Podcasts about les mccann

1. José James - 38th & Chicago 2. Bob James - Westchester Lady 3. Donald Byrd - Elijah 4. Jan Garbarek - Hasta Siempre Comandante 5. Cannonball Adderley - Walk Tall [Live] 6. Magnum - Evolution 7. Les Mccann & Eddie Harris - Shorty Rides Again 8. Ronnie Laws - Always There 9. Coke Escovedo - What Are You Under 10. Ricardo Marrero & The Group - My Friend.mp3 Ricardo Marrero & The Group 11. Billy Paul - Compared To What 12. Lyn Collins - Fly me to the Moon 13. Sly & The Family Stone - Into My Own Thing 14. Canti Staton - The Best Thing You Ever Had 15. Funkenpumpe - Papa Was A Rolling Stone 16. Jon Lucien - Would You Believe In Me 17. Sons of the James - Happy 18. Brainstorm - If You Ever Need To Cry 19. Linda Williams - Our Song 20. The Mighty Zaf - Let Him Down (The Mighty Zaf Edit) 21. Bobbi Humphrey - The Good Life 22. The Players Association - I Like It 23. Salsoul Orchestra - Chicago Bus Stop (Ooh I Love It)

We have lost another music icon—Roberta Cleopatra Flack passed away this week at the age of 88. Born in North Carolina, Flack's musical genius was evident early on. At just 15, she earned a full scholarship to Howard University, making her the youngest freshman in the school's history. Though she started as a classical pianist and teacher, her talent led her to jazz and pop, performing in Washington, D.C. clubs in the late 1960s. Les McCann discovered her at Mr. Henry's restaurant, leading to her record deal with Atlantic Records. From there, Flack delivered some of the most timeless and soulful music of our generation. Her hits like “The First Time Ever I Saw Your Face,” “Killing Me Softly with His Song,” and “Feel Like Makin' Love” topped the Billboard Hot 100, and she became the first artist to win back-to-back Grammys for Record of the Year. Though Clint Eastwood's use of her song in Play Misty for Me catapulted her into mainstream fame, her collaborations with Donny Hathaway and others defined the soundtrack of our lives. After being diagnosed with ALS, Flack retired from performing but remained active in philanthropy, supporting music education and animal rescues. Reports say she passed at home, though her manager stated she suffered cardiac arrest on her way to the hospital in Manhattan. Roberta Flack leaves behind a legacy of groundbreaking music and timeless artistry. May she rest in peace and power. For more on her life and legacy, follow @TanyaHollywood and visit @aurnonline. Learn more about your ad choices. Visit megaphone.fm/adchoices

 Mike will be live Dec 28 in Portland!  https://jazzoregon.org/event/mike-pri...Mike has spent time with Chick Corea and other jazz greats over the years who all are very supportive of his musical endeavors-see below:"Wonderful. Beautiful. Really great. Wow, Mike. Great writing, man."-- Chick Corea"I knew this guy was up to something; what a great disc! Beautifully written and played with passion and intensity by an excellent band. This is one of those CDs that you want to hear again as soon as it's finished. Bravo Mike!" -- George Whitty (Brecker Brothers)"As his compositions and playing demonstrate, Mr. Prigodich is a rising talent following his creative muse fearlessly to wherever it takes him." -- David Goldblatt (Tribal Tech)As a top musician on the scene in Portland, OR, Mike shares his personal story and some of his genius in this candid interview. For more info about Mike's schedule, albums releases, and live shows, please visit his website at: http://www.mikeprigodich.comDENVER PIANO FANS: Rob Mullins will be in concert Dec 28 at Hampden Hallhttps://robandbobpiano.bpt.me MIKE P BIO/More infoHaving a strong sense of purpose and belief in his music, Mike raised over $10,000 through Kickstarter in 2010 to fund his debut album, "A Stitch In Time". This album featured an all-star lineup of musicians, including Damian Erskine, Reinhardt Melz, John Nastos, and others, and was produced by Emmy Award-winner David Mathew. The project was highlighted on Oregon Public Broadcasting's Oregon Art Beat television show, bringing greater recognition to Mike's artistry.THE LIVE BAND: MPEG. Portland grown. Fusion based. Keyboard Centric.Melz Prigodich Erskine Group (MPEG)REINHARDT MELZ (Drums) Reinhardt tours with GINO VANNELLI, PINK MARTINI. He has also toured with LES MCCANN and JAVON JACKSON and has performed with STEVIE WONDER among many other artists.DAMIAN ERSKINE (Bass)Damian is the nephew of PETER ERSKINE and a member of "Peter Erskine New Trio." The trio has released their first album entitled JOY LUCK. Members of the Peter Erskine New Trio are: Peter Erskine, Damian Erskine, and Vardan Ovsepian. Damian tours with GINO VANNELLI and has also toured with PETER ERSKINE, LES MCCANN, and JAVON JACKSON, among many other artists.JOHN NASTOS (Tenor Sax)John is a member of THE CHISTOPHER BROWN QUARTET. He has also toured with DIANE SCHUUR and CHUCK ISRAELS, and does arranging for PINK MARTINI and THE OREGON SYMPHONYFor video episodes and more visit Rob's channel at https://youtube.com/planetmullins

Gary began his professional career at the age of 16 as a singer/dancer/percussionist working with R&B acts in the K.C. area. During the next 30 years, Gary continued to work professionally, sometimes as a vocalist, but more often as a percussionist, backing some of the greatest names in Jazz and Entertainment. Working with the likes of Hank Crawford for 8 years, Eddie Cano (One of the fathers of Latin Jazz) for 4 years, and the award winning quartet Yoboso for 5 years whose CD "Off The Menu" Won 6 awards at the New Mexico Music Awards including Best Vocal Performance. Some greats Gary has performed with include Grover Washington Jr., Sonny Stitt, Percy Mayfield, Sammy Davis Jr., Ester Phillips, Herbie Mann, Les McCann, David "Fat Head" Newman, and many others.

Sintonía: "Bell Bottoms" - Joe Swift´s Internationals"Sweet Lover No More" - Gene McDaniels; "Them Blues" - Billie Poole with Junior Mance Trio; "Summertime" - George Benson Quartet; "Liberation" - Afro Blues Quintet Plus One; "Wild Bird" - The Googie Rene Combo; "Monkey Sho´ Can Talk" - Red Holloway; "Top Of The Pops" - The Dave Davani Four; "Getting Into Something" - TKO; "Humdrum Blues" - Oscar Brown Jr.; "Hide Out" - The Hideaways; "Wild Man On The Loose" - Mose Allison; "Burnin´Coal" - Les McCann; "Do It To Death" - Jackie Ivory; "Jet Set" - Dave Pike; "Love-In" - Charles Lloyd Quartet; "Tres Lobos" - Mark III Trio; "You´re The Boss" - LaVern Baker & Jimmy Ricks; "Jam Up Twist" - Tommy Ridgley; "Sticks & Stones (Pt. 1)" - Gene Ludwig; "Bloodshot" - Hubert Laws; "Sombrero Sam" - Charles Lloyd Quartet; "One Note Samba (Pt.2)" (cortada) - Modern Jazz QuartetTodas las músicas extraídas de las recopilaciones "Yet Mo´Mod Jazz" (Ace/Kent 2000) y "The Return Of Mod Jazz" (2005)Escuchar audio

Joe Alterman is a jazz pianist who's performed at such prestigious venues as the Kennedy Center, Lincoln Center, Birdland, and Blue Note with his own trio and alongside legends like Houston Person, Les McCann, Dick Gregory, and Ramsey Lewis. Downbeat describes his sound as “rooted in the blues, and with a touch reminiscent of the great pianists of the 1950s—Red Garland, Ahmad Jamal, Bill Evans.” Co-hosts: Jonathan Friedmann & Joey Angel-Field Producer-engineer: Mike Tomren Joe's websitehttps://www.joealtermanmusic.com/ Joe's YouTube channelhttps://www.youtube.com/channel/UChq5mhnUt3EePioDpWuYalg Amusing Jews Merch Storehttps://www.amusingjews.com/merch#!/ Subscribe to the Amusing Jews Podcasthttps://www.spreaker.com/show/amusing-jews Adat Chaverim – Congregation for Humanistic Judaism, Los Angeleshttps://www.humanisticjudaismla.org/ Jewish Museum of the American Westhttps://www.jmaw.org/ Atheists United Studioshttps://www.atheistsunited.org/au-studios

Today’s Show Notes! Wonderful World: Explore the many wonders of Edinburgh, with Rick Steves! Click HERE! Sounds Good: Watch one of the most famous live jazz performances ever, as Les McCann & Eddie Harris meet for the first time and make a classic recording of “Compared To What”, HERE.

PropsAndPraise everybody as we bring you another extended brew edition Of A Cup Of J.O.E. with selections ranging from Les McCann & Eddie Harris to Jagged Edge.Thank you so so much for joining us so ENJOY!!!! & BLACK LIVES STILL MATTER!!!!Sending a speedy recovery weeGFor more info and tracklisting, visit: https://thefaceradio.com/a-cup-of-j-o-e/Tune into new broadcasts of A Cup of J.O.E, LIVE ,Wednesdays from 9 AM - NOON EST / 2 - 5 PM GMT//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

KARIN KROG WE COULD BE FLYING Oslo, July 30 & 31, 1974The meaning of love, All I want, Sing me softly of the blues, Raindrops, raindrops Karin Krog (vcl) Steve Kuhn (p) Steve Swallow (el-b) Jon Christensen (d) REVERSO SHOOTING STAR–ÉTOILE FILANTE Paris, France, April 4-7, 2023La Muse; Lili's Blues; Resilience; Ma Jolie.Ryan Keberle (tb,voice) Frank Woeste (p) Vincent Courtois (chelo) LES MCCANN & THE JAZZ CRUSADERS JAZZ WALTZ Los Angeles, 19633/4 for God and Co., Bluesette, Big City, This here, All blue, Jazz waltzWayne Henderson (v-tb) Wilton Felder (ts) Les McCann (p,el-p,org) Joe Sample (p,org) Bobby Haynes (b) Stix Hooper (d) Continue reading Puro Jazz 06 Mayo 2024 at PuroJazz.

We were joined by countercultural historian Pat Thomas, and Peter Hale, manager of the Ginsberg estate, and discover their new collaboration Material Wealth Mining the Personal Archive of Allen Ginsberg.*A prolific poet, raconteur, activist, and thinker, Allen Ginsberg was also a prolific collector, meticulously saving letters, postcards, draft notes and manuscripts, photographs and snapshots, appearance bills and rally broadsheets, not only featuring him personally, but also his fellow poets, singers, lovers, writers, journey companions, friends, and agitators. Gathered here publicly for the first time is his personal archive of events and experiences documenting his life as a young man, breakaway poet, expansive spirit, curious intellectual traveler, and relentless enthusiast of the provocative and the profane.There are hundreds of thousands of items carefully stored and archived at Stanford University's Allen Ginsberg collection. Counterculture historian Pat Thomas, with the full cooperation of the Allen Ginsberg Estate's Peter Hale, has compiled and annotated a remarkable volume of material, unearthing in the process one astounding find after another. The result is a tome of previously unpublished historical paperwork and vintage graphics and photographs and ephemera that promises an unprecedented look inside one of the most prolific poets and agitators of cultural mores of the 20th century.*Pat Thomas is a counterculture historian and archival music producer (and liner-note writer) whose expertise and interests have helped him author such books as Listen, Whitey! The Sights & Sounds of Black Power 1965–1975 and Did It! Jerry Rubin: An American Revolutionary. He has co-curated Invitation to Openness: The Jazz & Soul Photography of Les McCann 1960-1980, co-edited My Week Beats Your Year: Encounters with Lou Reed, an anthology of interviews about the iconic musician, and contributed to The (Original) Adventures of Ford Fairlane: The Long Lost Rock n' Roll Detective and Kerouac on Record: A Literary Soundtrack. Thomas was a consultant on the PBS documentary The Black Panthers: Vanguard of the Revolution and compiled the 3-CD box set The Last Word on First Blues for the Allen Ginsberg Estate (1970s recordings of Ginsberg, Bob Dylan, and Arthur Russell), and the 2-CD set Songs of Innocence and Experience of Ginsberg's 1969 recordings (with Don Cherry and Elvin Jones) putting William Blake poems to music with vocals by Allen.Peter Hale grew up in Italy, Germany, and then Boulder, CO where he earned a BA in Classics, Greek & Latin, from the University of Colorado, all the while attending classes in music, poetry and meditation at Naropa University. He became part of the staff at Allen Ginsberg's office in 1992, and in 1997 helped craft his posthumous estate, which he currently manages. He studied Guitar with Dave Van Ronk & Danny Kalb, and Piano with Peter Barbieri. He currently produces his own music, and djs around NYC. He lives in Ridgewood, Queens.Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel of sorts to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-englandListen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

TVC 641.1: Part 2 of a conversation that began last week with Josh Mills, son of Edie Adams and the curator of the estates of Ernie Kovacs and Edie Adams, and Pat Thomas, author of Invitation to Openness: the Jazz & Soul Photography of Les McCann, Material Wealth: Mining the Personal Archive of Allen Ginsberg, and Did It! Jerry Rubin: An American Revolutionary. Josh and Pat are two of the co-authors, along with Ben Model, of Ernie in Kovacsland: Writings, Drawings, and Photographs from Television's Original Genius, a marvelously conceived book that not only gives readers a true glimpse into the mind of Ernie Kovacs, but shows the many media outlets for Ernie's creativity that went beyond television. Topics this segment include the back story of Zoomar, the satirical novel about advertising and television that Ernie published in 1957, but which is still timely today; Take a Good Look, the “anti-game show” that Ernie hosted (ABC, 1959-1961) that, in many respects, is also the essence of Ernie Kovacs; and the perforated, three-page foldout in Ernie in Kovacsland that pays homage to Ernie's long association with MAD magazine. Want to advertise/sponsor our show? TV Confidential has partnered with AdvertiseCast to handle advertising/sponsorship requests for the podcast edition of our program. They're great to work with and will help you advertise on our show. Please email sales@advertisecast.com or click the link below to get started: https://www.advertisecast.com/TVConfidentialAradiotalkshowabout Learn more about your ad choices. Visit podcastchoices.com/adchoices

TVC 640.1: Ed welcomes Josh Mills, son of Edie Adams and the curator of the estates of Ernie Kovacs and Edie Adams, and author Pat Thomas (Invitation to Openness: the Jazz & Soul Photography of Les McCann, Material Wealth: Mining the Personal Archive of Allen Ginsberg, Did It! Jerry Rubin: An American Revolutionary). Josh and Pat are two of the co-authors, along with Ben Model, of Ernie in Kovacsland: Writings, Drawings, and Photographs from Television's Original Genius, a marvelously conceived, non-linear book that gives readers a true glimpse into the mind of Ernie Kovacs. Topics this segment include how, in many ways, Ernie in Kovacsland is an outgrowth of Edie's tireless preservation of all things Ernie Kovacs; how she recognized that Ernie was doing something special before anyone else did; and how Kovacs' influence extends to such counter-cultural figures as Abbie Hoffman, Jerry Rubin, Alice Cooper, and the original writers and performers of Saturday Night Live. Want to advertise/sponsor our show? TV Confidential has partnered with AdvertiseCast to handle advertising/sponsorship requests for the podcast edition of our program. They're great to work with and will help you advertise on our show. Please email sales@advertisecast.com or click the link below to get started: https://www.advertisecast.com/TVConfidentialAradiotalkshowabout Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Jazz Session turns 17 today! I'm celebrating with an archival episode from back in my jazz radio days. I interviewed Les McCann in 2004 about his classic album Swiss Movement. Les passed away on December 29, 2023. I thought I'd commemorate his passing and celebrate his life and the birthday of this show by sharing that interview with you. Thanks for listening and for supporting The Jazz Session at https://thejazzsession.com/join.

In this bonus episode, Greg adds a song to the Desert Island Jukebox in honor of jazz pianist Les McCann, who died in late December. Become a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundopsJoin our Facebook Group: https://bit.ly/3sivr9TSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Classics tonight on Jazz After Dark: Louis Jordan & His Tympany Five, I'm Alabama Bound Teddy Wilson, How High the Moon Art Tatum, Makin' Whoopee Winifred Atwell, Boogie in the Groove Winifred Atwell, The Charleston Ella Fitzgerald & Louis Armstrong, Gee, Baby, Ain't I Good to You? Les McCann, The Truth Les McCann Ltd. & Lou Rawls, (They Call It) Stormy Monday Ray Charles, Birth of the Blues Vince Guaraldi & Bola Sete, Star Song Ramsey Lewis Trio/Eldee Young, My Babe (Live) Ramsey Lewis Trio, The Caves (Live) Claude Bolling Big Band, Clap In Five Claude Bolling, Coup de Chapeau

The legendary jazz pianist and vocalist Les McCann passed away in December of 2023. This week on Echoes of Indiana Avenue, we'll celebrate, the life and music of Les McCann, by listening to his work with the Indianapolis bass player Leroy Vinnegar. McCann featured Vinnegar on over a dozen albums, including the biggest record of his career "Compared to What."

Rinus Van de Velde is een befaamd kunstenaar die over de hele wereld tentoonstelt. Joachim Badenhorst is een befaamd klarinettist die over de hele wereld speelt. De twee vonden elkaar in het Nederlandstalige project Zero Years Kid. We hebben het over een gestolen poster van Taylor Swift, Lil Nas X aan het kruis en de overleden Les McCann. En ja, The Spice Girls hebben nu ook hun eigen postzegel, net als Rinus Van de Velde.

On this week's show, we...spin new singles from Waxahatchee, Madi Diaz & Superchunk catch up on 2023 albums we slept on from Soft Science & Lana Del Rey nerd out over Canadian arena rock bangers of the 80s & soul-jazz protest classics from the late 60s All this & much, much less!Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

Tonight's Jazz Feature honors the late, great Les McCann who passed away December 29,2023 at age 88. This fine album featuring pianist McCann's working trio with bassist Herbie Lewis and drummer Ron Jefferson was called "Les McCann LTD". McCann had been appearing at New York's Village Gate with the LTD and recording for his label Pacific Jazz but this was a one-night only get together with very limited rehearsal with three of McCann's favorite horn players including trumpeter Blue Mitchell, and the great tenor saxophonist Stanley Turrentine and the lesser known Frank Haynes. All six compositions are by McCann and reflect his talents as a writer. This is one fine way to honor a musician that was loved by just about everyone. Les McCann in New York is tonight's Jazz Feature.

We start this show (first of 2024) with a tribute to Les McCann. New music from Mike DiRubbo and fellow Hartford cat Matt Dwonszyk. Another Matt, Matt Hall brings us to the close with SFJazz Collective. Playlist Artist ~ Name ~ Album Les McCann & Eddie Harris ~ Cold Duck Time ~ Swiss Movement Les McCann ~ Poo Pye McGoochie (And His Friends) ~ Invitation to Openness Roberta Flack ~ Compared to What ~ First Take Mike DiRubbo ~ The Muse ~ Inner Light Matt Dwonszyk ~ Afro Blue ~ A Year and a Day Matt Hall ~ No Going Back ~ I Hope to My Never SFJAZZ Collective ~ Smokey ~ New Works & Classics Reimagined

Kurtis was back for the first Rendezvous of 2024, bringing a very jazzy #jazzuary show.We paid tribute to Les McCann with three tracks, and had a new one from Monolog out on Dippin' Records!For more info and tracklisting, visit: https://thefaceradio.com/the-rendezvous/.Tune into new broadcasts of The Rendezvous, LIVE, Sunday from 2 - 4 PM EST / 7 - 9 PM GMT on The Face Radio and Totally Wired Radio.Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com.https://linktr.ee/kurtispowers Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Here is music for your soul including Gary Clark Jr., Los Lobos, Tommy Castro, Terry Hanck, Les McCann & Eddie Harris, Roy Buchannan, The Allman Brothers and more. Thank you for tuning in. Just click on the picture/link and enjoy. See you next Thursday on KMRE 88.3 FM, webstreaming at kmre.org 7-9 PM.  

Welcome to the new episode from Studio "V" featuring jazz phrasing as the main ingredient in lead lines and rhythm guitar parts. We hope you like it! The songs: "THE WHOLE STORY", "TWO FACES MOUNTAIN", "ENTER HERE AND THERE" and  in tribute to the recent passing our friend, Les McCann, "LES' GROOVE". Enjoy! (compliments of cosmic consciousness music co)

Artist Anaitté Vaccaro discusses her permanent installation sculpture "The Perennial," which is on view at Little Tree Art Studios in Avondale Estates. Plus, we celebrate the life and legacy of jazz legend Les McCann with Atlanta pianist Joe Alterman.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Lawmakers return to Frankfort for the start of the 2024 General Assembly, some progressives are calling for lawmakers to dig deep into the rainy day fund, more bad news for Kim Davis, and remembering pioneering musician and Kentucky native Les McCann.

Kruser talks to Bob Babbage about the State legislative session and we mourn the death of Lexington musician Les McCann in hour 3.  See omnystudio.com/listener for privacy information.

These good folk delve into the heavy, light, brilliant and contrite aspects of our human condition... I think you will find this tapestry of voices poignant, warm, funny, and uplifting.  Our music this go round is provided by these wonderful artists: Thelonious Monk, the Velvet Underground, Eddie Harris & Les McCann, Land of Talk, Branford Marsalis and Terence Blanchard. Painting by Walter J. Pugliese. Commercial Free, Small Batch Radio Crafted in the West Mountains of Northeastern Pennsylvania... Heard All Over The World. Tell Your Friends and Neighbors... Happy New Year.

NBA News, NFL News, MLB News, MLB hotstove, WNBA News, NHL News, Fox's 911 Lone Star, NBC's Night Court, A Farewell to Tom Smothers, Bobby Rivers, Herb Kohl, Tom Wilkinson, Mbongeni Ngema, Vijayakanth, Bram Inscore, Lew Rothman, Dave Robb, John Pilger, David Kernan, Gil De Ferran, Richard Romanus, Maurice Hines, Ana Ofelia Murguia, Les McCann, Hy Levine, Gustavo Cisneros, Mbongeni Ngema & Shecky Greene! --- Support this podcast: https://podcasters.spotify.com/pod/show/on-the-radar/support

Das berüchtigte RTL – Dschungelcamp wirft seine C – Promi – Schatten voraus: Die Kandidaten zum Verspeisen von Schafsaugen und anderen Leckereien für die neue Staffel ab dem 19. Januar stehen jetzt fest. Außerdem erinnern die Feuilletons an den Jazzpianisten Les McCann: Er galt als Wegbereiter eines Stils, der Jazz mit Funk, Soul und Gospel kombinierte. Les McCann starb mit 88 Jahren in Los Angeles.

January 2, 2024Leslie "Les" McCann, an exceptional jazz pianist, composer and vocalist who discovered a young Roberta Flack, and whose own works have been sampled by countless hip-hop artists, died last Friday (Dec. 29) at the age of 88.Born into a musical family, Sept. 23, 1935 in Lexington, Kentucky, McCann would become one of jazz music's "most gifted and influential artists," reads a statement from Kevin Gore, president of Global Catalog, Recorded Music for Warner Music Group.A self-taught pianist, McCann was an innovator in the soul jazz style, fusing jazz with funk, soul and world rhythms. He mastered all instruments before him, and enjoyed an unusual breakthrough, by winning a Navy talent contest, opening the door to an appearance on The Ed Sullivan Show.An early hit came with "The Shampoo," the 1963 instrumental cut with his trio for Pacific Jazz Records.McCann would enjoy a fruitful relationship with Atlantic Records, releasing a dozen albums on the label from the late-‘60s through to the mid-‘70s.During that run, Atlantic released Swiss Movement, featuring McCann, frequent collaborator, saxophonist and labelmate Eddie Harris, and trumpeter Benny Bailey. The album earned a Grammy nomination for best jazz performance – small group or soloist with small group, and included the protest song, "Compared to What," which McCann and Co. performed at the Montreux Jazz Festival in 1969.Another career highlight would come in 1971, when McCann appeared with a starry cast of artists, including Wilson Pickett, The Staple Singers, Santana and Ike & Tina Turner, for an historic 14-hour concert in Accra, Ghana. The event was captured for the concert film Soul To Soul.His ears might have been just as impressive as his hands. It was McCann who discovered and recommended Roberta Flack to Atlantic Records.A stroke in the 1990s slowed McCann's output. So he channeled his energies into painting and photography, and he recovered for a string of music releases, including Pump It Up from 2002.Gore remembers McCann as a great of jazz, the creator of "timeless" works. "While we deeply mourn his passing," Gore continues, "his music will live on in the hearts of millions of music fans across the globe."https://www.msn.com/en-us/music/news/les-mccann-grammy-nominated-jazz-pianist-and-vocalist-dies-at-88/ar-AA1mlFuf

January 2, 2024Leslie "Les" McCann, an exceptional jazz pianist, composer and vocalist who discovered a young Roberta Flack, and whose own works have been sampled by countless hip-hop artists, died last Friday (Dec. 29) at the age of 88.Born into a musical family, Sept. 23, 1935 in Lexington, Kentucky, McCann would become one of jazz music's "most gifted and influential artists," reads a statement from Kevin Gore, president of Global Catalog, Recorded Music for Warner Music Group.A self-taught pianist, McCann was an innovator in the soul jazz style, fusing jazz with funk, soul and world rhythms. He mastered all instruments before him, and enjoyed an unusual breakthrough, by winning a Navy talent contest, opening the door to an appearance on The Ed Sullivan Show.An early hit came with "The Shampoo," the 1963 instrumental cut with his trio for Pacific Jazz Records.McCann would enjoy a fruitful relationship with Atlantic Records, releasing a dozen albums on the label from the late-‘60s through to the mid-‘70s.During that run, Atlantic released Swiss Movement, featuring McCann, frequent collaborator, saxophonist and labelmate Eddie Harris, and trumpeter Benny Bailey. The album earned a Grammy nomination for best jazz performance – small group or soloist with small group, and included the protest song, "Compared to What," which McCann and Co. performed at the Montreux Jazz Festival in 1969.Another career highlight would come in 1971, when McCann appeared with a starry cast of artists, including Wilson Pickett, The Staple Singers, Santana and Ike & Tina Turner, for an historic 14-hour concert in Accra, Ghana. The event was captured for the concert film Soul To Soul.His ears might have been just as impressive as his hands. It was McCann who discovered and recommended Roberta Flack to Atlantic Records.A stroke in the 1990s slowed McCann's output. So he channeled his energies into painting and photography, and he recovered for a string of music releases, including Pump It Up from 2002.Gore remembers McCann as a great of jazz, the creator of "timeless" works. "While we deeply mourn his passing," Gore continues, "his music will live on in the hearts of millions of music fans across the globe."https://www.msn.com/en-us/music/news/les-mccann-grammy-nominated-jazz-pianist-and-vocalist-dies-at-88/ar-AA1mlFuf

This week we give thanks for another twofer with a couple of legends. First up is my brief chat with jazz icon Les McCann. This weekend Les is releasing a special box set for Record Store Day, Never a Dull Moment - Live From Coast to Coast 66-67. This gorgeous collection showcases his mastery of the piano in the Trio setting and is an incredible piece of history. We're SO lucky to get a few minutes of his time. Then we hear from original Guess Who drummer Garry Peterson. The band has been without Randy Bachman and Burton Cummings for decades now, but the younger and hungrier group is still making great music today. This year they released the album Plein D'Amour which, I'm not kidding, sounds just like something Jellyfish would have released in the 90s. Garry describes the band dynamic now, his relationship with his old bandmates, and where this new sound came from. Enjoy!  www.lesmccannunlimited.com www.theguesswho.com www.patreon.com/thehustlepod

The Moss Center in Blacksburg, Virginia presented a live performance and historic collaboration between renowned poet and Virginia Tech legend Nikki Giovanni and saxophonist-composer and former Jazz Messenger Javon Jackson. Their collaboration for over a year has yielded the CD The Gospel According to Nikki Giovanni. For an intimate jazz performance, Jackson brought his bold-toned, Trane-inspired tenor lines to bear on a series of hymns, spirituals, and gospel numbers hand-picked by Giovanni. The live performance also included jazz singer, Nnenna Freelon. This collaboration with Nikki Giovanni produced Jackson's fifth album for his Solid Jackson Records label. With a remarkable career as a Jazz saxophonist, Jackson released a potent tribute to a towering influence, Celebrating John Coltrane. His inaugural release on Solid Jackson Records featured the venerable drummer and former Coltrane collaborator Jimmy Cobb. He followed later in 2012 with Lucky 13, which featured the great soul-jazz keyboardist Les McCann and included a mellow instrumental rendition of Stevie Wonder's "Don't You Worry' Bout a Thing" along with a version of McCann's 1969 hit, "Compared to What." That same remarkably productive year, Jackson received the prestigious Benny Golson Award from Howard University in Washington, D.C., for recognition of excellence in jazz. Jackson's debut on the Smoke Sessions label, 2014's Expression, was a live quartet recording from the Smoke Jazz & Supper Club in Upper Manhattan. https://javonjackson.com/

Jazz pianist Joe Alterman discusses his new tribute album to Les McCann and shares some valuable life from his best friend and mentor. Plus, we learn how NaNoWriMo encourages writers, why comedian Holden Schneider is comfortable saying anything on stage, and then event organizer Haya Baumstark-Ullom and harm reduction nurse Andy Gish detail the upcoming benefit concert for Georgia Overdose Prevention featuring a reunion performance from “The Judies.”See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Cuarta entrega dedicada a picotear en la colección “The Mod Jazz Series” (Ace Records).(Foto del podcast; Johnny Griffin)Playlist;(sintonía) FREDDIE McCOY “Collard greens”KING CURTIS “Memphis soul stew”MEL TORME “Right now”RAY CHARLES “Heartbreaker”JOHNNY GRIFFIN and MATTHEW GEE and THE SOUL GROOVERS “Twist City”KAREN HERNANDEZ “I heard it through the grapevine”BILLY STEWART “Secret love”TRINI LOPEZ “Unchain my heart”ANDY WILLIAMS “House of bamboo”GOOGIE RENÉ and ORCHESTRA “Caesar’s pad”TAMIKO JONES and HERBIE MANN “The sidewinder”JEAN DUSHON “Feeling good”EDDIE JEFFERSON “Psychedelic Sally”FRANK FROST “My back scratcher”LES MCCANN “Burnin’ coal”MOSE ALLISON “Wild man on the loose”DAVE PIKE “Jet set”LEE JONES and THE UNFORGOTTEN TWO “I got to see my baby (part 2)”JACKIE IVORY “Do it to death”Escuchar audio

Pete is back, this week celebrating a full 8 years of the Superfly Funk & Soul Show! Having been away for a week, there is a huge amount of new and recently released music to get through, including tracks from Speedometer, Jazz Defenders, Nick Corbin and Smoove, plus there are birthday celebrations for Shirley Jones, Les McCann and for Ray Charles. Tune into new broadcasts of the Superfly Funk & Soul Show, LIVE, Friday from 10 AM - 12 PM EST / 3 - 5 PM GMT.For more info visit: https://thefaceradio.com/superfly-funk-and-soul-show///Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Born on June 16, 1965, in Carthage, Missouri, Javon Jackson was raised in Denver, Colorado and chose saxophone at the age of 10. At age 16 he switched from alto to tenor and later enrolled at the University of Denver before spending part of 1985–86 at the Berklee College of Music in Boston. He left Berklee in 1986 to join Art Blakey's Jazz Messengers, where he later played alongside pianist Benny Green, trumpeter Philip Harper, trombonist Robin Eubanks and bassist Peter Washington. Jackson remained a fixture in the Jazz Messengers until Blakey's passing in 1990. In 1991, Jackson made his recording debut with Me and Mr. Jones, featuring James Williams, Christian McBride, and master drummer Elvin Jones. He joined Jones' group in 1992, appearing on the great drummer's albums Youngblood and Going Home. Jackson's 1994 Blue Note debut, When the Time Is Right, was a straight-ahead affair produced by iconic jazz vocalist and bandleader Betty Carter. His subsequent four recordings for the Blue Note label through the ‘90s were produced by Craig Street and featured wildly eclectic programs ranging from Caetano Veloso, Frank Zappa and Santana to Muddy Waters, Al Green and Serge Gainsbourg. His subsequent four recordings for the Palmetto label had him exploring a blend of funk, jazz and soul with such stellar sidemen as organist Dr. Lonnie Smith, guitarists Mark Whitfield and David Gilmore, trombonist Fred Wesley and drummer Lenny White. In 2009, Javon was commissioned by the Syracuse International Film Festival to compose a full-length score for the Alfred Hitchcock film, “The Lodger,” a silent movie based on the hunt for Jack the Ripper. The original score had its debut at the festival, performed live by Jackson's band (featuring pianist Manasia) at the film's screening in October 2010. In 2012, the saxophonist released a potent tribute to a towering influence, Celebrating John Coltrane, his inaugural release on his Solid Jackson Records which featured the venerable drummer and former Coltrane collaborator Jimmy Cobb. He followed later in 2012 with Lucky 13, which featured the great soul-jazz keyboardist Les McCann and included a mellow instrumental rendition of Stevie Wonder's “Don't You Worry ‘Bout a Thing” along with a version of McCann's 1969 hit, “Compared to What.” That same remarkably productive year, Jackson was the recipient of the prestigious Benny Golson Award from Howard University in Washington, D.C. for recognition of excellence in jazz. Jackson's debut on the Smoke Sessions label, 2014's Expression, was a live quartet recording from the Smoke Jazz & Supper Club in Upper Manhattan. On February 18, 2022, Javon will release, The Gospel According to Nikki Giovanni, his fifth album for his Solid Jackson Records label. Jackson finished and received his undergraduate degree from the Berklee College of Music and obtained a master's degree from the State University of New York at Purchase, where he also taught. In 2013, he accepted the position of Professor of Jazz Saxophone; Director of the Jackie McLean Institute of Jazz Studies at the University of Hartford's Hartt School of Music, Theatre and Dance. In this episode, Javon shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

You may remember on the last episode that Jon was not coming in as a fan of our main artist this week. With just over an hour of music, will Danny be able to convince of the unique and immense talents of John Legend? Listen in and hear our thoughts on his 2010 covers record Wake Up! Featuring songs originally performed by: Baby Huey, Les McCann, Harold Melvin & The Blue Notes, Ernie Hines, Donny Hathaway, Mike James Kirkland, Prince Lincoln Thompson and the Royal Rasses, Marvin Gaye, Bill Withers, and Nina Simone --- Send in a voice message: https://podcasters.spotify.com/pod/show/blanketingcovers/message

“Home of the Brave” performed by Laurie Anderson & Dickie Landry on The Late Show. Laurie Anderson is an American avant-garde artist, composer, musician, and film director whose work spans performance art, pop music, and multimedia projects.For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Keith Sonnier, Philip Glass, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson. Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11. Listen to his music on Unseen Worlds.http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landrywww.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

“Home of the Brave” performed by Laurie Anderson & Dickie Landry on The Late Show. Laurie Anderson is an American avant-garde artist, composer, musician, and film director whose work spans performance art, pop music, and multimedia projects.For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Keith Sonnier, Philip Glass, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson. Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11. Listen to his music on Unseen Worlds.http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landrywww.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

“Home of the Brave” performed by Laurie Anderson & Dickie Landry on The Late Show. Laurie Anderson is an American avant-garde artist, composer, musician, and film director whose work spans performance art, pop music, and multimedia projects.For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Keith Sonnier, Philip Glass, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson. Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11. Listen to his music on Unseen Worlds.http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landrywww.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

“Home of the Brave” performed by Laurie Anderson & Dickie Landry on The Late Show. Laurie Anderson is an American avant-garde artist, composer, musician, and film director whose work spans performance art, pop music, and multimedia projects.For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Keith Sonnier, Philip Glass, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson. Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11. Listen to his music on Unseen Worlds.http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landrywww.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

“Home of the Brave” performed by Laurie Anderson & Dickie Landry on The Late Show. Laurie Anderson is an American avant-garde artist, composer, musician, and film director whose work spans performance art, pop music, and multimedia projects.For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Keith Sonnier, Philip Glass, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson. Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11. Listen to his music on Unseen Worlds.http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landrywww.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Philip Glass, Keith Sonnier, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson. Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11.http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landrywww.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Philip Glass, Keith Sonnier, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson. Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11.http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landrywww.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Philip Glass, Keith Sonnier, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson. Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11.http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landrywww.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Philip Glass, Keith Sonnier, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson. Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11.http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landrywww.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

Ken Womack's guest this week is Grammy-nominated American jazz guitarist Dan Wilson. Hailing from Akron, Ohio, Wilson made his recording debut with pianist Joe McBride and performed to worldwide acclaim with Joey DeFrancesco and Christian McBride's Tip City, eventually recording his debut as a band leader with "To Whom It May Concern" in 2012. Over the years, Wilson has shared the stage with a host of jazz greats including Eric Marienthal, Russell Malone, Les McCann, René Marie, Jeff Hamilton, David Sanborn and Dave Stryker. In 2017, Wilson earned a Grammy nomination for his work on DeFrancesco's "Project Freedom" album. He also served as a guitarist on Van Morrison's recent albums "You're Driving Me Crazy" and "The Prophet Speaks." In 2021, Wilson released "Vessels of Wood and Earth," which includes the standout cut “Who Shot John.” The album was produced by McBride for his Brother Mister Productions label. In 2022, Wilson was named a Letter Rising Stars Jazz Winner. His latest LP, "Things Eternal," features his innovate take on the Beatles' “Eleanor Rigby.” --- Support this podcast: https://podcasters.spotify.com/pod/show/everythingfabfour/support

For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Keith Sonnier, Philip Glass, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson. Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11."Einstein on the Beach, it's a masterpiece. America, in 1976, was to be celebrating its 200th year of existence, and Michel Guy, the French Minister of Culture, came to New York to offer a commission to Philip Glass and Robert Wilson to write an opera. This was the gift that France would give for America's two-hundredth anniversary. That was the first time I met Robert Wilson.""My son had died, and I had taken to two years to recover. So I went to New York. I had dinner with Laurie Anderson, and as I was getting up to leave, she said, 'What are you doing in New York?' I said, "I'm looking for work' She said, 'What are you doing next week?' I said, 'Well, I'm supposed to be in Atlanta, Georgia doing a music film with David Byrne and Talking Heads. Well, what do you have?' She said, 'I'm doing a piece next week at Brooklyn Academy of Music with Trisha Brown and Robert Rauschenberg, Set and Reset. Why don't you come? Bring your sax, we'll work it out then.' Two weeks after that concert, Laurie's manager called and said, 'Do you want to go on a 20-city tour of America with Laurie? Home of the Brave?' Of course, we did that. That was the beginning of the reconstruction of my career in New York through Laurie Anderson."http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landryMusic on this episode courtesy of Dickie Landry:E-mu & Alto Saxophone composed by D.L. for Robert Wilson's production of "1433 The Grand Voyage" based on the story of Zheng He. Premier National Theater Taipei, Taiwan 2009“Gloria” for Robert Wilson's “Oedipus Rex”Philip Glass'"Einstein on the Beach”. Original recording on Tomato Records 1977. D.L. on flute "Are Years What" Phillip Glass. Composed for D.L. playing 3 soprano saxophones. On his lp "North Star”,1977 Swing Kings 1965, D.L. on flute“Home of the Brave” on the Late Show with Laurie Anderson"Taideco" Zydeco, for Wilson's production of "1433" Cedric Watson, Jermain Prejean, D.L. “Ghosties” from “Dickie Landry Solo”"It Keeps Rainin'", Robert Plant with Lil' Band O' Goldwww.creativeprocess.info www.oneplanetpodcast.orgInstagram @creativeprocesspodcast

"Einstein on the Beach, it's a masterpiece. America, in 1976, was to be celebrating its 200th year of existence, and Michel Guy, the French Minister of Culture, came to New York to offer a commission to Philip Glass and Robert Wilson to write an opera. This was the gift that France would give for America's two-hundredth anniversary. That was the first time I met Robert Wilson.""My son had died, and I had taken to two years to recover. So I went to New York. I had dinner with Laurie Anderson, and as I was getting up to leave, she said, 'What are you doing in New York?' I said, "I'm looking for work' She said, 'What are you doing next week?' I said, 'Well, I'm supposed to be in Atlanta, Georgia doing a music film with David Byrne and Talking Heads. Well, what do you have?' She said, 'I'm doing a piece next week at Brooklyn Academy of Music with Trisha Brown and Robert Rauschenberg, Set and Reset. Why don't you come? Bring your sax, we'll work it out then.' Two weeks after that concert, Laurie's manager called and said, 'Do you want to go on a 20-city tour of America with Laurie? Home of the Brave?' Of course, we did that. That was the beginning of the reconstruction of my career in New York through Laurie Anderson."For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Keith Sonnier, Philip Glass, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson.Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11.http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landryMusic on this episode courtesy of Dickie Landry:E-mu & Alto Saxophone composed by D.L. for Robert Wilson's production of "1433 The Grand Voyage" based on the story of Zheng He. Premier National Theater Taipei, Taiwan 2009Philip Glass'"Einstein on the Beach”. Original recording on Tomato Records 1977. D.L. on flute “Home of the Brave” on the Late Show with Laurie Andersonwww.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast