Podcast appearances and mentions of marlon patton

New funk for Christmas time :) 01- Jazzbois - TOOHI 02- The Jive Turkeys - Get Down Santa 03- Casey Russell - Ain't No Bread In The Breadbox 04- The Greyboy Allstars - The Way You Make Me Feel 05- Noble Jonson - Heinous Crimes And Nursery Rhymes 06- The Bamboos - Wrapt in a Beau 07- Skinny Hightower - YOU TURN ME 'ROUND 08- The San Pedro Allstars - Stress 'N' Grits (feat. Reed Turchi, austin white, Marlon Patton & Eric Burns) 09- Derobert & The Half-truths - Peace on Earth 10- Xcitement Band - Nola Funk, Vol. 1 11- Baker Brothers - Sunrise 12- Tower of Power - Santa Claus Is Coming To Town 13- Chris Joss - You Ain't Lying 14- B.H.A.M. - S.T.A.R 15- Pleasurewood - Boogie Nights 16- Cory Henry - It's Christmas

Born and raised in Georgia, Marlon Patton is a New York-based drummer and music producer/engineer. Hailing from a long line of drummers dating back to his grandfather, Phil Patton who played in the Chicago big band circuit, Marlon keeps his schedule interesting and packed full of all types of music. He is the first call for so many musicians not just because of his impeccable time, but because of the incredible musicality of what he delivers. He plays within a huge dynamic range, making him the perfect match for quiet piano jazz performances to hard- hitting rock gigs. He can play with everything from precision to reckless abandon and make it truly his own. He currently is a member of Kenosha Kid, Weisshund, Nelson Patton, Lonnie Holley, The Trey Wright Trio and The Mace Hibbard Quintet. He has toured, performed and/or recorded with Liv Warfield, The Atlanta Symphony Orchestra, Jim White, Larkin Poe, Lonnie Holley, Jeff Coffin, Shahzad Ismaily, Col. Bruce Hampton, John Patitucci, Randy Brecker, Rufus Reid, Marcus Printup, and Wycliffe Gordon. He has recorded for labels such as Sony, Universal, Jagjaguwar, RH Music, Yep Roc, Ropeadope plus many more independent releases. His drumming has been in soundtracks on Adult Swim, ABC, and HBO.  In the studio, Marlon has carved a name for himself recording, mixing, and producing. Some recent projects he's worked on are Lonnie Holley's MITH, Liv Warfield's Live at Cafe Wha, Jim White's Where It Hits You, Leah Calvert's Satellite, Daniel Clay's 10,000 Things, Kenosha Kid's Fahrenheit 451, ILL's Gotten Gains, and Blair Dunlop/Larkin Poe's Killing Time.  In this episode, Marlon talks about: Being willing to abandon "correct" technique in favor of a sound, feel, or idea How New York has changed his musical priorities and identity What true collaboration really means Improvising vs. "composing in the moment" Moving away from Atlanta with the goal of expanding, personally and musically Tapping into old relationships in a new place Sharing studio space with Jordan Rose and mixing Liv Warfield's latest record

Número de Abril de Libertad Jazzera que hemos abierto con Music Frees Our Souls Vol.3 de Francisco Mela, que verá la luz este Mayo de 2024 para 577 Records. Después otra novedad con los Room 31 de Marlon Patton y Greg Sinibaldi que han publicado recientemente Crazy Town. Desde el Norte nos llegaron los ecos de los GUSH de Mats Gustafsson, Sten Sandell y Raymond Strid y su Afro Blue, también recientemente publicado este 2024. Seguir leyendo Libertad Jazzera 04.2024. Francisco Mela. Room 31. GUSH. Fire! Dave Harrington, Max Jaffe, Patrick Shiroishi. en La Montaña Rusa Radio Jazz.

Трио пианиста Joe Alterman выпустило альбом посвященный Les McCann, охватывающий все периоды и стили легендарного пианиста и композитора.  Музыкальная карьера Леса началась в начале 1960-х, когда он записывался, как пианист со своим трио. В 1969 году вышел альбом Swiss Movement с саксофонистом Eddie Harris и трубачом Benny Bailey. Песня Compared to What критиковала войну во Всьетнаме и попала вместе с альбомом в поп-чарты Billboard. Затем он стал новатором в соул-джазе, сделав упор на вокальные данные, объединив джаз с фанком, соулом и поп-музыкой. Он был одним из первых джазовых музыкантов, включивших в свою музыку электрическое пианино, клавинет и синтезатор. В середине 1990-х у Макканна случился инсульт, и он вернулся к музыке лишь в 2002 году с льбомом Pump it Up. Пианисты впервые встретились когда, прикованный к инвалидной коляске Лес перед концертом, где младший проводил саундчек, попросил его сыграть блюз. Их дружба длится уже более десяти лет, хотя по возрасту разница полвека. ©️ 2023 JOE ALTERMAN Joe Alterman - piano  Kevin Smith - bass  Justin Chesarek - drums  All compositions by Les McCann, except "Don't Forget To Love Yourself," which was composed by Les McCann and Joe Alterman  Producer: Joe Alterman  Associate Producer: Alan Abrahams  Recorded and Mixed by Trammell Starks at Studiomagic  Mastered by Dave Nelson and Marlon Patton at Bone Hollow Recording  Released August 11, 2023 СЛУШАТЬ АЛЬБОМ - https://album.link/i/1687753079 THE UPSIDE OF DOWN - https://t.me/discor/6331 Лучший трек альбома в плейлисте JAZZ по-русски 6 на AppleMusic и Spotify Поставь лайк ❤️ и подпишись на канал JAZZ по-русски https://t.me/discor #jazz #swing #RnB --- Send in a voice message: https://podcasters.spotify.com/pod/show/konstantins/message

Atlanta native Joe Alterman expresses a certain upbeat naivete, with a broad smile and bright eyes that make you feel welcome. One would not guess that this is a man hailed by greats; Ramsey Lewis describes his piano playing as ‘a joy to behold', Les McCann states ‘As a man and musician he is already a giant'. Journalist Nat Hentoff championed three of Alterman's albums, as well as his writing (Joe wrote liner notes to three Wynton Marsalis/JALC albums, calling one of Joe's columns “one of the very best pieces on the essence of jazz, the spirit of jazz, that I've ever read, and I'm not exaggerating.” Joe Alterman began at NYU with a BA and Masters in Jazz Piano, followed by performances with Houston Person, Les McCann, Dick Gregory, and Ramsey Lewis. But there is more to the story, of course. The twenty-first century has thus far seen yet another transition for this thing called Jazz. In one moment we see the push and pull between tradition and progression, and in another we see Pop and Hip-Hop musicians emulating and sampling. In Joe Alterman we find none of this struggle; the music just sounds good. This fresh and joyful intent is captured on Joe Alterman's new release The Upside Of Down. Taken from two live shows at Birdland in November 2019 and February 2020. Joined by Nathaniel Schroeder on bass and Marlon Patton on drums, Alterman cruises gently and delightedly through timeless selections from Less McCann, Oscar Peterson, Henry Mancini and more.

“Yeah he’s a great drummer, but he’s a jazz player.” I’d be willing to bet that sometime during a conversation you’ve heard a similar comment. What does that even mean? And more importantly what’s the rationale for saying that? It’s obviously a reference to the musical approach of the jazz player and how he’d be inappropriate for a particular job. It’s certainly no secret that many musicians devote the majority of their time to one particular musical style. That devotion however can lead to neglect and the superimposition of the preferred style while playing another genre. That’s not good. However, instead of a sweeping generalization what particular aspects of his approach make him suitable for jazz but not for rock? In this episode we welcome Marlon Patton to the show as we dissect and examine the differences between the jazz and rock mindset. What makes up the mentality of a great jazz or rock musician? We take the topics of touch, gear, independence, feel, groove construction, song structure, and gig preparation to dig deep into what makes the approach different between the two styles. We also spend a few minutes talking about the start of the new season while reviewing a few listener emails. If you haven’t been to our website recently please go to www.drummersweeklygroovecast.com and see what new content we have to offer. Aside from our episodes we’ve posted ‘Host Spotlight 3” on our video page. Feel free to send us a message through our email form or manage your social media accounts from our site. New shows are available every Monday. You can subscribe through Itunes, Google Play Podcasts, Stitcher, and everywhere you listen to your favorite podcasts. If you are an Apple Itunes user please click 5 stars and leave us a short review. We greatly appreciate your support!

Brian Stephens & Shannon Kori talk about setting up & running a drummer focused home studio. They also talk to Atlanta-based freelance drummer / audio engineer Marlon Patton. To hear a great back story / interview with Marlon on the Working Drummer podcast, click here. We take a virtual tour through all three drummers’ home... The post EP. 5 – Home Studios for Drummers w/ Marlon Patton appeared first on Dial A Drummer - DialADrummer.net.

Marlon Patton was born and raised in the Atlanta area, attended college down the road at The University of Georgia... The post 066 – Marlon Patton: Genre-hopping, Building a Home Studio, Searching for Sounds appeared first on Working Drummer Podcast.

Join your hosts Janet Stevenson and David Swan as we interview guitarist Trey Wright and play originals from his latest CD, "Thinking Out Loud" featuring Trey with drummer Marlon Patton and bassist Marc Miller. For more information, visit Trey's website at treywright.com  

Join your hosts Janet Stevenson and David Swan as we interview guitarist Trey Wright and play originals from his latest CD, "Thinking Out Loud" featuring Trey with drummer Marlon Patton and bassist Marc Miller. For more information, visit Trey's website at treywright.com