Podcasts about The Beach Boys

CADENA 100 presenta 'Buenos días, Javi y Mar' con la mejor variedad musical. Se escuchan artistas como Katy Perry, Benson Boone, HamTrix con Golden, Maroon 5, Dua Lipa y muchos más en 45 minutos de música sin interrupción. En la conversación, se debate la sorprendente ausencia de Benson Boone en las nominaciones a los premios Grammy y se recuerda que grandes como Queen, ABBA y Beach Boys tampoco los ganaron. Además, se promociona un encuentro exclusivo con Antonio Orozco y se invita a disfrutar de experiencias únicas en Tenerife o a vivir cambios con MINI.

Tonight the Dames give their take on Shannon's question for the guys' Grab Bag episode. Join us as we give our answers to which song we would 86 from the Cosmic Rewind soundtrack, along with our proposed songs to replace it. Will Phil Collins, the Beach Boys, or Jordan Fisher make the cut? Tune in to find out! Create your team or donate today and join the efforts to change the lives of these kids fighting the ultimate fight. Every dollar counts and you can make a difference. https://www.basecamp.org/ddp4bc

1965 may feel like an entirely different lifetime, but even if you're Gen X or a Millennial, chances are you know the songs and the icons from that incredible year. Cher! The Beatles! The Rolling Stones! The Supremes! Legends in their prime whose music continues to hold cultural cache 60 years after its release. So join the Great Pop Culture Debate as we do the time warp and try to determine the Best Song of 1965. Songs discussed: “Unchained Melody” by The Righteous Brothers, “Help!” by The Beatles, “(I Can't Get No) Satisfaction” by The Rolling Stones, “My Girl” by The Temptations, “Ticket to Ride” by The Beatles, “You've Lost That Lovin' Feeling” by The Righteous Brothers, “Stop! In the Name of Love” by The Supremes, “I Got You Babe” by Sonny & Cher, “Do You Believe in Magic?” by The Lovin' Spoonful, “How Sweet It Is (To Be Loved By You)” by Marvin Gaye, “What the World Needs Now is Love” by Jackie DeShannon, “It's Not Unusual” by Tom Jones, “I Can't Help Myself (Sugar Pie Honey Bunch)” by The Four Tops, “California Girls” by The Beach Boys, “We Got to Get Out of This Place” by The Animals Join host Eric Rezsnyak and panelists Derek Mekita, John Higgins, and Zack Derby as they discuss and debate 16 of the biggest hits from 60 years ago. Looking for more reasons to become a Patreon supporter? Check out our Top 10 Patreon Perks. Sign up for our weekly newsletter! Subscribe to find out what's new in pop culture each week right in your inbox! Vote in more pop culture polls! Check out our Open Polls. Your votes determine our future debates! Then, vote in our Future Topic Polls to have a say in what episodes we tackle next. Episode Credits Host: Eric Rezsnyak Panelists: Derek Mekita, John Higgins, Zack Derby Producer: Bob Erlenback Editor: John Higgins Theme Music: “Dance to My Tune” by Marc Torch #music #1960s #60smusic #popmusic #rockmusic #unchainedmelody #righteousbrothers #cher #sonnyandcher #igotyoubabe #thebeatles #beatles #beatleshelp #rollingstones #satisfaction #marvingaye #thefourtops #thebeachboys #beachboys #fourtops #temptations #thetemptations #thesupremes #supremes #dianaross #motown #tomjones Learn more about your ad choices. Visit megaphone.fm/adchoices

Marking our dance card at the rock and roll hop this week you'll find … … And Then He Kissed Me, I Saw Her Standing There, Springsteen's All The Way Home: songs about the theatre of dancing … is there a more influential sleeve than Patti Smith's Horses? … did Dylan invent the box-set? … records you wish you liked … when the Beach Boys were so off the boil they covered Dylan and three by the Beatles … when did we stop dancing in couples? … Jagger queueing for a sandwich, Beckham in a farm shop, Lady Di in Holland Park and other stars we've spotted … Brown Sugar, All Right Now and the daft etiquette of the late ‘60s dancefloor … Like A Virgin: 42-year-old hears Stairway To Heaven for the first time! … “Are you dancin'? Are you askin'? I'm askin'! I'm dancin'! … plus George Faith, train songs, records you've not played for years, the anthem Zohran Mamdani was stopped from using, and birthday guest Giles Fraser on stars in unusual places.Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Send us a textOn this Episode Tom and Bert discuss the "Famous" California Session Musicians known as "The Wrecking Crew"!During the infancy years of Rock n Roll Music way back in the 1950's and 1960's many of the major Recording Labels like Columbia, Capital and Warner Brothers were trying to record great music tracks at their sound studios. Since many of the U.S.A. Acts were out west in Los Angeles the Label Managers wanted to enhance the recordings of many of the groups and bands so they decided to hire session musicians or as we would say "Real Pro's".... to lay down the "Music" and record with the artists.That's where the "Wrecking Crew" created their magic and excelled!  It shows the impact that this group of pro's had on such artists as The Beach Boys, The Mama's and Papa's, Sonny and Cher, The Byrds, The 5th Dimension, John Denver, Elvis, The 4 Tops, The Supremes, Simon and Garfunkel and Stevie Wonder and many, many more.Here is their Story!CHAPTERS:(:55) Intro - The Music behind the "Hits"(1:12) Here are the Wrecking Crew!(14:15) Notable Songs recorded with the "Crew"(21:23) 100 MORE songs and our comments(34:14) Netflix' 2014 Movie Documentary ---MUST see TV!(37:51) Billboard Magazine's Top Artists Charts, Music Facts and Trivia and that's a Wrap!!Enjoy the Show!You can email us at reeldealzmoviesandmusic@gmail.com or visit our Facebook page, Reel Dealz Podcast: Movies & Music Thru The Decades to leave comments and/or TEXT us at 843-855-1704 as well

Chuck Berry is known as the “Godfather of Rock'N'Roll” John Lennon, Paul McCartney, everyone in the Rolling Stones, Jimi Hendrix, Bob Dylan, The Beach Boys, and AC/DC have been very vocal about how berry influenced them…he was rock's first guitar hero, and he was among the first group of musicians to be inducted into the rock and roll hall of fame. But if we dig into his life, we'll find that he was often in trouble with the law…robbery, tax evasion, assault, a hidden camera in a women's restroom, and more.  This is episode 53 of “Uncharted: Crime and Mayhem in the Music Industry” …and this time, we're looking at the accusations levelled against and the crimes committed by the man who helped invent rock'n'roll. Learn more about your ad choices. Visit megaphone.fm/adchoices

Marking our dance card at the rock and roll hop this week you'll find … … And Then He Kissed Me, I Saw Her Standing There, Springsteen's All The Way Home: songs about the theatre of dancing … is there a more influential sleeve than Patti Smith's Horses? … did Dylan invent the box-set? … records you wish you liked … when the Beach Boys were so off the boil they covered Dylan and three by the Beatles … when did we stop dancing in couples? … Jagger queueing for a sandwich, Beckham in a farm shop, Lady Di in Holland Park and other stars we've spotted … Brown Sugar, All Right Now and the daft etiquette of the late ‘60s dancefloor … Like A Virgin: 42-year-old hears Stairway To Heaven for the first time! … “Are you dancin'? Are you askin'? I'm askin'! I'm dancin'! … plus George Faith, train songs, records you've not played for years, the anthem Zohran Mamdani was stopped from using, and birthday guest Giles Fraser on stars in unusual places.Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Brian Wilson was a musical genius. And a new re-issue highlights his brilliance in live performance. And if there's anyone who can talk about Wilson's work it's David Leaf. He's literally written the book (well, 2, actually) as well as made the movie about Brian. Brian Wilson- Live at The Roxy Theater is available right now wherever you get your music.

Discograffiti is the deep-dive podcast for music obsessives.  In this episode, we feature the next entry in The Chuck Granata Pet Sounds Interview Series. It's Chuck's chat with re-issue genius Bob Irwin. Bob and his wife Mary started the Sundazed Music label in 1989. The first Sundazed releases were The Great Lost Knickerbockers Album! by The Knickerbockers and Western Union by The Five Americans, and reflected Irwin's personal preference for garage rock and surf music. His skill at restoring old vinyl records for the (then new) CD format attracted the attention of major labels, who increasingly solicited him to help them re-issue material from their back catalogs. He also helped Sony Music release their archival Legacy Records label. Later, his restoration work included early material by the likes of Bob Dylan, Nancy Sinatra, & The Byrds. In this episode, Bob discusses his relationship with Pet Sounds, its standing in the pantheon no matter how many times you've heard it, its importance and influence on music in general, and the wonders of a technology with inherent, imposed limitations. There'll be a short sneak peak running publicly for free, but the entirety of this podcast will only be accessible on the Major Tier of Discograffiti's Patreon. Don't miss it, or you'll only be getting part of the story. Get it as a one-off, or better yet just subscribe…and then we'll all have world peace. Full Episode: Patreon.com/Discograffiti (available on the Major Tier & up) Free Sneak Peek: linktr.ee/discograffiti Subscribe to Discograffiti's Patreon and receive a ceaseless barrage (4 shows a week!) of must-hear binge-listening. It's completely free to be a basic member, $1 to get your backstage pass, $5/month for the weekly Sunday show by & for our community, $10 for weekly early release, ad-free, super-extended Director's Cuts of the main show plus access to half our Patreon episode archive, & $20 for Discograffiti's weekly bonus episodes and access to our entire Patreon episode archive. There are now over 400 Patreon episodes.

The United States may have an official day of gratitude every November with Thanksgiving, but for many of us, most every day could be a day of appreciation. A sincere "thank you" is rewarding for everyone: It feels good to say it and it feels good to hear it. However, appreciation can be complicated and "thank you" may come with a twist. Sometimes we're grateful (in hindsight, at least) for the lessons we've learned from difficult people. Sometimes we feel generalized happiness for family and/or friends. Sometimes we're just thankful to no one in particular that we're happy for no reason in particular. And of course sometimes expressions of gratitude are just a cover for dark feelings. In this episode of "How We Heard It" your hosts sift through an array of old and new songs that directly or indirectly express gratitude. Artists include Ariana Grande, Harry Styles, The Kinks, Sly and the Family Stone, The Beatles, Big Star, Natalie Merchant, Taylor Swift, Bob Hope, Elton John, Louis Armstrong, Rihanna, Gwen Stefani, The Beach Boys, Backstreet Boys, Alanis Morissette, James Taylor, Small Faces, Kool & the Gang, U2, Spice Girls, Boyz II Men and many more. Thanks for listening!

(00:00:00) Michael Kiwanuka - Kiwanuka / 2019 (00:32:01) The Beach Boys - Pet Sounds / 1966 (01:21:21) Max Romeo & The Upsetters - War Ina Babylon / 1976

Joining us on the third episode of the "Rockabilly 2 Rachmaninoff" series, is conductor Bradley Thachuk. Maestro Thachuk, is the Music Director of the Niagara Symphony Orchestra (NSO). He has been connected to the Buffalo Philharmonic Orchestra for over 10 years, conducting occasional Pops and Rock series performances each concert season. Post-pandemic, he's served as the conductor of the Rock series, which is comprised of three concerts per season.  A versatile and diverse musician, Maestro Thachuk has also established himself globally as one of the handful of conductors who moves easily between the classical and rock worlds. He is a highly sought-after symphonic arranger, with numerous collaborations. Recent and upcoming projects include Steve Hackett of Genesis, the music of Leonard Cohen, a tribute to the Tragically Hip, Dave Mason of Fleetwood Mac and Traffic, ABC's Dancing with the Stars franchise, Tony-Award winning Heather Headley, Sarah Slean, Chantal Kreviazuk, The Beach Boys, and Air Supply. 

Since we started this show we've known that, someday, we would sit down to talk about Metallica: Some Kind of Monster, a movie about Metallica, and the world, going to therapy for the first time. Topics include: popular music, thrash, the 80's, drinking, how exactly you make a heavy metal record, the way computers absolutely annihilated the music business in a way that predicted the future annihilations we are currently living through, the advent of a new perspective on therapy and the emergence of therapy-speak, even among the world's biggest violence-celebrating band.  excerpted music in this episode in order: "Maple Leaf Rag" by Scott Joplin (published 1899) "Crazy Blues" by Perry Bradford, performed by Mamie Smith and Her Jazz Hounds (1920) "Stardust" by Hoagy Carmichael, performed by Louis Armstrong and His Orchestra (1931) "Tomorrow Never Knows" by The Beatles (1966) "God Only Knows" by The Beach Boys (1966) (YouTube video) "So What" by Miles Davis (1959) "Whole Lotta Love" by Led Zeppelin (1969) "Detroit Rock City" by KISS (1976) "Hear Nothing See Nothing Say Nothing" by Discharge (1982) "Black Sabbath" by Black Sabbath (1970) "Machine Gun (Live)" by Jimi Hendrix (1969) "Breaking the Law" by Judas Priest (1980) "Bonded by Blood" by Exodus (1985) "Phantom Lord" by Metallica (1983) "Master of Puppets" by Metallica (1986)   Our NEXT episode will be about Cobra Verde! Watch it here. 

Discograffiti is the deep-dive podcast for music obsessives.  In this episode, Beach Boys author Chuck Granata reviews and discusses Pet Sounds' “Caroline, No” with commentary and stories. Discograffiti's Pet Sounds Deep-Dive Series stands as a unique combination of factual obsession and personal connection, and there's nothing else quite like it. This is the final episode. Here are just a few of the many things that Chuck discusses with Discograffiti in this podcast: How Pet Sounds' final track differs from the rest of the record; The many possible Carolines who may have inspired the song; What writing the song wound up setting in motion for Brian, as he attempted to reconnect with his high school crush, Carol Mountain; An intensive breakdown of the song's mysterious coda; And how both Chuck and I connect with “Caroline, No” in a laid-bare, explicitly personal way. Listen: linktr.ee/discograffiti I support a wife and a six-year-old son with Discograffiti as my sole source of income.  The Director's Cut of this episode is ad-free and features 17 additional minutes of essential material. Support Discograffiti by opting for this clearly superior version. Either subscribe to Discograffiti's Patreon at the Lieutenant or Major Tier, or just grab the episode as a one-off at the same link. The Director's Cut: Patreon.com/Discograffiti Chuck Granata's book Wouldn't It Be Nice: Brian Wilson And The Making Of The Beach Boys' Pet Sounds is the ultimate dissection of Brian Wilson's 1966 masterpiece.  Order it on Amazon or at your favorite brick n mortar bookstore. 

We just saw one of the most entertaining World Series matchups we'll likely ever witness. Yet so many arguments after the fact boil down to nitpicking certain plays, criticizing the Dodgers for spending money and "ruining" baseball, and calling people stupid for not doing a specific thing. Sure, fans of the teams actually playing can go a little bonkers, but the rest of us? We can probably all just enjoy high-quality sports at their finest.Speaking of bonkers, how about the end of that Bears/Bengals game? Plus, a few other NFL shenanigans, one of our favorite touchdown celebrations of the year, and a surprisingly deep dive into The Beach Boys, who Sean just saw live in concert.Rico Dowdle's fantastic "Key & Peele"-inspired touchdown celebration: https://www.reddit.com/r/nfl/comments/1omrklb/highlight_rico_dowdle_flagged_for_twopump/Support this podcast at — https://redcircle.com/sports-r-dumb/donations

In this episode of the Mr. Beacon Podcast, we talk with Lawrence Richenstein, Founder and CEO of WePower Technologies, about how kinetic energy harvesting is powering the next wave of battery-free IoT devices. Lawrence shares WePower's journey from startup rescue to innovation leader, unveiling self-powered sensors and switches that generate energy from motion—redefining sustainability, reliability, and the future of ambient IoT.Lawrence's Most Meaningful Songs:“In My Room” by The Beach Boys: https://www.youtube.com/watch?v=l71pbhqnvNM“Babe I'm Gonna Leave You” by Led Zeppelin: https://www.youtube.com/watch?v=dZitPJMh60A“Positive Vibration” by Bob Marley: https://www.youtube.com/watch?v=b0DU5uhoq-4Mister Beacon is hosted by Steve Statler, CEO of ambientChat.ai — Using AI to connect people with places and things with an app that puts you in control of YOUR data.Our sponsor is Identiv https://www.identiv.com, whose IoT solutions create digital identities for physical objects, enhancing global connectivity for businesses, people, and the planet. We are also sponsored by Blecon http://www.blecon.net. Blecon enables physical products to communicate with cloud applications using Bluetooth Low Energy. Hosted on Acast. See acast.com/privacy for more information.

Apparently Norbit was Brian Wilson's favourite movie? This is a great chat with Jim Rindfleish (drummer of Mildlife) originally released in July - soon after Brian's passing - celebrating his life, heart and angelic talent. Corks is a show about music, bobbing on the ocean together. It's available on our Patreon (link below). Here's the first one UNLOCKED and UNLEASHED for free consumption. I hope you enjoy! - RobbieSUBSCRIBE TO THE WELCOME TO MEET YOU PATREON FOR FULL ACCESS TO EXCLUSIVE EPISODES ALL OUR LINKS CAN BE FOUND HERE

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Will The Real Whisp Turlington Please Stand Up?The real Whisp Turlington returns from the dimension known as Kokomo — or does he?After a long absence, Whisp reappears at 108.9 The Hawk claiming:He's been replaced by a robot version of himself, built by Keith Talons at Talon Robots.He's spent “40 years in Kokomo time” using Madonna's sling ring to travel between Beach Boys dimensions.Geoff “The Angry Man” Garlock must figure out what's real, what's robotic, and why Mike Love keeps calling in from the Pepper Portal.Plus! Steve Temple Pilots, WhispBot malfunctions, and quantum rock dolls. Sure. It all makes sense.Keep 108.9 The Hawk soaring through that classic rock sky! Subscribe to the podcast on Apple, Spotify, YouTube — or whatever app you use. Your choice!Join the Rock Battalion: sign up for our mailing list at 1089thehawk.com.Patreon keeps the lights on (and the Food Gulch ads rolling): patreon.com/1089thehawk.YouTube is where you'll find clips, video episodes and yelling: youtube.com/@1089thehawk.Follow us everywhere: Instagram, TikTok, Bluesky, Facebook, Threads Hosted on Acast. See acast.com/privacy for more information.

Have you ever found yourself struggling with something as simple as fitting your suitcase into an overhead bin—and wondered, “Is it just me?” On this episode of The JB and Sandy Show, hosts JB and Sandy McIlree are joined by the ever-insightful Tricia, who checks in from Dallas with stories, laughter, and a few surprises that will keep you hooked from start to finish. The show kicks off with a hilarious and relatable travel mishap: Sandy's epic battle with airplane luggage and his lifelong “challenge with shapes.” Listeners are treated to a candid, laugh-out-loud account of public embarrassment, teamwork from strangers, and the ultimate Tetris fail—ending with a round of applause from the entire plane. As Sandy puts it, “I was never very good at Tetris,” a moment that will resonate with anyone who's ever felt out of their element. But the episode isn't just about travel woes. JB recounts the electric atmosphere at the Longhorns vs. Vanderbilt game, complete with missed touchdowns, stadium nostalgia, and the sticker shock of stadium drinks (“Two doubles ranch waters, 98 bucks. Holy cow fish!”). The hosts reminisce about the evolution of stadium experiences and the joy of live sports, while Tricia and Sandy share their own must-have game day comforts. The conversation shifts to Austin's culinary scene, as Tricia breaks the news of a second H Mart opening in the city—a game-changer for foodies and fans of international cuisine. Her expertise shines as she describes the wonders of H Mart, from its massive selection to the “craziest soda aisle you'll ever see.” Tricia's background as a plugged-in Austinite and cultural explorer makes her the perfect guide for this exciting local development.Other highlights include:The Beach Boys playing post-game in the rain (“It didn't deter many people though. It was packed. People were excited about it.”)A playful exchange about viral celebrity photos and group texts gone awryPractical travel hacks, from gate-checking luggage to using AirTagsReflections on gratitude, family, and the importance of being present as the holidays approachMemorable Quotes:“I was never very good at Tetris.” – Sandy“Two doubles ranch waters, 98 bucks. Holy cow fish!” – JB“You need to go to H Mart with a really open mind.” – Sandy Loved this episode? Don't miss out—subscribe to The JB and Sandy Show, leave us a review, and share this episode with friends who could use a laugh or a little Austin flavor in their day. Your support helps us keep the good times rolling!

Dans ce nouvel épisode des « Enfants d'Europe 1 », Ombline Roche nous embarque dans un voyage musical vibrant des années 60 à 80. Entre tubes incontournables et anecdotes inédites, l'émission rend hommage aux artistes qui ont marqué l'histoire de la radio et de la chanson française.On y retrouve Jean-Jacques Goldman, Ike & Tina Turner, les Beach Boys, mais aussi des histoires étonnantes comme celle d'Hugues Aufray, révélé par Europe 1 grâce à un concours auquel il a été inscrit par surprise. Chaque séquence est une plongée nostalgique dans une époque riche en émotions et en découvertes musicales.À retenir :Hugues Aufray, révélé par « Les Numéros 1 de demain », devient une figure emblématique.L'interprétation explosive de « Proud Mary » par Ike & Tina Turner.Le lien fort entre Europe 1 et des artistes comme Nicolas Perrac ou Jean Schultes.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Tous les jours, entre 14h et 15h, Ombline Roche vous fait revivre la musique des années 1950 à la fin des années 1980 !Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

The Doors, Bob Dylan, Jefferson Airplane, The Who, Arlo Guthrie, Derek and the Dominos, The Beatles, The Beach Boys y Buffalo Springfield

Hello Friends! We are joined today by Beach Boys producer Steve Levine to discuss his upcoming remix for the 40th anniversary of the 1985 S/T album!  We discuss the early days of digital recording, the accuracy of Love And Mercy, what it was like to work with Brian in the studio during the Landy years, and much more...   Thanks for listening! Wyatt   Patreon Discord Instagram X www.sailonsounds.com sailonpodcast@gmail.com

Happy Halloween! For this episode of Necronomicast, it is my pleasure to welcome back former co-host Doug Kabourek! Doug joins me for a highly spirited conversation centering on his new album released just in time for the Halloween season "Black Walls & William Hall". A complex and incredible musical tribute to the famed Omaha haunted house attraction "Mystery Manor" which was closed and demolished in 2024 after 40 years of delivering fun filled fright to the citizens of Omaha. We will sharing the track "Ambulance" from the album! From music journalist Tim McMahan: "The epic new album Black Walls and William Hall by Fizzle Like a Flood, a.k.a. Doug Kabourek, is more than a collection of songs; it's the soundtrack to a horror-filled love story that has festered in Kabourek's psyche for more than a decade. A kaleidoscope of noise, sound, samples and screams swirl into and around the record's eight songs. The dense, layered production is sure to turn on fans of Flaming Lips' adventurous soundscapes, while the rock songs provide the riffage and melodies to satisfy any true Weezer, Sebadoh or Beach Boys fan. Headphones are a must to capture Kabourek's intricate, nuanced cacophony as well as to follow the narrative, which is nearly impossible without the lyric sheet printed on the album's sleeve (hopefully he'll be adding them to the Bandcamp liner notes). But with or without the words, the immersive audio experience is a hallucinatory thrill ride on par with the best haunted houses." Together, Doug and I will recount the years we enjoyed creeping around the halls of Mystery Manor and explore the inspiration, writing, and recording of his celebrated new musical masterpiece! "Black Walls and William Hall" at Bandcamp "Black Walls and William Hall" on Spotify "Black Walls and William Hall" on Apple Music "Great Monsters Walk These Halls" Mystery Manor Documentary

It's Hallowe'en. And a big part of this fall holiday: scary movies. And what movie could possibly be scarier than…Summer Dreams: The Story of The Beach Boys, the made-for-TV movie that originally aired in 1990 on ABC-TV. Does the fact that the movie begins with three disclaimers have any indication as to the quality of ...click to read more

Welcome back to Below Grade Level! On this episode, we continue reading Chain Letter by Christopher Pike! It's a flashback episode, where we find out what happened to Allison and her friends that fateful summer night after they saw the Beach Boys! Below Grade Level is hosted by Jonathan Eaton, Chris Zaleski, and Bekah Eaton with special guest Jo Marshall!

Discograffiti is the deep-dive podcast for music obsessives.  In this episode, the next entry in The Chuck Granata Pet Sounds Interview Series, Discograffiti presents Part 3 of Chuck's chat with Tony Asher, Brian Wilson's lyrical collaborator on Pet Sounds. This is easily the best, most honest and unguarded Tony Asher interview in existence. Huge thank you to Chuck.      Here's just a few of the many things that Tony discusses with Discograffiti in this podcast:   The tantalizing pitch to rewrite some Beach Boys lyrics that Tony wound up turning down (Director's Cut only); How his work writing jingles for Mattel toys dovetailed creatively into his experience working with Brian (Director's Cut only); Granular details of his very first hang with Brian; The grand total of Beach Boys LPs that Tony Asher owns; His opinion of pre-Pet Sounds Beach Boys lyrics; And details surrounding the wild Loren Schwartz parties which the two men both attended.   Listen: linktr.ee/discograffiti   I support a wife and a six-year-old son with Discograffiti as my sole source of income.    The Director's Cut of this episode is ad-free and features 14 additional minutes of essential material. Support Discograffiti by opting for this clearly superior version.   Either subscribe to Discograffiti's Patreon at the Lieutenant or Major Tier, or just grab the episode as a one-off at the same link.   The Director's Cut: Patreon.com/Discograffiti   Chuck Granata's book Wouldn't It Be Nice: Brian Wilson And The Making Of The Beach Boys' Pet Sounds is the ultimate dissection of Brian Wilson's 1966 masterpiece.  Order it on Amazon or at your favorite brick n mortar bookstore. 

 “What makes someone light up a room full of strangers—and could you do it?”That's just one of the thought-provoking moments in this episode of The Sandy Show, where Sandy and JB dive into everything from game-day fashion choices to unforgettable Vegas stories. Join JB as he shares his excitement about returning to a Longhorn game after 15 years, complete with a bold Hawaiian shirt choice that sparks hilarious banter. JB weighs in on the ultimate tailgate vs. stadium debate, while Tricia adds her take on Austin's latest quirky trend—Dirty Soda. But the real jaw-dropper? Sandy's encounter with Michael, an autistic savant whose mind-blowing memory and obsession with prime numbers will leave you speechless. Plus, hear about the stranger who turned a quiet hotel lounge into a lively World Series debate and the bartender who had the perfect comeback for Sandy's Shirley Temple order. Memorable Quote:"What are you—eight years old?" (Scott, the bartender, after Sandy orders a Shirley Temple with two cherries.) Themes & Highlights:Game-day rituals and the pressure of Longhorn fashion.The Beach Boys' lasting influence and why Sandy's daughter is obsessed.Vegas adventures: from heartfelt moments to hilarious cocktail bar exchanges.Autism, savant skills, and the beauty of unique minds.Austin's newest craze: Dirty Soda—will you try it? Call-to-Action: Love what you hear? Subscribe now, leave us a review, and share this episode with friends who need a laugh and a little inspiration. Your support keeps the conversation going! 

 “What makes a band's sound instantly recognizable—and why does that matter?”In this episode of The JB and Sandy Show, Sandy, JB, and Tricia take you on a nostalgic and cultural deep dive that starts with a game: Can JB guess the 80s band with the unmistakable sound? Spoiler alert—it's the Stray Cats, and the conversation spirals into rockabilly culture, hot rods, and even a wild story about selling a classic Pontiac to a German fan who lives the full rockabilly lifestyle. Other highlights include:Halloween traditions: Why chili dogs are the ultimate pre-trick-or-treat meal.Austin vibes: The Beach Boys headlining Longhorn City Limits after the UT vs. Vanderbilt game—free concert alert!Music history nuggets: How the Beach Boys and Beatles pushed each other to greatness.Game day talk: Why this matchup is historic and what JB expects after 15 years away from DKR Stadium.Memorable Quote:“If the Stray Cats popped into the Continental Club, that'd be about the coolest thing ever.”This episode blends music nostalgia, Austin culture, and hilarious personal stories you won't want to miss.Guest Background No guest interview this time—just JB, Sandy, and Tricia sharing stories, laughs, and insider Austin tips. 

Discograffiti is the deep-dive podcast for music obsessives.  In this episode, we feature the next entry in The Chuck Granata Pet Sounds Interview Series. It's Chuck's chat with Dr. Paul Tanner, inventor (with Bob Whitsell) of the Electro-Theremin, which he also famously played on three Beach Boys tracks: “I Just Wasn't Made For These Times,” “Good Vibrations,” and “Wild Honey.” Paul passed away a few years later in 2013, which makes this posthumously released “Chuck Chat” yet another priceless buried treasure.   Here are just a few of the many things that Paul discusses with Discograffiti in this podcast: How he got the idea for the Electro-Theremin in the first place; The differences between the theremin and Dr. Tanner's simpler device; His days playing trombone with the Glenn Miller Band; The 1958 record Music For Heavenly Bodies, which was the first full-length LP to feature Paul's instrument; Being asked to join The Beach Boys on tour; And what happened when a different Wilson brother hired Paul for a session date. There'll be a short sneak peak running publicly for free, but the entirety of this podcast will only be accessible on the Major Tier of Discograffiti's Patreon. Don't miss it, or you'll only be getting part of the story. Get it as a one-off, or better yet just subscribe…and then we'll all have world peace. Full Episode: Patreon.com/Discograffiti (available on the Major Tier & up) Free Sneak Peek: linktr.ee/discograffiti Subscribe to Discograffiti's Patreon and receive a ceaseless barrage (4 shows a week!) of must-hear binge-listening. It's completely free to be a basic member, $1 to get your backstage pass, $5/month for the weekly Sunday show by & for our community, $10 for weekly early release, ad-free, super-extended Director's Cuts of the main show plus access to half our Patreon episode archive, & $20 for Discograffiti's weekly bonus episodes and access to our entire Patreon episode archive. There are now over 400 Patreon episodes. CONNECT Join our Soldiers of Sound Facebook Group: https://www.facebook.com/groups/1839109176272153 Patreon: www.Patreon.com/Discograffiti Podfollow: ⁠⁠https://podfollow.com/1592182331⁠⁠ YouTube Channel: https://www.youtube.com/channel/UClyaQCdvDelj5EiKj6IRLhw Instagram: https://www.instagram.com/discograffitipod/ Facebook: https://www.facebook.com/Discograffiti/ Twitter: https://twitter.com/Discograffiti Order the Digital version of the METAL MACHINE MUZAK 2xLP (feat. Lou Barlow, Cory Hanson, Mark Robinson, & W. Cullen Hart): www.patreon.com/discograffiti/shop/197404 Order the $11 Digital version of the MMM 2xLP on Bandcamp: https://discograffiti.bandcamp.com/album/metal-machine-muzak Order the METAL MACHINE MUZAK Double Vinyl + Digital package: www.patreon.com/discograffiti/shop/169954 Merch Shop: https://discograffitipod.myspreadshop.com/all Venmo Dave A Tip: @David-Gebroe Web site: http://discograffiti.com/   CONTACT DAVE Email: dave@discograffiti.com Facebook: https://www.facebook.com/hooligandave Instagram:  https://www.instagram.com/davidgebroe/ Twitter: https://twitter.com/DaveGebroe There is no other Patreon in existence where you get more for your money. 4 shows a week is what it takes these days to successfully blot out our unacceptable reality…so do yourself a favor and give it a shot for at least one month to see what I'm talking about.   If you're already a member, please comment below about your experience.   www.Patreon.com/discograffiti

  Tonight on the Cocktail Nation, it's Words With Wellsy as we dive into The Beach Boys' lost masterpiece SMiLE — plus, Hitchcock's banned Disneyland film, Yippie protest theatre, and lounge life highlights from Palm Springs to Honolulu. Pour a martini and join us for everything that is lounge and exotica.   www.cocktailnation.net   Paul Anka – Smells Like Teen Spirit Drugstore Romeos – Wondrous Place Martini Kings – Smile Blue Martinis – You Turn Me On Baby Codename: Carter – Botched Op Messerchups – Jason Bond 0013 Frank Wess – The Lizard Anne Burnell – Blues in the Night Norm Amadio – I Love You That Way Marcus Rutz – Beatrice Al Hirt – Get Smart Theme Sergio Mendez – The Joker Hugo Montenegro – Solo's Samba Tiki Delights – On Copacabana Morricone 90 – Una Voce Allo Specchio

Discograffiti is the deep-dive podcast for music obsessives.  In this episode, Beach Boys author Chuck Granata reviews and discusses Pet Sounds' “I Just Wasn't Made For These Times” and “Pet Sounds” with commentary and stories. Discograffiti's Pet Sounds Deep-Dive Series stands as a unique combination of factual obsession and personal connection, and there's nothing else quite like it.  Here are just a few of the many things that Chuck discusses with Discograffiti in this podcast: Dave Gebroe's 2 favorite songs of all time; The use of the Electro-Theremin in “I Just Wasn't Made For These Times,” which stands as its first usage in a pop/rock record ever; Tony Asher's inability to personally connect with the lyrics to “I Just Wasn't Made”; The spiritual successor to the song that Brian created and recorded with Andy Paley in the 1990s; The true origin and first-draft title of the title track; And how both Chuck and I connect with “I I Just Wasn't Made For These Times” and Pet Sounds” in a laid-bare, explicitly personal way. Listen: linktr.ee/discograffiti I support a wife and a six-year-old son with Discograffiti as my sole source of income.  The Director's Cut of this episode is ad-free and features 19 additional minutes of essential material (which comprises the entire section on the title track). Support Discograffiti by opting for this clearly superior version. Either subscribe to Discograffiti's Patreon at the Lieutenant or Major Tier, or just grab the episode as a one-off at the same link. The Director's Cut: Patreon.com/Discograffiti Chuck Granata's book Wouldn't It Be Nice: Brian Wilson And The Making Of The Beach Boys' Pet Sounds is the ultimate dissection of Brian Wilson's 1966 masterpiece.  Order it on Amazon or at your favorite brick n mortar bookstore.  CONNECT Join our Soldiers of Sound Facebook Group: https://www.facebook.com/groups/1839109176272153 Patreon: www.Patreon.com/Discograffiti Podfollow: ⁠⁠https://podfollow.com/1592182331⁠⁠ YouTube Channel: https://www.youtube.com/channel/UClyaQCdvDelj5EiKj6IRLhw Instagram: https://www.instagram.com/discograffitipod/ Facebook: https://www.facebook.com/Discograffiti/ Twitter: https://twitter.com/Discograffiti Order the Digital version of the METAL MACHINE MUZAK 2xLP (feat. Lou Barlow, Cory Hanson, Mark Robinson, & W. Cullen Hart): www.patreon.com/discograffiti/shop/197404 Order the $11 Digital version of the MMM 2xLP on Bandcamp: https://discograffiti.bandcamp.com/album/metal-machine-muzak Order the METAL MACHINE MUZAK Double Vinyl + Digital package: www.patreon.com/discograffiti/shop/169954 Merch Shop: https://discograffitipod.myspreadshop.com/all Venmo Dave A Tip: @David-Gebroe Web site: http://discograffiti.com/   CONTACT DAVE Email: dave@discograffiti.com Facebook: https://www.facebook.com/hooligandave Instagram:  https://www.instagram.com/davidgebroe/ Twitter: https://twitter.com/DaveGebroe There is no other Patreon in existence where you get more for your money. 4 shows a week is what it takes these days to successfully blot out our unacceptable reality…so do yourself a favor and give it a shot for at least one month to see what I'm talking about.   If you're already a member, please comment below about your experience.   www.Patreon.com/discograffiti

Hello, reel ravers! This week, Mary and Dave take a pause on McQuarrying and talk about Paul Thomas Anderson's new film One Battle After Another in a discursive conversation that takes in conspiracy theories, the works of Thomas Pynchon, WWI political shenanigans, a spirited defense of Leonardo DiCaprio, a brief Beach Boys aside, a heartfelt […]

The Jokermen sift through the wreckage of the Beach Boys in the 1980s to identify the best songs of the decade. LISTEN TO "THAT SONG MAKES ME FEEL SPIRITUAL: BEST OF THE BEACH BOYS IN THE 1980s" on Spotify SUBSCRIBE TO JOKERMEN ON PATREON

Our guest today is the man who literally holds the keys to some of the most iconic music in history. Mark Linett is a three-time Grammy-winning producer and audio engineer, he's worked with legends like the Red Hot Chili Peppers, Jane's Addiction, and Randy Newman. But you know him best as the sonic architect for The Beach Boys' incredible catalog—the one who gave us the definitive stereo mix of Pet Sounds and meticulously brought The Smile Sessions to life.  A great guest all around.   We also dive into what scared us when we were young, kinks, and play a game where Mike must decide if he has the same brain as Scott's 5 year old.  Have a listen!

Send us a textIt's Monday, and the Back in Time Brothers, DJ Paulie and Lou, are back on URL radio for another show! Join the brothers for this week's episode, "From Fame to Fizzle."The highlight of the show is DJ Brit's in-depth countdown segment focusing on the theme "From Fame to Fizzle: Hyped and gone artists of the 80s and 90s". Brit counts down the musical acts that shot to the top quickly, grabbed headlines, and then "faded from the spotlight almost as quickly as they arrived". Featured artists include the one-hit wonder Marcy Playground ("Sex and Candy"), Crash Test Dummies, Robbie Neville ("C'est La Vie"), Sophie B. Hawkins ("Damn I Wish I Was Your Lover"), Cutting Crew ("I Just Died in Your Arms"), and Terrence Trent D'Arby ("Wishing Well"), whom critics once compared to Prince.In addition to the countdown, the episode features several fan-favorite segments:Rock Talk: Host Todd Snyder chases ghosts in "The Lost Album"segment. Todd delves into records that were fully written, recorded, or sometimes even pressed, but never officially released due to circumstances ranging from spiritual visions and paranoia to perfectionism or simple theft. Albums discussed include The Beach Boys' mythic *Smile*, Prince's recalled *The Black Album* and *Camille*, Dr. Dre's highly anticipated *Detox*, and Kanye West's crowdsourced ghost record, *Yandhi*.Stupid Criminals: Lou and Paulie detail bizarre arrests from across the country and the world. Stories include thieves busted after pulling their getaway vehicle into a drive-thru car wash, a prisoner who got lost inside the ductwork, a man who robbed the tattoo shop where he just got a distinctive tattoo, and a man in Malaysia who performed DIY surgery to implant metal balls that later began to rust.Random Fat Fat Fat Facts: The brothers share strange trivia, covering topics such as the slight time lag in brain perception (about 50 milliseconds), the Malagasi chameleon's short life, the spiny anteater's four-headed penis, the fact that ear wax is a fancy type of sweat, and how dolphins play with puffer fish to get a buzz.Crazy Classifieds: The show introduces a new segment featuring humorous and bizarre classified ads, including a search for a roommate who must love true crime documentaries at 3 AM and a dating ad seeking a companion who enjoys off-key shower concerts and brings tacos.Support the showThanks for listening. Join us each Monday at 1pm Central at www.urlradio.net and follow us on Facebook!

What is it about multiple voices singing a beautiful melody together that just GETS to us? For this special BONUS Episode, we asked our Patrons to send in a song with amazing vocal harmonies...that got them high! Caution: Ear-candy ahead... Songs discussed in this episode: You Still Believe In Me (Isolated vocals) - The Beach Boys; Live In Favor Of Tomorrow - The Lemon Twigs; Blue - The Jayhawks; Oh So Many Years - Billie Joe Armstrong & Norah Jones; A Good Feelin' To Know - Poco; In The Court Of The Crimson King - King Crimson; Losing True - The Roches; God Only Knows - The Beach Boys; Trees and Flowers - Strawberry Switchblade; Little Things - Ida; Start Again - Teenage Fanclub; Poppies - La Luz; Bridge On Fire - Shovels & Rope; A Nightingale Sang In Berkeley Square - Manhattan Transfer; Bellyeye (Cardiacs cover) - The 180 Gs; Ain't That Enough - Teenage Fanclub; The Bleeding Heart Show - The New Pornographers; Misery, P.S. I Love You - The Beatles; Forgetting - The Feminine Complex; Long Time Gone - Crosby Stills & Nash; You're All I Need To Get By - Aretha Franklin; Take It Easy - The Eagles; 14 Cheerleader Coldfront (live on KCRW) - Guided By Voices (Bob Pollard & Tobin Sprout)

The Song Forlorn by SunYearsPeter's interview with VakentimmarMusicWouldn't It Be Nice (Highlights From Tracking Date) by The Beach Boys (not available on streaming)You Still Believe In Me (Vocals Only) by The Beach Boys (not available on streaming)I Just Wasn't Made for These Times (Instrumental Stereo Mix) by The Beach BoysDocumentary ClipsI Just Wasn't Made for These Times (dir. Don Was, 1995)Brian Wilson 1995 InterviewAll music in this episode has been sourced via fair use for education, criticism, and evaluation. If you like the songs you hear, please consider supporting artists by purchasing their music rather than streaming it.Alexander Woell on TwitterAlexander Woell on Instagram

Today on another encore episode of the Rarified Heir Podcast, we are talking to three prior guests of the podcast who are talking to us in the boldest experiment in Rarified Heir Podcast history! How so? We are talking to them all at once. Something we had never done before. But don't fret, Carnie Wilson, Jenny Brill and Shawn Kay have been friends for quite a long time and, in fact, they know each other and host Josh Mills from as far back as elementary school. There are laughs and some tears on this one. Since the time of this recording, sadly we have lost two of the celebrity parents of our guests, as both Mitzi McCall, mother of Jenny Brill and Brian Wilson, father of Carnie Wilson have both passed away as of this encore episode. While it puts things in perspective rather quickly, it also helps us to realize that the entire point of this podcast is to make sure that in this fast paced world, we don't forget the names and stories about some of the most beloved entertainers of the 20th century. And with that in mind, this episode is a rollicking one, a bit experimental as we said but also fast paced, filled with childhood memories and what it was like not only growing up the child of a celebrity but also with friends whose parents were also celebrities. We get into some ridiculous tales about the Oakwood school where they all met, insane stories about album jackets as modes of transportation and a nostalgic trip down a very 1970s memory lane. Which begs the question, just how did the children of Mitzi McCall, Charlie Brill, John Kay, Brian Wilson and Marilyn Wilson get along? In a word? Famously. Take a listen.  

The Jokermen speak with Darian Sahanaja and Jim Laspesa of the Brian Wilson Band about the incredible tour they're on with Al Jardine, the beauty and honesty of The Beach Boys Love You, the excitement around the shows, the new generation of Beach Boys fans, the Lemon Twigs, Norbit, Andy Paley, the upcoming Love You/Adult Child box set, hunting for SMiLE bootlegs, deep-cut early Beach Boys favorites, and much more. SUBSCRIBE TO JOKERMEN ON PATREON

Discograffiti is the deep-dive podcast for music obsessives.  In this episode, we feature the next entry in The Chuck Granata Pet Sounds Interview Series. It's Chuck's chat with Larry Knechtel, the Wrecking Crew keyboard player and bassist who—along with Brian Wilson & The Beach Boys—has worked with Simon & Garfunkel, Duane Eddy, The Mamas & The Papas, The Monkees, The Doors, The Byrds, The Grass Roots, Elvis Presley, Jerry Garcia, and Billy Joel. He also was a key member of the band Bread. Larry passed away a few years later in 2009, which makes this posthumously released “Chuck Chat” yet another priceless buried treasure.   Here are just a few of the many things that Larry discusses with Discograffiti in this podcast: What he ascertained early on as a studio musician's average career length, which then led to a healthy fear of his phone no longer ringing; His legendary work on Simon & Garfunkel's “Bridge Over Troubled Water”; Besides Brian, the only Beach Boy he says his fellow studio musicians ever saw in the studio along with them; The curse of having perfect pitch; And his friendship with Jim Gordon…not to mention the fate of the 50+ hours of jam tapes that he recorded with him, which included spoken ruminations on what was bugging Jim at the time.  There'll be a short sneak peak running publicly for free, but the entirety of this podcast will only be accessible on the Major Tier of Discograffiti's Patreon. Don't miss it, or you'll only be getting part of the story. Get it as a one-off, or better yet just subscribe…and then we'll all have world peace. Full Episode: Patreon.com/Discograffiti (available on the Major Tier & up) Free Sneak Peek: linktr.ee/discograffiti Subscribe to Discograffiti's Patreon and receive a ceaseless barrage (4 shows a week!) of must-hear binge-listening. It's completely free to be a basic member, $1 to get your backstage pass, $5/month for the weekly Sunday show by & for our community, $10 for weekly early release, ad-free, super-extended Director's Cuts of the main show plus access to half our Patreon episode archive, & $20 for Discograffiti's weekly bonus episodes and access to our entire Patreon episode archive. There are now over 300 Patreon episodes.

When you think of classic rock guitar, what do you hear? Who is the most classic of all classic rock guitarists? We have a theory, and we tapped Greg Koch, the hard-touring, hard-rocking Gristlemaster himself, to join us and test it out. Is it Joe Walsh?From his time with the James Gang through joining the Eagles and embarking on a successful, hit-laden solo career, Walsh epitomized the sound of ‘70s rock guitar riffs and solos. There's a reason he eventually found his way to Ringo's All-Starr Band! So is he the definition of classic rock?Also, Greg takes this opportunity to chat about his Oasis obsession and shares his favorite Beach Boys song.Sponsored by Gibson: gibson.comFollow Nick: https://www.instagram.com/nickmillevoiFollow Jason: https://www.instagram.com/jasonshadrickGet at us: 100guitarists@premierguitar.comCall/Text: 319-423-9734Podcast powered by Sweetwater. Get your podcast set up here! - https://sweetwater.sjv.io/75rE0dSubscribe to the podcast:Spotify: https://open.spotify.com/show/0aXdYIDOmS8KtZaZGNazVb?si=c63d98737a6146afApple: https://podcasts.apple.com/us/podcast/100-guitarists/id1746527331

Let's be honest: the '80s were a minefield for horror comedies. But for every Gremlins and Monster Squad, you had to suffer through duds like My Mom's A Werewolf or My Best Friend's a Vampire.A few films got the formula right, and one, in particular, became a cultural phenomenon. It wasn't about monsters in the closet or clowns from space—it was about basketball, best friends, and some serious growing pains.So, practice your jump shot, crank up the Beach Boys, and get ready to van surf as Tim Williams and guest co-hosts, Gerry D, JB Huffman, and Vinnie Brezinsky discuss Teen Wolf from 1985 on this episode of the 80s Flick Flashback podcast!Here are some additional behind-the-scenes trivia we were unable to cover in this episode:​Harold Howard tells Scott, "With great power comes an even greater responsibility," which is an expression usually associated with Spider-Man. Screenwriter Jeph Loeb was also a comic book writer, having written Spider-Man comics.​When Scott talks to Coach Finstock about potentially quitting the basketball team (around the 06:00 mark), this conversation was actually meant to happen much later in the film after Scott's first "Wolf-Out." Most likely, it would be the day after (around time markers 33:00 - 45:00). The clue is in the shirt Scott is wearing. When Scott speaks with the Coach, his shirt is green and black plaid, but when he talks to Boof in the next scene (around the 8:00 mark), his shirt changes to blue. The day after his first "Wolf-Out" when Scott returns to school, he's wearing the green/black plaid shirt again. For some reason, the filmmakers thought the talk between Scott and the Coach would work better earlier in the film than right before he transforms in front of everyone during the game.Sources:Wikipedia, IMDBhttps://www.wickedhorror.com/top-horror-lists/five-reasons-why-teen-wolf-1985-is-totally-tubular/Some sections were composed by ChatGPTWe'd love to hear your thoughts on our podcast! You can share your feedback with us via email or social media.​Website - https://www.80sflickflashback.com/​TeePublic Store - https://www.teepublic.com/user/eighties-flick-flashback​Buy Me A Coffee - https://buymeacoffee.com/80sflickfb​Facebook - https://www.facebook.com/80sflickflashbackpodcast​Instagram - https://www.instagram.com/80sflickflashback/​TikTok - https://www.tiktok.com/@80sflickflashback​Email - Info@80sFlickFlashback.com

If you love great storytelling, you'll connect with this conversation. I sit down with Walden Hughes, a man whose Unstoppable passion has kept Old Time Radio alive for decades. As the voice behind YESTERDAY USA and a driving force with REPS, Walden has dedicated his life to preserving the art, sound, and soul of classic radio. We talk about what made those early shows so timeless, the craft of the actors, the power of imagination, and how simple audio could create entire worlds. Walden also shares how modern technology, archives, and community support are bringing these programs to new audiences. This conversation is about more than nostalgia. It's about keeping storytelling alive. Walden reminds us that great radio never fades and that imagination will always be Unstoppable. Highlights: 00:10 – Discover why Old Time Radio still captures the imagination of listeners today. 01:19 – Hear how the end of an era shaped the way we think about storytelling. 02:32 – Learn what made the performances and production of classic radio so unique. 04:25 – Explore how legendary shows left a lasting influence on modern audio. 05:16 – Gain insight into what separates timeless audio drama from today's versions. 08:32 – Find out how passion and purpose can turn nostalgia into something new. 12:15 – Uncover the community that keeps classic radio alive for new generations. 16:20 – See how creativity and teamwork sustain live radio productions. 24:48 – Learn how dedication and innovation keep 24/7 classic broadcasts running. 33:57 – Understand how listener support helps preserve the magic of radio history. 37:38 – Reflect on why live storytelling still holds a special kind of energy. 41:35 – Hear how new technology is shaping the future of audio storytelling. 46:26 – Discover how preservation groups bring lost performances back to life. 50:29 – Explore the process of restoring and protecting rare audio archives. 55:31 – Learn why authenticity and care matter in preserving sound for the future.     About the Guest: From a young age, Walden Hughes developed a lifelong love for radio and history. Appearing in documentaries on “Beep Baseball,” he went on to collect more than 50,000 old-time radio shows and produce hundreds of live nostalgic broadcasts. His work celebrates radio's golden era through events, celebrity interviews, and re-creations performed nationwide. His deep family roots reach back to early American history — from a Mayflower ancestor to relatives who served in major U.S. wars — shaping his respect for storytelling and legacy. With degrees in economics, political science, and an MBA in finance, he built a successful career in investments before turning his passion into purpose. As general manager and producer for Yesterday USA and longtime board member of SPERDVAC, he's preserved classic entertainment for future generations. Honored with awards like the Herb Ellis and Dick Beals Awards, he continues to consult for icons like Kitty Kallen and the Sinatra family, keeping the voices of radios past alive for audiences today.   Ways to connect with Walden:   Cell:  714/454-3281 Email:  waldenhughes@yesterdayusa.com or www.yesterdayusa.com Live shows are Friday, Saturday and Sunday nights beginning at 7:30 PDT.     About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:20 Well, hello everyone, and welcome to another episode of unstoppable mindset. Wherever you are listening from, we're really glad you're here, and we are going to have a guest who we've had on before we get to have him on again, and we're going to grill him really good. I want you to remember that a few weeks ago, we talked to Walden Hughes. And Walden is a collector of old radio shows. He's been very involved with organizations that help promote the hobby of old radio shows, and old rate Old Time Radio, as I do, and I thought it would be kind of fun to have him back, because there are a number of events coming up that I think are very relevant to talk about, and so we're going to do that. So Walden, welcome back to unstoppable mindset. We're glad you're here. Michael, been such a long time, and glad you invited me back. Well, I know it's been so long well, so tell me, let's, let's go back again. You know, radio people talk about the golden days of radio, or the time of old radio. When do we think that? When do we say that officially ended, although I think it went beyond   Walden Hughes ** 02:29 it. I though I jumped 30th, 1962, I'm, yeah, I I think the style changed a little bit, I'm probably a romantic somewhat. I love the style of old time radio. I love how it sound. Yeah, I think in in the 3040s and 50s, the studios and the theater that they use sounded great for radio, and it disturbed me, and I bet you have the same feeling, Michael, that when you get new production and new the new studio, it just doesn't sound right. I feel the equilibrium is not quite the way. I love old time radio. I think Old Time Radio A prime web. I think a lot of new productions out there that, you know, release their podcasts and things on a weekly basis. I think they're handicapped. They just don't have the budget to really create and build a studio the way I think it should be, that if they have, it sound just natural and just right.   Michael Hingson ** 03:43 And I think that's part of it, but I think the other part of it is that people today don't seem to know how to act and create the same kind of environment with their voice that Old Time Radio actors did in the 30s, 40s and 50s and into into the early 60s, even we had Carl Amari on several weeks ago. And of course, one of the things that Carl did was, did complete recreations of all of the Twilight Zone shows. And even some of those are, are they sound sort of forced? Some of the actors sound forced, and they they haven't really learned how to sound natural in radio like some of the older actors do.   Walden Hughes ** 04:34 Yeah, and I know Bob we call did it for a bike I get thrown off when he generally way. Did have the highway stars remote end, and he had a Stock Company of Chicago after, and I could hear the equilibrium just not quite right. That bothers me. I don't know if the average person picks up on that, and you're right. I don't know if. Is it the style of acting that they teach in film and TV? It needs a radio acting different in a lot of ways, and you got it as you point. It's got to be realistic into the environment. And actors don't get that for radio,   Michael Hingson ** 05:25 yeah, and you talked about the last day for you of real radio was September 30, 1962 and we should probably explain why that is   Walden Hughes ** 05:36 diet throughout the CBS your Troy John and suspense as the two main keys of old time radio. And that was the last day of old time radio out of New York. And I hardcore Lacher sister. Think that's one radio Shane died per se   Michael Hingson ** 05:58 Gunsmoke and Have Gun Will Travel were gone, right,   Walden Hughes ** 06:01 and the soap operas ended in November 2560 I like soap operas. I know a lot of people do not, but there's something can't there's something campy about it that I like. I would, I would like, I prefer to listen to somebody also proper than do some of the new production and make sure the acting style,   Michael Hingson ** 06:27 but I think there's a lot to do with it that that makes that the case. And I think you're absolutely right that so many things are different, but at the same time, radio did sort of continue. And there was, there were some good shows zero hour, the Hollywood radio theater that Rod Serling did later. And of course, NPR did Star Wars.   Walden Hughes ** 06:58 And I like that I did.   Michael Hingson ** 07:02 Yeah, I think that was done pretty well. And what do you think of CBS mystery theater? Honestly, CBS mystery theater, I thought that generally, CBS mystery theater had some good actors, and they did a pretty good job. I I can't complain too much about that, and it was on for a long time.   Walden Hughes ** 07:18 But what do you think of the script, though?   Michael Hingson ** 07:22 Well, part of the problem for me and CBS mystery theater is, and I'm sure it was a cost issue. There weren't very many people in most of the scripts. There was like two or three or so and and that was a problem. But I think that that the scripts suffered because there weren't more people in the scripts to really make it again sound pretty natural. I think that was a problem.   Walden Hughes ** 07:52 Yeah, Hyman Brown really knew how to crank it out. I think it has a good, solid B production, you know, the scripts. And I think the scripts are quite hampered. You couldn't, actually couldn't knock the actors. I thought the actors were Mercedes McCambridge and all those were terrific actors, but you're right. Sam dam wrote a lot of them, yeah, and things like that. But I   Michael Hingson ** 08:21 think, I think they would have been nicer to have more people in the scripts. But I understand that, that that probably was more difficult to do just because of union and scale and the cost. But gee, I think it would have made a big difference in the shows. But Hyman Brown really knew, as you said, How to crank them   Walden Hughes ** 08:39 out. Yeah, that's why, in some ways, I think the series, radio theater, the way 70 is a it's a terrific series. Didn't have the financial backing to make it last longer than the two years I was   Michael Hingson ** 08:52 on. Now, one show I really liked on in PR later was alien world, which I thought was good. I'd never heard any of them, so they were good, yeah, yeah, okay. I'm very happy with alien worlds. There were some actors from radio and in early television and so on. Hans con read, for example, was on some, yeah, I thought alien worlds went really well. I guess we're gonna have to get you some and get you to lose, Okay, interesting.   Walden Hughes ** 09:21 I just got done taking a eight week course on entrepreneurship for disabled people, and my idea is to pitch that we should be doing audio theater as a podcast. I think if it's big enough, it attracts national sponsors. And if you look at the numbers, everybody podcasting, 135 million people in the USA download a podcast once a week. Revenue, $2.46 billion yeah. Worldwide, 5 billion people download a podcast once a week. Revenue, three. $4 billion and so she had a well known he had a podcast with well known stars. I think she could get that 1% in that market, and then you can generate between the 24 to 40 million, $40 million in revenue a year. That would easily sure be a good financial model, and that's what I'm pitching. But when I went to the court, they asked me what to analyze, what's wrong with my what obstacles I have. And one of the things I put down is besides the studio we talked about and the acting, which a really good actor, actress, everybody, like a Beverly Washburn can pick up a script and knock it out of the park right away. Most actors are not able to do that. That's a real gift, as Michael was pointing out. But the other thing most scripts are written for film and TV, which is a verbal which is a eye medium, and a radio script is written for the ear, and I have produced enough the ear is faster than the eye. If you take like a TV script and a book and read it out loud, the mind wander. It has to have a faster pace for the ear. And I don't think more people notice that when they're analyzing a script,   Michael Hingson ** 11:31 yeah, but you you're sort of treading around the edges of something else. I think that is fascinating, that we can start to talk about one of the things that has occurred some over the past few years, and whether it be with a podcast or even just with the mechanisms we're using today, is there are some attempts to recreate some of the old radio shows and and you and I have both Well, we Have to get you acting in one of those shows, Walden. But I have, I've acted in the shows Walden works behind the scenes, and there are a number of people who have been involved with him. And you really can tell some of the good actors who performed in old radio as you said, Beverly Washburn, Carolyn Grimes and others. Carolyn, of course, is Zuzu from It's A Wonderful Life, and by the way, she's going to be coming on unstoppable mindset in the not too distant future. But, but the point is that you can tell those people because they've done it, and they're very comfortable with it, and they know how to make it come across really well. So for example, you're the president of the radio enthusiasts of Puget Sound. Now you're down here in Southern California. How did you work out being the president of reps?   Walden Hughes ** 13:01 Why my closest friends a hobby, Brian Haygood, and Brian's been one of the big movers and shakers of reps over the years. And when the founder, Mike Sprague, decided to step down, they were looking for new people to run showcase back in 2007 so Brian asked me, because I'm the one that has the contacts, you know, I'm the one booking guests for y USA rep, I'm sure the go to person with contacts and phone numbers, everybody. And so I just wound up doing the CO produced showcase back in 2007 with Brian. So that's been one of the things I wound up doing.   13:50 I produce   Walden Hughes ** 13:52 almost 30 923, or four days events of All Time Radio around the country. So tell us about showcase, showcase. It will be September 18, 19/20, 21st is a big event for us, for reps, and we got funding thanks to Ford culture and the state of Washington to do this. And it's free. You can go to reps online.org, and RSVP and come. And people that you get to see this time around are Beverly Washburn from Star Trek, when the bear ministry shows, yeah, when, when the bear man a good, solid voice actress, and also is a coach. Carolyn Grimes, as you mentioned, Margaret O'Brien, of course, you know Margaret from Oscar war winner from meet me in St Louis, Gigi Perot, and she goes back to the 40s and 50s. And did the belly hunting TV show, Tommy cook and Lacher Riley, a radio show. Ivan Kirk. Troy. Bobby Benson. Bill Owen, who you had on ABC TV announcer, author of The Big broadcast, Ron cocking. He and his great wife, Gloria Macmillan ran acting school for children.   Michael Hingson ** 15:15 Bill Ratner Miller, of course, is famous for radio.   Walden Hughes ** 15:18 Right arm is Brooks. Bill Ratner from GI Joe. Bill Johnson, who does Bob Hope around the country. John provoke to Timmy Lacher. Chuck Daugherty, the announcer for second announcer for Sergeant president of the Yukon King and discover the Beach Boys. David Osman from fire sign theater. Phil prosper from fire sign theater. John Iman, who was from the TV show Lacher. And there was Larry Albert and John Jensen, the big band Lacher. John Laurie gasping, and Dan Murphy used to be the program director ki Xi out in Seattle. And so that's gonna be a great weekend. We'll produce close to it, I think, 1819 radio recreation that's still negotiating. And we have several interviews and panel. It's all free. So you can go to repsonline.org, and that's one of our two major events, the other major events at the Christmas show in December, the first week in December. I'm hoping Mike can make it up that   Michael Hingson ** 16:31 weekend, I was hoping to be able to come to the Showcase. And one of my favorite shows, and Walden and I had talked about doing it, is Richard diamond private detective. And I actually asked to be cast as Richard diamond, but then a speaking engagement came up. So unfortunately, rather than being in Washington, I am going to be in Minnesota, I'm sorry, in Pennsylvania, speaking. So I won't be able to be there, but we'll do Richard diamond. That's gonna be a fun show one of these days. We'll do it.   Walden Hughes ** 17:06 We'll put we put it aside. So when Mike can can do it, we can do it so but no, really blessed to have the financial grants to keep audio theater live on a nonprofit basis, and that that that's a great board, and cannot every group's had that financial abilities right now to do that, and it's so expensive around the country to do it, terms of airfare, hotel commitments and Just meeting room costs, I mean, for people who may or may not know, when you go to a hotel a live event now, a lot of hotels expect that that meeting room needs to generate at least $10,000 of income per day. That that's a lot of money. And so we have a place that doesn't, that doesn't do that, and we're able to produce that. And so rep definitely focus on the live, live audio theater part, and also has a large library, like 33,000 shows I heard where we have so people can download, and we're also aggressively buying discs and things to add to the library. And I remember spur back I part of and I'll tell you some of the latest news and that when we talk to that topic, but it's just old time radio is in really good   Michael Hingson ** 18:41 shape at the moment. You mentioned Larry Albert, and most people won't know, but Larry Albert's been in radio for what, 40 years, and has played Detective Harry Niles that whole time, and he's also Dr Watson on Sherlock Holmes again, there are some really good professionals out there, which is cool, yeah, yeah, who understand and know how to talk in a way that really draws people in, which is what it's all about,   Walden Hughes ** 19:15 absolutely. And considering Larry and a co founder, they run all vacations, sure, the after of imagination theater. Sure they carry the banner up in Seattle, and it's pretty amazing what they're able to produce.   Michael Hingson ** 19:32 Yeah. Now, in addition to the Showcase and the Christmas show that reps is going to be doing, reps also does some other shows, don't they, during the year for like veterans and others up in the Seattle area, Tulsa, right?   Walden Hughes ** 19:46 We I thought that idea down here at spur back in 2017 the Long Beach Veterans Hospital, they still have the original theme. Leader, Mike, that Jack Benny and Bob Hope did their shows in front of the Vets at Long Beach. And I know you and I have radio shows from the Long Beach Veterans Hospital. Yes, and the stage is still there. It's the biggest stage I've ever seen. Mike, the seating area is mobile, so that way they can bring patients in who are wheelchairs or whatever, or in bed. They still have the 1940 film projectors and booth up above that they want to run movies in there, and it's just a remarkable feeling to be on stage that Bob Hope and and Jack Bailey did a show, and then the famous broadcast were Ralph Edward consequences, yeah, the Hubert Smith, who was A patient at the hospital and and so in 2017 we did. It's a Wonderful Life. And we had a gigantic crowd. I think it was almost 200 people came to that. And I was for the public and people inside the hospital. And it was, it was a exciting event to have deluxe version of It's a Wonderful Life, which was the 70th anniversary of the broadcast, right? And so I decided to take that concept and take up to Seattle and start performing shows inside the VA hospital system in Seattle. It took a while. It's hard, it's hard to get into the VA, VA system to put on shows, because you got to talk to the right people, and you gotta get a hold of PR and not always easy. So I found the right contacts, and then the state awards, and then has a grant for for veterans or veteran family member to be in shows, and so we're able to get some funding from the state for that so, and then we will also encourage them to come to showcase in September so. But no, that's that's another program we got going for that,   Michael Hingson ** 22:20 someone who I unfortunately never did get to meet, although I heard a lot of his shows, and he helped continue to bring memories of radio to especially the military. Was Frank brazzi, who was around for quite a while, and then he he was also on yesterday USA, a lot. Wasn't he sure where he's   Walden Hughes ** 22:46 from, from 1993 until 2018 so he had a good 25 year run on why USA, Frank and I co host the Friday night show for many years, until he passed away in 2018 show from 2000 to 2018 Frank was amazing guy. He was. He owned his own radio station in South Carolina, South Carolina Island. When he was 19, he had to form the first tape course in Hollywood show Bob Hope would hire him, and he would record all Bob stuff at Paramount Studio and sit to radio station and travel with Bob to record his radio Show. He also was Jim Hawthorne producer for television, Frank wound up developing board games a pass out sold 6 million copies in the new wedding the dating game. He had a company that got gift for game shows on television. He also set up a brother in a company to monitor when commercials were run on TV. Frank also produced record albums every day. He had Walter Winchell record the life of Alex joelson. Met with Jimmy Durante, had Jimmy Durante do an album, Eddie Cantor and so frank is one of these great entrepreneurs that was able to make a lot of money and spend a lot of it on his love for radio. He was the substitute for little beaver, for example, on Red Rider so and he loved doing the show the golden days of radio, which started in 1949 and from 1967 on, it was part of the Armed Forces Radio Service, which was put on 400 stations. And I'm the, I'm the care caregiver, caretaker of. All that items. So I have all the shows and getting them transferred and play them on y USA and Frank wanted to make sure his entire collection was available to collectors. So we want to make sure things were copied and things like that for people to enjoy. But no big part of old time radio, in a lot of ways, not behind the scene a little bit. You know, wasn't a big name person during the golden days of radio, but afterwards, wound up being a major person that carried the fire Troy, full time radio.   Michael Hingson ** 25:35 I know we talked about a little bit, but talk to us about yesterday, USA, that has been around quite a while, and in general, for those who don't know, yesterday, USA is an internet radio station, actually two, if you will. There's a red and a blue network of yesterday USA, and they both stations broadcast to old radio 24 hours a day, although conversations and up to date conversations are interspersed, it still primarily is a a vehicle for playing old radio shows, right?   Walden Hughes ** 26:13 Yeah, been around since 1983 founded by its start. Yeah. Founded by Bill Bragg, Bill started the largest communication museum in the world back in 1979 in Dallas, Texas, and he had a film exchanger. And there was a TV station called a nostalgia channel, and it had these films of old TV shows, but they didn't have the media to transfer it, and so they contacted Bill. Bill agreed to transfer the film. He asked what it is exchanged for him. They said, we can give you an audio channel on satellite. And they gave that to him. And so he tried to decide what to do. So he started a broadcast Old Time Radio over satellite, and he was over the big C span satellite   Speaker 1 ** 27:12 until Oh into the 2005   Walden Hughes ** 27:16 era or so. Wound up being the audio shop carrier for WGN got it high in 2000 at the third most popular internet broadcast site in the world, behind the BBC and CNN around the Lacher saw around 44 that's not too bad, with 15,000 stations online.   Michael Hingson ** 27:41 I remember, I remember it was probably like 1998 or so, maybe 97 we were living in New Jersey, and I was doing something on my computer. And I don't even remember how I discovered it, but suddenly I found yesterday, USA, and at that time, yesterday, USA was one channel, and people could become DJs, if you will, and play old radio shows. You could have an hour and a half slot. And every other week you updated your broadcast, and they put on your shows at different times during the the two week period. But it was a wave that, again, a lot of people got an opportunity to listen to radio, and I'm sure it was very popular.   Walden Hughes ** 28:32 Yeah, yeah, if they'll to Lacher show, we don't, we don't get 40,000 to 60,000 listening hours a month, with it a lot, because a lot, maybe some people might listen to seven minutes, some might people listen to a half hour and all that accumulative, it's almost 60,000 hours a month. So that's a lot of hours that people are accessing in it, there's something nice about being alive. I don't know what you think Mike, but doing something live is pretty special, and that's, that's the nice thing about what yesterday USA can provide, and we can talk, take calls, and then, you know, in the old days, you have more and more people talk about Old Time Radio. No doubting, but a lot of new people don't have those memories, so we we might do some other things to keep it interesting for people to talk about, but it's still the heart and soul. Is still old time radio in a lot of ways, and we're definitely the fiber, I think for new people to find old time radio.   29:43 How did you get involved with it?   Walden Hughes ** 29:47 I became aware of it in the early 80s when sperback mentioned it in the news trailer, so I knew it's out there. And I called, and Bill returned my call. I said, I would like my cable TV. A company to play it, and I contacted my cable TV. They couldn't get to that channel that was on the satellite, so they put big band music on those dead on the community board. And so at the same time as you about 1998 I had a good enough computer with a good enough sound card I could pick up yesterday, USA. I was aware of it. It started on the internet in 1996 I started to listen, and then I would sort of call in around 2000 they would ask a question Bill and Mike and not really know the answer, so I will quickly call and give the answer, then leave. Eventually, they realized that I knew kitty Cowan, the big band, singer of the 40s and 50s. They asked me to bring on and do the interview, which we did September 17 of 2000 and then they asked, Could I do interviews on a regular basis? And so when a kiddie friend who I knew, Tess Russell, who was Gene Autry's Girl Friday, who ran kmpc for the audience, that was the station with the stars down the road, easy listening music,   Michael Hingson ** 31:21 golden broadcasting, and that was the station Gene Autry owned, yep.   Walden Hughes ** 31:26 And I think everybody in the music business but the old touch rush all favor. So she she hooked up, she signed up. She gave me set book 17 guests for me, right away from Joe staff or the Troy Martin to Pat Boone Patti Page, who wrote them all out. So I had a major start, and then I started to contact people via letters, celebrities and things. And I think it's a really good batting average. Mike, I had a success rate of 20% Wow. Wish it was a person that didn't I had no contact with that I could turn into a guess. I always thought I was a pretty good batting average. Yeah, and I got Margaret Truman that way. I mean, she called me, said, Wong, I forgot I did this radio show with Jimmy Stewart. She did jackpot, you know, the screen director of Playhouse. And we talked about her time on The Big Show with Tallulah Bankhead. They said, a big help with Fred Allen to her. She we talked about she hosted a show, NBC show called weekday with what the weekday version of monitor was, Mike Wallace. And she talks about how Mike had a terrible temper, and if he got upset with the engineer, she has to grab his jacket and pull him back in his chair just to try to cool them off. And so we had a great time with Margaret O'Brien, Margaret Truman, but, but I always thought that would a pretty good bat Navy getting 20% and in those days, in early 2000 a lot of celebrities would be were willing to interact with the through the website, with you, and so I did that. So I booked hundreds of celebrity interviews over the years, and so it's been a, I think, an important part what I do is trying to preserve people's memories, right that way we have the recordings.   Michael Hingson ** 33:43 And so how long was Bill with yesterday, USA.   Walden Hughes ** 33:49 I passed away in 2019 so Bill from 83 to 2019, to us, 10 years or so of his wife, though he had   Michael Hingson ** 34:05 Alzheimer's and dementia, and so you could tell he was he was sounding older, yeah, and   Walden Hughes ** 34:11 he wasn't behind the scene. He was really erratic in a lot of ways. So Kim, Kim and I wound up his wife, and I wound up running the station for the last 10 years, behind the scene, okay, Bill wasn't able to do it, and so I would be the one handling the interaction with the public and handling the just jockeys, and Kim would do the automation system and do the paperwork. So she and I pretty much ran the station.   34:43 And now you do   Walden Hughes ** 34:45 it, I do it, yeah, and so I think Bill always had in mind that I'd be the one running the station in a lot of ways. And think to the listeners, we've been able to pay the bills enough to keep it. Going, I would love to generate more income for it.   Michael Hingson ** 35:03 Well, tell us about that. How are you doing the income generation? And so most of it is through   Walden Hughes ** 35:09 a live auction that we have in November this year, will be on Saturday, November 22 and people donate gift cards or items, and people bid on it, or people donate, and that money we basically use to help pay the monthly bills, which are power bills and phone bills and things like that, and so, which is a remarkable thing. Not every internet radio station has a big enough fan base to cover the cost, and so all the internet stations you see out there, everybody, the owners, sort of really have to pull money out of their own pocket. But why USA been around long enough, it has enough loyal following that our listenership really kicks in. I mean, we built a brand new studio here with the with the audience donating the funds, which is pretty remarkable. You know, to do that,   Michael Hingson ** 36:16 yeah, you got the new board in, and it's working and all that. And that's, a good thing. It really is. Well, I have been a listener since I discovered y USA. When we moved out to California for a while, I wasn't quite as active of a listener, but I still worked at it as I could. But then we moved down here, and then after Karen passed, was easier to get a lot more directly involved. And so I know I contribute to the auction every year, and I'm gonna do it again this year.   Walden Hughes ** 36:49 So would you, when you were after what you knew, why you said, Did you did you come with your question still quite a bit when you were working and traveling all the time over the years.   Michael Hingson ** 37:01 Oh, yeah, yeah, oh, I did a lot of times, and still, do I listen to some internet radio stations? Why USA among them when I travel, just because when I go to a new hotel, sometimes I can make the TV work, and sometimes I can't, but also sometimes finding the stations that I want to listen to is a little bit more of a challenge, whereas I can just use my my smartphone, my iPhone, and I've got a number of stations programmed in the only time I have had A little bit of a challenge with some of that is when I travel outside the US, sometimes I can't get direct access to some of the stations because of copyright laws. They don't they don't allow them to be broadcast out of the US, but mostly even there, I'm able to do it. But I do like to listen to old radio when I travel, typically, not on an airplane, but when I when I land, yes, yeah.   Walden Hughes ** 38:08 I think that's one thing that they ended up taking over. I think a lot of people grew up listening to the radio. Enjoy the uniqueness of radio station had. I don't know if you see that today, but I think the internet have replaced that.   Michael Hingson ** 38:24 Well, somewhat, I've seen some articles that basically say that there is a lot more shortwave listening and actual radio listening to radio stations than there is through the internet, but there is an awful lot of listening to the radio stations through the internet as well, but people do still like to listen to radio.   Walden Hughes ** 38:50 What do you think podcast? How you think podcasts fit in? I mean, you'd be hosting your own show. How you think that fit into the overall consumer questioning habit?   Michael Hingson ** 38:59 Well, I think then, what's going on with podcasts is that, like with anything, there are some really good ones. There are a lot of people who just do do something, and it's not necessarily really great quality. They think they're doing great, and they maybe are, but, but I think that overall, podcasting is something that people listen to when they're running, when they're walking, when they're doing exercising, when they're doing something else, running on a treadmill or whatever, a lot More than listening to a radio program that probably requires a little bit more concentration. But make no mistake about it, podcasts are here to stay, and podcasts are very dominant in in a lot of ways, because people do listen to them   Walden Hughes ** 39:56 a niche audience. So you find you find your audience who. Are looking for that particular topic, and so they tune into that their favorite podcast that they knew there really might be covering that topic.   Michael Hingson ** 40:07 Sure, there is some of that. But going back to what you were talking about earlier, if you get some good audio drama, and I know that there are some good podcasts out there that that do some things with good drama, that will draw in a wider audience, and that gets to be more like radio and and I think people like radio. People like what they used to listen to, kids so much today, don't but, well, they never heard old they never heard radio. But by the same token, good acting and good drama and good podcasts will draw people in just like it always has been with radio.   Walden Hughes ** 40:54 What I'm also noticing like the day the disc jockeys are, they somewhat gone. I mean, we grew up in an era where you had well known hosts that were terrific Dick jockey that kept you entertained. And I make it, I don't listen to too much because, for example, everybody the easy listening big band era, pretty much not in LA in the La radio market right now, right and I missed it.   Michael Hingson ** 41:23 I miss it too. And I agree with you, I think that we're not seeing the level of really good radio hosts that we used to there are some on podcasts. But again, it is different than it used to be. And I think some podcasts will continue to do well and and we will see how others go as as time passes, but I think that we don't see a Gary Owens on television on radio anymore. We don't see Jim Lang or Dick Whittington and whitting Hill and all those people, we don't see any of that like we used to. And so even Sirius XM isn't providing as much of that as as it used to.   Walden Hughes ** 42:20 And so what do you think AI is going to fit? I was listening to, I'm a sport fan, and Mike is a sport fan, so I like listening to ESPN and Fox Sports Radio.   Michael Hingson ** 42:32 And I was listening to a discussion over the weekend that they are, they are working some of the immediate it to replace the play by play announcer they're working with. Ai, can I figure eventually that can be a caution. It to do away with all announcers. I'm not sure that's going to happen, because I don't know. It doesn't seem like it could. I'm not sure that that will happen. I think that even if you look at the discussions about audible and other organizations providing AI voices to read books, what people say, and I'm sure over time, this will change a little bit, but and I'll get back to the button in a moment, people Say, I would much rather have a human narrated book than an AI narrated book, and the reason is, is because AI hasn't captured the human voice. Yet you may have somebody who sounds like an individual person to a degree, but you don't have the same pauses, the same intonations, the same kind of thing with AI that you do with humans. Now, will that get better over time? Sure, it will. But will it get it to be as good as humans? I think that's got a long way to go yet, and I don't think that you're going to see AI really replacing people in that regard. I think AI's got a lot that it can do, but I actually had somebody on the podcast last year, and one of the things that he said is, AI will never replace anyone. People will replace people with AI, maybe, although that may or may not be a good thing, but nobody has to be replaced because of AI, because you can always give them other jobs to do. So for example, one of the discussions that this gentleman and I had were was about having AI when you have autonomous vehicles and you have trucks that can drive themselves, and so you can ship things from place to place, keep the driver in the truck anyway. And instead of the driver driving the vehicle, the driver can be given other tasks to do, so that you still keep that person busy. And you you become more efficient. And so you let i. I do the things that it can do, but there are just so many things that AI isn't going to do that I don't think that AI is ever going to replace humans. The whole point is that we make leaps that AI is not going to be able to do.   Walden Hughes ** 45:15 Yeah, I think a good example in the audio book field, a really great reader can give you emotion and play the characters and make it realistic. And I don't know AI ever going to reach that point to bring emotions and feelings into a reading of story   Michael Hingson ** 45:32 not the same way. And as I said, I've been involved or listened and watched discussions where people say, for example, I might use AI to read a non fiction book because I'm not really paying so much attention to the reader and I'm just getting the information. But when it comes to reading a fiction book, and when it comes to really wanting to focus on the reader, I don't want AI is what I constantly hear. I want a person, and I understand that,   Walden Hughes ** 46:00 yeah, I think what you'll see AI, especially, take over the drive thru when people go to a fast food place. I can see AI replacing the interaction and trying to get those things corrected. I can see that   Michael Hingson ** 46:14 maybe, maybe, I mean, you know some of that to a degree, but I think that people are still going to rule out in the end, for quite a while. Well, you know, in talking about all the different radio organizations, I know we talked about a little bit last night last time, but tell me about spurt back.   Walden Hughes ** 46:36 Yeah, I can give you some new updates. Spoke actually been around to 1974   Michael Hingson ** 46:42 I remember when spurred back began a person who I knew, who was a listener to my radio program, Jerry Hindi, guess, was involved with with all of that. My problem with attending spurred back meetings was that it was they were way too far away from me at UC Irvine to be able to do it, but I joined by mail for a while, and, and, and that was pretty good. But by the same token, you know, it was there,   Walden Hughes ** 47:11 it was there. And spur back. Have honored over 500 people who worked in the golden days of radio. A lot of district donated. They had the meetings in the conventions now we're evolving very quickly this year into more preservation work. So we have bought over $10,000 in computers here recently. We bought and we donated, actually, we won a prize, although the first Lacher disk turntables from Japan, which is over a $10,000 turntable, we'll be using that to help dub disc. And the board is just voted in. It's going to increase the board to at least 11 people next year who will have a carryover of the seven board member and we want to have no new board members. So maybe you and I can talk about that Mike for you to be on for next year, because we'll be definitely expanding the board with 11 one. So I think it'd be really strong in the preservation stuff, because perfect got 20 to 30,000 deaths that need to get out there. And with all your new equipment, it's amazing how full time radio sounds so good today terms of the new technology, and compare where I started collecting the 70 and I ran into a lot of even commercial stuff really muddy in those days. Mike, I bet you did too, and it's a remarkable difference. Spur back is planning to be at the Troy Boston festival next April, what does spread back? Stand for the society to preserve and encourage radio drama, variety and comedy. And you can go to spur back.com Join. You can go to repsonlect.org to join. And we then mentioned yesterday, USA. Yesterday usa.com or.net and can go there and listen away and participate in the auction, which will be coming up November 22 Yeah, very important to do as well. But anyway, I really think full time radio is in a really good spot. Mike. I think if it was for the internet, I don't know if we would find all the young people who are interested in it. I think it then it been a double edged sword. It knocked out a lot of dealers. You know, they used to make money selling their tapes and CDs and everything, and I bought a lot. I know you did too over the years, but those days are pretty. Pretty much done, and but if found a lot of new younger people to find the stations or find podcast and they get to learn about yesterday USA and Old Time Radio, and all the different radio ones more and all the different internet station are playing it until they can expose and I don't think that would have happened before the internet, so I think it'll always have it created a whole new listenership.   Michael Hingson ** 50:30 I am still amazed at some of the things that I hear. I remember once when somebody found a whole bunch of old Petri wine sponsored Sherlock Holmes with basil, Rathbone and Nigel Bruce. They were horrible quality. Was it Chris who   Walden Hughes ** 50:50 found? Yep, Chris one best founded me up and found me a bookstore.   Michael Hingson ** 50:55 And the quality wasn't wasn't good at all, but they were remastered, and they sound incredible. They do how they do it, because I'd love to be able to do that with shows that I have, and like to remaster them.   Walden Hughes ** 51:13 Yeah, what happened was, you know, they were two writers, green and Boucher, Lacher, Lacher, right, and Boucher was a famous bachelor Khan. The famous mystery convention is named after him. And Dennis Green was an actor on radio, and he was also a historian. He knew, like all everything about Sherlock Holmes. And so they created the new venture who saw a comb based upon maybe a scene from a previous right story and gets expanded upon it. And so when it when one of them passed away, the collection wound up in a bookstore in Berkeley, California, and crystal investor found out. And so there became a buying group led by John tough fellow, Kenny Greenwald, Dick Millen, Joey brewing and others, got in a bidding war with the Library of Congress, and they outbid and won. They paid $15,000 for the sets of Sherlock, Holmes and so and Shirley Boone was an NBC audio engineer and chief film engineer. He really knew how to dub, and so they they did a terrific job. And then they decided to put out a record album on their own with the first two episodes. And then after that, they decided to market it to Simon Schuster, and they decided to do small vignettes. They could copyright the vignette. These were quite three minutes introduction, so they would get Ben Wright, who wanted to always Sherlock Holmes and Peggy Webber in order to reminisce and or create little scenes to set up the stories that way they could copyright that part. They couldn't copyright the show because they fell in the public domain, right? But they wound up paying the estates of everybody anyway. But that's what how they all came out, and they were hoping to do Gunsmoke. We talked to Kenny Greenwald and others, but that never, that never came off and but that's part of the remarkable thing that Karl Marx done. He's been able to get into CBS, and I think he's working on NBC, and he licensed them, so he'll be able to get into the vault and get more stuff out for all of it to enjoy. And that's an amazing thing that Carl drives for the hobby is to get new stuff out there. It's been locked away for all these years.   Michael Hingson ** 53:53 I am just amazed at the high quality. I'd love to learn more about audio engineering to be able to do that, because I have a lot of recording I'd love to make a lot better than they are.   Walden Hughes ** 54:05 Yeah, Jerry Henry used to use a software called Diamond Cut, ah, and I would the those originally was used for the Edison solder records. And the guy who issued this, Joe, they developed the software. And that's where Joe, hi, who did so much transfer work, that was the program he wound up using to create good sound,   Michael Hingson ** 54:32 yeah, and, and did a lot of it,   Walden Hughes ** 54:36 yep, see there, see, there was a software, everybody, I think original is hardware. And I think originally almost was a $50,000 piece of equipment, harder before 2000 now it's gone to software base and a couple $1,000 that's another way. That's another program that people use to clean disk. Now. Crackles and pop out of the recording.   Michael Hingson ** 55:02 So but it's not just the snap crackle and pop. It's getting the the real fidelity back, the lows and the highs and all that you said, what was the one he used? Diamond Cut. Diamond Cut, yeah. Diamond Cut, yeah. But yeah. It's just amazing. The kinds of things that happen, like with the Adventures of Sherlock Holmes and and others.   Walden Hughes ** 55:23 But you also have good ears for that. Because, yeah, I remember about 2025, years ago, it was serious. XM. Everybody has this stereo sound, I know, if you're shooting, has a certain ambiance about it. And there were companies that were taking old time radio and creating that same effect, and that could bug me. I was so used to listen to old radio show in an analog feel about it. And they when they try to put false stereo in a recording, yeah, oh my gosh. It just didn't sound right. And so they've gotten away from that pill, a lot of new dubbing. They do don't have that. So it sounds terrific now, yeah,   Michael Hingson ** 56:15 sounds a lot better. What do you think is the future of the hobby?   Walden Hughes ** 56:19 I think more and more stuff are coming out. A lot of stuff that were with agreements to hold on to the material have disappeared, because a lot of it is passing from generation to generation. And so I think over the next 10 years, you see so much more stuff coming out. In some ways, that's sort of what you John Larry and I do. We collect almost everything, just because you got to make sure it's captured for the for the next generation, even though we might not be listening to it. There's so much stuff we don't listen to do everything. But I think we're, we're short of the wide billions of old time radio so we try to capture all of it and preserve it on hard drives, yeah, but eventually it'll go to future generations. But I really think more and more stuff are coming out. I think with the yesterday USA, more and more people will find it. And I'm hoping, with creating new audio theater, I would like to reproduce the great radio scripts we have no recordings for, like one man, family, I love, a mystery, all those things. That's sort of what I want to do, is one of my goals. And I think be great to hear stories that we've all collected, that we wonder about, and to get audio production behind some of these scripts. And I think it's in very good shape. It will all come down to money, Michael, as you know, you know,   Michael Hingson ** 57:58 but I also think that it's important that we, as we're recreating the shows, that while we can, we have people who understand what we really need for actors who are going to be recreating the shows, are able to find the right people to do it, train them how to do it. I think that's so important.   Walden Hughes ** 58:19 I think so. I think, I think you find a lot of young people who like theater, who are not necessarily radio fan, if they came, if the radio fan, like Brian Henderson and people like that, they become really good actor because they love to listen to the shows ahead of time. Yeah. Beverly Washburn does the same. She likes hearing the original performances that way. She get field for me to the show. And I think you and I think Larry does it that way. And you might not necessarily want to copy everything, but you got a benchmark to work from, and you sort of know what, with the intent when   Michael Hingson ** 59:01 you say Larry, which Larry? Larry Gasman,   Walden Hughes ** 59:03 great, yeah. And I think that's a great help to study and listen how people did it, because I think a lot of old time radio, it's like the prime rib. It was the best of the best of all time of radio drama, and it's a great way to learn the craft, by listening to it and absorbing it.   Michael Hingson ** 59:30 Well, if people want to reach out to you and maybe learn more about yesterday, USA or reps and just talk with you about radio, how do they do that, they can give me a   Walden Hughes ** 59:41 call at 714-545-2071, that's my studio number for the radio stations. Lot of times I can, I'll pick it up and talk to on air, off air. They can always drop me an email Walden shoes at yesterday. Us. Dot com and happy the answer, you can always call my cell phone at 714-454-3281,   Walden Hughes ** 1:00:11 you can chase me down at over, at reps, at reps online.org. You know, get forward to me or spur vac at S, P, E, O, D, V, A, c.com, or you can even get hold of Michael Henson and Mike.   Michael Hingson ** 1:00:26 You can always get a hold of me. And people know how to do that, and I will get them in touch with you as well, you bet. So I'm glad to do that. Well, I want to thank you for being here, and I want to thank all of you for listening. I hope you've enjoyed this. This is a little bit different than a lot of the podcast that we've done. But it is, it is so important to really talk about some of these kinds of concepts, and to talk about old radio and what it what it still adds and contributes to today. So I hope that you enjoyed it. I'd love to hear from you. Feel free to reach out to me. Michael H, i@accessibe.com that's m, I, C, H, A, E, L, H, I at accessibe, A, C, C, E, S, S, i, b, e.com, love to hear from you. Wherever you're listening, please give us a five star rating. We value that a lot, and I hope that you'll go listen to YESTERDAY usa.com, or.net then again, in both, there's the red and the blue Network, or repsonline.com, and we, we have a lot of fun. Every so often we do trivia contests, and we'll take hours and and gentlemen in New Jersey and his wife, Johnny and Helen Holmes, come on and run the trivia, and it's a lot of fun, and you're welcome to add your answers to the trivia questions, and you can come on in here and learn how to even do it through the chat.   Walden Hughes ** 1:01:51 But my kids watch this every Friday night on, why USA too?   Michael Hingson ** 1:01:56 Yeah, I get to be on every Friday night, and that's a lot of fun. Yeah. So we'd love to hear from you, and we'd love you to to help us further enhance the whole concept of old radio show. So I want to thank you again. And if you know of other people who ought to be on the podcast, Walt, and of course, you as well as you know, please introduce us. We're always looking for more people to talk to us about whatever they want to talk about. So I want to again. Thank you all and for being here. And Walden, thank you for being here as well.   Walden Hughes ** 1:02:27 All right, Mike, I'll be talking a little while.   Michael Hingson ** 1:02:33 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. 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I feel like I see more acutely than ever into the backing track of human experience. There is the "outside" of how our lives are going within givens and events, but then there is the "backing track" -- the enabling part, the staying part, the... well, the (kind of) Eternal Part. The two parts, the outside and the backing track, are separate. "Phosphorus" is a word one sometimes uses for this, but listening to an old Beach Boys song from 1973 brought it home so beautifully. You hear a number of "stanzas", and then (at least twice, maybe three times) a keyboard-driven bridge -- a melody that puts you right through the roof emotionally. It summons almost automatically the mood you'd want to have surrounding you when you are dying. Moreover, the voiced imperative at the end, "Sail on, sail on, sailor", is exactly what I need. I don't need someone to help me find 'new purpose', something to plant me in the now again, when my spirits are low. I need, as Meister Eckhart wrote in 1312, to experience the following: "If you are looking for God, go back to where you lost Him." To put that in slightly more horizontal terms -- tho' even its horizontal transcription is really Vertical -- "If you are looking for who you are meant to be, go back to where you really were yourself". Incidentally, that was probably not in connection with your career or your cause. It was more likely in connection with a certain someone. People sometimes think I'm overdoing it when I underline the centrality of romantic connection in life. I don't believe I am. The main reason one underlines that dimension is, well, ... popular music. It's not news to anyone reading this, that 97.5% of all rock songs, from the very beginning (i.e., Elvis and Bo Diddley and Chuck Berry and Link Wray and Joe Meek), concern romantic love. Not 65% or even 85%, but 97.5%. Think about that. I mean, really, let that sink in. Anyway, if you want to find God (i.e., your way forward, as opposed to your way backward -- to inertia, bitterness, and cascading negativity as the years go on), go back to... the song you remember from that time you first came out of yourself. Whether the person you were with when you first heard that song is alive or dead, present or out there (Moody Blues, 1988), that moment is eternal. It is still present. It is still your empirical guide to... the New You. Podcast 406 is dedicated to Sam Everette.

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This week we present a special LIVE episode recorded as part of Just For Laughs Toronto. Our subject is notoriously unpleasant Beach Boys singer Mike Love, whose repellant personality created major dissonance within rock's greatest harmony group. Enjoy! Brought to you By: The Sonar Network https://thesonarnetwork.com/

I SEE A FAMOUS BABY IN THE FUTURE – THE STAGE NAME DICAPRIO ALMOST HAD – Shatner in the hospital – AND A GREAT LIST OF ONE HIT WONDERS Rihanna and A$AP Rocky welcomed their third baby . . . and FIRST girl. It's hard to imagine Leonardo DiCaprio with a different name. But it almost happened. A lot of celebrities were born with "ethnic"-sounding names, but changed them as they pursued fame . . . either because they were told to, or they themselves thought it would help. We discussed more celeb name changes. We haven't had a good supergroup in a while. But that's about to change, thanks to Howl Owl Howl. Vince Neil Reveals Multiple StrokesMötley Crüe frontman Vince Neil has opened up about his recent health scare. On SiriusXM's Trunk Nation, Neil revealed he suffered a major stroke last Christmas night that left his left side temporarily paralyzed. Doctors later told him it wasn't his first—he's actually had four strokes over the years, including two he never realized. Neil says the cause was a blood clot in his leg that traveled to his brain.Next James Bond Casting PlansDirector Denis Villeneuve says casting for the next James Bond begins in 2026 once he wraps Dune: Part Three. Producers want a fresh, unknown British actor in his late 20s or early 30s—ruling out names like Idris Elba, Timothée Chalamet, and Glen Powell. The film, a complete reboot following Daniel Craig's finale, is slated for 2028.Tribute Concert for Brian WilsonBig names will honor Beach Boys legend Brian Wilson at a charity concert in Santa Barbara on September 27. Wilson Phillips, Kenny Loggins, David Pack, and even Wilson's grandchildren will perform classics spanning the band's career. Proceeds go to Adam's Angels and the Surfrider Foundation.Why Taylor Swift Said No to the Super BowlIn a surprising livestream, singer Ray J claimed he's collaborating with federal authorities on a RICO case against his ex, Kim Kardashian, and her mother, Kris Jenner. He told viewers, “The federal RICO I'm about to drop on Kris and Kim is about to be crazy… It's worse than Diddy's.” Page SixJohn Mulaney will become the first stand-up comedian to headline Chicago's historic Wrigley Field when he performs there July 11, 2026.The Everyb Back in January, Cardi B revealed that she got a $13,000 diamond buttcrack piercing. She even posted a PICTURE of it.Star Trek legend William Shatner, 94, was rushed to a Los Angeles hospital Wednesday after a medical emergency at his home, TMZ Today is National One-Hit Wonder Day! So to celebrate the occasion, here's a list of 20 of those memorable songs:See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode, Chris and Chris dive into Brian Wilson's life leading up to the creation of The Beach Boys' Pet Sounds and take a closer look at the beautiful and complex “God Only Knows.” Originally released as the B-side to “Wouldn't It Be Nice,” the song wasn't a major hit at the time, but has gone on to become one of the most revered and timeless tracks in pop music history. With Brian Wilson's passing earlier this year, the conversation also reflects on his influence and the emotional weight this song continues to carry nearly six decades later. Chris DeMakes A Podcast is brought to you by DistroKid, the ultimate partner for taking your music to the next level. Get 30% off your first YEAR with DistroKid by signing up at ⁠http://distrokid.com/vip/demakes For bonus episode of The After Party podcast, an extensive back catalog of past After Party episodes, early ad-free releases of new episodes of Chris DeMakes A Podcast, full video versions of episodes, and MUCH more, head to the Patreon at ⁠http://www.ChrisDeMakes.com Follow Chris DeMakes A Podcast on Instagram: ⁠https://www.instagram.com/chrisdemakesapodcast/⁠ Join the Chris DeMakes A Podcast community on Facebook: ⁠https://www.facebook.com/groups/2643961642526928/⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices