Podcasts about The Beach Boys

Discograffiti is the deep-dive podcast for music obsessives. In this episode, we feature the next entry in The Chuck Granata Pet Sounds Interview Series: it's Part 2 of Chuck's chat with his close friend, legendary bassist Carol Kaye. This time around, they're joined by Chuck's bassist buddy, Ammo. Carol is one of the most prolific bass guitarists in rock and pop music, playing on an estimated 10,000 recordings during a career spanning over 65 years. She actually started doing session work in 1957 on guitar, and after a bassist failed to turn up to a session in 1963, she switched to that instrument, quickly making a name for herself as one of the most in-demand session players of the 1960s. She's appeared on sessions by Frank Sinatra, Simon & Garfunkel, Stevie Wonder, The Supremes, The Temptations, The Four Tops, and The Monkees. The intro on Glen Campbell's “Wichita Lineman”? She came up with that. Of course, that's also Carol plucking away on The Beach Boys albums Today!, Summer Days (And Summer Nights!!), Pet Sounds, and Smile. Most famously, Kaye's bass lines are the driving force behind “Good Vibrations”, one of her many number 1 hits.  Here's just a few of the many things that Carol discusses with Discograffiti in this podcast: What Murry Wilson was like at that time; The love that Chuck Britz had for Brian, especially during his dark time in the 1970s; Carol's views on Paul McCartney's bass playing; Her nightmare story of working with producer Joe Thomas; And Carol's absolutely brilliant way of explaining why Brian's music connected with people in such a big way. Sneak Peek: linktr.ee/discograffiti For the full, ad-free, 54-minute podcast, either subscribe to Discograffiti's Patreon at the Private Tier or higher, or just grab the episode as a one-off at the same link. The Full Podcast: Patreon.com/Discograffiti

December 31st – Show 1100In This EpisodeWelcome to our annual celebration of some of the musicians we lost in 2025 This year we compile using a combination of Halfhearted Dudes In Memorium pages and Wikipedia Jan [07 Jan] Peter Yarrow (American singer and songwriter for Peter, Paul and Mary), 86, bladder cancer[09 Jan] Laurie Holloway (English pianist, musical director and composer), 86[10 Jan] Sam Moore (American Hall of Fame singer-songwriter for Sam & Dave), 89[15 Jan] Linda Nolan (Irish singer for the Nolans), 65, pneumonia[30 Jan] Marianne Faithfull (English singer), 78 Feb [24 Feb] Roberta Flack (American singer), 88, amyotrophic lateral sclerosis[28 Feb] David Johansen (American musician for New York Dolls and singer as Buster Poindexter), 75, cancer Mar [04 Mar] Roy Ayers (American musician and composer), 84[10 Mar] Stedman Pearson (British singer for Five Star), 60[11 Mar] Bob Rivers (American radio personality for KISW, KJR), 68, esophageal cancer Apr [01 April] Johnny Tillotson (American singer-songwriter), 86, Parkinson’s disease[28 Apr] Mike Peters (Welsh rock singer for The Alarm), 66, chronic lymphocytic leukemia May [11 May]  John Edwards, 80, soul singer (The Spinners)[26 May] Rick Derringer (American musician for The McCoys), 77 June [05 Jun] Wayne Lewis (American singer for Atlantic Starr), 68[09 Jun] Sly Stone (American musician for Sly and the Family Stone), 82, chronic obstructive pulmonary disease[11 Jun] Brian Wilson (American musician for The Beach Boys), 82[19 Jun] James Prime (Scottish musician for Deacon Blue), 64, , cancer[26 Jun] Lalo Schifrin (Argentine-born American film and television composer), 93, pneumonia Jul [04 Jul] Mark Snow (American film and television composer for The X-Files), 78[16 Jul] Connie Francis – 87 – Pneumonia[22 July] Ozzy Osbourne – 76 – Heart Attack[24 July] Cleo Laine – 97[26 July]  Tom Lehrer – 97 Aug [August 10] Bobby Whitlock (Derek and the Dominos) – 77 – Cancer[August 27] Ray Mayhew (Sigue Sigue Sputnik) – 60 Sept [05 Sept] Mark Volman (The Turtles) – 78[06 Sept] Rick Davies (Supertramp) Oct [Oct 3]  Patricia Routledge – 96[Oct 16]  Ace Frehley – 74 – Brain bleed after a fall[Oct. 22] David Ball, 66,  Soft Cell, Nov [Nov 24] Jimmy Cliff – 81 – Pneumonia[Nov 29] Chubby Tavares – 80 Dec [Dec 03] Steve Cropper (Booker T. & the M.G.'s) – 84[Dec 14] Carl Carlton – 72[Dec 22] Chris Rea – 74 – Complications from a stroke[Dec 26]. Perry Bamonte (The Cure) – 65 Linktree Discord: https://discord.gg/7ndTXDhNC5 a Facebook message A blog comment below @ us on Twitter Why not surprise us with an MP3 in an email to twoguys@snugradio.co.uk Please take some time to show us your love by reviewing us on ITunes. We welcome ALL comments The Snug is an affiliate of Amazon Music   Snug StatsMusic This ShowSam And Dave – Soul Man (02:36) The Nolans – I’m In The Mood For Dancing (03:17) Roberta Flack – Feel Like Makin’ Love (02:53) Roy Ayers – Running Away (03:10) Bob Rivers – Downtown in the 90’s (02:28) Johnny Tillotson – Poetry In Motion (02:26) The Alarm – 68 Guns (03:33) The Spinners – Working My Way Back to You (03:57) The McCoys – Sorrow (02:05) Sly And The Family Stone – Dance To The Music (03:13) Brian Wilson – Good Vibrations (04:36) Connie Francis – My Heart Has A Mind Of Its Own (02:26) Black Sabbath – Paranoid (02:48) Tom Lehrer – Masochism Tango (02:49) Derek & The Dominos – Layla (07:11) Sigue Sigue Sputnik – Love Missile F1-11 (03:44) Turtles, The – She’d Rather Be With Me (02:19) Supertramp – Dreamer (03:33) Kiss – I Was Made For Lovin’ You (04:31) Soft Cell – Where Did Our Love Go? (03:11) Jimmy Cliff – You Can Get It If You Really Want (02:52) Carl Carlton – She’s A Bad Mama Jama (05:48) Chris Rea – Ace Of Hearts (04:53) The Cure – Close To Me (04:21) Join us every Wednesday from 18:30 (UK time) See you then…and have a Snuggly week.

Discograffiti is the deep-dive podcast for music obsessives. In this episode, we feature the next entry in The Chuck Granata Pet Sounds Interview Series: it's Part 2 of Chuck's chat with his close friend, legendary bassist Carol Kaye. This time around, they're joined by Chuck's bassist buddy, Ammo. Carol is one of the most prolific bass guitarists in rock and pop music, playing on an estimated 10,000 recordings during a career spanning over 65 years. She actually started doing session work in 1957 on guitar, and after a bassist failed to turn up to a session in 1963, she switched to that instrument, quickly making a name for herself as one of the most in-demand session players of the 1960s. She's appeared on sessions by Frank Sinatra, Simon & Garfunkel, Stevie Wonder, The Supremes, The Temptations, The Four Tops, and The Monkees. The intro on Glen Campbell's “Wichita Lineman”? She came up with that. Of course, that's also Carol plucking away on The Beach Boys albums Today!, Summer Days (And Summer Nights!!), Pet Sounds, and Smile. Most famously, Kaye's bass lines are the driving force behind “Good Vibrations”, one of her many number 1 hits.  Here's just a few of the many things that Carol discusses with Discograffiti in this podcast: Brian's psychological difficulties; A nerd's fantasy: a rundown of her equipment; The corruption she experienced firsthand while working for Motown; The music she liked and didn't like playing; The particularities of the legendary studios in which she recorded; And just setting the record straight in general, about absolutely everything. Sneak Peek: linktr.ee/discograffiti For the full, ad-free, 43-minute bonus podcast, either subscribe to Discograffiti's Patreon at the Major Tier or higher, or just grab the episode as a one-off at the same link. The Full Podcast: Patreon.com/Discograffiti

Every friendship has an origin story, and for John Stamos and Bill Maher, it starts with a near-fight in the '90s that somehow took 30 years to resolve. The two clear the air over booze, VIP access, and bruised egos before diving into Don Rickles' fearless comedy and why it wouldn't survive today. Stamos shares a moving story about seeing Sinatra perform with his father, bonds with Maher over MacArthur Park, Jimmy Webb lyrics, and their shared obsession with classic music, and trades wild stories about the Beach Boys, Springsteen, Broadway, and the challenge of staying relevant without losing yourself. Somewhere along the way, Uncle Jesse shows up — just long enough to remind everyone this is, in fact, a very full house. Support our Advertisers: -Try Claude for free at https://www.claude.ai/clubrandom -Go to https://www.radioactivemedia.com or text RANDOM to 511511 Subscribe to the Club Random YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/c/clubrandompodcast?sub_confirmation=1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Watch episodes ad-free – subscribe to Bill Maher's Substack: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://billmaher.substack.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Subscribe to the podcast for free wherever you listen: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/ClubRandom⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Buy Club Random Merch: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://clubrandom.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit https://podcastchoices.com/adchoices ABOUT CLUB RANDOM Bill Maher rewrites the rules of podcasting the way he did in television in this series of one on one, hour long conversations with a wide variety of unexpected guests in the undisclosed location called Club Random. There's a whole big world out there that isn't about politics and Bill and his guests—from Bill Burr and Jerry Seinfeld to Jordan Peterson, Quentin Tarantino and Neil DeGrasse Tyson—talk about all of it.  For advertising opportunities please email: PodcastPartnerships@Studio71us.com ABOUT BILL MAHER Bill Maher was the host of “Politically Incorrect” (Comedy Central, ABC) from 1993-2002, and for the last fourteen years on HBO's “Real Time,” Maher's combination of unflinching honesty and big laughs have garnered him 40 Emmy nominations. Maher won his first Emmy in 2014 as executive producer for the HBO series, “VICE.” In October of 2008, this same combination was on display in Maher's uproarious and unprecedented swipe at organized religion, “Religulous.” Maher has written five bestsellers: “True Story,” “Does Anybody Have a Problem with That? Politically Incorrect's Greatest Hits,” “When You Ride Alone, You Ride with Bin Laden,” “New Rules: Polite Musings from a Timid Observer,” and most recently, “The New New Rules: A Funny Look at How Everybody But Me Has Their Head Up Their Ass.” FOLLOW CLUB RANDOM https://www.clubrandom.com https://www.facebook.com/Club-Random-101776489118185 https://twitter.com/clubrandom_ https://www.instagram.com/clubrandompodcast https://www.tiktok.com/@clubrandompodcast FOLLOW BILL MAHER https://www.billmaher.com https://twitter.com/billmaher https://www.instagram.com/billmaher Learn more about your ad choices. Visit podcastchoices.com/adchoices

Podcast for a deep examination into the career and life choices of Adam Sandler (again). Patrick and Joe take a trip down memory lane and discover they don't like what they find. In an attempt to white wash history, the WTHHTT team decides to clean up their old podcasting mishaps. Will they be successful? Find out on this week's remixed episode of 'What the Hell Happened to Them?' Email the cast at whathappenedtothem@gmail.com Disclaimer: This episode was recorded in November 2024. References may feel confusing and/or dated unusually quickly. 'Just Go With It' available on DVD, streaming, and unnecessarily on Blu-ray: https://www.amazon.com/Just-Go-Blu-ray-Jennifer-Aniston/dp/B004QO9H28/ref=sr_1_2_twi_blu_2?ie=UTF8&qid=1505576347&sr=8-2&keywords=just+go+with+it   Clips from 'Just Go With It' Music from "Good Vibrations" by The Beach Boys and "Beggin'" by The Four Seasons Artwork from BJ West   quixotic, united, skeyhill, vekeman, sandler, syzygy, just go with it, email, remix, kidman, matthews, tupac, halloween, balk, wilson, bowen, decker, letterboxd

Discograffiti is the deep-dive podcast for music obsessives. This is the interview you'd hope for if you prayed for all the things you wanted Hal Blaine to talk about in a stream of consciousness style, without a filter: what it was like to work with an acid-addled Brian Wilson; how it felt working at The Beach Boys home studio with the rest of the group; attempting to work with Joe Thomas; how it felt having Murry Wilson around; working with a wildly inebriated John Phillips; and how he feels he got accepted into his senior living community. This entry in The Chuck Granata Pet Sounds Interview Series is the second part of Chuck's chat with Brian Wilson's favorite drummer, legendary studio maestro Hal Blaine. It's not hard to understand why Brian worked with him so often: Hal claimed to have participated in over 35,000 sessions and 6,000 singles. His drumming is featured on 150 US top 10 hits, 40 of which went to number one. Chuck's interview with Hal took place while the latter was living in a retirement community, and the tone is definitely “no shits given” by this point. Hal passed away a few years later in 2019, which makes this posthumously released “Chuck Chat” yet another priceless buried treasure.   There'll be a short sneak peak running publicly for free, but the entirety of this podcast will only be accessible on the Major Tier of Discograffiti's Patreon. Don't miss it, or you'll only be getting part of the story. Get it as a one-off, or better yet just subscribe…and then we'll all have world peace. Full Episode: Patreon.com/Discograffiti (available on the Major Tier & up) Free Sneak Peek: linktr.ee/discograffiti Subscribe to Discograffiti's Patreon and receive a ceaseless barrage (4 shows a week!) of must-hear binge-listening. It's completely free to be a basic member, $1 to get your backstage pass, $5/month for the weekly Sunday show by & for our community, $10 for weekly early release, ad-free, super-extended Director's Cuts of the main show plus access to half our Patreon episode archive, & $20 for Discograffiti's weekly bonus episodes and access to our entire Patreon episode archive. There are now over 300 Patreon episodes.

Sergio Mena repasa las canciones navideñas del sello Motown. Sus artistas tocaron en más números uno que The Beatles, Elvis, The Rolling Stones y The Beach Boys juntos.

Arriba l'últim episodi de l'any, l'última crema. En aquesta quarta temporada hem aconseguit arribar als onze programes, que no està gens malament. Algunes coses han canviat, i aquesta és també part de la gràcia: que sigui un projecte orgànic, que es vagi adaptant a les circumstàncies sense perdre mai el factor de l'atzar. Cada 28 de desembre, des de fa setze anys -quan jo en tenia 36- em permeto un capritx musical: visitar llibreries i botigues de discos i fer-me un regal en forma de llibres sobre música o discos. Aquest any, el capritx pren forma en aquest episodi i arriba a través de la veu i el talent de Laia Camanyes. Un regalàs. Tornen també les seccions de Pedro Enrique Esteban, El cant de l'ocell, i d'Aitor de Las Heras, Perspectiva Battiato. Al llarg del programa sona música de Laia Camanyes, Mike Sharpe, Classics IV, Gary Walker and The Rain, Barry Adamson, Massive Attack, Françoise Hardy, Nick Cave and the Bad Seeds, (Me Llamo) Sebastián, Morphine, The Beach Boys, Brian Wilson, Frank Zappa, Van Morrison, L. Shankar, Francesco Messina i Iván Ferreiro. La Laia Via ha dissenyat la coberta d'aquest episodi. Desitjant-vos un molt feliç 2026, Jordi Via, Terrassa, 28 de desembre de 2025 Nostalgia: https://go.ivoox.com/sq/2574733 Via Miranda: https://go.ivoox.com/sq/2494621 The Sound Of Music: https://go.ivoox.com/sq/1788620 Marcianos Que Nos Tocan Las Guitarras: https://go.ivoox.com/sq/707397 Sinfonautas: https://go.ivoox.com/sq/1317188 Entremixtando: https://go.ivoox.com/sq/1247719 La Capsa De Ritmes: https://go.ivoox.com/sq/1363038 Ivoox Premium: https://www.ivoox.vip/premium?affiliate-code=0c2fca8aa0e6cfffa1f31d2df6c21b75

In this expansive and entertaining chat, Elizabeth and James Duncan, Gabriel Ricard and Kevin Ridgeway talk about ther book We Have Waited Long Enough as well as others of their works, and treat us to some readings as well. And, in usual Meat For Teacast style, the conversation takes twists and turns and ends up on the four questions...ANSWERS/Kevin Ridgeway:Current Book:  1.  Moonglow A Go-Go, by Joan Jobe Smith 2.  The Grifters, by Jim Thompson3.  Finding God In Arby's, by John Dorsey 4.  Waiting on Hummingbirds,  by James Benger & Jason Baldinger Current Music:  1.  Surf's Up (1971), The Beach Boys 2.  Naturally (1971), JJ Cale 3.  Feats Don't Fail Me Now (1974), Little Feat4.  Link Wray (1971), Link WrayCurrent Shows:1.  I Think You Should Leave with Tim Robinson2.  The Daily Show 3.  South Park 4.  Shameless ANSWERS/James Duncan:Book: It's The End Of The World As We Know It: New Tales of Stephen King's The StanTV: Ludwig (British mystery/comedyMusic: The Replacements "Let It Be"Buy the book through James' website: https://www.jameshduncan.com/books

In their annual Year in Review, David and Will consider Gavin Newsom, Donald Trump, TikTok, Sean Penn, Nathan Hochman, the Turtle Island Liberation Front, Karen Bass, Julie Hamill, the Oakland A's, Nancy Pelosi, the Los Angeles Times, Kamala Harris, Ivanpah Solar, the SEIU, Prop 50, Leonardo DiCaprio, the Beach Boys, Julie Su, One Battle After Another, fire, AB 218, Larry Ellison, homeless people, Lyle Menendez, Bill Essayli, Zizians, ExxonMobil, Patrick Soon-Shiong, Wiener Watch, Brian Wilson, Zohran Mamdani, Lorena Gonzalez, Mayor Amy Bublak, and more. Music by Metalachi.Email Us:dbahnsen@thebahnsengroup.comwill@calpolicycenter.orgFollow Us:@DavidBahnsen@WillSwaim@TheRadioFreeCAShow Notes:Wildfire of the Vanities: California's Political Model Has FailedTrump's First 100 Days Have Shattered California's Left-Wing IllusionsLawmakers urge $1-billion annual investments to save high-speed railSan Diego migrant shelter hailed as national model will shut down, with 100-plus layoffsGavin Newsom warms to Big Oil in climate reversal$2B California solar plant to shut down after a decade – for the most frustrating reason (Ivanpah)California's War on Oil Finally Prompts a ResponseThe Public-Sector Union Behind L.A.'s Immigration AgitationGavin Newsom holds mirror to Maga by trolling TrumpCalifornia Approves New House Maps in a Major Win for Democrats and NewsomLarry Ellison Retakes No.3 Richest Spot From Jeff Bezos As Oracle Shares Rise On TikTok DealHarris' score-settling, elbow-throwing, bridge-burning memoirAlready thinking about the 2028 election? You're not aloneLyle Menendez denied parole, will remain in prison along with younger brother ErikZohran Mamdani picks failed progressive Biden nominee Julie Su as top ‘economic justice' aideCalifornia businesses bear brunt of growing unemployment benefit debtThe Pol Who Wants to Replace Pelosi Makes Her Look NormaBrian Wilson, Pop Auteur and Leader of the Beach Boys, Dies at 82L.A. Times owner says he intends to take newspaper public in coming yearD.A. to investigate claims of fraud in L.A. County's $4-billion sex abuse settlementGavin Newsom's Shameless Dodge on the Homeless CrisisFor L.A.'s mayor, a Palisades recovery marked by missteps, reversals and delays Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The rock and roll legend, Billy J. Kramer, grew up in Bootle, a Liverpool suburb.  Upon leaving school, he became a trainee engineer by day and aspiring singer by night, performing under the stage name Billy Kramer. Billy's performances at local rock clubs around Liverpool soon brought him to the attention of the one and only John Lennon.  John urged Brian Epstein to sign Billy to an exclusive management contract.  Billy jumped at the opportunity to become a full-time entertainer.  Soon after, Billy was summoned to Brian's office to find John there waiting for him with the suggestion that he add the “J” to his name to give it a “rock and roll edge”.  From that day forward, Billy has been known as Billy J. Kramer.In March of 1963, Billy was the first person to have a hit record with a Lennon-McCartney song, “Do You Want To Know A Secret,” which was written specially for him by John and Paul and produced by George Martin at Abbey Road Studios even before The Beatles recorded it.Billy toured extensively throughout the UK as the opening act for The Beatles both before and during Beatlemania.  Billy also headlined tours with such greats as Del Shannon, Gene Pitney, and The Everly Brothers.Billy's recordings of the Lennon-McCartney compositions, “Bad To Me” along with “I'll Keep You Satisfied”, “From A Window”, and “I Call Your Name” all became international million sellers.  He also had a smash hit with the Mort Shuman/John Leslie McFarland song, Little Children.  Released as a double sided single, Bad To Me and Little Children have the unique distinction of being the highest entry into the Billboard charts at #8.  That accomplishment has never been equalled.Billy's appearances on the Ed Sullivan show, Shindig, and Hullaballoo secured his place in rock ‘n roll history.  In 1964, Billy performed as part of the legendary T.A.M.I. show along with such artists as James Brown, Chuck Berry, The Beach Boys, Marvin Gaye, The Supremes , Smokey Robinson, The Rolling Stones and many others.To commemorate his 50th anniversary in the music business, Billy recorded and released new material entitled “I Won The Fight”.  Billy recently released his autobiography, “Do You Want To Know A Secret.”Billy continues to record, perform and promote his Storytellers show to international audiences.Please stick around at the end of the show for a really fantastic treat.  Billy has lent us his brand new Christmas song, “Christmas Kinda Feeling…”

Send me a text and please visit www.livefrommydrumroom.com Part 2 of my conversation with legendary Phil Spector's Wall Of Sound band and Wrecking Crew keyboardist, Don Randi. We continue our conversation about Don's work with the Beach Boys, also Sonny & Cher, Elvis Presley, Neil Diamond, The Jackson 5, Diana Ross and much more! So come along for the ride, and thanks for watching and listening. Please subscribe and visit livefrommydrum.com for all the latest news. Be sure to check out Part 1: https://youtu.be/aZj-c3rST80?si=xz1rY2LVMkI4RbetTo order Don's autobiography "You've Heard These Hands" https://store.wreckingcrewfilm.com/pr... or wherever you buy books! Live From My Drum Room T-shirts and Hoodies are now available! 100% of the proceeds go toward my PAS scholarship. Visit https://livefrommydrumroom.com for details! Live From My Drum Room With John DeChristopher! is a series of conversations with legendary drummers and Music Industry icons, hosted by drummer and music industry veteran, John DeChristopher, drawing from his five decades in the Music Industry. Created in 2020, and ranked BEST Drum Podcast, "Live From My Drum Room With John DeChristopher!" gives the audience an insider's view that only John can offer. And no drummers are harmed on any shows! Please subscribe!https://livefrommydrumroom.comwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom

durée : 00:55:51 - Very Good Trip - par : Michka Assayas - Pour fêter la fin de l'année, Michka Assayas a sélectionné de véritables hymnes de Noël par des artistes aussi divers que Bruce Springsteen, The Beach Boys, The Crystals, Ramones ou encore James Brown. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Episode 171: December Holiday Songs December 18, 2024 There are many holidays in the month of December and you might hear of some that you didn't know about on today's Tales Vinyl Tells. I do love the old rockin' Christmas tunes (Ronettes, Beach Boys and the like) as well as those from Tull, Greg Lake and Dan Fogelberg. Sit back and relax, have a cup of cheer and a good holiday month. You know, if you want to hear a Tales Vinyl Tells when it streams live on RadioFreeNashville.org, we do that at 5 PM central time Wednesdays. The program can also be played and downloaded anytime at podbean.com, Apple podcasts, iHeart podcasts, player FM podcasts and many other podcast places. And of course you can count on hearing the Tales on studiomillswellness.com/tales-vinyl-tells.

Wishing a very blue holidays to everyone! Covers by: Elvis Presley, The Beach Boys, Collective Soul, Sheryl Crow, Bright Eyes, Kane Brown, Jeff Goldblum & The Mildred Snitzer Orchestra ft. Veronica Swift Tidal playlist here

Musical Journey Through the Final Week of December: This Week in Music History As the calendar year draws to a close, the week of December 22nd through December 28th stands as a powerful reminder that music history never sleeps—not even during the holidays. In this captivating episode of “This Week in Music History,” hosts Buzz Knight and Harry Jacobs take listeners on an extraordinary journey through decades of musical milestones, tragic losses, and triumphant achievements that have shaped the soundtrack of our lives. The conversation opens with a poignant reflection on the end of another year of exploring music’s rich tapestry. Buzz muses on how, despite covering similar calendar dates year after year, they continue to uncover new stories and perspectives. “When you think about it, you would think, well, if you do it year after year, you’re going to be talking about the same things,” Buzz observes. “And the truth is, we continue to uncover new and different things.” This sentiment perfectly captures the infinite depth of music history and the endless stories waiting to be told. The Clash’s Revolutionary Voice Falls Silent December 22nd marks the anniversary of one of punk rock’s most devastating losses—the death of Joe Strummer in 2002. Born John Meller, the Clash frontman passed away from pneumonia at a time when his influence on music and culture was still reverberating through generations of artists. The Clash represented more than just a band; they were a political and social force that challenged conventions and inspired countless musicians to use their platform for more than entertainment. Strummer’s legacy as a voice for the disenfranchised and his commitment to authentic, passionate rock and roll continues to inspire artists today. A Candle in the Wind That Lost Its Luster The hosts touch on Elton John’s iconic “Candle in the Wind,” originally written about Marilyn Monroe in 1967. While the song initially resonated as a beautiful tribute, its later reworking for Princess Diana’s funeral created what Buzz describes as “overkill.” The constant repetition following Diana’s tragic death in 1997 caused the song to lose some of its original emotional impact for many listeners. This phenomenon speaks to how even the most beautiful pieces of music can become dulled through overexposure, demonstrating the delicate balance between honoring memory and respecting the power of restraint. Cheap Trick’s Complex Family Dynamics A fascinating deep dive into the internal dynamics of Cheap Trick reveals the complicated nature of band relationships and business structures. Rick Nielsen, the legendary guitar player known for his collection of hundreds of guitars—including his famous five-neck Hamer guitar—represents the performative and creative heart of Cheap Trick. The band’s 2016 Rock and Roll Hall of Fame induction marked a peak moment, but beneath the surface lay complex tensions. The departure of bassist Bunny Carlos and the subsequent addition of Rick Nielsen’s son, Dax, initially appeared to follow the pattern of other famous rock family transitions, like Michael Anthony’s replacement by Wolfgang Van Halen in Van Halen. However, the reality proved far more nuanced. Buzz’s research uncovered ongoing strife within the band, though Carlos remains part of the Cheap Trick corporation—a business structure similar to Journey’s arrangement with Steve Perry. This setup ensures that founding members maintain ownership stakes even when they’re no longer actively touring, though it can also create lasting tension and legal complications. The hosts explore the darker side of band politics, touching on stories of sabotage and ego clashes. There are tales of Journey band members allegedly pulling on Steve Perry’s microphone cord during performances to make him trip—petty acts of revenge that reveal the intense pressures and personalities at play in successful rock bands. Yet they also note that time can heal wounds, pointing to Perry and Neal Schon’s apparently warm relationship at the Rock and Roll Hall of Fame induction, despite whatever conflicts may have existed in their past. The Therapeutic Approach: A New Model for Band Longevity In a refreshing counterpoint to tales of band dysfunction, Buzz shares insights from his conversation with The Head and the Heart on his “Music Saved Me” podcast. This indie pop alternative band has taken an innovative approach to managing interpersonal relationships: group therapy. Band members openly discuss how they’ve used professional counseling to navigate the challenges of creative collaboration, life on the road, and the inevitable conflicts that arise when passionate artists work together for years. This revelation prompts fascinating speculation about how many legendary bands might have avoided breakups, lawsuits, and lasting bitterness if they’d embraced therapy earlier. The deeply personal nature of musical creation—leaving your heart exposed in every performance, every recording—makes these relationships particularly vulnerable to conflict. As Harry notes, “even if it’s a drummer or a bass player, it’s still your piece of that performance of that song you left your heart out there.” The music exists forever as a testament to that vulnerability, creating permanent emotional stakes that can intensify disagreements and hurt feelings. Joe Cocker: A Voice That Couldn’t Be Contained The passing of Joe Cocker at age 70 in 2014 brings reflection on an artist whose expressive, explosive performances made him unforgettable. While 70 might not seem particularly old from our current vantage point—as Buzz and Harry, approaching 60 and 70 respectively, can attest—Cocker’s hard-living lifestyle took its toll. His performances were legendary, inspiring John Belushi’s spot-on “Saturday Night Live” impersonation that Cocker himself found hilarious. Cocker’s career highlights include his cover of The Beatles’ “With a Little Help from My Friends,” which became the theme for the television series “The Wonder Years,” and “Up Where We Belong,” his duet with Jennifer Warnes from the film “An Officer and a Gentleman.” The latter song became inextricably linked with that powerful film starring Richard Gere and Lou Gossett Jr., whose portrayal of a drill instructor was genuinely frightening and contributed to one of cinema’s most memorable moments—Gere’s character’s desperate declaration: “I got nowhere else to go.” Eddie Vedder: The Humble Superstar December 23rd celebrates the birthday of Eddie Vedder, born in 1964, whose appreciation for musical history and those who came before him sets him apart in an industry often dominated by ego. The hosts draw parallels to Dave Grohl, noting how both artists exhibit genuine humility and respect for their influences. Vedder’s collaborations with Neil Young, particularly their version of “Rockin’ in the Free World,” helped establish his credibility beyond Pearl Jam circles, while his passionate renditions of The Who’s classics—especially “Love, Reign o’er Me”—have become legendary in their own right. Vedder’s versatility shines through in his cover work, from The Waiting by Tom Petty and the Heartbreakers to The English Beat’s “Save It for Later,” featured in the television series “The Bear.” His interpretation of Tom Petty’s “Room at the Top” particularly resonates, described as “so beautiful” in its delicate handling of Petty’s original composition. The discussion of “The Bear” opens a tangent about the show’s exceptional soundtrack curation, featuring all Tom Petty covers including a barn-burning version of “Runnin’ Down the Dream” by Larkin Poe. Despite Pearl Jam’s reputation for deep cuts and extensive catalogs—which might intimidate casual fans—the hosts acknowledge being captivated whenever they hear Vedder sing anything. His voice and interpretive skills transcend the barrier of familiarity, making even unknown material compelling. The Unsung Guitar Legends of Country Music The conversation shifts to Glen Campbell, whose passing on December 24th prompts reflection on his extraordinary but often underappreciated guitar skills. Campbell represents a generation of country musicians whose technical prowess gets overshadowed by genre stereotypes. Like Roy Clark, Campbell could do virtually anything on guitar, yet many people don’t associate country music with virtuoso instrumentalists. Campbell’s session work tells the story of his versatility—he played on albums by The Monkees, The Beach Boys, Frank Sinatra, and soundtracks for Elvis films and Phil Spector productions. This breadth demonstrates how the Nashville studio system produced some of the most skilled musicians in any genre, even if they didn’t always receive recognition outside country music circles. The discussion of Campbell also touches on Brian Wilson’s 1964 breakdown, a tragic moment that had long-lasting consequences for the Beach Boys and Wilson himself. The psychological damage inflicted by Wilson’s abusive father Murry Wilson—compared to Joe Jackson’s treatment of his children—demonstrates how family trauma can derail even the most talented artists. Brian’s struggles with touring and performing were just the beginning of severe mental health challenges that would plague him throughout his career. The Police: Reunion Done Right In 2007, The Police earned recognition as the year’s highest-grossing tour, thirty years after the band’s inception and 24-25 years after their previous collaboration. The reunion tour, which Buzz witnessed in Las Vegas, comprised over 150 shows worldwide and generated nearly $400 million—not a bad payday for a comeback. This success demonstrated the enduring appeal of Sting, Andy Summers, and Stewart Copeland’s unique blend of rock, reggae, and new wave, proving that some artistic chemistry remains potent even after decades apart.Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Ed Ward and Nate Wilcox continue their discussion of Ed's book "The History of Rock & Roll, Volume 2: 1964–1977: The Beatles, the Stones, and the Rise of Classic Rock" with a look at rock & roll's second miracle year when America responded to the Beatles by blending folk and blues with rock & roll. They discuss how Michael Bloomfield electrified Bob Dylan, the Beach Boys making Pet Sounds, Stax hitting its stride, James Brown getting funky, the Beatles dropping acid and the beginnings of the San Francisco scene. ⁠GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack. Also subscribe to the LET IT ROLL EXTRA feed on Apple, Spotify or your preferred podcast service to access the full episodes via your preferred podcast outlet. We've got all 350+ episodes listed, organized by mini-series, genre, era, co-host, guest and more. Please consider becoming a paid subscriber to support the show. Thanks! Email ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letitrollpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Let It Roll is proud to be part of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pantheon Podcast⁠s⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

GRAMMY® Winner, Rock n Roll Hall of Fame Inductee! Happy Holiday's, Merry Christmas!! Featured in the Academy Award Winning Documentary "20 Feet from Stardom", Darlene Has done a LOT!! #1 Hit Make, Actress on Stage & in Motion Picture Blockbusters like the "Lethal Weapon" Movies Rolling Stone Magazine has proclaimed Darlene Love to be “one of the greatest singers of all time” and that certainly rings true, but perhaps Paul Shaffer says it even more concisely: “Darlene Love is Rock N' Roll!” From her first number #1 Hit,"He's A Rebel", through her string of label hits with legendary producer Phil Spector, including "Da Doo Ron Ron", "He's Sure The Boy I Love & "Christmas Baby Please Come Home" a classic she sangs every Christmas season on the "Late Show with David Letterman (it is David's favorite). Darlene on Lead Vocals #1 Hit ~ "He's a Rebel" ~ The Crystals #10 Hit ~ "He's Sure the Boy I Love" ~ The Crystals Darlene solo ~ "Christmas (Baby Please Come Home)" In December 2010, Rolling Stone Magazine ranked "Christmas (Baby Please Come Home)" first on its list of The Greatest Rock and Roll Christmas Song, saying that "nobody can match Love's emotion and sheer vocal power." Several of the classic hit song's she sings backup on: Sam Cooke's ~ "Chain Gang", Bobby "Boris" Pickett ~ "The Monster Mash" "(You're My) Soul and Inspiration" ~ The Righteous Brothers "Walking In The Rain" ~ The Ronettes The Beach Boys ~ "In My Room" "Poor Side of Town" ~ Johnny Rivers "Rock and Roll Lullaby" ~ B.J. Thomas "Let Us Pray" ~ Elvis Presley "Get It Right" ~ Luther Vandross And many other top 10 hits of the Rock n Roll Era. Her voice is on countless songs she sang backup on for artists like Sam Cooke, Elvis Presley, Dionne Warwick, Cher, Luther Vandross and Aretha Franklin. One of Darlene's biggest fans is "The "Boss" Bruce Springsteen. She has proven herself a talented actress as well, on stage and screen, starring as Danny Glover's wife in all of the LETHAL WEAPON films and lighting-up Broadway in such musicals as GREASE and the Tony-award nominated LEADER OF THE PACK. Darlene Love was just a high school sophomore in Los Angeles when she was discovered out of a gospel choir, and asked to join a burgeoning girl group called The Blossoms, who began recording for Phil Specter. Soon thereafter, other artists like Sam Cooke were attracted to her powerful sound, and sought Darlene on their recordings. With The Blossoms and Bob B. Soxx and the Blue Jeans, Darlene sang lead vocals on some of the greatest music hits of the 60's. The Blossoms landed a weekly spot on the landmark television series SHINDIG & Elvis's 1968 Comeback Special and through the 60's and 70's, Darlene continued to perform with and back-up such diverse artists as The Beach Boys, The Mamas & The Papas, Tom Jones, The Righteous Brothers and Sonny & Cher. She has received great national press exposure, including a feature in PEOPLE magazine, a CNN television documentary on her life, and bookings on numerous national television programs, including NBC-TV's TODAY, Wendy Williams, CW and Oprah as her yearly stint on the David Letterman show which she has done 26 years strong. A feature film based on Darlene's autobiography “My Name Is Love” is in the works Along with more great new music collaborations & concerts thru 2026 © 2026 Building Abundant Success!! Join Me on ~ iHeart Media @ https://tinyurl.com/iHeartBAS Spot Me on Spotify: https://tinyurl.com/yxuy23ba Amazon Music ~ https://tinyurl.com/AmzBAS Audacy:  https://tinyurl.com/BASAud

Discograffiti is the deep-dive podcast for music obsessives. In this episode, we feature the next entry in The Chuck Granata Pet Sounds Interview Series. Chuck and legendary bassist Carol Kaye are close friends, so this exceptional interview goes incredibly deep in its search for the truth. Carol is one of the most prolific bass guitarists in rock and pop music, playing on an estimated 10,000 recordings during a career spanning over 65 years. She actually started doing session work in 1957 on guitar, and after a bassist failed to turn up to a session in 1963, she switched to that instrument, quickly making a name for herself as one of the most in-demand session players of the 1960s. She's appeared on sessions by Frank Sinatra, Simon & Garfunkel, Stevie Wonder, The Supremes, The Temptations, The Four Tops, and The Monkees. The intro on Glen Campbell's “Wichita Lineman”? She came up with that. Of course, that's also Carol plucking away on The Beach Boys albums Today!, Summer Days (And Summer Nights!!), Pet Sounds, and Smile. Most famously, Kaye's bass lines are the driving force behind “Good Vibrations”, one of her many number 1 hits.  Here's just a few of the many things that Carol discusses with Discograffiti in this podcast: The truth about Mike Love; The first time she crossed paths with Brian Wilson; Working with Murry Wilson; The three times that Carol had Brian and Marilyn over to her house. There'll be a short sneak peak running publicly for free, but the entirety of this podcast will only be accessible on the Major Tier of Discograffiti's Patreon. Don't miss it, or you'll only be getting part of the story. Get it as a one-off, or better yet just subscribe…and then we'll all have world peace. Full Episode: Patreon.com/Discograffiti (available on the Major Tier & up) Free Sneak Peek: linktr.ee/discograffiti Subscribe to Discograffiti's Patreon and receive a ceaseless barrage (4 shows a week!) of must-hear binge-listening. It's completely free to be a basic member, $1 to get your backstage pass, $5/month for the weekly Sunday show by & for our community, $10 for weekly early release, ad-free, super-extended Director's Cuts of the main show plus access to half our Patreon episode archive, & $20 for Discograffiti's weekly bonus episodes and access to our entire Patreon episode archive. There are now over 300 Patreon episodes.

The Spin-ter Wonderland season is upon us! Get ready for a head-to-head bracket elimination of your favorite holiday hits with our annual NAUGHTY OR NICE Competition! We've selected fourteen songs by artists we've covered on the podcast in the last year and pitted them against one another to determine who comes out on top, based on YOUR VOTES! From Frank Sinatra's crooning Have Yourself A Merry Little Christmas to Lady Gaga's Christmas Tree, we've got a blend of new tunes and familiar favorites in the running this year. The Beach Boys' Little Saint Nick is also looking for redemption after underperforming a few years back. Will Fall Out Boy's Yule Shoot Your Eye Out remain our champion??James & Connor are back to talk about their holiday traditions, previous Naughty Or Nice contests (including the tragic and complicated elimination of Wham! and Last Christmas a year ago). We'll play memory games about Connor's scores and units, learn about each of these seasonal staples, and compete against each other with our own brackets to break a years-long tie. Then we'll end the episode with a new memory game that might end up with James on the naughty list after all!Thank you for another great year! Which of these holiday songs were your favorites? Would your bracket have matched the final score? Are there any artists we've covered with more deserving Christmas classics? Let us know on social media, and follow us into 2026 next week wherever you get your podcasts!Check out this episode's playlists!Spotify: https://open.spotify.com/playlist/7HbbcFipapfg9h2BLUxGeR?si=2da8e2471a844871YouTube: https://www.youtube.com/watch?v=-tJtsKngXJU&list=PLYumnChiw_I_gaLMEZ0UiHzFwkN22kQu-Thanks for listening!Keep Spinning at www.SpinItPod.com!0:00 Intro2:47 Tales Of The Glories Of Naughty Or Nice Long, Long Ago6:29 Have We Been Naughty Or Nice?11:33 The NoN 2025 Bracket18:02 Have Yourself A Merry Little Christmas (Sinatra) vs. You're A Mean One, Mr. Grinch (Tyler, The Creator)25:40 Another Lonely Christmas (Prince) vs. Not Another Christmas Song (Blink-182)33:20 Cherry Tree Carol (Wiggles feat. Hozier) vs. Christmas Tree (Lady Gaga)41:45 We All Need Christmas (Def Leppard) vs. Little Saint Nick (The Beach Boys)49:46 Together Again And A Very Merry Christmas (Randy Newman) vs. The Christmas Song (Olivia Dean)57:10 Alone On Christmas With You (Cody Fry) vs. 8 Days Of Christmas (Destiny's Child)1:04:11 A Nonsense Christmas (Sabrina Carpenter) vs. Winter (The Rolling Stones)1:10:38 Round 2.11:12:19 Round 2.21:14:15 Round 2.31:16:16 Round 2.4 Featuring Yule Shoot Your Eye Out (Fall Out Boy)1:19:28 Round 3.11:20:50 Round 3.21:22:56 Round 4: The Finale1:24:30 One Last Experiment1:29:33 Final Bracket Recap1:30:28 One More Game For Connor1:46:58 Final Spin Hosted on Acast. See acast.com/privacy for more information.

BEHIND THE CHRISTMAS HITS WITH DREW SAVAGE: After getting kicked out of the studio during the sessions for one of the most revered Christmas albums ever, Brian Wilson would create a Christmas classic of his own. This is the story behind the Christmas hit 'Little Saint Nick' by The Beach Boys.

Jim Keller started in the music industry as part of Tommy Tutone, writing the hit '867-5309/Jenny', then the bands career sank and he left performing, landing as an assistant and then manager for Phillip Glass, Nico Muhly, Ravi Shankar, and others, before 'retiring' and returning to making music by hosting jam sessions with members of The Black Crowes, Levon Helm's band, The Beach Boys, The Wallflowers, The Lumineers, and more. We talk to Jim about the realities of 'crashing and burning', the business and creative divide, the power of honesty, knowing your role, showing up, and a whole lot more.Get more access and support this show by subscribing to our Patreon, right here.Links:Jim KellerTommy TuToneAdam MinkoffTony LeoneNonesuch RecordsEp 46 - Mary Chapin CarpenterEp 16 - Rodney CrowellPhilip GlassByron IsaacsChris MastersonNico MuhlyRachel PortmanAudley FreedLilly WinwoodClick here to watch this conversation on YouTube.Social Media:The Other 22 Hours InstagramThe Other 22 Hours TikTokMichaela Anne InstagramAaron Shafer-Haiss InstagramAll music written, performed, and produced by Aaron Shafer-Haiss. Become a subscribing member on our Patreon to gain more inside access including exclusive content, workshops, the chance to have your questions answered by our upcoming guests, and more.

Send us a textThis week on Here's What We Know, we sit down with legendary entertainment attorney John Mason for a conversation filled with heart, humor, and jaw-dropping stories from behind the curtain of the music and film industry.Growing up in the San Fernando Valley alongside the children of Hollywood icons, he followed an unexpected path that led him from law school to jam sessions with the Beach Boys, Frank Sinatra, and the musicians who quietly shaped modern music. Along the way, he built a career representing some of the biggest names in entertainment, while never losing sight of the human stories behind the fame.Drawing from his book Crazy Lucky, John shares intimate moments with Brian Wilson, Olivia Newton-John, Michael Jackson, Quincy Jones, Randy Travis, and more. These are not tabloid stories. They are reflections on genius, vulnerability, perseverance, and the strange way talent and timing collide to shape a life.This episode is a love letter to creativity, resilience, and the unpredictable paths that lead us exactly where we are meant to be. Tune in now!In This Episode:John Mason's unexpected path to musicThe magic and pressure of recording sessions with The Wrecking CrewBrian Wilson's musical brilliance and personal strugglesOlivia Newton-John's grace, strength, and lasting impactMichael Jackson and Quincy Jones creating history togetherRandy Travis and the rebirth of country musicThis episode is sponsored by:Dignity MemorialBio:John Mason is one of the most respected entertainment attorneys in the business, with a career spanning decades across film, television, and music. From representing Academy Award winners to working with artists who have sold over 100 million records, John has been a trusted advocate for some of the biggest names in the industry. A UCLA and UC Berkeley Law graduate with the highest honors, his work has earned national recognition and shaped major moments in entertainment law. Beyond the courtroom, John is deeply committed to the arts, philanthropy, and mentoring the next generation of creators.Website: https://www.johnmasonlaw.com/Connect with Gary: Gary's Website Follow Gary on Instagram Gary's Tiktok Gary's Facebook Watch the episodes on YouTube Advertise on the Podcast Thank you for listening. Let us know what you think about this episode. Leave us a review!

Brian Wilson was a musical genius. And a new re-issue highlights his brilliance in live performance. And if there's anyone who can talk about Wilson's work it's David Leaf. He's literally written the book (well, 2, actually) as well as made the movie about Brian. Brian Wilson- Live at The Roxy Theater is available right now wherever you get your music.Plus, we discuss a few other books that came out this year that are worth your time and attention.

La soirée débute sur RTL2 Pop-Rock Station avec un mélange de figures incontournables et de nouveautés marquantes : Korn, The Cure, Patti Smith, Weezer ou encore Lou Reed. Parmi les sorties récentes, "Bruised Sky" de Poppy qui annonce son album "Empty Hands". Le 16 décembre est aussi l'occasion de revenir sur un moment clé de l'histoire du rock : la première diffusion du "MTV Unplugged" de Nirvana en 1993, devenu l'un des lives les plus emblématiques de tous les temps, célébré ici avec "The Man Who Sold The World". La programmation alterne ensuite énergie rock et douceur soul, de Placebo à Otis Redding, en passant par Last Train et Foo Fighters. L'ambiance se teinte aussi d'un esprit de fêtes avec un clin d'œil aux Beach Boys et leur classique "Little Saint Nick", prélude à l'émission spéciale de fin d'année. En fin de soirée, RTL2 Pop-Rock Station propose une relecture inattendue de "Purple Rain" par Dolly Parton, extraite de son album "Rockstar". La dernière ligne droite navigue entre Sum 41, The Stooges, Korn et Gorillaz, avant de mettre en lumière la nouveauté "Sad Clown" de Melanie Baker. La nuit se conclut entre Foals, Edwin Starr et Iron Maiden, pour refermer deux heures de rock sans concession. Lou Reed - Vicious Poppy - Bruised Sky Nirvana - The Man Who Sold The World Lovin' Spoonful - Summer In The City Placebo - Infra-Red Patti Smith - People Have The Power Weezer - Hash Pipe The Beach Boys - Little Saint Nick Soul Asylum - Runaway Train Last Train - Fire Otis Redding - (Sittin'on) The Dock Of The Bay Foo Fighters - Asking For A Friend Dolly Parton - Purple Rain Sum 41 - Landmines Small Miracles - Shadow Eyes Wings - Band On The Run Suede - Animal Nitrate Gorillaz - The God Of Lying (Feat. Idles) The Stooges - I Wanna Be Your Dog Korn - Lost In The Grandeur Melanie Baker - Sad Clown The Cure - The Lovecats Foals - Miami Starr Edwin - War Melody's Echo Chamber - The House That Doesn't Exist Iron Maiden - Seventh Son Of A Seventh Son (2015 Remaster)Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Season 5 is coming to a close with another two-part ending and the Fanneritos have us excited for this one! Jesse's signing a record deal... again?! The Beach Boys are here... Again?! "Forever" is sung... AGAIN?! We're getting Déjà vu here! But hey, these elements + a great lesson = peak Full House. Join us as we dive into the second-to-last episode of season 5 right here on How Rude, Tanneritos! Follow us on Instagram @howrudepodcast & TikTok @howrudetanneritos See omnystudio.com/listener for privacy information.

Send me a text and please visit www.livefrommydrumroom.com Don Randi is a living legend and keyboardist known for his work with Phil Spector's Wall of Sound Band and The Wrecking Crew. In Part 1 of this exclusive interview, we explore Don's incredible career, including some of his iconic tracks from The Ronettes, The Crystals, Nancy Sinatra, Linda Ronstadt/Stone Poneys, Beach Boys and much more! So come along for the ride for this insightful conversation. Thanks for watching and listening and please subscribe! Part 2 drops Dec 23rd! To order Don's autobiography "You've Heard These Hands" https://store.wreckingcrewfilm.com/products/youve-heard-these-hands-by-don-randi or wherever you buy your books. Live From My Drum Room T-shirts and Hoodies are now available! 100% of the proceeds go toward my PAS scholarship. Visit https://livefrommydrumroom.com for details! Live From My Drum Room With John DeChristopher! is a series of conversations with legendary drummers and Music Industry icons, hosted by drummer and music industry veteran, John DeChristopher, drawing from his five decades in the Music Industry. Created in 2020, and ranked BEST Drum Podcast, "Live From My Drum Room With John DeChristopher!" gives the audience an insider's view that only John can offer. And no drummers are harmed on any shows! Please subscribe!https://livefrommydrumroom.comwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom

Discograffiti is the deep-dive podcast for music obsessives. In this episode, we feature the next entry in The Chuck Granata Pet Sounds Interview Series. By now, Beach Boy Bruce Johnston has retired from being interviewed, so this epic, unheard 2001 interview for Chuck Granata's Pet Sounds book is absolutely priceless…especially seeing as his fanboy love for Chuck's Frank Sinatra book wound up contributing to a level of unvarnished honesty that's super-rare for The Beach Boy universe.  Here's just a few of the many things that Bruce discusses with Discograffiti in this podcast: Bruce's opinion of Smiley Smile; What it's like to be scolded in a session and to have it actually make the final mix; Bruce's efforts to promote Pet Sounds in England at the time; Bruce's advice to Chuck on how best to approach the various Beach Boys in order to get the most out of his interviews with them; And the roles that the group members played, both in the vocal blend and in their importance to Brian. There'll be a short sneak peak running publicly for free, but the entirety of this podcast will only be accessible on the Major Tier of Discograffiti's Patreon. Don't miss it, or you'll only be getting part of the story. Get it as a one-off, or better yet just subscribe…and then we'll all have world peace. Full Episode: Patreon.com/Discograffiti (available on the Major Tier & up) Free Sneak Peek: linktr.ee/discograffiti Subscribe to Discograffiti's Patreon and receive a ceaseless barrage (4 shows a week!) of must-hear binge-listening. It's completely free to be a basic member, $1 to get your backstage pass, $5/month for the weekly Sunday show by & for our community, $10 for weekly early release, ad-free, super-extended Director's Cuts of the main show plus access to half our Patreon episode archive, & $20 for Discograffiti's weekly bonus episodes and access to our entire Patreon episode archive. There are now over 300 Patreon episodes.

Barry, Abigail, and special guest Carlo “from Canada” Sgro discuss Carlo's Phone-a-Friend selection, Version 2.0 by Garbage, and sample Carlo's choice of three Canadian porters: Stranger Than Fiction from Collective Arts Brewing in Hamilton, Ontario; Clifford Porter from Clifford Brewing Co. in Hamilton, Ontario; and Vanilla Porter from Side Launch Brewing Company in Collingwood, Ontario.Abigail always gets Collective Arts confused with Untitled Art in Waunakee, Wisconsin. Barry always gets it confused with Counterpart Brewing in Niagara Falls, Ontario.Carlo told the story of Shirley Manson calling Chrissie Hynde of The Pretenders to ask permission to use the lyrics “We were the talk of the town” in Special, since Manson had pulled those lyrics from The Pretenders' Talk of the Town. Hynde agreed, and did not ask for any credit or royalties, before even having heard Special, and rumor had it she was flattered by the ask.Hammering in My Head reminded Barry of Leave by R.E.M.Barry heard elements of both The Munsters theme and The Beach Boys' Don't Worry Baby in Push It. Unfortunately, he cannot claim credit at the AHSOSSAM for this find, as Garbage credited The Beach Boys for those lyrics and melody. Listen to our exploration of The Munsters Theme's many different iterations in last year's Halloween episode, New Belgium Halloween (New Wave Halloween & New Belgium Brewing)!Listen to Carlo's cleaning playlist!The Trick Is To Keep Breathing reminded Barry of Try Not to Breathe by R.E.M. Listen to the fabulous Song Exploder episode on Try Not to Breathe!Carlo was the only one to complete the resequencing homework assignment! Listen to Carlo's resequencing of Version 2.0!Up next… This Warm DecemberJingles are by our friend Pete Coe.Visit Anosmia Awareness for more information on Barry's condition.Follow Barry or Abigail on Untappd to see what we're drinking when we're not on mic!Leave us a rating or a review on Apple Podcasts or Spotify!Facebook | Instagram | Bluesky | YouTube | Substack | Website | Email us | Virtual Jukebox | Beer Media Group

The holidays are here, so Danielle, Will and Rider are drunk off Egg Nog and caroling at the door of their TGIF neighbors, “Full House.” It’s time to recap their Season 2 episode, appropriately named, “Our Very First Christmas Show”. Though Rider is still a Full House novice, he shares his honest reaction to every Michelle scene, but we get him back on track by shaking a cup of M&Ms. The trio dives into the lore of Elf on the Shelf and we explore John Stamos’s unorthodox journey to becoming a real life Beach Boy. Plus...the gang learns that “Christmas isn’t about presents, it’s a feeling” on a new, spirited episode of Pod Meets World! Follow @podmeetsworldshow on Instagram and TikTok!See omnystudio.com/listener for privacy information.

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In this episode, I spoke with author Thom Shubilla about his latest book "King Kong vs Godzilla -"The Most Colossal Conflict the Screen Has Ever Known". Popular culture in 1962 experienced many notable firsts. That year, The Beatles released their debut single “Love Me Do” in England, The Beach Boys first LP, Surfin' Safari, was stocked on record store shelves, The Rolling Stones played their first shows, Dr. No marked the opening James Bond adventure to hit theaters, Marvel Comics' “The Incredible Hulk” was splashed on the pages of comic books—and two of the greatest movie monsters, King Kong and Godzilla, clashed on the big screen.

In this episode of the Top Five podcast, hosts Kris McPeak and her sister Annie Pruitt delve into their favorite songs about the USA, from John Cougar Mellencamp's classics to Brad Paisley's American Saturday Night.   They discuss their personal connections to each song, the artists' quintessentially American vibes, and the joy of discovering new music together. Highlights include a special note on Whitney Houston's iconic performance of the Star-Spangled Banner and a mutual love for Miley Cyrus's Party in the USA. Tune in for a celebration of American music that spans genres and generations.   And that playlist:  RIGHT HERE!!!  ENJOY!!   00:00 Welcome to the Top Five Podcast 00:49 Introducing the Theme: Songs About the USA 01:36 John Cougar Mellencamp's American Anthems 05:08 Madonna's Controversial Covers 06:53 Tom Petty's Iconic American Girl 08:58 Simon & Garfunkel's America 10:25 Neil Diamond's Patriotic Hits 12:27 The Beach Boys' Surfing USA 13:51 Ray Charles' America the Beautiful 14:27 Music Class Memories 15:14 Sugarland's Everyday America 16:24 Kim Wilde's Kids in America 17:58 Brad Paisley's American Saturday Night 20:29 Whitney Houston's Star-Spangled Banner 21:58 Miley Cyrus' Party in the USA 23:42 Recap and Final Thoughts

La soirée démarre avec AC/DC, Kasabian, The Hives et The Verve. L'anniversaire de J Mascis offre un détour par Dinosaur Jr et ses débuts marqués par le jazz, le hardcore et l'estime de Kurt Cobain. Janis Joplin, Queens of the Stone Age et les Beach Boys complètent cette première partie, suivis d'un nouveau titre de Melody's Echo Chamber, "Burnin' Man", extrait de l'album de la semaine "Unclouded". Muse, Depeche Mode et Just Mustard précèdent la reprise du soir : "Rock the Casbah" de The Clash, contextualisée par son interdiction en Iran et revisitée en arabe par Rachid Taha en 2004. La programmation enchaîne ensuite Cage the Elephant, Oasis, la collaboration Chimehours, puis Phoenix et Blondie, avant Tame Impala, attendu à Paris au printemps. En fin d'émission, Red Hot Chili Peppers introduisent la découverte Fresh Fresh Fresh : Sleaze et son "post-pub kebab shop glam rock". L7 et Eels prennent la suite avec "Wargasm" et "Bone Dry", extrait de "Deconstruction", album imprégné de rupture mais aussi de paternité. AC/DC - Big Gun Kasabian - Hippie Sunshine Dinosaur Jr. - Repulsion The Hives - Hate To Say I Told You So Janis Joplin - Move Over Queens Of The Stone Age - The Way You Used To Do The Beach Boys - I Get Around Melody's Echo Chamber - Burning Man The Verve - The Drugs Dont Work Muse - Plug In Baby Depeche Mode - Master And Servant Just Mustard - Endless Deathless Rachid Taha - Rock El Casbah Cage The Elephant - In One Ear Oasis - Lyla Chimehours - Toothwort Took Him Blondie - Atomic Phoenix - Alpha Zulu Tame Impala - Dracula Stevie Wonder - Higher Ground Red Hot Chili Peppers - Blood Sugar Sex Magik Sleaze - Universal Adaptor The Trashmen - Surfin' Bird L7 - Wargasm Eels - Bone Dry The Doors - People Are Strange Tool - PneumaHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Das große Glück der kleinen Dinge im Leben, davon erzählen Henning und Till in dieser Folge des weltbesten Podcasts. Musikalisch untermauern die beiden Soulbrothers ihre Erinnerungen, Anekdoten und Erlebnisse mit Zartmann, Lennon, den Beach Boys oder Van Halen. Wunderbar! Die Songs der Sendung: 1) God only knows / Beach Boys2) Tau mich auf / Zartmann3) Black and blue / Van Halen4) Das was Peter Pan sagt / Großstadtgefühle, Danger Dan5) I´m still standing / Elton John6) Gimme some truth / John Lennon7) Close to me / The Cure8) Why did you do it / Stretch Links zur Sendung:Das erwähnte Buch der Folge: https://www.amazon.de/gro%C3%9Fe-Gl%C3%BCck-kleinen-Dinge-versteckt/dp/3830363907 Hosted on Acast. See acast.com/privacy for more information.

In part 2 of "How Owsley Stanley's LSD Changed Music", we dive deeper into the extraordinary story of how Owsley's homemade LSD shaped the sound and culture of an entire generation. From fueling the psychedelic revolution that transformed The Beatles, The Beach Boys, and Jimi Hendrix, to bankrolling the Grateful Dead's legendary audio experiments... Owsley's influence went far beyond drugs. His obsession with sonic perfection led to groundbreaking innovations like stage monitors, noise-cancelling technology, and the awe-inspiring “Wall of Sound”...a concert system so massive, that it changed live music forever. This is the story of a man whose illicit empire altered the course of music history, technology, and even Silicon Valley. Learn more about your ad choices. Visit megaphone.fm/adchoices

Don and Dude return to honor two titans lost in 2025, revisiting albums that capture the creative peaks and lasting influence of Brian Wilson with The Beach Boys and Ozzy Osbourne with Black Sabbath. The episode traces how The Beach Boys Today! and Paranoid reshaped pop and heavy music, revealing how these records still echo through everything from chamber pop to modern metal.The Beach Boys – The Beach Boys Today! (1965) Brian Wilson uses Today! as a turning point, steering the band from surf-and-cars singles into a more introspective, studio-crafted pop world that points directly toward Pet Sounds. Side A delivers bright, radio-ready hooks like "Do You Wanna Dance?" and "When I Grow Up (To Be a Man), "while Side B dives into confessional ballads such as "Please Let Me Wonder" and "She Knows Me Too Well," blending chamber pop arrangements with vulnerable, adult themes.Black Sabbath – Paranoid (1970) Paranoid crystallizes the sound and mood of heavy metal, fusing Tony Iommi's down-tuned riffs, Geezer Butler's ominous lyrics, Bill Ward's jazz-schooled drumming, and Ozzy Osbourne's haunted vocals into a tight, relentless 1970 statement. From the anti-war sprawl of "War Pigs" and the sci-fi tragedy of "Iron Man" to the accidental hit "Paranoid" and the psychedelic "Fairies Wear Boots," the record turns fear, addiction, and apocalypse into riff-driven anthems that defined the genre.Dude is Diggin':The Macks – Bonanza (2025): A volatile, modern rock blast from a Portland band that smashes garage energy, psychedelic noise, and restless experimentation into a noisy, cathartic portrait of contemporary anxiety.Metallica – Reload (1997): A late-'90s reinvention that leans into groove and atmosphere, where hard rock bruisers like Fuel sit alongside moodier cuts like "The Memory Remains," featuring Marianne Faithfull's ghostly guest vocal.Don is Diggin':Just Desserts – Curtains (2025): A reflective, lo-fi-to-full-band set from Larry Fessenden and Tom Laverack that wrestles with post-COVID grief, aging, and small flashes of grace nearly four decades after their debut.The Cure – The Show of a Lost World (2025): A concert film capturing The Cure unveiling Songs of a Lost World in full at London's Troxy, framing the new material in a single, immersive performance.Follow the show on Instagram, Facebook, Threads, and Bluesky @albumnerds, and support by subscribing, rating, reviewing, and sharing. “What we have once enjoyed deeply we can never lose. All that we love deeply becomes a part of us.” – Helen Keller.

This week on Classic Vinyl Podcast, Justin and Tyler start to get into the Christmas spirit and listen to and review The Beach Boys, and their 1963 hit Christmas song, Little Saint Nick. Give it a listen and let us know what you think. 

Discograffiti is the deep-dive podcast for music obsessives. In this episode, we feature the next entry in The Chuck Granata Pet Sounds Interview Series. It's Chuck's dizzyingly inspired chat with legendary producer Mark Linett, the producer and audio engineer best known for his remixing and remastering of The Beach Boys' catalog. Since 1988, he's been the engineer of choice for Brian Wilson's recordings. In 1996, Linett created the first true stereo mix of Pet Sounds. He's also co-produced nearly all of the band's archival releases, including 1997's The Pet Sounds Sessions, 1998's Endless Harmony Soundtrack, 2003's Hawthorne, CA, and 2011's The Smile Sessions, as well as the Feel Flows (2021) and Sail On Sailor (2022) box sets.  In addition to earning three Grammy Awards, he was nominated for Best Engineered Album for his work on 2004's Brian Wilson Presents Smile. He's also worked with Red Hot Chili Peppers, Jane's Addiction, Los Lobos, Rickie Lee Jones, and Randy Newman.  This is Chuck's lengthy and consistently fascinating interview with Mark from the early 2000's for his Pet Sounds book…stay tuned for my own more recent interview, which covers completely different territory. There'll be a short sneak peak running publicly for free, but the entirety of this podcast will only be accessible on the Major Tier of Discograffiti's Patreon. Don't miss it, or you'll only be getting part of the story. Get it as a one-off, or better yet just subscribe…and then we'll all have world peace. Full Episode: Patreon.com/Discograffiti (available on the Major Tier & up) Free Sneak Peek: linktr.ee/discograffiti Subscribe to Discograffiti's Patreon and receive a ceaseless barrage (4 shows a week!) of must-hear binge-listening. It's completely free to be a basic member, $1 to get your backstage pass, $5/month for the weekly Sunday show by & for our community, $10 for weekly early release, ad-free, super-extended Director's Cuts of the main show plus access to half our Patreon episode archive, & $20 for Discograffiti's weekly bonus episodes and access to our entire Patreon episode archive. There are now over 400 Patreon episodes.

Epstein maintained a public account on Spotify, and his playlists — created between roughly 2011 and 2015 — show a strikingly broad and eclectic taste in music. His selections ranged from classical (including Ludwig van Beethoven) to jazz (notably Oscar Peterson), Broadway show tunes, gospel, pop, rock, and even contemporary club-style hits. His playlists featured songs by major artists such as Aerosmith, Led Zeppelin, The Who, The Doors, Elton John, Céline Dion, Billy Joel, Bob Dylan, The Beach Boys, and Pitbull. Beyond music, the account also contained a comedy-album by Louis C.K. — illustrating that Epstein's public streaming activity extended beyond just songs.However, analysts and reporters have pointed out that some songs on Epstein's playlists carry lyrics or themes that — in the context of what's later known about him — read as disturbing or even alarmingly suggestive. For example, his playlists included tracks like Hot for Teacher by Van Halen (a song that has been criticized for its sexualized and somewhat predatory undertones), and My Heart Belongs to Daddy an older jazz number by Oscar Peterson that many interpret as featuring a troubling adult-child dynamic. Observers contend that while a playlist alone doesn't prove intent or wrongdoing, those particular song choices — when viewed with the rest of the evidence in Epstein's history — add a deeply unsettling and ironic dimension to how he publicly presented himself.to contact me:bobbycapucci@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

Říkali mu „americký Mozart“ nebo „kalifornský Beethoven“: Brian Wilson, jeden ze zakladatelů legendární skupiny The Beach Boys. Dnes je považován za jednoho z nejvlivnějších studiových skladatelů na světě. Ve speciálu Portrétů o hudebních rebelech o něm a o jeho tvorbě mluví hudební publicista Petr Dorůžka.

In the 1960s, America was confident and united. The Beach Boys were on the radio, families were intact, heroes were celebrated, and nobody was confused about what a man or a woman was. Today, our culture is bitter, divided, and confused—and the Left calls that “progress.”In this episode of Life Lessons with Dr. Bob, Dr. Bob sits down with writer, filmmaker, and commentator Bill Whittle to answer one big question: What happened to the country we grew up loving—and can we get it back?Bill explains how cultural Marxism and the Frankfurt School quietly burrowed into universities, media, and entertainment, replacing E pluribus unum with endless tribalism and victimhood. They connect this long march through the institutions to today's headlines: the Left's reaction to October 7th, the way Hamas uses its own civilians as propaganda, and why so many in the West automatically side with “the weaker party” instead of asking who is actually right.Together, they dig into:

Říkali mu „americký Mozart“ nebo „kalifornský Beethoven“: Brian Wilson, jeden ze zakladatelů legendární skupiny The Beach Boys. Dnes je považován za jednoho z nejvlivnějších studiových skladatelů na světě. Ve speciálu Portrétů o hudebních rebelech o něm a o jeho tvorbě mluví hudební publicista Petr Dorůžka.Všechny díly podcastu Portréty můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Discograffiti is the deep-dive podcast for music obsessives. In this episode, we feature the next entry in The Chuck Granata Pet Sounds Interview Series. It's Chuck's chat with legendary producer Phil Ramone, Billy Joel's most relied-upon right-hand-man, the producer of every Billy Joel record during the height of his popularity, from 1977's The Stranger to 1986's The Bridge. Phil won his first production Grammy for his work on Paul Simon's Still Crazy After All These Years in 1975, eventually becoming chairman of The Recording Academy. He also helped produce, with Quincy Jones, 2001's televised A Tribute To Brian Wilson. His credits and accomplishments in the industry are almost literally endless, and what better place to learn about them than Chuck Granata's 2007 memoir (co-written with Phil) Making Records: The Scenes Behind The Music. Phil passed away a few years after this interview in 2013, which makes this posthumously released “Chuck Chat” yet another priceless buried treasure.   Here are just a few of the many things that Phil discusses with Discograffiti in this podcast: The dysfunctional Wilson family dynamic, which Phil talks about with great candor; Digging into the history of harmony, and the experience of working with The Beach Boys on Chicago's “Wishing You Were Here”; Working with Burt Bacharach, and Phil's transition from engineer to producer; The differences between east coast and west coast records in the 1960s & 1970s; The Nylon Curtain's debt to both The Beatles & Pet Sounds-era Beach Boys; Why Elton John was nervous to perform at the Brian Wilson tribute; And stereo vs. mono with regard to hearing Pet Sounds. There'll be a short sneak peak running publicly for free, but the entirety of this podcast will only be accessible on the Major Tier of Discograffiti's Patreon. Don't miss it, or you'll only be getting part of the story. Get it as a one-off, or better yet just subscribe…and then we'll all have world peace. Full Episode: Patreon.com/Discograffiti (available on the Major Tier & up) Free Sneak Peek: linktr.ee/discograffiti Subscribe to Discograffiti's Patreon and receive a ceaseless barrage (4 shows a week!) of must-hear binge-listening. It's completely free to be a basic member, $1 to get your backstage pass, $5/month for the weekly Sunday show by & for our community, $10 for weekly early release, ad-free, super-extended Director's Cuts of the main show plus access to half our Patreon episode archive, & $20 for Discograffiti's weekly bonus episodes and access to our entire Patreon episode archive. There are now over 400 Patreon episodes.

(00:00) It's Fred. It's Hardy. It's Adam 12. It's Nick and Ryan. And it's a getaway day!WHAT HAPPENED LAST NIGHT: (21:18.38) Fred hosts a potluck Thanksgiving at the bar, where Hardy, Adam 12, and the rest accidentally escalate things into a massive food fight.(35:37.06) Hardy wins tickets to see the Beach Boys, leaving Fred and Adam 12 in a frantic scramble to impress the band and get onstage.Do you know the episodes? The answers will be revealed in Hour 4's description. Happy Thanksgiving!Please note: Timecodes may shift by a few minutes due to inserted ads. Because of copyright restrictions, portions—or entire segments—may not be included in the podcast.CONNECT WITH TOUCHER & HARDY: linktr.ee/ToucherandHardyFor the latest updates, visit the show page on 985thesportshub.com. Follow 98.5 The Sports Hub on Twitter, Facebook and Instagram. Watch the show every morning on YouTube, and subscribe to stay up-to-date with all the best moments from Boston's home for sports!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Under the California Sun, Scott does roam, humming the echoes of Good Vibrations along with foam. The Surfin' Safari begins at dawn, while the Fun, Fun, Fun of the waves rolls on.He pauses where the sea meets the God Only Knows sky, dreaming with a Wouldn't It Be Nice sigh. The breeze carries whispers of Don't Worry Baby near, as gulls cry melodies only his heart can hear.Through the sand, he traces a Sloop John B rhyme, tides singing I Get Around to the rhythm of time.When twilight falls on this Endless Summer shore, he'll leave with The Beach Boys in his soul forevermore.The Beach Boys were the last group to play at this year's Eat to the Beat concert series at the EPCOT International Food and Wine Festival...and Scott finally got to see them in concert!During this episode, not only will you hear some of their music, you'll also hear about some of the great food, snacks, and fun and crazy cool experiences Scott had with his good friends, Karen, Brian, and Russell. As a bonus, you'll get to hear a bunch from Karen and Russell, two former Guests on The Mouse and Me. (Listen to their interviews!)Have a happy and healthy Thanksgiving!Email: TheMouseAndMePodcast@gmail.comSupport: www.patreon.com/themouseandmeFB and Instagram: “The Mouse and Me”Music by Kevin MacLeod from https://incompetech.filmmusic.io

The Jokermen discuss the laziest effort yet from the Beach Boys. SUBSCRIBE TO JOKERMEN ON PATREON

You drop into this episode walking side-by-side with David Leaf as he revisits the moments that shaped his life around Brian Wilson's genius. You hear how Brian needed unconditional connection to create, how Leaf found himself driving tour vans, sitting in private Sinatra rehearsals, and realizing he had to earn […] The post Inside Brian Wilson, The Beach Boys, and The Beatles with David Leaf — Gig Gab 509 appeared first on Gig Gab.

On today's episode, we welcome writer and co-host of One Song Podcast, Diallo Riddle, to the show to chat with us about the Dark Pinocchio Universe, the Beach Boys, which Real Housewife is his fave, and much more.*Listen to One Song Podcast here.*Follow One Song Podcast on Instagram.*Follow Diallo on Instagram.*Catch-up on Sherman's Showcase here.*Fall into a Time Loop!*Watch South Side, here.* Celebrate 25 years of Bullseye!*Pre-order Signature Series; PREDATOR Bloodshed #1-5 Signed by Jordan Morris!*Order Jordan's Predator comic: Black, White & Blood!* Order Jordan's new Venom comic!* Donate to Al Otro Lado.* Purchase signed copies of *Youth Group* and *Bubble* from Mission: Comics And Art!~ NEW JJGo MERCH ~Get Bronto Dino-Merch!Get our ‘Ack Tuah' shirt in the Max Fun store.Grab an ‘Ack Tuah' mug!The Maximum Fun Bookshop!Follow the podcast on Instagram and send us your dank memes!Check out Jesse's thrifted clothing store, Put This On.Follow beloved former producer, Steven Ray Morris, on Instagram.Follow bedazzled new producer, Jordan Kauwling, on Instagram.

Tonight the Dames give their take on Shannon's question for the guys' Grab Bag episode. Join us as we give our answers to which song we would 86 from the Cosmic Rewind soundtrack, along with our proposed songs to replace it. Will Phil Collins, the Beach Boys, or Jordan Fisher make the cut? Tune in to find out! Create your team or donate today and join the efforts to change the lives of these kids fighting the ultimate fight. Every dollar counts and you can make a difference. https://www.basecamp.org/ddp4bc