Bevis Frond, Idaho, White Fence, Greg Amici, Riflebirds of Portland, Chris Stamey, and Sean O'Brien & His Dirty Hands, plus The Action, Al Campbell, George Jones, Rory Storm ...

Songwriting legend Rafe Van Hoy joins Kerry and Lisa to discuss his incredible career. Rafe discusses starting his career at 17, his first publishing deal, and the incredible number of cuts he's had throughout his career. Rafe dives into his catalog to share a behind-the-scenes look at some of his biggest songs and provides the context for his classic George Jones and Tammy Wynette duet, "Golden Ring." Don't miss Rafe at the Franklin Theatre on May 21st! Tickets are available at www.franklintheatre.com.

What if the justice we rely on to bring closure is actually keeping us from it? Watch the video of this episode on YouTube here. *At 23 minutes, a question is asked about the physical realities of the death penalty. That section is over by 26 minutes.* Malcolm Gladwell joins Russell to discuss his recent 8-part podcast series, The Alabama Murders (from the Revisionist History podcast), which tells the story of a church leader who hires two men to kill his wife. In the search for closure, their judgment–penalty by death–is stretched out over decades. Gladwell believes forgiveness would have been the better option.  What becomes clear in this conversation is that justice, as we often imagine it, doesn't resolve things nearly as cleanly as we think. And in that waiting, we're forced to confront something deeper: whether we really believe in the possibility of redemption, or whether we've quietly decided that some people are simply beyond it. This conversation may invite you to think more carefully, to see more clearly, and to wrestle honestly with what it means to seek both justice and mercy in a broken world. Russell also asks Malcolm about his favorite Revisionist History episode King of Tears, which tells the back story of the famous George Jones song “He Stopped Loving Her Today”. Resources mentioned in this episode: The Alabama Murders from Revisionist History Keep up with Russell: Sign up for the weekly newsletter where Russell shares thoughtful takes on big questions, offers a Christian perspective on life, and recommends books and music he's enjoying. Submit a question for the show at questions@russellmoore.com  Subscribe to the Christianity Today Magazine: Special offer for listeners of The Russell Moore Show: Click here for 25% off a subscription. Learn more about your ad choices. Visit podcastchoices.com/adchoices

I sat with Chris Robinson of the legendary band, The Black Crowes. We got into everything I love: music, comedy, drugs, touring, weird dreams, and the exact moment he knew he was never doing anything but music. We talked about George Jones, Neil Young, Bruce Springsteen, our shared superpower, encounters with old-school rock heroes and how “She Talks to Angels” was pivotal to my younger days. Buy The Black Crowes new album A Pound of Feathers - https://orcd.co/poundoffeathers See them on tour - https://theblackcrowes.com/#tour Follow: Chris - https://www.instagram.com/itsreallycr/ The Black Crowes - https://www.instagram.com/theblackcrowes Sponsors: Hollow Socks - For a limited time Hollow Socks is having a Buy 2, Get 2 Free Sale. Head to https://Hollowsocks.com today to check it out. #hollowsockspod Tempo - For a limited time, Tempo is offering my listeners 60% OFF your first box! Go to https://TempoMeals.com/BERTCAST. Ethos - Get your instant, free quote at https://;ETHOS.com/BERT Pebl - Go to https://hipebl.ai to get a free estimate. BlueChew - Get 10% off your first month of BlueChew Gold with code BERTCAST. https://bluechew.com Momentous - Right now, Momentous is offering our listeners up to 35% off your first order with promo code BERT. https://livemomentous.com #ChrisRobinson #TheBlackCrowes #SheTalksToAngels #RockAndRoll #RockMusic #BruceSpringsteen #NeilYoung SUBSCRIBE so you never miss a video https://bit.ly/3DC1ICg Stream FREE BERT on Netflix: https://www.netflix.com/title/81696123 PERMISSION TO PARTY WORLD TOUR is on sale now: http://www.bertbertbert.com/tour Subscribe to Berty Boy Clips: https://www.youtube.com/@BertyBoyClips For all things BERTY BOY PRODUCTIONS: https://bertyboyproductions.com For MERCH: https://store.bertbertbert.com/ Follow Me! Facebook: http://www.Facebook.com/BertKreischer Instagram: http://www.Instagram.com/bertkreischer YouTube: http://www.YouTube.com/user/Akreischer TikTok: http://www.TikTok.com/@bertkreischer Threads: https://www.threads.net/@bertkreischer X: http://www.Twitter.com/bertkreischer Text Me: https://my.community.com/bertkreischer Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us Fan MailWe're back and diving deeper into the Ultimate Hits DVD from Blame It All on My Roots: Five Decades of Influences — and y'all… we are officially in the home stretch!In this episode of Garthology, Deb, Pete, and Jess break down videos 24–28, and this batch has a little bit of everything: beachy vibes, honky-tonk energy, iconic duets, and even a legendary CMA Awards moment.From the laid-back fun of “Two Pina Coladas” to the electric pairing of Garth Brooks and George Jones on “Beer Run,” this stretch reminds us just how much variety Garth packed into his video catalog. And let's just say… there may or may not be a surprise “belt buckle watch” segment you didn't know you needed

Today's episode is the next in a group of interviews we recorded at Steamboat Music Fest this past January.  In this episode we interview Paul Overstreet.  Paul is a multiple-time Grammy award winning songwriter and is certainly a legend in the business.  Early in his songwriting career he penned songs for folks like George Jones as well as writing multiple hits that were cut by Randy Travis including, "Forever and Ever, Amen".  It's almost impossible to list all of the awards and honors bestowed on him over the years so I've including this LINK to give you an idea of his status.  Let's just say he's a BIG DEAL, and we were honored to talk with him.  Paul Overstreet Facebook https://www.facebook.com/PaulOverstreetMusic   You can listen to all of our 200+ previous episodes by getting a  BACKSTAGE PASS by visiting our PATREON PAGE LINK https://www.patreon.com/bePatron?u=9861160&redirect_uri=https%3A%2F%2Fwww.thetroubadourpodcast.com%2Fsupport%2F&utm_medium=widget   GET HEALTHY WITH PETE LINK https://plexusworldwide.com/products?culture=en-US&sponsor=petegile   SWEETWATER AFFILIATE LINK  - Buy your gear using our affiliate link! https://www.sweetwater.com/?irclickid=zqw17qUMKxyNTm0SiXUTAXRYUkAzsJUCS0eM0I0&irgwc=1&utm_source=Impact&utm_medium=The%20Troubadour%20Podcast&utm_campaign=Online%20Tracking%20Link

On this episode of The Bandwich Tapes, I sit down with guitarist, singer, and songwriter Trey Hensley, and it's a conversation I've been looking forward to for a long time. Trey has built a reputation as one of the most electrifying acoustic guitar players around, and we talk about the moment he finds himself in now—stepping back into a solo role after a decade performing as part of a duo. He's candid about what that transition felt like at first and how embracing that shift has opened the door to new creative possibilities.A big part of our conversation centers on feel and energy in recordings. Trey and I dig into why so many of the records we love breathe and move in ways that feel alive—often recorded without a click track—and why some of that electricity can disappear when studio perfection becomes the goal. It's a thoughtful discussion about spontaneity, musical trust, and the value of leaving room for human feel.We also talk about his upcoming album Can't Outrun the Blues, releasing March 6. The record leans heavily into an acoustic-forward sound, with most of the performances captured live in the room and minimal overdubs. Trey shares how the project came together, the importance of strong songs at the center of it all, and the collaborators who helped bring the music to life.Then we look ahead to another exciting chapter: a new electric, country-leaning project with guitarist Brian Sutton. Trey talks about what it feels like to plug in again after years of acoustic focus, the mix of intimidation and inspiration that comes from playing alongside someone like Brian, and how his time on electric guitar has quietly shaped the way he approaches the acoustic instrument.Along the way, we also get into the realities of modern musicianship—social media and the pressure to produce “content,” stage sound challenges like wedges versus in-ears, bluegrass timing tendencies, and the ongoing challenge of simply hearing yourself onstage. It's a conversation about music, but also about identity, growth, and trusting your instincts as an artist.Key TakeawaysWhat it's like for Trey Hensley to return to a solo role after a decade performing in a duo.Why many of the most beloved recordings breathe without a click track.The philosophy behind recording Can't Outrun the Blues mostly live in the room.How focusing on songs first shaped the direction of the new record.The creative spark—and challenge—of working with Brian Sutton on a more electric project.How playing electric guitar has influenced Trey's acoustic phrasing and tone.Real-world musician topics: social media pressure, stage monitoring (wedges vs. in-ears), and bluegrass timing tendencies.Music from the EpisodeCan't Outrun the Blues — Trey HensleyOne White Line at a Time — Trey HensleyTucson — Trey HensleyAbout the PodcastThe Bandwich Tapes is a long-form conversation podcast where host Brad Williams sits down with some of the most thoughtful musicians, composers, and artists working today. The show explores the stories behind the music—creative process, collaboration, career paths, and the human experiences that shape the sounds we love.Connect with the ShowEmail: contact@thebandwichtapes.com

Outside of the Jai Paul Anniversary alt version bangers at the end, that Randy Travis 45 record slowed and throwed was my favorite portion of this wicked hawt installment and I'm all hot and bothered about it. To this day, the original test pressing of Styx's Mr. Roboto remains my favorite 45 record in my collection to slow and throw, but these slowed country tunes are so sick. Blue Eyes Crying In The Rain by Willie, Take Me by George Jones and now this one by Randy Travis just to name a few. I looked for Randy Travis slowed and throwed on the internet and found one example but it sounded like trash so this is the only place serving up a nice slice of game like that. The only game around town. I did get approached while shopping today by the president of a local 37 and under arena football organization. A put together, well spoken man that was naturally drawn to the aura of myself and my friend. He kindly introduced himself along with his cause, being that of keeping middle aged men off of the streets and doing the most to prepare them for the next level, seeking donation to help his cause and to benefit the grand scheme of his local football league. Little did he know, he was speaking with the best quarterback prospect in the building, with possibly an expandable radius of within 2 square miles, and the best long snapper/pocket protector in the Tri State area. I throw darts, people. An all-out aerial assault disguised as an unassuming local internet disc jockey. My friend that was with me can Olympic squat a mid size SUV and I've seen him do morally questionable things that let me know for sure, he is the perfect candidate to cover the blind side and let Juan Don go absolute Uncle Rico in the pocket and put on showtime for the masses. If I go on to have a famed local career in the arena football league, don't say I didn't call it. George Herman Ruthless in the pocket firing quick dirty cheese into the flat. Other than daydreaming about scrambling for first downs in the 37U league, I did manage to pickup more Pokemon cards today like a complete degenerate. It's embarrassing that I'm balling out this hard on Pokemon but I guess I could be doing worse things. God bless the person that reads this whole thing. Until next week.. Your Host with the MostTrill Belichick 

In Episode 161 of Trap Talk, Zach Nannini and Richard Marshall Jr. sit down with Chase Dobrinski from Silver City, New Mexico — a four-time Sub-Junior ATA All-American, multi-time New Mexico state champion, and the youngest shooter in ATA history to break 200 straight in singles at just 11 years and 8 days old.Chase walks us through his journey from a 7-year-old shooting clays at the Whittington Center to stacking up serious titles: New Mexico state singles champion in 2022, plus singles, HAA, and HOA at the 2025 state shoot, multiple 100s, and his first 100 in doubles at the Autumn Grand. He also breaks down his evolution in gear — from an old CZ 28-gauge side-by-side to an SKB 20-gauge, a borrowed BT-99, and now a Browning 725 trap combo set up around 70/30.The conversation digs deep into what actually makes a young champion:how coaching from Cory and Britt Dalton — and time on the line with Britt Robinson — changed his doubles gameusing older country music (George Jones, Waylon, Merle) to stay in the groove and block out pressurewhy he doesn't shoot a ton of practice and refuses to “waste 25s” before eventshis goals of AAA-27-AAA, getting his 100 from the back fence, and completing a Grand Slamthe reality of balancing a 4.0 GPA at a private Christian school with missing 30+ days a year to travel and shoothunting elk, deer, oryx, and ibex on family ranch ground — and how that outdoor life shapes his mindsetWe also get into Chase's other passion: 916 Knives — his custom knife brand named after his family cattle brand that dates back to 1884. He talks about teaching himself knife making from YouTube, building orders, making his own leather sheaths, and using that side hustle to help fund his shooting.Chase closes with solid advice for young shooters:don't let one bad score wreck your weekend, stop blaming your gun for everything, and remember it's usually “the Indian, not the bow” — look at the target, make sure the gun fits, and keep going.If you're a youth shooter, parent, or coach looking for real-world insight into what it takes to compete at a high level while still in high school, this episode is worth your time.Like, comment, and subscribe — and if you need a custom blade, check out Chase's 916 Knives (links in the description).Follow & Subscribe to Trap Talk! It really helps the show! YouTube - https://www.youtube.com/@traptalk27 Instagram - https://www.instagram.com/traptalkfromthebackfence/ Facebook - https://www.facebook.com/traptalk27 TikTok - https://www.tiktok.com/@trap.talk.podcast *** Email us your listener questions to askus@traptalkpodcast.com *** *** Visit TrapTalkPodcast.com for all our links! ***

Host Nate Wilcox & music writer James Porter continue discussing Ken Burns' Country Music with a look at episode six “Will The Circle Be Unbroken” which covers the rise of Kris Kristofferson and a new generation of Nashville songwriters, Mr & Mrs Country music George Jones & Tammy Wynette, Johnny Cash's emergence as a superstar and the Nitty Gritty Dirt Band's successful attempt at rapprochement between musical generations. GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack. Also subscribe to the LET IT ROLL EXTRA feed on Apple, Spotify or your preferred podcast service to access the full episodes via your preferred podcast outlet. We've got all 350+ episodes listed, organized by mini-series, genre, era, co-host, guest and more. Please consider becoming a paid subscriber to support the show. Thanks! Email ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letitrollpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Let It Roll is proud to be part of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pantheon Podcast⁠s⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

In this unforgettable episode of Simple Faith, host Rusty George sits down with worship leader and storyteller Justin Howard for a wide-ranging, deeply human conversation that moves from UFC cages to church pews—and everywhere in between.Justin opens up about his surprising past as a mixed martial arts fighter, dramatic weight loss journey, and growing up as a pastor's kid who almost walked away from faith altogether. Along the way, he shares how music—across every genre imaginable—became a sacred language that shaped his calling, from old hymns and gospel roots to James Taylor, George Jones, Rich Mullins, and beyond.The conversation weaves laughter, nostalgia, and profound moments of vulnerability, including a powerful story of hearing God's voice in the most unexpected place: a UFC gym. Together, Rusty and Justin explore what worship really is, how God meets us through art and emotion, and why faith isn't confined to a stage, a song, or a Sunday service.

Brent & Johnny welcome hit songwriter, Thom Shepherd, to The Challenge. Thom has five #1's singles, including "Redneck Yacht Club", "Riding With Private Malone", and "My Texas", over 10 radio singles, two Grammy nominated songs, and has had over 100 songs recorded by Blake Shelton and George Jones, Pat Green, Kevin Fowler, Easton Corbin, Montgomery Gentry, Craig Morgan, Colt Ford, and many more. He's currently a songwriter, video host, and content creator at 8-Track Entertainment in Nashville. About the hosts: Brent Baxter is an award-winning hit songwriter with cuts by Alan Jackson (“Monday Morning Church”), Randy Travis, Lady A, Joe Nichols, Ray Stevens and more with #1 singles in Country, Southern Gospel & Bluegrass. He helps songwriters turn pro by helping them WRITE like a pro, DO BUSINESS like a pro and CONNECT to the pros. You can find Brent at SongwritingPro.com/Baxter and SongwritingPro.com. Johnny Dwinell owns Daredevil Production and helps artists increase their streams, blow up their video views, sell more live show tickets, and get discovered by new fans, TV and music industry pros. Daredevil has worked with artists including Collin Raye, Tracy Lawrence, Ty Herndon, Ronnie McDowell and others. You can find Johnny at TheCLIMBshow.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Outside the Round, host Matt Burrill welcomes legendary country songwriter Roger Springer for an honest and heartfelt conversation about the craft, the culture, and the community of country music. Roger shares his journey from small-town Oklahoma to Nashville in 1990—landing a record deal within just two months—right at the heart of the '90s country explosion. After losing that first deal, Roger transitioned into full-time songwriting, building a legacy through hits with legends like Mark Chesnutt and carving a space for himself in country music history. He reflects on learning from the greats, the grind of life on the road, and the ever-changing landscape of the Nashville music industry. Now, Roger's influence extends into the new generation of traditional-leaning country artists. He plays a vital role in mentoring and producing projects for rising voices like Jake Worthington, Will Bannister, and Colton Dawson—young talents reviving the spirit of '90s country with modern energy. Throughout the conversation, Roger emphasizes the power of simplicity, truth, and personal experience in songwriting—and why staying passionate about the craft is what keeps him going strong after all these years. Follow on Social Media: Roger Springer: @rkspringer62 Matt Burrill: @raisedrowdymatt Outside The Round: @outsidetheround Raised Rowdy: @raisedrowdy Chapters (00:00:00) - Legendary Country Musician Roger Springer On Rage Rowdy(00:01:18) - Tennessee songwriter and performer John Briggs on coming to Nashville(00:06:01) - Songwriter on Writing With Mark Chestnut and Others(00:10:36) - Mark Twain on Cutting ''(00:11:08) - Jake Worthington on Starting the 2000s(00:14:42) - Mark Chestnut on the 90s Country(00:17:20) - Jake and the Real Boys: Writing On The Ranch(00:21:10) - Colton Jones on Writing With Jake and Adam(00:25:09) - Bill Monroe at the Legends(00:25:35) - What Do You Think It Is That Makes a Songwriter?(00:29:20) - Talking Back on the Road With Mark Chestnut(00:32:28) - Talking About Country Music in the 90s(00:33:23) - Merle Haggard on His Songs(00:35:58) - Tom Petty on His 35th Anniversary(00:40:53) - George Jones on Getting Off the Road(00:44:17) - George Drake on His 'Straight Hold'(00:45:41) - Writing Songs For The Young Guys(00:46:17) - Jake Worthington on His New Song(00:49:01) - Colton Franklin's New Country Album(00:51:24) - George Jones on Advice For New Songwriters(00:53:26) - Roger Springer on Colton Dawson's New Album

GRAMMY winner and Nashville Songwriters Hall of Famer Mike Reid chats about his remarkable musical life. PART ONEScott and Paul talk about the sports games and so much morePART TWOOur in depth conversation with Mike ReidABOUT MIKE REIDNashville Songwriters Hall of Famer Mike Reid has written twelve #1 country songs and has had his work recorded by Bonnie Raitt, Anita Baker, Bette Midler, Prince, George Michael, Nancy Wilson, Etta James, Kenny Rogers, Ann Murray, Wynonna Judd, Alabama, Joe Cocker, Tanya Tucker, Willie Nelson, Collin Raye and Tim McGraw. He is perhaps best known for co-writing the modern-day standard “I Can't Make You Love Me” with Allen Shamblin. Launching his music career as a staff songwriter for country star Ronnie Milsap's publishing company, Reid penned Milsap hits such as “Stranger in My House,” which won a Grammy for Best Country Song” and “Lost in the Fifties Tonight,” which was named ASCAP's Country Song of the Year. As an artist, Mike signed with Columbia Records and scored a #1 hit with the self-penned “Walk on Faith.”Others who've recorded Reid's songs include Tammy Wynette, Rita Coolidge, Don Williams, Billy Dean, Josh Turner, Shelby Lynne, The Judds, George Jones, and Shania Twain. A true Renaissance man, Reid went on to compose theatrical and operatic works, winning a Richard Rodgers Development Award from the Academy of Arts and Letters for 1997's The Ballad of Little Jo. His most recent project is a collaborative album with Joe Henry called Life and Time.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2020 conversation with Elvis Costello. ABOUT ELVIS COSTELLOReleased between 1977 and 1979, Elvis Costello's first three albums—My Aim is True, This Year's Model, and Armed Forces—were all included in Rolling Stone magazine's list of the 500 Greatest Albums of All Time. That early period of his recording career yielded now-classic singles such as “Alison,” “Watching the Detectives,” “Pump it Up,” “Radio Radio,” “Oliver's Army,” “Accidents Will Happen,” and others.Though he established his career as a rock artist and reached commercial heights in the US with the pop hit “Everyday I Write the Book,” Costello's more than thirty studio albums cover a breathtaking range of stylistic ground, from Almost Blue, his early 1980s album of country covers, to The Juliet Letters, his 1993 collaboration with The Brodsky Quartet, to North, an album of ballads partially inspired by his wife Diana Krall that topped Billboard's Jazz chart in 2003, to Il Sogno, his first full-length orchestral work, which was performed by the London Symphony Orchestra, and topped Billboard's classical chart in 2004, to Wise Up Ghost, a 2013 collaboration with Questlove and The Roots. In between, he's continued to release albums both solo and with his bands The Attractions, The Imposters, and The Sugarcanes. Always an adventurous collaborator, Costello entered into a fruitful songwriting partnership with Paul McCartney that yielded more than a dozen songs, including Costello's Top 10 single “Veronica” and McCartney's “My Brave Face.” He went on to release entire collaborative albums with Richard Harvey, Burt Bacharach, Allen Toussaint, and others. He has written lyrics for compositions by Charles Mingus, Billy Strayhorn and Oscar Peterson, as well as musical settings for lyrics by Johnny Cash and Bob Dylan. His songs have been covered by a range of artists including George Jones, Chet Baker, Dusty Springfield, and Solomon Burke. Costello has been nominated for fourteen Grammy awards, two of which he won, as well as an Academy Award for co-writing “The Scarlet Tide” with T-Bone Burnett for the film Cold Mountain. He has received two Ivor Novello awards for Songwriting, the Americana Music Association's Lifetime Achievement in Songwriting award, and the ASCAP Founder's Award, which was presented by Burt Bacharach. He was inducted into both the Songwriters Hall of Fame and the Rock & Roll Hall of Fame, and was named one of the 100 Greatest Songwriters of All Time by Rolling Stone magazine. His genre-stretching new album, Hey Clockface, was recorded in Helsinki and Paris, and was released on October 30.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Patrick is going to add some country music to the Perfect Pop Pantheon and what better place to start than with the First Couple of Country Music, George Jones and Tammy Wynette?  Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, next covered by Frank Muffin and now re-done in a high-voltage version by Quartjar again!  Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.

Maddox Batson is 15, doesn’t have a driver’s license, and is somehow getting his first passport so he can head out on a world tour. In this episode, he talks about bringing his entire family on the road, growing up on bluegrass with a mandolin-master dad, and how being homeschooled actually fits with a life of airports, soundchecks, and hotel rooms. He and Bobby get into what a “normal day” looks like for him, why he begged to get off the screen and onto real stages, and how it feels now to hear crowds singing every word back. Maddox also opens up about the hobbies that keep him grounded such as collecting watches, playing golf, hunting and whether he still feels like a kid when most of his friends are just starting high school. He shares his love for artists like John Mayer, Keith Whitley, George Jones, and Ed Sheeran, his “pinch me” Opry moment, and the story of averaging 35 points a game in basketball before a knee injury changed everything. Plus, there’s a funny clip about being accused of being a ball hog, some “uncountry” talk, and what it’s like playing shows in Nashville and beyond at 15 years old. For tour dates and tickets go to MaddoxBatson.com Follow on Instagram: @TheBobbyCast Follow on TikTok: @TheBobbyCast Watch this Episode on Youtube See omnystudio.com/listener for privacy information.

Jase and Al reveal why Phil banned country music in their home growing up, but even that didn't stop them from catching a few of George Jones' live shows, including one of his last on this earth. Country artist Larry Fleet shares his story of going from pouring concrete and playing late-night bar gigs to fame with his hit “Where I Find God.” He opens up about how his life changed when he found Jesus on the back roads of Tennessee and how those encounters reshaped his music, his family, and his purpose. “Unashamed” Episode 1201 is sponsored by: https://preborn.com/unashamed — Visit the PreBorn! website or dial #250 and use keyword BABY to donate today. https://duckstamp.com/unashamed — Get your all-new digital duck stamp today. It's easier than ever! Kimchi One from Brightcore – Improve your health, improve your life. Get 25% Off with code: UNASHAMED at https://mybrightcore.com/unashamed or dial (888) 404-9677 for up to 50% OFF and Free Shipping – ONLY when you call! https://myphdweightloss.com — Find out how Al is finally losing weight! Schedule your one-on-one consultation today by visiting the website or calling 864-644-1900. http://unashamedforhillsdale.com/ — Sign up now for free, and join the Unashamed hosts every Friday for Unashamed Academy Powered by Hillsdale College Chapters: 00:00-08:58 How to get invited to hunt with the Duckmen 08:59-15:52 Forensic shooting investigation 15:53-21:29 Introduction to Larry Fleet 21:30-26:50 Why Phil banned country music at home 26:51-37:51 How Larry Fleet got his big break 37:52-46:48 Gospel Song Sunday goes viral 46:49-58:41 Where Larry Fleet found God Learn more about your ad choices. Visit megaphone.fm/adchoices